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Speaker 1: Yo.

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Speaker 2: Finally we're here Drink Chances, the fourth Annual Black Effect

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Speaker 2: Podcast Festival. We're gonna be there, No, we's gonna tear

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Speaker 2: it up. You know there's a lot of black people there,

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Speaker 2: so you be black as hell. Hey from twenty fifth Atlanta, Georgia.

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Speaker 2: Please go get your tickets. I'm telling you, go get

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Speaker 2: your tickets. I know how this happened. I've been going there.

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Speaker 2: It's been going there. You've been going there. Go get

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Speaker 2: your tickets. He's going down Drink Chances, fourth Annual Black Effect,

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Speaker 2: Black Black, Black Black Effect dot Com Slash Podcast Festival.

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Speaker 3: And we're.

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Speaker 1: I know.

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Speaker 3: Exactly what are you gonna be?

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Speaker 4: Homing boy?

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Speaker 5: And one up is d J e f N.

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Speaker 2: This is militipic crazy war Chests, drink Chess, forecast makes.

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Speaker 4: Up And if you need a hit, this.

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Speaker 1: Is the guy you gotta call to you.

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Speaker 2: This man is a hit maker after hip maker at

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Speaker 2: the hip maker and he is he is the guy

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Speaker 2: when you want to go to the guy and say.

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Speaker 4: One million percent.

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Speaker 2: Ship, I need a help for I need I need

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Speaker 2: I need a I got you.

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Speaker 4: This guy, this guy is the one.

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Speaker 1: Only and I need to for you.

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Speaker 4: In case you don't know what are we talking about?

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Speaker 2: Were talking aboubout the one that's yo man, Yo man,

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Speaker 2: Yo listen. I see Richard Milly, I see it. I

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Speaker 2: see it. It's fantastic. It's a big man.

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Speaker 1: You know what I'm saying.

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Speaker 4: It's fantastic.

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Speaker 2: But yo, okay, holy moly, you dropping a solo album?

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Speaker 1: Yes, sir, same difference April third.

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Speaker 4: So what made you want to drop a solo album?

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Speaker 1: I ain't gonna lie. Been wanted to drop it. It's

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Speaker 1: just like the timing and everything, you know, everything was

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Speaker 1: just happening. It's like we've been in the game like

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Speaker 1: a decade now, but it's like I stayed in the studio.

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Speaker 1: So it's like all these songs just pile up on

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Speaker 1: my hard drive, you know what I'm saying. Even shrim

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Speaker 1: Life one, it just kept us torn, Like we couldn't

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Speaker 1: even stop torn from shrim Life one. But yeah, it's

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Speaker 1: just like it's long overdue, but it's perfect time.

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Speaker 2: Because a lot of a lot of it makes me

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Speaker 2: remin this off my own group, right, I'm a part

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Speaker 2: of Component R Yeah.

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Speaker 1: The way too.

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Speaker 4: And that's but then I look at y'all and I'm.

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Speaker 2: Like, damn, y'all, doing y'are doing what what what?

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Speaker 1: What?

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Speaker 2: What we wanted to do right right and and let

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Speaker 2: me let me, let me let me manifest that that's hard.

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Speaker 4: Thanks.

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Speaker 2: Yeah, y'all are doing solo acts and then y'all staying together.

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Speaker 1: That ship is it's like three of us that ship.

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Speaker 4: That ship is like.

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Speaker 1: And we talk about it. It's like it's like Jordan

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Speaker 1: Jordan Brand say, well, Mike, yeah, listen, like Jordan Brands,

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Speaker 1: like the Jordan tem and Jordan twelve. It's like different Jordans.

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Speaker 1: You gotta you gotta keep dropping different ones. You know

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Speaker 1: what I'm saying. They are great.

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Speaker 4: I didn't realize that you gotta drop the elevens.

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Speaker 1: You gotta drop the twelve. You gotta so.

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Speaker 2: All right, So let me ask because I'm again, I

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Speaker 2: have more success as a solo artist than I did

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Speaker 2: as a h what's such a call and group? Is

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Speaker 2: that something you worried about? Because because like me, like

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Speaker 2: like like listen, I just celebrated components fiftieth birthday.

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Speaker 4: I went to his party. Let's birthday, his party.

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Speaker 2: I went and I celebrated it and I was I

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Speaker 2: was so happy.

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Speaker 4: But then again.

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Speaker 2: I had to also think, like you know, you know,

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Speaker 2: you know I had more success as a solo artist.

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Speaker 2: Is that something that you're worried about? Because me, I

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Speaker 2: wasn't worried about it because my homie.

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Speaker 4: Actually had my back, Like he actually had my back.

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Speaker 6: Yeah, it's like, yeah, but you have the training wheels

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Speaker 6: too because Poe got locked up when y'all released the

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Speaker 6: first album, So you kind of felt like a solo

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Speaker 6: artist in a sense.

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Speaker 5: I feel like you're enough.

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Speaker 1: So that's so.

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Speaker 4: Is that something you worried about?

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Speaker 1: Like with me, I wouldn't. I wouldn't say worried about it,

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Speaker 1: but like it's really like I don't want to miss nothing.

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Speaker 1: Like even when I was doing stuff with Ray Shimmer,

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Speaker 1: like and we got diamond songs. Yeah, that's y'all group together,

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Speaker 1: that's my brother. You know what I'm saying. Black Beatles

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Speaker 1: is diamond. It's crazy, got crazy success. But then it's

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Speaker 1: like even the songs that I did put out because

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Speaker 1: we was making so many songs, always to this day,

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Speaker 1: just making so many songs, so we dropping so many songs,

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Speaker 1: and it's like my features going up as these songs

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Speaker 1: are going up with the group. You know what I'm saying,

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Speaker 1: I'm pushing with the group. Me and Jimmy together every day,

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Speaker 1: shit shouting, share hotel planes, I see him good morning,

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Speaker 1: you know some good night. You know what I'm saying.

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Speaker 1: We all ways together. So it's like, are we doing

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Speaker 1: that these other songs on the side, We're just working,

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Speaker 1: you know, I'm steady working, Like I'm catching plays left

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Speaker 1: and right, like Boom in the Studio, Boom, New York, Studio,

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Speaker 1: La Australia, whatever. So the songs that we're doing other artists,

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Speaker 1: I'm going up too. So it's like, damn, that's just

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Speaker 1: something that the fans made, Like damn they fucking with

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Speaker 1: Sweatly Heavy too. And it's like so it's like damn,

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Speaker 1: Like I don't worry about the success level because like

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Speaker 1: we already had to say, like even Sunflower Unforgettable, it

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Speaker 1: was like, that's solo success, you know, that's sway Lee.

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Speaker 1: You know what I'm saying. It's just me, you know

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Speaker 1: what I'm saying. But I look at it like we're

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Speaker 1: far from finishing, like far from beginning, you know what

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Speaker 1: I'm saying. Like it's crazy.

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Speaker 4: Okay. So we had French spontane on here.

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Speaker 2: Yeah, French said, look I'm looking at your homie, your homie, everybody.

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Speaker 1: A thousand stories. I don't know what you about to say.

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Speaker 1: I said a thousand stories, you know what I'm saying.

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Speaker 1: On Twitter's like French said he didn't make a dollar. See,

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Speaker 1: I don't know nobody CPAs or nothing, but that's a

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Speaker 1: billion stream song plus my bad it might even be

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Speaker 1: too bid. I don't even know how the situation of

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Speaker 1: the contract, you know what I'm saying. But I know

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Speaker 1: I got my percentage on that. I wrote that. I

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Speaker 1: know I got my ship. I feel like everybody got

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Speaker 1: their fair share of the song, you know what I'm saying.

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Speaker 1: And that ship was that ship was going up while

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Speaker 1: Black Beatles was going up, you know what I'm saying.

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Speaker 1: So she was just going up. Like I got my

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Speaker 1: fair shared. The business was done right. And I shot

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Speaker 1: the French on that like he got his hands on

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Speaker 1: the song. You know what I'm saying. He's a big part.

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Speaker 1: It was like, I ain't got no bad blood on

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Speaker 1: that song because but for the record, that's my pen.

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Speaker 1: You know what I'm saying. I don't even know why

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Speaker 1: it's question that's my pin. You can listen to it

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Speaker 1: and hear it's not good enough. You know it's me

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Speaker 1: talking that. I'm talking at talk. You know what I'm saying. Like,

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Speaker 1: I did that shit in my lip in my in

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Speaker 1: my bedroom, at the bottom.

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Speaker 3: Of my bed.

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Speaker 1: I woke up that day. They black beatles. You know

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Speaker 1: what I'm saying. That was the next song I made.

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Speaker 1: You know what I'm saying. I brought it to Jimmy.

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Speaker 1: Jimmy was focused on the album. I was like, jim

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Speaker 1: get on this song because I felt strongly about that song.

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Speaker 1: I'm like, this is one of the ones. So initially

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Speaker 1: I told Jimmy, hey, bro do a verse on. This

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Speaker 1: is one of the ones. He was locked in. He

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Speaker 1: was knocking down verses for shrim one of the Shrims. Boom,

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Speaker 1: all right, boom. So my neighbor is Molly mal He

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Speaker 1: live across the street from me, with my house is

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Speaker 1: like literally twenty feet from his. So I always go

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Speaker 1: to his studio too. I'm cooking songs. Boom that song

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Speaker 1: I'm playing on that So that song I left over

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Speaker 1: there basically on his heart drives the shit. So somehow

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Speaker 1: somewhere I don't know if it was through Jeremiah or

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Speaker 1: how it came about, but French heard it. You know

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Speaker 1: what I'm saying. He recognized, He recognized what caliber song

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Speaker 1: it was. He like he wanted to put a verse

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Speaker 1: on the boom. Long story story, he put a verse

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Speaker 1: on the boom. I heard the song, I'm like, it's

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Speaker 1: just fire like. It sounds hard, you know what I'm saying.

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Speaker 1: And I fuck with French. I grew up listening to

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Speaker 1: frend You know what I'm saying. Everybody walk a flogger

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Speaker 1: duchi man. You know what I'm saying, a lot of

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Speaker 1: the greats they graced me from Missippi. This is what

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Speaker 1: I'm listening to. So I'm like, French, Montanna Swally is

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Speaker 1: left field. I'm thinking, this is why why am I

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Speaker 1: drop my album album? Going Up a ship Boom. The

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Speaker 1: key thing that made that song go up is two

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Speaker 1: hundred and fifty thousand dollars video they finished shoot to

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Speaker 1: this song while I'm going around the world. You know

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Speaker 1: what I'm saying, I'm in Germany and ship manne can

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Speaker 1: chat first? Yeah, that freezing a champ.

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Speaker 4: Your time I was doing, y'all.

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Speaker 2: We got to cut into that clip, yeah clip so boom.

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Speaker 1: The key component that really like made my brain click

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Speaker 1: t one fifty dollars video in Africa with the kids.

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Speaker 1: You know what I'm saying. I'm part Nigerian too, so

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Speaker 1: I'm like, and I love making afro. That's my that's

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Speaker 1: my natural rhythm. Afrobeas, Yeah, afro all that, like just

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Speaker 1: anything with rhythm, Like I can do that in my sleep. Like,

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Speaker 1: so boom that connected for me. I'm like, boom man,

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Speaker 1: take it to the moon, you know I'm saying. But

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Speaker 1: long story short, Yeah, I wrote that ship and it

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Speaker 1: was just a great collapse. You know what I'm saying.

