WEBVTT - S4/E7 | Observation

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<v Speaker 1>Thirteen Days of Halloween Penance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Nankey Headphones. Recommended Listener discretion advised.

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<v Speaker 2>Sh what to do? What to do?

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<v Speaker 3>Oh?

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<v Speaker 4>I know that book from the library.

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<v Speaker 5>What was it again?

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<v Speaker 6>Ugh?

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<v Speaker 7>The mirrors should have definitely gone with the other self

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<v Speaker 7>as an omen of death. Okay, maybe let's start with

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<v Speaker 7>a table of contents.

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<v Speaker 4>Onto logical unfolding the philosophical analysis of unmanifested potentialities, ether

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<v Speaker 4>and its peculiarities, an exploration of possible interdimensional mediums. Why

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<v Speaker 4>do they have books like this in a prison library?

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<v Speaker 8>Okay?

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<v Speaker 4>Random page?

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<v Speaker 8>Um, yes, I see it now?

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<v Speaker 4>Not there not yet?

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<v Speaker 3>Ah? Yes yes. Here.

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<v Speaker 7>Within this hypothetical mirror universe, each individual is purported to

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<v Speaker 7>have a doppelganger, literally a double walker, an apparition that

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<v Speaker 7>personifies all the decisions abandoned, the paths untaken, the words

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<v Speaker 7>left unsaid in our present sphere of existence. The theory

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<v Speaker 7>presents a fascinating paradox that whilst our mirror selves are

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<v Speaker 7>seemingly our reflections, they.

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<v Speaker 4>Are in truth being sculpted.

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<v Speaker 7>By an entirely different set of experiences and consequences. This

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<v Speaker 7>captivating paradox resides at the intersection of exact science and

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<v Speaker 7>the other worldly, whirling in a maelstrom of ethereal mechanics,

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<v Speaker 7>psychological analyzes, and philosophical riddles. While concrete evidence for such

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<v Speaker 7>a universe and these spectral counterparts remains elusive, the phenomenon

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<v Speaker 7>has nonetheless inscribed an intriguing image upon the grand stage

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<v Speaker 7>of the intellect, resonating with provocative questions about identity, reality,

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<v Speaker 7>and the intrinsic nature of existence itself.

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<v Speaker 4>Jesus Carill, don't sneak up on me like that?

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<v Speaker 7>And it's Martinez what we might have to try charades here?

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<v Speaker 7>Because Hey, where's Grimes? I thought you too were always

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<v Speaker 7>you know.

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<v Speaker 6>Hell residence of Section C. We hope you are all

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<v Speaker 6>enjoying your recreation time.

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<v Speaker 4>What the earth?

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<v Speaker 6>Remember here at the Pendleton, we live by the motto

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<v Speaker 6>A healthy body can last forever.

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<v Speaker 4>All right, I get it, I get it.

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<v Speaker 7>Hey, what do they mean by recreation anyway? Because I

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<v Speaker 7>feel like we're getting plenty of steps in here. I

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<v Speaker 7>really get the impression that you speak at least some English.

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<v Speaker 4>Then where are we going?

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<v Speaker 3>What not? Your what the war? What the yard? Wait?

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<v Speaker 4>Wait, wait, when you say yard, do you mean outside?

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<v Speaker 3>Hey?

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<v Speaker 4>No, no, no, no, no, we're still inside, did you.

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<v Speaker 8>Okay, so I guess.

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<v Speaker 4>We mingle.

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<v Speaker 9>Check me, Nope, check me?

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<v Speaker 5>Still no, check me, There are no checkmate, soldier.

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<v Speaker 9>This is checkers.

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<v Speaker 10>Palms together at the heart, and we'll close our practice

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<v Speaker 10>with the sound of m inhale, and we'll seal it

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<v Speaker 10>with the prayer of Narcissus.

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<v Speaker 2>But what I shall never recognize myself, for if I do,

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<v Speaker 2>it will be the end of things.

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<v Speaker 11>Hell still, hold still?

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<v Speaker 4>Nice ink? How'd you get a tattoo gun in here?

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<v Speaker 5>Right?

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<v Speaker 8>Yeah, we'll carry on?

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<v Speaker 2>Hold on?

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<v Speaker 8>Still, thousand fucking people in here, and you can't manage

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<v Speaker 8>to talk to a single one of them without making

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<v Speaker 8>a fool of yourself.

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<v Speaker 7>You socially, I say, first of all, nice shorts, nice headband.

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<v Speaker 7>You know they've never brought me out here before. Crazy

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<v Speaker 7>how they call this a yard. It's all enclosed. But hey, listen,

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<v Speaker 7>I was thinking about my case. I got to reading

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<v Speaker 7>that book from the library.

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<v Speaker 8>See and uh yeah, not now.

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<v Speaker 12>Oh remember when I told you about simple pleasures? Movement

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<v Speaker 12>is one of them?

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<v Speaker 4>Okay, sure, yeah, I understand, kid.

