WEBVTT - Migos Interview

0:00:01.120 --> 0:00:07.400
<v Speaker 1>Real people, real celebrity real joined the breakfast Yeah, the

0:00:07.440 --> 0:00:09.720
<v Speaker 1>world most dangerous more to show the Breakfast Club. Charlomagne

0:00:09.760 --> 0:00:13.400
<v Speaker 1>and God Angelie. Envy's in a Vegas somewhere. YEA, what

0:00:13.440 --> 0:00:14.800
<v Speaker 1>do you do? I don't know what he's doing. I

0:00:14.840 --> 0:00:16.400
<v Speaker 1>just know he's not here. But we do have the

0:00:16.440 --> 0:00:20.040
<v Speaker 1>megos here the megos me go, what's happened? Yeah? Yeah,

0:00:21.320 --> 0:00:23.200
<v Speaker 1>I want to thank y'all for giving me a great

0:00:23.200 --> 0:00:25.960
<v Speaker 1>intro for Donkey today. Oh yeah, it was really excited.

0:00:26.040 --> 0:00:27.960
<v Speaker 1>Charlemagne has been coming up. He got that, he got

0:00:27.960 --> 0:00:31.400
<v Speaker 1>mentioned in a Drake this record to meek mil y'all

0:00:31.440 --> 0:00:34.560
<v Speaker 1>the main gate a gang Donkey the other day a

0:00:34.760 --> 0:00:38.960
<v Speaker 1>Little Boy magazine. Y'all were indefended by the Donkey of

0:00:39.000 --> 0:00:43.520
<v Speaker 1>the day. Then at all, I ain't trip We noticed good,

0:00:43.640 --> 0:00:45.239
<v Speaker 1>but what was the check for it? Though you had

0:00:45.280 --> 0:00:47.880
<v Speaker 1>the big check for a thousand dollars? No, y'are getting

0:00:47.880 --> 0:00:50.800
<v Speaker 1>about fifty show. I mean, we ain't up gave back

0:00:50.920 --> 0:00:53.800
<v Speaker 1>nine period. Just do something like that. It's just good

0:00:54.440 --> 0:00:56.680
<v Speaker 1>and and and Jake good. You know what I'm saying.

0:00:56.840 --> 0:01:00.400
<v Speaker 1>We liked it. We ain't tripping on what as long

0:01:00.440 --> 0:01:06.000
<v Speaker 1>as you say listen all these people being critical. I'm like,

0:01:06.200 --> 0:01:10.200
<v Speaker 1>did y'all ever donate money anywhere? People so critical? That's all.

0:01:11.360 --> 0:01:17.119
<v Speaker 1>But I'm sure y'all giving more than a thousand dollars Atlanta.

0:01:20.560 --> 0:01:22.560
<v Speaker 1>That was our first that was our first time. Like

0:01:22.600 --> 0:01:24.600
<v Speaker 1>I said, we never you know what I'm saying. They

0:01:24.640 --> 0:01:26.800
<v Speaker 1>always put that kind of label on us. We need

0:01:26.800 --> 0:01:28.680
<v Speaker 1>to open up and start doing more, you know what

0:01:28.720 --> 0:01:30.560
<v Speaker 1>I mean. Maybe if we give a thousand dollars to

0:01:31.000 --> 0:01:33.759
<v Speaker 1>most schools in jail instead of one man, you give

0:01:33.840 --> 0:01:35.679
<v Speaker 1>us champ of the day, a player of the day.

0:01:35.720 --> 0:01:37.440
<v Speaker 1>You need to start doing that instead of dunk here

0:01:37.440 --> 0:01:39.800
<v Speaker 1>of the day. I would definitely salute your line. It

0:01:39.920 --> 0:01:41.840
<v Speaker 1>wasn't the money, though, it was just the check. Check

0:01:41.920 --> 0:01:44.160
<v Speaker 1>was huge. It was a big check. It was huge.

0:01:46.240 --> 0:01:51.320
<v Speaker 1>We're gonna make you a time. Y'all got your debut

0:01:51.400 --> 0:01:53.680
<v Speaker 1>album coming out. I can't believe it's your debut album.

0:01:53.680 --> 0:01:56.400
<v Speaker 1>And I feel like y'all got feel like your albums

0:01:56.440 --> 0:02:01.120
<v Speaker 1>in the album. Man. Yeah, it's a fish wrapped up,

0:02:01.160 --> 0:02:03.720
<v Speaker 1>packed up, ready to go, you know what I mean.

0:02:03.920 --> 0:02:06.600
<v Speaker 1>And and we just put a whole lot of hard

0:02:06.640 --> 0:02:09.559
<v Speaker 1>work into it, a whole lot of them, just graduation

0:02:09.639 --> 0:02:12.560
<v Speaker 1>and steps and learning lessons into this album and y'all

0:02:12.600 --> 0:02:16.000
<v Speaker 1>gonna see it because it's a lot different than the mixtape.

