WEBVTT - RECALL Act 3

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<v Speaker 1>The weapons kept moving. Slouch and Bebop made contact in

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<v Speaker 1>the Everglades, Cia. They have pigs they're going in. Sally

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<v Speaker 1>Barnes came home to watch her father die, but she

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<v Speaker 1>found Leshinsky first. They sailed to cat and Kidd's Island,

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<v Speaker 1>stayed at night while the Colonel took his last breath

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<v Speaker 1>from the mainland. Now he's buried, Sally's gone, Patterson signed

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<v Speaker 1>papers he never wanted to sign, and the razor fiend

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<v Speaker 1>Crow the barber finally showed his hand. Lindquish shot him.

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<v Speaker 1>Now Slouch and Bebopper shipping out for Cuba, and whatever's

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<v Speaker 1>left of this place won't survive the summer. In Timmy

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<v Speaker 1>or Patterson's hot evening, the Commander is asleep in his

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<v Speaker 1>bump while the radio plays. A lion sleeps tonight. Through

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<v Speaker 1>the window, we see Sally and the Shinsky untying a

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<v Speaker 1>boat and pushing it off into the lagoon. Cut to

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<v Speaker 1>exterior Biscayne Bay afternoon. Sally and Li Shinske hoist the

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<v Speaker 1>sail and head off toward Captain Kids Island. Cut to

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<v Speaker 1>exterior Captain Kid's Island late afternoon. Sally is digging in

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<v Speaker 1>the sand under a palm tree. Leshinsky sits and watches

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<v Speaker 1>her my California.

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<v Speaker 2>I want to go to UCLA, study poly Side, Barry

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<v Speaker 2>Troy Donahue.

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<v Speaker 3>I don't know.

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<v Speaker 2>I need to get as far away from this graveyard

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<v Speaker 2>as possible.

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<v Speaker 1>It's not just a graveyard.

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<v Speaker 4>Look around you.

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<v Speaker 3>This is where everybody comes to die.

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<v Speaker 2>Or haven't you noticed Miami Beach the last sunset.

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<v Speaker 3>Your dad's pretty sick, Yeah, yeah, pretty sick.

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<v Speaker 1>What's gonna happen here? If you you.

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<v Speaker 2>Know, well, if he you know, it's not my department.

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<v Speaker 2>If I was you, I think about jumping Chip real soon.

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<v Speaker 2>You could come with me to California. You could marry

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<v Speaker 2>Sandra d but you'd have to change that bow hunk

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<v Speaker 2>name of yours.

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<v Speaker 1>Lashinsky rolls over in the sand and stares at the sky.

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<v Speaker 1>Charles Brons's name is Charlie Boshinski.

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<v Speaker 3>No fooling'.

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<v Speaker 5>This is a neat hideout.

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<v Speaker 3>Yeah, it was.

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<v Speaker 2>Better before there were so many buildings out there, just

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<v Speaker 2>the Fountain Blue and a couple of others.

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<v Speaker 3>This was my island paradise. I used to run around

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<v Speaker 3>naked and wait to be rescued.

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<v Speaker 5>And here I am, and here you are. I could

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<v Speaker 5>stay here forever.

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<v Speaker 1>Sally points to the sailboat drifting away.

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<v Speaker 3>We might have to we gotta swim back. These waters

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<v Speaker 3>are infested with barracudas.

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<v Speaker 4>Are you serious?

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<v Speaker 1>Sally sits next to him in the sand.

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<v Speaker 3>Don't you believe me?

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<v Speaker 5>So we're stuck here.

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<v Speaker 3>I'm afraid of the dark.

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<v Speaker 1>Maybe dissolved To exterior Barnes House night, Commander Patterson knocks

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<v Speaker 1>on the door. He turns to Wheeler and Linquist and

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<v Speaker 1>dismisses them. Madam Butterfly comes to the door.

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<v Speaker 5>Come in, Commander Hia Blossom. How's the colonel?

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<v Speaker 6>Not good?

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<v Speaker 1>Patterson enters interior Barnes House night. Madam Butterfly ushers Patterson

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<v Speaker 1>into Barnes's room. There's a wash with oxygen bottles, intravenous injections,

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<v Speaker 1>and all the accouterments of a death watch.

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<v Speaker 5>I'll only stay a minute.

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<v Speaker 1>Marico and Patterson watch the sleeping figure of Barnes in

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<v Speaker 1>his bed. She looks at Patterson and leaves the room.

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<v Speaker 1>Patterson walks around, looking at military souvenirs and memorabilia. He

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<v Speaker 1>sits for a moment and watches the colonel's frail breathing.

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<v Speaker 1>His eyes scan the photos of the colonel and Sally

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<v Speaker 1>as a child. There are photos of the colonel's wife,

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<v Speaker 1>a photo of Patterson, a buxom blonde, and the colonel

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<v Speaker 1>drinking beer. They're all dressed in World War Two uniforms.

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<v Speaker 1>Patterson opens a box of cigars, smiles and closes it.

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<v Speaker 7>Take them Romeo and Juliet Moroka got him from Havana.

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<v Speaker 5>How you feeling, Daryl, Saint Sally? Not tonight. We had

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<v Speaker 5>a nice talk the other day.

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<v Speaker 7>She's a handful.

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<v Speaker 5>What do you expect. She's your daughter.

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<v Speaker 7>Keep you an eye on her bed. Honey to the bees.

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<v Speaker 5>I guess so a lot of bees around. You Gotta

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<v Speaker 5>talk to her, Daryl. That's why she's here.

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<v Speaker 1>There's nothing left to say that. That's a bit said.

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<v Speaker 7>Your turn being daddy their mother like that.

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<v Speaker 5>I was down on the range this afternoon checking out

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<v Speaker 5>the new ar fives.

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<v Speaker 7>Yeah, very flexible weapons.

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<v Speaker 5>Made the boys a lot happier than those and ones.

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<v Speaker 5>They're only six pounds firepower. You wouldn't believe jamming problems though.

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<v Speaker 5>They need to work out. Pat I need.

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<v Speaker 7>Armies calling us chips in what chips?

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<v Speaker 5>Oh?

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<v Speaker 8>She bang?

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<v Speaker 7>Disbanding the farm Property Ordinance. Everything they're taking us down, Jesus,

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<v Speaker 7>what about the boys? Yeah, I'm afraid it's over. Nothing

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<v Speaker 7>left here. I need here, John Hancock. When the time

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<v Speaker 7>comes and needs you to sign the papers over there,

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<v Speaker 7>think I can make it. Dam Ron will notarize the

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<v Speaker 7>damn thing.

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<v Speaker 1>Patterson goes to the dresser and looks at the papers.

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<v Speaker 5>He can't do this now, I don't want it. Give

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<v Speaker 5>it the damn Ron. He's almost a damn lawyer, if.

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<v Speaker 7>You're noticing, he always looks like you just sucked a lemon.

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<v Speaker 7>This place will be a high rise in three months. Anyway,

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<v Speaker 7>I need you to button up.

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<v Speaker 5>Here, pat.

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<v Speaker 7>Better you than Sally. And there's an envelope for her.

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<v Speaker 5>Nice of you to let me know.

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<v Speaker 7>Need to know basis bat.

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<v Speaker 5>Now you know, thanks little goddamn late for that. Now

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<v Speaker 5>you're a damn fool to think I can do this, no.

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<v Speaker 1>Choice about.

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<v Speaker 5>And you to start thinking ahead?

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<v Speaker 9>Button her up.

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<v Speaker 1>I'm sorry.

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<v Speaker 7>Never been very good at contingencies. The case on's keep rolling.

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<v Speaker 5>Where are they gonna go? Still? Just babies, most of them.

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<v Speaker 5>This was your dream, your selfish bestard, not mine. There

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<v Speaker 5>was a time I could have done more than just

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<v Speaker 5>clean up your shit. Helped. There was a reason for

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<v Speaker 5>respect trust at this place.

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<v Speaker 1>It was you.

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<v Speaker 5>What do I do now? Huh? Only home for most

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<v Speaker 5>of them, though, gonna die on me now, you God

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<v Speaker 5>damn coward.

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<v Speaker 1>The colonel hasn't heard. He's asleep or drifting towards another place.

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<v Speaker 1>Fade to interior Aunt Selina's house, day dawn. Be Bop

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<v Speaker 1>is asleep on the living room sofa. The TV is

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<v Speaker 1>blaring away with a Yogi Bear cartoon. The front door

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<v Speaker 1>opens and a man enters carrying a pink stuffed alligator.

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<v Speaker 1>He sees be Bop on the sofa and places the

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<v Speaker 1>alligator next to him. The man takes off his shoes

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<v Speaker 1>and Hawaiian shirt and tiptoes upstairs. Interior Selena's bedroom. Day

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<v Speaker 1>Selena and Sloucher asleep like two spoons. Golden morning sun

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<v Speaker 1>coming through the curtains. You can almost hear the bluebirds.

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<v Speaker 1>Interior living room Day. Bebop wakes up at a sound

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<v Speaker 1>on the stairs. De Wood, It doesn't Gaza. The man

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<v Speaker 1>on the stairs turns and tries to quiet Beebop. He is,

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<v Speaker 1>of course, Uncle Raoul.

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<v Speaker 4>Sh It's doesn't gaza.

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<v Speaker 1>Interior Selena's room. Slouch bolts up right in the bed

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<v Speaker 1>and looks at Selena, who is all eyes as well.

