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Speaker 1: Alright, alright, we're back. It's the Iron rapp for podcast.

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Speaker 1: We just ordered some pizza. Hopefully it'll it'll. We're doing this.

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Speaker 1: We're at the where we're We're at the New York

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Speaker 1: studio a k a. My apartment. We're in here, we're

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Speaker 1: in the rest stop. Here's something I want to tell

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Speaker 1: people that are listen to the podcast that you should support.

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Speaker 1: Day Last Soul is in the midst of doing a

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Speaker 1: new album and a studio album, fully funded, good and

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Speaker 1: and they're on Kickstarter doing it now. I've talked, I've

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Speaker 1: spoken about Kickstarter in the past, and I know the

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Speaker 1: dudes from day Lass so but I don't know them well.

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Speaker 1: They are classy dudes, really fucking interesting dudes. Always just gentlemen, cool, funny,

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Speaker 1: smart in interesting guys. May Ceo from day Las Soul

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Speaker 1: is one of the reasons why I named my kid

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Speaker 1: ma Seo. I have a son named may Sil him

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Speaker 1: and ma Sel Parker. But Machel Parker real named Vincent Mason,

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Speaker 1: took on the name may Seo, I'm sure from ma

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Speaker 1: Sel Parker and then so it's the same thing. But

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Speaker 1: Ma Seo ma Seo from Day Last spells at m

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Speaker 1: a s c O, ma Sel Parker, James Brown saxophonist

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Speaker 1: M A CEO. My son's name is m A CEO,

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Speaker 1: but it was both. Anyway, They're doing a record on Kickstarter,

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Speaker 1: and I was like thinking, like, how the fuck is

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Speaker 1: day Las Soul wound wind up on Kickstarter? Because because

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Speaker 1: it's like the music business, hip hop, they've never sold

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Speaker 1: tremendous amounts of records. They're revered, so revered, so unique,

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Speaker 1: revered around them. They never broke up. One of the

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Speaker 1: few hip hop groups to never break up. What other

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Speaker 1: wrap groups are there that that didn't break up? Can

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Speaker 1: you let's go over them? Sugar Hell Gang broke up,

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Speaker 1: Grandmaster Flash and the Furious Five broke up, run DMC

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Speaker 1: broke up, bc BC Boys never broke up. Yeah, Um,

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Speaker 1: this is a whole lot of gang star they broke up,

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Speaker 1: was it yet? Um tribe called Quest of course broke up.

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Speaker 1: Naughty by Nature they never broke up. No, they never

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Speaker 1: broke up. That's another one. Be Nuts never broke up.

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Speaker 1: Jungle Brothers broke up, came back together. I don't know

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Speaker 1: if they. Yeah, they they broke up. Hip hop man,

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Speaker 1: a lot of fucking groups hip Hop, Day Las Soul,

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Speaker 1: never broke up, never stopped making music, still rock, always

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Speaker 1: on tour. Their hip hop's grateful dead like day La

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Speaker 1: Soul is crossby Stills in Nash Day La Souls like

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Speaker 1: led Zeppelin, like De La Soul is is before Tribe.

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Speaker 1: Tribe is influenced by day La Soul, and then they

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Speaker 1: influenced each other. But Day Last Soul was before Tripical

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Speaker 1: Quest and after the Jungle was like Yo Yo, Day

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Speaker 1: Last Soul is such an important, impactful, monumental group that

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Speaker 1: and also the thing about the group is that David

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Speaker 1: Pas the plugs the respectively, the plugs the motherfucker's are

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Speaker 1: stupid mcs, stupid mcs, both of them individually. But you

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Speaker 1: you you never get the credit, like you're just like

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Speaker 1: yo them to do some Day Last Soul or Positive,

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Speaker 1: but you know, you're never like those motherfucker's get down

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Speaker 1: when you listen to the lyrics, they get the funk down.

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Speaker 1: And they've done a lot of hard hip hop ship

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Speaker 1: in the last ten or fifteen years. That motherfucker's don't

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Speaker 1: know Yo, trust me, fucking daylot dug out. There's a song.

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Speaker 1: There's a song off Mission Impossible. There's a song off

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Speaker 1: Mission Impossible called Live at the Dugout eight seven, and

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Speaker 1: they are rhyming hard yo, see people getting sucked up.

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Speaker 1: You're like, you know, you're still on that Daisy a ship.

