1 00:00:01,800 --> 00:00:05,160 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,559 --> 00:00:13,319 Speaker 1: and I heart radio podcast. Welcome back. I'm Jenna, I'm Kevin, 3 00:00:13,440 --> 00:00:15,440 Speaker 1: and you're listening to and that's what you really missed 4 00:00:15,480 --> 00:00:17,400 Speaker 1: obviously because you clicked on it or you subscribe so 5 00:00:17,440 --> 00:00:20,239 Speaker 1: automatily popped up. Either way, Thank you for being here. Yes, 6 00:00:20,840 --> 00:00:25,280 Speaker 1: we are recapping Vitamin D today and I am very excited. 7 00:00:25,360 --> 00:00:30,680 Speaker 1: This episode was really fun to shoot and very very memorable, 8 00:00:30,920 --> 00:00:33,400 Speaker 1: very memorable. It was the start of the infamous Glee 9 00:00:33,600 --> 00:00:35,559 Speaker 1: mash up, which really just set the tone for the 10 00:00:35,600 --> 00:00:41,120 Speaker 1: rest of the series. It sure did also around this time. 11 00:00:41,159 --> 00:00:47,040 Speaker 1: So this episode aired in on October seven. Um, we 12 00:00:47,040 --> 00:00:51,720 Speaker 1: were starting to feel the effects of a show growing 13 00:00:51,800 --> 00:00:55,600 Speaker 1: in popularity every single week. Um it starts, we get 14 00:00:55,600 --> 00:00:59,400 Speaker 1: back from Australia, we go back to shoot, We get 15 00:00:59,400 --> 00:01:01,480 Speaker 1: picked up for the back nine, so we had already 16 00:01:01,520 --> 00:01:03,600 Speaker 1: shot the first thirteen episodes. We get picked up for 17 00:01:03,640 --> 00:01:07,440 Speaker 1: a full season of twenty two episodes, and UM we 18 00:01:07,560 --> 00:01:12,199 Speaker 1: go back around. UM, I think this time to start 19 00:01:12,200 --> 00:01:16,720 Speaker 1: shooting again. UM, and you, Jen and I were just 20 00:01:16,760 --> 00:01:19,560 Speaker 1: going through pictures. They're like, what was happening in our 21 00:01:19,600 --> 00:01:21,000 Speaker 1: lives at this point? And we still have them, and 22 00:01:21,000 --> 00:01:23,280 Speaker 1: it was like, oh my gosh. By the end of 23 00:01:23,280 --> 00:01:28,640 Speaker 1: October two, on Halloween, we were backing up Amber singing 24 00:01:28,760 --> 00:01:31,960 Speaker 1: the national anthem at the World Series. We met Joe 25 00:01:31,959 --> 00:01:36,600 Speaker 1: Biden that day. So in my memory and I think 26 00:01:36,680 --> 00:01:40,039 Speaker 1: probably yours, Jenna this, I thought those things happened a 27 00:01:40,080 --> 00:01:44,160 Speaker 1: full year later. I did not realize that these things 28 00:01:44,240 --> 00:01:47,840 Speaker 1: were happening already, because cut to the new year. We 29 00:01:48,600 --> 00:01:51,440 Speaker 1: are going to go on Oprah, We're going to go 30 00:01:51,520 --> 00:01:54,120 Speaker 1: to the White House early in two thousand ten, and 31 00:01:54,160 --> 00:01:56,720 Speaker 1: for some reason, in my head, everything was a year 32 00:01:56,800 --> 00:02:00,920 Speaker 1: later than it actually was. Yeah, I agree, feels like 33 00:02:01,360 --> 00:02:03,720 Speaker 1: we spread it out in our mind almost, but it 34 00:02:03,840 --> 00:02:08,959 Speaker 1: was so compact. Everything happened really fast in early two 35 00:02:08,960 --> 00:02:12,320 Speaker 1: thousand and ten, Like that's when I think the machine 36 00:02:12,360 --> 00:02:16,079 Speaker 1: started really rolling. Yeah, And I think even the Mall tour, 37 00:02:16,280 --> 00:02:19,440 Speaker 1: the music tour where we um we were releasing our 38 00:02:19,840 --> 00:02:23,359 Speaker 1: first album, we did like a press tour, and that 39 00:02:23,400 --> 00:02:26,639 Speaker 1: felt like we were seeing a lot more of us 40 00:02:26,680 --> 00:02:29,360 Speaker 1: in the media and like a lot of visibility, a 41 00:02:29,400 --> 00:02:32,120 Speaker 1: lot of press, very busy all the time. But I 42 00:02:32,160 --> 00:02:34,680 Speaker 1: think we were also kind of like our head was 43 00:02:34,680 --> 00:02:37,640 Speaker 1: a jumble. There was Also, when I was looking back, 44 00:02:37,840 --> 00:02:39,680 Speaker 1: there's a I think it was like an US Weekly 45 00:02:39,760 --> 00:02:43,400 Speaker 1: article saying that when I was I was practicing for 46 00:02:43,440 --> 00:02:46,840 Speaker 1: the world series National Anthem, and the neighbors were complaining 47 00:02:46,840 --> 00:02:50,040 Speaker 1: about the sound. I was like, first of all, never 48 00:02:50,080 --> 00:02:54,919 Speaker 1: did I have a practice this we're doing and Oz, yeah, 49 00:02:55,680 --> 00:02:58,120 Speaker 1: Amber was the one singing yes. So people started also 50 00:02:58,280 --> 00:03:01,520 Speaker 1: apparently lying to the press about it around this time. Okay, 51 00:03:01,560 --> 00:03:04,119 Speaker 1: fair enough, fair enough. Yeah, we were starting to see 52 00:03:04,160 --> 00:03:07,640 Speaker 1: ourselves on tabloids and yeah that was it. I remember 53 00:03:07,680 --> 00:03:10,280 Speaker 1: there was one tabloid that came out probably sooner than 54 00:03:10,320 --> 00:03:13,160 Speaker 1: we thought, which also was like Glee Kids Gone Wild 55 00:03:13,240 --> 00:03:16,360 Speaker 1: to remember that. Yeah, of course, Also like Jane Lynch 56 00:03:16,560 --> 00:03:21,200 Speaker 1: was already on MPR, like being called TV's new Queen 57 00:03:21,240 --> 00:03:25,400 Speaker 1: of mean. Oh my god, she was becoming super iconic 58 00:03:25,440 --> 00:03:29,560 Speaker 1: with those Adidas track suits. Things were happening, and we 59 00:03:29,600 --> 00:03:32,560 Speaker 1: have a new director this time around. It was Leddie Keene, 60 00:03:32,560 --> 00:03:36,240 Speaker 1: who comes back a couple of times um throughout the 61 00:03:36,320 --> 00:03:40,920 Speaker 1: rest of the series. And this Yeah, I think the 62 00:03:41,000 --> 00:03:44,720 Speaker 1: mash up was the most monumental of this episode. Like 63 00:03:44,800 --> 00:03:49,200 Speaker 1: the Pioneer episode, we need to mark that too. Of 64 00:03:49,240 --> 00:03:53,040 Speaker 1: like when we get atam Ander's on here. Eventually, Um, 65 00:03:53,120 --> 00:03:57,000 Speaker 1: we need to ask him about the mashups and also 66 00:03:57,040 --> 00:03:59,800 Speaker 1: maybe a simple voice note to uh Ryan Murphy to 67 00:03:59,800 --> 00:04:01,960 Speaker 1: be who came up with these mashups? Whose idea was 68 00:04:02,000 --> 00:04:03,920 Speaker 1: this to do? That? Didn't Brad Felt Chuck tell us 69 00:04:03,960 --> 00:04:07,160 Speaker 1: there was like somebody's idea. I can't remember. Yeah, I 70 00:04:07,200 --> 00:04:09,720 Speaker 1: don't remember whose it was, but we'll have to ask. Um. 71 00:04:10,520 --> 00:04:12,040 Speaker 1: It was very exciting for us because we have to 72 00:04:12,040 --> 00:04:18,080 Speaker 1: do incredible songs. These numbers are absolutely insane. The performances 73 00:04:18,120 --> 00:04:21,800 Speaker 1: are insane, like Finn you know, on the vitamin D, 74 00:04:22,000 --> 00:04:25,320 Speaker 1: Rachel on the vitamin D. In their little monologues were insane. 75 00:04:25,440 --> 00:04:28,320 Speaker 1: It's pretty great. It is a pretty fun episode. A 76 00:04:28,320 --> 00:04:31,120 Speaker 1: lot of comedy happening, a lot of comedy. Shall we 77 00:04:31,120 --> 00:04:34,680 Speaker 1: get into it to break it down? Jennah, Okay, cool? Alright, 78 00:04:34,760 --> 00:04:39,800 Speaker 1: So the a storyline of this episode is that the 79 00:04:39,839 --> 00:04:45,080 Speaker 1: Glee Club members have become complacent a head of sectionals 80 00:04:45,240 --> 00:04:48,600 Speaker 1: because we find out who our competitors are and we're like, 81 00:04:48,680 --> 00:04:50,720 Speaker 1: we can dan circles around them. We've got it, and 82 00:04:50,760 --> 00:04:55,920 Speaker 1: so we basically just stopped trying. Also already just not 83 00:04:55,920 --> 00:05:00,280 Speaker 1: not it not what he says about these other headit 84 00:05:00,279 --> 00:05:03,680 Speaker 1: of schools is not okay. I was just like, oh 85 00:05:03,720 --> 00:05:07,560 Speaker 1: my gosh, what is happening to me? Lead that ship 86 00:05:07,600 --> 00:05:11,120 Speaker 1: to sue not me. No, you can do it. It's hard. 87 00:05:11,200 --> 00:05:14,719 Speaker 1: It's not the first time. Already says some suspects stuff. Sorry, 88 00:05:14,800 --> 00:05:22,400 Speaker 1: continue on, Jenna, you're a vehicle. Um. And so Will 89 00:05:22,400 --> 00:05:26,640 Speaker 1: comes up with this idea that he's going to divide 90 00:05:26,800 --> 00:05:31,400 Speaker 1: the glee club up and create a little friendly competition competition. 