WEBVTT - Padma Lakshmi

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<v Speaker 1>The Quest Loft Show is a production of iHeartRadio.

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<v Speaker 2>Good People, Good People. Welcome to the Quest Love Show.

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<v Speaker 1>I'm Questlove your host, so for nineteen seasons strong on

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<v Speaker 1>the Emmy nominated Top Chef and the Excellent Taste of

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<v Speaker 1>the Nation. Our guest today has basically changed the culture

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<v Speaker 1>and the conversation around food. She is a host, a producer,

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<v Speaker 1>an author, an activist. She is Time one hundreds most

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<v Speaker 1>Influential People, and she reframed the American food as an

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<v Speaker 1>immigrant story as the creator and host of a brand

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<v Speaker 1>new show, an excellent show called America's Culinary Cup. She

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<v Speaker 1>raises culinary competition to new heights. I'm very jealous of

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<v Speaker 1>that kitchen set by the way beyond the screen. She's

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<v Speaker 1>a New York Times best selling author, cultural bridge builder,

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<v Speaker 1>and a person who understands that food encompasses memory, migration,

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<v Speaker 1>and politics. Welcome to the Quest Love Show. Papa locksmy

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<v Speaker 1>my good friend. I'm acting like weird. We don't know

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<v Speaker 1>each other. It's weird.

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<v Speaker 3>Well, it's weird to hear you say all that stuff.

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<v Speaker 3>But thank you, and yes we are friends. A dear

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<v Speaker 3>old friends.

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<v Speaker 1>Sometimes your friends also have to ring your bell to

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<v Speaker 1>remind you that you know you're the shit, So thank you,

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<v Speaker 1>thank you. So I'm going to do a mixture of

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<v Speaker 1>rapid fire questions because I feel like we know of

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<v Speaker 1>you what we don't know you per se. So my

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<v Speaker 1>first question to you is, what is the first thing

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<v Speaker 1>that you did this morning?

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<v Speaker 3>The first thing I did this morning was try on

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<v Speaker 3>some leather pants because I needed them for later tonight

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<v Speaker 3>for a party, and I haven't had time to figure.

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<v Speaker 4>Out what I'm wearing.

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<v Speaker 2>Okay.

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<v Speaker 3>Yeah, And I got up earlier than I wanted to,

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<v Speaker 3>but not early enough to go to the gym before pilates.

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<v Speaker 3>So I just decided I would have a little fitting

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<v Speaker 3>with myself.

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<v Speaker 2>What time do you normally wake up in the morning?

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<v Speaker 3>About seven thirty, okay, And so this morning I woke

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<v Speaker 3>up at I want to say, six thirty.

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<v Speaker 1>Well, I was going to ask what time do you

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<v Speaker 1>go to sleep?

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<v Speaker 3>Sometimes I'd like to go to sleep earlier, but often

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<v Speaker 3>I am only going to sleep about twelve thirty or

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<v Speaker 3>one am, and you still get up at seven seven thirty.

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<v Speaker 2>Okay.

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<v Speaker 1>So I'm probably not going to ask a lot of

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<v Speaker 1>beauty routine questions, but I'm certain that people will kill

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<v Speaker 1>me if I don't because I mean, you know, you're

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<v Speaker 1>this stunning figure in the world and people I would

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<v Speaker 1>naturally assume that you get ten to twelve hours of

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<v Speaker 1>sleep or whatever, but you just I would like, basically

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<v Speaker 1>just wake up like this every day.

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<v Speaker 3>Well, I had hair and makeup today, But you know

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<v Speaker 3>you've see me when I haven't. You've seen me in

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<v Speaker 3>every state possible.

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<v Speaker 1>I'll still look like, thank you.

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<v Speaker 3>I do like more sleep, and I would like to.

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<v Speaker 3>I can sleep late, but I can't go to sleep early.

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<v Speaker 3>I am a night owl by nature. I always have

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<v Speaker 3>been since I was a little kid. And I keep

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<v Speaker 3>trying to go to sleep earlier. So I do get

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<v Speaker 3>more sleep because I do like to have a good

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<v Speaker 3>eight hour sleep. I just don't get it done.

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<v Speaker 2>Gotcha? Same?

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<v Speaker 1>Also same, What is your most treasured childhood memory? Like

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<v Speaker 1>before ten, what's a fuzzy memory from your childhood?

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<v Speaker 3>My most treasured memories from childhood are of skating in

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<v Speaker 3>New York City, and I'm talking about quads, you know,

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<v Speaker 3>not blades. And when I was little, I was a

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<v Speaker 3>latchkey kid and my mom worked as a nurse at

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<v Speaker 3>Sloan Kettering, and I would skate up and down East

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<v Speaker 3>End Avenue, and I know all the avenues. For instance,

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<v Speaker 3>Lexington Avenue is really steep, so do not skate down

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<v Speaker 3>Lexington Avenue.

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<v Speaker 2>You found out there are way?

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<v Speaker 3>Yes, I did. In fact, I still have really really

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<v Speaker 3>bad drunk girl legs because of my brothers as a child. Okay,

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<v Speaker 3>but I loved it. I think kids who grow up

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<v Speaker 3>in the city are really sophisticated and self reliant. And

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<v Speaker 3>I know a lot of people are afraid to raise

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<v Speaker 3>the family in the city, but I was raised by

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<v Speaker 3>a single mom here. I'm raising my daughter here, and

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<v Speaker 3>I loved having that sense of freedom and mobility at

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<v Speaker 3>a very young age.

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<v Speaker 2>What part of New York did you grow up in.

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<v Speaker 3>I grew up in Queens, in Elmhurst, and then I

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<v Speaker 3>also grew up on the Upper East Side because at

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<v Speaker 3>that time Sloan Kettering had subsidized housing for their staff.

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<v Speaker 3>So if you made it, you know, she was just

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<v Speaker 3>a nurse. We lived in Queens, she made it the

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<v Speaker 3>head nurse we moved into the city.

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<v Speaker 1>I'm going to ask a question only because you mentioned

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<v Speaker 1>Queens and shout out to my friend Money grip Manier.

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<v Speaker 1>I'm asking this for you. Of the five boroughs, would

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<v Speaker 1>you say that Queen's is the better food epicenter. Will

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<v Speaker 1>you get trouble in expressing a preference for a borough

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<v Speaker 1>of culinary choice.

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<v Speaker 3>No, But I also will say that this opinion is

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<v Speaker 3>based on the fact that I know Queens much better

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<v Speaker 3>than I know the Bronx. And by the way, I

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<v Speaker 3>have to be honest and come clean and say, you know,

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<v Speaker 3>my knowledge of Queens is also from way back when,

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<v Speaker 3>so I don't know what it is now. But you know,

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<v Speaker 3>I have a very dear friend who teaches a class

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<v Speaker 3>at NYU, is a great writer named Sukaitu Meta, and

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<v Speaker 3>he took me on a food tour recently of Queens

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<v Speaker 3>and I tried literally ten different ethnicities in one afternoon,

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<v Speaker 3>and so he would know. And I think Queens is

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<v Speaker 3>still the most ethnically diverse. But I think, you know,

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<v Speaker 3>anywhere you grow up in this city, I don't know

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<v Speaker 3>what Stephn Island is like, but you know, anywhere you

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<v Speaker 3>grow up, you're going to be bumping up next to

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<v Speaker 3>a lot of cultures. And I think that's the beauty

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<v Speaker 3>of living in New York.

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<v Speaker 2>Yeah.

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<v Speaker 1>You know, when I first got interested in the culinary world,

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<v Speaker 1>of course, I went straight to you know, everyone is

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<v Speaker 1>blinded by Miss Lindis and James Beard Debt. And then

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<v Speaker 1>Bourdain kind of pulled me to the side and it's like, Okay,

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<v Speaker 1>don't get caught up, like, you know, search for He

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<v Speaker 1>put it in a way where I understood it, where

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<v Speaker 1>he's like, when I go record shopping, I'm looking for

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<v Speaker 1>the most obscure record that nobody like. Don't buy the

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<v Speaker 1>album that everyone has, like you know, Whitney Houston's over there,

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<v Speaker 1>but also know that over here is you know, Galt

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<v Speaker 1>McDermott or some obscureity. So he told me to look

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<v Speaker 1>out for that. So I've taken a few tours of

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<v Speaker 1>Queens and I'm still discovering it. I don't know it

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<v Speaker 1>like I normally like I should. I will say though,

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<v Speaker 1>for the Bronx. Though the Bronx says the best food

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<v Speaker 1>for after eleven pm, Oh yeah, they do. The best

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<v Speaker 1>fish sandwich is the best seafood. You know the size

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<v Speaker 1>of my arms.

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<v Speaker 3>Jamaican food Swinny Foods.

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<v Speaker 1>There's a twenty four hour Jamaican spot in Queen's right

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<v Speaker 1>now that just I went there and it's it's a problem.

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<v Speaker 1>I'm glad it's in Queen so you know, because but.

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<v Speaker 3>I mean even in Manhattan. If you're driving around Manhattan,

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<v Speaker 3>you ever see a black food truck called jam Rock Jerk,

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<v Speaker 3>please stop. Really, those guys are my friends. I want

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<v Speaker 3>to give them a little love. They're great. They're a

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<v Speaker 3>nice young Jamaican couple who were the first ones to

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<v Speaker 3>get a license by the city to actually have an

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<v Speaker 3>open grill and a drum like like jerk is done.

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<v Speaker 3>And so they drive that around and now their business.

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<v Speaker 3>I've seen their business bloom only because of how many

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<v Speaker 3>of their trucks I see around. So they're clearly doing well.

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<v Speaker 1>Mister softy of I think, I think so.

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<v Speaker 3>I haven't talked around a bit. Yeah, jam Rock Jerk.

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<v Speaker 2>All right, I'm investigating that. Do you collect anything? What

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<v Speaker 2>do you collect?

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<v Speaker 3>Jewelry?

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<v Speaker 2>Okay?

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<v Speaker 3>Art? I mean you know, I think jewelry as.

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<v Speaker 2>In like well, I mean real jewelry or like crystals.

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<v Speaker 3>Or no, not crystals. My daughter collects crystals, but no,

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<v Speaker 3>I don't really. I mean, I collect jewelry happily, but

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<v Speaker 3>it's not something I go out and seek. But I

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<v Speaker 3>used to have a jewelry company years ago, like a

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<v Speaker 3>fine jewelry company, and so I'm very interested in different

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<v Speaker 3>movements and periods of jewelry. It's not something people know

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<v Speaker 3>about me these days too much. But I can spot

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<v Speaker 3>from what period a Cardia piece is based somehow it

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<v Speaker 3>looks like is it a Shindai period? Is it another period?

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<v Speaker 3>You know? So so I love that, But that's also

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<v Speaker 3>a very rarefied thing.

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<v Speaker 1>You know.

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<v Speaker 3>That's not something I'm doing every day. I don't. I

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<v Speaker 3>like to think I collect people. That's what I'm most

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<v Speaker 3>interested in now. Every time, you know, I do a

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<v Speaker 3>big project or something that I have a little chunk

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<v Speaker 3>of change, I will buy myself a piece of art,

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<v Speaker 3>right And you know, now, I don't have any wall space,

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<v Speaker 3>and I'm not a no and I'm not an investor,

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<v Speaker 3>so I'm not tying art to make a profit and

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<v Speaker 3>then put it in storage. You know, That's not me.