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<v Speaker 12>You literally live next door, so just tell me later.

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<v Speaker 12>I'm not going anywhere.

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<v Speaker 4>Okay, okay, you're right.

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<v Speaker 2>But what do I walk?

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<v Speaker 12>They say it's the best medicine.

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<v Speaker 6>A walk?

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<v Speaker 8>Yeah right? What is that in the middle? What am

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<v Speaker 8>I looking at?

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<v Speaker 2>The Panopticon?

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<v Speaker 8>I'm sorry, that's.

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<v Speaker 2>The Panopticon, the all seeing eye in the sky. Only

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<v Speaker 2>you can't because you're standing too close. It towers high

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<v Speaker 2>above the yard, the cell block everything, and the top

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<v Speaker 2>is entirely encircled in windows of one way glass. They

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<v Speaker 2>can see out, but we can't see in, and so

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<v Speaker 2>you never really know, know what if anyone's looking? Did

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<v Speaker 2>you know there's someone following you? What?

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<v Speaker 8>How did you know?

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<v Speaker 2>I see their imperfections almost beautiful if only where do

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<v Speaker 2>you see? I don't know if it's the ears and

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<v Speaker 2>maybe the lips just need a bit of trimming. This

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<v Speaker 2>isn't just a vision. Someone's there and they're real.

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<v Speaker 8>Maybe it's your glasses, maybe it's my eyes.

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<v Speaker 4>Okay, well, I better be moving on.

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<v Speaker 2>I wasn't always like this, you know, I was a doctor,

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<v Speaker 2>a family man. It all began with that eye, that

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<v Speaker 2>damn evil eye, all because my vision had started to fail.

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<v Speaker 13>Morning, sweetie, We've got eggs and bacon eat up before

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<v Speaker 13>this one finishes it all himself.

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<v Speaker 2>He's a growing boy, isn't he let him eat?

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<v Speaker 14>I'm hulder a cliche, and onto our top story this morning.

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<v Speaker 14>We're all resting a little easier today as the Keepsake killer,

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<v Speaker 14>thirty eight year old Jason Delving has finally been brought

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<v Speaker 14>to justice. He was executed by lethal injection at eight

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<v Speaker 14>fifteen last night, finally closing a dark chapter in this

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<v Speaker 14>city's history.

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<v Speaker 15>So I turn this up.

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<v Speaker 14>Delving brutally murdered twelve innocent people, all of whom appear

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<v Speaker 14>to have been chosen at random. Each victim was found

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<v Speaker 14>with a body part removed, leading to Delving's macabre nickname.

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<v Speaker 14>Despite detective's discovery of the missing body parts at Delving's residence,

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<v Speaker 14>we're told he maintained his innocence until.

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<v Speaker 13>The Well, that's one last thing to worry about.

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<v Speaker 2>Whoever prints these newspapers. I don't know why the letters

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<v Speaker 2>have to be so damn small.

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<v Speaker 13>Ralph, get your eyes checked. You've complained about this for months.

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<v Speaker 2>Yeah, Dad, take care of it already. I've gotten by

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<v Speaker 2>just fine, thank you. Don't your patients think it's weird

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<v Speaker 2>when you're an inch from their face. I'm an E

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<v Speaker 2>ANDT son. That's normal.

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<v Speaker 13>You've played golf with Arthur Watson for what twenty years?

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<v Speaker 13>Give him a call and get it checked out.

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<v Speaker 2>Tell you what I'll think about it anyway.

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<v Speaker 3>I got a run.

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<v Speaker 2>Love you both. See it tonight.

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<v Speaker 4>Bye, Ed, have a good day, sweetie.

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<v Speaker 3>Call him?

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<v Speaker 2>Damn it? What now? Well, at least the mailbox is okay.

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<v Speaker 3>Oh no, Ralph, what happened?

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<v Speaker 2>It's fine, dear. Nothing the body shop can't fix.

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<v Speaker 13>If that had been a person.

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<v Speaker 2>I know, I know.

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<v Speaker 13>I'm driving you to the office and after work you

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<v Speaker 13>are calling doctor Watson.

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<v Speaker 3>Do you understand me?

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<v Speaker 9>Fine, Doctor Watson speaking evening, Arthur Hope.

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<v Speaker 2>I'm not disturbing you at home, Ralph?

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<v Speaker 5>Never, what do I owe the pleasure?

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<v Speaker 2>Listen? I'm sorry to talk business at this hour, but

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<v Speaker 2>I've got a medical question. I thought you might be

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<v Speaker 2>able to help me.

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<v Speaker 5>With Happy to help what's going on?

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<v Speaker 2>You know I've needed readers for a couple of years now,

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<v Speaker 2>but lately my vision is really declining.

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<v Speaker 9>You're not trying to make excuses for that golf handicap

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<v Speaker 9>of yours, are you?

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<v Speaker 2>I'm not sure? I could even get off the green anymore.