91 00:05:32,160 --> 00:05:34,680 Speaker 1: We love a little friendly competition. So the boys and 92 00:05:34,680 --> 00:05:36,800 Speaker 1: the girls are against each other, and the girls are like, well, 93 00:05:36,960 --> 00:05:39,760 Speaker 1: obviously we've got this in the bag. To be fair 94 00:05:39,800 --> 00:05:41,640 Speaker 1: in real life, we're also like, the girls have got 95 00:05:41,640 --> 00:05:47,279 Speaker 1: this in the but I will say it's it's a 96 00:05:47,320 --> 00:05:49,560 Speaker 1: toss up for me. And it was a toss up 97 00:05:49,560 --> 00:05:51,520 Speaker 1: for me, and you know, like what happens a lot 98 00:05:51,520 --> 00:05:54,679 Speaker 1: of times on this show. It was art imitating life 99 00:05:54,760 --> 00:05:58,720 Speaker 1: where I think we were all very suspicious of ourselves. 100 00:05:58,800 --> 00:06:00,720 Speaker 1: The boys are like, don't think this is going to 101 00:06:00,760 --> 00:06:02,640 Speaker 1: be great, and then we surprised all you girls. I 102 00:06:02,680 --> 00:06:05,320 Speaker 1: think when you saw us perform, you were when we 103 00:06:05,320 --> 00:06:08,480 Speaker 1: were sitting in the corner, we were actually surprised. Yeah, 104 00:06:08,960 --> 00:06:13,840 Speaker 1: the expectations were low, but it was really fun to watch. Um. 105 00:06:14,680 --> 00:06:16,680 Speaker 1: It's also fun to just sitting back and watch an 106 00:06:16,680 --> 00:06:20,760 Speaker 1: episode a performance for the first time. That was which 107 00:06:20,760 --> 00:06:23,039 Speaker 1: became something we'd love to do. We've talked about a lot. 108 00:06:23,160 --> 00:06:25,400 Speaker 1: But yeah, I guess that was the very first time, 109 00:06:25,480 --> 00:06:27,680 Speaker 1: wasn't it. Yeah. I mean I will say later in 110 00:06:27,720 --> 00:06:30,480 Speaker 1: episodes it'd be like, I'm not in this number. Great 111 00:06:32,120 --> 00:06:33,600 Speaker 1: here like great, I don't have to go to rehearsal 112 00:06:33,640 --> 00:06:36,800 Speaker 1: for this great um, but that it's too early for that. 113 00:06:37,160 --> 00:06:46,880 Speaker 1: So so, Sue also sees that Quinn is slipping her performance, 114 00:06:46,920 --> 00:06:51,520 Speaker 1: is slipping. Quiver of the knee during that beautiful pose 115 00:06:52,120 --> 00:06:54,400 Speaker 1: by the cheers is one of my favorite parts of 116 00:06:54,440 --> 00:07:00,920 Speaker 1: this episode. It's very funny. Um. And and then Quinn 117 00:07:00,920 --> 00:07:09,200 Speaker 1: blames her her exhaustion on Glee Club. So again Glee Club. 118 00:07:09,520 --> 00:07:16,160 Speaker 1: Sue has a renewed sense of um of motivation to 119 00:07:16,680 --> 00:07:20,440 Speaker 1: take down Will and the Glee Club. Yeah. And by 120 00:07:20,440 --> 00:07:23,720 Speaker 1: taking down Will, she wants to destroy his personal life, 121 00:07:23,720 --> 00:07:27,240 Speaker 1: which I think is very fun, which leads us sort 122 00:07:27,280 --> 00:07:30,640 Speaker 1: of to, you know, our next big plot point, which 123 00:07:30,760 --> 00:07:35,640 Speaker 1: is Sue fully meddling in this man's personal affairs and 124 00:07:35,920 --> 00:07:40,040 Speaker 1: shows up at their house too to rat out. Basically 125 00:07:40,160 --> 00:07:45,240 Speaker 1: Will and Emma to Terry saying that they're getting busy 126 00:07:45,440 --> 00:07:50,440 Speaker 1: at school, yes, and commences her to become the new 127 00:07:51,440 --> 00:07:55,320 Speaker 1: nurse because Sue Syvester pushed the old one down the stairs, 128 00:07:56,480 --> 00:07:58,720 Speaker 1: tripped her down the stairs. I had to rewind that 129 00:07:59,480 --> 00:08:06,000 Speaker 1: twice because I was shocked, jarred, and also I was 130 00:08:06,040 --> 00:08:10,040 Speaker 1: tickled that smack of her face. That's some good folly worked. 131 00:08:12,280 --> 00:08:17,360 Speaker 1: It was a good flops, a pancake flop. It's just 132 00:08:17,400 --> 00:08:20,640 Speaker 1: so wildly inappropriate, but I love this. Is also like 133 00:08:20,640 --> 00:08:25,440 Speaker 1: when we get introduced to Sue's journal, and I love 134 00:08:25,520 --> 00:08:30,960 Speaker 1: sus journal. Here I am about to turn thirty. That 135 00:08:31,920 --> 00:08:34,840 Speaker 1: very good, it's very delivery is good, the writing is good. 136 00:08:35,360 --> 00:08:39,479 Speaker 1: We love Too's journal. But so Sue decides it convinces 137 00:08:39,559 --> 00:08:41,640 Speaker 1: Terry to come take a job as a school nurse, 138 00:08:41,720 --> 00:08:44,439 Speaker 1: which it's very exciting for us because we get to 139 00:08:44,480 --> 00:08:48,720 Speaker 1: work at Jesslin for the first time and she's so good, 140 00:08:49,640 --> 00:08:53,600 Speaker 1: never wanted. Kids don't have the time, don't have the uterus, which, 141 00:08:53,640 --> 00:08:56,320 Speaker 1: by the way, Sue gets pregnant later, so I don't 142 00:08:56,320 --> 00:08:59,160 Speaker 1: know that she doesn't have a uterus, or is it 143 00:08:59,200 --> 00:09:01,079 Speaker 1: just a miracle, bait be I think she also is 144 00:09:01,160 --> 00:09:05,679 Speaker 1: just talking and also wouldn't be the first time that 145 00:09:05,800 --> 00:09:11,600 Speaker 1: the show um had some errors. Continuity errors. Um, fair enough, 146 00:09:11,800 --> 00:09:16,760 Speaker 1: we love those continuyars um. Okay, So while she's meddling, 147 00:09:16,840 --> 00:09:21,000 Speaker 1: she gets Terry to join the to come on as 148 00:09:21,000 --> 00:09:24,160 Speaker 1: an employee of the school, and then she also convinces 149 00:09:24,679 --> 00:09:30,960 Speaker 1: Ken Tanaka to propose to Emma because Emma is wiping 150 00:09:31,400 --> 00:09:35,280 Speaker 1: mustard off of Will's chin for the seventh time. Can 151 00:09:35,320 --> 00:09:38,360 Speaker 1: that man not eat a sandwich? You know, I'd like 152 00:09:38,440 --> 00:09:41,320 Speaker 1: to say that I'm any different than Will, but I 153 00:09:41,360 --> 00:09:43,880 Speaker 1: can't need a sandwich without getting a jammy masshole. But 154 00:09:43,960 --> 00:09:47,960 Speaker 1: like dangling off your chin like that? Yeah, fair, it's 155 00:09:48,040 --> 00:09:53,520 Speaker 1: just a bit much. Um. And this also gives Terry 156 00:09:53,679 --> 00:09:57,600 Speaker 1: the opportunity to interact and meet Finn and to see Quinn, 157 00:09:58,280 --> 00:10:03,040 Speaker 1: and ultimately leads Quinn and Terry to have a little 158 00:10:03,120 --> 00:10:09,360 Speaker 1: running in the hallway about getting that baby, and Quinn 159 00:10:09,400 --> 00:10:14,040 Speaker 1: agrees to give her the baby, and and Finn doesn't 160 00:10:14,040 --> 00:10:19,360 Speaker 1: know and doesn't and Will doesn't know, well, well Will 161 00:10:19,400 --> 00:10:22,800 Speaker 1: still doesn't know it. This is a fake baby. I'm 162 00:10:22,800 --> 00:10:24,720 Speaker 1: not sure how you get away with that, But here 163 00:10:24,760 --> 00:10:27,199 Speaker 1: we are again and it's getting away with stuff. Then 164 00:10:27,200 --> 00:10:30,640 Speaker 1: we get into the part that we're really involved in, 165 00:10:30,960 --> 00:10:35,920 Speaker 1: which the most important part obviously the decongestent of it all. Um, 166 00:10:36,120 --> 00:10:40,200 Speaker 1: Finn is very very tired and his little monologue and 167 00:10:40,200 --> 00:10:42,960 Speaker 1: playing video games. He's like, I already stopped doing homework 168 00:10:43,000 --> 