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Speaker 1: Unpacking the Toolbox is a production of Shondaland Audio in

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Speaker 1: partnership with Iheartradios Katie Tho.

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Speaker 2: Guiermo. Did you get a haircut?

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Speaker 3: I did on Saturday. I got a haircut. Do you

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Speaker 3: like it?

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Speaker 2: And you have plain brown hair?

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Speaker 3: Yes? Can you believe it? I had it died first.

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Speaker 1: I had a bleach blonde, then I dyed it blue.

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Speaker 1: For a while, I had a green before the blue,

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Speaker 1: then blue, and then auditions started to pick up and

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Speaker 1: my manager was like, you need to dye your hair

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Speaker 1: back to black or back to brown.

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Speaker 4: I love your manager's so much that they say that

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Speaker 4: stuff to you. I feel like not all managers would

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Speaker 4: do that. This is a really personal question too that

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Speaker 4: I've always I think I want to ask you and

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Speaker 4: you don't have to answer honestly, But like, do you

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Speaker 4: shave into your eyebrows?

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Speaker 3: Yeah?

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Speaker 1: I do, just a think. I don't do it. My

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Speaker 1: barber does it.

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Speaker 2: Is there a name for that?

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Speaker 3: No? I don't think so.

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Speaker 1: I just like the look it kind of looks like

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Speaker 1: I got, you know, like I have a scar almost

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Speaker 1: or whatever. And then if I like, I just did

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Speaker 1: the good doctor and not too long ago, and they

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Speaker 1: just you know, they just color it colored in.

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Speaker 3: And covered up. It's such an easy cover up.

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Speaker 4: An eyebrow scar is very hot, it's very attractive. I

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Speaker 4: want to say, Jason Momoa has one. Oh my son

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Speaker 4: busted his eyebrow when he was eighteen months old and

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Speaker 4: has a really nice eyebrow scar. That is good.

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Speaker 3: Yeah. Oh, I hope it stays with him for.

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Speaker 2: Oh it's that whole life.

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Speaker 4: He completely has it. It's white in here, like a

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Speaker 4: white line.

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Speaker 3: Oh, it's so cute.

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Speaker 4: And I was so upset. Oh my god, I sobbed

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Speaker 4: when it happened. I was like his perfect angelic face

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Speaker 4: that I created in my own body. And then I

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Speaker 4: both myself has been completely tainted by this fareva scar

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Speaker 4: and now I'm obsessed with it.

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Speaker 2: I love it.

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Speaker 3: What was the accident was?

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Speaker 2: Oh my god, it was awful.

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Speaker 4: He was sitting on my lap and I was just

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Speaker 4: reading him a book or something like that, like I

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Speaker 4: was sitting crisscross applesauce, and he like soot up and

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Speaker 4: went to the bookshelf to go grab another book, and

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Speaker 4: he tripped on my knee and nailed his face on

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Speaker 4: the corner of the bookshelf.

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Speaker 2: It was like a year and a half.

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Speaker 4: He wasn't really great at walking yet and he nailed

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Speaker 4: and it was just like this big open cut in

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Speaker 4: his eyebrow. And I swear I spent a good four

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Speaker 4: hours going down a total spiral of looking up every

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Speaker 4: hot person that has an eyebrow scar.

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Speaker 2: You were like, this is to make sure that my

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Speaker 2: son is okay.

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Speaker 4: And there are plenty it's and you yourself are giving

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Speaker 4: one bulloh opting for that.

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Speaker 3: Hello, I'm shaving into it myself.

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Speaker 4: Oh my god, You're not gonna believe this.

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Speaker 3: What.

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Speaker 4: On November fifteenth, twenty eighteen, Momoa was slashed in the

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Speaker 4: face with a broken beer glass at Bird's Cafe No

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Speaker 4: in Hollywood, California. He received one hundred and forty stitches

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Speaker 4: during reconstructive surgery, which resulted in the scar on his

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Speaker 4: left eyebrow.

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Speaker 3: Yo, that's messed up. Who the hell sliced into his face?

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Speaker 2: Have you ever gotten to a fight in a bar? No?

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Speaker 3: No, I haven't.

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Speaker 2: I've never even gotten into a fight. Have you been

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Speaker 2: in a fight?

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Speaker 1: Shit? I have, but it's been like quick, not like

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Speaker 1: a full on like I remember too growing up in

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Speaker 1: New York, like friends that would be like yo, after

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Speaker 1: school and then they'd like take their shirts off.

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Speaker 3: All the kids would come out to watch. It was

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Speaker 3: like a freaking boxing match, and I was like, oh

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Speaker 3: my god.

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Speaker 1: Yeah, like I've gotten into like, you know, shoving matches

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Speaker 1: and a little bit of fighting, but very quickly.

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Speaker 2: Did you ever throw a punch, like at somebody's face?

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Speaker 1: I have thrown a punch, yeah, And I didn't like it.

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Speaker 1: I don't like it at all.

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Speaker 4: I'm so interesting because you always play such I feel

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Speaker 4: like you play some pretty fucking badass characters that have

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Speaker 4: been in a lot of fights.

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Speaker 3: Which is interesting.

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Speaker 1: You're saying this, Katie, because in this episode that we're

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Speaker 1: about to talk about, it's called Mama Said Knock you Out, Yes,

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Speaker 1: and and Huck beat up on a B six thirteen agent.

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Speaker 1: There's a couple of punches thrown in this episode. So

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Speaker 1: that's so interesting that you're segueing into this thing.

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Speaker 2: Honey, It's so good. Oh, aren't I I'm incredible?

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Speaker 3: Hello, You're like, dumb motherfucker. I planned this show.

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Speaker 2: I had no idea. This is coincidental. I had literally

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Speaker 2: no idea. I don't know why we're talking about fighting, oh,

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Speaker 2: because we're talking about Jason Momoa's eyebrow.

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Speaker 3: Oh my god, Gladiators, we're excited about this episode. Though.

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Speaker 4: This episode is pisode three fifteen. It's called Mama Said

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Speaker 4: Knock You Yeah?

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Speaker 3: Oh shout out? Oh cool Jay?

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Speaker 4: Oh, el l cool Jay. I saw him once at

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Speaker 4: a diner in Long Island.

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Speaker 1: You did, Have you ever met that? I've never No,

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Speaker 1: I've never met him, but I did a movie. I

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Speaker 1: was in a movie with him called Into Deep, but

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Speaker 1: I didn't have any scenes with him, but I love him.

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Speaker 2: Okay.

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Speaker 4: So Mama Said Knock You Out aired on March twenty seven,

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Speaker 4: twenty fourteen.

