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Speaker 1: I am all in.

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Speaker 2: That's you.

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Speaker 3: I am all in with Scott Patterson an iHeart radio podcast.

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Speaker 3: It's so weird how you remember like moments in a

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Speaker 3: show that are like upsetting and with ed herman not

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Speaker 3: being alive anymore, it's even more painful.

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Speaker 1: That it was hard to watch for that reason. Yeah,

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Speaker 1: I agree, Yeah, but I enjoyed the episode. I really

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Speaker 1: got a lot of cackles. I've never liked Paris more.

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Speaker 1: Me too, I saw another side of Lucy.

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Speaker 3: Lucy was good in this one. Guys, see that that's

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Speaker 3: the Lucy I like she was alady under.

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Speaker 1: I just enjoyed. Was just a very enjoyable episode from

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Speaker 1: from top to bottom.

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Speaker 2: Iually agree.

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Speaker 3: And Paris was at her best, and like, you know what,

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Speaker 3: Paris is a good friend to Rory and she she

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Speaker 3: has been a longtime friend and I kind of we'll

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Speaker 3: talk about it, but yeah, it's like that.

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Speaker 1: Nice balance she had between being a supportive friend and

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Speaker 1: still having her edge right being Paris, and that's the

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Speaker 1: that's the Paris that I like.

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Speaker 3: Christopher is a toolbag in this he just did is

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Speaker 3: He's a tool bag.

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Speaker 1: He didn't really come off to me, like with God.

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Speaker 3: I think he's overreacting so bad.

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Speaker 1: He is, but he is, But that's he's not wrong,

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Speaker 1: but he's not right.

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Speaker 3: Yeah. I would also like if you marry a girl

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Speaker 3: who canceled her engagement one day before, there's going to

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Speaker 3: be some residual sort of good What did.

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Speaker 2: He think was going to happen?

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Speaker 1: The unconscious nature of love, that's the unconscious nature of desire.

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Speaker 1: We don't see things that are right in front of

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Speaker 1: our face. And I think that goes for Laura too.

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Speaker 1: So we're talking about two people who are operating on

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Speaker 1: levels where they're missing a lot of stuff because they

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Speaker 1: have this sort of this agenda where you know, they

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Speaker 1: both want to be together to think it's the right

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Speaker 1: thing to do. They've been sort of, I don't know,

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Speaker 1: almost convinced themselves that this is the right thing to do.

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Speaker 1: And it's not coming from, you know, a really centered,

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Speaker 1: emotionally mature place. And so they're both you know, it's

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Speaker 1: fraught with error. And I don't blame them, you know,

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Speaker 1: and you can't judge them. It's like they're they're trying

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Speaker 1: to do their best here and make a family. And ye, boy,

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Speaker 1: I tell you.

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Speaker 3: That ship is sailing away.

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Speaker 1: That was always hanging by a thread anyway, right, and

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Speaker 1: we all know that. And I think that's the brilliance

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Speaker 1: of it, you know, with the brilliance of the writing

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Speaker 1: that's set up the whole thing is we see that

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Speaker 1: it's hanging by just a thread, and the tension is

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Speaker 1: when's it going to break? When's it going to break? Oh? God?

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Speaker 1: And it did?

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Speaker 4: Was that?

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Speaker 3: Is this episode? Thirteen twelve? Okay, so Christopher's got one more?

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Speaker 1: Right?

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Speaker 3: One more? No?

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Speaker 5: Yeah, you can't and there has to be something.

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Speaker 3: There's one.

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Speaker 6: No, I think there's I think there's more than one.

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Speaker 3: Yeah.

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Speaker 6: Because the end of this episode, I actually started remembering

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Speaker 6: like every I feel like I blacked out the first

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Speaker 6: half of the season and then now I'm like, oh,

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Speaker 6: now get to do everything.

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Speaker 3: Yeah. Yeah. And it was very very hard for me

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Speaker 3: to not watch the next episode, almost just for my

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Speaker 3: own anxiety, because I was like, I need to know

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Speaker 3: that Richard is like okay, which obviously we all know

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Speaker 3: he is okay, but I'm not spoiling. Sorry.

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Speaker 2: Oh sorry, Daniel, it's hard when it shows now for

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Speaker 2: twenty year.

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Speaker 3: God, I'm so sorry, Daniel. It's okay.

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Speaker 5: I figured that there's going to be a hospital scene

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Speaker 5: and Lucas and I think it's a repeat of the

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Speaker 5: last hospitals.

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Speaker 3: You know that he lives. I'm sorry, Scott, but I

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Speaker 3: know you know because you have scenes with Betterman. But anyway,

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Speaker 3: I was kidding, it's uh upsetting this episode. The end

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Speaker 3: is very very like I got like Ajida and cried.

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Speaker 5: Like there's anxiety cliffhanger, like I didn't need that anxiety.

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Speaker 3: Going to no, especially what Danielle I have been through,

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Speaker 3: and like Scott YouTube and with Sam it's like it

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Speaker 3: was not it was the really deep breathed because it

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Speaker 3: was very triggering.

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Speaker 1: But especially after what we went through witnessing this this

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Speaker 1: beautiful kind of montage letter, the reading of the letter

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Speaker 1: which started out and really great and then his voice

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Speaker 1: taking over and we're going, very well done, And that was.

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Speaker 3: Great face acting, Scott Patterson. Great face acting during the

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Speaker 3: reading of the letter, because you conveyed so much of

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Speaker 3: how much that letter meant to you.

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Speaker 1: And I'm going to throw a flag on myself because okay,

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Speaker 1: I'm gonna tell you when he blurted out his little

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Speaker 1: speech about how he thinks he's going to be a

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Speaker 1: good father and all that, I just thought it wasn't

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Speaker 1: invested enough. I didn't believe it.

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Speaker 2: I didn't believe it did be worried about your parking pass,

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Speaker 2: your parking ticket.

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Speaker 1: I thought that speech should have been far more heartfelt

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Speaker 1: and I should have raised stakes on it more and

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Speaker 1: I could.

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Speaker 3: I guess I thought it.

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Speaker 1: Was flat for me, and I just I would have

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Speaker 1: not if I was editing the episode and I had

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Speaker 1: a better choice, I would not have used used.

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Speaker 3: A different version of that.

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Speaker 5: And I kind of disagree because I feel like Scott

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Speaker 5: Scott Luke Luke was so was so scrambled in this episode,

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Speaker 5: Like his thoughts were just like all over the place,

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Speaker 5: and he gets to the courthouse early and he's nervous

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Speaker 5: and and I don't know, I felt like and he

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Speaker 5: wasn't even supposed to speak right, So like him, I

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Speaker 5: kind of liked him lobbing that a little bit because

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Speaker 5: then it the emphasis on lorealized letter locking in custody situation,

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Speaker 5: you know, it just like made it like yep, it's

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Speaker 5: that letter that really that really really helped because I

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Speaker 5: don't know, and I like.

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Speaker 3: Ask something Scott and tell me, like I don't know

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Speaker 3: Diddley about acting right other than just like I like

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Speaker 3: watching acting, I find that you tend to be and

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Speaker 3: this is a compliment, like an understated actor. I never

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Speaker 3: feel like you're over the top or over acting, and

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Speaker 3: I think that's why your performance, especially as Luke, is

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Speaker 3: so genuine.

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Speaker 1: Well that's why I think I'm throwing the flag because

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Speaker 1: it wasn't emotionally full and it was too large to

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Speaker 1: try to overcompensate. So it should have been a bigger feeling,

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Speaker 1: but smaller gestures almost.

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Speaker 5: You know.

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Speaker 1: I learned a great lesson very early on in my

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Speaker 1: acting training, and that was because I was larger than

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Speaker 1: your normal actor.

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Speaker 3: Oh you're tall, because you're tall, right, that's interesting.

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Speaker 1: Less I do, the better it is. And that's interesting

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Speaker 1: because I used to be very expressive and very.

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Speaker 3: Physical on Seinfeld. What was it was like your episode?

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Speaker 2: Were you worthy of the worthy?

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Speaker 3: Do you ever think about the fact that you're like

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Speaker 3: in an iconic Seinfeld?

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Speaker 1: That's so insane, that's kind of I got a nice

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Speaker 1: residual check from that. Yeah, I got a fairly big

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Speaker 1: one too.

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Speaker 3: More than Gilmore.

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Speaker 1: No, Gilmore is kind of tapering off, but it's once

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Speaker 1: in a while you get a big one that what year.

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Speaker 6: Did those stop? Because like some people a certain show

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Speaker 6: a certain year no longer get residuals uh I does it.

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Speaker 1: Depends on I think as long as they're on the air,

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Speaker 1: you get the residence.

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Speaker 3: Yeah, I think so, Like it's probably like you get

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Speaker 3: less though if it's on up TV, then if it's

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Speaker 3: on the CW or something like that. But Seinfeld, good

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Speaker 3: for you.

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Speaker 1: Yeah, just I realized, you know what I realized the

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Speaker 1: other day because I realized that Jerry Seinfeld is the

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Speaker 1: person who really helped jumpstart my career because that show

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Speaker 1: really vaulted me into anyway, enough about.

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Speaker 3: Me, you should send him a little note. Maybe he'll respond.

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Speaker 1: I just I just saw an interview with him and

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Speaker 1: Barry Weiss. He was fascinating.

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Speaker 3: Yeah he was. He says some things, but okay, okay, Jerry, whatever,

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Speaker 3: stand up. Not that long ago I went to his show.

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Speaker 1: Comedy is a big deal right now. Comedy is really

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Speaker 1: in demand right now.

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Speaker 5: Yeah.

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Speaker 3: Yeah, I have a handful that I like. But anyway, I.

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Speaker 1: Wish I'd been better in that scene. That's all I'm saying.

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Speaker 1: I wish I'd been better.

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Speaker 3: Well that's good for you to say. We don't agree,

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Speaker 3: but good people to say Susanne, you want to take

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Speaker 3: it away?

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Speaker 1: Oh first, hang on, I think we need to do it.

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Speaker 1: I got to do an intro. Hey, three two one,

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Speaker 1: Hey everybody, Scott Patterson here, I am all in podcasts,

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Speaker 1: well on professions. iHeartRadio. I heart podcast. I know Amy's

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Speaker 1: always trying to avoid that. No, but I like it.

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Speaker 3: Like we've been on the air the whole time. I

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Speaker 3: got here a little lake because.

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Speaker 1: I would, because I like doing it, because it's now,

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Speaker 1: it's official.

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Speaker 3: It's sometimes I don't know if we're just chatting, because

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Speaker 3: like we all chat a lot. I know you.

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Speaker 1: I know you're trying to get me not to do it.

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Speaker 1: I'm doing it, and the episode I'm actually gonna do

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Speaker 1: it again. Hey everybody, Scott Patterson. I season seven, episode twelve,

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Speaker 1: what's the name of this thing?

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Speaker 5: Straight out of to concerns who are make it?

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Speaker 6: Sorry?

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Speaker 1: Of course, the original title was straight out of Brooklyn,

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Speaker 1: but they changed the title. I am joined by my I.

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Speaker 3: Forget my setup. I'm fully in bed.

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Speaker 1: She's one hundred and seven degrees in bed in normal.

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Speaker 6: It looks like you're on a top bunk and sweating.

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Speaker 1: Danielle rom terror suit is out of her cast she's

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Speaker 1: putting on the leg Yes, in.

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Speaker 3: Time for Janet Jackson, just for Janet, Tara and Danielle

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Speaker 3: and I sorry, Scott's ant are going to Janet Jackson

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Speaker 3: on Wednesday. Oh wow, what have you done for me lately?

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Speaker 1: I tell you, I keep missing those Janet Jacksons. There's

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Speaker 1: there's a hole in my life.

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Speaker 3: Size Yeah, up side, Danielle, miss Romo. If your nasty,

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Speaker 3: thank you.

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Speaker 5: Okay, guys, this is season seven, episode twelve, To whom

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Speaker 5: it May Concern, Air date January thirtieth, two thousand and seven.

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Speaker 1: You know, I was trying to think of that, and

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Speaker 1: then said I heard, but.

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Speaker 3: I couldn't think that's the best one.

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Speaker 1: I heard the rhythm of it, but I'm.

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Speaker 3: Like, we are a part. I can't the nation?

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Speaker 2: Go ahead?

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Speaker 3: Go ahead? He's Scott walked me right into that, Like

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Speaker 3: I couldn't come on, okay.

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Speaker 5: Rory returns to Yale after winter break and leaves Lucy

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Speaker 5: a note apologizing. While Paris plans for their future, Sukie

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Speaker 5: finds out she is pregnant. Meanwhile, Luke's custody back April

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Speaker 5: comes to an end with a victory, and Christopher questions

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Speaker 5: Laura like about her true feelings for Luke after reading

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Speaker 5: her character reference letter.

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Speaker 3: Dude, Christopher was like, outy five thousand. That was like crazy,

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Speaker 3: But anyway, we'll get to that.

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Speaker 2: This was the first episode that had Lauren credited as

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Speaker 2: a producer.

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Speaker 3: Oh really, no, no, I thought I've seen that before. Guys.

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Speaker 3: Oh no, you know what, and I'm confusing that with

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Speaker 3: a different show.

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Speaker 5: It just makes sense as to why it's getting good again.

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Speaker 2: Yeah, yes, I have a big red flag, but we'll

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Speaker 2: get to that.

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Speaker 3: I have a couple but still it's yeah, it's mostly good.

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Speaker 3: And it's like it's Gilmore good. It's not even just

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Speaker 3: season seven good. It's like Gilmore good.

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Speaker 2: It's good, yeah, right in the grand scheme of Gilmore.

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Speaker 3: Yeah.

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Speaker 2: So it starts out at the end of Friday Night

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Speaker 2: Dinner where they're leaving. Oh yeah, the gross the tequila

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Speaker 2: cactus sauce on the quail, like that whole thing just

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Speaker 2: none of that sounded right.

