WEBVTT - 6 | The Dark Man in the Corner

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<v Speaker 1>Consumed is a production of iHeart Podcast in grimm and

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<v Speaker 1>mild from Aaron Mackey. Headphones recommended, listener discretion advised.

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<v Speaker 2>Oh augussl gourdon hon emn.

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<v Speaker 3>Tito, he is Acus.

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<v Speaker 2>The name nielding to be Sougus Man.

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<v Speaker 4>The man.

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<v Speaker 2>Came hall cob Ergus the how.

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<v Speaker 5>That was? Wow?

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<v Speaker 6>I don't even It's called keening, the ancient Irish whaling

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<v Speaker 6>of lament for the dead.

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<v Speaker 4>Is this what they sing at all Irish funerals?

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<v Speaker 7>Oh?

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<v Speaker 6>This one is called keene for a dead child, So

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<v Speaker 6>I hope not. Poor Aaron can't.

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<v Speaker 4>Believe they're having a memorial for her here in the diner.

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<v Speaker 6>Todd volunteered since apparently mister wed tore apart their house

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<v Speaker 6>when he got the news. He's understandably and not handling

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<v Speaker 6>it well.

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<v Speaker 4>I can't even imagine. Hello, huh oh hi.

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<v Speaker 8>Oh, hello Phoebe. We we didn't see you sneak up

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<v Speaker 8>behind us.

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<v Speaker 9>Aaron says in a super spy Aaron's good sister.

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<v Speaker 10>It's her, heidy silly, I wonder when she's coming.

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<v Speaker 4>Oh that's right. Are you having a good time?

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<v Speaker 11>Yes?

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<v Speaker 2>And no?

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<v Speaker 10>Oh yes, because I love coming to shahs and no

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<v Speaker 10>that old lady's voice was not pretty, and too many

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<v Speaker 10>people in black awry baring loing. There is also baring

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<v Speaker 10>way all all down.

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<v Speaker 12>Oh hello, Phoebe, what's so boring?

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<v Speaker 4>I'm on cake, I think we can find you a piece.

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<v Speaker 4>Why don't you go ask mister Shaw?

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<v Speaker 1>Okay, okay, okay, Well this is embarrassing.

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<v Speaker 12>We did the right thing, Jack, you did what you wanted.

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<v Speaker 12>We're in public, Jack, I did what was best for

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<v Speaker 12>our son. We should just take a look around. We're

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<v Speaker 12>at his girlfriend's service. Do you have any idea how

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<v Speaker 12>easily it could have been him?

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<v Speaker 1>Instance, you had our son arrested.

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<v Speaker 12>I had him put in a safe place.

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<v Speaker 1>You lied.

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<v Speaker 12>I did what I had to do. And if you

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<v Speaker 12>don't keep your fucking temper and your.

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<v Speaker 13>Voice, hike Todd, Rema, Jack, Hey Todd, Hey Jack. A

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<v Speaker 13>couple of us were wondering if we could maybe have

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<v Speaker 13>a talk later, talk sure, and not to be ghost.

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<v Speaker 13>Maybe you guys would consider waiting at home?

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<v Speaker 12>What are you asking us to leave?

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<v Speaker 2>No?

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<v Speaker 13>No, it's just the hubbub with Avery. You know, it's

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<v Speaker 13>casting a bit of a dark cloud on the whole bed. Hey,

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<v Speaker 13>how about I cast a bit of my fucking foot

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<v Speaker 13>up your.

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<v Speaker 8>It's Phoebe.

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<v Speaker 5>Is she okay?

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<v Speaker 2>Phoebe? Phoebe Mony?

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<v Speaker 14>Holy shit, is that a finger?

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<v Speaker 8>Phoebe?

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<v Speaker 14>You give that to me right now? You gotta judge

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<v Speaker 14>me place, young lady. Drop that right now. You will

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<v Speaker 14>tell us right now, where did you get that?

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<v Speaker 10>He gave it to me? The dark man in the corner.

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<v Speaker 10>He said he was just with Aaron.

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<v Speaker 4>If this draft was any bigger, we'd be protesting the war.

