WEBVTT - From the Vault: The Ark of the Covenant

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<v Speaker 1>Hey, welcome to Stuff to blow your mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and its Saturday.

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<v Speaker 1>Time to go into the Old Vault, and this time

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<v Speaker 1>I'm being lashed by tongues of flame. That's right. This

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<v Speaker 1>is going to be the first episode of our two

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<v Speaker 1>part look at the Ark of the Covenant. Uh. This

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<v Speaker 1>was a fun pair of episodes. I remember we were

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<v Speaker 1>exploring some very strange historical hypotheses, trying to to explain

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<v Speaker 1>the myth of the Great Arc that would strike people

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<v Speaker 1>dead with blasts of fire or lightning. Uh. This was

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<v Speaker 1>a lot of fun, so we hope you enjoyed it.

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<v Speaker 1>And it originally aired in December of And the Philistines

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<v Speaker 1>took the Ark of God and brought it from Ebenezer

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<v Speaker 1>unto ash DoD. When the Philistines took the Ark of God,

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<v Speaker 1>they brought it into the house of Dagon and set

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<v Speaker 1>it by Daygon. And when they of ash DoD arose

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<v Speaker 1>early on the morrow, behold, Dagon was fallen upon his

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<v Speaker 1>face to the earth before the Ark of the Lord.

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<v Speaker 1>And they took Dagon and set him in his place again.

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<v Speaker 1>And when they arose early on the morrow, morning. Behold,

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<v Speaker 1>Dagon was fallen upon his face to the ground before

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<v Speaker 1>the ark of the Lord and the head of Dagon,

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<v Speaker 1>and both the palms of his hands were cut off

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<v Speaker 1>upon the threshold. Only the stump of Dagon was left

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<v Speaker 1>to him. Therefore, neither the priests of Dagon, nor any

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<v Speaker 1>that come into Dagon's house tread on the threshold of

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<v Speaker 1>Dagon and Ashdad unto this day. But the hand of

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<v Speaker 1>the Lord was heavy upon them of Ashdod, and he

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<v Speaker 1>destroyed them and smote them with immrods, even Ashdod and

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<v Speaker 1>the coast thereof. And when the men of Ashdod saw

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<v Speaker 1>that it was so, they said, the ark of the

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<v Speaker 1>God of Israel shall not abide with us, for his

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<v Speaker 1>hand is sore upon us, and upon Dagon our God.

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<v Speaker 1>They sent therefore and gathered all the lords of the

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<v Speaker 1>Philistines unto them, and said, what shall we do with

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<v Speaker 1>the ark of the God of Israel. And they answered

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<v Speaker 1>a letter, the Ark of the God of Israel be

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<v Speaker 1>carried about unto God. And they carried the Ark of

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<v Speaker 1>the God of Israel about thither. And it was so

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<v Speaker 1>that after they had carried it about, the hand of

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<v Speaker 1>the Lord was against the city with a very great destruction,

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<v Speaker 1>and he smote the men of the city, both small

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<v Speaker 1>and great. And they had immerrods in their secret parts,

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<v Speaker 1>Immerrods in their secret parts, Immads in their secret parts,

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<v Speaker 1>emmerrods in their secret parts, Emmerads and their secret parts.

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcome to Scuff to Blow

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<v Speaker 1>your Mind. My name is Robert lamp and I'm Joe McCormick.

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<v Speaker 1>And if you couldn't guess by that opening, obviously we're

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<v Speaker 1>gonna be talking about the Ark of the Cove today. Robert.

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<v Speaker 1>I think it was when I came back from Thanksgiving

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<v Speaker 1>break that you were like, we're doing the Ark of

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<v Speaker 1>the Covenant on the show, and I was like, what

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<v Speaker 1>the heck are you talking about? Now? You know, I'm

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<v Speaker 1>always up for an exploration of some kind of weird

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<v Speaker 1>ancient artifactor or something like that. So so we're we're

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<v Speaker 1>good to go. But why did you want to talk

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<v Speaker 1>about the arc on this show, Robert, Well, it's like

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<v Speaker 1>nothing we've gone after before. Jeah. I was like, um no,

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<v Speaker 1>that the arc is. I guess it basically comes down

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<v Speaker 1>to the arc has along fascinated me. I grew up

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<v Speaker 1>watching Raiders of the Lost Ark, the Indiana Jones movie.

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<v Speaker 1>I had it on VHS and I would sit there

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<v Speaker 1>and watch segments of it in slow motion. Pretty Much

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<v Speaker 1>every special effect in the film I would watch in

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<v Speaker 1>slow motion, from the melting of Nazis to just uh,

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<v Speaker 1>you know, more practical stuff as well. Uh. And you

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<v Speaker 1>like sit your parents down and your grandparents into a

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<v Speaker 1>frame by frame face melting analysis, that sort of thing. Yeah,

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<v Speaker 1>it just it always fascinated me. And then if you're

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<v Speaker 1>setting in church, and I grew up attending church, you

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<v Speaker 1>you pick up the Bible and you flip around, you

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<v Speaker 1>look at you read the interesting passages, and certainly the

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<v Speaker 1>passages about the Ark of the Covenant are some of

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<v Speaker 1>the more fascinating. Uh. This just there's just they just

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<v Speaker 1>resonate with mystery and like what is this about? And

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<v Speaker 1>so I feel like throughout my life I have come

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<v Speaker 1>back to it, and uh, in each time I've I've

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<v Speaker 1>looked at it with new eyes. And more recently I've

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<v Speaker 1>been thinking, uh, you know what, what are some scientific,

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<v Speaker 1>possible scientific explanations, even if they're a bit fringey in

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<v Speaker 1>places regarding the arc surely they exist, and lo and

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<v Speaker 1>behold they do well. The way that the ARC connects

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<v Speaker 1>to a lot of scientific topics is very interesting. Generally,

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<v Speaker 1>it tends to connect to them and kind of uh yeah,

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<v Speaker 1>like you say, fringy often kind of like uh pseudo

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<v Speaker 1>pseudo scientific kind of ways, but gives you a good,

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<v Speaker 1>mysterious jumping off point to talk about real science. So yeah,

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<v Speaker 1>we want to talk about the myth to we want

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<v Speaker 1>to talk about some weird fringe and pseudoscience believes people

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<v Speaker 1>have had about the arc and how that connects to

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<v Speaker 1>weird ideas about ancient technology, to talk about real science

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<v Speaker 1>and technology potential in the ancient world. And uh, I

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<v Speaker 1>think it's gonna be a lot of fun. Now, I

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<v Speaker 1>have to admit it. As much as I love the

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<v Speaker 1>discussion module our Facebook group, it is associated with stuff

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<v Speaker 1>to build your Mind. I actually checked in with the

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<v Speaker 1>Movie Crushers this is the group associated with Chuck Bryant's

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<v Speaker 1>Movie Crush podcast, because I was curious what is what

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<v Speaker 1>it was, what it is like a to have never

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<v Speaker 1>seen Raiders of the Level Lost Arc, and also what

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<v Speaker 1>it is like to have seen Raiders of the Lost

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<v Speaker 1>Arc but with some sort of underlying understanding, pre existing

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<v Speaker 1>understanding of the Ark of the Covenant, because I can

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<v Speaker 1>relate to to neither of those, like the Ark of

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<v Speaker 1>the Covenant as it's revealed, and Raiders of the Lost

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<v Speaker 1>Arc has pretty much always been there in my life. Essentially,

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<v Speaker 1>Raiders is a book of the Bible in a way. Yeah,

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<v Speaker 1>really Like I saw that, and then later on I

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<v Speaker 1>learned how to read and came back into and learned

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<v Speaker 1>what the Bible had to say about it. But you know,

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<v Speaker 1>in Sunday School, we just never got the m Rod's.

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<v Speaker 1>I don't know why they left the mrods out. I

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<v Speaker 1>would have loved that when I was seven. Well we'll

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<v Speaker 1>get we'll get to this. But I think one of

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<v Speaker 1>the issues, of course his translation. In some translations they're

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<v Speaker 1>referred to as tumors. I think that's where I encountered

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<v Speaker 1>the first time, and I was like, whoa, back up,

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<v Speaker 1>The Ark of the Covenant is giving the enemies of

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<v Speaker 1>God tumors, uh, And that's what that's one of This

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<v Speaker 1>was post Raiders, but then I was but then I

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<v Speaker 1>was like, oh, I'm really hooked now, Like this is

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<v Speaker 1>this is even more uh, you know, Eldric Harror heaped

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<v Speaker 1>upon the mystery of the arc. It makes you want

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<v Speaker 1>to imagine an alternate universe in which Raiders of the

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<v Speaker 1>Lost Ark was not made by Spielberg and Lucas, but

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<v Speaker 1>was made by David Cronenberg. And so when they opened

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<v Speaker 1>the arc, it's kind of like the tumor gun from Videodrome. Yeah, exactly.

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<v Speaker 1>I think that. Again, that's one of the things about

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<v Speaker 1>about The Ark of the Covenant is is it's just

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<v Speaker 1>so weird, and we're going to keep touching in on

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<v Speaker 1>that weirdness, and we're also going to keep referring to

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<v Speaker 1>Raid is the Lost Arc throughout this episode because this

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<v Speaker 1>episode more than anything that we've covered before, because it's

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<v Speaker 1>just free license to talk about that movie ad nausea. Yeah,

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<v Speaker 1>there's a lot of fascinating stuff just in the original

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<v Speaker 1>arc mythology, but the the Indiana Jones treatment of the

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<v Speaker 1>story partially merges it with something kind of like Pandora's Box,

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<v Speaker 1>Like it becomes just a container of unknown and unutterable mystery,

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<v Speaker 1>where there isn't quite so much that feeling in the

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<v Speaker 1>Bible stories, though it is a strange and sacred object

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<v Speaker 1>of profound power. Now, two of the big questions that

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<v Speaker 1>are generally mold over concerning the Arc. Uh, first of all,

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<v Speaker 1>what was it? And then secondly where is it now? Now,

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<v Speaker 1>we're mostly going to ruminate over the first question, because

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<v Speaker 1>the second is one of those questions that tends to

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<v Speaker 1>lead to one of two places. Either the fact that

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<v Speaker 1>it's simply lost to history, likely destroyed in some prior age,

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<v Speaker 1>or or hidden away and lost, assuming that there was

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<v Speaker 1>such an object, and that's the other possibility is that

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<v Speaker 1>it simply did not exist um or it leads one

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<v Speaker 1>to various speculative or even downright conspiracy theories involving you know,

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<v Speaker 1>the Knights Templars perhaps, Or there's the notion that it's

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<v Speaker 1>it's currently hidden out of sight in the chapel of

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<v Speaker 1>the Tablet in northern Epethiopia, which is possible, but there's

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<v Speaker 1>no no proof or that it was taken to Heaven,

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<v Speaker 1>an answer that requires more of a speculative lead than

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<v Speaker 1>the notion that the Arc, like so many treasures of history,

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<v Speaker 1>simply failed to survive history. Now, one of the main

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<v Speaker 1>things that we're going to be exploring in this look

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<v Speaker 1>at the Arc is that the Ark of the Covenant

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<v Speaker 1>is yet another one of these ancient stories, these objects

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<v Speaker 1>of ancient myth, which there have been great efforts by

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<v Speaker 1>modern writers to ground the myth and what we now

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<v Speaker 1>know about science and technology, reimagining what the ancients believe

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<v Speaker 1>to be magic as some kind of lost powerful science

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<v Speaker 1>or technology. And we've discussed before some of the risks

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<v Speaker 1>of technologizing the myth. Uh, it's not necessarily always wrong,

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<v Speaker 1>but it's an impulse, that's not all. It's also not

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<v Speaker 1>always justified. There's a sort of naive way of reading

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<v Speaker 1>ancient texts that says, Okay, let's take what they say

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<v Speaker 1>happened basically at face value, but posit a different explanation

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<v Speaker 1>for it than they would have. And while this can

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<v Speaker 1>be a fun exercise, I love doing it, I personally

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<v Speaker 1>enjoy we shall always remember not to start feeling like

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<v Speaker 1>this is a necessary and especially not like it's a

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<v Speaker 1>parsimonious exercise, when in reality, ancient histories of all kinds,

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<v Speaker 1>religious texts, myths, and so forth are likely to be

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<v Speaker 1>full of narratives that are the result of creative imagination

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<v Speaker 1>and things like exaggeration across time and retellings. In other words,

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<v Speaker 1>there's no event that you necessarily have to explain because

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<v Speaker 1>the events described in these ancient stories often just didn't

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<v Speaker 1>take place. Right, We can't treat a description of the

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<v Speaker 1>arc in uh in the whole Testament as being the

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<v Speaker 1>same as say, you know, fossil evidence or a or

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<v Speaker 1>a crater, right right, We we just don't know. I mean,

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<v Speaker 1>it might be based on something that actually happened, but

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<v Speaker 1>we don't know. But if we take the route of saying, well, okay,

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<v Speaker 1>if these stories are based on something people saw, are

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<v Speaker 1>based on something that actually happened. When we look at

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<v Speaker 1>history that way, ancient history with a bit of science

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<v Speaker 1>under the belt, there is this insatiable itch the retro

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<v Speaker 1>sci fi hermonutic, which I've been looking for a concise

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<v Speaker 1>name for, and I think I just realized the perfect

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<v Speaker 1>one for for this era of that which I'm gonna

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<v Speaker 1>I'm gonna start calling bronze punk. Yeah, so you've got yeah,

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<v Speaker 1>you've got steampunk for the Victorian era, You've got adam

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<v Speaker 1>punk for the atomic age. And I think we should

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<v Speaker 1>have bronze punk as the name for this retroactive technologizing

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<v Speaker 1>of the time period of classical civilizations in the ancient

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<v Speaker 1>Near East, including the Hebrew Bible and its contemporary civilizations

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<v Speaker 1>and texts. So with those important caveats, I think we

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<v Speaker 1>should begin a bronze punk adventure into the Ark. Bronze

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<v Speaker 1>Bronze Punk does have a lot of of of opportunity here.

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<v Speaker 1>It gives us a chance to bring back uh Talus,

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<v Speaker 1>the Bronze automaton. Oh, that's a classic example we would

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<v Speaker 1>tell us. I think they'd be bronze Punk. I don't

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<v Speaker 1>want to be too rigid about the time period that

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<v Speaker 1>applies to either, because a lot of the stuff we're

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<v Speaker 1>talking about here I think would technically be bridging Bronze

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<v Speaker 1>Age and Iron Age and the regions that are affected.

