WEBVTT - The Family Stand (Part 2)

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<v Speaker 1>Quest Love Supreme is a production of I Heart Radio.

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<v Speaker 1>Hey you guys, you know we were having too much fun, right?

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<v Speaker 1>You know it's fun when we're just going all over

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<v Speaker 1>the place. This is one of the most random, non

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<v Speaker 1>sequitur Quest Love Supreme episodes ever, probably even crazier than

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<v Speaker 1>the dess in Mirror episode. I will just say that

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<v Speaker 1>we're just going all over the place, and it's so informative,

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<v Speaker 1>so entertaining, and so hilarious. This just might be my

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<v Speaker 1>favorite episode of Quest Love Supreme ever. Yes, I'm going

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<v Speaker 1>on record, Jimmy jam I might have to break your heart.

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<v Speaker 1>You might be number two. This is probably one of

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<v Speaker 1>my favorite moments on this on this whole experience of

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<v Speaker 1>bringing you guys information. So, without further ado, this part

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<v Speaker 1>two of the Family Stand episode on Quest Love Supreme.

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<v Speaker 1>So we were on you. I'm sorry where you're ruly

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<v Speaker 1>rude interruptions like that? Um yeah, So I mean what

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<v Speaker 1>she said she said something that we we definitely should acknowledge,

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<v Speaker 1>which is, you know, Jimmy giving her the heads up

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<v Speaker 1>on a certain someone. Thank you for getting giving me

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<v Speaker 1>the heads up on Oh wait a minute, what happened

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<v Speaker 1>her solo recording which one Sanctuary album that Yeah, what happened?

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<v Speaker 1>Oh god? So what you left? You left? Well, I'm

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<v Speaker 1>not saying Maryland, Bob and Sylvia, but just to return

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<v Speaker 1>to them. Wasn't your solo project on? Okay, how what

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<v Speaker 1>time do we have? So? Um? Are we going to

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<v Speaker 1>be crying out to the story? Probably? No, No, it's

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<v Speaker 1>actually kind of funny when I look back. Was it

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<v Speaker 1>funny then? But so I was of course. So so

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<v Speaker 1>as a group with Atlantic, they were signed as producers.

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<v Speaker 1>It was going to be a producer's album, but then

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<v Speaker 1>he decided to make it just us. So then they

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<v Speaker 1>had to sign me in an inducement letter, right, so

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<v Speaker 1>I was signed separately. They were committed to five albums.

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<v Speaker 1>I was only committed to three albums. And after that

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<v Speaker 1>third album, we we saw that the label wasn't gonna

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<v Speaker 1>give us any real love, right. It was like they

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<v Speaker 1>were treating like do do so, so you know, we said, look,

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<v Speaker 1>let's just let's just take you someplace else. Your you,

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<v Speaker 1>your your deal was up. Let's go do basically fam

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<v Speaker 1>saying someplace else but just under your name. Okay, So

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<v Speaker 1>because I was free and that was fine, and so

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<v Speaker 1>I remember the meeting with me and our and our

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<v Speaker 1>manager Abby with Sylvie ruin and uh he Sylvie ruined Thal,

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<v Speaker 1>So just let us sit for us. I gotta I

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<v Speaker 1>gotta rep fante like you, he's crazy. I love it

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<v Speaker 1>that she's like original, she tells me the the whole time. Well,

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<v Speaker 1>so we're in the meeting and Abby's explaining to her.

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<v Speaker 1>So basically, we're here because Sandra's deal is up, and uh,

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<v Speaker 1>we just want to let you know that you have

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<v Speaker 1>first right of refusal, so you could, you know, pick

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<v Speaker 1>her up a solo artist or she's going someplace else.

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<v Speaker 1>And she was like, no, that's not true. That's not true. No,

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<v Speaker 1>that's not true. And he said, but it is. No,

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<v Speaker 1>that's not true, that's not true, but it is. That's

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<v Speaker 1>when this one on for like three or four times.

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<v Speaker 1>She picks up the phone calls business affairs. Uh huh,

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<v Speaker 1>slam the phone. Now, oh she was mad. So she

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<v Speaker 1>was mad as hell. And then she was just like, okay,

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<v Speaker 1>she was tight, man, she was tight. So we we

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<v Speaker 1>we exited the room, right, we just exited because she

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<v Speaker 1>was whoa We left and that was fine. She was.

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<v Speaker 1>This is when she was still you know Atlantic, right,

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<v Speaker 1>I mean attic can swear questions. Can I ask the

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<v Speaker 1>question though? So when you tell a label exact, a

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<v Speaker 1>label exactly, thank you, I'm black. Um, when you tell

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<v Speaker 1>a label exactly that was scary as fun, right, I'm

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<v Speaker 1>telling you this is the best episode ever. When you

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<v Speaker 1>tell them, look, can we can you let us go

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<v Speaker 1>because you know you ain't doing that for us? Okay

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<v Speaker 1>that it was a hostile thing. No, you can't say

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<v Speaker 1>it like that. Wrote the most humbling letter ever. Jimmy

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<v Speaker 1>like Jimmy Ivy was crying at the end like that, sir,

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<v Speaker 1>you have all these platinum mars, like just at all? Right?

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<v Speaker 1>But why why the need to hang on? Yeah, it's

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<v Speaker 1>a whole egg on the face thing for some people,

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<v Speaker 1>and there's a there's an ego issue with some folks.

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<v Speaker 1>But if they so the fear of you having success

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<v Speaker 1>on another it would be egg on their face. Yeau.

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<v Speaker 1>I couldn't make it work, but they could. Now that

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<v Speaker 1>makes me look like I was I was the failure

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<v Speaker 1>and not the artist. So okay, let me just give

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<v Speaker 1>come and try to cut to the chase. So no, no, no,

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<v Speaker 1>it was a long version. So we we leave. This

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<v Speaker 1>meeting was over. Okay, I'm free and clear, and she

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<v Speaker 1>was obviously not gonna give me, you know, the first

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<v Speaker 1>she wasn't gonna try to pick me up herself because

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<v Speaker 1>she was pissed. And uh so we go do our

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<v Speaker 1>little searching. We're talking to Sony, We're talking to Epic,

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<v Speaker 1>We're talking like, you know, a little little bidding war

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<v Speaker 1>going on. I wanted to go with the lecturer, the

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<v Speaker 1>boutique label because they love black women. They had a

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<v Speaker 1>Needa Baker, they had Tracy Chapman, he had Natalie Cole,

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<v Speaker 1>they had they had need to with me. It was

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<v Speaker 1>like I can't think about they had like so many

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<v Speaker 1>It was thick with just big black women, voices class

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<v Speaker 1>now black women he loved. He loved voices. Man. So

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<v Speaker 1>he was like, he was like, you know, he wasn't

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<v Speaker 1>offering the most money. I know. This story is about

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<v Speaker 1>the go to Rory laughing. Oh stop, okay, see you

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<v Speaker 1>see what you see? What's this story? So so so

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<v Speaker 1>Bob Kress is like dope, and he's like, I've got

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<v Speaker 1>like a nine and a thousand dollar budget, which is great.

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<v Speaker 1>Back in the day, he sent me we had finished

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<v Speaker 1>the album Albums in the Can, sent me to Jamaica

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<v Speaker 1>to do the photo shoot. I'm in the limo on

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<v Speaker 1>the whack on the way back from Jamaica. Get a

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<v Speaker 1>call from Michael Lago, my my A and R at

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<v Speaker 1>the time. First it was Carol Chisman and Michael. He said,

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<v Speaker 1>did you hear what happened? I said no. He said,

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<v Speaker 1>Bob kras now stepping down. And I was like, oh damn,

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<v Speaker 1>because I do you know what? It's cool albums in

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<v Speaker 1>the can you know we we just finished the shoot

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<v Speaker 1>boom And he's like, you know who took his place?

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<v Speaker 1>I'm like, of course, I don't even know. He stepped

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<v Speaker 1>down and he said, he said, Sylvia, run lecture. I

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<v Speaker 1>didn't little bit more. You gonna go done. I felt

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<v Speaker 1>like by the time she got there was only left over.

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<v Speaker 1>So where is that? What was that meaning? Right? So

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<v Speaker 1>then I wrote her a letter that was going something

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<v Speaker 1>see ye my brother, get I'm looking to you now.

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<v Speaker 1>See I wrote her a nice lettuce in her candle. Girl.

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<v Speaker 1>That was like a girl, Hey, you know this is

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<v Speaker 1>times less to like women are like you know, this

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<v Speaker 1>is a woman. I tried my best. She would ever

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<v Speaker 1>beat you with her. I tried to y'all listen, yo

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<v Speaker 1>said a letter and a candle and and so I

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<v Speaker 1>was like, okay, I figured she was just you know,

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<v Speaker 1>I said, I'm I'm glad to see you here. Let's

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<v Speaker 1>sit down and let's just you know, wut sister. She

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<v Speaker 1>was like, you come on and let's sit down and talk.

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<v Speaker 1>So I was like, okay, yeah, so go and sit down.

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<v Speaker 1>Oh my god. Her eyes were on fire. So there

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<v Speaker 1>she was. She was. She let me talk and we

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<v Speaker 1>played the music some more because she had already heard

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<v Speaker 1>the album. She's gonna play it for me, so I

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<v Speaker 1>played it. She was milking this ship. Let me tell

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<v Speaker 1>you something. She was milking, you know, her milking it.

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<v Speaker 1>Eyes was just like watching me right and while we listening,

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<v Speaker 1>I'm trying to just be cool, you know. I'm like,

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<v Speaker 1>you know, I'm trying to be I'm trying to be

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<v Speaker 1>all aesthetic. I was like waving incenses ship that I

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<v Speaker 1>bought the whole shebang with me, and so we listened

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<v Speaker 1>to share. She was like, um, you know, I just

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<v Speaker 1>don't think this is for us. I just don't hear

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<v Speaker 1>anything for this isn't really where I want to go

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<v Speaker 1>with the label, you know. Oh so she just skotta say,

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<v Speaker 1>you know, by you know, just like, no, this is

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<v Speaker 1>we're not going to do this, And I'm like, but

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<v Speaker 1>if their album is kind of already done, she was like,

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<v Speaker 1>h yeah, I'm not going to release it, you know,

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<v Speaker 1>but am I free? Are you gonna let me go?

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<v Speaker 1>Or she was like, UM, well, we'll talk about that later,

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<v Speaker 1>but for sure, we're not going to do anything with

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<v Speaker 1>this record. We're not going to be releasing it. She

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<v Speaker 1>said that like twelve times. She loved that so much.

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<v Speaker 1>She read it was like it was like it was

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<v Speaker 1>like Paul Mooney like get Teeth White. She was like,

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<v Speaker 1>we're not going to release your Albom. We're not gonna

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<v Speaker 1>release ther Adom. We only one one one. We're not

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<v Speaker 1>going to release your album. The Race album, Paul, one

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<v Speaker 1>of my favorite albums of all time. Yo, man, wait

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<v Speaker 1>wait wait, ladies and gentlemen, I want to tell you

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<v Speaker 1>that when the idea of me having my own podcast

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<v Speaker 1>was introduced, this is my dream, like I'm never going

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<v Speaker 1>to have this high again. Every story. Yeah, this is

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<v Speaker 1>my crackheads. I don't know if you'll get Sylvia. Actually

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<v Speaker 1>I actually seen it recently. All these recently she comes

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<v Speaker 1>to her artists still come to the Tonight show and

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<v Speaker 1>this is what and I said this to her and

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<v Speaker 1>actually I met this. This is the thing about silvian

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<v Speaker 1>Us and them really because as you said when we

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<v Speaker 1>opened introduction, we all kind of we're a different group

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<v Speaker 1>of kind of individuals groups in the context music against

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<v Speaker 1>you whatever, and the thing on a certain on a

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<v Speaker 1>on a deep level, I think she really really got

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<v Speaker 1>who we were and us really dug the music. However,

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<v Speaker 1>when she had to go out into the world of

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<v Speaker 1>those R and B promotion departments, they were like, what

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<v Speaker 1>is this ship you we get but they don't get

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<v Speaker 1>seven of those? Or what's this rock? What you know?

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<v Speaker 1>So yes, so they would have it means that they

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<v Speaker 1>would have to use elbow grease, well, yes, and figure

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<v Speaker 1>out the actually to work. Yeah, that's not it. I

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<v Speaker 1>mean the thing literally every time it's funny, I want

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<v Speaker 1>to hear these songs, and they might the little kids

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<v Speaker 1>here that they hear like invoked songs and they sound dope.

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<v Speaker 1>Before Ghetto Heaven came out, we heard they showed us.

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<v Speaker 1>She said this, we don't have this news. The other

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<v Speaker 1>actors come out the same time and she played the

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<v Speaker 1>video and I'm like, oh, who's who's this group? And

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<v Speaker 1>then I heard hold on to Your Love and so

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<v Speaker 1>the video I'm like the first time, I was like,

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<v Speaker 1>I was like, oh, because I heard that the track

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<v Speaker 1>is and they look hot and yeah they put it

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<v Speaker 1>seemed like every time we put out a record in

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<v Speaker 1>Vote came out two weeks before, so Invote came out

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<v Speaker 1>right let yes, yeah it came so that came out

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<v Speaker 1>right before ghet O Heaven. So when getting happened we

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<v Speaker 1>had a chance to go number one, it was like

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<v Speaker 1>really where you know, it's kind of like the funking

0:12:32.080 --> 0:12:34.480
<v Speaker 1>the Road where careers divide. But there was a there

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<v Speaker 1>was a song we had out on that album called

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<v Speaker 1>the Samurai Fall that kind of should have been a

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<v Speaker 1>number one kind of r B ballid hit, but it

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<v Speaker 1>came out two weeks after something else they didn't vote

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<v Speaker 1>and put out. It was like, and I think Sandra

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<v Speaker 1>knew somebody at the label when we're going through the

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<v Speaker 1>whole story, but they but as I remember correctly, they

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<v Speaker 1>were like, yeah, you know it was fine. Yeah, yeah,

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<v Speaker 1>he would have been fine if he got the record

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<v Speaker 1>to But anyway, it did will in his deal time,

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<v Speaker 1>Yeah it did. SiGe Carolina was popping. It probably went

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<v Speaker 1>to number four just like the size of his personality.

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<v Speaker 1>You don't know what actually I saw the videos anyway

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<v Speaker 1>that's going on the area automatic. I don't know these guys. Yea,

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<v Speaker 1>what is your sign? Because you deal really well with

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<v Speaker 1>these two really matter. Yeah no, no, he's always like Okay,

0:13:47.120 --> 0:13:49.839
<v Speaker 1>there didn't go He just slides and like or something.

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<v Speaker 1>But still I love that you guys, at least now,

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<v Speaker 1>are really putting up the appearance that you love each other.

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<v Speaker 1>We do do, No, I know you can't think you

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<v Speaker 1>can't take this chemistry w so for this particular situation. Like,

0:14:08.400 --> 0:14:12.400
<v Speaker 1>I don't believe in a true democrat. I believe in

0:14:12.480 --> 0:14:15.839
<v Speaker 1>the idea of a true democracy. And I've said this

0:14:15.960 --> 0:14:19.480
<v Speaker 1>on many episode before. Yes, like I like to think

0:14:19.560 --> 0:14:23.240
<v Speaker 1>that the eleven of us have say or whatever, Like

0:14:23.320 --> 0:14:24.600
<v Speaker 1>what do you think? What do you think? What do

0:14:24.640 --> 0:14:27.640
<v Speaker 1>you think? You know, like everyone from the the leader

0:14:27.760 --> 0:14:30.120
<v Speaker 1>to the minion, the last member of the group to

0:14:30.160 --> 0:14:35.400
<v Speaker 1>get at it. But how do you guys decide? Because

0:14:35.400 --> 0:14:40.320
<v Speaker 1>the thing is that you you guys are also kind

0:14:40.360 --> 0:14:45.200
<v Speaker 1>of a dinosaur in terms of the fact that groups

0:14:46.240 --> 0:14:51.160
<v Speaker 1>we're starting to become extinct by the early nineties. But

0:14:51.440 --> 0:14:53.320
<v Speaker 1>you know, so by the time you guys come along,

0:14:53.440 --> 0:14:56.760
<v Speaker 1>there's like maybe nine black bands left on a major

0:14:56.840 --> 0:15:01.840
<v Speaker 1>label as opposed to seventy or a hundred and seventy

0:15:02.480 --> 0:15:08.200
<v Speaker 1>twenty years ago. So how do you guys make decisions?