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<v Speaker 4>Let me just go ahead and erase that dad joke.

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<v Speaker 9>Oh my god, I just had a dad joke and

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<v Speaker 9>I'm not a dad or in my fifties.

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<v Speaker 4>Deleted.

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<v Speaker 9>Okay, So after the fifth what the fuck moment in

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<v Speaker 9>the diner, I think I'm gonna document more than just

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<v Speaker 9>possible story stuff, just in case my body ends up

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<v Speaker 9>being party face. I heard two small children at memorial

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<v Speaker 9>services on a lighter note slash worst segue ever. Gordon

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<v Speaker 9>has been even more adorable. So normally I'd say I

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<v Speaker 9>want to take him home, but technically I'm homeless and

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<v Speaker 9>he lives in a library. That being said, cute Gordon

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<v Speaker 9>is get this gathering a set of books to bring

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<v Speaker 9>to the coop or what they call the Cooper nursing home.

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<v Speaker 9>Every week he delivers a curated box of selected works,

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<v Speaker 9>plus any request the residents have. And let me tell you,

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<v Speaker 9>that man is checking off boxes I never knew existed.

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<v Speaker 9>If only he could check off the properly insulate an

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<v Speaker 9>old building box, we may be engaged already.

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<v Speaker 8>Engage.

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<v Speaker 9>Nope, didn't scare me. I heard them close toed Birkenstock

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<v Speaker 9>feet from a mile away.

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<v Speaker 8>But I also heard talk about engage.

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<v Speaker 9>I was remembering my favorite Star Trek episode.

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<v Speaker 8>Oh yeah, which one?

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<v Speaker 4>Is this one of those?

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<v Speaker 9>I'm wearing the band shirt, so I have to prove

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<v Speaker 9>that I'm a fan by naming a song toxic Snyder

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<v Speaker 9>cut dude, bro moves.

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<v Speaker 15>Oh no, no, I've only ever seen like two episodes

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<v Speaker 15>of any Star Trek.

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<v Speaker 4>Ew really is that bad? It was here the cracks

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<v Speaker 4>started showing.

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<v Speaker 15>Okay, well, allow me to redeem myself. I have seen

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<v Speaker 15>every episode of Doctor Who.

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<v Speaker 4>Okay, you can stay.

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<v Speaker 16>Hey.

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<v Speaker 4>I wanted to ask, did you know Erin at all?

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<v Speaker 2>No?

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<v Speaker 4>Not really, like not really didn't know her at all?

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<v Speaker 6>Well, well, no, I mean she came in a few

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<v Speaker 6>times and I can remember.

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<v Speaker 15>But you know, the institution of the library isn't really

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<v Speaker 15>keeping up with the TikTok algorithm, and most of the

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<v Speaker 15>famous ones are still open because social media.

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<v Speaker 6>Has deemed them a tourist destination.

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<v Speaker 14>Mm hmm.

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<v Speaker 4>But I didn't ask about them.

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<v Speaker 15>I'm so sorry. I guess I'm still processing all that's

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<v Speaker 15>going on.

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<v Speaker 6>You know what, I think?

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<v Speaker 15>I want to see Miss Milligan, along with the others

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<v Speaker 15>still at the coop, make some people smile today after

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<v Speaker 15>that craziness as Shaws.

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<v Speaker 4>I get it. I'm sorry. I guess I'm always in

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<v Speaker 4>work mode.

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<v Speaker 15>No, No, it's okay, I get it. I really should

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<v Speaker 15>have watched more.

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<v Speaker 8>Star Trek.

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<v Speaker 4>Doctor who.

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<v Speaker 15>I mean, come on, there will be no tarnis Lander

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<v Speaker 15>tolerated on this trip.

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<v Speaker 4>Oh, I'm coming, I mean, if you want.

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<v Speaker 6>I was kind of hoping I.

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<v Speaker 4>Could talk to miss Milligan and see if she could share.

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<v Speaker 8>Anything brilliant alone.

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<v Speaker 4>See if that's a reference. I swear this place looks

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<v Speaker 4>like one of those horror movie orphanages.