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<v Speaker 1>But all that aside, yeah, anything, it doesn't need to

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<v Speaker 1>stand in the way of tall Us battling the Ark

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<v Speaker 1>of the Covenant. I would say, well, before we get

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<v Speaker 1>into all these supposed Bronze punk explanations of what the

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<v Speaker 1>arc might have been if it existed, and if some

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<v Speaker 1>of the stories about it are based on things people saw,

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<v Speaker 1>we should just explore the myth, like what is the

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<v Speaker 1>story of the arc and what do the text say

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<v Speaker 1>about it? All? Right? Yeah, well we're talking here about

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<v Speaker 1>the airon Hobart, the Arc of God, the Arc of testimony,

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<v Speaker 1>the Arc of the Covenant, just a few names that

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<v Speaker 1>we used to describe it. Here a gold plated wooden

0:11:53.320 --> 0:11:56.360
<v Speaker 1>chest used by the ancient Hebrews to house the two

0:11:56.400 --> 0:11:59.520
<v Speaker 1>stone tablets of law given to Moses by God, and

0:11:59.559 --> 0:12:01.319
<v Speaker 1>it was also said to contain a couple of other

0:12:01.400 --> 0:12:04.800
<v Speaker 1>holy relics, such as Aaron's rod, a magical item used

0:12:04.840 --> 0:12:07.960
<v Speaker 1>by Moses brother, as well as a pot of man,

0:12:08.080 --> 0:12:10.560
<v Speaker 1>the supernatural food stuff that fell from the heavens to

0:12:10.600 --> 0:12:13.000
<v Speaker 1>feed the Israelites in the desert. Now, in addition to

0:12:13.040 --> 0:12:15.880
<v Speaker 1>being made of gold, to the other decorative element that

0:12:16.040 --> 0:12:19.239
<v Speaker 1>is a signature of the art are the two cherubim

0:12:19.320 --> 0:12:22.000
<v Speaker 1>that are depicted atop it. Now I'm not quite sure

0:12:22.040 --> 0:12:25.599
<v Speaker 1>why this has happened, but in modern English usage cherubs

0:12:25.720 --> 0:12:31.160
<v Speaker 1>or cherubim that has come to mean naked baby angels

0:12:31.160 --> 0:12:33.360
<v Speaker 1>like you would see on those cards or the creepy

0:12:33.360 --> 0:12:37.800
<v Speaker 1>little statues people put on their dressers. But cherubim are

0:12:37.880 --> 0:12:41.520
<v Speaker 1>not naked cute baby angels, right right, even though, like

0:12:41.559 --> 0:12:45.560
<v Speaker 1>if we describe something as bearing cherubic today, we're we're

0:12:45.559 --> 0:12:48.120
<v Speaker 1>describing so it's got like a baby with fat cheeks,

0:12:48.160 --> 0:12:50.280
<v Speaker 1>or maybe an adult with a fat with fat cheeks

0:12:50.280 --> 0:12:52.720
<v Speaker 1>and kind of a baby's face. But really it should

0:12:52.760 --> 0:12:56.160
<v Speaker 1>be a horrifying adjective to to heap on something. It

0:12:56.160 --> 0:13:00.400
<v Speaker 1>should mean that it is an object or personification of

0:13:00.440 --> 0:13:04.600
<v Speaker 1>just holy wrath. Right. Classical example would be angels stationed

0:13:04.600 --> 0:13:06.719
<v Speaker 1>outside the Garden of Eden with a flaming sword to

0:13:06.840 --> 0:13:09.599
<v Speaker 1>keep people out. That's right. I mean that that is

0:13:09.640 --> 0:13:12.360
<v Speaker 1>a chair of the true chair of forget the Renaissance

0:13:13.120 --> 0:13:15.840
<v Speaker 1>art here that they're kind of like God's supernatural heavies.

0:13:16.600 --> 0:13:19.400
<v Speaker 1>But as with any sort of mythological creature, you do

0:13:19.440 --> 0:13:21.280
<v Speaker 1>see a lot of variety in the way they're depicted,

0:13:21.400 --> 0:13:26.200
<v Speaker 1>ranging indeed, from the bestial to the more humanoid. Depictions

0:13:26.360 --> 0:13:29.079
<v Speaker 1>of the art tend to favor of a version of

0:13:29.120 --> 0:13:32.800
<v Speaker 1>winged humanoids. But we could, and perhaps we should, do

0:13:33.040 --> 0:13:36.080
<v Speaker 1>an entire episode on angels and religious traditions in the future,

0:13:36.080 --> 0:13:39.240
<v Speaker 1>because there's so much the fascinating material there. So we're

0:13:39.240 --> 0:13:41.400
<v Speaker 1>talking about creatures that would have been first or second

0:13:41.440 --> 0:13:45.360
<v Speaker 1>circle in the hierarchy of angels, and their descriptions include

0:13:45.559 --> 0:13:47.800
<v Speaker 1>or tend to include the form of a lion, the

0:13:47.840 --> 0:13:50.600
<v Speaker 1>form of a man, the form of an eagle, or

0:13:50.640 --> 0:13:54.439
<v Speaker 1>any hybrid of these forms I've actually seen it described

0:13:54.480 --> 0:13:57.760
<v Speaker 1>that they sometimes are representative as having four faces, yes,

0:13:57.920 --> 0:14:00.760
<v Speaker 1>and the four the four faces would flude the lion

0:14:00.880 --> 0:14:03.920
<v Speaker 1>to represent the beasts of the wild, the man to

0:14:03.960 --> 0:14:07.439
<v Speaker 1>represent the world of humans. I think, an oxen face

0:14:07.559 --> 0:14:11.600
<v Speaker 1>to represent the world of domesticated animals, and then an

0:14:11.600 --> 0:14:13.800
<v Speaker 1>eagle face to represent the world of birds, which I

0:14:13.800 --> 0:14:17.040
<v Speaker 1>guess are somehow different than wild animals. Yeah, these depictions

0:14:17.080 --> 0:14:19.800
<v Speaker 1>of of the chairbs often look kind of like emblems, right,

0:14:19.880 --> 0:14:23.320
<v Speaker 1>with like folds of multiple wings and haloed heads of

0:14:23.400 --> 0:14:26.960
<v Speaker 1>these creatures and a human poking out. Now. According to

0:14:27.000 --> 0:14:30.160
<v Speaker 1>Carol rose Um Folklore's who I frequently side on the

0:14:30.160 --> 0:14:33.200
<v Speaker 1>show in her book Spirits, Fairies, lepre Cons and Goblins

0:14:33.200 --> 0:14:37.560
<v Speaker 1>and Encyclopedia, Hebrew religious writings state that images of cherubim

0:14:37.760 --> 0:14:40.680
<v Speaker 1>guarded the ark of the Covenant as well as Solomon's

0:14:40.680 --> 0:14:46.000
<v Speaker 1>temple and their divine messengers attending spirits and disseminators of knowledge.

0:14:46.600 --> 0:14:49.960
<v Speaker 1>Now it's possible. Rose points out the cherubim or derived

0:14:50.040 --> 0:14:54.320
<v Speaker 1>from the Assyrian Lamassu or sea dow, and these were

0:14:54.360 --> 0:14:59.119
<v Speaker 1>the female and male, respectively, benevolent demons in ancient Assyria

0:14:59.200 --> 0:15:02.960
<v Speaker 1>and Babylon. They would have protected palaces and temples, and

0:15:03.000 --> 0:15:06.360
<v Speaker 1>they were there often depicted as winged bulls or lions

0:15:06.440 --> 0:15:10.400
<v Speaker 1>with human heads, and they mostly remained invisible, and we

0:15:10.400 --> 0:15:13.320
<v Speaker 1>were assigned in the manner of guardian angels to protect

0:15:13.320 --> 0:15:17.480
<v Speaker 1>an individual human from the evil uh two ku. There

0:15:17.480 --> 0:15:20.520
<v Speaker 1>are some amazing carvings of these in the met in

0:15:20.520 --> 0:15:23.680
<v Speaker 1>the Metropolitan Museum of Art. I believe from the palace

0:15:23.720 --> 0:15:26.280
<v Speaker 1>of the Assyrian king Ashurbanapoul the second, or maybe not

0:15:26.320 --> 0:15:28.800
<v Speaker 1>the palace, but I think commissioned by that king, and

0:15:28.840 --> 0:15:32.560
<v Speaker 1>that they are fearsome and wonderful to behold, Yes they are,

0:15:32.720 --> 0:15:34.720
<v Speaker 1>and to come back to Raiders of the Lost Arc.

0:15:35.080 --> 0:15:38.680
<v Speaker 1>These are of course, presumably the the the entities we

0:15:38.720 --> 0:15:41.560
<v Speaker 1>see flying around after the Nazis opened the Ark of

0:15:41.600 --> 0:15:44.840
<v Speaker 1>the Covenant at the end of the film. The Cherubim yeah, yeah,

0:15:44.880 --> 0:15:48.080
<v Speaker 1>because they first thought of like like women, uh, you know,

0:15:48.120 --> 0:15:50.200
<v Speaker 1>sort of beautiful ghost women. And then of course the

0:15:50.200 --> 0:15:53.800
<v Speaker 1>face changes and it becomes this kind of snarling, skeletal

0:15:53.960 --> 0:15:57.200
<v Speaker 1>lion type face, and then of course, uh, it's death

0:15:57.280 --> 0:16:01.080
<v Speaker 1>for all who view the Ark. Now for a for

0:16:01.160 --> 0:16:04.520
<v Speaker 1>an artifact that has come to be imbued with so

0:16:04.640 --> 0:16:11.120
<v Speaker 1>much mystery. Retrospectively, the Bible actually does just straightforwardly explain

0:16:11.160 --> 0:16:14.840
<v Speaker 1>how to build the arc. It's like minute specifications on

0:16:14.960 --> 0:16:17.480
<v Speaker 1>what you're supposed to do to make one. Yeah, and

0:16:17.600 --> 0:16:20.200
<v Speaker 1>also it almost makes you wonder, like, what's the big

0:16:20.200 --> 0:16:22.600
<v Speaker 1>deal about losing it, because clearly you have you have

0:16:23.160 --> 0:16:26.240
<v Speaker 1>a strict set of instructions on how to build another one. Well,

0:16:26.280 --> 0:16:28.800
<v Speaker 1>I mean I think they were just like magical beliefs

0:16:28.840 --> 0:16:32.280
<v Speaker 1>about the sacredness of what it contains. Oh yes, certainly,

0:16:32.360 --> 0:16:34.480
<v Speaker 1>but but that ultimately is the thing, right. The art

0:16:34.640 --> 0:16:39.000
<v Speaker 1>is a container, a fancy container, perhaps even a holy container,

0:16:39.000 --> 0:16:41.640
<v Speaker 1>and if you're approaching with that worldview, but just a

0:16:41.680 --> 0:16:45.920
<v Speaker 1>container for other otherwise holy relics. That is one thing

0:16:45.960 --> 0:16:48.440
<v Speaker 1>that I think makes it very fascinating and kind of unique.

0:16:48.440 --> 0:16:50.360
<v Speaker 1>And there are probably some other great artifacts like this,

0:16:50.440 --> 0:16:55.280
<v Speaker 1>but fascinating in that it is, uh, this artifact with

0:16:55.320 --> 0:16:58.480
<v Speaker 1>all this significance, but it is essentially just a vessel

0:16:58.640 --> 0:17:02.520
<v Speaker 1>for other things. It's a container, it's not a statue. Well,

0:17:02.560 --> 0:17:05.359
<v Speaker 1>should we read the instructions from Exodus in case anyone

0:17:05.400 --> 0:17:08.560
<v Speaker 1>wants to build along as we as we do the podcast,

0:17:08.720 --> 0:17:12.359
<v Speaker 1>Let's build it all right, get your your cubit ruler ready,

0:17:12.800 --> 0:17:14.960
<v Speaker 1>and they shall make an arc of ship him. Would

0:17:15.440 --> 0:17:17.960
<v Speaker 1>two cubits and a half shall be the length thereof,

0:17:18.320 --> 0:17:21.000
<v Speaker 1>and a cubit and a half the breadth thereof, and

0:17:21.040 --> 0:17:23.600
<v Speaker 1>a cubit and a half the height thereof. And thou

0:17:23.600 --> 0:17:27.159
<v Speaker 1>shalt overlay it with pure gold within and without shalt

0:17:27.160 --> 0:17:30.000
<v Speaker 1>thou overlay it, and shalt make upon it a crown

0:17:30.080 --> 0:17:33.479
<v Speaker 1>of gold around about, And thou shalt cast four rings

0:17:33.480 --> 0:17:35.840
<v Speaker 1>of gold for it, and put them in the four

0:17:35.920 --> 0:17:38.800
<v Speaker 1>corners thereof, And two rings shall be in the one

0:17:38.840 --> 0:17:41.320
<v Speaker 1>side of it, and two rings in the other side

0:17:41.320 --> 0:17:43.920
<v Speaker 1>of it. And thou shalt make staves of ship him

0:17:43.920 --> 0:17:47.240
<v Speaker 1>wood and overlay them with gold. And thou shalt put

0:17:47.280 --> 0:17:49.840
<v Speaker 1>the staves into the rings by the sides of the arc,

0:17:50.080 --> 0:17:53.000
<v Speaker 1>that the arc may be born with them. The staves

0:17:53.000 --> 0:17:55.160
<v Speaker 1>shall be in the rings of the arc. They shall

0:17:55.200 --> 0:17:57.400
<v Speaker 1>not be taken from it. Now I want to jump

0:17:57.400 --> 0:17:59.280
<v Speaker 1>in here and say they say that this is exactly

0:17:59.320 --> 0:18:02.040
<v Speaker 1>the kind of description of the arc that is disappointing.

0:18:02.119 --> 0:18:04.800
<v Speaker 1>When you're a child, you've seen raiders and then you

0:18:04.840 --> 0:18:06.679
<v Speaker 1>want to read about in the Bible, and you just

0:18:06.720 --> 0:18:09.359
<v Speaker 1>find this this kind of boring description of how to

0:18:09.359 --> 0:18:12.040
<v Speaker 1>build one. Oh, there are better stories. We got them rods.

0:18:12.040 --> 0:18:14.040
<v Speaker 1>We're gonna get to some more later. Well, this this

0:18:14.119 --> 0:18:17.719
<v Speaker 1>description is about to get a lot more interesting, and

0:18:17.760 --> 0:18:20.120
<v Speaker 1>certainly we'll tie into some stuff we're gonna discuss later.

0:18:21.119 --> 0:18:23.640
<v Speaker 1>And thou shalt put into the arc the testimony which

0:18:23.720 --> 0:18:26.879
<v Speaker 1>I shall give thee. And thou shalt make a mercy

0:18:26.960 --> 0:18:29.800
<v Speaker 1>seat of pure gold. Two cubits and a half shall

0:18:29.840 --> 0:18:32.359
<v Speaker 1>be the length thereof, and a cubit and a half

0:18:32.520 --> 0:18:36.199
<v Speaker 1>the breadth thereof. And thou shalt make two cherubims of

0:18:36.280 --> 0:18:39.280
<v Speaker 1>gold of beaten work. Shalt thou make them in the

0:18:39.280 --> 0:18:42.719
<v Speaker 1>two ends of the mercy seat, and make one cherub

0:18:42.960 --> 0:18:45.320
<v Speaker 1>on the one end, and the other cherub on the

0:18:45.320 --> 0:18:48.880
<v Speaker 1>other end. Even of the mercy seat, shall he make

0:18:48.960 --> 0:18:53.119
<v Speaker 1>the cherubims on the two ends thereof? So otherways, make

0:18:53.160 --> 0:18:55.240
<v Speaker 1>the two cherubs face each other on the ends of

0:18:55.240 --> 0:18:57.800
<v Speaker 1>the mercy seat. Believe a space, because that space is important.

0:18:58.080 --> 0:19:01.479
<v Speaker 1>Anyway continues, And the cheruban shall stretch forth their wings

0:19:01.520 --> 0:19:04.800
<v Speaker 1>on high, covering the mercy seat with their wings, and

0:19:04.840 --> 0:19:08.400
<v Speaker 1>their faces shall look one to another toward the mercy seat.

0:19:08.440 --> 0:19:11.959
<v Speaker 1>Shall the faces of the cherubims be, and thou shalt

0:19:12.000 --> 0:19:15.119
<v Speaker 1>put the mercy seat above upon the arc, and in

0:19:15.200 --> 0:19:18.000
<v Speaker 1>the arc, thou shalt put the testimony that I shall

0:19:18.040 --> 0:19:21.280
<v Speaker 1>give THEE, and there I will meet with THEE, and

0:19:21.320 --> 0:19:24.240
<v Speaker 1>I will commune with THEE from above the mercy seat

0:19:24.560 --> 0:19:27.800
<v Speaker 1>from between the two chaerubims, which are upon the ark

0:19:27.880 --> 0:19:31.080
<v Speaker 1>of the testimony of all things which I will give

0:19:31.119 --> 0:19:35.600
<v Speaker 1>THEE in commandment unto the children of Israel. Okay, so

0:19:36.160 --> 0:19:39.080
<v Speaker 1>this thing is a container, as we've been saying, but

0:19:39.119 --> 0:19:43.880
<v Speaker 1>it's also a chair, and it's a chair for God himself. Right.

0:19:44.080 --> 0:19:48.000
<v Speaker 1>The ideas that that mercy seat is where God is

0:19:48.040 --> 0:19:51.680
<v Speaker 1>going to manifest. It sounds from the instructions like there

0:19:51.760 --> 0:19:53.800
<v Speaker 1>is going to be a presence of the Lord there

0:19:54.400 --> 0:19:57.879
<v Speaker 1>and Uh and Moses, Um and perhaps you know some

0:19:57.960 --> 0:20:00.960
<v Speaker 1>other priests. H whoever is is in charge, whoever is

0:20:01.000 --> 0:20:04.520
<v Speaker 1>authorized to do so, will actually commune with God. It is,

0:20:04.560 --> 0:20:08.200
<v Speaker 1>in the words of Belloc, a radio for speaking to God,

0:20:08.280 --> 0:20:11.439
<v Speaker 1>a transmitter. But it's really more like a video phone

0:20:11.880 --> 0:20:14.879
<v Speaker 1>than than just a transmitter. Right, Yeah, it's like FaceTime,

0:20:16.520 --> 0:20:18.320
<v Speaker 1>you know. On that note, let's take a quick break

0:20:18.320 --> 0:20:21.359
<v Speaker 1>and when we come back, we'll discuss the story of

0:20:21.400 --> 0:20:23.639
<v Speaker 1>the Arc, because that too will be important as we

0:20:23.680 --> 0:20:27.040
<v Speaker 1>get into some of these scientific ideas regarding the arc.