0:02:16.080 --> 0:02:18.800
<v Speaker 1>What's different about it? What's the process? How is that

0:02:18.880 --> 0:02:21.440
<v Speaker 1>different from making a mixtape doing an album? You know,

0:02:22.200 --> 0:02:24.480
<v Speaker 1>you can really go one one genre one way. You

0:02:24.520 --> 0:02:27.320
<v Speaker 1>can go straight trap, you can go one song for

0:02:27.360 --> 0:02:29.160
<v Speaker 1>the latest on the album. You can't really do that.

0:02:29.200 --> 0:02:31.600
<v Speaker 1>You gotta hit every aspect. You don't want to leave

0:02:31.639 --> 0:02:33.280
<v Speaker 1>nothing out because you're trying to explain your family. But

0:02:33.600 --> 0:02:36.399
<v Speaker 1>an album and luck a mixtape, you know what I'm saying.

0:02:36.480 --> 0:02:39.560
<v Speaker 1>Are you ever surprising certain songs become your single? Like,

0:02:39.560 --> 0:02:41.480
<v Speaker 1>how do you determine that? How do you determine what's

0:02:41.480 --> 0:02:42.560
<v Speaker 1>going to be a single? Or do you let the

0:02:42.600 --> 0:02:44.760
<v Speaker 1>people say this is what we're liking? Has that ever

0:02:44.840 --> 0:02:48.160
<v Speaker 1>been a surprise to you? What people pick? Always? Always

0:02:48.160 --> 0:02:50.840
<v Speaker 1>we let the people pick. You gotta take them to

0:02:50.880 --> 0:02:53.320
<v Speaker 1>the radios if it's radio friendly, you know what I mean.

0:02:53.320 --> 0:02:55.600
<v Speaker 1>It's it's a lot different than from the mix tapes.

0:02:55.639 --> 0:02:57.040
<v Speaker 1>In the streets and you just drop a song in

0:02:57.080 --> 0:02:58.960
<v Speaker 1>the whole club liking and the DJ ain't got no

0:02:59.040 --> 0:03:02.200
<v Speaker 1>choice because street Light on man, you know what they're

0:03:02.240 --> 0:03:04.680
<v Speaker 1>rocking with? It. But you just gotta put you gotta

0:03:04.720 --> 0:03:07.280
<v Speaker 1>je fortune and fortuned on their head and just put

0:03:07.280 --> 0:03:08.600
<v Speaker 1>it on their head and let the people decide. We

0:03:08.680 --> 0:03:10.920
<v Speaker 1>always let the people side our sings. How much of

0:03:10.919 --> 0:03:14.079
<v Speaker 1>it was done before our Offset winning? Um, I want

0:03:14.080 --> 0:03:16.360
<v Speaker 1>to say, like eighty five, we're done. We only got

0:03:16.440 --> 0:03:19.200
<v Speaker 1>like four more foe more songs without him on it.

0:03:19.160 --> 0:03:21.639
<v Speaker 1>It's only four new songs on the album. When it

0:03:21.720 --> 0:03:23.960
<v Speaker 1>is upset getting out, Let's ask him you on the

0:03:23.960 --> 0:03:30.760
<v Speaker 1>phone right now, yo, Offset, What's what's up? Bron cool man?

0:03:30.800 --> 0:03:32.640
<v Speaker 1>We're going on. We were just talking about Yeah, we

0:03:32.639 --> 0:03:34.560
<v Speaker 1>were just asking about you. When are you coming home?

0:03:35.880 --> 0:03:38.160
<v Speaker 1>I'm still you know, I'm still wenting on my own,

0:03:38.520 --> 0:03:41.280
<v Speaker 1>my jug and revise my barm man. They still ain't

0:03:41.280 --> 0:03:43.640
<v Speaker 1>said night yet. They said you got into a fighting

0:03:43.720 --> 0:03:47.119
<v Speaker 1>jail and you gotta stop fighting animators in jail. Offset,

0:03:48.760 --> 0:03:51.280
<v Speaker 1>it was some little let's a little misunderstanding. I can't

0:03:51.280 --> 0:03:56.200
<v Speaker 1>say too much. The case still open though. Wow, Well,

0:03:56.240 --> 0:03:59.640
<v Speaker 1>congratulations on the album. At least you know big things happened.

0:03:59.680 --> 0:04:01.640
<v Speaker 1>At least you got on eighty five percent before you

0:04:01.680 --> 0:04:05.760
<v Speaker 1>got locked up. Yeah, good eighty five The album going

0:04:05.800 --> 0:04:09.440
<v Speaker 1>crazy though? Are you missing the little promo, right, man?

0:04:09.440 --> 0:04:10.720
<v Speaker 1>Are you missing being out? I mean, of course I

0:04:10.800 --> 0:04:12.040
<v Speaker 1>know you want to be out, but are you missing

0:04:12.080 --> 0:04:15.119
<v Speaker 1>the grind of being on the road and everything? Yeah? Yeah,

0:04:15.240 --> 0:04:16.960
<v Speaker 1>see me up and see me up because I know

0:04:17.640 --> 0:04:20.200
<v Speaker 1>I paid. We all play a part in the group.

0:04:20.200 --> 0:04:21.719
<v Speaker 1>I feel like I'm taking away a little bit, but

0:04:21.720 --> 0:04:23.920
<v Speaker 1>it's all good. Can they hold me down? Though? Now?