0:15:08.280 --> 0:15:10.720
<v Speaker 1>How do you guys establish a song? How do you

0:15:10.840 --> 0:15:15.360
<v Speaker 1>guys Like I'm not asking, like who's the alpha? Is

0:15:15.480 --> 0:15:20.280
<v Speaker 1>this thirty three and the third equally? Or we trust

0:15:20.360 --> 0:15:23.520
<v Speaker 1>and love each other so much on the and series

0:15:23.520 --> 0:15:26.320
<v Speaker 1>gonna deep level that we each have things that we

0:15:26.480 --> 0:15:28.680
<v Speaker 1>kind of say, kind of kind of kind of takes

0:15:28.720 --> 0:15:32.160
<v Speaker 1>the lead on a very organic, organic way. I mean

0:15:32.200 --> 0:15:35.080
<v Speaker 1>the biggest Jeff and I almost kind of like what's

0:15:35.200 --> 0:15:38.880
<v Speaker 1>Elton John? And um we never we never we never

0:15:38.920 --> 0:15:41.160
<v Speaker 1>really had one major fight except who should be except

0:15:41.200 --> 0:15:43.040
<v Speaker 1>Greg Anthony when he was a point guard of the

0:15:43.160 --> 0:15:46.240
<v Speaker 1>next fight. Yeah, because we know he was the greatest

0:15:46.440 --> 0:15:53.440
<v Speaker 1>point except for me. I said, great, Anthony is a

0:15:53.480 --> 0:15:56.000
<v Speaker 1>great defensive player, but he can't shoot. But anyway, but

0:15:57.080 --> 0:16:00.360
<v Speaker 1>eventually shot when he got to the grizzly. I had

0:16:00.400 --> 0:16:03.960
<v Speaker 1>a joke bo but I'm not gonna say yeah, I'm

0:16:03.960 --> 0:16:06.240
<v Speaker 1>not gonna say that what I had to do with

0:16:06.280 --> 0:16:11.240
<v Speaker 1>the rest, But anyway, um dog, I got a lot

0:16:11.280 --> 0:16:13.320
<v Speaker 1>of favorite references. But I like Greg Anthon, he's a

0:16:13.360 --> 0:16:20.120
<v Speaker 1>great guy. But um um it was jokes, jokes, uh no,

0:16:20.280 --> 0:16:22.160
<v Speaker 1>but yeah. But but we respect each other's opinion and

0:16:22.200 --> 0:16:24.120
<v Speaker 1>there's like different areas that each of us kind of

0:16:24.240 --> 0:16:27.640
<v Speaker 1>just like, you know, in my specific situation, I know that,

0:16:28.640 --> 0:16:30.440
<v Speaker 1>and I know that Trek will probably say like, no,

0:16:31.000 --> 0:16:33.600
<v Speaker 1>it's fifty one you and forty nine me. But in

0:16:33.760 --> 0:16:37.440
<v Speaker 1>my eyes, I'm like, well, I'll slave over a song

0:16:37.520 --> 0:16:40.480
<v Speaker 1>all night, and but if he can't write to it,

0:16:41.360 --> 0:16:44.000
<v Speaker 1>then it's not getting on the album. And I know

0:16:44.200 --> 0:16:46.080
<v Speaker 1>the true answer is, well, you guys should be in

0:16:46.080 --> 0:16:47.400
<v Speaker 1>the room at the same time. No, no, no, no.

0:16:47.720 --> 0:16:49.720
<v Speaker 1>But I kind of like working by myself because I

0:16:49.800 --> 0:16:52.840
<v Speaker 1>had weird hours and I want to get all my

0:16:53.000 --> 0:16:59.120
<v Speaker 1>ideas out some therapist becautic things. So is collaboration just

0:16:59.320 --> 0:17:05.000
<v Speaker 1>a myth or no, I mean a frustrating compromise. Now

0:17:05.280 --> 0:17:07.520
<v Speaker 1>it's it's harder than it was when we all because

0:17:07.560 --> 0:17:10.600
<v Speaker 1>now he's here. I'm in the Netherlands and he's in California.

0:17:10.800 --> 0:17:15.280
<v Speaker 1>Got you moved out to you now live in the

0:17:15.359 --> 0:17:21.359
<v Speaker 1>Netherlands now three right, two thousands two. I've known you forever.

0:17:21.560 --> 0:17:24.760
<v Speaker 1>I know I mean it's yeah, I've been there. I've

0:17:24.800 --> 0:17:27.240
<v Speaker 1>been there for I come. I've come back and forth

0:17:27.320 --> 0:17:30.080
<v Speaker 1>so much though. That's why that's why your shoes is

0:17:30.160 --> 0:17:35.639
<v Speaker 1>so dope. Don't question? Do you? Of course you like

0:17:35.800 --> 0:17:41.320
<v Speaker 1>it better? I don't know, like, actually, well, yeah, it's

0:17:41.320 --> 0:17:45.920
<v Speaker 1>a better country for health care, better health care, better

0:17:46.040 --> 0:17:49.520
<v Speaker 1>syst No, it's not free, but it's it's good, and

0:17:49.600 --> 0:17:53.720
<v Speaker 1>it's reliable and it's you know, it's no bullshit right now. Yeah,

0:17:54.000 --> 0:17:59.240
<v Speaker 1>kind of approctimate y'all. So the interview in the Natlands

0:17:59.240 --> 0:18:03.679
<v Speaker 1>proctim how long did it take you to nail the language?

0:18:03.720 --> 0:18:07.080
<v Speaker 1>Six months? Six months? No, because I mean because of

0:18:07.119 --> 0:18:12.360
<v Speaker 1>classical training, you know, I learned, isn't Italian, German, Russian

0:18:12.720 --> 0:18:17.760
<v Speaker 1>and French? So languages come easily. I've learned that when

0:18:17.800 --> 0:18:22.399
<v Speaker 1>you unlock the sixteenth gene key of your mind of

0:18:22.560 --> 0:18:25.119
<v Speaker 1>the fifty of them, what book did you just read? Right?

0:18:26.040 --> 0:18:28.159
<v Speaker 1>I'm sorry, I live the gene keys every day. So

0:18:28.320 --> 0:18:31.399
<v Speaker 1>it's just that you can. It's teaching you how to

0:18:31.440 --> 0:18:35.720
<v Speaker 1>retain how your subconscious can retain information, but your sub

0:18:35.880 --> 0:18:42.000
<v Speaker 1>conscious mind blocks you from from taking it. Like if

0:18:42.359 --> 0:18:44.159
<v Speaker 1>everyone in this woman has the power to play like

0:18:44.440 --> 0:18:47.879
<v Speaker 1>rock montin off right now if they wanted to. But

0:18:48.200 --> 0:18:56.920
<v Speaker 1>it's your your faith, and oh I can't learn, no doubt.

0:18:57.320 --> 0:18:59.959
<v Speaker 1>But I'm an American. So even with all of our

0:19:00.160 --> 0:19:03.760
<v Speaker 1>terrible nous and you know, and and madness and crazy,

0:19:04.640 --> 0:19:11.879
<v Speaker 1>I miss America. So about I think the well, the

0:19:12.000 --> 0:19:17.320
<v Speaker 1>small things a lot, the shared the shared history and

0:19:17.440 --> 0:19:20.400
<v Speaker 1>the things that we can talk about, even like references

0:19:20.560 --> 0:19:25.240
<v Speaker 1>of jokes. If if if if I say, if I

0:19:25.400 --> 0:19:28.760
<v Speaker 1>if I reference uh my show, everybody knows I'm talking

0:19:28.760 --> 0:19:31.200
<v Speaker 1>Aboutie Murph fall out AUNTI fall out of step and

0:19:31.240 --> 0:19:32.359
<v Speaker 1>I say it over there, they look at me like,

0:19:33.600 --> 0:19:37.040
<v Speaker 1>you know, you know what I mean. So it's like

0:19:37.119 --> 0:19:39.960
<v Speaker 1>you have to like really gotta you gotta talk like

0:19:40.160 --> 0:19:46.200
<v Speaker 1>very precise and just direct. They're very blunt and and uh,

0:19:46.480 --> 0:19:48.680
<v Speaker 1>you know, their jokes are not my jokes, and my

0:19:48.760 --> 0:19:51.040
<v Speaker 1>jokes aren't there jokes, and my my history is not

0:19:51.160 --> 0:19:53.680
<v Speaker 1>their history. So even though you run into black people,

0:19:53.720 --> 0:19:55.440
<v Speaker 1>are not saying black people, I don't gonna say, do

0:19:55.480 --> 0:19:57.560
<v Speaker 1>you order your hair products off Amazon? Or I don't

0:19:57.600 --> 0:19:59.160
<v Speaker 1>do no none of the hair shop over there about

0:19:59.760 --> 0:20:02.119
<v Speaker 1>bo So how you can you just care? Please? I

0:20:02.520 --> 0:20:05.560
<v Speaker 1>got order products here. I come here often enough to

0:20:05.600 --> 0:20:11.960
<v Speaker 1>take you backs over there. I'd be like, oh yeah,

0:20:12.000 --> 0:20:17.600
<v Speaker 1>because hair and you're black hair and you're I'm getting

0:20:18.320 --> 0:20:26.240
<v Speaker 1>here though, who never mind, that's that's generally seriously gonna

0:20:26.240 --> 0:20:28.800
<v Speaker 1>beat my next hustle. I'm gonna have. I'm gonna open

0:20:28.880 --> 0:20:32.840
<v Speaker 1>up a hair studio or hairs because they needed that.

0:20:33.119 --> 0:20:36.560
<v Speaker 1>You girl needed your girls. My girls. Yeah, they hair. Yeah,

0:20:36.600 --> 0:20:39.280
<v Speaker 1>I get all their products and stuff like, yeah they

0:20:39.440 --> 0:20:42.360
<v Speaker 1>got they got that, you know that other kind of here.

0:20:43.280 --> 0:20:49.320
<v Speaker 1>Oh okay, you just need a little bit of water,

0:20:51.400 --> 0:21:00.480
<v Speaker 1>put a little bit of bright good cooking. All right,

0:21:00.480 --> 0:21:05.760
<v Speaker 1>They're good, They're good straight all right, right now, I'm

0:21:05.960 --> 0:21:08.920
<v Speaker 1>going wait, we still didn't get to the point of

0:21:09.000 --> 0:21:11.840
<v Speaker 1>the story. What was the storry? What did Jimmy jam

0:21:12.080 --> 0:21:19.240
<v Speaker 1>warn you about? Oh? My god, I totally does all

0:21:19.280 --> 0:21:23.880
<v Speaker 1>the time. No, he told I remember when I first uh,

0:21:24.359 --> 0:21:28.879
<v Speaker 1>when Prince told Warner Brothers that he had heard my

0:21:28.960 --> 0:21:31.240
<v Speaker 1>Sanctuary album, and like, how do you? How do you

0:21:31.520 --> 0:21:34.400
<v Speaker 1>think that to this day? Don't know how you, Prince

0:21:34.560 --> 0:21:40.680
<v Speaker 1>Jimmy Prince. I was like, how do you? So She's like,

0:21:40.680 --> 0:21:42.159
<v Speaker 1>I don't know, But he says he listens to it

0:21:42.280 --> 0:21:45.680
<v Speaker 1>every morning and he has to work with you. I

0:21:45.800 --> 0:21:49.200
<v Speaker 1>was like, what, wow, dope. So before I actually met him,

0:21:50.080 --> 0:21:52.359
<v Speaker 1>was I think it was an ASKAP award show or something,

0:21:52.440 --> 0:21:54.680
<v Speaker 1>and Jim and Jam and Terry Louise were there, and

0:21:54.680 --> 0:21:56.320
<v Speaker 1>I was like, oh my god, you know, guys, guess

0:21:56.359 --> 0:22:09.719
<v Speaker 1>what I'm gay work with Prince Man. They were like, yo,

0:22:09.800 --> 0:22:18.760
<v Speaker 1>gets funny episode. It was like watch your bassis, watch

0:22:18.800 --> 0:22:22.399
<v Speaker 1>your back, just watch your back. I was like, well, jeez,

0:22:22.520 --> 0:22:26.639
<v Speaker 1>that sounds very bitter. Why are they saying that? No? Okay,

0:22:26.720 --> 0:22:30.240
<v Speaker 1>but I found out, didn't I found out because you know,

0:22:30.840 --> 0:22:32.919
<v Speaker 1>you know, everybody knows was a nice guy with us

0:22:33.000 --> 0:22:38.960
<v Speaker 1>when he hung out with us, hanging out nice he

0:22:39.160 --> 0:22:43.199
<v Speaker 1>was with us. Prince Prince looked, you know, ship man.

0:22:43.280 --> 0:22:45.480
<v Speaker 1>I did one interview in the BBC and they asked

0:22:45.480 --> 0:22:48.320
<v Speaker 1>me to tell truth and I did and the Prince

0:22:49.680 --> 0:22:57.800
<v Speaker 1>his name called me, huh what's his name? Oh? Kirk

0:22:58.520 --> 0:23:04.159
<v Speaker 1>Kirk right, that's right right, calling out like that. It

0:23:04.240 --> 0:23:08.399
<v Speaker 1>wasn't even Kirk, It was just the legions of the

0:23:09.280 --> 0:23:14.080
<v Speaker 1>same for me, right. Yeah. I was like, dude, seriously,

0:23:15.880 --> 0:23:19.360
<v Speaker 1>slow your role because first of all, you don't even

0:23:19.400 --> 0:23:22.440
<v Speaker 1>know when okay, fuck you? So like, you know, I

0:23:22.560 --> 0:23:24.359
<v Speaker 1>told her truth? You believe what you wanta believe, but

0:23:24.440 --> 0:23:29.680
<v Speaker 1>back yeah, so you know, so I'm vaguely aware. So

0:23:29.840 --> 0:23:34.560
<v Speaker 1>basically over the soul Sanctuary song that was on Emancipation.