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<v Speaker 2>I can hardly read the paper, and my peripheral vision

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<v Speaker 2>is becoming hard to trust. I backed into the mailbox

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<v Speaker 2>today and to tell you the truth, I didn't even

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<v Speaker 2>see it.

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<v Speaker 16>MM.

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<v Speaker 5>That does sound serious. When did this start?

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<v Speaker 2>I don't know. It was gradual at first, but now

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<v Speaker 2>things seem to be degrading rapidly. It's bad, I know.

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<v Speaker 13>Tell you what.

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<v Speaker 9>I could take a look see what's going on. Maybe

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<v Speaker 9>lasers would fix it. Hard to know for sure, but.

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<v Speaker 5>We've been doing something experimental in the office lately, and

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<v Speaker 5>I have to say the results are phenomenal. People who

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<v Speaker 5>couldn't see a spotlight in the theater are walking out

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<v Speaker 5>with near perfect vision.

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<v Speaker 2>How is that even possible?

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<v Speaker 5>Listen, it's an outpatient procedure. You'd need a day or

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<v Speaker 5>two to recover, and then you should be perfect. Twenty

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<v Speaker 5>twenty vision are better. You could be back at work

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<v Speaker 5>in the same week.

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<v Speaker 9>A man your age with the kind immacular degeneration you're describing,

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<v Speaker 9>I think you'd be an excellent candidate.

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<v Speaker 2>Arthur. That sounds too good to be true.

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<v Speaker 5>There is a catch. This does require a willing donor.

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<v Speaker 2>Donor are we talking about a transplant.

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<v Speaker 9>Think of it as a cross between stem cell therapy

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<v Speaker 9>and an organ graft. The registry has a pretty long

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<v Speaker 9>waiting period, but maybe I could pull some strings.

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<v Speaker 2>So you really think I should do this?

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<v Speaker 5>As your friend, I'm telling you this procedure is nothing

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<v Speaker 5>short of a miracle.

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<v Speaker 13>This whole thing feels a little rushed.

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<v Speaker 2>You're the one who wanted me to get it taken

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<v Speaker 2>care of it, I.

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<v Speaker 13>Know, but surgery already.

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<v Speaker 2>Arthur swears by it, and we got lucky there was

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<v Speaker 2>a donor available so quickly.

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<v Speaker 13>Well, you'll hear from me about it if anything goes.

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<v Speaker 5>Are you ready to do this?

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<v Speaker 12>Ralph?

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<v Speaker 2>It is I'll ever be.

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<v Speaker 9>Now I'm going to give you a little gas. I

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<v Speaker 9>want you to start counting backwards from one hundred, that

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<v Speaker 9>old trick.

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<v Speaker 2>This is really necessary.

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<v Speaker 17>I mean, does anybody even make it pass?

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<v Speaker 3>Little round?

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<v Speaker 5>What do you mean to me? But don't don't? Yes,

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<v Speaker 5>we've got our own little keep sleep. Good morning, doctor Stanley.

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<v Speaker 5>How are you feeling?

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<v Speaker 2>Is that it? I feel great? No pain? But why

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<v Speaker 2>is everything so dark?

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<v Speaker 5>Tell me? Can you read this?

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<v Speaker 2>Yes? Yes I can? Is this my bill?

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<v Speaker 5>Listen for now?

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<v Speaker 9>It couldn't have gone any better. Just don't take those

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<v Speaker 9>sunglasses off in the next twenty four hours. About this

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<v Speaker 9>time tomorrow, you'll be ready to see the world again.

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<v Speaker 4>Nice shades.

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<v Speaker 15>This is a good look for you.

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<v Speaker 2>I feel a little silly in these things, to be honest.

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<v Speaker 13>Better get you home before anyone sees you. I don't

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<v Speaker 13>know why it took you so long to do this,

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<v Speaker 13>but if you wouldn't listen to me, at least you

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<v Speaker 13>would listen to doctor Watson.

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<v Speaker 2>What is that?

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<v Speaker 4>What's what? Honey?

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<v Speaker 2>On the side of the road. That man pull over?

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<v Speaker 2>Pull over? Why damn it, honey, pull over, pull on

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<v Speaker 2>the wheel. We have to help him.

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<v Speaker 3>What were you thinking? Are you trying to get us killed?

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<v Speaker 2>That man over there? What man lying in the gutter?

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<v Speaker 2>He's bleeding out. I need to help him.

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<v Speaker 15>That's a deer, a dead deer.

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<v Speaker 2>Even squinting through the dark glasses, I could see that

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<v Speaker 2>she was right. It was a dough and her head

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<v Speaker 2>had been smashed. I swear it was a man. There

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<v Speaker 2>was so much blood.

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<v Speaker 3>You almost killed both of us. Listen.

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<v Speaker 13>Maybe your eyes haven't totally adjusted yet, and things probably

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<v Speaker 13>don't look altogether normal. Let's go home and maybe blame

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<v Speaker 13>this one on the anesthesia still wearing off.

