WEBVTT - INTERVIEW: Erick Sermon Clarifies Diddy Incident, Owning His Publishing, Iconic Sound + More

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<v Speaker 1>Every day a week up the Breakfast Club.

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<v Speaker 2>Y'all done morning.

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<v Speaker 1>Everybody's d J n V. Just hilarious.

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<v Speaker 3>Charlamagne the guy we are the Breakfast Club. La La

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<v Speaker 3>Ros is here as well, and we got a special guest.

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<v Speaker 4>In the building, legendary Eric.

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<v Speaker 5>You know you're one of the greatest producers of all time,

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<v Speaker 5>and we're gonna get to that in a second. You

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<v Speaker 5>need to get to this ridiculous ass story that you

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<v Speaker 5>told on the Diddy Documents.

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<v Speaker 2>Already.

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<v Speaker 4>I've been wanting to talk to you about this since

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<v Speaker 4>I saw you.

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<v Speaker 5>Now, when you sat down and told this story right,

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<v Speaker 5>and then went back and watched it, right, did you

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<v Speaker 5>say to yourself I told her wrong.

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<v Speaker 4>That's not ridiculous.

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<v Speaker 6>No, it's just not ridiculous. I'm gonna tell you what

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<v Speaker 6>what I said was the truth. I never capt so

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<v Speaker 6>what I did said was the truth how it went down,

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<v Speaker 6>you know, because again me and missus friends, I love

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<v Speaker 6>me to the death.

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<v Speaker 2>I would never put do something.

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<v Speaker 6>Just try to disrespect that, because behind the scenes I

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<v Speaker 6>gave her the number to call Alex and she wrote

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<v Speaker 6>in the text too. Oh yeah. If it wasn't for Eric,

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<v Speaker 6>I wasn't even reached out. She told Alex no about

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<v Speaker 6>the documentary. So I wouldn't even did that if I

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<v Speaker 6>was trying to disrespect her on that. I was just

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<v Speaker 6>giving my story two of what I said. Me and

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<v Speaker 6>her are sitting in the car, she in the driver seat,

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<v Speaker 6>She in the driver seat right, So if something was

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<v Speaker 6>going on, I wouldn't be in the car talking, you

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<v Speaker 6>know what I'm saying, I'd be you know whatever. So

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<v Speaker 6>somebody knocked on my window and it was him, So

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<v Speaker 6>of course he goes with her. Now, so of course

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<v Speaker 6>anybody will be angry and be mad because that's his girl.

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<v Speaker 4>Wasn't it your car?

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<v Speaker 6>Yeah, but I'm saying as far as him being angry,

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<v Speaker 6>he never touched me stopping now, stop, come on this me, Okay.

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<v Speaker 6>He when I got out the car, he was angry,

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<v Speaker 6>so he swung on me. Yeah, I got the car, right,

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<v Speaker 6>can't swing in the car.

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<v Speaker 4>And then.

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<v Speaker 2>No, no, no, no no no, I got the car

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<v Speaker 2>and we started talking. Then he swung on me.

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<v Speaker 6>So now, at the end of the day, me being

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<v Speaker 6>respectful knowing that too, I didn't want to do that

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<v Speaker 6>in front of her because I know I listened and

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<v Speaker 6>you understand exactly because of the respect of her was

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<v Speaker 6>in the car.

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<v Speaker 2>She got out the car.

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<v Speaker 4>She said she got so you told.

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<v Speaker 2>Her get out and I told get out. She's got.

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<v Speaker 6>Of course you gonna get out. People talking, you know,

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<v Speaker 6>we don't get we were he's yelling. You know what

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<v Speaker 6>I'm saying. So, but me and him is also friends,

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<v Speaker 6>to don't forget. I was gonna into the Mary J.

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<v Speaker 6>Blage album right so automatically, and then he had to

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<v Speaker 6>come and talk to me too, which is em so

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<v Speaker 6>I had to get the clearings for that though too,

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<v Speaker 6>So we was already no kind of friends. He befriended me,

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<v Speaker 6>so it wasn't like I'm like, yo, I couldn't believe

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<v Speaker 6>that it happened to begin with.

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<v Speaker 2>So my thing was, let's.

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<v Speaker 6>Go around the corner so we won't have to do

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<v Speaker 6>that in front of my friend and you're angry.

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<v Speaker 4>So y'all really was cool. I was cool getting into something.

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<v Speaker 6>That's look again Netflix again, that's on Netflix. It looks crazy.

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<v Speaker 6>Sot me let me fix the other part about the

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<v Speaker 6>Biggie Smalls. Of course, Biggie Smalls is not out yet,

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<v Speaker 6>so it's new music. So when somebody says, oh that,

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<v Speaker 6>it don't add up with the baby and just not

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<v Speaker 6>being born.

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<v Speaker 2>I'm saying, no, it was new music. So again, after you.