0:23:34.840 --> 0:23:39.880
<v Speaker 1>Five songs off that record, he took five, So wait

0:23:39.960 --> 0:23:43.200
<v Speaker 1>what else? There was one that ended up on Shocks

0:23:43.200 --> 0:23:45.880
<v Speaker 1>Come to My House album. He gave me your legs. Yeah,

0:23:47.240 --> 0:23:49.359
<v Speaker 1>I'll never open my legs yet. And then his motherfucker

0:23:49.440 --> 0:23:52.040
<v Speaker 1>telling me, He's like, yeah, we're gonna have to change

0:23:52.040 --> 0:23:54.479
<v Speaker 1>the titen on that because that's the one who gave

0:23:54.520 --> 0:23:55.680
<v Speaker 1>me credit on. And he was like, well that in

0:23:55.680 --> 0:23:58.399
<v Speaker 1>the Sanctuary. I say, why, I said, because you know,

0:23:58.440 --> 0:24:01.919
<v Speaker 1>a woman shouldn't be saying. I'm like, I said, right,

0:24:02.400 --> 0:24:05.639
<v Speaker 1>you wrote head right. But he was a Jehovah's witness

0:24:05.680 --> 0:24:08.200
<v Speaker 1>at that point, so he was I was so like,

0:24:08.440 --> 0:24:13.679
<v Speaker 1>I was so like that, like fifteen year ago, Prince,

0:24:14.560 --> 0:24:17.159
<v Speaker 1>I want to work Yeah, nineties six to two thousand

0:24:17.320 --> 0:24:21.800
<v Speaker 1>four that that that that was that period and I

0:24:21.920 --> 0:24:24.120
<v Speaker 1>was messing with him, and you know, he was all

0:24:24.200 --> 0:24:26.800
<v Speaker 1>in that that mode and I was. I remember the

0:24:26.920 --> 0:24:30.080
<v Speaker 1>very first time I met him, I came to the studio,

0:24:30.080 --> 0:24:32.520
<v Speaker 1>I had like you, I was just in the still

0:24:32.880 --> 0:24:34.920
<v Speaker 1>my crystals, and you know, I said my most and

0:24:35.440 --> 0:24:37.440
<v Speaker 1>he must have thought that was some juju. You know,

0:24:37.560 --> 0:24:40.920
<v Speaker 1>that was all like against everything the witnesses was about.

0:24:41.000 --> 0:24:43.480
<v Speaker 1>You know, minute, that's the first time you met him.

0:24:43.640 --> 0:24:45.520
<v Speaker 1>What are you talking about? We met him in uh not.

0:24:45.560 --> 0:24:48.119
<v Speaker 1>I mean, I mean as far as to work with, okay,

0:24:49.440 --> 0:24:51.200
<v Speaker 1>but I mean I mean he was a big family

0:24:51.240 --> 0:24:53.280
<v Speaker 1>stand fan. I love you. I'm going to say that

0:24:53.440 --> 0:24:56.240
<v Speaker 1>I too used to laugh at all crystal carrying people.

0:24:59.000 --> 0:25:04.320
<v Speaker 1>But you know I see you right now. Yeah, yeah,

0:25:05.359 --> 0:25:07.840
<v Speaker 1>it's just start using those crystals for theodorant. That's usually

0:25:08.080 --> 0:25:11.280
<v Speaker 1>I don't do that. I don't do that. I don't,

0:25:11.600 --> 0:25:16.200
<v Speaker 1>I don't. I don't every using the secret everybody has.

0:25:18.000 --> 0:25:21.800
<v Speaker 1>I just don't because I've seen, you know, the term.

0:25:22.240 --> 0:25:24.240
<v Speaker 1>As as for me and my house, we will serve

0:25:24.320 --> 0:25:28.600
<v Speaker 1>the Lord. It ain't my house no more. You need

0:25:28.600 --> 0:25:29.920
<v Speaker 1>to tell her to get Some times they made like

0:25:29.960 --> 0:25:33.280
<v Speaker 1>a charcoal john at it's a little bit stronger. I mean,

0:25:33.840 --> 0:25:40.399
<v Speaker 1>I'm using charcoal, twocaste, charcoal soup. Come on, come on, sorry,

0:25:40.840 --> 0:25:43.720
<v Speaker 1>this girl once year she used the pebble. I told you,

0:25:44.240 --> 0:25:46.119
<v Speaker 1>like for the deodorant, the pebble, Yeah, I told her.

0:25:46.160 --> 0:25:54.040
<v Speaker 1>She better get a rock at something working not sorry

0:25:55.280 --> 0:25:57.960
<v Speaker 1>Brooker lines won't let me inslt them. Yeah. When she's

0:25:58.000 --> 0:26:12.480
<v Speaker 1>not looking, though, I sneak and get the uncented it's

0:26:12.520 --> 0:26:17.760
<v Speaker 1>really been expecting. I was about to say, do you

0:26:17.800 --> 0:26:20.960
<v Speaker 1>guys feels though we're respecting your history. I feel like

0:26:21.080 --> 0:26:30.240
<v Speaker 1>this is such were the best ever? Whatever is happy,

0:26:30.600 --> 0:26:34.840
<v Speaker 1>This is the best one ever, the best one. This

0:26:35.000 --> 0:26:38.200
<v Speaker 1>is the best. Now I'm thinking about questions I didn't ask,

0:26:39.280 --> 0:26:42.600
<v Speaker 1>which is time? How did no, we'll let you go

0:26:42.680 --> 0:26:46.240
<v Speaker 1>because we take your time. Take your time, Hey, Jimmy

0:26:46.320 --> 0:26:51.080
<v Speaker 1>jam times all right that we're gonna go for his record? Um?

0:26:52.760 --> 0:26:57.840
<v Speaker 1>How did the suggestion of uh Nellie and Jazzy b

0:26:58.840 --> 0:27:04.200
<v Speaker 1>remixing Ghetto Heaven to be Merlin Merlin Bob? Yeah, because

0:27:04.240 --> 0:27:06.880
<v Speaker 1>Merlin was spending a lot, so he knew these guys. Yeah,

0:27:06.920 --> 0:27:08.680
<v Speaker 1>he said Jazzy B. But you know, and of course

0:27:08.840 --> 0:27:11.200
<v Speaker 1>it was nearly Hooper who did did the real work.

0:27:12.280 --> 0:27:14.639
<v Speaker 1>Well that's I mean, that's always the case, like there's

0:27:15.680 --> 0:27:18.840
<v Speaker 1>we know, someone sells the product and someone does the work. Yeah,

0:27:19.280 --> 0:27:25.280
<v Speaker 1>Jimmy's Jimmy, what's that Jimmy dr jelly Bean? But he

0:27:25.400 --> 0:27:28.240
<v Speaker 1>does he had people I mean a lot of people

0:27:28.320 --> 0:27:31.680
<v Speaker 1>did stuff. Man. Yeah, you just you're leasing kind of

0:27:31.760 --> 0:27:35.360
<v Speaker 1>brilliant though you're leasing the name recognizability. That's all good.

0:27:35.600 --> 0:27:37.920
<v Speaker 1>And the thing is the interesting thing about that is

0:27:38.040 --> 0:27:40.320
<v Speaker 1>there's a lot of people thought we were from London.

0:27:40.440 --> 0:27:44.320
<v Speaker 1>They I just had to correct you were from London.

0:27:45.600 --> 0:27:48.680
<v Speaker 1>I love British soul. I'm like, yeah, here's the thing.

0:27:51.640 --> 0:27:55.080
<v Speaker 1>At the time, we didn't look like we were from No.

0:27:56.160 --> 0:27:59.840
<v Speaker 1>Ya definitely thought you were part of like Young Disciples

0:28:00.840 --> 0:28:04.520
<v Speaker 1>who it wasn't and it wasn't on purpose thing. I

0:28:04.600 --> 0:28:08.080
<v Speaker 1>just think it was just from a headspace. Literally came

0:28:08.080 --> 0:28:11.800
<v Speaker 1>out in eighty nine at first the Ghetto Heaven, and

0:28:11.880 --> 0:28:14.680
<v Speaker 1>it was just nothing. We were conscious of it, but

0:28:14.760 --> 0:28:17.600
<v Speaker 1>it was just we were moving forward and whatever was

0:28:17.640 --> 0:28:20.520
<v Speaker 1>happening there, we just knew that. Yeah, because we were

0:28:20.680 --> 0:28:24.320
<v Speaker 1>we were doing some different on well on the label.

0:28:24.680 --> 0:28:28.679
<v Speaker 1>I mean, we made a conscious decision when we were

0:28:28.760 --> 0:28:33.840
<v Speaker 1>doing the video Forghetto Heaven to have some donskin black

0:28:33.920 --> 0:28:38.240
<v Speaker 1>women with big butts and locks. That was a conscious

0:28:38.280 --> 0:28:42.600
<v Speaker 1>decision because everybody's walking around with javy curls, and I

0:28:42.680 --> 0:28:47.840
<v Speaker 1>mean we said, no, we want specific things two in

0:28:48.000 --> 0:28:51.960
<v Speaker 1>this video that people need to see. There's another h

0:28:52.280 --> 0:28:56.160
<v Speaker 1>thing I want to bring up, the amount of underhanded

0:28:56.720 --> 0:29:02.200
<v Speaker 1>uh kind of not subversive but ninky snark and the

0:29:02.320 --> 0:29:05.200
<v Speaker 1>lyrical content of your record. Now you see where it's

0:29:05.280 --> 0:29:09.520
<v Speaker 1>which I'll be talking about all over. And the thing

0:29:09.720 --> 0:29:14.160
<v Speaker 1>is is that, did you guys ever worry about any

0:29:14.440 --> 0:29:19.480
<v Speaker 1>particular blowback from never gave a ship? Oh my god,

0:29:19.760 --> 0:29:24.800
<v Speaker 1>when we did Mooned Scorpio, that was we just did

0:29:24.960 --> 0:29:27.640
<v Speaker 1>not give a funk we did after that because we didn't.

0:29:27.680 --> 0:29:30.719
<v Speaker 1>We weren't even letting the record company here ship when

0:29:30.800 --> 0:29:33.720
<v Speaker 1>we were doing it because at that point we was like, Okay,

0:29:33.800 --> 0:29:35.800
<v Speaker 1>y'all ain't promoting us anyway. We're gonna do what we

0:29:35.880 --> 0:29:39.720
<v Speaker 1>want to do. So did you guys even like were

0:29:39.760 --> 0:29:41.560
<v Speaker 1>you testing the label like, oh, we could just talk

0:29:41.920 --> 0:29:45.320
<v Speaker 1>about you ever was testing that we didn't give a fuck?

0:29:46.360 --> 0:29:48.880
<v Speaker 1>I just think that, Yeah, Well, the thing is this,

0:29:49.120 --> 0:29:50.840
<v Speaker 1>I think we snuck up on them in the way

0:29:51.360 --> 0:29:52.840
<v Speaker 1>and that was I don't even don't know if it

0:29:52.880 --> 0:29:54.680
<v Speaker 1>was conscious. It's hard to know at this point, but

0:29:55.200 --> 0:29:57.640
<v Speaker 1>is that it would be it stood out just to

0:29:57.680 --> 0:29:59.480
<v Speaker 1>be a producer's album, but we knew we wanted to

0:29:59.520 --> 0:30:02.360
<v Speaker 1>be a band, and so what and and so there

0:30:02.440 --> 0:30:04.440
<v Speaker 1>was a hint of that on chain, but by time,

0:30:04.480 --> 0:30:06.520
<v Speaker 1>like Jeff said, we got to move to scorpios like

0:30:06.880 --> 0:30:09.920
<v Speaker 1>this is what it is. And as long as you know,

0:30:10.320 --> 0:30:12.800
<v Speaker 1>as long as you really know that you're telling the truth,

0:30:13.480 --> 0:30:14.920
<v Speaker 1>then people can say why do you? All I can

0:30:14.920 --> 0:30:16.160
<v Speaker 1>say to you is why did you tell that truth?

0:30:16.560 --> 0:30:21.960
<v Speaker 1>You know? You know, you know you were and Plantation

0:30:22.120 --> 0:30:25.560
<v Speaker 1>Radio like for example, on that album that was just

0:30:26.200 --> 0:30:29.240
<v Speaker 1>you know, we realized that you know, you you you

0:30:29.480 --> 0:30:31.080
<v Speaker 1>your bad could be dope. This person can be dope.

0:30:31.120 --> 0:30:33.760
<v Speaker 1>If you're black, you do something alternative, you need your

0:30:33.840 --> 0:30:37.120
<v Speaker 1>Christopher Columbus to discover you or and so you can

0:30:37.160 --> 0:30:38.800
<v Speaker 1>be on and me put on the seat these look

0:30:39.240 --> 0:30:42.560
<v Speaker 1>you know. So so we just there's a whole lot

0:30:42.560 --> 0:30:44.880
<v Speaker 1>of facade to that whole thing. As you know, you've

0:30:44.920 --> 0:30:47.320
<v Speaker 1>lived that, you've been doing it so right. We were

0:30:47.360 --> 0:30:50.280
<v Speaker 1>talking about Sondra going solo, so I thought be a

0:30:50.320 --> 0:30:51.680
<v Speaker 1>good time to talk about the album that you guys

0:30:51.720 --> 0:30:57.800
<v Speaker 1>did without her connected I forgot about Jack. Yeahah, I

0:30:57.920 --> 0:31:03.240
<v Speaker 1>understand that didn't exactly work out too musically, it was

0:31:03.360 --> 0:31:05.800
<v Speaker 1>it was it was worked out well, but because I

0:31:06.080 --> 0:31:07.840
<v Speaker 1>was so accepted, I see somethings on YouTube to be

0:31:07.880 --> 0:31:09.920
<v Speaker 1>like I didn't even like the singer. That wasn't true.

0:31:09.960 --> 0:31:12.000
<v Speaker 1>We we love jack We actually had a you know,

0:31:12.280 --> 0:31:14.680
<v Speaker 1>a really good relationship with her. I think the only

0:31:15.040 --> 0:31:20.440
<v Speaker 1>issue was maybe her concept of what of the rock

0:31:20.600 --> 0:31:23.080
<v Speaker 1>thing or whatever that in her mind was at the time.

0:31:23.120 --> 0:31:26.320
<v Speaker 1>Maybe it wasn't. It wasn't so much as naturally internalized

0:31:26.440 --> 0:31:31.640
<v Speaker 1>as it was with Sandra. But um so it almost

0:31:31.680 --> 0:31:33.120
<v Speaker 1>like it was kind of put together in a way

0:31:33.160 --> 0:31:35.160
<v Speaker 1>that was kind of quick. So maybe there wasn't enough

0:31:35.200 --> 0:31:38.720
<v Speaker 1>time to build so much the natural rapport having. But

0:31:39.120 --> 0:31:42.000
<v Speaker 1>I was gonna say that, like what I'm witnessing here

0:31:42.080 --> 0:31:47.480
<v Speaker 1>is like some hard glue trotters looked hands. Yeah, chemistry

0:31:47.600 --> 0:31:50.080
<v Speaker 1>here that you would have to actually build. Did you

0:31:50.120 --> 0:31:52.720
<v Speaker 1>guys know Jackie from before was no, Yeah, we didn't,

0:31:52.840 --> 0:31:55.600
<v Speaker 1>we did. We was was was you know, grab it,

0:31:55.680 --> 0:31:59.040
<v Speaker 1>make it last forever girl and wanted to. I didn't

0:31:59.080 --> 0:32:02.640
<v Speaker 1>even realize that she had done that. I mean, she

0:32:02.800 --> 0:32:07.400
<v Speaker 1>kind of kept talking. I swear to god, you got

0:32:07.480 --> 0:32:10.040
<v Speaker 1>to meet each other, yeah, because I was like I wasn't.

0:32:10.160 --> 0:32:13.240
<v Speaker 1>I was like totally oblivious to what she had done before.

0:32:13.400 --> 0:32:16.840
<v Speaker 1>And I, you know, yeah, so you missed her album

0:32:16.880 --> 0:32:19.120
<v Speaker 1>on m c A. So yeah, because it was just matter.