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<v Speaker 6>You know it's Si a ventro a supermercal a las

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<v Speaker 6>Lemoniana Seio bought up up Ciga.

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<v Speaker 1>Heels slouching Aunt Selena in a panic, grabbing at clothing

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<v Speaker 1>as they scurry around the room. Interior the stairway day.

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<v Speaker 1>Uncle Raoul is melting the stairs. The bedroom door atop

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<v Speaker 1>of the stairs bursts open and Slouch runs out naked.

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<v Speaker 1>He's carrying his clothes in a blanket that he throws

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<v Speaker 1>over Uncle Raoul. As Uncle Raoul tumbles down the stairs,

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<v Speaker 1>Slouch grabs a stuffed alligator from Bebop and smacks Uncle

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<v Speaker 1>Raoul with it. Bebop and Slouch charge out the front

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<v Speaker 1>door and down the street. Angle Aunt Selena if the

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<v Speaker 1>top of the stairs, holding a sheet up to her

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<v Speaker 1>otherwise naked body. She looks down at Raoul.

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<v Speaker 10>Bo cut to exterior.

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<v Speaker 1>The school Dawn Hargrave sounds readily. Patterson by the dock

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<v Speaker 1>spots the empty drifting dinghy dissolved to interior. A company

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<v Speaker 1>Barrack's day. The boys are preparing for inspection. Sea cow dresses,

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<v Speaker 1>linquists and dress whites. Slouch is trying to borrow a

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<v Speaker 1>pair of pants.

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<v Speaker 11>All right, Come on, Sea Count, be a pow man.

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<v Speaker 4>I mean, we'll all be stuck in here if I

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<v Speaker 4>got no pants on.

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<v Speaker 1>Sea Cow throws his pants at slouch. Thanks. Cut to Angle,

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<v Speaker 1>Sea Cow and Linquist.

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<v Speaker 9>If anybody ask you anything at all, just say no

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<v Speaker 9>excuse sir?

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<v Speaker 5>Can you all say that? Hopeless?

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<v Speaker 1>Bova is looking out the indoor at the lagoon. He

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<v Speaker 1>grabs Slo's binoculars and looks at something out the window.

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<v Speaker 1>Through the binoculars, we see Patterson, Sally, and Lashinsky returning

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<v Speaker 1>to the lagoon and a dinghy.

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<v Speaker 9>Because Lisiysky looks like he gets the gold coy.

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<v Speaker 1>Cut to exterior lagoon Day. Sally sees the boys of

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<v Speaker 1>a company watching through binoculars and whooping it up on shore,

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<v Speaker 1>calling way to go, Lashinsky. She looks at Leshinsky blankly,

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<v Speaker 1>her feelings of humiliation lost in a greater pain. Cut

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<v Speaker 1>to exterior lagoon Day. Slow snatches the binoculars from Bova

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<v Speaker 1>as the boys rush to get a look. Cut to

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<v Speaker 1>boat dock Day. As soon as the dinghy lands, Sally

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<v Speaker 1>runs towards her father's house. Angle, Patterson, and Lashinsky get

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<v Speaker 1>to your barracks.

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<v Speaker 5>And keep your mouth shut about the Colonel Sally on

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<v Speaker 5>the double.

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<v Speaker 1>Son, Leshinsky heads off in the direction of the barracks.

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<v Speaker 1>Cut to interior a company barrack's day. As Lishinski enters,

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<v Speaker 1>a loud cheer goes up from the boys. Lashinsky is

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<v Speaker 1>stunned and silent as he stands at the door.

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<v Speaker 9>Well, well, well, Lizhinsky, never know you had a deal o.

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<v Speaker 1>Bahama Mama drapes a sheet over his shoulders and raises

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<v Speaker 1>the makeshift laurel wreath above his head.

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<v Speaker 9>Barracks ten.

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<v Speaker 1>The boy snapped to attention as Bahama Mama waddles through

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<v Speaker 1>the bunks toward the stun Leashinsky. The gold coin is

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<v Speaker 1>held high above his head for all to see.

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<v Speaker 12>Oh, Private Stephen Lishinsky has won the coveted award for

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<v Speaker 12>spearing the White Whale. Sally Barnes has received the Honorable

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<v Speaker 12>Seaman Award.

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<v Speaker 1>Bahama Mama rests his arm on Lashinsky's shoulder. Lishinsky knocks

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<v Speaker 1>it away.

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<v Speaker 5>Your hands off me? Shit, can hey, what's wrong with you?

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<v Speaker 9>Who's the matter?

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<v Speaker 3>This?

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<v Speaker 5>He led the rud the below eponent.

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<v Speaker 1>Lishinsky punches bear in his huge laughing face, and the

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<v Speaker 1>whole barracks is into it. Cut to angle Major Damron.

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<v Speaker 1>He enters the barracks.

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<v Speaker 11>Barracks ty not.

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<v Speaker 13>Inspection before the parade will be conducted by a representative

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<v Speaker 13>of the US Army this weekend, so I need not

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<v Speaker 13>stress the importance of being on your best behavior as

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<v Speaker 13>you were.

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<v Speaker 1>He exits, dissolved to exterior Barnes porch day. A porch

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<v Speaker 1>light is still on. Sally opens the door to her

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<v Speaker 1>father's room. Barnes lies covered. Patterson and Norico come up

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<v Speaker 1>behind her as she stands motionless.

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<v Speaker 6>I called peabodies. They pick them up when you say too.

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<v Speaker 5>We'll make the announcement when the boys get back from

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<v Speaker 5>the parade tomorrow. No sense alarming anybody right now. After

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<v Speaker 5>they leave, we can go down and make the arrangements.

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<v Speaker 6>I'm so sorry, baby girl, the okay, just.

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<v Speaker 3>Gimme a minute.

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<v Speaker 1>She closes the door behind her. She looks at the

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<v Speaker 1>pictures on the dresser. A five year old girl salutes

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<v Speaker 1>her daddy. She opens the envelope pours it on the counter.

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<v Speaker 1>It contains a cashier's check and two medals, the Army's

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<v Speaker 1>silver star and a purple heart. She sits in the

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<v Speaker 1>bedside chair, holds her father's cold hand. She won't cry.

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<v Speaker 3>Who's the deserter?

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<v Speaker 1>Now dissolved to exterior parade field. Today, Patterson stands at

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<v Speaker 1>the podium overseeing the inspection. A US Army colonel and

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<v Speaker 1>two Cuban civilians look on. The platoons are lined up,

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<v Speaker 1>with the squad leaders checking the boys inspection arms. The

0:14:55.240 --> 0:14:58.520
<v Speaker 1>boys release the bolt mechanisms of their weapons. As they do,

0:14:58.600 --> 0:15:01.120
<v Speaker 1>a thirty caliber bullet fly eyes up and hits Sollow

0:15:01.120 --> 0:15:04.960
<v Speaker 1>in the chest, then falls to his feet. Sawow reaches

0:15:05.000 --> 0:15:07.560
<v Speaker 1>down and picks up the shell at the feet of Linquist.

0:15:07.960 --> 0:15:09.280
<v Speaker 9>Where in the hell did you get this?

0:15:09.760 --> 0:15:12.480
<v Speaker 1>Linquist smiles and points to his name tag, which reads

0:15:12.560 --> 0:15:17.720
<v Speaker 1>Combs Jesus. But before Sauw can pursue an investigation company

0:15:17.960 --> 0:15:21.480
<v Speaker 1>ten the company comes to attention as a distracted Patterson

0:15:21.480 --> 0:15:24.160
<v Speaker 1>and the Army colonel rush through a haphazard inspection of

0:15:24.200 --> 0:15:27.000
<v Speaker 1>a company. As they move on to B company, the

0:15:27.040 --> 0:15:31.360
<v Speaker 1>colonel talks quietly to the Cubans, gesturing toward the AMMO dumps.

0:15:31.680 --> 0:15:36.880
<v Speaker 1>That was easy angle on Patterson. Later the inspection is.

0:15:36.840 --> 0:15:40.280
<v Speaker 5>Over, we'll be proceeding down one hundred and thirty fifth

0:15:40.320 --> 0:15:43.800
<v Speaker 5>Street until we reach the fair grounds. We will follow

0:15:43.920 --> 0:15:46.760
<v Speaker 5>the Fort Lauderdale majurettes.

0:15:48.480 --> 0:15:49.000
<v Speaker 7>You were.

0:15:50.720 --> 0:15:55.000
<v Speaker 5>We will then proceed with our drill angle trencher. I

0:15:55.200 --> 0:16:00.120
<v Speaker 5>like the drill, the manager it following the drill. You

0:16:00.160 --> 0:16:04.040
<v Speaker 5>will have three free hours at the fair. At eighteen

0:16:04.080 --> 0:16:07.720
<v Speaker 5>hundred hours, we will reform at the parking lot, where

0:16:07.760 --> 0:16:10.960
<v Speaker 5>buses will bring us back to the school. Anybody not

0:16:11.080 --> 0:16:14.000
<v Speaker 5>at the parking lot at the appointed hour will be

0:16:14.080 --> 0:16:17.640
<v Speaker 5>considered a wall and will be given a subsequent E five.

0:16:18.120 --> 0:16:22.680
<v Speaker 5>I look forward to honorable behavior from each of you, gentlemen.