00:10:45,280 Speaker 1: to lighten the load. I love that that's the thing 169 00:10:45,280 --> 00:10:49,200 Speaker 1: he cut. Um. He goes to see the nurse and Terry, 170 00:10:49,320 --> 00:10:54,480 Speaker 1: the qualified nurse that she is, gives him pseudophedrian. Obviously, 171 00:10:54,559 --> 00:10:57,040 Speaker 1: you know it's decongestent over the counter. You can only 172 00:10:57,040 --> 00:10:59,440 Speaker 1: buy a certain amount of a certain time. Um. And 173 00:10:59,480 --> 00:11:01,760 Speaker 1: he tells the rest of the glee club because I 174 00:11:01,800 --> 00:11:05,600 Speaker 1: remember filming the scene with him storming in and sort 175 00:11:05,600 --> 00:11:10,040 Speaker 1: of being like high off his ass on. It was 176 00:11:10,120 --> 00:11:12,000 Speaker 1: so good and it was so much fun to shoot 177 00:11:12,040 --> 00:11:15,760 Speaker 1: these scenes. Now when in the musical number, when we 178 00:11:15,760 --> 00:11:18,520 Speaker 1: were supposed to be like hopped up basically on speed 179 00:11:19,240 --> 00:11:23,800 Speaker 1: and um, watching Corey, I think Corey was like very 180 00:11:23,880 --> 00:11:29,760 Speaker 1: underrated in his comedic prowess y And um, yeah, which 181 00:11:29,800 --> 00:11:31,600 Speaker 1: is we had a lot of fun lines to say 182 00:11:31,640 --> 00:11:35,400 Speaker 1: in this episode as well, and it was a fun. 183 00:11:36,040 --> 00:11:39,599 Speaker 1: It was a very well tied in episode with the 184 00:11:39,640 --> 00:11:42,400 Speaker 1: adults and the Yeah, it was a perfect balance, and 185 00:11:42,480 --> 00:11:45,439 Speaker 1: I did. It was nice having Terry, who was the 186 00:11:45,520 --> 00:11:51,360 Speaker 1: ultimate like pot stir be at the actual school and 187 00:11:52,720 --> 00:11:56,040 Speaker 1: being able to like metal and also being some scenes 188 00:11:56,040 --> 00:12:00,800 Speaker 1: with us, which was nice. Mm hmm it was. Did 189 00:12:00,800 --> 00:12:06,160 Speaker 1: you notice Kevin that, um, well, I don't know, there's 190 00:12:06,840 --> 00:12:11,600 Speaker 1: extra Gleak club women in the scene with Terry when 191 00:12:11,679 --> 00:12:15,600 Speaker 1: she's giving the pseudo federan to or the vitamins, the extraterials. 192 00:12:16,040 --> 00:12:20,560 Speaker 1: The extra cheerios. Now, I don't remember them being there 193 00:12:20,760 --> 00:12:23,880 Speaker 1: or why they're there, but they're not in the number 194 00:12:24,000 --> 00:12:28,720 Speaker 1: with us, so I'm a little confused. Yeah, I and 195 00:12:28,840 --> 00:12:30,880 Speaker 1: like you weren't there to shoot it. I was. I 196 00:12:30,920 --> 00:12:37,120 Speaker 1: don't remember why they were there, but there they were. 197 00:12:37,440 --> 00:12:39,400 Speaker 1: If you go back and you look, there's two extra 198 00:12:40,559 --> 00:12:42,960 Speaker 1: cheerios in that scene with us. Do you think they 199 00:12:43,000 --> 00:12:45,920 Speaker 1: were just like Heather and Nia's stand ins and they 200 00:12:45,920 --> 00:12:48,120 Speaker 1: put them in the scene. No, Nia is in that scene? 201 00:12:48,720 --> 00:12:52,720 Speaker 1: Are they there? Maybe they're actually standings. Maybe Ledie wanted 202 00:12:52,760 --> 00:12:55,920 Speaker 1: to fill out the line a little more. Maybe maybe, 203 00:12:55,920 --> 00:12:59,360 Speaker 1: and I don't think. Yeah, maybe maybe we needed it 204 00:12:59,440 --> 00:13:04,840 Speaker 1: for the Jocelyn's monologue, And I think for us. Um, 205 00:13:04,880 --> 00:13:08,760 Speaker 1: this episode was about the mashups right there. This was 206 00:13:08,960 --> 00:13:11,280 Speaker 1: the first time we got to do it. Um. It 207 00:13:11,360 --> 00:13:13,680 Speaker 1: was the first time there's not a solo in an episode. 208 00:13:13,679 --> 00:13:16,600 Speaker 1: It's only these matchups, it's only group numbers. And also 209 00:13:16,640 --> 00:13:19,280 Speaker 1: again the first time it was split into boys and girls. 210 00:13:19,280 --> 00:13:21,079 Speaker 1: We get split up a couple of other times as 211 00:13:21,080 --> 00:13:25,640 Speaker 1: the show goes on. Um. But it was also weird, 212 00:13:27,360 --> 00:13:29,320 Speaker 1: like when Kurt tries to go with the girls, That's 213 00:13:29,320 --> 00:13:32,120 Speaker 1: how I felt in real life where I wanted to 214 00:13:32,160 --> 00:13:35,920 Speaker 1: be doing your guys numbers. UM, And I don't remember 215 00:13:35,920 --> 00:13:37,840 Speaker 1: what the thing is, but like I'm still playing the 216 00:13:37,840 --> 00:13:40,520 Speaker 1: guitar at this point in Glee Club and I have 217 00:13:40,640 --> 00:13:44,400 Speaker 1: that like weird to thing in my mouth, which that 218 00:13:44,640 --> 00:13:48,520 Speaker 1: I love that but turns out gag reflex not great. Um. 219 00:13:49,840 --> 00:13:56,280 Speaker 1: I was like trying not to vomit each take. Yeah. 220 00:13:56,640 --> 00:14:00,720 Speaker 1: Oh no. UM. This was also like I was very 221 00:14:00,760 --> 00:14:06,400 Speaker 1: excited that we were doing Ussher Confession sportswo. Um. This 222 00:14:06,440 --> 00:14:12,199 Speaker 1: is a great They're both great mashups, really excellent chosen 223 00:14:12,320 --> 00:14:15,080 Speaker 1: songs but also mesh well. And they were also hits 224 00:14:15,200 --> 00:14:19,240 Speaker 1: huge Yeah, and a good mashup of song genre and 225 00:14:19,400 --> 00:14:25,360 Speaker 1: of eras where the one current song yeah and one 226 00:14:25,480 --> 00:14:29,400 Speaker 1: older song um. I also remember going to the recording 227 00:14:29,440 --> 00:14:33,920 Speaker 1: studio being really paranoid because I had gotten the demo 228 00:14:33,960 --> 00:14:37,200 Speaker 1: for this and I believe Adam Anders actually sang it 229 00:14:37,720 --> 00:14:41,440 Speaker 1: and he has a very high voice, and I was like, 230 00:14:41,560 --> 00:14:45,560 Speaker 1: I can't do this. There was no way that da. 231 00:14:48,120 --> 00:14:50,920 Speaker 1: So they had to come to Jesus with me in 232 00:14:50,960 --> 00:14:53,680 Speaker 1: the studio because I was like, I can't do it. 233 00:14:53,880 --> 00:14:57,120 Speaker 1: I absolutely cannot do it, um, and we sound great. 234 00:14:57,360 --> 00:14:59,280 Speaker 1: We ended up working out We're all you know. I 235 00:14:59,320 --> 00:15:04,160 Speaker 1: think they helped me. Well, you know, there's nothing wrong. 236 00:15:04,320 --> 00:15:06,600 Speaker 1: I need a little I needed a little, a little 237 00:15:08,000 --> 00:15:13,000 Speaker 1: post recording, which I appreciate it. I also fun fact 238 00:15:13,120 --> 00:15:15,520 Speaker 1: for nobody but me and my friend Cleo, my best 239 00:15:15,520 --> 00:15:18,880 Speaker 1: friend in high school. She had this dance move or 240 00:15:18,920 --> 00:15:20,440 Speaker 1: the thing she would do or she'd take her thumb 241 00:15:20,520 --> 00:15:22,040 Speaker 1: and like go across her neck like I'm going to 242 00:15:22,160 --> 00:15:24,720 Speaker 1: kill you. And this is the point where I started 243 00:15:24,720 --> 00:15:27,000 Speaker 1: trying to throw in little like shout outs to my 244 00:15:27,040 --> 00:15:29,800 Speaker 1: friends and episodes, and so that was a shout out 245 00:15:29,840 --> 00:15:34,480 Speaker 1: to Clean. I was shout I built in her little 246 00:15:35,280 --> 00:15:40,040 Speaker 1: you know movement that she did also Jenna, So when 247 00:15:40,040 --> 00:15:44,800 Speaker 1: we would we start filming big numbers in the choir room. Um, 248 00:15:44,840 --> 00:15:46,560 Speaker 1: I believe this is the first time we did this. 249 00:15:46,880 --> 00:15:51,800 Speaker 1: The entire wall where the dry race board is on 250 00:15:52,320 --> 00:15:56,440 Speaker 1: right where Mr Shoe usually is, that entire wall gets 251 00:15:56,480 --> 00:16:01,360 Speaker 1: taken out and when when we're shooting like big numbers 252 00:16:01,880 --> 00:16:05,680 Speaker 1: to the risers, looking at the risers exactly. And this 253 00:16:05,760 --> 00:16:07,280 Speaker 1: was the first time that, right, this is the first 254 00:16:07,280 --> 00:16:10,200 Speaker 1: time that we knew that this was a capability. Yeah, yeah, 255 00:16:10,200 --> 00:16:12,120 Speaker 1: I think we came in and the cameras were all 256 00:16:12,160 --> 00:16:14,360 Speaker 1: set up and every the wall was gone and we 257 00:16:14,400 --> 00:16:17,120 Speaker 1: were like, what happened to the wall? And the room 258 00:16:17,160 --> 00:16:20,560 Speaker 1: looks big because it breaks into the hallway abously. So yes, 259 00:16:20,640 --> 00:16:22,440 Speaker 1: I like the cameras are basically set up in the 260 00:16:22,480 --> 00:16:28,440 Speaker 1: hallway and shooting, yeah, which is really movie magic. Hollywood kids, 261 00:16:29,360 --> 00:16:32,040 Speaker 1: did you know that Vitamin D? The episode was nominated 262 00:16:32,080 --> 00:16:35,200 Speaker 1: for Best Comedy Series Episode at the two thousand ten 263 00:16:35,280 --> 00:16:39,360 Speaker 1: Prison Awards because it's hilarious, it's great. It's a great episode. 