0:32:19.240 --> 0:32:24.080
<v Speaker 1>It was it maybe a music Wait, did I miss

0:32:24.120 --> 0:32:29.280
<v Speaker 1>another classic? I'm just sorry was the wrong record for

0:32:29.360 --> 0:32:36.240
<v Speaker 1>jacking mcgeese. But my god, think you know what I

0:32:36.400 --> 0:32:39.400
<v Speaker 1>now know I want all right, you know, like it's

0:32:39.440 --> 0:32:41.600
<v Speaker 1>my dream for you and Fante to at least have

0:32:41.800 --> 0:32:45.880
<v Speaker 1>like a minute review thing now when this is Sanders

0:32:46.080 --> 0:32:51.200
<v Speaker 1>to join this because her eyes, the level of her

0:32:51.320 --> 0:32:58.440
<v Speaker 1>eyes or shaking out of the head and the eyes. Okay,

0:32:58.640 --> 0:33:02.720
<v Speaker 1>he's only got to say up all I see, but

0:33:02.800 --> 0:33:06.600
<v Speaker 1>all right back to Jackie. Yeah, yeah, so it was

0:33:06.920 --> 0:33:09.280
<v Speaker 1>it was just really that. But we didn't have any

0:33:09.320 --> 0:33:13.959
<v Speaker 1>really bad time energy or not at all. I mean,

0:33:14.040 --> 0:33:15.760
<v Speaker 1>it was just I would just summing up like we

0:33:15.840 --> 0:33:18.720
<v Speaker 1>just said the natural rapport and like what Mea said,

0:33:18.720 --> 0:33:21.920
<v Speaker 1>it was just like this is like it's like basketball,

0:33:21.960 --> 0:33:24.520
<v Speaker 1>he played with certain players. It's just a natural more fit.

0:33:24.640 --> 0:33:25.760
<v Speaker 1>So it was more. It was more of that, but

0:33:25.840 --> 0:33:30.080
<v Speaker 1>it was no really things, because you know, we would

0:33:30.080 --> 0:33:33.680
<v Speaker 1>say we've said everything else. So at this point she

0:33:33.800 --> 0:33:36.160
<v Speaker 1>was on some bullshit. No we love Jackie. She's yeah, yeah, yeah,

0:33:36.160 --> 0:33:39.280
<v Speaker 1>I got another record. I want to ask about Good

0:33:39.320 --> 0:33:44.440
<v Speaker 1>Fellas sugar Honey iced tea. Oh yeah, yeah, wait a minute,

0:33:44.440 --> 0:33:46.680
<v Speaker 1>didn't let any Cravit's kind of come out with a

0:33:46.760 --> 0:33:49.120
<v Speaker 1>record like after that. I'm not sure it was after

0:33:50.400 --> 0:33:52.680
<v Speaker 1>I remember because I was saying, wow, that sounds like

0:33:52.760 --> 0:34:03.000
<v Speaker 1>sugar Honey. Was that first? I'm not sure. It's like

0:34:03.160 --> 0:34:05.640
<v Speaker 1>Canada same Yeah, but sugar Honey, I see, was a

0:34:05.720 --> 0:34:08.200
<v Speaker 1>few years after that. Yeah, my, But but so did

0:34:08.280 --> 0:34:13.440
<v Speaker 1>we still from him? Neither women, so you know, we

0:34:13.560 --> 0:34:15.799
<v Speaker 1>both stole from Al Green. So that's what that that's

0:34:15.960 --> 0:34:18.160
<v Speaker 1>that's what that was about. Really it was. It wasn't.

0:34:18.200 --> 0:34:21.960
<v Speaker 1>It was more like, uh, it was because there's certain

0:34:22.040 --> 0:34:27.200
<v Speaker 1>periods and that I think I know at least year

0:34:27.360 --> 0:34:32.440
<v Speaker 1>was that that was kind of flash kind of flashed

0:34:32.480 --> 0:34:34.719
<v Speaker 1>back to like there's a certain period where I'm sure

0:34:34.960 --> 0:34:38.120
<v Speaker 1>this happens to you know, to him, is that you know,

0:34:38.640 --> 0:34:40.960
<v Speaker 1>you lock into a certain artist that you you always

0:34:41.040 --> 0:34:43.440
<v Speaker 1>check out, you checked out like for a certain period time.

0:34:43.440 --> 0:34:45.400
<v Speaker 1>I always grew up in a little bit like Stevie

0:34:45.400 --> 0:34:47.440
<v Speaker 1>and Hendricks, a whole lot different people in the Beatles.

0:34:47.520 --> 0:34:49.160
<v Speaker 1>I have to bring it up because a lot of

0:34:49.200 --> 0:34:52.359
<v Speaker 1>that stuff influences a lot of our stuff too. But uh,

0:34:52.760 --> 0:34:54.320
<v Speaker 1>but it was and even I was into him in

0:34:54.360 --> 0:34:56.800
<v Speaker 1>the seventies, I kind of rediscovered him and that was

0:34:56.840 --> 0:34:58.640
<v Speaker 1>Curtis Mayfield. There was a period of time where I

0:34:58.760 --> 0:35:02.880
<v Speaker 1>was like, oh and I just heard some yeah stuff

0:35:03.000 --> 0:35:08.000
<v Speaker 1>like you know, you know, so uh, there was things

0:35:08.080 --> 0:35:10.320
<v Speaker 1>in there. There's a song that we did on TAMIYA

0:35:11.960 --> 0:35:15.200
<v Speaker 1>called Poetry. I wish they should have put out a single,

0:35:15.480 --> 0:35:20.560
<v Speaker 1>but a poetry that was totally coming from Curtis Mayfield

0:35:20.719 --> 0:35:23.879
<v Speaker 1>kind of standpoint. Like the beginning of it is it's

0:35:23.960 --> 0:35:27.160
<v Speaker 1>light the grass that grows between the cracks of ghetto streets,

0:35:27.560 --> 0:35:33.279
<v Speaker 1>relentless and right. That's another Joshua Nile, that motherfucker, that

0:35:33.400 --> 0:35:36.759
<v Speaker 1>hip hop kid from Brooklyn. Yeah, how does josh now

0:35:37.080 --> 0:35:51.240
<v Speaker 1>now now he's a retirement he I've read uh several

0:35:51.560 --> 0:35:54.799
<v Speaker 1>interviews of comments about you working with Curtis and how

0:35:54.920 --> 0:35:59.640
<v Speaker 1>your experience was. I read it it was very positive.

0:36:00.600 --> 0:36:08.560
<v Speaker 1>Another fellow Dallas artists that we mentioned before, l Head rapper. Um,

0:36:13.080 --> 0:36:16.200
<v Speaker 1>let me say something. I remember the first time I'm

0:36:16.239 --> 0:36:21.880
<v Speaker 1>assuming we're talking about person. Yeah, yeah, you remember the

0:36:21.960 --> 0:36:25.280
<v Speaker 1>first time we saw her. We went in my studio

0:36:26.040 --> 0:36:31.120
<v Speaker 1>and she came on was it with Donnie Simpson and

0:36:31.800 --> 0:36:33.560
<v Speaker 1>we were watching it. She came up with all these

0:36:33.640 --> 0:36:36.520
<v Speaker 1>candles and ship, and he said, wow, she looked like

0:36:36.600 --> 0:36:40.120
<v Speaker 1>her ship don't stink and now we can buy it

0:36:40.239 --> 0:36:53.759
<v Speaker 1>for ship don't stink because like Vagina, right, what was

0:36:53.800 --> 0:37:00.600
<v Speaker 1>that new Vegina? I thought that was looking for it.

0:37:01.520 --> 0:37:14.479
<v Speaker 1>It's real, I was looking for it myself. I got problems. Okay,

0:37:14.560 --> 0:37:20.480
<v Speaker 1>so look the thing was and this is early in

0:37:20.880 --> 0:37:24.560
<v Speaker 1>our relationship, so it's like the first year I knew her,

0:37:25.760 --> 0:37:32.040
<v Speaker 1>and man, she gave me the complete opposite of what

0:37:32.160 --> 0:37:35.640
<v Speaker 1>it was like to work with Curtis. Okay, when did

0:37:35.680 --> 0:37:39.160
<v Speaker 1>she When did she actually want? She did? Curtis produced

0:37:39.160 --> 0:37:46.360
<v Speaker 1>a song for her on Eve's Buyou soundtrack that nineties seven.

0:37:46.480 --> 0:37:49.320
<v Speaker 1>I think this is like, this might be the last

0:37:50.600 --> 0:37:53.840
<v Speaker 1>nine months of his life is shortly well. New World

0:37:54.040 --> 0:37:58.560
<v Speaker 1>Order was Quasi Possmate. That's the last album he was

0:37:59.680 --> 0:38:02.560
<v Speaker 1>why judging me? I'm just here to monitor shipped for

0:38:02.600 --> 0:38:07.520
<v Speaker 1>white people and report that to him. I said, I

0:38:07.600 --> 0:38:13.520
<v Speaker 1>was going to shop with the word postumusic guy that

0:38:14.520 --> 0:38:18.600
<v Speaker 1>he's he's the guy that once the president gets into office,

0:38:18.719 --> 0:38:20.840
<v Speaker 1>he's the one that writes that bind and puts it

0:38:20.960 --> 0:38:24.399
<v Speaker 1>on the when he when the President walked walked into

0:38:24.440 --> 0:38:26.600
<v Speaker 1>the office and said, Okay, this is how the ship's

0:38:26.640 --> 0:38:30.719
<v Speaker 1>really gonna go. That is you got you had your policies,

0:38:30.800 --> 0:38:34.960
<v Speaker 1>but this is how ship really gonna go. Oh good,

0:38:35.040 --> 0:38:40.239
<v Speaker 1>good good anyway, Yeah, but I was like, you know,

0:38:40.640 --> 0:38:43.160
<v Speaker 1>I was like, yo, you, Recurtis Mayfield, what was that like?

0:38:43.239 --> 0:38:45.200
<v Speaker 1>What was it like? What was it light? And he

0:38:45.360 --> 0:38:50.120
<v Speaker 1>was like he made me cry here and take after

0:38:50.200 --> 0:38:55.440
<v Speaker 1>take after take after take and just beat down a confidence.

0:38:55.520 --> 0:39:01.800
<v Speaker 1>And you know, he wasn't like, so what was it

0:39:01.960 --> 0:39:08.839
<v Speaker 1>like working with him? Was it hard? Working? Was a task? No? Dude,

0:39:08.920 --> 0:39:12.880
<v Speaker 1>was like, dude, I mean artists like, no, I mean,

0:39:12.960 --> 0:39:17.000
<v Speaker 1>but but Curtis, Curtis he the thing was, this was

0:39:17.200 --> 0:39:19.080
<v Speaker 1>the dude. But this a duet on New World Order,

0:39:19.200 --> 0:39:23.640
<v Speaker 1>right and um uh called I Believe in You. They

0:39:23.719 --> 0:39:27.040
<v Speaker 1>basically this is they wanted him to have a duet

0:39:27.160 --> 0:39:30.200
<v Speaker 1>with somebody from old School and somebody from New School.

0:39:30.719 --> 0:39:33.320
<v Speaker 1>So the Old School he had like Mavis and Aretha,

0:39:33.520 --> 0:39:35.480
<v Speaker 1>he did duets with them on the record, of features

0:39:35.560 --> 0:39:37.839
<v Speaker 1>with them on the record, and so they gave him

0:39:38.120 --> 0:39:43.960
<v Speaker 1>three choices for the New School. So Curtis chose me

0:39:44.200 --> 0:39:47.600
<v Speaker 1>out of America and Angie and the dude, I mean

0:39:48.080 --> 0:39:53.640
<v Speaker 1>I literally did like two takes. You know, just was over.

0:39:53.880 --> 0:39:57.360
<v Speaker 1>It was done. And then he was like after that,

0:39:58.080 --> 0:40:00.920
<v Speaker 1>you know, we were we were close until almost you

0:40:01.000 --> 0:40:03.759
<v Speaker 1>know the time he couldn't talk anymore. You know, he

0:40:03.800 --> 0:40:06.080
<v Speaker 1>would call me. I would call him. He would support me,

0:40:06.160 --> 0:40:08.800
<v Speaker 1>he would like build me up. He would you know

0:40:08.880 --> 0:40:10.560
<v Speaker 1>when I was he would he would. He was like

0:40:10.719 --> 0:40:13.799
<v Speaker 1>the sweetest mother fun. I mean, this guy Curtis didn't believe,

0:40:14.560 --> 0:40:17.600
<v Speaker 1>you know, he just wasn't a fan because the dude

0:40:17.719 --> 0:40:20.160
<v Speaker 1>was real. Man, he was so beautiful. He was a

0:40:20.280 --> 0:40:24.600
<v Speaker 1>beautiful cat. So I don't know what she talked about. No, no,

0:40:25.120 --> 0:40:28.000
<v Speaker 1>I'm glad you were storing my favorite beau. It's a

0:40:28.080 --> 0:40:32.200
<v Speaker 1>beautiful dude. I don't know what she was going through.

0:40:32.280 --> 0:40:36.359
<v Speaker 1>But he said Erica was saying, you know, Kurtis, Yeah,

0:40:36.480 --> 0:40:39.080
<v Speaker 1>but he didn't give me no shade. What's so whatsoever?

0:40:39.760 --> 0:40:47.799
<v Speaker 1>Jeff whatsoever? Never went this night to Interet? Everything did

0:40:47.880 --> 0:40:50.120
<v Speaker 1>he take? Then I'll tell you the rick James wait,

0:40:52.360 --> 0:41:04.920
<v Speaker 1>oh give me James, which said, alcial order bit you

0:41:05.000 --> 0:41:10.560
<v Speaker 1>got stories, I've got stories. Yeah. I started writing a

0:41:10.640 --> 0:41:12.760
<v Speaker 1>book and I was like, I can't write this book.

0:41:13.280 --> 0:41:17.279
<v Speaker 1>I was feeling too much. Team man, I kiss, don't

0:41:17.360 --> 0:41:21.320
<v Speaker 1>drink no wine, drink wine. It's over. Everybody's tea is

0:41:21.320 --> 0:41:28.240
<v Speaker 1>getting This should be the Christmas episode. Y'all drink episode.

0:41:28.239 --> 0:41:30.960
<v Speaker 1>We get up and then we just yes, and then

0:41:31.000 --> 0:41:35.960
<v Speaker 1>you were drinks for us. That was what I was asking.

0:41:36.000 --> 0:41:37.759
<v Speaker 1>I was saying in the Netherlands. So I assume that

0:41:37.800 --> 0:41:41.759
<v Speaker 1>we can do what we do here. Okay, you must have.

0:41:42.080 --> 0:41:45.480
<v Speaker 1>You have to do what you do the grain house

0:41:45.520 --> 0:41:53.839
<v Speaker 1>and the cops come on the bull. I'm just into

0:41:53.880 --> 0:41:58.600
<v Speaker 1>CBD oils now, that's all. That's all just oils from

0:41:58.600 --> 0:42:01.560
<v Speaker 1>my muscles. They're just from my muscle. Nowadays, I wish

0:42:02.200 --> 0:42:05.080
<v Speaker 1>here because okay, what was I talking about, Brick James.

0:42:05.160 --> 0:42:07.360
<v Speaker 1>Now this is a very early career story. It was

0:42:07.440 --> 0:42:09.280
<v Speaker 1>before the Celo Chris is what I was singing background

0:42:09.320 --> 0:42:13.680
<v Speaker 1>with Shocker for years. I got shock, We don't do that.