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<v Speaker 8>That's basically any brickhouse in New England.

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<v Speaker 4>Exactly.

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<v Speaker 8>What's your favorite orphanage movie?

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<v Speaker 4>Can I say the Orphanage?

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<v Speaker 16>Oh?

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<v Speaker 6>That works?

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<v Speaker 5>You win?

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<v Speaker 8>I do first price? What is it you get to

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<v Speaker 8>carry half the books.

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<v Speaker 4>In I should have said the devil's backbone.

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<v Speaker 8>Oh, now that would have gotten you a cargo free entrance.

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<v Speaker 4>Noted. So this place is definitely not haunted.

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<v Speaker 15>No, but it kind of has that clean, old person smell.

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<v Speaker 15>Oh I know that, and I can't imagine ever putting

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<v Speaker 15>my folks in one of.

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<v Speaker 4>These, even if it was the best option.

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<v Speaker 15>Oh my god, I once joked that we were gonna

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<v Speaker 15>put my boilin at home. And let me tell you,

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<v Speaker 15>my entire family didn't talk to me for a month.

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<v Speaker 15>My birthday was in the middle of it all, and

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<v Speaker 15>I didn't even get a high five.

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<v Speaker 8>I didn't get the gandul she promised me. I didn't

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<v Speaker 8>get anything. It's just kind of like a wink. I

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<v Speaker 8>got a wing from my grandma.

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<v Speaker 2>Oh.

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<v Speaker 9>Speaking of no communication, hello, huh, that's weird.

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<v Speaker 15>One at the front desk, but also the exodus. Okay,

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<v Speaker 15>but someone has to be here if.

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<v Speaker 4>They can't just leave the patients residence.

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<v Speaker 16>Oh if they catch you calling them patients.

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<v Speaker 9>Oh, I'm sorry I didn't Gordon.

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<v Speaker 5>Is she with you, yes, ma'am great? You know the

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<v Speaker 5>rules about visitors.

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<v Speaker 16>Not on the list?

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<v Speaker 15>Yes?

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<v Speaker 5>Sorry, Eliza, Misscastle, Miss Castle, You're lucky I'm too understaffed

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<v Speaker 5>and those books will come in handy, so let's go.

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<v Speaker 4>Thank you, Miss Castle.

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<v Speaker 8>Is this everyone?

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<v Speaker 5>The other nine were all picked up by their families

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<v Speaker 5>for early winter trips. Hello, missus Bridgers. Everything okay, must be.

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<v Speaker 13>Nice kids, Missit ain't there folks under them?

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<v Speaker 12>Buzard anymore. I gave them everything a second they could leave.

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<v Speaker 16>They left down.

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<v Speaker 5>Though, missus Bridgers, these aren't anyone's kids. This is Gordon,

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<v Speaker 5>the librarian you met on our field trip back in May.

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<v Speaker 5>Poor woman has no idea what I just said. She's

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<v Speaker 5>been angry at her family since they checked her in

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<v Speaker 5>four years ago.

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<v Speaker 4>She's been alone for four years.

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<v Speaker 5>Younger generation doesn't like the burden of taking care of

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<v Speaker 5>the people who take care of them.

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<v Speaker 4>Yeah, must be a bummer, Oh, miss Milligan.

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<v Speaker 8>I'll leave you.

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<v Speaker 15>No, Miss Milligan. Mister Cahill retired a few years ago.

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<v Speaker 15>I'm the new and improved model Gordon from the library.

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<v Speaker 16>The cover, the what the cover?

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<v Speaker 8>The book cover? Miss Milligan.

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<v Speaker 15>I don't think she likes does Jackets?

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<v Speaker 16>Who are you?

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<v Speaker 9>I'm Gordon Gordon and you Hello, Miss Milligan. I'm Sarah

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<v Speaker 9>Simmons and Gordon and I have brought you some amazing books.

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<v Speaker 8>Yes, yes, we got some doozies today.

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<v Speaker 4>Miss Milligan.

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<v Speaker 9>I was hoping you'd be able to tell me about Joshua,

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<v Speaker 9>your son. You remember him right, Maybe what he said

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<v Speaker 9>before he.