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<v Speaker 3>But I do like to collect people. My most coveted

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<v Speaker 3>activity is to bring a room of six, ten, fifty

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<v Speaker 3>sixty people together who I think are interesting and may

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<v Speaker 3>not know each other from totally different walks of life,

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<v Speaker 3>and put them in a room and see what happens,

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<v Speaker 3>just to facilitate that. Mostly because I'm a really curious

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<v Speaker 3>person and I think I've always been a lifelong learner,

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<v Speaker 3>so I'm always trying to learn, and the best way

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<v Speaker 3>to learn is to find the most interesting, knowledgeable people

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<v Speaker 3>you know, and try to squeeze all the info out

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<v Speaker 3>of them.

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<v Speaker 1>Yeah, I gotta say, I'm one of the lucky recipients

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<v Speaker 1>of your Wili celebration invitations. And I love the idea

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<v Speaker 1>of having a live band in the living room. And

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<v Speaker 1>you know, well, now I considered, I mean, this is

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<v Speaker 1>like maybe the third or fourth one I went to,

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<v Speaker 1>so now I know these you know the deal?

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<v Speaker 2>Yeah, yeah, yeah, so loved doing those parties.

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<v Speaker 1>So in your formative years, who was the best cook

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<v Speaker 1>in your family?

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<v Speaker 3>My grandma? Okay, my grandma, And my grandma was not

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<v Speaker 3>a cuddly person. You know, when you think of a

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<v Speaker 3>sweet grandma baking company and stuff, right now, that's not

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<v Speaker 3>an Indian grandma. That wasn't my Indian grandma. Let me

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<v Speaker 3>say that she was a very practical woman. She came

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<v Speaker 3>from a family of seventeen children. She was one of

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<v Speaker 3>the oldest, so she had to take care of a

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<v Speaker 3>lot of her younger siblings. Oh and there were eight

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<v Speaker 3>or ten people living in my grandparents' house at any

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<v Speaker 3>time in a two room flat in South India and Chennai,

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<v Speaker 3>and she only had two burners, two stow burners, and

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<v Speaker 3>she didn't really get a fridge until her thirties, so

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<v Speaker 3>she didn't know what to do with it, and she

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<v Speaker 3>just really used it for ice water because it's hot

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<v Speaker 3>in South India, right, So she was cooking all the time,

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<v Speaker 3>all the time, and so I learned really at her side.

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<v Speaker 3>I also learned a lot about life that way, because,

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<v Speaker 3>like I said, she was super procded.

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<v Speaker 1>Wow, I'm still trying to figure out the food preservation

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<v Speaker 1>part of nofrigerator in the house.

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<v Speaker 3>Well, everything gets eaten, there is no preservation needed. And

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<v Speaker 3>also it's a vegetarian household, so you're not worried about

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<v Speaker 3>meat spoiling. Okay, but it's so hot there and we

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<v Speaker 3>certainly didn't have air conditioning. We only got air conditioning

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<v Speaker 3>in one room when I brought my ex husband there

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<v Speaker 3>as all, I was like, I don't think he's gonna

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<v Speaker 3>be able to go, So I put air conditioning in

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<v Speaker 3>one of the you know, in the back room that

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<v Speaker 3>wasn't my grandparents room. But so, you know, things do

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<v Speaker 3>spoil still because of the heat. But like I said,

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<v Speaker 3>nothing lasted that long enough, gota.

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<v Speaker 2>How do you rate your culinary skills? One to ten?

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<v Speaker 3>I know too much. I know too much about what

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<v Speaker 3>I don't know, so I would say a seven.

0:11:49.520 --> 0:11:52.160
<v Speaker 1>Okay, So from one to ten? How would your daughter

0:11:52.320 --> 0:11:53.880
<v Speaker 1>rate your culinary skills?

0:11:54.240 --> 0:11:55.080
<v Speaker 3>In eight and a half.

0:11:55.520 --> 0:11:58.480
<v Speaker 1>She's hot, she loves you, she's tough, but she gives

0:11:58.480 --> 0:12:00.000
<v Speaker 1>you a higher rating than you would give you.

0:12:00.160 --> 0:12:00.640
<v Speaker 2>High rating.

0:12:01.120 --> 0:12:03.760
<v Speaker 3>Yeah, because she doesn't know enough to give me a

0:12:03.760 --> 0:12:04.360
<v Speaker 3>lower rating.

0:12:06.480 --> 0:12:07.440
<v Speaker 2>I got that all right.

0:12:07.840 --> 0:12:10.960
<v Speaker 3>She would give me a zero in singing capability though.

0:12:11.040 --> 0:12:13.480
<v Speaker 1>Oh, I'm gonna ask about the glitter. You know, I'm

0:12:13.480 --> 0:12:17.800
<v Speaker 1>gonna ask about glitter. What snack is your kryptonite? You

0:12:17.800 --> 0:12:20.079
<v Speaker 1>know you're gonna pay for it in the gym if

0:12:20.120 --> 0:12:22.040
<v Speaker 1>you take it, but you do it anyway. What snack

0:12:22.120 --> 0:12:23.120
<v Speaker 1>is your kryptonite?

0:12:23.679 --> 0:12:28.840
<v Speaker 3>A lot of snacks, spiced cashoes, masala cashoes, or chips.

0:12:29.000 --> 0:12:33.720
<v Speaker 3>Potato chips. That's a tough one, especially the halapeno potato

0:12:33.800 --> 0:12:38.040
<v Speaker 3>chips from Cape Cod. I can take down a whole bag,

0:12:38.160 --> 0:12:39.760
<v Speaker 3>a big bag, without blinking.

0:12:40.120 --> 0:12:43.320
<v Speaker 1>I didn't realize how strong the potato chip addiction was

0:12:43.400 --> 0:12:46.760
<v Speaker 1>in the roots thread. Around January, we start you know,

0:12:46.760 --> 0:12:48.440
<v Speaker 1>everyone starts the conversation.

0:12:48.040 --> 0:12:50.160
<v Speaker 2>Of like, okay, what you're going to clean up or whatever, and.

0:12:50.800 --> 0:12:54.560
<v Speaker 1>The challenge, Like for people, the challenge was no more

0:12:54.559 --> 0:12:58.280
<v Speaker 1>potato chips. And I didn't realize how much I eat

0:12:58.320 --> 0:13:00.959
<v Speaker 1>them until I went to the tonight show. Like it's

0:13:00.960 --> 0:13:03.120
<v Speaker 1>almost like breathing because they're everywhere.

0:13:03.120 --> 0:13:05.760
<v Speaker 3>Oh, I know, it's a nightmare. It's like you can't

0:13:05.800 --> 0:13:08.720
<v Speaker 3>get away from it. I mean, I'm looking forward to

0:13:08.840 --> 0:13:11.640
<v Speaker 3>my daughter going to college because then I can get

0:13:11.720 --> 0:13:14.520
<v Speaker 3>rid of a lot of so she brings the snacks

0:13:14.520 --> 0:13:17.000
<v Speaker 3>in and well, I mean, I want my daughter to

0:13:17.040 --> 0:13:19.040
<v Speaker 3>be able to eat all kinds of foods. I don't

0:13:19.120 --> 0:13:22.000
<v Speaker 3>want her body not to know what it's like to

0:13:22.040 --> 0:13:24.480
<v Speaker 3>process a variety of things all the way on one

0:13:24.559 --> 0:13:25.720
<v Speaker 3>end of the spectrum.

0:13:26.520 --> 0:13:28.000
<v Speaker 1>So I want to know, what's the worst thing in

0:13:28.040 --> 0:13:29.559
<v Speaker 1>your fridge right now? Lunchibles?

0:13:30.280 --> 0:13:35.320
<v Speaker 3>No? Hell no, hey, don't y No. I mean the

0:13:35.360 --> 0:13:37.800
<v Speaker 3>worst thing in my fridge right now is probably protein

0:13:37.880 --> 0:13:41.520
<v Speaker 3>shakes because that's not real food. But it's a necessary

0:13:41.600 --> 0:13:44.280
<v Speaker 3>evil for me because I just don't get enough protein,

0:13:44.440 --> 0:13:47.120
<v Speaker 3>got it. But I mean I want her to enjoy

0:13:47.440 --> 0:13:50.080
<v Speaker 3>and be able to process her body, able to process

0:13:50.120 --> 0:13:54.160
<v Speaker 3>everything from taco bell, which she eats too often all

0:13:54.320 --> 0:13:56.520
<v Speaker 3>the way to nothing but fruits and vegetables.

0:13:56.520 --> 0:14:03.480
<v Speaker 1>But well, she's also teenagers eventually, yeah, she's sophistication.

0:14:03.000 --> 0:14:04.920
<v Speaker 2>Comes in and that stuff and she'll but.

0:14:05.000 --> 0:14:08.079
<v Speaker 3>You know, we make it a point to eat fifty

0:14:08.120 --> 0:14:11.920
<v Speaker 3>percent fruits and vegetables on every plate if I'm cooking

0:14:12.120 --> 0:14:15.079
<v Speaker 3>or she's eating at home. Okay, you know, so I

0:14:15.240 --> 0:14:19.120
<v Speaker 3>just want to make sure she gets enough nutrition and

0:14:19.200 --> 0:14:21.720
<v Speaker 3>healthy food and all that. Then I just want her

0:14:21.760 --> 0:14:24.920
<v Speaker 3>to be a regular teenager. But when she leaves, all

0:14:24.960 --> 0:14:27.440
<v Speaker 3>that stuff is gonna go. But the other addiction I have,

0:14:27.520 --> 0:14:30.240
<v Speaker 3>which is really bad is dark chocolate.

0:14:30.760 --> 0:14:34.360
<v Speaker 1>Really yeah, I want to get into it so bad,

0:14:34.480 --> 0:14:37.560
<v Speaker 1>but to me, it's still like I'd rather have the

0:14:37.640 --> 0:14:40.880
<v Speaker 1>unhealthy chocolate. But what is it about dark chocolate that

0:14:41.240 --> 0:14:43.080
<v Speaker 1>the fact that we can have much more of it

0:14:43.160 --> 0:14:44.320
<v Speaker 1>and not pay for it?

0:14:44.440 --> 0:14:47.360
<v Speaker 3>I will? I mean, there have been weeks where four

0:14:47.440 --> 0:14:49.760
<v Speaker 3>or five nights out of seven I have finished a

0:14:49.840 --> 0:14:54.440
<v Speaker 3>whole Hue chocolate bar, the salty one or the crunchy

0:14:54.480 --> 0:14:57.720
<v Speaker 3>mint one. Okay, and I have a little dorm fridge

0:14:57.720 --> 0:14:58.520
<v Speaker 3>in my bedroom.

0:15:00.040 --> 0:15:01.080
<v Speaker 2>Did you not supposed to have with this?

0:15:01.160 --> 0:15:05.160
<v Speaker 3>Next? Exactly tucked into, you know, a little closet, and

0:15:05.560 --> 0:15:08.160
<v Speaker 3>I went to the Tin Building and Sean George gave

0:15:08.200 --> 0:15:11.440
<v Speaker 3>me a tour and there he's got this obnoxiously beautiful

0:15:11.800 --> 0:15:15.080
<v Speaker 3>candy store in there, and he just loaded me up

0:15:15.120 --> 0:15:18.320
<v Speaker 3>with all this chocolate because he knows. And so now

0:15:18.440 --> 0:15:20.720
<v Speaker 3>I am armed to the teeth with my own vice.