0:42:14.440 --> 0:42:18.360
<v Speaker 1>That's my bubble. That's that's my bubble. When I was

0:42:18.640 --> 0:42:22.440
<v Speaker 1>you know, I should live a Shocker you know in Germany, No, no, no,

0:42:22.680 --> 0:42:27.080
<v Speaker 1>in in New yorktown, boyside. So we hang out time

0:42:27.160 --> 0:42:30.560
<v Speaker 1>and you know do we do? And uh we went

0:42:30.640 --> 0:42:35.279
<v Speaker 1>to Buffalo to hang out with it. We you and

0:42:35.320 --> 0:42:38.960
<v Speaker 1>shock me shock. Oh my god, I don't think I'm

0:42:38.960 --> 0:42:47.520
<v Speaker 1>gonna story stories Rob Jeremy coming to story? Am I

0:42:47.600 --> 0:42:54.120
<v Speaker 1>going to need a lawyer for ladies? Do you know

0:42:54.239 --> 0:42:58.560
<v Speaker 1>the visual? Do you know the visual of Eddie Murphy

0:42:58.640 --> 0:43:06.879
<v Speaker 1>and boomerang the sheet over right? Now? Yeah? Okay, well

0:43:06.960 --> 0:43:10.799
<v Speaker 1>you can always add it, I know, that's right. Went

0:43:10.840 --> 0:43:12.799
<v Speaker 1>to Brick's house and what happened. So we had went

0:43:12.840 --> 0:43:16.080
<v Speaker 1>to ris house, okay, and we was like high, right,

0:43:17.560 --> 0:43:21.880
<v Speaker 1>and then we had like a bevy of babes, like

0:43:22.120 --> 0:43:24.840
<v Speaker 1>you know, scantily clad all over the house, and you know,

0:43:25.000 --> 0:43:27.960
<v Speaker 1>and it was just really all buffal buff I mean

0:43:28.080 --> 0:43:30.480
<v Speaker 1>it was just who are who? Already I was young

0:43:33.120 --> 0:43:35.279
<v Speaker 1>because I was like, what are they doing here? I

0:43:35.440 --> 0:43:37.920
<v Speaker 1>was like nineteen, I mean it was ridiculous. And I

0:43:38.040 --> 0:43:40.200
<v Speaker 1>was just in this house and yo, Shock was just

0:43:40.239 --> 0:43:42.319
<v Speaker 1>taking me around it where you know, I was a girl, right,

0:43:42.400 --> 0:43:47.239
<v Speaker 1>so and uh and and so I guess Rick was

0:43:47.360 --> 0:43:50.360
<v Speaker 1>sick of all the other all the girls trying to

0:43:50.640 --> 0:43:53.280
<v Speaker 1>get hits from him, so he took me a shock

0:43:53.320 --> 0:43:56.800
<v Speaker 1>in the bathroom, right. So we were in Rick's bedroom

0:43:57.000 --> 0:44:04.640
<v Speaker 1>in the bathroom. Okay, So this is this is like

0:44:04.719 --> 0:44:08.840
<v Speaker 1>street songs throwing down. Here's this nineteen all right, So

0:44:09.000 --> 0:44:11.080
<v Speaker 1>she did that song? Could did that song with Rick

0:44:11.160 --> 0:44:15.840
<v Speaker 1>and eight Slow Dancing eighty three, that's just thank you.

0:44:16.000 --> 0:44:17.920
<v Speaker 1>That's the year was eight three? Did she go up

0:44:17.920 --> 0:44:20.000
<v Speaker 1>there to the least work on Slow Dancing? No sign

0:44:22.160 --> 0:44:24.560
<v Speaker 1>the studio was up there. We went up there because

0:44:24.560 --> 0:44:30.040
<v Speaker 1>it was free drugs. So he wants to joint. You

0:44:30.120 --> 0:44:34.719
<v Speaker 1>know how much free drugs he was, Rick James, dammit,

0:44:37.360 --> 0:44:41.560
<v Speaker 1>how much drugs your sons? Free drug When I saw

0:44:41.960 --> 0:44:43.399
<v Speaker 1>the tour bus and saw with the cops were bringing

0:44:43.400 --> 0:44:45.759
<v Speaker 1>stuff over, come on, y'all know Unsung gonna come knock

0:44:50.680 --> 0:44:54.160
<v Speaker 1>you get me started on the song? Okay, then I'll

0:44:54.200 --> 0:44:57.480
<v Speaker 1>be like, what's you saying? It's like, come on, I

0:44:57.560 --> 0:45:00.080
<v Speaker 1>just told one story. So I might call her after this.

0:45:01.640 --> 0:45:05.080
<v Speaker 1>She might hear about it to alcohol. It like to

0:45:05.160 --> 0:45:07.319
<v Speaker 1>be like, listen, I told him Rick James story. I'll

0:45:07.400 --> 0:45:09.440
<v Speaker 1>just give her, bitch, what's wrong with you? Why are

0:45:09.480 --> 0:45:13.080
<v Speaker 1>you telling story? So so so we're up. So Rick

0:45:13.120 --> 0:45:16.440
<v Speaker 1>brought us in the bathroom and in his bedrooms bathroom.

0:45:16.520 --> 0:45:20.479
<v Speaker 1>You know it's beautiful, big mirror going to run around.

0:45:20.600 --> 0:45:26.440
<v Speaker 1>It was black. It was black like marble and white tiles.

0:45:27.920 --> 0:45:29.919
<v Speaker 1>So he had all this shout out of stuff laid

0:45:30.000 --> 0:45:32.920
<v Speaker 1>out on the counter between the Saints, and it was like,

0:45:33.080 --> 0:45:35.239
<v Speaker 1>you know, and I was in the middle here and

0:45:35.520 --> 0:45:39.080
<v Speaker 1>Rick's there, and they were like, you know, preparing all

0:45:39.160 --> 0:45:41.440
<v Speaker 1>the things, and you know, down they would pass it

0:45:41.480 --> 0:45:42.920
<v Speaker 1>back forth. I don't need to see her hands right now,

0:45:43.000 --> 0:45:45.920
<v Speaker 1>y'all didn't sell what's going on. I'm just I'm visualizing

0:45:45.960 --> 0:45:49.920
<v Speaker 1>what was going on. And so, uh so as they're passing,

0:45:50.239 --> 0:45:55.040
<v Speaker 1>you know the thing we're doing. So I said, so Rick,

0:45:55.480 --> 0:45:59.360
<v Speaker 1>Rick keeps like Rick, he keeps like getting closer and closer,

0:45:59.480 --> 0:46:08.480
<v Speaker 1>like from his mouth, you know, my close. And so

0:46:08.680 --> 0:46:10.359
<v Speaker 1>I'm like, you know, I take the hit, alright, fine,

0:46:10.400 --> 0:46:11.880
<v Speaker 1>But then it was like that so and then I

0:46:12.320 --> 0:46:15.480
<v Speaker 1>but I'm looking in the mirror and I'm seeing that, like,

0:46:16.160 --> 0:46:23.120
<v Speaker 1>you know, her eyes getting like narrow. So and I'm like, oh,

0:46:23.280 --> 0:46:26.279
<v Speaker 1>this is getting awkward, right. So at one point she

0:46:26.400 --> 0:46:41.440
<v Speaker 1>just basically says, you know what, this my bits? Because

0:46:41.560 --> 0:46:44.800
<v Speaker 1>I was thinking that, oh, but you she man. And

0:46:44.880 --> 0:46:48.319
<v Speaker 1>then you know, he was like, this is my bitch.

0:46:48.360 --> 0:46:50.200
<v Speaker 1>She's like with she in my house, she my bits.

0:46:50.239 --> 0:46:55.840
<v Speaker 1>I was like wait a minute. First of all, like

0:46:56.040 --> 0:47:06.800
<v Speaker 1>nobody and we're talking and then the fight. Jimmy, Jimmy,

0:47:08.960 --> 0:47:11.000
<v Speaker 1>I'm sorry, dog, you're not even in the top ten.

0:47:18.440 --> 0:47:23.480
<v Speaker 1>I love you man, you me my top twenty five,

0:47:24.120 --> 0:47:28.759
<v Speaker 1>top twenty five. Okay, like she sounds just took your

0:47:29.160 --> 0:47:33.080
<v Speaker 1>your number one soul spot right now. Okay, just let

0:47:33.200 --> 0:47:38.279
<v Speaker 1>you know. Remember I'm still the number one male. We

0:47:38.400 --> 0:47:47.360
<v Speaker 1>gotta talk about that too. You gotta go by. We

0:47:47.480 --> 0:47:49.520
<v Speaker 1>got a song about that on our next album, to

0:47:50.719 --> 0:47:57.760
<v Speaker 1>um can I join the family stand And I thought, Johnny,

0:47:57.800 --> 0:48:04.440
<v Speaker 1>he'll gave it up. Sign it on, Johnny, Gail. You

0:48:04.600 --> 0:48:15.560
<v Speaker 1>can't burn only to monitorship the white dog. That's it.

0:48:16.160 --> 0:48:26.040
<v Speaker 1>That's your job. That's it. Literally, that's all. Okay, Well

0:48:26.080 --> 0:48:28.439
<v Speaker 1>let's let's bring some white people into into the people,

0:48:28.520 --> 0:48:34.960
<v Speaker 1>like okay, yeah, that was that was great. I mean,

0:48:35.120 --> 0:48:38.200
<v Speaker 1>you know this this canna be a boring story. Is

0:48:38.239 --> 0:48:43.120
<v Speaker 1>a nice story. Yeah, we gotta have I mean, you know,

0:48:43.239 --> 0:48:45.440
<v Speaker 1>to grow up and he hear Someboddy you know used

0:48:45.480 --> 0:48:47.360
<v Speaker 1>to hear you know, when you're in high school and stuff,

0:48:47.360 --> 0:48:49.480
<v Speaker 1>and they work with him. I mean, he was he realized.

0:48:49.520 --> 0:48:51.400
<v Speaker 1>You know, it was just an excellent, great songwriting a

0:48:51.480 --> 0:48:54.480
<v Speaker 1>special voice. You know, think about singing. You know, it's

0:48:55.719 --> 0:48:58.279
<v Speaker 1>the main thing that makes any artists are singing great.

0:48:58.320 --> 0:49:00.920
<v Speaker 1>It's just their tone. In special tone. They might be

0:49:01.000 --> 0:49:02.920
<v Speaker 1>people can sing around this person and that person, but

0:49:03.000 --> 0:49:05.080
<v Speaker 1>they had that special quality, and he had a very

0:49:05.160 --> 0:49:08.120
<v Speaker 1>special quality to his voice. That's Daryl Hall just a great.

0:49:08.560 --> 0:49:11.480
<v Speaker 1>It was really kind of boring and nice. No cocaine

0:49:11.520 --> 0:49:16.120
<v Speaker 1>bed three sire, you know, that was like an animals

0:49:16.480 --> 0:49:19.680
<v Speaker 1>I loved. I'm in a Philly move like in fact,

0:49:19.760 --> 0:49:21.600
<v Speaker 1>that's like it's one of the songs that that renally

0:49:21.640 --> 0:49:23.200
<v Speaker 1>pops in my head just like you know, I might

0:49:23.239 --> 0:49:25.120
<v Speaker 1>be just walking down the street and I'll just hear, oh,

0:49:25.719 --> 0:49:27.920
<v Speaker 1>you know in my head like they I'm in Philadelphia.

0:49:27.920 --> 0:49:31.239
<v Speaker 1>And they played that a lot. They that replaced the

0:49:32.120 --> 0:49:36.279
<v Speaker 1>uh Philadelphia gets to know us. Uh double I was

0:49:36.440 --> 0:49:39.680
<v Speaker 1>about to say to double dead, but the paddle of

0:49:39.719 --> 0:49:43.960
<v Speaker 1>bells theme like they Philly moved like, was like our good.

0:49:44.360 --> 0:49:47.520
<v Speaker 1>They tried to make that the anthem of Philly. Yeah,

0:49:49.480 --> 0:49:52.560
<v Speaker 1>there is a question I have, all right, because uh,

0:49:53.560 --> 0:49:58.279
<v Speaker 1>of course I cheated, And well I know about the

0:50:00.000 --> 0:50:05.759
<v Speaker 1>on that you did for uh Ronnie Drayton's uh son

0:50:08.960 --> 0:50:11.919
<v Speaker 1>uh and being as though Ronnie just recently passed away.

0:50:12.960 --> 0:50:16.640
<v Speaker 1>Do you have any like I know that when he

0:50:16.719 --> 0:50:18.799
<v Speaker 1>passed away, like a lot of the music New York

0:50:18.920 --> 0:50:22.040
<v Speaker 1>music community, like, I felt that deep in the souls,

0:50:22.080 --> 0:50:24.160
<v Speaker 1>like did you guys work with him at all or

0:50:24.560 --> 0:50:28.360
<v Speaker 1>like have any seven spotes or any of those? No,

0:50:28.560 --> 0:50:32.120
<v Speaker 1>he was on He was a guitar player that I

0:50:32.239 --> 0:50:39.480
<v Speaker 1>didn't know he played, right, Yeah he did, Jamie, Yeah, yeah,

0:50:39.560 --> 0:50:43.319
<v Speaker 1>that's him. So I'm gonna describe what because the thing

0:50:43.480 --> 0:50:47.359
<v Speaker 1>I've heard so many in passing, I meant he's coming

0:50:47.360 --> 0:50:48.880
<v Speaker 1>to the show a few times to visit whatever, and

0:50:48.880 --> 0:50:51.120
<v Speaker 1>it's always like, hey, what's up, how you doing? But

0:50:51.480 --> 0:50:54.120
<v Speaker 1>I never really got to know him as a person

0:50:54.320 --> 0:50:56.160
<v Speaker 1>or that sort of thing. And I know that was

0:50:56.200 --> 0:50:59.920
<v Speaker 1>a hurt piece for New York City man because I

0:51:00.120 --> 0:51:04.800
<v Speaker 1>knew Ronnie Drayton from back in the day when you

0:51:04.920 --> 0:51:09.160
<v Speaker 1>know Mike Murphy and my friend La La you know

0:51:09.280 --> 0:51:13.359
<v Speaker 1>La La car As Cope. She was she was a writer,

0:51:13.680 --> 0:51:16.920
<v Speaker 1>writer she that worked with full force as well. Right, No, no, no,

0:51:17.040 --> 0:51:23.760
<v Speaker 1>not that, but yeah, we all we all came up together.

0:51:23.920 --> 0:51:27.080
<v Speaker 1>So me and Ronnie we knew each other from from

0:51:27.200 --> 0:51:30.640
<v Speaker 1>back then. Mike Murphy with the system, we all Mike

0:51:30.760 --> 0:51:35.000
<v Speaker 1>Murphy got me my first electric guitar, you know, yeah,

0:51:35.080 --> 0:51:36.719
<v Speaker 1>he got me that the one, the white one that

0:51:36.800 --> 0:51:39.680
<v Speaker 1>I took on our first stor Let me can I

0:51:39.719 --> 0:51:45.560
<v Speaker 1>ask a question? All right? Have you have you worked

0:51:45.640 --> 0:51:49.919
<v Speaker 1>with the system in all Mike Murphy A little bit? Yeah,

0:51:51.320 --> 0:51:52.680
<v Speaker 1>I know I'm gonna get a note, but I have

0:51:52.760 --> 0:51:57.160
<v Speaker 1>to ask this question. That's not your saxophone one, so glue?

0:51:57.280 --> 0:52:00.960
<v Speaker 1>Was it on what coming to a coming to American?

0:52:01.000 --> 0:52:05.160
<v Speaker 1>So okay, I don't think so, because that's the system.

0:52:05.239 --> 0:52:07.520
<v Speaker 1>You know something I did so many sacks alo that

0:52:07.800 --> 0:52:13.080
<v Speaker 1>I'm looking at. That's no, no number. It might be

0:52:13.800 --> 0:52:19.000
<v Speaker 1>I don't know, Mike Murphy, not David singing. Yes, yes,

0:52:19.120 --> 0:52:21.440
<v Speaker 1>that's what I'm singing. Good public and checks for you

0:52:21.520 --> 0:52:23.120
<v Speaker 1>not to know that that's you know, I just was

0:52:23.160 --> 0:52:26.480
<v Speaker 1>one quick thing about Mike Murphy. Mike Murphy is uh,

0:52:26.680 --> 0:52:28.640
<v Speaker 1>I just want to say this, and we worked a

0:52:28.640 --> 0:52:30.640
<v Speaker 1>little bit. But he's one of the one of the

0:52:30.719 --> 0:52:33.560
<v Speaker 1>two most underrated singers to me. Mike Murphy sings his

0:52:33.719 --> 0:52:36.400
<v Speaker 1>assid and you know he's a friend, you know, but

0:52:36.640 --> 0:52:40.200
<v Speaker 1>but he's so dope. I mean, he's his singing. He's

0:52:40.239 --> 0:52:43.120
<v Speaker 1>just a great, great singing Fowler too. They all came up,

0:52:43.320 --> 0:52:46.479
<v Speaker 1>all of them guys, you know, in the same crew

0:52:46.920 --> 0:52:50.400
<v Speaker 1>because they're part of that that whole Jamaica funk. Speaking

0:52:50.400 --> 0:52:53.680
<v Speaker 1>of Drayton. Bernard sang at the funeral Fowler, you know,

0:52:55.320 --> 0:52:59.880
<v Speaker 1>and you know Burn not Fowler. He sings yes, yes, yeah,

0:53:00.160 --> 0:53:03.400
<v Speaker 1>saying at the Ronnie service, as did I and Jeff

0:53:03.480 --> 0:53:05.879
<v Speaker 1>played and a matter of fact, what's your name just passed? Two?

