1 00:00:01,120 --> 00:00:07,400 Speaker 1: Real people, real celebrity real joined the breakfast Yeah, the 2 00:00:07,440 --> 00:00:09,720 Speaker 1: world most dangerous more to show the Breakfast Club. Charlomagne 3 00:00:09,760 --> 00:00:13,400 Speaker 1: and God Angelie. Envy's in a Vegas somewhere. YEA, what 4 00:00:13,440 --> 00:00:14,800 Speaker 1: do you do? I don't know what he's doing. I 5 00:00:14,840 --> 00:00:16,400 Speaker 1: just know he's not here. But we do have the 6 00:00:16,440 --> 00:00:20,040 Speaker 1: megos here the megos me go, what's happened? Yeah? Yeah, 7 00:00:21,320 --> 00:00:23,200 Speaker 1: I want to thank y'all for giving me a great 8 00:00:23,200 --> 00:00:25,960 Speaker 1: intro for Donkey today. Oh yeah, it was really excited. 9 00:00:26,040 --> 00:00:27,960 Speaker 1: Charlemagne has been coming up. He got that, he got 10 00:00:27,960 --> 00:00:31,400 Speaker 1: mentioned in a Drake this record to meek mil y'all 11 00:00:31,440 --> 00:00:34,560 Speaker 1: the main gate a gang Donkey the other day a 12 00:00:34,760 --> 00:00:38,960 Speaker 1: Little Boy magazine. Y'all were indefended by the Donkey of 13 00:00:39,000 --> 00:00:43,520 Speaker 1: the day. Then at all, I ain't trip We noticed good, 14 00:00:43,640 --> 00:00:45,239 Speaker 1: but what was the check for it? Though you had 15 00:00:45,280 --> 00:00:47,880 Speaker 1: the big check for a thousand dollars? No, y'are getting 16 00:00:47,880 --> 00:00:50,800 Speaker 1: about fifty show. I mean, we ain't up gave back 17 00:00:50,920 --> 00:00:53,800 Speaker 1: nine period. Just do something like that. It's just good 18 00:00:54,440 --> 00:00:56,680 Speaker 1: and and and Jake good. You know what I'm saying. 19 00:00:56,840 --> 00:01:00,400 Speaker 1: We liked it. We ain't tripping on what as long 20 00:01:00,440 --> 00:01:06,000 Speaker 1: as you say listen all these people being critical. I'm like, 21 00:01:06,200 --> 00:01:10,200 Speaker 1: did y'all ever donate money anywhere? People so critical? That's all. 22 00:01:11,360 --> 00:01:17,119 Speaker 1: But I'm sure y'all giving more than a thousand dollars Atlanta. 23 00:01:20,560 --> 00:01:22,560 Speaker 1: That was our first that was our first time. Like 24 00:01:22,600 --> 00:01:24,600 Speaker 1: I said, we never you know what I'm saying. They 25 00:01:24,640 --> 00:01:26,800 Speaker 1: always put that kind of label on us. We need 26 00:01:26,800 --> 00:01:28,680 Speaker 1: to open up and start doing more, you know what 27 00:01:28,720 --> 00:01:30,560 Speaker 1: I mean. Maybe if we give a thousand dollars to 28 00:01:31,000 --> 00:01:33,759 Speaker 1: most schools in jail instead of one man, you give 29 00:01:33,840 --> 00:01:35,679 Speaker 1: us champ of the day, a player of the day. 30 00:01:35,720 --> 00:01:37,440 Speaker 1: You need to start doing that instead of dunk here 31 00:01:37,440 --> 00:01:39,800 Speaker 1: of the day. I would definitely salute your line. It 32 00:01:39,920 --> 00:01:41,840 Speaker 1: wasn't the money, though, it was just the check. Check 33 00:01:41,920 --> 00:01:44,160 Speaker 1: was huge. It was a big check. It was huge. 34 00:01:46,240 --> 00:01:51,320 Speaker 1: We're gonna make you a time. Y'all got your debut 35 00:01:51,400 --> 00:01:53,680 Speaker 1: album coming out. I can't believe it's your debut album. 36 00:01:53,680 --> 00:01:56,400 Speaker 1: And I feel like y'all got feel like your albums 37 00:01:56,440 --> 00:02:01,120 Speaker 1: in the album. Man. Yeah, it's a fish wrapped up, 38 00:02:01,160 --> 00:02:03,720 Speaker 1: packed up, ready to go, you know what I mean. 39 00:02:03,920 --> 00:02:06,600 Speaker 1: And and we just put a whole lot of hard 40 00:02:06,640 --> 00:02:09,559 Speaker 1: work into it, a whole lot of them, just graduation 41 00:02:09,639 --> 00:02:12,560 Speaker 1: and steps and learning lessons into this album and y'all 42 00:02:12,600 --> 00:02:16,000 Speaker 1: gonna see it because it's a lot different than the mixtape. 