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Speaker 1: Yo, yo yo. Welcome to It's up Their podcast. I

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Speaker 1: am your active and attractive host Big Loan for another

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Speaker 1: episode of the fastest growing podcasts on the market right now.

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Speaker 1: If you are listening to the audio adventure of this podcast,

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Speaker 1: I need you to head the Patreon dot com It's

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Speaker 1: up There podcast. That's how you support me. Clips and

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Speaker 1: videos also found on fog Fo tv on YouTube. If

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Speaker 1: you have not, go see the Little Baby Interview. It's

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Speaker 1: out right now the Experience podcast. It is my second leg.

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Speaker 1: It's me and my producer bag. This is my second

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Speaker 1: show that I'm creating, surrounding all of the big names

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Speaker 1: in the game and the influential people. It's Up There

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Speaker 1: podcast will remain like my vision, my outlook on things,

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Speaker 1: and we're gonna navigate the space and then wait, there's

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Speaker 1: a lot to talk about. I want to go over

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Speaker 1: my Little Baby interview. Little Baby, for those of you

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Speaker 1: don't know, just drop his new album. I'm not sure

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Speaker 1: when people are gonna catch this. It's only me just

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Speaker 1: dropped impeccable, incredible body of work. Again. Baby continues to

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Speaker 1: put on a clinic in regards to creating a vibe

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Speaker 1: and a process and a product. On his own merit.

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Speaker 1: Oftentimes you hear me speak about how important it is

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Speaker 1: for people to collaborate, and the collaboration tool is an

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Speaker 1: important thing, but knowing when you need to collaborate, it's

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Speaker 1: also more important for the sake of just conversation. Baby

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Speaker 1: is one of the only artists that can take that

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Speaker 1: amount of time off. You see him take two three

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Speaker 1: years off, come back, and he don't miss a beat.

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Speaker 1: You don't feel the rust, you don't feel like he's

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Speaker 1: missing the step. You feel like now that that's just him.

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Speaker 1: He wanted them guys. He's in. He in his bag,

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Speaker 1: see Baby in his bag and is in it? Be it?

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Speaker 1: And then you wonder why Nick say your name academics,

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Speaker 1: I gotta address you right. Baby put me in the game.

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Speaker 1: And so if I got to lose all this about that,

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Speaker 1: then we're gonna have to take that route. Unfortunately for you,

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Speaker 1: I got too much information to lose this, right And

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Speaker 1: so what Baby did was put the people on my

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Speaker 1: side and empower with me. And what we ain't gonna

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Speaker 1: continue to do is allow people like academics to run

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Speaker 1: around with these narratives. Number One, we don't play police

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Speaker 1: games with people. Life on the line and all of

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Speaker 1: these kind of things. Right, we're gonna we're gonna speak

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Speaker 1: about it that in detail, but let me spend more

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Speaker 1: time on Baby in the album and just celebrate what

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Speaker 1: he is, what he does, what he brings to the game.

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Speaker 1: I think it's important y'all understand that creatively, it costs

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Speaker 1: to create these vibes. When you look at the market,

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Speaker 1: you say, man, Baby is one of them guys that

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Speaker 1: can do it by yourself. And then you look across

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Speaker 1: the I'll tell you what you ask Drake what it's

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Speaker 1: like to create vibe on your own. He no bag,

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Speaker 1: no dirt, no Kodak, no. Certain people know how to

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Speaker 1: create the vibe. Meaning the single that I come out

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Speaker 1: with it is probably gonna be just me because what

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Speaker 1: I've been able to do is create a product that

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Speaker 1: can stand alone in the market. You understand my product,

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Speaker 1: my creative process like me. They know when I jump

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Speaker 1: out there with this single, this is me on it.

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Speaker 1: This is a thing, right, this is my creative process

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Speaker 1: that we depended on. And so to see Little Baby

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Speaker 1: step into the boot three years off and still not

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Speaker 1: panic coming off a high selling album, you know, just

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Speaker 1: going diamond with Drip too hard with gunna free gunner

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Speaker 1: placing itself in a situation to creatively not miss a bag.

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Speaker 1: He one of them dudes that got a gun. It's

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Speaker 1: almost like boom, I got your r and b one boom,

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Speaker 1: I got you a slow one boom or trapping boomer,

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Speaker 1: hippoping boom. You got a country. He knocking them down

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Speaker 1: and he's not missing. He's not missing. Right. It ain't

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Speaker 1: many people. Drake know what I'm talking about. Kanye know

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Speaker 1: what I'm talking about. Meek know what I'm talking about.

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Speaker 1: When I'm speaking like this. It's only certain people that

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Speaker 1: can run in all these different rooms and get something

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Speaker 1: out of them. Now you're seeing some of these artists

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Speaker 1: in them rooms. Man, they come out with nothing. Right,

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Speaker 1: you depending on them, man, We need you to speak

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Speaker 1: directly to the women they running the up. Man, they

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Speaker 1: come out, Man, it's all I got. Man, what that

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Speaker 1: ain't even that ain't really Baby, and certain artists, especially Baby,

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Speaker 1: because that's who we're talking about right now, can run

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Speaker 1: in that girl room. As far as song creativity, grab

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Speaker 1: your song out of that, bring it out it do good.

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Speaker 1: In the market, running the club scene, grab your song

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Speaker 1: outa there, it do good. Running the emotional close friends,

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Speaker 1: I can give you one of them. What you need,

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Speaker 1: what you need to drip too hard? I can run

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Speaker 1: it in and get you one of them. How much

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Speaker 1: you got I'm serving at the trap house. I'm at

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Speaker 1: the front door. You know what I mean? What you need?

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Speaker 1: I need one like drip too hard? Holder, get me

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Speaker 1: a second come back out. It ain't like drift too

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Speaker 1: Hard in regards to a copy of it. But it's

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Speaker 1: that vibe because I created that vibe. To ask tore

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Speaker 1: Relas what it costs to create a vibe by yourself.

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Speaker 1: And here's the difference with Kanye. Kanye don't create the vibe.

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Speaker 1: And that's what I'm trying to tell you about the

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Speaker 1: importance of knowing what you're talking about. Kanye West, don't

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Speaker 1: create the vibe. Kanye West, curate the vibe. Unlike little

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Speaker 1: Baby that goes into the studio by itself, Unlike Drake

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Speaker 1: that goes into the studio with his little people, my producer,

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Speaker 1: my enginet, these little threefold individuals that's creating a vibe.

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Speaker 1: That job is for only a certain amount of people.

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Speaker 1: The rest of you copy what we're doing. But the

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Speaker 1: men that go into the bat cave and create the vibe.

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Speaker 1: Me come out and say I'm approaching the market with

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Speaker 1: this record, California Breeze. This is how we're coming, Drake,

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Speaker 1: going in, come out, meet, going in, come out bad,

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Speaker 1: going in, come out, you know, come out with as

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Speaker 1: said something. But Kanye West, don't create the vibes. You

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Speaker 1: curate the vibe. And that's that's a special set of

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Speaker 1: skills to have too, right. So what he does is

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Speaker 1: he pay a high number to create the vibe. Kelli

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Speaker 1: it is on that list as well. So and Kanye.

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Speaker 1: They pay a high price to create the vibe. But

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Speaker 1: they're good. They're curating the song, you understand. So they

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Speaker 1: get the vibe placed into the area, and from that

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Speaker 1: vibe they're taking bringing song from it. Now. Granted, some

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Speaker 1: people are taking the vibe to people and say, hey,

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Speaker 1: if you say this, it'll have more impact, So that's

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Speaker 1: kind of bringing the vibe as well. But I'm just

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Speaker 1: I want y'all to really understand that somebody like little

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Speaker 1: Baby that has been gone for so long to come

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Speaker 1: out and still have that level of creative juice to say, Yo,

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Speaker 1: none of the Internet they've done done tricked me because

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Speaker 1: a lot of times they're trick you. And this is

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Speaker 1: academics plays into this. A lot of times they're trick

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Speaker 1: you that you're sound or whatever's working for you, whatever's

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Speaker 1: happening with you is going out of style, or the

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Speaker 1: people are tired of hearing it and this and that. Man,

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Speaker 1: we don't listen to news. We know the loudest bulls

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Speaker 1: come from the cheap seats. We don't listen to these news.

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Speaker 1: These didn't go through what we had to go through.

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Speaker 1: We only listen to people that cut from that texture.

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Speaker 1: We don't listen to these guys. And it's respectfully because

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Speaker 1: they got people they're speaking too. But the problem is

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Speaker 1: I can speak to their people. They don't got no

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Speaker 1: business talking to mind or talking about mind. But now

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Speaker 1: granted celebritive status gives people a certain license to deal

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Speaker 1: with you in public in certain ways, right, not disrespectful,

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Speaker 1: but informative if they have that ability. A lot of

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Speaker 1: you guys, you just was first at telling people business.

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Speaker 1: But a lot of times they're trigger rapper, right, They're

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Speaker 1: put them in a position to think, like, damn, man,

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Speaker 1: my sound change. They don't want to hear that sound

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Speaker 1: like that. No more music doesn't change. Man, then you

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Speaker 1: got these little weird old dudes on interviews that will

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Speaker 1: be saying, how he's gonna come back. Man, we don't

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Speaker 1: know if he's gonna come back doing this, and he

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Speaker 1: better not come back with that same sound. No no no,

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Speaker 1: no, no no no no, and it'd be the weirdest dudes

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Speaker 1: in America that ain't from America. But then you got

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Speaker 1: situations what dudes in the hood is like, man, I

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Speaker 1: missed that old such and like when you used to

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Speaker 1: get in that bag, and you can do that, you

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Speaker 1: can get in that bag, but you don't get in

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Speaker 1: that bag because these critics. But these critics don't wait nothing.

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Speaker 1: They got a place in the game, They got a

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Speaker 1: position in the game. But you gotta ask yourself, as

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Speaker 1: Drake right now, you know, because my question seemed to

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Speaker 1: have legs or somebody asked Drake as ye ask in,

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Speaker 1: ask me ass into these guys what it calls to?

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Speaker 1: What was it like creating a vibe? It's just you

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Speaker 1: and your people in now, and so creatively you stand

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Speaker 1: on your own now. The collaboration tool, I will reiterate,

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Speaker 1: is an important tool. It's essential for success. Right, It's

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Speaker 1: a beautiful thing. But I think it needs to be

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Speaker 1: said when somebody's over here and they didn't added another

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Speaker 1: move to the burpie. Right, we're both doing burbers, but

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Speaker 1: I didn't hear. I don't. I'm doing all. Let you know,

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Speaker 1: you just won two and you down, push your back up.

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Speaker 1: I'm hitting one two. They haven't kicked up. This one

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Speaker 1: kicked up. I'm penitentiary burpies. I'm doing so it needs

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Speaker 1: somebody need to be saying, well, hold up though it's

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Speaker 1: something different happening. Number one home doing it like this though, man,

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Speaker 1: and then the approach is different. But maybe they don't

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Speaker 1: know that because they ain't hustling and they've been handed

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Speaker 1: the position. They ain't hand crafted or position. Let me

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Speaker 1: talk about this little baby did his first interview with me,

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Speaker 1: and I'm forever and dad, thank you the baby, Thank

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Speaker 1: you to Pete, thank you the coach. They hold square,

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Speaker 1: the whole team over there. It's a lot of love,

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Speaker 1: you know, in respect on this side. You know, I mean,

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Speaker 1: did it with them forever, you know them my people.

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Speaker 1: It was important for me and it did. It's doing

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Speaker 1: a lot for my career, and it's expanding my expansion,

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Speaker 1: and it's forward and my franchise the importance of this

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Speaker 1: interview to the coach at number one. Man, how I

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Speaker 1: see it? Like, the interview got like six or seven

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Speaker 1: clips that's going viral. We got the munch clip that's

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Speaker 1: going viral. We got the clip about his sons when

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Speaker 1: we talked about family going viral. We got to clip

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Speaker 1: about bbl's going viral. We got to clip about dues

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Speaker 1: he Enjoy's life going viral. Who had the clip about

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Speaker 1: him saying he and the music game for the money

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Speaker 1: and some people make a career off there. He'd downed

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Speaker 1: a couple of more clips going viral right now, and

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Speaker 1: those clips have what's called legs in this business, right

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Speaker 1: So legs are when people can start a conversation from

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Speaker 1: that conversation, and if you look around, it's everywhere. It's everywhere. Man.

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Speaker 1: I want to send a big shout out to everybody

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Speaker 1: that share to shout out to breakfast club. They showing

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Speaker 1: me a lot of love a breakfast club. Oh man,

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Speaker 1: they showing your board love at breakfast club. Right. Charlemagne

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Speaker 1: is the guy that I thought he was right. I

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Speaker 1: think that in this business, man. I told Wallow this

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Speaker 1: from the outside. I was just thinking, like nobody gonna help. Man,

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Speaker 1: I don't know. He was like, no, lonely name. They

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Speaker 1: got you. It's got you, Bro. I'm telling you, they

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Speaker 1: fucking with you. I'm just like, Bro, I came in,

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Speaker 1: you know, equip with so much information because I leave

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Speaker 1: that no help was coming. And so when you believe

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Speaker 1: you're going on to a job site by yourself, then

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Speaker 1: you pack all the tools you need. And so coming

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Speaker 1: into the game, I had to study the game in

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Speaker 1: a way where it's like I ain't gonna need nobody.

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Speaker 1: I'm gonna go get the information so I know how

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Speaker 1: to navigate. I know kind of what I'm doing, what

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Speaker 1: I need to do to get the amount of money

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Speaker 1: I'm looking to get. And I had an impact that

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Speaker 1: we're looking for what I found interesting. Though I'm still

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Speaker 1: traveling around and when I get a chance, I'm gonna

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Speaker 1: put together whole Listen, like all the blogs that showed

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Speaker 1: it love. There's a couple of them and wasn't on

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Speaker 1: the list, like say Cheese, DJ Blad world Star and

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Speaker 1: I got Dan as my guy, and they wasn't on

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Speaker 1: the list. And this is the biggest artist in the world.

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Speaker 1: And I had to sit back and say why won't

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Speaker 1: they post them? See this is God revealing to me

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Speaker 1: what I'm dealing with, because it's my job to really

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Speaker 1: ted it, not taed down, but to evolve this space,

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Speaker 1: this talking space needs some It needs a new breath

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Speaker 1: of fresh shell and it needs somebody with some information

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Speaker 1: that can drill or somebody sit down. You ask yourself,

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Speaker 1: why say Cheese or dj vlad didn't post Little Baby

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Speaker 1: interview with Loom? I'll wait, I got time today. Somebody

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Speaker 1: that I don't tell y'all, let me know. Put somewhere

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Speaker 1: wherever you can. Why you think dj Vlad and Say

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Speaker 1: Cheese did not post? And this is academics even posted

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Speaker 1: it and I had to tag him like, yo, bro,

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Speaker 1: you notice you need to tag me right and he

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Speaker 1: updated it. Why do you think dj Vlad and Say

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Speaker 1: Cheese TV did not post Little Baby's interview with Big Loom.

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Speaker 1: Shout out to the Shave Room neighborhood Talk It's on site,

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Speaker 1: shout out here about it. That really showed that this

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Speaker 1: interview love. Why you think Cheese and Lad wasn't in that?

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Speaker 1: In my opinion, these are acts of terrorism on our

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Speaker 1: coach to go against the biggest rapper in the game.

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Speaker 1: Who gives a new media outlet, young Black Dude his

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Speaker 1: rollout interview, and these people that cover black culture don't

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Speaker 1: cover that. First thing a lot of people said, was damn,

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Speaker 1: who is that Baby gave say cheese and Lad is

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Speaker 1: in the business. Some of these casual consumers don't know

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Speaker 1: what that meant with Baby rolling out with me like that,

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Speaker 1: Vlad and say cheese, Sean Cotton, they know exactly what

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Speaker 1: that means. Somebody helped me understand why they then post

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Speaker 1: it and I don't need that post. And then because

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Speaker 1: it went viral clearly, so it went over the audience

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Speaker 1: that they have had served that audience. But it's still

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Speaker 1: a question that needs to be answered. And we'll get

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Speaker 1: the academics in the second. This ain't personal. We're just

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Speaker 1: doing spring cleaning. Charlemagne gave his legs, took it over

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Speaker 1: on Breakfast Club, brought it up in the Baby interview,

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Speaker 1: brought it up the other day when he was talking

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Speaker 1: about the BBL thing. A lot of radio put it

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Speaker 1: over there. They got a little love like it's cultural conversation.

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Speaker 1: How people that cover the culture don't get into conversation.

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Speaker 1: When I was coming up right, I would think I'm

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Speaker 1: gonna wake these knights up. I'm gonna wake these nings up.

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Speaker 1: You can't wake these knicks up. They hating. It's a

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Speaker 1: couple of old nis two out there and this short

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Speaker 1: and no love. They hating either you hate non You

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Speaker 1: don't got your finger on the post because baby the

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Speaker 1: baby the one of the hottest robbers in the world.

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Speaker 1: And if you in media and you ain't hear my name,

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Speaker 1: I don't understand it, but I can respect it not

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Speaker 1: being arrogant. But I put work in so I got

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Speaker 1: to think it to myself, say, loon, you can't wake

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Speaker 1: these nis up. They pretending to be sleep now. You

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Speaker 1: can't wake no up this acting sleep. They just got

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Speaker 1: their eye now because they ain't sleep. They know exactly

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Speaker 1: what's going on. They just got their eyes closed. They

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Speaker 1: rather be sleep than see this ship. And I ain't

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Speaker 1: oblivious to this. When they don't post my ship, I

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Speaker 1: know what they mean. See that don't never come to

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Speaker 1: your house. Don't want you at their house. And I

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Speaker 1: don't want to go to these houses no way. They

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Speaker 1: ain't got to post me. And behind the scenes, you know,

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Speaker 1: I try to talk to some of the old g's

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Speaker 1: in the game. I'm like Yo, Bro, this that new ship. Bro,

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Speaker 1: like Wayne falling victim to what they positioned, they and

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Speaker 1: will build something begin in that ship they got over there.

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Speaker 1: I stand on that, and I truly believe that, and

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Speaker 1: I know the conversations that will be able to have

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Speaker 1: on this side gonna be impactful. You can no longer

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Speaker 1: lean on celebrity in this space right here. You got

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Speaker 1: to bring something to these false It is not enough

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Speaker 1: now that this be the first doing it and still

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Speaker 1: doing it. You better bring something. It is not enough

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Speaker 1: now to go grab somebody that's saying crazy, put them

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Speaker 1: next to you and thank you. Competing with us, We're

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Speaker 1: having real conversation and we nation building. Let me speak

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Speaker 1: about this. DJ Academics and Little Baby Academics was mentioned

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Speaker 1: on the album twice, and for some reason he drew

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Speaker 1: a blank. I don't know what. I don't know what.

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Speaker 1: Anne he went into that mall. Either these guys are

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Speaker 1: drunk and they don't know what they'd be saying, or

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Speaker 1: they drunk and they don't know what they'd be saying. Right.

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Speaker 1: The narrative painting that has came from Act has been

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Speaker 1: totally unwarranted on not only Baby, but a lot of

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Speaker 1: people a lot of these rappers is sick of your

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Speaker 1: ways of reporting, and it ain't because you're doing no

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Speaker 1: hell of a job. And be clear to people that

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Speaker 1: come sitting next to you don't do it because they

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Speaker 1: enjoy the interview. They do it because of your position

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Speaker 1: on social media and YouTube. The reach that he gets

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Speaker 1: difference with my engagements and my involvement is the people

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Speaker 1: that sit beside me, next to me, they relate to me.

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Speaker 1: We relate to each other. We both came up in

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Speaker 1: this culture. We've both been through some of the same struggles.

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Speaker 1: All of y'all ask these guys the same questions, and

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Speaker 1: y'all wonder why they hate talking to y'all. Everybody got

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Speaker 1: the same exact questions because they don't have nothing to say.

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Speaker 1: And Academics isn't someone who's a bad guy. He's just

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Speaker 1: missing form because he don't come from this and it's

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Speaker 1: hard for the culture to tell because he's a black man.

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Speaker 1: So after he was mentioning on the album and act

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Speaker 1: like he didn't know what was happening, he came out

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Speaker 1: and responded, let's listen to a little bit of what

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Speaker 1: he said. Dropped his album last night. As album was

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Speaker 1: called was by the way TIMZ covered it's called It's

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Speaker 1: only Me, Little Baby, It's only me, Let's go to genius.

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Speaker 1: There's two tracks. Ya decided to call me out on

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Speaker 1: or mentioned me on I can't play because we're alive

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Speaker 1: on YouTube at the moment, but you guys could go

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Speaker 1: listen to it if you want. Um So, there's two songs.

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Speaker 1: He called keep a calm voice when he dealing with

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Speaker 1: real from him on us. My man little baby said this.

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00:19:34,680 --> 00:19:37,879
Speaker 1: It was pretty early in the song too, top priority.

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Speaker 1: The didn't run into me. Yeah, it's flying all the

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Speaker 1: way from Europe to me. Yuh. Anyone who came around

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Speaker 1: I turned him up. Ain't nobody gave me shit. I

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Speaker 1: earned the stuff all cap aside. Who really turned to

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00:19:50,400 --> 00:19:54,520
Speaker 1: us academics. I just think they can't be touched. I

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00:19:54,520 --> 00:19:58,280
Speaker 1: don't be on the computer as much said, turned me

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Speaker 1: onto YouTube or see. I don't know what. I'll tell

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Speaker 1: you what he's saying. You ain't got no bidding in

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Speaker 1: him shout out. Said he's saying, said turchim on the

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Speaker 1: YouTube because you don't watch niggas all day, respectfully, niggas

350
00:20:11,119 --> 00:20:15,399
Speaker 1: don't watch simpletons like everybody isn't the coach, it can

351
00:20:15,480 --> 00:20:18,040
Speaker 1: identify that you ain't from the coaches. It's the people

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Speaker 1: outside the culture that don't know. Because you slipped in

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Speaker 1: and got a few interviews with guys and got some

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Speaker 1: involvement with a couple of guys and was real nice

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00:20:27,160 --> 00:20:31,439
Speaker 1: to a few rappers. See you real nice to certain guys,

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Speaker 1: and that relationship still kind of keeps you anchored. But

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00:20:34,680 --> 00:20:37,840
Speaker 1: if we strip all your cloud down and put you

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Speaker 1: just in a regular outfit in the middle of something,

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00:20:40,200 --> 00:20:43,680
Speaker 1: we're gonna you ain't one of us. If we just

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Speaker 1: listen to you talk, If they bring you into a

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Speaker 1: room and everybody just go to talking, you not one us.

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Speaker 1: And when I say one us, I'm not talking about criminal.

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Speaker 1: I'm talking about cultured. I'm talking about grew up going

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Speaker 1: to boble Q's cook out, grew up going to skating ring, sleepovers,

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Speaker 1: house part is. You know what I'm saying. I just

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Speaker 1: don't get that from him. What I get from him

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Speaker 1: is if he right now try to bounce on beat,

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Speaker 1: he gonna be off beat. He give me white boy energy.

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00:21:18,440 --> 00:21:21,960
Speaker 1: It's just black skin. If I close my eyes and

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00:21:22,080 --> 00:21:25,080
Speaker 1: I listened to some of their YouTube, this white boy energy,

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00:21:27,520 --> 00:21:30,800
Speaker 1: it's white boy energy, and it's it's it's cool, it's you,

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Speaker 1: but it's white boy energy. Right. And so for me, Bro,

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Speaker 1: you should have been always been like appreciative of being

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Speaker 1: in this culture, knowing that like you posted been like

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Speaker 1: a writer for like Complex or something. You know, that's

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Speaker 1: an important position to have. But speaking to some of

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Speaker 1: these people, sitting next to some of these people mentioned

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Speaker 1: in the same conversation as some of these people, Nah,

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Speaker 1: but you did hustle. I'll give you that. I ain't

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Speaker 1: gonna take that from you, right, I ain't. No, I'm

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Speaker 1: gonna say you ain't having no hustle, but you ain't

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Speaker 1: having no hard anybody that played with the police the

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00:22:11,680 --> 00:22:14,800
Speaker 1: way you playing with the police. You're putting pictures of

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Speaker 1: the police on your Instagram as big as you is,

385
00:22:17,560 --> 00:22:20,639
Speaker 1: implying certain things like this is a joke. And then

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Speaker 1: Rapp still going sitting next to you, not knowing as

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00:22:24,480 --> 00:22:26,440
Speaker 1: soon as you make them, man, this is what you're

388
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Speaker 1: gonna do a rap make me man, I'm trying to

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00:22:29,600 --> 00:22:32,480
Speaker 1: hit him in his mouth or handle it like me

390
00:22:32,600 --> 00:22:35,879
Speaker 1: and have a conversation, figure it out, squash it some

391
00:22:36,080 --> 00:22:38,880
Speaker 1: kind of way. But I ain't doing no going out

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Speaker 1: in public tag and the police and anybody the indorses that.

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00:22:43,280 --> 00:22:45,240
Speaker 1: It made me view you a certain way. I know,

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Speaker 1: I ain't even saying you gotta be criminal, right because

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00:22:47,520 --> 00:22:50,080
Speaker 1: a lot of people be like, I ain't no streeting man,

396
00:22:50,200 --> 00:22:52,640
Speaker 1: So when they do that, that's just them. I ain't

397
00:22:52,680 --> 00:22:57,119
Speaker 1: saying you gotta be no streeting with the unfair approach

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Speaker 1: of law enforcement. If you would wish that on a

399
00:23:00,880 --> 00:23:05,080
Speaker 1: man why I'm from, you don't wish that on your enemy.

400
00:23:05,800 --> 00:23:08,160
Speaker 1: And that's how I know you ain't from where I'm from,

401
00:23:08,640 --> 00:23:10,840
Speaker 1: because you play with things that we don't play with

402
00:23:12,080 --> 00:23:14,359
Speaker 1: right where I'm from. You don't wish that on your

403
00:23:14,400 --> 00:23:16,680
Speaker 1: worst enemy. And they playing with it like it's just

404
00:23:16,800 --> 00:23:19,880
Speaker 1: a joke, And you got an unfair approach from law

405
00:23:20,040 --> 00:23:23,440
Speaker 1: enforcement in the system. It's already all over the place.

406
00:23:23,800 --> 00:23:26,399
Speaker 1: And I gotta deal with a share my skin color

407
00:23:26,520 --> 00:23:30,280
Speaker 1: in my culture benefiting from my process that go out

408
00:23:30,320 --> 00:23:33,439
Speaker 1: there and putting me in front other people in that manner,

409
00:23:33,520 --> 00:23:38,800
Speaker 1: knowing that it's proper. Gownda sot out to be ashamed of.

410
00:23:38,880 --> 00:23:44,200
Speaker 1: They sell. But see they think they Charleston White. Let's

411
00:23:44,320 --> 00:23:49,520
Speaker 1: let's address the elephant in the room. Academics, you're not

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Speaker 1: Charleston White. Charleston White. You see all the motherfucking weapons

413
00:23:55,359 --> 00:23:58,280
Speaker 1: charged in white move academics. You ain't ready for none

414
00:23:58,320 --> 00:24:01,240
Speaker 1: of that. You ain't come up. You ain't prepared in

415
00:24:01,359 --> 00:24:03,600
Speaker 1: that way. And so what baby is saying and this

416
00:24:03,800 --> 00:24:07,320
Speaker 1: song is yeah, I ain't even know he'd be saying,

417
00:24:07,400 --> 00:24:09,480
Speaker 1: she said tournament on the YouTube. I look at a

418
00:24:09,520 --> 00:24:12,280
Speaker 1: few things he's saying. Some ship when they went to

419
00:24:12,400 --> 00:24:16,360
Speaker 1: hang with the billionaire as you were talking stupid, you're

420
00:24:16,400 --> 00:24:19,440
Speaker 1: talking about and selling tickets. You ain't never went on tour.