0:15:21.520 --> 0:15:25.400
<v Speaker 1>I have a question about food rules. Okay, so twice

0:15:25.440 --> 0:15:31.600
<v Speaker 1>in my life I've been ridiculed, not even ridiculed, only twice.

0:15:31.880 --> 0:15:32.760
<v Speaker 2>No messages with me.

0:15:33.120 --> 0:15:37.320
<v Speaker 1>No, But I didn't know Chicago's relationship with ketchup.

0:15:37.960 --> 0:15:39.240
<v Speaker 3>I what is the ketchup?

0:15:39.360 --> 0:15:41.560
<v Speaker 2>Okay? So I have a theory about it.

0:15:41.760 --> 0:15:46.000
<v Speaker 1>No one's verified it, but like, you get no respect

0:15:46.080 --> 0:15:48.680
<v Speaker 1>in Chicago if you put ketchup on your hot dog.

0:15:49.440 --> 0:15:52.080
<v Speaker 3>Oh yes, I know about this. Jimmy asked me about this, and.

0:15:52.040 --> 0:15:54.480
<v Speaker 1>They kick you out and they kick you out of it.

0:15:54.600 --> 0:15:56.880
<v Speaker 1>I got kicked out of the establishment because I wanted

0:15:56.920 --> 0:15:58.840
<v Speaker 1>to see what would happen. And I pulled out my

0:15:58.920 --> 0:16:01.120
<v Speaker 1>pack and they were like you got to go, Like seriously,

0:16:01.640 --> 0:16:05.840
<v Speaker 1>I don't know why I believe that. My theory is

0:16:05.840 --> 0:16:09.920
<v Speaker 1>that because the Hines families in Pittsburgh, Oh, that it's

0:16:09.960 --> 0:16:13.440
<v Speaker 1>some kind and there's some rival, yes between well, you know,

0:16:13.680 --> 0:16:17.400
<v Speaker 1>I also know that the various businesses that Capone had

0:16:17.600 --> 0:16:21.440
<v Speaker 1>somewhere food establishments that well as well. I know that

0:16:21.480 --> 0:16:23.640
<v Speaker 1>there was a point in the forties I believe like

0:16:23.840 --> 0:16:28.360
<v Speaker 1>some Hines products couldn't even get into certain establishments. Oh

0:16:28.400 --> 0:16:32.080
<v Speaker 1>but in general, now it's just like yick the other

0:16:32.120 --> 0:16:32.520
<v Speaker 1>one of one?

0:16:32.680 --> 0:16:35.160
<v Speaker 3>Or do they put on their hot dog anything anything?

0:16:35.240 --> 0:16:37.600
<v Speaker 1>But no ketchup is allowed on a hot dog, like

0:16:37.720 --> 0:16:41.960
<v Speaker 1>just mustard relish onions. But it's absolute sin to put

0:16:42.040 --> 0:16:43.000
<v Speaker 1>ketchup on a hot dog.

0:16:43.360 --> 0:16:46.400
<v Speaker 3>I also think it's because there are a lot of

0:16:46.520 --> 0:16:50.880
<v Speaker 3>Polish immigrants that settled in Chicago, and so sausage is

0:16:50.960 --> 0:16:54.280
<v Speaker 3>really big in Chicago, so they might think of hot

0:16:54.280 --> 0:16:58.200
<v Speaker 3>dogs as sort of a you know, descendant of the sausage.

0:16:58.760 --> 0:17:02.480
<v Speaker 3>And no one wants to put ketchup on an actual kilbosa.

0:17:02.040 --> 0:17:04.720
<v Speaker 2>Got it? Okay? I will though anyway.

0:17:05.440 --> 0:17:09.840
<v Speaker 1>The other thing, of course, is with black twitter. Some

0:17:09.880 --> 0:17:14.240
<v Speaker 1>people have revealed that they'll take their grits also with

0:17:14.359 --> 0:17:17.960
<v Speaker 1>butter and sugar. Now here's oh the way you're you

0:17:18.080 --> 0:17:18.800
<v Speaker 1>just scouted at me.

0:17:19.840 --> 0:17:22.520
<v Speaker 3>It's not the butter is the sugar, Okay?

0:17:22.600 --> 0:17:25.359
<v Speaker 1>So listen, have you ever had cream of wheat?

0:17:25.920 --> 0:17:26.320
<v Speaker 3>Yeah?

0:17:26.720 --> 0:17:28.479
<v Speaker 1>I mean, come on, I mean yeah, I mean.

0:17:28.520 --> 0:17:32.040
<v Speaker 3>Look, it's like, look, I'm not a big oatmeal fan,

0:17:32.160 --> 0:17:34.720
<v Speaker 3>but people put maple syrup on that, so I guess

0:17:34.720 --> 0:17:37.919
<v Speaker 3>the sugar is a version of a sweetener, like a syrup, Right,

0:17:38.080 --> 0:17:41.880
<v Speaker 3>So I can get with that, But no Southern person.

0:17:42.440 --> 0:17:47.480
<v Speaker 1>Look, ninety five percent of the time I will eat

0:17:47.520 --> 0:17:51.720
<v Speaker 1>grits savory as they should be, but sometimes I'll have

0:17:52.280 --> 0:17:55.960
<v Speaker 1>like I'm not a I'm not a still cut oatmeal fan,

0:17:56.560 --> 0:17:59.920
<v Speaker 1>but if there's a grit option, I will somehow program

0:18:00.040 --> 0:18:02.840
<v Speaker 1>my brain to okay this, I'll make this like cream

0:18:02.880 --> 0:18:06.920
<v Speaker 1>of wheat. But my whole thing was, is there a

0:18:06.960 --> 0:18:12.119
<v Speaker 1>food rule that you've abided by that you also break? Like,

0:18:12.359 --> 0:18:15.080
<v Speaker 1>is there another tradition that's not supposed to happen.

0:18:15.560 --> 0:18:18.720
<v Speaker 3>I'm not that steadfast with rules like that.

0:18:19.160 --> 0:18:19.480
<v Speaker 2>Okay.

0:18:19.560 --> 0:18:24.080
<v Speaker 3>I don't generally have sweet breakfasts unless I'm having like

0:18:24.119 --> 0:18:26.440
<v Speaker 3>a big bowl of yogurt, which is some maple syrup

0:18:26.480 --> 0:18:27.080
<v Speaker 3>and cinnamon.

0:18:27.320 --> 0:18:27.800
<v Speaker 2>Got it.

0:18:27.960 --> 0:18:31.960
<v Speaker 3>My breakfast tend to be very minimal or.

0:18:31.800 --> 0:18:33.240
<v Speaker 1>Savory, gotcha.

0:18:33.400 --> 0:18:36.600
<v Speaker 3>Like even cottage cheese to me, is a savory thing.

0:18:36.880 --> 0:18:37.920
<v Speaker 2>I always thought it savor.

0:18:38.480 --> 0:18:41.439
<v Speaker 3>Some people put weird stuff in it, like pineapple, and

0:18:41.480 --> 0:18:43.360
<v Speaker 3>I mean I put pomegranate teeses on it. I still

0:18:43.359 --> 0:18:44.120
<v Speaker 3>think it's savory.

0:18:44.400 --> 0:18:58.520
<v Speaker 1>I gotta try that. Yeah, I never try that. What

0:18:58.600 --> 0:19:01.720
<v Speaker 1>is the most idiot proof that a person could make

0:19:01.760 --> 0:19:04.040
<v Speaker 1>and never lose? Even the worst chef in the world

0:19:04.080 --> 0:19:05.680
<v Speaker 1>can make this end? Absolutely?

0:19:06.760 --> 0:19:08.800
<v Speaker 3>I mean I think everybody should be able to scramble

0:19:08.800 --> 0:19:10.040
<v Speaker 3>some eggs and make some toast.

0:19:11.000 --> 0:19:13.240
<v Speaker 2>Got it? Okay? So that's basic one on one level.

0:19:13.440 --> 0:19:16.119
<v Speaker 3>Yeah, Like I had a rule when Krishna was young

0:19:16.560 --> 0:19:18.440
<v Speaker 3>that I wasn't going to be a short order cook.

0:19:19.119 --> 0:19:22.119
<v Speaker 3>So whatever I made for dinner, that's what was for dinner.

0:19:22.680 --> 0:19:24.639
<v Speaker 3>She didn't want to eat that, she could either have

0:19:24.720 --> 0:19:28.280
<v Speaker 3>leftovers if there were any, or she could have a

0:19:28.320 --> 0:19:31.960
<v Speaker 3>scrambled egg wrapped in a tortilla with some raw veggies

0:19:32.000 --> 0:19:35.479
<v Speaker 3>like celery, bell, pepper's carrots, whatever, because that way, at

0:19:35.520 --> 0:19:38.000
<v Speaker 3>least she would get some protein, some veggies and some starch,

0:19:38.200 --> 0:19:41.080
<v Speaker 3>got it. And even she could make that as of

0:19:41.240 --> 0:19:43.680
<v Speaker 3>about you know, she can cook.

0:19:43.760 --> 0:19:46.600
<v Speaker 1>Okay, all right, So for those that are in the

0:19:47.680 --> 0:19:49.960
<v Speaker 1>if you've seen in one competition show, you've seen them

0:19:49.960 --> 0:19:54.840
<v Speaker 1>all back sell me on the not the difference between

0:19:55.000 --> 0:19:59.080
<v Speaker 1>Top Chef and America's Culinary Cup. But what is it

0:19:59.119 --> 0:20:00.600
<v Speaker 1>that we will see on this sho show that we

0:20:00.680 --> 0:20:02.160
<v Speaker 1>didn't see on Top Show.

0:20:02.680 --> 0:20:05.320
<v Speaker 3>Well, I want to say first, I am not comparing

0:20:05.440 --> 0:20:08.120
<v Speaker 3>this show. I know everyone naturally will because I used

0:20:08.160 --> 0:20:11.320
<v Speaker 3>to host that other show. I don't see my competition

0:20:11.400 --> 0:20:14.920
<v Speaker 3>as my old house. I see my competition as every

0:20:15.000 --> 0:20:18.840
<v Speaker 3>other food show, you know, every other competition show, from

0:20:18.880 --> 0:20:22.120
<v Speaker 3>Gordon Ramsey to whoever's on the Food Network, to Netflix

0:20:22.160 --> 0:20:24.760
<v Speaker 3>and stuff. So that's what I'm thinking. I'm thinking more globally.

0:20:25.200 --> 0:20:27.400
<v Speaker 3>But I'll tell you the big difference. There's a few.

0:20:27.880 --> 0:20:31.200
<v Speaker 3>One is the million dollars. Okay, that's a big difference.

0:20:31.240 --> 0:20:35.760
<v Speaker 3>That's double what has been on any food show ever.