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Speaker 1: That dais a ship was long ago. Their motherfucker's a

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Speaker 1: lot of ship man balloon mind state. You know, even

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Speaker 1: even a lot of the first album is like you know,

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Speaker 1: and and the musically, like the sampling was like yo,

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Speaker 1: the production on Day Last Soul is very underrated. They

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Speaker 1: were bringing a lot of ships. So for me, I'm

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Speaker 1: not saying that Day Last Soul. Let's put it this way.

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Speaker 1: Do you think the Red Hot Chili Peppers would ever

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Speaker 1: have to be on Kickstarter? Now? I know they've sold

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Speaker 1: way more albums, but in in rock and roll, modern rock,

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Speaker 1: the Red Hot Chili Peppers Day Last Soul is just

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Speaker 1: as important to hip hop as Red Hot Chili Peppers

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Speaker 1: are to modern rock. Listen to that ship, listen to

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Speaker 1: the fucking getaway Day Last song. Last year, They're gonna

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Speaker 1: come with some ship. I would do a documentary on

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Speaker 1: that Day Last Soul. I would do Daylight doing that

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Speaker 1: fun yeah man, yo yo, I like their story to

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Speaker 1: Day La Soul has a story. I know they have

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Speaker 1: a story and it doesn't need to be like I mean,

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Speaker 1: of course they have a story. Been doing this ship

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Speaker 1: for twenty five years. Never broke up, they all, they've

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Speaker 1: never broke up. High soul, Yo, we can we can

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Speaker 1: make them motherfucking making beats, making beats, making beats. Crazy

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Speaker 1: art form has been lost. It's gone. Space beats, no snare,

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Speaker 1: drums popping, no eight o weight, no boom bat. New

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Speaker 1: York music sounds Southern? What the funk happened? What's the

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Speaker 1: signature sound of New York? The boom bat l A

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Speaker 1: got the g funk right signature, South got the dirty

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Speaker 1: ship right, New Orleans, New York got the boom back signature.

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Speaker 1: And it's gone. That's the genesis of the ship. Turn

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Speaker 1: on the radio, sound like we had fucking uh Orlando

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Speaker 1: leads Alabama, bring back the boom bab please lead premiere

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Speaker 1: the DJs that are them, the DJs, Q Tip Large Professor,

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Speaker 1: even the young guys, young guys, dudes, do it, please,

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Speaker 1: do it, please, do it please. We're begging you, were

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Speaker 1: pleading you. Pop the drums. Fucking drum needs to snap.

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Speaker 1: Do that boom bapshit crackle on the records do something,

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Speaker 1: keep it dirty, get off your fucking phones and your computers,

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Speaker 1: making it be, pick up the record and make the

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Speaker 1: bet with the record. Do the word. You're all Kanye's dick.

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Speaker 1: All these young producers, Kanye, Kanye, Kanye, Yo, Kanye is

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Speaker 1: on that fucking new wave ship and he's on his

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Speaker 1: fashion ship. But before all that, Kanye was a record

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Speaker 1: collecting motherfucker. You little dumb young motherfucker's you think you

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Speaker 1: want to be the next Kanye West. Kanye West comes

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Speaker 1: from that boom app ship. Do not be fucking fooled

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Speaker 1: by all the Kardashian ship and the fashion ship that

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Speaker 1: we've given him a hard time on on this fucking show, Yo,

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Speaker 1: don't be fooled. Don't be fooled. That's he loves. He

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Speaker 1: bows down to cute, if he bows down to day

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Speaker 1: La Farrell. They bowed down to this music. They That's

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Speaker 1: like if you ask Farrell the first thing out of

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Speaker 1: his mouth, he's gonna talk to you. Yo. When I

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Speaker 1: did the Tribe coll Quest movie, when I was talking

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Speaker 1: to him, when he talked about the Native Tongues conglomerate, Yo,

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Speaker 1: literally he almost cried. Like I have footage of him

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Speaker 1: like he was almost he says in the movie, he says,

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Speaker 1: that ship makes me want to cry. He's you know,

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Speaker 1: he almost cried, like Tolve Quality, the roots Black thought,

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Speaker 1: all them like they bowed down to that old music.

