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Speaker 1: Yo, what's up. This is Michael Rappaport and this is

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Speaker 1: the I Am Wrapp Reports Stereo Podcast. Today we are

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Speaker 1: talking about taking over the number one podcast spot in

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Speaker 1: the world in sports, talking about the the feeling of that,

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Speaker 1: the gratification of that. We're talking more ass bleaching. We're

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Speaker 1: talking about the Laura Ingram Fox Reporter and the lebron

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Speaker 1: James Kevin Durant shut up and dribble comments. We have

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Speaker 1: some fantastic, very weird, very wonderful and very wacky sick

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Speaker 1: Fox of the Week on a brand new smash Mouth

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Speaker 1: I Am Rapp Reports Stereo Podcast and later on in

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Speaker 1: the show, after me and Ge Moody last name rhymes

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Speaker 1: with duty do our thing. We got the icon, street

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Speaker 1: ball legend and one mixtape legend. You see him on Instagram,

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Speaker 1: you see him on Twitter, you see him at your

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Speaker 1: local park. He loves to play ball. We got the Professor.

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Speaker 1: It's the Iron Rapports Stereo Podcast coming up next with

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Speaker 1: my man g Moody, The Champ, Michael Rapp Report, The Champ,

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Speaker 1: the Dust Brothers, the Champs, Miles Jordan's let me get

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Speaker 1: something really really funky. Let's go all right, We're here, Yes,

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Speaker 1: we're here. Have no fear. The Iron Rapp Reports Stereo

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Speaker 1: Podcast is here. Um, I'm gonna be referring to Mr

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Speaker 1: Moody at times during this Iron Wrap Reports Stereo podcast

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Speaker 1: is Champ. And if Mr Moody refers to me as

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Speaker 1: Champ during this podcast, don't don't be thrown off because

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Speaker 1: we might both refer to each other as Champ. Because

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Speaker 1: as far as this podcasting it goes, we're the new champs.

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Speaker 1: Were We're We're We're the new champs. Yes, yes, uh

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Speaker 1: so this is the Iron Rap Reports Stereo Podcast. My

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Speaker 1: name is Michael Rapp Report a K. The Gringo Mandingo

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Speaker 1: a K. A White Mike a K. Mr White, Folks,

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Speaker 1: I'm here with the champ uh Gimonetti. G. Moody. Last

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Speaker 1: name rhymes with duty. That's the show. Three time podcast

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Speaker 1: co host of the Year and you are now rocking

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Speaker 1: with the best. Iron Rapports Stereo podcast is currently the

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Speaker 1: number one sports podcast. It is currently the number one

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Speaker 1: sports podcast. Now you if you listen to the episodes,

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Speaker 1: if you listen to the show, you know that we

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Speaker 1: are not just sports. We are not just one thing.

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Speaker 1: That's just the category we are in. But it's been

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Speaker 1: a long time coming. We've we've fought, we've rocked, We've

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Speaker 1: poured it all heart out for three hundred and eighty

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Speaker 1: eight episodes. It is now the three hundred and eighty

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Speaker 1: nine episode of the I M. Rappaport Stereo podcast. And

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Speaker 1: the thing that made me so proud to see us

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Speaker 1: at number one is that we did it under duress.

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Speaker 1: And since we did it under so much dress, I'm

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Speaker 1: adding one of my monikers as Michael Rapport a k.

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Speaker 1: The Gringo man Dingo a k a. The Jake LaMotta

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Speaker 1: of podcasting. I like it. Fifteen rounds, fifteen rounds. You

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Speaker 1: never got me down, Ray, you never got me down,

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Speaker 1: never got me down. You never got us down. Tried

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Speaker 1: to come for us. You sent your little fox to

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Speaker 1: do a ratings raid. Yeah, he sent a little seventeen

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Speaker 1: year olds to do the ratings raid, like a little

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Speaker 1: panty raid. Who. We're gonna go read the ratings the

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Speaker 1: little friends. We're gonna go raiding. We're gonna go raidar

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Speaker 1: sister house, go raid their panty closets and run back

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Speaker 1: across the campus in their in their pros and and underwear.

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Speaker 1: Your ratings raid didn't work didn't work. The Iron Rappaport

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Speaker 1: stereo podcast that we did under Durest probably the finest

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Speaker 1: hour plus of ship talking you'll ever here, instant, classic, entertaining,

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Speaker 1: no doubt, gave him that Willie Hutch and we got

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Speaker 1: a whole lot more. Listen, I'm not mentioning these fucking

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Speaker 1: bozos anymore that they were talking about me online and

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Speaker 1: we're talking about fifty people, sixty people, seventy people and

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Speaker 1: their little fucking panty raiders talking about me online to

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Speaker 1: talking about me on their podcast, talking about me on

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Speaker 1: their bullshit, whack ass serious XM Channel five cornball radio

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Speaker 1: station for hours upon hours. We came out with one beautiful,

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Speaker 1: magnificent this podcast which is now being called they hit

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Speaker 1: him up of podcasting, which is now being called the

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Speaker 1: who shot You of podcasting? And we shut them the

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Speaker 1: funk down, undisputed, undisputed, the Bronx Bull, the Raging Bull,

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Speaker 1: the Jake LaMotta of podcasting. That's me. How are you

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Speaker 1: feeling about that, champion champ when you saw that we

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Speaker 1: were at the number one spot and we were top

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Speaker 1: fifteen overall, top twelve overall, and fluctuates under the rest,

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Speaker 1: under the fact that these guys want to take our

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Speaker 1: five star earnings, are five star rating and do a

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Speaker 1: little panty raid and bring us down to one point

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Speaker 1: five starts listen. I love all the ratings, but here's

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Speaker 1: a fact, dumb fox out there, and I know you're listening, assholes.

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Speaker 1: I know you're fucking listening because you're like, what you

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Speaker 1: gonna say about me? Now, you're next, You're next. I'm

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Speaker 1: coming for you. M hm, You're coming for you and

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Speaker 1: your big fucking teeth, your big fucking bleached teeth. You're

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Speaker 1: overgrown fucking teeth. You're next. If I see you in

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Speaker 1: another video, if I see another post like I'm coming

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Speaker 1: for you and your big fucking teeth. I don't give

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Speaker 1: a fuck about any of it. I'm coming after those

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Speaker 1: big barstool fucking teeth, the twin towers of teeth. You

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Speaker 1: bring them to New York. Get those giant fucking teeth.

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Speaker 1: Get him out of my city. If I see one

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Speaker 1: more video from this, I'm gonna drag you. You're getting

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Speaker 1: dragged and those big fucking chump person you're all listening, yo.

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Speaker 1: You asked me what I felt, man, I felt like

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Speaker 1: the fastest to the number one spot, three D eight

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Speaker 1: episodes later were at the number one. That's what that's

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Speaker 1: what it is. That's what it's supposed to be. This

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Speaker 1: is where we're supposed to be at. We leave Suckers

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Speaker 1: in the dust. Yo, that's what it is, man. And

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Speaker 1: now you know it's not the fastest Gerald And and

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Speaker 1: I'm gonna disagree with you on that because a lot

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Speaker 1: of episodes they make a splash, they make number one.

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Speaker 1: And and that's cool. The fact that that we did it,

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Speaker 1: we it was earned, not given, not given. We're not

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Speaker 1: playing little tricks online like these bozos, these little trickster's

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Speaker 1: a little rating raider Fox. Yeah, that suckers ship going down,

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Speaker 1: That's that suckers ship. That's that bullshit. We're not telling

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Speaker 1: our fans subscribe and unsubscribe, subscribe on subscribe so you

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Speaker 1: can fake jack. You're faking jacks with the ratings. We

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Speaker 1: earned it. Yeah, in spite of that, in spite of that,

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Speaker 1: we came. We saw, we conquered the iron rapp reports

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Speaker 1: stereopen you now listen, listen when I say you're now

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Speaker 1: rocking with the best, you are now rocking with the

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Speaker 1: best fucking rounds. And because we went fifteen rounds. It

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Speaker 1: never got me down. If you've never seen the movie

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Speaker 1: Raging Ball, I talk about a lot. It's my old

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Speaker 1: time favorite movie. The scene when Robert de Niro, who's

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Speaker 1: playing Jake Lamatta, fights Sugar Ray Robinson for the third

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Speaker 1: or fourth time and Robinson pummels him, and then La

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Speaker 1: Mata walks over the Ray uh Sugar Roundason. He see

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Speaker 1: you never got me down, Rain, you never got me down, bloodied, beaten.

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Speaker 1: That's me. I'm the fucking Jake Lamato podcasting. So we're

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Speaker 1: gonna bring back something that we started from the beginning.

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Speaker 1: Now I'm gonna I'm not gonna make any promises. This

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Speaker 1: isn't a segment that we could do every week, but

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Speaker 1: today is the return of the Robert de Niro line

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Speaker 1: of the weekend. Of course, I'm going into the bag

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Speaker 1: of Raging Bull. I woke up this morning, Gerald, I

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Speaker 1: literally felt like fucking Jake uh how. I just was

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Speaker 1: like I was like, I was fucking I felt like

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Speaker 1: you motherfucker's you wanted to try to come from me.

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Speaker 1: You wanted to try to fucking shame me, humiliate me,

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Speaker 1: talk about me, fabricate things, lies, exaggerate, not tell the

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Speaker 1: whole story. You wanted to come after me, and I'm

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Speaker 1: still here. I'm still here. I felt like fucking Jake

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Speaker 1: and his prime. And I'm gonna tell you something because

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Speaker 1: I thought about a lot, a lot about this because

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Speaker 1: and it wasn't just with those Fox You know, we

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Speaker 1: don't say your name on here. We don't say your

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Speaker 1: name on here. You know who you are. The guy

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Speaker 1: who bleaches his asshole. You know who you are. The

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Speaker 1: guy with the gimmick mustache. You know who you are.

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Speaker 1: The guy with the face. Yeah, you with the fucking face.

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Speaker 1: Oh yo, you think he got the he got the

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Speaker 1: motherfucking face. Homeboy with the face. You know who you are.

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Speaker 1: You're listening. I never listened to any of your ship ever,

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Speaker 1: never when I was on there, before I was on

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Speaker 1: there never. You're whack. You're listening, all of you. You're nervous.

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Speaker 1: You're nervous. But I'll tell you something. And I'm gonna

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Speaker 1: tie this into Laura Ingram and Fox News and me

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Speaker 1: and you have talked about this. We've talked about it

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Speaker 1: on the air, we talked about it off there. You've

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Speaker 1: known me my whole life. When I say I am

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Speaker 1: the King of disruptive behavior. I am the king of

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Speaker 1: disruptive behavior. This was a stigma that was was was

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Speaker 1: put on me when I was a kid, was kicked

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Speaker 1: out of the third grade PS one, okay public school

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Speaker 1: in the third grade. There was no viole, there was

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Speaker 1: no fire starting, there was no nothing. The word was

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Speaker 1: disruptive behavior. Now I embrace it. Now it's my fucking superpower. Okay,

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Speaker 1: that's my fucking superpower. Spider Man, cash webs. I don't

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Speaker 1: know what the fun Superman's got a few different things,

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Speaker 1: my my superpowers talking shit, oh, ship Man. Okay. And

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Speaker 1: I'm gonna tell you something now that I'm soon to

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Speaker 1: be forty eight And listen, people, my birthday's March Camp.

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Speaker 1: It's coming. I'm gonna be forty eight years old. You

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Speaker 1: don't have perspective, and and and I hope that the

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Speaker 1: people listening out here you understand that I'm very very

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Speaker 1: aware that I rub people the wrong way. I'm very

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Speaker 1: aware that at times I could be abrasive. But it

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Speaker 1: comes with the fucking territory. If you're gonna talk ship

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Speaker 1: the way I talk ship, not everybody's gonna like it.

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Speaker 1: Not everything's gonna land the same with everybody. You're gonna

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Speaker 1: ruffle feathers, you're gonna, you're gonna offend, you're gonna irritate.

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Speaker 1: I don't do it on purpose. I talked my ship

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Speaker 1: and let the chips fall where the chips fall. That's

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Speaker 1: how I do it so good because I don't. It's

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Speaker 1: not preconceived ship talking, okay. And if you let the

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Speaker 1: chip full or the chip full, sometimes you're gonna you're

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Speaker 1: gonna say something. If you talk as much shit as

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Speaker 1: I do, sometimes you might spit on people accidentally. Have

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Speaker 1: you ever been around or a loud motherfucker who's talking

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Speaker 1: ship and they spit on you accidentally. That happens, I

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Speaker 1: understand it. Sometimes it could be lonely. Being the m

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Speaker 1: v P of talking shit okay, comes with the fucking territory.

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Speaker 1: Sometimes it could be scary. Sometimes I think to myself,

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Speaker 1: did I take things too far? And sometimes I'll say

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Speaker 1: to myself, yes, you have taken things too far, But

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Speaker 1: ninety nine point nine percent at the times and my

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Speaker 1: ship talking career, I don't mean harm, I don't mean

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Speaker 1: no foul. I don't mean to offend any fucking body.

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Speaker 1: And the most important thing about being the m v

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Speaker 1: P of talking trash, the m v P of Talking Ship,

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Speaker 1: The jakelomotto of podcasting is that I could take it

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Speaker 1: as good as I give it. Grew up on the

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Speaker 1: Upper East Side of Manhattan, had the pleasure of meeting

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Speaker 1: our friend, our mutual friend, Dupre from Harlem, New York.

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Speaker 1: In the same year I met Mr Moody a k

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Speaker 1: to champ started hanging out in Brownsville section of Brooklyn, Harlem,

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Speaker 1: New York. And the rules were very clear from the beginning.

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Speaker 1: I didn't even need to be explained them. You knew

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Speaker 1: the rules. You get out of line with the wrong motherfucker's,

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Speaker 1: you might get punched in your face. Right there, not

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Speaker 1: beating up, someone just might punch you in your fucking face.

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Speaker 1: You get out of line with the wrong motherfucker's, for real,

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Speaker 1: you might get shot and killed. Gerald, Please talk about

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Speaker 1: what you saw growing up. I saw tough ship man

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Speaker 1: like you just had to be. I can't answer that

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Speaker 1: question wrap that ship is youre bugging me out. I

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Speaker 1: can't explain that. But it's because you don't like to

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Speaker 1: talk about it because it's too real. I mean, you

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Speaker 1: saw things. You would tell me things that you saw,

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Speaker 1: and I would be like rock to my core. But

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Speaker 1: they were so it was just a part of where

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Speaker 1: you where you came from. Yeah, it's part of how

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Speaker 1: you know, how some people were living. And then you

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Speaker 1: outside and you you see some things and but it's

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Speaker 1: just you know, unfortunate. But uh, you know, I've seen it.

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Speaker 1: And then you know we're having fun as well. So

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Speaker 1: it's unwritten rules about snapping on each other and ship

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Speaker 1: like that, and uh, you know, you gotta you take

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Speaker 1: it and you give it. And and the reason why

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Speaker 1: I'm bringing this up is I ain't no tough guy.

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Speaker 1: I talked tough. I've never been a tough guy. Anybody

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Speaker 1: that knows me knows that I don't try to be

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Speaker 1: a tough guy. I don't claim to be a tough guy.

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Speaker 1: A lot of people that are not from New York,

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Speaker 1: they hear the the ship, they hear the the funk,

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Speaker 1: they hear the cursing, they hear the tone, and they

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Speaker 1: go all this guy thinks he's I know, I'm not

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Speaker 1: a tough guy. I know I'm not. I've been around

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Speaker 1: tough guys. I've been around murderers. And when I say

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Speaker 1: I've been around murderers, murders real life, people that have

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Speaker 1: actually murdered people killers. But the point that I'm bringing

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Speaker 1: up is that, and the reason why I went back

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Speaker 1: into this old stuff is that for me, I always

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Speaker 1: understood and being exposed to to you know, the hood,

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Speaker 1: whatever you wanna call it, and being around the ship

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Speaker 1: that I was around, it influenced me. It changed me.

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Speaker 1: It helped mold who I am. And I'll tell you

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Speaker 1: this when it comes to talking ship and snapping. I

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Speaker 1: never talk ship and snap on somebody who I like.

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Speaker 1: That's the rules. Guard. You don't talk shit and snap

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Speaker 1: people you don't like. It's like a term of endearment.

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Speaker 1: To talk ship. That's a sign of infection. To snap

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Speaker 1: on somebody, know, you dusty ass motherfucker. Look at your ship,

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Speaker 1: your whole grillas ash you Why the fund is your

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Speaker 1: whole grill ass? You out at the park, look at

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Speaker 1: your fucking look at you all that. Yeah, but when

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Speaker 1: we get on that Willie Hutch and I have to

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Speaker 1: use it as my superpower. Now we're cooking. See you

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Speaker 1: need these motherfucker's who they're not getting mentioned on it.

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Speaker 1: They never quite understood it from the beginning. They never

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Speaker 1: quite understood these are the people that would refer to

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Speaker 1: somebody like me as a wigger. These are the people

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Speaker 1: that would be fascinated and confused and really have to

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Speaker 1: wrap their head around why there's so many black people

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Speaker 1: come up to you and recognize you. Why is that

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Speaker 1: even a thought in your sick fucking mind. But because

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Speaker 1: I was under so much to rest with that nonsense

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Speaker 1: and it ain't over. I'm gonna tell you something, g

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Speaker 1: Now you never met is this asshole bleacher? Right? You

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Speaker 1: never saw him? I never saw him? Now, Now what

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Speaker 1: I was thinking about really doing? G You know, this

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Speaker 1: rough and rowdy thing, which is sort of like a

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Speaker 1: strong man conscious you just they just get anybody in there,

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Speaker 1: they box and ship, they knocked the ship. Okay, you

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Speaker 1: but you never met him. Okay, he bleaches his asshole?

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Speaker 1: Oh man, Why would the motherfucker want to do that.

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Speaker 1: I don't know why he bleaches his asshole? That's okay. Now,

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Speaker 1: me doubling up on the fact that I know I'm

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Speaker 1: not a tough guy. Okay, I know I'm not a

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Speaker 1: tough guy. All this hooplaw, all this people people want

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Speaker 1: to come down, say this, come down and say this

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Speaker 1: to me. Uh, talking all this bullshit on online and

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Speaker 1: all this, This is what I was thinking about. Moody,

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Speaker 1: Miles Jordan, keep this in here because I'm gonna I'm

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Speaker 1: gonna say it in a diplomatic way. This Rough and

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Speaker 1: Rowdy thing is big business, right. There's money, money to

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Speaker 1: be me. So this is the Iron Rapports Stereo podcast.

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Speaker 1: I'm on the front line. If things go good, I'll

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Speaker 1: inevitably take the credit. I know it's a team effort.

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Speaker 1: I know it's g Moody, I know it's the Dust

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Speaker 1: Brothers and sometimes the young shooter Dean Colins. But when

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Speaker 1: things go good, I'm gonna take the credit. But when

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Speaker 1: things go bad, when like when they talk shit, I'm

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Speaker 1: gonna be the one getting the T shirts made up.

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Speaker 1: I'm gonna be the one having people coming at me.

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Speaker 1: That comes with the territory. So money is the head

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Speaker 1: of his little fucking operation. Rough and Rowdy is a

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Speaker 1: money making business. So what I'm thinking about doing at

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Speaker 1: forty eight years old with ulserative colitis and a bronchial

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Speaker 1: situation is challenging this asshole, bleaching motherfucker it to headline

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Speaker 1: Rough and Rowdy three winner takes all of the pay

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Speaker 1: per view money. I like that. I like that, go

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Speaker 1: at this cat, Well, yeah, you're talking to mad Ship.

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Speaker 1: You're talking mad Ship. Yeah, that's getting the ring b yo.

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Speaker 1: And and then there's no more tweeting, there's no more nothing.

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Speaker 1: I represent my ship, you represent your ship. I'm not

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Speaker 1: trying to fight the rest of the world. I'm only

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Speaker 1: trying to fight you. You're talking ship. You say I'm marshmallow, Mike.

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Speaker 1: I say you bleat your asshole. What's good? Yeah, that's right.

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Speaker 1: Let's take it to the ring. Be no more talking, funk,

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Speaker 1: all this talking. I want you right, Yeah, no more talking,

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Speaker 1: no more name calling. The more name calling ship and

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Speaker 1: the winner takes home he's cut of the pay per

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Speaker 1: view money. Yeah, show your fans what you're about money.

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Speaker 1: Let's see what you where you at with this. I'm

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Speaker 1: thinking about doing that, I'm not. I'm not making it

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Speaker 1: officially at g because when I do it, I'm putting

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Speaker 1: it out on a video. I want to see what's Gucci,

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Speaker 1: what's really Gucci. I'm gonna beat Duke. I'll train your

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Speaker 1: ass for sure. You know I'm gonna get in shape.

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Speaker 1: And they'll say, oh, because I'm I'm a little bit

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Speaker 1: bigger than him. Well, then you shouldn't be talking to

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Speaker 1: people that are bigger than you. Do yo, I Tyson

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Speaker 1: for raised the rudding. He was bigger than him too.

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Speaker 1: That's it. That's it don't matter, right. Why are you

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Speaker 1: worried about you talking all that ship? What's gucci? So

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Speaker 1: I'm thinking about doing that, okay? So but I started

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Speaker 1: this whole disruptive behavior. Um, it's lonely being the m

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Speaker 1: v P of talking trash at times, just at times,

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Speaker 1: because the majority of the times it's not lonely, but

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Speaker 1: at times it's lonely at the top. That's what they say.

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Speaker 1: It's lonely at the top. It's lonely for Leonardo Dicaprioon,

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Speaker 1: it's lonely at the top of the ship. Talking mountain

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Speaker 1: comes with the territory. So enough with these guys, and

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Speaker 1: enough with KFC and his fucking face. So the other

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Speaker 1: day and we didn't talk about this. Um, this Fox

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Speaker 1: News reporter, this is like going on a week now,

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Speaker 1: Laura Ingram, who's the same woman, it turns out, who

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Speaker 1: at the Republican National Party Committee, whatever the fun the

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Speaker 1: Republican National Party when when Trump won, she was the

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Speaker 1: one that it appeared to gave the Nazi salute. Remember

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Speaker 1: that there was a woman with blonde hair, overly bleached

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Speaker 1: blonde hair in a blue dress. I had to be

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Speaker 1: a red dress and she did that. It looked like

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Speaker 1: a Nazi salute. Yeah. So she went on um Fox

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Speaker 1: News and she did a whole diet tribe about how

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Speaker 1: Kevin Durant because Kevin Durand and Lebron James did a

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Speaker 1: podcast together and and you know they were talking about

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Speaker 1: you know what they talk about. You know they're they're

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Speaker 1: talking their talking their thing, you know, speaking up, speaking up,

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Speaker 1: how they wanted, how they can speak up because the

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Speaker 1: reality of being an NBA athlete or a pro athlete.

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Speaker 1: Even as as as passionate and as outspoken as Lebron

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Speaker 1: step Curry, k D and all these guys do, they

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Speaker 1: can only take things so far. You know, there there

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Speaker 1: is limits and and and as much ship as I

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Speaker 1: talk about Lebron James, I'll say this Lebron James. You know, listen,

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Speaker 1: I don't need to give my track record on on

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Speaker 1: the ship that I talked about him. But they always

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Speaker 1: so is he better than Mike? Is he not better

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Speaker 1: than Mike? As far as being a star and the

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Speaker 1: responsibility of being a black athlete and and the weight

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Speaker 1: of that and not being afraid to speak out. He's

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Speaker 1: completely a hundred better than Michael Jordan's okay, And obviously, um,

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Speaker 1: it comes with the times, you know, because because this

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Speaker 1: woman essentially said she did say shut up and dribble,

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Speaker 1: and and Michael Jordan, as great as he is, and

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Speaker 1: I think he's you know, finding his voice, and Charles

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Speaker 1: Barkley and all these other guys, they came up in

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Speaker 1: a different time when shut up and dribble was was

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Speaker 1: close to you know, you had to shut up and dribble.