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<v Speaker 6>Finished going around the corner, you calm down now because

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<v Speaker 6>now there's no reason for you to get hype now

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<v Speaker 6>because now this this situation is all calm So now

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<v Speaker 6>it's like, yo, check this out. And then then we

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<v Speaker 6>took about Keith Murray because he was a big Keith

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<v Speaker 6>Murray fan. So like Keith Murry signed to me. So

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<v Speaker 6>again the cop versation that people don't know about, this

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<v Speaker 6>is what happened.

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<v Speaker 4>So what was the ride around the corner? Like when

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<v Speaker 4>he got in the car. What did y'all talk about it?

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<v Speaker 2>Y'all was driving gona think about nothing until we stopped.

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<v Speaker 4>So y'all stopped and realize we don't really want to fight.

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<v Speaker 2>It was never going to get there for for for

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<v Speaker 2>for him.

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<v Speaker 7>You know, you had already talked outside the car and

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<v Speaker 7>kind of cooled it down, is what you're saying.

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<v Speaker 8>No, please ask God, damn all. Right, hold up, why

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<v Speaker 8>was she driving your truck?

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<v Speaker 2>She's in driving she Why was she in the.

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<v Speaker 8>Driver's seat of your truck? That's his girl.

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<v Speaker 2>No, I just she just wanted to be in the

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<v Speaker 2>driver's seat.

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<v Speaker 8>Oh what kind of truck was.

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<v Speaker 2>It was a uh but I had was a fore runner.

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<v Speaker 9>She just wanted to be So you wasn't trying to

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<v Speaker 9>get her back or nothing in the driver's seat to

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<v Speaker 9>do that, all right.

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<v Speaker 8>And so when she got out, y'all left her just

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<v Speaker 8>right there.

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<v Speaker 2>Left she was in fun of her crib. Oh all right?

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<v Speaker 8>So this was at the crib.

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<v Speaker 2>Oh yeah, we talked in front of the crib.

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<v Speaker 8>I'm like, why would you go around to another No?

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<v Speaker 2>No, fron of her in front of her house?

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<v Speaker 4>All right?

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<v Speaker 2>Young?

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<v Speaker 4>So what was this was the song Fucking You Tonight?

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<v Speaker 2>No, we'll just stop.

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<v Speaker 6>This was ready to die. He was not thinking about something.

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<v Speaker 6>Let me tell you about about with with with Puff.

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<v Speaker 6>I was just telling my story.

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<v Speaker 2>You know.

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<v Speaker 6>It wasn't like I was trying to even just him neither.

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<v Speaker 6>Don't forget Puffy came and got keep married. For every remix,

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<v Speaker 6>every song he called me for Jose's remix. So if

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<v Speaker 6>you are angry with somebody, I wouldn't be getting phone calls.

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<v Speaker 2>He called for Redman. He called every.

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<v Speaker 6>Time something came out on Bad Boy. One of my

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<v Speaker 6>artists was somebody who he called or he called me

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<v Speaker 6>to remix it. So again I understand how it might look,

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<v Speaker 6>but it wasn't like That's why I couldn't wait to

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<v Speaker 6>get here.

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<v Speaker 4>Now.

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<v Speaker 3>So the next question is why the documentary because I

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<v Speaker 3>didn't see that on my bingo call when I seen

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<v Speaker 3>the documentary and I see Eric the documentary, So who

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<v Speaker 3>reached out for the document Why did you say?

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<v Speaker 6>They asked me the questions, you know how fifty is? Again,

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<v Speaker 6>I had fifty with a nod in the beginning. You know,

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<v Speaker 6>don't forget Corey Ruon. You bung fifty cent to my

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<v Speaker 6>crib next door, like walked over with him, like, yo,

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<v Speaker 6>here's my artist.

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<v Speaker 2>Whatever.

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<v Speaker 6>I end up doing heat Wave, you know, and I

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<v Speaker 6>end up doing a couple of other songs though too.

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<v Speaker 6>So I'm also friends with him too. So when they

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<v Speaker 6>asked me the question, I'm like, yo, okay, I do it,

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<v Speaker 6>not knowing it was going to be, you know, how

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<v Speaker 6>you put stuff together. I was just I told a

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<v Speaker 6>couple of stories, envy. This is a story that they

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<v Speaker 6>end up keeping, you know. So again I'm not here

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<v Speaker 6>to you. If anybody knows me, it's.

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<v Speaker 2>You, That's what I'm saying.

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<v Speaker 6>You and you know my crew, and you know me

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<v Speaker 6>as far as just how I roll. Again to the

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<v Speaker 6>end of the day. I'm not trying to debunk or

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<v Speaker 6>make everything sound nice or whatever it is. People don't

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<v Speaker 6>know the friendship of Mesa and me and and him,

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<v Speaker 6>we was actually friends. And I would never ever try

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<v Speaker 6>to put me say, in a situation on that. And

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<v Speaker 6>I said friends, I didn't say we was like that

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<v Speaker 6>and we was doing all that said, yo, that was

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<v Speaker 6>my friend, you know, because we never really put together

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<v Speaker 6>as being boyfriend and girlfriend.