0:16:24.320 --> 0:16:26.440
<v Speaker 5>All right, Colonel, move them out.

0:16:26.800 --> 0:16:29.800
<v Speaker 1>Argimento shouts from the podium, Group.

0:16:30.120 --> 0:16:34.240
<v Speaker 9>Company, Platoon, squad, right face, and.

0:16:34.200 --> 0:16:36.800
<v Speaker 1>The parade marches off through the gate. The drum and

0:16:36.880 --> 0:16:41.760
<v Speaker 1>bule corps play the Stars and stripes. Exterior Miami Street

0:16:41.840 --> 0:16:46.320
<v Speaker 1>Day Parade montage. The boys march along the streets of Miami.

0:16:46.680 --> 0:16:50.680
<v Speaker 1>It's a spectacular site. Ribbons and banners adorn the roofs

0:16:50.720 --> 0:16:53.760
<v Speaker 1>of the building. Everywhere is a glint of brass and

0:16:53.800 --> 0:16:58.840
<v Speaker 1>the sound of marching bands. Cut to exterior Street Day dusk.

0:16:59.440 --> 0:17:02.360
<v Speaker 1>Uncle Raoul is standing among the spectators lining the street.

0:17:02.960 --> 0:17:05.240
<v Speaker 1>He searches the faces of the boys in the parade

0:17:05.440 --> 0:17:10.840
<v Speaker 1>as the Miami Military Academy passes. Cut to exterior Fairgrounds

0:17:10.960 --> 0:17:15.840
<v Speaker 1>day dusk. An announcer is poison scaffolding overlooking the fairgrounds.

0:17:16.480 --> 0:17:20.480
<v Speaker 11>Entering the fairgrounds is the Upper Dania High School Marching Band.

0:17:20.680 --> 0:17:24.119
<v Speaker 1>The band marches smartly through the arch over the fairground entrance.

0:17:24.520 --> 0:17:26.880
<v Speaker 1>They perform SUSA Badly.

0:17:27.000 --> 0:17:30.600
<v Speaker 11>Followed by the Druger Department Store Sauerkraut Band.

0:17:30.720 --> 0:17:34.760
<v Speaker 1>Cut to exterior Fairground parking lot day. The Miami Military

0:17:34.800 --> 0:17:37.959
<v Speaker 1>Boys are in a holding pattern outside the fairgrounds. They

0:17:37.960 --> 0:17:41.560
<v Speaker 1>are marking time behind the Fort Lauderdale majorrettes.

0:17:41.560 --> 0:17:43.160
<v Speaker 5>Who's twenty you lucky lazy?

0:17:45.359 --> 0:17:49.040
<v Speaker 1>We're gonna try that again. Who's tun of you lucky ladies?

0:17:49.040 --> 0:17:51.840
<v Speaker 9>You'd like to ride the w mouse? Who's it gonna be?

0:17:52.000 --> 0:17:53.560
<v Speaker 5>Waldmouse? Waldmouse?

0:17:53.880 --> 0:17:56.600
<v Speaker 1>A major at Leonora is disgusted with bear.

0:17:56.680 --> 0:17:58.000
<v Speaker 5>So be disgusting.

0:17:58.160 --> 0:18:00.560
<v Speaker 3>I'm gonna wants to even look at your wild mouse.

0:18:01.560 --> 0:18:02.920
<v Speaker 5>No, no, no, it's a.

0:18:03.080 --> 0:18:09.040
<v Speaker 4>Ride, some ride, I'll bet turn brains well.

0:18:09.119 --> 0:18:10.119
<v Speaker 3>He's kind of culle Lenora.

0:18:10.480 --> 0:18:13.520
<v Speaker 8>You've never seen them without their uniforms. Sound like Pillsbury

0:18:13.640 --> 0:18:15.639
<v Speaker 8>dough boys, Oh white and fuzzy.

0:18:16.560 --> 0:18:20.719
<v Speaker 11>And now the Fort Lauderdale majorrettes.

0:18:20.200 --> 0:18:22.679
<v Speaker 1>And the girls begin to move out and into the fairground.

0:18:23.080 --> 0:18:26.440
<v Speaker 11>Eleanor I like your mustache.

0:18:26.280 --> 0:18:29.040
<v Speaker 1>Without losing a beat. Leonora catches Bear in the groin

0:18:29.119 --> 0:18:33.000
<v Speaker 1>with her baton. He writhes in pain. As Leonora puts

0:18:33.000 --> 0:18:35.960
<v Speaker 1>on her biggest smile for the crowd, he drops his

0:18:36.080 --> 0:18:37.119
<v Speaker 1>rifle and doubles up.

0:18:38.040 --> 0:18:44.840
<v Speaker 7>Company did four War march and back by popular request

0:18:45.200 --> 0:18:47.320
<v Speaker 7>the Miami Military Academy.

0:18:47.560 --> 0:18:50.320
<v Speaker 1>There is a resounding booth the spectators.

0:18:53.320 --> 0:18:55.000
<v Speaker 9>Hey call me crazy, but I think they're starting to

0:18:55.080 --> 0:18:55.760
<v Speaker 9>get to like us.

0:18:56.640 --> 0:19:00.040
<v Speaker 1>Cut to interior Fairgrounds Day. The boys march through the

0:19:00.080 --> 0:19:03.280
<v Speaker 1>gates to the tune of Stars and Stripes. They perform

0:19:03.359 --> 0:19:06.320
<v Speaker 1>their varied military maneuvers in front of the grand stand,

0:19:06.880 --> 0:19:10.440
<v Speaker 1>Bear managing as best he can with an exploding nutsack.

0:19:11.920 --> 0:19:15.800
<v Speaker 1>Cut to exterior Midway day the games of Chance, rides

0:19:15.840 --> 0:19:19.520
<v Speaker 1>and amusements. The boys are at play. Slouch and Beebop

0:19:19.560 --> 0:19:22.000
<v Speaker 1>are sharing Merry go Round with a couple of major X.

0:19:23.040 --> 0:19:27.119
<v Speaker 1>Exterior the Stockyards Day, Sea Cow and Linquist are taking

0:19:27.119 --> 0:19:31.760
<v Speaker 1>in the animal husbandry exhibits, people grooming sheep, cows and goats.

0:19:32.160 --> 0:19:34.600
<v Speaker 1>A milkmane is grooming a prize jersey cow.

0:19:35.240 --> 0:19:38.560
<v Speaker 6>That's a good look at it's Oh.

0:19:38.480 --> 0:19:39.000
<v Speaker 1>That's right.

0:19:39.200 --> 0:19:41.120
<v Speaker 9>Hostings have the longer warns.

0:19:42.000 --> 0:19:44.520
<v Speaker 8>I don't think so Jerseys are brown and Holsteins are

0:19:44.560 --> 0:19:47.320
<v Speaker 8>usually black and white. Another thing, Jerseys get about twelve

0:19:47.359 --> 0:19:48.840
<v Speaker 8>percent more butterfly one more time.

0:19:48.880 --> 0:19:58.840
<v Speaker 2>Holstein's not Hollstein's Jewish.

0:19:59.119 --> 0:20:01.679
<v Speaker 8>I don't think so jerseys are brown and Holsteins are

0:20:01.760 --> 0:20:04.600
<v Speaker 8>usually black and white. Another thing, Jerseys give about two

0:20:04.640 --> 0:20:05.160
<v Speaker 8>percent more.

0:20:05.080 --> 0:20:09.080
<v Speaker 1>Butterfat cut two angle Linquist. As he wanders away from

0:20:09.080 --> 0:20:11.560
<v Speaker 1>sea cow and the milk made over to the sheep exhibit,

0:20:12.119 --> 0:20:14.600
<v Speaker 1>he watches the sad face of his sheep straddling a

0:20:14.640 --> 0:20:19.520
<v Speaker 1>shearing block. Cut to exterior midway day, the clang of

0:20:19.520 --> 0:20:23.639
<v Speaker 1>a bell a wider angle reveals Bear, Sollow, Bova, and

0:20:23.720 --> 0:20:27.280
<v Speaker 1>hard Graves, all smoking fat cigars and laughing like fools.

0:20:27.840 --> 0:20:30.760
<v Speaker 1>The disgruntled Carny is trying to discourage Bear from taking

0:20:30.800 --> 0:20:32.080
<v Speaker 1>another swing with the hammer.

0:20:32.320 --> 0:20:36.080
<v Speaker 14>Tons of limit, Give me the hammer, you what's the

0:20:36.200 --> 0:20:37.000
<v Speaker 14>side eight off?

0:20:37.200 --> 0:20:40.760
<v Speaker 1>Give me that hammer. One price to customer. All the

0:20:40.800 --> 0:20:43.399
<v Speaker 1>while Bear is pounding away with the huge hammer and

0:20:43.440 --> 0:20:45.399
<v Speaker 1>the bell at the top of the pole keeps ringing.

0:20:46.040 --> 0:20:49.439
<v Speaker 1>They attract a crowd. The spectator's boo as the barker

0:20:49.480 --> 0:20:55.119
<v Speaker 1>tries to get the hammer from Bear. Finally, Bear just

0:20:55.160 --> 0:20:58.640
<v Speaker 1>tosses the hammer on the ground and walks away. Cut

0:20:58.680 --> 0:21:02.440
<v Speaker 1>to exterior midway Wheeler in Patterson as they stroll along

0:21:02.520 --> 0:21:05.239
<v Speaker 1>past the ring toss and other games of chance. Then

0:21:05.240 --> 0:21:07.879
<v Speaker 1>announcement comes over the PA system.