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Speaker 1: And it was written by Zahir McGhee and directed by

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Speaker 1: Tony Goldwin.

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Speaker 3: What what, Oh my god? What what what?

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Speaker 4: This episode is chock full guest starring John Tennys, Andrew Nichols,

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Speaker 4: Candy Alexander Is, Maya Lewis, Dylan Minnette as Jerry Grid Junior.

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Speaker 2: Oh God, he's gonna die so sad, but not in

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Speaker 2: this episode.

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Speaker 4: Madeline Carrol is Karen grit nazanin Boniati's Ad Non.

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Speaker 1: Salif, Charmila Davar is Lauren Wellman, Mackenzie Aston is Noah Baker,

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Speaker 1: Carlo Rota as Ivan Molly Bakers, Rachel Moss, Troy Wynn

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Speaker 1: Bush as Morris Elcott, and Eben Ham as Tanner Shaw.

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Speaker 4: Okay synopsis. When Olivia can't cancel an impending Grant family interview,

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Speaker 4: we roll back the clock to view the chaos that

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Speaker 4: led up to the minute before. Literally, Melly and Andrew

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Speaker 4: continue their affair while Olivia digs dirt up on the grandchildren,

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Speaker 4: only to uncover some minor political bashing that becomes a

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Speaker 4: bigger problem.

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Speaker 1: Then Adnan shows up to o Pa, seemingly turning herself

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Speaker 1: in while Quinn tries to reclaim some power back from Huck.

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Speaker 1: Moments before the interview, Fits learns about Melly's affair. Miraculously,

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Speaker 1: they pull it together at the last moment, as Olivia

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Speaker 1: and Quinn both get some shocking news at the end

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Speaker 1: of the episode, Wow, what the hell?

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Speaker 2: This episode is a ringer.

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Speaker 3: It's fun, it's a doozy.

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Speaker 2: It's a doozy and.

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Speaker 4: We really get This is the episode where we really

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Speaker 4: get the Grant kids. They have to carry a lot

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Speaker 4: of acting scenes.

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Speaker 1: Yeah, Katie, my first thought was what a couple of

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Speaker 1: spoiled brats. These two fucking schlubs are like they're just

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Speaker 1: moping around all pissed off about what, like.

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Speaker 4: Yeah, your mommy, ooh, you're in Dan, you're going to

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Speaker 4: this fancy fucking school and you're going to this fancy

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Speaker 4: school and you're so miserable about your parents, like when when?

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Speaker 1: When? And the girls like get out of my bedroom

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Speaker 1: and that once. I'm like, girl, I didn't even have

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Speaker 1: my own bedroom. At least you have your own bedroom

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Speaker 1: to ask somebody to get out. You're annoying me, I know.

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Speaker 1: And this episode starts at ten right off the.

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Speaker 4: Top, Yeah, I wrote dinner with Fits and Melly and

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Speaker 4: Karen and Jerry. It is the worst family dinner ever.

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Speaker 4: And he says, at the end of the day, let's

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Speaker 4: remember that we.

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Speaker 2: Love each other.

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Speaker 4: And then I was like, yikes, doesn't seem like nobody

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Speaker 4: loves nobody in this family.

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Speaker 1: Right, I was just gonna say really quick, and Melly

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Speaker 1: to the daughter, She's like, I don't know if you're

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Speaker 1: still vegan, but I think this is made with nuts,

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Speaker 1: and she's I'm just gonna eat the salad girl.

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Speaker 3: Whatever.

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Speaker 2: Whatever. Quinn does okay in this episode.

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Speaker 1: I listen, this is ponytail, Quinn. I call it ponytail.

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Speaker 1: Quinn is a bad ass. Yo. Whenever you see Quinn

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Speaker 1: in a ponytail, you know some badass stuff is gonna

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Speaker 1: go down in the episode.

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Speaker 2: Yes, that's exactly exactly right. But Quinn in this episode

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Speaker 2: is Charlie is a dog with a.

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Speaker 4: Bone, is going after Quinn so hard? What do you mean,

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Speaker 4: Huck was in your apartment? What happened in your apartment?

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Speaker 4: When did he push you?

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Speaker 2: Did he push you?

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Speaker 3: Before?

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Speaker 2: And after? And he's quizzing me. He's like, you, guys,

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Speaker 2: argue before, did you before he pushed you?

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Speaker 3: Or after he pushed She's jealous.

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Speaker 4: Possessive, and creepy as shit. Quinn constantly just trying to

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Speaker 4: calm this psychopath of a boyfriend who seems as abusive

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Speaker 4: and possessive and jealous as all hell. Ladies listening to

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Speaker 4: this podcast, if you got a boyfriend that's acting.

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Speaker 2: Like that, get out.

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Speaker 1: But yo, But Katie just ended to play devil's advocate

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Speaker 1: in his defense.

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Speaker 3: Quinn is straight up aling to him. He's he's la

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Speaker 3: la la lying.

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Speaker 1: So he has a reason to be this sort of

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Speaker 1: jealous and inquisitive because she's straight.

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Speaker 3: Up lying to him.

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Speaker 2: Yes she did make out.

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Speaker 4: Yeah, Yes, by my case, No boyfriend like that.

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Speaker 2: No, he's quizzing her. They're in the car. They're like

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Speaker 2: torturing a guy like bad.

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Speaker 4: They're in the clear, Aprinds, she's ponytail, Quinn, this is

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Speaker 4: all happening.

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Speaker 1: Yeah, they have Dmitri in the trunk, the guy that

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Speaker 1: they're gonna they're about to torture.

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Speaker 2: Exactly.

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Speaker 3: We'll be right back, guys.

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Speaker 2: Okay, what else do we got?

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Speaker 1: What?

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Speaker 4: Other highlights of this episode? Favorite favorite scenes.

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Speaker 1: This is the episode that made me think, don't these

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Speaker 1: people lock their doors when they're about to fuck around

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Speaker 1: with somebody that they're not supposed to be sucking around with,

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Speaker 1: even if you're will be working around with them, lock

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Speaker 1: the door.

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Speaker 3: You're in the White House.

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Speaker 1: Mellie goes down on Andrew Nichols and leaves the door unlocked.

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Speaker 3: Her daughter walks right in. What the hell? Come on,

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Speaker 3: I don't get it.

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Speaker 4: You were the best trailer locker listening ever.

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Speaker 1: White Trailer Debauchery Guermo was always locked.

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Speaker 3: It was the lock.

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Speaker 4: I take it from somebody who I never locked my door.

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Speaker 4: I never locked my trailer door. I am not a

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Speaker 4: door locker. Really, Yeah, it's bad. I don't like really bad,

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Speaker 4: and you know what, you're right because like at some

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Speaker 4: point my kids are coming in and I don't even

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Speaker 4: have locks on my door.