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Speaker 1: So anyway, back to this this Nazi salutor, Laura Ingram,

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Speaker 1: uh huh. She said at the end of her whole thing,

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Speaker 1: and she's mocking them, and she's like doing all this

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Speaker 1: and blah blah blah blah blah, she said, um, shut

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Speaker 1: up in dribble, right. She she didn't say anything when J. J. Watt,

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Speaker 1: who who gallantly and brilliantly and I'm not I'm not comparing,

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Speaker 1: but nobody complained when J. J. Watt was raising money

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Speaker 1: for hurricane relief. Yeah, I gotta I'm gonna play Devil's

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Speaker 1: that having, kidd But you know, you have. You can't

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Speaker 1: raise hell for that, you know what I'm saying that

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Speaker 1: that's a positive thing. But she, in her you know,

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Speaker 1: in her defense kind of, she wrote a book telling, uh,

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Speaker 1: actors and people who are not well versed into politics

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Speaker 1: to you know, not not speak about politics if you

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Speaker 1: really don't understand it. So she wrote a book about that,

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Speaker 1: and I think that's what she was trying to day.

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Speaker 1: But it came out wrong, of course, and of course

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Speaker 1: everybody took it as racist. But she wrote a book telling,

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Speaker 1: you know, celebrities and stuff, yo, you do you really

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Speaker 1: don't know what the funk you're talking about, basically, so

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Speaker 1: you shouldn't delve into politics on the world stage like that.

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Speaker 1: But that that monologue when people are on the news

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Speaker 1: talking and people are like, whether it's Scott van Pelt

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Speaker 1: or what's my man's name on Channel four? That funny

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Speaker 1: looking dude, Oh, let's the hall, like when people sometimes

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Speaker 1: people don't know if you're on ESPN or Fox News

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Speaker 1: or CNN, whatever you're into. They're reading from a prompter

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Speaker 1: that most of the time they wrote. So her little

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Speaker 1: speech was her words. She wasn't going off the cuff,

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Speaker 1: how like we're going off the cuff here at the

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Speaker 1: Iron Rapports stereo podcast, and and for her to mock

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Speaker 1: Lebron James for not going to college and he didn't

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Speaker 1: finish high school. It's clearly so blatantly racist, so blatantly racist.

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Speaker 1: And she's she's like, you know, basically she's saying, stay

401
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Speaker 1: in stay in your fucking place, that's what saying. I

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00:25:01,119 --> 00:25:04,520
Speaker 1: was offended by it. I immediately picked up on, like

403
00:25:04,560 --> 00:25:07,679
Speaker 1: the way she was talking and the sarcasm that she

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Speaker 1: was using and the disrespect that she was using towards

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Speaker 1: Kevin Durant, Lebron James and everybody. Okay, so two or

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00:25:16,480 --> 00:25:19,760
Speaker 1: three days went by, and you know, we were all

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00:25:19,840 --> 00:25:24,479
Speaker 1: we were doing all Star festivities. Um, we were doing this,

408
00:25:24,560 --> 00:25:26,679
Speaker 1: that and the other. And I finally was like, I

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Speaker 1: knew I wanted to say something. And when I say

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Speaker 1: say something rant or you know, when I say rant,

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Speaker 1: I mean like get on my Instagram and talk some ship.

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Speaker 1: But I also knew that because it's a woman, I

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Speaker 1: have to be careful. You know, you can't just insult women,

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Speaker 1: uh without um people being offended. So so so I

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Speaker 1: really thought about what I was gonna say in regards

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Speaker 1: to uh, this woman. Um who who actually has the

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Speaker 1: Bobby Brown jaw and who truly is actually cock eyed? Um?

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Speaker 1: So I went on Instagram and I and I said

419
00:25:59,520 --> 00:26:03,560
Speaker 1: this rant Miles, please play this Ramps. I'm apologizing in advance.

420
00:26:03,600 --> 00:26:06,439
Speaker 1: I know this is gonna offend some women, but I

421
00:26:06,440 --> 00:26:09,200
Speaker 1: had to do it. This is for Laura Ingram, the

422
00:26:09,240 --> 00:26:13,080
Speaker 1: cock eyed Fox News commentator with the Bobby Brown draw

423
00:26:13,240 --> 00:26:16,280
Speaker 1: who said that k D and Lebron James should just

424
00:26:16,280 --> 00:26:19,359
Speaker 1: shut up and dribble. No, cluckhead, you shut up and

425
00:26:19,440 --> 00:26:24,960
Speaker 1: dribble these nuts, bitch. You mayonnaise eating melbour toast, no

426
00:26:25,160 --> 00:26:29,000
Speaker 1: seasoning on your chicken cracker. Your butt it's so flat

427
00:26:29,040 --> 00:26:31,960
Speaker 1: that when you stand up you can see your entire asshole.

428
00:26:32,040 --> 00:26:34,720
Speaker 1: I'm sorry, ladies, I warned you at the top, you

429
00:26:34,840 --> 00:26:38,800
Speaker 1: little stunt. You Your Lord and savior Donald Trump wouldn't

430
00:26:38,800 --> 00:26:40,840
Speaker 1: even grab you by the pussy, and if he did,

431
00:26:40,880 --> 00:26:43,040
Speaker 1: he probably get his fingers caught in a mouse trap.

432
00:26:43,560 --> 00:26:45,760
Speaker 1: You went to college, Laura, and you're proud of that.

433
00:26:45,840 --> 00:26:47,800
Speaker 1: And what do you got to show for a mouthful

434
00:26:47,840 --> 00:26:50,240
Speaker 1: of fake teeth, a face full of botox, and some

435
00:26:50,359 --> 00:26:53,160
Speaker 1: dry ass hair extensions and you still never got fucked right?

436
00:26:53,240 --> 00:26:55,920
Speaker 1: You little jump off, shut up and dribble the funk

437
00:26:55,920 --> 00:26:59,679
Speaker 1: outta here. Okay, so you heard that, and um, you

438
00:26:59,680 --> 00:27:03,040
Speaker 1: know I apologize at the top. I apologize uh during

439
00:27:03,080 --> 00:27:06,720
Speaker 1: my ship talking um uh soliloquy. Uh. Two women. I

440
00:27:06,760 --> 00:27:08,600
Speaker 1: didn't want to offend them, but but I was like,

441
00:27:09,320 --> 00:27:11,800
Speaker 1: you know what, if I'm gonna talk about this woman,

442
00:27:11,840 --> 00:27:14,439
Speaker 1: I don't know her, I don't care to know, I

443
00:27:14,440 --> 00:27:16,600
Speaker 1: don't want to know her. I'm gonna talk about what

444
00:27:16,680 --> 00:27:19,240
Speaker 1: I see, which is she got the Bobby Brown jaw,

445
00:27:20,440 --> 00:27:22,359
Speaker 1: you know, and whatever else I see. You know, I

446
00:27:22,359 --> 00:27:24,439
Speaker 1: don't even go deep. And I'm gonna talk about you.

447
00:27:25,160 --> 00:27:29,840
Speaker 1: And and I got tons of comments. I think like

448
00:27:30,040 --> 00:27:34,600
Speaker 1: eight thousand comments on Instagram and and and you know,

449
00:27:34,680 --> 00:27:39,760
Speaker 1: thousands of comments, hundreds of comments on on Twitter, and uh,

450
00:27:39,800 --> 00:27:42,880
Speaker 1: you know, the video was was passed around. The video

451
00:27:42,920 --> 00:27:46,680
Speaker 1: went viral, which is another thing that them bozo clowns

452
00:27:46,720 --> 00:27:48,840
Speaker 1: at that ship hole we used to work out. They

453
00:27:48,840 --> 00:27:52,560
Speaker 1: never they never win viral. They they never win because

454
00:27:52,600 --> 00:27:55,080
Speaker 1: they're not them dudes. You don't talk that good ship.

455
00:27:55,280 --> 00:27:57,720
Speaker 1: If you talk that good ship, whether you're me the

456
00:27:57,800 --> 00:28:00,360
Speaker 1: Jake Lamoto of podcasting or just a regular the Joe

457
00:28:00,400 --> 00:28:02,760
Speaker 1: schmoll on the street. You go viral. That's the way

458
00:28:02,760 --> 00:28:04,840
Speaker 1: the world works. Now. You see when you see those

459
00:28:05,440 --> 00:28:09,200
Speaker 1: regular people, they go viral. They're doing rants. You don't

460
00:28:09,200 --> 00:28:13,439
Speaker 1: talk that good ship the chance he's at a CAG party.

461
00:28:13,640 --> 00:28:16,000
Speaker 1: You're at a fucking keg party, doing a panty raid

462
00:28:16,040 --> 00:28:21,680
Speaker 1: across the campus, having a marshmallow burning contest. Funk outta here, Duke.

463
00:28:23,840 --> 00:28:27,480
Speaker 1: You you're growing, You're growing a mustache as a motherfucking gimmick, Duke,

464
00:28:28,320 --> 00:28:31,240
Speaker 1: and money with the face you out there fucking around

465
00:28:31,240 --> 00:28:35,200
Speaker 1: on your wife. Well she got the vagina stitches. And

466
00:28:35,240 --> 00:28:37,160
Speaker 1: you're trying to come. You're trying to come for me.

467
00:28:38,480 --> 00:28:40,840
Speaker 1: You don't go viral, Duke, and you try and you

468
00:28:40,920 --> 00:28:43,040
Speaker 1: I don't try. I just I just put it out there,

469
00:28:43,200 --> 00:28:45,800
Speaker 1: and motherfucker's either take it and then or they don't

470
00:28:45,840 --> 00:28:53,160
Speaker 1: take it. But the point of the matter is, you know,

471
00:28:53,280 --> 00:28:56,120
Speaker 1: I'm gonna be honest. My dog, Wheezy the Iron rapports

472
00:28:56,120 --> 00:29:00,280
Speaker 1: stereo podcast news doghazy, you're destroying me in here. My

473
00:29:00,360 --> 00:29:04,800
Speaker 1: dog is farting. Damn. I can't take none of that.

474
00:29:05,080 --> 00:29:10,400
Speaker 1: Now he's shipping in here, Wheezy. Now you you're violating

475
00:29:10,400 --> 00:29:18,240
Speaker 1: the room. You're violating the gloom tool stick. Um, go ahead.

476
00:29:18,480 --> 00:29:22,160
Speaker 1: The point is is that I didn't get any negative

477
00:29:22,200 --> 00:29:25,880
Speaker 1: comments from any women, white black, in between. They all

478
00:29:25,920 --> 00:29:30,600
Speaker 1: were like, yo, either good or I'm not offended at all.

479
00:29:31,040 --> 00:29:33,280
Speaker 1: It needed to be said, or if it wasn't her,

480
00:29:33,320 --> 00:29:35,200
Speaker 1: I would be offended, but I'm glad you said it her.

481
00:29:35,240 --> 00:29:37,560
Speaker 1: I I didn't really get any negative comments that I

482
00:29:37,600 --> 00:29:40,400
Speaker 1: saw from any women, and that was my concern. So

483
00:29:40,640 --> 00:29:45,680
Speaker 1: so it went up, It gets passed around. Uh you know,

484
00:29:46,280 --> 00:29:50,960
Speaker 1: it gets retweeted. Um. Those lunatics on that crazy real

485
00:29:51,120 --> 00:29:55,840
Speaker 1: radical they got that Alex Jones freak info wars. It

486
00:29:55,880 --> 00:29:58,600
Speaker 1: wasn't Alex Jones, who who's nuts? But I would have

487
00:29:58,640 --> 00:30:00,320
Speaker 1: been bugging if he was talking about me because he

488
00:30:00,360 --> 00:30:03,920
Speaker 1: got the red face. He got the red face and

489
00:30:04,240 --> 00:30:09,080
Speaker 1: his stick is nuts. Yeah, but this British cat was

490
00:30:09,120 --> 00:30:12,640
Speaker 1: on there talking talking about me, and uh, I'm a

491
00:30:12,720 --> 00:30:14,680
Speaker 1: dumb actor and what do I all this bullsh I

492
00:30:14,720 --> 00:30:18,400
Speaker 1: don't care. And then apparently Laura Ingram herself with the

493
00:30:18,440 --> 00:30:21,760
Speaker 1: cock I she said something about me, and then it

494
00:30:21,840 --> 00:30:24,600
Speaker 1: incited other people to complain about me, and of course

495
00:30:24,720 --> 00:30:27,320
Speaker 1: they start bringing up the Lily Taylor thing, and there

496
00:30:27,960 --> 00:30:31,120
Speaker 1: instead of instead of calling her twenty one times over

497
00:30:31,160 --> 00:30:33,520
Speaker 1: a weekend, which is really what I did, and showing

498
00:30:33,600 --> 00:30:36,200
Speaker 1: up to her house unannounced even though she wasn't there,

499
00:30:36,320 --> 00:30:38,880
Speaker 1: and tapping on the window, which is what I what

500
00:30:39,040 --> 00:30:42,320
Speaker 1: that whole thing was about, looking up. That's all it

501
00:30:42,480 --> 00:30:46,240
Speaker 1: was general was there. Nothing ever happened, nothing wasn't accused

502
00:30:46,240 --> 00:30:49,680
Speaker 1: of any anything beyond that at twenty one times over

503
00:30:49,720 --> 00:30:54,840
Speaker 1: a weekend. Ship if you if you calling somebody twenty

504
00:30:54,880 --> 00:30:57,440
Speaker 1: one times over a weekend and showing up at their

505
00:30:57,440 --> 00:31:00,720
Speaker 1: house one time, fuck listen it is it is. It happened.

506
00:31:00,760 --> 00:31:02,880
Speaker 1: It was the best thing that happened to me at

507
00:31:02,920 --> 00:31:04,720
Speaker 1: the time they needed to happen. It is what is.

508
00:31:04,760 --> 00:31:08,520
Speaker 1: I have no shame in my game. The point is

509
00:31:08,520 --> 00:31:12,400
Speaker 1: is that the video got more and more attention, but

510
00:31:12,520 --> 00:31:15,080
Speaker 1: from the right wing people, they're like, you know, saying

511
00:31:15,120 --> 00:31:18,880
Speaker 1: that they're the regular things. Rappaport says this. He says

512
00:31:18,960 --> 00:31:23,080
Speaker 1: that blah blah blah blah blah. Cut to the other

513
00:31:23,200 --> 00:31:26,920
Speaker 1: day at let's say, three o'clock on Wednesday, because by

514
00:31:26,960 --> 00:31:31,440
Speaker 1: the way, people, we we dropped podcast Tuesday, Wednesdays and Fridays.

515
00:31:31,840 --> 00:31:35,120
Speaker 1: This week we dropped that ether that hit Him Up

516
00:31:36,400 --> 00:31:39,840
Speaker 1: on a Wednesday because we had to switch all our

517
00:31:40,000 --> 00:31:44,880
Speaker 1: podcast Like it's like a humongous a gigabyte data transfer.

518
00:31:44,880 --> 00:31:47,600
Speaker 1: I don't really understand it, but it's like a huge

519
00:31:47,680 --> 00:31:51,200
Speaker 1: transfer of file. So that's why we were delayed on

520
00:31:51,640 --> 00:31:57,880
Speaker 1: Wednesday for the now classic gang Bang episode. The gang

521
00:31:57,920 --> 00:32:01,040
Speaker 1: Bang episode should have came out on a Tuesday, but

522
00:32:01,040 --> 00:32:05,480
Speaker 1: but the Dust Brothers, Miles and Miles Davis and Jordan Winter. Uh,

523
00:32:05,520 --> 00:32:09,240
Speaker 1: they they stood up. Uh you know, burned the midnight

524
00:32:09,280 --> 00:32:12,160
Speaker 1: oil and got it done. Um, we came out a

525
00:32:12,160 --> 00:32:14,280
Speaker 1: couple hours late. That won't happen again. That was our

526
00:32:14,320 --> 00:32:16,960
Speaker 1: first Tuesday. I felt bad. That was the first Tuesday

527
00:32:16,960 --> 00:32:20,000
Speaker 1: we ever missed since we started. We never missed a

528
00:32:20,040 --> 00:32:28,520
Speaker 1: Tuesdays anyway. So we put out the who shot You

529
00:32:28,640 --> 00:32:35,520
Speaker 1: Hit Him Up? Ether Iron Rapports Stereo podcast episode. Uh,

530
00:32:35,560 --> 00:32:40,720
Speaker 1: people are going nuts, YadA, YadA, YadA. I posted on Twitter. Okay,

531
00:32:41,320 --> 00:32:44,040
Speaker 1: I posted on Instagram and then I get an email

532
00:32:44,120 --> 00:32:49,920
Speaker 1: shortly after that from Twitter saying this video going back

533
00:32:49,960 --> 00:32:52,640
Speaker 1: to the Laura Ingram video talking about her and her

534
00:32:52,640 --> 00:32:57,120
Speaker 1: Bobby Brown jaw. It says, Hi, Michael Rappaport, your account

535
00:32:57,400 --> 00:33:01,640
Speaker 1: at Michael Rappaport has been locked for violating the Twitter rules,

536
00:33:01,680 --> 00:33:07,920
Speaker 1: specifically for violating our rules against hateful conduct. You may

537
00:33:07,960 --> 00:33:12,120
Speaker 1: not promote violence against, threaten, or harass other people on

538
00:33:12,160 --> 00:33:18,600
Speaker 1: the basis of race, ethnicity, national origin, sexual orientation, gender,

539
00:33:18,960 --> 00:33:28,600
Speaker 1: gender identity, racial affiliation, age, disability, or serious disease. That's interesting, um,

540
00:33:28,640 --> 00:33:32,320
Speaker 1: so and and so my tweet was I'm apologizing all

541
00:33:32,360 --> 00:33:35,120
Speaker 1: to to the women. I'm sure this may offend, but

542
00:33:35,200 --> 00:33:38,280
Speaker 1: this had to be done. Please forgive me, shut up

543
00:33:38,280 --> 00:33:41,520
Speaker 1: and dribble. Question mark Laura Ingram is a true stunt.

544
00:33:42,040 --> 00:33:44,800
Speaker 1: That was my tweet. Now, the tweet didn't. It wasn't

545
00:33:44,800 --> 00:33:46,480
Speaker 1: the thing that did. I don't think they know what

546
00:33:46,520 --> 00:33:49,840
Speaker 1: true stunt means. It was. It was the video and

547
00:33:49,920 --> 00:33:52,560
Speaker 1: so so, so you are now listening to me. I

548
00:33:52,600 --> 00:33:57,080
Speaker 1: am Michael Rapport. I am suspended for six days on Twitter. So,

549
00:33:57,200 --> 00:33:59,520
Speaker 1: first of all, all the fans that funk with the

550
00:33:59,520 --> 00:34:02,400
Speaker 1: Iron rap Port Stereo podcast, I need I need a

551
00:34:02,400 --> 00:34:05,000
Speaker 1: little support because one of the ways we remind people

552
00:34:05,040 --> 00:34:08,279
Speaker 1: that the episode is out is tweet. So if if

553
00:34:08,320 --> 00:34:10,879
Speaker 1: you guys, the loyal fans, the wrapper pack, the new

554
00:34:10,960 --> 00:34:12,959
Speaker 1: fans that funk with us, the old fans, that funk

555
00:34:13,000 --> 00:34:15,840
Speaker 1: with us, everybody, if you can tweet out the link,

556
00:34:16,320 --> 00:34:19,480
Speaker 1: which will be posted by Iron Rapports podcast and G

557
00:34:19,680 --> 00:34:23,080
Speaker 1: Moody pass it around so nobody misses this heater. But

558
00:34:23,160 --> 00:34:26,600
Speaker 1: the point is is that word. I'm suspended for a

559
00:34:26,600 --> 00:34:30,680
Speaker 1: couple more days. Yeah, Twitter reha. I went to to

560
00:34:30,760 --> 00:34:33,960
Speaker 1: I'm going to Twitter rehab. I'm out there with Harvey

561
00:34:34,000 --> 00:34:37,600
Speaker 1: Weinstein the Twitter rehab. They got your fingers up, they

562
00:34:37,640 --> 00:34:41,319
Speaker 1: got your ass handcuffed. So Moody's gonna hold it down

563
00:34:41,360 --> 00:34:44,600
Speaker 1: on Twitter. Jordan and Miles will hold it down on Twitter.

564
00:34:44,640 --> 00:34:48,800
Speaker 1: And I would love and appreciate, uh, anybody who's listening

565
00:34:48,880 --> 00:34:51,040
Speaker 1: to to hold us down on Twitter while I'm all

566
00:34:51,400 --> 00:34:56,640
Speaker 1: I'm out here in Arizona at the rehab. Yeah at that, um,

567
00:34:56,760 --> 00:35:01,200
Speaker 1: you have Smithers. What else is going on? Mr Moody

568
00:35:01,400 --> 00:35:03,320
Speaker 1: got some no good judges, got a lot of ship

569
00:35:03,320 --> 00:35:04,880
Speaker 1: going on out here in New York with It was

570
00:35:04,960 --> 00:35:09,880
Speaker 1: seventy degrees when I came in, seventy five degrees and

571
00:35:10,960 --> 00:35:15,640
Speaker 1: it was warmer here that it was in Los Angeles.

572
00:35:15,440 --> 00:35:17,960
Speaker 1: That's right, man, it was. It was a great day.

573
00:35:18,000 --> 00:35:21,000
Speaker 1: Now it was back to forty seven. But man, everybody

574
00:35:21,040 --> 00:35:23,640
Speaker 1: was out cooling. It was good. It was it was

575
00:35:23,680 --> 00:35:27,839
Speaker 1: that warm. Huh, seventy five, seventy six, it was nice.

576
00:35:27,920 --> 00:35:33,320
Speaker 1: That's the best temperature, seventy especially during during the middle

577
00:35:33,480 --> 00:35:38,640
Speaker 1: smack Dad middle of February. I like all that. Um So,

578
00:35:38,680 --> 00:35:43,480
Speaker 1: the so the NBA is back parties, over all star weekends,

579
00:35:43,480 --> 00:35:48,080
Speaker 1: over the festivities has started again, and I would be remiss.

580
00:35:49,320 --> 00:35:53,160
Speaker 1: We would be remiss. Part of me, Champ. It's okay, Champ,

581
00:35:53,239 --> 00:35:57,319
Speaker 1: thank you. Um. I would be remiss, um if we

582
00:35:57,360 --> 00:36:03,840
Speaker 1: didn't acknowledge. Uh superhero, a true superhero, the Great Julius

583
00:36:03,960 --> 00:36:10,560
Speaker 1: Doctor j Irving, Dr j the Good Doctor. His birthday

584
00:36:11,080 --> 00:36:15,279
Speaker 1: was the other day. Um Man, how much I love

585
00:36:15,360 --> 00:36:18,080
Speaker 1: this guy. How much he means to me. I know

586
00:36:18,120 --> 00:36:20,000
Speaker 1: how much he means to Moody and so many other

587
00:36:20,040 --> 00:36:23,120
Speaker 1: fans out there. I just want to say, happy birthday, doc. Um.

588
00:36:23,880 --> 00:36:27,080
Speaker 1: I got to spend some time around him and all

589
00:36:27,160 --> 00:36:30,319
Speaker 1: the all all the things you heard about him, how

590
00:36:30,400 --> 00:36:33,080
Speaker 1: cool he is, how gracious he is, and just the

591
00:36:33,120 --> 00:36:36,960
Speaker 1: word cool, like he epitomizes the word cool. Um. I

592
00:36:37,000 --> 00:36:39,239
Speaker 1: got to spend time with him at the Big Three

593
00:36:39,320 --> 00:36:41,560
Speaker 1: last summer. I'm gonna get to spend more time with him.