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Speaker 1: When I've been asked a couple of times, why do

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Speaker 1: you care so much just because I'm a fan and

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Speaker 1: I want to see what happened two rock and roll music,

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Speaker 1: great classic American rock commune role as it happened with

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Speaker 1: in the eighties when it became hair bands and jazz,

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Speaker 1: when it became just some other ship. It doesn't have

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Speaker 1: to happen because we have enough valuable, formidable leaders and

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Speaker 1: creative people in hip hop. Kanye, jay Z, Eminem, all

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Speaker 1: those dudes are still relevant, Snoop Dogg, and I think

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Speaker 1: like at the end of the day, it's up to

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Speaker 1: them to keep that music alive and keep that ship

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Speaker 1: cool for as long as they can. We need that,

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Speaker 1: We need that for as long as they can. Yo,

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Speaker 1: you gotta come back to that boom bap. That's that

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Speaker 1: to me is your responsibility and ship. Jay Z, you

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Speaker 1: gotta come back to that boom bab Eminem, you gotta

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Speaker 1: make a straight boom bap album just give us, give

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Speaker 1: us one album, just one one straight boom bap alur

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Speaker 1: Eminem please? Yo? What Eminem on a straight boom bap album? Yo?

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Speaker 1: Because Eminem's on some ship. What about Kanye producing and

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Speaker 1: Eminem or Kanye and q Tip producing a fucking straight

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Speaker 1: boom bap album? They do one beat, he does one beat,

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Speaker 1: They do beats together. They bring in fucking Swiss beats

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Speaker 1: to do some ship. They bring in fucking qute Tip

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Speaker 1: beat with Premier and fucking Rizon and be like, yo,

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Speaker 1: do it, bring all those dudes and ship Diamond. I'm

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Speaker 1: gonna fucking do it. You know. I I played around

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Speaker 1: with this idea is a documentary where I make the album,

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Speaker 1: I hire the artists, I get a budget, I heard

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Speaker 1: of the higher the artist, and I make it the

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Speaker 1: way I want it to be. I don't create it

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Speaker 1: all at all of it. But I say, yo, let's say,

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Speaker 1: for instance, I say, you know, Lord Fernest, I want

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Speaker 1: to beat where you sample fucking Marvin Gay Okay, And

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Speaker 1: he's like okay, and I say, and then after that

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Speaker 1: you could do what you want. So I picked the sample.

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Speaker 1: Basically that would be some ship. That's what the funk

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Speaker 1: I'm gonna do and I like Rick Rick Rubin will

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Speaker 1: do one song like yo, Rick Yo. I just want

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Speaker 1: some ship it like you, like you know you just

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Speaker 1: all I want you to do is like do some

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Speaker 1: cowbellship like he did in that problem. Other than that,

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Speaker 1: you could do what the funk you do, But but

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Speaker 1: I get to have saying it. That's it. All I

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Speaker 1: want to do is be able to say this, that

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Speaker 1: ship's whack. Now, that's not making the album. As long

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Speaker 1: as I could tell these producers openly and they don't like,

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Speaker 1: they don't get offended. Not that beat, the straight trash,

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Speaker 1: and I'll beat you, the album will be dope. You know,

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Speaker 1: this is my project. Spaceship. I don't want it to

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Speaker 1: that spaceship. I don't want that techno ship. I don't

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Speaker 1: want to know that Israeli euro ship. I don't want

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Speaker 1: any of that motherfucking you know that world music funk

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Speaker 1: all that world want. In New York, everything has to

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Speaker 1: be sampled. This is a sample driven album, and I

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Speaker 1: picked the sample and then you do the rest. We

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Speaker 1: need little beaver, little beaver. Yes, you're gonna, you're gonna,

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Speaker 1: you're gonna, you're gonna, you're gonna sample Willie Hutch, You're

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Speaker 1: gonna sample Curtis James, You're gonna go into James. And

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Speaker 1: I'm gonna say, yo, find something that hasn't been done

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Speaker 1: or re sampling. Here's another thing I proposed Gerald that

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Speaker 1: would be great and fun for hip hop, you know

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Speaker 1: how jazz musicians. Let's just say John Coltrane, one of

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Speaker 1: his favorite songs to play was my favorite things. And

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Speaker 1: there's probably let's say thirty recordings of him doing it live,

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Speaker 1: of him recording it in the studio, off him doing

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Speaker 1: a long version in the studio, a thirty seven version,

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Speaker 1: a thirty seven minute version of him doing it in Japan.

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Speaker 1: There's he would do it over and over and over.

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Speaker 1: Why can't hip hop artists like, what do you what

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Speaker 1: would what would rock him? Over? My melody sound like

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Speaker 1: now where you go rock him? Here's the deal. You're

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Speaker 1: not remaking the song, but you yeah, you know, you're you're,

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Speaker 1: you're real, you're remaking the song completely like you're you're

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Speaker 1: you're doing all new sixty four bars and how many

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Speaker 1: bars are in the record. However many bars are on

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Speaker 1: a record, the whole thing over again, and he's like,

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Speaker 1: what do I say, like, yo, you say whatever you want.