0:53:06.160 --> 0:53:12.000
<v Speaker 1>Uh yeah, two funerals they went to one from only

0:53:12.080 --> 0:53:16.000
<v Speaker 1>next next it was like Jamaica Queen's well besides singing

0:53:16.080 --> 0:53:20.400
<v Speaker 1>and for Jamaica, like what else did she she she

0:53:20.520 --> 0:53:22.759
<v Speaker 1>did a solo record that you know, didn't do that

0:53:22.880 --> 0:53:25.839
<v Speaker 1>great because you know people, you know if you heard

0:53:26.120 --> 0:53:29.239
<v Speaker 1>for Jamaica and the next one she really thought it

0:53:29.360 --> 0:53:36.080
<v Speaker 1>was Zack was like that. She was like, because she

0:53:36.200 --> 0:53:40.320
<v Speaker 1>forgot she did. So she was like, wait, my plenty

0:53:40.440 --> 0:53:42.560
<v Speaker 1>shock of story was when she was on the show

0:53:43.640 --> 0:53:46.759
<v Speaker 1>and I was trying to ask her about Penny for

0:53:46.920 --> 0:53:51.440
<v Speaker 1>it uh singing her at lips and snaps the power

0:53:51.520 --> 0:53:54.840
<v Speaker 1>and she tells me the story that it was Shocka

0:53:54.960 --> 0:53:57.759
<v Speaker 1>that was actually supposed to sing. Yeah, so they the

0:53:57.880 --> 0:53:59.920
<v Speaker 1>power and she was just like, let me try to.

0:54:00.239 --> 0:54:03.959
<v Speaker 1>I can't. Did they take take my gig for me? Oh? Yeah,

0:54:04.560 --> 0:54:08.480
<v Speaker 1>that's she taught us about her squad because best it

0:54:08.520 --> 0:54:10.000
<v Speaker 1>wasn't there you It was like a few people that

0:54:10.080 --> 0:54:11.600
<v Speaker 1>was in her squad. Just in case you feel like

0:54:11.680 --> 0:54:15.600
<v Speaker 1>doing some records can tell you that. Do you know

0:54:15.719 --> 0:54:18.279
<v Speaker 1>the true story behind? Since you already borrowed the name,

0:54:18.320 --> 0:54:23.960
<v Speaker 1>do you know the true story behind congratulations? Do you

0:54:24.040 --> 0:54:25.840
<v Speaker 1>know the story behind? I don't know what you know?

0:54:25.960 --> 0:54:32.000
<v Speaker 1>That sounds dedicated to allegedly? Wait give it? Wait, Tom,

0:54:32.200 --> 0:54:34.520
<v Speaker 1>didn't they verify it when they came on the show. Oh?

0:54:34.560 --> 0:54:36.719
<v Speaker 1>I thought we had this conversation. We've had too many conversations.

0:54:36.880 --> 0:54:41.520
<v Speaker 1>Didn't they verify it? I don't remember. Wait who is

0:54:41.560 --> 0:54:43.320
<v Speaker 1>If you say it, I know who I could do it.

0:54:43.360 --> 0:54:51.160
<v Speaker 1>Who is it? You're ready? Yeah? We never talked about that. No, no, no,

0:54:55.440 --> 0:54:57.880
<v Speaker 1>it was about the marri They were congratulating. She was

0:54:59.000 --> 0:55:02.280
<v Speaker 1>see the other side in So here's the Bruce Willisen,

0:55:02.680 --> 0:55:06.480
<v Speaker 1>here's the situation. Listen, listen, I'm gonna make it makes sense.

0:55:06.480 --> 0:55:08.600
<v Speaker 1>I'm gonna make it makes sense in two minutes. I'm

0:55:08.640 --> 0:55:14.000
<v Speaker 1>gonna make it makes sense. Okay, Now here's the deal. Uh,

0:55:14.400 --> 0:55:19.400
<v Speaker 1>Don Johnson and Bruce Willis rolling tight in Hollywood, and

0:55:19.800 --> 0:55:23.880
<v Speaker 1>they had a specific preference of the type of women

0:55:23.960 --> 0:55:27.680
<v Speaker 1>that they like to get with, of the darker hue. Now,

0:55:27.800 --> 0:55:31.320
<v Speaker 1>if you remember in that The Return of Bruno was

0:55:31.600 --> 0:55:34.759
<v Speaker 1>was the name of the of his first albums, Motown record. Yeah, yeah,

0:55:34.880 --> 0:55:39.240
<v Speaker 1>his his move, He's on Motown. Uh. And the first single,

0:55:39.680 --> 0:55:45.240
<v Speaker 1>the first single was, uh, respect yourself with the Pointer Sisters.

0:55:46.600 --> 0:55:49.920
<v Speaker 1>If you remember him in June, uh saying duet together

0:55:50.800 --> 0:55:53.840
<v Speaker 1>now I need to or not in need to. Bonnie

0:55:54.040 --> 0:55:57.279
<v Speaker 1>kind of revealed this on the Pointer Sisters episode that

0:55:58.080 --> 0:56:01.120
<v Speaker 1>that uh the reason and how that duet came to

0:56:01.200 --> 0:56:07.200
<v Speaker 1>bees because they was messing with each other, and like

0:56:07.520 --> 0:56:10.440
<v Speaker 1>Vesta was rolling tight with the Porter and Sisters kind

0:56:10.480 --> 0:56:15.080
<v Speaker 1>of as their background singer slash friend or whatever, and

0:56:15.239 --> 0:56:18.800
<v Speaker 1>so kind of it's like a double date situation, like

0:56:19.600 --> 0:56:24.240
<v Speaker 1>Don Johnson and Bruce Willis and and Vesta got with Bruce.

0:56:24.440 --> 0:56:28.480
<v Speaker 1>I think Vesta was Bruce was first messing with the

0:56:28.560 --> 0:56:32.640
<v Speaker 1>most I've ever done this show at the same damn time.

0:56:33.200 --> 0:56:36.279
<v Speaker 1>And George Johnson the interview was pretty cosper. Oh you'll

0:56:36.280 --> 0:56:42.480
<v Speaker 1>be listening listen song That's one of my favorite episodes too,

0:56:44.160 --> 0:56:49.600
<v Speaker 1>and so long story short, like you know, they had

0:56:49.640 --> 0:56:52.640
<v Speaker 1>a thing going maybe he was on the log or

0:56:52.680 --> 0:56:56.440
<v Speaker 1>whatever it was on the log and then you know,

0:56:56.600 --> 0:57:02.080
<v Speaker 1>then Vesta and Bruce Willis and yeah, it's just sick

0:57:03.560 --> 0:57:07.440
<v Speaker 1>because you need I'm trying to sacrifice. It's kind of

0:57:07.480 --> 0:57:10.840
<v Speaker 1>well known in circles that congratulations the song is about

0:57:10.960 --> 0:57:18.080
<v Speaker 1>Bruce that I don't didn't even care at this point

0:57:18.640 --> 0:57:20.880
<v Speaker 1>who she's like, I was married to who I don't

0:57:20.880 --> 0:57:25.240
<v Speaker 1>know right right right? I remember her? And who's that guy? Wait?

0:57:25.280 --> 0:57:29.400
<v Speaker 1>Did I just killed the shelf? That was an interesting

0:57:29.480 --> 0:57:31.400
<v Speaker 1>rabbit hole, but somebody wanted to know and I'm not

0:57:32.400 --> 0:57:34.960
<v Speaker 1>wait wait, you mentioned that's his name, and I had

0:57:34.960 --> 0:57:37.360
<v Speaker 1>to get that out. I felt like I had add

0:57:37.440 --> 0:57:40.600
<v Speaker 1>something to the teapot. You ain't so, but that was

0:57:41.440 --> 0:57:52.240
<v Speaker 1>I was. I was taking it, not giving, so you know,

0:57:53.400 --> 0:57:56.880
<v Speaker 1>can't next, right, Yeah, did the ton of garter gard

0:57:57.360 --> 0:58:00.240
<v Speaker 1>I played on all that stuff because they those guys

0:58:00.280 --> 0:58:03.680
<v Speaker 1>with my boys, So you know, really, where was that

0:58:03.760 --> 0:58:07.040
<v Speaker 1>studio recorded at? Oh my god, where was that studio?

0:58:07.320 --> 0:58:11.000
<v Speaker 1>I can't even remember because we did a funky sensation that,

0:58:11.160 --> 0:58:13.160
<v Speaker 1>which is to me, is one of the funkiest songs

0:58:13.320 --> 0:58:19.920
<v Speaker 1>everyeah all that what are you playing on that? Playing hard? Playing?

0:58:20.240 --> 0:58:22.680
<v Speaker 1>I actually did a solo on there that they didn't use,

0:58:22.800 --> 0:58:26.280
<v Speaker 1>but I played hard in the horn section because me,

0:58:27.440 --> 0:58:31.600
<v Speaker 1>Raymond Reid, Tyrone Cox and Mike Cousin l A. Blacksmith

0:58:31.680 --> 0:58:34.120
<v Speaker 1>were part of the horn section and we used to

0:58:34.200 --> 0:58:36.880
<v Speaker 1>do harn you know, harns for them all the time.

0:58:37.080 --> 0:58:39.760
<v Speaker 1>Was the rhythm section of that, and this is the

0:58:39.840 --> 0:58:44.600
<v Speaker 1>same people that did Heartbeat as well, or he was

0:58:44.720 --> 0:58:47.920
<v Speaker 1>using a bunch of different people at the time. I

0:58:48.000 --> 0:58:51.960
<v Speaker 1>can't remember exactly the whole rhythm section, but I played

0:58:52.000 --> 0:58:55.400
<v Speaker 1>guitar and some of that stuff too, uh, because you

0:58:55.440 --> 0:58:58.040
<v Speaker 1>know they were using they were kind of utilizing me

0:58:58.280 --> 0:59:02.440
<v Speaker 1>to play a lot of instruments, like yeah, my friend

0:59:02.600 --> 0:59:08.040
<v Speaker 1>um Bert Reid and Raymond Reid who was Crown Heights Affair, Yes, yeah,

0:59:08.320 --> 0:59:12.040
<v Speaker 1>therese are my guys, you know, and I was I

0:59:12.280 --> 0:59:17.080
<v Speaker 1>just remember going into studio with them. I was playing drawings, guitar, bass, keyboard,

0:59:17.320 --> 0:59:20.400
<v Speaker 1>were doing a cover far out by the Way next

0:59:20.440 --> 0:59:25.000
<v Speaker 1>album Yeah Yeah. One of my favorite songs of Yeah

0:59:25.280 --> 0:59:28.680
<v Speaker 1>remembers on Instagram like five years ago of a little

0:59:28.680 --> 0:59:30.200
<v Speaker 1>clip and then we haven't heard a bit of that

0:59:30.280 --> 0:59:33.800
<v Speaker 1>since a man, because the hits keep on coming. Ever

0:59:33.840 --> 0:59:35.800
<v Speaker 1>for y'all to finish that damn album. No, it's just

0:59:36.000 --> 0:59:42.240
<v Speaker 1>you know an Actually there's another tidbit. Uh did you

0:59:42.280 --> 0:59:44.800
<v Speaker 1>know a Jackson trumpet player that played in Crown Heights?

0:59:46.040 --> 0:59:49.360
<v Speaker 1>I don't know. Well, you know he was a trumpet player.

0:59:49.400 --> 0:59:53.160
<v Speaker 1>He's the one that actually got me introduced me to

0:59:53.280 --> 0:59:56.080
<v Speaker 1>Keith Diamond and got me on the Billy Ocean record

0:59:56.520 --> 0:59:59.840
<v Speaker 1>because we came up together and Billy was hanging with

1:00:00.200 --> 1:00:03.280
<v Speaker 1>him and he said, uh, he needed he was looking

1:00:03.360 --> 1:00:05.959
<v Speaker 1>for a sacks player to play on a new Billy

1:00:06.000 --> 1:00:08.960
<v Speaker 1>Ocean records. He was like working for Jive Records. And

1:00:09.600 --> 1:00:12.800
<v Speaker 1>Ajax said, oh, I know this guy played with and

1:00:13.160 --> 1:00:16.800
<v Speaker 1>we grew up together. Jeff. He's bad dude, and that's

1:00:16.800 --> 1:00:19.520
<v Speaker 1>how I got that gig. Just real quick, since you

1:00:19.880 --> 1:00:24.240
<v Speaker 1>mentioned Billy Ocean, Um, have you ever run into Danny DeVito?

1:00:25.240 --> 1:00:30.920
<v Speaker 1>No the video, I asked, because because Jeff also played

1:00:30.960 --> 1:00:34.880
<v Speaker 1>the solo on Oceans When the Going Gets Tough video

1:00:38.200 --> 1:00:40.640
<v Speaker 1>sas solo on all the songs that was a hit

1:00:40.800 --> 1:00:42.760
<v Speaker 1>that I did the sax solo on all of those

1:00:42.840 --> 1:00:44.880
<v Speaker 1>When the Going Gets Tough with what was the other

1:00:44.960 --> 1:00:47.200
<v Speaker 1>one to Get Out of My Dreams, which Pete loved

1:00:47.320 --> 1:00:59.480
<v Speaker 1>his peace favorite Bill That's the Stupidest with Me? You Yeah,

1:00:59.520 --> 1:01:01.680
<v Speaker 1>that was, you know, and righteous Back, but it hit,

1:01:01.960 --> 1:01:04.320
<v Speaker 1>so it was a hit. I mean, let's talk about

1:01:04.360 --> 1:01:06.400
<v Speaker 1>some more songs that you've been on that people know

1:01:06.840 --> 1:01:08.680
<v Speaker 1>and I probably didn't know that you were there, like

1:01:09.400 --> 1:01:12.600
<v Speaker 1>Debbie Gibson's Only in My Dream. Yeah, yeah, play foolish

1:01:12.640 --> 1:01:17.640
<v Speaker 1>beat already do this confession that I wish that I

1:01:17.840 --> 1:01:23.720
<v Speaker 1>was what No, really, I'm yo. Sounds just hit me

1:01:24.040 --> 1:01:29.440
<v Speaker 1>with the nick I will just own you. She was

1:01:29.520 --> 1:01:36.440
<v Speaker 1>a sleeping the last problem, Like, what did you say, Tiffany?

1:01:37.160 --> 1:01:40.320
<v Speaker 1>I was fourteen at the time and she was fifteen

1:01:40.360 --> 1:01:41.800
<v Speaker 1>at the time. I was like, oh, some in my

1:01:41.960 --> 1:01:45.240
<v Speaker 1>age making music and she was producing her own stuff allegedly. Yeah,

1:01:45.600 --> 1:01:49.080
<v Speaker 1>shout out Tobie Gibson. Did you know if a Baker? Yes?