0:21:08.119 --> 0:21:16.120
<v Speaker 11>Five minutes fusand.

0:21:14.960 --> 0:21:19.960
<v Speaker 5>Five minutes well the Kingston trio. Let's go, Commander, Nah,

0:21:20.119 --> 0:21:21.840
<v Speaker 5>I hate that rock and roll stuff.

0:21:22.280 --> 0:21:24.240
<v Speaker 4>Not rock and roll the Kingston Trio.

0:21:24.359 --> 0:21:24.760
<v Speaker 7>Come on.

0:21:25.080 --> 0:21:27.040
<v Speaker 1>He tugs at the commander, pulling him in the direction

0:21:27.080 --> 0:21:30.600
<v Speaker 1>of the grand stand. Cut to exterior midway Wild Mouse

0:21:30.720 --> 0:21:31.280
<v Speaker 1>Ride day.

0:21:32.280 --> 0:21:34.840
<v Speaker 8>Look, I apologize, thought you were just being rude.

0:21:34.920 --> 0:21:35.240
<v Speaker 5>David.

0:21:35.800 --> 0:21:36.639
<v Speaker 3>Can you walk? Okay?

0:21:36.920 --> 0:21:41.560
<v Speaker 14>Oh, no, big thing, I mean fun. I mean you

0:21:41.680 --> 0:21:44.959
<v Speaker 14>just caught one of them another one. The other one

0:21:45.080 --> 0:21:49.000
<v Speaker 14>is fine, not like crippled or nothing.

0:21:49.480 --> 0:21:51.240
<v Speaker 8>Okay, Well, maybe you should sit in front.

0:21:51.320 --> 0:21:55.000
<v Speaker 7>Okay, I've been looking forward to this all year.

0:21:55.840 --> 0:21:59.280
<v Speaker 1>Cut to interior sheet Pen day. Then Quist releases the

0:21:59.320 --> 0:22:01.480
<v Speaker 1>catch on the pen and watch the sheep roam out

0:22:01.520 --> 0:22:04.280
<v Speaker 1>onto the midway. He herds them out of their tents

0:22:04.320 --> 0:22:06.360
<v Speaker 1>and claps to stampede them.

0:22:06.880 --> 0:22:09.879
<v Speaker 7>Hey and boys, stop them sheeps stop that.

0:22:10.400 --> 0:22:13.040
<v Speaker 1>Several people try to intercept the sheep as they escape.

0:22:13.560 --> 0:22:17.200
<v Speaker 1>Lindquist looks proud. The man grabs Linquist by the neck.

0:22:18.240 --> 0:22:22.000
<v Speaker 1>Cut to exterior grand Standee, Patterson and Wheeler are leaving

0:22:22.000 --> 0:22:23.159
<v Speaker 1>the stands.

0:22:23.080 --> 0:22:23.760
<v Speaker 4>Great music Hall.

0:22:23.800 --> 0:22:26.200
<v Speaker 5>Commander, Where's Arthur?

0:22:26.680 --> 0:22:27.400
<v Speaker 4>He's a sea cow.

0:22:27.480 --> 0:22:31.720
<v Speaker 15>Looking at the animals, I'm allergic animals, all animals.

0:22:31.640 --> 0:22:32.480
<v Speaker 5>We better check.

0:22:33.160 --> 0:22:36.840
<v Speaker 1>Cut to midway, Bebop and Slouch. They are eating cotton

0:22:36.880 --> 0:22:40.000
<v Speaker 1>candy and smoking cigars like Pinocchio and lamp Wick at

0:22:40.040 --> 0:22:44.320
<v Speaker 1>Pleasure Island. Midway another angle converging.

0:22:44.440 --> 0:22:46.359
<v Speaker 4>Hey, you get your heads off.

0:22:47.119 --> 0:22:50.439
<v Speaker 1>Bear, Bova, Sollow and hard Graves see the scuffle with Linquist,

0:22:50.480 --> 0:22:52.760
<v Speaker 1>who his pin face first and a dirt by the

0:22:52.800 --> 0:22:53.520
<v Speaker 1>irate man.

0:22:53.600 --> 0:22:54.160
<v Speaker 5>Let's go.

0:22:54.920 --> 0:22:57.359
<v Speaker 1>Wheeler rushes up and gets another fist to the nose.

0:22:57.760 --> 0:23:00.040
<v Speaker 1>Suddenly Bear jumps in and heaves the man onto a

0:23:00.160 --> 0:23:04.160
<v Speaker 1>popcorn stamp. A carne jumps on Bear, which brings Solo

0:23:04.280 --> 0:23:08.600
<v Speaker 1>and Bova into it. Slouch him Bebop dive in our Grace,

0:23:08.640 --> 0:23:12.240
<v Speaker 1>puts his bugle to his lips and blows call to arm.

0:23:12.760 --> 0:23:15.800
<v Speaker 1>Cut to another angle. The sheep stampede the midway, heading

0:23:15.840 --> 0:23:20.480
<v Speaker 1>into the fight, Tawnys condects, sheep, Farmers, Carnies all into it.

0:23:20.560 --> 0:23:25.040
<v Speaker 1>Now Chaos reins. A beefy Carney is pummeling Bova and

0:23:25.080 --> 0:23:27.399
<v Speaker 1>there's about to deal in the series blow when a

0:23:27.480 --> 0:23:30.720
<v Speaker 1>large arm reaches in and swirls a carnee around. The

0:23:30.880 --> 0:23:33.919
<v Speaker 1>arm punches a Carney and sends him sprawling among the

0:23:33.920 --> 0:23:40.160
<v Speaker 1>puzzled sheet. It's Patterson, who has become John Wayne Cross.

0:23:40.160 --> 0:23:44.480
<v Speaker 1>Fade to Interior Army bus night. Patterson is leading the convoy,

0:23:44.600 --> 0:23:48.560
<v Speaker 1>driving with Wheeler and Linquists also in the front. Behind them.

0:23:48.560 --> 0:23:50.159
<v Speaker 1>In the rows we can see the rest of the

0:23:50.200 --> 0:23:53.119
<v Speaker 1>boys from a company. Bova holds an ice pack to

0:23:53.160 --> 0:23:55.720
<v Speaker 1>his cheek. There has one on his crotch.

0:23:56.200 --> 0:23:58.720
<v Speaker 4>So, Commander, would you like best at the fair?

0:24:00.080 --> 0:24:00.280
<v Speaker 15>Ah?

0:24:00.440 --> 0:24:04.000
<v Speaker 5>The music, I guess yeah, the Kingston Trail.

0:24:04.400 --> 0:24:06.000
<v Speaker 7>They're all that.

0:24:06.000 --> 0:24:08.840
<v Speaker 5>Old Woody Go three. Song they did was something else?

0:24:09.520 --> 0:24:11.760
<v Speaker 15>No, No, they wrote all their own music and stuff.

0:24:11.760 --> 0:24:12.879
<v Speaker 15>They got an album everything.

0:24:13.880 --> 0:24:18.520
<v Speaker 5>Ruben James, that's an old song wood he wrote. What

0:24:18.560 --> 0:24:22.160
<v Speaker 5>were their names? Tell me what were their names? Did

0:24:22.200 --> 0:24:26.399
<v Speaker 5>you have a friend on the good Ruben James, No

0:24:26.520 --> 0:24:31.200
<v Speaker 5>fool's In fact, I knew a fellow on the Ruben James.

0:24:32.600 --> 0:24:36.200
<v Speaker 5>Two fellas actually the Cisco brothers, Johnny and Billy Cisco.

0:24:37.800 --> 0:24:39.760
<v Speaker 5>He and his brother used to come up to the

0:24:39.840 --> 0:24:44.120
<v Speaker 5>cabin I had in Stockbridge. We were the first nudist

0:24:44.119 --> 0:24:45.560
<v Speaker 5>stuff there.

0:24:46.080 --> 0:24:47.000
<v Speaker 4>Uh oh.

0:24:47.040 --> 0:24:49.800
<v Speaker 5>We were in the Merchant Marines together, me and Billy

0:24:49.880 --> 0:24:53.400
<v Speaker 5>and Johnny. Then the two of them got stationed down

0:24:53.440 --> 0:24:59.200
<v Speaker 5>the destroyer the Ruben James. Johnny was killed when they

0:24:59.240 --> 0:25:03.640
<v Speaker 5>got torpedo off Iceland, first casualties of the war, even

0:25:03.720 --> 0:25:10.520
<v Speaker 5>before Pearl was hit another ocean away. Johnny was in

0:25:10.560 --> 0:25:13.000
<v Speaker 5>the engine room when they got it and Billy was

0:25:13.040 --> 0:25:17.520
<v Speaker 5>on deck. That's the way I heard it. Anyway, Billy

0:25:17.640 --> 0:25:20.919
<v Speaker 5>kept jumping out of the lifeboat near drowned, trying to

0:25:21.000 --> 0:25:22.960
<v Speaker 5>dive down and save his dead brother.

0:25:23.200 --> 0:25:25.399
<v Speaker 11>Je sounds cold.

0:25:27.200 --> 0:25:29.240
<v Speaker 5>They had to sit on him to keep him from

0:25:29.320 --> 0:25:33.159
<v Speaker 5>jumping out of the boat. I ran into Billy in

0:25:33.240 --> 0:25:37.960
<v Speaker 5>a bar up in Stockbridge after the war forty nine.