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<v Speaker 2>Maybe maybe you're right.

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<v Speaker 13>Feeling better this morning?

0:15:31.680 --> 0:15:34.960
<v Speaker 2>You know I needed that sleep. I'll tell you. It's

0:15:35.000 --> 0:15:38.840
<v Speaker 2>like somebody wiped all the dust off of my eyes. Yeah, Dad,

0:15:39.000 --> 0:15:42.160
<v Speaker 2>how are those new peepers clear as day? Look at

0:15:42.160 --> 0:15:43.720
<v Speaker 2>that time? I better get to the office.

0:15:44.000 --> 0:15:45.720
<v Speaker 13>Don't you think you should give it till at least

0:15:45.760 --> 0:15:46.360
<v Speaker 13>next week?

0:15:46.920 --> 0:15:48.840
<v Speaker 2>Arthur said it would be only a day or two.

0:15:49.600 --> 0:15:51.000
<v Speaker 2>I'm fine, But how.

0:15:50.840 --> 0:15:51.640
<v Speaker 13>Are you gonna get there?

0:15:52.400 --> 0:15:53.720
<v Speaker 3>Ralph? You can't drive?

0:15:54.160 --> 0:15:58.760
<v Speaker 2>Really, I'm Ralph, you know, Ralph. I think I'll take

0:15:58.760 --> 0:16:00.800
<v Speaker 2>the train today. You can me off at the station

0:16:00.920 --> 0:16:04.080
<v Speaker 2>when you take Sam to school. Train? Are you sure

0:16:04.360 --> 0:16:07.280
<v Speaker 2>it's been a while? It might be interesting to see

0:16:07.320 --> 0:16:19.360
<v Speaker 2>through new eyes.

0:16:22.800 --> 0:16:25.040
<v Speaker 13>Excuse me, I just need to get through.

0:16:25.280 --> 0:16:27.960
<v Speaker 2>Please, ma'am sit here. I insist.

0:16:29.680 --> 0:16:30.760
<v Speaker 8>You are too kind.

0:16:37.080 --> 0:16:42.400
<v Speaker 2>Something in the atmosphere of that train felt hostile. Hoping

0:16:42.400 --> 0:16:45.720
<v Speaker 2>to avoid eye contact, I glanced down at my feet

0:16:46.840 --> 0:16:52.280
<v Speaker 2>and found blood on my shoe. What the where did that?

0:16:54.400 --> 0:16:56.920
<v Speaker 2>In front of me was a trail of bloody footsteps

0:16:57.000 --> 0:16:59.000
<v Speaker 2>leading down the aisle back to the bench where the

0:16:59.040 --> 0:17:02.640
<v Speaker 2>old woman was. And now she was hunched over like

0:17:02.720 --> 0:17:05.400
<v Speaker 2>she was struggling to hold herself up, and where her

0:17:05.400 --> 0:17:12.399
<v Speaker 2>foot had been there was just a bloody stump. Oh god,

0:17:13.280 --> 0:17:17.520
<v Speaker 2>everybody clear the aisle. This this guy's bottom probably drugs.

0:17:17.560 --> 0:17:18.200
<v Speaker 2>Look at his eyes.

0:17:18.400 --> 0:17:19.840
<v Speaker 15>Take it easy, buddy.

0:17:19.760 --> 0:17:24.520
<v Speaker 2>Please, we need to help this. That woman she was

0:17:24.600 --> 0:17:27.679
<v Speaker 2>right here. I know I saw her.

0:17:28.320 --> 0:17:46.080
<v Speaker 15>Whatever you say, nutjob, doctor Stanley. I can't believe you

0:17:46.080 --> 0:17:47.080
<v Speaker 15>are back, So somebody.

0:17:46.840 --> 0:17:48.640
<v Speaker 2>To be back. Janet, what's first on the agenda.

0:17:49.000 --> 0:17:52.200
<v Speaker 8>Mister Osborne's in room two. He's been waiting a while.

0:17:52.000 --> 0:17:58.879
<v Speaker 2>Thank you, Janet. Right, so we're still having issues with

0:17:59.000 --> 0:17:59.880
<v Speaker 2>the left ear.

0:18:00.320 --> 0:18:04.200
<v Speaker 1>No, it's my left ear right once clear as a bell.

0:18:04.960 --> 0:18:07.760
<v Speaker 2>Hmmm. And the hearing aid's not helping.

0:18:08.320 --> 0:18:11.600
<v Speaker 9>I already have a hearing aid, but my wife doesn't

0:18:11.600 --> 0:18:12.879
<v Speaker 9>seem to think it's helping.

0:18:13.119 --> 0:18:17.880
<v Speaker 16>Sounds about right. Okay, let's take a look. Chin up,

0:18:18.720 --> 0:18:20.760
<v Speaker 16>turn this way, m.

0:18:22.800 --> 0:18:23.280
<v Speaker 2>Look at that.

