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Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart

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Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

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Speaker 1: Aaron Nankey Headphones. Recommended Listener discretion advised.

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Speaker 2: Sh what to do? What to do?

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Speaker 3: Oh?

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Speaker 4: I know that book from the library.

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Speaker 5: What was it again?

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Speaker 6: Ugh?

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Speaker 7: The mirrors should have definitely gone with the other self

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Speaker 7: as an omen of death. Okay, maybe let's start with

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Speaker 7: a table of contents.

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Speaker 4: Onto logical unfolding the philosophical analysis of unmanifested potentialities, ether

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Speaker 4: and its peculiarities, an exploration of possible interdimensional mediums. Why

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Speaker 4: do they have books like this in a prison library?

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Speaker 8: Okay?

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Speaker 4: Random page?

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Speaker 8: Um, yes, I see it now?

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Speaker 4: Not there not yet?

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Speaker 3: Ah? Yes yes. Here.

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Speaker 7: Within this hypothetical mirror universe, each individual is purported to

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Speaker 7: have a doppelganger, literally a double walker, an apparition that

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Speaker 7: personifies all the decisions abandoned, the paths untaken, the words

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Speaker 7: left unsaid in our present sphere of existence. The theory

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Speaker 7: presents a fascinating paradox that whilst our mirror selves are

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Speaker 7: seemingly our reflections, they.

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Speaker 4: Are in truth being sculpted.

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Speaker 7: By an entirely different set of experiences and consequences. This

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Speaker 7: captivating paradox resides at the intersection of exact science and

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Speaker 7: the other worldly, whirling in a maelstrom of ethereal mechanics,

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Speaker 7: psychological analyzes, and philosophical riddles. While concrete evidence for such

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Speaker 7: a universe and these spectral counterparts remains elusive, the phenomenon

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Speaker 7: has nonetheless inscribed an intriguing image upon the grand stage

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Speaker 7: of the intellect, resonating with provocative questions about identity, reality,

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Speaker 7: and the intrinsic nature of existence itself.

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Speaker 4: Jesus Carill, don't sneak up on me like that?

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Speaker 7: And it's Martinez what we might have to try charades here?

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Speaker 7: Because Hey, where's Grimes? I thought you too were always

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Speaker 7: you know.

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Speaker 6: Hell residence of Section C. We hope you are all

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Speaker 6: enjoying your recreation time.

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Speaker 4: What the earth?

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Speaker 6: Remember here at the Pendleton, we live by the motto

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Speaker 6: A healthy body can last forever.

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Speaker 4: All right, I get it, I get it.

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Speaker 7: Hey, what do they mean by recreation anyway? Because I

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Speaker 7: feel like we're getting plenty of steps in here. I

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Speaker 7: really get the impression that you speak at least some English.

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Speaker 4: Then where are we going?

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Speaker 3: What not? Your what the war? What the yard? Wait?

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Speaker 4: Wait, wait, when you say yard, do you mean outside?

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Speaker 3: Hey?

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Speaker 4: No, no, no, no, no, we're still inside, did you.

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Speaker 8: Okay, so I guess.

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Speaker 4: We mingle.

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Speaker 9: Check me, Nope, check me?

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Speaker 5: Still no, check me, There are no checkmate, soldier.

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Speaker 9: This is checkers.

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Speaker 10: Palms together at the heart, and we'll close our practice

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Speaker 10: with the sound of m inhale, and we'll seal it

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Speaker 10: with the prayer of Narcissus.

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Speaker 2: But what I shall never recognize myself, for if I do,

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Speaker 2: it will be the end of things.

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Speaker 11: Hell still, hold still?

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Speaker 4: Nice ink? How'd you get a tattoo gun in here?

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Speaker 5: Right?

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Speaker 8: Yeah, we'll carry on?

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Speaker 2: Hold on?