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00:24:19,520 --> 00:24:21,520
Speaker 1: All of them views, all of them clicks, I all

422
00:24:21,600 --> 00:24:23,960
Speaker 1: let engagement you want us to believe you got and

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00:24:23,960 --> 00:24:27,480
Speaker 1: you ain't never been on tour. See, I'm exposing the

424
00:24:27,680 --> 00:24:29,639
Speaker 1: business models. I'm one of them. I com in this

425
00:24:29,800 --> 00:24:36,280
Speaker 1: game rich with information. I'm exposing business models. You gotta

426
00:24:36,280 --> 00:24:39,639
Speaker 1: all let clicks in engagement online and can't sell a

427
00:24:39,800 --> 00:24:42,399
Speaker 1: hundred tickets in thewhere in the world. And I'm supposed

428
00:24:42,400 --> 00:24:45,440
Speaker 1: to believe that everywhere you show up, you better be

429
00:24:45,600 --> 00:24:48,560
Speaker 1: giving some away for people to be there. You bet

430
00:24:48,720 --> 00:24:51,320
Speaker 1: not never sell a ticket for a motherfucker to show

431
00:24:51,400 --> 00:24:55,320
Speaker 1: up to hear you talking. I'm filling up buildings with

432
00:24:55,520 --> 00:24:59,440
Speaker 1: just me talking. I'm selling out tickets with just me

433
00:24:59,640 --> 00:25:03,200
Speaker 1: talking because I talked directly to the culture from the

434
00:25:03,359 --> 00:25:07,080
Speaker 1: culture a product of and I'm leaving dead the fuck

435
00:25:07,160 --> 00:25:09,840
Speaker 1: over one of you media names, exposed to your business

436
00:25:10,000 --> 00:25:14,560
Speaker 1: model and and pulling you out in front the coach

437
00:25:14,640 --> 00:25:16,960
Speaker 1: and letting the culture know he ain't wanting us. Check

438
00:25:17,080 --> 00:25:21,560
Speaker 1: the tags on this sh this sucker got on. I'm

439
00:25:21,640 --> 00:25:24,119
Speaker 1: holding this sucker. I'm holding him over here, y'all braining

440
00:25:24,160 --> 00:25:28,040
Speaker 1: the diamond tester. I'm holding this sucker, bringing the diamond

441
00:25:28,119 --> 00:25:31,399
Speaker 1: test over here. I'm holding this sucker. He ain't want us.

442
00:25:32,880 --> 00:25:35,879
Speaker 1: That's how I got the eats over here. The media

443
00:25:36,400 --> 00:25:39,359
Speaker 1: were no longer accepting that bullishit. Y'all got going down,

444
00:25:39,520 --> 00:25:42,320
Speaker 1: y'all tell my y'all don't know. Just listen to a

445
00:25:42,400 --> 00:25:46,720
Speaker 1: little bit more. What's your name? With us? It's called

446
00:25:46,760 --> 00:25:53,920
Speaker 1: from now on? From now on? Okay? Cool? Cool? Then

447
00:25:54,480 --> 00:25:59,280
Speaker 1: this song he says, Okay, okay, okay, So this is

448
00:25:59,400 --> 00:26:03,320
Speaker 1: him rain. Everybody can fall, but I won't. Everybody wanted

449
00:26:03,440 --> 00:26:07,159
Speaker 1: I don't. I may following lead. I may let's just

450
00:26:07,320 --> 00:26:12,239
Speaker 1: come the Virgil. Maybeck be so sweet? We just get them.

451
00:26:12,240 --> 00:26:14,480
Speaker 1: Ain't no beef? You can get her back. I can't

452
00:26:14,560 --> 00:26:18,280
Speaker 1: keep her we begetting. That's our secret. Rappers want to

453
00:26:18,400 --> 00:26:22,520
Speaker 1: kick it, can't reach me. You and five of your

454
00:26:22,640 --> 00:26:25,800
Speaker 1: names can't see me. Really sturdy a wall Nia can't

455
00:26:25,840 --> 00:26:29,760
Speaker 1: beat me. Academics, No, he ain't riches me. Brodie ready

456
00:26:29,800 --> 00:26:32,720
Speaker 1: to eat for a twenty piece. I ain't got nothing

457
00:26:32,760 --> 00:26:34,760
Speaker 1: to say to you. Many me's ready to buy a

458
00:26:34,800 --> 00:26:38,280
Speaker 1: little nigga contract. Yeah, yeah, whatever we are that disappearing

459
00:26:38,359 --> 00:26:41,720
Speaker 1: on them, They were on me, blah blah. Man, I

460
00:26:41,800 --> 00:26:44,399
Speaker 1: don't know what the little baby rapping about. Let me

461
00:26:44,480 --> 00:26:48,159
Speaker 1: just say this. Here is my response. You should know

462
00:26:48,280 --> 00:26:51,399
Speaker 1: what a little baby rapping about, right, And that's what

463
00:26:51,520 --> 00:26:55,920
Speaker 1: I mean about proper representation. All of this you wouldn't get.

464
00:26:58,280 --> 00:27:01,919
Speaker 1: You can get up back. I can't keep we be getting,

465
00:27:02,520 --> 00:27:06,320
Speaker 1: and that's our secret. Right. So I'm saying I don't

466
00:27:06,320 --> 00:27:08,720
Speaker 1: even speak you to right. I ain't speaking you to

467
00:27:08,800 --> 00:27:11,560
Speaker 1: get that. I'm gonna keep it all way play man.

468
00:27:12,200 --> 00:27:14,840
Speaker 1: I ain't even speaking you to even fiddle that though.

469
00:27:15,680 --> 00:27:18,680
Speaker 1: So when you say that, I ain't even surprised, my guy,

470
00:27:19,440 --> 00:27:23,560
Speaker 1: you don't wear but one color, and well one color

471
00:27:23,680 --> 00:27:26,520
Speaker 1: is entire life. He ain't gonna never feel what I'm saying.

472
00:27:26,560 --> 00:27:30,320
Speaker 1: I'm putting this shot on man, I'm putting this shown

473
00:27:30,400 --> 00:27:33,440
Speaker 1: on a daily ban. Can't that well one color tell

474
00:27:33,560 --> 00:27:38,920
Speaker 1: me nothing about nothing, man? Academics well, one color academics, well,

475
00:27:39,040 --> 00:27:42,240
Speaker 1: black gets. I don't give a damn what's happening. And

476
00:27:42,359 --> 00:27:44,640
Speaker 1: so when when baby come kicking that kind of shit,

477
00:27:44,720 --> 00:27:49,400
Speaker 1: I ain't even really speaking you to how you know? Um,

478
00:27:50,560 --> 00:27:53,359
Speaker 1: let's listen to what he said after that. It's okay.

479
00:27:54,280 --> 00:27:57,200
Speaker 1: I think the only reason why Baby is mentioned in

480
00:27:57,320 --> 00:28:00,280
Speaker 1: me so much is he is shook of the reading

481
00:28:00,920 --> 00:28:04,480
Speaker 1: real rap. The rico is coming that nigga four PF

482
00:28:04,920 --> 00:28:07,080
Speaker 1: and now he rapping at the niggle who he knows

483
00:28:07,359 --> 00:28:09,439
Speaker 1: is not in the streets because he got some streets

484
00:28:09,600 --> 00:28:12,119
Speaker 1: that he could be talking about, and he not talking

485
00:28:12,119 --> 00:28:15,200
Speaker 1: about that. Okay, if you're talking about the virtue you've

486
00:28:15,200 --> 00:28:17,080
Speaker 1: seen one time in your life or every day struggle,

487
00:28:17,560 --> 00:28:19,639
Speaker 1: you clearly don't got nothing to rap about it. If

488
00:28:19,680 --> 00:28:21,600
Speaker 1: you in the streets as you claim you are, the

489
00:28:22,280 --> 00:28:25,520
Speaker 1: academics know they ain't riches me. Well, by the way,

490
00:28:25,600 --> 00:28:27,480
Speaker 1: I'll also comment on that I never said I was

491
00:28:27,560 --> 00:28:30,359
Speaker 1: riches a little baby. I said I'm definitely holding more

492
00:28:30,400 --> 00:28:32,280
Speaker 1: than most of these rappers. But Baby's one of the

493
00:28:32,359 --> 00:28:34,639
Speaker 1: top five rappers. I've always said he's one of my

494
00:28:34,720 --> 00:28:37,960
Speaker 1: favorite rappers. So I have zero idea why he's talking

495
00:28:38,000 --> 00:28:41,520
Speaker 1: about that, but I could I have a semblance of

496
00:28:41,760 --> 00:28:45,040
Speaker 1: why I think Baby my All right, let's address there

497
00:28:45,120 --> 00:28:47,600
Speaker 1: really quick again. I think it's important to just put

498
00:28:47,720 --> 00:28:51,479
Speaker 1: this in contact because them dudes running around peeking bags

499
00:28:51,600 --> 00:28:54,040
Speaker 1: up all day, they not finish it on and address

500
00:28:54,160 --> 00:28:56,440
Speaker 1: every little thing you say. That's even if they see

501
00:28:56,480 --> 00:28:59,360
Speaker 1: it right. Balloon get paid to talker. So I got

502
00:28:59,480 --> 00:29:02,760
Speaker 1: time to When you say you don't know why babies

503
00:29:02,840 --> 00:29:05,200
Speaker 1: upset with you, I'm telling you, bro, you gotta put

504
00:29:05,240 --> 00:29:09,040
Speaker 1: that Hennessy down. You be on line, drunk talking, ranting

505
00:29:09,080 --> 00:29:11,680
Speaker 1: on that twist, just saying, Bro, you got nick, got

506
00:29:11,760 --> 00:29:13,960
Speaker 1: people that love them to get back to folks that

507
00:29:14,080 --> 00:29:16,560
Speaker 1: get back to folks that end up in somebody left.

508
00:29:17,440 --> 00:29:20,160
Speaker 1: And whether you're talking or not, you know, it's like, Yo,

509
00:29:20,400 --> 00:29:22,840
Speaker 1: you said this, and you said that. And for me,

510
00:29:23,200 --> 00:29:25,720
Speaker 1: when I think about the Michael Rubin situation with the

511
00:29:25,800 --> 00:29:28,960
Speaker 1: billionaires and how you approach that, you started that whole

512
00:29:29,120 --> 00:29:32,640
Speaker 1: narrative right or when you when you look at when

513
00:29:32,720 --> 00:29:35,920
Speaker 1: the Rico, shit happened. You literally was saying that he

514
00:29:36,120 --> 00:29:38,200
Speaker 1: was next. Now look at how you're doing with the

515
00:29:38,280 --> 00:29:41,320
Speaker 1: police shit now at least charged, and why they ain't

516
00:29:41,360 --> 00:29:44,680
Speaker 1: trying to get next to the rappers. You're trying to

517
00:29:44,800 --> 00:29:50,640
Speaker 1: interview the rappers. Why simultaneously screaming the da of a

518
00:29:50,760 --> 00:29:55,000
Speaker 1: liner's name on the internet on public platforms with the

519
00:29:55,120 --> 00:29:59,720
Speaker 1: culture position that you have. But here's the difference you've

520
00:29:59,760 --> 00:30:02,440
Speaker 1: been in important into the culture. It's half everyone to

521
00:30:02,520 --> 00:30:05,200
Speaker 1: tell because he's a black guy, but he's not one

522
00:30:05,240 --> 00:30:07,480
Speaker 1: of us. I remember a time when he said he

523
00:30:07,560 --> 00:30:10,160
Speaker 1: had to be told and explain how to say no

524
00:30:10,400 --> 00:30:12,400
Speaker 1: matter of fact on the breakfast club and shout out

525
00:30:12,440 --> 00:30:17,080
Speaker 1: to them love Forever. How they showed me love Academics

526
00:30:17,200 --> 00:30:20,280
Speaker 1: was on the breakfast club and he said, Yo, when

527
00:30:20,320 --> 00:30:22,120
Speaker 1: I came over here, they had to tell me that

528
00:30:22,400 --> 00:30:26,520
Speaker 1: there was a cool thing to say. And let me

529
00:30:26,640 --> 00:30:30,000
Speaker 1: make clear my approach to that word, the N word,

530
00:30:30,120 --> 00:30:33,640
Speaker 1: that I'm gonna try to stop using. Come to New

531
00:30:33,760 --> 00:30:38,360
Speaker 1: Year as much as I can. If you got to

532
00:30:38,440 --> 00:30:41,880
Speaker 1: be introduced that word, you need not use it. That's

533
00:30:42,000 --> 00:30:47,720
Speaker 1: regardless of your skin color. But with him saying that,

534
00:30:47,920 --> 00:30:50,280
Speaker 1: see again, if you pay attention and listen. You get

535
00:30:50,360 --> 00:30:52,920
Speaker 1: everything you need to know, everything you need to know.

536
00:30:53,600 --> 00:30:55,680
Speaker 1: You understand that when he said that, first thing I

537
00:30:55,760 --> 00:30:59,160
Speaker 1: said was I'm telling he ain't one of us. They're

538
00:30:59,160 --> 00:31:01,880
Speaker 1: nobody to teach me to say. I ain't have to say, yo,

539
00:31:01,960 --> 00:31:04,440
Speaker 1: what's what's the N word mean? Why y'all saying that?

540
00:31:05,560 --> 00:31:10,400
Speaker 1: It's just like the white boy, It's just like somebody

541
00:31:10,520 --> 00:31:12,640
Speaker 1: from the other race, Like we're saying that to each

542
00:31:12,680 --> 00:31:16,240
Speaker 1: other's whatever term of endearment, whatever weird way we have

543
00:31:16,400 --> 00:31:19,440
Speaker 1: dealt with the trauma of you of that word. That's

544
00:31:19,480 --> 00:31:22,600
Speaker 1: something we gotta recover from. But when you are from

545
00:31:22,640 --> 00:31:25,760
Speaker 1: outside this coach, and you sneaking past my common sense

546
00:31:25,800 --> 00:31:30,040
Speaker 1: because your skin complexion, right, you sneak over here, and

547
00:31:30,120 --> 00:31:32,920
Speaker 1: that you're using and when you're talking about our women

548
00:31:33,000 --> 00:31:37,640
Speaker 1: more than us, and you're having women problems all around

549
00:31:37,680 --> 00:31:41,800
Speaker 1: the world, No women really respecting you. See, they with

550
00:31:42,000 --> 00:31:46,320
Speaker 1: you for your status and not your style. They snatched

551
00:31:46,360 --> 00:31:48,800
Speaker 1: out from you there say get a little dude out

552
00:31:48,880 --> 00:31:55,120
Speaker 1: my section. And every time we look up there, you're

553
00:31:55,200 --> 00:31:59,640
Speaker 1: fighting with your women. My advice is to put the

554
00:31:59,680 --> 00:32:05,239
Speaker 1: look down, bro, you're a grown man. Put the liquor down, bro,

555
00:32:05,520 --> 00:32:07,920
Speaker 1: because you're saying stuff on them twitch streams that you

556
00:32:08,000 --> 00:32:10,640
Speaker 1: ain't remembering, and you're gonna watch how you deal with

557
00:32:11,120 --> 00:32:13,440
Speaker 1: all that. Police. I'm gonna make it where they can

558
00:32:13,520 --> 00:32:17,080
Speaker 1: come see me if niggas speak to the coachure, we're

559
00:32:17,120 --> 00:32:19,800
Speaker 1: gonna build a platform bigger than your ship. But we're

560
00:32:19,840 --> 00:32:22,200
Speaker 1: not gonna allow you to do that in that position.

561
00:32:22,520 --> 00:32:24,800
Speaker 1: And it's up. Can't nobody to speak on it because

562
00:32:24,800 --> 00:32:27,720
Speaker 1: you was here first, and everybody kind of need that

563
00:32:27,800 --> 00:32:30,560
Speaker 1: relationship because they're working with recolleys and they're working with

564
00:32:30,680 --> 00:32:33,160
Speaker 1: this and that Yo lord, ain't studding that I was

565
00:32:33,240 --> 00:32:38,400
Speaker 1: telling why low Bro, I come in this game rich, Like,

566
00:32:38,640 --> 00:32:40,920
Speaker 1: my approach to this game is to really help this

567
00:32:41,160 --> 00:32:44,480
Speaker 1: game elevate. They playing with this little space, they running

568
00:32:44,520 --> 00:32:48,000
Speaker 1: and hiding information, these old headings, acting like they yo

569
00:32:48,120 --> 00:32:51,200
Speaker 1: these yo, Bro, he's tipping it. It's spring cleaning home.

570
00:32:51,280 --> 00:32:56,480
Speaker 1: It's spring cleaning. It's spring cleaning. If he's not rapping

571
00:32:56,520 --> 00:32:58,920
Speaker 1: about me, because he's not trying to rap about his

572
00:32:59,000 --> 00:33:01,520
Speaker 1: real ship that we have all heard in the streets,

573
00:33:02,000 --> 00:33:04,720
Speaker 1: he's literally so he must be trying to avoid the

574
00:33:04,800 --> 00:33:09,320
Speaker 1: rico or be you know what he's doing. You want

575
00:33:09,320 --> 00:33:10,920
Speaker 1: me to go back to our message of why when

576
00:33:11,000 --> 00:33:14,520
Speaker 1: he blocked me, then it was must have shoo shook

577
00:33:14,560 --> 00:33:17,400
Speaker 1: of like young boy or something that because when I

578
00:33:17,640 --> 00:33:19,680
Speaker 1: was talking about some young boys. This is why he

579
00:33:19,760 --> 00:33:23,880
Speaker 1: blocked me. Bro, little baby blocked me because one day

580
00:33:24,040 --> 00:33:27,480
Speaker 1: I said, there's a rapper name little Little something. I

581
00:33:27,520 --> 00:33:28,840
Speaker 1: won't tell you who it is. That's why I sit

582
00:33:28,880 --> 00:33:33,520
Speaker 1: on my stream that motherfuck young boy would collab with.

583
00:33:33,960 --> 00:33:36,880
Speaker 1: But he won't collab with that name because he's beef

584
00:33:36,920 --> 00:33:40,200
Speaker 1: and with his friend. I hinted at that. I never

585
00:33:40,320 --> 00:33:43,760
Speaker 1: said little Baby's name ever. I don't know what's going on,

586
00:33:43,920 --> 00:33:46,200
Speaker 1: maybe some streets with them. I don't know why a

587
00:33:46,240 --> 00:33:48,360
Speaker 1: little baby would block me on one account, but he

588
00:33:48,520 --> 00:33:52,840
Speaker 1: DM my personal account, like literally, the DM my personal account.

589
00:33:53,080 --> 00:33:55,400
Speaker 1: And when he DM my personal account, I could tell

590
00:33:55,440 --> 00:33:57,760
Speaker 1: he was mad. First of all, he started calling me boy.

591
00:33:58,120 --> 00:34:00,240
Speaker 1: I was like, Bro, I think I'm older. You blacks

592
00:34:00,240 --> 00:34:02,240
Speaker 1: of money, Okay, but you know these you know these

593
00:34:02,440 --> 00:34:04,760
Speaker 1: gangsters get get get some money, and now they're the

594
00:34:04,840 --> 00:34:07,040
Speaker 1: toughest thing in the world. You're not talking tough to

595
00:34:07,160 --> 00:34:11,759
Speaker 1: Fanni Willis brother, Stop it, okay, don't miss me. This

596
00:34:12,000 --> 00:34:14,759
Speaker 1: the DA, The DA's all y'all ass and y'all don't

597
00:34:14,800 --> 00:34:17,160
Speaker 1: want no smoke with him, and y'all would always and

598
00:34:17,239 --> 00:34:19,960
Speaker 1: I guarantee you catch a Rico, he's gonna be Oh.

599
00:34:20,280 --> 00:34:22,320
Speaker 1: None of these lyrics mean nothing. So what are we

600
00:34:22,520 --> 00:34:26,520
Speaker 1: talking about again? The dat Atlanta done? Hit y'all with

601
00:34:26,680 --> 00:34:28,879
Speaker 1: the ether. I don't want to hear none of y'all

602
00:34:28,960 --> 00:34:32,719
Speaker 1: talk tough unless you're willing to say the judge, take

603
00:34:32,800 --> 00:34:35,160
Speaker 1: it to trial, and when you get locked up, say

604
00:34:35,480 --> 00:34:37,960
Speaker 1: when is trial coming? None of y'all saying this. You

605
00:34:38,040 --> 00:34:40,239
Speaker 1: know what y'all' saying. No. Lyrics don't mean nothing. I'm

606
00:34:40,280 --> 00:34:42,440
Speaker 1: not a thug. I'm not this. I'm not that. I

607
00:34:42,600 --> 00:34:45,160
Speaker 1: do give backs, I do holiday retreats. I do this.

608
00:34:45,560 --> 00:34:49,560
Speaker 1: Y'all don't want it. Let's keep it on hunting. Don't this, academics.

609
00:34:49,719 --> 00:34:53,000
Speaker 1: I haven't been Atlanta years, I haven't seen you been

610
00:34:53,080 --> 00:34:56,120
Speaker 1: around you. You got no beef with me? You jumping

611
00:34:56,480 --> 00:34:59,040
Speaker 1: over there. They're claiming that you you're trying to pull

612
00:34:59,160 --> 00:35:02,160
Speaker 1: in their don't handle these things and this them is okay,

613
00:35:02,200 --> 00:35:04,160
Speaker 1: But you can do that because you're gonna get a

614
00:35:04,280 --> 00:35:08,239
Speaker 1: fucking Rico. Stop this in me, let me put out

615
00:35:08,280 --> 00:35:14,359
Speaker 1: there go this funny Willis sits all your neck. Don't

616
00:35:14,400 --> 00:35:17,479
Speaker 1: try to throw an innoculus man, you don't have no beef.

617
00:35:17,760 --> 00:35:20,279
Speaker 1: I just explained why you blocked me. I can see,

618
00:35:20,800 --> 00:35:24,560
Speaker 1: I can see the more careful approach from academics, and

619
00:35:24,640 --> 00:35:26,279
Speaker 1: I still don't like it. I think you need to

620
00:35:26,320 --> 00:35:28,799
Speaker 1: be more careful than even you are now. So let

621
00:35:28,840 --> 00:35:31,479
Speaker 1: me explain what's happening, and also let me be clear,

622
00:35:31,600 --> 00:35:34,239
Speaker 1: because again, a lot of stuff is implied by these

623
00:35:34,400 --> 00:35:36,279
Speaker 1: media guys. I'm not sure if they know or not

624
00:35:36,520 --> 00:35:41,680
Speaker 1: because they're just water boys. But no attempt has been

625
00:35:41,760 --> 00:35:45,560
Speaker 1: made on academics. Nobody's gonna harm academics. Nobody cared enough

626
00:35:45,600 --> 00:35:48,960
Speaker 1: about the academics to do anything outside of let them

627
00:35:49,040 --> 00:35:53,040
Speaker 1: know that he's a simpleton. Nobody's gonna nobody's gonna do

628
00:35:53,160 --> 00:35:56,600
Speaker 1: nothing to him. Right, We're gonna have conversations with him

629
00:35:56,640 --> 00:35:59,279
Speaker 1: to expose the fact that what he's saying it's not

630
00:35:59,480 --> 00:36:02,960
Speaker 1: making sense, in hopes of lifting him up and giving

631
00:36:03,040 --> 00:36:05,600
Speaker 1: him some information so he can operate in our culture

632
00:36:05,760 --> 00:36:08,960
Speaker 1: different because he as well is a guess in our culture.

633
00:36:10,200 --> 00:36:13,800
Speaker 1: It's a reason why he will appreciate being next to

634
00:36:13,920 --> 00:36:17,319
Speaker 1: Vlad without looking at that a way. Nobody said they're

635
00:36:17,320 --> 00:36:20,200
Speaker 1: gonna do nothing the academics, and it's unfortunate that you

636
00:36:20,320 --> 00:36:23,360
Speaker 1: frame that and then call on the DA who is

637
00:36:24,920 --> 00:36:27,160
Speaker 1: playing with these kind of situations in a way that

638
00:36:27,320 --> 00:36:31,719
Speaker 1: is unseen, it's unprecedented. Then that tells me what you

639
00:36:31,840 --> 00:36:34,400
Speaker 1: think about Thug now, and then that extends to what

640
00:36:34,520 --> 00:36:36,520
Speaker 1: you think about Savage, who is supposed to be your

641
00:36:36,560 --> 00:36:39,839
Speaker 1: boy because he has legal issues that if he makes

642
00:36:39,880 --> 00:36:43,520
Speaker 1: you mad, how are you gonna handle Savage and that's

643
00:36:43,520 --> 00:36:47,240
Speaker 1: supposed to be your guy? How you handling Thug and Gunner?

644
00:36:47,360 --> 00:36:50,600
Speaker 1: You you're using your platform the uplift anything that says

645
00:36:50,719 --> 00:36:53,719
Speaker 1: anything about what they need to be spoke about out there.

646
00:36:54,160 --> 00:36:57,320
Speaker 1: You're doing anything to do that right? What do you

647
00:36:57,440 --> 00:36:59,680
Speaker 1: think they right or wrong? It don't matter. Your place

648
00:36:59,760 --> 00:37:02,520
Speaker 1: in the culture calls for us a reporting on the incident.

649
00:37:03,719 --> 00:37:06,359
Speaker 1: I was amazed nobody was there when they was at court.

650
00:37:06,480 --> 00:37:09,640
Speaker 1: I was amazed. Asked his people, I spoke to him.

651
00:37:10,880 --> 00:37:14,400
Speaker 1: I was amazed nobody from the culture was down. I

652
00:37:14,560 --> 00:37:17,280
Speaker 1: happened to be out of town on the paid event,

653
00:37:17,520 --> 00:37:19,200
Speaker 1: or I would have been that had I not had

654
00:37:19,239 --> 00:37:22,520
Speaker 1: a booking, just to report on. Yo, this is what's

655
00:37:22,600 --> 00:37:26,480
Speaker 1: kind of happening. I tried to respect this media space

656
00:37:26,680 --> 00:37:28,759
Speaker 1: right and try not to cut the tree to get

657
00:37:28,800 --> 00:37:30,879
Speaker 1: the fruit. Tried to climb the tree to get the fruit.

658
00:37:32,280 --> 00:37:34,080
Speaker 1: But how are you gonna be a voice in media

659
00:37:35,440 --> 00:37:42,640
Speaker 1: and use the police at the innocent man? Everything, home, everything,

660
00:37:42,719 --> 00:37:44,759
Speaker 1: a little baby undone for the last couple of years

661
00:37:44,800 --> 00:37:48,160
Speaker 1: been accounted for. Its been the best years of his life.