0:04:24.000 --> 0:04:26.880
<v Speaker 1>I once rate that you said the device series led

0:04:26.920 --> 0:04:30.000
<v Speaker 1>to y'all arrest man. We'll let do your arrest. I

0:04:30.160 --> 0:04:33.560
<v Speaker 1>just I can't really say too much. My lawyer don't

0:04:33.560 --> 0:04:34.920
<v Speaker 1>want me to say too much on the phone. It

0:04:34.960 --> 0:04:37.640
<v Speaker 1>comes to the case. But you know, sometimes my background

0:04:37.640 --> 0:04:41.279
<v Speaker 1>will be a problem to situation is going on all right?

0:04:41.320 --> 0:04:45.279
<v Speaker 1>Are they tuning you like a celebrity in jail? Yeah? Yeah, yeah, yeah,

0:04:45.279 --> 0:04:47.200
<v Speaker 1>But I'm in a regular population though I want the

0:04:48.200 --> 0:04:51.120
<v Speaker 1>PC or nine. Oh you're still ranting rhymes? Are you?

0:04:51.200 --> 0:04:52.560
<v Speaker 1>Are you one of those people that could be in

0:04:52.560 --> 0:04:55.360
<v Speaker 1>there and still working or you can't clear your head.

0:04:55.680 --> 0:04:57.640
<v Speaker 1>I'm still working to help me, help me get through

0:04:57.640 --> 0:05:00.160
<v Speaker 1>with things. But it's a little hard rank because we

0:05:00.320 --> 0:05:02.360
<v Speaker 1>use it all right, But I had to do something

0:05:02.360 --> 0:05:05.160
<v Speaker 1>to keep my mind. Just stay on stay on point.

0:05:05.200 --> 0:05:07.800
<v Speaker 1>With myself. I don't want to fall out. I'm just

0:05:07.839 --> 0:05:10.919
<v Speaker 1>going to fall out. Is it easier to keep a

0:05:10.920 --> 0:05:13.360
<v Speaker 1>peace of mind knowing that you gotta two dudes that's

0:05:13.400 --> 0:05:15.640
<v Speaker 1>gonna hold you then, like you know, to putting the

0:05:15.640 --> 0:05:17.919
<v Speaker 1>money away for you and all it. Yeah, it's easy

0:05:17.920 --> 0:05:21.080
<v Speaker 1>because I still know the train still moving, even though

0:05:21.080 --> 0:05:22.919
<v Speaker 1>I'm still sitting down, the train still moving. I know

0:05:22.920 --> 0:05:24.920
<v Speaker 1>they're gonna do what's right. That's my family anyway. It's

0:05:24.920 --> 0:05:27.360
<v Speaker 1>like they did a focus now they did do four

0:05:27.440 --> 0:05:30.320
<v Speaker 1>new songs afterward. If you don't like a song, can

0:05:30.360 --> 0:05:32.160
<v Speaker 1>you weigh in and say, look, I don't like that,

0:05:32.240 --> 0:05:33.960
<v Speaker 1>y'all can't put that that one out? I don't know

0:05:34.000 --> 0:05:38.520
<v Speaker 1>about that one. L I still got my influence. Yeah, definitely.

0:05:39.080 --> 0:05:40.960
<v Speaker 1>How does that work for tune in? Three of you? Like,

0:05:41.040 --> 0:05:42.760
<v Speaker 1>how do you how do you guys decide what signs

0:05:42.760 --> 0:05:44.680
<v Speaker 1>are gonna make the album? And do you ever tell

0:05:44.720 --> 0:05:46.560
<v Speaker 1>each other that that versus whack you gotta go back

0:05:46.560 --> 0:05:50.479
<v Speaker 1>in and read that you got to keep you hen't

0:05:50.520 --> 0:05:53.600
<v Speaker 1>really view with you that it will happen, but I'm

0:05:53.600 --> 0:05:56.160
<v Speaker 1>saying we do. I said it before. There's all said.

0:05:56.160 --> 0:05:57.280
<v Speaker 1>That will tell y'all you don't like a record of

0:05:57.320 --> 0:05:58.600
<v Speaker 1>y'all black all said this. You know you've been in

0:05:58.680 --> 0:06:00.640
<v Speaker 1>for a little while. That's what's going on out here.

0:06:01.240 --> 0:06:03.640
<v Speaker 1>And na, na, he ain't never slowed it when they

0:06:03.760 --> 0:06:05.600
<v Speaker 1>all set for you, get out of there and put

0:06:05.680 --> 0:06:08.080
<v Speaker 1>it on swag and put it on dab on that thing.

0:06:09.920 --> 0:06:12.360
<v Speaker 1>Are you doing a lot of push ups and everything? No?