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Speaker 8: Still, thousand fucking people in here, and you can't manage

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Speaker 8: to talk to a single one of them without making

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Speaker 8: a fool of yourself.

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Speaker 7: You socially, I say, first of all, nice shorts, nice headband.

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Speaker 7: You know they've never brought me out here before. Crazy

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Speaker 7: how they call this a yard. It's all enclosed. But hey, listen,

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Speaker 7: I was thinking about my case. I got to reading

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Speaker 7: that book from the library.

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Speaker 8: See and uh yeah, not now.

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Speaker 12: Oh remember when I told you about simple pleasures? Movement

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Speaker 12: is one of them?

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Speaker 4: Okay, sure, yeah, I understand, kid.

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Speaker 12: You literally live next door, so just tell me later.

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Speaker 12: I'm not going anywhere.

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Speaker 4: Okay, okay, you're right.

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Speaker 2: But what do I walk?

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Speaker 12: They say it's the best medicine.

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Speaker 6: A walk?

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Speaker 8: Yeah right? What is that in the middle? What am

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Speaker 8: I looking at?

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Speaker 2: The Panopticon?

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Speaker 8: I'm sorry, that's.

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Speaker 2: The Panopticon, the all seeing eye in the sky. Only

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Speaker 2: you can't because you're standing too close. It towers high

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Speaker 2: above the yard, the cell block everything, and the top

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Speaker 2: is entirely encircled in windows of one way glass. They

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Speaker 2: can see out, but we can't see in, and so

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Speaker 2: you never really know, know what if anyone's looking? Did

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Speaker 2: you know there's someone following you? What?

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Speaker 8: How did you know?

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Speaker 2: I see their imperfections almost beautiful if only where do

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Speaker 2: you see? I don't know if it's the ears and

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Speaker 2: maybe the lips just need a bit of trimming. This

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Speaker 2: isn't just a vision. Someone's there and they're real.

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Speaker 8: Maybe it's your glasses, maybe it's my eyes.

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Speaker 4: Okay, well, I better be moving on.

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Speaker 2: I wasn't always like this, you know, I was a doctor,

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Speaker 2: a family man. It all began with that eye, that

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Speaker 2: damn evil eye, all because my vision had started to fail.

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Speaker 13: Morning, sweetie, We've got eggs and bacon eat up before

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Speaker 13: this one finishes it all himself.

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Speaker 2: He's a growing boy, isn't he let him eat?

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Speaker 14: I'm hulder a cliche, and onto our top story this morning.

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Speaker 14: We're all resting a little easier today as the Keepsake killer,

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Speaker 14: thirty eight year old Jason Delving has finally been brought

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Speaker 14: to justice. He was executed by lethal injection at eight

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Speaker 14: fifteen last night, finally closing a dark chapter in this

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Speaker 14: city's history.

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Speaker 15: So I turn this up.

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Speaker 14: Delving brutally murdered twelve innocent people, all of whom appear

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Speaker 14: to have been chosen at random. Each victim was found

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Speaker 14: with a body part removed, leading to Delving's macabre nickname.

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Speaker 14: Despite detective's discovery of the missing body parts at Delving's residence,

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Speaker 14: we're told he maintained his innocence until.

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Speaker 13: The Well, that's one last thing to worry about.

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Speaker 2: Whoever prints these newspapers. I don't know why the letters

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Speaker 2: have to be so damn small.

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Speaker 13: Ralph, get your eyes checked. You've complained about this for months.

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Speaker 2: Yeah, Dad, take care of it already. I've gotten by

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Speaker 2: just fine, thank you. Don't your patients think it's weird

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Speaker 2: when you're an inch from their face. I'm an E

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Speaker 2: ANDT son. That's normal.

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Speaker 13: You've played golf with Arthur Watson for what twenty years?

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Speaker 13: Give him a call and get it checked out.

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Speaker 2: Tell you what I'll think about it anyway.

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Speaker 3: I got a run.