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<v Speaker 2>It was just like a friend thing, you know.

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<v Speaker 6>Okay, Now this is the part that again at the

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<v Speaker 6>end of the day, I didn't I was at Basil.

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<v Speaker 2>Now I heard that she was there, but I didn't

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<v Speaker 2>see I didn't see her out.

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<v Speaker 6>But but again I know she wasn't going to pick

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<v Speaker 6>up my phone call because again you have to let

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<v Speaker 6>somebody calm down and be like whatever and see because

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<v Speaker 6>she was getting so much stuff whatever. But she texts

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<v Speaker 6>my my best friend, but not it and didn't say

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<v Speaker 6>some nice things, you know. So again, but it was

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<v Speaker 6>in the beginning, you know what I'm saying. So hopefully

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<v Speaker 6>you know, she sees this and then I be able

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<v Speaker 6>to talk to her, you know, and say, you know,

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<v Speaker 6>I didn't mean to do nothing to her because she

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<v Speaker 6>is my friend.

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<v Speaker 5>I guess I guess what this new generation, every every

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<v Speaker 5>damn every man on that doc looks like a you

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<v Speaker 5>know what I'm saying, you guys something. I know that,

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<v Speaker 5>but I'm saying, you got guys on the they but

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<v Speaker 5>got touched and everything.

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<v Speaker 4>So when people see you on the doctor.

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<v Speaker 6>Yeah I wasn't. I was crazy, like I didn't belong there,

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<v Speaker 6>you know when you see everybody else was like, yo,

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<v Speaker 6>I didn't belong to your envy. I swear I want

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<v Speaker 6>to do we want Superman going around the world again

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<v Speaker 6>and be like, you know what, I can rewind us

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<v Speaker 6>all back, you know what I'm saying, and do it,

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<v Speaker 6>do it over because everybody who saw said the same

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<v Speaker 6>ship what is Eric doing?

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<v Speaker 2>And that documentary?

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<v Speaker 6>You know, but at the end of the day, it's

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<v Speaker 6>like this, I can't even take this though too since

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<v Speaker 6>nineteen whatever eighty nine, though jests the ninety this is

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<v Speaker 6>my first time being this on fire.

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<v Speaker 5>Like really, it's not damn music, no, no, that you

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<v Speaker 5>reinfinished yourself so many times.

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<v Speaker 6>Wait in one second, I'm telling you, man, this right

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<v Speaker 6>here is a different type.

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<v Speaker 2>Like I felt like now I'm telling.

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<v Speaker 6>You, like this is the whole world, Like you couldn't

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<v Speaker 6>have a hit record and be around the world, but

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<v Speaker 6>you're talking about twenty three countries, number one Netflix, Okay, whatever,

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<v Speaker 6>you gotta adjust all this and then the album coming

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<v Speaker 6>at the same time, I'm number one, you know on

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<v Speaker 6>on on iTunes, like I didn't have.

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<v Speaker 4>This social I don't want them to know.

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<v Speaker 2>No, no, listen, I'm not saying that.

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<v Speaker 6>I'm just saying far as the far as me being listen,

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<v Speaker 6>I don't want to be hot for that, neither what

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<v Speaker 6>I'm saying.

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<v Speaker 2>But it did. It helped the project of Dynamic Duels.

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<v Speaker 8>Yeah, purposely aligned hell album.

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<v Speaker 6>It kept pushing back the album would this and just

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<v Speaker 6>this album is four years old, it was doing COVID whatever.

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<v Speaker 6>Kevin Lyles came and got me into to what nineteen

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<v Speaker 6>were twenty eighteen, twenty twenty. Then after that two years

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<v Speaker 6>went by COVID and then all of a sudden they

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<v Speaker 6>buy three hundred, four hundred million after that, so you.

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<v Speaker 1>Was signed up a three hundred right, I was signed

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<v Speaker 1>with artist, but.

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<v Speaker 6>As a partner, you know, MB, I'm too old for

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<v Speaker 6>to be signeding somebody. So after that, whatever time went

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<v Speaker 6>by all of a sudden, three and a half years

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<v Speaker 6>went by. Then I had to get the politics of

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<v Speaker 6>prodig Jesus state, Nate Dogg's of state, Sean Prices of state.

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<v Speaker 2>So all this stuff took a little time.

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<v Speaker 6>So now we ended up here and kept coming back,

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<v Speaker 6>going back, going back, and then December fifth finally happened.

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<v Speaker 6>They was calling me doctor j all Erica's line is

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<v Speaker 6>never coming. And I understand because I was telling these

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<v Speaker 6>this lie since you know not and to them for

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<v Speaker 6>four years.

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<v Speaker 8>You know, how did you get Denzel Washington to do

0:10:53.320 --> 0:10:53.720
<v Speaker 8>the injury?

0:10:53.800 --> 0:10:58.480
<v Speaker 6>It wasn't Denzel usc king Yo, that's my own Yeah, exactly, Yeah,

0:10:58.559 --> 0:10:59.320
<v Speaker 6>so he does.

