1 00:00:01,520 --> 00:00:04,920 Speaker 1: Every Day Breakfast Club. 2 00:00:05,160 --> 00:00:06,120 Speaker 2: You know, I'm feels for y'all. 3 00:00:06,160 --> 00:00:10,440 Speaker 1: Dune Morning, everybody in the j n V. Jess hilarious, 4 00:00:10,520 --> 00:00:12,760 Speaker 1: Charlamagne the God. We are the breakfast Club. We got 5 00:00:12,760 --> 00:00:15,159 Speaker 1: a special guest in the building in the tail or 6 00:00:15,280 --> 00:00:16,920 Speaker 1: pull there, Williams. That's your middle name? 7 00:00:17,000 --> 00:00:17,079 Speaker 3: Right? 8 00:00:17,200 --> 00:00:17,239 Speaker 2: No? 9 00:00:21,800 --> 00:00:26,160 Speaker 1: You welcome? How are you doing? Beauty in Black Season two? 10 00:00:28,080 --> 00:00:32,240 Speaker 4: How does it feel like all of this look because 11 00:00:32,240 --> 00:00:33,600 Speaker 4: I'm gonna watch this this episode one? 12 00:00:34,159 --> 00:00:38,040 Speaker 5: Okay? How does it feel to have it continue? 13 00:00:38,080 --> 00:00:40,239 Speaker 4: Because you know a lot of shows live for one 14 00:00:40,280 --> 00:00:41,199 Speaker 4: season two seas. 15 00:00:41,400 --> 00:00:43,880 Speaker 5: How does it feel to have it continuing? You know, 16 00:00:44,080 --> 00:00:45,519 Speaker 5: I feel very grateful. 17 00:00:45,720 --> 00:00:48,240 Speaker 4: I think when you're able to have a second season, 18 00:00:49,240 --> 00:00:51,520 Speaker 4: that's one thing, but then to have a second season 19 00:00:51,560 --> 00:00:53,680 Speaker 4: and the fan base continue to grow and people are 20 00:00:53,720 --> 00:00:57,760 Speaker 4: excited bigger. Yeah, it's crazy. I'm grateful, but I'm excited. 21 00:00:57,800 --> 00:01:01,320 Speaker 4: It's been fun. So I'm just enjoying. 22 00:01:00,920 --> 00:01:03,000 Speaker 6: It as life change. Because you know, Beauty and Black 23 00:01:03,080 --> 00:01:05,560 Speaker 6: is on Netflix. It's a big show. Like, have you 24 00:01:05,640 --> 00:01:06,640 Speaker 6: felt the change? 25 00:01:07,200 --> 00:01:07,480 Speaker 5: Yeah? 26 00:01:07,800 --> 00:01:12,200 Speaker 4: Actually I think season one, not that I was kind 27 00:01:12,200 --> 00:01:15,440 Speaker 4: of in denial, but it's like, you know, this might 28 00:01:15,480 --> 00:01:17,560 Speaker 4: be a moment it passes I've been acting since I 29 00:01:17,600 --> 00:01:21,240 Speaker 4: was thirteen, so it's like, Okay, enjoy it. But then 30 00:01:21,360 --> 00:01:25,320 Speaker 4: this season it does feel different. The visibility that I 31 00:01:25,360 --> 00:01:28,440 Speaker 4: have is different places that I go. It's no longer like, oh, 32 00:01:28,480 --> 00:01:29,080 Speaker 4: you're familiar. 33 00:01:29,080 --> 00:01:31,880 Speaker 5: It's like cam and they're huckey and it's like whoa. 34 00:01:32,440 --> 00:01:35,400 Speaker 4: I'm not used to that having to kind of move 35 00:01:35,400 --> 00:01:38,559 Speaker 4: a little bit different. But I think I always thought 36 00:01:38,600 --> 00:01:40,760 Speaker 4: it would happen. You know, if you keep acting and 37 00:01:41,160 --> 00:01:43,520 Speaker 4: a show is popular, it would happen. But nothing can 38 00:01:43,600 --> 00:01:44,679 Speaker 4: really prepare you for. 39 00:01:44,920 --> 00:01:47,720 Speaker 1: That shift, right, Yeah, I want to go back, if 40 00:01:47,760 --> 00:01:50,120 Speaker 1: you don't mind. So you're from Houston, Texas. Yes, and 41 00:01:50,160 --> 00:01:52,640 Speaker 1: you got into acting at a young age. You said thirteen, 42 00:01:52,920 --> 00:01:54,440 Speaker 1: what made you like the arts? What made you love 43 00:01:54,480 --> 00:01:54,880 Speaker 1: the arts? 44 00:01:56,720 --> 00:01:59,480 Speaker 4: I think I've always been creative as a kid. I 45 00:01:59,560 --> 00:02:04,440 Speaker 4: like playing pretend who doesn't. But it was my first 46 00:02:04,640 --> 00:02:07,360 Speaker 4: movie that I was in. I was auditioning at the time. 47 00:02:08,120 --> 00:02:10,960 Speaker 4: After Katrina the Tax Credits came to Louisiana, so it 48 00:02:11,000 --> 00:02:14,600 Speaker 4: brought a lot of films to the South, and Welcome 49 00:02:14,639 --> 00:02:17,680 Speaker 4: Home Roscoe Jenkins was being filmed there. I got a part, 50 00:02:18,320 --> 00:02:21,720 Speaker 4: and I loved acting, but when I got on the 51 00:02:21,800 --> 00:02:25,799 Speaker 4: set and saw the sound stages and the crew and 52 00:02:25,840 --> 00:02:27,840 Speaker 4: like what it takes to actually make a movie. I 53 00:02:27,880 --> 00:02:29,600 Speaker 4: was like, Oh, I just want to do this for 54 00:02:29,639 --> 00:02:32,160 Speaker 4: the rest of my life. And I just kept going. 55 00:02:32,400 --> 00:02:34,800 Speaker 3: Yeah, because you produced too, right I do? So what 56 00:02:34,840 --> 00:02:36,280 Speaker 3: have you learned about and right? 57 00:02:36,360 --> 00:02:38,639 Speaker 6: So what have you learned about yourself as an artist? 58 00:02:38,639 --> 00:02:41,440 Speaker 6: Wearing all those different hats? Producing, acting, writing? 59 00:02:41,880 --> 00:02:44,200 Speaker 4: The biggest thing that I cannot do them all by myself. 60 00:02:45,600 --> 00:02:48,760 Speaker 4: I know that there are people who are experts in 61 00:02:48,800 --> 00:02:51,639 Speaker 4: what they do, who love writing, and I honor whatever 62 00:02:51,680 --> 00:02:54,000 Speaker 4: people love the most. And I think that's why I 63 00:02:54,080 --> 00:02:57,239 Speaker 4: like producing, because it's like I can pick and choose. Oh, 64 00:02:57,360 --> 00:03:00,280 Speaker 4: you're fire at this, let's all come together and putting 65 00:03:00,280 --> 00:03:02,639 Speaker 4: it all together is the fun part from me. Now, 66 00:03:02,639 --> 00:03:03,959 Speaker 4: what I want to ask you about the show is 67 00:03:04,040 --> 00:03:06,720 Speaker 4: right because, like I said, I've been watching since first episode. 68 00:03:07,280 --> 00:03:08,880 Speaker 5: Do you ever look at the script right and be like, 69 00:03:09,120 --> 00:03:13,040 Speaker 5: all right, this is fun? Come on, come on, come. 70 00:03:13,960 --> 00:03:16,000 Speaker 1: You must look at it all the time. 71 00:03:16,639 --> 00:03:20,280 Speaker 4: I think when we were getting ready for season two 72 00:03:20,320 --> 00:03:23,400 Speaker 4: and Tyler was like sending us the scripts at a 73 00:03:23,480 --> 00:03:25,880 Speaker 4: full clip, like it's like we're getting two episodes in 74 00:03:25,919 --> 00:03:26,160 Speaker 4: a day. 75 00:03:26,160 --> 00:03:27,720 Speaker 5: It's like, dang, what are you doing? 76 00:03:28,280 --> 00:03:31,600 Speaker 4: And he's sending these scripts and I'm reading it genuinely, like, 77 00:03:31,680 --> 00:03:35,480 Speaker 4: oh my god, it's crazy. It keeps you on your toes. 78 00:03:35,560 --> 00:03:38,640 Speaker 4: It's a it's as fun to film it, probably more 79 00:03:38,640 --> 00:03:40,120 Speaker 4: fun to film it than it is to watch it. 80 00:03:40,880 --> 00:03:44,360 Speaker 5: And your your character in the beginning, you start off shy, 81 00:03:44,960 --> 00:03:47,000 Speaker 5: You're not standing up for yourself. He was pissing me off. 82 00:03:47,000 --> 00:03:49,040 Speaker 5: I was like, Kimmy, gets your shit together. 83 00:03:49,640 --> 00:03:51,960 Speaker 4: These people coming for you, and then you just turn 84 00:03:52,000 --> 00:03:55,520 Speaker 4: into a natural born kill Bill character. You just you 85 00:03:55,720 --> 00:03:59,440 Speaker 4: just out here, you know? Now, what is your ritual 86 00:03:59,480 --> 00:04:01,520 Speaker 4: to get ready for that? Because it seemed like it 87 00:04:01,520 --> 00:04:04,440 Speaker 4: didn't really take much. I guess to be shy, is 88 00:04:04,440 --> 00:04:05,240 Speaker 4: that's your real demeanor? 