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Speaker 2: Love you both. See it tonight.

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Speaker 4: Bye, Ed, have a good day, sweetie.

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Speaker 3: Call him?

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Speaker 2: Damn it? What now? Well, at least the mailbox is okay.

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Speaker 3: Oh no, Ralph, what happened?

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Speaker 2: It's fine, dear. Nothing the body shop can't fix.

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Speaker 13: If that had been a person.

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Speaker 2: I know, I know.

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Speaker 13: I'm driving you to the office and after work you

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Speaker 13: are calling doctor Watson.

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Speaker 3: Do you understand me?

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Speaker 9: Fine, Doctor Watson speaking evening, Arthur Hope.

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Speaker 2: I'm not disturbing you at home, Ralph?

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Speaker 5: Never, what do I owe the pleasure?

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Speaker 2: Listen? I'm sorry to talk business at this hour, but

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Speaker 2: I've got a medical question. I thought you might be

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Speaker 2: able to help me.

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Speaker 5: With Happy to help what's going on?

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Speaker 2: You know I've needed readers for a couple of years now,

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Speaker 2: but lately my vision is really declining.

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Speaker 9: You're not trying to make excuses for that golf handicap

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Speaker 9: of yours, are you?

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Speaker 2: I'm not sure? I could even get off the green anymore.

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Speaker 2: I can hardly read the paper, and my peripheral vision

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Speaker 2: is becoming hard to trust. I backed into the mailbox

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Speaker 2: today and to tell you the truth, I didn't even

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Speaker 2: see it.

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Speaker 16: MM.

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Speaker 5: That does sound serious. When did this start?

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Speaker 2: I don't know. It was gradual at first, but now

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Speaker 2: things seem to be degrading rapidly. It's bad, I know.

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Speaker 13: Tell you what.

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Speaker 9: I could take a look see what's going on. Maybe

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Speaker 9: lasers would fix it. Hard to know for sure, but.

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Speaker 5: We've been doing something experimental in the office lately, and

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Speaker 5: I have to say the results are phenomenal. People who

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Speaker 5: couldn't see a spotlight in the theater are walking out

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Speaker 5: with near perfect vision.

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Speaker 2: How is that even possible?

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Speaker 5: Listen, it's an outpatient procedure. You'd need a day or

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Speaker 5: two to recover, and then you should be perfect. Twenty

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Speaker 5: twenty vision are better. You could be back at work

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Speaker 5: in the same week.

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Speaker 9: A man your age with the kind immacular degeneration you're describing,

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Speaker 9: I think you'd be an excellent candidate.

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Speaker 2: Arthur. That sounds too good to be true.

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Speaker 5: There is a catch. This does require a willing donor.

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Speaker 2: Donor are we talking about a transplant.

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Speaker 9: Think of it as a cross between stem cell therapy

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Speaker 9: and an organ graft. The registry has a pretty long

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Speaker 9: waiting period, but maybe I could pull some strings.

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Speaker 2: So you really think I should do this?

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Speaker 5: As your friend, I'm telling you this procedure is nothing

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Speaker 5: short of a miracle.

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Speaker 13: This whole thing feels a little rushed.

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Speaker 2: You're the one who wanted me to get it taken

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Speaker 2: care of it, I.

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Speaker 13: Know, but surgery already.

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Speaker 2: Arthur swears by it, and we got lucky there was

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Speaker 2: a donor available so quickly.

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Speaker 13: Well, you'll hear from me about it if anything goes.

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Speaker 5: Are you ready to do this?

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Speaker 12: Ralph?

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Speaker 2: It is I'll ever be.

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Speaker 9: Now I'm going to give you a little gas. I

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Speaker 9: want you to start counting backwards from one hundred, that

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Speaker 9: old trick.

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Speaker 2: This is really necessary.

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Speaker 17: I mean, does anybody even make it pass?

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Speaker 3: Little round?