264 00:16:39,480 --> 00:16:42,320 Speaker 1: I don't think I don't think I gave the credit 265 00:16:42,440 --> 00:16:44,720 Speaker 1: that was due. This is one of I re watched 266 00:16:44,760 --> 00:16:52,440 Speaker 1: it today yesterday. I absolutely love this one. Okay, So, um, 267 00:16:52,640 --> 00:16:59,120 Speaker 1: let's talk about the scene with when they get and 268 00:16:59,160 --> 00:17:02,960 Speaker 1: when Terry gets trouble and Minister Shoe and Terry get 269 00:17:02,960 --> 00:17:09,040 Speaker 1: in trouble with Figgins because they tell the story. Matton 270 00:17:09,400 --> 00:17:13,800 Speaker 1: and Jesselyn tell his story a lot, and um none 271 00:17:13,800 --> 00:17:17,440 Speaker 1: of them could keep it together in the scene because 272 00:17:18,520 --> 00:17:22,639 Speaker 1: um ich Ball, who plays Figgins, was having a trouble 273 00:17:23,480 --> 00:17:25,720 Speaker 1: you know, when you have trouble saying. I had so 274 00:17:25,800 --> 00:17:28,159 Speaker 1: much trouble saying lines all the time, and like I 275 00:17:28,240 --> 00:17:30,600 Speaker 1: just couldn't There was one that I was like to 276 00:17:30,880 --> 00:17:34,679 Speaker 1: school spirit and I couldn't say it anyway. Umball had 277 00:17:34,720 --> 00:17:43,320 Speaker 1: a trouble say and to the point where he couldn't 278 00:17:43,359 --> 00:17:45,439 Speaker 1: get it out of his mouth. And you at some 279 00:17:45,560 --> 00:17:47,639 Speaker 1: point you just kind of lose it, right. You're like, 280 00:17:47,840 --> 00:17:51,440 Speaker 1: please just get this done. But apparently Matt and Jesslyn 281 00:17:51,640 --> 00:17:54,960 Speaker 1: couldn't keep together either, and so the scene was like 282 00:17:55,119 --> 00:17:58,359 Speaker 1: a massive giggle fest of them trying to keep it 283 00:17:58,400 --> 00:18:02,000 Speaker 1: together to get um a shot of the scene where 284 00:18:02,040 --> 00:18:08,040 Speaker 1: they weren't laughing. Um, I can't imagine. And it's also 285 00:18:08,119 --> 00:18:10,439 Speaker 1: hard because when you're when you're in it and you 286 00:18:10,480 --> 00:18:14,240 Speaker 1: want to get it done and you're frustrated something, you know, 287 00:18:14,240 --> 00:18:16,359 Speaker 1: an actor is frustrated not being able to get it. 288 00:18:16,359 --> 00:18:19,320 Speaker 1: I don't know if Itball is frustrated, but um, it 289 00:18:19,400 --> 00:18:23,480 Speaker 1: makes it harder the deeper you get, and it makes 290 00:18:23,480 --> 00:18:26,679 Speaker 1: it funnier. And then the director is probably yelling at you, like, 291 00:18:26,760 --> 00:18:29,520 Speaker 1: come on, guys, let's get it together, because everybody wants 292 00:18:29,520 --> 00:18:32,960 Speaker 1: to go home. You also know it's real because like that. 293 00:18:33,280 --> 00:18:36,639 Speaker 1: I think Matt and Jesselyn are both very good at 294 00:18:36,720 --> 00:18:39,399 Speaker 1: keeping a straight face much. They're very good, and so 295 00:18:39,440 --> 00:18:54,880 Speaker 1: if they're losing it, you know it's bad. And so 296 00:18:55,160 --> 00:18:57,480 Speaker 1: should we talk about the musical numbers? Yeah, I mean 297 00:18:58,320 --> 00:19:01,160 Speaker 1: you talk about I sort of covered the boys number 298 00:19:01,160 --> 00:19:04,080 Speaker 1: a bit. Well, I also have to say we're going 299 00:19:04,080 --> 00:19:08,159 Speaker 1: to talk about the boys number. Harry Sum. Well, Harry 300 00:19:08,200 --> 00:19:11,840 Speaker 1: Shum is a star and is shining for the first 301 00:19:11,880 --> 00:19:13,960 Speaker 1: time that we're really getting to see his Like we 302 00:19:14,040 --> 00:19:16,320 Speaker 1: knew he could dance, but like dance moves, and then 303 00:19:16,359 --> 00:19:19,480 Speaker 1: also his acting of like the Vitamin D everybody was 304 00:19:19,520 --> 00:19:22,520 Speaker 1: so different hopped up on the d like Kurt looked 305 00:19:22,600 --> 00:19:27,000 Speaker 1: crazy and very funny. It was a really great number, 306 00:19:27,760 --> 00:19:30,919 Speaker 1: really great number, and everybody was shining. Yeah, and you 307 00:19:30,960 --> 00:19:33,160 Speaker 1: were you sounded great and you were very funny, like 308 00:19:33,480 --> 00:19:36,719 Speaker 1: wheeling yourself. And I remember we were excited to just 309 00:19:36,720 --> 00:19:39,480 Speaker 1: sit there and watch number one, but then also like 310 00:19:39,760 --> 00:19:42,000 Speaker 1: we were just cracking up at you guys, you know, 311 00:19:42,040 --> 00:19:47,439 Speaker 1: acting a fool. So it's a really enjoyable time. The 312 00:19:47,560 --> 00:19:53,560 Speaker 1: Girl's number we shot, I believe after as well, Like 313 00:19:53,600 --> 00:19:55,680 Speaker 1: I think we did your guys first, and then we 314 00:19:55,680 --> 00:19:58,479 Speaker 1: were like we actually felt like we had to bring it. 315 00:19:59,440 --> 00:20:04,120 Speaker 1: And I remember Number doing the number and we were like, 316 00:20:04,200 --> 00:20:07,359 Speaker 1: we're gonna get crazy, and Heather and I in particular 317 00:20:07,400 --> 00:20:11,399 Speaker 1: like we're going to get crazy. Now if you go 318 00:20:11,480 --> 00:20:16,560 Speaker 1: back and you watch just Heather or just me, it's scary. 319 00:20:16,640 --> 00:20:21,600 Speaker 1: I'm scared for myself. Um, my neck has never been 320 00:20:21,680 --> 00:20:25,360 Speaker 1: the same. No, you've had that injury. I've had neck problems. 321 00:20:25,680 --> 00:20:30,879 Speaker 1: I gave myself full whiplash, um because I really wanted 322 00:20:30,920 --> 00:20:33,960 Speaker 1: to get my hair to move, because Ryan kept saying like, 323 00:20:34,000 --> 00:20:36,040 Speaker 1: if you move your hair in the camera, it looks 324 00:20:36,040 --> 00:20:39,000 Speaker 1: so beautiful, it looks so great, And so in the 325 00:20:39,080 --> 00:20:43,360 Speaker 1: rehearsals we'd be like whipping our heads and then obviously 326 00:20:43,400 --> 00:20:46,400 Speaker 1: on performance day you're like doing it for the cameras, 327 00:20:46,400 --> 00:20:51,040 Speaker 1: and we were. I was in particular crazy, um and 328 00:20:51,080 --> 00:20:54,040 Speaker 1: then Heather and I had had like five Red Bulls, 329 00:20:54,119 --> 00:20:56,840 Speaker 1: I'm not kidding, and then the five hour energy shots 330 00:20:57,400 --> 00:20:59,960 Speaker 1: and we drank the five hourn energy. Then we drank 331 00:21:00,080 --> 00:21:03,000 Speaker 1: Red bull then we did the number. We were sweating 332 00:21:03,080 --> 00:21:06,359 Speaker 1: so hard because we were working really hard and the 333 00:21:06,480 --> 00:21:08,640 Speaker 1: lights were really bright in the choir room. We put 334 00:21:08,680 --> 00:21:11,600 Speaker 1: on Tiger mom or like I see hot on our 335 00:21:11,640 --> 00:21:16,040 Speaker 1: backs during the during the shoot, and all of a sudden, 336 00:21:16,080 --> 00:21:21,679 Speaker 1: I start to feel like burning, like burning, and