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Speaker 3: You don't. Oh wow, do.

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Speaker 2: You have locks on your bedroom door in your house?

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Speaker 3: Yeah, there's a lock on the bedroom door. There's a

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Speaker 3: lock in the room I'm in right now.

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Speaker 1: The lock is a horse that slides overcause they don't

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Speaker 1: have the secret bookcase in this room that I'm in.

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Speaker 4: Oh yeah, because you grew up with three boys in

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Speaker 4: a bedroom and like you didn't have any of your

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Speaker 4: own space ever.

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Speaker 1: Probably and now I like privacy, like don't be coming

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Speaker 1: in my room unless you knock. And even on set

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Speaker 1: I remember, and not only on Scandal, on other projects

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Speaker 1: people would you know the ad Will the eighty or

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Speaker 1: their second and whoever comes to.

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Speaker 2: Get your base camp, whoever's like running base.

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Speaker 1: Camp like a courtesy knock and then open the door, No, bitch,

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Speaker 1: knock and then wait for me to open the door,

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Speaker 1: enter or us or you open the door your ex exactly.

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Speaker 3: Don't be opening the door after you knock.

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Speaker 1: This episode also reminds me of the shenanigans that were

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Speaker 1: going on when Kelly on Conway Hasty Secretary yea.

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Speaker 3: And her kids.

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Speaker 1: Do you remember her daughter was like on TikTok, totally

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Speaker 1: talking shit about her mother.

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Speaker 4: And this is what's happening in the episode, because we

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Speaker 4: learned that Jerry Junior has created some fake Twitter account

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Speaker 4: or something that's super against his dad's presidency and her

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Speaker 4: his dad running for a second term. Yes, talk and

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Speaker 4: abby they like shut the Twitter account down.

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Speaker 1: Yes, and he's playing on wearing that shirt. Oh yeah,

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Speaker 1: the governor resting like wear is about.

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Speaker 4: To come out there, this little spoiled privileged shit. Yeah,

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Speaker 4: and come out there wearing a governor rest.

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Speaker 2: In t shirt.

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Speaker 3: Yep.

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Speaker 1: But Olivia's bitey senses catch that, right, because when she's

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Speaker 1: having that little talk with with Jerry and Karen, she

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Speaker 1: then she talks out and remember who she talks about.

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Speaker 1: She's like there was something off. I'm not sure what

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Speaker 1: it is, but look into those kids, and she was right.

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Speaker 3: She was spault spolt on.

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Speaker 2: Okay, what else did we like in this episode? I'm okay.

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Speaker 2: I wrote and add Non and Harrison fuck again.

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Speaker 1: Yay?

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Speaker 3: Yeah it sure did.

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Speaker 4: They have sex again? I think the entire section Melly

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Speaker 4: is going down on andrew daughter. Karen walks in sees

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Speaker 4: it storms out, Melly goes running after her. Karen is crying,

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Speaker 4: and Fits also comes in, and now every buddy's there,

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Speaker 4: and Karen's like, Melly.

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Speaker 2: Is screwing Uncle Andrew and Fits.

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Speaker 4: That's how Fitz learns that Melly is having an affair

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Speaker 4: with his best friend of a million years, who's sharing

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Speaker 4: the ticket with Andrew Nichols. And I just love so

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Speaker 4: much how that all unraveled. And then it's just so

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Speaker 4: sad because they're in this horrible fight and we realize

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Speaker 4: that Fits isn't upset because she's cheating. He's upset because

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Speaker 4: he just thought she was like done with being sexual,

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Speaker 4: because we flashed back to the time when Jerry Grant

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Speaker 4: raped her, and every time after that that Fitz would

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Speaker 4: try to touch her, she like cowers.

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Speaker 2: Away, and obviously there's so much trauma there.

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Speaker 4: And he was like, I just thought you fell out

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Speaker 4: of love with me, you didn't like sex anymore, and

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Speaker 4: you had the baby, and that happens to women sometimes

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Speaker 4: when they get pregnant and have babies, and Babe didn't

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Speaker 4: want me, and he was like, really, I'm just heartbroken

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Speaker 4: that it's not that you didn't want sex.

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Speaker 2: It's that you didn't want me me.

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Speaker 3: Yeah, that was such a great scene.

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Speaker 1: But then you see it on Bellamy's face, on Melly's

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Speaker 1: face that she wants to tell him, but she just can't.

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Speaker 1: She knows that it'll destroy fits if she tells him

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Speaker 1: that your dad raped me.

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Speaker 3: That's time.

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Speaker 2: I'm like, can she just tell him?

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Speaker 3: Oh, just fucking tell him. Isn't he dead at this

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Speaker 3: point already?

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Speaker 2: Yeah, he's dead, Just tell him.

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Speaker 4: Maybe she's I think she's not really telling him because

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Speaker 4: she's still afraid that the sun might not be fitz.

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Speaker 3: Oh. Maybe at this point she's.

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Speaker 4: Like situation, yeah, and I think she's more heartbroken that

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Speaker 4: their kid might not be theirs.

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Speaker 3: It might be, yes, yes.

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Speaker 1: But there's also that moment, Katie that you were just

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Speaker 1: talking about when Karen walks in on Melly on her

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Speaker 1: knees and she storms out, and then Olivia comes out

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Speaker 1: and bumps into Melly with her dress half off and

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Speaker 1: Mellie's and Olivia's like, oh my god, oh my god.

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Speaker 4: Again we lock them doors, lock them doors, Like why

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Speaker 4: are you locked them doors?

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Speaker 1: With the White House like you're doing this. Do you

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Speaker 1: think Bill Clinton locked that door when he was doing

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Speaker 1: the nasty Monica Lewinsky.

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Speaker 4: He must have he must have adored.

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Speaker 2: I can't.

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Speaker 4: There's like a very sexual moment for people who like

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Speaker 4: the steamy, steamy sins.

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Speaker 2: Of Steamy Sins of Scandal.

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Speaker 4: But I wrote whoa Fitz and Olivia are making out

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Speaker 4: in their area of the Oval office, and at the

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Speaker 4: same time, Millie and Andrew were making out in the

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Speaker 4: dining room and it's hot and he's like asking her

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Speaker 4: do you like it there or there? And she's like

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Speaker 4: both And it's like heavy breathing.

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Speaker 3: What the what?

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Speaker 1: And people are worried about me having sex in my trailer. Meanwhile,

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Speaker 1: this show, look at this, He's got his hand up

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Speaker 1: her skirt.

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Speaker 3: You like it there or there?

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Speaker 2: Who is writing this?