0:10:59.360 --> 0:11:02.360
<v Speaker 8>The impressation is so good. I literally thought, I'm like,

0:11:02.360 --> 0:11:08.240
<v Speaker 8>You're like, I'm like, damn because.

0:11:16.800 --> 0:11:21.480
<v Speaker 9>Of the okay shout out to k he is crazy.

0:11:21.520 --> 0:11:24.760
<v Speaker 3>You know, you talk about your history in his music industry, right,

0:11:24.760 --> 0:11:28.319
<v Speaker 3>and I think you're a forgetful person, right, because people

0:11:28.360 --> 0:11:30.760
<v Speaker 3>forget all the hits that you have, the artists that

0:11:30.800 --> 0:11:32.560
<v Speaker 3>you have, and when they have a lot of times

0:11:32.600 --> 0:11:36.040
<v Speaker 3>these conversations that you create. I feel like when they

0:11:36.080 --> 0:11:38.880
<v Speaker 3>have these conversations, they don't mention Eric Sermon enough.

0:11:39.240 --> 0:11:40.000
<v Speaker 1>Do you feel that way.

0:11:40.559 --> 0:11:45.320
<v Speaker 6>Yeah, I mean, listen, man, there's people that don't know

0:11:45.360 --> 0:11:48.760
<v Speaker 6>who Larry Smith is, right and Larry Smith under your

0:11:48.800 --> 0:11:52.040
<v Speaker 6>nose sucking cs Houdini. You know you're talking about you know,

0:11:52.320 --> 0:11:54.840
<v Speaker 6>click Rick, you know whether this man was a genius.

0:11:55.480 --> 0:11:58.240
<v Speaker 6>So when I look at that happening and then Molly

0:11:58.360 --> 0:12:00.720
<v Speaker 6>maul to not being talked about out knowing that if

0:12:00.760 --> 0:12:01.320
<v Speaker 6>he didn't.

0:12:01.080 --> 0:12:03.880
<v Speaker 2>Sample, this will not be where we're at now too.

0:12:04.240 --> 0:12:06.800
<v Speaker 6>So mb sometimes I look at that and I look

0:12:06.800 --> 0:12:08.560
<v Speaker 6>at the ones that came before, but like, damn, they

0:12:08.559 --> 0:12:11.000
<v Speaker 6>ain't talked about neither. Then Jermaine depri Tho too is

0:12:11.000 --> 0:12:13.520
<v Speaker 6>one of those two who somebody be like, you know

0:12:14.320 --> 0:12:15.600
<v Speaker 6>who was underrated?

0:12:15.679 --> 0:12:17.760
<v Speaker 2>You know what I'm saying. But again, as long as.

0:12:17.679 --> 0:12:19.800
<v Speaker 6>You know and my colleagues, like when I see Parreal

0:12:19.880 --> 0:12:22.680
<v Speaker 6>and he starts bowing and stuff, you know, it makes

0:12:22.720 --> 0:12:25.080
<v Speaker 6>me know, like, okay, yo, you know I did something,

0:12:25.320 --> 0:12:27.640
<v Speaker 6>so in actuality, it doesn't matter.

0:12:27.679 --> 0:12:29.600
<v Speaker 2>As long as y'all know, you know what I'm saying,

0:12:29.640 --> 0:12:30.240
<v Speaker 2>I'm cool with that.

0:12:30.280 --> 0:12:32.040
<v Speaker 5>But we got to show the new generation like you're

0:12:32.040 --> 0:12:35.959
<v Speaker 5>you're one of the architects of the East Coast sound period.

0:12:35.600 --> 0:12:38.560
<v Speaker 4>Correct, Like like what inspired that? Sonic identity?

0:12:38.600 --> 0:12:39.760
<v Speaker 1>And artists on the East coast.

0:12:40.120 --> 0:12:42.640
<v Speaker 2>People the new kids don't care about who's what.

0:12:43.400 --> 0:12:48.480
<v Speaker 4>Yes, they do. They think Puffy victim number three, We're not.

0:12:48.360 --> 0:12:53.640
<v Speaker 6>Going after that number five that you since one inspired that?

0:12:54.000 --> 0:12:55.960
<v Speaker 4>What inspired that? That that sounded? Did you know at

0:12:56.000 --> 0:12:57.320
<v Speaker 4>the time you were creating something new?

0:12:57.360 --> 0:12:58.240
<v Speaker 2>Well again?

0:12:58.440 --> 0:13:04.560
<v Speaker 6>E PMD was you know, just stop it okay? EPMD

0:13:04.920 --> 0:13:06.880
<v Speaker 6>was something that, like I said, for me in Paris,

0:13:06.880 --> 0:13:08.920
<v Speaker 6>didn't know char I mean that we was was producers.

0:13:08.960 --> 0:13:11.319
<v Speaker 6>We thought every record that we heard was done by

0:13:11.320 --> 0:13:15.160
<v Speaker 6>the artists, so we didn't know about the name producer.