0:25:38.560 --> 0:25:43.600
<v Speaker 5>We'd been drinking a lot of toasting a lot, and

0:25:43.640 --> 0:25:47.720
<v Speaker 5>I got up and said to the memory of one

0:25:47.760 --> 0:25:50.320
<v Speaker 5>of the finest men ever to die in the war,

0:25:50.680 --> 0:25:56.679
<v Speaker 5>Johnny Cisco. Well, Billy depped me. I was out cold

0:25:56.760 --> 0:26:00.040
<v Speaker 5>for a long time, and when I came to. He

0:25:59.920 --> 0:26:02.720
<v Speaker 5>was is bending over me and crying and saying he

0:26:02.880 --> 0:26:09.040
<v Speaker 5>was sorry. Then we drank some more. But to his

0:26:09.640 --> 0:26:14.760
<v Speaker 5>dying day, he never believed that Johnny drowned. Thought in

0:26:14.800 --> 0:26:18.560
<v Speaker 5>his mind that he was a prisoner of war. Somewhere,

0:26:18.640 --> 0:26:19.879
<v Speaker 5>I guess.

0:26:19.920 --> 0:26:22.640
<v Speaker 1>Wheeler is asleep and Linquist's arms.

0:26:24.320 --> 0:26:24.920
<v Speaker 5>He okay.

0:26:25.680 --> 0:26:29.199
<v Speaker 1>Lindquist nods and holds Wheeler like a teddy bear, slouch

0:26:29.240 --> 0:26:35.359
<v Speaker 1>smiles to himself. Be Bob has lost in thought. Exterior

0:26:35.400 --> 0:26:39.480
<v Speaker 1>Bayfront day in the early morning, the flag at half mast.

0:26:40.440 --> 0:26:43.560
<v Speaker 1>The entire school is assembled and dressed whites on the bayfront.

0:26:44.560 --> 0:26:47.800
<v Speaker 1>Patterson and Sally and his skiff sell out of the lagoon.

0:26:48.240 --> 0:26:51.840
<v Speaker 1>Entering the mouth of the bay, Hard Graves plays taps.

0:26:52.880 --> 0:26:55.320
<v Speaker 1>Sally in his stern pour his ashes.

0:26:54.920 --> 0:26:55.520
<v Speaker 5>From an urn.

0:26:56.640 --> 0:26:59.760
<v Speaker 1>She is wearing an Army silver star and a purple

0:26:59.800 --> 0:27:05.639
<v Speaker 1>heart tied with a ribbon around her neck. Angle Leshinsky

0:27:05.880 --> 0:27:09.439
<v Speaker 1>as he watches Sally from the ranks. The band begins

0:27:09.440 --> 0:27:14.080
<v Speaker 1>to play down the road. Dissolved to exterior barracks night.

0:27:14.800 --> 0:27:17.439
<v Speaker 1>It's dark except for a light from the doorway. The

0:27:17.520 --> 0:27:23.159
<v Speaker 1>school is asleep. Cut to interior latrine night. Lieutenant Wheeler

0:27:23.200 --> 0:27:26.240
<v Speaker 1>sits on the can. He's in his pajamas, yet still

0:27:26.240 --> 0:27:30.440
<v Speaker 1>wearing his sword. The sound of footsteps entering the darken latrine.

0:27:30.640 --> 0:27:33.200
<v Speaker 1>A shadow moves along the wall and stops the sink.

0:27:33.760 --> 0:27:37.320
<v Speaker 1>Cut too close shot the sink. A hand comes in

0:27:37.359 --> 0:27:40.240
<v Speaker 1>and picks up the soap. Another hand em beds a

0:27:40.320 --> 0:27:43.640
<v Speaker 1>razor blade deep into the bar of soap. Cut two.

0:27:43.920 --> 0:27:46.719
<v Speaker 1>Wheeler sitting quietly in his door, watching the figure at

0:27:46.720 --> 0:27:49.680
<v Speaker 1>the sink. Wheeler picks up his flashlight and aims the

0:27:49.760 --> 0:27:52.720
<v Speaker 1>light on the figure at the washstand. It is Crow,

0:27:52.840 --> 0:27:53.520
<v Speaker 1>the barber.

0:27:54.080 --> 0:27:54.840
<v Speaker 4>Crow, what do you do?

0:27:55.280 --> 0:27:57.359
<v Speaker 1>Crow fumbles the razor blades and they fall on the

0:27:57.359 --> 0:27:59.680
<v Speaker 1>white tile floor. He bolts for the.

0:27:59.640 --> 0:28:02.080
<v Speaker 4>Door, razervn razor fe.

0:28:02.440 --> 0:28:04.399
<v Speaker 1>He tries to get his pants up. His Crow runs

0:28:04.400 --> 0:28:06.879
<v Speaker 1>out the front door of the La Trees. Wheeler and

0:28:06.920 --> 0:28:09.480
<v Speaker 1>hop pursuit leaps onto the back of the fleeing crow.

0:28:10.600 --> 0:28:14.400
<v Speaker 1>Cut to exterior A company barracks night. The entire barracks

0:28:14.480 --> 0:28:17.000
<v Speaker 1>is awake and running to see what is happening outside.

0:28:17.560 --> 0:28:20.280
<v Speaker 1>Wheeler is on Crow's back and trying to bring him

0:28:20.320 --> 0:28:24.240
<v Speaker 1>down like a steer. Crow gets tangled and Wheeler's sword.

0:28:24.520 --> 0:28:29.120
<v Speaker 1>They tumble to the ground. Exterior parade fields. Night Crow

0:28:29.160 --> 0:28:31.399
<v Speaker 1>has managed to get Wheeler's sword away from him, and

0:28:31.440 --> 0:28:33.840
<v Speaker 1>he's about to slice him in half when a shot

0:28:33.920 --> 0:28:38.400
<v Speaker 1>rings out. Crow yelps, grabs his arm, dropping the sword,

0:28:38.560 --> 0:28:43.400
<v Speaker 1>and topples to the ground. Angle Mango Tree Night we

0:28:43.520 --> 0:28:46.680
<v Speaker 1>see Linquist sitting in the trees, cradling his smoking rifle.

0:28:47.160 --> 0:28:53.480
<v Speaker 1>He's terrified. Cut to exterior infirmary. Night Patterson is taughting

0:28:53.480 --> 0:28:56.240
<v Speaker 1>to Earl the ambulance drivers. He closes the back of

0:28:56.280 --> 0:28:58.800
<v Speaker 1>the ambulance. Norico stands by.

0:29:00.080 --> 0:29:03.160
<v Speaker 5>He left me no choice, Earl. It was either him

0:29:03.360 --> 0:29:04.360
<v Speaker 5>or one of my boys.

0:29:04.840 --> 0:29:06.560
<v Speaker 11>He's always had a screw loose past.

0:29:07.240 --> 0:29:08.440
<v Speaker 5>I can't say you weren't worn.

0:29:09.080 --> 0:29:10.040
<v Speaker 1>I knew he tried something.

0:29:10.040 --> 0:29:13.840
<v Speaker 5>If you let him come back here, Earl, about writing

0:29:13.880 --> 0:29:17.840
<v Speaker 5>this up, God, forget about it. For all our sakes.

0:29:18.720 --> 0:29:21.080
<v Speaker 11>We'll patch him up and they'll keep their mouth shuts.

0:29:21.080 --> 0:29:23.840
<v Speaker 5>They know what's good for him. He's not hurt all

0:29:23.840 --> 0:29:24.240
<v Speaker 5>that bad.

0:29:24.840 --> 0:29:26.880
<v Speaker 1>Earl signals to his sidekick.

0:29:27.520 --> 0:29:30.040
<v Speaker 11>Hey, come on, Hector, another cowboy for the ranch.

0:29:30.440 --> 0:29:32.120
<v Speaker 1>Crows in the back of the ambulance.

0:29:32.520 --> 0:29:34.200
<v Speaker 5>Don't make me go back, Commander.

0:29:36.400 --> 0:29:37.200
<v Speaker 1>I'm so sorry.

0:29:38.640 --> 0:29:41.880
<v Speaker 5>I think it's best John. They can take better care

0:29:41.920 --> 0:29:49.400
<v Speaker 5>of you there than we can. Commanda, he can't have

0:29:49.480 --> 0:29:50.600
<v Speaker 5>you hurting the boys.

0:29:50.680 --> 0:29:54.120
<v Speaker 1>John, Hector, and Earl get into the ambulance. Crow huddles

0:29:54.200 --> 0:29:55.680
<v Speaker 1>up to the window behind the cab.

0:29:56.440 --> 0:30:03.280
<v Speaker 6>We'll take good care of you, Johnny.

0:30:02.240 --> 0:30:03.200
<v Speaker 5>Is ethel still there?

0:30:03.880 --> 0:30:06.200
<v Speaker 7>Yeah, she's been asking for you.

0:30:07.000 --> 0:30:12.360
<v Speaker 1>Both the drivers chuckle. Outside the ambulance, the boys are

0:30:12.440 --> 0:30:13.320
<v Speaker 1>peering in the windows.

0:30:13.320 --> 0:30:15.600
<v Speaker 5>A Crow, he's an old boy.

0:30:16.240 --> 0:30:18.040
<v Speaker 9>I remember when he graduated an hour.