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Speaker 4: And also yay us, I'm always about it because I'm like,

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Speaker 4: you know what, our show was super violent. I feel

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Speaker 4: like Shanda used to always be like, it's crazy how

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Speaker 4: standards and practices the organization that sort of clears what

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Speaker 4: can be put on a network show. It's like unbelievable

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Speaker 4: what goes through in terms of violence, but what oh

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Speaker 4: yeah gets flagged in terms of sexual activity.

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Speaker 2: It's just crazy.

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Speaker 1: Yeah, it's such a it's such a I don't know

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Speaker 1: if double standard is the right word or it's shocking

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Speaker 1: that they'll show like someone's head getting blown off, Yes,

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Speaker 1: but if you put your hand up someone's skirt, like

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Speaker 1: that's an issue.

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Speaker 2: Yeah, or you know what I meanst once like sexes

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Speaker 2: like yes.

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Speaker 3: Yes.

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Speaker 1: Another scene, Katie that stuck out to me. In this episode,

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Speaker 1: there's a phone call between Maya Pope and Olivia and

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Speaker 1: where Live calls Maya a terrorist and Maya's all, Sweetie,

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Speaker 1: you're the help doing this work for all these white people.

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Speaker 3: What about you, girl?

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Speaker 1: I'm not gonna how about I don't mess into your

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Speaker 1: business and you don't go into my business and will

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Speaker 1: be good. Oh but that's such a powerful scene because

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Speaker 1: that's that you could see the light bulb go off

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Speaker 1: in Olivia's head of her thinking, oh my god, am

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Speaker 1: I just the help?

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Speaker 4: And she feels like the help in this episode. I mean,

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Speaker 4: I might be a dick, but like, yeah, she's running

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Speaker 4: around cleaning up oh yeah, after their stupid, fucking trivial

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Speaker 4: family scenes to get this family in a place where

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Speaker 4: they could do a family interview that's supposed to help

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Speaker 4: him and his election to second term. And it's like

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Speaker 4: the whole time she's running around cleaning up you know

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Speaker 4: this one, give it a blowjob to this one and

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Speaker 4: this son fucking wearing this T shirt and wearing this

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Speaker 4: Twitter account and like Karen won't go on in the

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Speaker 4: school play.

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Speaker 2: Or like whatever it is.

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Speaker 4: Yeah, and then this follows itself where she asks Cyrus,

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Speaker 4: She's like, are we just the help? Like what am

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Speaker 4: I doing? Is this worth it? Like I am like

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Speaker 4: this sucks.

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Speaker 3: Yeah.

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Speaker 1: But then and it's also it's such a power scene

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Speaker 1: when Fits is arguing with Mellie after he finds out

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Speaker 1: that she's messing around with Andrew Nichols, and Olivia comes

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Speaker 1: in and she's like, you guys, you have to knock,

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Speaker 1: and Fitch turns on her and says, I'm.

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Speaker 3: Talking to my wife. Oh, and that just is she feels.

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Speaker 4: Like the help, she shook. Yes, she feels like the help.

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Speaker 4: She feels like the mistress, she feels like the woman,

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Speaker 4: she feels like a side piece, she feels all those

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Speaker 4: things tiny and shitty.

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Speaker 1: And yeah, but in an instant he regreted immediately, Yes, yes, yes,

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Speaker 1: such a great.

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Speaker 2: Scene, such a great scene.

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Speaker 1: But then from that point on, Olivia's like, this is

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Speaker 1: my job. I am here to work. This is my job.

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Speaker 3: She's like, oh no, no more of this help nonsense.

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Speaker 4: Yeah, we will be back with more after the break.

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Speaker 2: Wait, what the hell is Hawk doing in this episode?

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Speaker 1: In this episode, he's trying to get Quinn back. Remember,

400
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Speaker 1: he's trying to get her out of be six thirteen.

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Speaker 2: This is that scene, Kata this Hollywood Cemetery.

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00:19:03,160 --> 00:19:09,800
Speaker 4: Yes, yes, oh my god, I remember Tony Goldwyn directing

403
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Speaker 4: this scene with us.

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Speaker 2: Do you remember this?

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00:19:12,240 --> 00:19:15,440
Speaker 1: I remember shooting it at Hollywood Cemetery. I remember being

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Speaker 1: there with you, but I don't remember him directing it.

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Speaker 3: Isn't that weird?

408
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Speaker 2: This is what I remember?

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Speaker 4: Okay, So for gladiators listening, this is the scene where

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Speaker 4: obviously Huck and Quinn have like texted and be like,

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Speaker 4: let's meet at this super fucking shady bridge in this

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Speaker 4: terrifying cemetery because this is the ship that turns us on.

413
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Speaker 4: We're standing on this bridge and we're both in our

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Speaker 4: leather coats and I lick your face. Oh and then

415
00:19:40,320 --> 00:19:44,280
Speaker 4: we make out yeah pretty hotly in my opinion.

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Speaker 1: Yeah, well, she says, yeah, that says something like you

417
00:19:48,600 --> 00:19:50,760
Speaker 1: were ready to kill me and you licked my face.

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00:19:50,800 --> 00:19:52,760
Speaker 1: You were ready to kill me. But then when your

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Speaker 1: tongue goes in my mouth, that's a whole different story.

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Speaker 1: Now that changes everything. And then Quinn licks huck and

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Speaker 1: she's like, I'm to give you a taste of your

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Speaker 1: own medicine.

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Speaker 4: But yeah, oh, you pull my teeth out, you lick

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Speaker 4: my face. And now that I've shoved my tongue down

425
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Speaker 4: your throat, Oh now you like me. Now you want

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Speaker 4: me back, Now you want me a O pa.

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00:20:12,080 --> 00:20:14,200
Speaker 1: Yes, because the last time we saw them make out

428
00:20:14,280 --> 00:20:16,800
Speaker 1: was in Quinn's apartment when they have that.

429
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Speaker 2: Where he and what I'm lying to Charlie about, nothing happened.

430
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Speaker 4: He didn't do anything. He pushed me, like, we didn't

431
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Speaker 4: make out. I'm not super into this dude.

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Speaker 3: Super yes, yes, super We take.

433
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Speaker 4: Out And this is what I remember about twenty Goldwin

434
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Speaker 4: saying it was we shot that scene at night.

435
00:20:30,520 --> 00:20:32,399
Speaker 2: Oh yeah, and it was really dark.

436
00:20:33,000 --> 00:20:36,320
Speaker 4: This is our six degrees of horror because we literally

437
00:20:36,720 --> 00:20:39,639
Speaker 4: for g on this episode because we literally shot this

438
00:20:39,760 --> 00:20:42,680
Speaker 4: scene in the Hollywood Forever Cemetery, which was so cool

439
00:20:42,720 --> 00:20:43,000
Speaker 4: to do.