0:06:14.920 --> 0:06:18.160
<v Speaker 1>M M. Do you feel like I'm in there? Are

0:06:18.200 --> 0:06:21.320
<v Speaker 1>people treating you like? Okay? They're cool with you? Are

0:06:21.400 --> 0:06:25.600
<v Speaker 1>they jealous? Now? They's cool? Everybody, it's cool. But you know,

0:06:25.839 --> 0:06:28.760
<v Speaker 1>sometimes a lot of people being faced and I'm in jail,

0:06:28.839 --> 0:06:30.320
<v Speaker 1>so that at the right time. But you know, I'm

0:06:30.320 --> 0:06:33.480
<v Speaker 1>still gotta be cool because at the end of the day,

0:06:33.480 --> 0:06:36.960
<v Speaker 1>don't post be fans of my music or they suppoint me. So, M,

0:06:37.800 --> 0:06:40.440
<v Speaker 1>what do you think that? It's the question for all? Yo,

0:06:40.720 --> 0:06:42.360
<v Speaker 1>what's the point of dropping the album now? Being that

0:06:42.480 --> 0:06:47.960
<v Speaker 1>y'all did so great independently, I think it was time

0:06:48.040 --> 0:06:51.480
<v Speaker 1>for It's time. Yeah, they're just trying to push on

0:06:51.600 --> 0:06:54.160
<v Speaker 1>to to people like y'all man, because we we we

0:06:54.320 --> 0:06:55.880
<v Speaker 1>got you know what I'm saying. Once again, we got

0:06:55.920 --> 0:06:57.720
<v Speaker 1>the streets and we got the mix site. His own

0:06:57.800 --> 0:06:59.880
<v Speaker 1>luck but you gotta proves there to the to the

0:07:00.040 --> 0:07:03.280
<v Speaker 1>dig them to these cities like New York in LA

0:07:03.880 --> 0:07:05.719
<v Speaker 1>I'm saying, but do you really don't? Because your songs

0:07:05.720 --> 0:07:08.000
<v Speaker 1>playing the club here, you get played on the radio,

0:07:08.080 --> 0:07:11.040
<v Speaker 1>you get collaborations with pretty much everybody. If you talk

0:07:11.080 --> 0:07:12.840
<v Speaker 1>to certain people and you'd like the megos independent, they'd

0:07:12.840 --> 0:07:16.040
<v Speaker 1>be like, what the albums like? Kind of like rings though,

0:07:16.400 --> 0:07:17.680
<v Speaker 1>you know what I'm saying. They get to talking hot

0:07:17.720 --> 0:07:19.080
<v Speaker 1>grant you and then they say, what are you doing

0:07:19.160 --> 0:07:21.280
<v Speaker 1>this album? You know what I'm saying. So you gotta

0:07:21.320 --> 0:07:23.320
<v Speaker 1>get you some rings. Then when you get you some ring,

0:07:23.400 --> 0:07:25.720
<v Speaker 1>you'll be all right. People really listen to the Megoes

0:07:25.760 --> 0:07:27.880
<v Speaker 1>in Future in Atlanta right now. It's kind of like

0:07:28.000 --> 0:07:30.600
<v Speaker 1>the leaders of what's going on? Did y'all listen to

0:07:30.720 --> 0:07:34.280
<v Speaker 1>Dirty Sprite too? Yeah, we listen to you. I gave

0:07:34.320 --> 0:07:39.080
<v Speaker 1>it a listen. I don't know. You said you don't?

0:07:39.160 --> 0:07:42.280
<v Speaker 1>I said, I don't know. Okay, do y'all feel like

0:07:42.320 --> 0:07:44.560
<v Speaker 1>y'all get a lot of flat from the atl community?

0:07:44.880 --> 0:07:48.160
<v Speaker 1>Ain't number love and a number love on enough showing

0:07:48.240 --> 0:07:50.880
<v Speaker 1>love man? Ain't knowing like that you're paying attention to

0:07:50.960 --> 0:07:54.640
<v Speaker 1>this whole Drake versus Meek Mill, No, ain't got no

0:07:55.880 --> 0:07:59.440
<v Speaker 1>you gotta see it. You gotta What do you think

0:07:59.480 --> 0:08:01.680
<v Speaker 1>about battles though? In the back and forth? Like if

0:08:01.720 --> 0:08:03.200
<v Speaker 1>somebody coming to y'all, do you feel like you need

0:08:04.480 --> 0:08:08.200
<v Speaker 1>do you feel an We'll go buff but we're gonna

0:08:08.200 --> 0:08:11.880
<v Speaker 1>we gotta rip. We ain't gonna make two songs one.

0:08:11.920 --> 0:08:14.800
<v Speaker 1>You don't get it done, you won't take it, take

0:08:14.840 --> 0:08:16.440
<v Speaker 1>it down. Have y'all cleared all your issues with like

0:08:16.560 --> 0:08:20.920
<v Speaker 1>Chief Keef and the Chicago guys. Ain't no issues over there,

0:08:21.120 --> 0:08:26.240
<v Speaker 1>you know what I mean? Man, We'll never no problem. Yeah, man,

0:08:26.400 --> 0:08:28.960
<v Speaker 1>we get money over have y'all. Have y'all switched up

0:08:29.000 --> 0:08:31.360
<v Speaker 1>the way y'all move because of the shooting that happened

0:08:31.400 --> 0:08:34.360
<v Speaker 1>in Miami? Yeah? More definitely. You always gotta switch up

0:08:34.360 --> 0:08:36.640
<v Speaker 1>the way you move, even if no shooting happened. You

0:08:36.679 --> 0:08:38.199
<v Speaker 1>know what I'm saying. You can't keep it the same way.