0:13:15.480 --> 0:13:18.760
<v Speaker 6>So whatever that we was making, we made thinking that

0:13:18.800 --> 0:13:21.760
<v Speaker 6>this is how it's supposed to go. So all the

0:13:21.800 --> 0:13:25.120
<v Speaker 6>records that mom had against the speaker because you went

0:13:25.160 --> 0:13:27.080
<v Speaker 6>back then. You know, you're too young to know about this,

0:13:27.160 --> 0:13:30.080
<v Speaker 6>but they used to put the albums and stack them

0:13:30.160 --> 0:13:32.640
<v Speaker 6>up against the speaker or stack them up against the

0:13:33.360 --> 0:13:37.080
<v Speaker 6>or whatever wall unit you had, so that was all

0:13:37.120 --> 0:13:39.720
<v Speaker 6>lined up, so you just picked whatever you picked. My

0:13:39.800 --> 0:13:42.840
<v Speaker 6>dad had all these albums, we know, just the Whispers,

0:13:42.880 --> 0:13:45.400
<v Speaker 6>you know, earth Wind, the Fire, BT Express, you know,

0:13:45.440 --> 0:13:49.560
<v Speaker 6>of course Parliament, the whole nine and Paris' father had Zap,

0:13:50.000 --> 0:13:52.240
<v Speaker 6>so that's where more bounce came from. So we had

0:13:52.280 --> 0:13:55.040
<v Speaker 6>all that, then all the stuff coming from Brentwood. We

0:13:55.120 --> 0:13:57.160
<v Speaker 6>had a mixture of white, Black and Puerto Rican that

0:13:57.200 --> 0:13:59.240
<v Speaker 6>we grew up with. So I knew all the rock

0:13:59.280 --> 0:14:02.599
<v Speaker 6>songs let and I knew about you know Genesis, I

0:14:02.679 --> 0:14:05.160
<v Speaker 6>knew about you know Van Halen, So we mixed all

0:14:05.200 --> 0:14:08.079
<v Speaker 6>that Zzy Top, Is you a customer? I want to

0:14:08.080 --> 0:14:09.800
<v Speaker 6>say it out there, but the but at the end

0:14:09.840 --> 0:14:11.600
<v Speaker 6>when he says, when I say, at the end, you

0:14:11.640 --> 0:14:14.640
<v Speaker 6>hear the guitar playing, you would hear the band ban

0:14:15.240 --> 0:14:17.240
<v Speaker 6>We played it for the hood. The hood said take

0:14:17.280 --> 0:14:20.320
<v Speaker 6>the guitars out, so you a customer became playing with

0:14:20.480 --> 0:14:22.560
<v Speaker 6>just a beat in the baseline. But we had the

0:14:22.760 --> 0:14:26.760
<v Speaker 6>zz Top cheap sunglasses sample in it. So we had

0:14:27.160 --> 0:14:30.920
<v Speaker 6>you know Godzilla by h Man.

0:14:31.360 --> 0:14:32.200
<v Speaker 2>Blew Us a Colt.

0:14:32.640 --> 0:14:35.960
<v Speaker 6>All these songs we had and we knew so EPMD

0:14:36.200 --> 0:14:38.880
<v Speaker 6>was a mixture of stuff that we grew up with

0:14:39.040 --> 0:14:41.240
<v Speaker 6>and stuff that we I found in the crib, and

0:14:41.280 --> 0:14:44.400
<v Speaker 6>that became whatever the sound was with the Roger. Because

0:14:44.440 --> 0:14:46.680
<v Speaker 6>once we got the more bounce, we kept that going

0:14:46.840 --> 0:14:48.480
<v Speaker 6>and then the Parliament we kept that going.

0:14:48.640 --> 0:14:49.760
<v Speaker 4>The thing I loved about EPMD.

0:14:49.840 --> 0:14:53.760
<v Speaker 5>Y'all had like a chemistry that just was was effortless.

0:14:54.120 --> 0:14:59.360
<v Speaker 6>Okay, everything that we did was run DMC because Runding me.

0:14:59.480 --> 0:14:59.880
<v Speaker 2>Don't forget.

0:15:00.080 --> 0:15:02.920
<v Speaker 6>We made the demo record pieces by demo. Me and

0:15:02.960 --> 0:15:06.040
<v Speaker 6>parents really built a sixty eight Camaro car, you know,

0:15:06.160 --> 0:15:08.600
<v Speaker 6>stripped it the whole nine, got it, you know, painted

0:15:08.680 --> 0:15:09.720
<v Speaker 6>up by Earl Ships.

0:15:09.800 --> 0:15:11.840
<v Speaker 2>You're too young for that too. Earl shot with ninety

0:15:11.880 --> 0:15:12.400
<v Speaker 2>nine dollars.