0:20:27.840 --> 0:20:32.199
<v Speaker 1>Than all right, we're back, all right, So if the

0:20:32.400 --> 0:20:35.560
<v Speaker 1>Arc was actually built, about when do we think that

0:20:35.640 --> 0:20:38.080
<v Speaker 1>would have happened. It would have been about three thousand

0:20:38.160 --> 0:20:40.680
<v Speaker 1>years ago. Now we've seen the instructions in the Bible

0:20:40.720 --> 0:20:43.800
<v Speaker 1>where they believed God had sent his people. Uh, you know,

0:20:43.880 --> 0:20:46.399
<v Speaker 1>the detailed plans on how to make the arc. But

0:20:46.520 --> 0:20:49.240
<v Speaker 1>what do they do with it once they've got it? Well,

0:20:49.280 --> 0:20:51.520
<v Speaker 1>after they've they've built it, they carried around with them

0:20:51.520 --> 0:20:53.080
<v Speaker 1>and they use it as a central part of their

0:20:53.119 --> 0:20:57.960
<v Speaker 1>religious observations. I mean, it's essentially a mobile alter piece, right,

0:20:58.000 --> 0:20:59.440
<v Speaker 1>I mean, it's it's a it's a temple that you

0:20:59.480 --> 0:21:02.600
<v Speaker 1>can pick up in move. So think back again to

0:21:02.680 --> 0:21:04.600
<v Speaker 1>that part about the mercy seat. This is the point

0:21:04.640 --> 0:21:07.400
<v Speaker 1>from which God speaks to the children of Israel, and

0:21:07.680 --> 0:21:10.520
<v Speaker 1>if Raiders is any indication, it's also from Wendcey sends

0:21:10.520 --> 0:21:14.040
<v Speaker 1>out his smiting laser beams of Holy Nazi frying death.

0:21:14.800 --> 0:21:17.560
<v Speaker 1>Now the wording here is interesting because it is the

0:21:18.160 --> 0:21:21.040
<v Speaker 1>and I'm possibly a butchering this of course, but the

0:21:21.560 --> 0:21:26.119
<v Speaker 1>hawk Copperette well, and kaufer that's k k pH a

0:21:26.400 --> 0:21:30.000
<v Speaker 1>r means to cover, but kapareth means a thing of

0:21:30.000 --> 0:21:33.280
<v Speaker 1>wiping out or cleansing. So they carried a bit before

0:21:33.359 --> 0:21:36.320
<v Speaker 1>them when during the Exodus, and it was said to

0:21:36.440 --> 0:21:40.560
<v Speaker 1>clear impediments and poisonous animals in their path, and it

0:21:40.600 --> 0:21:42.760
<v Speaker 1>was even said to stop the flow of the river

0:21:42.920 --> 0:21:45.680
<v Speaker 1>Jordan's so that they could cross into the Promised Land.

0:21:46.280 --> 0:21:48.760
<v Speaker 1>But it was also conceived of as a kind of

0:21:48.800 --> 0:21:51.800
<v Speaker 1>a magical weapon of war. Right, yeah, they marched with

0:21:51.840 --> 0:21:54.639
<v Speaker 1>it at the Siege of Jericho. Of course, you know,

0:21:54.680 --> 0:21:57.720
<v Speaker 1>they were blowing those trumpets, but still the arc was there,

0:21:57.880 --> 0:22:00.720
<v Speaker 1>and as they're blowing those trumpets, eventually the walls come

0:22:00.760 --> 0:22:06.119
<v Speaker 1>tumbling down. But then in five and five BC, the

0:22:06.160 --> 0:22:10.600
<v Speaker 1>Babylonian Empire conquered the Israelites, and the arc was supposedly

0:22:10.640 --> 0:22:14.040
<v Speaker 1>taken from the temple in Jerusalem and from their advantishes

0:22:14.080 --> 0:22:17.400
<v Speaker 1>from history. So if it did indeed exist, as as

0:22:18.080 --> 0:22:20.199
<v Speaker 1>to some degree as the stories are told, this is

0:22:20.240 --> 0:22:23.320
<v Speaker 1>where it stops. We don't know what happens after this, right,

0:22:23.640 --> 0:22:26.520
<v Speaker 1>this is this is where it becomes the Lost Arc. Now,

0:22:26.600 --> 0:22:30.040
<v Speaker 1>as with any Bible artifact of any significance. I would

0:22:30.040 --> 0:22:32.120
<v Speaker 1>bet that there are some people out there who claim

0:22:32.200 --> 0:22:35.000
<v Speaker 1>to have found it. Yes, and but but before we

0:22:35.119 --> 0:22:36.960
<v Speaker 1>touch on those, I do want to point out just

0:22:37.000 --> 0:22:39.960
<v Speaker 1>a wonderful fragment of a quote here came to It

0:22:40.040 --> 0:22:43.639
<v Speaker 1>came to us from a National Geographic Society fellow, Fred Hybert.

0:22:44.280 --> 0:22:48.000
<v Speaker 1>He told the website National Geographic that it's not really

0:22:48.040 --> 0:22:50.280
<v Speaker 1>something that you can go after. You can't really search

0:22:50.359 --> 0:22:53.040
<v Speaker 1>for the arc because the arc exists at quote the

0:22:53.160 --> 0:22:57.400
<v Speaker 1>crossroads between myth and reality. And I think that's that's

0:22:57.520 --> 0:23:02.040
<v Speaker 1>essential to keep in mind for the entirety of this episode.

0:23:02.040 --> 0:23:04.919
<v Speaker 1>In the next well, I would say, for example, I

0:23:04.920 --> 0:23:09.160
<v Speaker 1>think the arc probably has a better chance of being

0:23:09.920 --> 0:23:12.679
<v Speaker 1>in some way based on a real historical artifact than

0:23:12.800 --> 0:23:16.359
<v Speaker 1>something like Noah's Ark. But people constantly go looking for

0:23:16.440 --> 0:23:18.840
<v Speaker 1>Noah's Ark, and every time they go looking, they find it.

0:23:19.280 --> 0:23:21.680
<v Speaker 1>You know, there's well, here's some wood on a mountain

0:23:21.680 --> 0:23:24.320
<v Speaker 1>and turkey here it is, right, And likewise, the arc

0:23:24.400 --> 0:23:28.119
<v Speaker 1>is simply essentially just wood and gold. Uh. And it's

0:23:28.200 --> 0:23:30.239
<v Speaker 1>not it's even less of a feat to build. Like

0:23:30.320 --> 0:23:33.080
<v Speaker 1>we have the instructions you could, if you had the materials,

0:23:33.080 --> 0:23:35.840
<v Speaker 1>you could build one today. So even if we were

0:23:35.840 --> 0:23:38.960
<v Speaker 1>to uncover an ARC candidate, it's not really possible to

0:23:38.960 --> 0:23:41.320
<v Speaker 1>tell that if you have the arc of the Covenant.

0:23:41.760 --> 0:23:44.200
<v Speaker 1>I mean, there could probably be multiple arcs out. They're

0:23:44.240 --> 0:23:46.040
<v Speaker 1>saying that they're the arc, yeah, I mean there And

0:23:46.080 --> 0:23:48.639
<v Speaker 1>there have been cases where they where market artists have

0:23:48.680 --> 0:23:51.880
<v Speaker 1>found something that is like an arc, a box that

0:23:52.560 --> 0:23:55.080
<v Speaker 1>has perhaps excited a few people here and there, but

0:23:55.160 --> 0:23:58.119
<v Speaker 1>ultimately you know, it doesn't pan out. I mean, I

0:23:58.320 --> 0:24:00.359
<v Speaker 1>suppose if you had a strong candidate, you could do

0:24:00.400 --> 0:24:04.040
<v Speaker 1>carbon dating on the on the relic, perhaps the wood,

0:24:04.680 --> 0:24:06.960
<v Speaker 1>especially if there are any humans of the wood remaining,

0:24:07.080 --> 0:24:08.800
<v Speaker 1>to at least know if it's old enough. Yeah, to

0:24:08.840 --> 0:24:13.040
<v Speaker 1>know if it's it's old enough. But again, it could

0:24:13.160 --> 0:24:17.840
<v Speaker 1>just be another box from that time period. That being said,

0:24:18.119 --> 0:24:20.680
<v Speaker 1>some of the possible final resting places for the arc

0:24:20.760 --> 0:24:25.320
<v Speaker 1>include has already already alluded to St. Mary of Zion

0:24:25.400 --> 0:24:29.439
<v Speaker 1>Cathedral in Oxom, Ethiopia, under the care of the Ethiopian

0:24:29.560 --> 0:24:33.440
<v Speaker 1>Orthodox to a head O church, and more specifically, under

0:24:33.480 --> 0:24:36.240
<v Speaker 1>the care of a single caretaker who alone gets to

0:24:36.280 --> 0:24:39.159
<v Speaker 1>see the arc. Naturally, that means no one gets to

0:24:39.280 --> 0:24:42.440
<v Speaker 1>verify what they actually have or don't have much less

0:24:42.440 --> 0:24:45.240
<v Speaker 1>study it. Some claim that it was hidden beneath the

0:24:45.240 --> 0:24:48.359
<v Speaker 1>First Temple in Jerusalem before the Babylonians destroyed it in

0:24:48.440 --> 0:24:51.520
<v Speaker 1>five eighty six b C. But this can't be verified either,

0:24:51.560 --> 0:24:53.600
<v Speaker 1>because that means it would be somewhere beneath the Dome

0:24:53.640 --> 0:24:55.919
<v Speaker 1>of the Rock Shrine, which of course is a holy

0:24:55.960 --> 0:24:59.280
<v Speaker 1>site in its Lam. Now, there's another claim mentioned in

0:24:59.280 --> 0:25:02.080
<v Speaker 1>that nat Geo article that I sided earlier, that it

0:25:02.200 --> 0:25:04.800
<v Speaker 1>was buried beneath the hill, and not just any hill,

0:25:05.080 --> 0:25:08.360
<v Speaker 1>but the very hill that would later be known as Galgatha,

0:25:08.520 --> 0:25:10.639
<v Speaker 1>the place of the Skull, right, which is the place

0:25:10.680 --> 0:25:13.480
<v Speaker 1>where it is said that Jesus was crucified right And

0:25:13.520 --> 0:25:16.399
<v Speaker 1>according to this story, when he's crucified, his blood like

0:25:16.480 --> 0:25:20.080
<v Speaker 1>drains down into the hill and eventually to the Ark

0:25:20.160 --> 0:25:23.920
<v Speaker 1>itself buried beneath him. And uh. This relates to a

0:25:24.000 --> 0:25:28.600
<v Speaker 1>quote unquote find of amateur adventurer Ron Wyatt, who lived

0:25:28.640 --> 0:25:33.679
<v Speaker 1>nineteen who claimed to have found, among other things, Noah's Ark,

0:25:34.320 --> 0:25:38.120
<v Speaker 1>the Ark of the Covenant, the Tower of Babel, the

0:25:38.119 --> 0:25:41.399
<v Speaker 1>graves of Noah and his wife, as well as the

0:25:41.400 --> 0:25:45.000
<v Speaker 1>blood of Christ itself. Needless to say, one should take

0:25:45.040 --> 0:25:47.800
<v Speaker 1>his account with all the salt that Wyatt claimed to

0:25:47.880 --> 0:25:50.680
<v Speaker 1>have also discovered at the ruins of Sodom. Uh. Yeah,

0:25:50.680 --> 0:25:55.520
<v Speaker 1>he was not a true archaeologist. Now, this guy is

0:25:55.560 --> 0:25:59.720
<v Speaker 1>not unique and essentially being um, somebody who is a

0:26:00.000 --> 0:26:02.600
<v Speaker 1>hologist for their religion who goes out. I mean I

0:26:02.680 --> 0:26:06.160
<v Speaker 1>mainly know of this within within Christian you know, like

0:26:06.640 --> 0:26:09.840
<v Speaker 1>somebody who's basically a Christian apologist, a defender of the faith,

0:26:10.320 --> 0:26:14.119
<v Speaker 1>who goes out seeking artifacts. That has always struck me

0:26:14.160 --> 0:26:15.520
<v Speaker 1>as a kind of odd thing to want to do.

0:26:15.560 --> 0:26:17.440
<v Speaker 1>I guess I get it on the level of these

0:26:17.480 --> 0:26:19.479
<v Speaker 1>are people who are trying to prove that the Bible

0:26:19.560 --> 0:26:22.320
<v Speaker 1>is literally true and everything, all the stories in it

0:26:22.359 --> 0:26:24.920
<v Speaker 1>literally happened on Earth a certain number of years ago.

0:26:25.480 --> 0:26:30.200
<v Speaker 1>But it seems like kind of a profaning of the

0:26:30.200 --> 0:26:33.080
<v Speaker 1>the orientation towards their myths if they're going out and

0:26:33.119 --> 0:26:36.080
<v Speaker 1>saying like, I'm going to find the bones of this

0:26:36.359 --> 0:26:38.920
<v Speaker 1>person who's the you know in the stories that I believe,

0:26:39.240 --> 0:26:41.680
<v Speaker 1>or I'm going to find the wood left over from

0:26:41.680 --> 0:26:44.919
<v Speaker 1>the boat. Yeah. I mean, I guess you can approach

0:26:44.920 --> 0:26:46.439
<v Speaker 1>it from a few different points of view. I mean

0:26:46.440 --> 0:26:49.440
<v Speaker 1>I always the way I always approach it is that

0:26:49.440 --> 0:26:52.000
<v Speaker 1>that the you know, the deep mythology of a given

0:26:52.000 --> 0:26:55.879
<v Speaker 1>faith need not be factual to have power and uh,

0:26:55.920 --> 0:26:57.840
<v Speaker 1>and therefore there's no reason to go and try and

0:26:57.920 --> 0:26:59.840
<v Speaker 1>find fragments of it or expect them to be there

0:27:00.280 --> 0:27:02.600
<v Speaker 1>be there. Uh. You could, I guess, approach it as

0:27:02.680 --> 0:27:06.560
<v Speaker 1>someone who needs to find those items because that again

0:27:06.640 --> 0:27:10.800
<v Speaker 1>supports their religion. Perhaps the racist doubt. If only I

0:27:10.800 --> 0:27:12.800
<v Speaker 1>could find a piece of the arc, then I know

0:27:12.920 --> 0:27:15.439
<v Speaker 1>it was real and I can silence these doubts. The

0:27:15.480 --> 0:27:17.000
<v Speaker 1>other way of looking at it, of course, is someone

0:27:17.040 --> 0:27:19.720
<v Speaker 1>who has no doubts whatsoever, and they're like, hey, the

0:27:19.880 --> 0:27:23.159
<v Speaker 1>arc was obviously real. Um, I gotta prove it to

0:27:23.160 --> 0:27:25.360
<v Speaker 1>everybody else. Yeah, I need to prove it to everybody else,

0:27:25.520 --> 0:27:27.080
<v Speaker 1>or I just I just want to find it. It's

0:27:27.080 --> 0:27:29.520
<v Speaker 1>out there somewhere. Why has nobody found it. I'm going

0:27:29.560 --> 0:27:31.640
<v Speaker 1>to be the one to do it. And to your point,

0:27:31.680 --> 0:27:34.399
<v Speaker 1>if you go into this read these regions, there is

0:27:34.480 --> 0:27:37.360
<v Speaker 1>just so much history that, especially somebody who's just bumbling

0:27:37.400 --> 0:27:40.520
<v Speaker 1>around and they don't really know what they're doing, they're

0:27:40.560 --> 0:27:42.760
<v Speaker 1>going to find something that they can pass off, they

0:27:42.800 --> 0:27:44.840
<v Speaker 1>can believe in. I don't know, they end up being

0:27:44.920 --> 0:27:47.280
<v Speaker 1>kind of like the villains in all the Indiana Jones

0:27:47.359 --> 0:27:52.040
<v Speaker 1>movies who want to possess some powerful, mysterious saction artifact,

0:27:52.359 --> 0:27:55.480
<v Speaker 1>but they want to possess it for some earthly purpose,

0:27:55.640 --> 0:27:58.200
<v Speaker 1>like you know, then I can show everybody this thing

0:27:58.320 --> 0:28:00.560
<v Speaker 1>or something. It's sort of the more all of Raiders

0:28:00.560 --> 0:28:03.920
<v Speaker 1>of the Lost Ark at the end that Indie Indie

0:28:03.920 --> 0:28:08.600
<v Speaker 1>loses his his sort of profane curiosity and he realizes

0:28:08.680 --> 0:28:10.679
<v Speaker 1>I can just let this thing be sacred and not

0:28:10.800 --> 0:28:13.000
<v Speaker 1>have to look inside and not have to want to

0:28:13.040 --> 0:28:15.840
<v Speaker 1>own it and control it and show the world. Yeah,

0:28:15.880 --> 0:28:18.879
<v Speaker 1>I think that's a that's a solid read on Raiders

0:28:18.880 --> 0:28:20.840
<v Speaker 1>of the Lost Dark. You know, well, while we're talking

0:28:20.840 --> 0:28:23.120
<v Speaker 1>about Raiders, so let's let's go ahead and uh and

0:28:23.160 --> 0:28:25.879
<v Speaker 1>discuss a few of the details about it, because I'm

0:28:25.680 --> 0:28:28.680
<v Speaker 1>I'm assuming most people have seen Raiders, but I know

0:28:28.920 --> 0:28:31.240
<v Speaker 1>there are some individuals out there who just haven't seen

0:28:31.280 --> 0:28:33.960
<v Speaker 1>the film yet. Uh, And I certainly encourage everyone to

0:28:33.960 --> 0:28:38.120
<v Speaker 1>see it because it is a damn near perfect motion picture.

