WEBVTT - INTERVIEW: Taylor Polidore Williams Talks ‘Beauty in Black,' Relationship With Cast, Tyler Perry, Acting Career

0:00:01.520 --> 0:00:04.920
<v Speaker 1>Every Day Breakfast Club.

0:00:05.160 --> 0:00:06.120
<v Speaker 2>You know, I'm feels for y'all.

0:00:06.160 --> 0:00:10.440
<v Speaker 1>Dune Morning, everybody in the j n V. Jess hilarious,

0:00:10.520 --> 0:00:12.760
<v Speaker 1>Charlamagne the God. We are the breakfast Club. We got

0:00:12.760 --> 0:00:15.159
<v Speaker 1>a special guest in the building in the tail or

0:00:15.280 --> 0:00:16.920
<v Speaker 1>pull there, Williams. That's your middle name?

0:00:17.000 --> 0:00:17.079
<v Speaker 3>Right?

0:00:17.200 --> 0:00:17.239
<v Speaker 2>No?

0:00:21.800 --> 0:00:26.160
<v Speaker 1>You welcome? How are you doing? Beauty in Black Season two?

0:00:28.080 --> 0:00:32.240
<v Speaker 4>How does it feel like all of this look because

0:00:32.240 --> 0:00:33.600
<v Speaker 4>I'm gonna watch this this episode one?

0:00:34.159 --> 0:00:38.040
<v Speaker 5>Okay? How does it feel to have it continue?

0:00:38.080 --> 0:00:40.239
<v Speaker 4>Because you know a lot of shows live for one

0:00:40.280 --> 0:00:41.199
<v Speaker 4>season two seas.

0:00:41.400 --> 0:00:43.880
<v Speaker 5>How does it feel to have it continuing? You know,

0:00:44.080 --> 0:00:45.519
<v Speaker 5>I feel very grateful.

0:00:45.720 --> 0:00:48.240
<v Speaker 4>I think when you're able to have a second season,

0:00:49.240 --> 0:00:51.520
<v Speaker 4>that's one thing, but then to have a second season

0:00:51.560 --> 0:00:53.680
<v Speaker 4>and the fan base continue to grow and people are

0:00:53.720 --> 0:00:57.760
<v Speaker 4>excited bigger. Yeah, it's crazy. I'm grateful, but I'm excited.

0:00:57.800 --> 0:01:01.320
<v Speaker 4>It's been fun. So I'm just enjoying.

0:01:00.920 --> 0:01:03.000
<v Speaker 6>It as life change. Because you know, Beauty and Black

0:01:03.080 --> 0:01:05.560
<v Speaker 6>is on Netflix. It's a big show. Like, have you

0:01:05.640 --> 0:01:06.640
<v Speaker 6>felt the change?

0:01:07.200 --> 0:01:07.480
<v Speaker 5>Yeah?

0:01:07.800 --> 0:01:12.200
<v Speaker 4>Actually I think season one, not that I was kind

0:01:12.200 --> 0:01:15.440
<v Speaker 4>of in denial, but it's like, you know, this might

0:01:15.480 --> 0:01:17.560
<v Speaker 4>be a moment it passes I've been acting since I

0:01:17.600 --> 0:01:21.240
<v Speaker 4>was thirteen, so it's like, Okay, enjoy it. But then

0:01:21.360 --> 0:01:25.320
<v Speaker 4>this season it does feel different. The visibility that I

0:01:25.360 --> 0:01:28.440
<v Speaker 4>have is different places that I go. It's no longer like, oh,

0:01:28.480 --> 0:01:29.080
<v Speaker 4>you're familiar.

0:01:29.080 --> 0:01:31.880
<v Speaker 5>It's like cam and they're huckey and it's like whoa.

0:01:32.440 --> 0:01:35.400
<v Speaker 4>I'm not used to that having to kind of move

0:01:35.400 --> 0:01:38.559
<v Speaker 4>a little bit different. But I think I always thought

0:01:38.600 --> 0:01:40.760
<v Speaker 4>it would happen. You know, if you keep acting and

0:01:41.160 --> 0:01:43.520
<v Speaker 4>a show is popular, it would happen. But nothing can

0:01:43.600 --> 0:01:44.679
<v Speaker 4>really prepare you for.

0:01:44.920 --> 0:01:47.720
<v Speaker 1>That shift, right, Yeah, I want to go back, if

0:01:47.760 --> 0:01:50.120
<v Speaker 1>you don't mind. So you're from Houston, Texas. Yes, and

0:01:50.160 --> 0:01:52.640
<v Speaker 1>you got into acting at a young age. You said thirteen,

0:01:52.920 --> 0:01:54.440
<v Speaker 1>what made you like the arts? What made you love

0:01:54.480 --> 0:01:54.880
<v Speaker 1>the arts?

0:01:56.720 --> 0:01:59.480
<v Speaker 4>I think I've always been creative as a kid. I

0:01:59.560 --> 0:02:04.440
<v Speaker 4>like playing pretend who doesn't. But it was my first

0:02:04.640 --> 0:02:07.360
<v Speaker 4>movie that I was in. I was auditioning at the time.

0:02:08.120 --> 0:02:10.960
<v Speaker 4>After Katrina the Tax Credits came to Louisiana, so it

0:02:11.000 --> 0:02:14.600
<v Speaker 4>brought a lot of films to the South, and Welcome

0:02:14.639 --> 0:02:17.680
<v Speaker 4>Home Roscoe Jenkins was being filmed there. I got a part,

0:02:18.320 --> 0:02:21.720
<v Speaker 4>and I loved acting, but when I got on the

0:02:21.800 --> 0:02:25.799
<v Speaker 4>set and saw the sound stages and the crew and

0:02:25.840 --> 0:02:27.840
<v Speaker 4>like what it takes to actually make a movie. I

0:02:27.880 --> 0:02:29.600
<v Speaker 4>was like, Oh, I just want to do this for

0:02:29.639 --> 0:02:32.160
<v Speaker 4>the rest of my life. And I just kept going.

0:02:32.400 --> 0:02:34.800
<v Speaker 3>Yeah, because you produced too, right I do? So what

0:02:34.840 --> 0:02:36.280
<v Speaker 3>have you learned about and right?

0:02:36.360 --> 0:02:38.639
<v Speaker 6>So what have you learned about yourself as an artist?

0:02:38.639 --> 0:02:41.440
<v Speaker 6>Wearing all those different hats? Producing, acting, writing?

0:02:41.880 --> 0:02:44.200
<v Speaker 4>The biggest thing that I cannot do them all by myself.

0:02:45.600 --> 0:02:48.760
<v Speaker 4>I know that there are people who are experts in

0:02:48.800 --> 0:02:51.639
<v Speaker 4>what they do, who love writing, and I honor whatever

0:02:51.680 --> 0:02:54.000
<v Speaker 4>people love the most. And I think that's why I

0:02:54.080 --> 0:02:57.239
<v Speaker 4>like producing, because it's like I can pick and choose. Oh,

0:02:57.360 --> 0:03:00.280
<v Speaker 4>you're fire at this, let's all come together and putting

0:03:00.280 --> 0:03:02.639
<v Speaker 4>it all together is the fun part from me. Now,

0:03:02.639 --> 0:03:03.959
<v Speaker 4>what I want to ask you about the show is

0:03:04.040 --> 0:03:06.720
<v Speaker 4>right because, like I said, I've been watching since first episode.

0:03:07.280 --> 0:03:08.880
<v Speaker 5>Do you ever look at the script right and be like,

0:03:09.120 --> 0:03:13.040
<v Speaker 5>all right, this is fun? Come on, come on, come.

0:03:13.960 --> 0:03:16.000
<v Speaker 1>You must look at it all the time.

0:03:16.639 --> 0:03:20.280
<v Speaker 4>I think when we were getting ready for season two

0:03:20.320 --> 0:03:23.400
<v Speaker 4>and Tyler was like sending us the scripts at a

0:03:23.480 --> 0:03:25.880
<v Speaker 4>full clip, like it's like we're getting two episodes in

0:03:25.919 --> 0:03:26.160
<v Speaker 4>a day.

0:03:26.160 --> 0:03:27.720
<v Speaker 5>It's like, dang, what are you doing?

0:03:28.280 --> 0:03:31.600
<v Speaker 4>And he's sending these scripts and I'm reading it genuinely, like,

0:03:31.680 --> 0:03:35.480
<v Speaker 4>oh my god, it's crazy. It keeps you on your toes.

0:03:35.560 --> 0:03:38.640
<v Speaker 4>It's a it's as fun to film it, probably more

0:03:38.640 --> 0:03:40.120
<v Speaker 4>fun to film it than it is to watch it.

0:03:40.880 --> 0:03:44.360
<v Speaker 5>And your your character in the beginning, you start off shy,

0:03:44.960 --> 0:03:47.000
<v Speaker 5>You're not standing up for yourself. He was pissing me off.

0:03:47.000 --> 0:03:49.040
<v Speaker 5>I was like, Kimmy, gets your shit together.

0:03:49.640 --> 0:03:51.960
<v Speaker 4>These people coming for you, and then you just turn

0:03:52.000 --> 0:03:55.520
<v Speaker 4>into a natural born kill Bill character. You just you

0:03:55.720 --> 0:03:59.440
<v Speaker 4>just out here, you know? Now, what is your ritual

0:03:59.480 --> 0:04:01.520
<v Speaker 4>to get ready for that? Because it seemed like it

0:04:01.520 --> 0:04:04.440
<v Speaker 4>didn't really take much. I guess to be shy, is

0:04:04.440 --> 0:04:05.240
<v Speaker 4>that's your real demeanor?

0:04:05.280 --> 0:04:08.080
<v Speaker 5>Like are you shy? You don't really talk a lot? No, okay,

0:04:08.440 --> 0:04:09.280
<v Speaker 5>I wouldn't say that.