0:15:12.600 --> 0:15:15.360
<v Speaker 6>So we get the car, go to the paint machine,

0:15:15.440 --> 0:15:17.080
<v Speaker 6>get it all painted up, you know what I'm saying,

0:15:17.120 --> 0:15:19.520
<v Speaker 6>and we drove it. The car overheated though, but you know,

0:15:19.600 --> 0:15:24.960
<v Speaker 6>we got to Manhattan and and we walked to the

0:15:24.960 --> 0:15:28.520
<v Speaker 6>three labels that we found on the albums. See back

0:15:28.560 --> 0:15:30.960
<v Speaker 6>then on the albums they had the addresses.

0:15:30.520 --> 0:15:31.560
<v Speaker 4>Up, so we walked.

0:15:31.760 --> 0:15:34.400
<v Speaker 6>We just give us some old I'm fifty six years old,

0:15:34.600 --> 0:15:37.160
<v Speaker 6>so you look, so you look at the situations. And

0:15:37.200 --> 0:15:38.800
<v Speaker 6>we got the address and we walked and then we

0:15:39.360 --> 0:15:42.640
<v Speaker 6>got to Fresh Records, and that's when we met you know,

0:15:44.920 --> 0:15:49.720
<v Speaker 6>Juggie Gails and Will sockle Off and and next thing,

0:15:49.720 --> 0:15:51.360
<v Speaker 6>you know, three days later we got signed on that.

0:15:51.880 --> 0:15:53.160
<v Speaker 2>You know, from doing that.

0:15:53.520 --> 0:15:56.240
<v Speaker 5>What was the secret to y'all y'all partnership though, and like,

0:15:56.240 --> 0:15:58.600
<v Speaker 5>how did you in Paris challenge each other creatively?

0:16:00.960 --> 0:16:04.000
<v Speaker 2>Yeah? See, Paris didn't rhyme when I met him. Really,

0:16:04.160 --> 0:16:05.160
<v Speaker 2>Paris was a DJ.

0:16:05.800 --> 0:16:08.520
<v Speaker 6>So I came from another part of Brentwood, which was

0:16:08.920 --> 0:16:11.040
<v Speaker 6>kind of like you know, say, if the Bronx was

0:16:11.080 --> 0:16:13.840
<v Speaker 6>the Bronx, that was my side I came from. We

0:16:13.880 --> 0:16:17.040
<v Speaker 6>had GRAFFEEDI break dancing DJ and the whole ship was

0:16:17.440 --> 0:16:19.600
<v Speaker 6>hot where I was at. So when I came to

0:16:19.640 --> 0:16:22.680
<v Speaker 6>Paris's neighborhood, I was I moved to my grandmother's house.

0:16:22.800 --> 0:16:24.920
<v Speaker 6>I met Paris at the bus stop and he snapped

0:16:24.960 --> 0:16:27.880
<v Speaker 6>on me too, like you know me. He didn't even

0:16:27.920 --> 0:16:29.520
<v Speaker 6>know me, but he was like, yo, what kind of

0:16:29.520 --> 0:16:32.320
<v Speaker 6>the sneakers you got on? I'm like, these are pumas.

0:16:32.360 --> 0:16:36.280
<v Speaker 6>He's like, nah, those ain't the real pumas. So and

0:16:36.600 --> 0:16:39.720
<v Speaker 6>he was bold for that though, just because I didn't know.

0:16:39.840 --> 0:16:43.240
<v Speaker 6>But I paid thirty dollars for him though Charlamagne, but

0:16:43.920 --> 0:16:47.880
<v Speaker 6>they didn't have the holes, so they was so baskets

0:16:47.960 --> 0:16:50.880
<v Speaker 6>was the real one I had on the Puma invaders

0:16:51.360 --> 0:16:52.240
<v Speaker 6>didn't have the whole.

0:16:53.400 --> 0:17:03.440
<v Speaker 10>I know, I know, but I didn't know I had

0:17:03.440 --> 0:17:06.200
<v Speaker 10>in the leaves, I had the Tiaka shirt, I had

0:17:06.200 --> 0:17:09.720
<v Speaker 10>the output on, but I hadn't the wrong sneakers flying.

0:17:09.840 --> 0:17:13.720
<v Speaker 6>I know, I thought I was I was right, and

0:17:13.720 --> 0:17:16.639
<v Speaker 6>he's like, yo, what else you got on? And again

0:17:16.800 --> 0:17:19.520
<v Speaker 6>people laughed and I was like kind of embarrassed. But

0:17:19.560 --> 0:17:21.719
<v Speaker 6>then after a while he found out I knew how

0:17:21.720 --> 0:17:25.320
<v Speaker 6>to rhyme, so he was like, yo, you know, so

0:17:25.440 --> 0:17:28.399
<v Speaker 6>I rhymed and I had the Jane story. I had

0:17:28.480 --> 0:17:31.360
<v Speaker 6>jamesince I was twelve. So when I rhand the Jaine

0:17:31.400 --> 0:17:33.800
<v Speaker 6>story though to, he was like, yo, damn, you got

0:17:33.840 --> 0:17:35.920
<v Speaker 6>something else. I'm like, yo, I got the story about

0:17:35.960 --> 0:17:38.800
<v Speaker 6>this guy named Bernard gets, you know, so I had

0:17:38.800 --> 0:17:40.960
<v Speaker 6>to burn our get story too by him shooting the

0:17:40.960 --> 0:17:41.359
<v Speaker 6>train up.