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Speaker 1: It wasn't It might not have been the fairest way

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Speaker 1: that the song came about. It wasn't the textbook weight

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Speaker 1: that it came about, you know what I'm saying. But

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Speaker 1: you know what I'm saying. But one thing I should

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Speaker 1: have did is changed the artwork. Though see I was

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Speaker 1: moving so fast. If you look at the artwork, my

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Speaker 1: face is on the artwork. So people think listeners, they're

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Speaker 1: not like, oh, this is first they think they might

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Speaker 1: think he's singing that. That's singing that, you know what

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Speaker 1: I'm saying. But that's one thing that's.

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Speaker 2: Kind of you know what I'm saying, Crazy ain't gonna

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Speaker 2: lie to crazy. Story that record went that record, win,

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Speaker 2: let's make that.

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Speaker 4: Record went do you do all right?

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Speaker 3: That?

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Speaker 4: Let's double diamond? All right?

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Speaker 1: So they grew up with that.

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Speaker 2: His his his was crazy, this is crazy. I had

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Speaker 2: a record that was was in this to me and

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Speaker 2: it was called Jaga Jaga Jaga, but it was originally

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Speaker 2: called that Nigga Noori and oh, I grant it?

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Speaker 1: Do you given that? To Frinch? Like, keep it real,

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Speaker 1: keep it real, I ain't gonna say may to start with,

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Speaker 1: he wrote it. No, I think Jeremiah was gonna do

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Speaker 1: a verse on it. Me and Jeremiah was working up.

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Speaker 1: You didn't know what was gonna happen with the records,

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Speaker 1: but I just did it. It was another one of

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Speaker 1: my twenty three hundred songs. I'm just like, I love

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Speaker 1: that record, you know right, And I was gonna come

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Speaker 1: back to him just sitting with it. Actually, I got

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Speaker 1: Wizky and I sent it to wiz Kid first thing

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Speaker 1: on Twitter, So I got the whiz Kid verse too,

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Speaker 1: you know what I'm saying. So wiz Kid did a

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Speaker 1: verse and then all that ship came about. So it

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Speaker 1: was like and.

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Speaker 2: Frince heard that ship, he was like, he was, ga,

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Speaker 2: what I'm saying that a smart move. You know what

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Speaker 2: I'm saying, smart move, make some noise first of my

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Speaker 2: Now I'm all person that's a group member. Mm hmmmm

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Speaker 2: h you are venturing out to be a solo artist.

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Speaker 4: M hm, that's your ass. And man, this is my son.

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Speaker 4: That's my son.

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Speaker 1: Okay, yeah, yeah, yeah, yeah yeah.

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Speaker 2: He don't come out for no for nobody, he said,

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Speaker 2: so yeah yeah yeah, yeah, you do music too. I

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Speaker 2: think he wants to want I think he wants to

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Speaker 2: and you know what, I'm gonna support him clean.

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Speaker 1: But you.

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Speaker 5: It's it's hard.

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Speaker 2: It's hard being it's hard being a part of a

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Speaker 2: group and then being a solo artist. Like I know,

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Speaker 2: I wont when me and mister no, I know, I

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Speaker 2: know you, like all of these people here, probably won't know.

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Speaker 2: But what made you want to do that? It made you?

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Speaker 1: It's just I think it's just it's stuff that's left unsaid,

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Speaker 1: you know what I'm saying. The group we say certain

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Speaker 1: certain stuff, we touched certain topics, and then my solo

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Speaker 1: projects they touching certain topics. You know what I'm saying.

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Speaker 1: It's like I'm just showing people versions of me they

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Speaker 1: never seen before. You know what I'm saying, like I'm

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Speaker 1: bringing them to my mind and shit, and it's like

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Speaker 1: everything that we put out together is like it connected,

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Speaker 1: you know what I'm saying. People growing up with this music,

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Speaker 1: like over a decade of music. Like if you ask

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Speaker 1: like ten people like yo, what's what's you think about Swedey?

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Speaker 1: What do you think about Ray Shimmer? What's your favorite

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Speaker 1: song for now? Like at this point, like they might

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Speaker 1: all say a different song, you know what I'm saying.

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Speaker 1: So it's like they might say a solo sunflower, you

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Speaker 1: know what I'm saying. They might say come get her.

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Speaker 1: You know what I'm saying, Like who knows, Like but

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Speaker 1: I don't know. It's like I've done it before, you

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Speaker 1: know what I'm saying too, Like I stepped out solo

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Speaker 1: tours post my owns like and I love being in

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Speaker 1: a group too, because like if I'm tired, I didn't

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Speaker 1: did all my dances for stay, I'm tired as a motherfucker.

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Speaker 1: Jim gonna come through the full energy, you know what

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Speaker 1: I'm saying, Just do a front flip, turn the up. Well,

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Speaker 1: I'm geting my little chill moments. It's like you always

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Speaker 1: got somebody you can bounce back off of you know

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Speaker 1: what I'm saying, But.

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Speaker 2: It's like ahead, good bye.

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Speaker 4: I love this.

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Speaker 2: I could identify with you so much, bro. Yeah yeah, no, no, no,

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Speaker 2: identify with it because ef M probably knows this. Like

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Speaker 2: the reason why I went solo was because my partner

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Speaker 2: got locked up, right, But the reason why I see you.

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Speaker 1: Going, I get you saying, like people move at different paces.

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Speaker 1: You know what I'm saying. That's that's definitely a thing,

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Speaker 1: like people move at different paces, and my pace is

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Speaker 1: just like Bugatti fast, you know what I'm saying. So

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Speaker 1: even while Broad taking his moments do it that he

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Speaker 1: got to do working on his projects, I can still

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Speaker 1: be feed you know what I'm saying, still be connected

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Speaker 1: with people. You know what I'm saying, giving them feast,

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Speaker 1: giving them thanksgivings, you know what I'm saying. And it's

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Speaker 1: like it was a lot of moments when I should

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Speaker 1: have had my project turned in. It's like and I

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Speaker 1: switched gears and I focus on my group because that's

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Speaker 1: that's my main focus. You know what I'm saying, Ray Shimmer,

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Speaker 1: But of course you know what I'm saying, Like it's

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Speaker 1: spilling over to this hey pop up Hey, you're like,

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Speaker 1: you know, swim Jimmy, helofairs too. They pop up Slim Jimmy, like,

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Speaker 1: you know what I'm saying, but sweetly big too. Now

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Speaker 1: we got the biggest song in the world, bigger than

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Speaker 1: Michael Jackson's Sunflower. You know what I'm saying. That's like

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Speaker 1: me just on a Wednesday, pulling up on post alone,

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Speaker 1: just working, you know what I'm saying. So it's like, yeah,

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Speaker 1: we're doing it all. You know what I'm saying. You know,

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Speaker 1: I'm gonna spin back with the greatest his Ray, Shimmer Kids,

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Speaker 1: Bob Rady, Shrimmer and you both deserve it.

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Speaker 2: And it's big him up because he's he's also running too.

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Speaker 1: Who slim, Oh yeah, yeah, he's locked in. He's locked in.

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Speaker 4: He locked in.

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Speaker 1: He made one of the crazy songs the other day,

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Speaker 1: Like after he ran the five k, he just came home.

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Speaker 1: He ran a five k and uh brickwell, like hell

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Speaker 1: of people showed up and they just ran like five miles.

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Speaker 1: Then he came home made a song. He's like, bro,

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Speaker 1: it was one of the greatest. So it's one of

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Speaker 1: the greatest songs I heard you making a long time, Like, wow,

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Speaker 1: he's in a different space, like he worked on his

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Speaker 1: project too, So it's really like.

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Speaker 4: So yeah, both got so low.

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Speaker 1: Oh yeah, yeah, it was crazy.

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Speaker 6: I think it feels natural for you guys. Don't think

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Speaker 6: it feels unnaturally. I've been working separately and doing things

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Speaker 6: at the same time.

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Speaker 1: So like on the on Shrimp three, we had a

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Speaker 1: triple disc, you know what I'm saying. He had his

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Speaker 1: solo songs, I have my solo songs, and then we

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Speaker 1: had the group songs. Right, so it's like, yeah, it's

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Speaker 1: something we've been like teasing for a minute, like a

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Speaker 1: big boy andre things exactly, exactly, exactly, let's just call

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Speaker 1: it that exactly.

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Speaker 4: They might be the new outcast.

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Speaker 2: Let's appreciated our show. We get people up the flowers,

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Speaker 2: thank you. We want to give you your flowers. You

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Speaker 2: want to make sure that you know how important you

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Speaker 2: are to hip hop and Snoops Dog said it's better. Yeah,

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Speaker 2: he said it's better than the Grammy because it comes

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Speaker 2: from our people. Yeah yeah, yeah, yeah, yeah, yeah yeah, no.

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Speaker 1: No, no, you can take yeah. Yeah.

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Speaker 2: So so we're gonna also play a game with you.

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Speaker 1: We got a quick time, quick time. Oh yeah, whatever

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Speaker 1: you've got right now.

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Speaker 4: Yeah, Snoop Dogg said.

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Speaker 2: It's better than the Grammy because it comes from our people.

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Speaker 2: And sincerely, silly, sincerely appreciate what you're doing, man, Like

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Speaker 2: what you're doing is fucking amazing. Man, Like I love

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Speaker 2: I love it. I want to. I want to like

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Speaker 2: you know what I mean, like champion, Yeah, I want

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Speaker 2: to champion it.

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Speaker 4: That's what I like.

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Speaker 2: You know, you knew what I was about to say,

343
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Speaker 2: to champion it, because you guys are motherfucking legends.

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Speaker 1: Man.

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Speaker 2: You guys are are continuing to do with with with

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Speaker 2: me and I.

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Speaker 4: If I want to continue with hip.

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Speaker 1: Hop, that's big, thank you.

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Speaker 4: And we want to. We want to. We want to

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Speaker 4: salute that man. You know what I'm saying. We're going

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Speaker 4: to continue to do that man.

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Speaker 2: And but you got some fun right now, We're gonna

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Speaker 2: have some fun taking game.

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Speaker 6: If you've ever watched and seen the drinking game, it's

355
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Speaker 6: called quick Time.

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Speaker 4: It's slime.

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Speaker 6: We're gonna give you two choices. If you pick one

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Speaker 6: of the choices, we don't drink. But if you say both,

359
00:20:16,000 --> 00:20:18,280
Speaker 6: like you say I picked both, I don't pick at all,

360
00:20:18,680 --> 00:20:21,240
Speaker 6: then were drinking. Okay, So basically you don't want to

361
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Speaker 6: answer it, but really about breaking up and yeah, you're

362
00:20:25,720 --> 00:20:28,000
Speaker 6: not trying to start no ship. It's just like you

363
00:20:28,040 --> 00:20:30,920
Speaker 6: know some stories anybody here or anything like that. There's

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00:20:30,920 --> 00:20:33,360
Speaker 6: no criteria, like if we tell you somebody, it could

365
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Speaker 6: be they could just be your homie, or they could

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Speaker 6: be they made trust.

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Speaker 2: Me, son came out. My son doesn't come out for nobody.

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Speaker 2: When he was like you got, you got, I'm coming

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Speaker 2: out right there, he like he's like, no, I'm coming.

370
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Speaker 1: Out all right.

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Speaker 5: First one Gucci Man or French.

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Speaker 1: You choose one like that.

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Speaker 6: If you choose, won't we don't drink.

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Speaker 5: Yeah, we don't take a shot.