0:20:35.840 --> 0:20:38.200
<v Speaker 3>I think there's one food show that's offering half a

0:20:38.240 --> 0:20:40.600
<v Speaker 3>million on Netflix. I don't remember the name of the show,

0:20:40.680 --> 0:20:44.840
<v Speaker 3>but this is more than any other prize in culinary

0:20:45.160 --> 0:20:49.560
<v Speaker 3>competition history. So that's it. One million dollars. The other

0:20:49.600 --> 0:20:52.119
<v Speaker 3>thing is we do not have a format. There's no

0:20:52.359 --> 0:20:56.840
<v Speaker 3>levels that you rise to, there's no mystery box of ingredients,

0:20:57.240 --> 0:20:59.440
<v Speaker 3>there's no first we're doing a little thing, then we're

0:20:59.480 --> 0:21:02.560
<v Speaker 3>doing a big there's none of that. Our show is

0:21:02.640 --> 0:21:08.200
<v Speaker 3>governed by ten culinary commandments that we think are essential

0:21:08.320 --> 0:21:10.760
<v Speaker 3>to master in order to be a world class chef.

0:21:11.480 --> 0:21:14.440
<v Speaker 3>And every week we test for one of those principles

0:21:14.440 --> 0:21:18.359
<v Speaker 3>of cooking and whatever is the best way to test

0:21:18.640 --> 0:21:21.840
<v Speaker 3>for that principle or culinary commandment, that's what we do.

0:21:22.320 --> 0:21:25.240
<v Speaker 3>So I mean, in one show, there could be one

0:21:25.359 --> 0:21:28.600
<v Speaker 3>long challenge. In another show, there could be two. In

0:21:28.640 --> 0:21:31.359
<v Speaker 3>a third episode, there could be a series of small ones.

0:21:32.359 --> 0:21:34.200
<v Speaker 3>So it's always different every time.

0:21:34.359 --> 0:21:38.159
<v Speaker 1>So when you speak of the commandments, is this a

0:21:38.200 --> 0:21:40.679
<v Speaker 1>bible that you guys have written or is this a

0:21:40.800 --> 0:21:45.600
<v Speaker 1>general culinary world. These are the general principles of what

0:21:45.640 --> 0:21:48.320
<v Speaker 1>we abide by for what food should be.

0:21:48.840 --> 0:21:52.359
<v Speaker 3>When I was developing the show, because I am not

0:21:52.440 --> 0:21:56.160
<v Speaker 3>a chef, I'm a food writer, I took a lot

0:21:56.200 --> 0:22:01.280
<v Speaker 3>of counsel and guidance and actively sought out people really admire,

0:22:01.840 --> 0:22:05.320
<v Speaker 3>you know, like Danielle, like Jean George, like Eric repair

0:22:06.160 --> 0:22:08.960
<v Speaker 3>a lot of people you know a lot of women too,

0:22:09.440 --> 0:22:12.840
<v Speaker 3>And I ask them what they think the most important

0:22:12.920 --> 0:22:16.040
<v Speaker 3>qualities are. And you know, there are a couple that

0:22:16.080 --> 0:22:19.560
<v Speaker 3>it's hard to test for in the confines of a

0:22:19.600 --> 0:22:23.679
<v Speaker 3>game like this, for instance, leadership. You know, leadership is

0:22:23.720 --> 0:22:27.400
<v Speaker 3>really hard because they're competing against each other. But there

0:22:27.480 --> 0:22:31.560
<v Speaker 3>are universal things that you need to master, like mastering

0:22:31.560 --> 0:22:35.320
<v Speaker 3>the art of meat, both butchering it and cooking it,

0:22:35.960 --> 0:22:39.520
<v Speaker 3>and understanding what the cuts are, how to portion them

0:22:39.600 --> 0:22:42.880
<v Speaker 3>so they're even sized and weight you know it's a lot.

0:22:43.080 --> 0:22:47.400
<v Speaker 3>And then there's you know, mastery of vegetable cookery. Then

0:22:47.560 --> 0:22:55.800
<v Speaker 3>there's innovation, science and technology. There's consistency. There's sustainability because

0:22:55.840 --> 0:22:58.840
<v Speaker 3>your food costs, never mind the planet and the environment,

0:22:59.280 --> 0:23:03.400
<v Speaker 3>your food cost are gravely affected by how sustainable your

0:23:03.440 --> 0:23:04.040
<v Speaker 3>business is.

0:23:04.880 --> 0:23:07.840
<v Speaker 1>So things like that, Like in film, I know what

0:23:07.880 --> 0:23:10.360
<v Speaker 1>I want to see editing wise, but I don't have

0:23:10.440 --> 0:23:12.720
<v Speaker 1>to learn how to d I'm going to be wise

0:23:12.760 --> 0:23:15.879
<v Speaker 1>if I knew how to edit or do my lights

0:23:15.960 --> 0:23:17.120
<v Speaker 1>or sound or do everything.

0:23:17.560 --> 0:23:19.240
<v Speaker 2>But I mean, is that required?

0:23:19.480 --> 0:23:24.480
<v Speaker 1>Like is Daniel whom required to know every aspect of

0:23:25.560 --> 0:23:29.399
<v Speaker 1>the levels of his kitchen from prepping and like is

0:23:29.400 --> 0:23:32.880
<v Speaker 1>that required to head a kitchen to know all levels

0:23:32.920 --> 0:23:34.160
<v Speaker 1>of production?

0:23:35.240 --> 0:23:37.800
<v Speaker 3>I don't think what I'm about to say is Germaine

0:23:37.880 --> 0:23:40.760
<v Speaker 3>only to being a chef or to a professional kitchen.

0:23:41.280 --> 0:23:43.920
<v Speaker 3>It is my belief that while you may not need

0:23:43.960 --> 0:23:49.200
<v Speaker 3>to know every granular detail of every aspect of the job,

0:23:50.000 --> 0:23:53.600
<v Speaker 3>you will be a better leader if you know what

0:23:53.640 --> 0:23:57.680
<v Speaker 3>you're talking about and you can at least communicate what

0:23:57.760 --> 0:24:01.520
<v Speaker 3>you want. And I think the best leaders of any

0:24:01.560 --> 0:24:06.960
<v Speaker 3>shit are the ones who thoroughly can articulate their vision.

0:24:07.960 --> 0:24:11.760
<v Speaker 3>People want to know how to deliver the best and

0:24:11.800 --> 0:24:15.200
<v Speaker 3>if you're clear with them. You know, for instance, when

0:24:15.240 --> 0:24:19.560
<v Speaker 3>I created Tastination or even America's Culinary Cup, I don't

0:24:19.600 --> 0:24:23.000
<v Speaker 3>know what lens to use on that camera. Right when

0:24:23.040 --> 0:24:24.639
<v Speaker 3>they're saying give me a sixty, you give me a

0:24:24.640 --> 0:24:27.879
<v Speaker 3>two hundred, I don't know what that means. But my

0:24:28.200 --> 0:24:31.960
<v Speaker 3>next goal before I create any other show is to

0:24:32.040 --> 0:24:36.520
<v Speaker 3>go and shadow my GP somewhere, you know, just put

0:24:36.520 --> 0:24:41.080
<v Speaker 3>on my sneakers baseball cap, disappear behind him and learn that,

0:24:41.160 --> 0:24:45.280
<v Speaker 3>because then I can effectuate the result I want.

0:24:45.480 --> 0:24:45.800
<v Speaker 2>Got it?

0:24:46.480 --> 0:24:48.439
<v Speaker 3>So that will take me a long time, you know

0:24:48.440 --> 0:24:51.240
<v Speaker 3>what I'm saying, I don't understand. Like what I did

0:24:51.320 --> 0:24:54.360
<v Speaker 3>with the America's Culinary Cup is that I hired the

0:24:54.400 --> 0:24:58.840
<v Speaker 3>best people I could, you know, But I only hired

0:24:58.880 --> 0:25:01.439
<v Speaker 3>like the head of the department got you, and then

0:25:02.119 --> 0:25:05.639
<v Speaker 3>I let them hire everyone working under them because they know.

0:25:06.560 --> 0:25:09.239
<v Speaker 3>But before when I hired them, I made sure they

0:25:09.400 --> 0:25:12.159
<v Speaker 3>knew what I was looking for, and that was the

0:25:12.200 --> 0:25:15.280
<v Speaker 3>most clear. In the culinary department, we have a great

0:25:15.320 --> 0:25:18.680
<v Speaker 3>culinary producer named Mary. You know, she worked under Joel

0:25:18.760 --> 0:25:22.440
<v Speaker 3>Robischon for a long time. She also went to UC Berkeley,

0:25:22.760 --> 0:25:25.800
<v Speaker 3>very learned and skilled and as persnickety as I am.

0:25:26.520 --> 0:25:28.879
<v Speaker 3>And she did that work. I did not do that work.

0:25:29.000 --> 0:25:31.640
<v Speaker 3>But then I checked her work, and I went through

0:25:31.680 --> 0:25:33.879
<v Speaker 3>that pantry like a fine toothed comb.

0:25:34.080 --> 0:25:35.359
<v Speaker 2>You're a micromanagement.

0:25:35.920 --> 0:25:38.840
<v Speaker 3>I like to think of myself as detail oriented. Okay,

0:25:39.320 --> 0:25:43.560
<v Speaker 3>I'm a classic Ago if there ever was one. Okay,

0:25:44.040 --> 0:25:47.320
<v Speaker 3>but you know the same with my set designer. My

0:25:47.400 --> 0:25:49.840
<v Speaker 3>set designer is a very very.

0:25:50.200 --> 0:25:51.679
<v Speaker 2>I'm very impressed with that set.

0:25:51.800 --> 0:25:52.280
<v Speaker 3>Thank you.

0:25:52.440 --> 0:25:55.000
<v Speaker 1>First of all, is that a real place? Yes?

0:25:55.760 --> 0:25:56.840
<v Speaker 2>Okay? So where?

0:25:57.040 --> 0:25:58.920
<v Speaker 3>No? No, it's not a real place. We built it

0:25:59.000 --> 0:25:59.960
<v Speaker 3>in a warehouse.

0:26:00.800 --> 0:26:02.520
<v Speaker 2>Yeah, but you know.

0:26:02.560 --> 0:26:04.399
<v Speaker 3>It's meant to look like a real place.

0:26:04.480 --> 0:26:07.400
<v Speaker 1>I'm on year six of building my farm, and yet

0:26:07.600 --> 0:26:11.640
<v Speaker 1>I was like, did you just build this within seconds?

0:26:11.680 --> 0:26:14.160
<v Speaker 3>And I mean not seconds, but here's the thing.

0:26:14.200 --> 0:26:16.119
<v Speaker 2>Again, and does it break down everything?

0:26:16.200 --> 0:26:18.640
<v Speaker 3>It break down, it breaks down. It's now in storage

0:26:18.680 --> 0:26:21.920
<v Speaker 3>and big pieces. But let me tell you, this set

0:26:21.960 --> 0:26:24.159
<v Speaker 3>is the thing that I paid the most attention to.

0:26:24.960 --> 0:26:28.879
<v Speaker 3>Here's why I was trying to refresh the genre. I

0:26:28.960 --> 0:26:32.080
<v Speaker 3>knew I was gonna get compared to all these other

0:26:32.119 --> 0:26:34.359
<v Speaker 3>shows out there, whether I had hosted them or not.