0:17:41.880 --> 0:17:44.560
<v Speaker 2>So those are my first kind of wrap. My mother,

0:17:45.080 --> 0:17:45.800
<v Speaker 2>God but dead.

0:17:45.880 --> 0:17:49.960
<v Speaker 6>She she brung Home Rappers the Light and the break

0:17:50.040 --> 0:17:54.040
<v Speaker 6>call a patchie APATCHI had the green label on it, right,

0:17:54.119 --> 0:17:56.919
<v Speaker 6>So she won these two records home, so all these

0:17:57.000 --> 0:17:59.919
<v Speaker 6>knew and again my big ass used to pop to

0:18:00.160 --> 0:18:02.880
<v Speaker 6>when I was younger, but I was of course more.

0:18:03.280 --> 0:18:16.200
<v Speaker 4>God damn what.

0:18:15.359 --> 0:18:20.639
<v Speaker 2>Dancing right, So listen? So other man, well just stopped,

0:18:20.640 --> 0:18:24.159
<v Speaker 2>Come on, man, me and you were good friends, so

0:18:25.720 --> 0:18:26.400
<v Speaker 2>just stop it.

0:18:27.560 --> 0:18:31.280
<v Speaker 6>On Soul Train was a guy called the Papa Long Kid, right,

0:18:31.920 --> 0:18:34.120
<v Speaker 6>and he was in the Shallowmart group, so I used

0:18:34.119 --> 0:18:36.400
<v Speaker 6>to watch him on but when he was on Soul Train,

0:18:36.680 --> 0:18:39.800
<v Speaker 6>so I became the Papa Long Kid too. So at

0:18:39.800 --> 0:18:42.240
<v Speaker 6>the time, you know, this is what I was doing,

0:18:42.400 --> 0:18:45.199
<v Speaker 6>and the whole neighborhood was rapping. But they would let

0:18:45.240 --> 0:18:46.840
<v Speaker 6>me get like ten seconds on the mic, the whole

0:18:46.920 --> 0:18:48.480
<v Speaker 6>not this and that, that and this. So I really

0:18:48.560 --> 0:18:51.119
<v Speaker 6>wasn't getting off as far as on in my neighborhood

0:18:51.200 --> 0:18:54.600
<v Speaker 6>because I was young, until I moved to my grandmother's

0:18:54.600 --> 0:18:57.880
<v Speaker 6>house and then Paris gave me the shot. Paris gave

0:18:57.920 --> 0:19:00.040
<v Speaker 6>me the shot. Without Paris giving me the shot, I

0:19:01.000 --> 0:19:03.560
<v Speaker 6>would never ever been or even try to make a

0:19:03.600 --> 0:19:06.560
<v Speaker 6>record because I had a strong list, like a real

0:19:07.320 --> 0:19:09.879
<v Speaker 6>ways stronger than this. So you heard my records, you know.

0:19:10.800 --> 0:19:12.480
<v Speaker 6>He said, it's like I got golf balls in my

0:19:12.520 --> 0:19:13.399
<v Speaker 6>mouse pause.

0:19:16.840 --> 0:19:20.720
<v Speaker 4>I got a list. So growing up like people like yeah.

0:19:20.560 --> 0:19:23.359
<v Speaker 2>But you can still hear you my ship, you couldn't

0:19:23.400 --> 0:19:24.640
<v Speaker 2>hear the words.

0:19:24.760 --> 0:19:26.199
<v Speaker 3>You know what I'm saying, And I always want to know,

0:19:26.359 --> 0:19:28.479
<v Speaker 3>you know, Na that our niece she comes up here,

0:19:28.480 --> 0:19:30.080
<v Speaker 3>and I told her one time, next time I'm in Queens,

0:19:30.119 --> 0:19:31.480
<v Speaker 3>I'm gonna take her to some of the big spots

0:19:31.480 --> 0:19:33.320
<v Speaker 3>of Queen's LL's house, the Rock and all that, and

0:19:33.359 --> 0:19:34.879
<v Speaker 3>so we're gonna drive out to Long Island, go to

0:19:34.920 --> 0:19:36.760
<v Speaker 3>East House. And the reason I said that is the

0:19:36.760 --> 0:19:39.040
<v Speaker 3>first man should I've ever been to and see was

0:19:39.160 --> 0:19:39.720
<v Speaker 3>Eric Simtine.

0:19:40.440 --> 0:19:43.840
<v Speaker 6>Bring that up because because it's inspiring. He forced on

0:19:43.920 --> 0:19:46.200
<v Speaker 6>me on the last he said, but now I got

0:19:46.200 --> 0:19:48.400
<v Speaker 6>one to But it was.

0:19:48.359 --> 0:19:49.800
<v Speaker 4>Inspiring because he was letting.