0:04:09.480 --> 0:04:13.680
<v Speaker 4>I'm just the most talkative person in the world. I'm

0:04:13.680 --> 0:04:17.040
<v Speaker 4>more reserved. But it's not because I'm shy. I'm just

0:04:17.040 --> 0:04:21.320
<v Speaker 4>more observant. But to not stand up for yourself is

0:04:21.839 --> 0:04:24.960
<v Speaker 4>very different for me. That was actually a process. When

0:04:25.720 --> 0:04:27.719
<v Speaker 4>we went in for the callbacks and I was having

0:04:27.720 --> 0:04:30.640
<v Speaker 4>a conversation with Tyler, he was like, I know you

0:04:30.640 --> 0:04:33.360
<v Speaker 4>could do strong because we worked together before.

0:04:33.640 --> 0:04:35.160
<v Speaker 5>He was like, but can I see you do this?

0:04:35.240 --> 0:04:36.960
<v Speaker 4>And I was like, I mean, yeah, of course I

0:04:37.000 --> 0:04:38.480
<v Speaker 4>can try the vulnerability part.

0:04:38.680 --> 0:04:40.400
<v Speaker 5>But I was like, but do I want to do that?

0:04:40.600 --> 0:04:41.919
<v Speaker 5>Like why can't you do this?

0:04:41.960 --> 0:04:43.640
<v Speaker 4>He was like, if you just trust me with the story,

0:04:44.200 --> 0:04:47.600
<v Speaker 4>it's gonna go somewhere that no one is gonna expect this.

0:04:47.720 --> 0:04:49.919
<v Speaker 4>She's gonna be a boss. And I was like, okay, okay,

0:04:49.960 --> 0:04:51.240
<v Speaker 4>well I could do the victim thing.

0:04:51.360 --> 0:04:52.640
<v Speaker 5>I could. I could figure that out.

0:04:52.720 --> 0:04:56.800
<v Speaker 4>So he challenged you, Yeah, absolutely, because I'm not a

0:04:56.800 --> 0:05:01.600
<v Speaker 4>person that backs down from confrontation or if somebody's doing

0:05:01.640 --> 0:05:02.400
<v Speaker 4>me wrong, you will.

0:05:02.279 --> 0:05:03.279
<v Speaker 5>Know that you don't me wrong.

0:05:03.600 --> 0:05:05.880
<v Speaker 4>So with Kimmy, I was frustrated too, but I think

0:05:05.920 --> 0:05:08.920
<v Speaker 4>that propelled the story even more so now in season two,

0:05:09.080 --> 0:05:09.800
<v Speaker 4>it's warranted.

0:05:10.279 --> 0:05:13.279
<v Speaker 7>How did you get into like Tyler Perry's universe because

0:05:13.480 --> 0:05:16.040
<v Speaker 7>you were in divorce and black and now you're here

0:05:16.160 --> 0:05:18.080
<v Speaker 7>with the you know, with the beauty and black, Like

0:05:18.080 --> 0:05:18.479
<v Speaker 7>how did you?

0:05:18.520 --> 0:05:21.440
<v Speaker 5>How did that happen for you? You know, it's funny.

0:05:22.200 --> 0:05:24.520
<v Speaker 4>I went to school in Atlanta knowing that I wanted

0:05:24.520 --> 0:05:27.040
<v Speaker 4>to act. I went to Clarke Atland university, and I

0:05:27.120 --> 0:05:30.080
<v Speaker 4>just knew I was gonna be in something Tyler Perry

0:05:30.120 --> 0:05:32.360
<v Speaker 4>in school, and that didn't happen. I went to school,

0:05:32.400 --> 0:05:35.360
<v Speaker 4>came went moved to LA and it was just an audition,

0:05:35.560 --> 0:05:39.640
<v Speaker 4>a normal audition for a different film that he was doing.

0:05:40.160 --> 0:05:43.000
<v Speaker 4>And I went into the callback. And typically at a callback,

0:05:43.040 --> 0:05:45.320
<v Speaker 4>they'll tell you the director of the writer will be

0:05:45.360 --> 0:05:46.839
<v Speaker 4>in the room. They didn't say that.

0:05:46.880 --> 0:05:48.240
<v Speaker 5>I thought it was just going to be Kim Coleman.

0:05:48.520 --> 0:05:50.680
<v Speaker 4>So I walk in and Tyler Perry's right there and

0:05:50.680 --> 0:05:52.240
<v Speaker 4>he's like, hey till he come on in just and

0:05:52.320 --> 0:05:52.680
<v Speaker 4>I was.

0:05:52.600 --> 0:05:54.800
<v Speaker 5>Like, what are you doing here?

0:05:56.120 --> 0:05:58.240
<v Speaker 4>But I did say that I was very professional and

0:05:58.240 --> 0:05:59.320
<v Speaker 4>I did it. He was like, I only want to

0:05:59.320 --> 0:06:01.159
<v Speaker 4>see the first scene. Already saw your second scene on

0:06:01.200 --> 0:06:04.880
<v Speaker 4>the tape. Go and I like took a breath and

0:06:04.960 --> 0:06:07.719
<v Speaker 4>I did it, and he was like, where are you from.

0:06:08.480 --> 0:06:09.800
<v Speaker 4>I was like, I'm from Texas and he was like,

0:06:09.839 --> 0:06:11.840
<v Speaker 4>let me see the second scene. And I was like,

0:06:12.480 --> 0:06:14.200
<v Speaker 4>I don't know what just happened, but I got it

0:06:15.400 --> 0:06:16.880
<v Speaker 4>and I ended up getting divorced.

0:06:16.880 --> 0:06:18.200
<v Speaker 5>In the Black, it was a different movie.

0:06:18.240 --> 0:06:19.800
<v Speaker 4>They were like, we want to keep you on hold

0:06:19.800 --> 0:06:22.200
<v Speaker 4>for this one, but are you open to reading another film,

0:06:22.240 --> 0:06:24.240
<v Speaker 4>And I was like sure, and I thought that he

0:06:24.360 --> 0:06:26.359
<v Speaker 4>was going to ask me to do an audition for

0:06:26.360 --> 0:06:26.640
<v Speaker 4>that one.

0:06:26.680 --> 0:06:28.640
<v Speaker 5>They said, if you want to insure is it.

0:06:28.600 --> 0:06:30.640
<v Speaker 6>Pressure when you see somebody like Tyler walking in the room.

0:06:30.640 --> 0:06:31.880
<v Speaker 6>Do you have to gather yourself a little bit?

0:06:31.880 --> 0:06:32.400
<v Speaker 3>Is it different?

0:06:32.880 --> 0:06:33.120
<v Speaker 5>Yes?

0:06:34.200 --> 0:06:36.800
<v Speaker 4>It is different because I respect him a lot. I'm

0:06:36.920 --> 0:06:39.960
<v Speaker 4>very inspired by how he moves, just all that he's built.

0:06:40.440 --> 0:06:42.880
<v Speaker 4>So you do have to take him inute and kind

0:06:42.880 --> 0:06:45.440
<v Speaker 4>of breathe. I think when it's somebody you admire.

0:06:45.680 --> 0:06:47.479
<v Speaker 5>But you snapped right into it, or did you stutter?

0:06:47.560 --> 0:06:48.159
<v Speaker 5>Did you mess up?

0:06:53.040 --> 0:06:53.360
<v Speaker 2>Stutter?

0:06:53.480 --> 0:06:56.839
<v Speaker 5>But I did after I was like, what, yeah, yeah,

0:06:57.200 --> 0:06:57.800
<v Speaker 5>that's what's up.

0:06:57.839 --> 0:07:01.160
<v Speaker 4>How long did it take y'all to Voice in the Black?

0:07:01.240 --> 0:07:03.279
<v Speaker 4>I know that's the movie that was my joint too,

0:07:03.480 --> 0:07:05.680
<v Speaker 4>But how how long did it take y'all to film that?

0:07:06.200 --> 0:07:09.960
<v Speaker 5>It took us six days to film the whole movie.

0:07:10.160 --> 0:07:12.120
<v Speaker 5>To film the whole movie, because you know, it's always

0:07:12.120 --> 0:07:14.720
<v Speaker 5>out there at Tyler party, be having y'all here. He'll

0:07:14.240 --> 0:07:16.600
<v Speaker 5>start at nine am two and y'all be done at

0:07:16.640 --> 0:07:17.119
<v Speaker 5>ten times.

0:07:17.200 --> 0:07:21.080
<v Speaker 4>Season two of Beauty and Black all sixteen episodes in

0:07:21.120 --> 0:07:21.760
<v Speaker 4>twelve days.

0:07:21.840 --> 0:07:22.440
<v Speaker 5>Jesus.

0:07:22.560 --> 0:07:24.240
<v Speaker 1>Do you like filming like that, like fast, get it

0:07:24.240 --> 0:07:26.040
<v Speaker 1>out the way, or do you prefer a little time

0:07:26.080 --> 0:07:28.520
<v Speaker 1>to breathe, a little time to rest, to reset, or

0:07:28.520 --> 0:07:29.760
<v Speaker 1>do you just knock it out?

0:07:29.800 --> 0:07:34.040
<v Speaker 4>We had time to think about its problem. I'm adaptable

0:07:34.440 --> 0:07:38.000
<v Speaker 4>working with different directors, working on different shows, different whatever.

0:07:38.000 --> 0:07:40.320
<v Speaker 4>It's kind of like coming into somebody else's house. If

0:07:40.320 --> 0:07:42.320
<v Speaker 4>this is how y'all do it, cool, I'll assimilate.

0:07:42.640 --> 0:07:43.720
<v Speaker 2>How long are those days?