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Speaker 1: I gotta go both because I listened to gusher Man.

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Speaker 1: That's that's what turned up on the trap ship like

377
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Speaker 1: one of the main people. And then boom French Ship.

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Speaker 1: We didn't We got the biggest on one of the

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Speaker 1: biggest songs in the world.

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Speaker 4: So we're taking the shot.

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Speaker 5: Yeah, we're taking the shot.

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Speaker 1: Cheers they got the sockey cubs.

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Speaker 5: Yeah. What's your earliest stories with Gucci anything?

384
00:21:31,920 --> 00:21:33,159
Speaker 1: Man? I was one of the first. One of the

385
00:21:33,200 --> 00:21:35,960
Speaker 1: first times I went to Atlanta, I got damn went

386
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Speaker 1: to Memphis, right Mississippi, Cali's and ingle in l A.

387
00:21:41,840 --> 00:21:42,160
Speaker 4: For sure.

388
00:21:43,400 --> 00:21:45,320
Speaker 1: You spent a lot of time in Mississippi growing up,

389
00:21:45,440 --> 00:21:49,200
Speaker 1: and then boom trying to get to Atlanta. So boom,

390
00:21:49,600 --> 00:21:53,200
Speaker 1: i'mt God, damn, I'm at the mall. I'm walking in

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Speaker 1: that bit that yeah, I just seen. I'm like, know

392
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Speaker 1: what the funk I'm walking down I'm about to spend

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00:22:01,040 --> 00:22:02,840
Speaker 1: like thirteen dollars. I really got even I'm broken the

394
00:22:02,880 --> 00:22:07,440
Speaker 1: more fu at this time to spend thirteen dollars Guti, Man,

395
00:22:07,600 --> 00:22:10,720
Speaker 1: what the fuckings walking in the mall like cumbling a

396
00:22:10,920 --> 00:22:16,880
Speaker 1: boom like ship this ship lick like damn. But then boom, Yeah,

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Speaker 1: I was like bright shit real.

398
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Speaker 5: So you've seen him there later.

399
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Speaker 1: On Hell yeah, then we got Black Beatles.

400
00:22:22,560 --> 00:22:25,800
Speaker 5: Yeah, that's what I'm saying. It's crazy full makes her

401
00:22:25,800 --> 00:22:27,680
Speaker 5: look I got.

402
00:22:29,080 --> 00:22:31,120
Speaker 1: Yeah, boom he was on Black Beatles. That's the first

403
00:22:31,119 --> 00:22:32,320
Speaker 1: time he did. When he came out of jail.

404
00:22:32,440 --> 00:22:33,840
Speaker 5: Did you tell him the story about seeing him in

405
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Speaker 5: the mall?

406
00:22:34,480 --> 00:22:50,080
Speaker 1: Hell no, me crazy Mike Will metro booming, I'm ready

407
00:22:50,119 --> 00:22:52,680
Speaker 1: to take a chot. Know, we got to go both on.

408
00:22:53,080 --> 00:22:58,040
Speaker 1: Mike Will made it the fucking go basement days metro Booming.

409
00:22:58,080 --> 00:23:00,320
Speaker 1: We've been rocking for a minute too, Like you know

410
00:23:00,359 --> 00:23:01,879
Speaker 1: what I'm saying, Like I love how you give. Mike

411
00:23:02,000 --> 00:23:04,680
Speaker 1: Will love like one of my one of my real

412
00:23:04,720 --> 00:23:06,920
Speaker 1: big brothers, Like yeah, I love how y'all giving. I

413
00:23:07,040 --> 00:23:08,920
Speaker 1: always you know what I'm saying, shake with Mike Will.

414
00:23:09,000 --> 00:23:11,600
Speaker 1: For sure, that's my brother. We just have Mike Will

415
00:23:11,680 --> 00:23:14,000
Speaker 1: on the show too. Yeah, I've seen that to.

416
00:23:15,880 --> 00:23:16,440
Speaker 5: Just took mine.

417
00:23:16,920 --> 00:23:22,240
Speaker 1: Mike Will made it. Michael Jackson definitely dropping tape this

418
00:23:22,280 --> 00:23:22,600
Speaker 1: year too.

419
00:23:23,960 --> 00:23:24,920
Speaker 4: You and Mike Will by.

420
00:23:24,840 --> 00:23:27,200
Speaker 1: Yourself, Will hold Mike Will.

421
00:23:27,880 --> 00:23:29,680
Speaker 4: He did not mention that he did.

422
00:23:30,600 --> 00:23:32,439
Speaker 1: He did. We definitely did.

423
00:23:32,760 --> 00:23:33,720
Speaker 5: He was drunk by the time.

424
00:23:36,600 --> 00:23:38,320
Speaker 4: Yeah, no, no, we were.

425
00:23:39,880 --> 00:23:42,439
Speaker 5: Definitely. Look so wait, when's that dropping?

426
00:23:43,040 --> 00:23:44,879
Speaker 1: We got to finish it, Like we got like so

427
00:23:44,960 --> 00:23:46,840
Speaker 1: many songs, like we could just round up hell of

428
00:23:46,920 --> 00:23:47,800
Speaker 1: songs and this, but.

429
00:23:47,760 --> 00:23:50,280
Speaker 5: It's definitely something that's dropping. Yeah.

430
00:23:50,880 --> 00:23:52,439
Speaker 1: Now that we're just giving ship back out there just

431
00:23:52,440 --> 00:23:55,399
Speaker 1: feeling them. It's like, man, I look at it like

432
00:23:56,040 --> 00:24:00,960
Speaker 1: so your solo, oh Trump, I look at like one

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00:24:00,960 --> 00:24:03,840
Speaker 1: with me and just Mike. Well, because the way I'm

434
00:24:03,840 --> 00:24:08,160
Speaker 1: looking at it, bro like this nigga Prince, he dropped

435
00:24:08,160 --> 00:24:13,400
Speaker 1: like thirty albums, like bro thirty albums, you know, saying

436
00:24:14,480 --> 00:24:18,000
Speaker 1: we got like five right now. It's like damn yeah,

437
00:24:18,359 --> 00:24:23,240
Speaker 1: like and that's like, that's the rate we gotta be going.

438
00:24:23,440 --> 00:24:27,000
Speaker 7: Yeah, that's a good attitude for.

439
00:24:30,760 --> 00:24:34,680
Speaker 1: I. Oh yes, I said ship as an artist, I'm

440
00:24:34,680 --> 00:24:38,920
Speaker 1: like yeah, yeah, noah, yeah, yes, for real, for real compilation.

441
00:24:39,200 --> 00:24:43,040
Speaker 4: Oh my god, this is crazy. My bad, my bad, guys.

442
00:24:45,680 --> 00:24:49,640
Speaker 1: Yes, I want everything.

443
00:24:53,800 --> 00:24:57,280
Speaker 5: Let us the next one, which is Michael Jackson or Prince. Oh,

444
00:24:57,400 --> 00:24:58,640
Speaker 5: this is take your time.

445
00:24:58,720 --> 00:25:01,920
Speaker 1: No, that's an easy one. I funk with Michael Jackson

446
00:25:01,960 --> 00:25:04,200
Speaker 1: the Heart the long way, like along a strong way.

447
00:25:04,320 --> 00:25:07,359
Speaker 1: But I'm a prince like tech nigga. Me and Prince

448
00:25:07,400 --> 00:25:09,040
Speaker 1: got the same birthday too. But as a matter of fact,

449
00:25:09,720 --> 00:25:12,200
Speaker 1: and I just said something about Prince that's crazy. Yeah,

450
00:25:12,920 --> 00:25:15,639
Speaker 1: but like June seven, me and Prince got the same birthday.

451
00:25:15,680 --> 00:25:18,080
Speaker 1: That's so boom. I gotta go Prince man. And they

452
00:25:18,200 --> 00:25:21,840
Speaker 1: got down on the motorcycle and ship that ship all right,

453
00:25:21,880 --> 00:25:24,919
Speaker 1: So he's not taking a shot, okay, oh yeah the one.

454
00:25:25,040 --> 00:25:27,200
Speaker 1: Oh yeah, we're safe on this on Yeah, we say.

455
00:25:28,280 --> 00:25:32,640
Speaker 5: God, Travis Scott the future, damn.

456
00:25:33,440 --> 00:25:35,640
Speaker 1: Got I gotta go both. Yeah, shot the clock.

457
00:25:37,400 --> 00:25:39,399
Speaker 4: Show, shot a clock.

458
00:25:39,400 --> 00:25:40,040
Speaker 1: I don't got no more.

459
00:25:40,600 --> 00:25:43,200
Speaker 4: Yeah, no, no, no, I want don't worry.

460
00:25:43,280 --> 00:25:44,960
Speaker 1: Oh ship believing it dunk?

461
00:25:45,440 --> 00:25:45,840
Speaker 3: Who was that?

462
00:25:46,119 --> 00:25:47,680
Speaker 4: It was Michael Jacks? Who was it?

463
00:25:47,880 --> 00:25:50,240
Speaker 5: Or Prince? Oh no, no what Travis Scott?

464
00:25:50,280 --> 00:25:52,359
Speaker 4: The future was the Scott future?

465
00:25:54,080 --> 00:25:58,920
Speaker 1: Okay? Any stories when with Travis or future Ship? Hell yeah,

466
00:25:59,040 --> 00:26:00,879
Speaker 1: locked in both of and we locked in. We got

467
00:26:00,960 --> 00:26:03,640
Speaker 1: too much, too much heat, you know what I'm saying.

468
00:26:04,520 --> 00:26:06,320
Speaker 1: For real, did a lot of stuff. Shout out trave

469
00:26:07,440 --> 00:26:10,639
Speaker 1: real Razor been doing it, Like who did you have.

470
00:26:10,720 --> 00:26:13,200
Speaker 5: The craziest show with that You've been on stage with?

471
00:26:13,320 --> 00:26:13,920
Speaker 5: Out of them too?

472
00:26:14,440 --> 00:26:17,200
Speaker 1: Probably Travis Scott, because yeah, his is crazy.

473
00:26:17,240 --> 00:26:19,840
Speaker 3: For real, I was.

474
00:26:20,040 --> 00:26:21,720
Speaker 1: I was just a future of them in Japan though, Like,

475
00:26:22,200 --> 00:26:23,560
Speaker 1: we changed the culture in Japan.

476
00:26:23,920 --> 00:26:25,400
Speaker 3: How was that? Man?

477
00:26:25,480 --> 00:26:32,480
Speaker 1: These months they brought Sexy read Us Future Bass Swag

478
00:26:33,280 --> 00:26:37,040
Speaker 1: to Japan and brought Magic City to Japan. I saw

479
00:26:37,160 --> 00:26:41,080
Speaker 1: that ship. Yeah City to Japan. Yeah, I saw that.

480
00:26:41,600 --> 00:26:45,560
Speaker 1: Oh I felt the culture shift just being there. I'm like, man,

481
00:26:45,600 --> 00:26:47,679
Speaker 1: they changed the whole culture. Like it felt like they

482
00:26:47,760 --> 00:26:49,400
Speaker 1: felt like we were in Miami or something like, Oh

483
00:26:49,440 --> 00:26:50,040
Speaker 1: that was crazy.

484
00:26:50,560 --> 00:26:51,840
Speaker 4: No, no, no, no Miami.