89 00:04:05,280 --> 00:04:08,080 Speaker 5: Like are you shy? You don't really talk a lot? No, okay, 90 00:04:08,440 --> 00:04:09,280 Speaker 5: I wouldn't say that. 91 00:04:09,480 --> 00:04:13,680 Speaker 4: I'm just the most talkative person in the world. I'm 92 00:04:13,680 --> 00:04:17,040 Speaker 4: more reserved. But it's not because I'm shy. I'm just 93 00:04:17,040 --> 00:04:21,320 Speaker 4: more observant. But to not stand up for yourself is 94 00:04:21,839 --> 00:04:24,960 Speaker 4: very different for me. That was actually a process. When 95 00:04:25,720 --> 00:04:27,719 Speaker 4: we went in for the callbacks and I was having 96 00:04:27,720 --> 00:04:30,640 Speaker 4: a conversation with Tyler, he was like, I know you 97 00:04:30,640 --> 00:04:33,360 Speaker 4: could do strong because we worked together before. 98 00:04:33,640 --> 00:04:35,160 Speaker 5: He was like, but can I see you do this? 99 00:04:35,240 --> 00:04:36,960 Speaker 4: And I was like, I mean, yeah, of course I 100 00:04:37,000 --> 00:04:38,480 Speaker 4: can try the vulnerability part. 101 00:04:38,680 --> 00:04:40,400 Speaker 5: But I was like, but do I want to do that? 102 00:04:40,600 --> 00:04:41,919 Speaker 5: Like why can't you do this? 103 00:04:41,960 --> 00:04:43,640 Speaker 4: He was like, if you just trust me with the story, 104 00:04:44,200 --> 00:04:47,600 Speaker 4: it's gonna go somewhere that no one is gonna expect this. 105 00:04:47,720 --> 00:04:49,919 Speaker 4: She's gonna be a boss. And I was like, okay, okay, 106 00:04:49,960 --> 00:04:51,240 Speaker 4: well I could do the victim thing. 107 00:04:51,360 --> 00:04:52,640 Speaker 5: I could. I could figure that out. 108 00:04:52,720 --> 00:04:56,800 Speaker 4: So he challenged you, Yeah, absolutely, because I'm not a 109 00:04:56,800 --> 00:05:01,600 Speaker 4: person that backs down from confrontation or if somebody's doing 110 00:05:01,640 --> 00:05:02,400 Speaker 4: me wrong, you will. 111 00:05:02,279 --> 00:05:03,279 Speaker 5: Know that you don't me wrong. 112 00:05:03,600 --> 00:05:05,880 Speaker 4: So with Kimmy, I was frustrated too, but I think 113 00:05:05,920 --> 00:05:08,920 Speaker 4: that propelled the story even more so now in season two, 114 00:05:09,080 --> 00:05:09,800 Speaker 4: it's warranted. 115 00:05:10,279 --> 00:05:13,279 Speaker 7: How did you get into like Tyler Perry's universe because 116 00:05:13,480 --> 00:05:16,040 Speaker 7: you were in divorce and black and now you're here 117 00:05:16,160 --> 00:05:18,080 Speaker 7: with the you know, with the beauty and black, Like 118 00:05:18,080 --> 00:05:18,479 Speaker 7: how did you? 119 00:05:18,520 --> 00:05:21,440 Speaker 5: How did that happen for you? You know, it's funny. 120 00:05:22,200 --> 00:05:24,520 Speaker 4: I went to school in Atlanta knowing that I wanted 121 00:05:24,520 --> 00:05:27,040 Speaker 4: to act. I went to Clarke Atland university, and I 122 00:05:27,120 --> 00:05:30,080 Speaker 4: just knew I was gonna be in something Tyler Perry 123 00:05:30,120 --> 00:05:32,360 Speaker 4: in school, and that didn't happen. I went to school, 124 00:05:32,400 --> 00:05:35,360 Speaker 4: came went moved to LA and it was just an audition, 125 00:05:35,560 --> 00:05:39,640 Speaker 4: a normal audition for a different film that he was doing. 126 00:05:40,160 --> 00:05:43,000 Speaker 4: And I went into the callback. And typically at a callback, 127 00:05:43,040 --> 00:05:45,320 Speaker 4: they'll tell you the director of the writer will be 128 00:05:45,360 --> 00:05:46,839 Speaker 4: in the room. They didn't say that. 129 00:05:46,880 --> 00:05:48,240 Speaker 5: I thought it was just going to be Kim Coleman. 130 00:05:48,520 --> 00:05:50,680 Speaker 4: So I walk in and Tyler Perry's right there and 131 00:05:50,680 --> 00:05:52,240 Speaker 4: he's like, hey till he come on in just and 132 00:05:52,320 --> 00:05:52,680 Speaker 4: I was. 133 00:05:52,600 --> 00:05:54,800 Speaker 5: Like, what are you doing here? 134 00:05:56,120 --> 00:05:58,240 Speaker 4: But I did say that I was very professional and 135 00:05:58,240 --> 00:05:59,320 Speaker 4: I did it. He was like, I only want to 136 00:05:59,320 --> 00:06:01,159 Speaker 4: see the first scene. Already saw your second scene on 137 00:06:01,200 --> 00:06:04,880 Speaker 4: the tape. Go and I like took a breath and 138 00:06:04,960 --> 00:06:07,719 Speaker 4: I did it, and he was like, where are you from. 139 00:06:08,480 --> 00:06:09,800 Speaker 4: I was like, I'm from Texas and he was like, 140 00:06:09,839 --> 00:06:11,840 Speaker 4: let me see the second scene. And I was like, 141 00:06:12,480 --> 00:06:14,200 Speaker 4: I don't know what just happened, but I got it 142 00:06:15,400 --> 00:06:16,880 Speaker 4: and I ended up getting divorced. 143 00:06:16,880 --> 00:06:18,200 Speaker 5: In the Black, it was a different movie. 144 00:06:18,240 --> 00:06:19,800 Speaker 4: They were like, we want to keep you on hold 145 00:06:19,800 --> 00:06:22,200 Speaker 4: for this one, but are you open to reading another film, 146 00:06:22,240 --> 00:06:24,240 Speaker 4: And I was like sure, and I thought that he 147 00:06:24,360 --> 00:06:26,359 Speaker 4: was going to ask me to do an audition for 148 00:06:26,360 --> 00:06:26,640 Speaker 4: that one. 149 00:06:26,680 --> 00:06:28,640 Speaker 5: They said, if you want to insure is it. 150 00:06:28,600 --> 00:06:30,640 Speaker 6: Pressure when you see somebody like Tyler walking in the room. 151 00:06:30,640 --> 00:06:31,880 Speaker 6: Do you have to gather yourself a little bit? 152 00:06:31,880 --> 00:06:32,400 Speaker 3: Is it different? 153 00:06:32,880 --> 00:06:33,120 Speaker 5: Yes? 154 00:06:34,200 --> 00:06:36,800 Speaker 4: It is different because I respect him a lot. I'm 155 00:06:36,920 --> 00:06:39,960 Speaker 4: very inspired by how he moves, just all that he's built. 156 00:06:40,440 --> 00:06:42,880 Speaker 4: So you do have to take him inute and kind 157 00:06:42,880 --> 00:06:45,440 Speaker 4: of breathe. I think when it's somebody you admire. 158 00:06:45,680 --> 00:06:47,479 Speaker 5: But you snapped right into it, or did you stutter? 159 00:06:47,560 --> 00:06:48,159 Speaker 5: Did you mess up? 160 00:06:53,040 --> 00:06:53,360 Speaker 2: Stutter? 161 00:06:53,480 --> 00:06:56,839 Speaker 5: But I did after I was like, what, yeah, yeah, 162 00:06:57,200 --> 00:06:57,800 Speaker 5: that's what's up. 163 00:06:57,839 --> 00:07:01,160 Speaker 4: How long did it take y'all to Voice in the Black? 164 00:07:01,240 --> 00:07:03,279 Speaker 4: I know that's the movie that was my joint too, 165 00:07:03,480 --> 00:07:05,680 Speaker 4: But how how long did it take y'all to film that? 166 00:07:06,200 --> 00:07:09,960 Speaker 5: It took us six days to film the whole movie. 167 00:07:10,160 --> 00:07:12,120 Speaker 5: To film the whole movie, because you know, it's always 168 00:07:12,120 --> 00:07:14,720 Speaker 5: out there at Tyler party, be having y'all here. He'll 169 00:07:14,240 --> 00:07:16,600 Speaker 5: start at nine am two and y'all be done at 170 00:07:16,640 --> 00:07:17,119 Speaker 5: ten times. 171 00:07:17,200 --> 00:07:21,080 Speaker 4: Season two of Beauty and Black all sixteen episodes in 172 00:07:21,120 --> 00:07:21,760 Speaker 4: twelve days. 173 00:07:21,840 --> 00:07:22,440 Speaker 5: Jesus. 174 00:07:22,560 --> 00:07:24,240 Speaker 1: Do you like filming like that, like fast, get it 175 00:07:24,240 --> 00:07:26,040 Speaker 1: out the way, or do you prefer a little time 176 00:07:26,080 --> 00:07:28,520 Speaker 1: to breathe, a little time to rest, to reset, or 177 00:07:28,520 --> 00:07:29,760 Speaker 1: do you just knock it out? 178 00:07:29,800 --> 00:07:34,040 Speaker 4: We had time to think about its problem. I'm adaptable 179 00:07:34,440 --> 00:07:38,000 Speaker 4: working with different directors, working on different shows, different whatever. 180 00:07:38,000 --> 00:07:40,320 Speaker 4: It's kind of like coming into somebody else's house. If 181 00:07:40,320 --> 00:07:42,320 Speaker 4: this is how y'all do it, cool, I'll assimilate. 