0:07:45.160 --> 0:07:51.320
<v Speaker 5>Twelve hours? Well, no, it's not bad, and then you're done. Yeah.

0:07:51.320 --> 0:07:53.600
<v Speaker 4>So he just pretty much just count on y'all knowing

0:07:53.640 --> 0:07:55.600
<v Speaker 4>y'all lines, because that's pretty much you know, all the

0:07:55.680 --> 0:07:58.560
<v Speaker 4>retakes and cut and do it again. Yeah, y'alla, y'all

0:07:58.600 --> 0:08:02.800
<v Speaker 4>don't have none of that. No, I mean, very sparingly.

0:08:03.080 --> 0:08:04.640
<v Speaker 4>If he said can I please get want more? He'll

0:08:04.680 --> 0:08:07.080
<v Speaker 4>be like yes, depending on who you are.

0:08:09.240 --> 0:08:10.800
<v Speaker 1>Before, like can I get him a line now?

0:08:10.960 --> 0:08:11.200
<v Speaker 8>Yeah?

0:08:11.280 --> 0:08:14.400
<v Speaker 4>Sometimes, or even with some of us, with the wonderful,

0:08:14.480 --> 0:08:16.840
<v Speaker 4>wonderful cast everybody, can I get one more?

0:08:16.840 --> 0:08:19.080
<v Speaker 5>He's like, I got it? No, I got it. And

0:08:19.080 --> 0:08:22.320
<v Speaker 5>you just gotta trust.

0:08:21.120 --> 0:08:25.480
<v Speaker 3>What role of project has challenged you the most and why?

0:08:26.040 --> 0:08:32.840
<v Speaker 4>Definitely beauty and black, the sheer speed at which we're

0:08:32.840 --> 0:08:37.760
<v Speaker 4>filming it, and then also, uh, particularly in the first season,

0:08:38.400 --> 0:08:42.240
<v Speaker 4>being somebody who is playing somebody who is sex trafficked,

0:08:42.360 --> 0:08:44.839
<v Speaker 4>somebody who is so beaten down the things.

0:08:45.280 --> 0:08:46.079
<v Speaker 5>At the time, I was.

0:08:46.040 --> 0:08:49.280
<v Speaker 4>Planning my wedding, so it was like, I don't have

0:08:49.360 --> 0:08:51.760
<v Speaker 4>this life experience, but I have to go there every day.

0:08:51.760 --> 0:08:53.120
<v Speaker 5>Scene after see, seen, after seeing.

0:08:53.200 --> 0:08:55.480
<v Speaker 4>It was like for a whole week, I'm just crying

0:08:55.520 --> 0:08:57.000
<v Speaker 4>in every scene and getting beat up.

0:08:57.280 --> 0:08:57.640
<v Speaker 5>It was.

0:08:57.800 --> 0:09:02.000
<v Speaker 4>It was a lot, but it stretched me as an

0:09:02.120 --> 0:09:05.120
<v Speaker 4>artist knowing that I can do that.

0:09:05.440 --> 0:09:07.600
<v Speaker 5>If somebody says, cry right now, I could do that.

0:09:07.679 --> 0:09:08.920
<v Speaker 4>If you need me to do that, I can go

0:09:08.960 --> 0:09:10.960
<v Speaker 4>there and jump back into what I have to do

0:09:11.000 --> 0:09:12.480
<v Speaker 4>in my normal life and stay sane.

0:09:12.559 --> 0:09:14.320
<v Speaker 1>How did your now husband deal with it? Because you

0:09:14.320 --> 0:09:15.640
<v Speaker 1>were in a role, and I'm sure you were in

0:09:15.640 --> 0:09:17.880
<v Speaker 1>a character. I'm sure it wasn't your planning a wedding.

0:09:17.880 --> 0:09:20.280
<v Speaker 1>It's supposed to be happy, joyous, but now you're diving

0:09:20.320 --> 0:09:22.000
<v Speaker 1>into this character. So how did he handle that?

0:09:22.360 --> 0:09:23.320
<v Speaker 5>Oh, like a champ.

0:09:25.240 --> 0:09:28.560
<v Speaker 4>He is a surgery resident right now, which is a

0:09:28.679 --> 0:09:31.959
<v Speaker 4>very grueling schedule as well, So I think it was

0:09:32.000 --> 0:09:35.240
<v Speaker 4>a lot of mutual respect. If I got home before him,

0:09:35.480 --> 0:09:37.800
<v Speaker 4>or if he got home before me, he make dinner.

0:09:37.840 --> 0:09:39.760
<v Speaker 4>If I got home, I bring him dinner from set.

0:09:39.800 --> 0:09:41.920
<v Speaker 4>It's just like we're in the trenches together. So he

0:09:42.000 --> 0:09:46.120
<v Speaker 4>actually loved the how rigorous the schedule is because sometimes

0:09:46.200 --> 0:09:48.079
<v Speaker 4>on other shows, you know, I might do a couple

0:09:48.040 --> 0:09:52.120
<v Speaker 4>of scenes. It's you know, we're not doing surgery. We're

0:09:52.160 --> 0:09:54.480
<v Speaker 4>not dealing with life or death. Even on a difficult day,

0:09:54.880 --> 0:09:56.080
<v Speaker 4>it's still a blessing.

0:09:55.760 --> 0:09:56.200
<v Speaker 5>To be there.

0:09:56.240 --> 0:09:58.120
<v Speaker 3>I thought he was a surgical resident.

0:09:58.320 --> 0:09:58.600
<v Speaker 2>He is.

0:09:58.720 --> 0:09:59.520
<v Speaker 5>I'm saying what I do.

0:10:00.160 --> 0:10:01.240
<v Speaker 2>So how you got time to cook?

0:10:02.080 --> 0:10:02.800
<v Speaker 5>He's a good man?

0:10:02.840 --> 0:10:08.200
<v Speaker 1>I tell him, said she cooked? He said, I take some.

0:10:09.440 --> 0:10:10.559
<v Speaker 2>Sad dog.

0:10:12.040 --> 0:10:12.600
<v Speaker 1>I cook him.

0:10:13.960 --> 0:10:17.840
<v Speaker 5>I learned how to cook a few years ago to cook.

0:10:18.440 --> 0:10:21.080
<v Speaker 3>You ever bring anything home from work like lunch.

0:10:23.160 --> 0:10:28.040
<v Speaker 4>Slack, bringing snacks, drinks and stuff, candy.

0:10:28.000 --> 0:10:30.400
<v Speaker 5>Yeah, absolutely, congratulations you got married.

0:10:34.640 --> 0:10:36.560
<v Speaker 4>No, I was asking you going back to my question,

0:10:36.600 --> 0:10:46.080
<v Speaker 4>how do you get.

0:10:43.200 --> 0:10:43.880
<v Speaker 1>All the time.

0:10:44.760 --> 0:10:46.760
<v Speaker 5>I don't like seeing anything from his job?

0:10:47.640 --> 0:10:48.800
<v Speaker 2>So he does be bringing stuff on.

0:10:49.160 --> 0:10:54.360
<v Speaker 1>You'll come down with blood all over, like eyeboy, look

0:10:54.360 --> 0:10:54.560
<v Speaker 1>at this.

0:10:56.600 --> 0:10:57.839
<v Speaker 2>Whole now.

0:10:57.880 --> 0:10:58.880
<v Speaker 5>You said you gotta cry.

0:10:58.920 --> 0:11:00.720
<v Speaker 4>You have to cry a lot on set and everything

0:11:00.760 --> 0:11:02.240
<v Speaker 4>like that. How do you get into that? I know

0:11:02.640 --> 0:11:05.320
<v Speaker 4>it's nothing other than you being a great actress, right,

0:11:05.360 --> 0:11:07.120
<v Speaker 4>but like, how do you get ready for that? Like

0:11:07.160 --> 0:11:10.840
<v Speaker 4>what's your ritual to go into that role when things

0:11:10.880 --> 0:11:13.520
<v Speaker 4>start going crazy for you on the show and they

0:11:13.559 --> 0:11:21.080
<v Speaker 4>get crazier for you. Yeah, definitely the preparation before filming.

0:11:22.080 --> 0:11:24.240
<v Speaker 5>I think it's a treat because we shoot so fast.

0:11:24.960 --> 0:11:27.360
<v Speaker 5>Tyler gives us all of the scripts for the.

0:11:27.400 --> 0:11:30.560
<v Speaker 4>Season, and that's typically not that we typically don't have

0:11:30.600 --> 0:11:33.360
<v Speaker 4>that on a different type of TV show, So I'm

0:11:33.360 --> 0:11:35.200
<v Speaker 4>able to kind of prepare for it like a movie.

0:11:35.240 --> 0:11:38.560
<v Speaker 4>I know exactly where I am, a lot of notes

0:11:38.720 --> 0:11:40.880
<v Speaker 4>on my personal scripts, so I know where to dive

0:11:40.920 --> 0:11:43.480
<v Speaker 4>in because we're shooting out of order. And also the

0:11:43.520 --> 0:11:47.319
<v Speaker 4>wonderful team at TPS. The crew is phenomenal, from wardrobe

0:11:47.400 --> 0:11:51.440
<v Speaker 4>to the script supervisors. We have readers, people will help

0:11:51.520 --> 0:11:53.679
<v Speaker 4>us kind of get on track to know where we are.

0:11:53.920 --> 0:11:56.320
<v Speaker 4>But the work that I do before can get me

0:11:56.400 --> 0:11:58.520
<v Speaker 4>into the mode. And then I love music too, so

0:11:58.559 --> 0:12:01.560
<v Speaker 4>I have playlists and songs and different things to help.

0:12:02.000 --> 0:12:03.680
<v Speaker 6>You said something earlier til you said you know it

0:12:03.720 --> 0:12:06.199
<v Speaker 6>helps you to stay sane. What do you do to stay.