485
00:26:52,400 --> 00:26:56,200
Speaker 1: They brung Atlanta, Atlanta, Atlanta. It was like the energy

486
00:26:56,280 --> 00:26:58,680
Speaker 1: was like Miami, but it was Atlanta. Filling with the

487
00:26:58,880 --> 00:27:01,920
Speaker 1: energy was on Atlanta on Miami time. So just like

488
00:27:02,560 --> 00:27:06,280
Speaker 1: no rules, just like super wild ship. Are you having

489
00:27:06,359 --> 00:27:13,920
Speaker 1: these girls twerking like the you like they don't feel

490
00:27:13,960 --> 00:27:14,919
Speaker 1: like you've heard it all. It's like.

491
00:27:17,080 --> 00:27:19,120
Speaker 5: They really respect and absorb the cultures.

492
00:27:19,800 --> 00:27:23,920
Speaker 1: They knew every word, screaming the words, all future songs,

493
00:27:24,040 --> 00:27:29,439
Speaker 1: all sexy red songs, stand on furniture like crazy, Wait, what's.

494
00:27:29,320 --> 00:27:31,440
Speaker 3: The question you answer?

495
00:27:32,000 --> 00:27:33,440
Speaker 5: I'll just ask you any stories.

496
00:27:33,160 --> 00:27:38,200
Speaker 1: With Travis Scott Boom, that's my dog, Like are like

497
00:27:38,359 --> 00:27:41,840
Speaker 1: our energyes like to words collide like so like I

498
00:27:41,920 --> 00:27:43,920
Speaker 1: had to get my t done, like fucking one of

499
00:27:43,960 --> 00:27:46,760
Speaker 1: his shows, like so Boom he was in Miami. He

500
00:27:46,840 --> 00:27:48,840
Speaker 1: brought me out to the show Boom. I'm jumping on

501
00:27:48,880 --> 00:27:51,399
Speaker 1: the stage. I had my big chain on this. This

502
00:27:51,480 --> 00:27:54,040
Speaker 1: is like my ship flipped too. I had a big

503
00:27:54,080 --> 00:27:56,600
Speaker 1: as Q and all with mysil on it and it's

504
00:27:56,640 --> 00:27:59,359
Speaker 1: like it's sharp on the end on the l jumping

505
00:27:59,359 --> 00:28:02,160
Speaker 1: on the stage. He brought me I did want something

506
00:28:02,240 --> 00:28:05,520
Speaker 1: Boom chain slipped up hit my tooth, Boom ship, my

507
00:28:05,600 --> 00:28:08,040
Speaker 1: ship Boom. It was a gift in the curse though,

508
00:28:08,160 --> 00:28:10,400
Speaker 1: So I'm walking around boom and finished the show Boom,

509
00:28:10,880 --> 00:28:14,080
Speaker 1: I go back. I'm like, damn, got the whole country

510
00:28:14,160 --> 00:28:17,639
Speaker 1: looking at splitt in my tooth ship look country like,

511
00:28:18,680 --> 00:28:20,200
Speaker 1: so I had to get my teeth done and ship.

512
00:28:20,200 --> 00:28:23,720
Speaker 1: But it was like, bro, the Travis got crazy every

513
00:28:23,800 --> 00:28:24,560
Speaker 1: time I'm.

514
00:28:24,440 --> 00:28:25,000
Speaker 4: Taking a shot.

515
00:28:25,080 --> 00:28:28,439
Speaker 1: For that, I'm sorry, Damn, I got just let him

516
00:28:28,440 --> 00:28:28,600
Speaker 1: do his.

517
00:28:28,640 --> 00:28:30,439
Speaker 5: Extra shot clipper shots over.

518
00:28:32,400 --> 00:28:32,920
Speaker 3: I loove.

519
00:28:34,240 --> 00:28:40,400
Speaker 1: Movie Some Flower unforgettable. It's like one of the hardest

520
00:28:40,480 --> 00:28:43,160
Speaker 1: questions ever in life. Like I don't even know myself

521
00:28:43,200 --> 00:28:43,520
Speaker 1: because I.

522
00:28:43,600 --> 00:28:44,680
Speaker 3: Like your baby.

523
00:28:45,720 --> 00:28:51,800
Speaker 1: Damn, bro, my bad. I'm going straight to the club. Yeah, yeah,

524
00:28:56,560 --> 00:28:59,560
Speaker 1: forgive me in advance when I started schweeking no no, no, no,

525
00:28:59,840 --> 00:29:04,200
Speaker 1: you yeah doing that? I like how that little like

526
00:29:04,400 --> 00:29:05,840
Speaker 1: medium small shot stuff.

527
00:29:05,880 --> 00:29:07,680
Speaker 5: Yeah, because we know we won't take a lot.

528
00:29:07,840 --> 00:29:08,880
Speaker 1: Yeah, I know this is going well.

529
00:29:09,480 --> 00:29:13,680
Speaker 5: Go ahead, Oh Kodak or twenty one Savage.

530
00:29:18,880 --> 00:29:26,440
Speaker 1: Damn. Like, personally, it's whatever, Damn that rock with you

531
00:29:26,520 --> 00:29:36,560
Speaker 1: said Drake. They could do a home I like to

532
00:29:36,680 --> 00:29:37,360
Speaker 1: use a lifeline.

533
00:29:39,200 --> 00:29:42,280
Speaker 4: You get life fly, solid solid.

534
00:29:45,360 --> 00:29:50,720
Speaker 1: Gang taking shots for this? Who he take.

535
00:29:53,720 --> 00:29:55,040
Speaker 4: I'm like, he doesn't.

536
00:29:57,360 --> 00:30:00,880
Speaker 1: Camera is gonna come out crooked. As the U go

537
00:30:00,880 --> 00:30:02,080
Speaker 1: ahead outcast, U.

538
00:30:02,120 --> 00:30:02,400
Speaker 8: G k.

539
00:30:04,760 --> 00:30:10,280
Speaker 1: Me personally outcare outcast for shure We're safe, We save gentlemen.

540
00:30:11,360 --> 00:30:18,440
Speaker 1: That motherfuckery niggas look sounds like the cover song for that,

541
00:30:18,520 --> 00:30:21,440
Speaker 1: and do the remix hold on that. It would be crazy.

542
00:30:21,560 --> 00:30:25,160
Speaker 1: It would be great with that clearance would be even crazier.

543
00:30:25,880 --> 00:30:27,400
Speaker 3: Okay, maybe you do with them.

544
00:30:27,440 --> 00:30:29,880
Speaker 5: It might be well the labels the label and.

545
00:30:29,920 --> 00:30:34,239
Speaker 1: You gotta track the niggas down, like okay, car the track. Now.

546
00:30:34,400 --> 00:30:37,320
Speaker 1: I did see Andre one time s LS wait wait

547
00:30:37,320 --> 00:30:38,080
Speaker 1: wait wait playing the.

548
00:30:38,440 --> 00:30:41,960
Speaker 2: Hold on summer Bro, you see Andre three thousand, say

549
00:30:42,080 --> 00:30:48,840
Speaker 2: less bro sixty less, sixty less no, say less yeah stop.

550
00:30:49,440 --> 00:30:51,000
Speaker 1: He was cool as a motherfucker. I ain't gonna like

551
00:30:51,000 --> 00:30:53,520
Speaker 1: he took the picture of me and everything, but he's cool, man.

552
00:30:53,640 --> 00:30:53,800
Speaker 4: Yeah.

553
00:30:53,840 --> 00:30:55,520
Speaker 1: I think he had a flue too. I ain't gonna

554
00:30:55,600 --> 00:30:56,320
Speaker 1: think he had a flute.

555
00:30:56,600 --> 00:30:57,280
Speaker 4: He had a flute.

556
00:30:57,360 --> 00:30:58,920
Speaker 1: I think he had the flu.

557
00:30:59,080 --> 00:30:59,920
Speaker 5: Is crazy.

558
00:31:06,040 --> 00:31:11,560
Speaker 1: Comte clearly what kind of I'm sorry?

559
00:31:14,840 --> 00:31:15,400
Speaker 4: What happened?

560
00:31:15,400 --> 00:31:19,360
Speaker 1: All right? Ship this ship, this ship, this ship happened. Okay,

561
00:31:20,040 --> 00:31:23,080
Speaker 1: So he was in say less sixty less, yeah, sixty less.

562
00:31:23,600 --> 00:31:26,560
Speaker 1: It's like it's like some condos like New York. Tell

563
00:31:26,840 --> 00:31:29,520
Speaker 1: it's fine, and then what happened?

564
00:31:30,360 --> 00:31:31,040
Speaker 4: You saw him?

565
00:31:31,360 --> 00:31:34,040
Speaker 1: I gave my number ship and then we took a

566
00:31:34,040 --> 00:31:36,840
Speaker 1: picture and shot I put on my Grammar ship and

567
00:31:38,600 --> 00:31:44,840
Speaker 1: nothing came from it, though he cool even cross crossing paths.

568
00:31:44,880 --> 00:31:47,920
Speaker 1: Its like that's the introduction, like something could still come

569
00:31:47,960 --> 00:31:49,600
Speaker 1: from it in the future.

570
00:31:49,640 --> 00:31:50,920
Speaker 5: You know that would be crazy.

571
00:31:52,800 --> 00:31:53,120
Speaker 1: All right.

572
00:31:56,160 --> 00:32:00,640
Speaker 4: I want to say this one thing, you realize how

573
00:32:00,760 --> 00:32:01,600
Speaker 4: legendary you are.

574
00:32:03,440 --> 00:32:04,760
Speaker 1: I realized I.

575
00:32:08,080 --> 00:32:09,960
Speaker 2: Look that serious, and I'll be looking at this song

576
00:32:10,040 --> 00:32:12,360
Speaker 2: and just hearing people like it's like, do you realize

577
00:32:12,480 --> 00:32:14,200
Speaker 2: how legendary you are?

578
00:32:14,840 --> 00:32:19,520
Speaker 1: I appreciate that, but I'll be seeing it. But I'm like, man,

579
00:32:19,560 --> 00:32:21,400
Speaker 1: I still got like so much more ship to do.

580
00:32:21,600 --> 00:32:25,840
Speaker 1: Like it's just like, damn, I just know what I

581
00:32:25,960 --> 00:32:29,680
Speaker 1: gotta put that, like I know, like I just like

582
00:32:29,680 --> 00:32:31,600
Speaker 1: I'm more to do, like more more ship to do.

583
00:32:32,080 --> 00:32:34,080
Speaker 1: But we're in a good space right now for sure.

584
00:32:35,080 --> 00:32:37,400
Speaker 1: And it's crazy like even like how the man can

585
00:32:37,480 --> 00:32:39,680
Speaker 1: challenge like twenty sixteen and all that ship just came back.

586
00:32:40,680 --> 00:32:44,200
Speaker 1: It's like the fans they steady reminding you, like damn, nigga,

587
00:32:44,200 --> 00:32:52,480
Speaker 1: we're rocking with you, Like so yeah, my nigga, I'm

588
00:32:52,560 --> 00:33:00,280
Speaker 1: going I'm gonna appreciate that you. You laid the break

589
00:33:00,400 --> 00:33:09,000
Speaker 1: bro like like you you Yeah you really, your whole

590
00:33:09,160 --> 00:33:11,760
Speaker 1: era is like the reason I'm even here. So yeah,

591
00:33:12,800 --> 00:33:15,120
Speaker 1: back to you. You know what I'm saying, forever you

592
00:33:15,360 --> 00:33:20,360
Speaker 1: and your brother. Oh yeah, I love y'all. I love

593
00:33:20,480 --> 00:33:23,160
Speaker 1: y'all man, And that means I appreciate it for.