0:26:35.400 --> 0:26:38.879
<v Speaker 3>And I have a lot of fully formed opinions having

0:26:38.920 --> 0:26:42.080
<v Speaker 3>done this for so many years. I did not want

0:26:42.080 --> 0:26:45.639
<v Speaker 3>that set to look like a TV set. I didn't

0:26:45.640 --> 0:26:48.000
<v Speaker 3>want that set to look like a shiny floor game

0:26:48.040 --> 0:26:51.800
<v Speaker 3>show or even any other culinary show you've seen. And

0:26:51.920 --> 0:26:58.000
<v Speaker 3>most sets are either proscenium stage or rectilinear. Yes, kitchens are,

0:26:58.600 --> 0:27:02.040
<v Speaker 3>but there's a lot of research that shows that people

0:27:02.160 --> 0:27:07.919
<v Speaker 3>are more focused and more creative in non rectilinear spaces.

0:27:08.480 --> 0:27:11.000
<v Speaker 3>And that's why they're always encouraging writers to get out

0:27:11.040 --> 0:27:15.600
<v Speaker 3>in nature, because rounder, softer spaces create an environment where

0:27:15.600 --> 0:27:18.800
<v Speaker 3>your brain has to just think differently for whatever reason.

0:27:19.240 --> 0:27:22.880
<v Speaker 3>And so I wanted something that felt like an arena,

0:27:23.040 --> 0:27:27.280
<v Speaker 3>but most importantly felt like an actual high end kitchen.

0:27:27.840 --> 0:27:31.080
<v Speaker 3>So that is not my kitchen on that show is

0:27:31.119 --> 0:27:33.479
<v Speaker 3>no different than the kitchen that you would see if

0:27:33.560 --> 0:27:38.119
<v Speaker 3>you walked into French laundry right, or Jean George or

0:27:38.280 --> 0:27:41.959
<v Speaker 3>Daniel Hum's kitchen. It's bigger, It's a lot bigger, and

0:27:42.000 --> 0:27:45.600
<v Speaker 3>it's oval. There are no corners in the acc kitchen,

0:27:46.040 --> 0:27:48.720
<v Speaker 3>and so that was very purposeful. Another thing that I

0:27:48.760 --> 0:27:51.720
<v Speaker 3>did is I didn't want you know what it looks like.

0:27:51.760 --> 0:27:53.439
<v Speaker 3>You spent a lot of time at Rock Center. So

0:27:54.560 --> 0:27:59.280
<v Speaker 3>there's no neon lights, there's no you know, velvet walls

0:27:59.320 --> 0:28:03.560
<v Speaker 3>and jeweled to there's nothing that There's no chochki's on

0:28:03.680 --> 0:28:06.760
<v Speaker 3>the walls because I want these chefs to have a

0:28:06.800 --> 0:28:13.439
<v Speaker 3>pristine and high end focused laboratory. That's why it's specifically

0:28:14.000 --> 0:28:16.720
<v Speaker 3>very minimal. It almost looks Japanese in a way.

0:28:16.840 --> 0:28:19.800
<v Speaker 1>But white was also a risky choice because if you're

0:28:19.840 --> 0:28:23.520
<v Speaker 1>making food, then everything you said, I'm glad you said.

0:28:23.560 --> 0:28:26.040
<v Speaker 1>I'm glad I asked this question because even when I

0:28:26.080 --> 0:28:28.439
<v Speaker 1>was watching it, I was like, I can't pinpoint it.

0:28:29.080 --> 0:28:32.240
<v Speaker 1>But there's something really engaging and hypnotic about this set

0:28:32.359 --> 0:28:35.480
<v Speaker 1>that it has me watching and studying every detail of it. Well,

0:28:35.720 --> 0:28:38.280
<v Speaker 1>because it's the supermarket you guys built.

0:28:38.000 --> 0:28:42.120
<v Speaker 3>I didn't want there to be anything to distract our chefs.

0:28:42.800 --> 0:28:46.080
<v Speaker 3>I wanted a culinary cathedral.

0:28:46.640 --> 0:28:47.720
<v Speaker 1>I did you built it?

0:28:48.000 --> 0:28:52.280
<v Speaker 3>And I wanted the highest end restaurant grade equipment. I

0:28:52.280 --> 0:28:57.640
<v Speaker 3>mean that kitchen has more comby ovens, blast chillers, salamanders,

0:28:58.360 --> 0:29:00.880
<v Speaker 3>you know, anything you could want, and it has enough

0:29:00.920 --> 0:29:04.160
<v Speaker 3>for everybody. So you know, on other game shows or

0:29:04.200 --> 0:29:07.560
<v Speaker 3>other food shows, you see the chefs competing to get

0:29:07.920 --> 0:29:10.600
<v Speaker 3>some equipment and someone always winds up with a bum

0:29:11.040 --> 0:29:14.880
<v Speaker 3>oven or whatever, and I didn't want that. So every

0:29:14.960 --> 0:29:18.840
<v Speaker 3>chef has a six foot by three foot counter. Every

0:29:18.960 --> 0:29:22.080
<v Speaker 3>chef has six burners and an oven and place to

0:29:22.120 --> 0:29:24.880
<v Speaker 3>put all the equipment that they use the most, all

0:29:24.920 --> 0:29:25.200
<v Speaker 3>of it.

0:29:25.360 --> 0:29:28.360
<v Speaker 1>Okay, So I don't know how it is on other shows,

0:29:28.840 --> 0:29:31.000
<v Speaker 1>but I was wondering, did you have it spaced out

0:29:31.040 --> 0:29:36.360
<v Speaker 1>so much so that there is no possibility of a

0:29:36.360 --> 0:29:37.440
<v Speaker 1>sabotage situation?

0:29:37.840 --> 0:29:39.240
<v Speaker 2>I mean, I didn't know how deep in.

0:29:39.160 --> 0:29:43.640
<v Speaker 1>The competition level of but an amateur like me would

0:29:43.680 --> 0:29:48.160
<v Speaker 1>automatically think, like put vinegar inside there, anila astrak or whatever.

0:29:48.320 --> 0:29:50.960
<v Speaker 3>Yeah, there is, but I don't think any First of all,

0:29:51.000 --> 0:29:53.880
<v Speaker 3>we have about twenty five cameras running, so you would

0:29:53.880 --> 0:29:55.760
<v Speaker 3>be a fool to do that, let alone do it

0:29:55.800 --> 0:29:56.880
<v Speaker 3>on national television.

0:29:56.960 --> 0:30:01.120
<v Speaker 1>Tell that to Tanya Harding.

0:30:01.880 --> 0:30:04.320
<v Speaker 3>But you know what I wanted. I don't think the

0:30:04.440 --> 0:30:07.760
<v Speaker 3>chefs that we have on our show would want to

0:30:07.800 --> 0:30:11.440
<v Speaker 3>win because they sabotage anyone. They have too much honor

0:30:11.480 --> 0:30:14.200
<v Speaker 3>and pride in their own work. So I wanted to

0:30:14.240 --> 0:30:16.960
<v Speaker 3>see you say you're the best. All right, come to

0:30:17.080 --> 0:30:21.320
<v Speaker 3>this arena. Let me give you every toy, every ingredient,

0:30:21.480 --> 0:30:25.360
<v Speaker 3>every piece of weaponry you need to create at the

0:30:25.480 --> 0:30:26.320
<v Speaker 3>highest level.

0:30:26.480 --> 0:30:26.960
<v Speaker 2>Gotcha.

0:30:27.040 --> 0:30:29.000
<v Speaker 3>And you know, if you're going to ask Venus Williams

0:30:29.080 --> 0:30:31.640
<v Speaker 3>to come play at Wimbledon, are you going to give

0:30:31.640 --> 0:30:35.160
<v Speaker 3>her a crappy racket. You're going to manicure that court

0:30:35.200 --> 0:30:37.840
<v Speaker 3>and make sure it's great, because that's what a goat

0:30:37.960 --> 0:30:41.640
<v Speaker 3>like that deserves. And I wanted to treat our chefs

0:30:41.720 --> 0:30:42.840
<v Speaker 3>exactly the same.

0:30:43.360 --> 0:30:46.160
<v Speaker 1>Now, you know, we're professionals, and once you get to

0:30:46.200 --> 0:30:49.720
<v Speaker 1>a certain level and certain plateau, there's comfort, and then

0:30:49.880 --> 0:30:52.400
<v Speaker 1>you change your lifestyle and then next thing, you know,

0:30:52.520 --> 0:30:57.160
<v Speaker 1>safety is your thing. How hard was it leaving such

0:30:58.040 --> 0:31:02.520
<v Speaker 1>an institution like Top Chef, in which you were nineteen

0:31:02.560 --> 0:31:05.280
<v Speaker 1>seasons strong. I mean, yeah, the Susan Lucci of it all,

0:31:05.320 --> 0:31:10.000
<v Speaker 1>with the Emmy nominations, But to knock that Jinga down

0:31:10.360 --> 0:31:13.520
<v Speaker 1>and start all over again. Like if you can talk

0:31:13.520 --> 0:31:15.640
<v Speaker 1>about the straw that broke the camels back in terms

0:31:15.680 --> 0:31:18.360
<v Speaker 1>of you wanting to pivot and start all over again

0:31:18.560 --> 0:31:20.200
<v Speaker 1>and rebuild.

0:31:20.120 --> 0:31:23.760
<v Speaker 3>I can't talk about the straw that broke the cables back,

0:31:23.840 --> 0:31:24.240
<v Speaker 3>but I.

0:31:24.200 --> 0:31:28.000
<v Speaker 1>Will sort of feeling after the day after you finalized it,

0:31:28.560 --> 0:31:29.800
<v Speaker 1>what did you feel the day after?

0:31:29.920 --> 0:31:32.400
<v Speaker 3>It was very scary, you know, it was I'm not

0:31:32.440 --> 0:31:36.840
<v Speaker 3>gonna lie, it was. It was very vulnerable making to

0:31:37.040 --> 0:31:40.560
<v Speaker 3>leave a house that I helped build and a legacy

0:31:40.760 --> 0:31:46.280
<v Speaker 3>that I'm very proud of. And by the way, ninety

0:31:46.320 --> 0:31:49.880
<v Speaker 3>seven percent of the people on stage I really love

0:31:50.000 --> 0:31:53.080
<v Speaker 3>and consider family on Top Chef, and I'm still rooting

0:31:53.160 --> 0:31:57.080
<v Speaker 3>for them, you know. And I didn't knock that Jenga down.

0:31:57.800 --> 0:32:01.240
<v Speaker 3>Kristin Kish, who is someone I've known for ten years,

0:32:02.520 --> 0:32:05.200
<v Speaker 3>you know, took my place, and I thought that was

0:32:05.720 --> 0:32:10.880
<v Speaker 3>a great way to leave. I wanted to leave for

0:32:10.920 --> 0:32:14.040
<v Speaker 3>a while, and there were many reasons that had to

0:32:14.080 --> 0:32:16.920
<v Speaker 3>do with my leaving, so it was not a rash decision.

0:32:17.320 --> 0:32:20.920
<v Speaker 3>It was still a scary decision. And you know, one

0:32:21.000 --> 0:32:22.920
<v Speaker 3>day I'll be able to talk about all the reasons.

0:32:22.960 --> 0:32:26.960
<v Speaker 3>But I do think I was ready for a new

0:32:27.120 --> 0:32:30.720
<v Speaker 3>intellectual challenge. You know, everything I had wanted to do

0:32:30.920 --> 0:32:33.840
<v Speaker 3>or been able to do on that show. Given the

0:32:33.880 --> 0:32:37.360
<v Speaker 3>confines of how it was created and formed.