43 00:02:16,080 --> 00:02:18,800 Speaker 1: What's different about it? What's the process? How is that 44 00:02:18,880 --> 00:02:21,440 Speaker 1: different from making a mixtape doing an album? You know, 45 00:02:22,200 --> 00:02:24,480 Speaker 1: you can really go one one genre one way. You 46 00:02:24,520 --> 00:02:27,320 Speaker 1: can go straight trap, you can go one song for 47 00:02:27,360 --> 00:02:29,160 Speaker 1: the latest on the album. You can't really do that. 48 00:02:29,200 --> 00:02:31,600 Speaker 1: You gotta hit every aspect. You don't want to leave 49 00:02:31,639 --> 00:02:33,280 Speaker 1: nothing out because you're trying to explain your family. But 50 00:02:33,600 --> 00:02:36,399 Speaker 1: an album and luck a mixtape, you know what I'm saying. 51 00:02:36,480 --> 00:02:39,560 Speaker 1: Are you ever surprising certain songs become your single? Like, 52 00:02:39,560 --> 00:02:41,480 Speaker 1: how do you determine that? How do you determine what's 53 00:02:41,480 --> 00:02:42,560 Speaker 1: going to be a single? Or do you let the 54 00:02:42,600 --> 00:02:44,760 Speaker 1: people say this is what we're liking? Has that ever 55 00:02:44,840 --> 00:02:48,160 Speaker 1: been a surprise to you? What people pick? Always? Always 56 00:02:48,160 --> 00:02:50,840 Speaker 1: we let the people pick. You gotta take them to 57 00:02:50,880 --> 00:02:53,320 Speaker 1: the radios if it's radio friendly, you know what I mean. 58 00:02:53,320 --> 00:02:55,600 Speaker 1: It's it's a lot different than from the mix tapes. 59 00:02:55,639 --> 00:02:57,040 Speaker 1: In the streets and you just drop a song in 60 00:02:57,080 --> 00:02:58,960 Speaker 1: the whole club liking and the DJ ain't got no 61 00:02:59,040 --> 00:03:02,200 Speaker 1: choice because street Light on man, you know what they're 62 00:03:02,240 --> 00:03:04,680 Speaker 1: rocking with? It. But you just gotta put you gotta 63 00:03:04,720 --> 00:03:07,280 Speaker 1: je fortune and fortuned on their head and just put 64 00:03:07,280 --> 00:03:08,600 Speaker 1: it on their head and let the people decide. We 65 00:03:08,680 --> 00:03:10,920 Speaker 1: always let the people side our sings. How much of 66 00:03:10,919 --> 00:03:14,079 Speaker 1: it was done before our Offset winning? Um, I want 67 00:03:14,080 --> 00:03:16,360 Speaker 1: to say, like eighty five, we're done. We only got 68 00:03:16,440 --> 00:03:19,200 Speaker 1: like four more foe more songs without him on it. 69 00:03:19,160 --> 00:03:21,639 Speaker 1: It's only four new songs on the album. When it 70 00:03:21,720 --> 00:03:23,960 Speaker 1: is upset getting out, Let's ask him you on the 71 00:03:23,960 --> 00:03:30,760 Speaker 1: phone right now, yo, Offset, What's what's up? Bron cool man? 72 00:03:30,800 --> 00:03:32,640 Speaker 1: We're going on. We were just talking about Yeah, we 73 00:03:32,639 --> 00:03:34,560 Speaker 1: were just asking about you. When are you coming home? 74 00:03:35,880 --> 00:03:38,160 Speaker 1: I'm still you know, I'm still wenting on my own, 75 00:03:38,520 --> 00:03:41,280 Speaker 1: my jug and revise my barm man. They still ain't 76 00:03:41,280 --> 00:03:43,640 Speaker 1: said night yet. They said you got into a fighting 77 00:03:43,720 --> 00:03:47,119 Speaker 1: jail and you gotta stop fighting animators in jail. Offset, 78 00:03:48,760 --> 00:03:51,280 Speaker 1: it was some little let's a little misunderstanding. I can't 79 00:03:51,280 --> 00:03:56,200 Speaker 1: say too much. The case still open though. Wow, Well, 80 00:03:56,240 --> 00:03:59,640 Speaker 1: congratulations on the album. At least you know big things happened. 81 00:03:59,680 --> 00:04:01,640 Speaker 1: At least you got on eighty five percent before you 82 00:04:01,680 --> 00:04:05,760 Speaker 1: got locked up. Yeah, good eighty five The album going 83 00:04:05,800 --> 00:04:09,440 Speaker 1: crazy though? Are you missing the little promo, right, man? 84 00:04:09,440 --> 00:04:10,720 Speaker 1: Are you missing being out? I mean, of course I 85 00:04:10,800 --> 00:04:12,040 Speaker 1: know you want to be out, but are you missing 86 00:04:12,080 --> 00:04:15,119 Speaker 1: the grind of being on the road and everything? Yeah? Yeah, 87 00:04:15,240 --> 00:04:16,960 Speaker 1: see me up and see me up because I know 88 00:04:17,640 --> 00:04:20,200 Speaker 1: I paid. We all play a part in the group. 