0:08:38.200 --> 0:08:40.320
<v Speaker 1>You gotta keep it different. So then you won't play

0:08:40.360 --> 0:08:42.120
<v Speaker 1>your cars and they won't see what you got going

0:08:42.200 --> 0:08:45.800
<v Speaker 1>on if you got a move like Obama the president. Now,

0:08:45.840 --> 0:08:47.640
<v Speaker 1>even when offset locked up, all you guys are doing

0:08:47.679 --> 0:08:51.280
<v Speaker 1>shows and everything, do y'all split everything evenly, like even

0:08:51.320 --> 0:08:53.280
<v Speaker 1>when you're doing shows and everything, he still gets his

0:08:53.720 --> 0:08:57.719
<v Speaker 1>percentage even though he's not here. You gotta know that, man.

0:08:58.320 --> 0:09:00.120
<v Speaker 1>You know what I'm saying. We ain't tripping none the

0:09:03.040 --> 0:09:05.280
<v Speaker 1>photo music with another press. We always split it. We family,

0:09:05.480 --> 0:09:07.559
<v Speaker 1>we will do so, I ain't nothing split it though.

0:09:07.600 --> 0:09:10.319
<v Speaker 1>We're gonna let the music breaker or the money get

0:09:10.400 --> 0:09:12.959
<v Speaker 1>to now. You guys also have artists signed to you

0:09:13.120 --> 0:09:15.920
<v Speaker 1>as well, right yeah, while we're in the label. While

0:09:16.000 --> 0:09:18.960
<v Speaker 1>we're in the label, because I always hear Rich the Kids,

0:09:19.000 --> 0:09:22.839
<v Speaker 1>that's my guy too. What other artists are y'all working with? Oh?

0:09:22.880 --> 0:09:25.839
<v Speaker 1>What happened with Rich the Kids? Oh? Rich Kids? I

0:09:26.040 --> 0:09:28.480
<v Speaker 1>know I'm one artists? Oh yeah, most definitely to while

0:09:28.520 --> 0:09:31.120
<v Speaker 1>we're in the label. Yeah yeah, rushed out of the

0:09:31.240 --> 0:09:34.600
<v Speaker 1>rich Man shout with my boy Rich the Kid. Whatever.

0:09:35.040 --> 0:09:37.800
<v Speaker 1>Are y'all looking to sign more artists? If you're doing

0:09:37.840 --> 0:09:40.400
<v Speaker 1>your thing then man, and you know what I'm saying,

0:09:41.000 --> 0:09:42.599
<v Speaker 1>some money to be made and we work now, you

0:09:42.679 --> 0:09:44.520
<v Speaker 1>know it all start with them with the power of

0:09:44.559 --> 0:09:45.880
<v Speaker 1>label Q see you know what I mean. That's the

0:09:45.960 --> 0:09:48.240
<v Speaker 1>foundation and they who started us. You know what I'm saying,

0:09:48.280 --> 0:09:50.760
<v Speaker 1>branch like a family tree. We all family, you know

0:09:50.800 --> 0:09:54.520
<v Speaker 1>what I'm saying. So it ain't like nobody advocate, you

0:09:54.559 --> 0:09:56.839
<v Speaker 1>know what I mean. It's just all squad business. You know.

0:09:57.360 --> 0:09:59.520
<v Speaker 1>You like that you're saying them that ain't going on.

0:10:00.000 --> 0:10:02.480
<v Speaker 1>I've been running around doing Hannah Montana with the live walkers.

0:10:02.520 --> 0:10:04.800
<v Speaker 1>Cry oh yeah, not not a lot. We did it.

0:10:04.840 --> 0:10:09.360
<v Speaker 1>We did the truck sing it audio Matt Headquarters and

0:10:09.480 --> 0:10:12.120
<v Speaker 1>that was crazy. You know, Molly Cirrus is hosting the

0:10:12.200 --> 0:10:14.920
<v Speaker 1>VMA's Man and one of the ideas we got is

0:10:15.000 --> 0:10:18.400
<v Speaker 1>for her intro to come out doing Hannah Montana with

0:10:18.640 --> 0:10:22.160
<v Speaker 1>the me goals with a live walkers. Has anybody reached

0:10:22.160 --> 0:10:24.599
<v Speaker 1>out to y'all about that yet? Come on, man, we

0:10:24.679 --> 0:10:26.640
<v Speaker 1>got we gotta press it. We got the press word

0:10:27.080 --> 0:10:29.160
<v Speaker 1>put my man Jesus Knife put that. Put the word

0:10:29.200 --> 0:10:31.199
<v Speaker 1>out on my show on Common since last week, and

0:10:31.240 --> 0:10:33.319
<v Speaker 1>we've been telling MTV that's with how Molly needs to

0:10:33.320 --> 0:10:35.120
<v Speaker 1>come out. Dude, that's a fool. She needs to come out.