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Speaker 1: Concoction.

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Speaker 2: Yeah, And I googled it because I was curious, like

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Speaker 2: is this a real thing? And I found a recipe

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Speaker 2: for chicken mast lawn, but it didn't have a tequila

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Speaker 2: cactus sauce. It just was like taco sauce or something.

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Speaker 6: Yeah.

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Speaker 2: So, and one thing that caught my eye in the

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Speaker 2: scene will not my eye, I guess it was my

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Speaker 2: but so had we had a big gap we had

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Speaker 2: when they had the argument about the party. That was

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Speaker 2: at the beginning of December, and then we skipped to

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Speaker 2: January twenty third was the Christmas episode, and I just

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Speaker 2: assumed that the party had happened kind of in that interim.

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Speaker 2: But in the opening of this episode, Emily says to

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Speaker 2: Laura I that she's not going to be available to

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Speaker 2: work on the seating chart for the party. So I realized,

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Speaker 2: oh wait, that that big like re wedding party hasn't

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Speaker 2: happened yet. I guess that kind of surprised because it's

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Speaker 2: been like six weeks.

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Speaker 6: Yeah yeah, and like school's just getting.

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Speaker 3: Back, like it may never happen.

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Speaker 2: Yes, So I just thought that was one of those

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Speaker 2: things that they never showed us that they had the party.

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Speaker 2: We just didn't see it. But apparently it hasn't happened yet.

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Speaker 2: But anyways, so they go outside and Christopher wants to

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Speaker 2: just three with the chicken or the quail. In the book,

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Speaker 2: Laurel I tells the story about how they did that

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Speaker 2: once and the neighbor's cat dragged it onto the backpack.

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Speaker 2: That made me laugh, and then okay, so then it

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Speaker 2: goes to Laurel's house. The next morning, uh Suki shows

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Speaker 2: up with coffee and muffin tops, and she's acting like

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Speaker 2: kind of whiny and kind of like she's acting really.

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Speaker 3: Wait, sorry, sorry, sorry, did we talk about whatever gross

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Speaker 3: thing they ate? Sorry if my brain glitched. Okay, yeah,

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Speaker 3: because I've never eaten that and I don't want to Okay, sorry,

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Speaker 3: back to the muffin tops, which I'm a huge fan of.

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Speaker 2: Yeah, I agree, I like muffin tops. I and I

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Speaker 2: was curious about the muff and bottom pie that they

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Speaker 2: can't talk.

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Speaker 3: Can I give a couple of flags on this scene? Yes,

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Speaker 3: Suki constantly getting up and getting those napkins, the cloth napkins,

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Speaker 3: and then getting up again and getting a cloth napkin,

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Speaker 3: and then and the cloth napkin. It was like very distracting,

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Speaker 3: and she was so weird. It's like they weren't they

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Speaker 3: didn't want to eat, which I is kind of like

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Speaker 3: a pet peeve. Like Christopher was eating the muff and

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Speaker 3: like a pea sized crumb of them, and I'm like

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Speaker 3: that is so distracting. Just don't eat it, you know

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Speaker 3: what I mean? Just be like, yuh, I can't wait

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Speaker 3: to eat this muffin and then chitter chattered, chitter chatter,

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Speaker 3: and we'll just assumuate it after clock.

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Speaker 2: Napkins are not at all consistent with lauralized at all.

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Speaker 2: I'm like, she's paper towels all the way, dude.

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Speaker 6: For sure.

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Speaker 3: Those were like those were like pressed like with an

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Speaker 3: iron cloth, napkins folded. I'm like, did Suki bring those?

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Speaker 3: What is happening? And who eats like a cloth.

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Speaker 6: Nap often maybe it's a Chris thing. I don't know's

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Speaker 6: rearranging the house, God getting.

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Speaker 2: Them off of the shelf. She didn't bring them in?

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Speaker 3: Well I know, yeah, and it was like too many

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Speaker 3: props or something. But anyway you.

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Speaker 1: Go, Scott, I think Sukie getting up so many times

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Speaker 1: just you know, trying to express her nervousness. Yeah, yeah,

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Speaker 1: acting sense because she popped the question.

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Speaker 6: I kind of had an issue with like this storyline.

307
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Speaker 6: I just felt like it was dragged on too many scenes,

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Speaker 6: Like I could have told you she was pregnant the

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Speaker 6: second she showed up and was acting like I didn't

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Speaker 6: need four more scenes.

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Speaker 3: Of it, you know, or like, I also don't think

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Speaker 3: she's gonna like be that weird about asking lower Light

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Speaker 3: to babysit. It's her freaking best friend. She'd be like, Hey,

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Speaker 3: we really need a day. Can you just like take

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Speaker 3: care of the kids for a few hours? Like it

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Speaker 3: was so weird. It's like, really you need muffin tops

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Speaker 3: for that? Come on, although, is this the show that

318
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Speaker 3: invented muffin tops?

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Speaker 5: And assume they got it because I feel like it

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Speaker 5: was popular during the time.

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Speaker 3: Yeah, I think muffin tops became like a thing right

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Speaker 3: around that time.

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Speaker 6: I'm going to google it.

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Speaker 3: I don't know that whole scene was really Yeah, it

325
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Speaker 3: wasn't so.

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Speaker 5: I did like the coffee.

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Speaker 3: It's got some forst bit the coffee tibit was you

328
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Speaker 3: meek and interesting. Scott forced, Yes, it felt weird. I

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Speaker 3: agree with you, it's weird.

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Speaker 2: I didn't understand why laurla I told Chris that it

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Speaker 2: was Luke's coffee, Like same, why would she?

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Speaker 3: Why was she telling him about the letter? But yet

333
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Speaker 3: she's like, by the way, you're drinking Luke's coffee, got

334
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Speaker 3: choke on it exactly, here's my wound.

335
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Speaker 2: Like you said, it's good coffee. She could have just

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00:17:28,720 --> 00:17:29,560
Speaker 2: said yeah.

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Speaker 3: It is asked.

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Speaker 1: He asked.

339
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Speaker 3: Weird and weird like and Suki is going to go

340
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Speaker 3: I don't know that.

341
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Speaker 6: What time is it?

342
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Speaker 3: Why are they up?

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Speaker 2: Because they were going to go skiing?

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Speaker 3: Why is Flora l I up?

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Speaker 2: She woke her up coffee?

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Speaker 3: No, I think Laura was in the kitchen.

347
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Speaker 2: She was in the kitchen.

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Speaker 6: I think all they were doing that day was Christal

349
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Speaker 6: was setting up the TV.

350
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Speaker 3: I don't think there was until ten. Where's gg what?

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Speaker 2: Speaking of that? I I had a I guess a

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Speaker 2: red flag on that because they were at Friday night

353
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Speaker 2: dinner and then they're in Laurel Live's kitchen the next morning.

354
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Speaker 6: So where's the kids?

355
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Speaker 3: Well, it's Saturday, she's at the grandparents, that's right. He

356
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Speaker 3: does call that.

357
00:18:23,280 --> 00:18:25,960
Speaker 2: I don't say she's at the grandparents. But the whole

358
00:18:26,160 --> 00:18:32,399
Speaker 2: day is Saturday, which means Luke was in court on Saturday.

359
00:18:32,560 --> 00:18:32,760
Speaker 3: Right.

360
00:18:33,400 --> 00:18:37,320
Speaker 2: Richard was in his office at Yale on a Saturday.

361
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Speaker 2: Lucy said she had a class. It was Saturday.

362
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Speaker 3: Really what?

363
00:18:47,480 --> 00:18:49,359
Speaker 2: Because John and I were watching it and we're like,

364
00:18:49,359 --> 00:18:52,040
Speaker 2: wait a minute, it's saturdayday. All this stuff happening on

365
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Speaker 2: a Saturday.

366
00:18:53,680 --> 00:18:55,080
Speaker 3: I had a court on Saturday.

367
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Speaker 6: Yeah, that is really that's funny. I didn't even think

368
00:18:58,720 --> 00:18:59,640
Speaker 6: about that all out.

369
00:19:01,600 --> 00:19:03,880
Speaker 2: And then another thing from this scene too before we

370
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Speaker 2: move on, one thing that that actually my husband caught

371
00:19:07,760 --> 00:19:10,960
Speaker 2: this was there's artwork on you know, because they're in

372
00:19:11,040 --> 00:19:14,560
Speaker 2: Laura on the doors right there. Did you see the artwork?

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00:19:14,760 --> 00:19:17,840
Speaker 3: I saw art work on the fridge or a picture

374
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Speaker 3: of the fridge.

375
00:19:19,400 --> 00:19:23,600
Speaker 2: There was artwork on her bedroom door. And then when

376
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Speaker 2: Suki is at Suki's that same artwork is in substygen.

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00:19:29,359 --> 00:19:30,159
Speaker 6: Stop.

378
00:19:30,840 --> 00:19:34,320
Speaker 3: Somebody on our crack staff needs to screenshot that and

379
00:19:34,359 --> 00:19:37,720
Speaker 3: screenshot that for Instagram because that's craze.

380
00:19:38,040 --> 00:19:41,000
Speaker 2: I actually did. I grabbed pictures of it life.

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00:19:41,000 --> 00:19:42,600
Speaker 3: Thank you. Can you text it in the group? That

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00:19:42,640 --> 00:19:45,320
Speaker 3: would be awesome. Because I noticed there was a picture

383
00:19:45,320 --> 00:19:48,440
Speaker 3: of Gigi on the fridge. Now, yes, I saw that too,

384
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Speaker 3: so I was like, oh, those an't I don't like those

385
00:19:50,080 --> 00:19:53,960
Speaker 3: little touches. But yeah, this scene was the napkin thing

386
00:19:54,119 --> 00:19:55,800
Speaker 3: was really telling me. I was like, why am I

387
00:19:55,840 --> 00:19:57,600
Speaker 3: so obsessed? And I couldn't get my brain to go

388
00:19:57,680 --> 00:20:01,199
Speaker 3: back to the conversation because I'm like, both napkins like

389
00:20:01,240 --> 00:20:04,640
Speaker 3: it Saturday. I like a cloth napkin too, but Saturday

390
00:20:04,640 --> 00:20:06,920
Speaker 3: morning with a muffin top, like, just eat that thing.

391
00:20:07,720 --> 00:20:11,639
Speaker 3: And then you know Christopher with his sized bites, I'm like, dude,

392
00:20:12,680 --> 00:20:14,880
Speaker 3: eat it, come on, eat it.

393
00:20:16,480 --> 00:20:18,480
Speaker 2: And then so then it goes to just a real

394
00:20:18,560 --> 00:20:23,439
Speaker 2: quick sort of a transitional scene where we're at Yale.

395
00:20:23,840 --> 00:20:27,040
Speaker 2: Everyone has a roller bag. I guess everyone takes roller

396
00:20:27,080 --> 00:20:30,240
Speaker 2: bags on Christmas break and then brings back their roller

397
00:20:30,280 --> 00:20:33,520
Speaker 2: bags because every single backack have a roller bag. And

398
00:20:34,040 --> 00:20:39,359
Speaker 2: Rory sticks a letter on Lucy's door apartment door.

399
00:20:39,840 --> 00:20:42,080
Speaker 3: I was happy though that the door was different from

400
00:20:42,119 --> 00:20:44,679
Speaker 3: when we left it. A few of the stickies were

401
00:20:44,880 --> 00:20:47,640
Speaker 3: gone and some new, so I was like, good detail. Yeah,

402
00:20:47,640 --> 00:20:49,960
Speaker 3: who ever does that? Scott scripty? I don't know whoever

403
00:20:50,000 --> 00:20:51,200
Speaker 3: does that good stuff?

404
00:20:53,080 --> 00:20:53,960
Speaker 6: It might be Scripty.

405
00:20:54,200 --> 00:20:56,879
Speaker 3: Also shout out to Brad Pitt, who eats on camera,

406
00:20:56,960 --> 00:21:00,399
Speaker 3: and I have to say respect, Brad Pitt, thank you.

407
00:21:00,400 --> 00:21:02,480
Speaker 6: Wait what were you watching Oceans?

408
00:21:02,560 --> 00:21:04,280
Speaker 3: He eats through the whole movie and.

409
00:21:04,200 --> 00:21:06,320
Speaker 1: I love he's always snacking.

410
00:21:06,600 --> 00:21:12,439
Speaker 3: It's so good. I would it's great, Like, come on,

411
00:21:12,640 --> 00:21:13,080
Speaker 3: you're a.

412
00:21:13,040 --> 00:21:17,359
Speaker 5: Good, good fake eater. I mean you actually eat Scott

413
00:21:17,480 --> 00:21:18,159
Speaker 5: better at it?

414
00:21:18,280 --> 00:21:19,680
Speaker 6: Yeah, yeah, he's good.

415
00:21:19,480 --> 00:21:19,960
Speaker 7: At it.

416
00:21:21,920 --> 00:21:25,040
Speaker 1: That it's just because I'm always hungry.

417
00:21:25,280 --> 00:21:26,320
Speaker 5: Like great, this is snack time.

418
00:21:26,520 --> 00:21:28,560
Speaker 1: I just enjoy eating.

419
00:21:37,840 --> 00:21:40,560
Speaker 2: So then we go to laurel I's living room. I

420
00:21:40,600 --> 00:21:43,439
Speaker 2: guess I should say laurela in Christopher's living room because

421
00:21:43,520 --> 00:21:47,280
Speaker 2: you know it's his house now too. And he's got

422
00:21:47,280 --> 00:21:49,360
Speaker 2: the flat screen and a bunch of pieces all over

423
00:21:49,400 --> 00:21:52,879
Speaker 2: the living room and his plan for the day is

424
00:21:53,000 --> 00:21:55,560
Speaker 2: going to be to set up this, uh, this TV.