0:28:38.360 --> 0:28:41.800
<v Speaker 1>Is there a better action adventure movie? I can't think of.

0:28:42.080 --> 0:28:44.200
<v Speaker 1>I mean, you could, you could say Star Wars, right,

0:28:44.320 --> 0:28:48.880
<v Speaker 1>you can point to other maybe things of that nature.

0:28:49.360 --> 0:28:51.640
<v Speaker 1>But but I mean, it's such a tentpole film in

0:28:51.760 --> 0:28:53.880
<v Speaker 1>terms of like big summer action films. It is the

0:28:53.880 --> 0:28:56.959
<v Speaker 1>film that so many other motion pictures have have tried

0:28:57.000 --> 0:28:59.800
<v Speaker 1>to be. This of course with a film came out

0:28:59.800 --> 0:29:03.000
<v Speaker 1>in eighteen eighty one, directed by Steven Spielberg, screenplay by

0:29:03.040 --> 0:29:06.960
<v Speaker 1>Lawrence Kasden's story by George Lucas and Philip Kaufman. U.

0:29:07.160 --> 0:29:12.000
<v Speaker 1>Philip Kaufman, by the way, is the person who reportedly

0:29:12.400 --> 0:29:15.560
<v Speaker 1>brought up the idea of using the arc in the story,

0:29:16.240 --> 0:29:18.760
<v Speaker 1>and he was he was also the grandson of German

0:29:18.840 --> 0:29:23.120
<v Speaker 1>Jewish immigrants to the US. Spielberg's parental grandparents were Jewish Ukrainians.

0:29:23.640 --> 0:29:26.720
<v Speaker 1>Uh So, I one would assume that the that this

0:29:26.840 --> 0:29:29.560
<v Speaker 1>played into the the use of the arc in the film,

0:29:29.760 --> 0:29:33.000
<v Speaker 1>but also some of these themes regarding the you know,

0:29:33.040 --> 0:29:36.280
<v Speaker 1>the struggle of the Jewish people against depression. Yeah. Well,

0:29:36.320 --> 0:29:39.560
<v Speaker 1>one of the unspoken subtexts to the film, I think

0:29:39.640 --> 0:29:42.680
<v Speaker 1>is that ultimately the arkans up fulfilling its destiny as

0:29:42.880 --> 0:29:45.120
<v Speaker 1>the weapon that protects the Jewish people in the end,

0:29:45.160 --> 0:29:49.160
<v Speaker 1>it's it's destroying Nazis, right, and it's recreating a tale

0:29:49.200 --> 0:29:50.800
<v Speaker 1>that will touch on in a bit the idea that

0:29:50.840 --> 0:29:54.040
<v Speaker 1>the Arc is stolen by an enemy force and then

0:29:54.200 --> 0:29:57.680
<v Speaker 1>uses its power against that enemy force. Yeah, it's sort

0:29:57.720 --> 0:30:01.960
<v Speaker 1>of a retelling of the of the Amrods story. Almost. Yeah.

0:30:02.000 --> 0:30:04.320
<v Speaker 1>I should also point out that John Williams did the

0:30:04.360 --> 0:30:07.000
<v Speaker 1>score for the film, and I'm usually I'm I'm kind

0:30:07.000 --> 0:30:09.520
<v Speaker 1>of over John Williams scores for the most part. I

0:30:09.520 --> 0:30:11.680
<v Speaker 1>don't know what you're talking about, dude, how can you

0:30:11.720 --> 0:30:16.200
<v Speaker 1>not love John Williams. Well, the thing is in rewatching

0:30:16.440 --> 0:30:18.680
<v Speaker 1>portions of this film for this episode. I I still

0:30:18.760 --> 0:30:19.880
<v Speaker 1>I have to give him all the credit in the

0:30:19.960 --> 0:30:23.840
<v Speaker 1>world because that that the scene when they finally opened

0:30:23.840 --> 0:30:26.920
<v Speaker 1>the Arc and the Arc unleash's it's um, it's wrath

0:30:27.080 --> 0:30:30.000
<v Speaker 1>upon the Nazis. The music is perfect in that it

0:30:30.080 --> 0:30:33.080
<v Speaker 1>just really adds to the sense of just holy mystery

0:30:33.760 --> 0:30:36.960
<v Speaker 1>that is unfolding there. Take any movie with the John

0:30:36.960 --> 0:30:39.360
<v Speaker 1>Williams score and take the score out, replace it with

0:30:39.440 --> 0:30:41.719
<v Speaker 1>something else. You wouldn't have half the movie. But what

0:30:41.760 --> 0:30:46.200
<v Speaker 1>if it was Tangerine Dream. I can only imagine it

0:30:46.200 --> 0:30:48.280
<v Speaker 1>it might be just a little better. Maybe. Well, I

0:30:48.280 --> 0:30:51.720
<v Speaker 1>love Tangerine Dream too, but you're wrong about this time. No?

0:30:51.960 --> 0:30:54.840
<v Speaker 1>Well maybe so. Now key scenes in the film for

0:30:54.880 --> 0:30:56.920
<v Speaker 1>our purposes, because there's a lot of stuff in there

0:30:56.920 --> 0:31:00.479
<v Speaker 1>that is of course added on and uh um, you know,

0:31:00.920 --> 0:31:04.720
<v Speaker 1>historically inaccurate, certainly, h But there are a few key

0:31:04.760 --> 0:31:06.520
<v Speaker 1>scenes that that that match up with a lot of

0:31:06.520 --> 0:31:08.080
<v Speaker 1>stuff we're talking about here today. There's a scene in

0:31:08.080 --> 0:31:10.560
<v Speaker 1>which the Arc burns the swastick off of the crate

0:31:10.600 --> 0:31:13.560
<v Speaker 1>containing the arc. And then of course there's that fabulous

0:31:13.600 --> 0:31:15.840
<v Speaker 1>scene at the end where the Nazis open the arc

0:31:16.280 --> 0:31:18.720
<v Speaker 1>uh and those Cherubim emerge, and then you also have

0:31:18.800 --> 0:31:22.560
<v Speaker 1>the burning light of God finally emerging as well and

0:31:22.840 --> 0:31:25.959
<v Speaker 1>just eradicating everybody that has their eyes open. And the

0:31:26.000 --> 0:31:29.040
<v Speaker 1>idea of a fire that burns people emerging from the

0:31:29.160 --> 0:31:32.640
<v Speaker 1>arc is absolutely biblical. And will explore more of those

0:31:32.680 --> 0:31:35.360
<v Speaker 1>stories later on. Now, a side question that I saw

0:31:35.400 --> 0:31:38.600
<v Speaker 1>come up on the internet. Does Indie actually impact the

0:31:38.640 --> 0:31:41.800
<v Speaker 1>situation with the Arc and the Nazis at all? Because

0:31:41.840 --> 0:31:47.680
<v Speaker 1>outside of saving Marian's life Marian the romantic interest, does

0:31:47.720 --> 0:31:50.960
<v Speaker 1>he accomplish anything? No, And I think that's the genius

0:31:51.000 --> 0:31:54.760
<v Speaker 1>of it. The movie ends with with Indie. It doesn't.

0:31:54.760 --> 0:31:57.400
<v Speaker 1>It's an action movie that doesn't end with a fist fight.

0:31:57.680 --> 0:32:00.240
<v Speaker 1>There's no fight of any kind at the end. The

0:32:00.240 --> 0:32:03.280
<v Speaker 1>the hero of the movie at the end is completely powerless,

0:32:03.760 --> 0:32:06.840
<v Speaker 1>and his victory at the end is assuming a posture

0:32:06.880 --> 0:32:10.280
<v Speaker 1>of humility in the presence of the Sacred Yeah, totally,

0:32:10.320 --> 0:32:13.160
<v Speaker 1>because to remind everybody, at the end, he and Marian

0:32:13.240 --> 0:32:16.880
<v Speaker 1>are tied up. The Nazis have the Arc and UH

0:32:16.920 --> 0:32:20.360
<v Speaker 1>and Belloc is opening it in the full regalia and

0:32:20.440 --> 0:32:23.520
<v Speaker 1>in fact wearing some version of the vestiments that are

0:32:23.760 --> 0:32:28.720
<v Speaker 1>described UH, alongside the instructions for the for the construction

0:32:28.720 --> 0:32:32.280
<v Speaker 1>of the Arc, and then the Arc just murders all

0:32:32.320 --> 0:32:35.720
<v Speaker 1>of the bad guys and UH and Harrison Ford is

0:32:35.800 --> 0:32:37.800
<v Speaker 1>left to pick up the pieces. Okay, we can't just

0:32:37.920 --> 0:32:40.160
<v Speaker 1>fully turn this into a movie crush episode. Now we've

0:32:40.160 --> 0:32:42.480
<v Speaker 1>got to get back to so we should probably get

0:32:42.480 --> 0:32:46.240
<v Speaker 1>into exploring some of the weird scientific tangents people have

0:32:46.720 --> 0:32:50.000
<v Speaker 1>gotten into on the subject of the Arc, and one

0:32:50.040 --> 0:32:53.080
<v Speaker 1>of them that you can clearly look at is the

0:32:53.160 --> 0:32:55.760
<v Speaker 1>idea of the m Rods and what happened with the

0:32:55.880 --> 0:32:58.120
<v Speaker 1>Arc in the presence of the Philistines. If you assume

0:32:58.200 --> 0:33:00.960
<v Speaker 1>this story is based on any kind of historical memory

0:33:01.080 --> 0:33:05.400
<v Speaker 1>or even an exaggerated version of something that people remembered, right, Yeah,

0:33:05.400 --> 0:33:07.320
<v Speaker 1>because this is getting to one of my favorite things

0:33:07.320 --> 0:33:09.600
<v Speaker 1>about the Arc, the idea that it brings plague and

0:33:09.800 --> 0:33:12.600
<v Speaker 1>or madness to those who should not possess it, that

0:33:12.720 --> 0:33:16.200
<v Speaker 1>it is a dangerous artifact. So should we explore the

0:33:16.240 --> 0:33:19.520
<v Speaker 1>idea of the arc as a sort of bio weapon. Yeah,

0:33:19.600 --> 0:33:22.800
<v Speaker 1>let's talk about the Arc as plague bearer. I just

0:33:22.800 --> 0:33:25.440
<v Speaker 1>want to remind everybody that previous passage that we read,

0:33:25.760 --> 0:33:28.440
<v Speaker 1>and it was so that after they had carried it about,

0:33:28.680 --> 0:33:30.800
<v Speaker 1>the hand of the Lord was against the city with

0:33:30.880 --> 0:33:33.200
<v Speaker 1>a very great destruction, and he smoked the men of

0:33:33.240 --> 0:33:36.880
<v Speaker 1>the city, both small and great, and they had immrods

0:33:37.000 --> 0:33:41.040
<v Speaker 1>in their secret parts. Now, let's talk about those emrods.

0:33:41.080 --> 0:33:48.280
<v Speaker 1>So those immrods are often interpreted as hemorrhoids. That would

0:33:48.400 --> 0:33:51.719
<v Speaker 1>there seems to be a cognate issue there, and a

0:33:51.760 --> 0:33:54.200
<v Speaker 1>lot seems to have been written about them over the years,

0:33:54.600 --> 0:33:56.800
<v Speaker 1>in part because it seems like anytime you have a

0:33:56.840 --> 0:34:00.960
<v Speaker 1>hemorrhoid paper, and there are a lot herroid papers out there,

0:34:01.720 --> 0:34:05.040
<v Speaker 1>the doctor's writing them often like to throw in a

0:34:05.040 --> 0:34:07.640
<v Speaker 1>little bit of biblical flavor at the beginning. Yes, how

0:34:07.680 --> 0:34:10.560
<v Speaker 1>many times has this story been cited in the International

0:34:10.640 --> 0:34:13.359
<v Speaker 1>Journal of Hemorrhoid Research. Right, yeah, right at the very

0:34:13.360 --> 0:34:15.719
<v Speaker 1>beginning of any paper, because you're ultimately just going to

0:34:15.800 --> 0:34:18.480
<v Speaker 1>talk about swollen veins and the lower part of the

0:34:18.520 --> 0:34:20.360
<v Speaker 1>rectum and anus. But then you can make it a

0:34:20.360 --> 0:34:23.239
<v Speaker 1>little magical right at the start. You can hook readers. Right,

0:34:23.360 --> 0:34:25.520
<v Speaker 1>So for people who don't actually know, can you just

0:34:25.680 --> 0:34:29.200
<v Speaker 1>briefly explain what a hemorrhoid is? Yeah, it is swollen

0:34:29.320 --> 0:34:32.799
<v Speaker 1>veins and the lower part of the rectum and anus. Okay, Yeah,

0:34:32.840 --> 0:34:34.880
<v Speaker 1>that's all it is. Yeah, that basically. I mean you

0:34:34.920 --> 0:34:38.000
<v Speaker 1>can get more detailed in describing what causes them and

0:34:38.040 --> 0:34:42.319
<v Speaker 1>of course the treatments that that are necessary. But it's

0:34:42.320 --> 0:34:45.319
<v Speaker 1>been a problem for a long time. Obviously, it's something

0:34:45.360 --> 0:34:48.319
<v Speaker 1>that may have been described here in the Bible, uh,

0:34:48.400 --> 0:34:50.759
<v Speaker 1>and just throughout human history people have had to deal

0:34:50.840 --> 0:34:55.480
<v Speaker 1>with hemorrhroids. Now, if the story actually does mean that

0:34:55.520 --> 0:34:58.839
<v Speaker 1>the Philistines got hemorrhoids, I know it's been translated in

0:34:58.880 --> 0:35:02.239
<v Speaker 1>other ways, But if it did mean that, would the

0:35:02.280 --> 0:35:06.160
<v Speaker 1>story be best interpreted as something that's supposed to be humorous?