182 00:07:42,640 --> 00:07:43,720 Speaker 2: How long are those days? 183 00:07:45,160 --> 00:07:51,320 Speaker 5: Twelve hours? Well, no, it's not bad, and then you're done. Yeah. 184 00:07:51,320 --> 00:07:53,600 Speaker 4: So he just pretty much just count on y'all knowing 185 00:07:53,640 --> 00:07:55,600 Speaker 4: y'all lines, because that's pretty much you know, all the 186 00:07:55,680 --> 00:07:58,560 Speaker 4: retakes and cut and do it again. Yeah, y'alla, y'all 187 00:07:58,600 --> 00:08:02,800 Speaker 4: don't have none of that. No, I mean, very sparingly. 188 00:08:03,080 --> 00:08:04,640 Speaker 4: If he said can I please get want more? He'll 189 00:08:04,680 --> 00:08:07,080 Speaker 4: be like yes, depending on who you are. 190 00:08:09,240 --> 00:08:10,800 Speaker 1: Before, like can I get him a line now? 191 00:08:10,960 --> 00:08:11,200 Speaker 8: Yeah? 192 00:08:11,280 --> 00:08:14,400 Speaker 4: Sometimes, or even with some of us, with the wonderful, 193 00:08:14,480 --> 00:08:16,840 Speaker 4: wonderful cast everybody, can I get one more? 194 00:08:16,840 --> 00:08:19,080 Speaker 5: He's like, I got it? No, I got it. And 195 00:08:19,080 --> 00:08:22,320 Speaker 5: you just gotta trust. 196 00:08:21,120 --> 00:08:25,480 Speaker 3: What role of project has challenged you the most and why? 197 00:08:26,040 --> 00:08:32,840 Speaker 4: Definitely beauty and black, the sheer speed at which we're 198 00:08:32,840 --> 00:08:37,760 Speaker 4: filming it, and then also, uh, particularly in the first season, 199 00:08:38,400 --> 00:08:42,240 Speaker 4: being somebody who is playing somebody who is sex trafficked, 200 00:08:42,360 --> 00:08:44,839 Speaker 4: somebody who is so beaten down the things. 201 00:08:45,280 --> 00:08:46,079 Speaker 5: At the time, I was. 202 00:08:46,040 --> 00:08:49,280 Speaker 4: Planning my wedding, so it was like, I don't have 203 00:08:49,360 --> 00:08:51,760 Speaker 4: this life experience, but I have to go there every day. 204 00:08:51,760 --> 00:08:53,120 Speaker 5: Scene after see, seen, after seeing. 205 00:08:53,200 --> 00:08:55,480 Speaker 4: It was like for a whole week, I'm just crying 206 00:08:55,520 --> 00:08:57,000 Speaker 4: in every scene and getting beat up. 207 00:08:57,280 --> 00:08:57,640 Speaker 5: It was. 208 00:08:57,800 --> 00:09:02,000 Speaker 4: It was a lot, but it stretched me as an 209 00:09:02,120 --> 00:09:05,120 Speaker 4: artist knowing that I can do that. 210 00:09:05,440 --> 00:09:07,600 Speaker 5: If somebody says, cry right now, I could do that. 211 00:09:07,679 --> 00:09:08,920 Speaker 4: If you need me to do that, I can go 212 00:09:08,960 --> 00:09:10,960 Speaker 4: there and jump back into what I have to do 213 00:09:11,000 --> 00:09:12,480 Speaker 4: in my normal life and stay sane. 214 00:09:12,559 --> 00:09:14,320 Speaker 1: How did your now husband deal with it? Because you 215 00:09:14,320 --> 00:09:15,640 Speaker 1: were in a role, and I'm sure you were in 216 00:09:15,640 --> 00:09:17,880 Speaker 1: a character. I'm sure it wasn't your planning a wedding. 217 00:09:17,880 --> 00:09:20,280 Speaker 1: It's supposed to be happy, joyous, but now you're diving 218 00:09:20,320 --> 00:09:22,000 Speaker 1: into this character. So how did he handle that? 219 00:09:22,360 --> 00:09:23,320 Speaker 5: Oh, like a champ. 220 00:09:25,240 --> 00:09:28,560 Speaker 4: He is a surgery resident right now, which is a 221 00:09:28,679 --> 00:09:31,959 Speaker 4: very grueling schedule as well, So I think it was 222 00:09:32,000 --> 00:09:35,240 Speaker 4: a lot of mutual respect. If I got home before him, 223 00:09:35,480 --> 00:09:37,800 Speaker 4: or if he got home before me, he make dinner. 224 00:09:37,840 --> 00:09:39,760 Speaker 4: If I got home, I bring him dinner from set. 225 00:09:39,800 --> 00:09:41,920 Speaker 4: It's just like we're in the trenches together. So he 226 00:09:42,000 --> 00:09:46,120 Speaker 4: actually loved the how rigorous the schedule is because sometimes 227 00:09:46,200 --> 00:09:48,079 Speaker 4: on other shows, you know, I might do a couple 228 00:09:48,040 --> 00:09:52,120 Speaker 4: of scenes. It's you know, we're not doing surgery. We're 229 00:09:52,160 --> 00:09:54,480 Speaker 4: not dealing with life or death. Even on a difficult day, 230 00:09:54,880 --> 00:09:56,080 Speaker 4: it's still a blessing. 231 00:09:55,760 --> 00:09:56,200 Speaker 5: To be there. 232 00:09:56,240 --> 00:09:58,120 Speaker 3: I thought he was a surgical resident. 233 00:09:58,320 --> 00:09:58,600 Speaker 2: He is. 234 00:09:58,720 --> 00:09:59,520 Speaker 5: I'm saying what I do. 235 00:10:00,160 --> 00:10:01,240 Speaker 2: So how you got time to cook? 236 00:10:02,080 --> 00:10:02,800 Speaker 5: He's a good man? 237 00:10:02,840 --> 00:10:08,200 Speaker 1: I tell him, said she cooked? He said, I take some. 238 00:10:09,440 --> 00:10:10,559 Speaker 2: Sad dog. 239 00:10:12,040 --> 00:10:12,600 Speaker 1: I cook him. 240 00:10:13,960 --> 00:10:17,840 Speaker 5: I learned how to cook a few years ago to cook. 241 00:10:18,440 --> 00:10:21,080 Speaker 3: You ever bring anything home from work like lunch. 242 00:10:23,160 --> 00:10:28,040 Speaker 4: Slack, bringing snacks, drinks and stuff, candy. 243 00:10:28,000 --> 00:10:30,400 Speaker 5: Yeah, absolutely, congratulations you got married. 244 00:10:34,640 --> 00:10:36,560 Speaker 4: No, I was asking you going back to my question, 245 00:10:36,600 --> 00:10:46,080 Speaker 4: how do you get. 246 00:10:43,200 --> 00:10:43,880 Speaker 1: All the time. 247 00:10:44,760 --> 00:10:46,760 Speaker 5: I don't like seeing anything from his job? 248 00:10:47,640 --> 00:10:48,800 Speaker 2: So he does be bringing stuff on. 249 00:10:49,160 --> 00:10:54,360 Speaker 1: You'll come down with blood all over, like eyeboy, look 250 00:10:54,360 --> 00:10:54,560 Speaker 1: at this. 251 00:10:56,600 --> 00:10:57,839 Speaker 2: Whole now. 252 00:10:57,880 --> 00:10:58,880 Speaker 5: You said you gotta cry. 253 00:10:58,920 --> 00:11:00,720 Speaker 4: You have to cry a lot on set and everything 254 00:11:00,760 --> 00:11:02,240 Speaker 4: like that. How do you get into that? I know 255 00:11:02,640 --> 00:11:05,320 Speaker 4: it's nothing other than you being a great actress, right, 256 00:11:05,360 --> 00:11:07,120 Speaker 4: but like, how do you get ready for that? Like 257 00:11:07,160 --> 00:11:10,840 Speaker 4: what's your ritual to go into that role when things 258 00:11:10,880 --> 00:11:13,520 Speaker 4: start going crazy for you on the show and they 259 00:11:13,559 --> 00:11:21,080 Speaker 4: get crazier for you. Yeah, definitely the preparation before filming. 260 00:11:22,080 --> 00:11:24,240 Speaker 5: I think it's a treat because we shoot so fast. 261 00:11:24,960 --> 00:11:27,360 Speaker 5: Tyler gives us all of the scripts for the. 262 00:11:27,400 --> 00:11:30,560 Speaker 4: Season, and that's typically not that we typically don't have 263 00:11:30,600 --> 00:11:33,360 Speaker 4: that on a different type of TV show, So I'm 264 00:11:33,360 --> 00:11:35,200 Speaker 4: able to kind of prepare for it like a movie. 265 00:11:35,240 --> 00:11:38,560 Speaker 4: I know exactly where I am, a lot of notes 266 00:11:38,720 --> 00:11:40,880 Speaker 4: on my personal scripts, so I know where to dive 267 00:11:40,920 --> 00:11:43,480 Speaker 4: in because we're shooting out of order. And also the 268 00:11:43,520 --> 00:11:47,319 Speaker 4: wonderful team at TPS. The crew is phenomenal, from wardrobe 269 00:11:47,400 --> 00:11:51,440 Speaker 4: to the script supervisors. We have readers, people will help 270 00:11:51,520 --> 00:11:53,679 Speaker 4: us kind of get on track to know where we are. 271 00:11:53,920 --> 00:11:56,320 Speaker 4: But the work that I do before can get me 272 00:11:56,400 --> 00:11:58,520 Speaker 4: into the mode. And then I love music too, so 273 00:11:58,559 --> 00:12:01,560 Speaker 4: I have playlists and songs and different things to help. 274 00:12:02,000 --> 00:12:03,680 Speaker 6: You said something earlier til you said you know it 275 00:12:03,720 --> 00:12:06,199 Speaker 6: helps you to stay sane. What do you do to stay. 276 00:12:07,640 --> 00:12:11,080 Speaker 5: I have a great therapist, yes, so number one. 277 00:12:12,160 --> 00:12:16,880 Speaker 4: And I think I'm overall a pretty even person, So 278 00:12:17,480 --> 00:12:21,079 Speaker 4: just continuing to stay grounded and on my feet. If 279 00:12:21,080 --> 00:12:24,000 Speaker 4: i know I'm getting overwhelmed, I'll take a second to breathe. 