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Speaker 5: What do you mean to me? But don't don't? Yes,

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Speaker 5: we've got our own little keep sleep. Good morning, doctor Stanley.

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Speaker 5: How are you feeling?

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Speaker 2: Is that it? I feel great? No pain? But why

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Speaker 2: is everything so dark?

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Speaker 5: Tell me? Can you read this?

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Speaker 2: Yes? Yes I can? Is this my bill?

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Speaker 5: Listen for now?

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Speaker 9: It couldn't have gone any better. Just don't take those

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Speaker 9: sunglasses off in the next twenty four hours. About this

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Speaker 9: time tomorrow, you'll be ready to see the world again.

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Speaker 4: Nice shades.

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Speaker 15: This is a good look for you.

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Speaker 2: I feel a little silly in these things, to be honest.

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Speaker 13: Better get you home before anyone sees you. I don't

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Speaker 13: know why it took you so long to do this,

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Speaker 13: but if you wouldn't listen to me, at least you

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Speaker 13: would listen to doctor Watson.

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Speaker 2: What is that?

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Speaker 4: What's what? Honey?

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Speaker 2: On the side of the road. That man pull over?

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Speaker 2: Pull over? Why damn it, honey, pull over, pull on

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Speaker 2: the wheel. We have to help him.

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Speaker 3: What were you thinking? Are you trying to get us killed?

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Speaker 2: That man over there? What man lying in the gutter?

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Speaker 2: He's bleeding out. I need to help him.

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Speaker 15: That's a deer, a dead deer.

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Speaker 2: Even squinting through the dark glasses, I could see that

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Speaker 2: she was right. It was a dough and her head

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Speaker 2: had been smashed. I swear it was a man. There

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Speaker 2: was so much blood.

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Speaker 3: You almost killed both of us. Listen.

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Speaker 13: Maybe your eyes haven't totally adjusted yet, and things probably

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Speaker 13: don't look altogether normal. Let's go home and maybe blame

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Speaker 13: this one on the anesthesia still wearing off.

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Speaker 2: Maybe maybe you're right.

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Speaker 13: Feeling better this morning?

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Speaker 2: You know I needed that sleep. I'll tell you. It's

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Speaker 2: like somebody wiped all the dust off of my eyes. Yeah, Dad,

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Speaker 2: how are those new peepers clear as day? Look at

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Speaker 2: that time? I better get to the office.

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Speaker 13: Don't you think you should give it till at least

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Speaker 13: next week?

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Speaker 2: Arthur said it would be only a day or two.

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Speaker 2: I'm fine, But how.

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Speaker 13: Are you gonna get there?

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Speaker 3: Ralph? You can't drive?

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Speaker 2: Really, I'm Ralph, you know, Ralph. I think I'll take

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Speaker 2: the train today. You can me off at the station

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Speaker 2: when you take Sam to school. Train? Are you sure

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Speaker 2: it's been a while? It might be interesting to see

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Speaker 2: through new eyes.

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Speaker 13: Excuse me, I just need to get through.

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Speaker 2: Please, ma'am sit here. I insist.

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Speaker 8: You are too kind.

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Speaker 2: Something in the atmosphere of that train felt hostile. Hoping

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Speaker 2: to avoid eye contact, I glanced down at my feet

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Speaker 2: and found blood on my shoe. What the where did that?

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Speaker 2: In front of me was a trail of bloody footsteps

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Speaker 2: leading down the aisle back to the bench where the

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Speaker 2: old woman was. And now she was hunched over like

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Speaker 2: she was struggling to hold herself up, and where her

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Speaker 2: foot had been there was just a bloody stump. Oh god,

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Speaker 2: everybody clear the aisle. This this guy's bottom probably drugs.

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Speaker 2: Look at his eyes.

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Speaker 15: Take it easy, buddy.

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Speaker 2: Please, we need to help this. That woman she was

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Speaker 2: right here. I know I saw her.