0:35:06.560 --> 0:35:10.160
<v Speaker 1>Is it like a joke on the Philistines? You know

0:35:10.280 --> 0:35:13.640
<v Speaker 1>this comes down? Oh man, you you kind of end

0:35:13.719 --> 0:35:16.640
<v Speaker 1>up asking a big question about humor there, right, because

0:35:16.640 --> 0:35:19.440
<v Speaker 1>I don't think hemorroids are ever humorous to the individual

0:35:19.520 --> 0:35:21.759
<v Speaker 1>that has them, right, But clearly we have a lot

0:35:21.760 --> 0:35:24.880
<v Speaker 1>of jokes about hemorrhoids. It's really funny when your enemies

0:35:24.920 --> 0:35:28.279
<v Speaker 1>get one, I guess, I mean it's it's it's kind

0:35:28.280 --> 0:35:33.160
<v Speaker 1>of an insulting curse from a powerful god figure. Right,

0:35:33.239 --> 0:35:36.440
<v Speaker 1>It's not just like causing them to go blind or something.

0:35:36.440 --> 0:35:40.239
<v Speaker 1>It's giving them this this annoying health problem. And then

0:35:40.239 --> 0:35:42.400
<v Speaker 1>there's this other part to it as well. So the

0:35:42.440 --> 0:35:45.719
<v Speaker 1>Philistines suffer these after they steal it and they locked

0:35:45.719 --> 0:35:47.359
<v Speaker 1>it up in the temple of Dagon, and we see

0:35:47.400 --> 0:35:52.319
<v Speaker 1>the statue of Dagon fall over multiple times. Um and

0:35:52.400 --> 0:35:54.880
<v Speaker 1>the arc of course not only mutilated there with their

0:35:54.920 --> 0:35:58.640
<v Speaker 1>god's statue, it also caused these these imrods as well

0:35:58.680 --> 0:36:03.200
<v Speaker 1>as a plague of rampaiy mice. The emerrods again are

0:36:03.200 --> 0:36:06.600
<v Speaker 1>also sometimes referred to as tumors. So a lot of

0:36:06.600 --> 0:36:09.480
<v Speaker 1>people have have looked at these examples and tried to

0:36:09.560 --> 0:36:12.400
<v Speaker 1>figure out what could possibly be going on here, because

0:36:12.480 --> 0:36:15.879
<v Speaker 1>if these these imrods be the hemorrhoids or some sort

0:36:15.920 --> 0:36:18.399
<v Speaker 1>of a tumor. Well, that's that's a symptom. That's something

0:36:18.440 --> 0:36:21.480
<v Speaker 1>we can look look to that we can analyze via

0:36:21.560 --> 0:36:24.000
<v Speaker 1>modern medicine, and then maybe we can look at some

0:36:24.000 --> 0:36:26.000
<v Speaker 1>of these other elements and try and piece something together

0:36:26.040 --> 0:36:28.160
<v Speaker 1>as well. Now, just to be clear, once again, we

0:36:28.200 --> 0:36:31.280
<v Speaker 1>mentioned this earlier, but we don't We don't have direct

0:36:31.320 --> 0:36:34.759
<v Speaker 1>evidence that this story actually happened. We right, We don't

0:36:34.840 --> 0:36:38.040
<v Speaker 1>know that this is based on something that people remember,

0:36:38.120 --> 0:36:39.759
<v Speaker 1>but it could be it could be based on some

0:36:39.880 --> 0:36:42.879
<v Speaker 1>kind of historical event. Right. And likewise, a lot of

0:36:43.080 --> 0:36:45.040
<v Speaker 1>a lot of work has been done looking at Okay,

0:36:45.040 --> 0:36:47.759
<v Speaker 1>we had we had immerrods and we have mice. What's

0:36:47.800 --> 0:36:50.160
<v Speaker 1>the connection there, when in reality you could have two

0:36:50.239 --> 0:36:53.920
<v Speaker 1>separate stories then end up being combined into a story

0:36:54.200 --> 0:36:57.080
<v Speaker 1>that has immerrods and mice. So, as I said, a

0:36:57.160 --> 0:36:59.080
<v Speaker 1>number of people have written about this. Two of the

0:36:59.080 --> 0:37:02.960
<v Speaker 1>earlier ones were ninety century historians Gaston Maspero and Archibald

0:37:02.960 --> 0:37:07.680
<v Speaker 1>Henry Says, who summarized the quote. The Philistine soothsayer, being

0:37:07.760 --> 0:37:10.560
<v Speaker 1>consulted at the end of seven months, ordered that the

0:37:10.560 --> 0:37:14.440
<v Speaker 1>solemn sacrifices should be offered up and the arc restored

0:37:14.480 --> 0:37:19.040
<v Speaker 1>to its rightful worshippers, accompanied by expiatory offerings of five

0:37:19.080 --> 0:37:22.880
<v Speaker 1>gold mice and five gold tumors, one for each of

0:37:22.920 --> 0:37:26.960
<v Speaker 1>the repentant cities. So they're not only saying, here, take

0:37:27.000 --> 0:37:29.680
<v Speaker 1>your arc back because it is causing mice to be

0:37:29.719 --> 0:37:32.560
<v Speaker 1>everywhere and has given us some weird growths. They're saying,

0:37:32.640 --> 0:37:35.600
<v Speaker 1>here it is back, but also here's here's some golden

0:37:35.640 --> 0:37:39.080
<v Speaker 1>mice and some golden hemorrhoids or or tumors or something

0:37:39.520 --> 0:37:42.200
<v Speaker 1>uh too, sort of as payment or perhaps warning who

0:37:42.560 --> 0:37:44.520
<v Speaker 1>whoever gets the arc next. Now, I don't want to

0:37:44.520 --> 0:37:46.800
<v Speaker 1>get too far ahead of things here, but I can't

0:37:46.800 --> 0:37:49.319
<v Speaker 1>help but notice, if you've got mice and you've got

0:37:50.040 --> 0:37:53.040
<v Speaker 1>tumors or lumps of some kind, I'm going to start

0:37:53.040 --> 0:37:56.520
<v Speaker 1>thinking about bubonic plague. That's right, because bubonic plague does

0:37:56.600 --> 0:38:00.360
<v Speaker 1>result in bu bos, which are swellings of the lemp notes.

0:38:00.560 --> 0:38:02.600
<v Speaker 1>So that could sort of be classed as something like

0:38:02.680 --> 0:38:05.440
<v Speaker 1>a tumor. You get a lump under your skin, right,

0:38:05.520 --> 0:38:07.520
<v Speaker 1>And if you if you want to do a Google search,

0:38:07.560 --> 0:38:10.759
<v Speaker 1>you can find images of these uh, these swellings, and

0:38:10.760 --> 0:38:14.280
<v Speaker 1>indeed they look kind of like like lumpy tumor like growths.

0:38:15.400 --> 0:38:18.760
<v Speaker 1>Frank R. Freeman, in a two thousand five Royal Society

0:38:18.760 --> 0:38:21.840
<v Speaker 1>of Medicine article highlighted some some other writings on the topic,

0:38:21.880 --> 0:38:25.279
<v Speaker 1>including a two thousand argument by JP Griffin that it

0:38:25.400 --> 0:38:30.160
<v Speaker 1>was in fact plague that was afflicting the Philistines here.

0:38:30.680 --> 0:38:33.920
<v Speaker 1>But then one W. M. S. Russell insisted that the

0:38:33.960 --> 0:38:38.160
<v Speaker 1>tumors were emorrhoids due to dysenterry and that quote the

0:38:38.280 --> 0:38:40.640
<v Speaker 1>rat carrier of the plague wasn't in the region at

0:38:40.680 --> 0:38:44.120
<v Speaker 1>the time of the described events, but that quotes Since then,

0:38:44.200 --> 0:38:48.480
<v Speaker 1>advances in archaeology have shifted the weight of evidence towards Griffin. Moreover,

0:38:48.640 --> 0:38:51.160
<v Speaker 1>the emmrods of the King James Bible appear in all

0:38:51.239 --> 0:38:54.760
<v Speaker 1>modern translations as tumors, So if you're just trying, really

0:38:54.800 --> 0:38:57.359
<v Speaker 1>trying to make it work as hemorrhoids, you're probably out

0:38:57.360 --> 0:39:01.399
<v Speaker 1>of luck. Right. It seems like like tumors are more

0:39:01.480 --> 0:39:05.640
<v Speaker 1>likely interpretation, and that leads a number of people to say, well,

0:39:05.680 --> 0:39:09.560
<v Speaker 1>maybe it was it was bubonic plague. Here's another quote

0:39:09.560 --> 0:39:13.680
<v Speaker 1>from Freeman. Recent archaeological evidence has caused a rethinking of

0:39:13.680 --> 0:39:17.000
<v Speaker 1>plague in the ancient Near East. Fossilized remains of the

0:39:17.040 --> 0:39:21.080
<v Speaker 1>plague flea have been found in large numbers in Amarna, Egypt,

0:39:21.200 --> 0:39:24.040
<v Speaker 1>and since a Marna was occupied for only a few years,

0:39:24.400 --> 0:39:27.600
<v Speaker 1>we can date this contact between human beings and plague

0:39:27.600 --> 0:39:32.000
<v Speaker 1>fleas accurately to about fifty b C, which is before

0:39:32.040 --> 0:39:35.560
<v Speaker 1>the events described in the Book of Samuel. Moreover, archaeological

0:39:35.560 --> 0:39:39.040
<v Speaker 1>studies in the Nile Valley indicate that our rattus was

0:39:39.400 --> 0:39:43.240
<v Speaker 1>introduced at this time, probably via ships from India. Evidence

0:39:43.280 --> 0:39:46.320
<v Speaker 1>of bubonic plague has not been seen in Egyptian mummies,

0:39:46.520 --> 0:39:49.440
<v Speaker 1>but all the vectors were in place. Okay, so this

0:39:49.520 --> 0:39:52.759
<v Speaker 1>is saying based on some evidence we have there. The

0:39:52.840 --> 0:39:56.920
<v Speaker 1>historical setting is is there like you could imagine that

0:39:56.960 --> 0:40:00.160
<v Speaker 1>there could be bubonic plague at the right time in

0:40:00.200 --> 0:40:02.319
<v Speaker 1>the right place for this to be what is what

0:40:02.520 --> 0:40:04.920
<v Speaker 1>is described in the story about the arc in the Philistines.

0:40:05.960 --> 0:40:07.880
<v Speaker 1>That being said, I don't think anybody is arguing that

0:40:07.920 --> 0:40:11.560
<v Speaker 1>the arc was full of plague infested mice. This would

0:40:11.560 --> 0:40:16.360
<v Speaker 1>just be a situation where the soothsayers made sort of

0:40:16.400 --> 0:40:21.160
<v Speaker 1>a connection between plague mice and the illness, but instead

0:40:21.200 --> 0:40:23.440
<v Speaker 1>of connecting those two things together, they just assumed they

0:40:23.480 --> 0:40:27.120
<v Speaker 1>were both curses of the Ark. Now, in the minute,

0:40:27.160 --> 0:40:29.440
<v Speaker 1>I do want to come back and discuss the possibility

0:40:29.640 --> 0:40:33.720
<v Speaker 1>of bio warfare and germ warfare in the ancient world. Yes,

0:40:33.800 --> 0:40:35.680
<v Speaker 1>and now before we get to that, I do I

0:40:35.719 --> 0:40:39.239
<v Speaker 1>do want to also mentioned that one doctor Otto news

0:40:39.280 --> 0:40:44.320
<v Speaker 1>stator In considered that the swellings described here might be possible.

0:40:44.320 --> 0:40:47.719
<v Speaker 1>It might possibly be due to syphiletic infection, which is

0:40:47.880 --> 0:40:51.160
<v Speaker 1>that the Philistines would have contracted syphilis from the Ark

0:40:51.200 --> 0:40:54.800
<v Speaker 1>of the Covenant or lahore again, that an outbreak of

0:40:54.840 --> 0:40:57.320
<v Speaker 1>syphilis lined up with the presence of the arc or

0:40:57.440 --> 0:41:00.360
<v Speaker 1>was attributed to the presence of the arc in some action.

0:41:00.560 --> 0:41:04.640
<v Speaker 1>Is there anything that syphilis doesn't explain? But I mean, yeah,

0:41:04.640 --> 0:41:07.160
<v Speaker 1>if we go back to to our earlier discussions of

0:41:07.200 --> 0:41:10.040
<v Speaker 1>syphilis on this uh this podcast, it it seems like

0:41:10.040 --> 0:41:12.919
<v Speaker 1>you can pretty much describe just about everything. The only

0:41:12.920 --> 0:41:16.120
<v Speaker 1>thing is you probably get into an argument about when

0:41:16.200 --> 0:41:19.600
<v Speaker 1>syphilis would have impacted a given region. No, by that,

0:41:19.719 --> 0:41:23.000
<v Speaker 1>I didn't mean that syphilis is a good explanation for everything.

0:41:23.040 --> 0:41:25.839
<v Speaker 1>I just people have tried it on everything. It's like

0:41:26.040 --> 0:41:30.600
<v Speaker 1>every powerful force in human history. For sure. Every historical

0:41:30.640 --> 0:41:34.960
<v Speaker 1>event has a syphilis hypothesis, as will come up repeatedly

0:41:34.960 --> 0:41:38.520
<v Speaker 1>in this episode. It's not necessary to invoke bronze punk

0:41:38.560 --> 0:41:42.400
<v Speaker 1>biowarfare explanations to justify legends of the ark. But it

0:41:42.640 --> 0:41:47.400
<v Speaker 1>is certainly, I think plausible that forms of biological warfare

0:41:47.480 --> 0:41:51.160
<v Speaker 1>were practiced in the ancient world. That who knows that

0:41:51.239 --> 0:41:54.160
<v Speaker 1>the ancient Uh, the ancient Hebrews, or any of the

0:41:54.160 --> 0:41:56.720
<v Speaker 1>other peoples of the time period could have figured out

0:41:57.040 --> 0:41:59.359
<v Speaker 1>how to do germ warfare and could have used it.

0:41:59.560 --> 0:42:02.279
<v Speaker 1>And in fact, we have some pretty interesting evidence that

0:42:02.400 --> 0:42:05.919
<v Speaker 1>it did actually happen, at least in one case UH

0:42:05.960 --> 0:42:10.600
<v Speaker 1>in the second millennium BC. That's right, we're talking about

0:42:10.880 --> 0:42:16.080
<v Speaker 1>the Hittites of Asia Minor going back to whatc around then,

0:42:16.160 --> 0:42:19.600
<v Speaker 1>so I think in the fourteenth century BC. So there

0:42:19.640 --> 0:42:22.080
<v Speaker 1>was an epidemic at the time in the fourteenth century BC,

0:42:22.320 --> 0:42:26.280
<v Speaker 1>known to historians as the Hittite plague, that spread throughout

0:42:26.280 --> 0:42:30.520
<v Speaker 1>the Middle East, And historical records of this pestilence appear

0:42:30.560 --> 0:42:34.879
<v Speaker 1>in correspondence Stella to the Egyptian pharaoh aknat In from

0:42:34.880 --> 0:42:39.959
<v Speaker 1>around thirteen thirty five BC, and they say that there's

0:42:39.960 --> 0:42:43.080
<v Speaker 1>a horrible plague that's spread throughout the land. It's affecting

0:42:43.200 --> 0:42:46.040
<v Speaker 1>some Phoenician cities, and there was a fear that it

0:42:46.080 --> 0:42:48.920
<v Speaker 1>was being spread by donkeys, which led to them barring

0:42:48.960 --> 0:42:53.040
<v Speaker 1>people from infected cities from coming into other cities and

0:42:53.120 --> 0:42:57.920
<v Speaker 1>from preventing donkeys from being used in traveling caravans. And

0:42:58.000 --> 0:43:00.919
<v Speaker 1>so there is a paper I wanted to talk about

0:43:00.960 --> 0:43:04.520
<v Speaker 1>published in Medical Hypotheses in two thousand seven by a

0:43:04.640 --> 0:43:08.800
<v Speaker 1>microbiologist named Zero e gin No trevis Sinato called the

0:43:08.880 --> 0:43:12.600
<v Speaker 1>Hittite plague an epidemic of tularemia and the first record

0:43:12.600 --> 0:43:16.640
<v Speaker 1>of biological warfare. And this is a really interesting hypothesis.

0:43:16.760 --> 0:43:21.160
<v Speaker 1>So Trevisano believes that the evidence indicates that the Hittite

0:43:21.239 --> 0:43:25.400
<v Speaker 1>plague was in fact an epidemic of tularemia, which is

0:43:25.440 --> 0:43:30.520
<v Speaker 1>a bacterial infection caused by the Bacterium francis sella to lawrensis.