440
00:20:43,160 --> 00:20:46,160
Speaker 3: It's so cool. It's such a beautiful space.

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00:20:46,160 --> 00:20:49,160
Speaker 4: It's such a beautiful cemetery, and it's so filled with

442
00:20:49,400 --> 00:20:54,920
Speaker 4: just Hollywood legends. Yeah, and you Ben Garland watch movies there,

443
00:20:55,200 --> 00:20:55,800
Speaker 4: Judy Garland.

444
00:20:55,880 --> 00:20:58,399
Speaker 3: Judy Garland is buried there. Who else? I feel like

445
00:20:58,440 --> 00:21:02,200
Speaker 3: Marilyn Monroe may. I don't know. It's just a ton of.

446
00:21:02,280 --> 00:21:04,640
Speaker 4: I want to see, but I do remember Tony Goldwyn,

447
00:21:04,760 --> 00:21:09,240
Speaker 4: who's like the king of on camera makeouts, who's buried

448
00:21:09,280 --> 00:21:15,800
Speaker 4: hold On in Hollywood Forever Cemetery. He came up to

449
00:21:15,880 --> 00:21:18,600
Speaker 4: us and said, you know, it's really dark and you

450
00:21:18,720 --> 00:21:23,160
Speaker 4: guys are just like smashing your faces into each other

451
00:21:24,640 --> 00:21:26,960
Speaker 4: to make out, which obviously we were very good at that,

452
00:21:27,359 --> 00:21:29,000
Speaker 4: but he was like, I need there to be some

453
00:21:29,960 --> 00:21:33,159
Speaker 4: like some breaking a part of the kissing because I

454
00:21:33,440 --> 00:21:35,320
Speaker 4: am having a hard time seeing it because it's all

455
00:21:35,359 --> 00:21:37,800
Speaker 4: this looking like a dark mashed potato.

456
00:21:38,720 --> 00:21:40,680
Speaker 2: And do you like my direction there?

457
00:21:41,000 --> 00:21:43,760
Speaker 4: I love it, And instead, so I think that's why, Like,

458
00:21:44,000 --> 00:21:46,720
Speaker 4: if you really study our smooching in that scene, it's

459
00:21:46,760 --> 00:21:50,120
Speaker 4: a lot more like I think you can just see

460
00:21:50,119 --> 00:21:52,120
Speaker 4: a little bit more space between our we.

461
00:21:52,040 --> 00:21:54,800
Speaker 1: Make out close up and then I pull your face

462
00:21:54,880 --> 00:21:57,880
Speaker 1: back and what we wanted and then we both stick

463
00:21:57,920 --> 00:21:59,880
Speaker 1: out our tongues, do you remember, and we like our

464
00:22:00,080 --> 00:22:01,280
Speaker 1: licking each other's tongues.

465
00:22:01,680 --> 00:22:06,160
Speaker 3: It's fucking crazy. I just watched it yesterday.

466
00:22:06,320 --> 00:22:10,199
Speaker 2: Oh my god. Coordinator like, oh how do you do that?

467
00:22:10,320 --> 00:22:13,199
Speaker 4: Now you have to be like, I think this is

468
00:22:13,240 --> 00:22:16,119
Speaker 4: the part where your lung tongue licks your tongue but

469
00:22:16,200 --> 00:22:19,440
Speaker 4: your lips aren't touching these we are sick.

470
00:22:19,440 --> 00:22:21,320
Speaker 3: Ohs I love it, okay, but it's such a good scene.

471
00:22:21,359 --> 00:22:24,120
Speaker 1: And then Quinn walks away, she gives she makes out

472
00:22:24,119 --> 00:22:26,480
Speaker 1: with him, does all that, and she's yeah, that's right,

473
00:22:26,600 --> 00:22:28,920
Speaker 1: that's how it is or something like that, and I

474
00:22:29,040 --> 00:22:32,280
Speaker 1: say that, yeah, yeah, you say, yeah, that's how it is.

475
00:22:33,440 --> 00:22:36,480
Speaker 1: And Hawk is just standing there like, oh my god,

476
00:22:36,600 --> 00:22:37,480
Speaker 1: I love Gwynn.

477
00:22:37,640 --> 00:22:38,639
Speaker 2: Okay, this is crazy.

478
00:22:38,640 --> 00:22:43,840
Speaker 4: This is who's buried there, Demil, Rudolph Valentino, Mickey Rooney,

479
00:22:44,080 --> 00:22:48,760
Speaker 4: Tyrone Power, Douglas Fairbanks, Johnny and d Ramone, Chris Cornell,

480
00:22:49,720 --> 00:22:54,800
Speaker 4: Humphrey Bogart, Elizabeth Taylor, Senser, Tracy, Jimmy Stewart, Michael Jackson.

481
00:22:54,880 --> 00:22:59,040
Speaker 4: This is the other location, Nat King, Cole, Natalie Cole

482
00:23:00,240 --> 00:23:04,360
Speaker 4: Garland place is Why did everyone want to get buried there?

483
00:23:05,080 --> 00:23:08,000
Speaker 4: I haven't seen Judy Garland's gravestone? Have you ever seen that?

484
00:23:08,040 --> 00:23:11,119
Speaker 3: I have I've seen it. Yeah, is it cool? It

485
00:23:11,280 --> 00:23:15,080
Speaker 3: is really cool. It is. I'm so happy we got

486
00:23:15,080 --> 00:23:16,159
Speaker 3: to film there, I know.

487
00:23:16,960 --> 00:23:20,959
Speaker 4: And it's really cool because there's a ton of like mausoleums, yes, yes,

488
00:23:21,119 --> 00:23:23,959
Speaker 4: and building structures that are really cool.

489
00:23:24,160 --> 00:23:25,120
Speaker 3: Oh yeah, yeah yeah.

490
00:23:25,160 --> 00:23:27,600
Speaker 1: Do you remember the scene to Katie where we're making out.

491
00:23:28,359 --> 00:23:30,639
Speaker 1: I think after we're done making out in the shot,

492
00:23:30,680 --> 00:23:33,959
Speaker 1: put sort of pulls in switches into a wide You

493
00:23:34,080 --> 00:23:38,520
Speaker 1: just see this random swan just swim up right below us.

494
00:23:38,560 --> 00:23:39,280
Speaker 3: Do you remember that.

495
00:23:39,520 --> 00:23:42,399
Speaker 2: I totally remember that. I feel like it's in the shot.

496
00:23:42,680 --> 00:23:44,960
Speaker 3: Yeah. Oh yeah, it's totally in the shot. But that's

497
00:23:45,000 --> 00:23:46,240
Speaker 3: a show swan people.