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<v Speaker 16>Left or child? Come here me closer, young lady. If

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<v Speaker 16>you're going to stay, don't trust the dark man in

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<v Speaker 16>the corner.

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<v Speaker 4>I'm sorry, what.

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<v Speaker 16>Leave the books here? I need to take a nap.

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<v Speaker 8>Alrighty, well, we'll see you next week.

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<v Speaker 2>Who are you?

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<v Speaker 12>Did you hear? What the fuck?

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<v Speaker 14>She just said?

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<v Speaker 8>The dark man stuff?

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<v Speaker 2>Yeah?

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<v Speaker 4>Wasn't that basically what Aaron's little sister said?

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<v Speaker 2>Man?

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<v Speaker 8>I don't think so.

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<v Speaker 15>I think she was And this is pretty par for

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<v Speaker 15>the course with the elderly in New England.

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<v Speaker 8>Referring to me.

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<v Speaker 5>What.

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<v Speaker 15>Yeah, she asked for Dean Koons's watchers two weeks ago

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<v Speaker 15>and could only find whispers, So I may have played

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<v Speaker 15>it off like that's the one she wanted.

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<v Speaker 4>Wait what?

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<v Speaker 17>No?

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<v Speaker 9>I mean that's terrible, But it isn't that what Aaron's

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<v Speaker 9>sister phoebe? Yes? Uh, Phoebe? Isn't that what she said?

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<v Speaker 15>Honestly, it is so loud to the diner that I

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<v Speaker 15>don't remember I'm telling you though, Milligan's just salty.

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<v Speaker 8>Also, she's a coonsman in Stephen King Country. I mean

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<v Speaker 8>she should know better.

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<v Speaker 9>It remains the windy city inside this book Sanctuary. And yes,

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<v Speaker 9>I know that Chicago was called the windy City not

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<v Speaker 9>just because of the crazy windstorms, but because their politicians

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<v Speaker 9>were full of hot air? Sarah, did I just man

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<v Speaker 9>explain myself anyway?

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<v Speaker 3>Fuck?

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<v Speaker 14>It's cold, Gordon?

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<v Speaker 9>Is there heat anywhere in this cursed building?

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<v Speaker 4>Great? Doesn't like Star trek Love's lame is? Where did

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<v Speaker 4>I go wrong?

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<v Speaker 9>All right, let's brow me the use this bitch.

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<v Speaker 4>There's got to be a heater or access to, as.

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<v Speaker 12>Jesus a wind tunnel.

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<v Speaker 9>Why well, Sarah, glad you asked, because you see, books

0:13:49.679 --> 0:13:51.760
<v Speaker 9>don't get cold, so why don't anyone ever need to

0:13:51.760 --> 0:13:54.880
<v Speaker 9>invest in an adequate humane heating system for them? That's

0:13:54.920 --> 0:13:57.360
<v Speaker 9>a great point. Sarah, who is now talking to herself

0:13:57.400 --> 0:14:00.480
<v Speaker 9>in the first, second and third person, stayed to see

0:14:00.480 --> 0:14:01.439
<v Speaker 9>if I can have her talk to you in the

0:14:01.440 --> 0:14:06.160
<v Speaker 9>fourth as well. Okay, it's fridgid down here, and I

0:14:06.200 --> 0:14:12.160
<v Speaker 9>think what the wind is coming from the janitor's closet,

0:14:12.240 --> 0:14:19.280
<v Speaker 9>which for some reason is hidden behind a bookshelf. This time,

0:14:19.520 --> 0:14:23.480
<v Speaker 9>are intrepid. Yes, I've decided intrepid stays. Our intrepid explorer

0:14:23.480 --> 0:14:25.800
<v Speaker 9>has secured the barrel key and has figured out how

0:14:25.800 --> 0:14:29.640
<v Speaker 9>to deactivate the alarm. No to Selve, don't keep the

0:14:29.680 --> 0:14:32.320
<v Speaker 9>alarm security code on a post it on your bedroom mirror.

0:14:41.360 --> 0:14:42.280
<v Speaker 2>Huh?