0:43:31.200 --> 0:43:35.200
<v Speaker 1>Tularemia can spread between animals and humans, so it's potentially

0:43:35.320 --> 0:43:38.640
<v Speaker 1>zoonotic infection UH and it can spread via several routes,

0:43:38.680 --> 0:43:42.759
<v Speaker 1>including tick bites and by just direct contact or inhalation

0:43:42.840 --> 0:43:46.600
<v Speaker 1>of infected aerosols. It has different symptoms depending on the

0:43:46.680 --> 0:43:50.480
<v Speaker 1>route of transmission, including high fever and ulcers and swelling

0:43:50.480 --> 0:43:53.840
<v Speaker 1>of the lymph glands and the pneumonic version of this

0:43:54.000 --> 0:43:57.560
<v Speaker 1>infection leads to a cough, chest pain, difficulty breathing, and

0:43:57.600 --> 0:44:00.879
<v Speaker 1>can definitely be deadly to Tularemias is actually often known

0:44:00.880 --> 0:44:04.239
<v Speaker 1>to kill off large numbers of rabbits, which has led

0:44:04.280 --> 0:44:08.000
<v Speaker 1>to it being commonly known as rabbit fever, and especially

0:44:08.000 --> 0:44:11.680
<v Speaker 1>without modern medical intervention, primarily antibiotics, it can be fatal

0:44:11.719 --> 0:44:15.840
<v Speaker 1>to humans, so it is a deadly dangerous disease. Trevis

0:44:15.840 --> 0:44:19.000
<v Speaker 1>Sinato says that after the outbreak of this plague hit

0:44:19.040 --> 0:44:22.319
<v Speaker 1>the Phoenician city of Simura, the Hittites also known as

0:44:22.400 --> 0:44:25.080
<v Speaker 1>the nest Shites, attacked the area and looted it. So

0:44:25.120 --> 0:44:27.839
<v Speaker 1>you've got the city weakened by disease. The Hittites say, hey,

0:44:27.880 --> 0:44:30.480
<v Speaker 1>some free stuff, so they run in. They attacked the

0:44:30.520 --> 0:44:34.160
<v Speaker 1>city and they looted, taking along live stock among the

0:44:34.200 --> 0:44:38.880
<v Speaker 1>many spoils of war. But soon after they returned, the

0:44:38.960 --> 0:44:41.960
<v Speaker 1>Hittite raiders were hit with an outbreak of disease that

0:44:42.000 --> 0:44:46.279
<v Speaker 1>Trevis Sano. Trevis Sinato also thinks was to laremia, and

0:44:46.320 --> 0:44:49.040
<v Speaker 1>this would make sense because they brought the livestock. The

0:44:49.080 --> 0:44:53.640
<v Speaker 1>animal hosts were arcs if you will, for the bacteria.

0:44:53.920 --> 0:44:57.600
<v Speaker 1>Then while the Hittites were weakened with this epidemic. Another

0:44:57.680 --> 0:45:01.839
<v Speaker 1>people known as the r za Ones attacked them. Then.

0:45:01.920 --> 0:45:05.640
<v Speaker 1>Trevis Sinato writes that their historical records that indicate strange

0:45:05.640 --> 0:45:09.640
<v Speaker 1>incidents and when like wandering rams appeared in our Zawa,

0:45:10.200 --> 0:45:13.319
<v Speaker 1>and the Arzawans, of course wouldn't pass up free live stock,

0:45:13.440 --> 0:45:16.239
<v Speaker 1>so they incorporated these rams into their flocks. But then

0:45:16.680 --> 0:45:20.000
<v Speaker 1>they were hit with the disease, probably to laremia and

0:45:20.000 --> 0:45:22.719
<v Speaker 1>Trevis Sinato also mentioned the story that there was this

0:45:22.880 --> 0:45:27.200
<v Speaker 1>Arzawan leader called Hsidas who was struck by a divine

0:45:27.239 --> 0:45:32.360
<v Speaker 1>thunderbolt in the knee, disabling him. Quote. A ruler infected

0:45:32.400 --> 0:45:35.239
<v Speaker 1>with the plague and symptoms thereof being observed in the

0:45:35.320 --> 0:45:39.440
<v Speaker 1>knees or in a region euphemistically and or puritanically described

0:45:39.520 --> 0:45:42.120
<v Speaker 1>as the knees fit the metaphor. Oh. This is the

0:45:42.160 --> 0:45:45.200
<v Speaker 1>idea where like if an individual is wounded in the

0:45:45.560 --> 0:45:47.880
<v Speaker 1>in the groin, they describe it as the knee instead

0:45:48.040 --> 0:45:50.520
<v Speaker 1>or like the foot to like often in the Bible,

0:45:50.719 --> 0:45:54.560
<v Speaker 1>the use of the word foot is clearly a euphemism

0:45:54.640 --> 0:45:59.040
<v Speaker 1>for the genitals. So here's Trevis Sinato's hypothesis. It's the

0:45:59.040 --> 0:46:03.680
<v Speaker 1>the hit tights who experience with this epidemic. Deliberately planted

0:46:03.800 --> 0:46:08.360
<v Speaker 1>disease carrying rams among their enemies in order to deliberately

0:46:08.520 --> 0:46:12.040
<v Speaker 1>spread the rabbit fever the tularemia and weaken those enemies.

0:46:12.520 --> 0:46:14.840
<v Speaker 1>And if that's true, it seems like it worked. The

0:46:15.520 --> 0:46:18.319
<v Speaker 1>Lands were unable to defeat the Hittites after the fever

0:46:18.440 --> 0:46:21.440
<v Speaker 1>hit them, and we've got historical records that the Hittite

0:46:21.520 --> 0:46:25.279
<v Speaker 1>king wished plague upon the lands and that there was

0:46:25.360 --> 0:46:28.400
<v Speaker 1>this Hittite scapegoat ritual in which a ram and a

0:46:28.480 --> 0:46:32.040
<v Speaker 1>female attendant were sent out on the road, spreading disease

0:46:32.080 --> 0:46:35.840
<v Speaker 1>where they went. So we don't have direct evidence that

0:46:35.880 --> 0:46:38.880
<v Speaker 1>the Hittites knew exactly what they were doing, you know,

0:46:38.920 --> 0:46:41.920
<v Speaker 1>that they knew they were spreading disease, or that they

0:46:42.000 --> 0:46:45.279
<v Speaker 1>understood how the spread of disease was happening. So while

0:46:45.320 --> 0:46:47.360
<v Speaker 1>the evidence for this is very interesting, I would not

0:46:47.440 --> 0:46:50.040
<v Speaker 1>say it's a proven case of germ warfare, and that

0:46:50.480 --> 0:46:53.320
<v Speaker 1>it doesn't seem like this has become accepted theory about

0:46:53.320 --> 0:46:55.160
<v Speaker 1>what happened in this case, but it does seem like

0:46:55.320 --> 0:46:59.200
<v Speaker 1>a very promising hypothesis. But despite not having a germ

0:46:59.280 --> 0:47:01.840
<v Speaker 1>theory of disease, I think it's certainly feasible that ancient

0:47:01.880 --> 0:47:06.959
<v Speaker 1>people's could work out basic principles of epidemic transmission, such

0:47:06.960 --> 0:47:11.080
<v Speaker 1>as that infected or maybe cursed animals would spread the

0:47:11.120 --> 0:47:14.360
<v Speaker 1>disease to people that came in contact with, and using

0:47:14.400 --> 0:47:17.400
<v Speaker 1>this basic knowledge, it's possible that ancient people's could have

0:47:17.520 --> 0:47:21.480
<v Speaker 1>deliberately spread diseases among their enemies. And it's clear that

0:47:21.600 --> 0:47:25.040
<v Speaker 1>later armies with not much more scientific understanding than the

0:47:25.040 --> 0:47:28.080
<v Speaker 1>ancient people's had did this. Yeah, indeed, I mean two

0:47:28.080 --> 0:47:31.040
<v Speaker 1>of them. The most probably famous examples of this would

0:47:31.080 --> 0:47:35.480
<v Speaker 1>be throwing dead things, be they animals or soldiers uh

0:47:35.520 --> 0:47:38.640
<v Speaker 1>over the walls into a besieged city, or throwing that

0:47:38.719 --> 0:47:41.200
<v Speaker 1>kind of stuff down a well to try and destroy

0:47:41.640 --> 0:47:45.839
<v Speaker 1>poison uh an enemy's drinking water. Yeah. So I just

0:47:45.880 --> 0:47:47.920
<v Speaker 1>wanted to mention a few examples that are cited in

0:47:47.920 --> 0:47:52.040
<v Speaker 1>a paper called the History of Biological Warfare by Friedrich Frishnecht,

0:47:52.600 --> 0:47:54.920
<v Speaker 1>and this these would all be before the germ theory

0:47:54.920 --> 0:47:57.719
<v Speaker 1>of disease, but he mentions that in eleven fifty five,

0:47:58.480 --> 0:48:02.400
<v Speaker 1>Emperor Barbarossa poison water wells with human bodies in Italy.

0:48:02.960 --> 0:48:06.880
<v Speaker 1>In thirteen forty six, the Mongols catapulted bodies of plague

0:48:06.920 --> 0:48:09.520
<v Speaker 1>victims over the city walls of Kafa and the crime

0:48:09.719 --> 0:48:14.200
<v Speaker 1>Crimean peninsula, And in fourteen the Spanish mixed wine with

0:48:14.320 --> 0:48:17.840
<v Speaker 1>blood of leprosy patients to sell to their French enemies

0:48:17.880 --> 0:48:22.600
<v Speaker 1>in Naples a cocktail. So while I would absolutely say

0:48:22.600 --> 0:48:26.560
<v Speaker 1>that we do not need to resort to explanations like

0:48:26.680 --> 0:48:30.640
<v Speaker 1>this to explain the origins of these stories, at the

0:48:30.680 --> 0:48:34.680
<v Speaker 1>same time, I think it's fascinating and highly plausible that

0:48:34.760 --> 0:48:39.720
<v Speaker 1>there could have been cases where ancient people's used biological

0:48:39.840 --> 0:48:43.200
<v Speaker 1>or germ based weapons to hurt their enemies. Like you

0:48:43.239 --> 0:48:46.440
<v Speaker 1>can imagine a vessel or a container as some kind

0:48:46.440 --> 0:48:50.719
<v Speaker 1>of biological trojan horse, tricking enemies into taking home some

0:48:50.840 --> 0:48:53.400
<v Speaker 1>disease vector with them. What if you you get people

0:48:53.440 --> 0:48:56.160
<v Speaker 1>to steal your arc and it's actually a box full

0:48:56.200 --> 0:48:59.880
<v Speaker 1>of rabbit corpses covered into laremia tis. Yeah, I to

0:49:00.160 --> 0:49:02.200
<v Speaker 1>I would have assumed they look inside it before they

0:49:02.200 --> 0:49:04.319
<v Speaker 1>take it home. I mean that just seems like like

0:49:05.160 --> 0:49:07.880
<v Speaker 1>this is common sense. Well, maybe you make a crafty

0:49:07.920 --> 0:49:10.759
<v Speaker 1>one with like some hidden you know, containers on the

0:49:10.880 --> 0:49:13.600
<v Speaker 1>compartment stuff on the hidden compartments, with grates for the

0:49:13.640 --> 0:49:15.439
<v Speaker 1>ticks to get out. You can. You can get really

0:49:15.480 --> 0:49:18.879
<v Speaker 1>creative with this. So there no instructions about that, though

0:49:19.040 --> 0:49:22.440
<v Speaker 1>in the biblical account, it's true there are not. Again,

0:49:22.560 --> 0:49:25.520
<v Speaker 1>but I'm not saying that this actually happened and explains

0:49:25.560 --> 0:49:27.319
<v Speaker 1>the story. I don't think you need to go there.

0:49:28.200 --> 0:49:29.919
<v Speaker 1>All right, we're gonna take one more break, and when

0:49:29.920 --> 0:49:33.400
<v Speaker 1>we come back, we'll talk a little bit about radiation

0:49:33.960 --> 0:49:36.680
<v Speaker 1>and uh, the idea of the arc being indeed a

0:49:36.800 --> 0:49:42.080
<v Speaker 1>radio for talking to God. All right, we're back. So

0:49:42.280 --> 0:49:45.000
<v Speaker 1>I I mentioned earlier, you know, the influence of fiction

0:49:45.239 --> 0:49:50.040
<v Speaker 1>on our considerations of the arc, and I definitely remember

0:49:50.239 --> 0:49:53.200
<v Speaker 1>being I guess this was like junior high reading Stephen

0:49:53.280 --> 0:49:57.160
<v Speaker 1>King's The Stand and then also looking around in the

0:49:57.160 --> 0:49:59.760
<v Speaker 1>Bible and thinking about the arc of the Covenant because

0:49:59.800 --> 0:50:04.000
<v Speaker 1>of was this this wonderful sequence throughout the later portions

0:50:04.000 --> 0:50:06.799
<v Speaker 1>of Stephen King's The Stand And which what was his name?

0:50:06.920 --> 0:50:09.480
<v Speaker 1>Do you remember this character? Which character? The character is

0:50:09.560 --> 0:50:13.439
<v Speaker 1>dragging the the atomic bomb across the trash trash can man? Yeah,

0:50:13.480 --> 0:50:17.319
<v Speaker 1>Donald Merwin, Albert that's good. Do you remember his whole name? Yeah?

0:50:17.360 --> 0:50:20.319
<v Speaker 1>I just remember him just being like the melty bomb guy,

0:50:20.760 --> 0:50:25.320
<v Speaker 1>because he's just he's just ravaged by radiation, sickness, and mutation.

0:50:25.400 --> 0:50:28.399
<v Speaker 1>He's just his skins basically dripping off his body as

0:50:28.440 --> 0:50:32.720
<v Speaker 1>he drags this, uh, this bomb into the final scene

0:50:32.760 --> 0:50:35.480
<v Speaker 1>of the entire book. Well, based on a kind of

0:50:35.680 --> 0:50:39.680
<v Speaker 1>atomic age monster movie understanding of how radioactivity works, you

0:50:39.719 --> 0:50:44.239
<v Speaker 1>could certainly imagine somebody looking at the story of oh

0:50:44.480 --> 0:50:47.040
<v Speaker 1>the you know, they took this, this thing killed people

0:50:47.440 --> 0:50:50.000
<v Speaker 1>and sometimes at one point people took it and they

0:50:50.040 --> 0:50:54.359
<v Speaker 1>got tumors. This must be radioactive. Maybe it's a plutonium bomb. Yeah,

0:50:54.360 --> 0:50:56.520
<v Speaker 1>it sounds like something right out of a Fallout game

0:50:56.600 --> 0:50:59.320
<v Speaker 1>or a plan of the Apes movie. Right, yeah, Um,

0:51:00.080 --> 0:51:03.480
<v Speaker 1>But of course we we can't really seriously consider any

0:51:03.719 --> 0:51:08.160
<v Speaker 1>explanation that involves an ancient atomic weapon. No, there's just

0:51:08.239 --> 0:51:11.360
<v Speaker 1>no explanation for why that would have occurred, right. I

0:51:11.400 --> 0:51:15.080
<v Speaker 1>think the use of germ warfare among the ancients, even

0:51:15.080 --> 0:51:17.040
<v Speaker 1>though they might not have had a germ theory of disease,

0:51:17.080 --> 0:51:19.279
<v Speaker 1>I do think it's plausible given what they could have

0:51:19.280 --> 0:51:23.080
<v Speaker 1>figured out just based on experience. It is not plausible

0:51:23.120 --> 0:51:26.160
<v Speaker 1>at all that they I mean not even close, that

0:51:26.239 --> 0:51:31.200
<v Speaker 1>they came up with any kind of highly radioactive materials, right, Because,

0:51:31.360 --> 0:51:33.440
<v Speaker 1>of course, the other side of the equation is, hey,

0:51:33.480 --> 0:51:37.000
<v Speaker 1>we have naturally occurring radioactive materials. Perhaps they just dug

0:51:37.040 --> 0:51:39.200
<v Speaker 1>that stuff up and stuff the arc full of it,

0:51:39.719 --> 0:51:42.560
<v Speaker 1>because I mean, certainly there are you have sites like

0:51:42.680 --> 0:51:47.080
<v Speaker 1>Ramsar Iran that did have a lot of naturally occurring

0:51:47.320 --> 0:51:51.359
<v Speaker 1>radioactive materials there, but they still don't produce anything near

0:51:51.400 --> 0:51:55.560
<v Speaker 1>the high level doses required to cause radiation sickness. Digging

0:51:55.719 --> 0:51:58.400
<v Speaker 1>uranium out of the ground even it's not going to

0:51:58.480 --> 0:52:01.879
<v Speaker 1>be anything like that. The highly radioactive elements we would

0:52:01.960 --> 0:52:06.040
<v Speaker 1>find in like nuclear reactor fuel or nuclear weapons exist

0:52:06.120 --> 0:52:10.600
<v Speaker 1>only in extremely tiny trace amounts naturally, and to produce

0:52:10.640 --> 0:52:13.799
<v Speaker 1>significant amounts of something like uranium two thirty five or

0:52:13.840 --> 0:52:17.760
<v Speaker 1>plutonium two thirty nine, you have to subject naturally occurring

0:52:17.880 --> 0:52:21.480
<v Speaker 1>rocks containing mostly more stable elements like uranium two thirty

0:52:21.520 --> 0:52:24.080
<v Speaker 1>eight to some kind of process. Right, You've got to

0:52:24.080 --> 0:52:27.279
<v Speaker 1>like bombard it with neutrons and a reactor, or you've

0:52:27.280 --> 0:52:30.160
<v Speaker 1>got a centrifuge it to separate out the more dangerous

0:52:30.160 --> 0:52:34.360
<v Speaker 1>you two thirty five. The greatest natural terrestrial source of

0:52:34.440 --> 0:52:38.360
<v Speaker 1>human exposure to ionizing radiation seems to be radon gas.