0:12:07.640 --> 0:12:11.080
<v Speaker 5>I have a great therapist, yes, so number one.

0:12:12.160 --> 0:12:16.880
<v Speaker 4>And I think I'm overall a pretty even person, So

0:12:17.480 --> 0:12:21.079
<v Speaker 4>just continuing to stay grounded and on my feet. If

0:12:21.080 --> 0:12:24.000
<v Speaker 4>i know I'm getting overwhelmed, I'll take a second to breathe.

0:12:24.920 --> 0:12:28.880
<v Speaker 4>I meditate daily. I'll meditate on set if I have

0:12:28.960 --> 0:12:31.880
<v Speaker 4>a break. Every morning, I have the same routine. I

0:12:31.960 --> 0:12:35.000
<v Speaker 4>listen to jazz, I get my green teeth, like just

0:12:35.520 --> 0:12:38.160
<v Speaker 4>trying to control as much as I can and sometimes

0:12:38.160 --> 0:12:41.840
<v Speaker 4>a chaotic environment and then coming out of that when

0:12:41.840 --> 0:12:45.560
<v Speaker 4>we rap. I'm done with Kimmy, I'm done with whatever

0:12:45.640 --> 0:12:48.600
<v Speaker 4>character I'm playing, and I have my own playlist of

0:12:48.640 --> 0:12:51.360
<v Speaker 4>my own music that's like brings me back.

0:12:51.600 --> 0:12:53.360
<v Speaker 6>I wish y'all could have talked to people who are

0:12:53.480 --> 0:12:56.120
<v Speaker 6>like on Days of Our Lives and Guiding Light and

0:12:56.160 --> 0:12:58.680
<v Speaker 6>all those shows back in the day, because I wonder

0:12:58.679 --> 0:13:00.760
<v Speaker 6>if the process was the same for them as it

0:13:00.800 --> 0:13:03.320
<v Speaker 6>is for y'all, because those shows used to come on daily,

0:13:03.320 --> 0:13:05.080
<v Speaker 6>so I'm sure they used to tape a lot. And

0:13:05.160 --> 0:13:06.600
<v Speaker 6>I know that y'all think Tyler got a lot of

0:13:06.600 --> 0:13:10.440
<v Speaker 6>traumatic shit. Them shows had some wow storyline show like

0:13:10.440 --> 0:13:12.640
<v Speaker 6>people were getting buried a live heop was getting possessed

0:13:12.640 --> 0:13:13.280
<v Speaker 6>by demons.

0:13:13.559 --> 0:13:14.840
<v Speaker 2>So I just wonder if they had to.

0:13:15.800 --> 0:13:18.080
<v Speaker 6>If they ever could even decompress at least y'all get

0:13:18.080 --> 0:13:19.680
<v Speaker 6>the opportunity. I wonder if they ever did.

0:13:19.920 --> 0:13:22.800
<v Speaker 4>I mean, I think it's somewhat similar to us. They're

0:13:22.880 --> 0:13:26.679
<v Speaker 4>shooting a lot of scenes in one day. Shout out

0:13:26.720 --> 0:13:29.679
<v Speaker 4>to Debbie Morgan because she came from that world. I mean,

0:13:29.720 --> 0:13:33.840
<v Speaker 4>she's been on everything, but it was just the job.

0:13:34.400 --> 0:13:36.360
<v Speaker 4>I think they probably handled it the way that we

0:13:36.400 --> 0:13:37.000
<v Speaker 4>do because.

0:13:36.880 --> 0:13:37.960
<v Speaker 3>Y'all know, y'all the new stories.

0:13:38.000 --> 0:13:40.520
<v Speaker 6>I tell people that all the time, Tyler Perry stuff

0:13:40.679 --> 0:13:43.160
<v Speaker 6>that's the new stories, like our grandparents, Like I'm going

0:13:43.200 --> 0:13:43.679
<v Speaker 6>to watch.

0:13:43.520 --> 0:13:45.280
<v Speaker 2>My story that story.

0:13:45.440 --> 0:13:46.800
<v Speaker 5>Yeah, people are invested.

0:13:47.200 --> 0:13:48.960
<v Speaker 1>Do you laugh at some of the fight scenes sometimes?

0:13:49.000 --> 0:13:50.679
<v Speaker 1>Because those are the things I feel like they love

0:13:50.760 --> 0:13:52.440
<v Speaker 1>him all over the internet.

0:13:54.120 --> 0:13:57.200
<v Speaker 4>The back and forth, the one liners, the actual fighting.

0:13:58.600 --> 0:14:02.040
<v Speaker 4>Those might be the most difficult to stay in character because.

0:14:01.760 --> 0:14:02.520
<v Speaker 1>Cause you gotta laugh.

0:14:02.720 --> 0:14:05.560
<v Speaker 4>Yes, Like, as a cast, we all are people that

0:14:05.760 --> 0:14:07.760
<v Speaker 4>really like each other. We enjoy being at work, we

0:14:07.880 --> 0:14:10.559
<v Speaker 4>enjoy and have a great time together, and there's.

0:14:10.600 --> 0:14:13.920
<v Speaker 5>Very little levity in love and every.

0:14:13.880 --> 0:14:15.600
<v Speaker 1>Theme that we do. I don't know how y'all take

0:14:15.600 --> 0:14:17.760
<v Speaker 1>you serious? I don't know what show was that one

0:14:17.840 --> 0:14:20.280
<v Speaker 1>scene when the two dudes getting a fight and one

0:14:20.360 --> 0:14:25.640
<v Speaker 1>du hit and he spent Aundrey I said, it wasn't

0:14:25.640 --> 0:14:27.800
<v Speaker 1>that one, but it's a Tyler Perry. But his fight

0:14:27.840 --> 0:14:29.880
<v Speaker 1>scenes always class hilarious. Which one is that he just

0:14:29.880 --> 0:14:30.320
<v Speaker 1>be spinning?

0:14:30.480 --> 0:14:32.080
<v Speaker 5>I don't know, I don't know, you know what they

0:14:32.080 --> 0:14:33.480
<v Speaker 5>got sis? Maybe that was Brothers.

0:14:34.480 --> 0:14:34.720
<v Speaker 8>Look.

0:14:35.840 --> 0:14:38.960
<v Speaker 4>The funniest saying was when well, first of all, no,

0:14:39.120 --> 0:14:42.320
<v Speaker 4>who laughed when Varney kept saying I'm your bitch?

0:14:43.120 --> 0:14:46.560
<v Speaker 5>I mean, who laugh? Who laughed? So you know I

0:14:46.560 --> 0:14:48.760
<v Speaker 5>would get fired that day. I'm not gonna lie.

0:14:49.320 --> 0:14:52.360
<v Speaker 1>Fruit Fruitcake. I'm like, yeah, yeah, fruit Cake.

0:14:53.240 --> 0:14:56.160
<v Speaker 4>I read all of the scripts, but then I just

0:14:56.160 --> 0:14:58.480
<v Speaker 4>focus on what I have to do because it's it's

0:14:58.760 --> 0:15:02.240
<v Speaker 4>it's a lot. So I forgot that that was even

0:15:02.240 --> 0:15:05.040
<v Speaker 4>a thing until I was watching it. And so I'm

0:15:05.080 --> 0:15:06.680
<v Speaker 4>watching it like everybody else does, and.

0:15:06.640 --> 0:15:09.480
<v Speaker 5>I'm like, what is going on?

0:15:10.120 --> 0:15:13.720
<v Speaker 4>And I think they actually got a little heated. They

0:15:13.760 --> 0:15:17.120
<v Speaker 4>have to take take a step back after Yeah, I

0:15:17.160 --> 0:15:20.200
<v Speaker 4>think I saw Julian or or Terrell talk about that.

0:15:20.320 --> 0:15:26.960
<v Speaker 4>I'm sorry, Okay, So they had to take a b yeah, damn, Yeah,

0:15:27.280 --> 0:15:30.160
<v Speaker 4>it's very It's very intense some a lot of them.

0:15:30.360 --> 0:15:32.120
<v Speaker 5>A lot of the scenes are very intense.

0:15:32.440 --> 0:15:34.960
<v Speaker 7>I was saying, I know you talk about how different

0:15:35.040 --> 0:15:37.120
<v Speaker 7>here real life is from Kimmy's, but what did you

0:15:37.200 --> 0:15:42.360
<v Speaker 7>learn about surviving versus living, like actually living from Kimmy's character.

0:15:44.520 --> 0:15:45.360
<v Speaker 5>That's a good question.

0:15:48.920 --> 0:15:55.360
<v Speaker 4>I think I've always known or been informed about trauma responses,

0:15:57.240 --> 0:16:01.840
<v Speaker 4>being in therapy and also being an advocate for youth

0:16:01.880 --> 0:16:04.480
<v Speaker 4>and foster care, certain training that I have to go through,

0:16:04.640 --> 0:16:08.640
<v Speaker 4>like or had to go through. I understand how people

0:16:09.920 --> 0:16:13.800
<v Speaker 4>react and respond to certain things. But I think what

0:16:13.960 --> 0:16:18.479
<v Speaker 4>Kimmy taught me is just a little bit more empathy

0:16:18.760 --> 0:16:22.400
<v Speaker 4>for the decisions that people make, because that's the work

0:16:22.400 --> 0:16:25.080
<v Speaker 4>of an actor, is justifying what somebody is doing and

0:16:25.120 --> 0:16:26.720
<v Speaker 4>making it real. I have to make it real to

0:16:26.800 --> 0:16:28.880
<v Speaker 4>me to play it. So I was asking myself, like,

0:16:28.880 --> 0:16:30.120
<v Speaker 4>why why would.