0:10:35.120 --> 0:10:40.000
<v Speaker 1>That's the only way that she the host of the VMAs,

0:10:40.120 --> 0:10:42.959
<v Speaker 1>the intro doing Hannah Montana with a live orchestra with

0:10:43.040 --> 0:10:44.520
<v Speaker 1>the me goals. But what would you say, you guys?

0:10:44.559 --> 0:10:46.559
<v Speaker 1>The biggest love to date so far. I want to

0:10:46.600 --> 0:10:49.199
<v Speaker 1>straight the album Young writ Nation album. That's our this

0:10:49.440 --> 0:10:54.320
<v Speaker 1>this is our biggest projects and a lot of fans

0:10:54.360 --> 0:10:56.240
<v Speaker 1>and a lot of people to spread specting a good

0:10:56.320 --> 0:10:58.920
<v Speaker 1>grade from and we were ready to get all great,

0:10:58.960 --> 0:11:00.199
<v Speaker 1>you know what I mean. We've been tested by the

0:11:00.240 --> 0:11:01.920
<v Speaker 1>world and the people. So this is what this the

0:11:02.000 --> 0:11:04.599
<v Speaker 1>album is what's gonna get y'all on like failing and

0:11:05.240 --> 0:11:07.319
<v Speaker 1>get you at these award shows and stuff like that.

0:11:07.920 --> 0:11:12.839
<v Speaker 1>Definitely got you. Yeah, Young Rich Nation clothing line this

0:11:12.920 --> 0:11:15.079
<v Speaker 1>store too. Man. I know y'all see the dad. Everybody

0:11:15.080 --> 0:11:17.520
<v Speaker 1>in the world daving and we started now I'm saying,

0:11:17.600 --> 0:11:21.280
<v Speaker 1>kicking flavor, know what I mean? Follow the driven oil.

0:11:22.000 --> 0:11:24.120
<v Speaker 1>We got dab a swat. We ain't calling the sweat

0:11:24.200 --> 0:11:29.160
<v Speaker 1>and I'm on with dad. RP to Dad, and they're

0:11:29.160 --> 0:11:32.640
<v Speaker 1>trying to get them in. You know now you had

0:11:32.640 --> 0:11:34.040
<v Speaker 1>said before they came in, you went in to let

0:11:34.080 --> 0:11:36.000
<v Speaker 1>them know something when they came in here this morning

0:11:36.000 --> 0:11:38.200
<v Speaker 1>about their interviews. Oh yeah, like you know, I see

0:11:38.240 --> 0:11:40.480
<v Speaker 1>y'all opening up more in interviews now. And I think

0:11:40.520 --> 0:11:42.320
<v Speaker 1>that was one thing that people used to say about

0:11:42.400 --> 0:11:44.400
<v Speaker 1>y'all earlier that y'all used to come in interviews and

0:11:44.480 --> 0:11:49.360
<v Speaker 1>don't speak at all, like, don't say nothing interrogated, get

0:11:49.400 --> 0:11:54.160
<v Speaker 1>that sit back and observed during the interview. That's y'all,

0:11:56.160 --> 0:11:58.640
<v Speaker 1>y'all clean, Okay, y'all got y'all getting a lot of

0:11:58.760 --> 0:12:01.599
<v Speaker 1>legal money. Hey, I noticed that with a lot of

0:12:01.640 --> 0:12:04.280
<v Speaker 1>street rappers from Atlanta though they'd just be they act

0:12:04.360 --> 0:12:06.959
<v Speaker 1>like they still selling dopey. It's just it's just we

0:12:07.120 --> 0:12:09.839
<v Speaker 1>just like to let out music speak for ussever you

0:12:09.880 --> 0:12:12.240
<v Speaker 1>know what I'm saying, Because a lot of people find

0:12:12.360 --> 0:12:15.080
<v Speaker 1>personality and interview, but you were supposed to find an

0:12:15.120 --> 0:12:16.679
<v Speaker 1>a music and see what type of person he is

0:12:16.800 --> 0:12:20.040
<v Speaker 1>on that'sful, you know what I'm saying. So, yeah, we

0:12:20.160 --> 0:12:21.679
<v Speaker 1>were If it was up to yall, y'all wouldn't do

0:12:21.760 --> 0:12:25.600
<v Speaker 1>no anything to do. I wonder how the person there

0:12:25.640 --> 0:12:27.560
<v Speaker 1>with with with the music that that'll get, that'll get

0:12:27.760 --> 0:12:29.559
<v Speaker 1>more challenge to them to the game. You know what

0:12:29.600 --> 0:12:31.960
<v Speaker 1>I'm saying. You guys are talking a song with girls

0:12:32.000 --> 0:12:34.120
<v Speaker 1>and stuff. I can't even imagine you're having like in

0:12:34.280 --> 0:12:41.800
<v Speaker 1>death phone conversations timing and we can call I'll show

0:12:41.840 --> 0:12:47.800
<v Speaker 1>you what I call you. Who who need features on

0:12:47.800 --> 0:12:53.719
<v Speaker 1>your origin nation? Ya? Oh yeah? Chrib Brown shout Chris Brown. Well,

0:12:53.760 --> 0:12:57.320
<v Speaker 1>y'all forced to do any like I guess radio records,