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Speaker 1: You know, I would how hyped would you be to

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Speaker 1: hear that? How hyped would you be to hear Doug

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Speaker 1: you Fresh like do the same beat, but make the

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Speaker 1: show a new song. Now, that would be stupid. Hip

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Speaker 1: hop needs to do that. That hip hop needs to

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Speaker 1: do that ship. So anyway, what what what? What do you?

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Speaker 1: What do you have to say? You gotta you got

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Speaker 1: a dog wheezy, right, yeah, yeah, I got a dog.

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Speaker 1: Went out there in l A with you, and I

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Speaker 1: noticed that you don't pick up the ship. Yeah. We

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Speaker 1: we talked about this because you're you're, you're, you're, you're,

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Speaker 1: you're You're a landowner, you're a building owner. You have

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Speaker 1: people that do that all over the block, the ship

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Speaker 1: on your block. Yeah, And do you ever see him

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Speaker 1: do it? Yeah? And they leave a hot steaming pile

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Speaker 1: right there, and you didn't. And then you leave it

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Speaker 1: there for me to come out and see that. And

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Speaker 1: you have to clean somebody else's dog shit. It's bad

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Speaker 1: enough to clean your own dog shit. And you say

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Speaker 1: to me, why do you do it? I'm gonna tell

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Speaker 1: you why I don't do it? All right, I'm gonna

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Speaker 1: tell you I have a reason, Well, I don't pick

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Speaker 1: up my ship and here's the reason, and I don't

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Speaker 1: funk with ship bags in l A. Okay, the reason

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Speaker 1: why I don't funk with ship bags in l A's

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Speaker 1: because in New York now, those guys are doing in

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Speaker 1: New York City, where there's a garbage can on every

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Speaker 1: corner by you, they're filthy animals. Okay, there's filthy animals

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Speaker 1: because you could literally pick the ship up and then

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Speaker 1: bringing up the corner. In l A. If you've never

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Speaker 1: been to Los Angeles, the blocks are long and and

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Speaker 1: and and and they're there. They go on and on

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Speaker 1: and on and on, and you can go four or six,

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Speaker 1: eight ten blocks without having a garbage can. Now, and

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Speaker 1: you're carrying a ship bag, a hot steaming ship and

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Speaker 1: let's say I have my dog and I have my

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Speaker 1: ship bag in one hand, and I have to and

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Speaker 1: my dog in the other and so basically I can't.

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Speaker 1: I have no hand because I have a steamer in

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Speaker 1: a bag that in the in the hot sun is

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Speaker 1: whifting in my face and there's no garbage cans. That's

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Speaker 1: why I stopped using ship bags in l A. Because

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Speaker 1: I'm not walking six sevent eight blocks carrying a ship back.

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Speaker 1: So my dog, wheasy, it's gonna shoot on your lawn.

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Speaker 1: And you know what, That's just how the fun's gonna be.

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Speaker 1: And do I feel guilty sometimes yes? Do I get

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Speaker 1: chastised sometimes yes? Do I pick it up sometimes yes?

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Speaker 1: But for the most part, I'm not picking it up

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Speaker 1: because I'm not carrying it for eight, nine, ten blocks.

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Speaker 1: That's my That's my point of view. What do you

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Speaker 1: have to say about that? Does that? Does any of

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Speaker 1: that change your point of view on this? I feel

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Speaker 1: it's your fucking responsibility to pick up your ship, no

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Speaker 1: matter if you got that's your dog. That's your responsibility,

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Speaker 1: no matter if you fucking walking ten blocks. He shipped

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Speaker 1: it up, you leave it there for my aunt to

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Speaker 1: pick it up. Uh. Yeah, we come outside with having

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Speaker 1: a barbecue, we turn our heads and we see that

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Speaker 1: and then you walk in the way. So that's what

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Speaker 1: you leave us. No, it's and your grandmother. You're grand

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Speaker 1: for first is you're on Now you're trying to pull

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Speaker 1: up the hard strings. Yeah, you don't have to. You know,

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Speaker 1: you have to understand, man. You know I used to

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Speaker 1: pick up the ship in Los Angeles and the ship

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Speaker 1: bags but I don't funk with ship bags anymore because

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Speaker 1: I am not carrying a ship bag filled up and

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Speaker 1: and and and and not being able to throw it down.