0:16:29.960 --> 0:16:31.400
<v Speaker 5>She not just leave? Why would she not die?

0:16:32.080 --> 0:16:35.240
<v Speaker 4>And she's trying to survive, That's exactly it. So the

0:16:36.080 --> 0:16:38.560
<v Speaker 4>stakes that people go through to simply try to survive

0:16:38.960 --> 0:16:40.800
<v Speaker 4>on top of the things that they've already been through.

0:16:41.560 --> 0:16:43.840
<v Speaker 4>And I think it made me very appreciative and very

0:16:43.840 --> 0:16:46.120
<v Speaker 4>empathetic for the things that the.

0:16:46.040 --> 0:16:47.080
<v Speaker 5>Decisions that people make.

0:16:47.160 --> 0:16:51.120
<v Speaker 4>It doesn't necessarily make them right, but like, if we

0:16:51.240 --> 0:16:53.760
<v Speaker 4>know everybody's story, you can probably rationalize it a little bit.

0:16:54.600 --> 0:16:56.640
<v Speaker 1>Well, you got the script, is there was there ever

0:16:56.640 --> 0:16:58.440
<v Speaker 1>a moment and you be like, oh, hell no when

0:16:58.480 --> 0:17:00.400
<v Speaker 1>you read something like nah, this is not this is

0:17:00.440 --> 0:17:02.320
<v Speaker 1>not it will be like, let me call Tyler see

0:17:02.320 --> 0:17:03.160
<v Speaker 1>if we could change this.

0:17:05.160 --> 0:17:10.000
<v Speaker 3>You ain't gonna answer that. Don't let him Tyler Perry

0:17:10.040 --> 0:17:11.480
<v Speaker 3>Villain read Tyler Perry Villain.

0:17:15.840 --> 0:17:15.919
<v Speaker 2>No.

0:17:16.160 --> 0:17:19.280
<v Speaker 4>Actually, there were things that I was like, oh my gosh,

0:17:19.320 --> 0:17:21.439
<v Speaker 4>this is horrible, especially in season one some of the

0:17:21.440 --> 0:17:26.359
<v Speaker 4>things with Kimmy and Roy, Kimmy and Jewels that dynamic.

0:17:27.480 --> 0:17:29.600
<v Speaker 4>But it was more so questions I need to understand

0:17:29.640 --> 0:17:34.360
<v Speaker 4>why why? And he's always very open to to talk

0:17:34.359 --> 0:17:36.199
<v Speaker 4>to me about why in the show, right, why do

0:17:36.280 --> 0:17:39.359
<v Speaker 4>you why do you feel like Kimmy is having a

0:17:39.400 --> 0:17:40.840
<v Speaker 4>hard time not trusting her.

0:17:40.760 --> 0:17:41.760
<v Speaker 5>Now husband.

0:17:43.880 --> 0:17:46.240
<v Speaker 4>That is actually a very big difference between me and Kimmy.

0:17:46.280 --> 0:17:49.399
<v Speaker 4>I'm probably a little too trusting. Like that was a

0:17:49.760 --> 0:17:52.879
<v Speaker 4>question that happened on set. Tyler was like, if somebody

0:17:52.880 --> 0:17:54.639
<v Speaker 4>were to just give you five thousand dollars wouldn't you

0:17:54.640 --> 0:17:55.600
<v Speaker 4>be like, what's the catch?

0:17:55.640 --> 0:18:01.440
<v Speaker 5>I was like, not me. It was like, you're so innocent?

0:18:02.680 --> 0:18:07.840
<v Speaker 4>Maybe but learning again the trauma informed responses that Kimmy asked.

0:18:07.840 --> 0:18:09.800
<v Speaker 5>Why would she trust him?

0:18:09.960 --> 0:18:12.520
<v Speaker 4>He just met her, I know, but he also did

0:18:12.560 --> 0:18:15.560
<v Speaker 4>a bunch of things for her to help her.

0:18:15.680 --> 0:18:16.520
<v Speaker 5>What is the catch?

0:18:18.240 --> 0:18:19.280
<v Speaker 3>You would take any of that home?

0:18:19.320 --> 0:18:19.480
<v Speaker 6>Though?

0:18:19.480 --> 0:18:22.720
<v Speaker 3>You would be like you sure you still at the residence?

0:18:27.359 --> 0:18:29.360
<v Speaker 5>Never never with him? Never with him.

0:18:29.359 --> 0:18:31.679
<v Speaker 4>Maybe if somebody randomly gave me five thousand dollars, I'm

0:18:31.720 --> 0:18:37.000
<v Speaker 4>might be like why, But not with him Organs.

0:18:36.600 --> 0:18:37.359
<v Speaker 1>You know they.

0:18:42.119 --> 0:18:45.760
<v Speaker 5>She's gonna come back then Organs.

0:18:46.000 --> 0:18:46.200
<v Speaker 2>No.

0:18:46.280 --> 0:18:49.199
<v Speaker 4>But although right now and in the beginning, I did

0:18:49.240 --> 0:18:51.400
<v Speaker 4>feel like that, I felt like, no, I don't trust

0:18:51.440 --> 0:18:52.399
<v Speaker 4>him because I felt like that.

0:18:52.480 --> 0:18:54.440
<v Speaker 5>Super Then when you look from a viewer.

0:18:54.200 --> 0:18:56.160
<v Speaker 4>Standpoint, when you look and you see all the bullshit

0:18:56.200 --> 0:18:58.960
<v Speaker 4>that's going on outside of it, and he can't even

0:18:58.960 --> 0:18:59.879
<v Speaker 4>trust his family.

0:19:00.200 --> 0:19:02.200
<v Speaker 5>They don't trust each other. It's so much going on,

0:19:03.080 --> 0:19:04.720
<v Speaker 5>and he about to die. You know what I'm saying?

0:19:05.359 --> 0:19:08.560
<v Speaker 5>Who can he trust? He find this girl and he's like,

0:19:09.400 --> 0:19:10.080
<v Speaker 5>who is Kimmy?

0:19:10.760 --> 0:19:13.200
<v Speaker 4>She feels like she can't trust him, but he's showing

0:19:13.240 --> 0:19:17.119
<v Speaker 4>and proven that he can be trusted at least, you know,

0:19:17.520 --> 0:19:19.879
<v Speaker 4>for the greater good of what's happening, the grand scheme

0:19:19.920 --> 0:19:22.199
<v Speaker 4>of things. Right, you want your sister back, you know, well,

0:19:22.280 --> 0:19:24.439
<v Speaker 4>Keimmy wants her sister back. She wants out of this

0:19:24.520 --> 0:19:28.200
<v Speaker 4>whole game. And it's things that he don't know either.

0:19:28.200 --> 0:19:30.720
<v Speaker 4>He didn't even know about the night club situation or whatever,

0:19:30.760 --> 0:19:32.000
<v Speaker 4>until you know, you made.

0:19:31.920 --> 0:19:33.160
<v Speaker 5>Certain things relevant to him.

0:19:33.160 --> 0:19:35.720
<v Speaker 4>Now he know, he's like, okay, he is using, but

0:19:35.760 --> 0:19:37.600
<v Speaker 4>he still needs you and he still wants you to

0:19:37.640 --> 0:19:38.120
<v Speaker 4>trust him.

0:19:38.240 --> 0:19:42.400
<v Speaker 5>Why does it take so long for you to trust this, nigga?

0:19:42.640 --> 0:19:46.280
<v Speaker 5>I mean, you're right, You're right, You're right.

0:19:46.520 --> 0:19:50.040
<v Speaker 4>I'm sorry, but still keep in mind from episode one

0:19:50.080 --> 0:19:52.960
<v Speaker 4>of season two to episode sixteen, I think it's only

0:19:53.000 --> 0:19:55.720
<v Speaker 4>been two to three days, it is.

0:19:56.240 --> 0:20:01.200
<v Speaker 5>Yes, well, Damn Tyler, to your point, she is.

0:20:01.920 --> 0:20:04.520
<v Speaker 4>I think she's warming up to him. Yeah, I think

0:20:04.520 --> 0:20:06.720
<v Speaker 4>she's warming up. And I would hope that in part

0:20:06.720 --> 0:20:10.480
<v Speaker 4>two or beyond that maybe she'll give him a chance.

0:20:10.680 --> 0:20:12.640
<v Speaker 4>I don't I don't want to ruin anything.

0:20:13.119 --> 0:20:14.640
<v Speaker 1>How do you criticism?

0:20:14.760 --> 0:20:14.960
<v Speaker 2>Right?

0:20:15.040 --> 0:20:16.640
<v Speaker 1>But you see how passionate she is, and I'm sure

0:20:16.640 --> 0:20:18.640
<v Speaker 1>people come up to you passionate all day long. Right,

0:20:18.840 --> 0:20:21.560
<v Speaker 1>how do you handle criticism online? People might not liking

0:20:21.600 --> 0:20:24.920
<v Speaker 1>a character that, Yeah, how do you handle that?

0:20:24.920 --> 0:20:27.720
<v Speaker 4>That has been a new adjustment, Like to the question

0:20:27.760 --> 0:20:32.240
<v Speaker 4>you asked me earlier, and honestly, I made a decision

0:20:32.800 --> 0:20:34.879
<v Speaker 4>before the project even came out that.

0:20:36.280 --> 0:20:39.320
<v Speaker 5>If I can look at one negative.

0:20:38.920 --> 0:20:41.000
<v Speaker 4>Comment and it ruined my day or I feel like

0:20:41.000 --> 0:20:43.520
<v Speaker 4>I need to justify something or different, then I need

0:20:43.520 --> 0:20:46.680
<v Speaker 4>to respond to every single person showing love. Everybody's saying

0:20:46.720 --> 0:20:49.040
<v Speaker 4>that they love the show or whatever. And if I

0:20:49.080 --> 0:20:51.639
<v Speaker 4>can't respond to all of them, I don't need to

0:20:51.640 --> 0:20:54.160
<v Speaker 4>respond to negativity because I'm not that type of person.