498
00:23:46,680 --> 00:23:49,359
Speaker 4: It was awesome to shoot there, and I love shooting

499
00:23:49,359 --> 00:23:51,880
Speaker 4: that scene, and I feel like it's an iconic, iconic

500
00:23:52,600 --> 00:23:54,160
Speaker 4: awesome quinnin Hook.

501
00:23:54,080 --> 00:23:57,280
Speaker 1: Insane Listen, there's a lot of punching in this episode.

502
00:23:57,440 --> 00:24:01,280
Speaker 1: Huck Punch is a B six thirteen agent fits punches

503
00:24:01,320 --> 00:24:04,919
Speaker 1: Andrew Nichols and Quinn and Huck punch each other with

504
00:24:05,000 --> 00:24:08,240
Speaker 1: their tongues. There's a lot of punching in this episode, y'all.

505
00:24:10,080 --> 00:24:14,800
Speaker 4: Where we covered I don't remember anything about the fashion

506
00:24:14,880 --> 00:24:15,680
Speaker 4: to you, I don't.

507
00:24:16,040 --> 00:24:20,800
Speaker 1: I don't the horror stuff. Listen, Mattalie Carroll who played Karen.

508
00:24:20,840 --> 00:24:22,240
Speaker 1: That's her name right, the daughter?

509
00:24:22,600 --> 00:24:22,879
Speaker 2: Yes?

510
00:24:23,000 --> 00:24:25,840
Speaker 3: Is it Karen? She was on R.

511
00:24:26,040 --> 00:24:29,639
Speaker 1: L Stein a TV series called The Haunting Hour and R.

512
00:24:29,760 --> 00:24:33,480
Speaker 1: L Stein is the person that created Goosebumps. Do you

513
00:24:33,520 --> 00:24:35,000
Speaker 1: remember Goosebumps? Of course?

514
00:24:35,040 --> 00:24:37,119
Speaker 3: I love I Love Goosebumps.

515
00:24:37,119 --> 00:24:39,480
Speaker 1: And then they made the movie with Jack Black and

516
00:24:39,560 --> 00:24:43,280
Speaker 1: Dylan Mannette is the lead guy in Goosebumps the movie.

517
00:24:43,600 --> 00:24:44,879
Speaker 2: Who's Dylan Mannette?

518
00:24:45,000 --> 00:24:46,040
Speaker 3: He plays Jerry.

519
00:24:46,920 --> 00:24:49,720
Speaker 2: Oh my god? Did Jerry and Karen have like a

520
00:24:49,760 --> 00:24:51,320
Speaker 2: couple degrees separation.

521
00:24:51,000 --> 00:24:54,000
Speaker 3: Of Yes, they sure do. But also Katie.

522
00:24:54,040 --> 00:24:56,320
Speaker 1: One of my favorite things in this episode is at

523
00:24:56,359 --> 00:24:59,000
Speaker 1: the end when everybody makes up and they're like, Okay,

524
00:24:59,000 --> 00:25:01,040
Speaker 1: we're gonna be good to each other, We're gonna make

525
00:25:01,080 --> 00:25:04,120
Speaker 1: this interview work. And they all sit down, but then

526
00:25:04,640 --> 00:25:08,720
Speaker 1: Olivia walks in with freaking baby Gomez from Adam's family.

527
00:25:09,440 --> 00:25:12,600
Speaker 1: The little baby what's his name? I was like, what

528
00:25:12,720 --> 00:25:12,879
Speaker 1: is he?

529
00:25:13,680 --> 00:25:14,120
Speaker 3: Teddy?

530
00:25:14,280 --> 00:25:17,840
Speaker 1: I was like, what is this freaking little baby Gomez

531
00:25:17,960 --> 00:25:19,600
Speaker 1: freaking Adam's family doing here?

532
00:25:19,600 --> 00:25:20,520
Speaker 3: Where's the mustache?

533
00:25:20,720 --> 00:25:26,320
Speaker 2: Baby Gomez? I am dis ceased baby Gomez?

534
00:25:26,960 --> 00:25:30,320
Speaker 4: But does he look and I'm still sticking to my

535
00:25:30,480 --> 00:25:33,600
Speaker 4: story that baby Teddy was a girl that they kept

536
00:25:33,680 --> 00:25:38,120
Speaker 4: cutting to having boy haircuts. I really think that's what

537
00:25:38,200 --> 00:25:41,520
Speaker 4: was happening, if I remember correctly, that happening in the trailer, and.

538
00:25:41,560 --> 00:25:42,720
Speaker 3: Also wrote really quickly.

539
00:25:42,720 --> 00:25:44,840
Speaker 1: Maddeline Cara, who played Karen, was also in a movie

540
00:25:44,840 --> 00:25:47,400
Speaker 1: called When a Stranger Calls, which is an amazing.

541
00:25:47,400 --> 00:25:49,359
Speaker 2: Hall She's really good at that shit.

542
00:25:49,760 --> 00:25:53,600
Speaker 4: Yeah yeah, yeah, Now wait, Germo's Six Degrees of Horror.

543
00:25:53,640 --> 00:25:54,800
Speaker 2: I see in our notes here.

544
00:25:55,320 --> 00:25:55,959
Speaker 3: Oh yeah that.

545
00:25:56,040 --> 00:25:58,879
Speaker 4: In addition to Friday the Thirteenth, Tony Goldwyn, who directed

546
00:25:58,880 --> 00:26:01,560
Speaker 4: this episode, was in The belt Co Experiment in twenty sixteen,

547
00:26:01,560 --> 00:26:04,440
Speaker 4: which is a twisted social experiment. Eighty Americans are locked

548
00:26:04,480 --> 00:26:06,359
Speaker 4: in their high rise corporate office in book at That

549
00:26:06,520 --> 00:26:10,920
Speaker 4: Columbia and it's scary. There's an episode of Really Known,

550
00:26:11,400 --> 00:26:14,000
Speaker 4: an anthology about a man with a blog that searches

551
00:26:14,040 --> 00:26:17,439
Speaker 4: for the truth behind supernatural phenomenon documents people's stories of

552
00:26:17,440 --> 00:26:19,560
Speaker 4: their experiences with the unknown. And then oh, I didn't

553
00:26:19,560 --> 00:26:21,200
Speaker 4: know this. He was in the Last House on the Left.

554
00:26:21,680 --> 00:26:23,880
Speaker 3: Yes, that's right to well, I've.

555
00:26:23,800 --> 00:26:25,280
Speaker 2: Ever seen that movie.