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Speaker 1: It's not okay. And then somebody can say, well, why

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Speaker 1: don't you go on people's driveway, So then you're walking

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Speaker 1: up in people's driveway to throw ship in there, and

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Speaker 1: you're not supposed to do that either. That's against the

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Speaker 1: loyer either. So and it's grass, so you know, it's

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Speaker 1: it's it's not cement, it's it's it's you know, it

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Speaker 1: goes into the soil. That's it. And you know, if

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Speaker 1: I if I pick up the ship sometimes I do.

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Speaker 1: Sometimes I pick it up and I just throw it

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Speaker 1: in the street and the street cleaning will gain. And

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Speaker 1: they're like, well that's disgusting. Well it's better than not

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Speaker 1: picking it up. I'm not carrying the ship bag more

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Speaker 1: than one block. It's just not fair because in New

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Speaker 1: York you don't have to carry the ship bag more

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Speaker 1: than one block. And that's why the people in the

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Speaker 1: Bronx that are doing it to you, they're really fucked

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Speaker 1: up because there's garbage cans on every corner. But I

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Speaker 1: got something for the what are you gonna do to them.

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Speaker 1: I mixed kaienne, pepper and vegetable oil and spread it

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Speaker 1: all over that little patch of grass. And I haven't

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Speaker 1: seen ship in three weeks. The dogs they fucking frightened

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Speaker 1: to death. Get the funk out. They smell, Yeah, that

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Speaker 1: kay and pepper they like. They avoid that ship, so

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Speaker 1: you sprinkle it all over the grass. What a tree is?

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Speaker 1: They don't come near that ship. I didn't know that trick.

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Speaker 1: Does that work? It works? I haven't seen in three weeks.

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Speaker 1: They used to fucking light me up. You You used

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Speaker 1: to fuck me? No did? I never did you. I

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Speaker 1: never fucked you. Man. I never did that. Bro. I

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Speaker 1: didn't my my. We never shout on you on your lawn.

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Speaker 1: But I've had a lot of problems about this. I've

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Speaker 1: discussed ship bags with people, and that's just how I

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Speaker 1: stand on it. And it's not that, oh, you're from

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Speaker 1: New York. You're New York. It's just I'm not carrying

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Speaker 1: the ship bag multiple blocks, and I shouldn't be asked

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Speaker 1: to carry a ship bag multiple blocks. You want the

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Speaker 1: ship picked up? Put the fucking garbage. What motherfucker's step

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Speaker 1: to you? Be? Like yo, yo, they step to me.

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Speaker 1: Then I have to deal with it. And and and

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Speaker 1: what you're gonna say? You ain't picking it up? What say, yo, man?

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Speaker 1: Pick pick that ship up? When is you walking away forth? Well,

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Speaker 1: what you're gonna do? Pick it up? I got it

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Speaker 1: up here because it's gonna be a beef and I

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Speaker 1: know in my heart it's wrong. But why why even

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Speaker 1: do that? Just pick it up? I don't have any

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Speaker 1: ship in people's houses, and ships on the lawn usually

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Speaker 1: buy a tree and grass. Fucking man, I hope you

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Speaker 1: know what. I'm gonna bring Wheezy to New York. Then

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Speaker 1: bring him to your block, and I know he'll shoot

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Speaker 1: on your block. Not with that ca It's the I

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Speaker 1: N wrap for podcast. We're doing it this second, this, this, this,

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Speaker 1: this episode has should be over right, let's keep going

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Speaker 1: bro all right? So what what did what did you

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Speaker 1: want to talk about? Uh? We got a lot of

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Speaker 1: ship here, man, We had a fucking uh the selfies,

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Speaker 1: Oh yeah, with those fucking little hipster pricks. Describe what

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Speaker 1: we're talking about. Set it up the people. I guess.

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Speaker 1: I don't know where these motherfucker's from. I don't know

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Speaker 1: where they're from. There on the cover of the Daily

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Speaker 1: News the other day the explosion in Lower Manhattan in

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Speaker 1: the village on Seventh Street. Two people at this point

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Speaker 1: have been have been were killed, were killed. Terrible destruction,

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Speaker 1: totally out of frightening price, scary as ship. We're killed

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Speaker 1: and go ahead. Buildings collapsed and the uh we see

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Speaker 1: these fucking hipster pricks, a group of them. They took

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Speaker 1: a picture with the healfie stick smiling with the backdrop

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Speaker 1: being the carnage. Right. So the post called him out

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Speaker 1: like they was posted, and they put, yo, get the

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Speaker 1: funk out of our city with that funk out. Men,