0:20:54.200 --> 0:20:54.600
<v Speaker 5>Anyway.

0:20:54.880 --> 0:20:58.000
<v Speaker 4>I would say, like, I'm a pretty optimistic person. I'm

0:20:58.000 --> 0:21:00.399
<v Speaker 4>a realistic person, but like I have a lot of

0:21:00.480 --> 0:21:04.160
<v Speaker 4>drama and like stuff in my life, so I can't

0:21:04.160 --> 0:21:05.160
<v Speaker 4>even worry about that.

0:21:05.280 --> 0:21:06.280
<v Speaker 5>Yeah, like I can't.

0:21:06.640 --> 0:21:10.919
<v Speaker 4>There are people that I trust to give me real feedback,

0:21:11.000 --> 0:21:12.400
<v Speaker 4>like what is the real assessment?

0:21:12.920 --> 0:21:14.280
<v Speaker 5>And then we keep it going.

0:21:14.640 --> 0:21:15.640
<v Speaker 3>You said it was kind of hard.

0:21:15.920 --> 0:21:17.879
<v Speaker 6>I'm saying the word victim, but you said it was

0:21:17.920 --> 0:21:19.600
<v Speaker 6>kind of hard to play of I guess a victim

0:21:19.680 --> 0:21:23.320
<v Speaker 6>like role. So as the character, Yeah, with the character

0:21:23.520 --> 0:21:25.720
<v Speaker 6>as the character evolved, was it easier for you to

0:21:25.720 --> 0:21:26.919
<v Speaker 6>go from victim to vindicate it?

0:21:27.119 --> 0:21:30.800
<v Speaker 4>Yeah, But I think one it is just easier to

0:21:30.840 --> 0:21:33.720
<v Speaker 4>play somebody not in that situation. I have more life

0:21:33.760 --> 0:21:39.120
<v Speaker 4>experience as a person who was more empowered. But I

0:21:39.160 --> 0:21:42.960
<v Speaker 4>think in wanting to protect her, that's why I was

0:21:43.000 --> 0:21:45.360
<v Speaker 4>having such a difficult time, like, oh my gosh, why

0:21:45.440 --> 0:21:47.760
<v Speaker 4>is this happening in her? Being able to have that

0:21:47.880 --> 0:21:50.760
<v Speaker 4>vindication and play that out so soon into the second

0:21:50.760 --> 0:21:54.240
<v Speaker 4>season is a real treat as an actor. I feel

0:21:54.240 --> 0:21:57.080
<v Speaker 4>like with a lot of characters that begin one way

0:21:57.119 --> 0:21:59.840
<v Speaker 4>and then they grow into this boss, we might see

0:21:59.840 --> 0:22:03.359
<v Speaker 4>that over like three four or five seasons, but with her,

0:22:03.400 --> 0:22:06.439
<v Speaker 4>it happened kind of quick, So it's it is fun

0:22:06.520 --> 0:22:07.639
<v Speaker 4>to be able to do that.

0:22:08.680 --> 0:22:09.240
<v Speaker 2>I do like that.

0:22:09.320 --> 0:22:13.040
<v Speaker 5>I do like that quick turnaround of character development. That's cool.

0:22:13.440 --> 0:22:15.359
<v Speaker 1>I was gonna ask you know, you spoke about it earlier,

0:22:15.400 --> 0:22:17.280
<v Speaker 1>you having help on setting people talking to you got

0:22:17.280 --> 0:22:19.919
<v Speaker 1>in through the script, But I always wondered, is it

0:22:20.000 --> 0:22:23.040
<v Speaker 1>easy to talk to like a human traffic victim before

0:22:23.119 --> 0:22:25.440
<v Speaker 1>to get their feeling, to get their mindset of why

0:22:25.520 --> 0:22:27.880
<v Speaker 1>and how and when? Because I'm sure from your side

0:22:28.000 --> 0:22:30.040
<v Speaker 1>you don't understand because you've never been in that situation,

0:22:30.119 --> 0:22:32.840
<v Speaker 1>so it's easy to you know, find that out. Is

0:22:32.880 --> 0:22:34.560
<v Speaker 1>that something that you've done when it came to.

0:22:34.520 --> 0:22:37.760
<v Speaker 4>These roles, Yeah, because I was having a difficult time

0:22:37.880 --> 0:22:39.800
<v Speaker 4>understanding why not just leave?

0:22:40.560 --> 0:22:44.080
<v Speaker 5>I would rather be dead than deal with that. I would,

0:22:44.119 --> 0:22:45.399
<v Speaker 5>but that's not Kimmy.

0:22:46.000 --> 0:22:50.200
<v Speaker 4>So I did speak to somebody that had been through

0:22:50.240 --> 0:22:51.080
<v Speaker 4>a situation like.

0:22:51.040 --> 0:22:54.680
<v Speaker 5>That, and a lot of times people trafficking.

0:22:54.160 --> 0:22:57.040
<v Speaker 4>I think is a very formal word to describe what

0:22:57.080 --> 0:22:59.800
<v Speaker 4>can happen to people and they don't even know until

0:22:59.800 --> 0:23:03.200
<v Speaker 4>they're trying to get out of it. So doing research

0:23:03.240 --> 0:23:05.880
<v Speaker 4>online YouTube is a great resource, just trying to understand

0:23:05.880 --> 0:23:08.600
<v Speaker 4>the mindset not only of how you got in the situation,

0:23:09.320 --> 0:23:11.160
<v Speaker 4>why you stayed in it, but what did it take

0:23:11.200 --> 0:23:15.040
<v Speaker 4>to get out? And that's the real resiliency. Obviously, Kimmy

0:23:15.119 --> 0:23:17.480
<v Speaker 4>is in a fictional world and the sugar daddy with

0:23:17.560 --> 0:23:20.080
<v Speaker 4>no sugar came and took her out. But for a

0:23:20.080 --> 0:23:23.560
<v Speaker 4>lot of people, that is a mindset shift that needed

0:23:23.600 --> 0:23:25.320
<v Speaker 4>a lot of help, a lot of support, a lot

0:23:25.320 --> 0:23:27.760
<v Speaker 4>of work to get out of that lifestyle.

0:23:28.240 --> 0:23:30.919
<v Speaker 1>Did you understand it more after having those conversations and

0:23:30.920 --> 0:23:33.320
<v Speaker 1>doing that research. Yeah, absolutely, How was it?

0:23:33.359 --> 0:23:35.479
<v Speaker 6>How was it received by the person though, because that's

0:23:35.520 --> 0:23:37.879
<v Speaker 6>a person's real life and you're talking to them, you know,

0:23:37.920 --> 0:23:40.200
<v Speaker 6>trying to get I guess game for a role. How

0:23:40.200 --> 0:23:42.320
<v Speaker 6>did they receive you even asking them the questions?

0:23:43.280 --> 0:23:49.000
<v Speaker 4>Oh, I already knew, already knew her and she was

0:23:49.080 --> 0:23:51.159
<v Speaker 4>open because she's past that now.

0:23:51.720 --> 0:23:56.240
<v Speaker 5>But I mean it is a with that situation.

0:23:56.320 --> 0:24:00.000
<v Speaker 4>It was like a pimp situation, not necessarily human traffic

0:24:00.119 --> 0:24:03.320
<v Speaker 4>king when you're thinking somebody's being kidnapped and whatever. But

0:24:05.040 --> 0:24:07.160
<v Speaker 4>she was open I think to get out of that.

0:24:07.320 --> 0:24:11.120
<v Speaker 4>Most survivors not would be open to be exploited, but.

0:24:11.160 --> 0:24:13.919
<v Speaker 5>To share that story especially.

0:24:14.960 --> 0:24:17.520
<v Speaker 7>Yeah, have you had other women that are currently going

0:24:17.560 --> 0:24:20.160
<v Speaker 7>through that or that have recently gotten out of those

0:24:20.160 --> 0:24:22.679
<v Speaker 7>situations reach out to you and like is that a heavyweight?

0:24:23.080 --> 0:24:23.280
<v Speaker 1>Yes?

0:24:24.080 --> 0:24:27.159
<v Speaker 4>On social media they have, particularly more so in for

0:24:27.200 --> 0:24:31.400
<v Speaker 4>a season than this season. And again, as an advocate,

0:24:31.480 --> 0:24:34.160
<v Speaker 4>I just want to help everybody.

0:24:34.760 --> 0:24:36.560
<v Speaker 5>I try to like connect.

0:24:36.160 --> 0:24:39.000
<v Speaker 4>People to resources or if you can't text or you

0:24:39.040 --> 0:24:42.479
<v Speaker 4>can't do something, then I could text for you, and

0:24:42.480 --> 0:24:45.080
<v Speaker 4>then people I wouldn't hear from them or whatever, so

0:24:45.320 --> 0:24:48.600
<v Speaker 4>that that is difficult, but I just pray for them.

0:24:48.880 --> 0:24:51.080
<v Speaker 5>How is it working with the legendary Otis?

0:24:52.440 --> 0:24:57.919
<v Speaker 4>Otis is still look good mans ever since I watched your.

0:25:01.240 --> 0:25:05.320
<v Speaker 5>Yes, it's wonderful. Like he walks in, he's just so

0:25:05.560 --> 0:25:07.560
<v Speaker 5>New York. He be like, good morning, good morning, queen,

0:25:07.720 --> 0:25:08.639
<v Speaker 5>good morning queen.