1:01:49.840 --> 1:01:52.920
<v Speaker 1>I did. That's how I met because let me call

1:01:52.960 --> 1:01:55.640
<v Speaker 1>it my guys, to bern and Reid Bron used to

1:01:55.680 --> 1:01:58.120
<v Speaker 1>come to my house every day to do demos because

1:01:58.120 --> 1:02:01.040
<v Speaker 1>he lived down record too. On the face you gotta

1:02:01.040 --> 1:02:02.880
<v Speaker 1>did Corey solo record on the Face too? Yeah? We

1:02:03.040 --> 1:02:08.320
<v Speaker 1>we Yeah, we produced Cories record. Uh so you're honorary

1:02:08.640 --> 1:02:12.920
<v Speaker 1>black Rock. Oh yeah, we are people. Okay, can you

1:02:13.320 --> 1:02:16.920
<v Speaker 1>explain to me what I knew the myth of it.

1:02:17.160 --> 1:02:21.760
<v Speaker 1>I saw the logo everywhere, like was it meetings every Tuesday?

1:02:27.240 --> 1:02:31.640
<v Speaker 1>Many musicians. I'm a BRC member, and yeah like this.

1:02:32.360 --> 1:02:33.840
<v Speaker 1>I went to a few of the early meetings. But

1:02:34.800 --> 1:02:38.480
<v Speaker 1>it's like Greg, that was Greg tape, Burner, Reid and Condemason.

1:02:38.800 --> 1:02:41.880
<v Speaker 1>They started it. They started it, um. But you know,

1:02:42.040 --> 1:02:46.000
<v Speaker 1>I mean the whole because black rock is such a

1:02:47.040 --> 1:02:51.200
<v Speaker 1>small microcosmos, you know. Yeah, so all these bands we

1:02:51.360 --> 1:02:54.000
<v Speaker 1>work and support each other, you know, and back certainly

1:02:54.000 --> 1:02:56.240
<v Speaker 1>in the nineties when it was really thick, right, you know,

1:02:56.400 --> 1:02:58.920
<v Speaker 1>it was like when you say support each other, that

1:02:59.200 --> 1:03:02.360
<v Speaker 1>that to me sound like a nightmare of a guest list. Yo,

1:03:02.880 --> 1:03:08.640
<v Speaker 1>just got fifty six people on guest so we try

1:03:09.000 --> 1:03:10.880
<v Speaker 1>we tell people now as no guest let's don't even

1:03:10.880 --> 1:03:15.480
<v Speaker 1>think about it. So, you know, because otherwise everybody, you know,

1:03:15.640 --> 1:03:18.880
<v Speaker 1>everybody's family, so you can't have you know, all your

1:03:18.920 --> 1:03:24.120
<v Speaker 1>extensive family, you know, filling up being the bodies in

1:03:24.240 --> 1:03:28.920
<v Speaker 1>the in the paying seats. So was it just an

1:03:29.040 --> 1:03:31.960
<v Speaker 1>idea of myth that or folklore that fourteen year old

1:03:32.000 --> 1:03:33.880
<v Speaker 1>me ran away with like one day I'm gonna get

1:03:33.880 --> 1:03:37.880
<v Speaker 1>into no because I mean, well, it's it's basically just

1:03:38.200 --> 1:03:41.680
<v Speaker 1>sending an email and saying you and sending your music

1:03:41.760 --> 1:03:44.840
<v Speaker 1>and saying this. If it was actually black rock, you

1:03:44.920 --> 1:03:47.880
<v Speaker 1>could have just been an official official paying you know,

1:03:49.280 --> 1:03:52.600
<v Speaker 1>oh yeah the d get inside it. Right. But then

1:03:52.800 --> 1:03:56.880
<v Speaker 1>but then but then kind of got in it. But

1:03:57.360 --> 1:04:00.880
<v Speaker 1>but the like you uh you did it then benefit

1:04:01.280 --> 1:04:04.840
<v Speaker 1>from being abused at Black Rock Coalition logo and get

1:04:04.920 --> 1:04:08.080
<v Speaker 1>the Black Rock Coalition support behind your gigs. And it

1:04:08.240 --> 1:04:10.320
<v Speaker 1>was a thing. It was definitely and it still is

1:04:10.320 --> 1:04:13.360
<v Speaker 1>a real thing. Black Rock Coalition is producing our you

1:04:13.440 --> 1:04:15.840
<v Speaker 1>know shows that we're doing, you know, coming up. So

1:04:15.960 --> 1:04:21.120
<v Speaker 1>I mean it is a very absolutely I gotta like

1:04:21.200 --> 1:04:22.640
<v Speaker 1>when I first heard of it and it was like,

1:04:22.720 --> 1:04:24.200
<v Speaker 1>oh you gotta send your dudes in and a lot

1:04:24.200 --> 1:04:30.680
<v Speaker 1>of stuff. I thought it was like the Oval team, yo,

1:04:31.000 --> 1:04:33.240
<v Speaker 1>the thing that the cool they take to produce some

1:04:33.320 --> 1:04:35.520
<v Speaker 1>cool show. I mean, this did this we were part of.

1:04:36.560 --> 1:04:38.320
<v Speaker 1>It was called the History of Our Future and it

1:04:38.440 --> 1:04:41.720
<v Speaker 1>was at the Mets in September. It was crazy. It

1:04:41.760 --> 1:04:43.800
<v Speaker 1>was it was packed, you know what I mean, it's

1:04:43.840 --> 1:04:48.080
<v Speaker 1>like so um and our version of it was like

1:04:48.080 --> 1:04:50.720
<v Speaker 1>a couple of hours from like you know, from it

1:04:50.920 --> 1:04:54.600
<v Speaker 1>was Maggot brain covered. They didn't even get to that. No,

1:04:54.920 --> 1:04:57.400
<v Speaker 1>it was it was I don't know how he was

1:04:57.400 --> 1:04:58.880
<v Speaker 1>gonna try to do all this in a hundred and

1:04:59.040 --> 1:05:01.680
<v Speaker 1>and what was this to be an hour? In forty minutes?

1:05:01.760 --> 1:05:07.040
<v Speaker 1>Ship we almost die, but but she was on here

1:05:07.680 --> 1:05:11.440
<v Speaker 1>like my Rainy and We'll actually started with with a

1:05:11.560 --> 1:05:16.520
<v Speaker 1>drum circle and then like like slaves, early slaves, I

1:05:16.600 --> 1:05:22.280
<v Speaker 1>mean through the history of music from yeah, from from

1:05:23.400 --> 1:05:27.960
<v Speaker 1>Rainy to trap music. We didn't we didn't quite make

1:05:28.000 --> 1:05:31.520
<v Speaker 1>it a trap. Actually stopped the family stand and Living

1:05:31.560 --> 1:05:36.480
<v Speaker 1>Color episode and that's the future. That was Scorey still

1:05:36.520 --> 1:05:39.120
<v Speaker 1>climbing the walls. We did a show with him once

1:05:39.160 --> 1:05:45.120
<v Speaker 1>and climbed the scalfold duck. When you're on stage with him,

1:05:45.480 --> 1:05:47.920
<v Speaker 1>he's awesome. Yea duck when you're on stage. I don't know.

1:05:48.040 --> 1:05:53.040
<v Speaker 1>We still climbing scalfeld. Okay, but but he's next album

1:05:53.280 --> 1:05:57.000
<v Speaker 1>with d When can't we expect that next album? Well,

1:05:57.080 --> 1:05:59.120
<v Speaker 1>it'll be out by the summer, I'm pretty sure. Well,

1:05:59.320 --> 1:06:01.200
<v Speaker 1>let me not say that. Let me say in for

1:06:01.360 --> 1:06:05.360
<v Speaker 1>this year, you'll sound like the roots. Yea twenty years

1:06:05.440 --> 1:06:11.880
<v Speaker 1>later Chinese Democracy Part two. You know you mean to

1:06:11.920 --> 1:06:15.560
<v Speaker 1>follow up the Voodoo Part two? Oh, I got strange

1:06:15.600 --> 1:06:19.280
<v Speaker 1>folks all the other night. Don't do that. I don't

1:06:19.320 --> 1:06:23.360
<v Speaker 1>even don't even start. Someone's listening to this. I'm just

1:06:23.440 --> 1:06:26.600
<v Speaker 1>gonna take no for another four. Don't give us excited,

1:06:26.640 --> 1:06:31.880
<v Speaker 1>don't don't get people excited. Move I gotta be some

1:06:31.920 --> 1:06:35.760
<v Speaker 1>of the clumsiest mother. I don't want this night to

1:06:35.840 --> 1:06:40.720
<v Speaker 1>ever And yeah, just just get I don't even we

1:06:40.800 --> 1:06:43.840
<v Speaker 1>didn't even really scratch the surface. We didn't even dip

1:06:43.960 --> 1:06:47.040
<v Speaker 1>the tip. We didn't even get to talk about over there.

1:06:47.920 --> 1:06:51.360
<v Speaker 1>All right, we'll just go one at a time and

1:06:51.400 --> 1:06:55.560
<v Speaker 1>then we gotta wrap this episode up. This this is

1:06:55.600 --> 1:07:02.880
<v Speaker 1>officially a double episode. You have a specific question, Well,

1:07:02.880 --> 1:07:10.240
<v Speaker 1>I was gonna say, Peter, any last words. Yeah, this

1:07:10.320 --> 1:07:12.280
<v Speaker 1>has been a really pleasure and enjoy to sit down,

1:07:12.560 --> 1:07:16.160
<v Speaker 1>you know, talk with you guys, and and uh and

1:07:16.240 --> 1:07:18.400
<v Speaker 1>we're are doing a new album. And it started out

1:07:18.440 --> 1:07:21.840
<v Speaker 1>it started with this that gig to b R C

1:07:22.040 --> 1:07:26.320
<v Speaker 1>Less Uh September the met but and ended up like, oh, well,

1:07:26.400 --> 1:07:28.360
<v Speaker 1>maybe we should do a couple of songs and maybe

1:07:28.360 --> 1:07:30.040
<v Speaker 1>we'll just do an EP and now it's turned in

1:07:30.080 --> 1:07:33.440
<v Speaker 1>two songs in the key of Lifetimes four and now,

1:07:33.560 --> 1:07:37.240
<v Speaker 1>so it's the key they after life. So um, but

1:07:37.360 --> 1:07:39.560
<v Speaker 1>we're working on it now and it's um, it's just

1:07:39.640 --> 1:07:42.600
<v Speaker 1>cool and special stuff. But uh, but it really was

1:07:42.800 --> 1:07:45.400
<v Speaker 1>out of more of active love than necessarily. You know,

1:07:45.680 --> 1:07:47.600
<v Speaker 1>we're picking the band back together and then get our

1:07:47.640 --> 1:07:49.920
<v Speaker 1>wheel chairs out and they're gonna be showy, bow to

1:07:49.960 --> 1:07:52.720
<v Speaker 1>be funky, you know. So I see no wheelchairs or

1:07:52.840 --> 1:07:56.840
<v Speaker 1>tennis now, Yeah, none of that in your future. Yeah,

1:07:57.000 --> 1:08:00.520
<v Speaker 1>you guys seem just as healthier than right now and

1:08:00.960 --> 1:08:02.680
<v Speaker 1>your fly as fun. I said that when I walked in,

1:08:02.760 --> 1:08:04.240
<v Speaker 1>I was like, y'all going to where I shoot? I

1:08:04.240 --> 1:08:08.320
<v Speaker 1>suppose shooting something that happened. I mean, everybody got something

1:08:08.360 --> 1:08:10.080
<v Speaker 1>going on a special. I just want to say that

1:08:10.400 --> 1:08:15.920
<v Speaker 1>thank you. Pe said, we really appreciate the love, and

1:08:16.520 --> 1:08:22.600
<v Speaker 1>this is our first interview since we kinda got that,

1:08:23.000 --> 1:08:26.519
<v Speaker 1>and uh, as far as I'm concerned, it's the best

1:08:26.800 --> 1:08:30.400
<v Speaker 1>interview as far as I can remember that we we've

1:08:31.400 --> 1:08:34.439
<v Speaker 1>we've done and I just love it. I'm just having

1:08:34.520 --> 1:08:36.920
<v Speaker 1>that had a ball tonight. I don't want it. I

1:08:36.960 --> 1:08:48.800
<v Speaker 1>don't really want it to end. But you know, appreciate this.

1:08:50.479 --> 1:08:53.400
<v Speaker 1>I mean, listen, I mean they kind of covered territory.

1:08:53.439 --> 1:08:55.680
<v Speaker 1>He talked about the album, and he talked about the

1:08:55.760 --> 1:08:59.560
<v Speaker 1>vibe and what we're doing and where we come from it.

1:08:59.680 --> 1:09:02.840
<v Speaker 1>And it's been up blast mixing it up with y'all.

1:09:03.000 --> 1:09:06.880
<v Speaker 1>Y'all are a regular riot man. So it's like, you know,

1:09:07.280 --> 1:09:09.920
<v Speaker 1>to be able to us usually get folks to just

1:09:10.000 --> 1:09:13.120
<v Speaker 1>ask you just questions about so what if you got

1:09:13.120 --> 1:09:15.280
<v Speaker 1>the heaven, what's gonna mean? What does that mean? And

1:09:15.400 --> 1:09:18.639
<v Speaker 1>then and and that's pretty much the crux of the interview.

1:09:19.240 --> 1:09:21.719
<v Speaker 1>This is like just a deep dive into all sorts

1:09:21.800 --> 1:09:29.280
<v Speaker 1>of the crap. We are music, we are a sore

1:09:29.360 --> 1:09:31.800
<v Speaker 1>we you know what I mean, we're like total music head.

1:09:31.880 --> 1:09:34.960
<v Speaker 1>So I mean the music businessmen and you know, and

1:09:35.400 --> 1:09:40.960
<v Speaker 1>so you mixed the experiences with the nerd nerd ism.

1:09:41.280 --> 1:09:43.360
<v Speaker 1>This is what we got right now. This is a

1:09:43.439 --> 1:09:47.120
<v Speaker 1>beautiful thing. Man. I appreciate you. Wait, I can't let go.

1:09:48.080 --> 1:09:51.920
<v Speaker 1>You just give us one more story. I thought we

1:09:51.960 --> 1:09:53.599
<v Speaker 1>would go back to the piano. I don't know about

1:09:53.600 --> 1:10:01.519
<v Speaker 1>who well, you know, she on time and we were

1:10:02.640 --> 1:10:05.720
<v Speaker 1>wet with chili pepper. I got it. I got it.

1:10:05.720 --> 1:10:07.160
<v Speaker 1>I got it, I got it, I got it, I

1:10:07.200 --> 1:10:08.800
<v Speaker 1>got it. I want you, I want you three to

1:10:09.120 --> 1:10:15.200
<v Speaker 1>collectively decide. All right, I'm gonna starting with the bright Spot. Okay,

1:10:17.080 --> 1:10:24.400
<v Speaker 1>what artists can you collectively agree? Was a joy to

1:10:24.560 --> 1:10:30.240
<v Speaker 1>experience working with either writing with them or easy it's

1:10:30.280 --> 1:10:37.040
<v Speaker 1>easy for me, you mean together or okay, we'll do three,

1:10:37.120 --> 1:10:44.759
<v Speaker 1>give us you three? But see yeah but not okay,

1:10:44.920 --> 1:10:48.599
<v Speaker 1>yes with family saying Stevie for sure, because I got

1:10:48.680 --> 1:10:51.519
<v Speaker 1>to give him a note and he took it, which

1:10:52.040 --> 1:10:54.560
<v Speaker 1>is like tell us, let us something to do. And

1:10:54.640 --> 1:10:59.639
<v Speaker 1>he did it so amazing, he asked me, and I said,

1:11:00.920 --> 1:11:03.120
<v Speaker 1>is it is that? All right? Right? It's like he

1:11:03.240 --> 1:11:06.720
<v Speaker 1>was fumble and beautiful. No, do it again? And it

1:11:06.840 --> 1:11:08.920
<v Speaker 1>was dope too. I was like, you know, I was

1:11:09.040 --> 1:11:12.800
<v Speaker 1>tongue tied like the wind that I loved as a

1:11:12.920 --> 1:11:23.479
<v Speaker 1>kid died. This man we were working, Yeah, he did

1:11:23.640 --> 1:11:25.760
<v Speaker 1>you know the solo on where You Marry Me? Right?