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Speaker 15: Whatever you say, nutjob, doctor Stanley. I can't believe you

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Speaker 15: are back, So somebody.

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Speaker 2: To be back. Janet, what's first on the agenda.

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Speaker 8: Mister Osborne's in room two. He's been waiting a while.

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Speaker 2: Thank you, Janet. Right, so we're still having issues with

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Speaker 2: the left ear.

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Speaker 1: No, it's my left ear right once clear as a bell.

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Speaker 2: Hmmm. And the hearing aid's not helping.

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Speaker 9: I already have a hearing aid, but my wife doesn't

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Speaker 9: seem to think it's helping.

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Speaker 16: Sounds about right. Okay, let's take a look. Chin up,

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Speaker 16: turn this way, m.

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Speaker 2: Look at that.

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Speaker 16: You've got some kind of laceration. What I am as

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Speaker 16: puzzled as you.

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Speaker 2: What if we just be what do you do with

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Speaker 2: Jesus Christ?

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Speaker 3: Stop?

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Speaker 2: Understand? Sorry? Good lord? Why why are you holding a scalpel?

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Speaker 2: I I thought, no, I just remembered.

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Speaker 18: I need to leave now, Robert, I'll reschedule mister Osborne.

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Speaker 13: Doctor Stanley's everything.

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Speaker 8: Okay, mister Osborne ran out of here like he's You'll.

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Speaker 2: Be fine, but don't build him for today. Just call

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Speaker 2: and try to reschedule. Okay, one more thing, would you

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Speaker 2: call me a car? You want me to call you

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Speaker 2: and cancel the afternoon of course, Doctor, I'll be in

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Speaker 2: my office.

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Speaker 9: Doctor Watson speaking Arthur, Ralph, I was about to call

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Speaker 9: your office. You must have read my mind. How those eyes.

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Speaker 2: Doing, Arthur? I have to say, I'm not sure I'm

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Speaker 2: taking so well to the procedure. What do you mean

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Speaker 2: my vision seems to be influenced?

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Speaker 5: Influenced?

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Speaker 16: How so I keep seeing things? Well, that's the point,

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Speaker 16: things that aren't there, that shouldn't be there.

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Speaker 2: I'm not sure I follow.

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Speaker 16: I mean, I'm seeing visions, violent ones to what.

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Speaker 5: But that couldn't have anything to do with the procedure, Arthur.

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Speaker 2: The eye you implanted in me, something in it is

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Speaker 2: not right. It's it's evil.

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Speaker 5: There is something you should know.

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Speaker 2: Okay. The reason we found a donor so fast I'm

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Speaker 2: listening was.

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Speaker 5: Because the tissue came from Jason Delving.

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Speaker 2: The Keepsake killer. You put tissue from that monster in

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Speaker 2: my body.

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Speaker 9: Getting donations like that from prisoners, it's standard practice.

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Speaker 2: But what I'm seeing, these these visions, those are his victims.

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Speaker 5: What you're saying isn't possible.

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Speaker 2: You need to undo this. Do you understand?

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Speaker 18: Possibly you're going to take that psycho's eye out of

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Speaker 18: my body?

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Speaker 2: Please?

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Speaker 5: You're talking like a crazy person.

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Speaker 2: Of be in your office shortly?

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Speaker 5: Well, doctor, stand that?

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Speaker 2: Take me to the office complex off Magnolia Drive building

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Speaker 2: C share it thing? I know where adds at day going?

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Speaker 2: All right, I'm just I'm tired, just had an operation.

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Speaker 2: Need to see my doctor for a checkup. Ah, yeah,

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Speaker 2: you won't see me going on a.

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Speaker 19: No knife doctors these days, I mean give you a

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Speaker 19: dose of dope and a great big bill.

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Speaker 2: It's all they're good for. I myself am a doctor

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Speaker 2: as well. Thank you.