0:12:57.480 --> 0:12:59.920
<v Speaker 1>like we need this kind of record, Chris Bron on

0:13:00.040 --> 0:13:03.199
<v Speaker 1>the hoop. Nah, Actually we had that record already. We

0:13:03.240 --> 0:13:04.520
<v Speaker 1>were like, man, we got to get one boy on

0:13:04.600 --> 0:13:07.400
<v Speaker 1>it because we was in La that chilling vibe listening

0:13:07.400 --> 0:13:09.160
<v Speaker 1>to music we had there, like a couple of songs

0:13:09.200 --> 0:13:12.040
<v Speaker 1>with French and like we was all there and so

0:13:12.240 --> 0:13:15.120
<v Speaker 1>we just been rocking there sing nothing about six months

0:13:15.160 --> 0:13:17.679
<v Speaker 1>ago and there we were just rocking in it and

0:13:17.800 --> 0:13:19.520
<v Speaker 1>time was right with this tone and get on the track.

0:13:19.640 --> 0:13:22.080
<v Speaker 1>Shot my boy kid red too to the label. Let

0:13:22.120 --> 0:13:25.000
<v Speaker 1>y'all pretty much do your thing you Oh no, we

0:13:25.200 --> 0:13:28.560
<v Speaker 1>just got a distribution deal with see the label. Okay, okay,

0:13:28.960 --> 0:13:31.839
<v Speaker 1>would y'all want to have um, would y'all want to

0:13:31.880 --> 0:13:34.640
<v Speaker 1>have a major label deal or just distribution? Would you

0:13:34.800 --> 0:13:36.719
<v Speaker 1>be interested in that? Because I'm sure people are coming

0:13:36.760 --> 0:13:38.400
<v Speaker 1>to you that a call letter down the line. We

0:13:38.520 --> 0:13:40.000
<v Speaker 1>need to see what we're going on with their project

0:13:40.080 --> 0:13:43.080
<v Speaker 1>out our album and that that ca when it come.

0:13:43.120 --> 0:13:45.320
<v Speaker 1>We're holding weight up on our shoulder right now, yeah saying.

0:13:46.000 --> 0:13:49.000
<v Speaker 1>And then another big thing we got going on is

0:13:49.040 --> 0:13:52.000
<v Speaker 1>a tour we just got added with Christ French, Feddy

0:13:52.040 --> 0:14:00.280
<v Speaker 1>wak U, Marian Tiana Taylor, one hell of a night, night,

0:14:00.880 --> 0:14:03.319
<v Speaker 1>it sound like one hell of a night. He do

0:14:03.400 --> 0:14:05.280
<v Speaker 1>y'all feel like y'all gave away too much original music

0:14:06.800 --> 0:14:09.280
<v Speaker 1>and the vault full of music when well, you know

0:14:09.440 --> 0:14:10.960
<v Speaker 1>you don't feel like that when you got them all,

0:14:11.120 --> 0:14:12.920
<v Speaker 1>when you got them stashed away, when you got the

0:14:13.000 --> 0:14:14.959
<v Speaker 1>stats on stats on stats, you don't feel like that.

0:14:15.040 --> 0:14:17.240
<v Speaker 1>Ain't a no foul. The folks who'll be writing the

0:14:17.320 --> 0:14:19.200
<v Speaker 1>songs and they're given too many, they're given too much

0:14:19.240 --> 0:14:21.480
<v Speaker 1>paper away. What do you think about artists who don't

0:14:21.480 --> 0:14:25.040
<v Speaker 1>write their own music? Rappers in particular, do you think

0:14:25.080 --> 0:14:27.440
<v Speaker 1>it magic? That's not making your artists? If you don't

0:14:27.440 --> 0:14:29.520
<v Speaker 1>make your if you don't draw your own painting. You know,

0:14:29.680 --> 0:14:31.080
<v Speaker 1>you know what I'm saying. You're coming to me goes too.

0:14:31.200 --> 0:14:35.560
<v Speaker 1>You're gonna see no paper, no pencil, no pad, no none,

0:14:37.120 --> 0:14:39.040
<v Speaker 1>straight on top of the door, do your own crop.

0:14:39.200 --> 0:14:41.040
<v Speaker 1>You know. It's just like you're going to Popeyes and

0:14:41.120 --> 0:14:43.360
<v Speaker 1>putting the putting the Popeye chicken on the plate. Too

0:14:43.440 --> 0:14:45.760
<v Speaker 1>much you cook for you man, that ain't right. I

0:14:45.800 --> 0:14:49.000
<v Speaker 1>got stopped doing that. People going. I can see the

0:14:49.000 --> 0:14:51.040
<v Speaker 1>coments right now. And you say, y'all don't rate they

0:14:51.080 --> 0:14:53.360
<v Speaker 1>can be like, oh well, y'all need to tell them,

0:14:53.480 --> 0:14:55.360
<v Speaker 1>tell them. Come on, Brandon, all three of you don't

0:14:55.400 --> 0:14:57.640
<v Speaker 1>write anything, you guys, all three of you go straight

0:14:57.680 --> 0:15:01.080
<v Speaker 1>off the head. Yeah, let the beat for about a

0:15:01.120 --> 0:15:02.480
<v Speaker 1>little minute and you go in there and say what

0:15:02.520 --> 0:15:04.400
<v Speaker 1>you want to say. But I think you know what y'all.