594
00:33:23,440 --> 00:33:26,320
Speaker 4: That ship is that ship is real? Like so solo,

595
00:33:26,720 --> 00:33:28,000
Speaker 4: I'm gonna, I'm gonna give.

596
00:33:27,920 --> 00:33:30,200
Speaker 1: It to you. I might be staying on tables.

597
00:33:30,200 --> 00:33:30,880
Speaker 5: I take another one.

598
00:33:35,360 --> 00:33:38,120
Speaker 1: I take another one solo. It's a little medium shot.

599
00:33:38,160 --> 00:33:41,400
Speaker 7: I got you, all right, Let's keep it going. Let's

600
00:33:41,480 --> 00:33:46,560
Speaker 7: keep it going post Malone or aside Rockey. I'm gonna

601
00:33:46,920 --> 00:33:50,480
Speaker 7: with both of them soon. That shot count is this question.

602
00:33:52,920 --> 00:33:53,840
Speaker 5: I'll take my shot.

603
00:33:56,080 --> 00:34:01,280
Speaker 1: You want to You gotta credit, you gotta credit, You

604
00:34:01,320 --> 00:34:05,120
Speaker 1: gotta shot credit. Guess like that you gotta shot credit.

605
00:34:08,200 --> 00:34:09,840
Speaker 1: But yeah, like a side rocking in the coolest fo

606
00:34:09,920 --> 00:34:13,279
Speaker 1: we had a session we had God damn we made

607
00:34:13,360 --> 00:34:18,680
Speaker 1: like two crazy songs never came out the fuck typical

608
00:34:18,800 --> 00:34:20,239
Speaker 1: artist ship. You know what I'm saying. You make that

609
00:34:20,320 --> 00:34:22,359
Speaker 1: ship just for you to sit on a hard drive

610
00:34:22,440 --> 00:34:25,680
Speaker 1: somewhere so but me and post Alone like that's my brother,

611
00:34:25,840 --> 00:34:30,040
Speaker 1: like he said, the hardest fuck legendary. But my brother

612
00:34:30,080 --> 00:34:32,840
Speaker 1: is too cool that nigga. Me and post Alone like

613
00:34:32,880 --> 00:34:35,239
Speaker 1: we went on a couple of tours like b it's

614
00:34:35,280 --> 00:34:39,359
Speaker 1: like a genuine like good person, like cool last nigga

615
00:34:39,520 --> 00:34:43,920
Speaker 1: just a thousand percent himself. Any room he walked into

616
00:34:44,120 --> 00:34:47,399
Speaker 1: like funck with bro Like that's my brother, like shout

617
00:34:47,440 --> 00:34:51,520
Speaker 1: out my alon. Oh yeah, for sure, all right, reached

618
00:34:51,560 --> 00:34:58,759
Speaker 1: the kid or the baby both hardest fuck I gotta

619
00:34:58,800 --> 00:35:00,759
Speaker 1: rock and Rich the kid man we dropping the song

620
00:35:00,840 --> 00:35:04,719
Speaker 1: on Friday. That's my brother. Don't even call you said

621
00:35:04,719 --> 00:35:06,960
Speaker 1: you dropping on Friday? Yeah, Me and Rich dropping a

622
00:35:07,000 --> 00:35:09,040
Speaker 1: song on Friday. By the time it comes out of out,

623
00:35:10,120 --> 00:35:12,120
Speaker 1: it's out. What's the name of the rads it's called

624
00:35:12,160 --> 00:35:14,520
Speaker 1: don't even call, don't even call. It's one of them.

625
00:35:14,920 --> 00:35:17,440
Speaker 1: It's crazy. Don't even.

626
00:35:20,840 --> 00:35:21,000
Speaker 3: Wait.

627
00:35:21,040 --> 00:35:21,520
Speaker 1: In the morning.

628
00:35:23,440 --> 00:35:23,880
Speaker 4: Here we go.

629
00:35:24,880 --> 00:35:25,440
Speaker 1: Yeah, play that.

630
00:35:28,640 --> 00:35:29,360
Speaker 5: We got to hear it.

631
00:35:29,800 --> 00:35:32,360
Speaker 1: Yeah, we gotta play. Wait, just let him get in

632
00:35:32,400 --> 00:35:33,200
Speaker 1: the bluetooth real quick.

633
00:35:33,640 --> 00:35:37,839
Speaker 5: All right, all right, well yell, let's know me already.

634
00:35:38,440 --> 00:35:43,680
Speaker 1: Get a little I'm gonna get a little back. I'm

635
00:35:43,680 --> 00:35:46,360
Speaker 1: gonna come right back, t I R two chains to

636
00:35:46,560 --> 00:35:50,359
Speaker 1: be continued to take a piss right quick. Yeah yeah,

637
00:35:51,320 --> 00:35:56,360
Speaker 1: yeah yeah, I funk with both. See I had that.

638
00:35:56,560 --> 00:36:01,759
Speaker 1: You can get whatever you like, but me, I fuck

639
00:36:01,800 --> 00:36:05,960
Speaker 1: with two changes crazy that that's that's my dog. Niggas

640
00:36:06,080 --> 00:36:07,440
Speaker 1: legend true.

641
00:36:07,719 --> 00:36:11,120
Speaker 5: So two change on that one. Three six Mafia or

642
00:36:11,160 --> 00:36:11,600
Speaker 5: eight ball.

643
00:36:11,440 --> 00:36:12,000
Speaker 4: And m j G.

644
00:36:14,200 --> 00:36:21,400
Speaker 1: Damn personally three six manfia them niggas. I grew up

645
00:36:21,400 --> 00:36:24,359
Speaker 1: miss SIPI so like them niggas like right next door

646
00:36:24,400 --> 00:36:27,919
Speaker 1: for me, like like menph ship like that ship mind yeah,

647
00:36:28,000 --> 00:36:32,080
Speaker 1: all that ship just like legendary three six months for sure,

648
00:36:32,640 --> 00:36:36,360
Speaker 1: shout ju ju j like and my uncle at this

649
00:36:36,440 --> 00:36:40,640
Speaker 1: point like power Glad. Yeah we got power Glad like

650
00:36:40,640 --> 00:36:44,040
Speaker 1: we did power Glad. That niggas he did that ship

651
00:36:44,120 --> 00:36:46,560
Speaker 1: like one day, sitting it back the next day like

652
00:36:47,520 --> 00:36:48,239
Speaker 1: that's my dog.

653
00:36:48,360 --> 00:36:48,480
Speaker 8: Right.

654
00:36:49,680 --> 00:36:51,680
Speaker 6: How do you feel is that interaction when you're working

655
00:36:51,719 --> 00:36:53,520
Speaker 6: with veteran artists like.

656
00:36:53,520 --> 00:36:53,880
Speaker 4: That, like.

657
00:36:56,200 --> 00:37:00,360
Speaker 1: Like they just be cool people, so it be smooth

658
00:37:00,400 --> 00:37:04,319
Speaker 1: ship like I ain't like to be smooshit. And it's

659
00:37:04,400 --> 00:37:07,799
Speaker 1: like the nigga come come, like I only see him

660
00:37:07,840 --> 00:37:10,920
Speaker 1: like two days, like we like two days and be

661
00:37:10,960 --> 00:37:11,960
Speaker 1: gone like nigga in and out.

662
00:37:12,520 --> 00:37:14,319
Speaker 6: Do you ever feel like there's a difference between working

663
00:37:14,360 --> 00:37:19,600
Speaker 6: with your peers like generationally or newer artists or veterans, Like,

664
00:37:20,000 --> 00:37:22,000
Speaker 6: is anyone easier or more difficult to work with?

665
00:37:26,080 --> 00:37:28,400
Speaker 1: The veterans is kind of easier to work the new

666
00:37:28,400 --> 00:37:30,560
Speaker 1: age niggas they be they be shy or something like

667
00:37:30,640 --> 00:37:34,719
Speaker 1: it s be shy or like mysterious. I don't know

668
00:37:34,760 --> 00:37:38,480
Speaker 1: what it be like. Sometimes they be mysterious hell like

669
00:37:38,719 --> 00:37:42,920
Speaker 1: god damn. Like, yeah, I don't know. I probably say

670
00:37:44,520 --> 00:37:52,440
Speaker 1: La or Miami, mm m Ship we're here like Miami, Miami.

671
00:37:52,520 --> 00:37:58,399
Speaker 1: Actually it's better. It's tax free l A. I used

672
00:37:58,400 --> 00:38:00,719
Speaker 1: to live like three years ago. And Ship she was

673
00:38:00,719 --> 00:38:03,520
Speaker 1: a VI like but Corona like kind of slow that

674
00:38:03,560 --> 00:38:04,560
Speaker 1: ship down and ship.

675
00:38:04,560 --> 00:38:06,480
Speaker 5: The fact you said, text told me where your mind's

676
00:38:06,480 --> 00:38:06,960
Speaker 5: at already?

677
00:38:07,320 --> 00:38:10,440
Speaker 1: Yeah, yeah, for sure. We're watching the.

678
00:38:10,480 --> 00:38:13,600
Speaker 5: Ships performing the record or recording the record.

679
00:38:17,280 --> 00:38:18,120
Speaker 1: Wait, we're still doing it.

680
00:38:18,440 --> 00:38:23,320
Speaker 5: Yeah, we were almost done. We're about five away.

681
00:38:24,680 --> 00:38:25,520
Speaker 1: No, I can't hang.

682
00:38:26,880 --> 00:38:28,320
Speaker 5: You guys. Let's let's let's seep it.

683
00:38:29,040 --> 00:38:31,239
Speaker 1: Oh yeah, Ship, don't even call feature and risk the

684
00:38:31,320 --> 00:38:39,360
Speaker 1: kid man this nigga. Same difference. Drinks chance part to

685
00:38:40,840 --> 00:38:41,840
Speaker 1: extended version.

686
00:38:44,040 --> 00:38:44,960
Speaker 5: That that was dope.

687
00:38:45,560 --> 00:38:45,840
Speaker 3: Thank you.

688
00:38:46,800 --> 00:38:53,640
Speaker 1: So we're dropping that Friday for real dope. We almost

689
00:38:53,680 --> 00:38:56,880
Speaker 1: double quick time, guys, All right, let's go be is

690
00:38:57,360 --> 00:39:06,719
Speaker 1: long time. It's too lit. DMX and Tupac, Damn is

691
00:39:06,800 --> 00:39:07,280
Speaker 1: it Monica?

692
00:39:10,120 --> 00:39:10,920
Speaker 2: Like damn.

693
00:39:13,440 --> 00:39:17,400
Speaker 1: Damn that nigga is fired. Fuck with Tupac like he

694
00:39:17,560 --> 00:39:22,759
Speaker 1: kind of like like the idea of Tupac, Like I

695
00:39:22,840 --> 00:39:27,920
Speaker 1: love think he did, Like damn fuck, I gotta go

696
00:39:28,000 --> 00:39:30,040
Speaker 1: Tupac like a little more. But like I funk with

697
00:39:30,160 --> 00:39:32,960
Speaker 1: DMX like hard body like that nigga was different and

698
00:39:33,040 --> 00:39:35,840
Speaker 1: he was smart. Yeah know what I'm saying, but Supac

699
00:39:36,160 --> 00:39:39,160
Speaker 1: recipes of both I had a lot of influence, you

700
00:39:39,239 --> 00:39:43,600
Speaker 1: know what I'm saying, cut throat like energy like for sure.