0:18:24.320 --> 0:18:28.960
<v Speaker 16>You've got some kind of laceration. What I am as

0:18:29.040 --> 0:18:29.879
<v Speaker 16>puzzled as you.

0:18:30.520 --> 0:18:39.440
<v Speaker 2>What if we just be what do you do with

0:18:39.600 --> 0:18:40.560
<v Speaker 2>Jesus Christ?

0:18:40.720 --> 0:18:41.440
<v Speaker 3>Stop?

0:18:42.520 --> 0:18:48.320
<v Speaker 2>Understand? Sorry? Good lord? Why why are you holding a scalpel?

0:18:48.880 --> 0:18:52.639
<v Speaker 2>I I thought, no, I just remembered.

0:18:52.680 --> 0:18:59.440
<v Speaker 18>I need to leave now, Robert, I'll reschedule mister Osborne.

0:19:01.720 --> 0:19:02.800
<v Speaker 13>Doctor Stanley's everything.

0:19:02.840 --> 0:19:05.480
<v Speaker 8>Okay, mister Osborne ran out of here like he's You'll.

0:19:05.280 --> 0:19:08.800
<v Speaker 2>Be fine, but don't build him for today. Just call

0:19:08.880 --> 0:19:12.760
<v Speaker 2>and try to reschedule. Okay, one more thing, would you

0:19:12.880 --> 0:19:15.399
<v Speaker 2>call me a car? You want me to call you

0:19:15.640 --> 0:19:19.600
<v Speaker 2>and cancel the afternoon of course, Doctor, I'll be in

0:19:19.640 --> 0:19:37.560
<v Speaker 2>my office.

0:19:29.840 --> 0:19:33.840
<v Speaker 9>Doctor Watson speaking Arthur, Ralph, I was about to call

0:19:33.920 --> 0:19:37.200
<v Speaker 9>your office. You must have read my mind. How those eyes.

0:19:37.040 --> 0:19:39.840
<v Speaker 2>Doing, Arthur? I have to say, I'm not sure I'm

0:19:39.880 --> 0:19:42.720
<v Speaker 2>taking so well to the procedure. What do you mean

0:19:43.200 --> 0:19:46.280
<v Speaker 2>my vision seems to be influenced?

0:19:46.680 --> 0:19:47.360
<v Speaker 5>Influenced?

0:19:47.359 --> 0:19:51.240
<v Speaker 16>How so I keep seeing things? Well, that's the point,

0:19:51.520 --> 0:19:54.120
<v Speaker 16>things that aren't there, that shouldn't be there.

0:19:54.880 --> 0:19:56.280
<v Speaker 2>I'm not sure I follow.

0:19:56.520 --> 0:20:00.840
<v Speaker 16>I mean, I'm seeing visions, violent ones to what.

0:20:01.960 --> 0:20:04.840
<v Speaker 5>But that couldn't have anything to do with the procedure, Arthur.

0:20:04.920 --> 0:20:08.760
<v Speaker 2>The eye you implanted in me, something in it is

0:20:08.800 --> 0:20:12.200
<v Speaker 2>not right. It's it's evil.

0:20:14.080 --> 0:20:16.359
<v Speaker 5>There is something you should know.

0:20:17.560 --> 0:20:21.720
<v Speaker 2>Okay. The reason we found a donor so fast I'm

0:20:21.800 --> 0:20:23.480
<v Speaker 2>listening was.

0:20:23.440 --> 0:20:26.720
<v Speaker 5>Because the tissue came from Jason Delving.

0:20:26.480 --> 0:20:29.560
<v Speaker 2>The Keepsake killer. You put tissue from that monster in

0:20:29.640 --> 0:20:30.119
<v Speaker 2>my body.

0:20:30.160 --> 0:20:33.120
<v Speaker 9>Getting donations like that from prisoners, it's standard practice.

0:20:33.160 --> 0:20:37.080
<v Speaker 2>But what I'm seeing, these these visions, those are his victims.

0:20:37.800 --> 0:20:39.200
<v Speaker 5>What you're saying isn't possible.

0:20:39.240 --> 0:20:41.400
<v Speaker 2>You need to undo this. Do you understand?

0:20:41.600 --> 0:20:44.280
<v Speaker 18>Possibly you're going to take that psycho's eye out of

0:20:44.320 --> 0:20:44.840
<v Speaker 18>my body?

0:20:44.840 --> 0:20:45.119
<v Speaker 2>Please?

0:20:45.119 --> 0:20:46.920
<v Speaker 5>You're talking like a crazy person.

0:20:46.640 --> 0:20:48.119
<v Speaker 2>Of be in your office shortly?

0:20:48.200 --> 0:20:49.680
<v Speaker 5>Well, doctor, stand that?

0:20:53.720 --> 0:20:56.960
<v Speaker 2>Take me to the office complex off Magnolia Drive building

0:20:57.200 --> 0:21:02.120
<v Speaker 2>C share it thing? I know where adds at day going?