425
00:21:56,160 --> 00:21:58,160
Speaker 2: Laurel I makes fun of him because he was using

426
00:21:58,160 --> 00:22:00,479
Speaker 2: her conditioner and his hair smells good. I thought that

427
00:22:00,520 --> 00:22:02,359
Speaker 2: was kind of cute, that little banter. She's like, you

428
00:22:02,359 --> 00:22:06,960
Speaker 2: don't have anything to condition and yeah, that was a

429
00:22:07,000 --> 00:22:11,080
Speaker 2: good little scene. He can't find the level to make

430
00:22:11,119 --> 00:22:14,760
Speaker 2: sure the TV is straight, which becomes important later.

431
00:22:15,920 --> 00:22:19,440
Speaker 5: Which is my red flag, but we'll deal with that later, Okay.

432
00:22:21,560 --> 00:22:26,800
Speaker 2: Then we go to outside the courtroom and Luke looks

433
00:22:26,920 --> 00:22:32,080
Speaker 2: very nice. He's shaved, he's in a nice suit and

434
00:22:32,760 --> 00:22:34,800
Speaker 2: kind of talks to the lawyer about what's going to happen.

435
00:22:34,840 --> 00:22:38,879
Speaker 2: And then Anna shows up and she's her typical obnoxious

436
00:22:38,920 --> 00:22:40,159
Speaker 2: self and making it sound.

437
00:22:40,080 --> 00:22:42,560
Speaker 6: Like I just wanted to like off my screen.

438
00:22:42,960 --> 00:22:47,560
Speaker 5: Yes, like she's trying to intimidate Luke get out of here.

439
00:22:48,320 --> 00:22:51,240
Speaker 2: Yeah, and when she was saying like, you don't have

440
00:22:51,280 --> 00:22:54,480
Speaker 2: a history of long relationships with women like that has

441
00:22:55,080 --> 00:22:59,359
Speaker 2: zero to do with parenting. So yeah, that's completely irrelement.

442
00:23:00,080 --> 00:23:01,840
Speaker 2: First all, it's not even really that true, but it's

443
00:23:01,880 --> 00:23:02,840
Speaker 2: completely irrelevant.

444
00:23:03,920 --> 00:23:06,119
Speaker 5: I have a question a diner like she was like

445
00:23:06,200 --> 00:23:11,000
Speaker 5: totally liken to squish him down. Yeah, but I do

446
00:23:11,080 --> 00:23:11,600
Speaker 5: have a question.

447
00:23:11,760 --> 00:23:13,720
Speaker 6: I can't I can't remember. And Susanne you might know

448
00:23:13,760 --> 00:23:18,320
Speaker 6: the answer to this, But does Anna know about Luke's

449
00:23:18,400 --> 00:23:22,040
Speaker 6: relationship with Rory or was the letter the first time

450
00:23:23,600 --> 00:23:24,520
Speaker 6: that she may have heard it?

451
00:23:24,760 --> 00:23:25,199
Speaker 3: I don't know.

452
00:23:25,240 --> 00:23:26,640
Speaker 2: They never really addressed that.

453
00:23:26,840 --> 00:23:29,080
Speaker 6: Yeah, because like I don't even think that Rory and

454
00:23:29,200 --> 00:23:32,400
Speaker 6: Anna cross paths, like in the way that's like, oh,

455
00:23:32,440 --> 00:23:34,840
Speaker 6: this is Rory. She grew up in stars Hal you know,

456
00:23:34,840 --> 00:23:36,879
Speaker 6: I don't think. So, just wondering, like, I.

457
00:23:36,880 --> 00:23:41,119
Speaker 1: Don't you have to imagine that Luke had mentioned it,

458
00:23:41,480 --> 00:23:43,800
Speaker 1: had mentioned it to his daughter.

459
00:23:44,280 --> 00:23:45,879
Speaker 6: Yeah, no, no, not.

460
00:23:45,800 --> 00:23:51,040
Speaker 1: To son would have gone on April, got it?

461
00:23:51,080 --> 00:23:51,440
Speaker 5: Got it?

462
00:23:51,560 --> 00:23:52,000
Speaker 6: Okay?

463
00:23:52,160 --> 00:23:55,119
Speaker 1: Yeah, Yeah, there's cutting a lot of time together and

464
00:23:55,280 --> 00:23:59,399
Speaker 1: during his hiatus from the wedding, I guess if you

465
00:23:59,440 --> 00:24:01,040
Speaker 1: want to call it that.

466
00:24:00,560 --> 00:24:01,040
Speaker 6: That's true.

467
00:24:01,359 --> 00:24:04,880
Speaker 1: Yeah, probably shared with her, shared with ape.

468
00:24:05,480 --> 00:24:13,520
Speaker 2: So then owen Uh, George Anthony Bell was in that scene.

469
00:24:13,560 --> 00:24:17,640
Speaker 3: He was the that's right dialg Oh yeah yeah, yeah, yeah, yeah.

470
00:24:17,280 --> 00:24:19,360
Speaker 1: He was the he was the officer.

471
00:24:19,880 --> 00:24:24,000
Speaker 2: Yes, that was nice to see him and a fine actor.

472
00:24:24,920 --> 00:24:25,959
Speaker 3: Yeah, definitely yes.

473
00:24:27,480 --> 00:24:32,040
Speaker 2: And then we go to Okay, so the lawyers come,

474
00:24:32,080 --> 00:24:35,320
Speaker 2: they go inside the conference room. The parking ticket, yeah,

475
00:24:35,359 --> 00:24:36,840
Speaker 2: the party, yeah, whatever it was.

476
00:24:36,920 --> 00:24:39,439
Speaker 3: That wasn't your best acting, scut, but otherwise fine, and

477
00:24:39,480 --> 00:24:41,880
Speaker 3: she was not. That scene was weird because I didn't

478
00:24:41,880 --> 00:24:44,720
Speaker 3: think Sherylyn Fenn was quite on point yet. It was

479
00:24:44,760 --> 00:24:46,919
Speaker 3: a little bit I don't know. Maybe it was supposed

480
00:24:46,960 --> 00:24:49,280
Speaker 3: to be awkward though, because it's so awkward, So maybe

481
00:24:49,320 --> 00:24:52,280
Speaker 3: the parking ticket thing is like just adds to the awkwardness.

482
00:24:52,280 --> 00:24:54,320
Speaker 3: So so maybe he didn't have anything else to make

483
00:24:54,359 --> 00:24:57,119
Speaker 3: small talk about that I was feeling how awkward it is,

484
00:24:57,600 --> 00:24:58,560
Speaker 3: so maybe bravo.

485
00:24:58,680 --> 00:25:02,160
Speaker 1: I don't know, it was all just too comfortable right away.

486
00:25:02,280 --> 00:25:07,240
Speaker 1: I mean, that's your adversary right there. Yeah, they sit

487
00:25:07,359 --> 00:25:08,800
Speaker 1: next to each other. Yeah, I know.

488
00:25:09,880 --> 00:25:14,000
Speaker 2: So then Rory comes back into her apartment, coming back

489
00:25:14,000 --> 00:25:17,440
Speaker 2: from winter break and Paris has these whiteboards all over

490
00:25:17,480 --> 00:25:20,520
Speaker 2: the place and this is her game plan that she

491
00:25:20,600 --> 00:25:24,240
Speaker 2: calls Operation Finish Line for getting through their last semester

492
00:25:24,440 --> 00:25:27,639
Speaker 2: of college. And I thought that was funny, Like, I

493
00:25:27,680 --> 00:25:30,119
Speaker 2: thought that was just so on point for Paris to

494
00:25:30,119 --> 00:25:32,560
Speaker 2: do something like that. Oh yet like all these.

495
00:25:32,520 --> 00:25:35,920
Speaker 3: Checkboxes, it was so funny, and yet those charts were

496
00:25:35,960 --> 00:25:36,320
Speaker 3: like my.

497
00:25:36,400 --> 00:25:39,200
Speaker 6: Eyes, I know, I was like trying to read it.

498
00:25:39,560 --> 00:25:43,240
Speaker 3: Am I wrong? That there were poster side hot size

499
00:25:43,320 --> 00:25:46,160
Speaker 3: versions and then mini versions for the table.

500
00:25:46,560 --> 00:25:53,600
Speaker 6: Multiple Yeah, it was that made me so Paris though,

501
00:25:53,680 --> 00:25:55,760
Speaker 6: like we I would expect nothing less.

502
00:25:55,960 --> 00:25:58,120
Speaker 2: I know, I loved it. I thought it was hilarious.

503
00:25:58,160 --> 00:25:59,960
Speaker 3: Yeah, me too, And that's that I know, not that,

504
00:26:00,119 --> 00:26:02,480
Speaker 3: but it's such a great scene in the cafeteria, Like

505
00:26:02,560 --> 00:26:06,239
Speaker 3: that's that's like a great scene anyway, I'll shut up.

506
00:26:07,480 --> 00:26:10,240
Speaker 2: Yeah, the pair is definitely was a highlight of this.

507
00:26:10,160 --> 00:26:10,879
Speaker 1: Episode for me.

508
00:26:12,040 --> 00:26:15,679
Speaker 2: So then we go to Suki's Loreleyes knocking on the door.

509
00:26:17,280 --> 00:26:21,640
Speaker 2: Suki can't decide what to wear, and there's.

510
00:26:21,440 --> 00:26:24,760
Speaker 6: So much going on with Lorelei's outfit, from the scarf

511
00:26:25,400 --> 00:26:26,480
Speaker 6: to the sweater.

512
00:26:28,240 --> 00:26:28,680
Speaker 1: Jacket.

513
00:26:29,240 --> 00:26:32,040
Speaker 2: That yeah, that whole outfit with the I don't know

514
00:26:32,160 --> 00:26:34,280
Speaker 2: she'd taken that sweater vest off, I would have liked

515
00:26:34,280 --> 00:26:37,040
Speaker 2: it better, But that was they went hard on that

516
00:26:37,080 --> 00:26:40,520
Speaker 2: trend and Gilmore girls with the tights o the big shirt. Yeah,

517
00:26:40,560 --> 00:26:43,440
Speaker 2: totally fall sweater over the big shirt. That was popular

518
00:26:43,480 --> 00:26:46,800
Speaker 2: for a while and it could just stay in the past.

519
00:26:49,800 --> 00:26:53,240
Speaker 2: So really there there, There wasn't really anything significant in

520
00:26:53,240 --> 00:26:55,000
Speaker 2: that scene. It was kind of just setting the stage

521
00:26:55,040 --> 00:26:58,119
Speaker 2: that Loreley gets there, and again Suki is still kind

522
00:26:58,119 --> 00:27:01,679
Speaker 2: of acting all weird and scattered and she's she's I

523
00:27:01,680 --> 00:27:04,840
Speaker 2: thought it was weird that she wanted Lorala to come babysit,

524
00:27:04,880 --> 00:27:07,280
Speaker 2: but then when it's actually time to leave, she doesn't

525
00:27:07,280 --> 00:27:10,760
Speaker 2: want to go and she's crying saying, David, don't you

526
00:27:10,800 --> 00:27:12,200
Speaker 2: want mommy to play with you?

527
00:27:12,440 --> 00:27:15,760
Speaker 3: Like that? That didn't track for me.

528
00:27:16,240 --> 00:27:17,720
Speaker 6: Well that's why I was like, I didn't need this

529
00:27:17,840 --> 00:27:21,800
Speaker 6: many scenes about yeah dookie, Yeah, but I didn't need.

530
00:27:21,640 --> 00:27:24,880
Speaker 2: That many, right. It was a little kind of over

531
00:27:24,920 --> 00:27:28,200
Speaker 2: the top, and I didn't I didn't pick up on

532
00:27:28,240 --> 00:27:30,399
Speaker 2: the pregnancy thing at first, so I'm like, I didn't

533
00:27:30,480 --> 00:27:33,439
Speaker 2: understand any of this because I'm like, where are they

534
00:27:33,480 --> 00:27:35,439
Speaker 2: going with this? Like why is she all weird. I

535
00:27:35,480 --> 00:27:37,600
Speaker 2: mean the first time I watched it, obviously I knew

536
00:27:37,600 --> 00:27:43,560
Speaker 2: what happened, but yeah, it just was a weird thing.

537
00:27:45,440 --> 00:27:49,960
Speaker 2: So then we go to Richard's office on a Saturday again,

538
00:27:50,320 --> 00:27:54,479
Speaker 2: and it was cute. I thought, Rory's visiting, you know,

539
00:27:55,240 --> 00:27:58,080
Speaker 2: her grandpa's office, and he's got a desk and everything,

540
00:27:58,160 --> 00:28:01,960
Speaker 2: and he's all excited to talk about this semester and.

541
00:28:03,040 --> 00:28:06,280
Speaker 6: Did you remember what would happen? Because this scene is

542
00:28:06,280 --> 00:28:10,680
Speaker 6: when I remembered the ending of this episode. This scene,

543
00:28:10,680 --> 00:28:12,800
Speaker 6: I was like, oh no, like this is when I knew.

544
00:28:13,400 --> 00:28:16,560
Speaker 2: Yeah, yeah, I didn't exactly remember that it was in

545
00:28:16,600 --> 00:28:20,000
Speaker 2: this episode, but I knew it was coming at some point.

546
00:28:20,280 --> 00:28:20,480
Speaker 3: Yeah.

547
00:28:20,560 --> 00:28:25,560
Speaker 2: Yeah. And but then Richard notices that Rory's kind of

548
00:28:25,600 --> 00:28:28,560
Speaker 2: upset because she's still agitated about the Lucy thing, and

549
00:28:28,640 --> 00:28:29,760
Speaker 2: so you know, they.

550
00:28:30,119 --> 00:28:33,600
Speaker 5: I thought, I love I love Richard and Rory scenes.

551
00:28:33,760 --> 00:28:38,240
Speaker 5: I really, I think they have such great chemistry as actors.