0:14:42.320 --> 0:14:47.880
<v Speaker 9>Hello, okay, well, this draft is clearly.

0:14:47.520 --> 0:14:52.560
<v Speaker 4>Coming from a closet. That doesn't make sense unless I

0:14:53.000 --> 0:14:58.040
<v Speaker 4>move this and these jumpers.

0:14:59.320 --> 0:15:01.200
<v Speaker 2>Huh.

0:15:02.040 --> 0:15:05.480
<v Speaker 17>And that, my friends, is a very small door. It's

0:15:05.520 --> 0:15:08.640
<v Speaker 17>like an Alice in Wonderland door with a sketchy chain

0:15:08.640 --> 0:15:15.880
<v Speaker 17>lock on it locked this Keith definitely won't fit, but

0:15:15.960 --> 0:15:18.200
<v Speaker 17>it does open a bit. Maybe if I can put

0:15:18.200 --> 0:15:23.400
<v Speaker 17>my flashlight in the opening looks like a tiny little

0:15:23.680 --> 0:15:24.480
<v Speaker 17>cross space.

0:15:25.440 --> 0:15:33.040
<v Speaker 4>Pretty empty? Wait, what's that? If I can just get

0:15:35.840 --> 0:15:38.080
<v Speaker 4>I can just yep a little more?

0:15:40.160 --> 0:15:40.640
<v Speaker 2>Got it?

0:15:41.720 --> 0:15:47.280
<v Speaker 4>What a Nokia cell phone? My museum really is?

0:15:48.000 --> 0:15:48.520
<v Speaker 9>It's alive?

0:15:50.200 --> 0:15:50.840
<v Speaker 8>Wait a minute.

0:15:51.760 --> 0:15:53.760
<v Speaker 9>Four new voicemails.

0:15:53.920 --> 0:16:01.440
<v Speaker 18>Received today and one Oh hey, Hans, just working to

0:16:01.440 --> 0:16:02.480
<v Speaker 18>see if you wanted to go to.

0:16:02.400 --> 0:16:06.840
<v Speaker 7>The phantombe really wanted to check out the pumpkins and

0:16:06.920 --> 0:16:12.120
<v Speaker 7>maybe we can snags and fresh apples and Robbie anyway,

0:16:12.240 --> 0:16:13.400
<v Speaker 7>We'll see you after practice.

0:16:13.400 --> 0:16:20.000
<v Speaker 18>I love you. Received Tuesday at two forty three pm.

0:16:20.240 --> 0:16:22.880
<v Speaker 11>Hello, if you have helped her back to.

0:16:22.840 --> 0:16:29.400
<v Speaker 18>This Received Tuesday at five fifty two pm.

0:16:29.680 --> 0:16:30.680
<v Speaker 12>Hey, it's me.

0:16:31.880 --> 0:16:33.520
<v Speaker 11>I'll try to make it to Shawls, but the folks

0:16:33.560 --> 0:16:39.360
<v Speaker 11>are being dicks and nope, I'm on the phone. Mom, okay, fart.

0:16:42.480 --> 0:16:46.320
<v Speaker 18>Received Tuesday at nine ten pm.

0:16:46.920 --> 0:16:50.160
<v Speaker 11>Rynn hits me. I'm sorry about earlier, but listen to me.

0:16:50.240 --> 0:16:52.640
<v Speaker 11>If you need to go home or come here right away.

0:16:53.040 --> 0:16:54.960
<v Speaker 11>It's not safe at the diner or anywhere.

0:16:55.000 --> 0:16:55.240
<v Speaker 15>Really.

0:16:55.760 --> 0:16:57.760
<v Speaker 11>I can't explain it, but I've asked Dad to head

0:16:57.800 --> 0:16:59.680
<v Speaker 11>down and offer you a write. You should be there

0:16:59.680 --> 0:17:00.160
<v Speaker 11>in a few.

0:17:02.680 --> 0:17:02.920
<v Speaker 12>Fuck.

0:17:03.400 --> 0:17:04.360
<v Speaker 2>Fuck, fucking fuck.

0:17:04.400 --> 0:17:04.600
<v Speaker 19>Fuck.