662
00:37:49,640 --> 00:37:52,439
Speaker 1: How down one of you, Nick, come take the best

663
00:37:52,600 --> 00:37:55,840
Speaker 1: years of aniger life and freem that For the government

664
00:37:55,920 --> 00:37:58,360
Speaker 1: to try to get involved when a man is innocent,

665
00:37:58,400 --> 00:38:00,919
Speaker 1: ain't did number chase his dreams over the last couple

666
00:38:00,960 --> 00:38:04,439
Speaker 1: of years? How dare another black man used? They forced

667
00:38:04,480 --> 00:38:08,680
Speaker 1: to do that? But I know the kind of man

668
00:38:08,840 --> 00:38:11,960
Speaker 1: that is. That's a man that can't control the circumstances

669
00:38:12,040 --> 00:38:15,720
Speaker 1: around him, his women. His woman thinks she can swing

670
00:38:15,880 --> 00:38:21,880
Speaker 1: on somebody around him. Picture my woman swinging on somebody

671
00:38:21,960 --> 00:38:26,480
Speaker 1: while I'm right us. Picture that. Picture what they'll say

672
00:38:26,520 --> 00:38:29,800
Speaker 1: about the respect level that the person I mentiment with

673
00:38:30,000 --> 00:38:33,239
Speaker 1: God with me to what she has swing on a

674
00:38:33,360 --> 00:38:39,479
Speaker 1: mother for somebody that's supporting me, She got a little

675
00:38:39,560 --> 00:38:44,000
Speaker 1: to no respect for you. I think your focus need

676
00:38:44,080 --> 00:38:47,920
Speaker 1: to be on maintaining your relationships as well as me.

677
00:38:50,440 --> 00:38:53,960
Speaker 1: One thing we don't allow is the police games. See

678
00:38:54,000 --> 00:38:55,920
Speaker 1: a lot of you niggas don't care about blowing up

679
00:38:55,960 --> 00:38:58,360
Speaker 1: the rap game because one thing I know, if you

680
00:38:58,480 --> 00:39:01,680
Speaker 1: can't go nowhere, you can go home. And this ain't

681
00:39:01,760 --> 00:39:10,920
Speaker 1: your home, this culture, these streets, this environment, hip hop music, graffiti, fashion,

682
00:39:11,360 --> 00:39:14,560
Speaker 1: this ain't you. You can't dress cane rap, can't dance,

683
00:39:14,640 --> 00:39:18,560
Speaker 1: ain't got rhythm, ain't got styled. Man, this ain't you.

684
00:39:20,560 --> 00:39:25,120
Speaker 1: You ain't part of this, not this, but we welcomed you.

685
00:39:25,640 --> 00:39:30,400
Speaker 1: And it's the thanks NXT gear you got lucky. And

686
00:39:30,600 --> 00:39:32,279
Speaker 1: let me put this out there to be clear with

687
00:39:32,400 --> 00:39:35,879
Speaker 1: the world. Loon is the only person that ever did

688
00:39:36,000 --> 00:39:38,360
Speaker 1: what you just saw happen. There's nobody that has a

689
00:39:38,440 --> 00:39:42,640
Speaker 1: successful podcast in our culture, right. It's only five or

690
00:39:42,719 --> 00:39:44,920
Speaker 1: six of them that's in that little loop in this

691
00:39:45,040 --> 00:39:47,560
Speaker 1: little hip hop media game. Even though I'm zooming out,

692
00:39:47,920 --> 00:39:52,120
Speaker 1: I'm doing this, I'm compartmentalizing my approach. So when I

693
00:39:52,200 --> 00:39:57,040
Speaker 1: look at hip hop podcasting, there's nobody in that atmosphere

694
00:39:57,840 --> 00:40:02,640
Speaker 1: who has been able to break through that without being

695
00:40:02,680 --> 00:40:05,799
Speaker 1: a celebrity or coming in with some kind of built

696
00:40:05,880 --> 00:40:08,120
Speaker 1: in fan base, whether that then being a rapper then

697
00:40:08,520 --> 00:40:11,120
Speaker 1: doing ten years on the ESPN, them doing eight years,

698
00:40:11,200 --> 00:40:13,440
Speaker 1: or there's nobody being able to work their way from

699
00:40:13,480 --> 00:40:16,799
Speaker 1: outside that market in that game from the streets. Even

700
00:40:16,880 --> 00:40:20,480
Speaker 1: with Willow, he's maybe the closest one because Wilow done it,

701
00:40:22,239 --> 00:40:25,759
Speaker 1: but Gilly was already in tex Stone. Tex Stone is one.

702
00:40:26,320 --> 00:40:29,680
Speaker 1: Tex Stone might be the only other one that I know,

703
00:40:29,840 --> 00:40:31,440
Speaker 1: just off the top of my head who kind of

704
00:40:31,520 --> 00:40:34,080
Speaker 1: came in with no background in it. Right. There's no

705
00:40:34,280 --> 00:40:38,480
Speaker 1: battle rap, there's no I've been doing ESPN. There's no

706
00:40:38,760 --> 00:40:41,879
Speaker 1: hit wrecord back in the day, there's no I played basketball,

707
00:40:42,000 --> 00:40:45,239
Speaker 1: there's no right. It's just putting pure game down and

708
00:40:45,360 --> 00:40:47,880
Speaker 1: this podcast means something to the coach and nobody's never

709
00:40:48,000 --> 00:40:50,320
Speaker 1: done that. Let me say that. But the idea that

710
00:40:50,480 --> 00:40:55,919
Speaker 1: academics business model is on interviewing rappers, and he would

711
00:40:56,000 --> 00:40:58,879
Speaker 1: show you the fact that if a rapper gets wrong

712
00:40:59,000 --> 00:41:04,160
Speaker 1: with him, he gonna play police games. He's showing y'all

713
00:41:04,800 --> 00:41:06,400
Speaker 1: before your album, I ain't gonna line of people say

714
00:41:06,400 --> 00:41:09,360
Speaker 1: your album sounding good, but nigga, you dropped that detox

715
00:41:09,600 --> 00:41:13,080
Speaker 1: trash and then the hey trash, nigga, that ain't on me,

716
00:41:13,440 --> 00:41:16,120
Speaker 1: that's on you. You start slurring a little bit more

717
00:41:16,160 --> 00:41:18,239
Speaker 1: like you off that lead or some shit. You start

718
00:41:18,320 --> 00:41:20,560
Speaker 1: thinking you bigger than what you could you dropped you

719
00:41:21,440 --> 00:41:23,920
Speaker 1: you could have up and dropped the biggest hit like

720
00:41:24,000 --> 00:41:26,120
Speaker 1: a couple of months ago. In the last two months,

721
00:41:27,040 --> 00:41:29,640
Speaker 1: everybody was saying, how is he announcing the album then

722
00:41:29,800 --> 00:41:32,800
Speaker 1: dropping trash bro? That's not me dropping the ship. And

723
00:41:32,880 --> 00:41:34,719
Speaker 1: by the way, I'm gonna again, I'm gonna be fair.

724
00:41:35,000 --> 00:41:40,120
Speaker 1: I hear people are liking this album. Little bro boy,

725
00:41:40,160 --> 00:41:41,640
Speaker 1: you've been in the right for like four years. You

726
00:41:41,680 --> 00:41:43,319
Speaker 1: must think you the king of something. You must think

727
00:41:43,360 --> 00:41:46,239
Speaker 1: that you can't get like you coming go. Let me

728
00:41:46,320 --> 00:41:47,920
Speaker 1: keep it real with you though you you is a

729
00:41:47,960 --> 00:41:49,920
Speaker 1: little bro though. Now I'm gonna I'm gonna keep it

730
00:41:49,960 --> 00:41:51,960
Speaker 1: all way p though you really is a little bro though.

731
00:41:52,680 --> 00:41:54,839
Speaker 1: Now you're getting a little money. But you love bro though.

732
00:41:54,920 --> 00:41:57,480
Speaker 1: Now now for show a little bro. Now you look bro.

733
00:41:58,440 --> 00:42:00,839
Speaker 1: It ain't that ain't even disrespect for bro. You aren't

734
00:42:00,840 --> 00:42:04,560
Speaker 1: you little bro man? You were one color man am mother,

735
00:42:05,000 --> 00:42:08,200
Speaker 1: but one color is for show little bro. So now

736
00:42:08,360 --> 00:42:12,279
Speaker 1: you look bro, and that's cool. That ain't even disrespectful

737
00:42:12,320 --> 00:42:16,600
Speaker 1: little home and you live bro. What you don't understand

738
00:42:16,680 --> 00:42:18,960
Speaker 1: about being a little bro. You don't think you big bro,

739
00:42:19,160 --> 00:42:21,640
Speaker 1: do you? You ain't can't be dumb but a little

740
00:42:21,680 --> 00:42:25,239
Speaker 1: bro a big bro. It's like you ain't eligible to

741
00:42:25,360 --> 00:42:29,839
Speaker 1: be bro, just bro. You either little bro or big bro,

742
00:42:30,200 --> 00:42:32,839
Speaker 1: and you ain't big bro. You little bro for show.

743
00:42:34,719 --> 00:42:37,279
Speaker 1: I don't care how big you get it. Look show

744
00:42:37,320 --> 00:42:40,200
Speaker 1: you look you know what I mean. I put everything

745
00:42:40,280 --> 00:42:44,040
Speaker 1: on Look, little baby, you gotta stop put out lives,

746
00:42:44,080 --> 00:42:47,520
Speaker 1: little bro. I'm confused. At that time. I said, I'll

747
00:42:47,520 --> 00:42:50,480
Speaker 1: show y'all messag. I'm gonna the whole day do whatever.

748
00:42:53,239 --> 00:42:55,840
Speaker 1: Whatever I said. I ain't put out no lies. But

749
00:42:56,480 --> 00:42:59,080
Speaker 1: granted I did see that YouTube. It wasn't my YouTube page,

750
00:42:59,200 --> 00:43:02,160
Speaker 1: other YouTube page. Just work click baby Oh. I said

751
00:43:02,239 --> 00:43:06,120
Speaker 1: that young boy won't funk with, won't funk with um

752
00:43:06,440 --> 00:43:10,600
Speaker 1: um um little baby. Keep in mind, little baby and

753
00:43:10,840 --> 00:43:13,799
Speaker 1: young boy had a song on some soundtrack. That's why

754
00:43:13,920 --> 00:43:17,680
Speaker 1: he's bro. If you you don't, I really think Nick,

755
00:43:18,120 --> 00:43:20,120
Speaker 1: maybe there was some behind the scenes static with you

756
00:43:20,239 --> 00:43:23,040
Speaker 1: and young boy. You too scared to address him. You

757
00:43:23,239 --> 00:43:25,640
Speaker 1: tain't I'm making the beef up. I ain't making the

758
00:43:25,680 --> 00:43:27,920
Speaker 1: beef up. Then I could play I hate young boy,

759
00:43:27,960 --> 00:43:30,920
Speaker 1: young boy just he just rapped about Fox, PF Fox, whatever,

760
00:43:31,040 --> 00:43:34,359
Speaker 1: folk whatever. You ain't say a motherfuckin't the young boy.

761
00:43:34,680 --> 00:43:37,320
Speaker 1: You ain't mentioned why b B, Why you ain't mentioned

762
00:43:37,520 --> 00:43:41,719
Speaker 1: NBA A by and nothing. Let's just see what we're

763
00:43:41,760 --> 00:43:44,959
Speaker 1: talking about. So I mentioned him, I set, I ain't

764
00:43:44,960 --> 00:43:48,239
Speaker 1: put yo. Somebody gotta tell academics he gotta stop that too.

765
00:43:48,520 --> 00:43:50,680
Speaker 1: It's like a nigga that keep coming to the hood

766
00:43:50,800 --> 00:43:53,000
Speaker 1: running it hot. You ain't gotta hustle in his hood.

767
00:43:53,320 --> 00:43:55,920
Speaker 1: Ain't no beef, ain't no rap beef with babe and

768
00:43:56,040 --> 00:43:58,440
Speaker 1: young boy stop trying to make that rap beef shit

769
00:43:58,800 --> 00:44:02,120
Speaker 1: whatever records that man that was little them little yo

770
00:44:03,200 --> 00:44:07,239
Speaker 1: whatever rap beef that is at rap beef shay nothing like.

771
00:44:07,360 --> 00:44:10,520
Speaker 1: We don't encourage little we don't encourage the rappers to

772
00:44:10,600 --> 00:44:14,040
Speaker 1: go at each other like that. But this is a

773
00:44:14,160 --> 00:44:18,839
Speaker 1: tactic and I was told that knowledge that is not used,

774
00:44:18,920 --> 00:44:22,799
Speaker 1: it's being abused. So because I know what he's doing,

775
00:44:22,880 --> 00:44:25,799
Speaker 1: I gotta let it be known what he's doing. There's

776
00:44:25,840 --> 00:44:27,840
Speaker 1: nothing he can say about baby, and he can't have

777
00:44:27,920 --> 00:44:31,000
Speaker 1: a conversation with Loom, So what he gotta do is

778
00:44:31,400 --> 00:44:34,200
Speaker 1: try to bring in reinforcement. Well, what about young boy

779
00:44:34,760 --> 00:44:38,200
Speaker 1: A young boy. But you know the DA. What about

780
00:44:38,239 --> 00:44:42,240
Speaker 1: the DA? Now? What about you? What about what you said?

781
00:44:42,480 --> 00:44:45,839
Speaker 1: We're focusing on what you said, matter of fact, all

782
00:44:45,880 --> 00:44:48,760
Speaker 1: the narratives that you pay. And that's the thing about

783
00:44:48,840 --> 00:44:51,799
Speaker 1: you dudes, right that that don't have a life. Right.

784
00:44:51,880 --> 00:44:55,799
Speaker 1: There ain't even not thing joining the fruits of your label. Right.

785
00:44:55,880 --> 00:44:57,880
Speaker 1: I'm one of them guys that yo, I'm gonna go

786
00:44:58,080 --> 00:45:00,520
Speaker 1: enjoy the fruits of my label. Y'all sit at home

787
00:45:00,640 --> 00:45:04,360
Speaker 1: streaming eight and nine hours a day. You're getting drunk

788
00:45:04,960 --> 00:45:09,520
Speaker 1: every guy damn day and saying that you don't even

789
00:45:09,640 --> 00:45:13,080
Speaker 1: remember what you say. I'm laying did the over one

790
00:45:13,160 --> 00:45:18,800
Speaker 1: of you media Verbally, business wise, there will be no attacks.

791
00:45:18,960 --> 00:45:23,600
Speaker 1: All business is clear right with corporate we ain't playing

792
00:45:23,680 --> 00:45:26,719
Speaker 1: these games, but we are elevating to cold. You can

793
00:45:26,800 --> 00:45:28,960
Speaker 1: talk about your real street ship going on my name,

794
00:45:29,160 --> 00:45:31,799
Speaker 1: and if you're talking about that, talk to Fani Willis,

795
00:45:31,840 --> 00:45:34,319
Speaker 1: who's trying to lock your nice up. Don't come over

796
00:45:34,440 --> 00:45:36,480
Speaker 1: here and act like yo, me and you got some

797
00:45:36,560 --> 00:45:40,239
Speaker 1: shot that don't exist. You have real life who won't

798
00:45:40,440 --> 00:45:42,960
Speaker 1: want you dad, and you have real life name you're

799
00:45:42,960 --> 00:45:46,279
Speaker 1: trying to get killed? Talk about it. Let's keep it

800
00:45:46,760 --> 00:45:48,640
Speaker 1: and I'm glad he mentioned this because now I'm gonna

801
00:45:48,640 --> 00:45:50,520
Speaker 1: be as vocal as I could be about this every

802
00:45:50,560 --> 00:45:54,600
Speaker 1: single day, every day in and day out, every single

803
00:45:54,719 --> 00:45:56,880
Speaker 1: day until we get some type of response. You know,

804
00:45:57,000 --> 00:45:59,319
Speaker 1: I keep it with every single rapper. I love when

805
00:45:59,400 --> 00:46:03,160
Speaker 1: y'all just bring into your bullshit. You you if it's

806
00:46:03,200 --> 00:46:05,440
Speaker 1: anything I gotta do or our messages. You block me

807
00:46:05,520 --> 00:46:07,600
Speaker 1: on one page like a girl, then you message me

808
00:46:07,640 --> 00:46:11,360
Speaker 1: on my personal page and you're talking about You're talking

809
00:46:11,440 --> 00:46:15,400
Speaker 1: about YouTube uploads by fans. You see that. Why are

810
00:46:15,440 --> 00:46:18,400
Speaker 1: you saying? Why are you study that? You see that?

811
00:46:18,800 --> 00:46:21,480
Speaker 1: How you slipped that in? You blocked me like a

812
00:46:21,560 --> 00:46:26,560
Speaker 1: girl and kept it moving. Those things, those are the

813
00:46:26,640 --> 00:46:29,160
Speaker 1: things that get you in these situations. But you're pulling

814
00:46:29,239 --> 00:46:31,759
Speaker 1: for young boy. You know. I heard the wise man

815
00:46:31,920 --> 00:46:34,759
Speaker 1: say that a drowning man and reached for straws. So

816
00:46:35,040 --> 00:46:37,880
Speaker 1: now he you will pulling for young boy, pulling for anybody.

817
00:46:37,960 --> 00:46:39,880
Speaker 1: You can come in here and try to help me,

818
00:46:40,160 --> 00:46:42,600
Speaker 1: help me with this. Now, man, we're focusing on what

819
00:46:42,760 --> 00:46:45,319
Speaker 1: you said, ain't no rap beef with a little baby man?

820
00:46:45,400 --> 00:46:47,640
Speaker 1: He'd been then said that he stood on that. He's

821
00:46:47,640 --> 00:46:50,680
Speaker 1: standing on that. We're talking about his actions, not the

822
00:46:50,760 --> 00:46:53,160
Speaker 1: little fake shit when he come and see it in interviews.

823
00:46:53,440 --> 00:46:56,120
Speaker 1: But he really trying to beef with rappers. You know

824
00:46:56,200 --> 00:46:58,399
Speaker 1: what I'm saying. Now, we're talking about somebody that's really

825
00:46:58,480 --> 00:47:01,239
Speaker 1: going to get that money, that's really trying to stay

826
00:47:01,280 --> 00:47:04,080
Speaker 1: away from all that old bullish and here you is

827
00:47:04,160 --> 00:47:06,680
Speaker 1: trying to light it up. Keep mentioning, young boy. I

828
00:47:06,719 --> 00:47:08,920
Speaker 1: don't know how young boys feel about that. If I

829
00:47:09,000 --> 00:47:13,799
Speaker 1: were young? Why call him? Hey man? You're hey, hey man?

830
00:47:13,880 --> 00:47:17,560
Speaker 1: You are simpleton? Man? No, No, I can't no l

831
00:47:17,640 --> 00:47:20,160
Speaker 1: seven keep throwing me up against dude like they ain't

832
00:47:20,200 --> 00:47:24,480
Speaker 1: got no real smoke like that. Don't do that, bro, Like,

833
00:47:24,760 --> 00:47:27,279
Speaker 1: don't do that. Bro, don't use my name in that

834
00:47:27,440 --> 00:47:29,759
Speaker 1: way like me and Baby potting us. You think I'm

835
00:47:29,760 --> 00:47:32,320
Speaker 1: gonna go use his name the man? He'll beef with

836
00:47:32,400 --> 00:47:35,279
Speaker 1: you when you scared the baby? You like what you like?

837
00:47:35,440 --> 00:47:37,759
Speaker 1: What kind of people are we dealing with? Bro? That

838
00:47:37,880 --> 00:47:41,879
Speaker 1: what I'd be saying, Bro. But I got to look

839
00:47:41,920 --> 00:47:46,000
Speaker 1: at the woman when I see That's why God is

840
00:47:46,160 --> 00:47:50,280
Speaker 1: funny how you work. When I see your woman swing

841
00:47:50,440 --> 00:47:53,120
Speaker 1: on somebody, Why you there? Just keep speaking to me?

842
00:47:53,800 --> 00:47:57,239
Speaker 1: Number one, we should have been stalled enough as men

843
00:47:57,600 --> 00:47:59,640
Speaker 1: when you're dealing with a man. When you're dealing with

844
00:47:59,760 --> 00:48:02,759
Speaker 1: one us, I install enough in my woman for her

845
00:48:02,840 --> 00:48:05,759
Speaker 1: to believe what I say, not believe it when she

846
00:48:05,920 --> 00:48:08,120
Speaker 1: can't see it. But if she's standing there and I

847
00:48:08,239 --> 00:48:11,320
Speaker 1: tell her chill out, this is business. The respect she

848
00:48:11,480 --> 00:48:15,080
Speaker 1: has for me, she shine bright in that moment when

849
00:48:15,120 --> 00:48:17,200
Speaker 1: you see a man that can't control as women that

850
00:48:17,280 --> 00:48:21,440
Speaker 1: continue to have women issues, and we all have relationship issues,

851
00:48:22,040 --> 00:48:24,719
Speaker 1: but his issues is a little different. It seems to

852
00:48:24,800 --> 00:48:27,160
Speaker 1: be out of control over that. It ain't just sounding

853
00:48:27,239 --> 00:48:30,200
Speaker 1: like somebody broke up. They heard and you just kind

854
00:48:30,200 --> 00:48:33,600
Speaker 1: of heard their feelings. That's cheating allegations and that's you know,

855
00:48:33,800 --> 00:48:37,279
Speaker 1: it ain't that it'd be like it's just weird encounters.

856
00:48:38,200 --> 00:48:42,919
Speaker 1: And I think your most most comfortable encounters, as DJ academics,

857
00:48:43,160 --> 00:48:45,920
Speaker 1: is on twitch in front of that screen by yourself.

858
00:48:46,760 --> 00:48:49,400
Speaker 1: But I don't understand the behavior like that from a

859
00:48:49,520 --> 00:48:51,840
Speaker 1: woman that respect a man that she deal with. But

860
00:48:51,960 --> 00:48:55,440
Speaker 1: you got to yield that kind of respect. See, I

861
00:48:55,600 --> 00:48:59,840
Speaker 1: know the wealth of the house is a wise woman.

862
00:49:03,520 --> 00:49:06,200
Speaker 1: So the woman that you're dealing with gotta be wise

863
00:49:06,400 --> 00:49:08,600
Speaker 1: enough to know she dealing with a man's dealing with

864
00:49:08,760 --> 00:49:14,520
Speaker 1: some real particular circumstances. You can explain to the DA

865
00:49:16,080 --> 00:49:18,480
Speaker 1: why these certain amount of people need to be nix

866
00:49:18,600 --> 00:49:20,680
Speaker 1: on the list. So explain to the public this and that.

867
00:49:20,800 --> 00:49:23,200
Speaker 1: But you can't explain to her why I need to

868
00:49:23,239 --> 00:49:26,120
Speaker 1: take pictures with my fans. I get it. You're in

869
00:49:26,200 --> 00:49:29,560
Speaker 1: the streets. But you're scared of Fanny Willison. Okay, don't

870
00:49:29,600 --> 00:49:35,600
Speaker 1: let me chalshare scared of Fanny mother Willis. Okay, let

871
00:49:35,680 --> 00:49:37,960
Speaker 1: me say this. I know you think that's fun in games.

872
00:49:38,040 --> 00:49:40,000
Speaker 1: And to some people that are laugh at that and

873
00:49:40,120 --> 00:49:43,719
Speaker 1: keep keying car car number one, you're not Charleston White.

874
00:49:43,840 --> 00:49:46,399
Speaker 1: Charleston White grew up a very specific way. You see

875
00:49:46,440 --> 00:49:49,600
Speaker 1: all little mother items he got. You see all them

876
00:49:49,680 --> 00:49:55,720
Speaker 1: firearms and and and batons and and locks and old

877
00:49:55,880 --> 00:49:58,319
Speaker 1: socks and shoes and shit that he got. He got

878
00:49:58,400 --> 00:50:02,319
Speaker 1: there because he understanding Ironman. He creating tim And don't

879
00:50:02,360 --> 00:50:04,839
Speaker 1: make me Charleston White. And this is what I mean.

880
00:50:06,360 --> 00:50:08,960
Speaker 1: You can't care about the culture. Your position is much

881
00:50:09,000 --> 00:50:12,000
Speaker 1: different than Charleston White. Charleston White has took a hard

882
00:50:12,080 --> 00:50:15,040
Speaker 1: position against rappers. You want to use rappers and speak

883
00:50:15,120 --> 00:50:19,640
Speaker 1: to him, build your platform off some of them while

884
00:50:20,640 --> 00:50:22,880
Speaker 1: treating the other ones a certain way. So what they

885
00:50:22,960 --> 00:50:25,600
Speaker 1: have to understand is that if a package is stole

886
00:50:25,760 --> 00:50:28,320
Speaker 1: in this neighborhood, that you need to make sure you

887
00:50:28,400 --> 00:50:30,839
Speaker 1: on the lookout because and then it's only so long

888
00:50:30,920 --> 00:50:33,680
Speaker 1: before they get to your package. There's an old saying

889
00:50:33,719 --> 00:50:36,719
Speaker 1: that a dry leaf, if a dry leaf falls, that

890
00:50:36,840 --> 00:50:39,200
Speaker 1: there's a warning to the other leaves that's on the tree.

891
00:50:40,600 --> 00:50:42,920
Speaker 1: So you gotta look at how he's doing these other

892
00:50:43,000 --> 00:50:45,680
Speaker 1: rappers and understand that if he's in that position and

893
00:50:45,880 --> 00:50:48,320
Speaker 1: you get in that position, that's what he's gonna do

894
00:50:48,440 --> 00:50:52,600
Speaker 1: to you. And you don't decide when he get in

895
00:50:52,680 --> 00:50:54,640
Speaker 1: that position with you because it might be a slow

896
00:50:54,680 --> 00:50:56,600
Speaker 1: weak and he needs something to talk about. So now

897
00:50:56,640 --> 00:50:58,359
Speaker 1: he go up on you over there, and that as

898
00:50:58,400 --> 00:51:02,600
Speaker 1: an issue because he's sitting on twitch drunk for eight

899
00:51:02,640 --> 00:51:05,759
Speaker 1: hours out of the day, sleep for six hours out

900
00:51:05,800 --> 00:51:08,319
Speaker 1: of here. Only it's like, yo, you bugged out over there.

901
00:51:08,760 --> 00:51:11,680
Speaker 1: In my opinion, everybody in the culture should be disgusted.

902
00:51:12,719 --> 00:51:16,040
Speaker 1: You got somebody in media tagging the Alanna da bro

903
00:51:18,200 --> 00:51:22,719
Speaker 1: Till about this dude, innocent man. They've been chasing his

904
00:51:22,920 --> 00:51:25,600
Speaker 1: dream the last two three years of his life. The

905
00:51:25,760 --> 00:51:28,359
Speaker 1: best years of his life. You gotta don't even come

906
00:51:28,400 --> 00:51:31,520
Speaker 1: from my culture that was imported into the coach and

907
00:51:31,680 --> 00:51:36,320
Speaker 1: was taught how to say examining the last couple of

908
00:51:36,400 --> 00:51:40,359
Speaker 1: years of a man life and trying to wrap him

909
00:51:40,480 --> 00:51:43,440
Speaker 1: up into some when he's in this This is and

910
00:51:43,600 --> 00:51:48,120
Speaker 1: this is why real ones is empowering me, because we

911
00:51:48,280 --> 00:51:50,759
Speaker 1: need somebody at the cross roads. They don't got time.

912
00:51:51,440 --> 00:51:53,640
Speaker 1: Their job calls for them to run around in a

913
00:51:53,760 --> 00:51:55,719
Speaker 1: way to go get the money right. They don't got

914
00:51:55,840 --> 00:51:59,160
Speaker 1: time to sit around like academics six seven hours a

915
00:51:59,280 --> 00:52:02,480
Speaker 1: day and just on twigs and talking and going in

916
00:52:02,640 --> 00:52:04,960
Speaker 1: and out the room. Got the dog and then all

917
00:52:05,000 --> 00:52:08,680
Speaker 1: that were living. Man, we got beautiful women. Man on

918
00:52:08,800 --> 00:52:13,080
Speaker 1: our side. Man, we're running out the California, California breeze,

919
00:52:13,239 --> 00:52:17,200
Speaker 1: playing right. We got one of the best vehicles knowing

920
00:52:17,320 --> 00:52:20,600
Speaker 1: the man, some of the finest engineering on this side

921
00:52:20,640 --> 00:52:26,200
Speaker 1: of breathing. You someone stuck in the house being critical.