556
00:26:25,560 --> 00:26:27,240
Speaker 3: You have to see it. It's really good, is it

557
00:26:27,320 --> 00:26:27,800
Speaker 3: so scary?

558
00:26:29,280 --> 00:26:30,080
Speaker 2: Was it so scary?

559
00:26:30,240 --> 00:26:32,040
Speaker 1: It's scary, but it's not crazy scary. I don't think

560
00:26:32,040 --> 00:26:34,080
Speaker 1: it's a super super scary film.

561
00:26:34,200 --> 00:26:35,879
Speaker 3: But it's good. I think I could handle it. I

562
00:26:35,880 --> 00:26:37,400
Speaker 3: could handle it like you could handle it.

563
00:26:37,520 --> 00:26:39,400
Speaker 2: Yeah, okay, some tweets.

564
00:26:42,160 --> 00:26:43,400
Speaker 3: I have to whistle?

565
00:26:43,880 --> 00:26:47,840
Speaker 4: Could we do it? Could we actually whistle? If you

566
00:26:47,880 --> 00:26:51,280
Speaker 4: were going to whistle? The soundtrack to Scandal?

567
00:26:52,359 --> 00:26:54,000
Speaker 3: Oh god, I'm a terrible whistler.

568
00:26:54,160 --> 00:26:54,760
Speaker 2: How does it go?

569
00:26:54,960 --> 00:26:56,920
Speaker 4: It's really hard because it's not really like a melody?

570
00:26:57,680 --> 00:26:59,040
Speaker 4: What's the one minute song?

571
00:27:00,280 --> 00:27:00,399
Speaker 2: No?

572
00:27:00,920 --> 00:27:03,040
Speaker 3: I don't even know. I'm errol. I can't, I can't,

573
00:27:04,119 --> 00:27:04,760
Speaker 3: I can't.

574
00:27:04,920 --> 00:27:08,000
Speaker 4: Okay, we tried, We tried, But let us read some

575
00:27:08,080 --> 00:27:13,080
Speaker 4: of your tweets. Okay at no MG just Jordan Jasimone

576
00:27:13,080 --> 00:27:15,920
Speaker 4: tweeted on March twenty seven to twenty fourteen, my TV family,

577
00:27:16,720 --> 00:27:18,440
Speaker 4: Quinn will come back one day.

578
00:27:18,560 --> 00:27:20,040
Speaker 2: Oh she likes Quinn.

579
00:27:20,760 --> 00:27:24,480
Speaker 1: Let's see bella Dame noir, tweeted Tony Goldwin. Since you

580
00:27:24,560 --> 00:27:27,719
Speaker 1: directed tonight's episode, nothing will be FITs' fault?

581
00:27:27,920 --> 00:27:31,919
Speaker 3: Right? Please say you edited that out? At Tom Verica

582
00:27:32,000 --> 00:27:32,960
Speaker 3: hashtag scandal.

583
00:27:34,320 --> 00:27:36,119
Speaker 2: Oh well that means, but what the hell is I

584
00:27:36,160 --> 00:27:36,639
Speaker 2: think she's.

585
00:27:36,520 --> 00:27:39,000
Speaker 1: Trying to say that it ends up looking like none

586
00:27:39,000 --> 00:27:40,960
Speaker 1: of this was fits his fault, which I don't agree with.

587
00:27:41,080 --> 00:27:43,160
Speaker 1: I think you see again the regret when he yells

588
00:27:43,200 --> 00:27:44,119
Speaker 1: at Olivia and.

589
00:27:44,160 --> 00:27:44,840
Speaker 2: Yeah, all of that.

590
00:27:45,600 --> 00:27:50,760
Speaker 4: Yeah. Emily Favreau tweeted a picture, Hey at Tony goldwhen

591
00:27:50,800 --> 00:27:55,080
Speaker 4: we think you look like at TVA eight who also

592
00:27:55,160 --> 00:27:56,200
Speaker 4: worked in the White House.

593
00:27:56,560 --> 00:27:58,560
Speaker 2: Think Fitz would hire him? Who is that?

594
00:27:58,720 --> 00:28:03,760
Speaker 1: No? I don't know, but no, they look related. They

595
00:28:03,800 --> 00:28:05,480
Speaker 1: look related, but they don't look alike.

596
00:28:05,640 --> 00:28:08,120
Speaker 4: Yeah, they look related that the one on the right

597
00:28:08,240 --> 00:28:09,280
Speaker 4: is a ginger.

598
00:28:09,359 --> 00:28:10,200
Speaker 3: These yeah.

599
00:28:12,359 --> 00:28:13,359
Speaker 2: Side yeah.

600
00:28:13,520 --> 00:28:19,520
Speaker 1: Abby at Abby Shobs tweeted quinnin Huk are weirdos side?

601
00:28:20,240 --> 00:28:23,760
Speaker 3: What do you call that? Side glance? Yeah, we are

602
00:28:24,119 --> 00:28:26,680
Speaker 3: weird is good, weirdest good Abby.

603
00:28:26,440 --> 00:28:27,240
Speaker 2: Weird is good.

604
00:28:27,280 --> 00:28:30,159
Speaker 4: Abby at Nikki Loves tweeted when Fitz finds out he

605
00:28:30,280 --> 00:28:33,479
Speaker 4: ain't the daddy, that scandal episode will be e mosh.

606
00:28:33,520 --> 00:28:36,560
Speaker 3: I don't know what either. It's a tay.

607
00:28:37,359 --> 00:28:41,000
Speaker 2: That's not what happened, right, that ends up daddy is

608
00:28:41,360 --> 00:28:41,920
Speaker 2: the daddy.

609
00:28:42,040 --> 00:28:47,320
Speaker 1: Yeah, let's see. Tazzy Aria tweeted Glass Houses Olivia ashta scandal.

610
00:28:47,560 --> 00:28:48,240
Speaker 3: She's not wrong.

611
00:28:48,720 --> 00:28:50,560
Speaker 1: She's not wrong because she was all pissed at Melly

612
00:28:50,680 --> 00:28:53,240
Speaker 1: having fucking around with Andrew Nichols, and she's like.

613
00:28:53,280 --> 00:28:55,280
Speaker 2: Girl, She was like, you can't do this.

614
00:28:55,560 --> 00:28:57,520
Speaker 3: Yeah, I'm like, you're screwing the president.

615
00:28:58,080 --> 00:29:02,480
Speaker 4: Yeah, you're screwing the dang president. At Shonda Rhyme's replying

616
00:29:02,520 --> 00:29:05,680
Speaker 4: to at nerd Lady twenty one and at TV, Taylor tweeted,

617
00:29:05,840 --> 00:29:10,000
Speaker 4: you can definitely eat during tonight's scandal Tonight's surprises, but

618
00:29:10,200 --> 00:29:12,640
Speaker 4: not the kind that will make you nauseous.