594
00:36:41,560 --> 00:36:43,839
Speaker 1: As a sideline reporter a k. The Howard Coast solved

595
00:36:43,880 --> 00:36:47,040
Speaker 1: the Big three uh this coming season. But I just

596
00:36:47,080 --> 00:36:51,960
Speaker 1: wanted to say, happy birthday, Doc, Yeah, happy day. Remember

597
00:36:51,960 --> 00:36:56,480
Speaker 1: when we were kids and the games, the NBA games,

598
00:36:56,520 --> 00:37:00,120
Speaker 1: you can only find them, uh, you know, at certain times,

599
00:37:00,120 --> 00:37:02,400
Speaker 1: certain places, and and if you missed it, you missed

600
00:37:02,400 --> 00:37:07,239
Speaker 1: it there you might catch them highlights. And Doc, we'll

601
00:37:07,320 --> 00:37:10,120
Speaker 1: be playing against the Knicks or the seventies sixers. We're

602
00:37:10,120 --> 00:37:13,279
Speaker 1: playing against the Celtics, or the seventies sixes, we're playing

603
00:37:13,320 --> 00:37:16,720
Speaker 1: against the Lakers. How exciting it was to watch Dr

604
00:37:16,840 --> 00:37:19,400
Speaker 1: J and like in in his in his prime to

605
00:37:19,520 --> 00:37:23,959
Speaker 1: late prime, the best man, the best. He was doing

606
00:37:24,000 --> 00:37:30,080
Speaker 1: something crazy. Uh, Dunk's big gass hands. Doc was a

607
00:37:30,120 --> 00:37:34,120
Speaker 1: pleasure to watch. Man. Yeah, he was just the way

608
00:37:34,160 --> 00:37:36,000
Speaker 1: he did it, Man, is this something about it? The

609
00:37:36,040 --> 00:37:37,840
Speaker 1: way the way he did it, the way he did it.

610
00:37:37,880 --> 00:37:43,440
Speaker 1: Obviously wasn't the best player ever, but he's he might

611
00:37:43,480 --> 00:37:47,680
Speaker 1: be the most influential player ever. Yeah. Style, a lot

612
00:37:47,719 --> 00:37:52,440
Speaker 1: of style with that ship. Um, all right, Miles Jordan's

613
00:37:54,160 --> 00:37:57,320
Speaker 1: let's jump into this. Can I get the sick Fuck

614
00:37:57,719 --> 00:38:02,680
Speaker 1: of the Week theme song? This award is earned, not given.

615
00:38:02,719 --> 00:38:06,160
Speaker 1: It's called the sick fucking a Week. This guy is

616
00:38:06,200 --> 00:38:09,080
Speaker 1: really sick. Lock him up? How could you do it?

617
00:38:09,200 --> 00:38:12,839
Speaker 1: Don't let him out? Damn when you fuck the door,

618
00:38:13,040 --> 00:38:15,439
Speaker 1: you want to fuck the door. Why would you fuck

619
00:38:15,520 --> 00:38:19,400
Speaker 1: the dog? Why would you fuck your girlfriend's dog? What?

620
00:38:19,680 --> 00:38:24,040
Speaker 1: Sick fuck? The sick funck of the week. It's earned, earned,

621
00:38:24,360 --> 00:38:35,200
Speaker 1: not giving. You did what? No? No, no, yes, yes, yes,

622
00:38:35,280 --> 00:38:39,000
Speaker 1: there it is. That's it. That's that's it. That's a

623
00:38:39,400 --> 00:38:42,960
Speaker 1: the sick Funk of the Week theme song. Um the

624
00:38:43,040 --> 00:38:48,359
Speaker 1: award winning sick Funck of the Week segment. Um. This

625
00:38:48,440 --> 00:38:50,440
Speaker 1: is an award that has earned, not given. It is

626
00:38:50,440 --> 00:38:55,319
Speaker 1: an award that is earned, not given, goes out to

627
00:38:55,360 --> 00:38:58,920
Speaker 1: a certain person with a special uh how do you say? Uh?

628
00:38:58,960 --> 00:39:03,200
Speaker 1: Genese qua so on a flight again. I want to

629
00:39:03,200 --> 00:39:05,720
Speaker 1: say this. I said this the other day. The amount

630
00:39:05,760 --> 00:39:10,840
Speaker 1: of people that are having sex with animals, dogs, goats, cows,

631
00:39:11,200 --> 00:39:15,920
Speaker 1: chickens is way down in two thousand eighteen, and and

632
00:39:15,960 --> 00:39:18,560
Speaker 1: that's a good thing. I don't miss it. I'm not

633
00:39:18,600 --> 00:39:21,680
Speaker 1: being sarcastic about it. Um Again, I feel like we

634
00:39:21,760 --> 00:39:23,960
Speaker 1: are some of the people that have brought that to

635
00:39:24,000 --> 00:39:26,680
Speaker 1: the forefront, and I feel like some people are are

636
00:39:26,719 --> 00:39:30,399
Speaker 1: more concerned about being blown up on as the sick

637
00:39:30,480 --> 00:39:32,399
Speaker 1: funk of the week than they are even about going

638
00:39:32,440 --> 00:39:35,000
Speaker 1: to jail. So I think that we've brought that violation,

639
00:39:35,080 --> 00:39:38,360
Speaker 1: that kind of crime on on on innocent animals down.

640
00:39:38,719 --> 00:39:42,160
Speaker 1: So congratulations to you on that also, Champ. Yeah, we

641
00:39:42,239 --> 00:39:45,879
Speaker 1: put that on blast and let people see how how

642
00:39:45,920 --> 00:39:48,480
Speaker 1: repulsive that was. And I think we shied him into

643
00:39:48,520 --> 00:39:51,200
Speaker 1: the closet with that ship. Two thousand eighteen is the

644
00:39:51,320 --> 00:39:54,640
Speaker 1: year of the craziness on the planes. On a Delta

645
00:39:54,719 --> 00:39:58,960
Speaker 1: flight from j f K, which is in Queens, New York,

646
00:39:59,000 --> 00:40:01,320
Speaker 1: to Syracuse. This is a about a forty five minute

647
00:40:01,360 --> 00:40:05,920
Speaker 1: flight at that probably thirty minutes from from from Queens

648
00:40:05,920 --> 00:40:08,520
Speaker 1: to Syracuse. On a flight probably forty five minutes thirty

649
00:40:08,520 --> 00:40:13,560
Speaker 1: five maybe fifty minutes, a woman Susan Perez or Pierrez,

650
00:40:13,600 --> 00:40:15,239
Speaker 1: I don't I can't say your name. Why would I

651
00:40:15,239 --> 00:40:18,440
Speaker 1: go out of my way to learn your name? You're

652
00:40:18,480 --> 00:40:22,120
Speaker 1: a sick funk of the week. She was screaming and

653
00:40:22,200 --> 00:40:27,160
Speaker 1: yelling and berating the flight attendant a k the stewardess

654
00:40:27,200 --> 00:40:31,280
Speaker 1: on the plane. It was videotaped, Okay, she was screaming

655
00:40:31,320 --> 00:40:33,239
Speaker 1: in front of a woman and her eight month old son.

656
00:40:35,239 --> 00:40:38,400
Speaker 1: The flight attendant and the mother asked her to please

657
00:40:38,400 --> 00:40:40,720
Speaker 1: not use that language, and she said, and I quote,

658
00:40:40,960 --> 00:40:43,600
Speaker 1: shut the funk up. The whole thing was quote on video.

659
00:40:45,520 --> 00:40:48,520
Speaker 1: And now this sick funk of the week got suspended

660
00:40:48,640 --> 00:40:54,680
Speaker 1: from her job. Good for you, asshole. That's you gotta

661
00:40:54,719 --> 00:40:57,560
Speaker 1: go like Robert Harris, Gotta go, gotta go, gotta go,

662
00:40:59,320 --> 00:41:08,960
Speaker 1: um again. Delta Airlines. Delta fucking Airlines passengers sat on

663
00:41:09,000 --> 00:41:14,719
Speaker 1: the plane awaiting a departure from Kansas City on an

664
00:41:14,719 --> 00:41:17,920
Speaker 1: international flight. I don't know where they were going. Actually

665
00:41:18,280 --> 00:41:20,920
Speaker 1: they were at Kansas City International Airport. They had to

666
00:41:20,960 --> 00:41:26,920
Speaker 1: wait on the plane for twelve fucking hours, twelve hours

667
00:41:27,000 --> 00:41:29,719
Speaker 1: on the plane, and then at the twelve hour, you

668
00:41:29,760 --> 00:41:33,640
Speaker 1: know what they said, the plane's not taking off, it's canceled.

669
00:41:33,840 --> 00:41:38,880
Speaker 1: Can you imagine, yo? They were They were waiting on

670
00:41:38,880 --> 00:41:45,360
Speaker 1: the plane for twelve hours, twelve hours. How fucking rude, Yo,

671
00:41:46,280 --> 00:41:50,600
Speaker 1: damn Yo, Delta, What the fund is you doing? Yo?

672
00:41:50,680 --> 00:41:54,000
Speaker 1: That's that's the words for that, yo. Twelve hours is

673
00:41:56,560 --> 00:41:58,360
Speaker 1: you got to be longer than the flight was supposed

674
00:41:58,360 --> 00:42:03,000
Speaker 1: to be, Yo, Something something needs to happen. You gotta

675
00:42:03,040 --> 00:42:06,560
Speaker 1: you gotta give me a free year, a flight for

676
00:42:06,600 --> 00:42:14,240
Speaker 1: that ship. Man um the women's Canadian hockey team, listen,

677
00:42:14,600 --> 00:42:17,520
Speaker 1: I'm all four equal rights and you're gonna get it too,

678
00:42:17,920 --> 00:42:22,080
Speaker 1: you fucking sore losers. You you sick fox. It's the Olympics.

679
00:42:22,760 --> 00:42:26,560
Speaker 1: The United States women. The American team beat their fucking ass.

680
00:42:26,960 --> 00:42:29,759
Speaker 1: We beat the Canadians ass, fair and square. There was

681
00:42:29,800 --> 00:42:33,880
Speaker 1: no controversy about the calls we beat your ass. And

682
00:42:33,920 --> 00:42:37,200
Speaker 1: then a bunch of these Canadian female hockey players they

683
00:42:37,239 --> 00:42:42,880
Speaker 1: refused to wear their silver medal. You sick fuck you,

684
00:42:42,880 --> 00:42:46,840
Speaker 1: you cock sucker. You put that fucking silver medal on

685
00:42:47,600 --> 00:42:52,360
Speaker 1: my girls. Beat you fair and fucking square. Your fucking

686
00:42:52,560 --> 00:42:58,520
Speaker 1: second fucking place. You're not first. You ain't got the

687
00:42:58,680 --> 00:43:03,680
Speaker 1: fucking bulls to win the gold medal. Girls, you're fucking losers.

688
00:43:04,719 --> 00:43:09,640
Speaker 1: Let the fucking world know you're a fucking loser. You

689
00:43:09,880 --> 00:43:18,920
Speaker 1: came in fucking second place. Put your fucking metal on. Yeah,

690
00:43:19,239 --> 00:43:22,400
Speaker 1: the first loser that silver, that silver ship is the

691
00:43:22,400 --> 00:43:25,480
Speaker 1: first loser. That's that's that's what you are with the

692
00:43:25,560 --> 00:43:29,880
Speaker 1: silver medal. You're the first loser. Congratulations to the US

693
00:43:29,960 --> 00:43:37,560
Speaker 1: women defeating Canada in a thrilling gold medal shootout. Okay,

694
00:43:37,719 --> 00:43:40,920
Speaker 1: we're the underdogs. Were never supposed to be Canada and hockey,

695
00:43:41,080 --> 00:43:44,080
Speaker 1: but we beat you this year at the Olympics. Where

696
00:43:44,080 --> 00:43:48,919
Speaker 1: are your fucking silver medal? Okay, with pride and keep

697
00:43:48,960 --> 00:43:52,120
Speaker 1: your fucking head down, you sick fox of a week.

698
00:43:53,320 --> 00:43:57,680
Speaker 1: I got. I got one Australian woman who's living in

699
00:43:57,800 --> 00:44:02,560
Speaker 1: Bali right now. She she's on some health kick and

700
00:44:02,920 --> 00:44:05,360
Speaker 1: she was it was in a daily mail. And she

701
00:44:06,280 --> 00:44:10,560
Speaker 1: drinks her own menstruation and she encourages other women to

702
00:44:10,680 --> 00:44:15,480
Speaker 1: do that to boost their energy levels. Jesus Christ, why

703
00:44:15,520 --> 00:44:18,080
Speaker 1: wy don't you just have a mountain dew? That's what

704
00:44:18,160 --> 00:44:21,000
Speaker 1: Russell Westbrook drinks. Do you see how much fucking energy

705
00:44:21,040 --> 00:44:24,520
Speaker 1: he's got, So you can't have a mountain dude? Is

706
00:44:24,560 --> 00:44:28,040
Speaker 1: not good enough for you? Nah? She she she wants

707
00:44:29,320 --> 00:44:32,680
Speaker 1: her period juice and uh and I guess you know

708
00:44:32,800 --> 00:44:36,840
Speaker 1: she's looking to kind of maybe market it. You have

709
00:44:37,040 --> 00:44:40,320
Speaker 1: a latte with with with a a double pump of

710
00:44:40,440 --> 00:44:45,600
Speaker 1: period juice. Nope, Nope, nope, she's a sick fuck. Don't don't.

711
00:44:45,640 --> 00:44:47,880
Speaker 1: Don't bring that to anybody else. No one else wants

712
00:44:47,920 --> 00:44:51,719
Speaker 1: that you drink your old ship. Yeah. Well, and if

713
00:44:51,760 --> 00:44:54,560
Speaker 1: you want to drink it. That's on you see, and

714
00:44:54,719 --> 00:44:58,480
Speaker 1: you shouldn't brag about it. Yeah, because because because first

715
00:44:58,480 --> 00:45:00,879
Speaker 1: of all, like like I'm worried about your breath. Your

716
00:45:00,880 --> 00:45:09,399
Speaker 1: mouth stinks. Yeah, it seems like it's gatorade. Finally, sick

717
00:45:09,480 --> 00:45:12,080
Speaker 1: funk of the week. Uh, this person is a sick

718
00:45:12,120 --> 00:45:16,480
Speaker 1: funk of the week. The Supreme Court judge that uh

719
00:45:16,680 --> 00:45:19,160
Speaker 1: granted him to stay is a sick funk of the week.

720
00:45:19,480 --> 00:45:24,680
Speaker 1: But there is a man UH. Convicted murderer. UH, an

721
00:45:24,680 --> 00:45:30,319
Speaker 1: Alabama killer was set to be executed, argued that his

722
00:45:30,480 --> 00:45:36,239
Speaker 1: terminal cancer and past drug use would make lethal injection

723
00:45:36,680 --> 00:45:42,280
Speaker 1: unconstitutionally painful, and the Supreme Court and the judge granted

724
00:45:42,360 --> 00:45:47,839
Speaker 1: him a stay. Yo, fuck you money. Oh you did

725
00:45:47,880 --> 00:45:51,359
Speaker 1: all that dirty ship and you did all that grimy ship.

726
00:45:51,560 --> 00:45:55,720
Speaker 1: If you can't do the time, don't do the crime.

727
00:45:56,200 --> 00:46:01,880
Speaker 1: Don't do it. Shout out to Baretta h Sammy Davison. Yo.

728
00:46:02,400 --> 00:46:06,799
Speaker 1: But if there's loopholes and you could, you know, figure

729
00:46:06,840 --> 00:46:09,480
Speaker 1: out a way to do it. Hey, man, you you

730
00:46:09,600 --> 00:46:12,319
Speaker 1: gotta give it to the guy for for for accomplishing that. Yeah,

731
00:46:12,320 --> 00:46:15,160
Speaker 1: but yo, why don't you just take take your your

732
00:46:15,840 --> 00:46:19,799
Speaker 1: You're sentencing like a man you you killed somebody, now

733
00:46:19,840 --> 00:46:24,120
Speaker 1: you cop him? Please fuck that ship many Uh they

734
00:46:24,160 --> 00:46:27,280
Speaker 1: got these judges man, and you know I gotta fucking

735
00:46:27,360 --> 00:46:30,040
Speaker 1: no good judge here. Okay, okay, Well that's the six

736
00:46:30,080 --> 00:46:32,799
Speaker 1: Box of the Week. Uh, perfect segue to go into

737
00:46:32,800 --> 00:46:35,120
Speaker 1: the No Good Judge of the Week. Uh. It's just

738
00:46:35,400 --> 00:46:38,800
Speaker 1: another award winning segment created by the three time podcast

739
00:46:38,840 --> 00:46:41,279
Speaker 1: of the Year g Moody. But on this episode, I'll

740
00:46:41,320 --> 00:46:45,560
Speaker 1: just simply refer to him as Champ. That's right, Champ.

741
00:46:45,920 --> 00:46:50,080
Speaker 1: So here we go. But no Good Judge married Florida.

742
00:46:50,440 --> 00:46:54,600
Speaker 1: No Good Judge Jay Rossman, who's married to an attorney,

743
00:46:54,880 --> 00:46:59,160
Speaker 1: was arrested for arranging to pay an undercover police officer

744
00:46:59,760 --> 00:47:04,200
Speaker 1: three hundred bucks for Mike Check at a nearby Telly.

745
00:47:06,360 --> 00:47:07,960
Speaker 1: This like he got caught up in one of the

746
00:47:08,000 --> 00:47:11,960
Speaker 1: Craiglist adds. So the judge, the no Good Judge, is

747
00:47:12,400 --> 00:47:15,760
Speaker 1: online in craig List trying to set up Randy Blues

748
00:47:16,400 --> 00:47:19,239
Speaker 1: with with police and he got busted. And his wife

749
00:47:19,320 --> 00:47:22,959
Speaker 1: is an attorney. So this this is what we gotta

750
00:47:23,040 --> 00:47:26,720
Speaker 1: deal with. This is what rendering decisions in the courts.

751
00:47:27,120 --> 00:47:29,160
Speaker 1: And it was specifically he was trying to get a

752
00:47:29,600 --> 00:47:32,719
Speaker 1: Mike check uh a k A some brain, a K

753
00:47:32,920 --> 00:47:38,839
Speaker 1: some skull uh top dome pick one. All right, well

754
00:47:38,840 --> 00:47:42,160
Speaker 1: listen ce Iron Wrap Co Stereo Podcast. And as I

755
00:47:42,160 --> 00:47:44,560
Speaker 1: said earlier, we got a special guest coming here at

756
00:47:44,560 --> 00:47:48,400
Speaker 1: the end to clean it up. All star icon of

757
00:47:48,480 --> 00:47:52,080
Speaker 1: the street ball world. And I hate that term, but

758
00:47:52,200 --> 00:47:55,480
Speaker 1: this guy is truly an icon. We got the motherfucking Professor,

759
00:47:56,320 --> 00:47:58,600
Speaker 1: the Professor, you know, the guy from the N one

760
00:47:58,719 --> 00:48:01,480
Speaker 1: nick tape, the little white kid who got the nickname

761
00:48:01,560 --> 00:48:04,640
Speaker 1: the Professor, and he was out there scraping, cutting, busting

762
00:48:04,680 --> 00:48:09,880
Speaker 1: people's ass. You know what I'm talking about. The Professor

763
00:48:10,200 --> 00:48:12,759
Speaker 1: is rocking with us on the Iron Rapports Stereo Podcast.

764
00:48:12,960 --> 00:48:16,040
Speaker 1: After the Professor, I'm gonna close things out, as I promise,

765
00:48:16,239 --> 00:48:19,960
Speaker 1: with the Robert the Nero line of the week. Stay

766
00:48:20,000 --> 00:48:23,160
Speaker 1: tuned for the Professor. It's the Iron Rapports Stereo Podcast.

767
00:48:26,440 --> 00:48:31,279
Speaker 1: All right, I am Rapports Stereo Podcast. This is gonna

768
00:48:31,320 --> 00:48:33,279
Speaker 1: be dope. I know people are gonna be hyped about this.

769
00:48:33,760 --> 00:48:40,040
Speaker 1: I'm excited about this. I'm here with legitimate basketball. I

770
00:48:40,040 --> 00:48:44,560
Speaker 1: don't like the term street ball basketball legend. Okay, we're

771
00:48:44,560 --> 00:48:47,960
Speaker 1: gonna say NBA legend. No, but basketball legend street ball legend,

772
00:48:48,560 --> 00:48:53,600
Speaker 1: internationally known the motherfucking Professor. Hey, man, thanks for having

773
00:48:53,640 --> 00:48:55,520
Speaker 1: me on. Man, it's with me on the im Wrap

774
00:48:55,520 --> 00:48:59,600
Speaker 1: Reports stereo podcast. Let's Go. I'm a fan, Mancy. You're

775
00:48:59,680 --> 00:49:03,120
Speaker 1: real name is Grayson, So I don't know if I'm

776
00:49:03,120 --> 00:49:06,200
Speaker 1: gonna call you Grayson or professor. I mean, it's weird, Corey, professor.

777
00:49:06,719 --> 00:49:09,759
Speaker 1: Everything works, everything works, everything street ball. The street ball

778
00:49:09,760 --> 00:49:12,960
Speaker 1: community called me Fess short for professor. People who know

779
00:49:13,040 --> 00:49:16,720
Speaker 1: me call me Grayson or Gray. Anything works, g P funk.

780
00:49:17,120 --> 00:49:20,480
Speaker 1: All right, So, from what I know about your career

781
00:49:21,160 --> 00:49:24,000
Speaker 1: and about your ND one, you know sort of emergence

782
00:49:24,040 --> 00:49:25,960
Speaker 1: and like, you know, there's been a like sort of

783
00:49:26,320 --> 00:49:28,040
Speaker 1: you know with street ball and growing up in New York,

784
00:49:28,040 --> 00:49:30,560
Speaker 1: there's always sort of these sort of big bang moments

785
00:49:30,560 --> 00:49:33,080
Speaker 1: in street ball. You know, they're going back way before

786
00:49:33,080 --> 00:49:35,960
Speaker 1: it was even televised to you know, the myths, whether

787
00:49:36,000 --> 00:49:38,360
Speaker 1: it happened or not. Dr J Taken, you know, the

788
00:49:38,400 --> 00:49:40,800
Speaker 1: quarters off the top of the backboard to Will Chamberlain

789
00:49:41,160 --> 00:49:42,880
Speaker 1: at the Rutger, And I mean there's sort of these

790
00:49:42,920 --> 00:49:46,399
Speaker 1: big bang moments. Yours was certainly a big bang moment. Hey,

791
00:49:46,480 --> 00:49:50,320
Speaker 1: praise guy. How did you get on the N one tour?

792
00:49:50,520 --> 00:49:53,360
Speaker 1: Was it as simple as what we saw? Yeah? So

793
00:49:53,760 --> 00:49:56,000
Speaker 1: literally I was a fan of the and one mixtape

794
00:49:56,000 --> 00:49:58,520
Speaker 1: tour ever since I think the late nineties. Then when

795
00:49:58,520 --> 00:50:00,880
Speaker 1: I was a sophomore in high school, I caught like

796
00:50:01,000 --> 00:50:03,279
Speaker 1: Volume two three. Next thing you know, they had an

797
00:50:03,480 --> 00:50:06,479
Speaker 1: ESPN show. Uh, the season one was two thousand two.

798
00:50:06,680 --> 00:50:09,240
Speaker 1: I love the show. I was living the and one lifestyle,

799
00:50:09,239 --> 00:50:11,320
Speaker 1: had the shoes all that as a high school senior.

800
00:50:11,360 --> 00:50:13,200
Speaker 1: And you're you're where where did you grow up? I'm

801
00:50:13,239 --> 00:50:16,200
Speaker 1: in Kaiser, Oregon? So where is that? That's that's an

802
00:50:16,200 --> 00:50:19,200
Speaker 1: hour south of Portland, Oregon. Okay, so you're in the sticks.