0:32:37.120 --> 0:32:40.720
<v Speaker 1>You never had the final word there, whereas here, I

0:32:40.760 --> 0:32:42.920
<v Speaker 1>mean here you have a stronger suggestion there.

0:32:42.960 --> 0:32:43.400
<v Speaker 2>Maybe.

0:32:43.520 --> 0:32:46.200
<v Speaker 3>But yeah, I mean I was an executive producer and yes,

0:32:46.320 --> 0:32:49.040
<v Speaker 3>but I mean I didn't create that show. You know,

0:32:49.080 --> 0:32:51.240
<v Speaker 3>I was involved in the development, but I didn't even

0:32:51.240 --> 0:32:54.880
<v Speaker 3>do it first for season. If we remember, this is Different,

0:32:55.480 --> 0:32:59.840
<v Speaker 3>you know, this is really a brainchild of all of

0:32:59.840 --> 0:33:04.040
<v Speaker 3>the experience that I've gained over my career, and so

0:33:04.160 --> 0:33:06.840
<v Speaker 3>it's just a different animal. You know, we're not looking

0:33:07.440 --> 0:33:12.040
<v Speaker 3>to throw obstacles in the chef's way. We're not looking

0:33:12.640 --> 0:33:17.320
<v Speaker 3>to have them use retail ingredients that you know, people

0:33:17.400 --> 0:33:21.000
<v Speaker 3>using their homes. We're not making them fight for any

0:33:21.040 --> 0:33:23.160
<v Speaker 3>you know what I mean. It's just like the ethos

0:33:23.240 --> 0:33:28.120
<v Speaker 3>of our show, I believe Is Different is completely opposing

0:33:28.320 --> 0:33:31.960
<v Speaker 3>most culinary shows. Most culinary shows are trying to trip

0:33:32.000 --> 0:33:36.080
<v Speaker 3>them up. I'm not. I'm trying to support these people

0:33:36.080 --> 0:33:41.360
<v Speaker 3>who I really believe are scientists and artists and journeymen.

0:33:41.560 --> 0:33:44.720
<v Speaker 3>Also because we forget but cooking is manual labor. At

0:33:44.760 --> 0:33:46.680
<v Speaker 3>the end of the day, it has to do with endurance,

0:33:47.200 --> 0:33:51.080
<v Speaker 3>and it's a physical job, not only from your senses

0:33:51.080 --> 0:33:54.400
<v Speaker 3>and your palate, but just like without ruining anything. You

0:33:54.440 --> 0:33:58.800
<v Speaker 3>will see that in the second episode it is difficult

0:33:58.880 --> 0:34:01.320
<v Speaker 3>physically for some of the people to do what we're

0:34:01.360 --> 0:34:04.280
<v Speaker 3>asking them because of their brute strength.

0:34:04.480 --> 0:34:06.360
<v Speaker 2>Gotcha. So okay.

0:34:06.400 --> 0:34:11.160
<v Speaker 1>In competition shows and some reality shows, being the bad guy,

0:34:11.320 --> 0:34:16.040
<v Speaker 1>the difficult person is required for success. How uncomfortable is

0:34:16.080 --> 0:34:21.600
<v Speaker 1>it air quote breaking hearts or delivering bad news sending

0:34:21.640 --> 0:34:24.320
<v Speaker 1>someone home? Like, how do you not get your heart involved?

0:34:24.360 --> 0:34:28.319
<v Speaker 1>Because even with this show, Like I'm already interested in

0:34:29.400 --> 0:34:32.400
<v Speaker 1>you know, the woman who gave up her wedding to

0:34:32.520 --> 0:34:36.319
<v Speaker 1>be here, which at first, when she first said that,

0:34:36.360 --> 0:34:39.719
<v Speaker 1>I was like, hmmm, that's slyly manipulative, because you know,

0:34:40.200 --> 0:34:41.759
<v Speaker 1>I'm going to be invested in the story, Like she

0:34:41.800 --> 0:34:43.000
<v Speaker 1>gave a wedding day for this.

0:34:43.400 --> 0:34:47.080
<v Speaker 3>I didn't know that until you saw. Yeah. Because also

0:34:47.680 --> 0:34:50.960
<v Speaker 3>I approved a large pool of contestants that was about

0:34:50.960 --> 0:34:54.120
<v Speaker 3>sixty or eighty people. You know, we had a casting director.

0:34:54.160 --> 0:34:56.680
<v Speaker 3>You could only come by invitation to our competition. You

0:34:56.719 --> 0:34:59.799
<v Speaker 3>could not apply, gotcha? By invitation only, so when they're

0:35:00.120 --> 0:35:04.040
<v Speaker 3>in those golden envelopes at the beginning, they're really getting notified.

0:35:04.840 --> 0:35:07.640
<v Speaker 3>But I picked a large pool. I chucked some people

0:35:07.640 --> 0:35:10.040
<v Speaker 3>out that she thought might be good. I added some

0:35:10.120 --> 0:35:13.120
<v Speaker 3>people that she thought may not, you know, hadn't thought

0:35:13.160 --> 0:35:17.440
<v Speaker 3>of necessarily. And after I picked that pool, I stepped

0:35:17.440 --> 0:35:22.080
<v Speaker 3>away my producers, my showrunner, my producing partnerses In Rovner,

0:35:22.160 --> 0:35:26.200
<v Speaker 3>and my very skilled CBS executives who have also been

0:35:26.239 --> 0:35:28.960
<v Speaker 3>in charge of, you know, other big shows. There was

0:35:29.000 --> 0:35:32.480
<v Speaker 3>a group of people that came together and picked the

0:35:32.520 --> 0:35:36.400
<v Speaker 3>final sixteen contestants. I did not know who made that

0:35:36.480 --> 0:35:40.160
<v Speaker 3>cut until I got in the kitchen on the first day.

0:35:40.239 --> 0:35:42.920
<v Speaker 3>I didn't want to know. I gave them very, very

0:35:43.120 --> 0:35:46.520
<v Speaker 3>you know, specific parameters. I want diversity. I want as

0:35:46.560 --> 0:35:48.920
<v Speaker 3>many women as there are men. I want to make

0:35:48.920 --> 0:35:51.319
<v Speaker 3>sure they're coming from all parts of America. So it

0:35:51.400 --> 0:35:55.799
<v Speaker 3>really is America's culinary cup, not just coastal cup. You know.

0:35:57.000 --> 0:35:58.680
<v Speaker 3>But I didn't want to know.

0:35:59.560 --> 0:36:03.480
<v Speaker 1>Do show those of this nature make people better cooks necessarily?

0:36:03.800 --> 0:36:06.760
<v Speaker 1>Or is this more or less a test to how

0:36:06.800 --> 0:36:10.160
<v Speaker 1>do you solve problems with the clock running out?

0:36:10.800 --> 0:36:15.040
<v Speaker 3>It's both, Okay, it's really both because you know, you

0:36:15.120 --> 0:36:17.520
<v Speaker 3>have to of course be a great cook and a

0:36:17.560 --> 0:36:20.439
<v Speaker 3>great chef and think on your feet and be able

0:36:20.440 --> 0:36:22.960
<v Speaker 3>to see ahead to not only what you can accomplish,

0:36:23.000 --> 0:36:26.000
<v Speaker 3>but what you can accomplish within the parameters of that timeframe.

0:36:26.920 --> 0:36:30.600
<v Speaker 3>But it's also a show that really really has to

0:36:30.640 --> 0:36:33.960
<v Speaker 3>do with strategy. It's a lot of strategy, and in

0:36:34.000 --> 0:36:37.560
<v Speaker 3>that way it is and it isn't like being a

0:36:37.600 --> 0:36:40.239
<v Speaker 3>real chef, you know, because you have more time to

0:36:40.320 --> 0:36:42.719
<v Speaker 3>think about things and you can hire the people you want.

0:36:42.760 --> 0:36:47.120
<v Speaker 3>But in this show, other than certain times when we're

0:36:47.120 --> 0:36:49.359
<v Speaker 3>asking you to work in Paris, it's just too much

0:36:49.360 --> 0:36:52.240
<v Speaker 3>for one person to do. You're really on your own.

0:36:52.360 --> 0:36:55.040
<v Speaker 3>Most chefs walk in they've got their whole meson plas

0:36:55.040 --> 0:36:57.400
<v Speaker 3>already done for them. They've got everything chopped.

0:36:57.719 --> 0:36:57.920
<v Speaker 1>You know.

0:36:57.960 --> 0:37:00.360
<v Speaker 3>One guy's assaucier and the other guys work in the grill,

0:37:00.480 --> 0:37:04.200
<v Speaker 3>and other woman is doing the garmnge right here. You

0:37:04.320 --> 0:37:08.120
<v Speaker 3>are doing everything yourself, and a lot of these chefs

0:37:08.160 --> 0:37:12.120
<v Speaker 3>nowadays don't do that for themselves, you know. Like especially

0:37:12.160 --> 0:37:15.680
<v Speaker 3>that came clear when we saw like the Mastering the

0:37:15.800 --> 0:37:18.160
<v Speaker 3>Art of Meat, because a lot of these chefs who

0:37:18.200 --> 0:37:20.239
<v Speaker 3>are younger they don't know how to break down a

0:37:20.239 --> 0:37:23.560
<v Speaker 3>whole animal because they haven't had to do it. They're

0:37:23.600 --> 0:37:26.439
<v Speaker 3>just getting cuts that are already parsed out.

0:37:27.000 --> 0:37:28.120
<v Speaker 2>Got you got it?

0:37:28.400 --> 0:37:28.680
<v Speaker 3>Er?

0:37:29.080 --> 0:37:30.319
<v Speaker 2>Okay?

0:37:31.040 --> 0:37:34.319
<v Speaker 1>Isn't there a squeamish level of or do you just

0:37:34.360 --> 0:37:36.000
<v Speaker 1>have to work through that as a chef?

0:37:36.200 --> 0:37:40.080
<v Speaker 3>I mean there was for me just observing it because

0:37:40.080 --> 0:37:43.480
<v Speaker 3>I grew up a vegetarian, But it is if you

0:37:43.520 --> 0:37:46.319
<v Speaker 3>are going to serve meat, you should know where it

0:37:46.360 --> 0:37:51.000
<v Speaker 3>comes from and you should be prepared to look at

0:37:51.040 --> 0:37:54.279
<v Speaker 3>that with clear open eyes. You otherwise you shouldn't be

0:37:54.280 --> 0:37:54.719
<v Speaker 3>serving me.

0:37:55.000 --> 0:38:07.680
<v Speaker 5>You know, I got it? Okay.