0:21:02.160 --> 0:21:06.680
<v Speaker 2>All right, I'm just I'm tired, just had an operation.

0:21:07.320 --> 0:21:11.000
<v Speaker 2>Need to see my doctor for a checkup. Ah, yeah,

0:21:11.040 --> 0:21:12.280
<v Speaker 2>you won't see me going on a.

0:21:12.240 --> 0:21:14.919
<v Speaker 19>No knife doctors these days, I mean give you a

0:21:14.960 --> 0:21:17.080
<v Speaker 19>dose of dope and a great big bill.

0:21:17.880 --> 0:21:20.439
<v Speaker 2>It's all they're good for. I myself am a doctor

0:21:20.480 --> 0:21:21.439
<v Speaker 2>as well. Thank you.

0:21:21.640 --> 0:21:24.560
<v Speaker 19>Hey, no offense, doc. I just try to keep myself

0:21:24.600 --> 0:21:27.080
<v Speaker 19>away from any hospital I can. You don't see me

0:21:27.080 --> 0:21:28.879
<v Speaker 19>getting no insurance driving this thing around?

0:21:29.040 --> 0:21:32.440
<v Speaker 2>Well, yes, the healthcare industry could be better.

0:21:32.600 --> 0:21:35.320
<v Speaker 19>That's the understatement of the century. I just keep to

0:21:35.359 --> 0:21:38.280
<v Speaker 19>my usual routes and straight home for me. Couldn't take

0:21:38.320 --> 0:21:41.359
<v Speaker 19>the hit if something happened that you know.

0:21:41.560 --> 0:21:44.320
<v Speaker 14>And you get these maniacs like the Keepsake Killer running

0:21:44.359 --> 0:21:46.400
<v Speaker 14>around cutting off all kinds of body parts.

0:21:46.840 --> 0:21:50.840
<v Speaker 2>Sometimes excision is the only way to keep a patient alive.

0:21:51.160 --> 0:21:52.440
<v Speaker 2>What are you getting on about, Doc?

0:21:53.000 --> 0:21:55.760
<v Speaker 19>This guy has been removing body parts after stabbing them

0:21:55.800 --> 0:21:56.120
<v Speaker 19>to death.

0:21:56.520 --> 0:22:01.080
<v Speaker 2>Right here, works, that's his building A twenty five. Even

0:22:02.040 --> 0:22:04.320
<v Speaker 2>as the driver turned around for the first time, I

0:22:04.359 --> 0:22:08.320
<v Speaker 2>saw his face, a rotted out cavern where his nose

0:22:08.440 --> 0:22:13.000
<v Speaker 2>should be, losing bloody puss all over his mouth and chin.

0:22:14.080 --> 0:22:17.119
<v Speaker 2>My god, what's wrong with your face? Take your money?

0:22:17.720 --> 0:22:21.359
<v Speaker 2>You ain't no spring chicken either, Doc? Hey, what no tip?

0:22:26.960 --> 0:22:27.760
<v Speaker 2>Doctor Stanley?

0:22:27.960 --> 0:22:28.760
<v Speaker 5>How are you today?

0:22:28.960 --> 0:22:30.280
<v Speaker 1>I don't see that you have an appointment?

0:22:30.320 --> 0:22:30.760
<v Speaker 5>Where is he?

0:22:30.880 --> 0:22:31.560
<v Speaker 3>Doctor Stanley?

0:22:31.600 --> 0:22:33.320
<v Speaker 1>Doctor Watson isn't available right now?

0:22:34.960 --> 0:22:36.959
<v Speaker 18>What the hell have you done to me? Well, if

0:22:37.000 --> 0:22:39.280
<v Speaker 18>you can't burst in like this, you're going to fix this,

0:22:39.320 --> 0:22:39.800
<v Speaker 18>you hear me.

0:22:40.000 --> 0:22:41.240
<v Speaker 5>I need you to calm down.

0:22:41.440 --> 0:22:45.320
<v Speaker 2>What were you thinking? Experimental surgery? You let that killer loosen?

0:22:45.400 --> 0:22:45.879
<v Speaker 2>My mind?

0:22:46.000 --> 0:22:49.160
<v Speaker 9>Listen to me, Ralph, matter of what you're saying is possible?

0:22:49.280 --> 0:22:52.719
<v Speaker 9>Do you understand maybe this is some side effect from

0:22:52.720 --> 0:22:53.000
<v Speaker 9>the end.

0:22:53.119 --> 0:22:56.439
<v Speaker 18>I know it's possible because it's happening, But I don't

0:22:56.440 --> 0:22:59.959
<v Speaker 18>know if I can control what I'm starting to feel,

0:23:00.960 --> 0:23:05.439
<v Speaker 18>these memories, these compulsions.

0:23:04.520 --> 0:23:05.280
<v Speaker 9>Scaring me around.