0:52:38.880 --> 0:52:42.320
<v Speaker 1>Radon is one of the radioactive decay products of uranium,

0:52:42.360 --> 0:52:45.920
<v Speaker 1>along with other elements like radium and thorium. And I

0:52:46.000 --> 0:52:50.520
<v Speaker 1>just haven't found any evidence of a natural terrestrial radiation

0:52:50.560 --> 0:52:54.719
<v Speaker 1>source strong enough to cause acute or noticeable radiation poisoning

0:52:55.040 --> 0:52:59.040
<v Speaker 1>within a short span of time. Exposure to natural terrestrial

0:52:59.160 --> 0:53:02.560
<v Speaker 1>radiation source can be dangerous, for example rd on gas,

0:53:02.600 --> 0:53:05.520
<v Speaker 1>but this is more because it tends to increase something

0:53:05.560 --> 0:53:08.920
<v Speaker 1>like your risk of cancer over long periods of time.

0:53:09.600 --> 0:53:11.719
<v Speaker 1>For example, rate on gas is believed to be the

0:53:11.800 --> 0:53:15.480
<v Speaker 1>number one cause of lung cancer among non smokers and

0:53:15.880 --> 0:53:19.359
<v Speaker 1>the number two cause of lung cancer overall. So even

0:53:19.560 --> 0:53:23.400
<v Speaker 1>the most potent natural radiation sources, they're not gonna do

0:53:23.480 --> 0:53:27.000
<v Speaker 1>anything to you that you could detect, I think without

0:53:27.200 --> 0:53:31.440
<v Speaker 1>modern science. So I find it extremely unlikely that anybody

0:53:31.480 --> 0:53:34.719
<v Speaker 1>in the ancient world could have an acutely lethal radiation

0:53:34.800 --> 0:53:36.440
<v Speaker 1>source in a box. I think we've got to rule

0:53:36.520 --> 0:53:41.600
<v Speaker 1>that one out. Take that junior High Robert Lamp I'm sorry, no, no, now,

0:53:41.640 --> 0:53:43.399
<v Speaker 1>you made me feel like it's jerk. No, no, no,

0:53:43.440 --> 0:53:46.359
<v Speaker 1>this is this is this is not at all. I mean,

0:53:46.840 --> 0:53:48.960
<v Speaker 1>this was something I was curious about when I was

0:53:48.960 --> 0:53:51.120
<v Speaker 1>in junior high. And then later on you get to

0:53:51.120 --> 0:53:53.200
<v Speaker 1>look into it and realize that, well, that didn't really

0:53:53.280 --> 0:53:55.520
<v Speaker 1>pan out. Now, I do want to mention something that

0:53:55.600 --> 0:53:57.799
<v Speaker 1>I think we should come back and explore in a

0:53:57.920 --> 0:54:03.080
<v Speaker 1>future episode, which is the idea of natural nuclear reactors.

0:54:04.040 --> 0:54:07.400
<v Speaker 1>I don't believe any exists today, but there is evidence

0:54:07.440 --> 0:54:10.440
<v Speaker 1>that billions of years ago, long ago in Earth's history,

0:54:10.560 --> 0:54:13.640
<v Speaker 1>when the when the elements in the Earth's crust were younger,

0:54:14.239 --> 0:54:19.320
<v Speaker 1>there were some natural fission reactions that were sustained within rocks,

0:54:19.560 --> 0:54:22.800
<v Speaker 1>in in rock formations within the Earth's crust, like a

0:54:23.160 --> 0:54:25.440
<v Speaker 1>I know it, at least one side in Western Africa,

0:54:25.640 --> 0:54:29.480
<v Speaker 1>there are these two billion year old natural fission reactors

0:54:29.480 --> 0:54:31.360
<v Speaker 1>that we found. All this evidence of that there was

0:54:31.440 --> 0:54:36.640
<v Speaker 1>essentially a nuclear fission reactor happening naturally under Earth's crust,

0:54:36.920 --> 0:54:40.440
<v Speaker 1>and that's led to even these really strange hypotheses like

0:54:40.480 --> 0:54:44.239
<v Speaker 1>alternative hypotheses for the origin of the Moon, which say

0:54:44.320 --> 0:54:48.319
<v Speaker 1>that it was the result of a natural fission reaction

0:54:48.480 --> 0:54:53.600
<v Speaker 1>explosion in Earth's crust billions of years ago, which that

0:54:53.680 --> 0:54:56.080
<v Speaker 1>I know that is not a favorite hypothesis, but it

0:54:56.120 --> 0:54:58.120
<v Speaker 1>has been put forward. I believe this was also the

0:54:58.200 --> 0:55:02.840
<v Speaker 1>underlying science in the the more recent American Godzilla film.

0:55:02.880 --> 0:55:05.160
<v Speaker 1>Oh wait what, Yeah, I believe so, Like the idea

0:55:05.239 --> 0:55:07.960
<v Speaker 1>was that Godzilla is this ancient organism from back when

0:55:08.000 --> 0:55:11.200
<v Speaker 1>you had naturally occurring high levels of radiation on Earth,

0:55:11.239 --> 0:55:15.120
<v Speaker 1>and they ate radiation and that's their the whole reason

0:55:15.160 --> 0:55:20.799
<v Speaker 1>for being gigantic radiations viewing monsters. What's the I don't

0:55:20.840 --> 0:55:22.920
<v Speaker 1>think they get into. The one I've seen recently is

0:55:22.960 --> 0:55:27.640
<v Speaker 1>shin Godzilla, which is absolutely amazing, But they don't really

0:55:27.640 --> 0:55:30.239
<v Speaker 1>explore the origin, do they know? I don't think they do.

0:55:30.320 --> 0:55:34.799
<v Speaker 1>They're more they're hyper concerned with the present. How do

0:55:34.840 --> 0:55:37.200
<v Speaker 1>we react to this? What do we have legal authority

0:55:37.280 --> 0:55:39.520
<v Speaker 1>to do? Where to hold the meeting? Yeah, that sort

0:55:39.560 --> 0:55:41.640
<v Speaker 1>of thing. So those are both really fun movies in

0:55:41.640 --> 0:55:44.560
<v Speaker 1>their their their own right. So at this point, let's

0:55:44.800 --> 0:55:47.920
<v Speaker 1>let's come back to again that that fabulous quote from

0:55:47.960 --> 0:55:53.000
<v Speaker 1>Belloc and it's a transmit to a radio for speaking

0:55:53.040 --> 0:55:56.040
<v Speaker 1>to God. As a little more than Peter Laurie. But

0:55:56.120 --> 0:55:58.520
<v Speaker 1>you know, any of the idea the more earthly indies

0:55:58.600 --> 0:56:00.879
<v Speaker 1>says you want to talk to God, will go see

0:56:00.960 --> 0:56:05.000
<v Speaker 1>them together? Right now? Yeah, you know, it's it's a

0:56:05.040 --> 0:56:07.000
<v Speaker 1>fun moment in the film, but the the idea is

0:56:07.080 --> 0:56:09.680
<v Speaker 1>central to the whole purpose of the art, because we've

0:56:09.680 --> 0:56:13.080
<v Speaker 1>discussed already it's described as not only a place to

0:56:13.160 --> 0:56:16.680
<v Speaker 1>how sacred relics, but as a focus of ritual, an

0:56:16.680 --> 0:56:20.680
<v Speaker 1>altar of sorts, a mobile altar God manifests upon the

0:56:20.719 --> 0:56:25.160
<v Speaker 1>mercy seat and speaks to the priests, instructing the priests

0:56:25.160 --> 0:56:29.600
<v Speaker 1>of God's will. Okay, so if this is how they

0:56:29.680 --> 0:56:32.960
<v Speaker 1>believed the art to function in their worship, what are

0:56:32.960 --> 0:56:35.360
<v Speaker 1>the ways you could interpret this? Well? I think the

0:56:35.440 --> 0:56:38.480
<v Speaker 1>most likely explanation of all would be that it just

0:56:38.520 --> 0:56:41.560
<v Speaker 1>would simply serve as a focal point of devotion, in

0:56:41.600 --> 0:56:44.080
<v Speaker 1>the same way that any altar or any statue or

0:56:44.120 --> 0:56:47.080
<v Speaker 1>religious work of art does so, without the need for

0:56:47.120 --> 0:56:52.480
<v Speaker 1>supernatural occurrences or ancient you know, technological devices or weird

0:56:52.560 --> 0:56:55.080
<v Speaker 1>traps or what have you know, bells and whistles required.

0:56:55.840 --> 0:56:57.279
<v Speaker 1>You know, I also can't help but compare it to

0:56:57.280 --> 0:57:00.760
<v Speaker 1>the notion of a focal point or a drift in yoga.

0:57:01.200 --> 0:57:04.040
<v Speaker 1>And this is where you're you're not even looking necessarily

0:57:04.080 --> 0:57:06.520
<v Speaker 1>at anything in particular. Maybe you're looking at a you know,

0:57:06.600 --> 0:57:10.320
<v Speaker 1>a line on the wall or just a point in space,

0:57:10.760 --> 0:57:13.600
<v Speaker 1>and you're focusing your attention on that and in doing

0:57:13.680 --> 0:57:17.840
<v Speaker 1>so hopefully entering some sort of meditative state. Right. The

0:57:17.880 --> 0:57:22.720
<v Speaker 1>goal is to to center consciousness, to crowd out other

0:57:22.800 --> 0:57:25.360
<v Speaker 1>thoughts entering right. And I imagine a lot of our

0:57:25.400 --> 0:57:28.280
<v Speaker 1>listeners out there you've had that experience either by focusing

0:57:28.320 --> 0:57:30.680
<v Speaker 1>on nothing, focusing on and say a clock on a

0:57:30.680 --> 0:57:33.560
<v Speaker 1>wall or a wall socket, or perhaps some bit of

0:57:33.600 --> 0:57:37.960
<v Speaker 1>religious art, uh, you know, an altarpiece across what have

0:57:38.120 --> 0:57:42.920
<v Speaker 1>you in a various Hindu iconography as well, like these conserves,

0:57:42.920 --> 0:57:45.240
<v Speaker 1>just a way to to focus our mind and also

0:57:45.280 --> 0:57:48.960
<v Speaker 1>think about perhaps what is illustrated in the work itself.

0:57:50.960 --> 0:57:53.880
<v Speaker 1>And this is you know, all ultimately very much a

0:57:53.920 --> 0:57:58.360
<v Speaker 1>form of induction or a formally ritualized procedure whose function

0:57:58.440 --> 0:58:02.919
<v Speaker 1>is the narrowing of consciousness by focusing attention. I also

0:58:02.960 --> 0:58:05.880
<v Speaker 1>can't help but think that with a golden item like

0:58:05.960 --> 0:58:07.840
<v Speaker 1>the like the arc. You so you have the arc,

0:58:07.880 --> 0:58:10.040
<v Speaker 1>it's covered in gold. You have it in a like

0:58:10.120 --> 0:58:13.240
<v Speaker 1>a dark pavilion, and what kind of illumination do you

0:58:13.240 --> 0:58:16.520
<v Speaker 1>have around you? Well, you might have burning sacrifices, so

0:58:16.600 --> 0:58:20.480
<v Speaker 1>they're indoors. You generally probably have firelight, but you could

0:58:20.560 --> 0:58:24.120
<v Speaker 1>also have a sacrifice burning at the altar that would

0:58:24.200 --> 0:58:27.840
<v Speaker 1>be a sort of like a fire there. And I

0:58:27.920 --> 0:58:30.520
<v Speaker 1>have to think also that there there would generally be

0:58:30.600 --> 0:58:34.320
<v Speaker 1>smoke in this environment. You burning something in sensors, so

0:58:34.400 --> 0:58:36.760
<v Speaker 1>you have you have, you probably have smoke, you have

0:58:36.880 --> 0:58:40.840
<v Speaker 1>some some firelight of some sort. You have this gleaming

0:58:41.000 --> 0:58:45.520
<v Speaker 1>golden artifact, not even getting into the cherubim that are

0:58:45.520 --> 0:58:47.880
<v Speaker 1>on it, but it seems like that the light would

0:58:47.880 --> 0:58:50.640
<v Speaker 1>play off of it in curious ways. The smoke would

0:58:50.640 --> 0:58:53.520
<v Speaker 1>add to the mystique. It sounds like an environment that

0:58:53.680 --> 0:58:56.960
<v Speaker 1>is generous to the creation of altered states of consciousness

0:58:56.960 --> 0:59:04.600
<v Speaker 1>exactly again with no drug or or magical interpretations required. Yeah, exactly. Now.

0:59:04.640 --> 0:59:06.280
<v Speaker 1>I know some of you out there that have listened

0:59:06.320 --> 0:59:08.160
<v Speaker 1>to the show for a while are probably thinking at

0:59:08.160 --> 0:59:12.320
<v Speaker 1>this point, well, what about the bicameral mind, right, because clearly,

0:59:12.320 --> 0:59:14.960
<v Speaker 1>this whole time, Yeah, this whole time, we've been talking

0:59:15.000 --> 0:59:17.640
<v Speaker 1>about a way of speaking to God, a way of

0:59:17.680 --> 0:59:20.920
<v Speaker 1>hearing God's voice, right, so it it seems like it

0:59:20.920 --> 0:59:24.200
<v Speaker 1>would naturally be a part of all that. Well, first

0:59:24.240 --> 0:59:26.560
<v Speaker 1>of all, it's just refresh about the bicameral mind and

0:59:26.600 --> 0:59:30.160
<v Speaker 1>the idea of bi cameral hallucinations. Uh, even the origin

0:59:30.240 --> 0:59:32.439
<v Speaker 1>of consciousness. In the Breakdown of the bi Cameral Mind,

0:59:32.920 --> 0:59:36.400
<v Speaker 1>Julian James, the late Julian James argued that ancient humans

0:59:36.400 --> 0:59:39.400
<v Speaker 1>heard hallucinated voices and that human consciousness as we know

0:59:39.520 --> 0:59:42.920
<v Speaker 1>it today began roughly three thousand years ago as a

0:59:42.920 --> 0:59:45.280
<v Speaker 1>cultural invention, which of course would kind of line up

0:59:45.360 --> 0:59:47.640
<v Speaker 1>with the time frame that we're talking about here with

0:59:47.680 --> 0:59:51.560
<v Speaker 1>the arc. It's an unproven hypothesis, and um, we've discussed

0:59:51.600 --> 0:59:53.760
<v Speaker 1>some objections to it in the in past episodes, but

0:59:53.800 --> 0:59:57.160
<v Speaker 1>it remains possible that at least some aspect of it

0:59:57.200 --> 0:59:59.160
<v Speaker 1>is correct. In a way. It's a very safe kind

0:59:59.160 --> 1:00:01.680
<v Speaker 1>of idea for j Aims to have proposed, because there

1:00:01.840 --> 1:00:05.520
<v Speaker 1>was and remains no real way of proving or disproving it. Right.