I'm like, 337 00:21:21,720 --> 00:21:24,280 Speaker 1: how are you feeling hot? And She's like, my back 338 00:21:24,440 --> 00:21:28,439 Speaker 1: is burning. We burned ourselves. We were so hot, and 339 00:21:28,480 --> 00:21:30,920 Speaker 1: then we were hopped up on all of these energy 340 00:21:31,000 --> 00:21:33,760 Speaker 1: drinks so much so that I remember like my back 341 00:21:33,840 --> 00:21:39,240 Speaker 1: imagine like having fireballs on my shoulders and then whipping 342 00:21:39,280 --> 00:21:42,720 Speaker 1: my head the next day like I couldn't move my neck. 343 00:21:43,080 --> 00:21:45,679 Speaker 1: I actually couldn't. My neck is never been in the 344 00:21:45,720 --> 00:21:48,320 Speaker 1: same um. It was really bad, but it was actually 345 00:21:48,400 --> 00:21:52,200 Speaker 1: really fun to shoot and it was so much fun 346 00:21:52,240 --> 00:21:55,480 Speaker 1: to watch. I was losing my mind. It felt like 347 00:21:55,480 --> 00:21:59,080 Speaker 1: I got to be the front row at this incredible concert. Also, 348 00:21:59,200 --> 00:22:02,560 Speaker 1: I don't think I had really heard your versions yet, 349 00:22:02,800 --> 00:22:06,760 Speaker 1: and like the mashup was great and it did feel 350 00:22:06,800 --> 00:22:10,160 Speaker 1: like a really incredible show and tell look what we've 351 00:22:10,160 --> 00:22:13,600 Speaker 1: been working on. It also felt like having audience members 352 00:22:13,960 --> 00:22:18,000 Speaker 1: like you guys. It egged us on. It was so good. 353 00:22:18,760 --> 00:22:20,800 Speaker 1: We had really a lot of fun. Do you remember 354 00:22:20,880 --> 00:22:23,760 Speaker 1: the director of String Awakening came to visit that day? 355 00:22:24,359 --> 00:22:27,320 Speaker 1: Michael Mayer came to visit that day because I just 356 00:22:27,320 --> 00:22:32,680 Speaker 1: remember creeping around and um, I was standing behind he 357 00:22:32,840 --> 00:22:37,000 Speaker 1: and Ryan when they were um, yeah, I think it 358 00:22:37,040 --> 00:22:40,840 Speaker 1: was during the girls stuff and I think that the 359 00:22:40,880 --> 00:22:42,719 Speaker 1: camera was changing, you know, there's a changing set up 360 00:22:42,760 --> 00:22:45,639 Speaker 1: or whatever, and yeah, they were just chatting in the hallway. 361 00:22:45,800 --> 00:22:50,120 Speaker 1: I was like tras Man, So I was just that's right. 362 00:22:50,680 --> 00:22:53,200 Speaker 1: There was also a point around this time when Linn 363 00:22:53,240 --> 00:22:58,720 Speaker 1: Monuel Miranda came by. Yes, and I didn't know this, 364 00:22:59,560 --> 00:23:02,720 Speaker 1: and somehow on Twitter I interacted with him within the 365 00:23:02,720 --> 00:23:06,960 Speaker 1: past like two years, and he either d m me 366 00:23:07,200 --> 00:23:09,480 Speaker 1: or he said it on his Twitter like, well we've 367 00:23:09,480 --> 00:23:13,480 Speaker 1: actually met before, and he sent me oh he said 368 00:23:13,480 --> 00:23:15,760 Speaker 1: he came with Matt and visited and met us all 369 00:23:17,520 --> 00:23:26,240 Speaker 1: what pre Hamilton's and I posted in the heights Oh wow, idea, 370 00:23:27,760 --> 00:23:33,439 Speaker 1: isn't that crazy? Wow? Because Maddie would have like you 371 00:23:33,480 --> 00:23:36,679 Speaker 1: know like Laura Bell, Bundy came, I think, I think Merissa, Jaredett, 372 00:23:37,040 --> 00:23:42,800 Speaker 1: Jared win Ogre came, I don't remember lincoming. Wow, absolutely insane. 373 00:23:43,280 --> 00:23:45,040 Speaker 1: I felt so rude. I was like, oh my god, 374 00:23:45,840 --> 00:23:52,880 Speaker 1: so sorry. It's the best. Um. So that was yeah. Well, 375 00:23:52,920 --> 00:23:55,359 Speaker 1: the musical numbers of this episode, and also it was 376 00:23:55,400 --> 00:23:57,320 Speaker 1: fun to have like a compact thing where it was 377 00:23:57,400 --> 00:24:02,920 Speaker 1: like one and done. That's true. Around it just felt 378 00:24:02,960 --> 00:24:05,439 Speaker 1: more exciting too because it was something new and it 379 00:24:05,520 --> 00:24:10,159 Speaker 1: was um, you know, they had to constantly reinvent the 380 00:24:10,160 --> 00:24:12,480 Speaker 1: wheel on the show in terms of how do we 381 00:24:12,560 --> 00:24:16,879 Speaker 1: keep as fresh and exciting and nailed it. Nailed it. 382 00:24:17,200 --> 00:24:20,880 Speaker 1: This was yeah, this was fun. Um. Somebody. A fan 383 00:24:20,960 --> 00:24:25,840 Speaker 1: also said that this episode reminds them of the Saved 384 00:24:25,880 --> 00:24:28,240 Speaker 1: by the Bell episode where Jesse takes the caffeine pills 385 00:24:28,280 --> 00:24:32,760 Speaker 1: and she said, I'm so excited, I'm so excited, I'm 386 00:24:32,840 --> 00:24:36,520 Speaker 1: so scared. That must have been the inspiration for this, 387 00:24:36,640 --> 00:24:40,400 Speaker 1: right had to be. We should find out. I'll text 388 00:24:40,440 --> 00:24:43,440 Speaker 1: Rhinemur if you're right now and ask him, um, if 389 00:24:43,480 --> 00:24:45,520 Speaker 1: this episode was inspired by Jesse Inside by the Bill 390 00:24:45,600 --> 00:24:48,080 Speaker 1: and if the matchups were his idea, so we can 391 00:24:48,119 --> 00:24:51,840 Speaker 1: get some clarity, see your response, and then we have 392 00:24:51,880 --> 00:24:54,560 Speaker 1: to talk about the engagement. We have to talk about 393 00:24:54,600 --> 00:24:59,960 Speaker 1: the engagement. Sue is really, really, really busy. She's meddling, 394 00:25:00,760 --> 00:25:04,200 Speaker 1: she's meddling heart, and Ken doesn't want to propose no, 395 00:25:04,840 --> 00:25:07,399 Speaker 1: and Emma doesn't want to say yes. But then also 396 00:25:07,880 --> 00:25:11,000 Speaker 1: Emma's getting it from Ken, getting it from Sue. And 397 00:25:11,040 --> 00:25:13,840 Speaker 1: then Emma also in this episode stands up to Terry 398 00:25:13,880 --> 00:25:17,600 Speaker 1: and says Will deserves better. So like everyone is really 399 00:25:18,200 --> 00:25:23,000 Speaker 1: put into these uncomfortable situations. Continued, so Emma says that 400 00:25:23,080 --> 00:25:26,159 Speaker 1: she she agrees to the proposal, it has to be 401 00:25:26,200 --> 00:25:33,840 Speaker 1: a secret one, which tickles. I am tickled by that um. 402 00:25:33,880 --> 00:25:35,840 Speaker 1: But then she has to tell Will more importantly that 403 00:25:35,920 --> 00:25:38,879 Speaker 1: she said yes to Ken to knock his proposal. And 404 00:25:39,040 --> 00:25:44,400 Speaker 1: this is foreshadowing in the Hallway of My Life would 405 00:25:44,400 --> 00:25:49,280 Speaker 1: Suck Without You? At the end of the season, it 406 00:25:49,359 --> 00:25:51,600 Speaker 1: felt like we were about to break into that song. 407 00:25:51,680 --> 00:25:53,320 Speaker 1: I was waiting for a big song at the end 408 00:25:53,359 --> 00:25:55,200 Speaker 1: of this episode, and I was like, what is there 409 00:25:55,200 --> 00:26:00,760 Speaker 1: a song here? There isn't, but there's The drama is delicious, right, 410 00:26:01,280 --> 00:26:04,280 Speaker 1: and we're getting set up for Rachel back on her 411 00:26:04,359 --> 00:26:09,280 Speaker 1: elliptical in her room is very high. It's time, um 412 00:26:09,280 --> 00:26:14,560 Speaker 1: getting ready for sectionals. The other big thing that happens 413 00:26:14,640 --> 00:26:20,320 Speaker 1: because there's again, um, irresponsible choices by the adults at McKinley. 