1:11:26.120 --> 1:11:29.760
<v Speaker 1>So I mean it's just speaking of Rick James. There's

1:11:29.760 --> 1:11:35.559
<v Speaker 1>a Larry story. Do you know about someone did an interview,

1:11:36.479 --> 1:11:41.720
<v Speaker 1>either it's Roy Ayres or Steve Arne where uh Mr Policeman?

1:11:41.960 --> 1:11:45.240
<v Speaker 1>The last song that ends side one of Street Songs.

1:11:46.400 --> 1:11:51.040
<v Speaker 1>How Rick was this abusive to Stevie, like motherfucker playing

1:11:51.080 --> 1:11:52.560
<v Speaker 1>that ship like I'm no, no, no, no no no,

1:11:52.880 --> 1:11:57.000
<v Speaker 1>like Rick James. Yeah, it's it's in Black Sport X

1:11:57.120 --> 1:11:58.840
<v Speaker 1>that much. I know because I never paid it to

1:11:58.960 --> 1:12:05.680
<v Speaker 1>Jenner police Man. Someone has that a hilarious I think

1:12:05.840 --> 1:12:09.400
<v Speaker 1>Roy he was serious. Roy Ayers came in to do

1:12:09.800 --> 1:12:13.080
<v Speaker 1>his solo at the end of Fire and Desire and

1:12:13.200 --> 1:12:16.439
<v Speaker 1>tells the story of coming in at the tail end

1:12:16.439 --> 1:12:18.960
<v Speaker 1>of the studio while Stevie was trying to nail his

1:12:19.040 --> 1:12:23.280
<v Speaker 1>harmonica solo for Mr. Policeman, and how Rick was just

1:12:23.560 --> 1:12:28.880
<v Speaker 1>berating him like horrible, do it again, and like Roy

1:12:29.040 --> 1:12:31.800
<v Speaker 1>was wondering, like, wait, is he going to be this

1:12:31.880 --> 1:12:34.000
<v Speaker 1>way to mean too with my solo? Like that sort

1:12:34.040 --> 1:12:37.680
<v Speaker 1>of thing. So I'm glad to hear that. I'm like,

1:12:37.880 --> 1:12:40.400
<v Speaker 1>you know the song you're on of mine, dizzy, Yes,

1:12:40.880 --> 1:12:43.880
<v Speaker 1>that's like so many people's favorite freaking song of mine.

1:12:43.920 --> 1:12:48.600
<v Speaker 1>Oh yeah, seriously, yeah, seriously take just just you take that,

1:12:49.320 --> 1:12:54.000
<v Speaker 1>take that, you take that, you take that electric Yes

1:12:54.560 --> 1:12:57.840
<v Speaker 1>with Mark Batson her Keys and and and Royer's Donald

1:12:57.880 --> 1:13:03.519
<v Speaker 1>Bird and Connected. Thank you for it. A man at

1:13:03.560 --> 1:13:06.760
<v Speaker 1>the time wasn't it. The track was more bare. I

1:13:06.800 --> 1:13:12.760
<v Speaker 1>didn't realize that. Bird yeah, Bird and Roy. Yeah. But

1:13:13.080 --> 1:13:15.840
<v Speaker 1>I will tell you one more friendly funny story. This

1:13:15.960 --> 1:13:19.320
<v Speaker 1>is my last funny story. Okay for this evening. Okay,

1:13:19.840 --> 1:13:22.040
<v Speaker 1>tell your voice guy, Yes, this is my end of

1:13:22.080 --> 1:13:25.200
<v Speaker 1>the evening voice. So when I was on tour at

1:13:25.240 --> 1:13:28.600
<v Speaker 1>Roy with Africa, and uh we had to you know,

1:13:28.720 --> 1:13:31.559
<v Speaker 1>since and this is early this is before Shaka said.

1:13:31.560 --> 1:13:35.040
<v Speaker 1>We're talking early eighties. Oh gosh, I'm aging myself. But

1:13:35.600 --> 1:13:37.880
<v Speaker 1>so so we we you know, you had those little

1:13:38.000 --> 1:13:40.120
<v Speaker 1>those little portable cameras that you you know this you

1:13:40.200 --> 1:13:42.400
<v Speaker 1>can you take the whole camera and you turn it

1:13:42.479 --> 1:13:45.080
<v Speaker 1>in and give you pictures. So we've been at the

1:13:45.120 --> 1:13:47.320
<v Speaker 1>beach all day and uh so we came back to

1:13:47.400 --> 1:13:50.519
<v Speaker 1>the hotel and I'm coming a room and I'm rent off,

1:13:50.640 --> 1:13:55.240
<v Speaker 1>got my robot. I'm like, okay, I hope, who's who's

1:13:55.280 --> 1:13:56.840
<v Speaker 1>coming to mind at this hour? And I opened the

1:13:56.880 --> 1:13:59.080
<v Speaker 1>door and this Roy said, you still at your camera.

1:13:59.439 --> 1:14:04.559
<v Speaker 1>I'm like, yeah, he came, get camera. Okays, I gonna

1:14:04.600 --> 1:14:09.200
<v Speaker 1>give camera, give it to him. Roy opens his trunks,

1:14:10.120 --> 1:14:15.160
<v Speaker 1>snaps a picture of his than hands it back to

1:14:15.240 --> 1:14:25.559
<v Speaker 1>me and runs down high. That's the story I wanted

1:14:25.800 --> 1:14:41.200
<v Speaker 1>up getting ladies and gentlemen. Oh I hated singing that song.

1:14:41.439 --> 1:14:44.400
<v Speaker 1>Did you watch the showing that song? You just brought

1:14:44.439 --> 1:14:50.400
<v Speaker 1>that randomly song? We're sitting on the grass and had

1:14:53.040 --> 1:14:57.560
<v Speaker 1>fire t shirt. Yeah. Does it sound familiar to you? Oh? No,

1:14:57.880 --> 1:15:01.479
<v Speaker 1>we literally all we have a segment on the Tonight

1:15:01.560 --> 1:15:04.960
<v Speaker 1>Show where we talk about songs that are funny, like

1:15:06.200 --> 1:15:10.519
<v Speaker 1>do not play Uh, we made fun of poopoo la

1:15:10.600 --> 1:15:15.360
<v Speaker 1>la this week. It's rare that we make fun of

1:15:15.439 --> 1:15:19.120
<v Speaker 1>an established artist with a song, but yeah we we

1:15:20.960 --> 1:15:30.519
<v Speaker 1>Yes in half of the Internet's like why yah? Every time?

1:15:31.640 --> 1:15:35.680
<v Speaker 1>All right? Now, wait the antidote. Yes, you don't have

1:15:35.760 --> 1:15:38.840
<v Speaker 1>to give the story. Who would you not like to

1:15:38.920 --> 1:15:43.840
<v Speaker 1>work with? Ever? Again? I'm not. I got to end

1:15:43.960 --> 1:15:47.280
<v Speaker 1>on something more positive. I can't. Are you looking at

1:15:50.200 --> 1:15:54.400
<v Speaker 1>who is a difficult person? To? What job was hard to?

1:15:59.640 --> 1:16:01.720
<v Speaker 1>She was? She was good? Like I know what you're doing?

1:16:02.520 --> 1:16:07.960
<v Speaker 1>He thought, I was, Well it was nothing like that.

1:16:10.600 --> 1:16:16.439
<v Speaker 1>Oh well, oh I just thought it somebody. But anyway, okay,

1:16:20.400 --> 1:16:24.439
<v Speaker 1>I know you're talking about Oh are we okay? I

1:16:24.560 --> 1:16:30.639
<v Speaker 1>know you're talking about but I refused to put what song? Okay?

1:16:31.760 --> 1:16:35.360
<v Speaker 1>Oh I wasn't thinking of her. Oh my god, I

1:16:35.479 --> 1:16:39.920
<v Speaker 1>forgot about her. Okay, I won't say artists, but what

1:16:42.400 --> 1:16:48.960
<v Speaker 1>what song or project was hard to complete? See? But

1:16:49.040 --> 1:16:52.400
<v Speaker 1>then again, I don't know this was difficult. I'm not

1:16:52.479 --> 1:16:55.120
<v Speaker 1>giving reasons. I'm just saying that, you know, I'm just

1:16:55.200 --> 1:16:57.960
<v Speaker 1>trying to enter through the back door to not make

1:16:58.000 --> 1:17:00.640
<v Speaker 1>it sound like you're shooting on a particular artist. You

1:17:00.720 --> 1:17:04.280
<v Speaker 1>know something. What song took a while too? Who's the

1:17:04.320 --> 1:17:08.960
<v Speaker 1>biggest one? That one that comes to mind to me?

1:17:09.080 --> 1:17:14.479
<v Speaker 1>But she was like really really nice person. But I

1:17:14.640 --> 1:17:19.280
<v Speaker 1>remember me and Peter because she was so meticulous about

1:17:19.400 --> 1:17:23.640
<v Speaker 1>her vocals, about what she wanted. It's like every s

1:17:23.840 --> 1:17:26.200
<v Speaker 1>everything she wanted punched. You know what I'm talking about?

1:17:26.840 --> 1:17:31.920
<v Speaker 1>Um Taylor No, not Taylor Dane, No, Tellor was good table.

1:17:32.800 --> 1:17:39.240
<v Speaker 1>Um China Phillips. Oh well that wasn't difficult. No, that

1:17:39.360 --> 1:17:43.519
<v Speaker 1>was difficulty. I remember, I remember because she wanted I

1:17:43.720 --> 1:17:49.120
<v Speaker 1>remember her doing vocals and wanted every little note so

1:17:49.360 --> 1:17:52.600
<v Speaker 1>perfect that I don't remember that. I remember that the

1:17:52.680 --> 1:17:55.920
<v Speaker 1>one name that came up, and really it was one

1:17:55.920 --> 1:17:57.679
<v Speaker 1>of the first projects we did together. And I would

1:17:57.720 --> 1:17:59.720
<v Speaker 1>take responsibility to say it was more me than her.

1:18:00.680 --> 1:18:06.320
<v Speaker 1>Was was Mickey Howard. But but that's because at the time, UM,

1:18:06.960 --> 1:18:13.280
<v Speaker 1>come share my World era or this record a couple

1:18:13.280 --> 1:18:17.240
<v Speaker 1>of songs that it was only because I like, you know,

1:18:17.640 --> 1:18:20.120
<v Speaker 1>you know, working for singers, you have to some of them,

1:18:20.200 --> 1:18:22.240
<v Speaker 1>you have to give them though sometimes some of them

1:18:22.280 --> 1:18:24.160
<v Speaker 1>are just they really a vibe and just get them

1:18:24.160 --> 1:18:26.120
<v Speaker 1>sing all the way down and I just tell them

1:18:26.160 --> 1:18:29.320
<v Speaker 1>too much. Whitney was like, yeah, so with so with Mickey,

1:18:29.560 --> 1:18:32.040
<v Speaker 1>I think it was more me just trying to kind

1:18:32.040 --> 1:18:35.640
<v Speaker 1>of pinpoint it too much of her. She was the

1:18:35.680 --> 1:18:38.040
<v Speaker 1>type of singer that just let her she wants. You

1:18:38.200 --> 1:18:43.679
<v Speaker 1>coached Whitney vocals. No, Whitney, Mickey, you said, yeah, because

1:18:43.720 --> 1:18:50.000
<v Speaker 1>I worked with think about you. You're on the first record,

1:18:50.120 --> 1:18:54.000
<v Speaker 1>well you get good Love. No. I wasn't on that record,

1:18:54.080 --> 1:18:56.320
<v Speaker 1>but I was in the student It's not of fact.

1:18:56.400 --> 1:18:58.479
<v Speaker 1>I was in the studio when La La played her

1:18:58.560 --> 1:19:02.280
<v Speaker 1>the song you know So. But I knew she was

1:19:02.360 --> 1:19:04.400
<v Speaker 1>the type of singer that you had to let her

1:19:04.439 --> 1:19:06.840
<v Speaker 1>sing things out and she could punch things in, but

1:19:07.000 --> 1:19:09.760
<v Speaker 1>it was better if you let her saying multiple taste

1:19:09.800 --> 1:19:13.600
<v Speaker 1>and she was just that kind of singing. If you

1:19:13.720 --> 1:19:16.000
<v Speaker 1>kind of broke it up. She kind of broke the

1:19:16.080 --> 1:19:19.920
<v Speaker 1>momentum of and you can kick your head and okay, yeah,

1:19:20.160 --> 1:19:23.759
<v Speaker 1>I only asked because like, yeah, vocals are a nightmare

1:19:23.840 --> 1:19:26.439
<v Speaker 1>for me, and I hate what you mean doing vocals,

1:19:27.560 --> 1:19:30.599
<v Speaker 1>producing vocals. I think maybe I'm just I'm trying to learn.

1:19:31.080 --> 1:19:35.080
<v Speaker 1>I'm trying to learn to not be as stand office

1:19:35.200 --> 1:19:38.960
<v Speaker 1>or whatever. So always have what I call a bad cop.

1:19:40.439 --> 1:19:45.320
<v Speaker 1>You don't want to say things that you used to

1:19:45.439 --> 1:19:47.800
<v Speaker 1>do that and you know I worked with So it's

1:19:47.840 --> 1:19:50.160
<v Speaker 1>just like I always have a bad cop on standby

1:19:50.240 --> 1:19:54.439
<v Speaker 1>for vocals. I'm creating the music, creating the song, creating

1:19:54.479 --> 1:19:58.799
<v Speaker 1>the music engineering. Did I be a bad cop anytime? Trust?

1:19:59.479 --> 1:20:05.400
<v Speaker 1>And that's however, What's love? Supreme ladies, dumming yo, I

1:20:05.479 --> 1:20:08.080
<v Speaker 1>love it you guys, thank you so much, thank you.

1:20:08.640 --> 1:20:13.360
<v Speaker 1>This was an amazing night. Thank you, Thank you. Will

1:20:13.400 --> 1:20:15.280
<v Speaker 1>be a half a team Supreme to Steve. You still

1:20:15.360 --> 1:20:21.120
<v Speaker 1>with us? Yeah, and let's stop the over Where's bad on?

1:20:21.600 --> 1:20:30.360
<v Speaker 1>You really live in Neverland? Shows over, ladies and serious good?

1:20:32.800 --> 1:20:39.800
<v Speaker 1>All right, we out a sugar Steve and Boss Bill

1:20:40.360 --> 1:20:48.760
<v Speaker 1>Fontigolo and Bill Yeah totally, let's all just yeah, I'm

1:20:48.760 --> 1:20:52.360
<v Speaker 1>gonna join the family. Stand there join We will see

1:20:52.400 --> 1:20:54.160
<v Speaker 1>you on the next go around. Thank you. This is

1:20:54.200 --> 1:20:57.479
<v Speaker 1>a very special West Love Supreme on I Heart Radio.

1:21:00.040 --> 1:21:11.040
<v Speaker 1>Mm hm m hm course Love Supreme. It's a production

1:21:11.120 --> 1:21:18.000
<v Speaker 1>of I Heart Radio. For more podcasts for my heart Radio,

1:21:18.160 --> 1:21:21.439
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

1:21:21.479 --> 1:21:24.640
<v Speaker 1>you listen to your favorite shows. H