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Speaker 19: Hey, no offense, doc. I just try to keep myself

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Speaker 19: away from any hospital I can. You don't see me

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Speaker 19: getting no insurance driving this thing around?

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Speaker 2: Well, yes, the healthcare industry could be better.

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Speaker 19: That's the understatement of the century. I just keep to

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Speaker 19: my usual routes and straight home for me. Couldn't take

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Speaker 19: the hit if something happened that you know.

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Speaker 14: And you get these maniacs like the Keepsake Killer running

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Speaker 14: around cutting off all kinds of body parts.

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Speaker 2: Sometimes excision is the only way to keep a patient alive.

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Speaker 2: What are you getting on about, Doc?

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Speaker 19: This guy has been removing body parts after stabbing them

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Speaker 19: to death.

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Speaker 2: Right here, works, that's his building A twenty five. Even

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Speaker 2: as the driver turned around for the first time, I

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00:22:04,359 --> 00:22:08,320
Speaker 2: saw his face, a rotted out cavern where his nose

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Speaker 2: should be, losing bloody puss all over his mouth and chin.

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Speaker 2: My god, what's wrong with your face? Take your money?

356
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Speaker 2: You ain't no spring chicken either, Doc? Hey, what no tip?

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Speaker 2: Doctor Stanley?

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Speaker 5: How are you today?

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Speaker 1: I don't see that you have an appointment?

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Speaker 5: Where is he?

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Speaker 3: Doctor Stanley?

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Speaker 1: Doctor Watson isn't available right now?

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Speaker 18: What the hell have you done to me? Well, if

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Speaker 18: you can't burst in like this, you're going to fix this,

365
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Speaker 18: you hear me.

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Speaker 5: I need you to calm down.

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Speaker 2: What were you thinking? Experimental surgery? You let that killer loosen?

368
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Speaker 2: My mind?

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Speaker 9: Listen to me, Ralph, matter of what you're saying is possible?

370
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Speaker 9: Do you understand maybe this is some side effect from

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Speaker 9: the end.

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Speaker 18: I know it's possible because it's happening, But I don't

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Speaker 18: know if I can control what I'm starting to feel,

374
00:23:00,960 --> 00:23:05,439
Speaker 18: these memories, these compulsions.

375
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Speaker 9: Scaring me around.

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00:23:05,440 --> 00:23:11,040
Speaker 2: Look I get it, nobody's perfect, Doc. Sometimes our bodies

377
00:23:11,160 --> 00:23:17,800
Speaker 2: just need a little fixing, a little modification. You know,

378
00:23:17,920 --> 00:23:22,159
Speaker 2: this Keepsake guy, maybe he saw things not as they were,

379
00:23:22,600 --> 00:23:25,199
Speaker 2: but the way they ought to be. And you know

380
00:23:25,280 --> 00:23:30,359
Speaker 2: what they say, Arthur and I for an eye, hope,

381
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Speaker 2: someone help me.

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Speaker 1: What are you doing?

383
00:23:36,119 --> 00:23:41,080
Speaker 2: Watson's assistant shotted a potted plant across my skull. Next

384
00:23:41,119 --> 00:23:44,359
Speaker 2: thing I know, I wake up in this hell hole.

385
00:23:46,040 --> 00:23:50,160
Speaker 2: They've got me on something to keep the urges down.

386
00:23:51,800 --> 00:23:54,600
Speaker 2: But once in a while, I look around at these

387
00:23:54,720 --> 00:23:59,800
Speaker 2: people and I can't help but think they're almost perfect.

388
00:24:01,320 --> 00:24:03,240
Speaker 2: They just need a little bit of fixing.

389
00:24:06,240 --> 00:24:08,840
Speaker 7: You know, there would have been a point in my

390
00:24:08,920 --> 00:24:12,600
Speaker 7: life where I would have thought you were insane and

391
00:24:12,720 --> 00:24:13,720
Speaker 7: maybe even scary.