280 00:12:24,920 --> 00:12:28,880 Speaker 4: I meditate daily. I'll meditate on set if I have 281 00:12:28,960 --> 00:12:31,880 Speaker 4: a break. Every morning, I have the same routine. I 282 00:12:31,960 --> 00:12:35,000 Speaker 4: listen to jazz, I get my green teeth, like just 283 00:12:35,520 --> 00:12:38,160 Speaker 4: trying to control as much as I can and sometimes 284 00:12:38,160 --> 00:12:41,840 Speaker 4: a chaotic environment and then coming out of that when 285 00:12:41,840 --> 00:12:45,560 Speaker 4: we rap. I'm done with Kimmy, I'm done with whatever 286 00:12:45,640 --> 00:12:48,600 Speaker 4: character I'm playing, and I have my own playlist of 287 00:12:48,640 --> 00:12:51,360 Speaker 4: my own music that's like brings me back. 288 00:12:51,600 --> 00:12:53,360 Speaker 6: I wish y'all could have talked to people who are 289 00:12:53,480 --> 00:12:56,120 Speaker 6: like on Days of Our Lives and Guiding Light and 290 00:12:56,160 --> 00:12:58,680 Speaker 6: all those shows back in the day, because I wonder 291 00:12:58,679 --> 00:13:00,760 Speaker 6: if the process was the same for them as it 292 00:13:00,800 --> 00:13:03,320 Speaker 6: is for y'all, because those shows used to come on daily, 293 00:13:03,320 --> 00:13:05,080 Speaker 6: so I'm sure they used to tape a lot. And 294 00:13:05,160 --> 00:13:06,600 Speaker 6: I know that y'all think Tyler got a lot of 295 00:13:06,600 --> 00:13:10,440 Speaker 6: traumatic shit. Them shows had some wow storyline show like 296 00:13:10,440 --> 00:13:12,640 Speaker 6: people were getting buried a live heop was getting possessed 297 00:13:12,640 --> 00:13:13,280 Speaker 6: by demons. 298 00:13:13,559 --> 00:13:14,840 Speaker 2: So I just wonder if they had to. 299 00:13:15,800 --> 00:13:18,080 Speaker 6: If they ever could even decompress at least y'all get 300 00:13:18,080 --> 00:13:19,680 Speaker 6: the opportunity. I wonder if they ever did. 301 00:13:19,920 --> 00:13:22,800 Speaker 4: I mean, I think it's somewhat similar to us. They're 302 00:13:22,880 --> 00:13:26,679 Speaker 4: shooting a lot of scenes in one day. Shout out 303 00:13:26,720 --> 00:13:29,679 Speaker 4: to Debbie Morgan because she came from that world. I mean, 304 00:13:29,720 --> 00:13:33,840 Speaker 4: she's been on everything, but it was just the job. 305 00:13:34,400 --> 00:13:36,360 Speaker 4: I think they probably handled it the way that we 306 00:13:36,400 --> 00:13:37,000 Speaker 4: do because. 307 00:13:36,880 --> 00:13:37,960 Speaker 3: Y'all know, y'all the new stories. 308 00:13:38,000 --> 00:13:40,520 Speaker 6: I tell people that all the time, Tyler Perry stuff 309 00:13:40,679 --> 00:13:43,160 Speaker 6: that's the new stories, like our grandparents, Like I'm going 310 00:13:43,200 --> 00:13:43,679 Speaker 6: to watch. 311 00:13:43,520 --> 00:13:45,280 Speaker 2: My story that story. 312 00:13:45,440 --> 00:13:46,800 Speaker 5: Yeah, people are invested. 313 00:13:47,200 --> 00:13:48,960 Speaker 1: Do you laugh at some of the fight scenes sometimes? 314 00:13:49,000 --> 00:13:50,679 Speaker 1: Because those are the things I feel like they love 315 00:13:50,760 --> 00:13:52,440 Speaker 1: him all over the internet. 316 00:13:54,120 --> 00:13:57,200 Speaker 4: The back and forth, the one liners, the actual fighting. 317 00:13:58,600 --> 00:14:02,040 Speaker 4: Those might be the most difficult to stay in character because. 318 00:14:01,760 --> 00:14:02,520 Speaker 1: Cause you gotta laugh. 319 00:14:02,720 --> 00:14:05,560 Speaker 4: Yes, Like, as a cast, we all are people that 320 00:14:05,760 --> 00:14:07,760 Speaker 4: really like each other. We enjoy being at work, we 321 00:14:07,880 --> 00:14:10,559 Speaker 4: enjoy and have a great time together, and there's. 322 00:14:10,600 --> 00:14:13,920 Speaker 5: Very little levity in love and every. 323 00:14:13,880 --> 00:14:15,600 Speaker 1: Theme that we do. I don't know how y'all take 324 00:14:15,600 --> 00:14:17,760 Speaker 1: you serious? I don't know what show was that one 325 00:14:17,840 --> 00:14:20,280 Speaker 1: scene when the two dudes getting a fight and one 326 00:14:20,360 --> 00:14:25,640 Speaker 1: du hit and he spent Aundrey I said, it wasn't 327 00:14:25,640 --> 00:14:27,800 Speaker 1: that one, but it's a Tyler Perry. But his fight 328 00:14:27,840 --> 00:14:29,880 Speaker 1: scenes always class hilarious. Which one is that he just 329 00:14:29,880 --> 00:14:30,320 Speaker 1: be spinning? 330 00:14:30,480 --> 00:14:32,080 Speaker 5: I don't know, I don't know, you know what they 331 00:14:32,080 --> 00:14:33,480 Speaker 5: got sis? Maybe that was Brothers. 332 00:14:34,480 --> 00:14:34,720 Speaker 8: Look. 333 00:14:35,840 --> 00:14:38,960 Speaker 4: The funniest saying was when well, first of all, no, 334 00:14:39,120 --> 00:14:42,320 Speaker 4: who laughed when Varney kept saying I'm your bitch? 335 00:14:43,120 --> 00:14:46,560 Speaker 5: I mean, who laugh? Who laughed? So you know I 336 00:14:46,560 --> 00:14:48,760 Speaker 5: would get fired that day. I'm not gonna lie. 337 00:14:49,320 --> 00:14:52,360 Speaker 1: Fruit Fruitcake. I'm like, yeah, yeah, fruit Cake. 338 00:14:53,240 --> 00:14:56,160 Speaker 4: I read all of the scripts, but then I just 339 00:14:56,160 --> 00:14:58,480 Speaker 4: focus on what I have to do because it's it's 340 00:14:58,760 --> 00:15:02,240 Speaker 4: it's a lot. So I forgot that that was even 341 00:15:02,240 --> 00:15:05,040 Speaker 4: a thing until I was watching it. And so I'm 342 00:15:05,080 --> 00:15:06,680 Speaker 4: watching it like everybody else does, and. 343 00:15:06,640 --> 00:15:09,480 Speaker 5: I'm like, what is going on? 344 00:15:10,120 --> 00:15:13,720 Speaker 4: And I think they actually got a little heated. They 345 00:15:13,760 --> 00:15:17,120 Speaker 4: have to take take a step back after Yeah, I 346 00:15:17,160 --> 00:15:20,200 Speaker 4: think I saw Julian or or Terrell talk about that. 347 00:15:20,320 --> 00:15:26,960 Speaker 4: I'm sorry, Okay, So they had to take a b yeah, damn, Yeah, 348 00:15:27,280 --> 00:15:30,160 Speaker 4: it's very It's very intense some a lot of them. 349 00:15:30,360 --> 00:15:32,120 Speaker 5: A lot of the scenes are very intense. 350 00:15:32,440 --> 00:15:34,960 Speaker 7: I was saying, I know you talk about how different 351 00:15:35,040 --> 00:15:37,120 Speaker 7: here real life is from Kimmy's, but what did you 352 00:15:37,200 --> 00:15:42,360 Speaker 7: learn about surviving versus living, like actually living from Kimmy's character. 353 00:15:44,520 --> 00:15:45,360 Speaker 5: That's a good question. 354 00:15:48,920 --> 00:15:55,360 Speaker 4: I think I've always known or been informed about trauma responses, 355 00:15:57,240 --> 00:16:01,840 Speaker 4: being in therapy and also being an advocate for youth 356 00:16:01,880 --> 00:16:04,480 Speaker 4: and foster care, certain training that I have to go through, 357 00:16:04,640 --> 00:16:08,640 Speaker 4: like or had to go through. I understand how people 358 00:16:09,920 --> 00:16:13,800 Speaker 4: react and respond to certain things. But I think what 359 00:16:13,960 --> 00:16:18,479 Speaker 4: Kimmy taught me is just a little bit more empathy 360 00:16:18,760 --> 00:16:22,400 Speaker 4: for the decisions that people make, because that's the work 361 00:16:22,400 --> 00:16:25,080 Speaker 4: of an actor, is justifying what somebody is doing and 362 00:16:25,120 --> 00:16:26,720 Speaker 4: making it real. I have to make it real to 363 00:16:26,800 --> 00:16:28,880 Speaker 4: me to play it. So I was asking myself, like, 364 00:16:28,880 --> 00:16:30,120 Speaker 4: why why would. 365 00:16:29,960 --> 00:16:31,400 Speaker 5: She not just leave? Why would she not die? 366 00:16:32,080 --> 00:16:35,240 Speaker 4: And she's trying to survive, That's exactly it. So the 367 00:16:36,080 --> 00:16:38,560 Speaker 4: stakes that people go through to simply try to survive 368 00:16:38,960 --> 00:16:40,800 Speaker 4: on top of the things that they've already been through. 