0:23:05.440 --> 0:23:11.040
<v Speaker 2>Look I get it, nobody's perfect, Doc. Sometimes our bodies

0:23:11.160 --> 0:23:17.800
<v Speaker 2>just need a little fixing, a little modification. You know,

0:23:17.920 --> 0:23:22.159
<v Speaker 2>this Keepsake guy, maybe he saw things not as they were,

0:23:22.600 --> 0:23:25.199
<v Speaker 2>but the way they ought to be. And you know

0:23:25.280 --> 0:23:30.359
<v Speaker 2>what they say, Arthur and I for an eye, hope,

0:23:30.920 --> 0:23:32.320
<v Speaker 2>someone help me.

0:23:32.680 --> 0:23:33.480
<v Speaker 1>What are you doing?

0:23:36.119 --> 0:23:41.080
<v Speaker 2>Watson's assistant shotted a potted plant across my skull. Next

0:23:41.119 --> 0:23:44.359
<v Speaker 2>thing I know, I wake up in this hell hole.

0:23:46.040 --> 0:23:50.160
<v Speaker 2>They've got me on something to keep the urges down.

0:23:51.800 --> 0:23:54.600
<v Speaker 2>But once in a while, I look around at these

0:23:54.720 --> 0:23:59.800
<v Speaker 2>people and I can't help but think they're almost perfect.

0:24:01.320 --> 0:24:03.240
<v Speaker 2>They just need a little bit of fixing.

0:24:06.240 --> 0:24:08.840
<v Speaker 7>You know, there would have been a point in my

0:24:08.920 --> 0:24:12.600
<v Speaker 7>life where I would have thought you were insane and

0:24:12.720 --> 0:24:13.720
<v Speaker 7>maybe even scary.

0:24:14.560 --> 0:24:17.200
<v Speaker 8>But I just want you to know that, at least

0:24:17.200 --> 0:24:19.480
<v Speaker 8>in here, you're not that special.

0:24:21.600 --> 0:24:27.520
<v Speaker 7>Maybe maybe you're right now if you're finally feeling seen,

0:24:28.000 --> 0:24:30.280
<v Speaker 7>I'd like to maybe spend a little in my recreation

0:24:30.400 --> 0:24:32.880
<v Speaker 7>time figuring out all of the fun this place has

0:24:32.920 --> 0:24:33.320
<v Speaker 7>to offer.

0:24:33.400 --> 0:24:38.120
<v Speaker 2>So that's it's them, isn't it.

0:24:40.280 --> 0:24:40.560
<v Speaker 5>Hey?

0:24:40.720 --> 0:24:46.040
<v Speaker 3>You over here. It's me. It's a hey, Grimes.

0:24:46.160 --> 0:24:49.040
<v Speaker 8>Uh Krell said you were pouting.

0:24:50.480 --> 0:24:52.399
<v Speaker 4>He really missed you today. I think I might have

0:24:52.480 --> 0:24:53.200
<v Speaker 4>even seen it's.

0:24:53.080 --> 0:24:57.240
<v Speaker 7>Here, Say something, buddy, can't do this song and dance

0:24:57.320 --> 0:24:58.280
<v Speaker 7>routine all by myself?

0:25:00.640 --> 0:25:01.800
<v Speaker 2>Which side of the mirror?

0:25:02.320 --> 0:25:05.639
<v Speaker 4>I don't I don't understand what no of it.

0:25:05.640 --> 0:25:07.880
<v Speaker 11>It's so simple. All I have to do is break

0:25:07.920 --> 0:25:09.639
<v Speaker 11>the glass.

0:25:10.680 --> 0:25:20.160
<v Speaker 7>Holy shit, you are short circuiting.

0:25:17.560 --> 0:25:21.679
<v Speaker 2>You gave us no choice?

0:25:21.760 --> 0:25:22.760
<v Speaker 15>What the fuck was that?

0:25:24.119 --> 0:25:25.120
<v Speaker 8>What's happening to him?

0:25:25.920 --> 0:25:29.040
<v Speaker 2>They all know I need mind? They know, they all know.

0:25:29.160 --> 0:25:32.240
<v Speaker 2>Nobody wants this. No one wants this.

0:25:32.440 --> 0:25:36.879
<v Speaker 6>Okay, big fellow, Let's get you on your feet.

0:25:37.280 --> 0:25:43.639
<v Speaker 11>Nobody can help me but me. She understands, she can

0:25:43.720 --> 0:25:45.679
<v Speaker 11>stop it.

0:25:46.960 --> 0:25:47.879
<v Speaker 15>We'll take care of her.

0:25:48.280 --> 0:25:49.200
<v Speaker 8>Don't you worry.

0:25:49.800 --> 0:25:52.480
<v Speaker 3>Let's take care of you first, okay, Grimes.

0:25:52.880 --> 0:25:57.240
<v Speaker 11>Never, I'll never be never, hear never again. I will

0:25:57.280 --> 0:26:01.520
<v Speaker 11>never ever be alone again? Never, oh never alone. None

0:26:01.520 --> 0:26:05.120
<v Speaker 11>of us are ever alone. I am not alone. He

0:26:05.200 --> 0:26:10.760
<v Speaker 11>is not alone. She she is definitely never alone.