0:15:04.400 --> 0:15:06.120
<v Speaker 1>I think y'all offers. That's a different ability. Like I

0:15:06.160 --> 0:15:08.440
<v Speaker 1>think it's some people who who are great lyricists and

0:15:08.600 --> 0:15:11.240
<v Speaker 1>some people who can make great songs. Y'all make great records,

0:15:11.960 --> 0:15:14.920
<v Speaker 1>that's the most most most lyricists can just rap. Okay,

0:15:14.960 --> 0:15:17.120
<v Speaker 1>that's cool, but you can't make no records. Yeah, there's

0:15:17.120 --> 0:15:19.200
<v Speaker 1>a lot of rappers just rapping. You gotta putting them

0:15:19.240 --> 0:15:22.160
<v Speaker 1>thing together, the putting them songs together, making the people

0:15:22.200 --> 0:15:24.680
<v Speaker 1>feel the roller coaster field to ride, fear the way.

0:15:24.720 --> 0:15:28.320
<v Speaker 1>But what we're doing. Are you ever concerned about experimenting

0:15:28.480 --> 0:15:30.960
<v Speaker 1>with different sounds knowing that your fans expect a certain

0:15:31.040 --> 0:15:34.720
<v Speaker 1>kind of sound from you. No, we we musicians. You

0:15:34.760 --> 0:15:37.760
<v Speaker 1>know what I'm saying. You got everything. You just can't

0:15:37.800 --> 0:15:41.920
<v Speaker 1>go pos we can do you know, what I'm saying. Now,

0:15:41.960 --> 0:15:43.600
<v Speaker 1>You guys have said you want to meet Paul McCartney.

0:15:43.640 --> 0:15:47.400
<v Speaker 1>You think that's gonna happen anytime soon? Oh yeah, you

0:15:47.480 --> 0:15:50.080
<v Speaker 1>might hate on y'all because you get into Beatles. You

0:15:50.160 --> 0:15:53.600
<v Speaker 1>might hate on y'all a little bit. Hey, it'll happen.

0:15:55.920 --> 0:15:58.720
<v Speaker 1>Were were all said you'd be cool? Bro? All right,

0:15:58.760 --> 0:16:02.080
<v Speaker 1>y'all be blessed many'll do we have any idea about

0:16:02.120 --> 0:16:03.560
<v Speaker 1>the date at all? Is it gonna be in the

0:16:03.640 --> 0:16:05.400
<v Speaker 1>next couple of months? How you're gonna make this tour?

0:16:07.200 --> 0:16:09.760
<v Speaker 1>I can't say too much. I'm gonna be here this

0:16:09.960 --> 0:16:13.760
<v Speaker 1>this put your prayers in that forever out. Okay for

0:16:13.880 --> 0:16:17.280
<v Speaker 1>your offset Word and Young. Rich Nation is in stores

0:16:17.400 --> 0:16:23.480
<v Speaker 1>right now? Get that? Oh yeah, most definite Friday releases now,

0:16:24.040 --> 0:16:27.320
<v Speaker 1>Oh yeah, Friday releases. Chicks coming in, Chicks coming in. No,

0:16:27.400 --> 0:16:29.080
<v Speaker 1>you get to check on Friday. You got you'll get

0:16:29.360 --> 0:16:30.960
<v Speaker 1>ready to turn up man, pipe it up, man, go

0:16:31.080 --> 0:16:33.040
<v Speaker 1>get the album you on rich Nation. It's this grind

0:16:33.120 --> 0:16:35.480
<v Speaker 1>different though, because because the mixtape, y'all really don't gotta

0:16:35.520 --> 0:16:37.280
<v Speaker 1>do too much promo. You just throw it out online

0:16:37.280 --> 0:16:39.720
<v Speaker 1>and move about the way. Now we really do the

0:16:39.800 --> 0:16:41.440
<v Speaker 1>same promo on the line, you know what I'm saying,

0:16:41.520 --> 0:16:43.520
<v Speaker 1>kill the streets went, the streets up and take over

0:16:43.560 --> 0:16:45.800
<v Speaker 1>the streets out of the posters and the streets team.

0:16:45.840 --> 0:16:47.680
<v Speaker 1>We just don't do the press like how this run

0:16:47.800 --> 0:16:49.760
<v Speaker 1>is ain't not like the New York pressiment, ain't not

0:16:49.840 --> 0:16:51.640
<v Speaker 1>like the New York pressure. But yeah, always come see

0:16:51.720 --> 0:16:53.360
<v Speaker 1>us when you guys are here, so we appreciate it,

0:16:54.520 --> 0:16:59.280
<v Speaker 1>appreciate the Midi goals, Younger, one minute left, oh ya

0:17:01.200 --> 0:17:03.080
<v Speaker 1>going to do this without you? Your rish Niche in

0:17:03.200 --> 0:17:04.760
<v Speaker 1>stores right now is the Breakfast Club