414 00:26:20,400 --> 00:26:28,120 Speaker 1: I obviously, Terry gets fired UM once Principal Figins learns 415 00:26:28,160 --> 00:26:32,479 Speaker 1: what happened, and he's angry with Will because you know 416 00:26:33,240 --> 00:26:36,159 Speaker 1: the Will and Terry of it all that he appoints 417 00:26:36,240 --> 00:26:40,040 Speaker 1: a new co director of the glee Club. God and 418 00:26:40,080 --> 00:26:44,520 Speaker 1: who do we think that as Janet Mm hmmm, um, 419 00:26:44,640 --> 00:26:51,160 Speaker 1: Sue none other than Sue Sylvester meddling meddling Lady. I'll 420 00:26:51,160 --> 00:26:55,879 Speaker 1: never forget shooting that scene because number one, it was 421 00:26:55,920 --> 00:26:57,760 Speaker 1: a weird camera move that they did. Is that what 422 00:26:57,880 --> 00:26:59,679 Speaker 1: I remember too? I was like, why do I remember this? 423 00:26:59,800 --> 00:27:03,000 Speaker 1: Rand ever forget the scene. I don't know why. Maybe 424 00:27:03,000 --> 00:27:05,200 Speaker 1: it's the move, the camera move, Maybe it was like 425 00:27:05,560 --> 00:27:09,200 Speaker 1: something was going on that day on set, But UM, 426 00:27:10,119 --> 00:27:13,320 Speaker 1: I will always remember that that scene. And then also 427 00:27:14,320 --> 00:27:16,240 Speaker 1: I think it's also because it was the first time 428 00:27:16,240 --> 00:27:19,600 Speaker 1: we actually got to work with Jane. It was so 429 00:27:19,640 --> 00:27:22,600 Speaker 1: we were so excited and we were we couldn't stop 430 00:27:22,680 --> 00:27:26,320 Speaker 1: laughing at her entrance, and it's it's not even like 431 00:27:26,359 --> 00:27:29,520 Speaker 1: her funniest stuff, but somehow like we were just so 432 00:27:29,640 --> 00:27:33,880 Speaker 1: excited to have her. Yeah, so so excited. Um, and 433 00:27:33,960 --> 00:27:38,239 Speaker 1: so that that was the scene that most other than 434 00:27:38,240 --> 00:27:40,240 Speaker 1: our musical, And that was also the first time where 435 00:27:40,280 --> 00:27:42,920 Speaker 1: she had been involved in a choir room scene where 436 00:27:42,960 --> 00:27:44,440 Speaker 1: she had been used to these sort of one on 437 00:27:44,520 --> 00:27:46,560 Speaker 1: one scenes that are very quick, or you know, a 438 00:27:46,640 --> 00:27:50,000 Speaker 1: couple of people in the teacher's lounge like, welcome to 439 00:27:50,040 --> 00:27:51,720 Speaker 1: the choir room. We're going to be here for another 440 00:27:51,760 --> 00:27:54,119 Speaker 1: eight hours, eight hours because there are eighteen of us 441 00:27:54,160 --> 00:27:59,719 Speaker 1: to shoot. So true. So you were talking about the 442 00:28:00,400 --> 00:28:05,160 Speaker 1: weird or interesting camera movements, and I remember Led sort 443 00:28:05,240 --> 00:28:12,280 Speaker 1: of introduced doing different camera movements into the show or 444 00:28:12,359 --> 00:28:16,680 Speaker 1: later on in the series, we have some other cool ones, 445 00:28:16,760 --> 00:28:18,679 Speaker 1: and we have some new directors to come and who 446 00:28:18,960 --> 00:28:21,479 Speaker 1: can't take liberties and try these things. And I remember 447 00:28:22,040 --> 00:28:24,400 Speaker 1: we were so used to a specific way of shooting 448 00:28:24,400 --> 00:28:27,600 Speaker 1: these episodes or was formula and eld came in, She's 449 00:28:27,640 --> 00:28:31,720 Speaker 1: like what about this. We'd be like, can you do this? 450 00:28:32,600 --> 00:28:35,439 Speaker 1: But I also remembered for her it was which I 451 00:28:35,440 --> 00:28:39,320 Speaker 1: thought was really interesting because we didn't necessarily get to 452 00:28:39,320 --> 00:28:42,600 Speaker 1: talk to directors about these types of things. But these 453 00:28:42,640 --> 00:28:45,920 Speaker 1: directors weren't used to shooting musical numbers, and so I 454 00:28:45,960 --> 00:28:52,320 Speaker 1: remember her and I having a conversation around Crafty, and 455 00:28:52,360 --> 00:28:55,600 Speaker 1: she was asking me about how to shoot, not how 456 00:28:55,640 --> 00:28:58,120 Speaker 1: to shoot like she's not like she couldn't figure it out, 457 00:28:58,640 --> 00:29:01,120 Speaker 1: but she knew I had I'm from like music and 458 00:29:01,160 --> 00:29:04,280 Speaker 1: had done music videos and all these things about how 459 00:29:04,320 --> 00:29:08,320 Speaker 1: to Yeah, how what did I think was important in 460 00:29:08,320 --> 00:29:12,080 Speaker 1: shooting the musical numbers? And and I think for us, 461 00:29:12,160 --> 00:29:15,040 Speaker 1: because not all of us, for the best dancers, there 462 00:29:15,040 --> 00:29:17,000 Speaker 1: are a lot of close ups. You have those things 463 00:29:17,040 --> 00:29:20,280 Speaker 1: to sort of cover the mistakes. But and I think 464 00:29:20,920 --> 00:29:25,080 Speaker 1: cinematically it looks better I think for story when you 465 00:29:25,120 --> 00:29:27,280 Speaker 1: aren't closer and can see the looks to people, and 466 00:29:27,560 --> 00:29:29,960 Speaker 1: but for dancing and for performance wise, you need to 467 00:29:30,000 --> 00:29:32,320 Speaker 1: have a lot of wide shots to cover all of that. 468 00:29:32,920 --> 00:29:35,960 Speaker 1: And I remember telling her that were like a dance 469 00:29:35,960 --> 00:29:38,440 Speaker 1: needs to be covered wider so you can see the 470 00:29:38,480 --> 00:29:41,640 Speaker 1: movements informations that we all work on intentionally. And she's like, 471 00:29:41,920 --> 00:29:43,840 Speaker 1: oh my god, that's a very good point. I didn't 472 00:29:43,920 --> 00:29:46,600 Speaker 1: realize that. It's like, yeah, because I understand from a 473 00:29:46,640 --> 00:29:50,480 Speaker 1: director's standpoint, who's coming into cover story and narrative you're 474 00:29:50,480 --> 00:29:53,120 Speaker 1: getting like the looks and the reactions and the yeah 475 00:29:53,200 --> 00:29:56,120 Speaker 1: yeah yeah. So it's about finding that balance between covering 476 00:29:56,120 --> 00:29:59,720 Speaker 1: our bad dancing also covering you know, the story that's 477 00:29:59,720 --> 00:30:02,280 Speaker 1: going on, but also look at these incredible sets and 478 00:30:02,400 --> 00:30:06,320 Speaker 1: staging informations. Um, so like how do you? And I 479 00:30:06,360 --> 00:30:09,760 Speaker 1: really liked that we were able to have that conversation 480 00:30:09,880 --> 00:30:13,200 Speaker 1: because this was a weird thing for directors to come 481 00:30:13,200 --> 00:30:16,800 Speaker 1: in and shoot, and it was early enough that like 482 00:30:16,920 --> 00:30:20,600 Speaker 1: they were like everybody was still figuring it out, versus 483 00:30:20,760 --> 00:30:24,600 Speaker 1: much later in the series where it was very formulated 484 00:30:24,680 --> 00:30:29,240 Speaker 1: like it was, um even especially like the sectionals, regionals, 485 00:30:29,320 --> 00:30:32,280 Speaker 1: nationals were mostly Brad Baker would come in, who used 486 00:30:32,320 --> 00:30:35,440 Speaker 1: to edit um, the show, would come in and direct 487 00:30:35,560 --> 00:30:39,200 Speaker 1: and he somehow magically did it with such grace and 488 00:30:39,280 --> 00:30:42,800 Speaker 1: ease and will have him on. But um, there's such 489 00:30:43,080 --> 00:30:47,720 Speaker 1: a formula or else you forgive my language yourself because 490 00:30:47,720 --> 00:30:50,240 Speaker 1: you don't get everything that you need to get away 491 00:30:50,280 --> 00:30:54,400 Speaker 1: from you very quickly, very quickly. Um. But yeah, it 492 00:30:54,480 --> 00:30:57,640 Speaker 1: was it was fun to have fun and also a 493 00:30:57,680 --> 00:30:59,920 Speaker 1: bit jarring to have directors come in and switch it 494 00:31:00,080 --> 00:31:04,360 Speaker 1: up like later on we'll have like Alfonso Gomez Rey 495 00:31:04,400 --> 00:31:08,480 Speaker 1: home who is we called Fonzi and he he would 496 00:31:08,480 --> 00:31:11,760 Speaker 1: switch it off a lot and his his eyes just 497 00:31:12,400 --> 00:31:17,280 Speaker 1: like no other. UM. It's very unique and different. And 498 00:31:17,320 --> 00:31:19,200 Speaker 1: so it would it would kind of throw us a 499 00:31:19,240 --> 00:31:21,600 Speaker 1: little bit when we would have guest directors come in 500 00:31:21,640 --> 00:31:24,239 Speaker 1: that UM for the first time. That would kind of 501 00:31:24,280 --> 00:31:26,680 Speaker 1: like do things differently. We're like, this isn't how it 502 00:31:26,720 --> 00:31:32,640 Speaker 1: works through us. Yeah, I mean we thought we were 503 00:31:32,680 --> 00:31:36,600 Speaker 1: somebody to say, but well what happened to is that, UM, 504 00:31:36,640 --> 00:31:39,280 Speaker 1: when there's more of us, when there's a bigger production number, 505 00:31:39,360 --> 00:31:43,800 Speaker 1: everything from every department takes longer. So like lighting technically speaking, 506 00:31:43,880 --> 00:31:47,480 Speaker 1: lighting these things, shooting these things, and time equals money. 