1:00:05.560 --> 1:00:07.320
<v Speaker 1>You can't prove it because it's in history. But I

1:00:07.600 --> 1:00:11.200
<v Speaker 1>do think it's subject to undermining by evidence. I mean, like,

1:00:11.240 --> 1:00:14.840
<v Speaker 1>one of the things that I think would help undermine

1:00:14.840 --> 1:00:16.960
<v Speaker 1>it is if you can just find more and more

1:00:17.200 --> 1:00:23.360
<v Speaker 1>ancient examples of people demonstrating inner consciousness in ancient literature.

1:00:24.280 --> 1:00:26.880
<v Speaker 1>I mean, like he he pointed to some examples of

1:00:26.880 --> 1:00:29.840
<v Speaker 1>ancient literature and said, oh, they're remarkably devoid of the

1:00:29.920 --> 1:00:33.280
<v Speaker 1>idea of an inner, inner voice or inner thoughts. So

1:00:33.320 --> 1:00:35.400
<v Speaker 1>I think one pretty easy way of saying now he

1:00:35.520 --> 1:00:38.040
<v Speaker 1>was probably wrong is just to look at ancient texts

1:00:38.080 --> 1:00:41.600
<v Speaker 1>that do show signs of of consciousness and and inner

1:00:41.680 --> 1:00:44.240
<v Speaker 1>inner monologue. And then also he was very open about

1:00:44.240 --> 1:00:47.520
<v Speaker 1>the fact that he basically just looked at Western and

1:00:48.080 --> 1:00:53.840
<v Speaker 1>classical examples, classical literature, classical architecture for evidence of the

1:00:53.880 --> 1:00:56.800
<v Speaker 1>bicameral mind. He didn't really look at Eastern examples because

1:00:56.800 --> 1:00:58.920
<v Speaker 1>he did not speak the language. Now you mentioned, and

1:00:58.920 --> 1:01:01.240
<v Speaker 1>we've said this before, the it's it's one of these

1:01:01.280 --> 1:01:04.280
<v Speaker 1>ideas that is probably wrong, but really interesting and could

1:01:04.360 --> 1:01:08.480
<v Speaker 1>be correct in some ways, like some sub parts of

1:01:08.520 --> 1:01:11.880
<v Speaker 1>the the hypothesis could have something to them. I think

1:01:12.080 --> 1:01:15.160
<v Speaker 1>that I've been convinced that James is probably wrong about

1:01:15.240 --> 1:01:18.200
<v Speaker 1>his model of consciousness, where consciousness came from and all

1:01:18.280 --> 1:01:21.920
<v Speaker 1>that very likely wrong there, but could very well be

1:01:22.080 --> 1:01:26.360
<v Speaker 1>right about the idea that ancient religions involved much more

1:01:26.600 --> 1:01:30.840
<v Speaker 1>visions and hallucinations than modern religions do. I think that

1:01:30.840 --> 1:01:34.600
<v Speaker 1>that's entirely plausible. And there's a lot of about reading,

1:01:34.640 --> 1:01:37.880
<v Speaker 1>at least about ancient religious practices that seems to indicate

1:01:37.880 --> 1:01:40.640
<v Speaker 1>that that maybe is true. Yeah, because there is there's

1:01:40.680 --> 1:01:42.880
<v Speaker 1>a lot of listening to the voices of the gods,

1:01:42.880 --> 1:01:45.520
<v Speaker 1>seeking the voices of the gods, and we still see

1:01:45.520 --> 1:01:49.400
<v Speaker 1>it reflected in our in in hymns and prayers that

1:01:49.440 --> 1:01:52.560
<v Speaker 1>are said every day asking to hear some voice. Even

1:01:52.600 --> 1:01:56.080
<v Speaker 1>though we do not hear the voice, the voice does

1:01:56.120 --> 1:01:59.160
<v Speaker 1>not actually speak to us in our minds. Yeah, and

1:01:59.200 --> 1:02:01.840
<v Speaker 1>so yeah, I think even if the main part of

1:02:01.840 --> 1:02:04.720
<v Speaker 1>his hypothesis, the idea of, you know, the development of

1:02:04.720 --> 1:02:08.200
<v Speaker 1>consciousness in these different stages, if that's completely wrong, he

1:02:08.240 --> 1:02:10.440
<v Speaker 1>could have been on on the right track looking at

1:02:10.440 --> 1:02:16.040
<v Speaker 1>all these ancient examples of the almost ubiquitous religious visions

1:02:16.040 --> 1:02:21.480
<v Speaker 1>and hallucinations in ancient worship right now. M James's ultimate

1:02:21.560 --> 1:02:25.360
<v Speaker 1>argument was that modern consciousness was a learned development tied

1:02:25.400 --> 1:02:29.320
<v Speaker 1>to metaphorical language and that and that this change wouldn't

1:02:29.320 --> 1:02:31.360
<v Speaker 1>have occurred all at once. Then it would have been

1:02:31.360 --> 1:02:35.120
<v Speaker 1>something that spread, and it wouldn't have affected like everybody

1:02:35.160 --> 1:02:37.640
<v Speaker 1>within like a given talent at once. It wouldn't be

1:02:37.640 --> 1:02:40.320
<v Speaker 1>like everybody, ope, you got the the new consciousness shot,

1:02:40.400 --> 1:02:42.160
<v Speaker 1>all right, we're all good to go. You would have

1:02:42.200 --> 1:02:44.360
<v Speaker 1>had a lot of confusion, a lot of a bit

1:02:44.400 --> 1:02:47.600
<v Speaker 1>of chaos. The voices of the gods, they grow fainter,

1:02:48.040 --> 1:02:50.880
<v Speaker 1>but then they can be reached again via various practices

1:02:51.040 --> 1:02:55.400
<v Speaker 1>like essentially was becoming harder to hallucinate right now. James

1:02:55.640 --> 1:02:59.400
<v Speaker 1>did mention the arts specifically in his original book. He said, quote,

1:02:59.400 --> 1:03:02.560
<v Speaker 1>poetry then was divine knowledge, and after the breakdown of

1:03:02.600 --> 1:03:06.600
<v Speaker 1>the bicameral mind, poetry was the sound and tenor of authorization.

1:03:07.000 --> 1:03:11.120
<v Speaker 1>Poetry commanded where prose could only ask it felt good.

1:03:11.280 --> 1:03:14.320
<v Speaker 1>In the wanderings of the Hebrews after the exodus from Egypt,

1:03:14.560 --> 1:03:17.320
<v Speaker 1>it was the sacred shrine that was carried before the

1:03:17.400 --> 1:03:20.280
<v Speaker 1>multitude and followed by the people. But it was also

1:03:20.360 --> 1:03:23.160
<v Speaker 1>the poetry of Moses that determined when they would start

1:03:23.240 --> 1:03:26.320
<v Speaker 1>and when stop, where they would go and where stay.

1:03:27.040 --> 1:03:28.480
<v Speaker 1>And this is of course referring to the fact that

1:03:28.480 --> 1:03:32.120
<v Speaker 1>the Moses would speak to through the arc. It authorized

1:03:32.240 --> 1:03:36.040
<v Speaker 1>his decision making. So James didn't really get into the

1:03:36.160 --> 1:03:38.479
<v Speaker 1>arc all that much in the book or in other

1:03:38.560 --> 1:03:40.800
<v Speaker 1>papers of his that I've seen. It's possible in missing

1:03:40.840 --> 1:03:44.440
<v Speaker 1>something because I haven't read everything that James wrote, but

1:03:44.680 --> 1:03:48.280
<v Speaker 1>I did run across some, uh, some writings by Brian

1:03:48.400 --> 1:03:52.640
<v Speaker 1>J McVeigh, a scholar of Asia specializing in Japan, and

1:03:52.680 --> 1:03:56.160
<v Speaker 1>he also studied under Julian James as a graduate student,

1:03:56.640 --> 1:03:59.000
<v Speaker 1>and he discussed this a bit in his paper Biblical

1:03:59.040 --> 1:04:03.440
<v Speaker 1>Evidence of Bicamural Mentality Vestiges of super Religiosity in the

1:04:03.480 --> 1:04:06.880
<v Speaker 1>Old Testament. He discussed how the art could have functioned

1:04:06.920 --> 1:04:10.800
<v Speaker 1>as an object of hallucinatory focus or o h F,

1:04:11.560 --> 1:04:14.400
<v Speaker 1>and a portable one at that for the ancient Hebrews

1:04:14.440 --> 1:04:17.040
<v Speaker 1>as they wandered the desert and wandered out of the

1:04:17.120 --> 1:04:21.440
<v Speaker 1>bicameral mindset. So this is his quote from the paper's

1:04:21.480 --> 1:04:25.880
<v Speaker 1>describing what an o h F is quote hallucinatory aids,

1:04:25.960 --> 1:04:32.040
<v Speaker 1>broadcast instructions, commandments, warnings, speaking idols, living statues, effigies treated

1:04:32.120 --> 1:04:36.000
<v Speaker 1>as if alive, fed, paraded, taken on journeys and into battles.

1:04:36.280 --> 1:04:40.680
<v Speaker 1>These emitted holy power and authorized decision making. In some cases,

1:04:40.720 --> 1:04:44.640
<v Speaker 1>portable oh F were used, the example being the Israelites

1:04:44.760 --> 1:04:48.320
<v Speaker 1>Ark of the Covenant. Yeah, that's interesting. I mean, again,

1:04:48.360 --> 1:04:50.360
<v Speaker 1>as I said a minute ago, you you don't really

1:04:50.400 --> 1:04:55.120
<v Speaker 1>have to accept the bi cameral framework for for consciousness

1:04:55.160 --> 1:04:59.720
<v Speaker 1>and the the origin of these hallucinations in order to think, well,

1:04:59.760 --> 1:05:03.840
<v Speaker 1>maybe that they're they're just physical objects that aid the

1:05:03.920 --> 1:05:08.080
<v Speaker 1>mind in having religious visions or religious experiences much in

1:05:08.080 --> 1:05:11.160
<v Speaker 1>the in the like in the example of induction, like

1:05:11.200 --> 1:05:14.000
<v Speaker 1>we were talking about earlier with the object of focus

1:05:14.000 --> 1:05:19.120
<v Speaker 1>in say Hindu or Buddhist meditation. Yeah, exactly. The bicameral explanation.

1:05:19.760 --> 1:05:24.760
<v Speaker 1>As fascinating as it is, it's not completely necessary for

1:05:24.960 --> 1:05:29.560
<v Speaker 1>understanding why individuals would carry around a sacred item, carry

1:05:29.560 --> 1:05:31.880
<v Speaker 1>it into battle and uh, and also use it in

1:05:31.920 --> 1:05:35.920
<v Speaker 1>their rituals. Isn't it so interesting the way religions around

1:05:35.960 --> 1:05:40.760
<v Speaker 1>the world, so many of them have what you might

1:05:40.840 --> 1:05:45.720
<v Speaker 1>call scene setting, all these all this paraphernalia, the like

1:05:45.880 --> 1:05:51.680
<v Speaker 1>different clothing, different sights and smells, physical objects to hold

1:05:51.880 --> 1:05:55.720
<v Speaker 1>or be in the presence of, to look at, smoke, uh,

1:05:56.240 --> 1:05:59.920
<v Speaker 1>you know, uh, washing of the body, like all these

1:06:00.080 --> 1:06:03.480
<v Speaker 1>different things that are in order to get you into

1:06:03.640 --> 1:06:06.440
<v Speaker 1>a different mind state than you are. The rest of

1:06:06.520 --> 1:06:09.800
<v Speaker 1>your life. You're out walking around getting your groceries, going

1:06:09.880 --> 1:06:12.360
<v Speaker 1>to work, doing your stuff. But when you enter a

1:06:12.520 --> 1:06:15.800
<v Speaker 1>religious space, you have to go through a process and

1:06:16.080 --> 1:06:19.240
<v Speaker 1>surround yourself with things that put you in a different

1:06:19.320 --> 1:06:22.280
<v Speaker 1>state of mind. And this seems to be core to

1:06:22.640 --> 1:06:25.560
<v Speaker 1>to not every version of religion around the world, but

1:06:25.600 --> 1:06:27.800
<v Speaker 1>a whole lot of them. Oh yeah, I mean, if

1:06:27.840 --> 1:06:32.040
<v Speaker 1>it's not a particular icon a representation, because certainly there

1:06:32.040 --> 1:06:36.880
<v Speaker 1>are religions that that frown upon that and depicting individuals

1:06:37.000 --> 1:06:40.240
<v Speaker 1>or deities, etcetera, there's still is often like a focus

1:06:40.320 --> 1:06:43.920
<v Speaker 1>on architecture or space. Oh yeah, exactly, like in ISLAMI

1:06:43.920 --> 1:06:46.520
<v Speaker 1>you're generally you're not gonna have representative art, but you

1:06:46.600 --> 1:06:49.080
<v Speaker 1>do have a lot of attention to the creation of

1:06:49.160 --> 1:06:53.320
<v Speaker 1>a sacred feeling environment. Uh. You know, the interior architecture

1:06:53.360 --> 1:06:56.200
<v Speaker 1>of many mosques around the world is is beautiful and

1:06:56.480 --> 1:06:59.800
<v Speaker 1>it puts you in a different mind state. All right, Well,

1:06:59.800 --> 1:07:01.880
<v Speaker 1>hope fully we've put everybody in a different mind state

1:07:02.000 --> 1:07:05.240
<v Speaker 1>today as we discussed the Ark of the Covenant, and hey,

1:07:05.560 --> 1:07:08.400
<v Speaker 1>here's the fun part. We're not done. There's gonna be

1:07:08.600 --> 1:07:10.840
<v Speaker 1>another episode on the Ark of the Covenant, looking at

1:07:10.960 --> 1:07:14.560
<v Speaker 1>a particular idea, the idea that okay, what if the

1:07:14.680 --> 1:07:19.160
<v Speaker 1>Ark of the Covenant was a machine. I'm gonna give

1:07:19.160 --> 1:07:21.280
<v Speaker 1>a spoiler. We don't think it was a machine, but

1:07:21.640 --> 1:07:24.400
<v Speaker 1>there there that does lead us down some other interesting

1:07:24.480 --> 1:07:26.960
<v Speaker 1>paths that that will be a lot of fun to explore,

1:07:27.120 --> 1:07:29.080
<v Speaker 1>all right. In the meantime, you can check out all

1:07:29.120 --> 1:07:31.360
<v Speaker 1>the episodes of stuff to Blow Your Mind at stuff

1:07:31.400 --> 1:07:33.640
<v Speaker 1>to Blow your Mind dot com. That's the mothership. That's

1:07:33.680 --> 1:07:35.919
<v Speaker 1>we will find them all. That's we'll find links out

1:07:36.520 --> 1:07:40.760
<v Speaker 1>to our social media accounts, including the discussion module page

1:07:40.800 --> 1:07:43.040
<v Speaker 1>that I mentioned earlier. Obviously, we'd love to hear from

1:07:43.040 --> 1:07:46.040
<v Speaker 1>everybody about the Ark of the Covenant, um, your thoughts

1:07:46.120 --> 1:07:49.240
<v Speaker 1>on it, crazy theories you've read about it, your thoughts

1:07:49.280 --> 1:07:51.400
<v Speaker 1>on Raiders of the Lost Arc. All of it is

1:07:51.480 --> 1:07:54.720
<v Speaker 1>fair game. Huge thanks as always to our excellent audio

1:07:54.800 --> 1:07:58.000
<v Speaker 1>producers Alex Williams and Tarry Harrison. If you would like

1:07:58.120 --> 1:07:59.840
<v Speaker 1>to get in touch with us directly to let us

1:07:59.880 --> 1:08:02.760
<v Speaker 1>know feedback on this episode or any other to uh

1:08:02.960 --> 1:08:04.840
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1:08:04.880 --> 1:08:06.880
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1:08:07.000 --> 1:08:10.160
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1:08:10.280 --> 1:08:22.280
<v Speaker 1>com for moralness and thousands of other topics. Is it

1:08:22.360 --> 1:08:29.760
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