552
00:28:38,240 --> 00:28:42,640
Speaker 5: But also I don't know, I think they're just so

553
00:28:42,800 --> 00:28:46,160
Speaker 5: cute together, Like he gets excited to work and show

554
00:28:46,440 --> 00:28:48,320
Speaker 5: can I show you my syllabus? Can you know.

555
00:28:51,000 --> 00:28:54,680
Speaker 3: The way he I might be going out of order,

556
00:28:54,720 --> 00:28:57,560
Speaker 3: but the way he knows something's wrong exactly.

557
00:28:57,880 --> 00:29:01,080
Speaker 5: Yeah, He's like, what it was actually happening, and she

558
00:29:01,320 --> 00:29:02,760
Speaker 5: just like whatever.

559
00:29:02,480 --> 00:29:04,920
Speaker 3: He calls her, like an affectionate name or whatever. It's

560
00:29:04,960 --> 00:29:07,680
Speaker 3: just like they really do seem like grandfather and granddaughter.

561
00:29:07,760 --> 00:29:10,600
Speaker 3: They really really cute. Yeah.

562
00:29:10,720 --> 00:29:13,440
Speaker 2: I enjoyed that scene. That was a nice moment. I

563
00:29:13,520 --> 00:29:16,239
Speaker 2: thought it was good for him that he recognized, like

564
00:29:16,280 --> 00:29:19,120
Speaker 2: from her face that something was wrong, and then he

565
00:29:19,840 --> 00:29:24,320
Speaker 2: pivoted and comforted her about that because she was upset

566
00:29:24,400 --> 00:29:28,880
Speaker 2: about the whole Mitcham thing and she went to him crying.

567
00:29:29,840 --> 00:29:32,840
Speaker 2: He was like, I don't know what to do with this,

568
00:29:33,000 --> 00:29:35,000
Speaker 2: like it threw him off his game. But now this

569
00:29:35,120 --> 00:29:37,000
Speaker 2: time when she comes to him and she's upset, he

570
00:29:37,360 --> 00:29:39,480
Speaker 2: went with it and he knew like exactly what to do.

571
00:29:39,560 --> 00:29:39,640
Speaker 4: Well.

572
00:29:39,680 --> 00:29:43,440
Speaker 5: I think with Mitcham, he was took it offensively because

573
00:29:43,480 --> 00:29:51,400
Speaker 5: that's his person or somebody of his caliber squashing his granddaughter.

574
00:29:51,640 --> 00:29:55,520
Speaker 2: Yeah, I'm talking about before that, before he knew that

575
00:29:55,520 --> 00:29:58,200
Speaker 2: Mitcham was involved, when she just went to them and said,

576
00:29:58,240 --> 00:30:01,840
Speaker 2: I'm not going back to Yale, and and her parents

577
00:30:01,880 --> 00:30:03,960
Speaker 2: didn't know or they knew why, but they didn't believe

578
00:30:04,000 --> 00:30:07,120
Speaker 2: Laura Lai why. It was just a contrast for me

579
00:30:07,160 --> 00:30:09,280
Speaker 2: because she went to him upset one time and he

580
00:30:09,320 --> 00:30:11,480
Speaker 2: didn't know what to do with her, and then this

581
00:30:11,520 --> 00:30:13,520
Speaker 2: time when she went to him and she was upset,

582
00:30:13,600 --> 00:30:17,760
Speaker 2: he was like very grandfatherly and yeah, sweet and comforting.

583
00:30:17,920 --> 00:30:20,400
Speaker 2: So that was that was all I was trying to say.

584
00:30:23,880 --> 00:30:27,160
Speaker 2: And the exact quote is here, Murray, you're a great

585
00:30:27,280 --> 00:30:29,960
Speaker 2: person with a great heart, and that combination will always

586
00:30:30,000 --> 00:30:32,560
Speaker 2: win the day. That was a nice a nice sentiment.

587
00:30:33,160 --> 00:30:34,080
Speaker 5: That was cute.

588
00:30:34,760 --> 00:30:41,080
Speaker 2: So okay. Then we get to Suki's and we find

589
00:30:41,120 --> 00:30:45,560
Speaker 2: out that they came home early because Jackson wouldn't let

590
00:30:45,600 --> 00:30:47,960
Speaker 2: Suki drink. He wouldn't let her ski.

591
00:30:51,680 --> 00:30:52,680
Speaker 5: I would be so mad.

592
00:30:53,800 --> 00:30:57,400
Speaker 2: And so then like Suki's upset and she's like, I'm

593
00:30:57,400 --> 00:30:58,760
Speaker 2: going to go take care of my kids now.

594
00:30:58,800 --> 00:30:59,400
Speaker 3: Is that okay?

595
00:31:00,840 --> 00:31:03,520
Speaker 6: The whole time I was like where did they go?

596
00:31:03,600 --> 00:31:06,240
Speaker 6: Where they're like skiing? Like how far did they drive?

597
00:31:06,440 --> 00:31:09,680
Speaker 6: And then turn back around like how.

598
00:31:09,640 --> 00:31:14,120
Speaker 1: Far part of the country. There's all kinds of little

599
00:31:14,120 --> 00:31:15,920
Speaker 1: ski resorts all over the.

600
00:31:16,360 --> 00:31:21,400
Speaker 3: Yeah, you could totally go for the day. Happened a day, okay?

601
00:31:21,760 --> 00:31:24,239
Speaker 2: Yeah, Because and then they talked about she wanted to

602
00:31:24,280 --> 00:31:26,640
Speaker 2: have alcohol at lunch so I figured like they were

603
00:31:26,680 --> 00:31:29,560
Speaker 2: gone at least a couple hours because it's now after lunch.

604
00:31:30,040 --> 00:31:32,280
Speaker 5: Yeah.

605
00:31:30,560 --> 00:31:30,800
Speaker 3: Yeah.

606
00:31:32,880 --> 00:31:38,360
Speaker 2: And then this is where lore Lean and Jackson have

607
00:31:38,440 --> 00:31:41,400
Speaker 2: the conversation that he never got the viseector.

608
00:31:41,640 --> 00:31:47,080
Speaker 3: Oh my god, dude, which we knew, but dude, so

609
00:31:49,440 --> 00:31:50,160
Speaker 3: well we didn't.

610
00:31:50,320 --> 00:31:51,200
Speaker 2: We didn't know.

611
00:31:51,320 --> 00:31:57,880
Speaker 3: That we need it. So because we nobody gets a

612
00:31:57,880 --> 00:31:59,520
Speaker 3: bisect me in five minutes.

613
00:31:59,720 --> 00:32:01,480
Speaker 2: I have big feelings about this. So what do you

614
00:32:01,560 --> 00:32:02,000
Speaker 2: guys think?

615
00:32:03,920 --> 00:32:06,000
Speaker 3: It's a mess. It's a total mess. It was crazy

616
00:32:06,040 --> 00:32:07,160
Speaker 3: that she thought he was going to go get a

617
00:32:07,200 --> 00:32:10,160
Speaker 3: vaseectomy four minutes later, and also crazy that he said

618
00:32:10,160 --> 00:32:11,920
Speaker 3: he did it and didn't do it. But it's all

619
00:32:11,960 --> 00:32:15,080
Speaker 3: it's all like kind of crazy in the sense of comedy, right, Scott, Like,

620
00:32:15,120 --> 00:32:15,880
Speaker 3: it's sort of like.

621
00:32:16,720 --> 00:32:19,880
Speaker 6: I laughed at it because I forgot that. I forgot

622
00:32:19,920 --> 00:32:23,480
Speaker 6: that in the hospital room when she gave birth, She's like,

623
00:32:23,960 --> 00:32:25,040
Speaker 6: go to the other room, get the.

624
00:32:24,960 --> 00:32:28,600
Speaker 1: Back, which is I mean, I didn't think one thing

625
00:32:28,640 --> 00:32:33,240
Speaker 1: about this scene was funny. Agreed, nothing about it was funny.

626
00:32:34,560 --> 00:32:38,440
Speaker 1: It was just kind of uncomfortable to watch, you know.

627
00:32:39,400 --> 00:32:44,800
Speaker 1: It's just anyway, Yeah, I I didn't.

628
00:32:44,920 --> 00:32:48,200
Speaker 3: It's forced a little bit again right, Scott, like it

629
00:32:48,240 --> 00:32:51,440
Speaker 3: is this is this like some writer's room and they're like,

630
00:32:51,560 --> 00:32:55,200
Speaker 3: we need something, let's do this. I don't know.

631
00:32:55,520 --> 00:32:57,480
Speaker 1: I don't I don't know that. I don't know that

632
00:32:57,600 --> 00:33:05,200
Speaker 1: vasctomy is you know, a central comedic tenant and I

633
00:33:05,240 --> 00:33:08,960
Speaker 1: don't know in comedy college, listen, we got to really like,

634
00:33:09,000 --> 00:33:12,280
Speaker 1: we got to really work on the judge, the old

635
00:33:12,920 --> 00:33:16,160
Speaker 1: their gold. I mean, everybody's got to have a good Vesela.

636
00:33:16,200 --> 00:33:21,400
Speaker 3: Do you think when when she had the baby and

637
00:33:21,440 --> 00:33:23,240
Speaker 3: said go get a vasectomy, like it was like, go

638
00:33:23,320 --> 00:33:26,440
Speaker 3: get me some gum at the you know, little market.

639
00:33:27,400 --> 00:33:32,560
Speaker 3: It was always intended for this scenario. No, Like, do

640
00:33:32,600 --> 00:33:34,400
Speaker 3: you think or do you think they were like we

641
00:33:34,520 --> 00:33:35,959
Speaker 3: never solved that vasectomy?

642
00:33:36,320 --> 00:33:37,200
Speaker 6: That's probably what they did.

643
00:33:37,480 --> 00:33:38,440
Speaker 3: Have a baby.

644
00:33:39,800 --> 00:33:47,960
Speaker 6: Wait, isn't this when she's actually pregnant. Wasn't Melissa McCarthy.

645
00:33:46,040 --> 00:33:50,440
Speaker 2: Yeah, presumably somebody. I don't know if it was the

646
00:33:50,480 --> 00:33:53,600
Speaker 2: writer's idea or Melissa McCarthy wanted it. They decided to

647
00:33:53,600 --> 00:33:57,760
Speaker 2: make Suki pregnant, so they had to explain away this

648
00:33:57,840 --> 00:34:00,000
Speaker 2: vasectomy that had supposedly transparted.

649
00:34:00,120 --> 00:34:02,200
Speaker 6: That has to be why. I don't think they just

650
00:34:02,240 --> 00:34:05,480
Speaker 6: were like, let's pick this joke from three seasons ago.

651
00:34:06,000 --> 00:34:09,319
Speaker 2: But it was such a crappy way to do it, Like,

652
00:34:10,120 --> 00:34:15,000
Speaker 2: I feel like it was so disrespectful to Suki to

653
00:34:15,200 --> 00:34:20,680
Speaker 2: take to have Jackson make that decision, because that makes

654
00:34:20,760 --> 00:34:24,279
Speaker 2: him a complete hole. It just ruined Jackson's character for

655
00:34:24,400 --> 00:34:28,040
Speaker 2: me that he she's been going it's been two years now.

656
00:34:28,960 --> 00:34:34,400
Speaker 2: Did she thought he had aseectomy? And and you know,

657
00:34:34,920 --> 00:34:37,279
Speaker 2: I yes, he thought she was on the pill, so

658
00:34:37,320 --> 00:34:40,399
Speaker 2: he thought he didn't need to tell her. But that

659
00:34:40,480 --> 00:34:43,720
Speaker 2: doesn't make it okay because you can still get pregnant

660
00:34:43,760 --> 00:34:44,240
Speaker 2: on the pill.

661
00:34:44,360 --> 00:34:47,200
Speaker 5: But didn't he say that the half of my cousin?

662
00:34:47,760 --> 00:34:48,160
Speaker 1: Oh really?

663
00:34:48,840 --> 00:34:49,560
Speaker 3: Yeah?

664
00:34:49,760 --> 00:34:52,640
Speaker 5: Didn't she same situation too, has I'm supposed to get

665
00:34:52,640 --> 00:34:55,279
Speaker 5: of a sectamy? Didn't? She was on the pill, got

666
00:34:55,320 --> 00:34:56,200
Speaker 5: pregnant with twins.

667
00:34:56,239 --> 00:34:59,040
Speaker 6: But wait, did she know that he didn't get the vasectomy?

668
00:34:59,200 --> 00:34:59,879
Speaker 3: No, she did.

669
00:35:00,400 --> 00:35:07,719
Speaker 5: You're talking about my cousin. Yeah, no, she she did know,

670
00:35:07,840 --> 00:35:10,359
Speaker 5: but she was like pressing and pressing and pressing him,

671
00:35:10,360 --> 00:35:11,759
Speaker 5: and he was like, I'm gonna do it. We gonna

672
00:35:11,760 --> 00:35:13,640
Speaker 5: do it, we gonna do it, and just do it.

673
00:35:14,560 --> 00:35:17,080
Speaker 6: But didn't Laurel I say, well, Suki just got off

674
00:35:17,080 --> 00:35:19,080
Speaker 6: the pill and then doesn't Jackson say like, I know.

675
00:35:20,960 --> 00:35:22,000
Speaker 3: Sause, I know that now.

676
00:35:22,360 --> 00:35:25,000
Speaker 1: Oh God, I would have to say, if you were

677
00:35:25,000 --> 00:35:28,560
Speaker 1: going to give a free pass to a guy that

678
00:35:29,840 --> 00:35:33,480
Speaker 1: you know, delaying the decision to end his ability to

679
00:35:33,520 --> 00:35:35,000
Speaker 1: have children would be a pre.

680
00:35:35,160 --> 00:35:39,880
Speaker 5: Legit hashtag reversible.

681
00:35:41,080 --> 00:35:45,960
Speaker 1: Oh is it really want to have it done and

682
00:35:46,000 --> 00:35:47,799
Speaker 1: then reverse it? Because that's two surgeries.