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Speaker 1: get the funk out. You get the funk out of here, said,

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Speaker 1: we don't want your fucking type. Dennis Sammy, take a

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Speaker 1: fucking walk, get the funk up, Get the funk out

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Speaker 1: of here. I'm doing my Danniellello, you fucking cox sucker,

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Speaker 1: You selfie taking motherfucker. That's why Danniella from do the

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00:19:38,359 --> 00:19:42,880
Speaker 1: right thing, you motherfucker with yourselfies. Get the fuck get

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Speaker 1: that fucking selfie stick up your ass. That Danniello kind

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Speaker 1: of like Dice Clay too. Remember how good Danniella wasn't

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Speaker 1: do the right thing. That guy was fantastic he was

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Speaker 1: so good you burned me to the ground. You motherfucker move.

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Speaker 1: Fuck you, Mookie. Here's your fucking money, five hundred dollars.

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Speaker 1: You're the kid in the fucking world. Danniello is a

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Speaker 1: good actor. I don't know. I don't know why he's not.

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Speaker 1: I don't know why he's not doing more ship I mean,

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Speaker 1: you know, twenty ninth Street, that's a good movie with

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Speaker 1: Anthony Lepaglia. I always thought that was Danniello had some

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Speaker 1: ship man. He's always been great, good actor, great voice.

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Speaker 1: You motherfucker, Mookie. That's a pretty good impression, right, yeah,

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Speaker 1: you're good man. What with some of his other lines?

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Speaker 1: Fuck you, Mookie. I could do him in other things,

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Speaker 1: like I got I like, you know, like do Dannyello

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Speaker 1: in something else. He should coach the Nick's Danniello would

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Speaker 1: be a good run up the fucking floor. Fucking asshole.

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Speaker 1: Where is he from? I don't even know his fucking name.

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Speaker 1: You motherfucker. You this cock sucker? That's he doesn't you, motherfucker,

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Speaker 1: You cocksucker make the fucking layout. Mellow, Mellow, come here.

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Speaker 1: If that motherfucker comes down the lane one more time, Mellow,

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00:21:12,119 --> 00:21:15,359
Speaker 1: it's getting away from me anyway, that was danny Eello.

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Speaker 1: He's good, He's fucking good. Well, how do we get on, Danniello?

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Speaker 1: I don't know. We're taking this ship all over man,

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Speaker 1: I don't know. We're We're just we're just we're not

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Speaker 1: we're doing a no cut I am rappa. We're just

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Speaker 1: we're just flowing here. We're in the studio in here.

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Speaker 1: What's up Gerald? When you I'm thinking about a fucking uh,

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Speaker 1: a real serious thing. Man. If any if you got

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Speaker 1: a good fucking woman, yeah, and you recognize that you

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Speaker 1: have a good woman, yes, be fucking thankful. He's grateful

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Speaker 1: because it could be hell for you. Yes. And and

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Speaker 1: you're saying this from the perspective of a man who

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00:22:04,960 --> 00:22:08,360
Speaker 1: why why are you saying that? Be more specific? I'm

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00:22:08,440 --> 00:22:13,240
Speaker 1: just saying in general, because you know, you think about

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00:22:13,240 --> 00:22:16,720
Speaker 1: a woman, you know, and she's supposed to be like supportive,

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00:22:16,800 --> 00:22:19,359
Speaker 1: and you know, like so when you when you know

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Speaker 1: you got one, don't suck it up, don't fuck it up?

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Speaker 1: How do you? How do you know you have one?

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Speaker 1: It's based on right, the way you are treated, whether

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00:22:31,640 --> 00:22:35,560
Speaker 1: they love you, based on that. And when you got

383
00:22:35,640 --> 00:22:39,200
Speaker 1: something like that, you have to recognize it. It's true,

384
00:22:39,240 --> 00:22:44,280
Speaker 1: you know, disposable, disposable women. Treating them like disposable. It's

385
00:22:44,320 --> 00:22:47,679
Speaker 1: no good because when you when you fucking get a

386
00:22:47,720 --> 00:22:52,240
Speaker 1: good one, and if you've had some bad ones, it's

387
00:22:53,240 --> 00:22:58,520
Speaker 1: it's bad. If you it's really bad. It makes you understand,

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Speaker 1: like yo, like anybody who has a good woman and

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Speaker 1: they're doing like kind of bad like that Bobby Womack

390
00:23:04,640 --> 00:23:06,640
Speaker 1: ship type of good woman, like a real good woman

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00:23:07,040 --> 00:23:09,400
Speaker 1: kan type of ship. Like when you listen to Shaka Kan,

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Speaker 1: You're like, damn, I want a woman like that, like

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00:23:11,680 --> 00:23:15,280
Speaker 1: somebody who's just there right no matter what. And then

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00:23:15,320 --> 00:23:18,000
Speaker 1: when you down to support and bring your ass back

395
00:23:18,080 --> 00:23:21,200
Speaker 1: up right not they're like just they're like like there

396
00:23:21,280 --> 00:23:24,280
Speaker 1: for you when you need it, and you know you

397
00:23:24,320 --> 00:23:26,960
Speaker 1: can count on them, but they can count on you.