369 00:16:41,560 --> 00:16:43,840 Speaker 4: And I think it made me very appreciative and very 370 00:16:43,840 --> 00:16:46,120 Speaker 4: empathetic for the things that the. 371 00:16:46,040 --> 00:16:47,080 Speaker 5: Decisions that people make. 372 00:16:47,160 --> 00:16:51,120 Speaker 4: It doesn't necessarily make them right, but like, if we 373 00:16:51,240 --> 00:16:53,760 Speaker 4: know everybody's story, you can probably rationalize it a little bit. 374 00:16:54,600 --> 00:16:56,640 Speaker 1: Well, you got the script, is there was there ever 375 00:16:56,640 --> 00:16:58,440 Speaker 1: a moment and you be like, oh, hell no when 376 00:16:58,480 --> 00:17:00,400 Speaker 1: you read something like nah, this is not this is 377 00:17:00,440 --> 00:17:02,320 Speaker 1: not it will be like, let me call Tyler see 378 00:17:02,320 --> 00:17:03,160 Speaker 1: if we could change this. 379 00:17:05,160 --> 00:17:10,000 Speaker 3: You ain't gonna answer that. Don't let him Tyler Perry 380 00:17:10,040 --> 00:17:11,480 Speaker 3: Villain read Tyler Perry Villain. 381 00:17:15,840 --> 00:17:15,919 Speaker 2: No. 382 00:17:16,160 --> 00:17:19,280 Speaker 4: Actually, there were things that I was like, oh my gosh, 383 00:17:19,320 --> 00:17:21,439 Speaker 4: this is horrible, especially in season one some of the 384 00:17:21,440 --> 00:17:26,359 Speaker 4: things with Kimmy and Roy, Kimmy and Jewels that dynamic. 385 00:17:27,480 --> 00:17:29,600 Speaker 4: But it was more so questions I need to understand 386 00:17:29,640 --> 00:17:34,360 Speaker 4: why why? And he's always very open to to talk 387 00:17:34,359 --> 00:17:36,199 Speaker 4: to me about why in the show, right, why do 388 00:17:36,280 --> 00:17:39,359 Speaker 4: you why do you feel like Kimmy is having a 389 00:17:39,400 --> 00:17:40,840 Speaker 4: hard time not trusting her. 390 00:17:40,760 --> 00:17:41,760 Speaker 5: Now husband. 391 00:17:43,880 --> 00:17:46,240 Speaker 4: That is actually a very big difference between me and Kimmy. 392 00:17:46,280 --> 00:17:49,399 Speaker 4: I'm probably a little too trusting. Like that was a 393 00:17:49,760 --> 00:17:52,879 Speaker 4: question that happened on set. Tyler was like, if somebody 394 00:17:52,880 --> 00:17:54,639 Speaker 4: were to just give you five thousand dollars wouldn't you 395 00:17:54,640 --> 00:17:55,600 Speaker 4: be like, what's the catch? 396 00:17:55,640 --> 00:18:01,440 Speaker 5: I was like, not me. It was like, you're so innocent? 397 00:18:02,680 --> 00:18:07,840 Speaker 4: Maybe but learning again the trauma informed responses that Kimmy asked. 398 00:18:07,840 --> 00:18:09,800 Speaker 5: Why would she trust him? 399 00:18:09,960 --> 00:18:12,520 Speaker 4: He just met her, I know, but he also did 400 00:18:12,560 --> 00:18:15,560 Speaker 4: a bunch of things for her to help her. 401 00:18:15,680 --> 00:18:16,520 Speaker 5: What is the catch? 402 00:18:18,240 --> 00:18:19,280 Speaker 3: You would take any of that home? 403 00:18:19,320 --> 00:18:19,480 Speaker 6: Though? 404 00:18:19,480 --> 00:18:22,720 Speaker 3: You would be like you sure you still at the residence? 405 00:18:27,359 --> 00:18:29,360 Speaker 5: Never never with him? Never with him. 406 00:18:29,359 --> 00:18:31,679 Speaker 4: Maybe if somebody randomly gave me five thousand dollars, I'm 407 00:18:31,720 --> 00:18:37,000 Speaker 4: might be like why, But not with him Organs. 408 00:18:36,600 --> 00:18:37,359 Speaker 1: You know they. 409 00:18:42,119 --> 00:18:45,760 Speaker 5: She's gonna come back then Organs. 410 00:18:46,000 --> 00:18:46,200 Speaker 2: No. 411 00:18:46,280 --> 00:18:49,199 Speaker 4: But although right now and in the beginning, I did 412 00:18:49,240 --> 00:18:51,400 Speaker 4: feel like that, I felt like, no, I don't trust 413 00:18:51,440 --> 00:18:52,399 Speaker 4: him because I felt like that. 414 00:18:52,480 --> 00:18:54,440 Speaker 5: Super Then when you look from a viewer. 415 00:18:54,200 --> 00:18:56,160 Speaker 4: Standpoint, when you look and you see all the bullshit 416 00:18:56,200 --> 00:18:58,960 Speaker 4: that's going on outside of it, and he can't even 417 00:18:58,960 --> 00:18:59,879 Speaker 4: trust his family. 418 00:19:00,200 --> 00:19:02,200 Speaker 5: They don't trust each other. It's so much going on, 419 00:19:03,080 --> 00:19:04,720 Speaker 5: and he about to die. You know what I'm saying? 420 00:19:05,359 --> 00:19:08,560 Speaker 5: Who can he trust? He find this girl and he's like, 421 00:19:09,400 --> 00:19:10,080 Speaker 5: who is Kimmy? 422 00:19:10,760 --> 00:19:13,200 Speaker 4: She feels like she can't trust him, but he's showing 423 00:19:13,240 --> 00:19:17,119 Speaker 4: and proven that he can be trusted at least, you know, 424 00:19:17,520 --> 00:19:19,879 Speaker 4: for the greater good of what's happening, the grand scheme 425 00:19:19,920 --> 00:19:22,199 Speaker 4: of things. Right, you want your sister back, you know, well, 426 00:19:22,280 --> 00:19:24,439 Speaker 4: Keimmy wants her sister back. She wants out of this 427 00:19:24,520 --> 00:19:28,200 Speaker 4: whole game. And it's things that he don't know either. 428 00:19:28,200 --> 00:19:30,720 Speaker 4: He didn't even know about the night club situation or whatever, 429 00:19:30,760 --> 00:19:32,000 Speaker 4: until you know, you made. 430 00:19:31,920 --> 00:19:33,160 Speaker 5: Certain things relevant to him. 431 00:19:33,160 --> 00:19:35,720 Speaker 4: Now he know, he's like, okay, he is using, but 432 00:19:35,760 --> 00:19:37,600 Speaker 4: he still needs you and he still wants you to 433 00:19:37,640 --> 00:19:38,120 Speaker 4: trust him. 434 00:19:38,240 --> 00:19:42,400 Speaker 5: Why does it take so long for you to trust this, nigga? 435 00:19:42,640 --> 00:19:46,280 Speaker 5: I mean, you're right, You're right, You're right. 436 00:19:46,520 --> 00:19:50,040 Speaker 4: I'm sorry, but still keep in mind from episode one 437 00:19:50,080 --> 00:19:52,960 Speaker 4: of season two to episode sixteen, I think it's only 438 00:19:53,000 --> 00:19:55,720 Speaker 4: been two to three days, it is. 439 00:19:56,240 --> 00:20:01,200 Speaker 5: Yes, well, Damn Tyler, to your point, she is. 440 00:20:01,920 --> 00:20:04,520 Speaker 4: I think she's warming up to him. Yeah, I think 441 00:20:04,520 --> 00:20:06,720 Speaker 4: she's warming up. And I would hope that in part 442 00:20:06,720 --> 00:20:10,480 Speaker 4: two or beyond that maybe she'll give him a chance. 443 00:20:10,680 --> 00:20:12,640 Speaker 4: I don't I don't want to ruin anything. 444 00:20:13,119 --> 00:20:14,640 Speaker 1: How do you criticism? 445 00:20:14,760 --> 00:20:14,960 Speaker 2: Right? 446 00:20:15,040 --> 00:20:16,640 Speaker 1: But you see how passionate she is, and I'm sure 447 00:20:16,640 --> 00:20:18,640 Speaker 1: people come up to you passionate all day long. Right, 448 00:20:18,840 --> 00:20:21,560 Speaker 1: how do you handle criticism online? People might not liking 449 00:20:21,600 --> 00:20:24,920 Speaker 1: a character that, Yeah, how do you handle that? 450 00:20:24,920 --> 00:20:27,720 Speaker 4: That has been a new adjustment, Like to the question 451 00:20:27,760 --> 00:20:32,240 Speaker 4: you asked me earlier, and honestly, I made a decision 452 00:20:32,800 --> 00:20:34,879 Speaker 4: before the project even came out that. 453 00:20:36,280 --> 00:20:39,320 Speaker 5: If I can look at one negative. 454 00:20:38,920 --> 00:20:41,000 Speaker 4: Comment and it ruined my day or I feel like 455 00:20:41,000 --> 00:20:43,520 Speaker 4: I need to justify something or different, then I need 456 00:20:43,520 --> 00:20:46,680 Speaker 4: to respond to every single person showing love. Everybody's saying 457 00:20:46,720 --> 00:20:49,040 Speaker 4: that they love the show or whatever. And if I 458 00:20:49,080 --> 00:20:51,639 Speaker 4: can't respond to all of them, I don't need to 459 00:20:51,640 --> 00:20:54,160 Speaker 4: respond to negativity because I'm not that type of person. 