0:30:18.280 --> 0:30:18.920
<v Speaker 3>Why'd you do it?

0:30:19.000 --> 0:30:19.240
<v Speaker 5>Crow?

0:30:20.080 --> 0:30:20.880
<v Speaker 4>What'd you do it for?

0:30:24.600 --> 0:30:29.440
<v Speaker 11>Because sometimes boys have to be disciplined, the ones who

0:30:29.480 --> 0:30:30.440
<v Speaker 11>have lost the way.

0:30:31.360 --> 0:30:33.520
<v Speaker 1>The boys are pressing to get a last look at Crow.

0:30:33.600 --> 0:30:35.920
<v Speaker 1>As the ambulance pulls away.

0:30:35.880 --> 0:30:37.520
<v Speaker 5>Back to kiss Dorothy.

0:30:38.520 --> 0:30:43.120
<v Speaker 1>Hermon, Marico places a hand on Patterson's shoulder.

0:30:43.640 --> 0:30:46.240
<v Speaker 6>Sorry, Pat, sometimes you must let boys go.

0:30:48.000 --> 0:30:49.720
<v Speaker 5>Well, No more haircuts.

0:30:50.840 --> 0:30:54.800
<v Speaker 1>Dissolved to exterior Administration building. Day. Wheeler is talking on

0:30:54.840 --> 0:30:58.080
<v Speaker 1>the payphone, slouching. Bebop A rushing him to get off.

0:30:58.640 --> 0:31:00.840
<v Speaker 15>Put a sock into Edison and us in four minutes,

0:31:01.040 --> 0:31:03.480
<v Speaker 15>we're traveling light. If she wants us to wear them

0:31:03.520 --> 0:31:05.840
<v Speaker 15>greaseball Sivy's, she could buy us each a wardrobe.

0:31:05.840 --> 0:31:09.120
<v Speaker 1>Woman, get there, slouch and Bebop check their watches as

0:31:09.160 --> 0:31:10.480
<v Speaker 1>they listen to Wheeler Drone on.

0:31:11.280 --> 0:31:13.600
<v Speaker 15>His name is Arthur Linquist. I sent you a picture,

0:31:13.680 --> 0:31:15.480
<v Speaker 15>so get mom to take care of the passports.

0:31:16.200 --> 0:31:18.680
<v Speaker 4>Hell, I don't know. She did it for the goomba.

0:31:18.920 --> 0:31:22.000
<v Speaker 4>She could do it for me. Twelve hundred dollars sharp Monday.

0:31:22.240 --> 0:31:23.560
<v Speaker 1>He hangs up the phone.

0:31:23.920 --> 0:31:28.280
<v Speaker 15>If it ain't the Gunnerrhea Twins get lost Toesa Peko.

0:31:28.680 --> 0:31:32.480
<v Speaker 1>Cut two Interior a company barracks. Night boys are in

0:31:32.560 --> 0:31:36.120
<v Speaker 1>study halls, sitting on folding chairs at their desks. Leslie

0:31:36.120 --> 0:31:39.560
<v Speaker 1>Gore's It's My Party plays on the radio. Bear is

0:31:39.600 --> 0:31:41.280
<v Speaker 1>reading a stroke book to Linquist.

0:31:42.720 --> 0:31:45.240
<v Speaker 14>She walked through the doorwaar in a neglige that looked

0:31:45.240 --> 0:31:49.280
<v Speaker 14>like a week's work for a small spider. She had

0:31:49.320 --> 0:31:53.480
<v Speaker 14>a deep throaty laugh, like the sound a dog makes

0:31:53.520 --> 0:31:54.920
<v Speaker 14>before it throws up.

0:31:56.480 --> 0:31:58.200
<v Speaker 1>Sallow grabs the book from Bear.

0:31:58.680 --> 0:32:01.440
<v Speaker 11>Study Something none left to study?

0:32:01.600 --> 0:32:05.680
<v Speaker 1>I finished on my test. Find something Cut to Exterior

0:32:05.680 --> 0:32:09.960
<v Speaker 1>Administration Building. Night Bebop on the payphone. Slouch huddles next

0:32:09.960 --> 0:32:11.520
<v Speaker 1>to him.

0:32:12.160 --> 0:32:19.280
<v Speaker 5>Dig me see Webby in We're going in Vicon. I

0:32:19.320 --> 0:32:21.280
<v Speaker 5>grew up on the beaches. You're my aid.

0:32:21.840 --> 0:32:25.960
<v Speaker 1>That's a lot of cubano. Now no going back, so

0:32:27.320 --> 0:32:31.440
<v Speaker 1>here we go. Dissolved to exterior Barnes Front porch. Night

0:32:32.200 --> 0:32:37.920
<v Speaker 1>Sally sits on the steps. Leshinsky joins, Sir, get lost.

0:32:38.880 --> 0:32:39.680
<v Speaker 5>I am lost.

0:32:40.560 --> 0:32:41.920
<v Speaker 1>I was wondering if you could help me find the

0:32:41.960 --> 0:32:43.000
<v Speaker 1>bay so I could jump in.

0:32:43.240 --> 0:32:45.560
<v Speaker 3>You're not lost, You're a loser. You come up here

0:32:45.600 --> 0:32:47.880
<v Speaker 3>to win another medal. I think you're a pig.

0:32:48.120 --> 0:32:52.360
<v Speaker 10>Sally as god as my witness, oh scarlettle hair, and

0:32:52.440 --> 0:33:01.120
<v Speaker 10>now I'm sorry for everything you, your dad, everybody seemed

0:33:01.120 --> 0:33:05.720
<v Speaker 10>to you know, respect him. Shut up.

0:33:06.440 --> 0:33:07.880
<v Speaker 3>Please you're also useless.

0:33:07.920 --> 0:33:08.959
<v Speaker 4>Please just go away.

0:33:10.000 --> 0:33:10.840
<v Speaker 5>I can't do that.

0:33:12.600 --> 0:33:16.800
<v Speaker 1>I won't. She lets out a sob, then the dam burst.

0:33:17.880 --> 0:33:20.800
<v Speaker 1>L Shiski sits helplessly beside her for a long time.

0:33:21.680 --> 0:33:27.880
<v Speaker 1>Finally she folds into his arms. Dissolved to exterior boat.

0:33:27.960 --> 0:33:31.360
<v Speaker 1>Doc Knight Patterson sits on the bench and lights up.

0:33:31.880 --> 0:33:34.840
<v Speaker 1>After a moment, he sees slouch in Biba. There's an

0:33:34.880 --> 0:33:38.280
<v Speaker 1>open fishing boat tied up nearby. The two boys pull

0:33:38.320 --> 0:33:40.600
<v Speaker 1>their duffels out of the bushes and sling them on

0:33:40.680 --> 0:33:45.000
<v Speaker 1>their shoulders. Uncle Raoul, the Guel, Sanchez and Anita wait

0:33:45.040 --> 0:33:49.920
<v Speaker 1>for them. Uncle Raoul sees Patterson. Raoul salutes Patterson with

0:33:49.960 --> 0:33:53.480
<v Speaker 1>two fingers. Patterson pulls a forty five from his belt

0:33:53.800 --> 0:33:54.480
<v Speaker 1>and aims at.

0:33:54.320 --> 0:33:56.640
<v Speaker 5>At Raoul, as you were a commander.

0:33:57.040 --> 0:34:00.360
<v Speaker 1>Patterson turns to see the army colonel, now a civilian clothes,

0:34:00.680 --> 0:34:04.320
<v Speaker 1>and his three Cuban officials from the parade inspectrum.

0:34:05.240 --> 0:34:08.520
<v Speaker 7>I believe Colonel Barnes put you in charge.

0:34:08.880 --> 0:34:10.240
<v Speaker 5>What's going on? Colonel?

0:34:11.000 --> 0:34:13.000
<v Speaker 7>Retrieving army ordinance? Commander?

0:34:13.320 --> 0:34:14.799
<v Speaker 5>You got papers?

0:34:15.239 --> 0:34:17.799
<v Speaker 7>Actually, Commander, we're not even here.

0:34:18.000 --> 0:34:19.800
<v Speaker 5>Boys. Get back to your barracks.

0:34:20.160 --> 0:34:21.360
<v Speaker 1>Raoul steps forward.

0:34:21.719 --> 0:34:23.240
<v Speaker 5>Mano's leaving school a little early.

0:34:23.719 --> 0:34:25.560
<v Speaker 4>His family needs him.

0:34:25.719 --> 0:34:28.560
<v Speaker 5>I'm out of here, to Commander. I gotta do this.

0:34:30.600 --> 0:34:32.160
<v Speaker 5>Where'd you get those keys? Son?

0:34:34.280 --> 0:34:37.640
<v Speaker 7>Sorry, there's no time for this right now. Step aside, Commander,

0:34:38.200 --> 0:34:38.920
<v Speaker 7>that's an order.

0:34:39.480 --> 0:34:41.360
<v Speaker 5>I ain't in your army, mister.

0:34:41.760 --> 0:34:44.600
<v Speaker 1>Patterson struggles for his gun as Miguel slams him to

0:34:44.640 --> 0:34:48.319
<v Speaker 1>the ground. Another holds a wet cloth over his face. No,

0:34:48.880 --> 0:34:51.120
<v Speaker 1>what are you doing, Patterson goes limb.