619
00:29:12,880 --> 00:29:16,400
Speaker 3: Oohoo, I guess our kissing didn't make them nauseous.

620
00:29:16,800 --> 00:29:22,320
Speaker 1: School school, Let's see the fitz Phone at the Fitzphone tweeted,

621
00:29:22,360 --> 00:29:24,239
Speaker 1: I love Scandal and I love Olitz, but I've been

622
00:29:24,280 --> 00:29:27,160
Speaker 1: waiting three years for proof that these kids exist.

623
00:29:27,600 --> 00:29:31,040
Speaker 3: This is all I'm worried about right now. True.

624
00:29:31,800 --> 00:29:34,920
Speaker 4: And then last one, ad Franco twelve tweeted, Fits is

625
00:29:34,960 --> 00:29:40,120
Speaker 4: the worst that makes me feel better. It's not only

626
00:29:40,200 --> 00:29:41,640
Speaker 4: Quinn haters in the house.

627
00:29:41,640 --> 00:29:43,400
Speaker 3: Right, There's some Fits haters now too.

628
00:29:43,920 --> 00:29:44,880
Speaker 2: And now, what is this?

629
00:29:44,960 --> 00:29:48,600
Speaker 4: Episode? Three sixteen? Next up is called the Fluffer Sluffer?

630
00:29:48,880 --> 00:29:48,960
Speaker 3: What?

631
00:29:49,120 --> 00:29:51,240
Speaker 1: I don't remember? I guess we'll find out when we

632
00:29:51,360 --> 00:29:53,920
Speaker 1: watch it. I don't remember a fluffer is like in

633
00:29:54,000 --> 00:29:58,080
Speaker 1: porn films, the person that will go and twiddle your

634
00:29:58,320 --> 00:30:01,640
Speaker 1: your nuts and your wiener to get you to have

635
00:30:01,680 --> 00:30:03,880
Speaker 1: a boner so you could get ready to shoot the scene.

636
00:30:04,280 --> 00:30:04,920
Speaker 3: A fluffer.

637
00:30:05,200 --> 00:30:08,560
Speaker 4: Oh my god, you're I literally thought you were joking

638
00:30:08,600 --> 00:30:11,240
Speaker 4: and I just looked it up on Wikipedia. Yeah, a

639
00:30:11,280 --> 00:30:14,600
Speaker 4: fluffer is a person employed to keep a porn performer's

640
00:30:14,760 --> 00:30:19,760
Speaker 4: penis erect on the set. What are fluffing duties? But

641
00:30:19,920 --> 00:30:21,760
Speaker 4: you know what fluffing can mean?

642
00:30:22,280 --> 00:30:24,800
Speaker 2: Hold on a second, This is what I thought.

643
00:30:24,920 --> 00:30:28,320
Speaker 4: It's a practice in public relations of spinning a topic

644
00:30:28,760 --> 00:30:30,920
Speaker 4: to present it in the most positive light.

645
00:30:31,440 --> 00:30:35,000
Speaker 2: That's what it is. It's not regards to porn, but.

646
00:30:34,920 --> 00:30:35,720
Speaker 3: There it's both.

647
00:30:35,840 --> 00:30:38,200
Speaker 1: I think it's both because that's definitely a slang word

648
00:30:38,320 --> 00:30:41,360
Speaker 1: in porn, a fluffer. There's a fluffer on set that

649
00:30:41,400 --> 00:30:41,720
Speaker 1: does that.

650
00:30:41,840 --> 00:30:45,280
Speaker 4: There's also a fluffer London Underground, a person who cleans

651
00:30:45,320 --> 00:30:47,960
Speaker 4: the tunnels during the night while the trains are not running.

652
00:30:48,560 --> 00:30:49,840
Speaker 2: Ooh, who the.

653
00:30:49,800 --> 00:30:52,080
Speaker 4: Hell knows where You're gonna have to tune in to

654
00:30:52,160 --> 00:30:54,920
Speaker 4: the next episode for us all to learn. Because it's

655
00:30:54,960 --> 00:31:00,000
Speaker 4: called the fluffer. Fluffer and it's probably awesome. We probably

656
00:31:00,080 --> 00:31:05,000
Speaker 4: have an amazing guest. Yes, we love you guys. This

657
00:31:05,080 --> 00:31:06,760
Speaker 4: episode really made me laugh.

658
00:31:06,800 --> 00:31:08,920
Speaker 3: These was fun. This was fun to tape.

659
00:31:09,520 --> 00:31:11,480
Speaker 2: Thanks glad. If you're singing with us, we know what

660
00:31:11,560 --> 00:31:12,880
Speaker 2: you like the fancy guests.

661
00:31:12,920 --> 00:31:14,960
Speaker 4: But sometimes G and I just want to be selfish

662
00:31:15,000 --> 00:31:16,760
Speaker 4: and we only want to hang out with each other.

663
00:31:16,960 --> 00:31:19,960
Speaker 1: Yes, and if you liked this episode and other episodes,

664
00:31:20,000 --> 00:31:21,760
Speaker 1: message us on Instagram and.

665
00:31:21,880 --> 00:31:24,880
Speaker 4: Message us on Instagram. Tell us what you like, tell

666
00:31:24,920 --> 00:31:27,440
Speaker 4: your friends to subscribe. We want to keep making this

667
00:31:27,600 --> 00:31:29,400
Speaker 4: as long as you want us to keep making us,

668
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Speaker 4: so tell your friends Chao Adios.

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Speaker 1: Thank you guys for joining us on Unpacking the Toolbox.

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00:31:38,360 --> 00:31:41,920
Speaker 1: If you enjoyed the show, please subscribe, share with your friends, rate,

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Speaker 1: or leave us a review.

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00:31:43,120 --> 00:31:46,600
Speaker 4: Unpacking the Toolbox was executive produced by Sandy Bailey, Alex Alce,

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Speaker 4: Lauren Homan, Tyler Klang, and Gabrielle Collins. Our producer and

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Speaker 4: editor is Vince de Johnny, with music by Chad Fisher.

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Speaker 1: Scandal is a production of ABC Signature, and you can

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00:31:57,880 --> 00:32:00,000
Speaker 1: follow along by rewatching Scandal on Hulu.

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Speaker 4: Unpacking the Toolbox is a production of Shondaland Audio in

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Speaker 4: partnership with iHeartRadio.

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Speaker 2: For more podcasts from Shondaland Audio.

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Speaker 4: Visit the iHeartRadio app or anywhere you subscribe to your

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Speaker 4: favorite shows.