701
00:39:44,760 --> 00:39:53,360
Speaker 6: All right, Scarface or ice Cube, I'm noise, no bron.

702
00:39:51,680 --> 00:39:56,440
Speaker 1: Scarface, ice Cube boom for me personally, I gotta rock

703
00:39:56,480 --> 00:39:59,399
Speaker 1: with ice Cube like just his whole legacy and he's

704
00:39:59,440 --> 00:40:02,680
Speaker 1: still doing it to this day. You know what I'm saying. Movies,

705
00:40:03,920 --> 00:40:06,680
Speaker 1: this nigga, This nigga was in Friday after next Friday,

706
00:40:06,840 --> 00:40:09,640
Speaker 1: like that ship was fire, Like I gotta go ice

707
00:40:09,719 --> 00:40:17,960
Speaker 1: Cube and I'm glad we're safe damn. We say we

708
00:40:18,040 --> 00:40:22,040
Speaker 1: gotta use that move forward, and we say you gotta

709
00:40:22,080 --> 00:40:30,160
Speaker 1: hit the umpire say I'm telling you whisky is whist

710
00:40:30,200 --> 00:40:35,360
Speaker 1: kid or the Veto ship. Bro, you know what to do.

711
00:40:39,080 --> 00:40:43,000
Speaker 1: You're your last one over there. I keep pouring out.

712
00:40:44,520 --> 00:40:47,640
Speaker 1: I've been pouring this old times have been pouring you.

713
00:40:47,760 --> 00:40:50,920
Speaker 1: So I just looked up and it was five there,

714
00:40:51,000 --> 00:40:52,759
Speaker 1: like I don't even know. I didn't even see her

715
00:40:52,760 --> 00:40:57,680
Speaker 1: company being shot, Diana. She's dropping them things off.

716
00:40:59,239 --> 00:41:02,759
Speaker 5: A Walker Flocker or Luda.

717
00:41:07,040 --> 00:41:07,160
Speaker 2: Bro.

718
00:41:07,680 --> 00:41:09,879
Speaker 1: They get harder and harder, the question just get harder

719
00:41:09,880 --> 00:41:13,960
Speaker 1: and harder. I gotta go walk a f I love

720
00:41:14,040 --> 00:41:17,320
Speaker 1: Luther Crystal like with the big fist.

721
00:41:18,200 --> 00:41:18,760
Speaker 5: It was crazy.

722
00:41:18,880 --> 00:41:21,400
Speaker 1: We in the red light this straight that ship is crazy.

723
00:41:22,719 --> 00:41:25,040
Speaker 1: But the nigga Walker Flocker like where I'm from.

724
00:41:24,920 --> 00:41:25,000
Speaker 5: Like.

725
00:41:26,800 --> 00:41:30,560
Speaker 1: I go harder and the motherfucking paint nigga and I

726
00:41:30,719 --> 00:41:35,960
Speaker 1: know like he's still to this day that like even

727
00:41:36,040 --> 00:41:38,799
Speaker 1: Lui Loud still to this day too. But I ran

728
00:41:38,880 --> 00:41:41,000
Speaker 1: to walk a few times. That's the coolest fuck, like

729
00:41:41,320 --> 00:41:44,239
Speaker 1: stand up, real, stand up, you know what I'm saying. So, yeah,

730
00:41:44,239 --> 00:41:47,200
Speaker 1: I gotta go to Walker Walker little baby. Yeah, and

731
00:41:47,640 --> 00:41:50,080
Speaker 1: me and me and me and Luda did Fear Factor

732
00:41:50,120 --> 00:41:54,759
Speaker 1: though you did the new the new one, the new

733
00:41:54,960 --> 00:41:58,960
Speaker 1: the new Factor bro in Factor Bro. We did some

734
00:41:59,160 --> 00:42:01,560
Speaker 1: crazy ship bro. I had my I had my head

735
00:42:01,600 --> 00:42:04,440
Speaker 1: in a fish tank like fishing out apples or some

736
00:42:04,520 --> 00:42:09,480
Speaker 1: ship with like electric eels or something. He was the

737
00:42:09,520 --> 00:42:11,640
Speaker 1: host and he was just thought he was doing it

738
00:42:11,680 --> 00:42:15,960
Speaker 1: with you. No, he stayed in the clear. I was

739
00:42:16,080 --> 00:42:19,399
Speaker 1: jumping out of helicopters and ship a type of ship

740
00:42:19,480 --> 00:42:23,400
Speaker 1: like I think we want. I can't remember, but we

741
00:42:23,480 --> 00:42:25,200
Speaker 1: got to double check that. Shout out loud. I love

742
00:42:25,280 --> 00:42:27,719
Speaker 1: Luda and him and Mike Will just dropped the crazy song.

743
00:42:27,840 --> 00:42:31,719
Speaker 1: That's like a legend man, Him and Luda and Ted

744
00:42:31,880 --> 00:42:34,120
Speaker 1: just dropped the song that's like in my play is

745
00:42:34,200 --> 00:42:35,680
Speaker 1: my favorite song right now for sure?

746
00:42:37,320 --> 00:42:38,399
Speaker 5: Little Baby or young Thug.

747
00:42:41,640 --> 00:42:45,880
Speaker 1: I funk with funk with Baby Baby hardest fuck but

748
00:42:47,120 --> 00:42:53,200
Speaker 1: young damn fuck ship. You know what to do, you

749
00:42:53,280 --> 00:42:55,960
Speaker 1: know what to do, And I love thug Thug like

750
00:42:56,480 --> 00:42:59,880
Speaker 1: way a decade ago. Wait, it's gonna be a long speech.

751
00:43:00,080 --> 00:43:05,760
Speaker 1: Don't even with you give your speech already.

752
00:43:06,760 --> 00:43:07,640
Speaker 3: You don't give your speech.

753
00:43:09,280 --> 00:43:10,719
Speaker 1: I'm gonna try to keep my words right after that

754
00:43:10,800 --> 00:43:14,399
Speaker 1: shot like thug like a decade ago. Me and Thug

755
00:43:14,440 --> 00:43:17,600
Speaker 1: got a decade in the game, like together, like this nigga.

756
00:43:17,719 --> 00:43:19,680
Speaker 1: Like when I first moved to Atlanta, was like I

757
00:43:19,800 --> 00:43:22,360
Speaker 1: was hearing a lot of thug and like he blessed

758
00:43:22,400 --> 00:43:26,160
Speaker 1: me with throw some O verse, like I pulled up

759
00:43:26,200 --> 00:43:28,320
Speaker 1: on Thug. We was recording the same studio. It was

760
00:43:28,360 --> 00:43:32,399
Speaker 1: a drama studio at the time, Drama. This nigga. Thug

761
00:43:32,480 --> 00:43:36,799
Speaker 1: came in fifteen minutes he did the verse on throw

762
00:43:36,880 --> 00:43:40,480
Speaker 1: Some More. Wow Bro. This nigga walked in the booth,

763
00:43:43,480 --> 00:43:50,200
Speaker 1: Come in home, missle Toe. I got birdies, crows, liberty

764
00:43:50,239 --> 00:43:51,640
Speaker 1: be want to jump on the dick. I'm like, who

765
00:43:52,280 --> 00:43:55,239
Speaker 1: eat it? I'm like this snig. Then nigga did this

766
00:43:55,440 --> 00:44:02,560
Speaker 1: verse and I kid you not twenty nine minutes, maybe

767
00:44:02,560 --> 00:44:04,879
Speaker 1: even less than that. He did that verse for Nicki

768
00:44:04,960 --> 00:44:07,360
Speaker 1: min I Me Riy Shimmer Nicki and I thought some.

769
00:44:08,360 --> 00:44:10,880
Speaker 1: He did that verse in like twenty minutes. He came

770
00:44:10,920 --> 00:44:14,520
Speaker 1: out the booth, kicked his feet up. This thinks a legend.

771
00:44:14,520 --> 00:44:16,800
Speaker 1: I'm like, yo. Then he did off short from you

772
00:44:16,960 --> 00:44:21,040
Speaker 1: like we that's that's one of the hardest to ever

773
00:44:21,160 --> 00:44:29,760
Speaker 1: do music Like Doug like shout for Sure, you gotta

774
00:44:29,880 --> 00:44:35,040
Speaker 1: like literally stand innovation for that guy. He's like, to

775
00:44:35,160 --> 00:44:38,440
Speaker 1: this day, one of the hardest for sure. All right,

776
00:44:38,440 --> 00:44:41,160
Speaker 1: we're almost done. Two more, No, I can go all day.

777
00:44:41,200 --> 00:44:45,120
Speaker 1: I ain't gonna Ken Drake or Drake. Come on, bro,

778
00:44:47,719 --> 00:44:53,000
Speaker 1: that's great. That's a that's a like we got to

779
00:44:53,040 --> 00:44:55,160
Speaker 1: take a shot like a man.

780
00:44:55,719 --> 00:44:56,080
Speaker 4: For sure.

781
00:44:57,040 --> 00:45:01,120
Speaker 1: We gotta take a shot so much I can't even

782
00:45:01,120 --> 00:45:05,239
Speaker 1: give it between it because like for me, like they're

783
00:45:05,280 --> 00:45:08,320
Speaker 1: both greats. Like you know what I'm saying, Like Kendrick's

784
00:45:08,360 --> 00:45:11,879
Speaker 1: lyrical ability is crazy phenomenal. Man, like this nigga really

785
00:45:11,920 --> 00:45:15,000
Speaker 1: just step in the booth and do that shit. Snigger.

786
00:45:15,080 --> 00:45:19,360
Speaker 1: Drake got six thousand, five hundred and forty five hits,

787
00:45:20,920 --> 00:45:23,520
Speaker 1: you know what I'm saying, Like real hits. You can

788
00:45:23,640 --> 00:45:26,440
Speaker 1: jump in your car and like turn on it vibe

789
00:45:26,520 --> 00:45:29,400
Speaker 1: or two. So I gotta go. Yeah, I gotta get

790
00:45:29,400 --> 00:45:30,400
Speaker 1: a little drunker.

791
00:45:30,719 --> 00:45:32,160
Speaker 4: Yeah on that one.

792
00:45:32,560 --> 00:45:36,080
Speaker 1: The show. Both greats, you know what I'm saying. Titans,

793
00:45:36,320 --> 00:45:38,080
Speaker 1: real titans for sure.

794
00:45:38,920 --> 00:45:41,000
Speaker 5: I know the last one you got this Chico.

795
00:45:41,800 --> 00:45:48,200
Speaker 1: Loyalty or respect? Loyalty or respect? I feel like respect

796
00:45:48,960 --> 00:45:54,680
Speaker 1: because to be loyal, you gotta respect somebody You're not

797
00:45:54,760 --> 00:45:57,640
Speaker 1: going to be loyal to somebody you don't respect, so

798
00:45:58,520 --> 00:46:03,600
Speaker 1: both of them go hand in so we picked Yeah,

799
00:46:03,640 --> 00:46:07,840
Speaker 1: so we safe. Okay, Yeah, so.

800
00:46:10,560 --> 00:46:12,160
Speaker 6: So now we got to get into the new album.

801
00:46:13,360 --> 00:46:15,680
Speaker 6: Let's talk about this joint. I know that this you know,

802
00:46:15,880 --> 00:46:18,760
Speaker 6: I saw the features was crazy on that crazy crazy.

803
00:46:19,840 --> 00:46:21,440
Speaker 6: So when did you start working on this album?