0:34:51.280 --> 0:34:55.800
<v Speaker 7>Don't worry, he'll be good as new in a few hours.

0:34:57.719 --> 0:35:01.440
<v Speaker 5>You coming in love a boy? Come on, Slash, you

0:35:01.440 --> 0:35:02.239
<v Speaker 5>can't stay here now.

0:35:03.360 --> 0:35:07.520
<v Speaker 1>Exterior boat Biscayne Bay Night be Bop and slouch watched

0:35:07.520 --> 0:35:10.440
<v Speaker 1>from top side as Miami Military Academy is lost in

0:35:10.480 --> 0:35:16.480
<v Speaker 1>the distance. Dissolved to interior Barracks night. Linquist lies on

0:35:16.560 --> 0:35:19.400
<v Speaker 1>Coombs's bed, gazing out the window toward the boat shed.

0:35:20.120 --> 0:35:23.120
<v Speaker 1>A light is flashing Morse code for the boat shed window.

0:35:24.040 --> 0:35:29.799
<v Speaker 1>SOS cut to exterior boat dock Night. Linquist prize the

0:35:29.800 --> 0:35:33.320
<v Speaker 1>lock off the boat shed door. Patterson sits in a stupor,

0:35:33.640 --> 0:35:37.920
<v Speaker 1>bottle in one hand, flashlight another ammo dump keys at

0:35:37.920 --> 0:35:38.360
<v Speaker 1>his feet.

0:35:39.960 --> 0:35:44.400
<v Speaker 5>Must have locked myself in just between us okay.

0:35:44.640 --> 0:35:48.359
<v Speaker 1>Linquist nods. Dissolved to exterior Biscayne Bay.

0:35:48.480 --> 0:35:48.680
<v Speaker 5>Day.

0:35:49.320 --> 0:35:52.760
<v Speaker 1>A sail boat race. Lishinski and Bearer in one boat,

0:35:52.960 --> 0:35:56.000
<v Speaker 1>Wheeler and Linquist in another, racing against the teams from

0:35:56.040 --> 0:35:59.080
<v Speaker 1>B Company. As they reached the final leg back from

0:35:59.120 --> 0:36:02.440
<v Speaker 1>Captain Kids Eyele, Wheeler and Linquist are in the lead.

0:36:02.640 --> 0:36:06.200
<v Speaker 1>The schools gathered along the shore cheering them onward. Wheeler

0:36:06.280 --> 0:36:09.440
<v Speaker 1>works the sail while Linquist controls the tiller. They are

0:36:09.600 --> 0:36:13.560
<v Speaker 1>very excited as they cross the finish line. Dissolved to

0:36:14.080 --> 0:36:18.560
<v Speaker 1>interior Barnes' House Day. Sally stands in the darkened living room,

0:36:18.960 --> 0:36:22.920
<v Speaker 1>sheets cover the remaining furniture. She retrieves a final carton

0:36:23.400 --> 0:36:28.160
<v Speaker 1>and exits. Cut to exterior Barnes House day. Patterson is

0:36:28.200 --> 0:36:31.480
<v Speaker 1>standing by on the porch. Sally locks the house door

0:36:31.520 --> 0:36:34.360
<v Speaker 1>and hands him the key, then takes a frame picture

0:36:34.400 --> 0:36:35.040
<v Speaker 1>from the carton.

0:36:38.960 --> 0:36:43.000
<v Speaker 3>I think this was my birth announcement. I want you

0:36:43.080 --> 0:36:43.440
<v Speaker 3>to have it.

0:36:44.400 --> 0:36:47.840
<v Speaker 1>It's the picture of Sally's mom. Barnes and pat beers

0:36:47.960 --> 0:36:49.960
<v Speaker 1>raised in a toast on a jubilant evening.

0:36:51.280 --> 0:36:52.600
<v Speaker 5>I'll hold on to it for you.

0:36:55.640 --> 0:36:59.839
<v Speaker 3>I guess I'm your job now for real. Always best

0:37:00.040 --> 0:37:02.720
<v Speaker 3>to your mom if I see her first.

0:37:03.520 --> 0:37:07.320
<v Speaker 1>She kisses him and walks down the steps. Leshinsky is

0:37:07.360 --> 0:37:11.120
<v Speaker 1>standing beside Sally's van. It's packed for the road. He

0:37:11.239 --> 0:37:13.400
<v Speaker 1>hands her a small box tied up with a ribbon.

0:37:14.160 --> 0:37:17.200
<v Speaker 1>Sally opens it and holds up the brass coin suspend

0:37:17.280 --> 0:37:21.520
<v Speaker 1>it on her ribbon. The note says twenty four carrot gold.

0:37:22.880 --> 0:37:25.800
<v Speaker 3>Keep polish in your brass. You never know.

0:37:26.800 --> 0:37:30.360
<v Speaker 1>She kisses him sweetly, then starts to drive away. She

0:37:30.480 --> 0:37:33.680
<v Speaker 1>waits patiently as a cadet raises the barrier. The two

0:37:33.719 --> 0:37:35.600
<v Speaker 1>men watch her disappear through the archway.

0:37:36.960 --> 0:37:41.080
<v Speaker 9>Farewell, thou art too did for my possession, and like

0:37:41.239 --> 0:37:42.760
<v Speaker 9>enough thou known stein estimate.

0:37:44.719 --> 0:37:49.360
<v Speaker 1>Interior a company night taps sounds. The boys are in

0:37:49.440 --> 0:37:49.920
<v Speaker 1>their bunks.

0:37:51.160 --> 0:37:54.719
<v Speaker 5>If Coombs don't come back and link with graduates, who's

0:37:54.719 --> 0:37:55.439
<v Speaker 5>going to win the pot?

0:37:56.480 --> 0:37:59.760
<v Speaker 1>We didn't think of that, did we? Crossfade to interior

0:37:59.840 --> 0:38:02.840
<v Speaker 1>inass Leshinsky lost in thought.

0:38:03.600 --> 0:38:05.800
<v Speaker 9>For how do I hold thee? But by thy granting?

0:38:06.400 --> 0:38:08.480
<v Speaker 9>And for that great riches, where is my deserving?

0:38:09.480 --> 0:38:13.319
<v Speaker 1>Cross fade to exterior boat dock. Patterson nips a pint,

0:38:13.560 --> 0:38:19.480
<v Speaker 1>stares across the bay. Crossfade to exterior highway. Day Sally

0:38:19.600 --> 0:38:22.120
<v Speaker 1>drives along with the wind, blowing her hair like a whip.

0:38:22.600 --> 0:38:25.680
<v Speaker 9>For I have loved thee as a dream, doth flatter

0:38:26.280 --> 0:38:29.479
<v Speaker 9>and sleep a king, but waking no such matter.

0:38:30.320 --> 0:38:34.720
<v Speaker 1>Dissolved to exterior doc Evening. Patterson sits on his bench,

0:38:35.120 --> 0:38:37.920
<v Speaker 1>bleary eyed and vacant. Wheeler approaches.

0:38:38.239 --> 0:38:40.080
<v Speaker 4>You need it up at the barrack, Sir, We got

0:38:40.120 --> 0:38:40.960
<v Speaker 4>a discipline problem.

0:38:41.200 --> 0:38:43.600
<v Speaker 5>Something you can handle, sun You can't.

0:38:43.640 --> 0:38:45.440
<v Speaker 4>You sit on your ass the rest of your life, sir,

0:38:45.840 --> 0:38:46.760
<v Speaker 4>We need your commander.

0:38:47.400 --> 0:38:51.319
<v Speaker 1>Cut to interior a company barracks night. Patterson walks into

0:38:51.320 --> 0:38:54.040
<v Speaker 1>the dark and barracks. He fumbles for the light switch

0:38:54.080 --> 0:38:57.560
<v Speaker 1>and flicks it on. Party streamers fly across the room.

0:39:00.080 --> 0:39:04.680
<v Speaker 1>The barracks breaks into songs.

0:39:08.800 --> 0:39:14.120
<v Speaker 12>There's nobody kN tonag Happy Memorial Day, Commander kid him

0:39:14.239 --> 0:39:16.080
<v Speaker 12>very well celebrated without her hero.

0:39:16.760 --> 0:39:24.400
<v Speaker 5>I'd forgot well, boys, okay, but no underage drinking.

0:39:25.120 --> 0:39:28.080
<v Speaker 9>Got everything right here, sir. Party hats pin the tail

0:39:28.120 --> 0:39:29.839
<v Speaker 9>and a donkey and coconut rum.

0:39:30.760 --> 0:39:32.719
<v Speaker 5>Well, but not for the youngsters.

0:39:33.560 --> 0:39:36.080
<v Speaker 1>Wheeler and Linquist re enter the barracks with a silver

0:39:36.200 --> 0:39:39.560
<v Speaker 1>Martini shaker and a doctor pepper. They both are wearing

0:39:39.640 --> 0:39:40.840
<v Speaker 1>sat and dinner jackets.

0:39:41.160 --> 0:39:44.400
<v Speaker 4>Hate to taste, Commander. Besides, someone has to keep frosty.

0:39:44.680 --> 0:39:47.680
<v Speaker 5>Hey, Commander, on the level, we'll be back next year.

0:39:48.000 --> 0:39:50.440
<v Speaker 9>Well, thank you, Commanders, will afloat for next year.