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Speaker 1: That is good, man. And most people fuck ship up. Man.

399
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Speaker 1: We do it. We do it over and over and

400
00:23:35,040 --> 00:23:38,760
Speaker 1: over and over and over again, because men are fucked.

401
00:23:39,680 --> 00:23:46,480
Speaker 1: Men are sick. They're sick, sick, sick, demented creatures, and

402
00:23:46,480 --> 00:23:50,640
Speaker 1: and the fundamental thing about men and women some things

403
00:23:50,720 --> 00:23:55,040
Speaker 1: won't won't will never understand about each other, no matter

404
00:23:55,080 --> 00:24:01,280
Speaker 1: how much psychotherapy research. Estrogen chest that you do fucking

405
00:24:01,520 --> 00:24:06,440
Speaker 1: male hormones, female hormone. There, there's science, can't figure this out.

406
00:24:06,920 --> 00:24:10,119
Speaker 1: It's just the way we are. Men are from Moon,

407
00:24:10,840 --> 00:24:14,119
Speaker 1: women are from fucking Saturn. What was the book? Men

408
00:24:14,119 --> 00:24:16,640
Speaker 1: are from Venus, women are from Mars? That was the book.

409
00:24:17,320 --> 00:24:19,960
Speaker 1: Books like that will be continue to be written forever

410
00:24:20,040 --> 00:24:22,280
Speaker 1: because we will never figure each other out completely. So

411
00:24:22,320 --> 00:24:25,840
Speaker 1: when you find one that you sort of do understand

412
00:24:25,880 --> 00:24:29,120
Speaker 1: that got your back like a motherfucking Bobby Walmack song,

413
00:24:29,160 --> 00:24:32,920
Speaker 1: like an Isley Brothers song, you know they are there

414
00:24:33,000 --> 00:24:37,960
Speaker 1: for you. That is That's a good feeling in itself.

415
00:24:39,920 --> 00:24:43,240
Speaker 1: It's a good feeling to know that. So the point

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00:24:43,320 --> 00:24:47,720
Speaker 1: is because if you have an x se ex wife

417
00:24:47,960 --> 00:24:54,360
Speaker 1: ex wife, x girlfriend x, this is how you know

418
00:24:54,840 --> 00:24:59,160
Speaker 1: that you were in a normal relationship with your ex. Wait,

419
00:24:59,480 --> 00:25:01,119
Speaker 1: this is how you know if you are in a

420
00:25:01,160 --> 00:25:06,560
Speaker 1: normal you were when you can communicate and deal with

421
00:25:06,600 --> 00:25:12,000
Speaker 1: her right like to human beings. That's how you know

422
00:25:12,840 --> 00:25:16,520
Speaker 1: it was a normal relationship but it just went south

423
00:25:16,600 --> 00:25:19,160
Speaker 1: for whatever reason. If you could communicate with each other

424
00:25:19,280 --> 00:25:22,480
Speaker 1: like a human being as opposed to what as opposed

425
00:25:22,520 --> 00:25:33,879
Speaker 1: to barbarians where you won't answer the phone you're blocking

426
00:25:33,920 --> 00:25:39,000
Speaker 1: me from seeing my child. What is the intent of that?

427
00:25:40,359 --> 00:25:43,080
Speaker 1: What's the objective in doing that? What is your agenda?

428
00:25:43,160 --> 00:25:47,120
Speaker 1: What is your game plan? What's your strategy to smear me? Right?

429
00:25:47,800 --> 00:25:52,359
Speaker 1: For what? All? Right, you don't like me, but that

430
00:25:52,440 --> 00:25:54,880
Speaker 1: little person loves me, So get out of the way.