803
00:50:19,280 --> 00:50:22,520
Speaker 1: Oh yeah, but you're bawling, you ball, you got flavor

804
00:50:22,600 --> 00:50:25,080
Speaker 1: with your ship and you're like in the fucking the

805
00:50:25,160 --> 00:50:28,440
Speaker 1: mountains or the like. Where are these countries? Yeah, it's

806
00:50:28,440 --> 00:50:31,120
Speaker 1: a lot of farmland in Oregon. So it's hour south

807
00:50:31,160 --> 00:50:33,600
Speaker 1: of Portland. Um, it's like a suburb of Salem actually

808
00:50:33,640 --> 00:50:37,600
Speaker 1: the capital. So not Supersticks, but definitely the country and

809
00:50:37,719 --> 00:50:40,160
Speaker 1: not Supersticks, but close to where are the Supersticks? Like,

810
00:50:40,160 --> 00:50:43,000
Speaker 1: if you keep going, you're doesn't take long to get

811
00:50:43,040 --> 00:50:46,279
Speaker 1: to all farmland. You five ten minutes, like do you

812
00:50:46,280 --> 00:50:50,000
Speaker 1: have a Starbucks out there? Yeah, that's my littleness on everything,

813
00:50:50,360 --> 00:50:52,440
Speaker 1: Like how far away is the nearest Starbucks? Because if

814
00:50:52,480 --> 00:50:55,160
Speaker 1: it's more than in my opinion, in the United States,

815
00:50:55,160 --> 00:50:58,080
Speaker 1: if you're five minutes away from a Starbucks, in my opinion,

816
00:50:58,120 --> 00:51:00,800
Speaker 1: you're in the fucking boondocks because in a city person

817
00:51:00,840 --> 00:51:02,960
Speaker 1: like literally from where we are right now, if you

818
00:51:03,040 --> 00:51:05,560
Speaker 1: walk in any direction, you're gonna run into a Starbucks. Yeah,

819
00:51:05,600 --> 00:51:08,200
Speaker 1: we got we got about ten minutes of Starbucks probably. Okay,

820
00:51:08,200 --> 00:51:10,160
Speaker 1: ten minutes makes me a little uncomfortable, but I can

821
00:51:10,200 --> 00:51:13,080
Speaker 1: live ten minutes away, all right, So go ahead? Yeah,

822
00:51:13,200 --> 00:51:15,560
Speaker 1: so um yeah literally two thousand two, I was a

823
00:51:15,600 --> 00:51:19,000
Speaker 1: fan of the season one. Two thousand three rolls around.

824
00:51:19,040 --> 00:51:21,120
Speaker 1: After my freshman year in college, I walked on to

825
00:51:21,200 --> 00:51:23,920
Speaker 1: a local juco. I was tiny. I had a lot

826
00:51:23,920 --> 00:51:26,200
Speaker 1: of offensive skills, but my coaches never believed me because

827
00:51:26,239 --> 00:51:28,960
Speaker 1: of my size and defensively. You're not that small like

828
00:51:29,000 --> 00:51:30,520
Speaker 1: I thought you were based on the way you look

829
00:51:30,560 --> 00:51:38,280
Speaker 1: on TV and on videos, like, but you're not small,

830
00:51:38,719 --> 00:51:41,520
Speaker 1: you know, like five five five, You're not Nate Robinson.

831
00:51:41,640 --> 00:51:43,880
Speaker 1: No disrespecting Nate Robinson, but I'm just saying you're not

832
00:51:43,920 --> 00:51:47,920
Speaker 1: like totally undersized for a like a college basketball player,

833
00:51:48,400 --> 00:51:51,040
Speaker 1: totally totally. I think it was the fact that I

834
00:51:51,120 --> 00:51:53,560
Speaker 1: was so lightweight, you know what I mean, And it's like,

835
00:51:53,600 --> 00:51:56,239
Speaker 1: you know, a short white guy doesn't look athletic. So

836
00:51:56,480 --> 00:51:57,960
Speaker 1: it was hard for me. Like I was a junior

837
00:51:58,000 --> 00:52:01,279
Speaker 1: on JV, I answered to a Christian school my senior

838
00:52:01,360 --> 00:52:03,600
Speaker 1: year just so I can get a better opportunity for basketball.

839
00:52:04,360 --> 00:52:06,440
Speaker 1: No college offers, even though I got second team All

840
00:52:06,440 --> 00:52:08,960
Speaker 1: State because it was a small league, walked onto the

841
00:52:09,000 --> 00:52:11,600
Speaker 1: local juco, played five minutes a game. If it was close,

842
00:52:11,600 --> 00:52:13,840
Speaker 1: they didn't even get in. Were there any like players

843
00:52:13,880 --> 00:52:16,120
Speaker 1: that were good on that team, like legitimately good or

844
00:52:16,160 --> 00:52:18,279
Speaker 1: did you feel like you were not getting like in

845
00:52:18,360 --> 00:52:21,320
Speaker 1: hind not no disrespect, but like in hindsight, are you

846
00:52:21,400 --> 00:52:24,040
Speaker 1: like I should have been playing more? I would actually

847
00:52:24,040 --> 00:52:26,400
Speaker 1: say no. So we had a lot of Division one,

848
00:52:26,440 --> 00:52:29,720
Speaker 1: Division two, you know, prospect guys, and they were very

849
00:52:29,760 --> 00:52:33,080
Speaker 1: you know, good players. But I kind of like shied

850
00:52:33,080 --> 00:52:34,960
Speaker 1: away from contact on defense, you know what I mean.

851
00:52:35,120 --> 00:52:37,200
Speaker 1: I wasn't a pest on defense, nor was that physical

852
00:52:37,200 --> 00:52:39,200
Speaker 1: in any type of way, So people were scared of

853
00:52:39,200 --> 00:52:42,279
Speaker 1: the defense. You didn't play any d didn't play no day. No.

854
00:52:42,440 --> 00:52:44,279
Speaker 1: I mean I'd get like occasional steel, you know, a

855
00:52:44,280 --> 00:52:46,080
Speaker 1: little reach here and there, but not like you play

856
00:52:46,120 --> 00:52:51,080
Speaker 1: a Lonzo bald Alright, So okay, so go ahead. Yeah.

857
00:52:51,200 --> 00:52:56,160
Speaker 1: So after my uh freshman year that that spring, I

858
00:52:56,160 --> 00:52:59,640
Speaker 1: improved like three hundred always help people improved three And

859
00:52:59,680 --> 00:53:01,120
Speaker 1: I was tell us the kids all time, you can

860
00:53:01,120 --> 00:53:03,239
Speaker 1: improve a lot in a short amount of time if

861
00:53:03,239 --> 00:53:06,160
Speaker 1: you're working on your weaknesses and practicing the right way.

862
00:53:06,239 --> 00:53:07,960
Speaker 1: So I was doing two days, I was in the

863
00:53:07,960 --> 00:53:10,000
Speaker 1: weight room. I was working out with those guys who

864
00:53:10,000 --> 00:53:12,400
Speaker 1: were going Division two, Division one. By the end of

865
00:53:12,400 --> 00:53:14,359
Speaker 1: the spring summer, I was as like one of the best,

866
00:53:14,360 --> 00:53:17,040
Speaker 1: if not the best player in the gym. So so

867
00:53:17,120 --> 00:53:19,640
Speaker 1: then the and one tour, having to roll around, I

868
00:53:19,680 --> 00:53:21,759
Speaker 1: decided to go try out, not even knowing they were

869
00:53:21,800 --> 00:53:25,480
Speaker 1: doing that nationwide contest. I had played the year before.

870
00:53:25,520 --> 00:53:27,440
Speaker 1: I tried out and played against a couple of the guys,

871
00:53:28,239 --> 00:53:31,040
Speaker 1: so I'm like, hey, even if I don't you know,

872
00:53:31,120 --> 00:53:33,040
Speaker 1: making it during the trial process, I'd be cool just

873
00:53:33,040 --> 00:53:35,359
Speaker 1: sitting back watch hot sauce ao Alim and he's gotta

874
00:53:35,360 --> 00:53:39,279
Speaker 1: do their thing. But tried out, made the and One

875
00:53:39,320 --> 00:53:41,920
Speaker 1: game and then um because it was sort of like

876
00:53:41,920 --> 00:53:44,040
Speaker 1: a reality show, like you play in the parking lot

877
00:53:44,760 --> 00:53:47,279
Speaker 1: and they'll pick one or two. Were no players to

878
00:53:47,360 --> 00:53:50,360
Speaker 1: play with the guys. Yeah, so it's a Survivor themed

879
00:53:50,400 --> 00:53:52,560
Speaker 1: reality Remember reality TV was blowing up in the early

880
00:53:52,560 --> 00:53:54,959
Speaker 1: two thousands, so they actually kind of themed it off

881
00:53:55,280 --> 00:53:58,040
Speaker 1: kind of like Survivor where it was a narrowing down process.

882
00:53:58,120 --> 00:53:59,879
Speaker 1: You stay on, you can get voted to go home.

883
00:54:00,600 --> 00:54:04,239
Speaker 1: Every few games was elimination game. So basically I went

884
00:54:04,560 --> 00:54:06,919
Speaker 1: yeah to the Rose Garden. We played and one game,

885
00:54:06,920 --> 00:54:08,720
Speaker 1: and I got the crowd to stand up a few times,

886
00:54:08,760 --> 00:54:11,680
Speaker 1: scored when it gets hot, sauce a little bit, and

887
00:54:11,719 --> 00:54:13,799
Speaker 1: then next thing I know, after the game, they're like, hey,

888
00:54:13,840 --> 00:54:15,840
Speaker 1: so you're coming on tour with us. You made it,

889
00:54:15,880 --> 00:54:17,920
Speaker 1: Like are you good with that? And I'm like, like,

890
00:54:17,960 --> 00:54:19,799
Speaker 1: I loved and one. So I was like, let's go.

891
00:54:20,640 --> 00:54:22,880
Speaker 1: So next thing I know, I go throughout the process

892
00:54:22,920 --> 00:54:26,319
Speaker 1: of the summer and the last game, which you were

893
00:54:26,360 --> 00:54:28,360
Speaker 1: talking to, one of the last games that Madison Square

894
00:54:28,360 --> 00:54:30,600
Speaker 1: Garden and I had went through the whole duration of

895
00:54:30,640 --> 00:54:33,360
Speaker 1: the summer and we beat and one that game. We

896
00:54:33,440 --> 00:54:35,440
Speaker 1: had a game in Philly and then we did a

897
00:54:35,480 --> 00:54:38,600
Speaker 1: game in the hood, like in Lennon, New Jersey, where

898
00:54:38,600 --> 00:54:41,480
Speaker 1: main event grew up playing, and then they picked me

899
00:54:41,560 --> 00:54:44,400
Speaker 1: to win the contract and I was just elated. That

900
00:54:44,480 --> 00:54:47,560
Speaker 1: was the greatest. So you go on the tour and

901
00:54:47,600 --> 00:54:50,319
Speaker 1: you guys are playing against the end One guys, yes,

902
00:54:50,560 --> 00:54:53,000
Speaker 1: and you're you guys are all guys that were picked

903
00:54:53,040 --> 00:54:55,840
Speaker 1: up throughout like from other cities. It was actually it

904
00:54:56,040 --> 00:54:58,279
Speaker 1: was it was a combination with you guys, So like

905
00:54:58,360 --> 00:55:01,560
Speaker 1: five or six of them were guys who played overseas,

906
00:55:01,560 --> 00:55:05,080
Speaker 1: like either Division one or Division two overseas, and then

907
00:55:06,160 --> 00:55:09,920
Speaker 1: the other half was guys who tried out in the

908
00:55:09,960 --> 00:55:12,239
Speaker 1: parking lot. So it's sort of a combination because they

909
00:55:12,280 --> 00:55:14,600
Speaker 1: didn't want to put like scrubs out of so the

910
00:55:14,640 --> 00:55:16,000
Speaker 1: and One who are a lot of people don't know.

911
00:55:16,600 --> 00:55:18,160
Speaker 1: Some people think it was like the Glow Chargers. It

912
00:55:18,239 --> 00:55:20,239
Speaker 1: was like squads, like I was playing next to dudes.

913
00:55:20,239 --> 00:55:23,120
Speaker 1: It played Division one Pro overseas night and night out.

914
00:55:23,120 --> 00:55:25,759
Speaker 1: But that original and One team was really talented how

915
00:55:25,840 --> 00:55:28,000
Speaker 1: competitive for those games. By the time you guys got

916
00:55:28,040 --> 00:55:30,440
Speaker 1: to the garden. That was sort of like the was

917
00:55:30,440 --> 00:55:33,040
Speaker 1: that the apex of N one on is like like

918
00:55:33,120 --> 00:55:36,440
Speaker 1: was that the as big as it got. I think, yeah,

919
00:55:36,520 --> 00:55:39,120
Speaker 1: it was one of the big moment. Thousand three to

920
00:55:39,200 --> 00:55:41,600
Speaker 1: two thousand five was the biggest, the biggest time period.

921
00:55:42,080 --> 00:55:44,759
Speaker 1: So those games like the gaming when you're going against

922
00:55:45,360 --> 00:55:47,759
Speaker 1: like the original and one dude and they're competitive, they

923
00:55:47,760 --> 00:55:50,640
Speaker 1: talk ship, they all have reputations. You guys are lesser

924
00:55:50,719 --> 00:55:52,520
Speaker 1: known and and who are who are some of the

925
00:55:52,520 --> 00:55:53,960
Speaker 1: guys on that team of regular it was It was

926
00:55:54,000 --> 00:55:56,359
Speaker 1: Hot Sauce. Yeah, Housa was one of the biggest name

927
00:55:56,440 --> 00:56:00,879
Speaker 1: guys AO from Philly. There was who else was down

928
00:56:00,920 --> 00:56:03,680
Speaker 1: at that time. It was half Man Half Amazing, main

929
00:56:03,760 --> 00:56:11,719
Speaker 1: Event Shane and dribbling Machine, um, who else something alim Escalade,

930
00:56:12,280 --> 00:56:14,759
Speaker 1: So it was a squad. What a lot of people

931
00:56:14,760 --> 00:56:16,880
Speaker 1: didn't know is even though the guys were flashing the

932
00:56:17,040 --> 00:56:19,520
Speaker 1: entertainer game, like all those guys could have played at

933
00:56:19,640 --> 00:56:23,719
Speaker 1: least Division two overseas Division one, and a few guys

934
00:56:23,760 --> 00:56:26,239
Speaker 1: were just short of the NBA just because like maybe

935
00:56:26,320 --> 00:56:29,040
Speaker 1: position wise they didn't fit, you know, fit in, or

936
00:56:29,400 --> 00:56:32,760
Speaker 1: maybe they couldn't really be coached black discipline in certain areas.

937
00:56:32,800 --> 00:56:35,719
Speaker 1: So it was competitive, like there was no nothing was

938
00:56:35,760 --> 00:56:37,600
Speaker 1: ever staged like that, you know, a lot of people

939
00:56:37,600 --> 00:56:40,839
Speaker 1: think street ball sometimes stage or something. What moment. I mean,

940
00:56:40,880 --> 00:56:42,279
Speaker 1: there's got to be a bunch of but like your

941
00:56:42,320 --> 00:56:44,880
Speaker 1: earliest moment when you're out there playing against these dudes.

942
00:56:45,320 --> 00:56:48,239
Speaker 1: These dudes talk shit. They're doing the fucking throw the

943
00:56:48,280 --> 00:56:50,480
Speaker 1: ball off the face ship, which wasn't invented when I

944
00:56:50,480 --> 00:56:53,120
Speaker 1: played in the park. When I grew up, that wouldn't

945
00:56:53,160 --> 00:56:55,320
Speaker 1: happen like that started happening. I was about nineteen, like

946
00:56:55,400 --> 00:56:57,960
Speaker 1: I remember seeing this. I was like, that's fighting ship.

947
00:56:58,080 --> 00:57:00,719
Speaker 1: Mid nineties. You don't throw a ball of anybody's face.

948
00:57:00,719 --> 00:57:03,400
Speaker 1: I don't give a funk how Like it's funked up,

949
00:57:03,480 --> 00:57:07,439
Speaker 1: Like no, I mean it's fun, it hurts, it's embarrassing,

950
00:57:07,880 --> 00:57:10,120
Speaker 1: like it's daunting, like I've never had a ball throw

951
00:57:10,400 --> 00:57:13,360
Speaker 1: like you guys started doing this crazy shit. Here's what

952
00:57:13,400 --> 00:57:15,839
Speaker 1: happened when I first saw it, like in ninety five

953
00:57:15,960 --> 00:57:17,920
Speaker 1: or ninety six, I actually saw Steve France was the

954
00:57:17,920 --> 00:57:19,840
Speaker 1: first player ever seen do it. But here's how it

955
00:57:19,920 --> 00:57:21,920
Speaker 1: started off. It started off where when the if the

956
00:57:21,920 --> 00:57:23,600
Speaker 1: guy guarded you and he was only like a foot

957
00:57:23,640 --> 00:57:25,919
Speaker 1: away from you, you would you would do a mood

958
00:57:25,920 --> 00:57:27,919
Speaker 1: to sort of distract me, and you like lightly tap

959
00:57:27,960 --> 00:57:31,200
Speaker 1: it off the forehead. Somehow it evolved where the crowd

960
00:57:31,240 --> 00:57:32,400
Speaker 1: liked it a lot to where it got to a

961
00:57:32,440 --> 00:57:34,320
Speaker 1: point where people were like going from form me to

962
00:57:34,320 --> 00:57:37,960
Speaker 1: you right now about six feet boom, which that's disrespectful.

963
00:57:38,000 --> 00:57:40,240
Speaker 1: You know. I tried. I tried to take to that level,

964
00:57:40,280 --> 00:57:42,600
Speaker 1: but a couple of times I've you know, got a

965
00:57:42,640 --> 00:57:44,480
Speaker 1: little too far with that. Maybe what So, what was

966
00:57:44,520 --> 00:57:46,640
Speaker 1: one of your first moments do you remember? You like, yo,

967
00:57:46,800 --> 00:57:49,360
Speaker 1: I'm out here, I'm doing it, Like like what would

968
00:57:49,400 --> 00:57:51,720
Speaker 1: be like the player moment that you remember that was

969
00:57:51,800 --> 00:57:53,800
Speaker 1: on the games that even though I could reference in

970
00:57:53,880 --> 00:57:56,720
Speaker 1: what you're saying here, Oh, it had to be halfway through.

971
00:57:56,760 --> 00:57:58,760
Speaker 1: So we went on a little intermission. I think I

972
00:57:58,800 --> 00:58:00,680
Speaker 1: think the tour is thirty three game games, so we're

973
00:58:00,680 --> 00:58:02,880
Speaker 1: about fifteen sixteen games and we went home for like

974
00:58:02,880 --> 00:58:06,160
Speaker 1: a little intermission, and I remember I thought of like

975
00:58:06,160 --> 00:58:09,160
Speaker 1: a couple of new moves. We came back and I

976
00:58:09,200 --> 00:58:13,920
Speaker 1: think our first game back was in Detroit and I

977
00:58:13,960 --> 00:58:16,000
Speaker 1: had like this battle with Hot Sauce. But here's how

978
00:58:16,000 --> 00:58:18,920
Speaker 1: it went. It was maybe like the second quarter or something.

979
00:58:19,000 --> 00:58:22,600
Speaker 1: He came down did some crossover move because he was

980
00:58:22,640 --> 00:58:24,800
Speaker 1: really quick he was really fast. He did some crossover

981
00:58:24,880 --> 00:58:27,600
Speaker 1: move and like heavy me and I slipped almost did

982
00:58:27,600 --> 00:58:31,200
Speaker 1: the splits and I gathered myself one hand. I tried

983
00:58:31,200 --> 00:58:32,560
Speaker 1: to get up as quick as I could get a

984
00:58:32,560 --> 00:58:34,520
Speaker 1: piece of it, just barely missed it, and he hit

985
00:58:34,560 --> 00:58:38,080
Speaker 1: a three. Everybody wanted to day here run on the court,

986
00:58:38,120 --> 00:58:41,080
Speaker 1: so they stood up went crazy. Me At that time,

987
00:58:41,080 --> 00:58:43,080
Speaker 1: I'm thinking like how do I top that? Like you

988
00:58:43,120 --> 00:58:44,600
Speaker 1: know what I mean, I've never even been to Detroit

989
00:58:44,720 --> 00:58:47,640
Speaker 1: much less, and the crowd is you're a white dude

990
00:58:47,640 --> 00:58:52,080
Speaker 1: out here. It's a rowdy, yes, unknown white dude. You

991
00:58:52,080 --> 00:58:53,840
Speaker 1: had to hear like you played the role to a t.

992
00:58:54,560 --> 00:58:58,080
Speaker 1: This is being myself, you know. So next thing I know,

993
00:58:58,360 --> 00:59:01,400
Speaker 1: my coach is just of this guy's guy, Mike Ellis.

994
00:59:01,400 --> 00:59:03,120
Speaker 1: He was screaming. He's all roundy. He was like go

995
00:59:03,440 --> 00:59:05,720
Speaker 1: back at him, like what you doing? I was like, okay.

996
00:59:05,760 --> 00:59:08,080
Speaker 1: So I came down a little bit nervous, not known

997
00:59:08,160 --> 00:59:09,919
Speaker 1: to do, and for some reason I just went into

998
00:59:09,920 --> 00:59:12,320
Speaker 1: the zone. I did like every move I could possibly

999
00:59:12,360 --> 00:59:14,960
Speaker 1: think of on houseauce and then ended it with like

1000
00:59:15,000 --> 00:59:16,680
Speaker 1: a pull bag like I went for a couple of steps,

1001
00:59:16,720 --> 00:59:18,560
Speaker 1: pulled it back and he got he actually went for it,

1002
00:59:18,640 --> 00:59:21,600
Speaker 1: he got Cross of Faith. And then I drove And

1003
00:59:21,720 --> 00:59:23,720
Speaker 1: it's a funny thing is I don't even remember how

1004
00:59:24,000 --> 00:59:25,560
Speaker 1: the ball went in and I drove and hit like

1005
00:59:25,600 --> 00:59:29,000
Speaker 1: some long like float or something. But then the up

1006
00:59:29,320 --> 00:59:31,160
Speaker 1: the crowd eruption was like twice as big as it

1007
00:59:31,200 --> 00:59:33,400
Speaker 1: was the first time. And I think after that game,

1008
00:59:33,800 --> 00:59:35,800
Speaker 1: I remember thinking myself, like, this could be a staple,

1009
00:59:35,800 --> 00:59:38,400
Speaker 1: this could be something I do. And what has been

1010
00:59:38,560 --> 00:59:41,680
Speaker 1: the sort of like the biggest crowd with and one

1011
00:59:41,680 --> 00:59:43,880
Speaker 1: because I want to talk to you about international like

1012
00:59:43,960 --> 00:59:47,360
Speaker 1: what was sort of like like the craziest sort of place.

1013
00:59:47,560 --> 00:59:50,040
Speaker 1: Oh man, um. The first time we went to Asia

1014
00:59:50,080 --> 00:59:52,640
Speaker 1: was insane. We went to Japan, so we sold out

1015
00:59:52,920 --> 00:59:56,800
Speaker 1: a twelve thousand seed arena several times in the same city.

1016
00:59:56,880 --> 01:00:00,040
Speaker 1: That was nuts, um actually, and what was like, what

1017
01:00:00,160 --> 01:00:03,440
Speaker 1: is playing bowl over there? Like? Oh um? It was

1018
01:00:03,480 --> 01:00:06,040
Speaker 1: funny because they were so excited, Like they get so

1019
01:00:06,080 --> 01:00:08,120
Speaker 1: excited because they know you're not gonna come back every year,

1020
01:00:08,160 --> 01:00:09,680
Speaker 1: you know what I mean. They look at it like, hey,

1021
01:00:09,680 --> 01:00:11,560
Speaker 1: this could be a once in a lifetime things in Japan,

1022
01:00:11,720 --> 01:00:14,840
Speaker 1: right or or if we're in Paris or South America.