89 00:04:20,200 --> 00:04:21,719 Speaker 1: I feel like I'm taking away a little bit, but 90 00:04:21,720 --> 00:04:23,920 Speaker 1: it's all good. Can they hold me down? Though? Now? 91 00:04:24,000 --> 00:04:26,880 Speaker 1: I once rate that you said the device series led 92 00:04:26,920 --> 00:04:30,000 Speaker 1: to y'all arrest man. We'll let do your arrest. I 93 00:04:30,160 --> 00:04:33,560 Speaker 1: just I can't really say too much. My lawyer don't 94 00:04:33,560 --> 00:04:34,920 Speaker 1: want me to say too much on the phone. It 95 00:04:34,960 --> 00:04:37,640 Speaker 1: comes to the case. But you know, sometimes my background 96 00:04:37,640 --> 00:04:41,279 Speaker 1: will be a problem to situation is going on all right? 97 00:04:41,320 --> 00:04:45,279 Speaker 1: Are they tuning you like a celebrity in jail? Yeah? Yeah, yeah, yeah, 98 00:04:45,279 --> 00:04:47,200 Speaker 1: But I'm in a regular population though I want the 99 00:04:48,200 --> 00:04:51,120 Speaker 1: PC or nine. Oh you're still ranting rhymes? Are you? 100 00:04:51,200 --> 00:04:52,560 Speaker 1: Are you one of those people that could be in 101 00:04:52,560 --> 00:04:55,360 Speaker 1: there and still working or you can't clear your head. 102 00:04:55,680 --> 00:04:57,640 Speaker 1: I'm still working to help me, help me get through 103 00:04:57,640 --> 00:05:00,160 Speaker 1: with things. But it's a little hard rank because we 104 00:05:00,320 --> 00:05:02,360 Speaker 1: use it all right, But I had to do something 105 00:05:02,360 --> 00:05:05,160 Speaker 1: to keep my mind. Just stay on stay on point. 106 00:05:05,200 --> 00:05:07,800 Speaker 1: With myself. I don't want to fall out. I'm just 107 00:05:07,839 --> 00:05:10,919 Speaker 1: going to fall out. Is it easier to keep a 108 00:05:10,920 --> 00:05:13,360 Speaker 1: peace of mind knowing that you gotta two dudes that's 109 00:05:13,400 --> 00:05:15,640 Speaker 1: gonna hold you then, like you know, to putting the 110 00:05:15,640 --> 00:05:17,919 Speaker 1: money away for you and all it. Yeah, it's easy 111 00:05:17,920 --> 00:05:21,080 Speaker 1: because I still know the train still moving, even though 112 00:05:21,080 --> 00:05:22,919 Speaker 1: I'm still sitting down, the train still moving. I know 113 00:05:22,920 --> 00:05:24,920 Speaker 1: they're gonna do what's right. That's my family anyway. It's 114 00:05:24,920 --> 00:05:27,360 Speaker 1: like they did a focus now they did do four 115 00:05:27,440 --> 00:05:30,320 Speaker 1: new songs afterward. If you don't like a song, can 116 00:05:30,360 --> 00:05:32,160 Speaker 1: you weigh in and say, look, I don't like that, 117 00:05:32,240 --> 00:05:33,960 Speaker 1: y'all can't put that that one out? I don't know 118 00:05:34,000 --> 00:05:38,520 Speaker 1: about that one. L I still got my influence. Yeah, definitely. 119 00:05:39,080 --> 00:05:40,960 Speaker 1: How does that work for tune in? Three of you? Like, 120 00:05:41,040 --> 00:05:42,760 Speaker 1: how do you how do you guys decide what signs 121 00:05:42,760 --> 00:05:44,680 Speaker 1: are gonna make the album? And do you ever tell 122 00:05:44,720 --> 00:05:46,560 Speaker 1: each other that that versus whack you gotta go back 123 00:05:46,560 --> 00:05:50,479 Speaker 1: in and read that you got to keep you hen't 124 00:05:50,520 --> 00:05:53,600 Speaker 1: really view with you that it will happen, but I'm 125 00:05:53,600 --> 00:05:56,160 Speaker 1: saying we do. I said it before. There's all said. 126 00:05:56,160 --> 00:05:57,280 Speaker 1: That will tell y'all you don't like a record of 127 00:05:57,320 --> 00:05:58,600 Speaker 1: y'all black all said this. You know you've been in 128 00:05:58,680 --> 00:06:00,640 Speaker 1: for a little while. That's what's going on out here. 129 00:06:01,240 --> 00:06:03,640 Speaker 1: And na, na, he ain't never slowed it when they 130 00:06:03,760 --> 00:06:05,600 Speaker 1: all set for you, get out of there and put 131 00:06:05,680 --> 00:06:08,080 Speaker 1: it on swag and put it on dab on that thing. 