460 00:20:54,200 --> 00:20:54,600 Speaker 5: Anyway. 461 00:20:54,880 --> 00:20:58,000 Speaker 4: I would say, like, I'm a pretty optimistic person. I'm 462 00:20:58,000 --> 00:21:00,399 Speaker 4: a realistic person, but like I have a lot of 463 00:21:00,480 --> 00:21:04,160 Speaker 4: drama and like stuff in my life, so I can't 464 00:21:04,160 --> 00:21:05,160 Speaker 4: even worry about that. 465 00:21:05,280 --> 00:21:06,280 Speaker 5: Yeah, like I can't. 466 00:21:06,640 --> 00:21:10,919 Speaker 4: There are people that I trust to give me real feedback, 467 00:21:11,000 --> 00:21:12,400 Speaker 4: like what is the real assessment? 468 00:21:12,920 --> 00:21:14,280 Speaker 5: And then we keep it going. 469 00:21:14,640 --> 00:21:15,640 Speaker 3: You said it was kind of hard. 470 00:21:15,920 --> 00:21:17,879 Speaker 6: I'm saying the word victim, but you said it was 471 00:21:17,920 --> 00:21:19,600 Speaker 6: kind of hard to play of I guess a victim 472 00:21:19,680 --> 00:21:23,320 Speaker 6: like role. So as the character, Yeah, with the character 473 00:21:23,520 --> 00:21:25,720 Speaker 6: as the character evolved, was it easier for you to 474 00:21:25,720 --> 00:21:26,919 Speaker 6: go from victim to vindicate it? 475 00:21:27,119 --> 00:21:30,800 Speaker 4: Yeah, But I think one it is just easier to 476 00:21:30,840 --> 00:21:33,720 Speaker 4: play somebody not in that situation. I have more life 477 00:21:33,760 --> 00:21:39,120 Speaker 4: experience as a person who was more empowered. But I 478 00:21:39,160 --> 00:21:42,960 Speaker 4: think in wanting to protect her, that's why I was 479 00:21:43,000 --> 00:21:45,360 Speaker 4: having such a difficult time, like, oh my gosh, why 480 00:21:45,440 --> 00:21:47,760 Speaker 4: is this happening in her? Being able to have that 481 00:21:47,880 --> 00:21:50,760 Speaker 4: vindication and play that out so soon into the second 482 00:21:50,760 --> 00:21:54,240 Speaker 4: season is a real treat as an actor. I feel 483 00:21:54,240 --> 00:21:57,080 Speaker 4: like with a lot of characters that begin one way 484 00:21:57,119 --> 00:21:59,840 Speaker 4: and then they grow into this boss, we might see 485 00:21:59,840 --> 00:22:03,359 Speaker 4: that over like three four or five seasons, but with her, 486 00:22:03,400 --> 00:22:06,439 Speaker 4: it happened kind of quick, So it's it is fun 487 00:22:06,520 --> 00:22:07,639 Speaker 4: to be able to do that. 488 00:22:08,680 --> 00:22:09,240 Speaker 2: I do like that. 489 00:22:09,320 --> 00:22:13,040 Speaker 5: I do like that quick turnaround of character development. That's cool. 490 00:22:13,440 --> 00:22:15,359 Speaker 1: I was gonna ask you know, you spoke about it earlier, 491 00:22:15,400 --> 00:22:17,280 Speaker 1: you having help on setting people talking to you got 492 00:22:17,280 --> 00:22:19,919 Speaker 1: in through the script, But I always wondered, is it 493 00:22:20,000 --> 00:22:23,040 Speaker 1: easy to talk to like a human traffic victim before 494 00:22:23,119 --> 00:22:25,440 Speaker 1: to get their feeling, to get their mindset of why 495 00:22:25,520 --> 00:22:27,880 Speaker 1: and how and when? Because I'm sure from your side 496 00:22:28,000 --> 00:22:30,040 Speaker 1: you don't understand because you've never been in that situation, 497 00:22:30,119 --> 00:22:32,840 Speaker 1: so it's easy to you know, find that out. Is 498 00:22:32,880 --> 00:22:34,560 Speaker 1: that something that you've done when it came to. 499 00:22:34,520 --> 00:22:37,760 Speaker 4: These roles, Yeah, because I was having a difficult time 500 00:22:37,880 --> 00:22:39,800 Speaker 4: understanding why not just leave? 501 00:22:40,560 --> 00:22:44,080 Speaker 5: I would rather be dead than deal with that. I would, 502 00:22:44,119 --> 00:22:45,399 Speaker 5: but that's not Kimmy. 503 00:22:46,000 --> 00:22:50,200 Speaker 4: So I did speak to somebody that had been through 504 00:22:50,240 --> 00:22:51,080 Speaker 4: a situation like. 505 00:22:51,040 --> 00:22:54,680 Speaker 5: That, and a lot of times people trafficking. 506 00:22:54,160 --> 00:22:57,040 Speaker 4: I think is a very formal word to describe what 507 00:22:57,080 --> 00:22:59,800 Speaker 4: can happen to people and they don't even know until 508 00:22:59,800 --> 00:23:03,200 Speaker 4: they're trying to get out of it. So doing research 509 00:23:03,240 --> 00:23:05,880 Speaker 4: online YouTube is a great resource, just trying to understand 510 00:23:05,880 --> 00:23:08,600 Speaker 4: the mindset not only of how you got in the situation, 511 00:23:09,320 --> 00:23:11,160 Speaker 4: why you stayed in it, but what did it take 512 00:23:11,200 --> 00:23:15,040 Speaker 4: to get out? And that's the real resiliency. Obviously, Kimmy 513 00:23:15,119 --> 00:23:17,480 Speaker 4: is in a fictional world and the sugar daddy with 514 00:23:17,560 --> 00:23:20,080 Speaker 4: no sugar came and took her out. But for a 515 00:23:20,080 --> 00:23:23,560 Speaker 4: lot of people, that is a mindset shift that needed 516 00:23:23,600 --> 00:23:25,320 Speaker 4: a lot of help, a lot of support, a lot 517 00:23:25,320 --> 00:23:27,760 Speaker 4: of work to get out of that lifestyle. 518 00:23:28,240 --> 00:23:30,919 Speaker 1: Did you understand it more after having those conversations and 519 00:23:30,920 --> 00:23:33,320 Speaker 1: doing that research. Yeah, absolutely, How was it? 520 00:23:33,359 --> 00:23:35,479 Speaker 6: How was it received by the person though, because that's 521 00:23:35,520 --> 00:23:37,879 Speaker 6: a person's real life and you're talking to them, you know, 522 00:23:37,920 --> 00:23:40,200 Speaker 6: trying to get I guess game for a role. How 523 00:23:40,200 --> 00:23:42,320 Speaker 6: did they receive you even asking them the questions? 524 00:23:43,280 --> 00:23:49,000 Speaker 4: Oh, I already knew, already knew her and she was 525 00:23:49,080 --> 00:23:51,159 Speaker 4: open because she's past that now. 526 00:23:51,720 --> 00:23:56,240 Speaker 5: But I mean it is a with that situation. 527 00:23:56,320 --> 00:24:00,000 Speaker 4: It was like a pimp situation, not necessarily human traffic 528 00:24:00,119 --> 00:24:03,320 Speaker 4: king when you're thinking somebody's being kidnapped and whatever. But 529 00:24:05,040 --> 00:24:07,160 Speaker 4: she was open I think to get out of that. 530 00:24:07,320 --> 00:24:11,120 Speaker 4: Most survivors not would be open to be exploited, but. 531 00:24:11,160 --> 00:24:13,919 Speaker 5: To share that story especially. 532 00:24:14,960 --> 00:24:17,520 Speaker 7: Yeah, have you had other women that are currently going 533 00:24:17,560 --> 00:24:20,160 Speaker 7: through that or that have recently gotten out of those 534 00:24:20,160 --> 00:24:22,679 Speaker 7: situations reach out to you and like is that a heavyweight? 535 00:24:23,080 --> 00:24:23,280 Speaker 1: Yes? 536 00:24:24,080 --> 00:24:27,159 Speaker 4: On social media they have, particularly more so in for 537 00:24:27,200 --> 00:24:31,400 Speaker 4: a season than this season. And again, as an advocate, 538 00:24:31,480 --> 00:24:34,160 Speaker 4: I just want to help everybody. 539 00:24:34,760 --> 00:24:36,560 Speaker 5: I try to like connect. 540 00:24:36,160 --> 00:24:39,000 Speaker 4: People to resources or if you can't text or you 541 00:24:39,040 --> 00:24:42,479 Speaker 4: can't do something, then I could text for you, and 542 00:24:42,480 --> 00:24:45,080 Speaker 4: then people I wouldn't hear from them or whatever, so 543 00:24:45,320 --> 00:24:48,600 Speaker 4: that that is difficult, but I just pray for them. 544 00:24:48,880 --> 00:24:51,080 Speaker 5: How is it working with the legendary Otis? 545 00:24:52,440 --> 00:24:57,919 Speaker 4: Otis is still look good mans ever since I watched your. 546 00:25:01,240 --> 00:25:05,320 Speaker 5: Yes, it's wonderful. Like he walks in, he's just so 547 00:25:05,560 --> 00:25:07,560 Speaker 5: New York. He be like, good morning, good morning, queen, 548 00:25:07,720 --> 00:25:08,639 Speaker 5: good morning queen. 