0:26:11.200 --> 0:26:12.080
<v Speaker 2>Why did you do it?

0:26:12.640 --> 0:26:13.800
<v Speaker 20>Don't they see what it means?

0:26:15.680 --> 0:26:16.600
<v Speaker 8>Never alone?

0:26:17.840 --> 0:26:19.439
<v Speaker 2>That was a close one trip?

0:26:19.480 --> 0:26:22.160
<v Speaker 8>What the hell happened to him?

0:26:22.560 --> 0:26:25.560
<v Speaker 12>We are living in a world where doctors become patients

0:26:26.240 --> 0:26:27.720
<v Speaker 12>and guards become prisoners.

0:26:28.359 --> 0:26:29.680
<v Speaker 8>Are you quoting something?

0:26:30.680 --> 0:26:33.800
<v Speaker 12>Depends whether or not you believe this has already happened.

0:26:34.520 --> 0:26:37.199
<v Speaker 4>Hey, while you were jogging, did you see a blond

0:26:37.280 --> 0:26:38.640
<v Speaker 4>woman wandering around in here?

0:26:39.440 --> 0:26:43.840
<v Speaker 6>All residents, recreation time has reached its conclusion. Please return

0:26:43.880 --> 0:26:50.600
<v Speaker 6>to your habitations. I repeat, all residents, return to your habitations.

0:26:53.960 --> 0:27:15.719
<v Speaker 20>Oh yeahka.

0:27:08.600 --> 0:27:08.959
<v Speaker 3>Meeka.

0:27:10.160 --> 0:27:15.440
<v Speaker 1>Thirteen Days of Halloween Pennance starring Natalie Morales, Episode seven

0:27:15.800 --> 0:27:20.600
<v Speaker 1>observation written by Josh Thain, Matthew Riddle, and Alexander Williams.

0:27:20.800 --> 0:27:24.520
<v Speaker 1>Editing and sound design by Josh Thain, featuring the voices

0:27:24.560 --> 0:27:29.560
<v Speaker 1>of Steve B. Greene, Rapa L. Corkil, Rachel Rosenbloom, Wayne Bastrup,

0:27:29.720 --> 0:27:34.960
<v Speaker 1>Miguel Perez, Sonny Bowling, Chris Jy, Alex, Trevor Young, Wilbur Fitzgerald,

0:27:35.160 --> 0:27:41.000
<v Speaker 1>Laura Shine, Ross, Arena Morgan Brown, Sandra Viadares, Joseph Whipp,

0:27:41.280 --> 0:27:46.800
<v Speaker 1>Alex Bowling, and Jay Jones. Directed by Alexander Williams. Executive

0:27:46.800 --> 0:27:51.159
<v Speaker 1>producers Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick and

0:27:51.280 --> 0:27:56.600
<v Speaker 1>Alexander Williams Supervising producers Trevor Young and Josh Thain. Producers

0:27:56.720 --> 0:28:01.880
<v Speaker 1>Jesse Funk, Rima Ilkali, Noami, Griffin Mays, and Casby Bias.

0:28:02.359 --> 0:28:06.280
<v Speaker 1>Script editing by Lauren Vogelbaum, Story consultants Ben Bolan and

0:28:06.320 --> 0:28:11.119
<v Speaker 1>Matthew Riddle. Casting by Sunday Bowling CSA and Meg Mormon CSA.

0:28:11.440 --> 0:28:17.360
<v Speaker 1>Production coordinator Wayna Calderon. Production assistants Jenna Johnson and Winona Lowe.

0:28:17.480 --> 0:28:21.480
<v Speaker 1>Theme music by Rose Azerti with vocals by Anna Hummler,

0:28:21.800 --> 0:28:26.000
<v Speaker 1>recorded at This Is Sound Design Studios in Burbank, California.

0:28:26.200 --> 0:28:31.359
<v Speaker 1>Engineered by Ross Aerono. Special thanks to Romelia Osorio, Nathan Rule,

0:28:31.600 --> 0:28:35.560
<v Speaker 1>Glen Nishida, and Rob Mosca. Thirteen Days of Halloween was

0:28:35.600 --> 0:28:39.040
<v Speaker 1>created by Matt Frederick and Alexander Williams and is a

0:28:39.080 --> 0:28:43.040
<v Speaker 1>production of iHeart Podcasts, Blumhouse Television, and Grim and Mild

0:28:43.120 --> 0:28:46.640
<v Speaker 1>from Aaron Makey. Learn more about the show at Grimandmild

0:28:46.800 --> 0:28:50.320
<v Speaker 1>dot com slash thirteen Days and find more podcasts from

0:28:50.360 --> 0:28:54.520
<v Speaker 1>iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or wherever

0:28:54.600 --> 0:28:57.600
<v Speaker 1>you listen to your favorite shows. Happy Halloween,