392
00:24:14,560 --> 00:24:17,200
Speaker 8: But I just want you to know that, at least

393
00:24:17,200 --> 00:24:19,480
Speaker 8: in here, you're not that special.

394
00:24:21,600 --> 00:24:27,520
Speaker 7: Maybe maybe you're right now if you're finally feeling seen,

395
00:24:28,000 --> 00:24:30,280
Speaker 7: I'd like to maybe spend a little in my recreation

396
00:24:30,400 --> 00:24:32,880
Speaker 7: time figuring out all of the fun this place has

397
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Speaker 7: to offer.

398
00:24:33,400 --> 00:24:38,120
Speaker 2: So that's it's them, isn't it.

399
00:24:40,280 --> 00:24:40,560
Speaker 5: Hey?

400
00:24:40,720 --> 00:24:46,040
Speaker 3: You over here. It's me. It's a hey, Grimes.

401
00:24:46,160 --> 00:24:49,040
Speaker 8: Uh Krell said you were pouting.

402
00:24:50,480 --> 00:24:52,399
Speaker 4: He really missed you today. I think I might have

403
00:24:52,480 --> 00:24:53,200
Speaker 4: even seen it's.

404
00:24:53,080 --> 00:24:57,240
Speaker 7: Here, Say something, buddy, can't do this song and dance

405
00:24:57,320 --> 00:24:58,280
Speaker 7: routine all by myself?

406
00:25:00,640 --> 00:25:01,800
Speaker 2: Which side of the mirror?

407
00:25:02,320 --> 00:25:05,639
Speaker 4: I don't I don't understand what no of it.

408
00:25:05,640 --> 00:25:07,880
Speaker 11: It's so simple. All I have to do is break

409
00:25:07,920 --> 00:25:09,639
Speaker 11: the glass.

410
00:25:10,680 --> 00:25:20,160
Speaker 7: Holy shit, you are short circuiting.

411
00:25:17,560 --> 00:25:21,679
Speaker 2: You gave us no choice?

412
00:25:21,760 --> 00:25:22,760
Speaker 15: What the fuck was that?

413
00:25:24,119 --> 00:25:25,120
Speaker 8: What's happening to him?

414
00:25:25,920 --> 00:25:29,040
Speaker 2: They all know I need mind? They know, they all know.

415
00:25:29,160 --> 00:25:32,240
Speaker 2: Nobody wants this. No one wants this.

416
00:25:32,440 --> 00:25:36,879
Speaker 6: Okay, big fellow, Let's get you on your feet.

417
00:25:37,280 --> 00:25:43,639
Speaker 11: Nobody can help me but me. She understands, she can

418
00:25:43,720 --> 00:25:45,679
Speaker 11: stop it.

419
00:25:46,960 --> 00:25:47,879
Speaker 15: We'll take care of her.

420
00:25:48,280 --> 00:25:49,200
Speaker 8: Don't you worry.

421
00:25:49,800 --> 00:25:52,480
Speaker 3: Let's take care of you first, okay, Grimes.

422
00:25:52,880 --> 00:25:57,240
Speaker 11: Never, I'll never be never, hear never again. I will

423
00:25:57,280 --> 00:26:01,520
Speaker 11: never ever be alone again? Never, oh never alone. None

424
00:26:01,520 --> 00:26:05,120
Speaker 11: of us are ever alone. I am not alone. He

425
00:26:05,200 --> 00:26:10,760
Speaker 11: is not alone. She she is definitely never alone.

426
00:26:11,200 --> 00:26:12,080
Speaker 2: Why did you do it?

427
00:26:12,640 --> 00:26:13,800
Speaker 20: Don't they see what it means?

428
00:26:15,680 --> 00:26:16,600
Speaker 8: Never alone?

429
00:26:17,840 --> 00:26:19,439
Speaker 2: That was a close one trip?