922
00:52:29,920 --> 00:52:32,040
Speaker 1: Let's see. I know one thing. The difference between a

923
00:52:32,160 --> 00:52:36,040
Speaker 1: hero and a cow is the direction they run when

924
00:52:36,120 --> 00:52:41,719
Speaker 1: they pop off instead of standing up on your conversation,

925
00:52:41,960 --> 00:52:46,520
Speaker 1: depending on your intellect and saying yo, baby, you know

926
00:52:46,719 --> 00:52:48,680
Speaker 1: I might have said this I don't know why you

927
00:52:48,760 --> 00:52:50,560
Speaker 1: know you think that or if you think that, yo,

928
00:52:50,680 --> 00:52:53,319
Speaker 1: get on the YO. What happened? Bro? Why are you thinking? Well? Nick,

929
00:52:53,360 --> 00:52:55,319
Speaker 1: you know you said this, that and the third with damn.

930
00:52:55,320 --> 00:52:57,759
Speaker 1: I ain't mean like if you fall off when you're wrong.

931
00:52:57,880 --> 00:53:00,879
Speaker 1: That's what Monk could tell me. Now, I fall off

932
00:53:00,920 --> 00:53:04,120
Speaker 1: when you're wrong and recover and get that right if

933
00:53:04,200 --> 00:53:06,040
Speaker 1: it's an issue, and if you're real one, if you

934
00:53:06,200 --> 00:53:10,440
Speaker 1: miss spoke or stand on what you said. What I'm

935
00:53:10,440 --> 00:53:13,400
Speaker 1: trying to explain is that you create an environment that

936
00:53:13,640 --> 00:53:19,279
Speaker 1: creates narratives that can place rappers against each other, just

937
00:53:19,400 --> 00:53:23,160
Speaker 1: like you just did with the young boy thing. And

938
00:53:23,320 --> 00:53:25,400
Speaker 1: Alex reach out to me all the time. We speak

939
00:53:25,440 --> 00:53:29,600
Speaker 1: a lot. It's my guy, But you cannot throw young

940
00:53:29,719 --> 00:53:32,319
Speaker 1: boy and babe against each other like that. That ain't

941
00:53:32,360 --> 00:53:38,640
Speaker 1: even cool. That's that's some real sucker. That's some real sucker.

942
00:53:38,920 --> 00:53:41,880
Speaker 1: Stan tide of police. You're just reaching for everybody. Just

943
00:53:42,040 --> 00:53:44,880
Speaker 1: police what you mean And nigga ain't got nothing to

944
00:53:44,920 --> 00:53:47,120
Speaker 1: rapper about. This gave you niggas twenty three songs. Then

945
00:53:47,160 --> 00:53:49,200
Speaker 1: why I'm trying to tell If you don't listen, if

946
00:53:49,200 --> 00:53:55,120
Speaker 1: you ain't paying attention, they're just sneak passion, common sense talbot.

947
00:53:55,239 --> 00:53:58,719
Speaker 1: What are you talking about, dude, dealing with experiences? Man,

948
00:53:58,800 --> 00:54:04,400
Speaker 1: it's a vibe creator, not a vibe curator. It's a

949
00:54:04,560 --> 00:54:10,919
Speaker 1: vibe creator. Twenty three records and could have done more.

950
00:54:11,080 --> 00:54:15,720
Speaker 1: Coming right back soon. Ain't having no issue with rapping

951
00:54:15,800 --> 00:54:19,640
Speaker 1: about this. This is what had come from. But it'd

952
00:54:19,640 --> 00:54:22,160
Speaker 1: be you on the other side that was imported into

953
00:54:22,239 --> 00:54:25,440
Speaker 1: this cold ture. You lost Why they feel disrespected? I

954
00:54:25,640 --> 00:54:29,360
Speaker 1: see That's what I'm trying to say. You ain't like

955
00:54:29,520 --> 00:54:35,000
Speaker 1: Charleston what he knows what Heat doing. He trying to

956
00:54:35,120 --> 00:54:37,120
Speaker 1: he trying to sneak on the end, he knows what

957
00:54:37,239 --> 00:54:39,799
Speaker 1: Heat doing. But after all they said that dumb. More

958
00:54:39,920 --> 00:54:42,120
Speaker 1: be said than done. Why should I tell you except

959
00:54:42,160 --> 00:54:44,319
Speaker 1: on this side, We're gonna get it done. On this side,

960
00:54:44,680 --> 00:54:48,239
Speaker 1: ain't no fat man med get touched. You know who

961
00:54:48,320 --> 00:54:52,360
Speaker 1: would love to know about and touched? F what's the

962
00:54:52,480 --> 00:54:56,680
Speaker 1: problem these rappers? This think that the toughest to ever live. Okay,

963
00:54:56,719 --> 00:54:58,399
Speaker 1: so we're gonna talk about it. I'm glad you brought

964
00:54:58,440 --> 00:55:00,800
Speaker 1: it up because now there's a lot of situations that

965
00:55:00,920 --> 00:55:04,840
Speaker 1: we have heard four PF with. I have a I

966
00:55:04,960 --> 00:55:08,280
Speaker 1: have a dossier that I need to bring to the forefront.

967
00:55:08,719 --> 00:55:12,000
Speaker 1: I have no problem do I love Pete Pete. You've

968
00:55:12,080 --> 00:55:14,040
Speaker 1: heard the album. You ain't telling yo, you know act

969
00:55:14,040 --> 00:55:15,520
Speaker 1: gonna go a whild out. So I guess that's what

970
00:55:15,640 --> 00:55:19,640
Speaker 1: he's mad, right, I said, Um, I said uh. I

971
00:55:19,719 --> 00:55:22,680
Speaker 1: said he wanted to feature from other people. I said, well, now,

972
00:55:22,719 --> 00:55:26,480
Speaker 1: I said he one of the people from I said, boy,

973
00:55:26,480 --> 00:55:29,360
Speaker 1: he stunned. It hard get rough when you know somebody

974
00:55:29,400 --> 00:55:34,680
Speaker 1: else out there speaking to listen. Not only those two.

975
00:55:34,760 --> 00:55:36,960
Speaker 1: And I don't know if those messages are real or not.

976
00:55:37,080 --> 00:55:39,040
Speaker 1: I don't I don't really care, not only those two.

977
00:55:39,120 --> 00:55:41,280
Speaker 1: But there's a lot of narratives that you have created,

978
00:55:41,360 --> 00:55:44,399
Speaker 1: a lot of environments. You've created what narratives have been

979
00:55:44,440 --> 00:55:49,279
Speaker 1: birth from with false information. Again, your position in the

980
00:55:49,400 --> 00:55:52,000
Speaker 1: culture calls for you to understand, and when you are

981
00:55:52,080 --> 00:55:55,680
Speaker 1: reporting on these things, there's a certain level of responsibility.

982
00:55:56,360 --> 00:55:58,359
Speaker 1: Then you talk about the South and you ain't even

983
00:55:58,400 --> 00:56:01,560
Speaker 1: from America. And I got a lot of love for

984
00:56:01,719 --> 00:56:06,000
Speaker 1: my Jamaicans, Haitians and all of my people. But I

985
00:56:06,080 --> 00:56:09,960
Speaker 1: think it's important to specify that. Dog I can't relate

986
00:56:10,000 --> 00:56:13,160
Speaker 1: to the police games in media and no fashion I

987
00:56:13,600 --> 00:56:16,319
Speaker 1: meet Loom, I can't relate to him. If you're looking

988
00:56:16,400 --> 00:56:18,520
Speaker 1: for me to relate to police games, you're looking in

989
00:56:18,600 --> 00:56:20,560
Speaker 1: the wrong place. You're looking for a black cat in

990
00:56:20,600 --> 00:56:23,000
Speaker 1: the dog room. Ain't the way in the world. I

991
00:56:23,120 --> 00:56:26,320
Speaker 1: can relate to nicks, you know, tagging police officers, but

992
00:56:26,400 --> 00:56:29,239
Speaker 1: scars what. I can play the game because I ain't.

993
00:56:29,360 --> 00:56:31,840
Speaker 1: I ain't ain't in that state, or I ain't involved

994
00:56:31,920 --> 00:56:35,439
Speaker 1: in some of these overreaching situations, you know what I'm saying.

995
00:56:35,520 --> 00:56:37,800
Speaker 1: So I can, I can. I can involve myself in

996
00:56:38,239 --> 00:56:41,880
Speaker 1: being loud about Nigga's past myself if they want to

997
00:56:41,920 --> 00:56:46,120
Speaker 1: play those games. Unfortunately, you know, I can expose a lot.

998
00:56:46,640 --> 00:56:50,040
Speaker 1: I gotta dig in on this because baby bless me

999
00:56:50,160 --> 00:56:53,600
Speaker 1: in the game. Not only the baby bless me in

1000
00:56:53,640 --> 00:56:56,040
Speaker 1: the game, all the real ones in the game is

1001
00:56:56,120 --> 00:56:59,480
Speaker 1: on my back and they don't have time to do

1002
00:56:59,600 --> 00:57:02,320
Speaker 1: this me dear thing. That's perspective missing in media, and

1003
00:57:02,440 --> 00:57:05,320
Speaker 1: I got to provide it right. I don't mean a

1004
00:57:05,360 --> 00:57:08,480
Speaker 1: step on nobody toes, but you just Walmart just moved

1005
00:57:08,520 --> 00:57:11,759
Speaker 1: in the neighborhood. See, they liked, they liked this coach,

1006
00:57:11,880 --> 00:57:14,480
Speaker 1: but they don't like come into the coach because they're

1007
00:57:14,520 --> 00:57:16,880
Speaker 1: scared of the coach. They want to bring the colture

1008
00:57:16,920 --> 00:57:19,120
Speaker 1: to them where they can curate divide. They don't want

1009
00:57:19,160 --> 00:57:24,080
Speaker 1: to create divide. You notice, all cats like fish, but

1010
00:57:24,160 --> 00:57:28,439
Speaker 1: they don't go get in the water. These niggas is cats. Man.

1011
00:57:30,320 --> 00:57:33,160
Speaker 1: Let's listen to a little moment. He said the people

1012
00:57:33,360 --> 00:57:36,320
Speaker 1: that he wanted on the album, and he named you

1013
00:57:36,440 --> 00:57:39,000
Speaker 1: and a few others. That's about it. Never said nothing

1014
00:57:39,040 --> 00:57:43,120
Speaker 1: about y'all having conversations. I said, unless you're talking about

1015
00:57:43,160 --> 00:57:47,600
Speaker 1: some ocehit prior to him get locked up. So before

1016
00:57:47,680 --> 00:57:51,280
Speaker 1: he was locked up, maybe by the way, like yeah,

1017
00:57:51,280 --> 00:57:53,320
Speaker 1: I used to communicate, what are you talking about? Y'all

1018
00:57:53,320 --> 00:57:56,240
Speaker 1: did talk before he got locked up, like you sent

1019
00:57:56,320 --> 00:57:58,320
Speaker 1: them versus you did a song with him, like he

1020
00:57:58,480 --> 00:58:01,680
Speaker 1: likes the song. Like I get y'all know this is

1021
00:58:01,760 --> 00:58:05,120
Speaker 1: trying to like outtough each other in the music industry.

1022
00:58:05,400 --> 00:58:07,480
Speaker 1: All I'm saying is that if y'all really trying to

1023
00:58:07,520 --> 00:58:11,080
Speaker 1: outtough each other, where are y'all gonna drop the Fannie

1024
00:58:11,080 --> 00:58:13,720
Speaker 1: willis this track? And then where y'all gonna actually rap

1025
00:58:13,760 --> 00:58:17,040
Speaker 1: about the names you're really trying to kill? And academics

1026
00:58:17,080 --> 00:58:19,120
Speaker 1: would call the police on you now you talking about it?

1027
00:58:19,400 --> 00:58:21,760
Speaker 1: Stop stop with that b shit. Bro, You're a millionaire,

1028
00:58:21,760 --> 00:58:24,520
Speaker 1: stopping academics could get touched. You're saying that because it

1029
00:58:24,520 --> 00:58:28,240
Speaker 1: won't happen. What about niggas who've been trying to kill you? Though?

1030
00:58:28,240 --> 00:58:31,080
Speaker 1: What about niggas who y'all been trying to kill? Should

1031
00:58:31,160 --> 00:58:33,919
Speaker 1: I bring that to the light. I think I will,

1032
00:58:34,200 --> 00:58:36,040
Speaker 1: so in the next few days we will be talking

1033
00:58:36,080 --> 00:58:40,480
Speaker 1: about PHO PIF. Okay, thank you. Little baby is just

1034
00:58:40,560 --> 00:58:43,080
Speaker 1: giving my new the new person who I need to

1035
00:58:43,160 --> 00:58:48,040
Speaker 1: talk about, fol p F. I glad that you mentioned

1036
00:58:48,080 --> 00:58:49,760
Speaker 1: me a little baby, because I need to know why

1037
00:58:49,880 --> 00:58:53,400
Speaker 1: you feel legally that Fannie willis saying on your ass

1038
00:58:54,120 --> 00:58:55,880
Speaker 1: and I brought up the document when they had four

1039
00:58:55,920 --> 00:58:58,320
Speaker 1: PF on it. I don't care if I ever get

1040
00:58:58,400 --> 00:59:02,120
Speaker 1: a little baby interview, big actor, don't care. I get

1041
00:59:02,160 --> 00:59:04,200
Speaker 1: with throw without. You don't care. You're the biggest rap

1042
00:59:04,280 --> 00:59:07,200
Speaker 1: We're the biggest rappers, definitely not as riches. You probably

1043
00:59:07,240 --> 00:59:09,720
Speaker 1: will never be, but it don't matter. I treat you

1044
00:59:10,040 --> 00:59:14,400
Speaker 1: like I treat every other rapper from d Savage. Where

1045
00:59:14,400 --> 00:59:16,800
Speaker 1: do y'all gonna drop the funny Willers this track? And

1046
00:59:16,880 --> 00:59:19,120
Speaker 1: then way y'all gonna actually rap about the kne is

1047
00:59:19,160 --> 00:59:23,680
Speaker 1: you're really trying to kill Number one, Academics can't get touched,

1048
00:59:27,080 --> 00:59:30,320
Speaker 1: long can get touched. This table can't get touched, This

1049
00:59:30,520 --> 00:59:32,920
Speaker 1: mic can get touched. A lot of things can be touched.

1050
00:59:32,960 --> 00:59:35,440
Speaker 1: Just so we clear. I'm not sure what he's in

1051
00:59:35,520 --> 00:59:37,960
Speaker 1: playing when he's trying to frame that outside of the

1052
00:59:38,120 --> 00:59:44,200
Speaker 1: definition of touched. We'll deal with things as they mean.

1053
00:59:45,680 --> 00:59:48,000
Speaker 1: What about the knicks trying to kill you? What about

1054
00:59:48,000 --> 00:59:51,080
Speaker 1: the names you're trying to kill? Just what media is

1055
00:59:51,160 --> 00:59:56,360
Speaker 1: saying on a worldwide stage. Academics not no street to

1056
00:59:56,480 --> 01:00:01,800
Speaker 1: which you now, academics are fun, academic a farmer, And

1057
01:00:01,920 --> 01:00:04,720
Speaker 1: he ain't liked my real ones, like he ain't liked

1058
01:00:04,760 --> 01:00:07,919
Speaker 1: the ones that we really locked in within their brain.

1059
01:00:08,080 --> 01:00:11,000
Speaker 1: They coached us and we adopted coaches like oh he's

1060
01:00:11,560 --> 01:00:16,480
Speaker 1: he shopped by. Say that's oh them boys on they

1061
01:00:16,600 --> 01:00:23,840
Speaker 1: hating vibe. We with them, Zole lands, zole life forever. Right.

1062
01:00:24,440 --> 01:00:28,240
Speaker 1: It ain't liked them. We salute them, open arms them

1063
01:00:28,320 --> 01:00:31,720
Speaker 1: because they carried hate them on their back. Some of

1064
01:00:31,800 --> 01:00:35,120
Speaker 1: them me and carriage make on their back. They ain't

1065
01:00:35,160 --> 01:00:37,280
Speaker 1: coming over here and cocking their head backwards. And there

1066
01:00:37,680 --> 01:00:42,520
Speaker 1: welcome to nah Man, Jamaica. How to be ashamed of you, bro.

1067
01:00:43,960 --> 01:00:48,040
Speaker 1: I'm just keeping it real that Jamaica me and I know,

1068
01:00:48,240 --> 01:00:50,960
Speaker 1: made me want to get dreads. That hated me and

1069
01:00:51,040 --> 01:00:54,760
Speaker 1: I know made me want to get dreads you know

1070
01:00:54,800 --> 01:00:57,200
Speaker 1: what I mean, made me want to rock out like

1071
01:00:57,400 --> 01:01:00,240
Speaker 1: that right there. They brought that all the tiss sitting

1072
01:01:00,320 --> 01:01:05,080
Speaker 1: next to that in our culture, in my opinion, and

1073
01:01:05,240 --> 01:01:08,560
Speaker 1: we deal with somebody like you that comes from those places,

1074
01:01:08,640 --> 01:01:10,880
Speaker 1: that come over here and try to sneak past our

1075
01:01:10,960 --> 01:01:14,320
Speaker 1: common sense because you turned your hat backwards. You didn't

1076
01:01:14,320 --> 01:01:16,680
Speaker 1: come up in our in our school system. You didn't

1077
01:01:16,760 --> 01:01:18,800
Speaker 1: ride the bus like us. You didn't run from the

1078
01:01:18,920 --> 01:01:22,000
Speaker 1: dogs on the way to school with us. You didn't

1079
01:01:22,040 --> 01:01:24,120
Speaker 1: go to that at the school program and had to

1080
01:01:24,200 --> 01:01:27,680
Speaker 1: fight such as such because he was waiting on you

1081
01:01:27,800 --> 01:01:30,160
Speaker 1: at the at the school program. But you didn't tell

1082
01:01:30,200 --> 01:01:32,440
Speaker 1: your mom. You still went ahead and went there. You

1083
01:01:32,520 --> 01:01:35,160
Speaker 1: didn't slide down the hill and call board boxes with

1084
01:01:35,320 --> 01:01:38,120
Speaker 1: all the holms, play snow fights and egg fights on

1085
01:01:38,240 --> 01:01:43,560
Speaker 1: Halloween like you ain't from this. I don't let Fani

1086
01:01:43,680 --> 01:01:49,560
Speaker 1: Williams fini this. Oh that's man, that's showing hand man,

1087
01:01:52,000 --> 01:01:55,400
Speaker 1: that show your real tendencies in your real hand in

1088
01:01:55,520 --> 01:02:00,760
Speaker 1: this game. Bro. And hey, listen, we own media about

1089
01:02:00,800 --> 01:02:02,680
Speaker 1: this shield. So you got you got a little while

1090
01:02:02,800 --> 01:02:07,320
Speaker 1: for you either gonna have to change that up and pivot,

1091
01:02:08,560 --> 01:02:10,920
Speaker 1: or you're gonna have to or you're gonna get put

1092
01:02:10,960 --> 01:02:13,960
Speaker 1: out of bidding. All you people in this business that

1093
01:02:14,040 --> 01:02:17,520
Speaker 1: ain't having good conversations. Bro, it's time we can update

1094
01:02:17,560 --> 01:02:23,080
Speaker 1: twenty twenty three coaches updating, Bro, and so y'all better

1095
01:02:23,120 --> 01:02:26,120
Speaker 1: be prepared. I don't see you getting mad at the name.

1096
01:02:26,960 --> 01:02:30,560
Speaker 1: Let me just keep a comfort now. Everybody heard about

1097
01:02:30,560 --> 01:02:33,320
Speaker 1: all the streets y'all doing. I just don't report it

1098
01:02:33,360 --> 01:02:35,760
Speaker 1: no more. But clearly, when you're talking about academics could

1099
01:02:35,760 --> 01:02:38,240
Speaker 1: get touched, I want to know if some of these

1100
01:02:38,280 --> 01:02:41,400
Speaker 1: things got touched and we're gonna then talk about it, well,

1101
01:02:41,440 --> 01:02:43,800
Speaker 1: little baby getting them that is touched. Somebody braining the

1102
01:02:43,880 --> 01:02:48,640
Speaker 1: police keep fucking wrapping and shooting videos and bringing out

1103
01:02:48,640 --> 01:02:51,160
Speaker 1: a bunch of like like cling ins and just calling

1104
01:02:51,160 --> 01:02:54,400
Speaker 1: it hot. I can spit the truth, but I'm not

1105
01:02:54,520 --> 01:02:58,200
Speaker 1: no hater. You couldn't miss But nigga, if you ask me,

1106
01:02:58,440 --> 01:03:00,680
Speaker 1: you either was scared of the one they you message me,

1107
01:03:00,760 --> 01:03:03,760
Speaker 1: you are scared of young boy or you're scared of something. Nigga,

1108
01:03:05,320 --> 01:03:07,760
Speaker 1: Why are you spreading lies on me? What lies are

1109
01:03:07,760 --> 01:03:11,400
Speaker 1: you talking about? We scar a young boy? Okay whatever, Okay,

1110
01:03:11,520 --> 01:03:14,040
Speaker 1: Oh you're scared? Wait, I said you and you and

1111
01:03:14,160 --> 01:03:17,040
Speaker 1: you and somebody pull up that clip and let me

1112
01:03:17,120 --> 01:03:19,440
Speaker 1: say this about the music. Right, that's an update on

1113
01:03:19,600 --> 01:03:22,480
Speaker 1: how we're viewing people that's viewing the music. Right. A

1114
01:03:22,560 --> 01:03:24,920
Speaker 1: lot of people are viewing the music with loud voices,

1115
01:03:24,920 --> 01:03:26,959
Speaker 1: but they ain't nobody to telling y'all about the people

1116
01:03:27,000 --> 01:03:29,720
Speaker 1: that's telling y'all about the music. So I'm gonna start

1117
01:03:29,800 --> 01:03:32,400
Speaker 1: telling y'all about the people that's telling y'all about the music.

1118
01:03:32,480 --> 01:03:35,280
Speaker 1: And we're gonna start with academics. He can't tell you

1119
01:03:35,440 --> 01:03:38,640
Speaker 1: what's hot for us. He can't speak on what's hot

1120
01:03:38,720 --> 01:03:41,320
Speaker 1: for us. He got a little subsection of people he

1121
01:03:41,400 --> 01:03:45,320
Speaker 1: can speak for. Trust me, those followers don't convert. He

1122
01:03:45,480 --> 01:03:47,120
Speaker 1: was one of the first people to do it. That's

1123
01:03:47,120 --> 01:03:49,600
Speaker 1: the only reason people are there. Let's be clear on

1124
01:03:49,720 --> 01:03:53,800
Speaker 1: that before we move forward. When he say brecons ain't hot,

1125
01:03:55,320 --> 01:03:58,640
Speaker 1: I reject that notion. He getting in his bag and hey,

1126
01:03:58,680 --> 01:04:01,200
Speaker 1: you go to talking this right, I don't expect people

1127
01:04:01,280 --> 01:04:04,720
Speaker 1: like academics to get it, because again, you're in the culture,

1128
01:04:04,760 --> 01:04:07,480
Speaker 1: but you ain't enough to colchure. And I'm the first

1129
01:04:07,520 --> 01:04:09,200
Speaker 1: person that got the nuts to let you know that.

1130
01:04:09,880 --> 01:04:12,520
Speaker 1: I don't speak you to understanding. My grandmamma taught me

1131
01:04:12,600 --> 01:04:15,320
Speaker 1: how to be a leader. If we fly commercial, we

1132
01:04:15,440 --> 01:04:18,840
Speaker 1: got greets. They just know that we're important people. I

1133
01:04:18,920 --> 01:04:23,240
Speaker 1: don't speak you to understand that you're Internet. You need

1134
01:04:23,320 --> 01:04:26,800
Speaker 1: to come with Wi Fi pass words when you meet you.

1135
01:04:26,960 --> 01:04:29,560
Speaker 1: You posed to be handed a call with a Wi

1136
01:04:29,640 --> 01:04:32,880
Speaker 1: Fi pack. You come with a Wi Fi uns Internet niggers.

1137
01:04:33,440 --> 01:04:37,720
Speaker 1: I don't spect you to understand that you understand were

1138
01:04:37,760 --> 01:04:41,000
Speaker 1: breaking generation of curses standing on the top of the mountain.

1139
01:04:41,080 --> 01:04:45,200
Speaker 1: My grandmama told me how to be a leader. If

1140
01:04:45,280 --> 01:04:50,720
Speaker 1: we fly commercial, we got greeters. Flight attended told me

1141
01:04:50,760 --> 01:04:52,880
Speaker 1: I looked for me or y'all cracked a smile. Told

1142
01:04:52,920 --> 01:04:57,000
Speaker 1: her it's a small world. You understand you ain't Let's

1143
01:04:57,000 --> 01:04:59,240
Speaker 1: see this this kind of shit. You ain't You ain't

1144
01:04:59,320 --> 01:05:02,000
Speaker 1: you understand, You ain't got that, you ain't coming from this,

1145
01:05:02,760 --> 01:05:06,720
Speaker 1: So willn't expect you to get it. We're gonna speak

1146
01:05:06,760 --> 01:05:08,800
Speaker 1: on some other topics I'm gonna move on this, but

1147
01:05:09,520 --> 01:05:11,919
Speaker 1: I think it's important we update the coach on where

1148
01:05:11,920 --> 01:05:15,680
Speaker 1: it currently says, don't nobody listening to academics about really nothing?

1149
01:05:16,320 --> 01:05:19,240
Speaker 1: We follow an act before the social media and it's

1150
01:05:19,280 --> 01:05:23,880
Speaker 1: reporting like if something happened, you know, and he go

1151
01:05:24,080 --> 01:05:26,840
Speaker 1: throw that high, high pitched voice on you know what

1152
01:05:26,880 --> 01:05:29,120
Speaker 1: I'm saying on YouTube and give us four five minutes,

1153
01:05:29,120 --> 01:05:31,600
Speaker 1: we'll go click on that. I keep against I ain't

1154
01:05:31,640 --> 01:05:34,680
Speaker 1: gonna take it from at the full five minute joint.

1155
01:05:34,720 --> 01:05:37,200
Speaker 1: We're going to click on that. The long form joined.