1023
01:00:15,040 --> 01:00:18,280
Speaker 1: So they get much more excited over things like I'll

1024
01:00:18,280 --> 01:00:20,320
Speaker 1: come down, I won't even get into my main move.

1025
01:00:20,360 --> 01:00:22,400
Speaker 1: I'll just do like some sort of promotion and they'll

1026
01:00:22,400 --> 01:00:25,640
Speaker 1: lose their mind off that. So I remember the first

1027
01:00:25,640 --> 01:00:27,800
Speaker 1: time we actually went overseas period. We were in Paris

1028
01:00:28,280 --> 01:00:29,880
Speaker 1: and that game was nuts. That was some of the

1029
01:00:29,880 --> 01:00:32,280
Speaker 1: most nuts energy I've ever been a part of. We

1030
01:00:32,280 --> 01:00:34,880
Speaker 1: went to South Paulo, Brazil's first time in South America.

1031
01:00:35,520 --> 01:00:38,160
Speaker 1: We did twenty an arena and sold out twenty five

1032
01:00:38,200 --> 01:00:40,840
Speaker 1: thousand on Wednesday, and it was so crazy that they

1033
01:00:40,880 --> 01:00:42,120
Speaker 1: were like, hey, do you guys want to stay and

1034
01:00:42,160 --> 01:00:44,600
Speaker 1: do another game on Sunday, Like we'll pay extra fee,

1035
01:00:45,040 --> 01:00:46,600
Speaker 1: you guys want to stay and we were all like, oh,

1036
01:00:46,640 --> 01:00:49,320
Speaker 1: for sure. Because we were in Brazil. It was nuts.

1037
01:00:49,360 --> 01:00:51,600
Speaker 1: The energy there. We're playing in some sort of like

1038
01:00:52,200 --> 01:00:55,680
Speaker 1: football stadium, it was it was crazy. Now, you've been

1039
01:00:55,720 --> 01:00:58,320
Speaker 1: all over the world. I haven't been to Japan, I've

1040
01:00:58,360 --> 01:01:00,720
Speaker 1: never been to France, I've never been to You're a

1041
01:01:00,800 --> 01:01:06,160
Speaker 1: young guy. Your overnight star This and One mixtape tour

1042
01:01:06,360 --> 01:01:09,600
Speaker 1: was fucking huge and if you like basketball, it was huge.

1043
01:01:09,840 --> 01:01:13,040
Speaker 1: It was like a phenomenon. It was sort of like, um,

1044
01:01:13,080 --> 01:01:15,400
Speaker 1: akin to like hip hop, like it was like this

1045
01:01:15,720 --> 01:01:21,280
Speaker 1: new fresh new globe trotters on steroids thing. You're in Brazil,

1046
01:01:21,720 --> 01:01:24,840
Speaker 1: you're in Japan, you're in France, other places. Now you're

1047
01:01:24,840 --> 01:01:28,840
Speaker 1: a young guy women, where would you say has the

1048
01:01:28,880 --> 01:01:31,280
Speaker 1: most beautiful women? And when you're in Brazil is like

1049
01:01:31,600 --> 01:01:34,920
Speaker 1: they're j Lo's working at the gas station? Like is

1050
01:01:34,920 --> 01:01:36,880
Speaker 1: there j Low Because I've never been to Brazil. I'm

1051
01:01:36,880 --> 01:01:40,480
Speaker 1: a married man. I've fantasized about going. Now when you

1052
01:01:40,520 --> 01:01:42,720
Speaker 1: go to like like a seven eleven in Brazil, is

1053
01:01:42,840 --> 01:01:47,400
Speaker 1: Jennifer Lopez types working at the seven eleven? Definitely? Brazil

1054
01:01:47,480 --> 01:01:49,760
Speaker 1: definitely has some of the most beautiful women. But yeah,

1055
01:01:49,800 --> 01:01:51,880
Speaker 1: that's what's funny. They'll be working like low end ngel.

1056
01:01:51,960 --> 01:01:55,160
Speaker 1: So it's the third world country, the fullest, right, Yeah,

1057
01:01:55,200 --> 01:01:57,840
Speaker 1: Like essentially j Lo. Essentially j Loo could be working

1058
01:01:57,880 --> 01:02:00,920
Speaker 1: at like yeah, like a laundry spot, yeah, or like

1059
01:02:00,920 --> 01:02:04,959
Speaker 1: a seven eleven time she could be like anywhere. Yes,

1060
01:02:05,120 --> 01:02:08,200
Speaker 1: And you're a young man, you married, not married, So

1061
01:02:08,240 --> 01:02:12,560
Speaker 1: at the time you're from what part of Oregon, Kaiser

1062
01:02:12,600 --> 01:02:14,520
Speaker 1: Oregon where you have to go ten minutes to get

1063
01:02:14,520 --> 01:02:16,680
Speaker 1: a Starbucks, So you're like you don't have to be

1064
01:02:16,720 --> 01:02:19,880
Speaker 1: in detail, but like guys like going fucking your stars,

1065
01:02:19,920 --> 01:02:22,360
Speaker 1: you're getting celebrity, or like the guys losing their fucking

1066
01:02:22,400 --> 01:02:25,840
Speaker 1: minds over there. Oh absolutely, our team, Yeah we got way.

1067
01:02:26,080 --> 01:02:27,560
Speaker 1: We had a lot of fun. We had way too

1068
01:02:27,640 --> 01:02:31,280
Speaker 1: much fun oftentimes oftentimes, so yeah, losing our mind you

1069
01:02:31,320 --> 01:02:33,480
Speaker 1: could define it as that a few times. It was definitely,

1070
01:02:34,240 --> 01:02:36,439
Speaker 1: it was some great times. Definitely some wild times for sure.

1071
01:02:36,640 --> 01:02:39,840
Speaker 1: And why did the show on ESPN end? Like, like

1072
01:02:40,040 --> 01:02:42,280
Speaker 1: why did it come to an end? It's a good question.

1073
01:02:42,320 --> 01:02:45,440
Speaker 1: So basically what happened is in two thousands, it was

1074
01:02:45,480 --> 01:02:47,840
Speaker 1: like right after we were on a cover Sports Illustrator

1075
01:02:47,920 --> 01:02:50,400
Speaker 1: and one mixtape is on all time high. We get

1076
01:02:50,440 --> 01:02:53,640
Speaker 1: the news last as the players did. The company had

1077
01:02:53,640 --> 01:02:56,360
Speaker 1: been bought out by different owners, and so the original

1078
01:02:56,400 --> 01:02:59,240
Speaker 1: four guys that started it sold it for for a

1079
01:02:59,280 --> 01:03:01,560
Speaker 1: hefty fee. He paid a you know what I mean,

1080
01:03:02,000 --> 01:03:03,640
Speaker 1: And now it was in the hands of some people

1081
01:03:03,680 --> 01:03:05,480
Speaker 1: that really didn't know much about basketball at all. They

1082
01:03:05,480 --> 01:03:09,720
Speaker 1: were actually based out here, and um they did the

1083
01:03:09,720 --> 01:03:11,920
Speaker 1: tour for a couple more years just because they had

1084
01:03:11,920 --> 01:03:14,000
Speaker 1: a contract. From my understanding, they had a contract with

1085
01:03:14,000 --> 01:03:17,080
Speaker 1: the production company. So it was on ESPN just for

1086
01:03:18,040 --> 01:03:20,160
Speaker 1: uh oh six or seven oh wait to to do

1087
01:03:20,240 --> 01:03:23,160
Speaker 1: out that contract. Maybe it was the contract of ESPN production.

1088
01:03:23,240 --> 01:03:25,040
Speaker 1: It was. It was hard for us to gather on

1089
01:03:25,040 --> 01:03:27,680
Speaker 1: the info. But basically that's why. And then two thousand

1090
01:03:27,800 --> 01:03:29,680
Speaker 1: nine came and they were like, hey, we're gonna We're

1091
01:03:29,680 --> 01:03:32,760
Speaker 1: gonna brand NBA because they didn't even know the people

1092
01:03:32,760 --> 01:03:35,080
Speaker 1: at that time that the brand was built off street ball,

1093
01:03:35,240 --> 01:03:36,440
Speaker 1: you know what I mean, And that's why it came

1094
01:03:36,520 --> 01:03:39,480
Speaker 1: to Forefront. But I didn't blame the owners because at

1095
01:03:39,480 --> 01:03:42,280
Speaker 1: the end of the day the owners started, they're passing

1096
01:03:42,280 --> 01:03:44,280
Speaker 1: out trash talk teachers out the back of their car

1097
01:03:44,680 --> 01:03:46,680
Speaker 1: in New York. So for them to bring it to

1098
01:03:46,680 --> 01:03:48,080
Speaker 1: where it was that it was a perfect time to

1099
01:03:48,120 --> 01:03:49,720
Speaker 1: cash out. And I didn't blame them, but at the

1100
01:03:49,720 --> 01:03:52,560
Speaker 1: tiles bummed out, I was like, whoa, So now it's

1101
01:03:52,560 --> 01:03:57,560
Speaker 1: a much less marketing dollars, smaller tours, you know, and

1102
01:03:57,600 --> 01:04:00,240
Speaker 1: it just sort of fizzles, It fizzles away. Yeah, But

1103
01:04:00,280 --> 01:04:02,440
Speaker 1: what was cool is that the market never turned it away,

1104
01:04:02,920 --> 01:04:05,160
Speaker 1: and one turned away, so there was always a market

1105
01:04:05,200 --> 01:04:07,439
Speaker 1: for stuff when it started going uh the digital route,

1106
01:04:07,440 --> 01:04:10,120
Speaker 1: you know what I mean. So as far as like

1107
01:04:10,440 --> 01:04:13,640
Speaker 1: being recognized, like you start to have this credibility, this

1108
01:04:13,720 --> 01:04:15,800
Speaker 1: street cred whatever the funk you want to call it. Like,

1109
01:04:15,960 --> 01:04:17,640
Speaker 1: do you remember the first time you got recognized in

1110
01:04:17,680 --> 01:04:21,280
Speaker 1: public as being the professor? I think so, yeah, yeah,

1111
01:04:21,320 --> 01:04:23,800
Speaker 1: I think it was somewhere some like country city in

1112
01:04:23,800 --> 01:04:26,880
Speaker 1: the South, I can't remember. And then somebody asked me

1113
01:04:26,920 --> 01:04:28,760
Speaker 1: for my autograph and I was like, oh sure, you know,

1114
01:04:28,800 --> 01:04:30,240
Speaker 1: I didn't even know how to act. I didn't even

1115
01:04:30,240 --> 01:04:31,800
Speaker 1: know how to write. Every think I wrote my name

1116
01:04:31,800 --> 01:04:36,040
Speaker 1: in print? You know, did you write the professor or

1117
01:04:36,040 --> 01:04:40,840
Speaker 1: did you write wrote Grace and Bouche in print? Not

1118
01:04:40,920 --> 01:04:43,920
Speaker 1: even cursive? And then uh, that might be in the

1119
01:04:44,000 --> 01:04:46,080
Speaker 1: Nate Smith Basketball of Fame at this you know, like

1120
01:04:46,080 --> 01:04:48,400
Speaker 1: at this point, shout out to anybody who's got that

1121
01:04:48,400 --> 01:04:53,040
Speaker 1: that first professor. And then I remember, I remember the

1122
01:04:53,080 --> 01:04:56,080
Speaker 1: PR guy at the time or the player relation guy

1123
01:04:56,080 --> 01:04:57,959
Speaker 1: from Man at the time. He was like, hey man,

1124
01:04:57,960 --> 01:05:00,000
Speaker 1: this is beginning something special, like you have no idea

1125
01:05:00,040 --> 01:05:02,480
Speaker 1: dea And I remember looking at him like oh yeah,

1126
01:05:02,480 --> 01:05:04,919
Speaker 1: like oh cool, Like I didn't know what he meant.

1127
01:05:05,680 --> 01:05:09,439
Speaker 1: But uh yeah. So now as far as street ball,

1128
01:05:09,480 --> 01:05:11,440
Speaker 1: like you know, you said the games weren't scripted, it

1129
01:05:11,440 --> 01:05:15,440
Speaker 1: wasn't Harlem Global. What's the rule because, in my opinion,

1130
01:05:17,080 --> 01:05:19,200
Speaker 1: street ball and I hate again I hate that term

1131
01:05:19,200 --> 01:05:21,480
Speaker 1: because I think it's just it's like it's basketball. But

1132
01:05:21,600 --> 01:05:24,600
Speaker 1: we'll refer to it against my will here. In my opinion,

1133
01:05:24,600 --> 01:05:26,800
Speaker 1: it's affected some of the stuff that we see in

1134
01:05:26,800 --> 01:05:29,960
Speaker 1: the actual EMBA. But what are the rules about, like

1135
01:05:30,000 --> 01:05:33,600
Speaker 1: your guarding hot sauce? Uh, he crosses your he gets you.

1136
01:05:34,120 --> 01:05:36,760
Speaker 1: What are the defensive rules? Like? In my opinion, I

1137
01:05:36,760 --> 01:05:38,800
Speaker 1: feel like, if you're playing good defense, if you're playing

1138
01:05:38,880 --> 01:05:41,520
Speaker 1: legit basketball, you're gonna get dunked on. You're gonna get

1139
01:05:41,520 --> 01:05:43,840
Speaker 1: crossed up. It's sort of it's part of the game.

1140
01:05:44,080 --> 01:05:46,200
Speaker 1: I don't give a funk who you are, Like, what

1141
01:05:46,280 --> 01:05:48,080
Speaker 1: are the rules when you guys are playing? Do you

1142
01:05:48,120 --> 01:05:51,840
Speaker 1: have you have to d up and whatever happens happens. Correct, Yeah,

1143
01:05:51,880 --> 01:05:53,560
Speaker 1: you have to do. The only thing was we couldn't

1144
01:05:53,560 --> 01:05:55,959
Speaker 1: have any his own defense, right, because then you can't

1145
01:05:56,000 --> 01:05:57,960
Speaker 1: do your thing. Yeah, I was like, no his own

1146
01:05:58,040 --> 01:06:02,800
Speaker 1: defense and uh, to be honest, the only other different

1147
01:06:02,800 --> 01:06:04,720
Speaker 1: from basketball it was no its own defense. And then

1148
01:06:04,720 --> 01:06:07,440
Speaker 1: it was like, but I'm saying that the nonspoken rules

1149
01:06:07,480 --> 01:06:10,520
Speaker 1: like because if you don't play defense, like in these games,

1150
01:06:10,560 --> 01:06:13,040
Speaker 1: if you don't play defense, the other guy can't do

1151
01:06:13,120 --> 01:06:14,720
Speaker 1: his things. So you sort of like sort of like

1152
01:06:14,720 --> 01:06:16,840
Speaker 1: a respect that I'm gonna d you up. Whatever the

1153
01:06:16,880 --> 01:06:19,760
Speaker 1: fun is gonna happen, it's gonna happen. Yeah, I mean

1154
01:06:19,840 --> 01:06:21,480
Speaker 1: sometimes you could sag off if you want it. You

1155
01:06:21,480 --> 01:06:23,040
Speaker 1: didn't feel like the guy was a shooter, but a

1156
01:06:23,120 --> 01:06:24,760
Speaker 1: lot of guys, see, a lot of guys on the

1157
01:06:24,800 --> 01:06:26,760
Speaker 1: team actually did have these other skills that didn't get

1158
01:06:26,800 --> 01:06:29,200
Speaker 1: highlighted as month. So it's like you couldn't just leave

1159
01:06:29,240 --> 01:06:30,640
Speaker 1: somebody own and hit the three. You had to get

1160
01:06:30,680 --> 01:06:32,760
Speaker 1: out there, you know what I mean. So the unspoken

1161
01:06:32,840 --> 01:06:36,120
Speaker 1: rule was like basically a lot of iOS, we're looking

1162
01:06:36,160 --> 01:06:38,040
Speaker 1: to push the ball and throw oops, so you don't

1163
01:06:38,040 --> 01:06:40,840
Speaker 1: want to take anybody out the air. But for the

1164
01:06:40,880 --> 01:06:43,680
Speaker 1: most part, it was basketball rules. Oh. In the early

1165
01:06:43,680 --> 01:06:46,520
Speaker 1: two thousands, though, the carrying so like like the carry

1166
01:06:46,560 --> 01:06:49,360
Speaker 1: moves the houseauce and then would do the crowd. At

1167
01:06:49,360 --> 01:06:51,280
Speaker 1: the at the time, I think basketball's little stay like

1168
01:06:51,280 --> 01:06:53,600
Speaker 1: after Michael Jordan's you know, Alan Iverson was sort of

1169
01:06:53,600 --> 01:06:56,640
Speaker 1: the face of the NBA at that time, but they

1170
01:06:56,720 --> 01:06:59,240
Speaker 1: wanted something new, so that was hot, and and they

1171
01:06:59,280 --> 01:07:02,200
Speaker 1: allowed for carrying right at that time, so so that

1172
01:07:02,200 --> 01:07:04,680
Speaker 1: would I think that would be an abnormality, but most

1173
01:07:04,680 --> 01:07:06,840
Speaker 1: of the guys didn't. Really. It was like House and

1174
01:07:06,840 --> 01:07:08,520
Speaker 1: a couple of other guys. I remember I early in

1175
01:07:08,520 --> 01:07:10,760
Speaker 1: my career, I did a couple of those silly moves

1176
01:07:10,800 --> 01:07:13,080
Speaker 1: because that's what was going. You know, people like that.

1177
01:07:13,160 --> 01:07:16,120
Speaker 1: But yeah, then that's just basketball. You know. Out of

1178
01:07:16,120 --> 01:07:19,080
Speaker 1: all those guys, who do you think we're like the best?

1179
01:07:19,120 --> 01:07:21,000
Speaker 1: Like who were you just most impressed with? Like just

1180
01:07:21,080 --> 01:07:23,640
Speaker 1: talent wise, We're like, yo, this guy is really good

1181
01:07:23,640 --> 01:07:26,120
Speaker 1: because you you're playing with these guys, uh in front

1182
01:07:26,120 --> 01:07:28,080
Speaker 1: of crowns, not in front of crowds, you're playing pick up.

1183
01:07:28,080 --> 01:07:30,120
Speaker 1: I mean it's NonStop. Who were out of those and

1184
01:07:30,280 --> 01:07:32,280
Speaker 1: one guys did you think was like this guy is

1185
01:07:32,320 --> 01:07:35,280
Speaker 1: really good? I mean it's me looking at it at

1186
01:07:35,280 --> 01:07:36,920
Speaker 1: that time, like all of them to me, to me

1187
01:07:37,000 --> 01:07:38,880
Speaker 1: were very good. But if I would to pick the

1188
01:07:38,880 --> 01:07:41,360
Speaker 1: cream of the crop. Probably skipped to my Luke Rapher

1189
01:07:41,400 --> 01:07:43,640
Speaker 1: Austin who started it and one mixed a volume one.

1190
01:07:44,160 --> 01:07:46,200
Speaker 1: You know, he was fifteen sixteen years old playing the

1191
01:07:46,280 --> 01:07:49,360
Speaker 1: Rutger doing those playing that style. So that's that's what

1192
01:07:49,440 --> 01:07:52,439
Speaker 1: kind of like birth, the angual mixtape tour he made

1193
01:07:52,440 --> 01:07:55,360
Speaker 1: the NBA played for ten twelve years, so so obviously

1194
01:07:55,400 --> 01:07:57,680
Speaker 1: Skip was probably the best. I would say, did you

1195
01:07:57,680 --> 01:07:59,880
Speaker 1: ever play against him? I did a couple of times. Yeah,

1196
01:08:00,000 --> 01:08:03,400
Speaker 1: a couple of times I did, and I was outmatched,

1197
01:08:03,480 --> 01:08:04,920
Speaker 1: but it was good. I learned a lot from it.

1198
01:08:05,560 --> 01:08:09,560
Speaker 1: And then Ao and Alimo were two really good players.

1199
01:08:09,600 --> 01:08:11,640
Speaker 1: Alimo could have been in the NBA, I think had

1200
01:08:11,680 --> 01:08:14,440
Speaker 1: he of tried to give somewhat of an effort to

1201
01:08:14,440 --> 01:08:17,200
Speaker 1: go to college recipes. He actually passed away a few

1202
01:08:17,280 --> 01:08:19,840
Speaker 1: years ago. And then um Ao could have been in

1203
01:08:19,880 --> 01:08:22,679
Speaker 1: the NBA. Ao and like never even like lifting any

1204
01:08:22,680 --> 01:08:26,559
Speaker 1: weights or or really wanted to be I don't even

1205
01:08:26,560 --> 01:08:28,040
Speaker 1: know if he wanted to be coached. Like he loved

1206
01:08:28,080 --> 01:08:30,160
Speaker 1: street ball, he was perfect for it, But did he

1207
01:08:30,200 --> 01:08:33,200
Speaker 1: have NBA talent? Like for sure? And you know, we

1208
01:08:33,320 --> 01:08:36,639
Speaker 1: see you playing in these games, see you play online

1209
01:08:36,840 --> 01:08:39,559
Speaker 1: global Hooper is your your tag? I mean you're playing

1210
01:08:39,600 --> 01:08:42,960
Speaker 1: ball every fucking day. I mean obviously you missed shots,

1211
01:08:42,960 --> 01:08:45,240
Speaker 1: but like I watched him, like, yo, this guy could play.

1212
01:08:45,280 --> 01:08:46,840
Speaker 1: When I watch you in the N one games I'm

1213
01:08:46,880 --> 01:08:48,360
Speaker 1: like this guy could play. You get the ball in

1214
01:08:48,360 --> 01:08:51,200
Speaker 1: the basket. You obviously can handle the ball. You passed

1215
01:08:51,240 --> 01:08:54,920
Speaker 1: the ball. You know, how good do you think you got?

1216
01:08:55,240 --> 01:08:58,040
Speaker 1: And you know now you're how old you thirty three?

1217
01:08:58,120 --> 01:09:01,559
Speaker 1: Look twenty three? That's great praise? Um, so thirty three

1218
01:09:01,600 --> 01:09:04,680
Speaker 1: look twenty three? Like you know, how good do you

1219
01:09:04,720 --> 01:09:07,439
Speaker 1: think you you are? And and you got like throughout

1220
01:09:07,479 --> 01:09:09,639
Speaker 1: the years like playing because you put so much work

1221
01:09:09,680 --> 01:09:15,000
Speaker 1: into it. Um I mean enough to like to entertain

1222
01:09:15,080 --> 01:09:16,880
Speaker 1: and do work wherever I go. So if I go

1223
01:09:17,000 --> 01:09:20,800
Speaker 1: to Brazil or Africa or New York, I want to

1224
01:09:20,800 --> 01:09:22,599
Speaker 1: stand out and put on a show. You know. That's

1225
01:09:22,640 --> 01:09:24,880
Speaker 1: that's kind of what I say, because I'm I was

1226
01:09:24,960 --> 01:09:26,439
Speaker 1: never a fan of like the street ballers, like I

1227
01:09:26,439 --> 01:09:28,240
Speaker 1: should be in the league. You do this and then

1228
01:09:28,280 --> 01:09:29,560
Speaker 1: and it's like, well why aren't you you know what

1229
01:09:29,560 --> 01:09:32,160
Speaker 1: I mean? So, and I never even aimed for that

1230
01:09:32,280 --> 01:09:34,639
Speaker 1: post two thousand and six. I was in the CBA,

1231
01:09:34,720 --> 01:09:37,439
Speaker 1: the old school CBA. You playing in the CBA did

1232
01:09:37,479 --> 01:09:40,080
Speaker 1: the last year and okay, so go ahead, finished. I

1233
01:09:40,080 --> 01:09:41,559
Speaker 1: want to get Yeah, so I got good? I mean,

1234
01:09:41,600 --> 01:09:43,200
Speaker 1: I mean, as you look talking about my skill level,

1235
01:09:43,280 --> 01:09:45,200
Speaker 1: like I got to a point where I could play

1236
01:09:45,320 --> 01:09:47,280
Speaker 1: the c b A. For me to make the NBA,

1237
01:09:47,280 --> 01:09:49,000
Speaker 1: I was gonna to take this like long route, So

1238
01:09:49,040 --> 01:09:50,800
Speaker 1: I didn't do that. But I work out with the

1239
01:09:50,880 --> 01:09:53,600
Speaker 1: NBA players in the off season. I do find you know,

1240
01:09:53,640 --> 01:09:55,920
Speaker 1: I'm not saying like, if I was in the league,

1241
01:09:56,000 --> 01:09:58,040
Speaker 1: would be putting in major work, but at the point

1242
01:09:58,080 --> 01:10:00,240
Speaker 1: I hold my owning as the NBA player. So what

1243
01:10:00,400 --> 01:10:02,320
Speaker 1: NBA players Like, were you in the CBA gored and

1244
01:10:02,439 --> 01:10:04,439
Speaker 1: like if you worked out with like like, I'm I'm

1245
01:10:04,479 --> 01:10:07,640
Speaker 1: infatuated by that. And the reason why I'm infatuated by that.