0:25:09.960 --> 0:25:13.040
<v Speaker 4>He's just great, and he's so grounded, and he's really

0:25:13.080 --> 0:25:14.919
<v Speaker 4>really fun to work with. Back and forth, but like

0:25:15.000 --> 0:25:17.639
<v Speaker 4>every scene that we have together is always so intense

0:25:17.760 --> 0:25:21.719
<v Speaker 4>and horrible, and he's always like it's okay, okay, okay,

0:25:21.800 --> 0:25:24.320
<v Speaker 4>and I'm like, I'm fine, I'm fine. But it was

0:25:24.359 --> 0:25:26.879
<v Speaker 4>good working with him. I love that favorite character on

0:25:26.920 --> 0:25:34.680
<v Speaker 4>the show. I can't say yourself, I love I honestly

0:25:34.760 --> 0:25:39.480
<v Speaker 4>love Horace. It's something about him, even in that hospital bed,

0:25:40.240 --> 0:25:43.520
<v Speaker 4>I have faith that he's gonna get out. I love Horace,

0:25:43.600 --> 0:25:46.800
<v Speaker 4>but I love Mallory's one liners. There's why I love

0:25:46.880 --> 0:25:47.360
<v Speaker 4>all of them.

0:25:47.520 --> 0:25:51.680
<v Speaker 5>That girl will be listening. She I love Malory. It's

0:25:51.680 --> 0:25:53.880
<v Speaker 5>like love hate, but I do. I love her.

0:25:54.280 --> 0:25:55.919
<v Speaker 4>I love her on the show, but no, Horace is

0:25:55.920 --> 0:25:59.840
<v Speaker 4>my favorite. And he fine, and I'm right, but he

0:25:59.720 --> 0:26:04.680
<v Speaker 4>he father fine, you know, takes very good care of himself.

0:26:04.720 --> 0:26:06.520
<v Speaker 5>Absolutely, How do you see.

0:26:06.320 --> 0:26:08.439
<v Speaker 3>The role of Kimmy shaping like the next phrase of

0:26:08.440 --> 0:26:08.919
<v Speaker 3>your career.

0:26:09.359 --> 0:26:12.920
<v Speaker 5>M I would hope that.

0:26:14.840 --> 0:26:20.520
<v Speaker 4>The dynamic shift that Kimmy takes in the Journey of

0:26:20.560 --> 0:26:23.399
<v Speaker 4>Beauty and Black would open up doors for me to

0:26:23.440 --> 0:26:26.960
<v Speaker 4>play roles that I haven't played before. It's interesting that

0:26:27.359 --> 0:26:29.040
<v Speaker 4>a lot of the roles that I played before are

0:26:29.119 --> 0:26:34.840
<v Speaker 4>always I mean, I played an assassin, stripper, I've played

0:26:34.960 --> 0:26:37.560
<v Speaker 4>a mean girl. I played things like that, and it's

0:26:37.560 --> 0:26:39.440
<v Speaker 4>like there's so many more layers to me and things

0:26:39.440 --> 0:26:42.240
<v Speaker 4>that I'm actually not like any of those. I haven't

0:26:42.240 --> 0:26:44.120
<v Speaker 4>played a character that's like myself yet. So I would

0:26:44.119 --> 0:26:47.000
<v Speaker 4>hope that she can keep exploring the dynamics of her

0:26:47.240 --> 0:26:50.160
<v Speaker 4>and from that maybe Hollywood will take note and be like, yeah,

0:26:50.200 --> 0:26:53.000
<v Speaker 4>I could see her as this too. Now, if you

0:26:53.200 --> 0:26:55.760
<v Speaker 4>knew somebody right that wanted to be on the show,

0:26:55.840 --> 0:26:58.480
<v Speaker 4>like one of your friends, and being as though you'd

0:26:58.480 --> 0:27:00.399
<v Speaker 4>be around Tyland and I know he always looking for

0:27:00.480 --> 0:27:04.560
<v Speaker 4>new actors and stuff, you know, how would you pitch

0:27:04.680 --> 0:27:06.600
<v Speaker 4>to him, I got this girl want to be on

0:27:06.640 --> 0:27:07.000
<v Speaker 4>the show.

0:27:07.520 --> 0:27:08.960
<v Speaker 5>Is that something that you would do?

0:27:09.560 --> 0:27:10.000
<v Speaker 1>What's wrong?

0:27:10.400 --> 0:27:12.960
<v Speaker 5>Bright? I don't know you got friends replace you?

0:27:13.040 --> 0:27:17.920
<v Speaker 4>Baltimore, for example, say he is looking for somebody else,

0:27:17.960 --> 0:27:20.080
<v Speaker 4>you know, to be a stripper, really good at that.

0:27:21.400 --> 0:27:24.160
<v Speaker 4>How would you say, yo, sala I got this girl.

0:27:24.800 --> 0:27:30.800
<v Speaker 4>Does he allow for conversations like that, Yeah.

0:27:30.560 --> 0:27:31.760
<v Speaker 5>He's very collaborative.

0:27:31.960 --> 0:27:34.360
<v Speaker 4>I might be looking at the scripts, maybe a new

0:27:34.400 --> 0:27:38.800
<v Speaker 4>season or something like, wow, there's a character I know

0:27:38.920 --> 0:27:42.159
<v Speaker 4>somebody that would be great and and I would make

0:27:42.240 --> 0:27:44.520
<v Speaker 4>a great promises person like.

0:27:44.440 --> 0:27:46.440
<v Speaker 1>I would be would great.

0:27:48.280 --> 0:27:51.840
<v Speaker 5>Crazy, just let me know, let you know, go ahead

0:27:51.840 --> 0:27:54.240
<v Speaker 5>and you know, sliping the lord. You know, just it's

0:27:54.320 --> 0:27:55.520
<v Speaker 5>been auditioning.

0:27:56.000 --> 0:27:58.520
<v Speaker 4>Wow, yeah, you never got back to us, so just

0:27:58.520 --> 0:28:01.160
<v Speaker 4>just you know, hit him great period.

0:28:01.880 --> 0:28:06.160
<v Speaker 3>So many shows a real yeah, which one.

0:28:05.600 --> 0:28:11.119
<v Speaker 5>I'll send them, you know, sisters and the which one?

0:28:10.840 --> 0:28:13.520
<v Speaker 5>The one the oval? Yes, and then it's another one.

0:28:14.520 --> 0:28:17.960
<v Speaker 4>Uh. It was like something like a war situation happening.

0:28:18.240 --> 0:28:22.800
<v Speaker 4>It was one of the No, but I did want

0:28:22.840 --> 0:28:24.399
<v Speaker 4>for that too, but it was another one. Damn it

0:28:24.400 --> 0:28:24.960
<v Speaker 4>was another show.

0:28:25.000 --> 0:28:25.440
<v Speaker 5>It was crazy.

0:28:25.480 --> 0:28:29.000
<v Speaker 4>It was it was all the time, like eighty shows.

0:28:29.040 --> 0:28:30.919
<v Speaker 4>Like I know what I'm saying, I've auditioned for all

0:28:30.960 --> 0:28:32.040
<v Speaker 4>of them without.

0:28:31.760 --> 0:28:32.560
<v Speaker 5>People even knowing.

0:28:33.160 --> 0:28:35.919
<v Speaker 1>But so special for you.

0:28:37.359 --> 0:28:42.440
<v Speaker 5>Okay, cool, I just just tell them. Yeah the interview,

0:28:43.120 --> 0:28:46.240
<v Speaker 5>that's great, you get okay, I think you can be

0:28:46.880 --> 0:28:47.320
<v Speaker 5>so much?

0:28:47.920 --> 0:29:04.280
<v Speaker 8>What is this my last?

0:29:05.120 --> 0:29:08.880
<v Speaker 5>I'm serious, but I forget.

0:29:09.400 --> 0:29:11.560
<v Speaker 7>Oh oh, So you talked a bit about like when

0:29:11.600 --> 0:29:12.760
<v Speaker 7>people come to you on the street and they have

0:29:12.760 --> 0:29:15.840
<v Speaker 7>criticisms right when you guys so on the other side,

0:29:15.880 --> 0:29:18.239
<v Speaker 7>like we see people criticize Tyler Perry's movies for different things.

0:29:18.280 --> 0:29:19.800
<v Speaker 7>I know when Divorce in Black came out, people have

0:29:19.920 --> 0:29:22.480
<v Speaker 7>so much to say and then the Amazon number dropped,

0:29:22.600 --> 0:29:25.959
<v Speaker 7>numbers dropped, and y'all drove up the Amazon Prime subscriptions

0:29:25.960 --> 0:29:29.400
<v Speaker 7>better than any other MGM movie. Right, So it's kind

0:29:29.440 --> 0:29:32.400
<v Speaker 7>of like a checkmate. How does the cast feel when

0:29:32.400 --> 0:29:34.200
<v Speaker 7>you're watching all that play out? But you can't really

0:29:34.200 --> 0:29:36.920
<v Speaker 7>say anything? And like, what is Tyler Perry telling y'all?

0:29:36.920 --> 0:29:38.560
<v Speaker 7>Like y'all get off the internet? Like how is he

0:29:38.640 --> 0:29:39.240
<v Speaker 7>responding to that?

0:29:41.040 --> 0:29:43.640
<v Speaker 5>In real time? He doesn't tell us anything.

0:29:43.840 --> 0:29:47.040
<v Speaker 4>I think getting to know him and working with him

0:29:47.080 --> 0:29:51.960
<v Speaker 4>and being on set he instilled in us you focus

0:29:52.000 --> 0:29:54.520
<v Speaker 4>on doing what you do. There are people who are

0:29:54.520 --> 0:29:56.640
<v Speaker 4>gonna talk, people are gonna love it, hate it. Whatever

0:29:57.000 --> 0:29:59.320
<v Speaker 4>you do what God has intended for you to do,

0:29:59.760 --> 0:30:01.800
<v Speaker 4>and that's all you should worry about.