804
00:46:23,280 --> 00:46:26,359
Speaker 1: Basically this album I'll be working on you can say,

805
00:46:26,360 --> 00:46:29,040
Speaker 1: my whole career because some of the songs are like

806
00:46:29,239 --> 00:46:34,440
Speaker 1: they go back like but you like handbreakers from exactly right,

807
00:46:35,000 --> 00:46:37,239
Speaker 1: some of my early cook ups, and I sprinkled them

808
00:46:37,280 --> 00:46:41,080
Speaker 1: in there along with some new ship and then some

809
00:46:41,880 --> 00:46:42,880
Speaker 1: I mixed it all in there.

810
00:46:43,400 --> 00:46:44,960
Speaker 5: So why'd you think now was the right time to

811
00:46:45,000 --> 00:46:46,080
Speaker 5: put out this project?

812
00:46:48,840 --> 00:46:48,960
Speaker 2: Now?

813
00:46:49,000 --> 00:46:52,120
Speaker 1: It's just the time that I was able to sit

814
00:46:52,280 --> 00:46:57,200
Speaker 1: down and just give them just like swallly like personal

815
00:46:57,440 --> 00:47:01,120
Speaker 1: just to me, because like we gave them all the

816
00:47:01,239 --> 00:47:03,880
Speaker 1: Race Shimmer songs up till now, and it's just like

817
00:47:05,040 --> 00:47:08,920
Speaker 1: I was just like, damn, my career is so unique,

818
00:47:09,040 --> 00:47:11,279
Speaker 1: Like I don't think there's ever been an artist that

819
00:47:11,480 --> 00:47:16,399
Speaker 1: like have billion stream songs, the biggest in the world,

820
00:47:16,760 --> 00:47:19,680
Speaker 1: and no solo album, you know what I'm saying, right, Yeah,

821
00:47:19,960 --> 00:47:22,560
Speaker 1: So my career right now, it's like it's crazy, I'm

822
00:47:22,600 --> 00:47:27,040
Speaker 1: just connecting the dots and now it's just like all

823
00:47:27,080 --> 00:47:28,880
Speaker 1: the singles just grew with the people, and all the

824
00:47:28,960 --> 00:47:31,400
Speaker 1: songs just grew with the people, and it's just like

825
00:47:31,600 --> 00:47:35,200
Speaker 1: now I'm just really like showing what I really do,

826
00:47:35,480 --> 00:47:38,080
Speaker 1: you know what I'm saying. So I sat down and

827
00:47:38,120 --> 00:47:39,759
Speaker 1: you know what I'm saying. I mixed the songs, master

828
00:47:39,880 --> 00:47:43,680
Speaker 1: them volume one. You know what I'm saying, Like it's

829
00:47:43,719 --> 00:47:46,000
Speaker 1: just a whole new chapter. But it's like now I

830
00:47:46,160 --> 00:47:46,840
Speaker 1: was just able to.

831
00:47:48,560 --> 00:47:49,080
Speaker 5: Let all the.

832
00:47:49,160 --> 00:47:53,040
Speaker 1: Songs just live with people, let them understand like somewhat

833
00:47:53,080 --> 00:47:55,279
Speaker 1: what I do. And then like now it's just like

834
00:47:56,440 --> 00:47:58,640
Speaker 1: I'm gonna show y'all, like what I really do.

835
00:47:58,760 --> 00:48:00,960
Speaker 5: You know what I'm saying, Like you produced on the record?

836
00:48:01,200 --> 00:48:03,200
Speaker 1: Like I did do some production on this on this

837
00:48:03,320 --> 00:48:06,719
Speaker 1: new album yet No, not not everything, but maybe, like

838
00:48:07,080 --> 00:48:09,400
Speaker 1: I say, like four songs I did personal production on,

839
00:48:10,120 --> 00:48:13,080
Speaker 1: but I funck with like my circuit is like some

840
00:48:13,200 --> 00:48:14,680
Speaker 1: of the greatest producers in the world.

841
00:48:15,239 --> 00:48:17,200
Speaker 5: Who are some of the like standout producers on here?

842
00:48:17,200 --> 00:48:17,520
Speaker 4: I didn't.

843
00:48:17,560 --> 00:48:19,360
Speaker 1: I didn't. I got Lennon on the track on some

844
00:48:19,600 --> 00:48:22,399
Speaker 1: R and b ship, like I got London on the track,

845
00:48:23,040 --> 00:48:24,799
Speaker 1: and that's my bro. We ain't going back and forth

846
00:48:24,840 --> 00:48:26,680
Speaker 1: for a long time, like trying to get just the

847
00:48:26,840 --> 00:48:29,920
Speaker 1: right song right. So we got down my album. So

848
00:48:30,000 --> 00:48:33,680
Speaker 1: it's like I don't mean with bro, like years of

849
00:48:33,760 --> 00:48:36,799
Speaker 1: my years, just like cooking up right. So we got

850
00:48:36,840 --> 00:48:39,120
Speaker 1: the song me and London on track. Then we got

851
00:48:39,160 --> 00:48:41,160
Speaker 1: like just all my little homies like I'll be cooking

852
00:48:41,280 --> 00:48:45,000
Speaker 1: with ear drummers. Of course, of course the Metro helped

853
00:48:45,040 --> 00:48:45,640
Speaker 1: me on the album.

854
00:48:45,960 --> 00:48:47,399
Speaker 5: Should I say, you got Diplo on here?

855
00:48:48,719 --> 00:48:49,319
Speaker 1: I do got dip?

856
00:48:50,239 --> 00:48:50,960
Speaker 5: What's that about?

857
00:48:51,840 --> 00:48:53,840
Speaker 1: Diplo? Me and him got one of the biggest songs

858
00:48:53,880 --> 00:48:59,880
Speaker 1: in the world with Illi, Golden Yello and Dipload. He

859
00:49:00,080 --> 00:49:01,799
Speaker 1: grew up in two below too, so we grew up

860
00:49:01,800 --> 00:49:02,520
Speaker 1: in the same city.

861
00:49:02,800 --> 00:49:03,080
Speaker 3: Wow.

862
00:49:03,880 --> 00:49:06,319
Speaker 1: So he used to be playing basketball on the same

863
00:49:06,440 --> 00:49:08,560
Speaker 1: on the north side, right, which is one of the

864
00:49:08,640 --> 00:49:12,960
Speaker 1: roughest cities in Mississippi. So he in the hood. He

865
00:49:13,080 --> 00:49:15,920
Speaker 1: hooping on his court in Mississippi, like white boy, like

866
00:49:16,960 --> 00:49:19,480
Speaker 1: cool ass white boy, like he in the hood, like

867
00:49:19,800 --> 00:49:22,320
Speaker 1: one of the only white boys on his court, like

868
00:49:22,520 --> 00:49:25,960
Speaker 1: hooping and hooping without the niggas, Like bro, that Nigga's

869
00:49:25,960 --> 00:49:27,920
Speaker 1: a legend like me and Dipplo. We got we got

870
00:49:28,200 --> 00:49:31,200
Speaker 1: two blow game. We call it too blow game. He's

871
00:49:31,280 --> 00:49:33,920
Speaker 1: out of this world out here, so he from the

872
00:49:33,960 --> 00:49:35,480
Speaker 1: same He grew up in the same city I grew

873
00:49:35,560 --> 00:49:35,680
Speaker 1: up in.

874
00:49:36,200 --> 00:49:38,560
Speaker 6: That's nuts, and he came up out here too broward,

875
00:49:38,600 --> 00:49:43,040
Speaker 6: I believe, or I wouldn't be surprised come up.

876
00:49:45,080 --> 00:49:47,839
Speaker 1: In the hood like everybody loved Diplo, like yeah after

877
00:49:48,360 --> 00:49:50,720
Speaker 1: he did. But that's crazy, man, I wouldn't even be surprised,

878
00:49:50,800 --> 00:49:53,719
Speaker 1: Like he's good in every hood like my features I

879
00:49:53,800 --> 00:49:57,960
Speaker 1: got on the album I Got, I got nov Now

880
00:49:58,080 --> 00:50:02,440
Speaker 1: went crazy on the album melody, fucking legend like that, Nigga,

881
00:50:02,840 --> 00:50:07,239
Speaker 1: I love now, I got naw I got Jane Coup

882
00:50:08,600 --> 00:50:11,959
Speaker 1: She actually she's on this album, this album crazy crack.

883
00:50:12,480 --> 00:50:15,560
Speaker 1: I just said, Teva. It's just like, you know what

884
00:50:15,560 --> 00:50:18,719
Speaker 1: I'm saying, We got to keep this going like me

885
00:50:18,760 --> 00:50:20,400
Speaker 1: and Jane, we got to make a whole album, you

886
00:50:20,440 --> 00:50:23,440
Speaker 1: know what I'm saying, Like nuts, me and album. Can

887
00:50:23,440 --> 00:50:28,000
Speaker 1: you like imagine that ship like she got the album

888
00:50:29,120 --> 00:50:31,759
Speaker 1: do it like on some opera ship. She got the

889
00:50:31,840 --> 00:50:37,120
Speaker 1: angelic voice, like she's an icon of me, Like Jane

890
00:50:37,360 --> 00:50:44,560
Speaker 1: post alone. I got, Damn, I said, freshman son, who

891
00:50:44,600 --> 00:50:51,319
Speaker 1: I'm missing? I missing? Oh yeah Friday, so boom, yeah,

892
00:50:51,320 --> 00:50:52,600
Speaker 1: it's stacked up. It's stacked up.

893
00:50:53,440 --> 00:50:56,719
Speaker 6: Where do you think you think Mississippi or Atlanta gave

894
00:50:56,719 --> 00:50:57,560
Speaker 6: you more of your style?

895
00:50:59,760 --> 00:51:02,640
Speaker 1: Just really life in general, because like me, like I

896
00:51:02,719 --> 00:51:06,120
Speaker 1: lived a lot of places, Like I lived in Maryland,

897
00:51:06,320 --> 00:51:08,440
Speaker 1: even Maryland like my mom was. My mom was in

898
00:51:08,440 --> 00:51:12,359
Speaker 1: a military, was moving around. I had to make friends

899
00:51:12,400 --> 00:51:14,120
Speaker 1: and move you know what I'm saying, that's the lifestyle.

900
00:51:15,160 --> 00:51:20,080
Speaker 1: So Maryland, Texas. I lived in Texas. I lived in Mississippi,

901
00:51:20,640 --> 00:51:23,879
Speaker 1: Mississippi like my main I lived there like a lot

902
00:51:23,960 --> 00:51:25,520
Speaker 1: of my time, you know what I'm saying, like sixty years,

903
00:51:25,520 --> 00:51:29,040
Speaker 1: seven years. Ship. So that's why I really started understanding

904
00:51:29,160 --> 00:51:32,560
Speaker 1: like the direction I need to start moving in, like damn,

905
00:51:32,840 --> 00:51:33,799
Speaker 1: understanding life Like.

906
00:51:34,440 --> 00:51:37,000
Speaker 6: But at what age did you start thinking about music

907
00:51:37,120 --> 00:51:43,719
Speaker 6: as like future she eleven for real? In Mississippi. I

908
00:51:43,880 --> 00:51:47,040
Speaker 6: was in Texas actually Texas. You know what song was

909
00:51:47,080 --> 00:51:52,040
Speaker 6: going crazy though, Like Slim Jimmy, he was already like

910
00:51:52,680 --> 00:51:54,759
Speaker 6: poetic with the ship, so he was rapping and ship

911
00:51:56,160 --> 00:52:02,040
Speaker 6: and then still tipping. Mike Mike Mike Jones Jones.