0:17:04.640 --> 0:17:07.320
<v Speaker 9>That means Jack stopped to take my car and never

0:17:07.400 --> 0:17:10.760
<v Speaker 9>got to pick up Aaron in time. Why is this

0:17:10.840 --> 0:17:13.359
<v Speaker 9>phone here? Why was it hidden in the closet, behind

0:17:13.359 --> 0:17:17.760
<v Speaker 9>a closet, behind a door. Oh the dark man, Fuck me, Sarah,

0:17:17.760 --> 0:17:26.080
<v Speaker 9>I gotta get out of here. So, in a classic

0:17:26.080 --> 0:17:28.159
<v Speaker 9>trope filled Sarah move, I think I've been sleeping with

0:17:28.200 --> 0:17:28.639
<v Speaker 9>the killer.

0:17:29.320 --> 0:17:32.240
<v Speaker 4>It can't be, but I wasn't with Gordon Manny.

0:17:32.280 --> 0:17:36.040
<v Speaker 9>The bodies were Oh, for fuck's sake, Okay, we'll figure

0:17:36.040 --> 0:17:36.400
<v Speaker 9>this out.

0:17:36.840 --> 0:17:39.240
<v Speaker 4>But for those of you listening, looks like.

0:17:39.240 --> 0:17:41.439
<v Speaker 9>A pretty big commotion at the station at the other

0:17:41.520 --> 0:17:42.000
<v Speaker 9>end of town.

0:17:49.160 --> 0:17:52.880
<v Speaker 12>Olbert, I'm going to need you to tell me exactly

0:17:52.960 --> 0:17:53.880
<v Speaker 12>what happened.

0:17:54.240 --> 0:17:56.399
<v Speaker 8>I'm sorry, Max. He said he needed to go to

0:17:56.440 --> 0:17:59.640
<v Speaker 8>the bathroom. Yes, and then so I opened the cell

0:17:59.680 --> 0:18:01.080
<v Speaker 8>and pull him to the men's room.

0:18:01.640 --> 0:18:03.800
<v Speaker 14>And did you escort the detainees?

0:18:03.840 --> 0:18:06.000
<v Speaker 8>He's just a kid, and I've known him since he

0:18:06.119 --> 0:18:06.520
<v Speaker 8>was born.

0:18:06.800 --> 0:18:10.960
<v Speaker 14>I understand, but we have protocols for a reason. I

0:18:11.000 --> 0:18:11.760
<v Speaker 14>had no idea.

0:18:11.960 --> 0:18:12.760
<v Speaker 5>I didn't know he did.

0:18:13.160 --> 0:18:16.399
<v Speaker 9>Sheriff, Miss Simmons, what on earth are you need to

0:18:16.400 --> 0:18:16.840
<v Speaker 9>talk to you?

0:18:17.040 --> 0:18:17.200
<v Speaker 11>Now?

0:18:17.359 --> 0:18:18.320
<v Speaker 8>Is not a good time?

0:18:18.720 --> 0:18:20.640
<v Speaker 9>What happened? We're not at Liberty.

0:18:20.320 --> 0:18:21.360
<v Speaker 12>Too, you've re escaped.

0:18:21.480 --> 0:18:22.560
<v Speaker 14>What you know?

0:18:22.680 --> 0:18:24.080
<v Speaker 12>Bear to you're too.

0:18:25.800 --> 0:18:26.119
<v Speaker 11>Sure?

0:18:26.840 --> 0:18:27.639
<v Speaker 16>Let's go with that.

0:18:28.880 --> 0:18:32.159
<v Speaker 9>Yes, Miss Simmons, looks like we've got a fugitive on

0:18:32.240 --> 0:18:32.760
<v Speaker 9>our hands.

0:18:33.280 --> 0:18:36.680
<v Speaker 8>Oh, it's my fault. So there you have it.

0:18:37.320 --> 0:18:40.640
<v Speaker 9>Nothing says I'm really guilty, like running away after being

0:18:40.720 --> 0:18:41.920
<v Speaker 9>questioned for murder.