431
00:25:58,960 --> 00:26:03,440
Speaker 1: People are like, why are you happened? It's just it's simple. See,

432
00:26:03,480 --> 00:26:07,960
Speaker 1: that's how you know you weren't in a normal relationship

433
00:26:08,240 --> 00:26:13,120
Speaker 1: because people don't act like that. It takes two to tango, though,

434
00:26:15,320 --> 00:26:20,240
Speaker 1: whoever is doing that? If you're doing that, if you're

435
00:26:20,280 --> 00:26:25,960
Speaker 1: the one that's instigating and initiating the foolishness, and the

436
00:26:26,000 --> 00:26:29,640
Speaker 1: other guy, another person is in treating either the one,

437
00:26:29,720 --> 00:26:34,640
Speaker 1: the woman or the man. It's you think about a

438
00:26:34,720 --> 00:26:38,840
Speaker 1: person that would block access from the child, from to

439
00:26:38,920 --> 00:26:43,359
Speaker 1: the to the parent. How you gotta be sick to

440
00:26:43,560 --> 00:26:50,640
Speaker 1: do that. You're hurt and innocent child, a separate human being. Right,

441
00:26:50,880 --> 00:26:53,879
Speaker 1: you get in the middle and and block that because

442
00:26:53,920 --> 00:26:57,320
Speaker 1: you don't like the guy, right, But you deny the

443
00:26:57,440 --> 00:26:59,639
Speaker 1: separate human beings. So what do you say to people

444
00:26:59,680 --> 00:27:02,800
Speaker 1: like that? You're not saying that's happened to you, No,

445
00:27:03,280 --> 00:27:07,159
Speaker 1: you're saying that in general. What do you What do

446
00:27:07,240 --> 00:27:11,480
Speaker 1: you say to people that do that? What the fuck

447
00:27:11,960 --> 00:27:19,719
Speaker 1: is wrong with you? Here's why I say that, almost

448
00:27:19,800 --> 00:27:24,200
Speaker 1: pop the vest. Here's why I say that. Yo, every

449
00:27:24,280 --> 00:27:28,639
Speaker 1: moment living is special. Right, you don't know when the

450
00:27:28,680 --> 00:27:33,000
Speaker 1: funk we could We could die, right, leave all the

451
00:27:33,080 --> 00:27:37,680
Speaker 1: petty ship alone and live and enjoy. Don't live to

452
00:27:37,840 --> 00:27:42,200
Speaker 1: do negative to somebody who you're not even wit. You're

453
00:27:42,200 --> 00:27:45,800
Speaker 1: not in his presence, He's not in your presence. Just

454
00:27:46,480 --> 00:27:51,040
Speaker 1: give it up, do good right, try to smear the

455
00:27:51,200 --> 00:27:58,199
Speaker 1: motherfucker's right for what? Why? Silly? What else is on

456
00:27:58,240 --> 00:28:01,359
Speaker 1: your fucking mind? It's the Iron Rapperboard podcast. We have

457
00:28:01,440 --> 00:28:04,720
Speaker 1: T shirts to give away. I have some. When the

458
00:28:04,720 --> 00:28:07,240
Speaker 1: garden was eating T shirts, I could have about two.

459
00:28:08,119 --> 00:28:10,920
Speaker 1: You're not got like a thousand Iron Wrap Podcast T

460
00:28:11,040 --> 00:28:13,560
Speaker 1: shirts to give away? Gerald a thousand? Man, I see you.

461
00:28:13,560 --> 00:28:18,040
Speaker 1: You you got the boxes, boxes and boxes that I

462
00:28:18,040 --> 00:28:21,760
Speaker 1: I got solely for the reason to give away to

463
00:28:21,880 --> 00:28:23,720
Speaker 1: the fans of the Iron Wrap por podcast. That's the

464
00:28:23,760 --> 00:28:26,280
Speaker 1: only reason why we got them. We're not selling them.

465
00:28:26,320 --> 00:28:29,560
Speaker 1: They're they're not for sale. If you offer me money,

466
00:28:29,560 --> 00:28:32,159
Speaker 1: you're insulting me. Also, some people say, how do I

467
00:28:32,200 --> 00:28:34,800
Speaker 1: buy one. This is for you people. They call it

468
00:28:34,840 --> 00:28:38,400
Speaker 1: a giveaway the fans. All I want is support for

469
00:28:38,440 --> 00:28:42,040
Speaker 1: the podcast, and all I want is people to spread

470
00:28:42,040 --> 00:28:44,760
Speaker 1: the world. That's it And as always, the I Am

471
00:28:44,880 --> 00:28:49,960
Speaker 1: Rappapor podcast is sponsored by American Giant. American Giant Clothes,

472
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473
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475
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476
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