132 00:06:09,920 --> 00:06:12,360 Speaker 1: Are you doing a lot of push ups and everything? No? 133 00:06:14,920 --> 00:06:18,160 Speaker 1: M M. Do you feel like I'm in there? Are 134 00:06:18,200 --> 00:06:21,320 Speaker 1: people treating you like? Okay? They're cool with you? Are 135 00:06:21,400 --> 00:06:25,600 Speaker 1: they jealous? Now? They's cool? Everybody, it's cool. But you know, 136 00:06:25,839 --> 00:06:28,760 Speaker 1: sometimes a lot of people being faced and I'm in jail, 137 00:06:28,839 --> 00:06:30,320 Speaker 1: so that at the right time. But you know, I'm 138 00:06:30,320 --> 00:06:33,480 Speaker 1: still gotta be cool because at the end of the day, 139 00:06:33,480 --> 00:06:36,960 Speaker 1: don't post be fans of my music or they suppoint me. So, M, 140 00:06:37,800 --> 00:06:40,440 Speaker 1: what do you think that? It's the question for all? Yo, 141 00:06:40,720 --> 00:06:42,360 Speaker 1: what's the point of dropping the album now? Being that 142 00:06:42,480 --> 00:06:47,960 Speaker 1: y'all did so great independently, I think it was time 143 00:06:48,040 --> 00:06:51,480 Speaker 1: for It's time. Yeah, they're just trying to push on 144 00:06:51,600 --> 00:06:54,160 Speaker 1: to to people like y'all man, because we we we 145 00:06:54,320 --> 00:06:55,880 Speaker 1: got you know what I'm saying. Once again, we got 146 00:06:55,920 --> 00:06:57,720 Speaker 1: the streets and we got the mix site. His own 147 00:06:57,800 --> 00:06:59,880 Speaker 1: luck but you gotta proves there to the to the 148 00:07:00,040 --> 00:07:03,280 Speaker 1: dig them to these cities like New York in LA 149 00:07:03,880 --> 00:07:05,719 Speaker 1: I'm saying, but do you really don't? Because your songs 150 00:07:05,720 --> 00:07:08,000 Speaker 1: playing the club here, you get played on the radio, 151 00:07:08,080 --> 00:07:11,040 Speaker 1: you get collaborations with pretty much everybody. If you talk 152 00:07:11,080 --> 00:07:12,840 Speaker 1: to certain people and you'd like the megos independent, they'd 153 00:07:12,840 --> 00:07:16,040 Speaker 1: be like, what the albums like? Kind of like rings though, 154 00:07:16,400 --> 00:07:17,680 Speaker 1: you know what I'm saying. They get to talking hot 155 00:07:17,720 --> 00:07:19,080 Speaker 1: grant you and then they say, what are you doing 156 00:07:19,160 --> 00:07:21,280 Speaker 1: this album? You know what I'm saying. So you gotta 157 00:07:21,320 --> 00:07:23,320 Speaker 1: get you some rings. Then when you get you some ring, 158 00:07:23,400 --> 00:07:25,720 Speaker 1: you'll be all right. People really listen to the Megoes 159 00:07:25,760 --> 00:07:27,880 Speaker 1: in Future in Atlanta right now. It's kind of like 160 00:07:28,000 --> 00:07:30,600 Speaker 1: the leaders of what's going on? Did y'all listen to 161 00:07:30,720 --> 00:07:34,280 Speaker 1: Dirty Sprite too? Yeah, we listen to you. I gave 162 00:07:34,320 --> 00:07:39,080 Speaker 1: it a listen. I don't know. You said you don't? 163 00:07:39,160 --> 00:07:42,280 Speaker 1: I said, I don't know. Okay, do y'all feel like 164 00:07:42,320 --> 00:07:44,560 Speaker 1: y'all get a lot of flat from the atl community? 165 00:07:44,880 --> 00:07:48,160 Speaker 1: Ain't number love and a number love on enough showing 166 00:07:48,240 --> 00:07:50,880 Speaker 1: love man? Ain't knowing like that you're paying attention to 167 00:07:50,960 --> 00:07:54,640 Speaker 1: this whole Drake versus Meek Mill, No, ain't got no 168 00:07:55,880 --> 00:07:59,440 Speaker 1: you gotta see it. You gotta What do you think 169 00:07:59,480 --> 00:08:01,680 Speaker 1: about battles though? In the back and forth? Like if 170 00:08:01,720 --> 00:08:03,200 Speaker 1: somebody coming to y'all, do you feel like you need 171 00:08:04,480 --> 00:08:08,200 Speaker 1: do you feel an We'll go buff but we're gonna 172 00:08:08,200 --> 00:08:11,880 Speaker 1: we gotta rip. We ain't gonna make two songs one. 173 00:08:11,920 --> 00:08:14,800 Speaker 1: You don't get it done, you won't take it, take 174 00:08:14,840 --> 00:08:16,440 Speaker 1: it down. Have y'all cleared all your issues with like 175 00:08:16,560 --> 00:08:20,920 Speaker 1: Chief Keef and the Chicago guys. Ain't no issues over there, 176 00:08:21,120 --> 00:08:26,240 Speaker 1: you know what I mean? Man, We'll never no problem. Yeah, man, 177 00:08:26,400 --> 00:08:28,960 Speaker 1: we get money over have y'all. Have y'all switched up 178 00:08:29,000 --> 00:08:31,360 Speaker 1: the way y'all move because of the shooting that happened 179 00:08:31,400 --> 00:08:34,360 Speaker 1: in Miami? Yeah? More definitely. You always gotta switch up 180 00:08:34,360 --> 00:08:36,640 Speaker 1: the way you move, even if no shooting happened. You 181 00:08:36,679 --> 00:08:38,199 Speaker 1: know what I'm