1156
01:05:37,400 --> 01:05:39,640
Speaker 1: Most people clicking on that because they just don't know

1157
01:05:39,800 --> 01:05:44,600
Speaker 1: nobody else that's covering that kind of stuff. The selection

1158
01:05:44,760 --> 01:05:46,480
Speaker 1: is then see it's a lot of people doing it,

1159
01:05:46,520 --> 01:05:49,880
Speaker 1: but it ain't a lot of people visible, so they

1160
01:05:49,920 --> 01:05:51,360
Speaker 1: ain't got nothing else to do. Man, I want to

1161
01:05:51,400 --> 01:05:54,840
Speaker 1: hear somebody to talk about ooze. And now that's why

1162
01:05:54,920 --> 01:05:58,040
Speaker 1: I'm building a network. I know the thing on the post,

1163
01:05:58,120 --> 01:06:00,360
Speaker 1: all the real ones don't even got a d I

1164
01:06:00,440 --> 01:06:03,400
Speaker 1: know y'all live, all the ones that them popped on

1165
01:06:03,480 --> 01:06:05,440
Speaker 1: my radar, I know y'all live. I'm coming to get

1166
01:06:05,520 --> 01:06:08,920
Speaker 1: about it. I'm gonna put it all together. Right, We're

1167
01:06:08,960 --> 01:06:11,360
Speaker 1: doing new media and we haven't. It ain't everybody. Ain't

1168
01:06:11,360 --> 01:06:13,480
Speaker 1: gonna be the same voice, the same type people, and

1169
01:06:13,600 --> 01:06:15,240
Speaker 1: none of that. I got a clip vision on what

1170
01:06:15,440 --> 01:06:17,920
Speaker 1: needs to happen. So we're gonna put it together and

1171
01:06:18,080 --> 01:06:20,320
Speaker 1: not redo media as a whole, but just make sure

1172
01:06:20,400 --> 01:06:24,280
Speaker 1: we create a section of media that just represents the

1173
01:06:24,480 --> 01:06:28,400
Speaker 1: information interpreted in a real way. You know what I'm saying.

1174
01:06:28,480 --> 01:06:32,080
Speaker 1: Not for nobody or against nobody, but just real interpretation

1175
01:06:32,120 --> 01:06:36,480
Speaker 1: and information. Let's talk about this. Charleston White and Ti.

1176
01:06:38,120 --> 01:06:40,720
Speaker 1: For those of you underwear, Charleston White and Tis now

1177
01:06:40,880 --> 01:06:45,760
Speaker 1: got into it. That's been some altercation online about TI

1178
01:06:45,880 --> 01:06:49,640
Speaker 1: and Bootsey and their sons and how Charleston White felt

1179
01:06:49,680 --> 01:06:51,520
Speaker 1: a way about them. We're gonna look at a clip

1180
01:06:51,640 --> 01:06:57,000
Speaker 1: of Charleston White addressing Tim and Boots Bootsey will not respond.

1181
01:06:57,120 --> 01:07:00,960
Speaker 1: TI came out and responded and later on looked a

1182
01:07:01,040 --> 01:07:03,280
Speaker 1: little broken. So we're gonna take a look at kind

1183
01:07:03,320 --> 01:07:06,760
Speaker 1: of what that was about, how this all unfolded in

1184
01:07:06,920 --> 01:07:10,280
Speaker 1: some of the respect and disrespect that was handed out

1185
01:07:11,000 --> 01:07:13,680
Speaker 1: or gave or or took him. Let's take a look.

1186
01:07:17,320 --> 01:07:22,920
Speaker 1: You're rocket by Kenning for the last seventy year, say

1187
01:07:24,360 --> 01:07:28,120
Speaker 1: Somebody tell a little boosy you're a boot y'all used

1188
01:07:28,160 --> 01:07:30,200
Speaker 1: to like a little boosty. I don't like little boostit

1189
01:07:30,280 --> 01:07:34,200
Speaker 1: no more. You see this, say little boosy, you were

1190
01:07:34,280 --> 01:07:39,560
Speaker 1: just you was on death road. Little booshit, you was

1191
01:07:39,760 --> 01:07:45,000
Speaker 1: on death road for five murders. Hold on while I

1192
01:07:45,080 --> 01:07:49,120
Speaker 1: talked to him. Let me put my America, My goddamn

1193
01:07:49,160 --> 01:07:54,360
Speaker 1: America had on boosy. Booshit, you were ugly black diabetes

1194
01:07:54,400 --> 01:07:58,560
Speaker 1: having mother that bootshit fade you got, nigga, ain't nobody

1195
01:07:58,640 --> 01:08:00,760
Speaker 1: weren't that, But you went too the rock because it's

1196
01:08:00,760 --> 01:08:04,280
Speaker 1: an ugly fade. Everybody know the ball fade way better,

1197
01:08:04,360 --> 01:08:07,920
Speaker 1: that muffin table fade way better than the booshi fade

1198
01:08:08,920 --> 01:08:12,640
Speaker 1: you dress. My god, damn, that's it. Nigga. Remember a

1199
01:08:12,720 --> 01:08:16,320
Speaker 1: miracle was great boosting? Yeah, yeah, I remember. You could

1200
01:08:16,320 --> 01:08:18,519
Speaker 1: say a dope out your mama high house to pay

1201
01:08:18,560 --> 01:08:20,559
Speaker 1: for the rent. You can't do that no more boosting

1202
01:08:21,760 --> 01:08:25,200
Speaker 1: all kind of thing. You've been promoting black people killing

1203
01:08:25,240 --> 01:08:29,160
Speaker 1: black people. Every system dust their ass lips are yours?

1204
01:08:29,439 --> 01:08:32,559
Speaker 1: Now listen a little boost Your lips ain't never well

1205
01:08:33,080 --> 01:08:36,120
Speaker 1: or hydre. You got some of the ashes. Living lips

1206
01:08:36,200 --> 01:08:41,839
Speaker 1: look like knee cops. Now, I don't saying little boosting.

1207
01:08:42,360 --> 01:08:45,920
Speaker 1: You be having that fight. I ain't gonna cap why

1208
01:08:46,000 --> 01:08:48,120
Speaker 1: you don't find you about I'm talking about the mob.

1209
01:08:48,200 --> 01:08:51,560
Speaker 1: Little cotton mile, dry and white around the mole like

1210
01:08:51,680 --> 01:08:53,479
Speaker 1: turkey meat. That's how you be looking at Boosty and

1211
01:08:53,560 --> 01:08:56,080
Speaker 1: be trying to talk. Say now one thing about your

1212
01:08:56,160 --> 01:08:59,439
Speaker 1: little black uglass. Boy. You don't look like you drank

1213
01:08:59,520 --> 01:09:01,559
Speaker 1: no water. Boy, I'm talking about that black ass skin,

1214
01:09:01,600 --> 01:09:03,240
Speaker 1: and you a boy, be looking like a part of

1215
01:09:03,360 --> 01:09:07,240
Speaker 1: goddamn me. Uh must them Ostrich them Ostrich boots not

1216
01:09:07,400 --> 01:09:10,479
Speaker 1: to not not the uh not the must not their

1217
01:09:10,560 --> 01:09:12,680
Speaker 1: mother fuck the Adam Ostrich boots. You know they know

1218
01:09:12,720 --> 01:09:14,840
Speaker 1: what I'm talking about, the black Ostrich boot. That's what

1219
01:09:14,960 --> 01:09:17,040
Speaker 1: your mother boots can be. Little and I'm feel to

1220
01:09:17,160 --> 01:09:19,960
Speaker 1: do something. Ain't nobody ever done, boost It. I'm starting

1221
01:09:20,000 --> 01:09:23,200
Speaker 1: to thank you a whole ass. Ain't nobody ever said

1222
01:09:23,280 --> 01:09:25,800
Speaker 1: this to you, boost It. I'm starting to thank you

1223
01:09:25,960 --> 01:09:29,880
Speaker 1: just the whole ass. I used to love to sal you.

1224
01:09:31,280 --> 01:09:35,120
Speaker 1: Why's loves matter, Boosy, Boostit. Let me show you something.

1225
01:09:36,479 --> 01:09:40,720
Speaker 1: You see that Trump? How you gonna get mad at us?

1226
01:09:41,360 --> 01:09:45,800
Speaker 1: You ain't vote man, all you that's wrapper me. I

1227
01:09:46,040 --> 01:09:51,439
Speaker 1: hate you now, well you don't you listen why I

1228
01:09:51,560 --> 01:09:54,920
Speaker 1: can't wait to warm my white Lives Matter shirt. I

1229
01:09:55,160 --> 01:09:57,960
Speaker 1: can't wait to ward my white Lives Matter shirt. Hen

1230
01:09:58,040 --> 01:10:02,040
Speaker 1: I'm bringing Lake America great, that's back again. And when

1231
01:10:02,080 --> 01:10:05,240
Speaker 1: I go out of town, that's where I be. I

1232
01:10:05,360 --> 01:10:08,240
Speaker 1: hate you boosting, and I don't like your little black song.

1233
01:10:08,360 --> 01:10:11,040
Speaker 1: Neither a little tooty Raw he going to jail. Yeah,

1234
01:10:11,080 --> 01:10:12,920
Speaker 1: look by going to jail, hid a little bit barters

1235
01:10:13,000 --> 01:10:15,519
Speaker 1: jail a little too raw. Think he toughen them up? Boy,

1236
01:10:15,600 --> 01:10:18,439
Speaker 1: you little boost song. Look, why ain't never been slapped

1237
01:10:18,439 --> 01:10:21,040
Speaker 1: crosses got head? Boost your boy? I don't know how

1238
01:10:21,080 --> 01:10:23,920
Speaker 1: to fight neither. Do that tea out a little yellow motherfucker?

1239
01:10:24,080 --> 01:10:26,280
Speaker 1: Long he free that little motherfucker don't know how to

1240
01:10:26,360 --> 01:10:30,519
Speaker 1: fight either. Y'all babies just rap wiggle babies, go drop

1241
01:10:30,600 --> 01:10:32,880
Speaker 1: him off over his cousin them how we're one of

1242
01:10:32,960 --> 01:10:36,160
Speaker 1: them cousins? Mike or not? Let it eat and then

1243
01:10:36,240 --> 01:10:38,040
Speaker 1: see if they watch the hold up and batton rude.

1244
01:10:38,320 --> 01:10:40,640
Speaker 1: Right now, little Toody Raw, you ain't nothing but a

1245
01:10:40,720 --> 01:10:44,360
Speaker 1: little shell to little little black little boy that look

1246
01:10:44,439 --> 01:10:46,920
Speaker 1: like a pearl paddle leather boots. Your daddy looked like

1247
01:10:47,040 --> 01:10:49,880
Speaker 1: Ostrich boots, and you look like a pearl paddle leather boots.

1248
01:10:49,920 --> 01:10:52,800
Speaker 1: Little shinis skin mother, Your dad ain't got shins skin.

1249
01:10:53,120 --> 01:10:55,040
Speaker 1: Your dad in a little puff your face, your little

1250
01:10:55,080 --> 01:10:58,000
Speaker 1: rough skin looking mother. But you still, y'all, you got

1251
01:10:58,080 --> 01:11:00,720
Speaker 1: this smooth little boy look. It's just blacking the mother

1252
01:11:01,560 --> 01:11:04,320
Speaker 1: you talk about. Yeah, yeah, yeah. And that little tia

1253
01:11:04,439 --> 01:11:07,160
Speaker 1: little bar, that little yellow song that he playing to up.

1254
01:11:07,280 --> 01:11:10,320
Speaker 1: You're gonna jail y'all. You're little boy gonna jail yet

1255
01:11:10,400 --> 01:11:13,000
Speaker 1: like you danny, You ain't gonna jail jet like your

1256
01:11:13,080 --> 01:11:15,760
Speaker 1: daddy went. Hey, you're talking about your boy ain't gonna

1257
01:11:15,760 --> 01:11:19,679
Speaker 1: be sure. I'm talking about that got and that ta boar.

1258
01:11:20,000 --> 01:11:22,640
Speaker 1: They ain't gonna be my fact. Your boar gonna grow

1259
01:11:22,720 --> 01:11:24,840
Speaker 1: up and be strung out on road. Yeah yeah, Little

1260
01:11:24,880 --> 01:11:27,960
Speaker 1: to the rout for to disappoint you, please, Little to

1261
01:11:28,120 --> 01:11:30,840
Speaker 1: the rout sake, what listen, You ain't number a little

1262
01:11:30,880 --> 01:11:34,080
Speaker 1: man is smart mouth mother. You ain't because your daddy

1263
01:11:34,160 --> 01:11:42,040
Speaker 1: little boost. You ain't no godda say so. After Charleston

1264
01:11:42,160 --> 01:11:45,280
Speaker 1: came out and said that and again rough to deal

1265
01:11:45,400 --> 01:11:47,600
Speaker 1: with you gotta be from the South to deal with

1266
01:11:47,760 --> 01:11:52,080
Speaker 1: Charleston Boy, it's high energy. He find back to back

1267
01:11:52,200 --> 01:11:54,400
Speaker 1: and back to back, like it's a lot going on

1268
01:11:54,560 --> 01:11:56,920
Speaker 1: when he's getting that vibrate there. And so just from

1269
01:11:56,960 --> 01:12:01,439
Speaker 1: a communication standpoint, it's hard to deal with him. And

1270
01:12:01,640 --> 01:12:06,479
Speaker 1: so Tia responded, because he felt the attack on this

1271
01:12:06,640 --> 01:12:11,160
Speaker 1: song boost, I think look at Charleston more like a

1272
01:12:11,280 --> 01:12:13,880
Speaker 1: nigga the hood, one of them crazy in the hood

1273
01:12:13,920 --> 01:12:16,599
Speaker 1: to be talking some real ship, be kind of crazy

1274
01:12:16,760 --> 01:12:19,840
Speaker 1: like he just you're on some mothers. And then I

1275
01:12:19,960 --> 01:12:22,080
Speaker 1: think he looked at the police aspect of it, and

1276
01:12:22,160 --> 01:12:25,600
Speaker 1: they keep him away from him. Till responded, this is

1277
01:12:25,680 --> 01:12:31,600
Speaker 1: what he said. They God, hell flows your teeth with

1278
01:12:31,640 --> 01:12:34,439
Speaker 1: my shoe laces. To play with me, Bro, don't play

1279
01:12:34,479 --> 01:12:36,960
Speaker 1: with me. Bro, don't play with mane Bro, don't play

1280
01:12:37,000 --> 01:12:40,080
Speaker 1: with man that don't play with man. I ain't FeelA

1281
01:12:40,120 --> 01:12:43,320
Speaker 1: say no name because they play police game gonna be

1282
01:12:43,400 --> 01:12:46,639
Speaker 1: for something. It's gonna be for something. I don't play

1283
01:12:46,720 --> 01:12:48,679
Speaker 1: no police game. Man, don't play no police I don't

1284
01:12:48,680 --> 01:12:50,240
Speaker 1: play no Internet game. I don't do none of that.

1285
01:12:50,320 --> 01:12:56,080
Speaker 1: Hit bro. Bro, Jen know as you move around man, man,

1286
01:12:56,439 --> 01:12:59,320
Speaker 1: life is real. Bro plain't no mother Joe, She ain't

1287
01:12:59,360 --> 01:13:03,040
Speaker 1: no motherfucker. I ain't leave my mother out your mother's face. Boy,

1288
01:13:08,400 --> 01:13:10,519
Speaker 1: that's it. And I wouldn't even know about it. Man,

1289
01:13:10,560 --> 01:13:12,840
Speaker 1: I wouldn't even know about it. Man, Bro the difference

1290
01:13:12,840 --> 01:13:15,800
Speaker 1: between me and other people. Man, I'm a nigga. You

1291
01:13:16,479 --> 01:13:21,719
Speaker 1: have people on your payroll whose households that you provide

1292
01:13:21,880 --> 01:13:25,920
Speaker 1: livelihood for. Nigga, I got a business right here. Nigga.

1293
01:13:26,000 --> 01:13:28,559
Speaker 1: We got got damn two dozen people on the pay road,

1294
01:13:28,560 --> 01:13:30,160
Speaker 1: and I gotta be in in that dough. We got

1295
01:13:30,240 --> 01:13:34,599
Speaker 1: eighteen people on the payroll. Nigga got nigga two clothing lines. Nigga,

1296
01:13:34,720 --> 01:13:37,719
Speaker 1: we got thirties forty something people on payroll. Nigga. Nigga

1297
01:13:37,800 --> 01:13:41,000
Speaker 1: got motherfucking one hundred and forty three unit complex. Nigga

1298
01:13:41,000 --> 01:13:45,280
Speaker 1: will affordable housing down the street. Nigga, I'm providing jobs

1299
01:13:45,280 --> 01:13:47,960
Speaker 1: an opportunity to people. All you is providing this function.

1300
01:13:49,640 --> 01:13:52,360
Speaker 1: And whoever got that were ever grown that man fixed

1301
01:13:52,400 --> 01:13:56,599
Speaker 1: their face to talk about a fucking child. Three though

1302
01:13:56,640 --> 01:14:01,320
Speaker 1: I ain't got got you, say less, I got you

1303
01:14:01,560 --> 01:14:04,400
Speaker 1: say let wherever man can fix his mother face to

1304
01:14:04,479 --> 01:14:07,760
Speaker 1: talk about a motherfucker kid, bro, use a whole as

1305
01:14:09,720 --> 01:14:12,360
Speaker 1: we could come deal with the daddy. Come deal with

1306
01:14:12,520 --> 01:14:15,320
Speaker 1: the daddy, man, because when the daddy get to getting

1307
01:14:15,320 --> 01:14:16,960
Speaker 1: on your ass, you're gonna do nuber hit nine one

1308
01:14:17,040 --> 01:14:18,640
Speaker 1: and wait on the and wait on the one to

1309
01:14:18,720 --> 01:14:24,280
Speaker 1: come to follow behind. I don't want no problem. What

1310
01:14:24,400 --> 01:14:26,640
Speaker 1: you keep on kicking up dust? Fun but you keep

1311
01:14:26,720 --> 01:14:31,320
Speaker 1: kicking up dust. Fuf. You don't want no trouble. Man.

1312
01:14:31,439 --> 01:14:34,560
Speaker 1: It's heavy though telling about your kids. I know, I

1313
01:14:34,680 --> 01:14:39,200
Speaker 1: know that's heavy, right, But here's what I found interesting.

1314
01:14:41,200 --> 01:14:44,080
Speaker 1: Charleston is hard to deal with verbally, right, So tip

1315
01:14:44,200 --> 01:14:49,120
Speaker 1: usually a whooping verbally, tip usually pull out a few

1316
01:14:49,160 --> 01:14:53,360
Speaker 1: words on the neg make an eg stupid right. But

1317
01:14:53,520 --> 01:14:56,519
Speaker 1: see now like see, I'm one of them dudes that

1318
01:14:56,760 --> 01:15:00,439
Speaker 1: you can't like bro in regards to this thing right here,

1319
01:15:00,479 --> 01:15:03,639
Speaker 1: you got issues. But see there's a new thing happening

1320
01:15:03,640 --> 01:15:06,840
Speaker 1: in the media. What people like me are approaching them. Well,

1321
01:15:07,320 --> 01:15:09,600
Speaker 1: we come from knowing that when I come spend with you,

1322
01:15:09,720 --> 01:15:12,200
Speaker 1: you got profits somewhere in there. So as you know,

1323
01:15:12,320 --> 01:15:14,640
Speaker 1: I'm trying to negotiate the man, come home man. Or

1324
01:15:14,880 --> 01:15:16,639
Speaker 1: if I buy two of them, so you're on fifteen

1325
01:15:16,720 --> 01:15:18,599
Speaker 1: for one. If I get two of them, what if

1326
01:15:18,640 --> 01:15:21,400
Speaker 1: I get six something with their due twelve, five thirteen.

1327
01:15:22,360 --> 01:15:26,760
Speaker 1: You know, we come from that, so I approach. We

1328
01:15:26,960 --> 01:15:29,720
Speaker 1: developed a certain skill set even in that way that

1329
01:15:29,840 --> 01:15:33,240
Speaker 1: they just don't have. Right. College can't teach you that, right,

1330
01:15:33,479 --> 01:15:36,680
Speaker 1: nothing can. You have to go through that tunnel to

1331
01:15:36,920 --> 01:15:39,839
Speaker 1: get that viewpoint on life and to view that scenery

1332
01:15:39,960 --> 01:15:42,960
Speaker 1: in that way. But Charleston might be the first person

1333
01:15:43,080 --> 01:15:45,800
Speaker 1: t I don't feel as confident going back to back

1334
01:15:45,960 --> 01:15:48,439
Speaker 1: far as verbally with and I probably wouldn't go verbally

1335
01:15:48,560 --> 01:15:50,680
Speaker 1: back to back. And the only reason I'm saying that

1336
01:15:50,760 --> 01:15:53,080
Speaker 1: it is because we've saw Tip go back to back

1337
01:15:53,200 --> 01:15:57,799
Speaker 1: before or kind of embarrassed dudes online or just verbally

1338
01:15:58,000 --> 01:16:02,639
Speaker 1: just whooped. But Charleston, it's kind of a different beast.

1339
01:16:02,760 --> 01:16:04,920
Speaker 1: Number one here us here hit below the belt at

1340
01:16:04,960 --> 01:16:07,240
Speaker 1: the fight. You know you're in the fight. You in

1341
01:16:07,320 --> 01:16:09,519
Speaker 1: there like this, like yo, we can spaw, but we

1342
01:16:09,680 --> 01:16:12,680
Speaker 1: spawn like and then Charleston on hit you below the

1343
01:16:12,760 --> 01:16:15,240
Speaker 1: belt and the ref don't even call it boom hit

1344
01:16:15,280 --> 01:16:17,000
Speaker 1: you below the belt. And that's kind of what Tip

1345
01:16:17,080 --> 01:16:20,200
Speaker 1: coming out and seeing he seemed drained, like, Yo, he

1346
01:16:20,320 --> 01:16:23,560
Speaker 1: hitt below the bell, y'all ain't calling it, y'all just

1347
01:16:23,720 --> 01:16:27,559
Speaker 1: letting that rock because really people wasn't. People was laughing

1348
01:16:27,800 --> 01:16:31,920
Speaker 1: basically that Charleston was saying, like, I don't like your

1349
01:16:32,000 --> 01:16:35,240
Speaker 1: glass little son, a little yellow freak, and too they're

1350
01:16:35,280 --> 01:16:38,519
Speaker 1: row going to jail like they didn't like that. You know,

1351
01:16:38,640 --> 01:16:41,880
Speaker 1: they were laughing that he was saying that, But Tip,

1352
01:16:41,960 --> 01:16:44,240
Speaker 1: you looking whoop where? Then I got the thing and

1353
01:16:44,800 --> 01:16:49,120
Speaker 1: you know my homeboard was saying that like verbally like that.

1354
01:16:49,240 --> 01:16:52,320
Speaker 1: Who I think kind of can spare with him? And

1355
01:16:52,439 --> 01:16:56,599
Speaker 1: I said, Cad Williams, I said, Cad Williams, or give

1356
01:16:56,680 --> 01:16:59,200
Speaker 1: him a run for his money too. It's something they

1357
01:16:59,200 --> 01:17:01,040
Speaker 1: can give him a run for money. But I think

1358
01:17:01,120 --> 01:17:03,920
Speaker 1: Tip just didn't either he ain't on that no more

1359
01:17:03,920 --> 01:17:06,320
Speaker 1: and he don't got the energy or he just liked

1360
01:17:06,720 --> 01:17:09,200
Speaker 1: that's a lot to deal with it. Now Charleston invited

1361
01:17:09,280 --> 01:17:12,320
Speaker 1: him to a fight. Tip didn't again appreciate the fact

1362
01:17:12,400 --> 01:17:16,720
Speaker 1: his song was mentioned. Now more importantly, he didn't appreciate

1363
01:17:17,000 --> 01:17:21,639
Speaker 1: that the internet responds was basically laughter. At some point,

1364
01:17:21,720 --> 01:17:24,519
Speaker 1: I think Charleston said something about Trey von Martin and

1365
01:17:24,720 --> 01:17:27,960
Speaker 1: his son, and Tip was confused and why there was

1366
01:17:28,040 --> 01:17:33,840
Speaker 1: no uproar from the community with such a reference and

1367
01:17:34,000 --> 01:17:37,160
Speaker 1: concerning his family. With all that he has done. These

1368
01:17:37,200 --> 01:17:40,920
Speaker 1: are his words to me. He kind of looked so deflated.

1369
01:17:41,040 --> 01:17:44,680
Speaker 1: It was almost like he was so disappointed or I

1370
01:17:44,760 --> 01:17:47,400
Speaker 1: don't know, it was overwhelmed. Let's listen to what he said.

1371
01:17:51,040 --> 01:18:04,080
Speaker 1: Hitter than yesterday. I meditate and I'm packing circumstances. It does.

1372
01:18:08,200 --> 01:18:14,320
Speaker 1: It's the second time I've seen my family attack and

1373
01:18:15,160 --> 01:18:22,840
Speaker 1: soon social media weaponished used against us at an enemy.

1374
01:18:23,479 --> 01:18:32,920
Speaker 1: It's the second time both times I watched the community

1375
01:18:33,680 --> 01:18:38,000
Speaker 1: have absolutely nothing to say, and I behead. I watch

1376
01:18:38,160 --> 01:18:42,240
Speaker 1: friends for people who we say are friends. I watch

1377
01:18:42,720 --> 01:18:46,600
Speaker 1: people who we have donated our time, effort, energy, resources,

1378
01:18:47,040 --> 01:18:55,920
Speaker 1: attention to look on. It's not jem meet my family,

1379
01:18:57,200 --> 01:19:05,439
Speaker 1: my wife, my children, and the people that we go

1380
01:19:05,560 --> 01:19:10,880
Speaker 1: outside of, outside of I convenience, go out out way

1381
01:19:10,880 --> 01:19:20,800
Speaker 1: to help, whether it's calling us for people who can't

1382
01:19:20,800 --> 01:19:24,320
Speaker 1: afford to feed themselves, people who can't afford to house themselves,

1383
01:19:25,160 --> 01:19:28,200
Speaker 1: families who can't afford to bury their love once, people

1384
01:19:28,280 --> 01:19:31,600
Speaker 1: can't afford the deil themselves happen, you know, or just

1385
01:19:31,720 --> 01:19:34,200
Speaker 1: people who need inspiration just need to be poured into.

1386
01:19:36,320 --> 01:19:40,240
Speaker 1: None of these organizations, none of the leaders of these

1387
01:19:41,040 --> 01:19:46,479
Speaker 1: different communities, nobody, nobody thought shoul stand up, skeep on

1388
01:19:46,640 --> 01:19:52,719
Speaker 1: my family's behead when we getting attached, nobody not once.

1389
01:19:57,720 --> 01:20:03,240
Speaker 1: All right, get what we get with it. Let's let

1390
01:20:03,320 --> 01:20:08,519
Speaker 1: it stay up. So you get from that the t

1391
01:20:08,720 --> 01:20:10,880
Speaker 1: I felt like he should have had more support. He

1392
01:20:11,000 --> 01:20:14,000
Speaker 1: felt like the people should have rallied around him, rallied

1393
01:20:14,040 --> 01:20:17,439
Speaker 1: around that conversation with his son being attacked. His son,

1394
01:20:17,520 --> 01:20:20,040
Speaker 1: I think it's nineteen or twenty. I'm not sure his age,

1395
01:20:20,680 --> 01:20:23,320
Speaker 1: but I can understand the father feeling that way, right,

1396
01:20:24,479 --> 01:20:26,800
Speaker 1: But I don't look at let it at his son

1397
01:20:26,960 --> 01:20:29,680
Speaker 1: like a kid. Although disrespect is disrespect. So it's a

1398
01:20:29,800 --> 01:20:32,760
Speaker 1: weird gray area that Charleston is good at operating in

1399
01:20:32,880 --> 01:20:35,679
Speaker 1: that gray area. That's why I think t I doesn't

1400
01:20:35,680 --> 01:20:39,040
Speaker 1: want to wrestle with Charleston. When Tip does this, this

1401
01:20:39,280 --> 01:20:42,280
Speaker 1: is without making a phone call, putting a signal out.