683
00:35:47,840 --> 00:35:55,640
Speaker 5: Now, I don't want to hear about no surgery.

684
00:35:55,440 --> 00:35:58,600
Speaker 2: Sections. I don't want to hear about to surgery exactly what.

685
00:36:00,200 --> 00:36:02,680
Speaker 1: No, I'm not I don't want to start a war

686
00:36:02,760 --> 00:36:10,279
Speaker 1: with you, Susanne. It's it's just you know that kind

687
00:36:10,320 --> 00:36:14,719
Speaker 1: of a procedure is like, I don't know. I'm just

688
00:36:14,760 --> 00:36:16,520
Speaker 1: trying to think if my if my wife asked me

689
00:36:16,560 --> 00:36:18,720
Speaker 1: to get a visectomy, how I would feel.

690
00:36:18,920 --> 00:36:21,040
Speaker 3: Well, a lot of people are cool with it, like

691
00:36:21,080 --> 00:36:21,799
Speaker 3: if they've got like.

692
00:36:23,480 --> 00:36:26,680
Speaker 5: What my husband's cool with it? Well, yeah, he's actually

693
00:36:26,719 --> 00:36:32,000
Speaker 5: like down for after that, Yeah, like when can I.

694
00:36:31,920 --> 00:36:35,440
Speaker 2: Get this done?

695
00:36:35,560 --> 00:36:40,120
Speaker 1: I'm just making an observation of view.

696
00:36:40,680 --> 00:36:41,960
Speaker 3: Some men might be like, I.

697
00:36:41,960 --> 00:36:44,600
Speaker 2: Don't want anything down there to not want one. It's

698
00:36:44,600 --> 00:36:46,759
Speaker 2: totally fine to not want one, but it should be

699
00:36:46,880 --> 00:36:50,960
Speaker 2: a conversation between the couple. It shouldn't be like, she

700
00:36:51,040 --> 00:36:52,960
Speaker 2: thought I had this done and I didn't have it done,

701
00:36:53,000 --> 00:36:54,919
Speaker 2: but I'm going to not tell her that she could

702
00:36:54,960 --> 00:36:55,840
Speaker 2: still get pregnant.

703
00:36:56,480 --> 00:36:58,920
Speaker 3: And also though she shouldn't have said like to do

704
00:36:58,960 --> 00:36:59,840
Speaker 3: that in the first place.

705
00:37:00,080 --> 00:37:04,040
Speaker 2: It was bad, but it was one hundred times worse

706
00:37:04,280 --> 00:37:07,799
Speaker 2: that he didn't tell her that he didn't have it done,

707
00:37:07,840 --> 00:37:10,480
Speaker 2: because now he has this knowledge that she can get

708
00:37:10,520 --> 00:37:14,640
Speaker 2: pregnant and she doesn't have that knowledge. Like that's completely

709
00:37:14,719 --> 00:37:17,840
Speaker 2: like an imbalance of the power in the relationship, and

710
00:37:17,880 --> 00:37:21,880
Speaker 2: the person who's actually going to have the pregnancy should

711
00:37:21,880 --> 00:37:22,560
Speaker 2: be in on that.

712
00:37:23,120 --> 00:37:24,000
Speaker 6: I agree with that.

713
00:37:24,200 --> 00:37:26,279
Speaker 1: You know, I just thought of a good vasectomy joke

714
00:37:26,520 --> 00:37:27,080
Speaker 1: speaking of.

715
00:37:27,040 --> 00:37:29,200
Speaker 3: You did you get it at comedy college?

716
00:37:29,320 --> 00:37:34,399
Speaker 1: No? No, no, no. It just popped into my head. I'm

717
00:37:34,400 --> 00:37:36,840
Speaker 1: trying to formulate the right wording, but it's something along

718
00:37:36,840 --> 00:37:40,000
Speaker 1: the lines of, Hey, this girl walked up to me.

719
00:37:40,080 --> 00:37:41,920
Speaker 1: I didn't even know she said, you know what, she

720
00:37:41,960 --> 00:37:43,320
Speaker 1: got to know me a little bit. She goes, you know,

721
00:37:43,360 --> 00:37:45,640
Speaker 1: you know how to have a best actively. I don't know.

722
00:37:46,560 --> 00:37:49,520
Speaker 1: That's not good, but you know what I'm saying.

723
00:37:50,760 --> 00:37:53,719
Speaker 2: I'm saying I just feel like it should have been

724
00:37:53,719 --> 00:38:00,680
Speaker 2: a conversation was that in comedy junior college, it was

725
00:38:00,719 --> 00:38:04,000
Speaker 2: extremely Jackson to behave that way.

726
00:38:04,239 --> 00:38:06,359
Speaker 3: The whole thing's totally crazy, and I don't know very many.

727
00:38:06,400 --> 00:38:08,239
Speaker 3: I mean, then they're a good couple. So I don't

728
00:38:08,280 --> 00:38:10,840
Speaker 3: know a lot of like solid couples that are like

729
00:38:11,680 --> 00:38:12,439
Speaker 3: doing that well.

730
00:38:12,480 --> 00:38:14,919
Speaker 2: And the thing is, like, if they wanted to have

731
00:38:15,040 --> 00:38:18,239
Speaker 2: Suki get pregnant because they needed a way to put

732
00:38:18,280 --> 00:38:21,759
Speaker 2: it in the story, vasectomies fail like they could have

733
00:38:21,960 --> 00:38:28,840
Speaker 2: just rather than having Jackson like intentionally take an action

734
00:38:29,000 --> 00:38:30,759
Speaker 2: that makes him into a complete jerk.

735
00:38:31,360 --> 00:38:37,000
Speaker 1: All right, better, you really have problems as a man.

736
00:38:37,680 --> 00:38:41,600
Speaker 1: If somebody who you're just friends with, whose female female

737
00:38:41,600 --> 00:38:43,279
Speaker 1: friend says, you know what, I think you should get

738
00:38:43,280 --> 00:38:44,520
Speaker 1: a vasectomy.

739
00:38:47,440 --> 00:38:51,320
Speaker 3: Into a bar, that's not good because it's not good.

740
00:38:50,239 --> 00:38:54,200
Speaker 3: It's fine anyway.

741
00:38:54,360 --> 00:39:00,520
Speaker 2: So I hated everything about that storyline. I think I'm

742
00:39:00,560 --> 00:39:01,440
Speaker 2: so out of order.

743
00:39:02,280 --> 00:39:05,839
Speaker 1: You're out of order. I'm out of order. You're out

744
00:39:05,920 --> 00:39:06,480
Speaker 1: of order.

745
00:39:08,320 --> 00:39:12,720
Speaker 3: This whole pods haven't the amazing Lucy and Paris yet.

746
00:39:13,040 --> 00:39:17,400
Speaker 2: Yet we're getting move this along, kids.

747
00:39:17,600 --> 00:39:21,640
Speaker 1: Did Lucy ask Paris to get actomy?

748
00:39:22,600 --> 00:39:27,480
Speaker 3: So Jackson goes and tells, I want to google good jokes.

749
00:39:27,600 --> 00:39:30,120
Speaker 3: Let me see if I can find them.

750
00:39:30,880 --> 00:39:34,680
Speaker 1: Listen in the hands of a professional comedy writer, I

751
00:39:34,719 --> 00:39:37,840
Speaker 1: think my concept could elicit laughter.

752
00:39:39,440 --> 00:39:42,000
Speaker 5: Uh.

753
00:39:42,120 --> 00:39:46,160
Speaker 3: Nothing turns me on like a guy shooting blanks.

754
00:39:46,640 --> 00:39:49,680
Speaker 5: Did say snow seeds?

755
00:39:52,719 --> 00:39:54,920
Speaker 1: The big the biggest insult I ever got from a

756
00:39:54,960 --> 00:39:58,760
Speaker 1: woman was somebody who was who was a friend, told

757
00:39:58,760 --> 00:39:59,960
Speaker 1: me I should get a sectomy.

758
00:40:00,840 --> 00:40:04,640
Speaker 3: It's not good when it's not true. What does a

759
00:40:04,719 --> 00:40:06,920
Speaker 3: Christmas tree and a man who's had a vaseect to

760
00:40:06,960 --> 00:40:10,880
Speaker 3: me have in common? What is what a Christmas tree

761
00:40:10,920 --> 00:40:13,720
Speaker 3: and a man who's had a to me haven't common?

762
00:40:14,040 --> 00:40:16,120
Speaker 3: Get the bleep button ready, you might have to bleep me.

763
00:40:16,600 --> 00:40:19,399
Speaker 1: Uh, it's uh Christmas tree.

764
00:40:19,840 --> 00:40:21,800
Speaker 3: I don't know what ornamental balls?

765
00:40:25,520 --> 00:40:26,600
Speaker 1: Something a ball?

766
00:40:27,560 --> 00:40:29,720
Speaker 3: But hold on, let me see if I can find Oh.

767
00:40:29,600 --> 00:40:33,759
Speaker 2: My gosh, this is this is taking a turn top

768
00:40:33,840 --> 00:40:35,920
Speaker 2: ten things you don't want to hear during your vasectomy.

769
00:40:36,400 --> 00:40:38,719
Speaker 3: It looks like we'll need to call the pediatrician in

770
00:40:38,800 --> 00:40:39,160
Speaker 3: for you.

771
00:40:41,160 --> 00:40:42,359
Speaker 1: I don't even understand that.

772
00:40:51,440 --> 00:40:55,160
Speaker 2: So when like Jackson goes and tells Suki that she's pregnant,

773
00:40:55,200 --> 00:40:57,960
Speaker 2: so I guess that's why Suki. They made Suki act

774
00:40:58,040 --> 00:41:02,239
Speaker 2: so over the top. Was because somehow Jackson knows that

775
00:41:02,280 --> 00:41:05,400
Speaker 2: she's pregnant, Like, how does Jackson know.

776
00:41:07,960 --> 00:41:12,080
Speaker 3: Too? She's been acting so Perskin was clear, remember like

777
00:41:12,760 --> 00:41:16,520
Speaker 3: saying it just like thats so they did. I did

778
00:41:16,560 --> 00:41:16,919
Speaker 3: like the.

779
00:41:16,840 --> 00:41:19,440
Speaker 6: Line where Laura was like, well, should we go tell her?

780
00:41:20,640 --> 00:41:22,280
Speaker 3: I like her body?

781
00:41:23,120 --> 00:41:27,000
Speaker 2: Yeah, And then so she's understandably upset and she's like,

782
00:41:27,120 --> 00:41:29,360
Speaker 2: you better take care of that before I get back,

783
00:41:30,640 --> 00:41:33,319
Speaker 2: and they go they leave the house to go on

784
00:41:33,360 --> 00:41:36,000
Speaker 2: a walk and then we go to back to the

785
00:41:36,000 --> 00:41:38,640
Speaker 2: conference room. So after that insanity, we talk.

786
00:41:38,560 --> 00:41:42,160
Speaker 3: About like the socks, the whole like playing with the

787
00:41:42,280 --> 00:41:46,200
Speaker 3: kids stuff. That was awesome when.

788
00:41:46,040 --> 00:41:48,680
Speaker 6: She handed her purse over, Yeah.

789
00:41:49,320 --> 00:41:52,800
Speaker 3: To socks and then the house is a mess. Whatever.

790
00:41:52,920 --> 00:41:55,440
Speaker 2: But I thought it was cute, like because Laura is

791
00:41:55,800 --> 00:41:59,640
Speaker 2: she's on there, y, you know, she's she's like a

792
00:42:00,120 --> 00:42:01,040
Speaker 2: she's like a five year old.

793
00:42:01,080 --> 00:42:05,160
Speaker 3: And what's thatother one's name, Davy? What's the other one's name, Charlotte, Martha.

794
00:42:06,280 --> 00:42:07,520
Speaker 3: We didn't we didn't see her.

795
00:42:07,640 --> 00:42:07,880
Speaker 1: We have.

796
00:42:09,400 --> 00:42:11,000
Speaker 3: That those plastic babies are expensive.

797
00:42:11,040 --> 00:42:18,399
Speaker 1: Continue, yeah, me to you, that's sect to all of us.

798
00:42:22,640 --> 00:42:27,360
Speaker 3: God, keep going. I just want to get to that Paris, Lucy.

799
00:42:27,440 --> 00:42:29,759
Speaker 2: God, Okay, we're getting we're getting to the par scenes.

800
00:42:29,880 --> 00:42:33,360
Speaker 1: It's like a song lyric, you know, that's to me.

801
00:42:35,440 --> 00:42:38,480
Speaker 2: So now we're in we're back in the courtroom, and

802
00:42:38,520 --> 00:42:41,680
Speaker 2: this is where the Anna's lawyer makes that rude comment

803
00:42:41,800 --> 00:42:44,640
Speaker 2: about how she spent more time with the bus driver.

804
00:42:45,280 --> 00:42:48,719
Speaker 6: Okay, yeah, I had a really big issue with her

805
00:42:48,840 --> 00:42:54,200
Speaker 6: lawyer because also if I like, I don't think her

806
00:42:54,320 --> 00:42:58,200
Speaker 6: points were valid, She's like, well, how he wasn't in

807
00:42:58,239 --> 00:43:00,120
Speaker 6: her life, and I want to be like, because he

808
00:43:00,160 --> 00:43:02,160
Speaker 6: didn't know about her, like, it's not like a.

809
00:43:02,239 --> 00:43:04,680
Speaker 3: Purpose a lawyer, which is why she lost.