912
00:52:01,960 --> 00:52:09,320
Speaker 1: I said, Mike, Mike Jones, that one fucking still tipping,

913
00:52:09,320 --> 00:52:13,000
Speaker 1: And it was like that ship was like Nigga. That

914
00:52:13,080 --> 00:52:16,920
Speaker 1: ship like nigga. I was making beasts so like in

915
00:52:17,000 --> 00:52:20,759
Speaker 1: texts like this nigga name King James. Yeah, I had

916
00:52:20,800 --> 00:52:24,479
Speaker 1: I had Freey Loose too, nigga had the early Fredy

917
00:52:24,560 --> 00:52:30,000
Speaker 1: Loose like two making beats. My beast was ass nigga,

918
00:52:30,160 --> 00:52:32,840
Speaker 1: Like my beasts was trash, the most trash beat you

919
00:52:32,840 --> 00:52:37,360
Speaker 1: can imagine. Like that was for you, for you to

920
00:52:37,440 --> 00:52:40,880
Speaker 1: write mom for me like I was learning the software,

921
00:52:41,920 --> 00:52:44,800
Speaker 1: just like sitting down with computers, fat back ass computers.

922
00:52:46,400 --> 00:52:50,280
Speaker 1: So yeah, and then I just started learning how to produce.

923
00:52:51,440 --> 00:52:54,400
Speaker 1: And Jimmy was rapping. You know what I'm saying. And

924
00:52:54,560 --> 00:52:57,319
Speaker 1: is it in Texas though, No Texas your army based

925
00:52:57,320 --> 00:52:59,480
Speaker 1: ship ship shot slim Jimmy.

926
00:53:01,160 --> 00:53:03,560
Speaker 5: Oh, so you guys are never gonna separate as a group.

927
00:53:03,920 --> 00:53:06,080
Speaker 1: Hell no, we're doing like the Backstreet Boys. You're not

928
00:53:06,160 --> 00:53:09,040
Speaker 1: the Backstreet Boys. Every two years they got to tour

929
00:53:09,120 --> 00:53:13,799
Speaker 1: like in sync. Yeah, every tweet justin tim relate. Every

930
00:53:13,840 --> 00:53:15,200
Speaker 1: couple of years they reunite.

931
00:53:16,840 --> 00:53:19,360
Speaker 5: Yeah, blood is different than that, because you guys.

932
00:53:19,360 --> 00:53:21,759
Speaker 1: That's what I'm saying, like this ship never ending, like

933
00:53:21,920 --> 00:53:27,360
Speaker 1: right right right, We're gonna be like we're gonna be

934
00:53:27,440 --> 00:53:31,000
Speaker 1: like Elton John, like you know, Elton John still performed

935
00:53:31,080 --> 00:53:36,440
Speaker 1: like Nigga, Like I'm have great dress, Nigga still doing

936
00:53:36,440 --> 00:53:36,719
Speaker 1: this ship.

937
00:53:38,760 --> 00:53:41,719
Speaker 5: Look, I'm still here and I got white as. You're good,

938
00:53:41,800 --> 00:53:44,200
Speaker 5: you inspired now.

939
00:53:48,400 --> 00:53:48,680
Speaker 3: You're good.

940
00:53:49,480 --> 00:53:50,239
Speaker 1: I know I'm good.

941
00:53:50,480 --> 00:53:56,120
Speaker 8: You inspire me, you double you good, gray on me

942
00:53:56,600 --> 00:54:01,400
Speaker 8: o God, So you guys passed all?

943
00:54:01,440 --> 00:54:02,879
Speaker 6: I mean, I don't want to pass this project because

944
00:54:02,880 --> 00:54:06,880
Speaker 6: this project is obviously a big situation. The difference have

945
00:54:07,000 --> 00:54:09,800
Speaker 6: you guys been already, Like do you have a trajectory

946
00:54:09,920 --> 00:54:10,600
Speaker 6: like your solo?

947
00:54:11,000 --> 00:54:11,560
Speaker 5: His solo?

948
00:54:11,840 --> 00:54:12,040
Speaker 2: Yeah?

949
00:54:12,640 --> 00:54:13,280
Speaker 5: The group.

950
00:54:14,960 --> 00:54:17,040
Speaker 1: The way I see And I don't want to spoil shit.

951
00:54:17,080 --> 00:54:20,359
Speaker 1: I don't like to spoil surprise. Like if I see

952
00:54:20,400 --> 00:54:22,680
Speaker 1: the movie and I'm chilling with it somebody and they

953
00:54:22,680 --> 00:54:25,720
Speaker 1: ain't seen the movie, I ain't gonna spoil the surprise.

954
00:54:27,120 --> 00:54:33,319
Speaker 1: But definitely I'm gonna crank it up and Slim might

955
00:54:33,400 --> 00:54:37,120
Speaker 1: come next, group might come next, like whatever it feels

956
00:54:37,200 --> 00:54:38,600
Speaker 1: best type shit.

957
00:54:40,360 --> 00:54:43,279
Speaker 6: And one thing is your style right is to me

958
00:54:43,480 --> 00:54:47,880
Speaker 6: is very unique you specifically I appreciate it. Was there

959
00:54:48,040 --> 00:54:52,560
Speaker 6: anything any artist, anybody that you said that you took

960
00:54:52,640 --> 00:54:56,800
Speaker 6: something from that that made you, because you know, everybody's

961
00:54:56,800 --> 00:54:57,920
Speaker 6: inspired by something.

962
00:54:57,840 --> 00:55:03,040
Speaker 1: Nah, for real, Like I might have like subconsciously, like

963
00:55:03,160 --> 00:55:04,880
Speaker 1: I used to ride the bus and listen to law Wayne.

964
00:55:05,800 --> 00:55:07,759
Speaker 1: You know what I'm saying. That's why, Like it was

965
00:55:07,840 --> 00:55:10,040
Speaker 1: a big topic the other day, like about Lou Wayne,

966
00:55:10,120 --> 00:55:13,440
Speaker 1: Like man, I was like I was about to chime in,

967
00:55:13,560 --> 00:55:16,160
Speaker 1: but I ain't really like I ain't really want to

968
00:55:16,280 --> 00:55:18,920
Speaker 1: just be too loud. But I used to ride the

969
00:55:18,920 --> 00:55:21,439
Speaker 1: bus and listen tol Wayne and shit like three pet

970
00:55:22,440 --> 00:55:27,560
Speaker 1: you know what I'm saying. But I don't know. I

971
00:55:27,640 --> 00:55:29,880
Speaker 1: probably like picked up a lot of stuff subconsciously, like

972
00:55:30,360 --> 00:55:32,799
Speaker 1: because my mom used to play like Hella's songs around

973
00:55:32,840 --> 00:55:35,520
Speaker 1: the house and we ain't have Apple Music and shit,

974
00:55:35,560 --> 00:55:38,239
Speaker 1: so it's like I don't even know how to get

975
00:55:38,280 --> 00:55:40,160
Speaker 1: these songs, Like I don't know how she's playing these shit,

976
00:55:40,560 --> 00:55:43,200
Speaker 1: you know what I'm saying, Like, but I'm taking them in.

977
00:55:43,280 --> 00:55:48,080
Speaker 1: I'm listening like damn, you know what I'm saying. But shit,

978
00:55:48,200 --> 00:55:54,200
Speaker 1: I don't really I think this shit is like it's

979
00:55:54,280 --> 00:55:56,480
Speaker 1: just some new shit. It's just some like whole other

980
00:55:56,560 --> 00:56:00,320
Speaker 1: shit right, Like but it comes subconsciously from all that

981
00:56:00,360 --> 00:56:03,640
Speaker 1: ship I just took in growing up, sitting in my

982
00:56:03,719 --> 00:56:06,799
Speaker 1: fucking boxes, like watching BT like, you know what I'm saying,

983
00:56:06,800 --> 00:56:09,600
Speaker 1: I don't really I don't know where this should come from,

984
00:56:09,760 --> 00:56:13,120
Speaker 1: come from, come from God, ship, I'm saying, I don't know.

985
00:56:14,160 --> 00:56:14,719
Speaker 1: We're gonna do it.

986
00:56:18,360 --> 00:56:18,600
Speaker 3: Hmm.

987
00:56:20,719 --> 00:56:21,799
Speaker 5: Thanks for coming you, man.

988
00:56:21,840 --> 00:56:22,759
Speaker 3: We appreciate you.

989
00:56:23,080 --> 00:56:24,200
Speaker 1: Appreciates all for real.

990
00:56:24,520 --> 00:56:25,880
Speaker 5: We're looking forward to the new album.

991
00:56:25,960 --> 00:56:29,719
Speaker 1: Man, Thank you, thank you, same difference, man, appreciate you.

992
00:56:29,760 --> 00:56:36,400
Speaker 1: Our drink champce man with the Champions and ship. Hold on,

993
00:56:36,400 --> 00:56:39,160
Speaker 1: hold on, We're gonna do the first ever man Like,

994
00:56:39,360 --> 00:56:41,440
Speaker 1: let's do what we're doing. Whatever shots you gotta left,

995
00:56:41,480 --> 00:56:44,319
Speaker 1: you gotta finish them ships. Let's go now.

996
00:56:44,360 --> 00:56:46,640
Speaker 6: I'm gonna finish this drink and we're gonna take this shot, right.

997
00:56:46,719 --> 00:56:51,040
Speaker 1: I'm gonna take two Champs on guys, all right, So

998
00:56:51,080 --> 00:56:51,439
Speaker 1: I got.

999
00:56:53,120 --> 00:56:53,399
Speaker 3: The hell?

1000
00:56:55,360 --> 00:56:58,200
Speaker 5: Oh and I think my drink.

1001
00:56:59,520 --> 00:57:02,160
Speaker 1: Same differ. Third No April Foods.

1002
00:57:04,640 --> 00:57:08,040
Speaker 6: Drink Champs is a drink Champs LLC production hosts and

1003
00:57:08,160 --> 00:57:09,719
Speaker 6: executive producers n O.

1004
00:57:09,880 --> 00:57:13,560
Speaker 5: R E and DJ e FN. Listen to Drink.

1005
00:57:13,440 --> 00:57:17,720
Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1006
00:57:17,880 --> 00:57:21,640
Speaker 6: get your podcasts. Thanks for joining us for another episode

1007
00:57:21,680 --> 00:57:24,320
Speaker 6: of Drink Champs, hosted by Yours Truly, dj e f

1008
00:57:24,440 --> 00:57:26,600
Speaker 6: N and n O r E. Please make sure to

1009
00:57:26,640 --> 00:57:29,120
Speaker 6: follow us on all our socials that's at drink Champs

1010
00:57:29,160 --> 00:57:33,240
Speaker 6: across all platforms at the Real Noriae Goon, ig at

1011
00:57:33,320 --> 00:57:35,480
Speaker 6: noriag on Twitter, mineus at.

1012
00:57:35,360 --> 00:57:39,080
Speaker 5: Who's Crazy on ig at dj E f N on Twitter,

1013
00:57:39,440 --> 00:57:41,520
Speaker 5: and most importantly, stay up to date with the latest

1014
00:57:41,560 --> 00:57:45,280
Speaker 6: Releases, news and merch by going to drink champs dot

1015
00:57:45,400 --> 00:57:45,560
Speaker 6: com