549 00:25:09,960 --> 00:25:13,040 Speaker 4: He's just great, and he's so grounded, and he's really 550 00:25:13,080 --> 00:25:14,919 Speaker 4: really fun to work with. Back and forth, but like 551 00:25:15,000 --> 00:25:17,639 Speaker 4: every scene that we have together is always so intense 552 00:25:17,760 --> 00:25:21,719 Speaker 4: and horrible, and he's always like it's okay, okay, okay, 553 00:25:21,800 --> 00:25:24,320 Speaker 4: and I'm like, I'm fine, I'm fine. But it was 554 00:25:24,359 --> 00:25:26,879 Speaker 4: good working with him. I love that favorite character on 555 00:25:26,920 --> 00:25:34,680 Speaker 4: the show. I can't say yourself, I love I honestly 556 00:25:34,760 --> 00:25:39,480 Speaker 4: love Horace. It's something about him, even in that hospital bed, 557 00:25:40,240 --> 00:25:43,520 Speaker 4: I have faith that he's gonna get out. I love Horace, 558 00:25:43,600 --> 00:25:46,800 Speaker 4: but I love Mallory's one liners. There's why I love 559 00:25:46,880 --> 00:25:47,360 Speaker 4: all of them. 560 00:25:47,520 --> 00:25:51,680 Speaker 5: That girl will be listening. She I love Malory. It's 561 00:25:51,680 --> 00:25:53,880 Speaker 5: like love hate, but I do. I love her. 562 00:25:54,280 --> 00:25:55,919 Speaker 4: I love her on the show, but no, Horace is 563 00:25:55,920 --> 00:25:59,840 Speaker 4: my favorite. And he fine, and I'm right, but he 564 00:25:59,720 --> 00:26:04,680 Speaker 4: he father fine, you know, takes very good care of himself. 565 00:26:04,720 --> 00:26:06,520 Speaker 5: Absolutely, How do you see. 566 00:26:06,320 --> 00:26:08,439 Speaker 3: The role of Kimmy shaping like the next phrase of 567 00:26:08,440 --> 00:26:08,919 Speaker 3: your career. 568 00:26:09,359 --> 00:26:12,920 Speaker 5: M I would hope that. 569 00:26:14,840 --> 00:26:20,520 Speaker 4: The dynamic shift that Kimmy takes in the Journey of 570 00:26:20,560 --> 00:26:23,399 Speaker 4: Beauty and Black would open up doors for me to 571 00:26:23,440 --> 00:26:26,960 Speaker 4: play roles that I haven't played before. It's interesting that 572 00:26:27,359 --> 00:26:29,040 Speaker 4: a lot of the roles that I played before are 573 00:26:29,119 --> 00:26:34,840 Speaker 4: always I mean, I played an assassin, stripper, I've played 574 00:26:34,960 --> 00:26:37,560 Speaker 4: a mean girl. I played things like that, and it's 575 00:26:37,560 --> 00:26:39,440 Speaker 4: like there's so many more layers to me and things 576 00:26:39,440 --> 00:26:42,240 Speaker 4: that I'm actually not like any of those. I haven't 577 00:26:42,240 --> 00:26:44,120 Speaker 4: played a character that's like myself yet. So I would 578 00:26:44,119 --> 00:26:47,000 Speaker 4: hope that she can keep exploring the dynamics of her 579 00:26:47,240 --> 00:26:50,160 Speaker 4: and from that maybe Hollywood will take note and be like, yeah, 580 00:26:50,200 --> 00:26:53,000 Speaker 4: I could see her as this too. Now, if you 581 00:26:53,200 --> 00:26:55,760 Speaker 4: knew somebody right that wanted to be on the show, 582 00:26:55,840 --> 00:26:58,480 Speaker 4: like one of your friends, and being as though you'd 583 00:26:58,480 --> 00:27:00,399 Speaker 4: be around Tyland and I know he always looking for 584 00:27:00,480 --> 00:27:04,560 Speaker 4: new actors and stuff, you know, how would you pitch 585 00:27:04,680 --> 00:27:06,600 Speaker 4: to him, I got this girl want to be on 586 00:27:06,640 --> 00:27:07,000 Speaker 4: the show. 587 00:27:07,520 --> 00:27:08,960 Speaker 5: Is that something that you would do? 588 00:27:09,560 --> 00:27:10,000 Speaker 1: What's wrong? 589 00:27:10,400 --> 00:27:12,960 Speaker 5: Bright? I don't know you got friends replace you? 590 00:27:13,040 --> 00:27:17,920 Speaker 4: Baltimore, for example, say he is looking for somebody else, 591 00:27:17,960 --> 00:27:20,080 Speaker 4: you know, to be a stripper, really good at that. 592 00:27:21,400 --> 00:27:24,160 Speaker 4: How would you say, yo, sala I got this girl. 593 00:27:24,800 --> 00:27:30,800 Speaker 4: Does he allow for conversations like that, Yeah. 594 00:27:30,560 --> 00:27:31,760 Speaker 5: He's very collaborative. 595 00:27:31,960 --> 00:27:34,360 Speaker 4: I might be looking at the scripts, maybe a new 596 00:27:34,400 --> 00:27:38,800 Speaker 4: season or something like, wow, there's a character I know 597 00:27:38,920 --> 00:27:42,159 Speaker 4: somebody that would be great and and I would make 598 00:27:42,240 --> 00:27:44,520 Speaker 4: a great promises person like. 599 00:27:44,440 --> 00:27:46,440 Speaker 1: I would be would great. 600 00:27:48,280 --> 00:27:51,840 Speaker 5: Crazy, just let me know, let you know, go ahead 601 00:27:51,840 --> 00:27:54,240 Speaker 5: and you know, sliping the lord. You know, just it's 602 00:27:54,320 --> 00:27:55,520 Speaker 5: been auditioning. 603 00:27:56,000 --> 00:27:58,520 Speaker 4: Wow, yeah, you never got back to us, so just 604 00:27:58,520 --> 00:28:01,160 Speaker 4: just you know, hit him great period. 605 00:28:01,880 --> 00:28:06,160 Speaker 3: So many shows a real yeah, which one. 606 00:28:05,600 --> 00:28:11,119 Speaker 5: I'll send them, you know, sisters and the which one? 607 00:28:10,840 --> 00:28:13,520 Speaker 5: The one the oval? Yes, and then it's another one. 608 00:28:14,520 --> 00:28:17,960 Speaker 4: Uh. It was like something like a war situation happening. 609 00:28:18,240 --> 00:28:22,800 Speaker 4: It was one of the No, but I did want 610 00:28:22,840 --> 00:28:24,399 Speaker 4: for that too, but it was another one. Damn it 611 00:28:24,400 --> 00:28:24,960 Speaker 4: was another show. 612 00:28:25,000 --> 00:28:25,440 Speaker 5: It was crazy. 613 00:28:25,480 --> 00:28:29,000 Speaker 4: It was it was all the time, like eighty shows. 614 00:28:29,040 --> 00:28:30,919 Speaker 4: Like I know what I'm saying, I've auditioned for all 615 00:28:30,960 --> 00:28:32,040 Speaker 4: of them without. 616 00:28:31,760 --> 00:28:32,560 Speaker 5: People even knowing. 617 00:28:33,160 --> 00:28:35,919 Speaker 1: But so special for you. 618 00:28:37,359 --> 00:28:42,440 Speaker 5: Okay, cool, I just just tell them. Yeah the interview, 619 00:28:43,120 --> 00:28:46,240 Speaker 5: that's great, you get okay, I think you can be 620 00:28:46,880 --> 00:28:47,320 Speaker 5: so much? 621 00:28:47,920 --> 00:29:04,280 Speaker 8: What is this my last? 622 00:29:05,120 --> 00:29:08,880 Speaker 5: I'm serious, but I forget. 623 00:29:09,400 --> 00:29:11,560 Speaker 7: Oh oh, So you talked a bit about like when 624 00:29:11,600 --> 00:29:12,760 Speaker 7: people come to you on the street and they have 625 00:29:12,760 --> 00:29:15,840 Speaker 7: criticisms right when you guys so on the other side, 626 00:29:15,880 --> 00:29:18,239 Speaker 7: like we see people criticize Tyler Perry's movies for different things. 627 00:29:18,280 --> 00:29:19,800 Speaker 7: I know when Divorce in Black came out, people have 628 00:29:19,920 --> 00:29:22,480 Speaker 7: so much to say and then the Amazon number dropped, 629 00:29:22,600 --> 00:29:25,959 Speaker 7: numbers dropped, and y'all drove up the Amazon Prime subscriptions 630 00:29:25,960 --> 00:29:29,400 Speaker 7: better than any other MGM movie. Right, So it's kind 631 00:29:29,440 --> 00:29:32,400 Speaker 7: of like a checkmate. How does the cast feel when 632 00:29:32,400 --> 00:29:34,200 Speaker 7: you're watching all that play out? But you can't really 633 00:29:34,200 --> 00:29:36,920 Speaker 7: say anything? And like, what is Tyler Perry telling y'all? 634 00:29:36,920 --> 00:29:38,560 Speaker 7: Like y'all get off the internet? Like how is he 635 00:29:38,640 --> 00:29:39,240 Speaker 7: responding to that? 636 00:29:41,040 --> 00:29:43,640 Speaker 5: In real time? He doesn't tell us anything. 637 00:29:43,840 --> 00:29:47,040 Speaker 4: I think getting to know him and working with him 638 00:29:47,080 --> 00:29:51,960 Speaker 4: and being on set he instilled in us you focus 639 00:29:52,000 --> 00:29:54,520 Speaker 4: on doing what you do. There are people who are 640 00:29:54,520 --> 00:29:56,640 Speaker 4: gonna talk, people are gonna love it, hate it. Whatever 641 00:29:57,000 --> 00:29:59,320 Speaker 4: you do what God has intended for you to do, 642 00:29:59,760 --> 00:30:01,800 Speaker 4: and that's all you should worry about. 