810
00:43:05,080 --> 00:43:07,399
Speaker 6: Well yeah, and then also it just made me really

811
00:43:07,480 --> 00:43:11,560
Speaker 6: upset that there was always that comment about being working

812
00:43:11,600 --> 00:43:14,520
Speaker 6: at a diner, because I I really don't understand how

813
00:43:14,560 --> 00:43:18,759
Speaker 6: that is like such an issue. And he's like, what

814
00:43:18,960 --> 00:43:20,719
Speaker 6: owned the diner? And I wanted to be like, who

815
00:43:20,760 --> 00:43:23,560
Speaker 6: cares whether he owned it? He worked there? Like it

816
00:43:24,440 --> 00:43:28,080
Speaker 6: were degrading, So what exactly it's so different? It was

817
00:43:28,120 --> 00:43:30,480
Speaker 6: so degrading, and it just made me mad for like,

818
00:43:30,520 --> 00:43:33,080
Speaker 6: I don't know, just I didn't like the way that

819
00:43:33,080 --> 00:43:33,960
Speaker 6: that part was written.

820
00:43:34,360 --> 00:43:37,920
Speaker 2: I was right, and I wanted Luke's lawyer to point

821
00:43:37,960 --> 00:43:42,399
Speaker 2: out that Anna didn't have any problem leaving Ape Luke

822
00:43:42,440 --> 00:43:45,320
Speaker 2: for weeks while she went to her mother's house.

823
00:43:45,640 --> 00:43:49,920
Speaker 1: So there was a lot there was a lot of

824
00:43:50,000 --> 00:43:54,279
Speaker 1: low hanging fruits that didn't get there. Yeah, yeah, it was.

825
00:43:54,320 --> 00:43:56,799
Speaker 1: It was a great right.

826
00:43:56,880 --> 00:43:59,080
Speaker 3: You can't you can't sum up a custody hearing in

827
00:43:59,120 --> 00:44:02,879
Speaker 3: an eight minute Yeah, it's like, come on, no less.

828
00:44:03,000 --> 00:44:05,040
Speaker 1: It was like a minute.

829
00:44:04,520 --> 00:44:08,080
Speaker 6: Two minute scenes and only one cord hearing.

830
00:44:08,680 --> 00:44:09,239
Speaker 3: It kind of.

831
00:44:09,200 --> 00:44:11,279
Speaker 2: Stressed me out because I felt like, oh my gosh,

832
00:44:11,320 --> 00:44:13,560
Speaker 2: they're really not making a good case for Luke here,

833
00:44:13,600 --> 00:44:14,960
Speaker 2: Like I don't know that if this is going to

834
00:44:15,000 --> 00:44:15,680
Speaker 2: go in his favor.

835
00:44:15,760 --> 00:44:18,800
Speaker 3: I think that was the whole sweat we're all supposed

836
00:44:18,840 --> 00:44:22,240
Speaker 3: to be like, it was the letter the letter saved

837
00:44:22,239 --> 00:44:23,040
Speaker 3: at all.

838
00:44:23,080 --> 00:44:28,280
Speaker 2: Right, So then we go to Sukie Lorelei or walking

839
00:44:28,320 --> 00:44:28,960
Speaker 2: around town.

840
00:44:30,560 --> 00:44:33,640
Speaker 3: This is cute. That was That was actually a very

841
00:44:33,640 --> 00:44:38,080
Speaker 3: good scene, and you really I like them? Yeah right, yeah, laure.

842
00:44:38,760 --> 00:44:40,920
Speaker 2: Reminding here all the good things about having a baby.

843
00:44:41,080 --> 00:44:42,000
Speaker 3: Yeah, that was cute.

844
00:44:42,160 --> 00:44:44,640
Speaker 1: How about this somebody walks up and says vest ectomy

845
00:44:45,239 --> 00:44:47,319
Speaker 1: and you say, no thanks, I just had a borrow soap.

846
00:44:48,200 --> 00:44:51,799
Speaker 3: Nope, nope, nope. But that was a cute scene. And

847
00:44:51,960 --> 00:44:54,840
Speaker 3: also we kind of know that Laureli's got baby fever

848
00:44:54,960 --> 00:44:58,200
Speaker 3: a little bit. That sort of came out in that scene, right.

849
00:44:58,080 --> 00:45:00,200
Speaker 2: Yeah, because she says the topic has come up and

850
00:45:00,200 --> 00:45:01,600
Speaker 2: it might come up again, although.

851
00:45:01,360 --> 00:45:03,400
Speaker 3: Her relationship's about to be blown.

852
00:45:03,640 --> 00:45:06,080
Speaker 1: Would you ever name a racehorsectomy?

853
00:45:06,280 --> 00:45:08,520
Speaker 3: There's something about this episode just remind me when we

854
00:45:08,560 --> 00:45:11,160
Speaker 3: get to the movies, because there's something about that has

855
00:45:11,200 --> 00:45:14,640
Speaker 3: me totally irritated about the movies. Just so you know, wait,

856
00:45:14,680 --> 00:45:18,160
Speaker 3: based off what scene the baby stuff?

857
00:45:18,360 --> 00:45:19,080
Speaker 1: Oh okay, got it.

858
00:45:19,360 --> 00:45:22,440
Speaker 2: So now we're at the Yale dining hall, so Amy,

859
00:45:22,480 --> 00:45:23,920
Speaker 2: I know you've been waiting for this moment.

860
00:45:24,040 --> 00:45:29,359
Speaker 3: Oh this. I just really loved this scene. I thought

861
00:45:29,800 --> 00:45:32,400
Speaker 3: it was very genuine. I thought Rory was good. I

862
00:45:32,440 --> 00:45:35,640
Speaker 3: thought Paris was amazing. She really shows like what a

863
00:45:35,680 --> 00:45:37,720
Speaker 3: true friend she is and took the bull by the horn.

864
00:45:37,760 --> 00:45:40,040
Speaker 3: She's like, you know what, Rory, I'm gonna handle this.

865
00:45:40,360 --> 00:45:43,839
Speaker 3: Lucy was very good, understated good. I just love that

866
00:45:43,960 --> 00:45:46,320
Speaker 3: whole scene and we needed it. It was great.

867
00:45:47,400 --> 00:45:50,560
Speaker 6: It also was like I just need this storyline to end,

868
00:45:50,719 --> 00:45:53,600
Speaker 6: and I was like, thank you Paris for just walking

869
00:45:53,640 --> 00:45:55,719
Speaker 6: over and making them talk to each other.

870
00:45:56,719 --> 00:46:01,040
Speaker 2: Yeah, it was funny. When Lucy says a Paris like.

871
00:46:04,239 --> 00:46:06,040
Speaker 3: Paris.

872
00:46:07,000 --> 00:46:09,920
Speaker 2: Yeah, so it was. It was a good scene. They

873
00:46:09,960 --> 00:46:12,520
Speaker 2: kind of made up, and we know, we find out

874
00:46:12,560 --> 00:46:15,719
Speaker 2: that Marty's like out of the picture now, which I

875
00:46:15,840 --> 00:46:16,399
Speaker 2: think we were.

876
00:46:17,040 --> 00:46:24,000
Speaker 3: That was kind of a rough twist, but you know, okay, fine, Yeah, so.

877
00:46:24,640 --> 00:46:26,600
Speaker 2: It was it was probably her idea to break up.

878
00:46:26,640 --> 00:46:30,880
Speaker 3: She seemed okay, and I actually agree with her assessment that, like,

879
00:46:30,920 --> 00:46:32,600
Speaker 3: at the end of the day, Rory just kind of

880
00:46:32,600 --> 00:46:34,799
Speaker 3: like went along with some dumb thing that Marty asked

881
00:46:34,840 --> 00:46:35,239
Speaker 3: her to do.

882
00:46:35,960 --> 00:46:38,720
Speaker 2: Right, It wasn't Rory's fault. Initially, it was all Marty,

883
00:46:42,120 --> 00:46:45,880
Speaker 2: so okay. And I liked the little the little miniature

884
00:46:45,960 --> 00:46:48,400
Speaker 2: versions of the charts that parents had made up and

885
00:46:48,400 --> 00:46:49,840
Speaker 2: then they've got them all on the table.

886
00:46:50,200 --> 00:46:51,360
Speaker 6: That was lunch.

887
00:46:51,560 --> 00:46:52,520
Speaker 2: That was pretty funny.

888
00:46:53,239 --> 00:46:55,760
Speaker 3: Yeah, I love that whole scene. I'm back on the computer.

889
00:46:57,320 --> 00:47:00,440
Speaker 3: I am back, So yeah, great, good good. This whole

890
00:47:00,480 --> 00:47:03,439
Speaker 3: episode's Good's apparently very long, but it's good.

891
00:47:05,480 --> 00:47:07,719
Speaker 2: So then we go back to Lorelized house and this

892
00:47:07,800 --> 00:47:09,680
Speaker 2: is where they're reading the letter, and so it's like

893
00:47:09,719 --> 00:47:10,640
Speaker 2: cutting back and forth.

894
00:47:14,120 --> 00:47:15,640
Speaker 5: I felt like I was watching a movie.

895
00:47:15,719 --> 00:47:18,040
Speaker 3: I was like, yeah, it was really good.

896
00:47:19,600 --> 00:47:21,279
Speaker 2: Yeah, it was really good. How half of it was

897
00:47:21,280 --> 00:47:22,759
Speaker 2: in lorealized voice and half of it.

898
00:47:22,719 --> 00:47:23,360
Speaker 5: Was in the judge.

899
00:47:23,760 --> 00:47:24,839
Speaker 3: The whole thing was great.

900
00:47:24,920 --> 00:47:28,000
Speaker 6: I cried hearing the letter. They're all emotional.

901
00:47:28,920 --> 00:47:30,640
Speaker 1: It was fast train.

902
00:47:31,120 --> 00:47:37,239
Speaker 2: And then Scott with us there having his own podcast totally.

903
00:47:37,360 --> 00:47:42,960
Speaker 3: Scott's a whole different show. It's called Jokes and Songs, The.

904
00:47:43,040 --> 00:47:43,759
Speaker 1: Times of Gol.

905
00:47:44,800 --> 00:47:49,919
Speaker 3: I'm going whole home. Yeah. But what did you think

906
00:47:49,960 --> 00:47:54,400
Speaker 3: when you watched them read the letter. I know we

907
00:47:54,480 --> 00:47:56,960
Speaker 3: kind of talked about your performance, but the letter part.

908
00:47:56,960 --> 00:48:01,600
Speaker 1: I thought it was great editing, Uh, great, it was

909
00:48:01,680 --> 00:48:05,239
Speaker 1: just great television. And it was moving. It was very moving. Yeah,

910
00:48:05,280 --> 00:48:08,560
Speaker 1: and it was what I think the audience was waiting

911
00:48:08,640 --> 00:48:18,280
Speaker 1: for some kind of return to this Luke Laurel. I

912
00:48:18,360 --> 00:48:22,640
Speaker 1: what do you call it? Consciousness? I mean, yeah, yeah,

913
00:48:22,840 --> 00:48:27,759
Speaker 1: back in the show. Yeah and yeah, So I thought

914
00:48:28,320 --> 00:48:30,040
Speaker 1: it was a nice way to do it.

915
00:48:30,040 --> 00:48:33,440
Speaker 3: It was, I agree, And we get that scene with

916
00:48:33,520 --> 00:48:37,640
Speaker 3: the phone call in two scenes, you know, that really

917
00:48:37,719 --> 00:48:39,759
Speaker 3: kind of brought them back together, even though she's so

918
00:48:39,800 --> 00:48:41,919
Speaker 3: sort of devastated, right right, right.

919
00:48:42,239 --> 00:48:44,560
Speaker 2: I thought David Suckcliffe did a good job too, because

920
00:48:44,640 --> 00:48:47,520
Speaker 2: the letter kind of had a double meaning, right, It's

921
00:48:47,600 --> 00:48:51,400
Speaker 2: not only Luke and Larelei, but it was also Chris

922
00:48:51,400 --> 00:48:52,000
Speaker 2: and worry.

923
00:48:52,160 --> 00:48:55,040
Speaker 5: That's exactly what I say that.

924
00:48:55,120 --> 00:48:56,960
Speaker 2: Yeah, I totally got that.

925
00:48:57,080 --> 00:48:59,239
Speaker 5: When I was watching it, I was like, oh my god,

926
00:48:59,320 --> 00:49:02,040
Speaker 5: he is not only upset with himself right now, then

927
00:49:02,080 --> 00:49:05,600
Speaker 5: he's also like, oh, my relationship is threatened, you know,

928
00:49:05,760 --> 00:49:06,480
Speaker 5: like she.

929
00:49:06,520 --> 00:49:09,239
Speaker 6: Said father figure. I was like, oh, that hit home.

930
00:49:09,400 --> 00:49:13,120
Speaker 5: Yeah, he realized in that moment that he's the rebound

931
00:49:13,120 --> 00:49:16,080
Speaker 5: and he will never be as good as Luke is. Like,

932
00:49:16,200 --> 00:49:19,879
Speaker 5: he realized it right then and there that he lost.

933
00:49:19,880 --> 00:49:22,959
Speaker 2: You know what I mean, a crappy father on top of.

934
00:49:22,880 --> 00:49:27,040
Speaker 1: That, right, so he was he wasn't running away from

935
00:49:27,040 --> 00:49:29,960
Speaker 1: that relationship. He was running away in part from his

936
00:49:30,120 --> 00:49:30,760
Speaker 1: past self.

937
00:49:30,880 --> 00:49:31,760
Speaker 3: Yeah, his failure.

938
00:49:31,920 --> 00:49:33,040
Speaker 1: He couldn't face it.

939
00:49:33,400 --> 00:49:36,160
Speaker 5: I did think it was interesting that Luke and Chris

940
00:49:36,200 --> 00:49:39,319
Speaker 5: can totally relate on the fact of not being there

941
00:49:39,360 --> 00:49:44,040
Speaker 5: for their kids, their daughters lives for the first twelve years.

942
00:49:43,840 --> 00:49:48,040
Speaker 3: One starting now and one through the fault of you know,

943
00:49:48,160 --> 00:49:51,880
Speaker 3: Christopher sort of made that choice and Luke's choice was

944
00:49:51,920 --> 00:49:52,920
Speaker 3: made for him.