saying. You can't keep it the same way. 182 00:08:38,200 --> 00:08:40,320 Speaker 1: You gotta keep it different. So then you won't play 183 00:08:40,360 --> 00:08:42,120 Speaker 1: your cars and they won't see what you got going 184 00:08:42,200 --> 00:08:45,800 Speaker 1: on if you got a move like Obama the president. Now, 185 00:08:45,840 --> 00:08:47,640 Speaker 1: even when offset locked up, all you guys are doing 186 00:08:47,679 --> 00:08:51,280 Speaker 1: shows and everything, do y'all split everything evenly, like even 187 00:08:51,320 --> 00:08:53,280 Speaker 1: when you're doing shows and everything, he still gets his 188 00:08:53,720 --> 00:08:57,719 Speaker 1: percentage even though he's not here. You gotta know that, man. 189 00:08:58,320 --> 00:09:00,120 Speaker 1: You know what I'm saying. We ain't tripping none the 190 00:09:03,040 --> 00:09:05,280 Speaker 1: photo music with another press. We always split it. We family, 191 00:09:05,480 --> 00:09:07,559 Speaker 1: we will do so, I ain't nothing split it though. 192 00:09:07,600 --> 00:09:10,319 Speaker 1: We're gonna let the music breaker or the money get 193 00:09:10,400 --> 00:09:12,959 Speaker 1: to now. You guys also have artists signed to you 194 00:09:13,120 --> 00:09:15,920 Speaker 1: as well, right yeah, while we're in the label. While 195 00:09:16,000 --> 00:09:18,960 Speaker 1: we're in the label, because I always hear Rich the Kids, 196 00:09:19,000 --> 00:09:22,839 Speaker 1: that's my guy too. What other artists are y'all working with? Oh? 197 00:09:22,880 --> 00:09:25,839 Speaker 1: What happened with Rich the Kids? Oh? Rich Kids? I 198 00:09:26,040 --> 00:09:28,480 Speaker 1: know I'm one artists? Oh yeah, most definitely to while 199 00:09:28,520 --> 00:09:31,120 Speaker 1: we're in the label. Yeah yeah, rushed out of the 200 00:09:31,240 --> 00:09:34,600 Speaker 1: rich Man shout with my boy Rich the Kid. Whatever. 201 00:09:35,040 --> 00:09:37,800 Speaker 1: Are y'all looking to sign more artists? If you're doing 202 00:09:37,840 --> 00:09:40,400 Speaker 1: your thing then man, and you know what I'm saying, 203 00:09:41,000 --> 00:09:42,599 Speaker 1: some money to be made and we work now, you 204 00:09:42,679 --> 00:09:44,520 Speaker 1: know it all start with them with the power of 205 00:09:44,559 --> 00:09:45,880 Speaker 1: label Q see you know what I mean. That's the 206 00:09:45,960 --> 00:09:48,240 Speaker 1: foundation and they who started us. You know what I'm saying, 207 00:09:48,280 --> 00:09:50,760 Speaker 1: branch like a family tree. We all family, you know 208 00:09:50,800 --> 00:09:54,520 Speaker 1: what I'm saying. So it ain't like nobody advocate, you 209 00:09:54,559 --> 00:09:56,839 Speaker 1: know what I mean. It's just all squad business. You know. 210 00:09:57,360 --> 00:09:59,520 Speaker 1: You like that you're saying them that ain't going on. 211 00:10:00,000 --> 00:10:02,480 Speaker 1: I've been running around doing Hannah Montana with the live walkers. 212 00:10:02,520 --> 00:10:04,800 Speaker 1: Cry oh yeah, not not a lot. We did it. 213 00:10:04,840 --> 00:10:09,360 Speaker 1: We did the truck sing it audio Matt Headquarters and 214 00:10:09,480 --> 00:10:12,120 Speaker 1: that was crazy. You know, Molly Cirrus is hosting the 215 00:10:12,200 --> 00:10:14,920 Speaker 1: VMA's Man and one of the ideas we got is 216 00:10:15,000 --> 00:10:18,400 Speaker 1: for her intro to come out doing Hannah Montana with 217 00:10:18,640 --> 00:10:22,160 Speaker 1: the me goals with a live walkers. Has anybody reached 218 00:10:22,160 --> 00:10:24,599 Speaker 1: out to y'all about that yet? Come on, man, we 219 00:10:24,679 --> 00:10:26,640 Speaker 1: got we gotta press it. We got the press word 220 00:10:27,080 --> 00:10:29,160 Speaker 1: put my man Jesus Knife put that. Put the word 221 00:10:29,200 --> 00:10:31,199 Speaker 1: out on my show on Common since last week, and 222 00:10:31,240 --> 00:10:33,319 Speaker 1: we've been telling MTV that's with how Molly needs to 223 00:10:33,320 --> 00:10:35,120 Speaker 1: come out. Dude, that's a fool. She needs to come out. 224 00:10:35,120 --> 00:10:40,000 Speaker 1: That's the only way that she the host of the VMAs, 225 00:10:40,120 --> 00:10:42,959 Speaker 1: the intro doing Hannah Montana with a live orchestra