1246
01:10:07,760 --> 01:10:10,519
Speaker 1: And I'm so fascinated by this because I grew up

1247
01:10:10,520 --> 01:10:13,719
Speaker 1: wanted to be a basketball player. Now I never even

1248
01:10:13,760 --> 01:10:15,920
Speaker 1: got close. But for you to have this sort of

1249
01:10:16,360 --> 01:10:21,200
Speaker 1: crazy alternative thing and it's via street ball, and then

1250
01:10:21,240 --> 01:10:23,479
Speaker 1: you're like in the c b A and you're working

1251
01:10:23,520 --> 01:10:27,040
Speaker 1: out with pros and they all the pros have seen you,

1252
01:10:27,040 --> 01:10:29,040
Speaker 1: you know, on and one at some point all the

1253
01:10:29,080 --> 01:10:31,920
Speaker 1: college players have seen you. How crazy did that get

1254
01:10:32,000 --> 01:10:33,840
Speaker 1: to you? Like where you're like, holy sh like who

1255
01:10:33,840 --> 01:10:35,280
Speaker 1: were some of the players you worked out with that

1256
01:10:35,280 --> 01:10:38,479
Speaker 1: you played against, that that that I know of? Oh? Yes, nuts,

1257
01:10:38,479 --> 01:10:41,320
Speaker 1: I mean, Muccie Norris was in the c b A

1258
01:10:41,320 --> 01:10:44,400
Speaker 1: at that time. Gosh, there were so many NBA guys.

1259
01:10:44,439 --> 01:10:47,000
Speaker 1: I'm trying to think who else was in the league.

1260
01:10:47,000 --> 01:10:49,639
Speaker 1: Do you remember Big Strick the street ball that Jay

1261
01:10:49,680 --> 01:10:51,320
Speaker 1: Z wraps about. This Big Strick was in the c

1262
01:10:51,479 --> 01:10:55,360
Speaker 1: b A. Kenny Anderson was actually my coach, and I

1263
01:10:55,400 --> 01:10:57,960
Speaker 1: grew up with Kenny. Did you really want I played

1264
01:10:57,960 --> 01:11:01,120
Speaker 1: basketball with Kenny throughout all my teams. This is one

1265
01:11:01,120 --> 01:11:04,040
Speaker 1: of the first Kenny Anderson probably was one of the

1266
01:11:04,040 --> 01:11:07,200
Speaker 1: first reasons I kind of knew, although I denied it

1267
01:11:07,240 --> 01:11:09,320
Speaker 1: for years, that I wasn't making it to the NBA.

1268
01:11:09,400 --> 01:11:13,240
Speaker 1: We played one on one. I was twelve, Kenny was eleven,

1269
01:11:13,640 --> 01:11:15,599
Speaker 1: and Kenny Anderson was as good as he was at

1270
01:11:15,600 --> 01:11:17,479
Speaker 1: Georgia Tech when he was at eleven. I swear to

1271
01:11:17,560 --> 01:11:19,960
Speaker 1: fucking God, I believe it. The game came in left

1272
01:11:20,240 --> 01:11:22,439
Speaker 1: he was like, dud, he's sucking around me. I'm I'm

1273
01:11:22,479 --> 01:11:25,760
Speaker 1: bigger than him, I'm stronger than him. I probably, you know,

1274
01:11:25,960 --> 01:11:29,240
Speaker 1: was skill wise could do. He's fucking around with me.

1275
01:11:29,280 --> 01:11:32,200
Speaker 1: He's doing like and one, this is two. His handle

1276
01:11:32,240 --> 01:11:34,600
Speaker 1: was nuts nuts. But you know what's funny is I

1277
01:11:34,640 --> 01:11:37,959
Speaker 1: even felt like when he coached us, like he understood

1278
01:11:38,000 --> 01:11:39,840
Speaker 1: how easy the game came to him, because sometimes he

1279
01:11:39,840 --> 01:11:42,000
Speaker 1: would get piste off of us and want us to

1280
01:11:42,040 --> 01:11:44,680
Speaker 1: do like complex stuff that came easy to him. And

1281
01:11:44,680 --> 01:11:47,120
Speaker 1: in my mind, I'm thinking, like, well, we're not all

1282
01:11:47,160 --> 01:11:50,000
Speaker 1: Hall of famers, you know what I mean? Like, but anyway,

1283
01:11:50,320 --> 01:11:53,880
Speaker 1: still was talented, but yeah, crazy talent. I got a

1284
01:11:53,920 --> 01:11:56,240
Speaker 1: lot of respect for his game. Um, so what do

1285
01:11:56,280 --> 01:11:58,240
Speaker 1: you do now, like with the international games, like in

1286
01:11:58,320 --> 01:12:00,760
Speaker 1: these these tours and all that stuff, and how did

1287
01:12:00,840 --> 01:12:04,920
Speaker 1: you wind up playing with Allen Iverson right now? Well? Yeah,

1288
01:12:05,000 --> 01:12:06,759
Speaker 1: so I ended up. I didn't playing with Allen Iverson,

1289
01:12:07,560 --> 01:12:10,240
Speaker 1: uh with I was actually contracted ball Up Tour. So

1290
01:12:10,360 --> 01:12:12,160
Speaker 1: ball Up was like post and one that kind of

1291
01:12:12,160 --> 01:12:14,320
Speaker 1: tried to do what all One did, didn't quite go

1292
01:12:14,439 --> 01:12:17,400
Speaker 1: the same, came to an end. But along that route

1293
01:12:17,439 --> 01:12:19,320
Speaker 1: we did a lot of cool international tours and one

1294
01:12:19,320 --> 01:12:21,439
Speaker 1: of them was this. It was actually the Allen Iverson

1295
01:12:21,479 --> 01:12:25,040
Speaker 1: Tour just for three games in China. So, um, we

1296
01:12:25,040 --> 01:12:28,479
Speaker 1: were the players and I really was featuring Ai like myself,

1297
01:12:28,520 --> 01:12:31,360
Speaker 1: and Bone Collector was somewhere on the flyer underneath, and

1298
01:12:31,520 --> 01:12:33,519
Speaker 1: um we played three games with him over there. I

1299
01:12:33,520 --> 01:12:35,200
Speaker 1: happen to be on his team all three games a

1300
01:12:35,240 --> 01:12:37,000
Speaker 1: blast man, it was. That was big for me because

1301
01:12:37,040 --> 01:12:39,280
Speaker 1: he was the first player in the NBA that actually

1302
01:12:39,280 --> 01:12:41,519
Speaker 1: tried to emulate my game after like in sixth grade?

1303
01:12:42,120 --> 01:12:44,200
Speaker 1: Did you you emulated his game? Yeah? Because I was

1304
01:12:44,240 --> 01:12:46,160
Speaker 1: a big Jordan family. You know, I couldn't reflect Jordan.

1305
01:12:46,240 --> 01:12:48,280
Speaker 1: I was like four to you know what I mean.

1306
01:12:48,320 --> 01:12:52,240
Speaker 1: So the first move that actually mastered and that people

1307
01:12:52,280 --> 01:12:54,320
Speaker 1: were like labeled me as a kid handles I like

1308
01:12:54,400 --> 01:12:56,880
Speaker 1: the quickest AI cross and that was a sixth grade

1309
01:12:57,040 --> 01:12:59,200
Speaker 1: So to get to play with him on a tour

1310
01:12:59,240 --> 01:13:01,360
Speaker 1: in front of thousand was awesome. Now, if you go

1311
01:13:01,439 --> 01:13:04,840
Speaker 1: to a park, are you able to like not be recognized?

1312
01:13:04,920 --> 01:13:07,400
Speaker 1: Because if you play ball in a pick up there's

1313
01:13:07,760 --> 01:13:11,720
Speaker 1: usually somebody that knows something about something like are you

1314
01:13:11,760 --> 01:13:15,360
Speaker 1: able to go like sort of just play and just ball? No,

1315
01:13:15,960 --> 01:13:18,120
Speaker 1: everybody you you get recognized by at least one person

1316
01:13:18,120 --> 01:13:20,800
Speaker 1: in the gym or one person in the park. And

1317
01:13:20,840 --> 01:13:23,600
Speaker 1: when that happens, what like they're like go crazy? Or

1318
01:13:23,760 --> 01:13:25,920
Speaker 1: can you play? Like how do you sort of mean

1319
01:13:26,000 --> 01:13:28,439
Speaker 1: because you love basketball, how do you sort of maintain

1320
01:13:28,560 --> 01:13:32,840
Speaker 1: like just being able to play basketball? Uh? Bring security guard.

1321
01:13:33,720 --> 01:13:37,559
Speaker 1: Yeah now like the last few years. Yeah, so sometimes

1322
01:13:37,600 --> 01:13:39,120
Speaker 1: the crowds taking different. You know, if you go to

1323
01:13:39,240 --> 01:13:43,120
Speaker 1: like a place where it's primarily you know, amateurs just

1324
01:13:43,120 --> 01:13:46,040
Speaker 1: gonna play pick up, they'll be a little more friendly

1325
01:13:46,080 --> 01:13:48,280
Speaker 1: to it. You know. It's always like the bigger the egos,

1326
01:13:48,320 --> 01:13:49,720
Speaker 1: the better players, you know what I mean. So the

1327
01:13:49,800 --> 01:13:53,519
Speaker 1: better players a little more abrasive, less impressed, you know

1328
01:13:53,560 --> 01:13:56,040
Speaker 1: what I mean. Guys are trying to flex and then

1329
01:13:56,280 --> 01:13:58,400
Speaker 1: sometimes with somebody rowdy who wants to play and get

1330
01:13:58,439 --> 01:14:01,200
Speaker 1: all physical or whatever. So I found that was best.

1331
01:14:01,280 --> 01:14:04,240
Speaker 1: But um but yah know it's been great. I mean

1332
01:14:04,240 --> 01:14:06,479
Speaker 1: most people show a lot of love the hall and

1333
01:14:06,479 --> 01:14:07,920
Speaker 1: the next thing that would be a crowd. So we

1334
01:14:08,280 --> 01:14:10,760
Speaker 1: have a great time. Like I bring these guys a

1335
01:14:10,840 --> 01:14:12,720
Speaker 1: video crew and a security or and then a couple

1336
01:14:12,800 --> 01:14:16,000
Speaker 1: other players plays fun. Have motherfucker's wanted to fight you

1337
01:14:16,760 --> 01:14:20,320
Speaker 1: four times? What's the move? Is it just general like

1338
01:14:20,360 --> 01:14:23,160
Speaker 1: making them look bad or I'd imagine throwing the bowl

1339
01:14:23,200 --> 01:14:25,400
Speaker 1: off the face is probably like if somebody wants to fight,

1340
01:14:25,439 --> 01:14:27,559
Speaker 1: that's not the best thing to do, right, To be honest,

1341
01:14:27,720 --> 01:14:29,599
Speaker 1: I don't do that move as much anymore. I'll do

1342
01:14:29,640 --> 01:14:31,439
Speaker 1: that move in an exhibitions, there's like a big crowd

1343
01:14:31,479 --> 01:14:33,960
Speaker 1: because it's it's really a crowd pleasing movies. There's like

1344
01:14:34,000 --> 01:14:35,519
Speaker 1: a few guys in Jim weren't pick up like I

1345
01:14:35,520 --> 01:14:38,760
Speaker 1: wouldn't do that, um, Like I would be afraid like

1346
01:14:38,840 --> 01:14:40,479
Speaker 1: to play with you because I was like, at first

1347
01:14:40,520 --> 01:14:42,120
Speaker 1: of all, I think my nose could get broken, because

1348
01:14:42,120 --> 01:14:44,400
Speaker 1: I have a protruding nose, as you can tell. But

1349
01:14:44,600 --> 01:14:47,240
Speaker 1: I'm like, that's the last thing I'd ever want someone

1350
01:14:47,280 --> 01:14:50,360
Speaker 1: to do is throw a fucking throw a fucking basketball

1351
01:14:50,400 --> 01:14:53,479
Speaker 1: off my face up game. This is supposed to be

1352
01:14:53,479 --> 01:14:56,280
Speaker 1: all the forehead where it's like paint, but who knows,

1353
01:14:56,600 --> 01:14:59,160
Speaker 1: never break somebody's fucking nose. A lot of variables, so

1354
01:14:59,240 --> 01:15:01,519
Speaker 1: I stay away from that else. But most of the time,

1355
01:15:01,960 --> 01:15:04,360
Speaker 1: most of the time, it's like already going in said

1356
01:15:04,360 --> 01:15:05,960
Speaker 1: a lot of people in the elite bball world like

1357
01:15:06,040 --> 01:15:08,240
Speaker 1: don't like that I played for a living and got

1358
01:15:08,240 --> 01:15:10,360
Speaker 1: a lot of views on social media. So it's like

1359
01:15:10,400 --> 01:15:13,000
Speaker 1: somebody will just be personal off top and they'll play

1360
01:15:13,120 --> 01:15:14,680
Speaker 1: like their career game when I was just trying to

1361
01:15:14,720 --> 01:15:17,040
Speaker 1: get it running. So it'll be like there'll always be

1362
01:15:17,040 --> 01:15:20,160
Speaker 1: like a couple of people like that, and then other

1363
01:15:20,240 --> 01:15:22,720
Speaker 1: times it's been to where yeah, like a couple of

1364
01:15:22,760 --> 01:15:25,400
Speaker 1: moves got done and guy wasn't as happy. But most

1365
01:15:25,400 --> 01:15:26,800
Speaker 1: of the time it's not a fight thing. I try

1366
01:15:26,840 --> 01:15:28,639
Speaker 1: to show everybody a lot of love, a lot of respect,

1367
01:15:28,680 --> 01:15:30,400
Speaker 1: you know what I mean. Like for me, it's all

1368
01:15:30,400 --> 01:15:33,160
Speaker 1: about fun. I'm not a chip on my shoulder player.

1369
01:15:33,200 --> 01:15:35,200
Speaker 1: I used to be like that. I'm actually not these days,

1370
01:15:35,200 --> 01:15:37,400
Speaker 1: so I try to. I try to make it all

1371
01:15:37,439 --> 01:15:39,760
Speaker 1: done out of love and just in not in distaste.

1372
01:15:39,840 --> 01:15:42,240
Speaker 1: I got you all right. You were in the movie

1373
01:15:42,600 --> 01:15:47,519
Speaker 1: Semi Pro with Will Farrell basketball classic movie. Um, and

1374
01:15:47,720 --> 01:15:51,960
Speaker 1: you know Will Farrell. It's hard to take him serious. Yeah, yeah,

1375
01:15:52,000 --> 01:15:53,920
Speaker 1: I don't care what he's doing. It's like, and especially

1376
01:15:54,000 --> 01:15:57,360
Speaker 1: playing basketball because I played basketball with him in these

1377
01:15:57,400 --> 01:16:01,120
Speaker 1: celebrity leagues and he's dead ass. And the more dead

1378
01:16:01,160 --> 01:16:03,559
Speaker 1: ass serious he is, the funnier it is because it's

1379
01:16:03,560 --> 01:16:06,639
Speaker 1: just well, you can't take him serious. Did you ever

1380
01:16:06,680 --> 01:16:11,160
Speaker 1: give him the business? No? We never played, okay, even

1381
01:16:11,200 --> 01:16:13,519
Speaker 1: at lunch time or anything like that. Play Woody Harrilson,

1382
01:16:13,520 --> 01:16:15,679
Speaker 1: I didn't play. Did you bust what He's asked? Would

1383
01:16:15,680 --> 01:16:18,639
Speaker 1: you tell the world that Woody Harrelson, did you, because

1384
01:16:18,680 --> 01:16:19,920
Speaker 1: I played both with Woody and I was like, what

1385
01:16:20,000 --> 01:16:22,639
Speaker 1: do you ain't shit? Listen, you were good and white

1386
01:16:22,640 --> 01:16:24,920
Speaker 1: men can't jump. And he plays hard and he's a

1387
01:16:25,000 --> 01:16:28,120
Speaker 1: nice guys like, he's super nice. But what he he

1388
01:16:28,320 --> 01:16:31,360
Speaker 1: thinks he could play? Did you bust Woody Harwilson? Does

1389
01:16:31,479 --> 01:16:34,599
Speaker 1: you could say it respectfully? Yeah, he didn't. He didn't

1390
01:16:34,600 --> 01:16:36,599
Speaker 1: score any points. He didn't score any points, got that

1391
01:16:36,640 --> 01:16:41,559
Speaker 1: fucked up jumper. And he's in shape, he's vegan, he

1392
01:16:41,600 --> 01:16:45,000
Speaker 1: does his yoga and all that, but he can't play bonnaun.

1393
01:16:45,080 --> 01:16:47,960
Speaker 1: How many you know that rule? That ten rule didn't

1394
01:16:47,960 --> 01:16:50,920
Speaker 1: work for Woody Harrison. He might put into I think

1395
01:16:50,920 --> 01:16:53,240
Speaker 1: he put in ten might he might have. He asked

1396
01:16:53,240 --> 01:16:55,240
Speaker 1: me to play like. He was actually really cool. Did

1397
01:16:55,280 --> 01:16:57,040
Speaker 1: you know did he know like your pedigree? Did he

1398
01:16:57,160 --> 01:16:59,880
Speaker 1: know your history? Yeah? He left street ball? Okay, he

1399
01:16:59,920 --> 01:17:01,800
Speaker 1: was really cool him and will like I remember the

1400
01:17:01,800 --> 01:17:05,639
Speaker 1: first time. Yeah, we know we played like twenty play

1401
01:17:05,720 --> 01:17:07,800
Speaker 1: like twenty one or thirty something like that in front

1402
01:17:07,840 --> 01:17:10,680
Speaker 1: of everybody. One day he wanted to play. Yeah, So

1403
01:17:10,680 --> 01:17:13,320
Speaker 1: I was like, all right, cool and uh wait wait

1404
01:17:13,360 --> 01:17:15,519
Speaker 1: he was He challenged you, what do you Harrilson challenge,

1405
01:17:15,560 --> 01:17:18,320
Speaker 1: you do it one on one? Did you throw it

1406
01:17:18,320 --> 01:17:20,800
Speaker 1: off his face? Did you do all the other ship

1407
01:17:20,800 --> 01:17:23,360
Speaker 1: to him? Uh? Yeah? Was he trying to reach between

1408
01:17:23,400 --> 01:17:25,479
Speaker 1: the legs and all that? Now? I eventually started sagging

1409
01:17:25,520 --> 01:17:28,280
Speaker 1: off and I just hidden jumpers. Yeah, I like that?

1410
01:17:28,840 --> 01:17:32,160
Speaker 1: What other? I like that? Well? What otherse? Because I

1411
01:17:32,200 --> 01:17:34,880
Speaker 1: wish I was ever is as good as my ship talking,

1412
01:17:34,880 --> 01:17:36,240
Speaker 1: because as you can tell, I like to talk a

1413
01:17:36,280 --> 01:17:38,720
Speaker 1: lot of ship, but I was never as good, and

1414
01:17:38,760 --> 01:17:43,280
Speaker 1: I think I compensated by honing my ship talking skills. Um,

1415
01:17:43,479 --> 01:17:45,360
Speaker 1: was there any other like in that? Um? When you

1416
01:17:45,400 --> 01:17:47,720
Speaker 1: were filming that movie? Andrew three thousand one of the

1417
01:17:47,720 --> 01:17:50,360
Speaker 1: best rappers alive, certainly not one of the best basketball

1418
01:17:50,360 --> 01:17:52,519
Speaker 1: players live. Yeah. No, he didn't even claim to be

1419
01:17:52,760 --> 01:17:54,840
Speaker 1: a ballplayer at all, Right, but he was really cool,

1420
01:17:55,160 --> 01:17:57,960
Speaker 1: really cool. Was there was there any other stories on

1421
01:17:57,960 --> 01:17:59,880
Speaker 1: the side of that film? Well? The funniest well was

1422
01:18:00,080 --> 01:18:02,200
Speaker 1: people ask me about wil Will Farrell. They'll be like,

1423
01:18:02,200 --> 01:18:03,400
Speaker 1: did he know you? You know what I mean? And

1424
01:18:03,479 --> 01:18:05,200
Speaker 1: me going in at that time, I've been on one

1425
01:18:05,280 --> 01:18:07,439
Speaker 1: for like four years. I didn't necessarily think he would.

1426
01:18:07,880 --> 01:18:10,280
Speaker 1: But the first day we had like a little training camp.

1427
01:18:10,360 --> 01:18:12,080
Speaker 1: It was kind of like, hey, for these guys, don't

1428
01:18:12,080 --> 01:18:14,599
Speaker 1: play ball, you know, let's get the blood pump, let's

1429
01:18:14,600 --> 01:18:17,519
Speaker 1: get little sweat in, let's talk about choreography and stuff

1430
01:18:17,560 --> 01:18:19,280
Speaker 1: like that. And I remember he came up to me.

1431
01:18:19,320 --> 01:18:21,400
Speaker 1: He was like it was funny too. It's like you said,

1432
01:18:21,439 --> 01:18:23,280
Speaker 1: He's always funny no matter what he does. So, like

1433
01:18:23,320 --> 01:18:26,160
Speaker 1: he walked up to me, He's like, are you the professor?

1434
01:18:26,280 --> 01:18:29,240
Speaker 1: And I was like I was like yeah, And he's like, oh,

1435
01:18:29,280 --> 01:18:30,880
Speaker 1: I like street ball and I was like, oh, thank

1436
01:18:30,920 --> 01:18:34,120
Speaker 1: you man. I was like I appreciate that. So that

1437
01:18:34,160 --> 01:18:36,559
Speaker 1: was a really funny moment. All right. The YouTube channel

1438
01:18:36,560 --> 01:18:40,760
Speaker 1: that you created, you dress up in superhero costumes. Now

1439
01:18:40,920 --> 01:18:43,800
Speaker 1: you dress up in the like Spider Man, sucking Aquaman,

1440
01:18:43,840 --> 01:18:46,439
Speaker 1: I don't know, all different costumes. Like do you show

1441
01:18:46,520 --> 01:18:50,400
Speaker 1: up to the parks in costume? I'll do so for

1442
01:18:50,439 --> 01:18:53,120
Speaker 1: that spiring things pretty funny, yeah, so so tell me

1443
01:18:53,160 --> 01:18:57,160
Speaker 1: what that's like. So usually we'll just pull up. Actually,

1444
01:18:57,200 --> 01:18:59,360
Speaker 1: when we first started it, it was like a prank, right,

1445
01:18:59,640 --> 01:19:01,800
Speaker 1: it was right, It was more prank than series. So

1446
01:19:01,920 --> 01:19:04,599
Speaker 1: like the first couple, I would have the Caraman already

1447
01:19:04,600 --> 01:19:07,559
Speaker 1: out there with nobody knowing, and I would just walk up,

1448
01:19:07,800 --> 01:19:10,080
Speaker 1: you know, in full costume, and then try to strike

1449
01:19:10,120 --> 01:19:12,120
Speaker 1: up a game. You know, so like the first couple,

1450
01:19:12,360 --> 01:19:14,160
Speaker 1: like I tried to start at myself. You wanna play

1451
01:19:14,240 --> 01:19:15,760
Speaker 1: key in the court, you know, and you have the

1452
01:19:15,800 --> 01:19:17,600
Speaker 1: costumer one, yes, I would see if you come in

1453
01:19:17,640 --> 01:19:19,439
Speaker 1: the I'm not even talking to you. Well that's the

1454
01:19:19,479 --> 01:19:21,200
Speaker 1: first the first time I rolled up. I mean, I'm

1455
01:19:21,200 --> 01:19:23,360
Speaker 1: not speaking, but I'm not playing with you. I'm not

1456
01:19:23,400 --> 01:19:25,439
Speaker 1: talking to you. Get the funk out of here, man,

1457
01:19:25,760 --> 01:19:28,960
Speaker 1: I'm not playing with Spider Man. Take a fucking walk exactly.