0:18:41.960 --> 0:18:45.480
<v Speaker 4>I don't think avery is guilty. Oh I found this.

0:18:46.240 --> 0:18:48.560
<v Speaker 8>That's a pretty old phone, maybe older than.

0:18:48.560 --> 0:18:51.439
<v Speaker 4>You probably, but it's what's on it.

0:18:51.520 --> 0:18:54.520
<v Speaker 9>That may answer some questions if I could just play

0:18:54.560 --> 0:18:57.640
<v Speaker 9>you the oh no, no, no.

0:18:57.280 --> 0:18:59.960
<v Speaker 4>No, good luck finding a charger for.

0:19:02.040 --> 0:19:05.440
<v Speaker 8>There you are. I was worried when I couldn't find you.

0:19:05.440 --> 0:19:08.760
<v Speaker 8>You know, murderers and all mister Morales.

0:19:08.760 --> 0:19:30.640
<v Speaker 19>Evening, Max, Hey, Sarah, Everything, Okay, Who's Hungry?

0:19:33.560 --> 0:19:37.600
<v Speaker 1>Consumed? Episode six, The dark Man in the Corner written

0:19:37.760 --> 0:19:42.399
<v Speaker 1>by Carlos Folia and Alessandra Hara del Castillo. Editing and

0:19:42.520 --> 0:19:47.280
<v Speaker 1>sound design by Rima El Kayali, starring Rachel Rosenbloom and

0:19:47.520 --> 0:19:54.240
<v Speaker 1>Arturo Castro, with Ruth Connell, Sam Rod, Genevieve Padlaki, Benjamin Stockholm,

0:19:54.359 --> 0:19:59.040
<v Speaker 1>Charlie David Newell, Mike Korich, Anna East Fairweather, Junior A Lab,

0:19:59.600 --> 0:20:05.800
<v Speaker 1>Alma Martinez, Tracy Martin, Laura Shine, George Vincent, and Rafael Corkil.

0:20:06.240 --> 0:20:11.160
<v Speaker 1>Directed by Alexander Williams, Assistant director Trevor Young, Casting by

0:20:11.160 --> 0:20:17.000
<v Speaker 1>Sunday Bowling CSA and Meg Mormon CSA. Production coordinator Wayna Calderon.

0:20:17.520 --> 0:20:21.760
<v Speaker 1>Music by Carlos Folia Consumed the season one score available

0:20:21.800 --> 0:20:25.680
<v Speaker 1>now on Apple Music, Spotify, or wherever music is streamed.

0:20:26.040 --> 0:20:31.080
<v Speaker 1>Executive producers Aaron Mankey, Carlos Folia, Matt Frederick and Alexander

0:20:31.119 --> 0:20:36.800
<v Speaker 1>Williams supervising producers Trevor Young and Josh Thain. Producers Noami Griffin,

0:20:37.000 --> 0:20:41.160
<v Speaker 1>Jesse Funk and Rima Ilkali. Recorded at This Is Sound

0:20:41.160 --> 0:20:47.520
<v Speaker 1>Design Studios, Burbank, California, engineered by Ross erroneou east Side Studios, Austin,

0:20:47.600 --> 0:20:53.639
<v Speaker 1>Texas engineered by Austin Sisler and Aros Creative and Sound Ohi, California,

0:20:53.760 --> 0:20:58.440
<v Speaker 1>engineered by Ken Aros. Consumed was created by Carlos Folia,

0:20:58.480 --> 0:21:01.879
<v Speaker 1>inspired by the novel by Aaron Mackey. Consumed is the

0:21:01.920 --> 0:21:04.960
<v Speaker 1>newest chapter in the Bridgewater universe. To learn more and

0:21:05.040 --> 0:21:09.520
<v Speaker 1>catch up, visit Grimandmild dot com Slash Bridgewater. Learn more

0:21:09.560 --> 0:21:13.440
<v Speaker 1>about Consumed at grimanmil dot com, Slash Consumed and find

0:21:13.440 --> 0:21:18.160
<v Speaker 1>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

0:21:18.240 --> 0:21:20.439
<v Speaker 1>or wherever you listen to your favorite shows.