0:38:09.360 --> 0:38:11.680
<v Speaker 1>So when I entered the food space, like around two

0:38:11.719 --> 0:38:13.759
<v Speaker 1>thousand and nine twenty ten, the one thing that I

0:38:13.800 --> 0:38:17.600
<v Speaker 1>wasn't aware of when going to these various restaurants was like, oh,

0:38:18.040 --> 0:38:20.320
<v Speaker 1>I don't see any women heading up. You know, I

0:38:20.600 --> 0:38:23.560
<v Speaker 1>rarely see chefs, and you know, once I started interviewing

0:38:23.600 --> 0:38:26.239
<v Speaker 1>and investigating a lot of it was like, well, you know,

0:38:26.320 --> 0:38:30.840
<v Speaker 1>when you choose this world, this comes first. Like the

0:38:30.840 --> 0:38:34.640
<v Speaker 1>way Daniel told me that eleven Madison is run. It's

0:38:34.680 --> 0:38:37.120
<v Speaker 1>twenty four hour operation. Yeah, the last person leaves at

0:38:37.120 --> 0:38:39.400
<v Speaker 1>one and they got to clean up prepare for the

0:38:39.400 --> 0:38:42.279
<v Speaker 1>next day, and that doesn't allow you to be a

0:38:42.320 --> 0:38:46.640
<v Speaker 1>parent or a partner that sort of thing. So has

0:38:47.160 --> 0:38:49.839
<v Speaker 1>much changed have we made? Even if it's slow as

0:38:49.920 --> 0:38:53.879
<v Speaker 1>molasses strides now they we're in twenty twenty six, or.

0:38:53.880 --> 0:38:56.640
<v Speaker 3>Is there still There's still a lot to be done.

0:38:57.400 --> 0:39:00.920
<v Speaker 3>And I believe that both women and men should be

0:39:00.960 --> 0:39:04.440
<v Speaker 3>present for their children. So you know, a lot of

0:39:04.440 --> 0:39:07.880
<v Speaker 3>that work, domestic work has often fallen on the shoulders

0:39:07.920 --> 0:39:11.879
<v Speaker 3>of women, regardless of whatever profession we're talking about. There

0:39:11.920 --> 0:39:15.880
<v Speaker 3>is no industry safe for maybe the military that is

0:39:15.880 --> 0:39:19.719
<v Speaker 3>more male dominated than the restaurant industry.

0:39:19.880 --> 0:39:22.920
<v Speaker 2>So weird because when we grow up, mom's supposed.

0:39:22.640 --> 0:39:22.840
<v Speaker 5>To do it.

0:39:25.600 --> 0:39:28.320
<v Speaker 3>Most of the food in the world is made by women.

0:39:28.960 --> 0:39:33.560
<v Speaker 3>Most of the money from professionally selling food is made

0:39:33.640 --> 0:39:36.120
<v Speaker 3>by men. But you know, I mean, this is a

0:39:36.120 --> 0:39:40.080
<v Speaker 3>whole nother tangent. But it's not just the food industry,

0:39:40.239 --> 0:39:42.840
<v Speaker 3>is just patriarchy in general. But there are also a

0:39:42.840 --> 0:39:45.640
<v Speaker 3>lot of reasons that you know, you're on your feet again.

0:39:45.719 --> 0:39:48.399
<v Speaker 3>It's manual labor. The hours are terrible, you're never home

0:39:48.440 --> 0:39:52.359
<v Speaker 3>for lunch or dinner, right, But there are chefs who

0:39:52.600 --> 0:39:56.160
<v Speaker 3>are designing schedules for their kitchen step and for themselves

0:39:56.480 --> 0:40:00.920
<v Speaker 3>that are much more humane and much fairer. You know,

0:40:01.120 --> 0:40:03.520
<v Speaker 3>a lot of them, Like I know at once Cosme

0:40:03.680 --> 0:40:07.400
<v Speaker 3>even had an all female kitchen and they were able

0:40:07.400 --> 0:40:09.200
<v Speaker 3>to do it. I know that a few years back,

0:40:09.280 --> 0:40:13.439
<v Speaker 3>Danny Meyer gave maternity leave or you know, parental leave.

0:40:13.840 --> 0:40:16.400
<v Speaker 3>And so there are people who are trying to better

0:40:16.480 --> 0:40:21.880
<v Speaker 3>the system, and it will continue to be better and

0:40:21.960 --> 0:40:27.240
<v Speaker 3>more equitable when more women land in, you know, positions

0:40:27.239 --> 0:40:28.880
<v Speaker 3>of power, because not only do you not see a

0:40:28.920 --> 0:40:31.239
<v Speaker 3>lot of women up there, you don't see a lot

0:40:31.280 --> 0:40:34.400
<v Speaker 3>of black and brown folk up there. You don't, which

0:40:35.040 --> 0:40:36.720
<v Speaker 3>is crazy because.

0:40:36.320 --> 0:40:37.520
<v Speaker 1>That's what built this country.

0:40:37.840 --> 0:40:39.920
<v Speaker 3>Also, yeah, you know, when you open the door to

0:40:39.960 --> 0:40:42.840
<v Speaker 3>the back of the house, the kitchen, all the faces

0:40:42.880 --> 0:40:46.279
<v Speaker 3>you see are black and brown faces. But then when

0:40:46.320 --> 0:40:48.919
<v Speaker 3>you get to the head chef, the executive chef, all

0:40:48.920 --> 0:40:50.480
<v Speaker 3>of a sudden, it's a white dude.

0:40:51.560 --> 0:40:53.919
<v Speaker 2>Got you all right, We're going to do rapid fire.

0:40:54.080 --> 0:40:54.640
<v Speaker 2>I let you go.

0:40:54.960 --> 0:40:58.160
<v Speaker 1>Best be to New York Stretch Stretch.

0:40:58.200 --> 0:41:01.440
<v Speaker 3>Where's that stretches on Park and twenty fourth. It is

0:41:01.520 --> 0:41:03.600
<v Speaker 3>Wiley Dufrain's Pizzeria.

0:41:04.320 --> 0:41:05.600
<v Speaker 2>Is it Molecular Pizza?

0:41:05.840 --> 0:41:08.359
<v Speaker 3>Just it's just yummy. I can try it. But there's

0:41:08.440 --> 0:41:12.759
<v Speaker 3>lots of good pizza. There's Una Pizza Napolitana down you know,

0:41:12.880 --> 0:41:15.799
<v Speaker 3>in the Lower East Side. I happen to like a

0:41:15.840 --> 0:41:21.680
<v Speaker 3>group of restaurants that are called Grupo vetso spunto at

0:41:21.719 --> 0:41:22.400
<v Speaker 3>the end of it.

0:41:22.480 --> 0:41:22.840
<v Speaker 1>I guess.

0:41:22.880 --> 0:41:25.399
<v Speaker 3>So they're cute. They're like brick lined. You can get

0:41:25.440 --> 0:41:28.640
<v Speaker 3>beer and wine there, and that is if like a

0:41:28.760 --> 0:41:31.520
<v Speaker 3>Roman Pizza and a New York Slice had a baby,

0:41:32.239 --> 0:41:33.359
<v Speaker 3>and so that's pretty good too.

0:41:33.480 --> 0:41:37.239
<v Speaker 1>Okay, do you sleep in silence or do you have

0:41:37.280 --> 0:41:40.200
<v Speaker 1>to have music or TV or something on in the background.

0:41:40.840 --> 0:41:43.319
<v Speaker 3>I sleep with a podcast.

0:41:43.719 --> 0:41:45.520
<v Speaker 2>What do you listen to Hidden Brain?

0:41:46.239 --> 0:41:46.479
<v Speaker 5>Ah?

0:41:47.280 --> 0:41:48.920
<v Speaker 2>Okay, I listened to audio books.

0:41:49.120 --> 0:41:52.120
<v Speaker 3>Yeah, same Princeville. I will listen to audio books too.

0:41:52.160 --> 0:41:55.920
<v Speaker 3>There's a great book that's based on Youngian dream theory.

0:41:56.360 --> 0:41:59.120
<v Speaker 3>It's not by Carl Jung, but it's by doctors who

0:41:59.239 --> 0:42:03.280
<v Speaker 3>practice that called dream Wise. Was recommended to me by

0:42:03.400 --> 0:42:06.280
<v Speaker 3>a friend of mine named Channy, and that I enjoyed.

0:42:06.520 --> 0:42:10.000
<v Speaker 3>But what's great about Falling Asleep to Steph is that

0:42:10.120 --> 0:42:13.400
<v Speaker 3>I will listen to one episode six times because I

0:42:13.440 --> 0:42:16.600
<v Speaker 3>fall asleep, you know, And I mean I'm friends with Iragas,

0:42:16.640 --> 0:42:19.120
<v Speaker 3>and he says he hates when people tell him that

0:42:19.400 --> 0:42:22.040
<v Speaker 3>they listen to this American life well, because it's like,

0:42:22.120 --> 0:42:25.000
<v Speaker 3>that's not a compliment, and I wish I totally get.

0:42:25.560 --> 0:42:29.200
<v Speaker 3>But again, I'm a learner, so I love. And I'm

0:42:29.239 --> 0:42:32.120
<v Speaker 3>also a very auditory person more than a visual person.

0:42:32.160 --> 0:42:35.799
<v Speaker 3>I'm an auditory person, so I learn that way. And

0:42:35.880 --> 0:42:40.239
<v Speaker 3>I love books on tape. I love you know, podcasts

0:42:40.280 --> 0:42:41.080
<v Speaker 3>and all that stuff.

0:42:41.160 --> 0:42:44.080
<v Speaker 2>Yeah, got you, all right? So what establishment are you?

0:42:44.120 --> 0:42:48.839
<v Speaker 1>Slightly embarrassed to admit that you frequent for Valentine's Day?

0:42:49.800 --> 0:42:51.879
<v Speaker 1>White Castle is very hard to get into.

0:42:52.239 --> 0:42:52.600
<v Speaker 3>Really.

0:42:52.920 --> 0:42:56.640
<v Speaker 1>Oh they transform it into a missilin level like step

0:42:56.680 --> 0:43:00.439
<v Speaker 1>and repeat sexy lighting. They come and serve you once

0:43:00.480 --> 0:43:04.040
<v Speaker 1>a year. White Castle goes all out. You can't get

0:43:04.400 --> 0:43:05.800
<v Speaker 1>like I had to go up in the Bronx to

0:43:06.280 --> 0:43:07.000
<v Speaker 1>take a date there.

0:43:07.120 --> 0:43:08.000
<v Speaker 2>No, it's a real thing.

0:43:08.120 --> 0:43:10.960
<v Speaker 3>That's kind of sweet. I love that. That makes me

0:43:11.080 --> 0:43:11.760
<v Speaker 3>like White Castle.

0:43:11.960 --> 0:43:13.840
<v Speaker 1>They did it as the irony thing, but then it

0:43:13.880 --> 0:43:17.080
<v Speaker 1>became popular. So what establishment are you?

0:43:17.920 --> 0:43:20.040
<v Speaker 3>It sounds like you're asking me about what my guilty

0:43:20.080 --> 0:43:22.920
<v Speaker 3>pleasure is. And I don't feel any guilt in taking

0:43:22.920 --> 0:43:24.600
<v Speaker 3>pleasure in any area.

0:43:24.760 --> 0:43:26.920
<v Speaker 2>So you're in the zero fox stage of your life

0:43:26.960 --> 0:43:27.200
<v Speaker 2>right now.

0:43:27.200 --> 0:43:28.799
<v Speaker 3>I am. It feels really good too.

0:43:29.040 --> 0:43:31.719
<v Speaker 2>Okay, what is the greatest cereal of all time?

0:43:32.800 --> 0:43:33.640
<v Speaker 3>Golden Grams?

0:43:34.160 --> 0:43:37.719
<v Speaker 2>Smart damn pama I you.

0:43:39.239 --> 0:43:42.160
<v Speaker 1>What's the one occurrence in your life that changed everything?

0:43:42.400 --> 0:43:45.439
<v Speaker 1>What's the moment that was a paradigm shift of your life?