with 226 00:10:43,040 --> 00:10:44,520 Speaker 1: the me goals. But what would you say, you guys? 227 00:10:44,559 --> 00:10:46,559 Speaker 1: The biggest love to date so far. I want to 228 00:10:46,600 --> 00:10:49,199 Speaker 1: straight the album Young writ Nation album. That's our this 229 00:10:49,440 --> 00:10:54,320 Speaker 1: this is our biggest projects and a lot of fans 230 00:10:54,360 --> 00:10:56,240 Speaker 1: and a lot of people to spread specting a good 231 00:10:56,320 --> 00:10:58,920 Speaker 1: grade from and we were ready to get all great, 232 00:10:58,960 --> 00:11:00,199 Speaker 1: you know what I mean. We've been tested by the 233 00:11:00,240 --> 00:11:01,920 Speaker 1: world and the people. So this is what this the 234 00:11:02,000 --> 00:11:04,599 Speaker 1: album is what's gonna get y'all on like failing and 235 00:11:05,240 --> 00:11:07,319 Speaker 1: get you at these award shows and stuff like that. 236 00:11:07,920 --> 00:11:12,839 Speaker 1: Definitely got you. Yeah, Young Rich Nation clothing line this 237 00:11:12,920 --> 00:11:15,079 Speaker 1: store too. Man. I know y'all see the dad. Everybody 238 00:11:15,080 --> 00:11:17,520 Speaker 1: in the world daving and we started now I'm saying, 239 00:11:17,600 --> 00:11:21,280 Speaker 1: kicking flavor, know what I mean? Follow the driven oil. 240 00:11:22,000 --> 00:11:24,120 Speaker 1: We got dab a swat. We ain't calling the sweat 241 00:11:24,200 --> 00:11:29,160 Speaker 1: and I'm on with dad. RP to Dad, and they're 242 00:11:29,160 --> 00:11:32,640 Speaker 1: trying to get them in. You know now you had 243 00:11:32,640 --> 00:11:34,040 Speaker 1: said before they came in, you went in to let 244 00:11:34,080 --> 00:11:36,000 Speaker 1: them know something when they came in here this morning 245 00:11:36,000 --> 00:11:38,200 Speaker 1: about their interviews. Oh yeah, like you know, I see 246 00:11:38,240 --> 00:11:40,480 Speaker 1: y'all opening up more in interviews now. And I think 247 00:11:40,520 --> 00:11:42,320 Speaker 1: that was one thing that people used to say about 248 00:11:42,400 --> 00:11:44,400 Speaker 1: y'all earlier that y'all used to come in interviews and 249 00:11:44,480 --> 00:11:49,360 Speaker 1: don't speak at all, like, don't say nothing interrogated, get 250 00:11:49,400 --> 00:11:54,160 Speaker 1: that sit back and observed during the interview. That's y'all, 251 00:11:56,160 --> 00:11:58,640 Speaker 1: y'all clean, Okay, y'all got y'all getting a lot of 252 00:11:58,760 --> 00:12:01,599 Speaker 1: legal money. Hey, I noticed that with a lot of 253 00:12:01,640 --> 00:12:04,280 Speaker 1: street rappers from Atlanta though they'd just be they act 254 00:12:04,360 --> 00:12:06,959 Speaker 1: like they still selling dopey. It's just it's just we 255 00:12:07,120 --> 00:12:09,839 Speaker 1: just like to let out music speak for ussever you 256 00:12:09,880 --> 00:12:12,240 Speaker 1: know what I'm saying, Because a lot of people find 257 00:12:12,360 --> 00:12:15,080 Speaker 1: personality and interview, but you were supposed to find an 258 00:12:15,120 --> 00:12:16,679 Speaker 1: a music and see what type of person he is 259 00:12:16,800 --> 00:12:20,040 Speaker 1: on that'sful, you know what I'm saying. So, yeah, we 260 00:12:20,160 --> 00:12:21,679 Speaker 1: were If it was up to yall, y'all wouldn't do 261 00:12:21,760 --> 00:12:25,600 Speaker 1: no anything to do. I wonder how the person there 262 00:12:25,640 --> 00:12:27,560 Speaker 1: with with with the music that that'll get, that'll get 263 00:12:27,760 --> 00:12:29,559 Speaker 1: more challenge to them to the game. You know what 264 00:12:29,600 --> 00:12:31,960 Speaker 1: I'm saying. You guys are talking a song with girls 265 00:12:32,000 --> 00:12:34,120 Speaker 1: and stuff. I can't even imagine you're having like in 266 00:12:34,280 --> 00:12:41,800 Speaker 1: death phone conversations timing and we can call I'll show 267 00:12:41,840 --> 00:12:47,800 Speaker 1: you what I call you. Who who need features on 268 00:12:47,800 --> 00:12:53,719 Speaker 1: your origin nation? Ya? Oh yeah? Chrib Brown shout Chris Brown. Well, 269 00:12:53,760 --> 00:12:57,320 Speaker 1: y'all forced to do any like I guess radio records, 270 00:12:57,480 --> 00:12:59,920 Speaker 1: like we need this kind of