507 00:31:47,680 --> 00:31:50,840 Speaker 1: And so I think being able to figure out that 508 00:31:50,920 --> 00:31:53,680 Speaker 1: formula and then make sure all the directors and all 509 00:31:53,680 --> 00:31:56,080 Speaker 1: the different departments knew that going forward was going to 510 00:31:56,120 --> 00:32:00,400 Speaker 1: save money because we were an expensive shoot money. It 511 00:32:00,400 --> 00:32:05,200 Speaker 1: took a long time no matter what. So time is money. Um. 512 00:32:06,800 --> 00:32:09,200 Speaker 1: And and and also I have to give a shout 513 00:32:09,200 --> 00:32:13,080 Speaker 1: out that we get to see Howard Bamboo again. Howard 514 00:32:13,080 --> 00:32:17,240 Speaker 1: Bamboo whenever a fan favorite or a John and Kevin favorite, 515 00:32:17,600 --> 00:32:22,000 Speaker 1: that Terry makes him go get more pseudofteran from the store, 516 00:32:22,040 --> 00:32:25,640 Speaker 1: which these days he wouldn't be able to do because 517 00:32:25,680 --> 00:32:32,560 Speaker 1: it's locked behind it a pleax plexiglass locked drawer. Um. 518 00:32:32,600 --> 00:32:34,880 Speaker 1: This was around the time though, where they were starting 519 00:32:34,920 --> 00:32:37,560 Speaker 1: to lock the medicines because the kids were going to 520 00:32:37,600 --> 00:32:41,120 Speaker 1: get them, and so I'm sure that impacted their idea 521 00:32:41,240 --> 00:32:48,120 Speaker 1: to write right about this. Um. Um. Something I noticed 522 00:32:48,440 --> 00:32:50,440 Speaker 1: during this show, and I think it was one of 523 00:32:50,480 --> 00:32:54,600 Speaker 1: those continuity errors. But did you notice that terry shirt 524 00:32:54,720 --> 00:32:58,760 Speaker 1: was pink and this in one scene and then the 525 00:32:58,840 --> 00:33:01,800 Speaker 1: very next scene it's blue while she's talking to Quinn. 526 00:33:02,320 --> 00:33:07,400 Speaker 1: But theoretically, you're right, she could have. She could have. 527 00:33:08,400 --> 00:33:10,040 Speaker 1: But if I remember, like I think it was the 528 00:33:10,080 --> 00:33:12,960 Speaker 1: same day, but in TV land, that wouldn't have happened that. 529 00:33:13,480 --> 00:33:16,360 Speaker 1: Oh so some there's something wrong scripty miss that one. 530 00:33:16,560 --> 00:33:18,719 Speaker 1: Something happened. I don't know. I don't want to anybody 531 00:33:18,720 --> 00:33:33,480 Speaker 1: in trouble. But maybe what's done, it's done. She would 532 00:33:33,560 --> 00:33:35,920 Speaker 1: do some tarty takes. Let's do some tarty takes. Okay, 533 00:33:38,440 --> 00:33:47,720 Speaker 1: dirty takes, all right, So cringe moment of this episode. Um, 534 00:33:47,800 --> 00:33:52,360 Speaker 1: you know, I think the proposal made me feel really, 535 00:33:52,720 --> 00:33:58,120 Speaker 1: really uncomfortable. Yeah, fair enough, I'm still uncomfortable. When I 536 00:33:58,160 --> 00:34:01,800 Speaker 1: think about it, Yeah, I agree, partially because I think 537 00:34:01,960 --> 00:34:05,800 Speaker 1: nobody wanted to do it. No, and then this poor 538 00:34:05,800 --> 00:34:09,799 Speaker 1: man do it now I know, I know, Um the 539 00:34:09,840 --> 00:34:15,280 Speaker 1: worst dance move. I don't think there's any bad dance, 540 00:34:15,920 --> 00:34:18,840 Speaker 1: but the unfortunate incident is you being injured for the 541 00:34:18,880 --> 00:34:22,240 Speaker 1: rest of your life from this number. It was honestly 542 00:34:22,280 --> 00:34:26,640 Speaker 1: worth it. I did it again on tour and just 543 00:34:26,760 --> 00:34:29,839 Speaker 1: it was just part of it. Um the best song. 544 00:34:29,960 --> 00:34:32,319 Speaker 1: So who do you think have the better mash of Kevin? Well, 545 00:34:32,400 --> 00:34:35,439 Speaker 1: I'm guessing because it was Halo You're going to Save 546 00:34:35,480 --> 00:34:40,600 Speaker 1: the Girls? Um, I have to say I sort of 547 00:34:40,600 --> 00:34:45,920 Speaker 1: feel fifty fifty about this one. Well, I do too 548 00:34:45,719 --> 00:34:49,279 Speaker 1: to the next time we do this it's not. But 549 00:34:49,440 --> 00:34:54,320 Speaker 1: this time I feel like, yeah, it was a really 550 00:34:54,360 --> 00:34:56,839 Speaker 1: good The guys had a really good mashup. I think 551 00:34:56,880 --> 00:34:58,960 Speaker 1: so too, and we you know, the guys get a 552 00:34:59,000 --> 00:35:01,759 Speaker 1: lot of ship for it. But I think I think 553 00:35:01,760 --> 00:35:07,720 Speaker 1: it was pretty good. I'm going with the boys. Really yeah, wow, 554 00:35:09,880 --> 00:35:12,719 Speaker 1: you guys, Yeah, it was really good. I think it's 555 00:35:12,760 --> 00:35:15,319 Speaker 1: because we got to watch and so like being able 556 00:35:15,360 --> 00:35:18,239 Speaker 1: to watch yours was you guys were out of your 557 00:35:18,280 --> 00:35:21,560 Speaker 1: mind and it was so so fun to watch. I'm 558 00:35:21,560 --> 00:35:24,520 Speaker 1: scared for my scared for myself and Tina. She was 559 00:35:24,560 --> 00:35:28,319 Speaker 1: so extra Amber spaces also Amber in this episode is 560 00:35:28,680 --> 00:35:32,560 Speaker 1: wild and she's the ringleader of you girls by the 561 00:35:32,560 --> 00:35:35,279 Speaker 1: way of being like whatever, we got this. She was 562 00:35:35,320 --> 00:35:38,080 Speaker 1: doing my nails. She's like, I say, we just wing it. Yeah, 563 00:35:38,800 --> 00:35:43,880 Speaker 1: like the eyes have it? Like what? I love that? Alright? 564 00:35:44,040 --> 00:35:49,440 Speaker 1: Best line? Well, I mean I feel like the dear Journal. 565 00:35:49,520 --> 00:35:51,359 Speaker 1: I think the dear the whole, the entirety of the 566 00:35:51,400 --> 00:35:54,320 Speaker 1: near journal, and maybe within the dear journal. The about 567 00:35:54,320 --> 00:35:57,839 Speaker 1: to turn thirty line is probably my favorite. It hits 568 00:35:57,880 --> 00:36:00,440 Speaker 1: just as hard as the first time that I heard it. 569 00:36:01,840 --> 00:36:04,719 Speaker 1: And then the best performance by a prop Well, first 570 00:36:04,719 --> 00:36:06,400 Speaker 1: of all, I have to say that little machine that 571 00:36:06,520 --> 00:36:11,359 Speaker 1: you you operate, Yeah, that one's pretty great. I don't 572 00:36:11,360 --> 00:36:14,560 Speaker 1: know why it makes me laugh. Um. I think a 573 00:36:14,600 --> 00:36:19,719 Speaker 1: second contender could be the actual journal. Oh yeah, and 574 00:36:19,719 --> 00:36:22,280 Speaker 1: we get more journal. And I did a little clap 575 00:36:22,320 --> 00:36:28,480 Speaker 1: to myself when the tear journals. I wonder if Ethan 576 00:36:28,560 --> 00:36:33,840 Speaker 1: really liked to write these journals. Will have to ask, right, yeah, 577 00:36:34,200 --> 00:36:35,960 Speaker 1: because what goes on in that head of him? I 578 00:36:35,960 --> 00:36:39,600 Speaker 1: feel like any sue sees it, and any journal entry 579 00:36:39,760 --> 00:36:44,040 Speaker 1: is just the most insane train of thought and you 580 00:36:44,120 --> 00:36:46,880 Speaker 1: just let it go like a creative writing session, right, 581 00:36:47,640 --> 00:36:50,440 Speaker 1: every horrible thing comes up with this is alarming and 582 00:36:50,520 --> 00:36:54,399 Speaker 1: also amazing. So Jenna this week and should we found 583 00:36:54,400 --> 00:36:56,520 Speaker 1: on TikTok a ghost of what we were talking about 584 00:36:56,520 --> 00:37:02,040 Speaker 1: with a little continuity, errors and glee Sometimes it was 585 00:37:02,080 --> 00:37:06,520 Speaker 1: posted on TikTok by Glee clips and then Mackenzie tagged 586 00:37:06,640 --> 00:37:11,520 Speaker 1: us and asked us to address this. So Trent the 587 00:37:11,560 --> 00:37:17,600 Speaker 1: Warbler a k a. Dominic dom Dominic Barnes sweet Um 588 00:37:17,920 --> 00:37:24,480 Speaker 1: was apparently going to McKinley and Dalton Academy at the 589 00:37:24,520 --> 00:37:29,000 Speaker 1: same time, because if you find the video, there are 590 00:37:29,200 --> 00:37:32,879 Speaker 1: clips of him in classes at McKinley. And then he's 591 00:37:32,880 --> 00:37:36,680 Speaker 1: a warbler. You know what he used, just a double dipper. 