0:30:02.080 --> 0:30:04.160
<v Speaker 5>So for me even with the voice in the Black.

0:30:04.720 --> 0:30:07.320
<v Speaker 4>That was probably when I changed my dynamic with looking

0:30:07.320 --> 0:30:10.200
<v Speaker 4>at comments and like looking at Twitter and hashtags and

0:30:10.240 --> 0:30:14.560
<v Speaker 4>things like that, because you know, I'm proud of what

0:30:14.640 --> 0:30:16.200
<v Speaker 4>I do. And then you look and it's like, oh,

0:30:16.560 --> 0:30:18.440
<v Speaker 4>you see negative things and it's like, I'm not even

0:30:18.440 --> 0:30:20.480
<v Speaker 4>gonna let that consume me. I already did my job.

0:30:20.960 --> 0:30:22.440
<v Speaker 4>So if that's how you feel about it, that's how

0:30:22.480 --> 0:30:23.080
<v Speaker 4>you feel about it.

0:30:23.080 --> 0:30:29.080
<v Speaker 5>But you why period? No, my wig was good. Oh

0:30:29.120 --> 0:30:32.400
<v Speaker 5>the whole time. The hair department was great.

0:30:32.680 --> 0:30:35.520
<v Speaker 3>I don't know. People complain about the wigs on Tyler

0:30:35.560 --> 0:30:36.560
<v Speaker 3>Perry productions.

0:30:37.240 --> 0:30:40.600
<v Speaker 4>Anyway, you kill the role you. I love Beauty and Black.

0:30:40.680 --> 0:30:43.400
<v Speaker 4>I'm invested in the show. I'm not just saying so

0:30:43.480 --> 0:30:45.120
<v Speaker 4>you can go ahead and tell Tyler get me wrong.

0:30:45.120 --> 0:30:47.720
<v Speaker 4>I really do love Beauty and Black. I'll be in

0:30:47.760 --> 0:30:50.720
<v Speaker 4>here telling him about about it all the time about it.

0:30:51.360 --> 0:30:56.440
<v Speaker 4>This nigga is lying, Sarah, He is lying.

0:30:55.240 --> 0:30:55.960
<v Speaker 2>The one thing.

0:30:58.280 --> 0:31:00.160
<v Speaker 7>The gay guys remember it was something about it, but

0:31:00.280 --> 0:31:04.320
<v Speaker 7>remember you could I remember.

0:31:03.200 --> 0:31:06.080
<v Speaker 5>That's my favorite. That's about my other favorite. And that's

0:31:06.080 --> 0:31:09.120
<v Speaker 5>all he well. The brother, oh my god, he's so funny.

0:31:11.440 --> 0:31:14.400
<v Speaker 2>Was the first that the Median Black.

0:31:14.760 --> 0:31:16.120
<v Speaker 1>That scene that was a fruitcake one.

0:31:16.200 --> 0:31:18.120
<v Speaker 2>Right, that was when he when he dropped his pants.

0:31:17.960 --> 0:31:23.040
<v Speaker 5>And I know you're gonna miss ask talking. Yeah, Black,

0:31:23.600 --> 0:31:27.160
<v Speaker 5>I love about three months.

0:31:27.520 --> 0:31:28.640
<v Speaker 1>That's what wanted to.

0:31:30.880 --> 0:31:36.320
<v Speaker 5>Watch, trying to be on it too. That's the was

0:31:37.320 --> 0:31:38.440
<v Speaker 5>that was definitely mean.

0:31:38.640 --> 0:31:38.920
<v Speaker 4>It was.

0:31:39.200 --> 0:31:41.280
<v Speaker 7>Yes, That's how I found out about the shows, because

0:31:41.280 --> 0:31:44.040
<v Speaker 7>you kept telling me about the If you watched it,

0:31:44.160 --> 0:31:44.600
<v Speaker 7>you would know.

0:31:44.920 --> 0:31:46.600
<v Speaker 2>I didn't want the first He's in the beauty.

0:31:48.400 --> 0:31:50.320
<v Speaker 5>So so so what happened with yours?

0:31:51.480 --> 0:31:52.240
<v Speaker 1>They thought he was?

0:31:52.360 --> 0:31:55.920
<v Speaker 5>I know that first the first first season they got his.

0:31:56.040 --> 0:31:59.000
<v Speaker 6>Car right hold on, Now that Beauty and Black is

0:31:59.080 --> 0:32:02.640
<v Speaker 6>when somebody gets killed and then it's the old game.

0:32:03.040 --> 0:32:03.440
<v Speaker 6>The club.

0:32:03.960 --> 0:32:06.360
<v Speaker 2>Yeah, watching the script, but he wanted the man.

0:32:08.320 --> 0:32:09.040
<v Speaker 7>Club at one point.

0:32:09.200 --> 0:32:10.080
<v Speaker 5>Yeah he was.

0:32:10.360 --> 0:32:13.320
<v Speaker 2>He was in the Script club, but then she got

0:32:13.440 --> 0:32:13.800
<v Speaker 2>us hurd.

0:32:14.160 --> 0:32:21.000
<v Speaker 5>You just really time I came in here talking about

0:32:21.000 --> 0:32:22.160
<v Speaker 5>the gay scenes, first, he would have been.

0:32:22.320 --> 0:32:23.800
<v Speaker 2>I watched a lot of Tier Priences, but it's just

0:32:23.880 --> 0:32:25.800
<v Speaker 2>all a blurred. I'm like that because that was last

0:32:25.880 --> 0:32:26.560
<v Speaker 2>year I watched it.

0:32:26.800 --> 0:32:31.720
<v Speaker 4>Yeah, you could have watched the new Yeah, Kimmy, whatever

0:32:31.920 --> 0:32:38.800
<v Speaker 4>he listen, I this Charles is does Charles do I

0:32:39.240 --> 0:32:41.040
<v Speaker 4>always yes, I knew it.

0:32:41.120 --> 0:32:44.080
<v Speaker 5>I should have mentioned that he's one of my favorite

0:32:44.120 --> 0:32:45.680
<v Speaker 5>characters too, because he is funny.

0:32:46.040 --> 0:32:48.880
<v Speaker 4>Funny, Yeah, I knew. I knew all that wasn't written down.

0:32:48.920 --> 0:32:52.600
<v Speaker 4>I'm like Charles as is just impriving all that he's funny.

0:32:53.040 --> 0:32:55.640
<v Speaker 7>Is there a date for the second part of the

0:32:55.720 --> 0:32:58.440
<v Speaker 7>second season, Not that I know of yet.

0:32:59.360 --> 0:32:59.800
<v Speaker 5>It's coming.

0:33:00.320 --> 0:33:02.840
<v Speaker 4>Okay, that's that's for sure. I feel like last time

0:33:02.880 --> 0:33:04.240
<v Speaker 4>it was a couple of months. So maybe at the

0:33:04.280 --> 0:33:05.000
<v Speaker 4>top of next year.

0:33:05.120 --> 0:33:07.480
<v Speaker 5>The people what they want to know. I've seen so

0:33:07.600 --> 0:33:12.840
<v Speaker 5>many fake posters the dates. We don't have a thing. Okay,

0:33:12.960 --> 0:33:13.840
<v Speaker 5>well I'll be waiting.

0:33:14.760 --> 0:33:16.240
<v Speaker 1>Well, thank you for joining us this morning.

0:33:16.360 --> 0:33:18.040
<v Speaker 2>Thank you, Taylor, thank for having me.

0:33:18.440 --> 0:33:19.880
<v Speaker 1>I want to I want to say, yeah, what's what's

0:33:19.880 --> 0:33:28.000
<v Speaker 1>the middle name? Holla door, Taylor Williams. I'm sorry.

0:33:30.960 --> 0:33:32.480
<v Speaker 6>The way your career is going, it's gonna be a

0:33:32.520 --> 0:33:35.000
<v Speaker 6>the time. He's never gonna forget your name, that's right.

0:33:35.360 --> 0:33:36.360
<v Speaker 5>And you make sure you forget his.

0:33:38.640 --> 0:33:39.080
<v Speaker 1>I won't.

0:33:39.560 --> 0:33:42.200
<v Speaker 5>Yes, I do, Thank you, d J.

0:33:42.400 --> 0:33:46.480
<v Speaker 1>And what school does she go to? HB Cut It

0:33:46.520 --> 0:33:48.480
<v Speaker 1>doesn't even matter. Nobody went to that school.

0:33:50.320 --> 0:33:52.240
<v Speaker 7>Delaware at University because she went to one and she

0:33:53.320 --> 0:33:56.880
<v Speaker 7>and I know you did where he goes. You got.

0:33:58.320 --> 0:33:58.760
<v Speaker 1>Remember that.

0:33:59.280 --> 0:34:00.120
<v Speaker 5>That's what's Upke?

0:34:00.160 --> 0:34:01.080
<v Speaker 1>You again. Don't look overre.

0:34:01.080 --> 0:34:05.440
<v Speaker 5>I ain't going to college? Can Ken just looking like.

0:34:07.760 --> 0:34:08.919
<v Speaker 2>You're gonna stop down playing?

0:34:09.000 --> 0:34:14.760
<v Speaker 6>Brooklyn Community College, Baltimore, Bimore, Baltimorro She got hot, socis

0:34:14.800 --> 0:34:15.400
<v Speaker 6>leave her alone.

0:34:15.880 --> 0:34:17.759
<v Speaker 1>It's the breakfast club going. I'm sorry, Taylor.

0:34:19.320 --> 0:34:22.680
<v Speaker 6>Every day a weak picks up the breakfast club.

0:34:22.920 --> 0:34:24.160
<v Speaker 2>You don't finish the y'all done