643 00:30:02,080 --> 00:30:04,160 Speaker 5: So for me even with the voice in the Black. 644 00:30:04,720 --> 00:30:07,320 Speaker 4: That was probably when I changed my dynamic with looking 645 00:30:07,320 --> 00:30:10,200 Speaker 4: at comments and like looking at Twitter and hashtags and 646 00:30:10,240 --> 00:30:14,560 Speaker 4: things like that, because you know, I'm proud of what 647 00:30:14,640 --> 00:30:16,200 Speaker 4: I do. And then you look and it's like, oh, 648 00:30:16,560 --> 00:30:18,440 Speaker 4: you see negative things and it's like, I'm not even 649 00:30:18,440 --> 00:30:20,480 Speaker 4: gonna let that consume me. I already did my job. 650 00:30:20,960 --> 00:30:22,440 Speaker 4: So if that's how you feel about it, that's how 651 00:30:22,480 --> 00:30:23,080 Speaker 4: you feel about it. 652 00:30:23,080 --> 00:30:29,080 Speaker 5: But you why period? No, my wig was good. Oh 653 00:30:29,120 --> 00:30:32,400 Speaker 5: the whole time. The hair department was great. 654 00:30:32,680 --> 00:30:35,520 Speaker 3: I don't know. People complain about the wigs on Tyler 655 00:30:35,560 --> 00:30:36,560 Speaker 3: Perry productions. 656 00:30:37,240 --> 00:30:40,600 Speaker 4: Anyway, you kill the role you. I love Beauty and Black. 657 00:30:40,680 --> 00:30:43,400 Speaker 4: I'm invested in the show. I'm not just saying so 658 00:30:43,480 --> 00:30:45,120 Speaker 4: you can go ahead and tell Tyler get me wrong. 659 00:30:45,120 --> 00:30:47,720 Speaker 4: I really do love Beauty and Black. I'll be in 660 00:30:47,760 --> 00:30:50,720 Speaker 4: here telling him about about it all the time about it. 661 00:30:51,360 --> 00:30:56,440 Speaker 4: This nigga is lying, Sarah, He is lying. 662 00:30:55,240 --> 00:30:55,960 Speaker 2: The one thing. 663 00:30:58,280 --> 00:31:00,160 Speaker 7: The gay guys remember it was something about it, but 664 00:31:00,280 --> 00:31:04,320 Speaker 7: remember you could I remember. 665 00:31:03,200 --> 00:31:06,080 Speaker 5: That's my favorite. That's about my other favorite. And that's 666 00:31:06,080 --> 00:31:09,120 Speaker 5: all he well. The brother, oh my god, he's so funny. 667 00:31:11,440 --> 00:31:14,400 Speaker 2: Was the first that the Median Black. 668 00:31:14,760 --> 00:31:16,120 Speaker 1: That scene that was a fruitcake one. 669 00:31:16,200 --> 00:31:18,120 Speaker 2: Right, that was when he when he dropped his pants. 670 00:31:17,960 --> 00:31:23,040 Speaker 5: And I know you're gonna miss ask talking. Yeah, Black, 671 00:31:23,600 --> 00:31:27,160 Speaker 5: I love about three months. 672 00:31:27,520 --> 00:31:28,640 Speaker 1: That's what wanted to. 673 00:31:30,880 --> 00:31:36,320 Speaker 5: Watch, trying to be on it too. That's the was 674 00:31:37,320 --> 00:31:38,440 Speaker 5: that was definitely mean. 675 00:31:38,640 --> 00:31:38,920 Speaker 4: It was. 676 00:31:39,200 --> 00:31:41,280 Speaker 7: Yes, That's how I found out about the shows, because 677 00:31:41,280 --> 00:31:44,040 Speaker 7: you kept telling me about the If you watched it, 678 00:31:44,160 --> 00:31:44,600 Speaker 7: you would know. 679 00:31:44,920 --> 00:31:46,600 Speaker 2: I didn't want the first He's in the beauty. 680 00:31:48,400 --> 00:31:50,320 Speaker 5: So so so what happened with yours? 681 00:31:51,480 --> 00:31:52,240 Speaker 1: They thought he was? 682 00:31:52,360 --> 00:31:55,920 Speaker 5: I know that first the first first season they got his. 683 00:31:56,040 --> 00:31:59,000 Speaker 6: Car right hold on, Now that Beauty and Black is 684 00:31:59,080 --> 00:32:02,640 Speaker 6: when somebody gets killed and then it's the old game. 685 00:32:03,040 --> 00:32:03,440 Speaker 6: The club. 686 00:32:03,960 --> 00:32:06,360 Speaker 2: Yeah, watching the script, but he wanted the man. 687 00:32:08,320 --> 00:32:09,040 Speaker 7: Club at one point. 688 00:32:09,200 --> 00:32:10,080 Speaker 5: Yeah he was. 689 00:32:10,360 --> 00:32:13,320 Speaker 2: He was in the Script club, but then she got 690 00:32:13,440 --> 00:32:13,800 Speaker 2: us hurd. 691 00:32:14,160 --> 00:32:21,000 Speaker 5: You just really time I came in here talking about 692 00:32:21,000 --> 00:32:22,160 Speaker 5: the gay scenes, first, he would have been. 693 00:32:22,320 --> 00:32:23,800 Speaker 2: I watched a lot of Tier Priences, but it's just 694 00:32:23,880 --> 00:32:25,800 Speaker 2: all a blurred. I'm like that because that was last 695 00:32:25,880 --> 00:32:26,560 Speaker 2: year I watched it. 696 00:32:26,800 --> 00:32:31,720 Speaker 4: Yeah, you could have watched the new Yeah, Kimmy, whatever 697 00:32:31,920 --> 00:32:38,800 Speaker 4: he listen, I this Charles is does Charles do I 698 00:32:39,240 --> 00:32:41,040 Speaker 4: always yes, I knew it. 699 00:32:41,120 --> 00:32:44,080 Speaker 5: I should have mentioned that he's one of my favorite 700 00:32:44,120 --> 00:32:45,680 Speaker 5: characters too, because he is funny. 701 00:32:46,040 --> 00:32:48,880 Speaker 4: Funny, Yeah, I knew. I knew all that wasn't written down. 702 00:32:48,920 --> 00:32:52,600 Speaker 4: I'm like Charles as is just impriving all that he's funny. 703 00:32:53,040 --> 00:32:55,640 Speaker 7: Is there a date for the second part of the 704 00:32:55,720 --> 00:32:58,440 Speaker 7: second season, Not that I know of yet. 705 00:32:59,360 --> 00:32:59,800 Speaker 5: It's coming. 706 00:33:00,320 --> 00:33:02,840 Speaker 4: Okay, that's that's for sure. I feel like last time 707 00:33:02,880 --> 00:33:04,240 Speaker 4: it was a couple of months. So maybe at the 708 00:33:04,280 --> 00:33:05,000 Speaker 4: top of next year. 709 00:33:05,120 --> 00:33:07,480 Speaker 5: The people what they want to know. I've seen so 710 00:33:07,600 --> 00:33:12,840 Speaker 5: many fake posters the dates. We don't have a thing. Okay, 711 00:33:12,960 --> 00:33:13,840 Speaker 5: well I'll be waiting. 712 00:33:14,760 --> 00:33:16,240 Speaker 1: Well, thank you for joining us this morning. 713 00:33:16,360 --> 00:33:18,040 Speaker 2: Thank you, Taylor, thank for having me. 714 00:33:18,440 --> 00:33:19,880 Speaker 1: I want to I want to say, yeah, what's what's 715 00:33:19,880 --> 00:33:28,000 Speaker 1: the middle name? Holla door, Taylor Williams. I'm sorry. 716 00:33:30,960 --> 00:33:32,480 Speaker 6: The way your career is going, it's gonna be a 717 00:33:32,520 --> 00:33:35,000 Speaker 6: the time. He's never gonna forget your name, that's right. 718 00:33:35,360 --> 00:33:36,360 Speaker 5: And you make sure you forget his. 719 00:33:38,640 --> 00:33:39,080 Speaker 1: I won't. 720 00:33:39,560 --> 00:33:42,200 Speaker 5: Yes, I do, Thank you, d J. 721 00:33:42,400 --> 00:33:46,480 Speaker 1: And what school does she go to? HB Cut It 722 00:33:46,520 --> 00:33:48,480 Speaker 1: doesn't even matter. Nobody went to that school. 723 00:33:50,320 --> 00:33:52,240 Speaker 7: Delaware at University because she went to one and she 724 00:33:53,320 --> 00:33:56,880 Speaker 7: and I know you did where he goes. You got. 725 00:33:58,320 --> 00:33:58,760 Speaker 1: Remember that. 726 00:33:59,280 --> 00:34:00,120 Speaker 5: That's what's Upke? 727 00:34:00,160 --> 00:34:01,080 Speaker 1: You again. Don't look overre. 728 00:34:01,080 --> 00:34:05,440 Speaker 5: I ain't going to college? Can Ken just looking like. 729 00:34:07,760 --> 00:34:08,919 Speaker 2: You're gonna stop down playing? 730 00:34:09,000 --> 00:34:14,760 Speaker 6: Brooklyn Community College, Baltimore, Bimore, Baltimorro She got hot, socis 731 00:34:14,800 --> 00:34:15,400 Speaker 6: leave her alone. 732 00:34:15,880 --> 00:34:17,759 Speaker 1: It's the breakfast club going. I'm sorry, Taylor. 733 00:34:19,320 --> 00:34:22,680 Speaker 6: Every day a weak picks up the breakfast club. 734 00:34:22,920 --> 00:34:24,160 Speaker 2: You don't finish the y'all done