1458
01:19:29,040 --> 01:19:30,479
Speaker 1: It's a little nutty, you know what I mean. So

1459
01:19:30,560 --> 01:19:32,040
Speaker 1: the first couple of times, some people are looking at

1460
01:19:32,040 --> 01:19:33,519
Speaker 1: me like it's dude on drugs, and they're like, you

1461
01:19:33,560 --> 01:19:37,160
Speaker 1: won't play, Like alright, I guess. So we pulled it

1462
01:19:37,200 --> 01:19:40,559
Speaker 1: off the first couple, and then from then on people

1463
01:19:40,560 --> 01:19:42,920
Speaker 1: get super hyped, like every time we pull up, and

1464
01:19:42,960 --> 01:19:44,519
Speaker 1: I don't even have the guys, just have them come

1465
01:19:44,640 --> 01:19:46,479
Speaker 1: with me, now, you know what I mean. So we'll

1466
01:19:46,520 --> 01:19:48,559
Speaker 1: just walk up there and usually somebody will just want

1467
01:19:48,560 --> 01:19:50,320
Speaker 1: to play, like right out the gates, I'm all right,

1468
01:19:50,360 --> 01:19:52,360
Speaker 1: let's do it, and we'll play our games. As soon

1469
01:19:52,360 --> 01:19:53,800
Speaker 1: as I get done. I did, but I can only

1470
01:19:53,840 --> 01:19:55,880
Speaker 1: play like twenty thirty minutes before I about to pass

1471
01:19:55,880 --> 01:19:58,519
Speaker 1: out because I can't really see. I can't breathe, it's

1472
01:19:58,520 --> 01:20:01,720
Speaker 1: hard to feel the basketball. So and so far, so

1473
01:20:01,720 --> 01:20:03,640
Speaker 1: far as now, so you got your YouTube channel. What

1474
01:20:03,680 --> 01:20:05,880
Speaker 1: else are you up to in regards to basketball? Like

1475
01:20:05,920 --> 01:20:07,360
Speaker 1: do you do clinics and stuff like that? I mean,

1476
01:20:07,439 --> 01:20:10,120
Speaker 1: kids must love I love you, whether I mean younger kids.

1477
01:20:10,120 --> 01:20:11,519
Speaker 1: They probably don't know any one, but when you do

1478
01:20:11,560 --> 01:20:13,760
Speaker 1: all the tricks and stuff like that, they must love

1479
01:20:13,800 --> 01:20:16,120
Speaker 1: to do you get to you know, like work with kids,

1480
01:20:16,160 --> 01:20:17,800
Speaker 1: like train kids. Like what what do you do now?

1481
01:20:17,840 --> 01:20:20,840
Speaker 1: With basketball? What are you up to now? So right

1482
01:20:20,920 --> 01:20:23,799
Speaker 1: this moment the main focal point of the business YouTube

1483
01:20:24,120 --> 01:20:28,400
Speaker 1: So uh ball up ended about a year ago. Um,

1484
01:20:28,439 --> 01:20:32,920
Speaker 1: but my contract in it just months ago. So um

1485
01:20:32,920 --> 01:20:35,240
Speaker 1: in the process now trying to brigade tours in house.

1486
01:20:35,240 --> 01:20:37,280
Speaker 1: We're trying to do global hooper tours and then we're

1487
01:20:37,280 --> 01:20:39,439
Speaker 1: gonna start the reality series on YouTube. So we're like

1488
01:20:39,479 --> 01:20:40,960
Speaker 1: weeks away from that or like a week or so,

1489
01:20:41,080 --> 01:20:43,920
Speaker 1: and what's the reality series? It'll be me just like

1490
01:20:43,960 --> 01:20:46,920
Speaker 1: doing daily stuff from building. We're launching a clothing line

1491
01:20:46,920 --> 01:20:50,200
Speaker 1: in the spring. Uh, doing all the global travels. This

1492
01:20:50,320 --> 01:20:53,240
Speaker 1: is like I haven't had a platform really since and

1493
01:20:53,360 --> 01:20:55,080
Speaker 1: wanted to be honest, or ball was on Fox Sports

1494
01:20:55,120 --> 01:20:56,639
Speaker 1: in a couple years. I've never had a platform where

1495
01:20:56,640 --> 01:20:59,320
Speaker 1: people could keep up, like like my events and everything

1496
01:20:59,360 --> 01:21:00,720
Speaker 1: I gotta go on. They would just see like a

1497
01:21:00,800 --> 01:21:03,360
Speaker 1: random video and I try to explain it, but you know,

1498
01:21:03,400 --> 01:21:04,960
Speaker 1: they just took it as like, oh, here's a video.

1499
01:21:05,000 --> 01:21:07,799
Speaker 1: There's a video of this. But I've actually been, you know, touring,

1500
01:21:07,880 --> 01:21:09,439
Speaker 1: and so I want to make it like a movement,

1501
01:21:09,479 --> 01:21:11,000
Speaker 1: you know, and we want to do our tours in houses,

1502
01:21:11,000 --> 01:21:14,679
Speaker 1: a global hooper tours. So that's that's a tough thing. Yeah.

1503
01:21:14,720 --> 01:21:17,040
Speaker 1: But as far as clinics, yeah, it'll show that too.

1504
01:21:17,080 --> 01:21:18,720
Speaker 1: I've done clinic for years. I mean I can even

1505
01:21:18,760 --> 01:21:22,439
Speaker 1: count how many clinics I've done. I've trained trained people

1506
01:21:22,439 --> 01:21:27,800
Speaker 1: here and there. Uh, trained college players, trained Jeremy Lynn

1507
01:21:27,920 --> 01:21:31,200
Speaker 1: one time. Well he did that help? Like so when

1508
01:21:31,240 --> 01:21:34,600
Speaker 1: you're training Jeremy Lynn, obviously he could play. He's the

1509
01:21:34,640 --> 01:21:37,400
Speaker 1: pro ballplayer. And I mean before that injury, like I

1510
01:21:37,439 --> 01:21:39,240
Speaker 1: was excited about him being with the Brooklyn Nets, Like

1511
01:21:39,439 --> 01:21:41,760
Speaker 1: got better. How do you work with a pro player.

1512
01:21:41,760 --> 01:21:43,680
Speaker 1: If you're training people, you're not teaching them how to

1513
01:21:43,720 --> 01:21:46,760
Speaker 1: do tricks, like you're going over like little details of

1514
01:21:46,800 --> 01:21:50,040
Speaker 1: their game. Yeah, totally. And I think like there's a

1515
01:21:50,080 --> 01:21:52,519
Speaker 1: lot of fundamental takeaways to you know, like I don't

1516
01:21:52,560 --> 01:21:55,759
Speaker 1: just do like play like a raw games this basketball.

1517
01:21:55,800 --> 01:21:57,720
Speaker 1: But then there's certain times where implement it. But I

1518
01:21:57,840 --> 01:22:01,639
Speaker 1: never want to do something takeaway from the got so um.

1519
01:22:01,640 --> 01:22:04,519
Speaker 1: So he had seen me play before, so he was like, hey,

1520
01:22:04,640 --> 01:22:06,439
Speaker 1: you know, I don't have any moves. He was like,

1521
01:22:06,479 --> 01:22:08,280
Speaker 1: you know, I want to work on so I want

1522
01:22:08,280 --> 01:22:10,840
Speaker 1: to get better at my ball handling. So the funny

1523
01:22:10,880 --> 01:22:12,679
Speaker 1: thing is I told a couple of people that's never

1524
01:22:12,840 --> 01:22:15,960
Speaker 1: never on record, but we were working on just like

1525
01:22:16,160 --> 01:22:19,120
Speaker 1: change the direction and like crossover type stuff because he

1526
01:22:19,240 --> 01:22:20,560
Speaker 1: told me, he's like, I don't even go between the

1527
01:22:20,640 --> 01:22:22,280
Speaker 1: legs and behind the back. He's like, I pretty much

1528
01:22:22,280 --> 01:22:23,720
Speaker 1: just put my shoulder down. I kind of give like

1529
01:22:23,880 --> 01:22:26,680
Speaker 1: quick hesitation. So I was trying to add like a

1530
01:22:26,720 --> 01:22:29,120
Speaker 1: pullback and like crossover moves that he can do out

1531
01:22:29,120 --> 01:22:31,400
Speaker 1: of the hesitation because a lot of times you want

1532
01:22:31,400 --> 01:22:33,600
Speaker 1: to create some space, you put your shoulder down like

1533
01:22:33,640 --> 01:22:35,680
Speaker 1: he does, right, But then you'll pull it back and

1534
01:22:35,680 --> 01:22:38,080
Speaker 1: then maybe shot fake, maybe go something like that. So

1535
01:22:38,120 --> 01:22:40,519
Speaker 1: we're working on that series and it was really dope

1536
01:22:40,560 --> 01:22:42,800
Speaker 1: and I don't even know if he took away my

1537
01:22:42,920 --> 01:22:45,639
Speaker 1: move necessarily, but like months after that, he actually crossed

1538
01:22:45,680 --> 01:22:47,680
Speaker 1: Lebron on a pullback. I don't know if he saw

1539
01:22:47,760 --> 01:22:50,920
Speaker 1: this play, but Lebron like trip and he missed the jumper,

1540
01:22:51,000 --> 01:22:53,320
Speaker 1: but I saw that he had like it, taken some

1541
01:22:53,400 --> 01:22:55,440
Speaker 1: of it. I didn't actually ask it, so it's essentially

1542
01:22:55,560 --> 01:22:59,720
Speaker 1: you crossed Lebron. I wouldn't go there far, but I

1543
01:22:59,760 --> 01:23:02,280
Speaker 1: think that you know, there was definitely stuff he took

1544
01:23:02,280 --> 01:23:04,160
Speaker 1: away that was to be able to put it put

1545
01:23:04,160 --> 01:23:08,080
Speaker 1: game applicable right away. Um. Obviously there's been so many

1546
01:23:08,120 --> 01:23:10,960
Speaker 1: great guys from Iverson to Tim Hardaway. I mean that

1547
01:23:11,040 --> 01:23:12,960
Speaker 1: you know, to to to Steve France has had it

1548
01:23:13,040 --> 01:23:15,880
Speaker 1: to skip to my loo too. I mean different sort

1549
01:23:15,920 --> 01:23:19,000
Speaker 1: of handles, you know throughout the years in the league.

1550
01:23:19,040 --> 01:23:25,600
Speaker 1: Now the professor obligatory top five ball handlers and no

1551
01:23:25,680 --> 01:23:28,559
Speaker 1: particular order that you like. It doesn't have to give one,

1552
01:23:28,960 --> 01:23:31,120
Speaker 1: just give me five. I mean they're there and and

1553
01:23:31,160 --> 01:23:35,320
Speaker 1: give me what it is about them. Um, I would

1554
01:23:35,360 --> 01:23:39,639
Speaker 1: say I was start back. Let's let's go back some errors.

1555
01:23:39,680 --> 01:23:42,200
Speaker 1: I say Pistol Pete. Pistol PE's on the top of

1556
01:23:42,200 --> 01:23:45,040
Speaker 1: all time because you know, so hard to compare errors, right,

1557
01:23:45,320 --> 01:23:47,720
Speaker 1: because pistol Pete he was going off the Globetrotters. He

1558
01:23:47,760 --> 01:23:50,280
Speaker 1: got a lot of stuff with sauce from the Globetrotters,

1559
01:23:50,320 --> 01:23:52,880
Speaker 1: and he kind of set the bars like some of

1560
01:23:52,920 --> 01:23:54,760
Speaker 1: the moves I do today, like Pistol Pete or some

1561
01:23:54,840 --> 01:23:57,439
Speaker 1: of the the Globetrotters four his fifties probably actually invented

1562
01:23:57,760 --> 01:24:00,200
Speaker 1: or brought to the scene. So I would say still

1563
01:24:00,240 --> 01:24:03,519
Speaker 1: Pete for sure, and his his just how innovative he was.

1564
01:24:03,680 --> 01:24:08,880
Speaker 1: I would say, um allan Iverson of course, sure. And

1565
01:24:09,080 --> 01:24:11,880
Speaker 1: you know what it was like he had a great

1566
01:24:11,920 --> 01:24:14,320
Speaker 1: like hesitations and crossover is a good timing and stuff.

1567
01:24:14,479 --> 01:24:17,479
Speaker 1: But he was so electric, like he's so explosive it's ridiculous.

1568
01:24:17,479 --> 01:24:19,519
Speaker 1: You know. People tried to say so and so had

1569
01:24:19,600 --> 01:24:21,679
Speaker 1: better handled in ivers six and more moves. I don't

1570
01:24:21,680 --> 01:24:23,439
Speaker 1: know about that though, because like he was like making

1571
01:24:23,479 --> 01:24:25,360
Speaker 1: somebody fall like every week, you know what I mean.

1572
01:24:25,800 --> 01:24:29,080
Speaker 1: And and he was really sort of like boom boom, yeah,

1573
01:24:29,200 --> 01:24:32,400
Speaker 1: you know, whereas Kyrie, who obviously he's at the fucking

1574
01:24:32,400 --> 01:24:35,600
Speaker 1: pinnacle right now. It's like a series. It's crazy, and

1575
01:24:35,840 --> 01:24:37,960
Speaker 1: I don't know which is better. I mean, I think Kyrie,

1576
01:24:38,000 --> 01:24:40,879
Speaker 1: you're just like whoa, but a I was like, boom boom,

1577
01:24:40,880 --> 01:24:45,760
Speaker 1: bye bye bye. More explosive. Yeah, you know what, both

1578
01:24:45,800 --> 01:24:48,640
Speaker 1: those guys. I could put Tim hardaway. I copied that

1579
01:24:48,680 --> 01:24:51,360
Speaker 1: crossover too, is a great move, I think. I think yeah,

1580
01:24:51,360 --> 01:24:53,720
Speaker 1: I think Alan Iverson no question, just the explosiveness, you

1581
01:24:53,760 --> 01:24:55,840
Speaker 1: know what I mean, He's a freak athlete. But they

1582
01:24:55,880 --> 01:24:58,400
Speaker 1: also they had to implement the palming rule because of

1583
01:24:58,439 --> 01:25:01,439
Speaker 1: his crossover. So like when I asked him about it,

1584
01:25:01,439 --> 01:25:03,240
Speaker 1: I was like, how come you didn't stop doing a crossover?

1585
01:25:03,280 --> 01:25:04,880
Speaker 1: Like what was it? And he was like, you know,

1586
01:25:04,920 --> 01:25:07,639
Speaker 1: they implemented that rule. He said they were upset because

1587
01:25:07,720 --> 01:25:09,120
Speaker 1: you know, he felt like he could get anywhere he

1588
01:25:09,120 --> 01:25:12,439
Speaker 1: wanted on the court. So definitely, AI I was, I

1589
01:25:12,520 --> 01:25:14,800
Speaker 1: put Kyrie up there for the new generation. What the

1590
01:25:14,840 --> 01:25:17,760
Speaker 1: fund is? He sometimes he's doing things like spinning it

1591
01:25:17,840 --> 01:25:20,160
Speaker 1: to him like he's like hitting it and it looked

1592
01:25:20,200 --> 01:25:22,360
Speaker 1: like he's spinning it. And it's not the sham god,

1593
01:25:22,400 --> 01:25:25,240
Speaker 1: because can you make heads and tails? And what the

1594
01:25:25,280 --> 01:25:29,280
Speaker 1: funk he's doing Kyrie sometimes Yeah, yeah, I mean I

1595
01:25:29,280 --> 01:25:32,000
Speaker 1: think that his arsenal's crazy. That's why he would have

1596
01:25:32,000 --> 01:25:34,160
Speaker 1: to be on there. Like recently they were trying to

1597
01:25:34,160 --> 01:25:37,240
Speaker 1: compare him in Iverson's just like so different, you know

1598
01:25:37,240 --> 01:25:39,920
Speaker 1: what I mean. Diverson was more explosive, like so he

1599
01:25:40,040 --> 01:25:42,840
Speaker 1: was quicker, like the first step was quicker, yes, but

1600
01:25:42,960 --> 01:25:46,400
Speaker 1: Kyrie has more a wider way array of moves and

1601
01:25:46,439 --> 01:25:49,840
Speaker 1: then like it's insane like how he'll keep his dribble

1602
01:25:49,880 --> 01:25:52,240
Speaker 1: through traffic and his finish at the bucket his nuts.

1603
01:25:52,280 --> 01:25:54,160
Speaker 1: That's a whole other thing. So so, but I'm just

1604
01:25:54,160 --> 01:25:56,519
Speaker 1: telling when he's like you even on slow motion, like

1605
01:25:56,520 --> 01:26:00,120
Speaker 1: what footwork is nuts? The footwork is nuts. He has

1606
01:26:00,160 --> 01:26:02,800
Speaker 1: a lot of like sham god type stuff. Yeah, but

1607
01:26:02,840 --> 01:26:05,560
Speaker 1: he's like taking it to like two eighteen. Yeah, I

1608
01:26:05,600 --> 01:26:10,160
Speaker 1: think so absolutely and spins or nuts. Yeah, he doesn't

1609
01:26:10,200 --> 01:26:12,720
Speaker 1: have a strong side. He goes right and left the

1610
01:26:12,800 --> 01:26:16,880
Speaker 1: same and I'm all, I'm even most impressed that he

1611
01:26:16,920 --> 01:26:19,120
Speaker 1: can play like sort of that sauce street ball style

1612
01:26:19,160 --> 01:26:22,280
Speaker 1: of play, just at that level. And then he's always

1613
01:26:22,320 --> 01:26:25,799
Speaker 1: finishing like his finishes are nuts nuts Yeah, and then't

1614
01:26:25,800 --> 01:26:27,840
Speaker 1: even like an Ai like AI with Mike dunk on

1615
01:26:27,880 --> 01:26:30,479
Speaker 1: you or he like pull up for floating is so explosive.

1616
01:26:30,479 --> 01:26:33,920
Speaker 1: But sometime Kyrie he finds like an opening in the

1617
01:26:33,920 --> 01:26:35,800
Speaker 1: basket and that puts a lot of English on the ball.

1618
01:26:35,880 --> 01:26:38,680
Speaker 1: He has floater game is crazy. It's not not a

1619
01:26:38,680 --> 01:26:41,840
Speaker 1: lot of weaknesses on offense. No, he's fucking sick nuts

1620
01:26:41,960 --> 01:26:45,880
Speaker 1: all right. Two more I would say, Um, I would

1621
01:26:45,880 --> 01:26:51,040
Speaker 1: say Jamal Crawford underrated. Uh, And I think it's because

1622
01:26:51,040 --> 01:26:52,720
Speaker 1: he was like he's really like a two guarden put

1623
01:26:52,760 --> 01:26:54,760
Speaker 1: his handles nuts. And I'd say it was more so

1624
01:26:54,880 --> 01:26:58,080
Speaker 1: like like his handle and transition was crazy. And then

1625
01:26:58,120 --> 01:27:01,240
Speaker 1: also he had it all you know what I mean,

1626
01:27:01,280 --> 01:27:04,639
Speaker 1: like crossovers, hesitations. I think Jamal Crawford, like I think

1627
01:27:04,640 --> 01:27:07,120
Speaker 1: he might be fifty and he actually looks thirty one.

1628
01:27:07,479 --> 01:27:09,559
Speaker 1: I don't even understand. I think he's fifty years old.

1629
01:27:09,640 --> 01:27:12,160
Speaker 1: Jamal Crawford's fifty, like forty nine or something like that,

1630
01:27:12,240 --> 01:27:14,360
Speaker 1: and he looks thirty. I don't even know. He might

1631
01:27:14,560 --> 01:27:18,479
Speaker 1: he might look younger than thirty. Yeah, he passed seven

1632
01:27:18,520 --> 01:27:21,320
Speaker 1: something like that. Yeah, what do you make of steps handle?

1633
01:27:21,360 --> 01:27:24,360
Speaker 1: Because I feel like Steph right now in all his

1634
01:27:24,439 --> 01:27:28,120
Speaker 1: glory we're almost taking it for granted. It's it's been

1635
01:27:28,120 --> 01:27:31,559
Speaker 1: going on for so long, and he does he's got

1636
01:27:31,600 --> 01:27:35,720
Speaker 1: all the ship, he does all the tricks, and it

1637
01:27:35,760 --> 01:27:38,639
Speaker 1: seems like he does them a little bit less now much,

1638
01:27:38,720 --> 01:27:40,880
Speaker 1: not like he's like slowing down or anything, because he's

1639
01:27:40,880 --> 01:27:43,720
Speaker 1: I think he's averaging thirty five points a games. Nuts. Yeah,

1640
01:27:43,840 --> 01:27:46,040
Speaker 1: I'll put stuff on there for the for the new generation.

1641
01:27:46,439 --> 01:27:49,040
Speaker 1: I was gonna say, ray for Austin, but here's the thing,

1642
01:27:49,720 --> 01:27:52,760
Speaker 1: ray for. He had to go away from street ball

1643
01:27:52,800 --> 01:27:54,599
Speaker 1: in order for the NBA to accept him because at

1644
01:27:54,640 --> 01:27:58,000
Speaker 1: that time, doing that stuff an NBA game, which Kyrie

1645
01:27:58,040 --> 01:28:00,599
Speaker 1: has kind of like Segway where it's app's appable now,

1646
01:28:00,920 --> 01:28:03,240
Speaker 1: but at that time it was looked at it like, oh,

1647
01:28:03,400 --> 01:28:05,240
Speaker 1: some showboll stuff, we don't do that. I swear I

1648
01:28:05,240 --> 01:28:07,439
Speaker 1: saw this and and if anybody on YouTube could find it,

1649
01:28:07,479 --> 01:28:09,519
Speaker 1: I saw it with my own eyes. I saw him

1650
01:28:09,600 --> 01:28:11,760
Speaker 1: dribbling up the court, putting the ball between his legs,

1651
01:28:12,120 --> 01:28:15,040
Speaker 1: and the referee called the travel or a double drip.

1652
01:28:15,120 --> 01:28:17,200
Speaker 1: It wasn't even a carrier, you know what I'm talking about.