1402
01:20:43,120 --> 01:20:44,880
Speaker 1: This is saying that if you rock with me, I

1403
01:20:45,000 --> 01:20:47,800
Speaker 1: need to know you rock with me. Shortly after that,

1404
01:20:47,960 --> 01:20:51,479
Speaker 1: you see Charleston White and Funny Marko on Live and

1405
01:20:51,640 --> 01:20:54,680
Speaker 1: let's pay attention to how this happens. Why are you

1406
01:20:54,760 --> 01:20:56,720
Speaker 1: Why are you starting all this ship? Why are you

1407
01:20:56,800 --> 01:20:59,880
Speaker 1: got all this shit started? Oh man? I used to

1408
01:21:00,280 --> 01:21:02,720
Speaker 1: know two you're doing all that. You start all this

1409
01:21:02,800 --> 01:21:04,960
Speaker 1: ship and then you you're sitting down on the android.

1410
01:21:05,080 --> 01:21:06,880
Speaker 1: Co on, man, what's going on? What's the real story?

1411
01:21:06,960 --> 01:21:10,280
Speaker 1: Oh well, I'm in the big old do you see this? Look?

1412
01:21:10,439 --> 01:21:13,040
Speaker 1: Look the Star Wars cur of around. They don't go fright.

1413
01:21:16,840 --> 01:21:19,200
Speaker 1: Are you in the nursing home? No? No, no, no,

1414
01:21:19,320 --> 01:21:21,800
Speaker 1: no no no no no, I'm I'm in my big

1415
01:21:21,840 --> 01:21:24,640
Speaker 1: pretty high. So what's wrong? Like what we gotta do

1416
01:21:24,800 --> 01:21:27,200
Speaker 1: just to kill like to just let you, like we

1417
01:21:27,360 --> 01:21:29,160
Speaker 1: just just get off the internet. We just gotta be

1418
01:21:29,280 --> 01:21:32,439
Speaker 1: how much money we gotta pay you? Oh, at least

1419
01:21:32,479 --> 01:21:37,840
Speaker 1: ten millions? Like gotta we gotta get you off the

1420
01:21:37,880 --> 01:21:41,960
Speaker 1: streets like you you why y'all don't want to get

1421
01:21:41,960 --> 01:21:44,559
Speaker 1: the killers in the gang bangers off the streets. I mean,

1422
01:21:44,720 --> 01:21:47,560
Speaker 1: I don't know. Listen, we're starting off with you right now. No,

1423
01:21:47,680 --> 01:21:49,640
Speaker 1: I'm starting off with the killers, the gang bangers in

1424
01:21:49,680 --> 01:21:51,639
Speaker 1: the rappers. I think the mothers. I think the mothers

1425
01:21:51,680 --> 01:21:54,120
Speaker 1: will much rather me stay and the killers and the

1426
01:21:54,240 --> 01:21:56,800
Speaker 1: rappers go. So how you feel? How you feel? Out

1427
01:21:56,800 --> 01:22:01,519
Speaker 1: an application for the NYPD, the FBI. I'm working for free.

1428
01:22:02,760 --> 01:22:07,960
Speaker 1: I'm a real life superhero, right yeah, I'm a real

1429
01:22:08,040 --> 01:22:10,840
Speaker 1: life superhero. Okay, okay, okay. So look we're gonna go

1430
01:22:11,000 --> 01:22:12,360
Speaker 1: you know, a T and T. We're gonna go to

1431
01:22:12,400 --> 01:22:13,880
Speaker 1: a T and T. We gonna get your our phone.

1432
01:22:14,120 --> 01:22:15,920
Speaker 1: We're gonna do that, right, We're gonna start up with that.

1433
01:22:17,560 --> 01:22:20,760
Speaker 1: I can buy fifty our phone. I say you were broke,

1434
01:22:20,920 --> 01:22:23,880
Speaker 1: we can say you was broke our phone. Ain't hell

1435
01:22:24,320 --> 01:22:28,520
Speaker 1: in the community. Android just kicking nigga's ass in the neighborhood.

1436
01:22:28,840 --> 01:22:32,640
Speaker 1: Android just scut out the holes in the warhouse or

1437
01:22:32,720 --> 01:22:35,840
Speaker 1: with the benefits on the jaw our phone this week.

1438
01:22:36,800 --> 01:22:39,320
Speaker 1: Yeah yeah, our phone can be tracked by their women,

1439
01:22:39,720 --> 01:22:43,000
Speaker 1: or their locations can be sure or they got a

1440
01:22:43,040 --> 01:22:45,840
Speaker 1: phone listening to them. Oh yeah, yeah, No, I don't

1441
01:22:45,880 --> 01:22:47,679
Speaker 1: want to I don't never want to be no our phone.

1442
01:22:49,320 --> 01:22:51,720
Speaker 1: So we gotta so like New Year's that we got

1443
01:22:51,800 --> 01:22:54,040
Speaker 1: like a plan. We just gotta like if you won't,

1444
01:22:54,240 --> 01:22:56,240
Speaker 1: we can. You can head over the Facebook too. You

1445
01:22:56,280 --> 01:22:59,360
Speaker 1: can get off Instagram and head over the Facebook. Listen,

1446
01:22:59,560 --> 01:23:03,280
Speaker 1: I'm on about to be killed. No no, no, no, no,

1447
01:23:03,400 --> 01:23:05,400
Speaker 1: no no no no, I'm no no nigga, me just

1448
01:23:05,520 --> 01:23:07,960
Speaker 1: don't go away. No no, listen, listen, I'm just saying

1449
01:23:08,000 --> 01:23:10,040
Speaker 1: just go over to Facebook because you're just like me,

1450
01:23:10,200 --> 01:23:13,040
Speaker 1: just on goalten. Got you got to listen. Feels like

1451
01:23:13,200 --> 01:23:16,560
Speaker 1: me got to be killed. Oh we grow citizens like

1452
01:23:16,680 --> 01:23:21,960
Speaker 1: over Facebook. Listen. I'm so bad. I got ti on

1453
01:23:22,200 --> 01:23:26,040
Speaker 1: online talking. I'm a bad. I don't come, I don't

1454
01:23:26,120 --> 01:23:28,639
Speaker 1: come about to get it old, got ti. I got

1455
01:23:28,720 --> 01:23:33,000
Speaker 1: celebrities responding to me, and I'm not even celebrity. Nobody's

1456
01:23:33,040 --> 01:23:35,640
Speaker 1: been able to do this. No, so why would I

1457
01:23:35,760 --> 01:23:40,080
Speaker 1: quit now? I got to think it's about the king

1458
01:23:40,240 --> 01:23:44,880
Speaker 1: calling me no no, no king man. Yeah yeah, I'm

1459
01:23:44,880 --> 01:23:51,120
Speaker 1: gonna dem max myself. Yeah yeah, yeah, yeah yeah yeah,

1460
01:23:51,240 --> 01:23:54,240
Speaker 1: God damn it. But I'm not stopping and came, No'm no,

1461
01:23:54,360 --> 01:23:59,320
Speaker 1: I can't be stopped. Yeah yeah, talking on on the way.

1462
01:23:59,360 --> 01:24:03,400
Speaker 1: I stopped it to cast get dropped. Look look look

1463
01:24:03,439 --> 01:24:06,000
Speaker 1: you still got time. Look we're gonna make your Facebook account.

1464
01:24:07,360 --> 01:24:11,600
Speaker 1: The casket dropped. Look that's what it look. Look you

1465
01:24:11,680 --> 01:24:13,760
Speaker 1: gotta pick on people around your age though, That's what

1466
01:24:13,840 --> 01:24:18,240
Speaker 1: I'm saying. You like listen, like we gonna listen. My

1467
01:24:18,360 --> 01:24:23,720
Speaker 1: analytical dalla says eighteen to sixty five plus, So what

1468
01:24:23,960 --> 01:24:27,280
Speaker 1: that is? It is from eighteen to sixty five plus,

1469
01:24:27,600 --> 01:24:30,960
Speaker 1: what do they doing my analytics? I'm not sending no invites.

1470
01:24:37,240 --> 01:24:40,439
Speaker 1: I don't say that invites. Do we gotta get you

1471
01:24:40,520 --> 01:24:42,160
Speaker 1: some seat? Like what kind of do you want? Just

1472
01:24:42,200 --> 01:24:47,080
Speaker 1: to get you off the internet? Who you want? I

1473
01:24:47,160 --> 01:24:50,719
Speaker 1: want to die mortal. So here's where things get tricky

1474
01:24:50,800 --> 01:24:54,160
Speaker 1: after that. You see Funny Marko's position is it's an

1475
01:24:54,160 --> 01:24:56,759
Speaker 1: awkward position to be someone that just did an interview

1476
01:24:56,800 --> 01:24:59,840
Speaker 1: with Charleston. So Charleston really didn't know. The vibe after

1477
01:25:00,040 --> 01:25:03,160
Speaker 1: that Charleston came out was kind of like Funny Marco

1478
01:25:03,320 --> 01:25:07,439
Speaker 1: relaying on my side. Next thing, you know, in the media,

1479
01:25:08,760 --> 01:25:12,200
Speaker 1: some clips came out of Charleston White, some allegations of

1480
01:25:12,840 --> 01:25:18,639
Speaker 1: sexual misconduct that led to eighty five South show taking

1481
01:25:18,680 --> 01:25:21,960
Speaker 1: that interview now and Funny Marco taking his interview. Now,

1482
01:25:22,720 --> 01:25:25,840
Speaker 1: that is extremely important because those were drivers to some

1483
01:25:26,000 --> 01:25:28,599
Speaker 1: of those other little channels and some of those other interviews.

1484
01:25:28,680 --> 01:25:31,479
Speaker 1: They were stand alone five million. I think he was

1485
01:25:31,600 --> 01:25:34,439
Speaker 1: up to four or five million eighty five South, and

1486
01:25:34,560 --> 01:25:37,400
Speaker 1: I think with Funny Marco had just dropped and it

1487
01:25:37,520 --> 01:25:42,679
Speaker 1: was already over a million. So they took a hard

1488
01:25:42,800 --> 01:25:46,479
Speaker 1: stance against you know, whatever that is that made them

1489
01:25:46,560 --> 01:25:49,799
Speaker 1: make that decision now he needs he has to be careful.

1490
01:25:50,400 --> 01:25:52,000
Speaker 1: I know that he's still gonna be able to pick

1491
01:25:52,120 --> 01:25:54,439
Speaker 1: up that money, but if you playing a long game,

1492
01:25:54,560 --> 01:25:57,680
Speaker 1: or unless you're investing your money. But to me, I

1493
01:25:57,760 --> 01:26:03,000
Speaker 1: don't see how that ends in a productive business. I

1494
01:26:03,080 --> 01:26:04,960
Speaker 1: don't see how you take that to the next level.

1495
01:26:05,000 --> 01:26:07,479
Speaker 1: It's in regards to business. But he may know something

1496
01:26:07,520 --> 01:26:11,080
Speaker 1: I don't know. I've been able to do this without

1497
01:26:11,200 --> 01:26:14,160
Speaker 1: doing anything, just keeping it real. And now all the

1498
01:26:14,240 --> 01:26:17,280
Speaker 1: real ones keep telling me, just keep doing exactly what

1499
01:26:17,479 --> 01:26:21,040
Speaker 1: you're doing. Bro, Don't you ain't gotta do none, you

1500
01:26:21,120 --> 01:26:23,560
Speaker 1: don't gotta tweak it, you don't gotta done just that

1501
01:26:23,800 --> 01:26:26,880
Speaker 1: right there. That's it, And for me that's so important.

1502
01:26:27,080 --> 01:26:31,280
Speaker 1: Right um, But I think this took a turn, you know,

1503
01:26:31,880 --> 01:26:34,200
Speaker 1: with them taking those interviews down. I don't know how

1504
01:26:34,280 --> 01:26:37,040
Speaker 1: that affects things for him. I know on YouTube and

1505
01:26:37,200 --> 01:26:42,040
Speaker 1: from an algorithm standpoint, that pulls out a fingerprint of

1506
01:26:42,560 --> 01:26:46,960
Speaker 1: his name, right And what happens is is that that

1507
01:26:47,520 --> 01:26:51,360
Speaker 1: interview kind of drives some of those other interviews. So

1508
01:26:51,479 --> 01:26:53,600
Speaker 1: when you pop up with an interview, it tells the

1509
01:26:53,720 --> 01:26:57,240
Speaker 1: algorithm he's did so much work on the YouTube algorithm

1510
01:26:57,840 --> 01:27:01,400
Speaker 1: that It's not by coincidence that you drop an interview

1511
01:27:01,479 --> 01:27:03,759
Speaker 1: with him and you get traction on it. He's literally

1512
01:27:03,880 --> 01:27:07,280
Speaker 1: did the work. He spent days and days and days

1513
01:27:07,360 --> 01:27:12,920
Speaker 1: and days and hours and hours putting that fingerprint on YouTube.

1514
01:27:13,960 --> 01:27:16,920
Speaker 1: And some of those really big interviews carried some of

1515
01:27:17,000 --> 01:27:20,360
Speaker 1: that weight. But his fingerprint is there. I just don't

1516
01:27:20,439 --> 01:27:25,479
Speaker 1: know how it integrates with them taking off like what

1517
01:27:25,800 --> 01:27:29,080
Speaker 1: six million views, maybe five six million views, and the

1518
01:27:29,200 --> 01:27:32,760
Speaker 1: views don't mean nothing. I'm talking about the placement, the

1519
01:27:32,920 --> 01:27:36,479
Speaker 1: placement of the video, the placement, the ranking of the video.

1520
01:27:36,600 --> 01:27:38,920
Speaker 1: All of that is what I'm speaking to. So it's

1521
01:27:39,000 --> 01:27:42,280
Speaker 1: kind of the business behind that, all right, So let's

1522
01:27:42,280 --> 01:27:45,600
Speaker 1: talk about this little baby is on pace to do

1523
01:27:46,920 --> 01:27:53,599
Speaker 1: two hunter. Congratulations to the home team. Baby, incredible album,

1524
01:27:55,479 --> 01:27:59,679
Speaker 1: the approach creatively as well as just him standing his bag.

1525
01:28:00,479 --> 01:28:03,920
Speaker 1: It's unmatched. Right, baby stands up on the hill in

1526
01:28:04,040 --> 01:28:07,519
Speaker 1: regards to that space. While he's while he's going number one,

1527
01:28:07,680 --> 01:28:13,080
Speaker 1: I simultaneously have one of the biggest interviews for podcasters

1528
01:28:13,640 --> 01:28:19,040
Speaker 1: within the first seven days, especially for unknown podcasts. That

1529
01:28:19,240 --> 01:28:22,519
Speaker 1: record is already broke. But we're even dealing with some

1530
01:28:22,640 --> 01:28:24,400
Speaker 1: of the top names in the game. But right now

1531
01:28:24,439 --> 01:28:26,920
Speaker 1: it's about Baby. Baby's on pace to again sell two

1532
01:28:27,080 --> 01:28:31,040
Speaker 1: hundred thousand and be number one with his third studio

1533
01:28:31,240 --> 01:28:34,840
Speaker 1: album coming off of My Turn being a smash this

1534
01:28:35,000 --> 01:28:39,679
Speaker 1: one as well, is again just a great body of work.

1535
01:28:39,880 --> 01:28:44,679
Speaker 1: Now him selling two ten is a very important feat,

1536
01:28:44,760 --> 01:28:49,000
Speaker 1: and I have to communicate how I have to communicate

1537
01:28:49,120 --> 01:28:51,720
Speaker 1: just how important that is and the gravity attached to that,

1538
01:28:51,880 --> 01:28:54,720
Speaker 1: because as you've been seeing lately, the numbers have been

1539
01:28:54,800 --> 01:28:58,720
Speaker 1: down amongst the industry. Even me, I started to kind

1540
01:28:58,720 --> 01:29:01,479
Speaker 1: of adjust my standard, like all right, so like forty

1541
01:29:01,600 --> 01:29:04,800
Speaker 1: fifty is a good number now right, he come back,

1542
01:29:04,840 --> 01:29:06,840
Speaker 1: got to hit him with two tens. So it says

1543
01:29:06,880 --> 01:29:10,519
Speaker 1: to me, all right, now, it's about interest. It's just

1544
01:29:10,680 --> 01:29:13,560
Speaker 1: about who they who the people really going to miss with.

1545
01:29:14,080 --> 01:29:17,960
Speaker 1: It ain't about these blog dudes that think they hold

1546
01:29:18,080 --> 01:29:20,840
Speaker 1: some special place in the culture. It is not about them.

1547
01:29:20,880 --> 01:29:23,240
Speaker 1: It's about the music, the artists and what he is

1548
01:29:23,320 --> 01:29:26,200
Speaker 1: bringing to the market. Is he standing on it, is

1549
01:29:26,200 --> 01:29:29,080
Speaker 1: he confident in it? Is he walking with that Michael

1550
01:29:29,240 --> 01:29:33,479
Speaker 1: Jordan type of swag? Is he handling it in that way?

1551
01:29:33,880 --> 01:29:36,360
Speaker 1: And that's what you deal with with Baby. Now Here's

1552
01:29:36,400 --> 01:29:42,000
Speaker 1: what's important. When I communicate about the accolades. There's a

1553
01:29:42,160 --> 01:29:45,439
Speaker 1: very specific way I have to do it, because we

1554
01:29:45,560 --> 01:29:48,280
Speaker 1: don't do it to shun other rappers that may not

1555
01:29:48,520 --> 01:29:51,200
Speaker 1: get to the Two Hunter, but we do do it

1556
01:29:51,360 --> 01:29:54,799
Speaker 1: to tell these guys in media and these other facets

1557
01:29:54,840 --> 01:29:57,560
Speaker 1: who may think they're powerful or may think they have

1558
01:29:57,680 --> 01:30:00,320
Speaker 1: a certain amount of influence if they don't po this,

1559
01:30:00,560 --> 01:30:03,400
Speaker 1: or they don't tag this, or they don't uplift this

1560
01:30:03,720 --> 01:30:06,800
Speaker 1: artist in this time, or whatever the case may be,

1561
01:30:07,280 --> 01:30:11,600
Speaker 1: they may think that that may influence the overall impact

1562
01:30:12,439 --> 01:30:15,120
Speaker 1: of the album. And I think it's important that I

1563
01:30:15,240 --> 01:30:18,120
Speaker 1: communicate to these guys that the way that this thing

1564
01:30:18,760 --> 01:30:22,400
Speaker 1: is working has needs to be updated. That's no longer

1565
01:30:22,439 --> 01:30:25,320
Speaker 1: the approach. It's no longer a thing where the artist

1566
01:30:25,439 --> 01:30:27,439
Speaker 1: has to deal with some of these blogs that was

1567
01:30:27,520 --> 01:30:30,240
Speaker 1: there first, some of these publications that was there first,

1568
01:30:30,600 --> 01:30:32,640
Speaker 1: some of any of this that was dead first. If

1569
01:30:32,680 --> 01:30:36,519
Speaker 1: the music is good, if the artist is who the

1570
01:30:36,760 --> 01:30:40,560
Speaker 1: artist is and creatively has found a pocket and a

1571
01:30:40,720 --> 01:30:44,479
Speaker 1: bag and feels that comfortable to come out in front

1572
01:30:44,520 --> 01:30:47,080
Speaker 1: of the public with all that weight on their shoulders

1573
01:30:47,520 --> 01:30:51,879
Speaker 1: and deliver, and you have to deal with the results

1574
01:30:51,920 --> 01:30:56,439
Speaker 1: of that, and so other people that are looking at

1575
01:30:56,479 --> 01:30:59,320
Speaker 1: those numbers. It's important to understand that. But it's also

1576
01:30:59,439 --> 01:31:03,800
Speaker 1: important for me as media to be responsible and also

1577
01:31:04,000 --> 01:31:07,760
Speaker 1: understand that, hey, we're not identifying this to ship on

1578
01:31:07,880 --> 01:31:12,679
Speaker 1: anybody else, but were identifying this to identify something to media,

1579
01:31:12,840 --> 01:31:16,680
Speaker 1: and sometimes you become collateral damage. Right, So as I'm

1580
01:31:16,720 --> 01:31:19,679
Speaker 1: trying to tell the rest of the media, y'all don't

1581
01:31:19,720 --> 01:31:23,839
Speaker 1: influence nothing. Baby rolled out with me and he wouldn't

1582
01:31:23,920 --> 01:31:27,040
Speaker 1: number one in the world. And we got half a

1583
01:31:27,240 --> 01:31:30,880
Speaker 1: million in the first three fold days. And that's just

1584
01:31:31,160 --> 01:31:34,960
Speaker 1: on YouTube. We got seven eight nine million on my account,

1585
01:31:35,000 --> 01:31:38,800
Speaker 1: on Instagram, sorr eight million on TikTok on my account, right,

1586
01:31:39,200 --> 01:31:42,799
Speaker 1: And so what I'm saying is this is showing dudes

1587
01:31:42,920 --> 01:31:47,360
Speaker 1: that media has the update and dudes are real quiet.

1588
01:31:47,960 --> 01:31:50,240
Speaker 1: And and let me be clear about this too. I'm

1589
01:31:50,240 --> 01:31:54,599
Speaker 1: gonna come out and make points about if it calls

1590
01:31:54,680 --> 01:31:57,200
Speaker 1: for that, but I'm not gonna get online and stream

1591
01:31:57,360 --> 01:32:03,760
Speaker 1: all day. Right. I'm running four successful businesses. I got family, children,

1592
01:32:04,000 --> 01:32:08,280
Speaker 1: love ones, a community that I can be teaching, right,

1593
01:32:08,400 --> 01:32:10,200
Speaker 1: So I ain't got the time to lay up and

1594
01:32:10,320 --> 01:32:13,040
Speaker 1: sit up on twitchy' all day and go back and

1595
01:32:13,160 --> 01:32:16,639
Speaker 1: forth with dudes that were one color all year around,

1596
01:32:17,479 --> 01:32:20,960
Speaker 1: and ain't how I'm getting down see nor, I'm not

1597
01:32:21,080 --> 01:32:23,280
Speaker 1: an Internet nigga. I don't come with a Wi Fi

1598
01:32:23,520 --> 01:32:25,880
Speaker 1: pass where when I meet you, I give you my

1599
01:32:26,000 --> 01:32:29,560
Speaker 1: phone number. Naw, I don't give you my graham and

1600
01:32:30,200 --> 01:32:33,479
Speaker 1: my WiFi pass where I give you my number. Now

1601
01:32:33,560 --> 01:32:37,479
Speaker 1: I got the money on me. Now it's the real thing.

1602
01:32:40,479 --> 01:32:42,400
Speaker 1: We'll move on for this. But I feel like I

1603
01:32:42,560 --> 01:32:44,760
Speaker 1: gotta speak on this and be loud about this. And

1604
01:32:44,880 --> 01:32:48,400
Speaker 1: I'm not gonna spend many more episodes going down this

1605
01:32:48,600 --> 01:32:51,559
Speaker 1: rabbit hole because I'm too important to the community. I'm

1606
01:32:51,600 --> 01:32:55,120
Speaker 1: too important to the infrastructure. I can no longer let

1607
01:32:55,640 --> 01:32:58,519
Speaker 1: some of these guys run around with these false narratives

1608
01:32:58,560 --> 01:33:01,280
Speaker 1: like and then I keep seeing you nba, young boyl

1609
01:33:03,000 --> 01:33:04,920
Speaker 1: See this is what I don't like. Bro. Then what

1610
01:33:05,040 --> 01:33:07,800
Speaker 1: I say about do you guys that's been imported into

1611
01:33:07,880 --> 01:33:11,200
Speaker 1: the country, like you ain't even from this there. It's

1612
01:33:11,240 --> 01:33:15,040
Speaker 1: an old saying that says war is sweet to a person,

1613
01:33:15,160 --> 01:33:18,400
Speaker 1: and never taste it. You ain't never had to deal

1614
01:33:18,520 --> 01:33:20,640
Speaker 1: with the casualties a war. You ain't never had to

1615
01:33:21,040 --> 01:33:23,200
Speaker 1: figure out where to put your family, because it's a

1616
01:33:23,280 --> 01:33:27,320
Speaker 1: guarantee retaliation on the way. You don't know what it

1617
01:33:27,439 --> 01:33:30,240
Speaker 1: feel like, dog, And so you're gass all let up

1618
01:33:30,320 --> 01:33:33,479
Speaker 1: the same way you do with that police says DA

1619
01:33:33,720 --> 01:33:37,400
Speaker 1: tagging you gass all let up Because in your man,

1620
01:33:37,720 --> 01:33:41,599
Speaker 1: it's a game. You've been imported into GTA. You didn't

1621
01:33:41,680 --> 01:33:46,720
Speaker 1: spawned into the world over here. They spawned you into

1622
01:33:46,800 --> 01:33:51,160
Speaker 1: this ship. And we was here when you cut the

1623
01:33:51,240 --> 01:33:53,800
Speaker 1: game on. We was built in this. We was born

1624
01:33:53,920 --> 01:33:56,599
Speaker 1: in this. And so you're viewing of it, you playing

1625
01:33:56,640 --> 01:34:00,439
Speaker 1: it like it's some kind of Joe. You keeping these

1626
01:34:00,479 --> 01:34:03,519
Speaker 1: two black successful rappers that one of them got a

1627
01:34:03,640 --> 01:34:06,720
Speaker 1: two cases with the fids, just beat one trying this

1628
01:34:06,880 --> 01:34:09,439
Speaker 1: best to duck them people and running his bag up,

1629
01:34:09,960 --> 01:34:13,120
Speaker 1: and then you're trying to keep making spark that five

1630
01:34:13,320 --> 01:34:16,519
Speaker 1: right there. You keep trying to what kind of that

1631
01:34:17,120 --> 01:34:21,040
Speaker 1: and you, Kyle, dude them your buddy, your friends. Why

1632
01:34:21,080 --> 01:34:23,240
Speaker 1: I'm from, we ain't friends with is to do that

1633
01:34:23,400 --> 01:34:26,200
Speaker 1: kind of You can't beat my buddy doing that. Man,

1634
01:34:26,600 --> 01:34:29,920
Speaker 1: I don't give a background you from. It ain't about

1635
01:34:30,000 --> 01:34:33,719
Speaker 1: me being spooked or no, or saying yo, I'm scared

1636
01:34:33,760 --> 01:34:35,920
Speaker 1: of them guys. It's like, Yo, we don't go to

1637
01:34:36,040 --> 01:34:38,840
Speaker 1: war at the hands of you, why you keep don't

1638
01:34:38,960 --> 01:34:41,439
Speaker 1: keep mentioning my name about no beef? And then a

1639
01:34:41,560 --> 01:34:44,000
Speaker 1: nigga say from me and me and him mentor and

1640
01:34:44,160 --> 01:34:46,360
Speaker 1: now and it's on the back of you and you

1641
01:34:46,479 --> 01:34:50,559
Speaker 1: sitting back laughing. You don't just past the responsibility off

1642
01:34:50,600 --> 01:34:53,840
Speaker 1: because Nick focusing on that bullshit. Say, when you go

1643
01:34:53,960 --> 01:34:56,439
Speaker 1: on Twitch and you drunk for six seven hours out

1644
01:34:56,520 --> 01:35:04,439
Speaker 1: the day, every goddamn day, you gotta start to ask yourself,

1645
01:35:04,520 --> 01:35:08,680
Speaker 1: where else are you valuable? Now? If it's loose, they

1646
01:35:08,800 --> 01:35:11,320
Speaker 1: pass word, if they cut the internet off, what else

1647
01:35:11,400 --> 01:35:16,200
Speaker 1: you got? Can you really teach somebody something? Can you

1648
01:35:16,320 --> 01:35:19,000
Speaker 1: really lead any goddamn about it? Or as you just

1649
01:35:19,160 --> 01:35:21,720
Speaker 1: wanted them that with the camera cut on, you talk

1650
01:35:21,840 --> 01:35:24,960
Speaker 1: with a high pitched voice and you scream while you drunk,

1651
01:35:25,160 --> 01:35:28,640
Speaker 1: and a hand and you pass the responsibility off to

1652
01:35:28,720 --> 01:35:32,559
Speaker 1: the other. That may be infrastructure may be stronger than yours.