record, Chris Bron on 271 00:13:00,040 --> 00:13:03,199 Speaker 1: the hoop. Nah, Actually we had that record already. We 272 00:13:03,240 --> 00:13:04,520 Speaker 1: were like, man, we got to get one boy on 273 00:13:04,600 --> 00:13:07,400 Speaker 1: it because we was in La that chilling vibe listening 274 00:13:07,400 --> 00:13:09,160 Speaker 1: to music we had there, like a couple of songs 275 00:13:09,200 --> 00:13:12,040 Speaker 1: with French and like we was all there and so 276 00:13:12,240 --> 00:13:15,120 Speaker 1: we just been rocking there sing nothing about six months 277 00:13:15,160 --> 00:13:17,679 Speaker 1: ago and there we were just rocking in it and 278 00:13:17,800 --> 00:13:19,520 Speaker 1: time was right with this tone and get on the track. 279 00:13:19,640 --> 00:13:22,080 Speaker 1: Shot my boy kid red too to the label. Let 280 00:13:22,120 --> 00:13:25,000 Speaker 1: y'all pretty much do your thing you Oh no, we 281 00:13:25,200 --> 00:13:28,560 Speaker 1: just got a distribution deal with see the label. Okay, okay, 282 00:13:28,960 --> 00:13:31,839 Speaker 1: would y'all want to have um, would y'all want to 283 00:13:31,880 --> 00:13:34,640 Speaker 1: have a major label deal or just distribution? Would you 284 00:13:34,800 --> 00:13:36,719 Speaker 1: be interested in that? Because I'm sure people are coming 285 00:13:36,760 --> 00:13:38,400 Speaker 1: to you that a call letter down the line. We 286 00:13:38,520 --> 00:13:40,000 Speaker 1: need to see what we're going on with their project 287 00:13:40,080 --> 00:13:43,080 Speaker 1: out our album and that that ca when it come. 288 00:13:43,120 --> 00:13:45,320 Speaker 1: We're holding weight up on our shoulder right now, yeah saying. 289 00:13:46,000 --> 00:13:49,000 Speaker 1: And then another big thing we got going on is 290 00:13:49,040 --> 00:13:52,000 Speaker 1: a tour we just got added with Christ French, Feddy 291 00:13:52,040 --> 00:14:00,280 Speaker 1: wak U, Marian Tiana Taylor, one hell of a night, night, 292 00:14:00,880 --> 00:14:03,319 Speaker 1: it sound like one hell of a night. He do 293 00:14:03,400 --> 00:14:05,280 Speaker 1: y'all feel like y'all gave away too much original music 294 00:14:06,800 --> 00:14:09,280 Speaker 1: and the vault full of music when well, you know 295 00:14:09,440 --> 00:14:10,960 Speaker 1: you don't feel like that when you got them all, 296 00:14:11,120 --> 00:14:12,920 Speaker 1: when you got them stashed away, when you got the 297 00:14:13,000 --> 00:14:14,959 Speaker 1: stats on stats on stats, you don't feel like that. 298 00:14:15,040 --> 00:14:17,240 Speaker 1: Ain't a no foul. The folks who'll be writing the 299 00:14:17,320 --> 00:14:19,200 Speaker 1: songs and they're given too many, they're given too much 300 00:14:19,240 --> 00:14:21,480 Speaker 1: paper away. What do you think about artists who don't 301 00:14:21,480 --> 00:14:25,040 Speaker 1: write their own music? Rappers in particular, do you think 302 00:14:25,080 --> 00:14:27,440 Speaker 1: it magic? That's not making your artists? If you don't 303 00:14:27,440 --> 00:14:29,520 Speaker 1: make your if you don't draw your own painting. You know, 304 00:14:29,680 --> 00:14:31,080 Speaker 1: you know what I'm saying. You're coming to me goes too. 305 00:14:31,200 --> 00:14:35,560 Speaker 1: You're gonna see no paper, no pencil, no pad, no none, 306 00:14:37,120 --> 00:14:39,040 Speaker 1: straight on top of the door, do your own crop. 307 00:14:39,200 --> 00:14:41,040 Speaker 1: You know. It's just like you're going to Popeyes and 308 00:14:41,120 --> 00:14:43,360 Speaker 1: putting the putting the Popeye chicken on the plate. Too 309 00:14:43,440 --> 00:14:45,760 Speaker 1: much you cook for you man, that ain't right. I 310 00:14:45,800 --> 00:14:49,000 Speaker 1: got stopped doing that. People going. I can see the 311 00:14:49,000 --> 00:14:51,040 Speaker 1: coments right now. And you say, y'all don't rate they 312 00:14:51,080 --> 00:14:53,360 Speaker 1: can be like, oh well, y'all need to tell them, 313 00:14:53,480 --> 00:14:55,360 Speaker 1: tell them. Come on, Brandon, all three of you don't 314 00:14:55,400 --> 00:14:57,640 Speaker 1: write anything, you guys, all three of you go straight 315 00:14:57,680 --> 00:15:01,080 Speaker 1: off the head. Yeah, let the