1653
01:28:17,160 --> 01:28:18,800
Speaker 1: It was ridiculous. It was I mean, there was no

1654
01:28:18,800 --> 01:28:20,160
Speaker 1: one even near me he was just bringing the ball

1655
01:28:20,200 --> 01:28:21,920
Speaker 1: up the court and he wasn't like doing off his knees,

1656
01:28:22,439 --> 01:28:24,280
Speaker 1: but he was just kind of sucking around bringing the

1657
01:28:24,280 --> 01:28:27,000
Speaker 1: ball up the court and they blew the whistle. I

1658
01:28:27,040 --> 01:28:28,720
Speaker 1: think he had an X on his bag. It's like

1659
01:28:28,760 --> 01:28:31,759
Speaker 1: the street ball guy or whatever. And some people didn't

1660
01:28:31,840 --> 01:28:33,280
Speaker 1: like it, you know what I mean, similar to how

1661
01:28:33,360 --> 01:28:35,720
Speaker 1: Ja they took it out at Jason Williams. Like not

1662
01:28:35,800 --> 01:28:39,000
Speaker 1: that Jason Williams major respect and a great career, won

1663
01:28:39,000 --> 01:28:41,680
Speaker 1: a championship, tightened up, improved a lot of aspects of

1664
01:28:41,680 --> 01:28:43,639
Speaker 1: his game. But I feel like if j will would

1665
01:28:43,680 --> 01:28:45,320
Speaker 1: have played that style all the way through his career,

1666
01:28:45,360 --> 01:28:47,160
Speaker 1: we might be mentioning him a lot more. You know.

1667
01:28:48,240 --> 01:28:50,679
Speaker 1: That's what I felt like. So I I I would

1668
01:28:50,680 --> 01:28:52,559
Speaker 1: put Ja will. I could go three ways. I could

1669
01:28:52,600 --> 01:28:55,080
Speaker 1: say Steph for the new generation, no question, even though

1670
01:28:55,120 --> 01:28:57,040
Speaker 1: his identity is more for a shot, because it's a

1671
01:28:57,040 --> 01:28:59,479
Speaker 1: great shooter of all time in my opinion, let me

1672
01:28:59,479 --> 01:29:03,759
Speaker 1: ask you a question. I don't like this. The people

1673
01:29:04,320 --> 01:29:08,720
Speaker 1: running out of the fucking gym making a big brua

1674
01:29:09,120 --> 01:29:13,400
Speaker 1: over every crossover, even every crossover with a miss shot,

1675
01:29:13,920 --> 01:29:17,120
Speaker 1: every uh you know could have would he almost bodied

1676
01:29:17,160 --> 01:29:20,760
Speaker 1: him he almost he didn't, and people like it's the instagrammification.

1677
01:29:20,880 --> 01:29:23,720
Speaker 1: People are jumping running around like chickens with their heads

1678
01:29:23,720 --> 01:29:26,799
Speaker 1: cut off. I truly believe it's affecting the way people

1679
01:29:26,840 --> 01:29:30,360
Speaker 1: play defense, certainly outside of the NBA n c A.

1680
01:29:30,360 --> 01:29:31,760
Speaker 1: I don't think you could get away with it because

1681
01:29:31,760 --> 01:29:33,880
Speaker 1: the coaching is you know, it's part of you know,

1682
01:29:34,000 --> 01:29:37,400
Speaker 1: it's part of basketball. But you watch like the NBA today,

1683
01:29:37,439 --> 01:29:40,639
Speaker 1: like Alonzo Bowl, like the younger kids like those sort

1684
01:29:40,640 --> 01:29:45,000
Speaker 1: of faint defense to avoid winding up on Instagram, And

1685
01:29:45,120 --> 01:29:48,280
Speaker 1: essentially you're the fucking reason for it because you guys,

1686
01:29:48,479 --> 01:29:50,400
Speaker 1: you guys sort of started this ship. And you see

1687
01:29:50,439 --> 01:29:52,360
Speaker 1: all the players, all the Chris Pauls and all them,

1688
01:29:52,400 --> 01:29:54,559
Speaker 1: like they'll step away from playing defense, do you know

1689
01:29:54,600 --> 01:29:57,880
Speaker 1: what I'm talking about? The NBA, Yes, and social media

1690
01:29:57,920 --> 01:29:59,600
Speaker 1: made like that too. It was like, you know, it

1691
01:29:59,680 --> 01:30:02,200
Speaker 1: was every everybody, Hey, I'll take it. I can influence

1692
01:30:02,200 --> 01:30:04,639
Speaker 1: a game phrase. But no, I think I think every

1693
01:30:04,680 --> 01:30:08,800
Speaker 1: so brand conscious now, right. I mean it's like they know, listen,

1694
01:30:08,840 --> 01:30:11,679
Speaker 1: when Steph made CP three falls, that was years ago.

1695
01:30:11,720 --> 01:30:14,760
Speaker 1: It's like a nightmare. That's all you heard about on

1696
01:30:14,800 --> 01:30:18,880
Speaker 1: social media for a year after the season, like you know,

1697
01:30:18,880 --> 01:30:21,240
Speaker 1: it was a baseball season, they're still playing that. You

1698
01:30:21,280 --> 01:30:23,960
Speaker 1: could have scathed his stock? And did he not go

1699
01:30:24,080 --> 01:30:25,800
Speaker 1: head to head with Steph that game? I think Steph

1700
01:30:25,880 --> 01:30:27,679
Speaker 1: got the best of him, but he probably still had

1701
01:30:28,080 --> 01:30:30,719
Speaker 1: fifteen and eight, you know what I mean? But the falls,

1702
01:30:30,760 --> 01:30:32,400
Speaker 1: like that's all we want to talk about. But you

1703
01:30:32,479 --> 01:30:35,440
Speaker 1: know also is people are so in love with the celebration.

1704
01:30:35,560 --> 01:30:38,280
Speaker 1: It's so fun, right, like you can clown somebody so hard,

1705
01:30:38,320 --> 01:30:40,920
Speaker 1: like like if somebody gets made fall, people can't wait

1706
01:30:40,960 --> 01:30:42,800
Speaker 1: to scream. And it's not even may not even be

1707
01:30:42,840 --> 01:30:44,479
Speaker 1: about that. They just want to run. In fact, they

1708
01:30:44,479 --> 01:30:46,120
Speaker 1: want to crap on the guy who got shook and

1709
01:30:46,160 --> 01:30:50,400
Speaker 1: have fun. Yeah. Um, all right, Professor Crayson, what else

1710
01:30:50,479 --> 01:30:52,800
Speaker 1: you got for me? Anything else? Uh? Yeah? Man, I

1711
01:30:52,800 --> 01:30:55,120
Speaker 1: mean stay on the lookout for the clothing line launch

1712
01:30:55,439 --> 01:30:59,320
Speaker 1: spring Global Hooper. Uh saying it here first, I actually

1713
01:30:59,320 --> 01:31:01,640
Speaker 1: haven't went public that alright, clothing is dropping in the

1714
01:31:01,680 --> 01:31:04,719
Speaker 1: spring is Global Hooper. The Global Hooper tour and reality

1715
01:31:04,760 --> 01:31:09,120
Speaker 1: series is gonna start on my YouTube channel, Professor live. Um, yeah,

1716
01:31:09,160 --> 01:31:11,519
Speaker 1: follow up, Now, let me just ask my final question.

1717
01:31:11,680 --> 01:31:15,120
Speaker 1: You see me, I'm on you defensively Now I told

1718
01:31:15,160 --> 01:31:17,160
Speaker 1: you I don't want the ball off my face. Yes,

1719
01:31:17,240 --> 01:31:19,040
Speaker 1: like I'm on you. I'm like, oh, I got the

1720
01:31:19,080 --> 01:31:21,960
Speaker 1: fucking professor. You want to funk around here? I'm like,

1721
01:31:22,040 --> 01:31:24,559
Speaker 1: what are you gonna start with me? The first thing

1722
01:31:24,600 --> 01:31:25,880
Speaker 1: I would do is I try to give like a

1723
01:31:25,960 --> 01:31:28,559
Speaker 1: quick twitch move and just feel you out. Let's see

1724
01:31:28,560 --> 01:31:30,040
Speaker 1: how you react to that, like to see like if

1725
01:31:30,040 --> 01:31:32,040
Speaker 1: I buckle out that, if I go for I have

1726
01:31:32,080 --> 01:31:33,800
Speaker 1: a quick cross, or I do just like a rights

1727
01:31:33,880 --> 01:31:36,840
Speaker 1: level real quick, like just to see what's happening. See

1728
01:31:36,840 --> 01:31:39,000
Speaker 1: how you're reacted, Like my dog reacted to that. I'm looking,

1729
01:31:39,400 --> 01:31:43,559
Speaker 1: I'm not doing anything. Look, if you stood still, that's

1730
01:31:43,600 --> 01:31:45,920
Speaker 1: gonna say something. What does that say? So if you

1731
01:31:45,960 --> 01:31:47,960
Speaker 1: stood still, then it might be a situation where I

1732
01:31:48,000 --> 01:31:49,720
Speaker 1: could hit you with the heavy because you stood still,

1733
01:31:49,760 --> 01:31:51,360
Speaker 1: And now I might actually go and catch you by

1734
01:31:51,360 --> 01:31:54,920
Speaker 1: surprise if you shook all crazy like this and win nuts,

1735
01:31:55,080 --> 01:31:56,720
Speaker 1: and then I'll be like, oh, I might have to

1736
01:31:56,720 --> 01:31:58,560
Speaker 1: spend a little time on this and making fall and

1737
01:31:58,800 --> 01:32:01,680
Speaker 1: go for them in this. Have a little get a

1738
01:32:01,680 --> 01:32:03,880
Speaker 1: little a little get to know your time. Yeah, I

1739
01:32:03,880 --> 01:32:06,280
Speaker 1: wouldn't want your meniscus tarn you are. But if I

1740
01:32:06,280 --> 01:32:08,959
Speaker 1: didn't know you. We're going there for sure, alright, Professor,

1741
01:32:09,120 --> 01:32:12,559
Speaker 1: thank you for rocking me on the Iron Rap Stereo Podcast. Uh,

1742
01:32:12,600 --> 01:32:15,080
Speaker 1: you you know your your icon, man, You're an icon.

1743
01:32:16,120 --> 01:32:18,320
Speaker 1: Appreciate you. You did your thing, and I appreciate you

1744
01:32:18,320 --> 01:32:20,920
Speaker 1: coming on. Stay on the look out for the reality show,

1745
01:32:21,160 --> 01:32:23,840
Speaker 1: Stay out of lookout. Listen any anybody who's playing ball

1746
01:32:24,160 --> 01:32:26,240
Speaker 1: and any any parks and Jim's or if you see

1747
01:32:26,280 --> 01:32:28,920
Speaker 1: a guy dressed up as Spider Man or Superman. Don't

1748
01:32:28,960 --> 01:32:31,120
Speaker 1: take the bait. I'm just putting it out there. Don't

1749
01:32:31,120 --> 01:32:34,120
Speaker 1: take the bait. Iron Wrap Hoors Stereo Podcast with the Professor.

1750
01:32:43,360 --> 01:32:47,280
Speaker 1: All right, Yo, Grayson, that's his real name. Thank you

1751
01:32:47,320 --> 01:32:49,840
Speaker 1: for rocking with us on the Iron Wrap Hoors Stereo Podcast.

1752
01:32:50,160 --> 01:32:54,160
Speaker 1: Appreciate stories, Appreciate the insight, Appreciate your love of the

1753
01:32:54,240 --> 01:32:57,240
Speaker 1: game and your hustle. Um. You gotta check him out.

1754
01:32:57,240 --> 01:32:59,720
Speaker 1: You gotta follow him on his YouTube page, check him

1755
01:32:59,720 --> 01:33:02,120
Speaker 1: out on Instagram. All this ship is dope. If you

1756
01:33:02,200 --> 01:33:04,280
Speaker 1: love basketball. He's got a great sense of humor about

1757
01:33:04,280 --> 01:33:08,760
Speaker 1: it and a good dude. As promised as I set

1758
01:33:08,760 --> 01:33:13,080
Speaker 1: it up earlier. Uh, it's the return of the Robert

1759
01:33:13,200 --> 01:33:18,320
Speaker 1: DeNiro line. Of the Week and today's Robert DeNiro Line

1760
01:33:18,360 --> 01:33:21,080
Speaker 1: of the Week. Oh, I gotta go, I gotta go

1761
01:33:21,120 --> 01:33:22,960
Speaker 1: to the well, I gotta go to the Raging Bull Well.

1762
01:33:23,560 --> 01:33:28,120
Speaker 1: It's the very last scene from Raging Bull, UH Award

1763
01:33:28,160 --> 01:33:31,240
Speaker 1: winning film, Iconic Film. I talked about it all the time.

1764
01:33:31,280 --> 01:33:35,400
Speaker 1: We have an entire episode dedicated to Raging Bull, and

1765
01:33:35,439 --> 01:33:40,040
Speaker 1: the guests are Martin Scorsese himself, Jake LaMotta himself, the

1766
01:33:40,080 --> 01:33:46,639
Speaker 1: real Raging Bull Um, Max Kellerman, John Taturo, Nick Taturo,

1767
01:33:47,520 --> 01:33:50,439
Speaker 1: Adam Carolla and so much more Danny Aello. So if

1768
01:33:50,439 --> 01:33:53,640
Speaker 1: you want to hear the old Raging Bull episode, you

1769
01:33:53,640 --> 01:33:57,320
Speaker 1: could find it. It's an older episode, but it's fantastic.

1770
01:33:57,720 --> 01:34:00,640
Speaker 1: This is the return of the Robert DeNiro line of

1771
01:34:00,680 --> 01:34:06,360
Speaker 1: the week. Let me do it right now, all right,

1772
01:34:06,760 --> 01:34:10,800
Speaker 1: So here we go, the return of the Robert de

1773
01:34:10,920 --> 01:34:16,519
Speaker 1: Niro line of the week. Since we talked so much

1774
01:34:16,520 --> 01:34:19,639
Speaker 1: about Raging Bull on this episode, and I have now

1775
01:34:19,720 --> 01:34:23,920
Speaker 1: declared myself to Jake la Matta of podcasting, it's only

1776
01:34:24,040 --> 01:34:28,920
Speaker 1: right that we go with my old time favorite movie

1777
01:34:28,960 --> 01:34:33,559
Speaker 1: top to bottom, Raging Bull. This is the last scene

1778
01:34:35,120 --> 01:34:38,840
Speaker 1: en Raging Bull. Um. I'll tell you a couple of

1779
01:34:38,840 --> 01:34:42,080
Speaker 1: things about this scene. If you watch the movie Boogie Nights,

1780
01:34:43,360 --> 01:34:50,000
Speaker 1: the last scene in Boogie Nights is stolen or inspired

1781
01:34:50,080 --> 01:34:57,120
Speaker 1: by Almost to the te by Paul Thomas Anderson. The

1782
01:34:57,160 --> 01:35:00,160
Speaker 1: last scene in Boogie Nights, when you see Mark old

1783
01:35:00,160 --> 01:35:04,479
Speaker 1: Berk's character Dirk Diggler, he's in a dressing room getting

1784
01:35:04,520 --> 01:35:08,000
Speaker 1: ready to come out to do a new porno, and

1785
01:35:08,040 --> 01:35:11,040
Speaker 1: that's when he pulls out his loaf. If you watch

1786
01:35:11,479 --> 01:35:13,720
Speaker 1: the last scene of Boogie Nights and then watch the

1787
01:35:13,800 --> 01:35:16,080
Speaker 1: last scene in Raging Bull, you'll see what I'm talking about.

1788
01:35:16,439 --> 01:35:19,280
Speaker 1: But we ain't talking about Boogie Nights. We ain't doing

1789
01:35:19,320 --> 01:35:21,960
Speaker 1: the Mark Wahlburg line of a week, No disrespect to

1790
01:35:22,040 --> 01:35:26,920
Speaker 1: Mark Wahlberg. We're doing the Robert de Niro line of

1791
01:35:27,000 --> 01:35:32,240
Speaker 1: the week from Raging Bull. Remember that scene in the

1792
01:35:32,280 --> 01:35:35,080
Speaker 1: back of the car with his brother Charlie, a small

1793
01:35:35,120 --> 01:35:39,519
Speaker 1: time racket guy, and it went something like this. It

1794
01:35:39,640 --> 01:35:43,360
Speaker 1: wasn't him, Charlie, it was you. Remember that night at

1795
01:35:43,360 --> 01:35:45,360
Speaker 1: the guarden you came down to my dressing room and

1796
01:35:45,400 --> 01:35:48,120
Speaker 1: you said, kids, this ain't your night. We're gonna take

1797
01:35:48,160 --> 01:35:51,680
Speaker 1: the price on Wilson. Remember that they ain't your night,

1798
01:35:52,360 --> 01:35:56,200
Speaker 1: my night. I could have taken Wilson apart. So what happens?

1799
01:35:56,680 --> 01:35:59,320
Speaker 1: He gets the title shot outdoors in a ballpark, and

1800
01:35:59,360 --> 01:36:02,840
Speaker 1: what do I get? One way ticket to Pelucoville. It

1801
01:36:03,000 --> 01:36:05,400
Speaker 1: was my brother, Charlie. You should have looked out for

1802
01:36:05,479 --> 01:36:08,080
Speaker 1: me a little bit. You should take care of me

1803
01:36:08,280 --> 01:36:10,599
Speaker 1: just a little bit, so I wouldn't have to take

1804
01:36:10,600 --> 01:36:14,160
Speaker 1: the dives for short earned money. You understand, I could

1805
01:36:14,200 --> 01:36:17,160
Speaker 1: have class. I could have I could have been a contender.

1806
01:36:17,479 --> 01:36:20,479
Speaker 1: I could have been somebody instead of a bum, which

1807
01:36:20,520 --> 01:36:23,759
Speaker 1: is what I am. Let's face it, it was you, Charlie.

1808
01:36:24,760 --> 01:36:26,920
Speaker 1: That is the Robert De Niro line of the weekend.

1809
01:36:26,920 --> 01:36:30,600
Speaker 1: I'm gonna tell you what if? So you unusual and

1810
01:36:30,720 --> 01:36:36,040
Speaker 1: unique and crazy about that line from Raging Bull. As

1811
01:36:36,040 --> 01:36:38,719
Speaker 1: you may or may not know, that is a direct

1812
01:36:38,880 --> 01:36:42,400
Speaker 1: monologue one of the most famous monologues in film history

1813
01:36:43,840 --> 01:36:48,360
Speaker 1: by Marlon Brando from on the Waterfront. And it was

1814
01:36:48,439 --> 01:36:53,720
Speaker 1: crazy because in when Raging Bull came out, you had

1815
01:36:53,760 --> 01:36:57,320
Speaker 1: the guy that was considered the brand new method actor

1816
01:36:57,400 --> 01:37:00,679
Speaker 1: of his time, Robert de Niro, first fighting a line

1817
01:37:02,080 --> 01:37:08,040
Speaker 1: from the previous decades method actor of his time on

1818
01:37:08,800 --> 01:37:13,160
Speaker 1: Marlon Brando. Because Marlon Brando is sort of the The Godfather,

1819
01:37:13,640 --> 01:37:19,560
Speaker 1: no pun intended of all things. Method acting. Brando inspired everybody,

1820
01:37:19,920 --> 01:37:25,479
Speaker 1: Dustin Hoffman, Robert Duval, al Pacino, Jack Nicholson, and of

1821
01:37:25,520 --> 01:37:28,080
Speaker 1: course Robert de Niro. So when you have Robert de

1822
01:37:28,200 --> 01:37:34,120
Speaker 1: Niro playing Jake LaMotta and Jake Lamona doing Marlon Brando,

1823
01:37:34,160 --> 01:37:37,360
Speaker 1: but Robert de Niro is playing the part, if you

1824
01:37:37,439 --> 01:37:41,040
Speaker 1: still follow me, just the irony and and and just

1825
01:37:41,120 --> 01:37:44,839
Speaker 1: the the the way Robert de Niro as Jake Lamta

1826
01:37:45,120 --> 01:37:49,439
Speaker 1: played Marlon Brando's character of Terry Malloy, it was just

1827
01:37:49,520 --> 01:37:51,880
Speaker 1: dope because he did it in such a different tone.

1828
01:37:52,120 --> 01:37:55,280
Speaker 1: Because if you look at the original on the waterfront

1829
01:37:55,280 --> 01:37:58,960
Speaker 1: scene by Marlon Brando, he he does it impassionately and

1830
01:37:58,960 --> 01:38:00,880
Speaker 1: and and I tried to do it as best I

1831
01:38:00,920 --> 01:38:04,360
Speaker 1: could without imitating him too much like Robert de Niro,

1832
01:38:04,400 --> 01:38:08,280
Speaker 1: who sort of just does it emotionless. Anyway, I love

1833
01:38:08,720 --> 01:38:11,200
Speaker 1: uh Robert de Niro, I love Marlon Brando, I love

1834
01:38:11,240 --> 01:38:13,240
Speaker 1: all the actors I just mentioned. And that is the

1835
01:38:13,320 --> 01:38:16,599
Speaker 1: return of the Robert De Niro line of the week,

1836
01:38:16,880 --> 01:38:19,040
Speaker 1: which I'm gonna try to uh do a little bit more,

1837
01:38:19,400 --> 01:38:21,840
Speaker 1: but I don't want to play it out, so they

1838
01:38:21,960 --> 01:38:24,160
Speaker 1: have it I am wrapped or stereo podcast will be

1839
01:38:24,240 --> 01:38:30,320
Speaker 1: right back, yo, Yo. That was That was dope, man.

1840
01:38:30,560 --> 01:38:32,840
Speaker 1: I appreciate that. Thank you, thank you. It's never gonna

1841
01:38:32,840 --> 01:38:35,519
Speaker 1: be as good as Marlon Brando and Robert de Niro,

1842
01:38:36,520 --> 01:38:40,240
Speaker 1: but it felt a propos to the Robert DeNiro line

1843
01:38:40,280 --> 01:38:44,679
Speaker 1: of the week. Yo. What can I say? Listen, fans, Um,

1844
01:38:44,720 --> 01:38:48,200
Speaker 1: we talk all our ship, um, but we we we

1845
01:38:48,320 --> 01:38:50,840
Speaker 1: do it for the fans. The love that I'm getting

1846
01:38:51,680 --> 01:38:53,760
Speaker 1: on Instagram and the d M, the love that I

1847
01:38:53,760 --> 01:38:56,080
Speaker 1: get on Twitter, the love that I get on the street,

1848
01:38:56,400 --> 01:38:58,160
Speaker 1: the love that I get when I'm driving my car

1849
01:38:58,200 --> 01:39:00,320
Speaker 1: and people pull up next to me and asked for

1850
01:39:00,320 --> 01:39:02,320
Speaker 1: a picture, the love that I get when I'm out,

1851
01:39:04,120 --> 01:39:06,439
Speaker 1: all the shout outs to the podcast. I see it all.

1852
01:39:06,479 --> 01:39:08,920
Speaker 1: I try to respond to all of it. I cannot

1853
01:39:09,000 --> 01:39:10,800
Speaker 1: tell you, from the bottom of my heart how much

1854
01:39:10,920 --> 01:39:13,000
Speaker 1: it means to me, how much I appreciate it. I'm

1855
01:39:13,040 --> 01:39:16,320
Speaker 1: gonna speak on behalf of g Moody his last name

1856
01:39:16,400 --> 01:39:20,479
Speaker 1: rhymes with duty, Miles and Jordan's rocking with us when

1857
01:39:20,479 --> 01:39:23,760
Speaker 1: we were under drest means the world We're gonna continue

1858
01:39:23,760 --> 01:39:26,320
Speaker 1: to do our thing. We're gonna continue to kick ass.

1859
01:39:26,400 --> 01:39:30,120
Speaker 1: We're gonna continue to make the best podcast in the world.

1860
01:39:31,280 --> 01:39:33,080
Speaker 1: As I said at the top, have no fear of

1861
01:39:33,080 --> 01:39:36,840
Speaker 1: the Iron Wrappwards stereo podcast is here, Monetti, What do

1862
01:39:36,880 --> 01:39:41,160
Speaker 1: you got to say? Man, we kick as we're the

1863
01:39:41,200 --> 01:39:45,360
Speaker 1: best in the world. Sorry sorry, not sorry? How do

1864
01:39:45,360 --> 01:40:12,240
Speaker 1: you like that funk? Oh we're out. He spe