945
00:49:53,239 --> 00:49:55,480
Speaker 1: But you know what I thought was particularly interesting about

946
00:49:55,480 --> 00:50:00,080
Speaker 1: the phone call between Luke and Lorelei was that it.

947
00:50:00,080 --> 00:50:04,000
Speaker 1: It wasn't a hint between the both of them in

948
00:50:04,080 --> 00:50:07,799
Speaker 1: the acting that there was any hope for a relationship. Yeah,

949
00:50:09,000 --> 00:50:13,080
Speaker 1: Like she played it straight, like she's devastated from the

950
00:50:13,080 --> 00:50:16,759
Speaker 1: breakup of her marriage potentially right, she's so she's playing that.

951
00:50:17,000 --> 00:50:20,640
Speaker 1: I'm playing the whole friendship thing in gratitude and thank

952
00:50:20,680 --> 00:50:26,840
Speaker 1: you so much, and there's no hint of like heye

953
00:50:27,480 --> 00:50:30,520
Speaker 1: alone or maybe I could take it to my vax sectimate.

954
00:50:30,640 --> 00:50:33,240
Speaker 5: There was also a sadness from Loralai that she lost

955
00:50:33,239 --> 00:50:34,440
Speaker 5: to you, O, I like.

956
00:50:36,120 --> 00:50:38,440
Speaker 1: Did you did you see that in her performance?

957
00:50:38,520 --> 00:50:42,239
Speaker 5: I did, But to your point, to your point, I

958
00:50:42,320 --> 00:50:45,799
Speaker 5: never saw her. I didn't. It didn't read to me

959
00:50:45,920 --> 00:50:47,400
Speaker 5: that she was like I need to get back together

960
00:50:47,440 --> 00:50:50,440
Speaker 5: with It read to me that she's like I lost.

961
00:50:51,600 --> 00:50:54,399
Speaker 1: But I think the scene plays better when they both

962
00:50:54,440 --> 00:50:56,480
Speaker 1: realize that ship is sailed and they're okay with it.

963
00:50:56,840 --> 00:50:59,600
Speaker 1: But then you say she has a little regret.

964
00:51:00,440 --> 00:51:01,600
Speaker 5: Yeah, I think she really.

965
00:51:01,800 --> 00:51:03,719
Speaker 3: I mean I think she yeah, And when she wrote

966
00:51:03,719 --> 00:51:07,560
Speaker 3: the letter, I think there's some yet, right, right, first

967
00:51:07,600 --> 00:51:08,920
Speaker 3: of all, this all could have been solved.

968
00:51:09,600 --> 00:51:11,520
Speaker 1: Do you think there's some hope in that letter too?

969
00:51:11,840 --> 00:51:14,239
Speaker 1: Do you think that letter had some intent subcontent.

970
00:51:14,320 --> 00:51:16,239
Speaker 3: I think there's hope in that phone call. I think

971
00:51:16,239 --> 00:51:17,239
Speaker 3: there's hope in that phone call.

972
00:51:17,840 --> 00:51:19,040
Speaker 1: The phone call, but not the letter.

973
00:51:19,640 --> 00:51:21,759
Speaker 3: Okay, well, I think there's hope in all of it.

974
00:51:22,080 --> 00:51:24,480
Speaker 1: With these things, you think she couldn't possibly hold back

975
00:51:24,520 --> 00:51:26,840
Speaker 1: in the letter. And that's the thing that Christopher sniffed

976
00:51:26,840 --> 00:51:30,319
Speaker 1: out and it woke them up, and that Laura I

977
00:51:30,360 --> 00:51:31,239
Speaker 1: didn't realize it.

978
00:51:31,440 --> 00:51:35,040
Speaker 5: I think with Laura Li she didn't write the letter

979
00:51:35,200 --> 00:51:38,160
Speaker 5: out of this man is the love of my life.

980
00:51:38,280 --> 00:51:40,520
Speaker 5: She wrote that letter as this man is the most

981
00:51:40,560 --> 00:51:43,640
Speaker 5: amazing man in the entire world. And I think the

982
00:51:43,719 --> 00:51:46,040
Speaker 5: aftermath of it was her reflecting on the fact that

983
00:51:46,120 --> 00:51:46,759
Speaker 5: she lost him.

984
00:51:47,440 --> 00:51:48,920
Speaker 1: Yeah, I agree with that.

985
00:51:49,080 --> 00:51:52,400
Speaker 6: And the letter was purely for April. I didn't I

986
00:51:52,680 --> 00:51:53,240
Speaker 6: don't think.

987
00:51:53,160 --> 00:51:55,759
Speaker 5: I rarely for Luke. I think it was purely for Luke.

988
00:51:55,920 --> 00:51:59,000
Speaker 6: Well for that's what I mean, like for April, for Luke,

989
00:51:59,120 --> 00:52:01,360
Speaker 6: like it's it was for him to get April like

990
00:52:01,440 --> 00:52:01,719
Speaker 6: it was.

991
00:52:01,800 --> 00:52:03,239
Speaker 5: It wasn't like to get him back.

992
00:52:03,400 --> 00:52:04,120
Speaker 3: Yeah exactly.

993
00:52:04,280 --> 00:52:07,160
Speaker 5: Yeah, Yeah, I agree.

994
00:52:07,760 --> 00:52:13,880
Speaker 1: It's great, great sequence. It was just a great sequence. Yeah.

995
00:52:12,480 --> 00:52:16,520
Speaker 5: I do find it interesting that even with Luke hearing

996
00:52:16,520 --> 00:52:19,360
Speaker 5: it back, you you hear his his like happiness, but

997
00:52:19,400 --> 00:52:22,120
Speaker 5: it was like there was no sadness in Luke versus

998
00:52:22,160 --> 00:52:23,560
Speaker 5: you get the sadness from Laura Lai.

999
00:52:24,160 --> 00:52:29,440
Speaker 3: And that was so true, Danielle. He's so thrilled and

1000
00:52:29,600 --> 00:52:35,759
Speaker 3: happy and like good with Laura l I. He's so

1001
00:52:35,920 --> 00:52:39,640
Speaker 3: good with it. He's so appreciative, but he's don't feel

1002
00:52:39,680 --> 00:52:43,319
Speaker 3: his pain or heartache, whereas hers You're like, oh, she's

1003
00:52:43,360 --> 00:52:45,120
Speaker 3: got a heartache on heartache on heartache.

1004
00:52:45,600 --> 00:52:49,080
Speaker 1: No, Yeah, what a contrast. So good.

1005
00:52:49,760 --> 00:52:51,719
Speaker 5: It was so well done between the two of you.

1006
00:52:51,960 --> 00:52:54,480
Speaker 5: It was so good, literally so well.

1007
00:52:54,320 --> 00:52:57,520
Speaker 1: Done that that's just fun to do writing like that.

1008
00:52:57,600 --> 00:52:59,640
Speaker 1: You know, it's really fun to act that and see

1009
00:52:59,680 --> 00:53:01,560
Speaker 1: it it in and then you watch it it's like,

1010
00:53:01,640 --> 00:53:04,400
Speaker 1: oh wow, that was really effective. That was really great.

1011
00:53:04,480 --> 00:53:07,480
Speaker 6: Okay, And like whenever that music plays on Gilmore Girls,

1012
00:53:07,560 --> 00:53:10,200
Speaker 6: it just like tugs at my heart string, Like the

1013
00:53:10,320 --> 00:53:13,960
Speaker 6: tears are like like coming into my my tear ducks.

1014
00:53:13,960 --> 00:53:21,440
Speaker 6: I'm like, oh, I love it.

1015
00:53:22,960 --> 00:53:26,520
Speaker 8: Hey, friends, I'm Jessica Capshaw and this is Camilla Luddington

1016
00:53:26,760 --> 00:53:29,279
Speaker 8: and we have a new podcast, call It What It Is.

1017
00:53:29,920 --> 00:53:33,080
Speaker 8: You may know us from Gracelawn Memorial. But did you

1018
00:53:33,239 --> 00:53:36,200
Speaker 8: know that we are actually besties in real.

1019
00:53:36,000 --> 00:53:39,120
Speaker 7: Life, and as all besties do, we navigate the highs

1020
00:53:39,160 --> 00:53:41,520
Speaker 7: and lows of life together. When one of us sends

1021
00:53:41,520 --> 00:53:44,799
Speaker 7: out the distress signal, the other one always answers the call,

1022
00:53:45,000 --> 00:53:47,120
Speaker 7: big or small, we are there and.

1023
00:53:47,000 --> 00:53:47,920
Speaker 6: What does that look like?

1024
00:53:49,040 --> 00:53:52,200
Speaker 8: A thousand pep talks a million. I've got used some

1025
00:53:52,440 --> 00:53:53,719
Speaker 8: very urgent I'm coming.

1026
00:53:53,520 --> 00:53:57,720
Speaker 7: Overs laughter through tears, no judgment, problem solving over glasses

1027
00:53:57,760 --> 00:53:58,160
Speaker 7: of rose.

1028
00:53:59,280 --> 00:54:00,520
Speaker 6: Sometimes it takes.

1029
00:54:00,280 --> 00:54:02,120
Speaker 3: Tequila because I don't know.

1030
00:54:02,200 --> 00:54:04,759
Speaker 8: Let's face it, life can get even crazier than a

1031
00:54:04,760 --> 00:54:06,080
Speaker 8: season finale of Gray's Anatomy.

1032
00:54:06,280 --> 00:54:09,200
Speaker 7: And now here we are opening up the friendship circle

1033
00:54:09,400 --> 00:54:09,839
Speaker 7: to you.

1034
00:54:10,480 --> 00:54:12,080
Speaker 8: Someone's cheating, We've.

1035
00:54:11,840 --> 00:54:12,560
Speaker 7: Got you on that.

1036
00:54:12,800 --> 00:54:16,360
Speaker 8: In laws or in line. Let's get into it, toxic friendship,

1037
00:54:16,560 --> 00:54:18,960
Speaker 8: air it out. We're on your side to help you

1038
00:54:19,000 --> 00:54:21,920
Speaker 8: with your concerns, talk about ours, and every once in

1039
00:54:22,000 --> 00:54:24,839
Speaker 8: a while bring on an awesome guest to get their

1040
00:54:24,880 --> 00:54:26,759
Speaker 8: take on the things that you bring us.

1041
00:54:27,120 --> 00:54:30,239
Speaker 7: While we may be a license to advise, we're going

1042
00:54:30,320 --> 00:54:31,000
Speaker 7: to do it anyway.

1043
00:54:31,520 --> 00:54:34,160
Speaker 8: Listen to call it what it is. Starting June third

1044
00:54:34,280 --> 00:54:38,160
Speaker 8: on the iHeartRadio app, Apple Podcasts, or wherever you get

1045
00:54:38,160 --> 00:54:39,040
Speaker 8: your podcasts.

1046
00:54:40,880 --> 00:54:43,839
Speaker 2: We kind of skipped ahead a little bit. I want

1047
00:54:43,840 --> 00:54:47,600
Speaker 2: to discuss the scene where Laurel I comes home, the

1048
00:54:47,640 --> 00:54:51,960
Speaker 2: scene with Laurela and Christopher, so that was so unchanged.

1049
00:54:53,480 --> 00:54:55,000
Speaker 1: Now we talked about it a little bit.

1050
00:54:57,520 --> 00:55:01,799
Speaker 3: I think I still think Christopher over reacted by storming out,

1051
00:55:02,040 --> 00:55:04,239
Speaker 3: but I think Danielle and Susanna might be touching on

1052
00:55:04,320 --> 00:55:06,040
Speaker 3: like he just realized he's a failure.

1053
00:55:06,760 --> 00:55:11,840
Speaker 2: Yeah yeah, I mean because he's he he specifically says

1054
00:55:12,400 --> 00:55:15,040
Speaker 2: that he he's I can't. I don't have the exact

1055
00:55:15,040 --> 00:55:16,960
Speaker 2: line in front of me, but he says something about

1056
00:55:17,120 --> 00:55:21,360
Speaker 2: I thought I could be your number two, but I can't.

1057
00:55:21,960 --> 00:55:26,120
Speaker 2: And he was just knew that he was the second

1058
00:55:26,200 --> 00:55:28,120
Speaker 2: choice and he thought he could be okay with that.

1059
00:55:28,239 --> 00:55:29,920
Speaker 2: And now he's realized.

1060
00:55:29,480 --> 00:55:32,279
Speaker 1: Because he tried so hard with the Paris and the

1061
00:55:32,360 --> 00:55:35,160
Speaker 1: money and the wedding and right, it's just as hen

1062
00:55:35,200 --> 00:55:37,680
Speaker 1: ever get he's just not measuring up to Luke.

1063
00:55:38,160 --> 00:55:42,680
Speaker 2: Right, he thought being rich exactly exactly, and now he's like, yeah,

1064
00:55:42,680 --> 00:55:43,880
Speaker 2: I can't be your rebound.

1065
00:55:44,280 --> 00:55:46,200
Speaker 3: I mean, I know he touched on this in the beginning,

1066
00:55:46,200 --> 00:55:51,239
Speaker 3: but it's like, bro, she started dating you the night

1067
00:55:51,360 --> 00:55:57,319
Speaker 3: she broke up with yeah, that that's probably gonna have problems.

1068
00:55:57,600 --> 00:56:00,560
Speaker 1: Funny thing about money. It doesn't it doesn't give character,

1069
00:56:00,760 --> 00:56:02,759
Speaker 1: but it does make you one sometimes, you know.

1070
00:56:04,320 --> 00:56:06,959
Speaker 5: I forgot to mention my red flag in the fact

1071
00:56:07,000 --> 00:56:11,240
Speaker 5: that there was there would never be a level anywhere

1072
00:56:11,280 --> 00:56:18,359
Speaker 5: in Lare lies like, no matter what it's in.

1073
00:56:17,600 --> 00:56:19,439
Speaker 6: Specifically in the drawer by her bed.

1074
00:56:19,840 --> 00:56:22,080
Speaker 5: Yeah, he does not exist.