1653
01:35:32,880 --> 01:35:35,360
Speaker 1: I know what these doing. And they say truth that

1654
01:35:35,600 --> 01:35:39,960
Speaker 1: is not used is abused. And let me respond to

1655
01:35:40,080 --> 01:35:42,880
Speaker 1: this point that he said. And then I'm trying to

1656
01:35:42,960 --> 01:35:44,960
Speaker 1: move on from this, but it's on my heart, it's

1657
01:35:45,000 --> 01:35:47,800
Speaker 1: on my spirit. It just felt like the energy is

1658
01:35:47,880 --> 01:35:50,240
Speaker 1: just saying loan you gotta do to You gotta speak

1659
01:35:50,280 --> 01:35:54,360
Speaker 1: about these things. They need your voice. You've been placed

1660
01:35:54,400 --> 01:35:59,400
Speaker 1: in this position to interpret this data. At came out

1661
01:35:59,479 --> 01:36:05,000
Speaker 1: and said, I think baby mad at me because I

1662
01:36:05,160 --> 01:36:08,519
Speaker 1: came out and says something about live somebody and I

1663
01:36:08,640 --> 01:36:12,880
Speaker 1: didn't say the name and act just don't see. And

1664
01:36:13,360 --> 01:36:15,800
Speaker 1: whether that's true or not, it's still up for debate. Again.

1665
01:36:15,880 --> 01:36:23,040
Speaker 1: I think that academics creates a unfortunate and unrealistic environment

1666
01:36:23,400 --> 01:36:26,040
Speaker 1: over there on Twitch when he's drunk. So what happens

1667
01:36:26,240 --> 01:36:29,680
Speaker 1: is he says and does things without his influence at

1668
01:36:29,760 --> 01:36:32,479
Speaker 1: the forefront of his mind. He didn't got drunk. He

1669
01:36:32,560 --> 01:36:36,240
Speaker 1: doesn't let it all go. That's why he's more comfortable

1670
01:36:36,320 --> 01:36:38,720
Speaker 1: than that. Ask yourself why a man that can be

1671
01:36:38,880 --> 01:36:41,280
Speaker 1: paid to talk goals over there and does it for free.

1672
01:36:41,680 --> 01:36:44,639
Speaker 1: He don't got nothing else to do, And that's his vibe,

1673
01:36:44,720 --> 01:36:48,400
Speaker 1: that's his comfortable spot, sitting in the house with a

1674
01:36:48,560 --> 01:36:52,320
Speaker 1: ball full of liquor in front of the camera. That's

1675
01:36:52,439 --> 01:36:57,960
Speaker 1: after he didn't work the all day on camera and

1676
01:36:58,080 --> 01:37:01,160
Speaker 1: they called the hustle. But I don't see business popping

1677
01:37:01,240 --> 01:37:03,840
Speaker 1: out of that. Matter of fact, he lost this Twitch deal.

1678
01:37:03,920 --> 01:37:06,880
Speaker 1: You got guys like shout out to the I can't

1679
01:37:06,920 --> 01:37:09,519
Speaker 1: think of his name. I can't say it. Kate starts

1680
01:37:09,560 --> 01:37:11,679
Speaker 1: with a K shout out to him, the twitch guy.

1681
01:37:12,080 --> 01:37:14,679
Speaker 1: You got guys like that that's whipping his ass aiden

1682
01:37:14,800 --> 01:37:19,280
Speaker 1: rossover on twitst t grizzly like his Twitch presence to

1683
01:37:19,400 --> 01:37:21,840
Speaker 1: be over there doing as much as he's doing to

1684
01:37:22,040 --> 01:37:25,559
Speaker 1: his brand, the presence he has over there, the amount

1685
01:37:25,600 --> 01:37:28,360
Speaker 1: of money he's making over there, I don't know if

1686
01:37:28,400 --> 01:37:31,760
Speaker 1: it's worth it. But when I put my business hat

1687
01:37:31,800 --> 01:37:33,519
Speaker 1: on and I as lone, why would he do that?

1688
01:37:33,600 --> 01:37:38,880
Speaker 1: I said, all this podcasts got short legs, very low

1689
01:37:39,000 --> 01:37:47,000
Speaker 1: replay value, very very low replay value. All this podcast

1690
01:37:47,080 --> 01:37:51,160
Speaker 1: ship bought them legs, short on them. Conversation might get

1691
01:37:51,240 --> 01:37:55,160
Speaker 1: one clip of somebody saying some selations that's gone your shit.

1692
01:37:55,280 --> 01:37:58,519
Speaker 1: Ain't building in building in building what people are taking

1693
01:37:58,840 --> 01:38:01,920
Speaker 1: you know? Na, Na, it's one and done his clip

1694
01:38:02,000 --> 01:38:04,920
Speaker 1: and if he didn't have that platform at podcast will

1695
01:38:05,040 --> 01:38:07,880
Speaker 1: be dead. And I don't say that because me and

1696
01:38:07,960 --> 01:38:12,720
Speaker 1: act have no personal issue. I'm identifying the situation in

1697
01:38:12,840 --> 01:38:17,439
Speaker 1: the media. I can't beef with the police. It's important

1698
01:38:17,479 --> 01:38:21,400
Speaker 1: that I identify that too. To the young loom, it's

1699
01:38:21,439 --> 01:38:25,799
Speaker 1: telling you. You can't beef with the police. But because

1700
01:38:25,880 --> 01:38:29,400
Speaker 1: I'm not involved in criminal activity, I can speak to

1701
01:38:29,520 --> 01:38:32,120
Speaker 1: these dudes in this way, and I've been ordained, I've

1702
01:38:32,160 --> 01:38:34,679
Speaker 1: been placed in this position to do so. Right, There's

1703
01:38:34,720 --> 01:38:37,880
Speaker 1: been a lot happening that is unfortunate on be Heald

1704
01:38:37,960 --> 01:38:40,360
Speaker 1: for the circumstances, and I think it's my job just

1705
01:38:40,520 --> 01:38:43,600
Speaker 1: to point those things out. And I want to be

1706
01:38:43,720 --> 01:38:46,200
Speaker 1: clear that I got rich work with me. See a

1707
01:38:46,240 --> 01:38:50,639
Speaker 1: lot of these media guys on their way down right

1708
01:38:50,960 --> 01:38:53,479
Speaker 1: after they and they transition stage where they go over

1709
01:38:53,600 --> 01:38:58,040
Speaker 1: here and they go independent, and it's like the numbers

1710
01:38:58,080 --> 01:39:00,680
Speaker 1: ain't the same, maybe the support ain't the saying. Then

1711
01:39:00,760 --> 01:39:03,120
Speaker 1: you got media nuts who trying to build their name

1712
01:39:03,200 --> 01:39:06,120
Speaker 1: on the backs and so now they start picking at

1713
01:39:06,160 --> 01:39:09,600
Speaker 1: you because they got all day and they're confusing the

1714
01:39:09,760 --> 01:39:14,320
Speaker 1: interests with their profile and platform with people's interests of

1715
01:39:14,439 --> 01:39:17,240
Speaker 1: their point of view. Don't nobody care what these dudes think.

1716
01:39:18,520 --> 01:39:21,320
Speaker 1: And I'm doing high level business. The people that's in

1717
01:39:21,400 --> 01:39:23,880
Speaker 1: business with me no win just talking. I mean, I'm rich,

1718
01:39:23,920 --> 01:39:25,680
Speaker 1: I got more money than everybody. Then we're trying to

1719
01:39:25,760 --> 01:39:28,240
Speaker 1: make sure everybody get to eat off this ship. And

1720
01:39:28,360 --> 01:39:31,160
Speaker 1: I look at you, and I'm embarrassed that you nigga

1721
01:39:31,320 --> 01:39:35,000
Speaker 1: at the forefront so long. Most shootings ain't having no merch,

1722
01:39:35,479 --> 01:39:38,960
Speaker 1: Most shooting can't sell no tickets. I'm in barrass I'm

1723
01:39:39,040 --> 01:39:43,320
Speaker 1: in as many views as you get, as many people

1724
01:39:43,360 --> 01:39:46,599
Speaker 1: that you claim to behaving, watching your lives and your twitches.

1725
01:39:46,760 --> 01:39:49,240
Speaker 1: And ain't nobody coming out when you step foot in

1726
01:39:49,280 --> 01:39:53,080
Speaker 1: the city, unless you somewhere buying bottles, unless you somewhere

1727
01:39:53,080 --> 01:39:55,320
Speaker 1: where they can use your name to try to make

1728
01:39:55,360 --> 01:39:57,880
Speaker 1: it like the club mean a little more in that instant.

1729
01:39:58,040 --> 01:40:00,840
Speaker 1: But the ain't nobody buying tickets. You niggas ain't having merch.

1730
01:40:01,040 --> 01:40:03,439
Speaker 1: And you've been at the forefront with all these goddamn

1731
01:40:03,520 --> 01:40:05,680
Speaker 1: people following you, and you want us to look at

1732
01:40:05,720 --> 01:40:08,719
Speaker 1: you like some kind of business man. I'm embarrass Ask

1733
01:40:08,800 --> 01:40:12,000
Speaker 1: academics what the fucket aren't done with this influence? But

1734
01:40:12,240 --> 01:40:15,160
Speaker 1: post every day in twitch drunk ten hours a day

1735
01:40:17,080 --> 01:40:19,960
Speaker 1: when it got a little Spotify deal. There ain't nobody

1736
01:40:20,040 --> 01:40:23,240
Speaker 1: coming over there but Takashia six nine all the other conversations.

1737
01:40:23,560 --> 01:40:26,000
Speaker 1: People are seeing them if they're doing, if they don't know,

1738
01:40:26,160 --> 01:40:31,800
Speaker 1: nobody kill I'm just keeping it. Pea, stop me when

1739
01:40:31,840 --> 01:40:35,040
Speaker 1: I'm lying. I'm talking about any real attendance. If I

1740
01:40:35,160 --> 01:40:38,160
Speaker 1: say something, flow stop the camera because I don't do this.

1741
01:40:38,320 --> 01:40:41,280
Speaker 1: The reporting on the business. A lot of these news

1742
01:40:41,400 --> 01:40:44,800
Speaker 1: talk about what they heard. Loon speak about what he's

1743
01:40:44,840 --> 01:40:50,439
Speaker 1: seen and observed. I talk about business and what I observed, right.

1744
01:40:50,720 --> 01:40:53,559
Speaker 1: I don't never fuck offing man. I heard this about

1745
01:40:53,640 --> 01:40:57,040
Speaker 1: this people dating. I heard this is what is up

1746
01:40:57,120 --> 01:40:59,680
Speaker 1: with you guys? But I know who I'm dealing with.

1747
01:41:00,200 --> 01:41:02,200
Speaker 1: Y'all ain't in this game. The hustle that why ain't

1748
01:41:02,200 --> 01:41:04,160
Speaker 1: none of you got merged? Talk to me when you

1749
01:41:04,240 --> 01:41:10,840
Speaker 1: can hit me? Why you can't sell tickets? Somebody tell

1750
01:41:10,960 --> 01:41:13,920
Speaker 1: me the answer to that. All these views they got,

1751
01:41:14,040 --> 01:41:16,280
Speaker 1: I gotta be your views. Let me see you sell

1752
01:41:16,320 --> 01:41:19,040
Speaker 1: a club about I know comics that ain't got but

1753
01:41:19,240 --> 01:41:22,120
Speaker 1: sixteen people liking they post, but it can get three

1754
01:41:22,240 --> 01:41:25,000
Speaker 1: hundred people in the comedy club. See y'all study this

1755
01:41:25,280 --> 01:41:28,040
Speaker 1: entire game. I don't just deal with you hip hop fools.

1756
01:41:31,080 --> 01:41:34,400
Speaker 1: I know how this business is ran. You want me

1757
01:41:34,479 --> 01:41:38,240
Speaker 1: to believe that six million people is following you, and

1758
01:41:38,400 --> 01:41:41,960
Speaker 1: you can't get sixteen people to buy tickets to buy

1759
01:41:42,000 --> 01:41:44,759
Speaker 1: a T shirt? You ain't got nothing for sale. Ain't

1760
01:41:44,800 --> 01:41:47,639
Speaker 1: nothing off the record, nothing. I don't see nothing nowhere.

1761
01:41:48,280 --> 01:41:50,519
Speaker 1: And y'all at the forefront of the bid and somebody

1762
01:41:50,600 --> 01:41:53,120
Speaker 1: talked to me when they can hit me. I made

1763
01:41:53,200 --> 01:41:56,160
Speaker 1: more money off podcasting and you niggas and you being

1764
01:41:56,240 --> 01:42:02,120
Speaker 1: paid by companies. You're being paid by companies imported into

1765
01:42:02,200 --> 01:42:06,920
Speaker 1: the country to talk about our coach. Ain't this a bit?

1766
01:42:10,400 --> 01:42:12,920
Speaker 1: And when I see with all that influence and doing

1767
01:42:13,000 --> 01:42:15,160
Speaker 1: nothing with it, I say to myself, and ain't that

1768
01:42:15,200 --> 01:42:18,320
Speaker 1: ain't no different than the dumb street the same name.

1769
01:42:18,439 --> 01:42:20,400
Speaker 1: I'm trying to teach a that dope money, you got

1770
01:42:20,520 --> 01:42:24,280
Speaker 1: to do something with that stupid that influence, you got,

1771
01:42:24,439 --> 01:42:26,880
Speaker 1: learned to do something with that. But you ain't never

1772
01:42:26,960 --> 01:42:30,479
Speaker 1: been a hustler. Boy, you got lucky. Boy, you got lucky.

1773
01:42:30,560 --> 01:42:32,920
Speaker 1: The Internet was birth right when you was right there

1774
01:42:33,040 --> 01:42:36,360
Speaker 1: doing none, just in front of that computer. I'm probably

1775
01:42:36,400 --> 01:42:40,040
Speaker 1: the only at the dy nick was it's a it's

1776
01:42:40,120 --> 01:42:44,120
Speaker 1: eight hundred thousand podcasts birth to day or some wild number,

1777
01:42:45,320 --> 01:42:47,240
Speaker 1: and I had to cut through all that. I'm the

1778
01:42:47,320 --> 01:42:49,400
Speaker 1: only person that was able to do it. While the

1779
01:42:49,560 --> 01:42:53,840
Speaker 1: Internet was established without a celebrity fan base that didn't

1780
01:42:53,880 --> 01:42:56,840
Speaker 1: come from sports, didn't come through. Rap didn't come through

1781
01:42:56,920 --> 01:42:59,479
Speaker 1: none of that. I had no built in influence, and

1782
01:42:59,600 --> 01:43:02,559
Speaker 1: I can't throwing cut through while letting noise. You better

1783
01:43:02,640 --> 01:43:05,439
Speaker 1: talk to me like you're dealing with a businessman. None

1784
01:43:05,479 --> 01:43:09,400
Speaker 1: of you looking got merch, none of you going on tour.

1785
01:43:09,760 --> 01:43:12,519
Speaker 1: None of you people are capitalizing on what this is.

1786
01:43:12,760 --> 01:43:16,200
Speaker 1: Shout out to wallowing Gilly, Shout out to earn your leisure,

1787
01:43:17,080 --> 01:43:20,559
Speaker 1: Shout out the Rory and mall who else is on tour?

1788
01:43:21,160 --> 01:43:24,000
Speaker 1: But all this influencing y'all don't know what to do

1789
01:43:24,120 --> 01:43:28,360
Speaker 1: with it. Then you're talking about rapping like baby, this

1790
01:43:28,600 --> 01:43:32,920
Speaker 1: filling up, this selling out, this converting ship transition, and

1791
01:43:33,000 --> 01:43:35,160
Speaker 1: then the ship is over here with acts. I met

1792
01:43:35,240 --> 01:43:37,880
Speaker 1: the World Cup. What I say about bad I never

1793
01:43:37,960 --> 01:43:40,799
Speaker 1: said I was man. I'll let the environment you creating

1794
01:43:40,840 --> 01:43:43,880
Speaker 1: over there. It's embarrassing to the culture that this is

1795
01:43:43,920 --> 01:43:46,720
Speaker 1: the man with the influence. This is the man with

1796
01:43:46,840 --> 01:43:50,000
Speaker 1: all the influence. This is all our rappers, all our

1797
01:43:50,120 --> 01:43:52,960
Speaker 1: sports people, this is the man they follow. And he

1798
01:43:53,120 --> 01:43:56,880
Speaker 1: on Twitch six hours a day, drinking, screaming at the camera,

1799
01:43:57,000 --> 01:44:00,519
Speaker 1: talking about who dating who and who you using who,

1800
01:44:00,800 --> 01:44:03,799
Speaker 1: and projecting what he got to go through with women

1801
01:44:04,080 --> 01:44:06,680
Speaker 1: on to other people in masking as he's dealing with

1802
01:44:06,800 --> 01:44:11,320
Speaker 1: the conversation. This is the man with all the influing.

1803
01:44:11,720 --> 01:44:13,639
Speaker 1: This is who we post to. Beliegue got the top

1804
01:44:13,800 --> 01:44:16,400
Speaker 1: podcast in the game, and he ain't a loan. It's

1805
01:44:16,400 --> 01:44:18,519
Speaker 1: a lot of y'all at the top doing nothing with it.

1806
01:44:21,760 --> 01:44:25,880
Speaker 1: Your people asking for more moneys, contract negotiations and things

1807
01:44:26,160 --> 01:44:29,000
Speaker 1: you can't create more income. I tell you what y'all

1808
01:44:29,120 --> 01:44:32,760
Speaker 1: do for you. We got contract issues, hiring me, hiring me,

1809
01:44:32,920 --> 01:44:35,760
Speaker 1: somebody bring me a million dollars. I fixed everything you

1810
01:44:35,880 --> 01:44:39,040
Speaker 1: got gonna you ain't got the kind of problem solving mindset.

1811
01:44:39,600 --> 01:44:41,559
Speaker 1: I was gonna put some game right there, but it's

1812
01:44:41,600 --> 01:44:44,600
Speaker 1: too much. You gotta pay me for that. But but,

1813
01:44:44,840 --> 01:44:47,280
Speaker 1: but but I'm understanding that they don't have no hustle.

1814
01:44:47,320 --> 01:44:52,200
Speaker 1: They don't come from nothing. You're dealing with individuals who

1815
01:44:52,360 --> 01:44:59,280
Speaker 1: either transition first or what's there at the birth for

1816
01:44:59,400 --> 01:45:04,160
Speaker 1: the Internet, and the familiarity clause is in effect where

1817
01:45:04,160 --> 01:45:07,439
Speaker 1: it's just like, yeah, I know, I know who that is. Now,

1818
01:45:07,479 --> 01:45:09,559
Speaker 1: I've been following him. Look at some of them. I've

1819
01:45:09,560 --> 01:45:14,719
Speaker 1: been following him since two thy ten. It ain't because

1820
01:45:14,800 --> 01:45:17,720
Speaker 1: your your your point of viewers because you're your profile,

1821
01:45:18,920 --> 01:45:21,200
Speaker 1: and I expected you need to make money when you

1822
01:45:21,360 --> 01:45:23,240
Speaker 1: was here at the birth. For I want to see

1823
01:45:23,240 --> 01:45:26,360
Speaker 1: you make money when it's crowded. That's why Shack was

1824
01:45:26,400 --> 01:45:29,559
Speaker 1: a bad mother. For it's three fold in the paint.

1825
01:45:29,640 --> 01:45:33,080
Speaker 1: He come up with two points. Steph Curry, it's two

1826
01:45:33,200 --> 01:45:36,920
Speaker 1: three on him. He come out with three lebron Jo,

1827
01:45:37,120 --> 01:45:40,240
Speaker 1: it's two three in the cup. Hi, come up, John Murent,

1828
01:45:40,320 --> 01:45:42,800
Speaker 1: he go two three niggas dow Hi, I'm coming back

1829
01:45:42,880 --> 01:45:45,320
Speaker 1: with two. I want to see what you can do

1830
01:45:45,400 --> 01:45:49,120
Speaker 1: when it's crowding in the paint. You was there when

1831
01:45:49,200 --> 01:45:51,720
Speaker 1: one nobody in the gym, and you keep talking to

1832
01:45:51,800 --> 01:45:54,760
Speaker 1: me about what points you got. You need telling me

1833
01:45:55,080 --> 01:45:58,720
Speaker 1: I'm rich, I got rich, you posted got rich. You

1834
01:45:58,920 --> 01:46:02,680
Speaker 1: was there first. I want to see what you can

1835
01:46:02,720 --> 01:46:05,760
Speaker 1: do when it's crowded in the paint. Nick, everybody that

1836
01:46:05,960 --> 01:46:09,760
Speaker 1: was their first post to get money. Even a prostitute

1837
01:46:09,800 --> 01:46:12,519
Speaker 1: can get pregnant, But it's about what she do with

1838
01:46:12,640 --> 01:46:16,920
Speaker 1: the baby. Can she take care of the baby? Keep

1839
01:46:17,000 --> 01:46:20,439
Speaker 1: telling you, Solve, it ain't about getting rich, it's about

1840
01:46:20,520 --> 01:46:23,760
Speaker 1: staying rich. I put that game down before. Kevin Hart.

1841
01:46:23,840 --> 01:46:27,000
Speaker 1: I love Kevin Hart, but it ain't about getting rich.

1842
01:46:27,000 --> 01:46:30,800
Speaker 1: It's about staying rich. Staying power is what I call it.

1843
01:46:33,040 --> 01:46:38,040
Speaker 1: Keep holling, I'm rich. I got rich. You was there

1844
01:46:38,080 --> 01:46:41,760
Speaker 1: when they first monetized this. You got luck at what

1845
01:46:41,880 --> 01:46:46,679
Speaker 1: I need to be here, you say, But NaN's crowded

1846
01:46:46,720 --> 01:46:48,760
Speaker 1: in the pain. I'm looking at the points you're putting up.

1847
01:46:48,800 --> 01:46:52,759
Speaker 1: What we're doing, What you're contributing to the team. Because

1848
01:46:52,840 --> 01:46:56,320
Speaker 1: this colture, this market, this hip hop podcasting thing, this

1849
01:46:56,520 --> 01:46:59,880
Speaker 1: media thing, this black media thing, even the sub sick

1850
01:47:00,320 --> 01:47:03,439
Speaker 1: the hip hop carved out of that, we teamed up

1851
01:47:03,520 --> 01:47:07,800
Speaker 1: to try to take over the entire markey what you contributing.

1852
01:47:08,840 --> 01:47:10,760
Speaker 1: I don't know what you're contributing, but I know what

1853
01:47:10,840 --> 01:47:16,080
Speaker 1: you're missing. You should never miss a great time to

1854
01:47:16,200 --> 01:47:19,840
Speaker 1: shut the fuck up, get off for twitch, and go

1855
01:47:19,960 --> 01:47:25,200
Speaker 1: do some business. All the great pictures of these vacations,

1856
01:47:27,200 --> 01:47:31,559
Speaker 1: these having the time of their lives in the middle

1857
01:47:31,600 --> 01:47:37,360
Speaker 1: of a motherfucking building. Other industry oh they're dealing with,

1858
01:47:37,479 --> 01:47:40,320
Speaker 1: are different. These having the time of their lives in

1859
01:47:40,439 --> 01:47:44,040
Speaker 1: the middle of an industry building process. Ain't no time

1860
01:47:44,120 --> 01:47:48,679
Speaker 1: for loaning the party that will make us different than y'all.

1861
01:47:49,200 --> 01:47:51,840
Speaker 1: Like I told Baby, we come in this game, and

1862
01:47:51,920 --> 01:47:54,400
Speaker 1: we don't play with it. We understand what's at state.

1863
01:47:56,040 --> 01:47:58,320
Speaker 1: We know this a once in lifetime thing. Boy, it's

1864
01:47:58,360 --> 01:48:01,800
Speaker 1: like the nineteen twenties. I studied history. Right now, you

1865
01:48:01,880 --> 01:48:05,280
Speaker 1: better put your boots on and figure out. These niggas

1866
01:48:05,400 --> 01:48:08,040
Speaker 1: is having the time of their life and party in

1867
01:48:08,160 --> 01:48:13,559
Speaker 1: the middle off the industry building process. Bro, and these

1868
01:48:13,600 --> 01:48:17,160
Speaker 1: are the leaders of media. Everybody getting drunk and high

1869
01:48:17,400 --> 01:48:21,920
Speaker 1: and chilling and man, we overhit. Okay, now, keep your

1870
01:48:21,960 --> 01:48:25,880
Speaker 1: eyes open. They called me mister five double low. Keep

1871
01:48:25,920 --> 01:48:29,120
Speaker 1: your eyes open on this. All right, let's pivot a

1872
01:48:29,200 --> 01:48:32,679
Speaker 1: little bit. Let's talk about this. Kanye West did another

1873
01:48:32,760 --> 01:48:35,320
Speaker 1: interview with Drink Champs. I'm heaving the coach, but they

1874
01:48:35,360 --> 01:48:38,519
Speaker 1: got to pull the big guns out. They gotta go

1875
01:48:38,640 --> 01:48:41,679
Speaker 1: gig yea and they gotta try to It was quiet

1876
01:48:41,760 --> 01:48:46,479
Speaker 1: last week. It was quiet last week, me and baby.

1877
01:48:46,520 --> 01:48:49,200
Speaker 1: It was quiet in the podcast space last week. And

1878
01:48:49,680 --> 01:48:53,000
Speaker 1: you know, I'm saying that humbly because I'm grateful. God

1879
01:48:53,120 --> 01:48:56,960
Speaker 1: knows I've been placed in position in hand picked. But boy,

1880
01:48:56,960 --> 01:48:59,240
Speaker 1: it was quiet last week. A lot of your old

1881
01:48:59,360 --> 01:49:02,960
Speaker 1: heads didn't say nothing. A lot of your old heads

1882
01:49:03,000 --> 01:49:06,040
Speaker 1: who taught that black media tall really didn't say nothing,

1883
01:49:06,880 --> 01:49:10,599
Speaker 1: and I'm giving it some time. I take it his business,

1884
01:49:10,680 --> 01:49:12,920
Speaker 1: so I'm gonna try to hold off. I know, all

1885
01:49:12,960 --> 01:49:19,160
Speaker 1: you niggas watching babies, stop playing. What else you get

1886
01:49:19,240 --> 01:49:24,160
Speaker 1: yourselves from some young doing it like that Draker somewhat chilling,

1887
01:49:24,520 --> 01:49:30,080
Speaker 1: bad chilling, all the other guy that everybody they it

1888
01:49:30,200 --> 01:49:32,800
Speaker 1: was isolation for Baby. They knew Baby. Let Baby get

1889
01:49:32,840 --> 01:49:35,800
Speaker 1: his shot off. Baby when he got that done. I

1890
01:49:35,960 --> 01:49:40,240
Speaker 1: know y'all watching baby, but they didn't say. Damn. Baby

1891
01:49:40,360 --> 01:49:44,599
Speaker 1: rolled out with their young creator, young black dude too damn,

1892
01:49:44,640 --> 01:49:46,960
Speaker 1: and he talk he gotta be one of us, Baby said,

1893
01:49:47,000 --> 01:49:49,519
Speaker 1: he hand picked dude. I gotta shot him, man, we

1894
01:49:49,560 --> 01:49:52,719
Speaker 1: gotta live him up. A couple of you old niggas

1895
01:49:52,760 --> 01:49:57,200
Speaker 1: come up missing in the moral department, But I'm no

1896
01:49:57,320 --> 01:50:01,439
Speaker 1: longer confused. I know exactly what I'm dealing win. Lucky

1897
01:50:01,560 --> 01:50:04,120
Speaker 1: for me, though, I come in with the information, and

1898
01:50:04,280 --> 01:50:06,920
Speaker 1: I got some people around women that say, we believe

1899
01:50:07,000 --> 01:50:09,800
Speaker 1: what you're talking about. Let's get it. And if I

1900
01:50:09,960 --> 01:50:12,200
Speaker 1: let them down, nigga, you know what that means to me,

1901
01:50:12,479 --> 01:50:15,920
Speaker 1: that ain't gonna never happen. It's too much on the line.