beat for about a 316 00:15:01,120 --> 00:15:02,480 Speaker 1: little minute and you go in there and say what 317 00:15:02,520 --> 00:15:04,400 Speaker 1: you want to say. But I think you know what y'all. 318 00:15:04,400 --> 00:15:06,120 Speaker 1: I think y'all offers. That's a different ability. Like I 319 00:15:06,160 --> 00:15:08,440 Speaker 1: think it's some people who who are great lyricists and 320 00:15:08,600 --> 00:15:11,240 Speaker 1: some people who can make great songs. Y'all make great records, 321 00:15:11,960 --> 00:15:14,920 Speaker 1: that's the most most most lyricists can just rap. Okay, 322 00:15:14,960 --> 00:15:17,120 Speaker 1: that's cool, but you can't make no records. Yeah, there's 323 00:15:17,120 --> 00:15:19,200 Speaker 1: a lot of rappers just rapping. You gotta putting them 324 00:15:19,240 --> 00:15:22,160 Speaker 1: thing together, the putting them songs together, making the people 325 00:15:22,200 --> 00:15:24,680 Speaker 1: feel the roller coaster field to ride, fear the way. 326 00:15:24,720 --> 00:15:28,320 Speaker 1: But what we're doing. Are you ever concerned about experimenting 327 00:15:28,480 --> 00:15:30,960 Speaker 1: with different sounds knowing that your fans expect a certain 328 00:15:31,040 --> 00:15:34,720 Speaker 1: kind of sound from you. No, we we musicians. You 329 00:15:34,760 --> 00:15:37,760 Speaker 1: know what I'm saying. You got everything. You just can't 330 00:15:37,800 --> 00:15:41,920 Speaker 1: go pos we can do you know, what I'm saying. Now, 331 00:15:41,960 --> 00:15:43,600 Speaker 1: You guys have said you want to meet Paul McCartney. 332 00:15:43,640 --> 00:15:47,400 Speaker 1: You think that's gonna happen anytime soon? Oh yeah, you 333 00:15:47,480 --> 00:15:50,080 Speaker 1: might hate on y'all because you get into Beatles. You 334 00:15:50,160 --> 00:15:53,600 Speaker 1: might hate on y'all a little bit. Hey, it'll happen. 335 00:15:55,920 --> 00:15:58,720 Speaker 1: Were were all said you'd be cool? Bro? All right, 336 00:15:58,760 --> 00:16:02,080 Speaker 1: y'all be blessed many'll do we have any idea about 337 00:16:02,120 --> 00:16:03,560 Speaker 1: the date at all? Is it gonna be in the 338 00:16:03,640 --> 00:16:05,400 Speaker 1: next couple of months? How you're gonna make this tour? 339 00:16:07,200 --> 00:16:09,760 Speaker 1: I can't say too much. I'm gonna be here this 340 00:16:09,960 --> 00:16:13,760 Speaker 1: this put your prayers in that forever out. Okay for 341 00:16:13,880 --> 00:16:17,280 Speaker 1: your offset Word and Young. Rich Nation is in stores 342 00:16:17,400 --> 00:16:23,480 Speaker 1: right now? Get that? Oh yeah, most definite Friday releases now, 343 00:16:24,040 --> 00:16:27,320 Speaker 1: Oh yeah, Friday releases. Chicks coming in, Chicks coming in. No, 344 00:16:27,400 --> 00:16:29,080 Speaker 1: you get to check on Friday. You got you'll get 345 00:16:29,360 --> 00:16:30,960 Speaker 1: ready to turn up man, pipe it up, man, go 346 00:16:31,080 --> 00:16:33,040 Speaker 1: get the album you on rich Nation. It's this grind 347 00:16:33,120 --> 00:16:35,480 Speaker 1: different though, because because the mixtape, y'all really don't gotta 348 00:16:35,520 --> 00:16:37,280 Speaker 1: do too much promo. You just throw it out online 349 00:16:37,280 --> 00:16:39,720 Speaker 1: and move about the way. Now we really do the 350 00:16:39,800 --> 00:16:41,440 Speaker 1: same promo on the line, you know what I'm saying, 351 00:16:41,520 --> 00:16:43,520 Speaker 1: kill the streets went, the streets up and take over 352 00:16:43,560 --> 00:16:45,800 Speaker 1: the streets out of the posters and the streets team. 353 00:16:45,840 --> 00:16:47,680 Speaker 1: We just don't do the press like how this run 354 00:16:47,800 --> 00:16:49,760 Speaker 1: is ain't not like the New York pressiment, ain't not 355 00:16:49,840 --> 00:16:51,640 Speaker 1: like the New York pressure. But yeah, always come see 356 00:16:51,720 --> 00:16:53,360 Speaker 1: us when you guys are here, so we appreciate it, 357 00:16:54,520 --> 00:16:59,280 Speaker 1: appreciate the Midi goals, Younger, one minute left, oh ya 358 00:17:01,200 --> 00:17:03,080 Speaker 1: going to do this without you? Your rish Niche in 359 00:17:03,200 --> 00:17:04,760 Speaker 1: stores right now is the Breakfast Club