1075
00:56:22,600 --> 00:56:25,640
Speaker 2: So was that his that he like brought with him

1076
00:56:25,719 --> 00:56:29,920
Speaker 2: when he moved in. So maybe it was christ.

1077
00:56:28,920 --> 00:56:31,239
Speaker 5: It was loralized drawer because that's where she puts a

1078
00:56:31,280 --> 00:56:31,560
Speaker 5: lot of.

1079
00:56:31,600 --> 00:56:34,840
Speaker 3: Playing with the level with the dog, right, That's what

1080
00:56:34,840 --> 00:56:37,120
Speaker 3: I'm thinking, level with the dog.

1081
00:56:37,840 --> 00:56:41,359
Speaker 1: Yeah, but Christopher was using it to uh put up

1082
00:56:41,400 --> 00:56:42,480
Speaker 1: the flat screen.

1083
00:56:43,960 --> 00:56:46,080
Speaker 2: Right, But he was looking for it, but he couldn't

1084
00:56:46,120 --> 00:56:48,279
Speaker 2: find it because Laurel I had taken it and was

1085
00:56:48,280 --> 00:56:51,640
Speaker 2: playing with it with the dog. So I think she

1086
00:56:51,840 --> 00:56:53,800
Speaker 2: just put it back in the drawer.

1087
00:56:53,920 --> 00:56:54,359
Speaker 1: I don't know.

1088
00:56:55,800 --> 00:56:57,520
Speaker 2: That was also a funny scene where she was talking

1089
00:56:57,560 --> 00:57:00,719
Speaker 2: about hypnotizing the dog and then it was like, so

1090
00:57:00,800 --> 00:57:02,480
Speaker 2: did you do and she's like, no, it's a dog.

1091
00:57:04,520 --> 00:57:06,759
Speaker 3: I just had the weirdest thought. Can anyone tell me

1092
00:57:06,840 --> 00:57:10,000
Speaker 3: if paul Anka and Einstein from back to the future.

1093
00:57:10,000 --> 00:57:14,480
Speaker 3: Are the same breed of dog, that's thank you, that's

1094
00:57:14,480 --> 00:57:18,560
Speaker 3: a question, thank you, but I'm with you on that.

1095
00:57:19,120 --> 00:57:22,840
Speaker 2: So well, we're looking that up. We have one one

1096
00:57:22,840 --> 00:57:26,280
Speaker 2: more scene at the apartment with Paris and Rory. They're

1097
00:57:26,280 --> 00:57:29,840
Speaker 2: gonna go trace letting, which sounds like fun. You're going

1098
00:57:29,880 --> 00:57:31,520
Speaker 2: to go steal some cafeteria trade.

1099
00:57:31,640 --> 00:57:33,480
Speaker 3: Scene again, really really cute.

1100
00:57:33,880 --> 00:57:37,280
Speaker 2: Yeah, and then Rory thanks Paris for the nice things

1101
00:57:37,360 --> 00:57:39,320
Speaker 2: she said, So I thought that was that was a

1102
00:57:39,400 --> 00:57:46,040
Speaker 2: nice touch for Rory to acknowledge that friendship gesture from Paris.

1103
00:57:46,480 --> 00:57:48,760
Speaker 2: And then it goes to the scene with Luke's phone call,

1104
00:57:49,040 --> 00:57:52,840
Speaker 2: which we just talked about, you know, she had when

1105
00:57:52,840 --> 00:57:55,160
Speaker 2: he mentioned he said I couldn't have done it without

1106
00:57:55,200 --> 00:57:57,480
Speaker 2: your letter. She kind of winces because now you know

1107
00:57:57,600 --> 00:57:59,200
Speaker 2: Christopher's gone, and.

1108
00:57:59,320 --> 00:58:03,160
Speaker 5: So they are the same dog amy sheepdogs sheep dogs.

1109
00:58:03,480 --> 00:58:07,400
Speaker 6: But it's it says that Paul Polish Lowland sheep dog

1110
00:58:08,040 --> 00:58:10,240
Speaker 6: and Einstein is a Catalan sheep dog.

1111
00:58:10,320 --> 00:58:11,960
Speaker 1: Because I was just going to say that.

1112
00:58:12,080 --> 00:58:13,960
Speaker 3: I was just so proud of myself because I almost

1113
00:58:13,960 --> 00:58:15,880
Speaker 3: called Paul Ainka Einstein and then I was like, wait

1114
00:58:15,920 --> 00:58:18,080
Speaker 3: a minute, are they the same dog? Okay? Thank you

1115
00:58:18,160 --> 00:58:19,600
Speaker 3: for that's wonderful.

1116
00:58:20,800 --> 00:58:24,600
Speaker 2: And then the final final scene is at Yale. They're

1117
00:58:24,640 --> 00:58:28,800
Speaker 2: in the classroom, Rory's looking, She's all smiling and proud

1118
00:58:28,840 --> 00:58:29,320
Speaker 2: of Richard.

1119
00:58:29,640 --> 00:58:32,240
Speaker 3: Painful, painful, the heart.

1120
00:58:32,120 --> 00:58:34,040
Speaker 2: Attack of the last thing we hear is someone called

1121
00:58:34,120 --> 00:58:34,680
Speaker 2: nine one one.

1122
00:58:34,760 --> 00:58:38,360
Speaker 3: That was so painful. That says it.

1123
00:58:38,800 --> 00:58:41,520
Speaker 6: I also like the way they did that, how it

1124
00:58:41,680 --> 00:58:45,600
Speaker 6: didn't show Richard like it showed him kind of following

1125
00:58:45,680 --> 00:58:48,960
Speaker 6: but falling. But the end scene is just Rory going

1126
00:58:49,000 --> 00:58:51,240
Speaker 6: out of frame. I think that was like really effective

1127
00:58:51,280 --> 00:58:53,800
Speaker 6: and like you just see her like call nine one

1128
00:58:53,880 --> 00:58:56,680
Speaker 6: one run off and then it ends right there. I

1129
00:58:56,680 --> 00:58:57,160
Speaker 6: think it was.

1130
00:58:57,120 --> 00:58:59,840
Speaker 3: Really corrected this episode. Again, was it Jamie.

1131
00:58:59,600 --> 00:59:01,280
Speaker 1: Back It was Jamie Babbitt, Yeah.

1132
00:59:01,160 --> 00:59:04,000
Speaker 3: Yeah, directing, really good direct Yeah.

1133
00:59:04,640 --> 00:59:06,120
Speaker 6: And that's why it made us want to keep what

1134
00:59:06,200 --> 00:59:07,680
Speaker 6: I don't know what I mean, Amy said she did

1135
00:59:07,680 --> 00:59:08,960
Speaker 6: like I wanted to just keep going.

1136
00:59:10,120 --> 00:59:12,600
Speaker 2: Yeah, that's a good episode.

1137
00:59:13,080 --> 00:59:15,640
Speaker 1: It was, it was it was all right, kids, So

1138
00:59:15,640 --> 00:59:16,920
Speaker 1: what do you think? What are we going to give it?

1139
00:59:16,960 --> 00:59:17,120
Speaker 6: Who?

1140
00:59:17,200 --> 00:59:19,560
Speaker 1: Uh, Tara, what are you going to write it? What's

1141
00:59:19,600 --> 00:59:20,480
Speaker 1: your measuring stick?

1142
00:59:21,080 --> 00:59:23,720
Speaker 6: I really like this episode. I feel like we're making

1143
00:59:23,720 --> 00:59:29,960
Speaker 6: a comeback. I give it nine muffin tops. Wow, was

1144
00:59:30,000 --> 00:59:30,800
Speaker 6: that yours? N Yelle?

1145
00:59:30,880 --> 00:59:35,640
Speaker 5: That was literally it's okay, eight point eight levels.

1146
00:59:35,880 --> 00:59:40,080
Speaker 3: Amy nine secret socks or whatever those things were, secret

1147
00:59:40,120 --> 00:59:43,160
Speaker 3: travel socks whatever, those were nine nine.

1148
00:59:42,920 --> 00:59:46,840
Speaker 2: For sure z that I'm taking a little bit off

1149
00:59:47,000 --> 00:59:50,520
Speaker 2: just because of the whole Jackson thing. I'm just not

1150
00:59:50,560 --> 00:59:52,200
Speaker 2: on board with that. But I'm going to give it

1151
00:59:52,240 --> 00:59:58,160
Speaker 2: eight point five muffin bottom pies, muffin so the boy.

1152
00:59:58,680 --> 01:00:01,120
Speaker 3: Nice Susanne, Nice, nice call there.

1153
01:00:02,320 --> 01:00:07,760
Speaker 1: I think I'm going to give it. I really enjoyed it.

1154
01:00:08,200 --> 01:00:10,200
Speaker 1: I really enjoyed it. Sorry, I just I just had

1155
01:00:10,240 --> 01:00:14,720
Speaker 1: a shot of the oil of oregano. It's very powerful.

1156
01:00:15,000 --> 01:00:16,640
Speaker 3: What does that do? What does that do?

1157
01:00:16,960 --> 01:00:18,760
Speaker 1: That's some healthy, super healthy thing?

1158
01:00:19,160 --> 01:00:21,760
Speaker 3: Oh great, m hmm.

1159
01:00:22,680 --> 01:00:26,200
Speaker 1: I'm trying to wash it down. I'm going to give it.

1160
01:00:29,120 --> 01:00:31,520
Speaker 1: I think I'm kind of nine ish eight point nine ish,

1161
01:00:31,560 --> 01:00:33,760
Speaker 1: eight point eight ish, So I'll give it an eight

1162
01:00:33,760 --> 01:00:35,400
Speaker 1: point nine vest ectomies.

1163
01:00:37,080 --> 01:00:38,560
Speaker 6: We're making a comeback here.

1164
01:00:38,760 --> 01:00:43,520
Speaker 1: That's definitely uh rounding into form here season seven. Huh.

1165
01:00:43,560 --> 01:00:47,640
Speaker 6: So we've got twelve episodes in, We've got about ten

1166
01:00:47,880 --> 01:00:50,120
Speaker 6: ten more episodes to go, right, ten.

1167
01:00:49,960 --> 01:00:53,160
Speaker 5: More easy and then started this podcast yesterday.

1168
01:00:53,280 --> 01:00:54,800
Speaker 1: It was just like last week. We all got to

1169
01:00:54,800 --> 01:00:59,040
Speaker 1: know each other, all right. It's weird, so weird anyway,

1170
01:00:59,040 --> 01:01:02,520
Speaker 1: that's gonna wrap it up. What's your name again, I'm

1171
01:01:02,640 --> 01:01:04,040
Speaker 1: doctor Vinnie Bumbach.

1172
01:01:06,880 --> 01:01:07,560
Speaker 2: I have a couple.

1173
01:01:08,680 --> 01:01:11,600
Speaker 1: I was sure, go right ahead, I have to.

1174
01:01:11,920 --> 01:01:14,680
Speaker 2: Actually, both of them are lorealized. One was when she

1175
01:01:14,720 --> 01:01:20,200
Speaker 2: said which one of the bush daughters is Reggie? And

1176
01:01:20,240 --> 01:01:22,400
Speaker 2: then the other one was when she and Suki were

1177
01:01:22,400 --> 01:01:24,360
Speaker 2: walking around the town and she says, I don't think

1178
01:01:24,400 --> 01:01:25,600
Speaker 2: he wants his meat cut at all.

1179
01:01:26,520 --> 01:01:27,000
Speaker 3: That's just.

1180
01:01:29,200 --> 01:01:30,720
Speaker 1: Anybody else's favorite line.

1181
01:01:30,840 --> 01:01:32,680
Speaker 3: But this one that did make me giggle. There was

1182
01:01:32,720 --> 01:01:33,800
Speaker 3: good stuff in it.

1183
01:01:33,800 --> 01:01:35,640
Speaker 1: It was There was a lot. There was a lot

1184
01:01:35,640 --> 01:01:38,400
Speaker 1: of good giggles and some hearty laughs as well. So

1185
01:01:40,200 --> 01:01:45,560
Speaker 1: and man, I really needed that today anyway. Thank you, ladies.

1186
01:01:45,760 --> 01:01:50,640
Speaker 1: Uh Susanne French, Tera sud Daniel Roma, Amy Sugarman one

1187
01:01:50,720 --> 01:01:55,160
Speaker 1: hundred and seven degree Amy Sugarman Today, the boiling hot

1188
01:01:55,880 --> 01:01:56,600
Speaker 1: Amy Sugarman.

1189
01:01:56,880 --> 01:02:00,160
Speaker 3: Literally it's so true. I literally am fanning myself. But

1190
01:02:00,200 --> 01:02:00,560
Speaker 3: thank you.

1191
01:02:01,040 --> 01:02:05,160
Speaker 1: Next episode seven, episode thirteen, I'd rather be in Philadelphia

1192
01:02:07,640 --> 01:02:12,640
Speaker 1: and listen. Thanks so much, you guys, are you've really

1193
01:02:13,120 --> 01:02:16,560
Speaker 1: gotten us through these seven seasons. We appreciate all the comments,

1194
01:02:17,440 --> 01:02:20,000
Speaker 1: both pro and con. It helps us to shape this.

1195
01:02:20,200 --> 01:02:25,280
Speaker 1: We really really appreciate you. You are fabulous, loyal, incredible fans

1196
01:02:25,560 --> 01:02:27,920
Speaker 1: and that's going to do it. So and remember everybody,

1197
01:02:29,040 --> 01:02:32,000
Speaker 1: we and I I'm all in.

1198
01:02:32,400 --> 01:03:03,320
Speaker 4: Stay safe everyone, Hey, everybody to forget.

1199
01:03:03,320 --> 01:03:07,400
Speaker 1: Follow us on Instagram at I Am all In podcast,

1200
01:03:07,480 --> 01:03:21,720
Speaker 1: and email us at Gilmore at iHeartRadio dot com