430
00:26:19,480 --> 00:26:22,160
Speaker 8: What the hell happened to him?

431
00:26:22,560 --> 00:26:25,560
Speaker 12: We are living in a world where doctors become patients

432
00:26:26,240 --> 00:26:27,720
Speaker 12: and guards become prisoners.

433
00:26:28,359 --> 00:26:29,680
Speaker 8: Are you quoting something?

434
00:26:30,680 --> 00:26:33,800
Speaker 12: Depends whether or not you believe this has already happened.

435
00:26:34,520 --> 00:26:37,199
Speaker 4: Hey, while you were jogging, did you see a blond

436
00:26:37,280 --> 00:26:38,640
Speaker 4: woman wandering around in here?

437
00:26:39,440 --> 00:26:43,840
Speaker 6: All residents, recreation time has reached its conclusion. Please return

438
00:26:43,880 --> 00:26:50,600
Speaker 6: to your habitations. I repeat, all residents, return to your habitations.

439
00:26:53,960 --> 00:27:15,719
Speaker 20: Oh yeahka.

440
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Speaker 3: Meeka.

441
00:27:10,160 --> 00:27:15,440
Speaker 1: Thirteen Days of Halloween Pennance starring Natalie Morales, Episode seven

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00:27:15,800 --> 00:27:20,600
Speaker 1: observation written by Josh Thain, Matthew Riddle, and Alexander Williams.

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00:27:20,800 --> 00:27:24,520
Speaker 1: Editing and sound design by Josh Thain, featuring the voices

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00:27:24,560 --> 00:27:29,560
Speaker 1: of Steve B. Greene, Rapa L. Corkil, Rachel Rosenbloom, Wayne Bastrup,

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00:27:29,720 --> 00:27:34,960
Speaker 1: Miguel Perez, Sonny Bowling, Chris Jy, Alex, Trevor Young, Wilbur Fitzgerald,

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00:27:35,160 --> 00:27:41,000
Speaker 1: Laura Shine, Ross, Arena Morgan Brown, Sandra Viadares, Joseph Whipp,

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00:27:41,280 --> 00:27:46,800
Speaker 1: Alex Bowling, and Jay Jones. Directed by Alexander Williams. Executive

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00:27:46,800 --> 00:27:51,159
Speaker 1: producers Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick and

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00:27:51,280 --> 00:27:56,600
Speaker 1: Alexander Williams Supervising producers Trevor Young and Josh Thain. Producers

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00:27:56,720 --> 00:28:01,880
Speaker 1: Jesse Funk, Rima Ilkali, Noami, Griffin Mays, and Casby Bias.

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00:28:02,359 --> 00:28:06,280
Speaker 1: Script editing by Lauren Vogelbaum, Story consultants Ben Bolan and

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00:28:06,320 --> 00:28:11,119
Speaker 1: Matthew Riddle. Casting by Sunday Bowling CSA and Meg Mormon CSA.

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Speaker 1: Production coordinator Wayna Calderon. Production assistants Jenna Johnson and Winona Lowe.

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Speaker 1: Theme music by Rose Azerti with vocals by Anna Hummler,

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Speaker 1: recorded at This Is Sound Design Studios in Burbank, California.

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Speaker 1: Engineered by Ross Aerono. Special thanks to Romelia Osorio, Nathan Rule,

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Speaker 1: Glen Nishida, and Rob Mosca. Thirteen Days of Halloween was

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Speaker 1: created by Matt Frederick and Alexander Williams and is a

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Speaker 1: production of iHeart Podcasts, Blumhouse Television, and Grim and Mild

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Speaker 1: from Aaron Makey. Learn more about the show at Grimandmild

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Speaker 1: dot com slash thirteen Days and find more podcasts from

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Speaker 1: iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or wherever

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Speaker 1: you listen to your favorite shows. Happy Halloween,