592 00:37:37,080 --> 00:37:40,000 Speaker 1: Maybe he's got a twin that lives in a different district. 593 00:37:40,760 --> 00:37:44,600 Speaker 1: I love that. Also, again, continuity he was. He ended 594 00:37:44,680 --> 00:37:47,160 Speaker 1: up being in thirteen episodes, but I think eventually he 595 00:37:47,280 --> 00:37:50,640 Speaker 1: was just a warbler. A warbler he went when the 596 00:37:50,640 --> 00:37:53,480 Speaker 1: Warblers were more set. I think that's when they realized 597 00:37:53,480 --> 00:37:56,000 Speaker 1: they couldn't double dip anymore with these people because they're 598 00:37:56,000 --> 00:38:00,799 Speaker 1: just too familiar. Exactly, very good. Thank you. M oh yeah, 599 00:38:00,840 --> 00:38:05,560 Speaker 1: and I mean it goes on and it shows him. Um, yeah, 600 00:38:05,600 --> 00:38:08,239 Speaker 1: he's a fool on in one of the classes and 601 00:38:08,520 --> 00:38:12,239 Speaker 1: he's got a very recognizable face. And he was great 602 00:38:12,239 --> 00:38:14,719 Speaker 1: in the Warblers. I love that. I love that one. 603 00:38:14,760 --> 00:38:18,719 Speaker 1: Shout out to Dominic and shout out to Glee clip 604 00:38:19,360 --> 00:38:22,760 Speaker 1: that was great. Um, and keep keep tagging like mckensey 605 00:38:22,760 --> 00:38:26,280 Speaker 1: tagis and that here we are, So thanks for leading 606 00:38:26,360 --> 00:38:29,520 Speaker 1: us down the path. Yeah, that's the episode of the 607 00:38:29,600 --> 00:38:34,360 Speaker 1: episode that is Vitamin D. So before we go, I 608 00:38:34,600 --> 00:38:42,240 Speaker 1: texted Ryan and he actually responded Jenna, Yes, so um 609 00:38:42,480 --> 00:38:46,919 Speaker 1: Vitamin D. False didn't It was not inspired by Saved 610 00:38:46,960 --> 00:38:49,320 Speaker 1: by the Bell. It was inspired by his love and 611 00:38:49,360 --> 00:38:54,279 Speaker 1: addiction to Clarton Deed during the Allergy season. That sounds right. 612 00:38:54,960 --> 00:38:57,719 Speaker 1: Ryan also's like walking into this set me like, oh, 613 00:38:57,800 --> 00:39:01,400 Speaker 1: theologies in this building are so bad. Sinuses is always 614 00:39:01,440 --> 00:39:07,480 Speaker 1: complaining about them? Is everybody else's sinuses acting up? Well? 615 00:39:07,560 --> 00:39:11,200 Speaker 1: Because fun fact, the stages we were on, um the 616 00:39:11,280 --> 00:39:14,279 Speaker 1: big stage they filmed the Ten Commandments on, So there 617 00:39:14,360 --> 00:39:17,759 Speaker 1: was a water tank underneath the stage. Yes, and he 618 00:39:17,760 --> 00:39:21,680 Speaker 1: thought it was moldy and mildewey. I didn't feel that way, 619 00:39:21,719 --> 00:39:24,279 Speaker 1: but you know. Um. The other question was if the 620 00:39:24,280 --> 00:39:29,120 Speaker 1: matchups are his idea, and yes, they were his idea indeed. Um. 621 00:39:29,160 --> 00:39:31,480 Speaker 1: I also did throw in a bonus question because a 622 00:39:31,560 --> 00:39:33,680 Speaker 1: lot of people have asked us about this. Okay, what 623 00:39:33,880 --> 00:39:38,440 Speaker 1: is it? Um, we're the bloopers because there have been 624 00:39:38,480 --> 00:39:42,160 Speaker 1: so many questions about bloopers. There was a DVD that 625 00:39:42,160 --> 00:39:43,600 Speaker 1: said they were going to be bloopers on it, and 626 00:39:43,600 --> 00:39:46,719 Speaker 1: then it came out bloopers. So he said, I never 627 00:39:46,760 --> 00:39:49,040 Speaker 1: liked to release bloopers from my shows out of respect 628 00:39:49,080 --> 00:39:52,759 Speaker 1: for the actors. Oh oh, I love it. I mean 629 00:39:52,880 --> 00:39:54,480 Speaker 1: I love it too, but that makes a lot of sense. 630 00:39:55,440 --> 00:39:58,839 Speaker 1: I understand what Actually very nice, Um, I do love 631 00:39:58,880 --> 00:40:02,200 Speaker 1: that though. I love yes. So thank you Ryan for responding. 632 00:40:02,840 --> 00:40:07,040 Speaker 1: We'll keep it going. Also, on a selfish note, before 633 00:40:07,080 --> 00:40:11,160 Speaker 1: the holidays, Jenna and I, you know, and some of 634 00:40:11,160 --> 00:40:15,920 Speaker 1: our friends, we're doing children's just children's group called the Alphabets, 635 00:40:15,960 --> 00:40:18,440 Speaker 1: and there's a Christmas epe, so just go download it 636 00:40:18,480 --> 00:40:20,600 Speaker 1: and it's a lot of fun for the whole family. 637 00:40:20,760 --> 00:40:24,560 Speaker 1: The Alphabets with a Z family friendly. Kevin put a 638 00:40:24,640 --> 00:40:27,439 Speaker 1: lot of time work into this. We really enjoyed doing it, 639 00:40:28,000 --> 00:40:33,160 Speaker 1: and I think this could be really great for your family. 640 00:40:33,200 --> 00:40:35,520 Speaker 1: So yeah, there'll be more to come in the future, 641 00:40:35,640 --> 00:40:38,000 Speaker 1: but for now, enjoy this little Christmas ep with us 642 00:40:38,000 --> 00:40:42,520 Speaker 1: and a lot of our friends. Yes, enjoy the holidays. Everyone, 643 00:40:42,920 --> 00:40:46,120 Speaker 1: Happy holidays. There's not gonna be a recap um for 644 00:40:46,200 --> 00:40:50,239 Speaker 1: the holidays, but you get two special bonuses. There's Snacksmiths 645 00:40:50,320 --> 00:40:56,080 Speaker 1: and there's a special metaverse episode with Darren Chris Darren Okay, 646 00:40:56,120 --> 00:40:58,640 Speaker 1: so be sure to check that out. Because we we 647 00:40:58,719 --> 00:41:02,120 Speaker 1: talked about Christmas, we talk about traditions, holidays, we talked 648 00:41:02,120 --> 00:41:05,320 Speaker 1: about Glee Christmas, and I mean between these two episodes, 649 00:41:05,800 --> 00:41:09,560 Speaker 1: we have so many special guests, so listen to both 650 00:41:09,600 --> 00:41:12,560 Speaker 1: of them. Tell your friends, enjoy the holidays, and we 651 00:41:12,600 --> 00:41:14,719 Speaker 1: will see you in the new year. Recabin in the 652 00:41:14,760 --> 00:41:17,799 Speaker 1: new year. Thanks for making this year so wonderful with 653 00:41:17,880 --> 00:41:21,759 Speaker 1: all of our Glee family. We'll keep it going. See 654 00:41:21,760 --> 00:41:24,560 Speaker 1: you next year. Yeah, that's what you really missed. Boy. 655 00:41:26,080 --> 00:41:29,680 Speaker 1: Hey guys, we just wanted to acknowledge the passing of 656 00:41:30,560 --> 00:41:35,719 Speaker 1: Twitch Boss and we are gutted to hear the news 657 00:41:35,920 --> 00:41:42,400 Speaker 1: for the world, for the dance community, for the entertainment industry, 658 00:41:42,520 --> 00:41:47,120 Speaker 1: for and especially for his family. For Allison and his children. 659 00:41:47,480 --> 00:41:51,160 Speaker 1: He was an incredibly bright light, UM and so lucky 660 00:41:51,200 --> 00:41:52,879 Speaker 1: to have gotten to spend the brief time with him 661 00:41:52,920 --> 00:41:56,040 Speaker 1: that we did, and just wanted to let them know, 662 00:41:56,440 --> 00:41:59,160 Speaker 1: UM that we are thinking of them and sending as 663 00:41:59,200 --> 00:42:03,040 Speaker 1: much love as possible at this extremely unpathomable difficult time. 664 00:42:03,880 --> 00:42:06,680 Speaker 1: If you or someone you know is considering suicide, please 665 00:42:06,680 --> 00:42:10,760 Speaker 1: contact the nine eight eight Suicide Crisis Lifeline by dialing 666 00:42:10,840 --> 00:42:14,400 Speaker 1: nine eight eight or texting Strength to the crisis text 667 00:42:14,400 --> 00:42:18,080 Speaker 1: line at seven four one seven four one, or go 668 00:42:18,200 --> 00:42:20,719 Speaker 1: to nine eight eight lifeline dot org