1902
01:50:15,920 --> 01:50:17,960
Speaker 1: I can never let niggas down. I can never let

1903
01:50:18,080 --> 01:50:21,160
Speaker 1: my family down, nigga. This mean everything to me. So

1904
01:50:21,360 --> 01:50:24,320
Speaker 1: my information and my involvement in this is gonna be

1905
01:50:24,479 --> 01:50:27,400
Speaker 1: way at a high level, high frequency of y'all because

1906
01:50:27,439 --> 01:50:31,320
Speaker 1: y'all playing with it. But Kanye West went on Drink

1907
01:50:31,400 --> 01:50:36,160
Speaker 1: Chumps after this and did it. That said something right there,

1908
01:50:36,160 --> 01:50:38,599
Speaker 1: and we'll deal with that sometime some other time. Shout

1909
01:50:38,640 --> 01:50:43,200
Speaker 1: out to my revote familiest love, I love y'all. After

1910
01:50:43,360 --> 01:50:47,200
Speaker 1: this and did it, Kanye went on Drink Chumps to

1911
01:50:47,240 --> 01:50:50,280
Speaker 1: talk with Nori. We're gonna look at a few clips

1912
01:50:50,920 --> 01:50:53,640
Speaker 1: and we're gonna come back with some game. He came here,

1913
01:50:53,680 --> 01:50:56,679
Speaker 1: he said, cancel me. He pointed to himself. He said,

1914
01:50:56,720 --> 01:51:00,360
Speaker 1: cancel me. They did not cancel him. It could not

1915
01:51:00,520 --> 01:51:03,479
Speaker 1: cancel them. Right now, it's a little turmoil. We're gonna

1916
01:51:03,520 --> 01:51:05,320
Speaker 1: get to it. We're gonna ask the questions, gonna do

1917
01:51:05,400 --> 01:51:07,360
Speaker 1: whatever I asked them. If anything is off the record,

1918
01:51:07,439 --> 01:51:11,080
Speaker 1: he said absolutely nothing. But we're gonna get praises in

1919
01:51:11,200 --> 01:51:18,200
Speaker 1: love to the one, the only mister. Yeah, make them now. Yeah,

1920
01:51:18,880 --> 01:51:21,200
Speaker 1: I want to start. I want to start because you know,

1921
01:51:21,640 --> 01:51:25,320
Speaker 1: the very famous interview is you and Sway right and

1922
01:51:25,479 --> 01:51:28,320
Speaker 1: then um, you saying that you wanted to be like

1923
01:51:28,479 --> 01:51:31,280
Speaker 1: Ralph or you wanted to be up there with that caliber,

1924
01:51:31,680 --> 01:51:36,959
Speaker 1: and now it's like you are Ralph, you are that caliber.

1925
01:51:37,479 --> 01:51:39,439
Speaker 1: And then I guess what I'm trying to say is

1926
01:51:39,520 --> 01:51:44,840
Speaker 1: so that's where we get confused with the answers to answer.

1927
01:51:45,080 --> 01:51:47,479
Speaker 1: But I guess that's where we get confused with the

1928
01:51:47,520 --> 01:51:52,400
Speaker 1: Adidas part of it is because like didn't like, that's

1929
01:51:52,479 --> 01:51:54,439
Speaker 1: that's how you became a billionaire right through through the

1930
01:51:54,560 --> 01:51:58,479
Speaker 1: easy So like what is discrepancy? What Adidas? You know,

1931
01:51:58,560 --> 01:52:01,120
Speaker 1: I just didn't have a relationship ships with the factories

1932
01:52:01,680 --> 01:52:04,759
Speaker 1: at that time, and I was managing a lot of ideas,

1933
01:52:04,880 --> 01:52:08,120
Speaker 1: like I was a you know, a new dad, I

1934
01:52:08,400 --> 01:52:12,280
Speaker 1: was newly married. I had a bunch of teams, like

1935
01:52:12,360 --> 01:52:15,560
Speaker 1: a big team of designers with being we hadn't established

1936
01:52:15,920 --> 01:52:17,800
Speaker 1: who we were. We were still fighting to get our

1937
01:52:17,880 --> 01:52:21,360
Speaker 1: respect in fashion. So there's a lot of fights at

1938
01:52:21,400 --> 01:52:23,920
Speaker 1: the same time. So we had to go and basically

1939
01:52:23,960 --> 01:52:30,920
Speaker 1: like intern almost up under these companies. Yeah finde uh

1940
01:52:31,080 --> 01:52:34,000
Speaker 1: And we interned in a way at Adidas, like the

1941
01:52:34,120 --> 01:52:38,760
Speaker 1: licensing deal was my intern to become you know more

1942
01:52:38,800 --> 01:52:43,800
Speaker 1: on that, uh, Bernard or no, Vezo's elon territory and

1943
01:52:43,960 --> 01:52:46,880
Speaker 1: just understanding how to you know how money works, like

1944
01:52:47,040 --> 01:52:50,599
Speaker 1: this is first generation, Like you can say, like look

1945
01:52:50,600 --> 01:52:53,200
Speaker 1: at like Jay with the duc this is first generational

1946
01:52:53,320 --> 01:52:56,680
Speaker 1: wealth and infrastructures, right yeah, the infrastructures how to do

1947
01:52:56,720 --> 01:52:59,400
Speaker 1: a factor even right now, like when I left Gap,

1948
01:52:59,439 --> 01:53:01,840
Speaker 1: I moved, we made this T shirt like all the

1949
01:53:01,920 --> 01:53:04,000
Speaker 1: tremendous stuff we're doing right now, which is a flip

1950
01:53:04,120 --> 01:53:07,000
Speaker 1: on Supreme where the guy that used to work for

1951
01:53:07,080 --> 01:53:13,280
Speaker 1: me Tremaine is now as Supreme. Um, he's Jewish, And

1952
01:53:13,400 --> 01:53:17,479
Speaker 1: I'm like, see, this is my exact point that I'm making,

1953
01:53:18,040 --> 01:53:21,680
Speaker 1: Like Jewish people have owned the black voice, whether it's

1954
01:53:21,720 --> 01:53:25,840
Speaker 1: through us wearing a Ralph lored shirt, or it's all

1955
01:53:25,880 --> 01:53:29,519
Speaker 1: of us being signed to a record label or having

1956
01:53:29,560 --> 01:53:33,200
Speaker 1: a Jewish manager, or being signed to a Jewish basketball team,

1957
01:53:33,600 --> 01:53:37,120
Speaker 1: or doing a movie on a Jewish platform like Disney,

1958
01:53:37,760 --> 01:53:42,480
Speaker 1: and we understand. It's like I respect what the Jewish

1959
01:53:42,520 --> 01:53:45,519
Speaker 1: people have done and how they brought their people together.

1960
01:53:46,200 --> 01:53:50,400
Speaker 1: You know, they came into money through the lawyers when

1961
01:53:50,920 --> 01:53:55,680
Speaker 1: after Wall Street, when um, when all of the uh,

1962
01:53:56,280 --> 01:53:59,320
Speaker 1: like the Catholics, they wouldn't they wouldn't divorce people. So

1963
01:53:59,439 --> 01:54:01,880
Speaker 1: the Jewish lawyers came and they were willing to divorce people.

1964
01:54:01,880 --> 01:54:03,519
Speaker 1: That's when they first came into their money. So like

1965
01:54:03,720 --> 01:54:08,280
Speaker 1: say with me and Jay with our culture, with the

1966
01:54:09,840 --> 01:54:12,360
Speaker 1: with the darker Jews first of all, because you got

1967
01:54:12,439 --> 01:54:15,720
Speaker 1: it happens when anybody started talking deep, okay, yeah, with

1968
01:54:15,800 --> 01:54:18,320
Speaker 1: the dark with the darker Jews, the twelve Lost Tribes

1969
01:54:18,680 --> 01:54:21,400
Speaker 1: of Israel. Who we are because we're Jewish. Also we're

1970
01:54:21,439 --> 01:54:24,840
Speaker 1: from Africa. Also we're the blood of Christ, so we're

1971
01:54:24,880 --> 01:54:27,679
Speaker 1: not just black. We are Jews, just like the Jewish people.

1972
01:54:27,720 --> 01:54:29,519
Speaker 1: And now we're coming into money. But the main thing

1973
01:54:29,680 --> 01:54:32,720
Speaker 1: is I gotta drink the douce say over the Hennessee

1974
01:54:33,520 --> 01:54:36,440
Speaker 1: as the first step to us coming together, like how

1975
01:54:36,480 --> 01:54:39,880
Speaker 1: the Jewish people came together, but we couldn't even talk

1976
01:54:39,960 --> 01:54:42,960
Speaker 1: about I remember Ben Horror has called me after four

1977
01:54:43,080 --> 01:54:45,720
Speaker 1: for four, has said, I don't know about Jay giving

1978
01:54:45,800 --> 01:54:49,600
Speaker 1: up business, Jewish business secrets and these secrets who were

1979
01:54:49,640 --> 01:54:53,160
Speaker 1: talking about building up the properties and stuff like that.

1980
01:54:53,920 --> 01:54:57,480
Speaker 1: These secrets. Can't they not gonna be a secret? No more?

1981
01:54:57,640 --> 01:54:59,760
Speaker 1: Like if somebody tells me, somebody's like, yo, I want

1982
01:54:59,800 --> 01:55:01,840
Speaker 1: to tell you this, but it's a secret. I'm like,

1983
01:55:01,920 --> 01:55:04,840
Speaker 1: I'm not your personal hard drive. Like, if you want

1984
01:55:04,880 --> 01:55:08,200
Speaker 1: to be a secret, don't tell me. So in that clip,

1985
01:55:08,280 --> 01:55:10,960
Speaker 1: you hear Kanye Ain't talking about he's going against the Jews.

1986
01:55:11,040 --> 01:55:13,760
Speaker 1: Certain things he has said has got him removed from

1987
01:55:13,840 --> 01:55:19,120
Speaker 1: Instagram and as well as Twitter, said some disparaging remarks

1988
01:55:19,160 --> 01:55:22,200
Speaker 1: about a lot of groups of people, and so in

1989
01:55:22,360 --> 01:55:25,520
Speaker 1: particular in this particular clip, who he's speaking about, his jewels,

1990
01:55:27,000 --> 01:55:29,440
Speaker 1: speaking about the White Lives Matter T shirt and how

1991
01:55:29,520 --> 01:55:31,840
Speaker 1: he linked up with Jews to put out a White

1992
01:55:31,920 --> 01:55:33,960
Speaker 1: Lives a Matter of T shirt. I just want you

1993
01:55:34,040 --> 01:55:36,000
Speaker 1: to write that in your notes, but we'll move on.

1994
01:55:37,480 --> 01:55:39,920
Speaker 1: He linked up with them to put this T shirt out,

1995
01:55:39,960 --> 01:55:43,160
Speaker 1: but when he started to say certain things, they doubled

1996
01:55:43,160 --> 01:55:46,440
Speaker 1: back and was like, nine, we're not doing that. And

1997
01:55:46,640 --> 01:55:49,360
Speaker 1: because they probably had some kind of agreement, they may

1998
01:55:49,440 --> 01:55:53,680
Speaker 1: have some trademark or something on that that's in place

1999
01:55:53,720 --> 01:55:55,480
Speaker 1: to where he can't just spend off and go do

2000
01:55:55,600 --> 01:56:00,120
Speaker 1: it itself. But nonetheless, what's more important, I think what

2001
01:56:00,240 --> 01:56:02,120
Speaker 1: you need to pay attention to as well as like

2002
01:56:02,240 --> 01:56:04,960
Speaker 1: what you see on a much lower level with Charleston

2003
01:56:05,040 --> 01:56:09,000
Speaker 1: White is they removed those videos off, some of those

2004
01:56:09,120 --> 01:56:12,760
Speaker 1: major platforms. But with him, he had a stadium tour

2005
01:56:14,560 --> 01:56:18,200
Speaker 1: I'll call it a mini tour four dates, spot tour,

2006
01:56:18,400 --> 01:56:22,480
Speaker 1: four dates. And when he said that about Jews, they

2007
01:56:22,600 --> 01:56:28,000
Speaker 1: canceled his stadium tours. That's power you're dealing with. They

2008
01:56:28,120 --> 01:56:32,040
Speaker 1: canceled his stadium tours when he made those remarks about Jews.

2009
01:56:33,400 --> 01:56:36,240
Speaker 1: What can black people cancel when you make a remark

2010
01:56:36,320 --> 01:56:39,000
Speaker 1: about us? I'll wait, given, I'll give you a second.

2011
01:56:41,080 --> 01:56:46,160
Speaker 1: We controlled cool, right, we controlled culture, but we don't

2012
01:56:46,200 --> 01:56:50,280
Speaker 1: own coach. If you offend black people right now today,

2013
01:56:52,640 --> 01:56:57,120
Speaker 1: what can we call and cancel for you as an entertainer.

2014
01:56:58,040 --> 01:57:01,640
Speaker 1: I'm talking about as a whole, not some people say

2015
01:57:01,720 --> 01:57:06,240
Speaker 1: it's cool something saying I know that's company's in there, right,

2016
01:57:06,360 --> 01:57:09,120
Speaker 1: there's gonna be like I'm standing with us, But I'm

2017
01:57:09,160 --> 01:57:13,400
Speaker 1: speaking as a whole, like like four stadium shows. I

2018
01:57:13,520 --> 01:57:15,320
Speaker 1: just think it's a conversation to be had. What I

2019
01:57:15,440 --> 01:57:17,560
Speaker 1: think we need to do is use culture to build

2020
01:57:17,600 --> 01:57:22,280
Speaker 1: community and take that community and then build out. You

2021
01:57:22,320 --> 01:57:24,200
Speaker 1: know what I'm saying. But in the process, we need

2022
01:57:24,280 --> 01:57:27,960
Speaker 1: to really really empower ourselves financially. What we can spread

2023
01:57:28,040 --> 01:57:33,040
Speaker 1: the wealth around because just one idea at the top

2024
01:57:33,120 --> 01:57:39,120
Speaker 1: ain't gonna never do nobody no good. Be honest. I

2025
01:57:39,240 --> 01:57:49,000
Speaker 1: gotta be honest. So but when you wear the white

2026
01:57:49,120 --> 01:57:55,200
Speaker 1: Lives matter, sure it kind of takes away from everything

2027
01:57:55,320 --> 01:58:02,080
Speaker 1: from black people because what it is is like the

2028
01:58:02,200 --> 01:58:07,000
Speaker 1: same way you are the Confederate flag, Federate flag, and

2029
01:58:07,160 --> 01:58:10,960
Speaker 1: we're like, damn, and I know you, I loved you,

2030
01:58:12,440 --> 01:58:15,640
Speaker 1: I focus you, and you my brother. So I take

2031
01:58:15,760 --> 01:58:18,600
Speaker 1: this and I'm a real nigga, and I'm a real

2032
01:58:18,680 --> 01:58:24,640
Speaker 1: nigga in the streets every day. But even me, I questioned, like,

2033
01:58:25,000 --> 01:58:30,360
Speaker 1: why would you try to like even when you said

2034
01:58:30,680 --> 01:58:35,000
Speaker 1: you know George Floyd and you said George Floyd like like,

2035
01:58:35,400 --> 01:58:39,840
Speaker 1: and you said I could prove that somebody wasn't on

2036
01:58:40,040 --> 01:58:44,600
Speaker 1: his neck. We don't even care about that yet because

2037
01:58:44,640 --> 01:58:48,760
Speaker 1: we don't care. But but but let me finish. We

2038
01:58:49,120 --> 01:58:54,200
Speaker 1: were black people. We we black panthers, We fucking the

2039
01:58:54,400 --> 01:59:00,280
Speaker 1: people that you got a fuck you. We with you

2040
01:59:01,080 --> 01:59:04,200
Speaker 1: when it was time for you to say that it

2041
01:59:04,280 --> 01:59:09,520
Speaker 1: is the fun. We want to continue to follow you.

2042
01:59:11,120 --> 01:59:18,600
Speaker 1: We do you are Yeah, well, when the white lives matter.

2043
01:59:19,040 --> 01:59:25,080
Speaker 1: We know white lives matter, we know that, but black

2044
01:59:25,160 --> 01:59:29,400
Speaker 1: lives matter when when when we are getting killed every

2045
01:59:29,600 --> 01:59:34,160
Speaker 1: fucking single day. We have to notice that. But since

2046
01:59:34,240 --> 01:59:40,640
Speaker 1: that happened, we haven't got killed less. We got killed more.

2047
01:59:41,320 --> 01:59:43,960
Speaker 1: We broke more shit up. You got understand. It's like

2048
01:59:44,040 --> 01:59:48,360
Speaker 1: what I'm doing. It's type jeans. If you think about

2049
01:59:48,400 --> 01:59:50,520
Speaker 1: the moment, if you think about a Meek Mills outfit

2050
01:59:51,040 --> 01:59:53,840
Speaker 1: and you picture him, you gotta picture him and some

2051
01:59:54,000 --> 01:59:58,560
Speaker 1: type jeans. But the same mentality would have been Beanie

2052
01:59:58,960 --> 02:00:02,360
Speaker 1: telling me and Pharrell to come out the closet because

2053
02:00:02,440 --> 02:00:05,720
Speaker 1: he was wearing tight jeans back in the days. And

2054
02:00:05,800 --> 02:00:08,400
Speaker 1: then I got on tape, I say, yo, don't try

2055
02:00:08,480 --> 02:00:10,960
Speaker 1: me like that. You know what I'm saying. I'm Alosta

2056
02:00:11,040 --> 02:00:13,560
Speaker 1: forest Ship and now me and Beanie we're good. Like

2057
02:00:13,640 --> 02:00:16,280
Speaker 1: everybody know, I'm Michael. You know I'm saying like no one.

2058
02:00:16,440 --> 02:00:19,160
Speaker 1: There's no one like no one. You know what I'm saying.

2059
02:00:19,200 --> 02:00:24,200
Speaker 1: So I agree, I agree, But Ken, Ken, Kenny, let

2060
02:00:24,240 --> 02:00:28,040
Speaker 1: me talk. Yeah, but I agree. I agree with you say,

2061
02:00:29,040 --> 02:00:33,600
Speaker 1: but we really getting killed out here? Yeah yeah, listen, listen,

2062
02:00:34,000 --> 02:00:37,800
Speaker 1: we really getting killed out here. A little brothers all

2063
02:00:38,880 --> 02:00:42,120
Speaker 1: God bless bless out trying to change you. You have

2064
02:00:42,280 --> 02:00:48,320
Speaker 1: children named you have children named Nori, Chicago. I imagine

2065
02:00:48,760 --> 02:00:53,200
Speaker 1: Nori and Chicago comes to you and says, Yo, they

2066
02:00:53,320 --> 02:00:56,640
Speaker 1: called me a nigga. And then Nori says to you, well,

2067
02:00:56,680 --> 02:00:59,040
Speaker 1: why they called me a nigga? And they say, because

2068
02:00:59,120 --> 02:01:03,560
Speaker 1: they said black lives didn't matter. No, no lives matter,

2069
02:01:03,680 --> 02:01:09,440
Speaker 1: judgment that black lives don't matter. Right, That's that's that's

2070
02:01:09,440 --> 02:01:11,440
Speaker 1: the conversation. That's what we need you to say. Yeah,

2071
02:01:11,720 --> 02:01:14,480
Speaker 1: that's the conversation. All right, all right now we're talking.

2072
02:01:14,880 --> 02:01:18,040
Speaker 1: Now we're talking. That's what we need to say because

2073
02:01:18,160 --> 02:01:20,920
Speaker 1: you know what, let me tell you why. And this

2074
02:01:21,320 --> 02:01:27,040
Speaker 1: can always um shit. And when she says black lives

2075
02:01:27,280 --> 02:01:34,240
Speaker 1: matter organization from the organization. But let's just be clear,

2076
02:01:34,560 --> 02:01:38,200
Speaker 1: that's like saying, you know, the Catholic Church about Jesus

2077
02:01:38,280 --> 02:01:42,960
Speaker 1: something that chad is something that utang. But let me

2078
02:01:43,040 --> 02:01:46,960
Speaker 1: tell yourself, Woutang, it's for the children. It's for the children.

2079
02:01:47,280 --> 02:01:57,080
Speaker 1: It's forever for the children. I don't even if the

2080
02:01:57,280 --> 02:02:00,920
Speaker 1: von or whatever whatever it is for else, guess what

2081
02:02:01,320 --> 02:02:03,360
Speaker 1: utang is still for the children. And that's what I

2082
02:02:03,480 --> 02:02:07,280
Speaker 1: want to fuck. Black lives matter. Don't say that. Don't

2083
02:02:07,320 --> 02:02:09,240
Speaker 1: say that. You can cancel if you chancel about to

2084
02:02:09,280 --> 02:02:12,120
Speaker 1: Joe that when I say that when I say that,

2085
02:02:12,240 --> 02:02:14,600
Speaker 1: when I see what I mean this Black Lives Matter

2086
02:02:14,760 --> 02:02:18,560
Speaker 1: as an organization, but as a movement as as as

2087
02:02:18,600 --> 02:02:22,280
Speaker 1: a statement, as a statement. You hear Kanye over there,

2088
02:02:22,560 --> 02:02:25,320
Speaker 1: You know, I don't know if I got a lot

2089
02:02:25,400 --> 02:02:29,040
Speaker 1: out of that. I see what nor is trying to go. Um,

2090
02:02:30,160 --> 02:02:32,840
Speaker 1: but this is a very specific conversation and need to

2091
02:02:32,880 --> 02:02:39,280
Speaker 1: be had with Kanye in under very under very specific circumstances. Right,

2092
02:02:39,440 --> 02:02:44,000
Speaker 1: you need to have a very direct question answer, like

2093
02:02:44,240 --> 02:02:47,000
Speaker 1: you really gotta deal with Kanye in one line. You

2094
02:02:47,080 --> 02:02:50,520
Speaker 1: really gotta kind of because the way his brain works

2095
02:02:50,760 --> 02:02:53,400
Speaker 1: when you're dancing, you'd have lost him. Like when you're

2096
02:02:54,240 --> 02:02:56,040
Speaker 1: going all the way down, you probably don't have lost

2097
02:02:56,120 --> 02:02:59,400
Speaker 1: what he said into the end unless you're just making

2098
02:02:59,600 --> 02:03:03,080
Speaker 1: a point and communicating kind of like how they communicate.

2099
02:03:03,160 --> 02:03:05,600
Speaker 1: But I didn't get much from what he said there.

2100
02:03:05,800 --> 02:03:08,240
Speaker 1: I don't know its point about a White Lives Matter

2101
02:03:08,360 --> 02:03:14,120
Speaker 1: shirt because I am information based, But I don't see

2102
02:03:14,440 --> 02:03:18,560
Speaker 1: the point you can make in that having black children,

2103
02:03:18,920 --> 02:03:22,720
Speaker 1: being a black man growing up against families at this point,

2104
02:03:22,800 --> 02:03:26,240
Speaker 1: because you're at that level of business understanding how important

2105
02:03:26,240 --> 02:03:29,760
Speaker 1: a black man is to the family, understanding, you need

2106
02:03:29,880 --> 02:03:32,480
Speaker 1: families to do business against families when you get to

2107
02:03:32,600 --> 02:03:35,720
Speaker 1: that level understanding how important your family is, right, and

2108
02:03:35,840 --> 02:03:38,280
Speaker 1: then you tie that back and it's just I'm not

2109
02:03:38,480 --> 02:03:43,000
Speaker 1: getting how white lives matter can be justified in any way,

2110
02:03:43,080 --> 02:03:45,160
Speaker 1: shape or for him. I know Kenneth Owens is in

2111
02:03:45,240 --> 02:03:49,840
Speaker 1: a situation to do some political facing, so she'll get

2112
02:03:49,880 --> 02:03:52,520
Speaker 1: in front of her audience and kind of make sure

2113
02:03:52,600 --> 02:03:58,440
Speaker 1: that her jargon is always of a certain texture. And

2114
02:03:58,560 --> 02:04:01,280
Speaker 1: I'm open to have a conversation with Candidis once about

2115
02:04:01,360 --> 02:04:04,440
Speaker 1: some of the particulars or just her mindset. Right, I'm

2116
02:04:04,480 --> 02:04:07,840
Speaker 1: not as political with I'm not as well versed in

2117
02:04:08,040 --> 02:04:12,520
Speaker 1: politics as she is. But having a conversation to me,

2118
02:04:12,640 --> 02:04:15,600
Speaker 1: you don't have to dive that deep into politics. I

2119
02:04:15,680 --> 02:04:18,560
Speaker 1: want to know you're thinking behind some of your points

2120
02:04:18,600 --> 02:04:21,040
Speaker 1: of views, and I'm not sure if I need to

2121
02:04:21,080 --> 02:04:25,880
Speaker 1: study politics to understand that. But Yaya's own drink Chaps

2122
02:04:25,920 --> 02:04:29,520
Speaker 1: again says a three hour conversation. I guess we'll wait

2123
02:04:29,600 --> 02:04:31,840
Speaker 1: till it come out to kind of cover it and

2124
02:04:31,920 --> 02:04:36,440
Speaker 1: see what's going on. You know, this conversation to me

2125
02:04:36,600 --> 02:04:40,040
Speaker 1: should have been been had and needed to be had,

2126
02:04:41,000 --> 02:04:43,320
Speaker 1: a lot of these conversations I had on this part man,

2127
02:04:43,360 --> 02:04:45,680
Speaker 1: We're gonna continue to serve the culture with the highest

2128
02:04:45,760 --> 02:04:49,440
Speaker 1: level of game, gonna continue to be the leading force

2129
02:04:49,560 --> 02:04:51,840
Speaker 1: and the leading voice. You know, the vibration is high.

2130
02:04:51,840 --> 02:04:55,480
Speaker 1: It's up their podcast being ship in the world. It's

2131
02:04:55,520 --> 02:04:58,440
Speaker 1: your board luded from itss up there podcast. Thank you

2132
02:04:58,560 --> 02:05:01,160
Speaker 1: for watching the video. You just watch and make sure

2133
02:05:01,200 --> 02:05:03,840
Speaker 1: you subscribe by hitting the button you see on the screen,

2134
02:05:04,280 --> 02:05:07,040
Speaker 1: or go to the next video by hitting this right

2135
02:05:07,160 --> 02:05:09,440
Speaker 1: here you see on the screen. Big it up there

2136
02:05:09,600 --> 02:05:09,800
Speaker 1: Park