0:43:46.440 --> 0:43:49.799
<v Speaker 3>When I gave birth to Krishna. It helped me so

0:43:50.040 --> 0:43:54.360
<v Speaker 3>much as a human being and also in my career. Yes,

0:43:54.640 --> 0:43:56.799
<v Speaker 3>you know, because all of a sudden I was much

0:43:56.840 --> 0:44:00.520
<v Speaker 3>more productive and I stop navel gazing, and you know,

0:44:00.560 --> 0:44:03.239
<v Speaker 3>I was able to make decisions really quick, and I

0:44:03.280 --> 0:44:07.120
<v Speaker 3>was very decisive, and everybody around me benefited SR sharp.

0:44:06.960 --> 0:44:07.759
<v Speaker 2>Focus and all that.

0:44:08.440 --> 0:44:12.320
<v Speaker 1>Okay, Japanese restaurants are my litmus tests for people. Everything

0:44:12.360 --> 0:44:13.799
<v Speaker 1>I want to know about a person I can find

0:44:13.800 --> 0:44:16.879
<v Speaker 1>out in forty five minutes of how do you use

0:44:17.000 --> 0:44:20.080
<v Speaker 1>food as a means to find out who your personal

0:44:20.120 --> 0:44:23.279
<v Speaker 1>circle will be? No, so, if you go to dinner

0:44:23.320 --> 0:44:25.080
<v Speaker 1>and someone to ask for ketchup to put on their

0:44:25.120 --> 0:44:30.239
<v Speaker 1>wagon steak, you're not being like I'm not You're not.

0:44:29.400 --> 0:44:31.279
<v Speaker 3>Not at all. I mean, one of the people that

0:44:31.520 --> 0:44:34.359
<v Speaker 3>I was really in love with, it didn't work out.

0:44:35.160 --> 0:44:39.600
<v Speaker 3>Was a person who had the eating habits of a

0:44:39.640 --> 0:44:41.160
<v Speaker 3>six year old, and it.

0:44:41.080 --> 0:44:44.600
<v Speaker 1>Was oh with the no yo, that's the game, danger yo.

0:44:45.200 --> 0:44:47.960
<v Speaker 3>It was very hard, it really was, and you know

0:44:48.800 --> 0:44:51.120
<v Speaker 3>everybody would be like, I can't believe you're with this

0:44:51.200 --> 0:44:55.880
<v Speaker 3>person and you are eating you know this four times

0:44:55.920 --> 0:44:59.239
<v Speaker 3>a week. But he didn't have a very good sense

0:44:59.280 --> 0:45:02.840
<v Speaker 3>of smell, and so that affects your tastes a lot.

0:45:03.920 --> 0:45:06.480
<v Speaker 3>But you know, there were other redeeming qualities that made

0:45:06.560 --> 0:45:07.280
<v Speaker 3>him a genius.

0:45:07.440 --> 0:45:11.280
<v Speaker 1>Okay, okay, what year do you have the most fondest

0:45:11.320 --> 0:45:13.840
<v Speaker 1>memories of? Like what is your when you think of

0:45:15.040 --> 0:45:17.080
<v Speaker 1>nineteen da da da da da or two thousand da

0:45:17.120 --> 0:45:18.640
<v Speaker 1>da da da, Like what is the.

0:45:20.480 --> 0:45:21.320
<v Speaker 2>I missed that time?

0:45:22.040 --> 0:45:26.359
<v Speaker 3>Nineteen ninety seven that was the year. Yeah, I mean

0:45:26.600 --> 0:45:31.040
<v Speaker 3>I started my television career in Italy co hosting a

0:45:31.160 --> 0:45:34.600
<v Speaker 3>live show with no five second tape delay. And I

0:45:34.640 --> 0:45:37.920
<v Speaker 3>was on that show for half a season and then

0:45:38.040 --> 0:45:41.040
<v Speaker 3>an agent cast me or asked me to be part

0:45:41.040 --> 0:45:44.640
<v Speaker 3>of a cast of a mini series that was shooting

0:45:44.640 --> 0:45:47.400
<v Speaker 3>in Cuba, and then I went to Cuba and I

0:45:47.440 --> 0:45:50.280
<v Speaker 3>spent four months in Cuba. That was my first film

0:45:50.320 --> 0:45:53.120
<v Speaker 3>as an actor, and it was the best four months

0:45:53.120 --> 0:45:55.960
<v Speaker 3>of my life. I loved Cuba, Dame.

0:45:56.800 --> 0:45:58.160
<v Speaker 1>I love it to death. All Right, this is the

0:45:58.239 --> 0:46:00.319
<v Speaker 1>last two questions I have for you. All Right, you

0:46:00.360 --> 0:46:01.040
<v Speaker 1>were in Glitter.

0:46:02.880 --> 0:46:05.080
<v Speaker 3>I knew I wasn't gonna We had hung out so

0:46:05.239 --> 0:46:07.279
<v Speaker 3>many times. Why are you waiting for this one?

0:46:08.520 --> 0:46:11.960
<v Speaker 1>I waited so long I wanted to ask you that first. No,

0:46:12.040 --> 0:46:15.120
<v Speaker 1>because I have a different relationship with Glitter only because

0:46:15.360 --> 0:46:18.120
<v Speaker 1>you know it came out nine to eleven. Yeah, and

0:46:18.360 --> 0:46:21.879
<v Speaker 1>there was only two movies to watch, what Blue Steel,

0:46:22.280 --> 0:46:24.840
<v Speaker 1>Zoolander in Glitter. So I remember one day I just

0:46:24.880 --> 0:46:28.080
<v Speaker 1>hung out at the movie theater and seen both films

0:46:28.120 --> 0:46:30.200
<v Speaker 1>like twice in a row because there was nothing to do.

0:46:30.920 --> 0:46:36.799
<v Speaker 1>And when you started singing, that's a guts though.

0:46:37.080 --> 0:46:40.560
<v Speaker 3>Like they asked me to sing badly. I tried to

0:46:40.600 --> 0:46:42.080
<v Speaker 3>sing as badly as I could.

0:46:42.280 --> 0:46:43.320
<v Speaker 2>Is that your real voice?

0:46:43.600 --> 0:46:47.040
<v Speaker 3>I mean, it's my voice when I'm trying to sing badly.

0:46:47.280 --> 0:46:50.400
<v Speaker 3>I'm not again, Can you sing sing? I used to

0:46:50.440 --> 0:46:52.839
<v Speaker 3>be inquired, but I really can't sing. I got you.

0:46:52.880 --> 0:46:56.759
<v Speaker 3>I can't sing because I think also I used to

0:46:56.840 --> 0:46:59.440
<v Speaker 3>be able to sing, but somewhere around there the nineties,

0:46:59.480 --> 0:47:02.480
<v Speaker 3>really my voice up. We don't have time in this

0:47:02.560 --> 0:47:05.960
<v Speaker 3>PG show to go through why but yeah, okay, let

0:47:06.000 --> 0:47:07.840
<v Speaker 3>me just say I was a model in the nineties

0:47:08.120 --> 0:47:10.080
<v Speaker 3>in Milan and Paris.

0:47:10.680 --> 0:47:13.160
<v Speaker 2>I I already know what you're going all right.

0:47:13.200 --> 0:47:17.760
<v Speaker 1>My last question, what is the best compliment you've ever received?

0:47:18.800 --> 0:47:20.840
<v Speaker 3>That I am the funniest person in the room.

0:47:21.080 --> 0:47:21.759
<v Speaker 2>Actually you are.

0:47:22.160 --> 0:47:23.040
<v Speaker 3>Thank you.

0:47:23.040 --> 0:47:24.640
<v Speaker 2>You're the greatest wingman I have.

0:47:25.200 --> 0:47:26.880
<v Speaker 3>Oh yeah, that makes me happy.

0:47:27.080 --> 0:47:27.920
<v Speaker 2>No, I'm that serious.

0:47:28.000 --> 0:47:32.359
<v Speaker 1>Like of there's maybe three people that other people are

0:47:32.360 --> 0:47:35.879
<v Speaker 1>really impressed. I know you came to my very first

0:47:35.920 --> 0:47:39.880
<v Speaker 1>game night, very late, and when you walked in the

0:47:39.960 --> 0:47:43.240
<v Speaker 1>amount of times my phone started buzzing, like, holy shit,

0:47:44.120 --> 0:47:44.759
<v Speaker 1>you know her?

0:47:45.480 --> 0:47:47.759
<v Speaker 2>Like literally, it's you.

0:47:47.640 --> 0:47:49.960
<v Speaker 3>Know, will you introduced me to Taylor Swift?

0:47:50.320 --> 0:47:52.839
<v Speaker 1>Yes, both of y'all came, but you were the star

0:47:52.920 --> 0:47:57.000
<v Speaker 1>that night. Oh my god, she's snuck in unnoticed. You

0:47:57.080 --> 0:47:58.839
<v Speaker 1>came in like and.

0:47:58.960 --> 0:48:01.560
<v Speaker 3>Literally, oh that's very kind.

0:48:01.680 --> 0:48:04.600
<v Speaker 1>Yeah, No, you're You're the best wingman I've ever had.

0:48:05.480 --> 0:48:06.680
<v Speaker 1>I thank you for doing this.

0:48:06.920 --> 0:48:08.040
<v Speaker 3>I love you so much.

0:48:08.200 --> 0:48:12.080
<v Speaker 1>I'm very happy that you are pushing forward, getting your

0:48:12.120 --> 0:48:14.400
<v Speaker 1>ideas out there, trying to change the culture, trying to

0:48:14.520 --> 0:48:18.000
<v Speaker 1>change how we see food as a social adhesive. And

0:48:18.360 --> 0:48:19.880
<v Speaker 1>you're doing the Lord's work. And I thank you for

0:48:19.920 --> 0:48:20.279
<v Speaker 1>doing this.

0:48:20.400 --> 0:48:22.480
<v Speaker 3>Thank you right back, got you.

0:48:22.280 --> 0:48:24.560
<v Speaker 1>Pad Malaxmy on the Quest Left Show.

0:48:24.560 --> 0:48:26.120
<v Speaker 2>I'll see you guys on the next go round.

0:48:26.280 --> 0:48:28.840
<v Speaker 3>Bye bye.

0:48:31.760 --> 0:48:35.280
<v Speaker 1>Quest Loft Show is hosted by Me Mir Quest Love Thompson.

0:48:36.160 --> 0:48:40.000
<v Speaker 1>The executive producers are Sean g Brian Calhoun and Me.

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<v Speaker 4>Produced by Britney Benjamin and Jake Payne. Produced for iHeart

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<v Speaker 4>by Noel Brown, Edited by Alex Knoy. iHeart Video support

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<v Speaker 4>by Mark Canton, Logos graphics and animation by Nick Blowe.

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<v Speaker 1>Additional support by Lance Coleman. Special thanks to Kathy Brown.

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<v Speaker 1>Special thanks to Sugar Steve Mandel. Please subscribe, break, review,

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<v Speaker 1>and share The Quest Loft Show wherever you stream your podcast,

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<v Speaker 1>and make sure you follow us on socials That's at QLs.

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<v Speaker 1>Check out hundreds and hundreds of QLs episodes, including the

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<v Speaker 1>Quest Love Supreme Shows and our podcast archives. Quest Loom

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<v Speaker 1>Show is a production of iHeartRadio,