0:39:51.239 --> 0:39:54.360
<v Speaker 5>Well on a level, it don't look good. I just

0:39:55.600 --> 0:39:58.239
<v Speaker 5>I don't know, Fellas. I'm sorry. I just have to

0:39:58.400 --> 0:40:02.680
<v Speaker 5>hope and hang on to keep afloat. Don't know where

0:40:02.800 --> 0:40:07.359
<v Speaker 5>that'll take us, but whatever it is, you boys will

0:40:07.360 --> 0:40:08.520
<v Speaker 5>always make me proud.

0:40:09.400 --> 0:40:10.840
<v Speaker 9>I'm sure you'll think of something.

0:40:10.920 --> 0:40:14.320
<v Speaker 5>Commander, Well, who knows things have a way of changing

0:40:14.440 --> 0:40:15.480
<v Speaker 5>in the blink of an eye.

0:40:16.560 --> 0:40:19.080
<v Speaker 4>Were coming back, and I'll tell you this I'm going

0:40:19.160 --> 0:40:20.759
<v Speaker 4>to be a captain and kick them.

0:40:20.800 --> 0:40:23.680
<v Speaker 11>Sorry ass, Wheeler, lernt your song, sir?

0:40:24.160 --> 0:40:27.720
<v Speaker 15>Have you heard of a ship called the Good Reuben

0:40:27.920 --> 0:40:29.280
<v Speaker 15>James men by.

0:40:29.239 --> 0:40:33.000
<v Speaker 1>Hard Patterson is visibly touched. The boys pass soft drinks,

0:40:33.040 --> 0:40:35.000
<v Speaker 1>but lace them with contraband.

0:40:34.440 --> 0:40:37.880
<v Speaker 15>Boots, stripes of the land of the Free, but tonight

0:40:37.960 --> 0:40:40.959
<v Speaker 15>cheese in her grave at the bottom of the sea.

0:40:42.320 --> 0:40:44.320
<v Speaker 4>Tell me what bro their names?

0:40:44.400 --> 0:40:44.719
<v Speaker 15>Tell me?

0:40:44.920 --> 0:40:46.360
<v Speaker 3>What were their names?

0:40:46.719 --> 0:40:50.320
<v Speaker 15>Did you have a friend on the good Boob and James?

0:40:50.880 --> 0:40:52.280
<v Speaker 3>What were their names?

0:40:52.360 --> 0:40:54.160
<v Speaker 15>Tell me what was his name?

0:40:54.600 --> 0:40:58.240
<v Speaker 4>Did you have a friend on the Good Boob and James?

0:41:00.320 --> 0:41:04.239
<v Speaker 4>Will one hundred men went down in the dark watery grave?

0:41:04.560 --> 0:41:08.759
<v Speaker 1>Crossfade to exterior ship night slouch on a ship deck,

0:41:08.840 --> 0:41:12.280
<v Speaker 1>watching the horizon, a sliver of land ahead. Cross Fade

0:41:12.320 --> 0:41:17.200
<v Speaker 1>to exterior parade field, Graduation day, montage, Damn Ron at

0:41:17.239 --> 0:41:20.960
<v Speaker 1>the podium. The words duty, honor, and country weave through

0:41:21.000 --> 0:41:26.400
<v Speaker 1>his speech, recall sounds, The boys march and review. Patterson

0:41:26.480 --> 0:41:29.960
<v Speaker 1>and Faculty return their salute from the reviewing stand. The

0:41:30.080 --> 0:41:33.920
<v Speaker 1>boys throw their hats in the air. Crossfade to exterior

0:41:34.080 --> 0:41:37.680
<v Speaker 1>vents day. Wheeler and Linquist are standing at the cyclone

0:41:37.719 --> 0:41:41.520
<v Speaker 1>fence talking with missus Lindquist. Wheeler is gesturing at length

0:41:41.600 --> 0:41:45.320
<v Speaker 1>to the puzzled woman who might as well be in Iowa. Finally,

0:41:45.400 --> 0:41:49.120
<v Speaker 1>Lindquist kisses her and the boys run off. Edison waits

0:41:49.160 --> 0:41:53.759
<v Speaker 1>for them by the limo. Crossfade to exterior Bleachers Day.

0:41:54.480 --> 0:41:59.000
<v Speaker 1>Aunt Selina sits alone in the bleachers. Left again, crossfade

0:41:59.040 --> 0:42:03.040
<v Speaker 1>to exterior high Sally heads west on Root sixty six.

0:42:03.920 --> 0:42:09.360
<v Speaker 1>Exterior Bay of pigs Day. Slow motion, gunfire, smoke, and

0:42:09.520 --> 0:42:13.440
<v Speaker 1>chaos as a band of Cubans hit the beach. Bebop

0:42:13.560 --> 0:42:16.000
<v Speaker 1>is hit as he steps on to the sand. He

0:42:16.120 --> 0:42:19.879
<v Speaker 1>falls face first in the water. Blood colors the water

0:42:19.960 --> 0:42:25.160
<v Speaker 1>as bombs explode. Slouch rushes to him. Slouch cradles the

0:42:25.200 --> 0:42:29.439
<v Speaker 1>bleeding Bebop. A shadow stands over him, A heavily armed

0:42:29.480 --> 0:42:32.480
<v Speaker 1>Cuban gestured toward the forest where other captured and wounded

0:42:32.520 --> 0:42:37.640
<v Speaker 1>are being led. Exterior the school day. Leshinski is under

0:42:37.640 --> 0:42:40.520
<v Speaker 1>the archway of the school. He turns around and looks

0:42:40.560 --> 0:42:43.239
<v Speaker 1>up to the Eagle and the globe nearby. On the

0:42:43.320 --> 0:42:45.440
<v Speaker 1>bench by the bus stop and Arico sits with a

0:42:45.480 --> 0:42:51.960
<v Speaker 1>suitcase waiting for the j bus. Interior Patterson's hut Bay

0:42:52.040 --> 0:42:57.400
<v Speaker 1>of pigs, fiasco, un condemns action. US pulls air support

0:42:58.160 --> 0:43:01.960
<v Speaker 1>headlines the Miami Herald. The paper falls from Patterson's hands.

0:43:02.480 --> 0:43:07.840
<v Speaker 1>He fights back, tears Exterior parade field dusk. The academy

0:43:07.880 --> 0:43:13.480
<v Speaker 1>appears deserted, wind blows the palms. The camera leads us

0:43:13.520 --> 0:43:18.600
<v Speaker 1>to exterior parade field dusk. Commander Patterson, US Navy, Retired

0:43:18.680 --> 0:43:22.080
<v Speaker 1>takes a flag down and folds a try corner military fashion.

0:43:22.920 --> 0:43:25.560
<v Speaker 1>He tucks it under his arm and walks down by

0:43:25.600 --> 0:43:33.240
<v Speaker 1>the day by the bay. Fuck me, exterior parade field dusk.

0:43:33.600 --> 0:43:37.440
<v Speaker 1>Commander Patterson, US Navy, Retired takes the flag down and

0:43:37.600 --> 0:43:41.399
<v Speaker 1>folds a tri corner military fashion. He tucks it under

0:43:41.440 --> 0:43:46.359
<v Speaker 1>his arm and walks down by the bay. Exterior boat

0:43:46.440 --> 0:43:50.359
<v Speaker 1>dock dusk. Patterson sits on the bench under a palm tree,

0:43:51.000 --> 0:43:54.560
<v Speaker 1>watching five Huey gunship helicopters flying low over the bay

0:43:54.640 --> 0:44:01.160
<v Speaker 1>into the sun. Then the bench is empty. In the background,

0:44:01.239 --> 0:44:07.200
<v Speaker 1>bulldozers begin plowing into a company barracks as we fade out.

0:44:10.120 --> 0:44:15.680
<v Speaker 1>Dedicated to Stephen M. Leshinsky, Junior, Private first Class first

0:44:15.800 --> 0:44:24.480
<v Speaker 1>Cavalry USARV Ground Casualty, kuang Nam Province, South Vietnam, nineteen

0:44:24.560 --> 0:44:26.920
<v Speaker 1>forty five to nineteen sixty eight.

0:44:28.560 --> 0:44:45.040
<v Speaker 5>The honor in forty years no government money. Forty years ago,

0:44:45.280 --> 0:44:49.040
<v Speaker 5>Vietnam VET named Shad miyshad started a phone line. One rule,

0:44:49.880 --> 0:44:57.239
<v Speaker 5>veterans answer the calls. No bureaucrats, no contractors, veterans. The

0:44:57.400 --> 0:45:02.399
<v Speaker 5>National Veterans Foundation has done this since nineteen eighty five,

0:45:02.680 --> 0:45:06.680
<v Speaker 5>twenty years before the government even had a crisis line.

0:45:07.440 --> 0:45:11.520
<v Speaker 5>Now the VA is overwhelmed. They're sending overflow calls to

0:45:11.680 --> 0:45:16.560
<v Speaker 5>the National Veterans Foundation, a small nonprofit doing part of

0:45:16.680 --> 0:45:21.560
<v Speaker 5>their job without their budget. Twenty two veterans die by

0:45:21.719 --> 0:45:27.040
<v Speaker 5>suicide every day. The National Veterans Foundation needs your help

0:45:27.120 --> 0:45:33.440
<v Speaker 5>to keep answering the phone NVF dot org eight eight

0:45:33.680 --> 0:45:38.160
<v Speaker 5>eight seven seven seven four four four three