0:19:49.840 --> 0:19:50.879
<v Speaker 1>He let me in his house.

0:19:50.920 --> 0:19:54.040
<v Speaker 3>And you see, with Keith Murray made records and with

0:19:54.119 --> 0:19:58.280
<v Speaker 3>Red Man made records where he produced, you see the landscape,

0:19:58.280 --> 0:20:00.639
<v Speaker 3>and I'm like, black people could really have, you know,

0:20:00.720 --> 0:20:01.119
<v Speaker 3>I mean.

0:20:01.400 --> 0:20:03.720
<v Speaker 1>It meant so much. So I always wanted to know

0:20:03.760 --> 0:20:04.520
<v Speaker 1>when it came to that.

0:20:05.280 --> 0:20:09.200
<v Speaker 3>We've never heard Eric sermon having financial problems, but I've

0:20:09.240 --> 0:20:12.720
<v Speaker 3>never heard, right, what did you do differently than most

0:20:12.720 --> 0:20:14.320
<v Speaker 3>of these people in the industry, because you always hear

0:20:14.320 --> 0:20:16.199
<v Speaker 3>this person lost, this, this person that. I mean, you

0:20:16.200 --> 0:20:18.960
<v Speaker 3>even see Dame who just went into to court for

0:20:19.040 --> 0:20:20.720
<v Speaker 3>bankruptcy or whatever it was he went to court for.

0:20:21.119 --> 0:20:22.560
<v Speaker 1>How could we never heard that with you.

0:20:23.240 --> 0:20:26.440
<v Speaker 6>I think that again, I watched Parish in the beginning

0:20:27.760 --> 0:20:32.199
<v Speaker 6>getting houses early. Paris was already getting houses early before me,

0:20:32.520 --> 0:20:35.719
<v Speaker 6>you know what I'm saying. So he was always already

0:20:35.760 --> 0:20:40.400
<v Speaker 6>into real estate. So then when I was able to

0:20:40.600 --> 0:20:43.000
<v Speaker 6>get some bread after the breakup, because during the breakup,

0:20:43.000 --> 0:20:46.080
<v Speaker 6>I really didn't have that much money, you know, with EPMD,

0:20:46.320 --> 0:20:47.720
<v Speaker 6>and you didn't really make that much money do on

0:20:47.800 --> 0:20:50.280
<v Speaker 6>EPMD days, I didn't have it.

0:20:50.400 --> 0:20:52.520
<v Speaker 2>You know, I'm saying, said, but you know somebody, but

0:20:52.800 --> 0:20:53.600
<v Speaker 2>I didn't have it.

0:20:53.680 --> 0:20:56.399
<v Speaker 6>And be plus, I was young, like Russell gave. He

0:20:56.400 --> 0:20:59.679
<v Speaker 6>came to guts from first records. He spent the one

0:20:59.680 --> 0:21:02.639
<v Speaker 6>point six million dollars to get us. But again we

0:21:02.680 --> 0:21:04.720
<v Speaker 6>didn't see it. So and then we told a lot

0:21:04.760 --> 0:21:06.760
<v Speaker 6>though too. So I was able to get me a

0:21:06.840 --> 0:21:11.120
<v Speaker 6>crib and get me a bins, you know, but it

0:21:11.160 --> 0:21:13.800
<v Speaker 6>was like I didn't really see anything as far as

0:21:13.840 --> 0:21:16.960
<v Speaker 6>bank account type situations. Yeah, until I moved to Atlanta

0:21:17.080 --> 0:21:19.560
<v Speaker 6>and the group broke up. And once the group broke up,

0:21:19.600 --> 0:21:21.880
<v Speaker 6>I started buying all type of shit. And I wasn't

0:21:21.920 --> 0:21:24.280
<v Speaker 6>even living in the cribs, you know, I was getting apartments,

0:21:24.320 --> 0:21:27.320
<v Speaker 6>getting houses, whatever it's doing whatever. At the time, all

0:21:27.359 --> 0:21:29.800
<v Speaker 6>of a sudden, though, V you see what I was doing.

0:21:29.880 --> 0:21:33.080
<v Speaker 6>I had so many groups in so many places. I think,

0:21:33.080 --> 0:21:35.640
<v Speaker 6>as Martinez has said one time, how does Eric get

0:21:35.680 --> 0:21:39.159
<v Speaker 6>all these deals? Because I was going to the labels winning,

0:21:39.760 --> 0:21:42.480
<v Speaker 6>So it wasn't like I was going there and taking money.

0:21:42.760 --> 0:21:45.680
<v Speaker 6>So that means Reggie was winning there, Keith Murray winning

0:21:45.680 --> 0:21:48.720
<v Speaker 6>that jive, you know, Dave Harster was winning at you know,

0:21:49.240 --> 0:21:51.520
<v Speaker 6>at dream Works. You know, I had people far as

0:21:51.560 --> 0:21:53.800
<v Speaker 6>the Hunter was at Emi. You know, then if at

0:21:53.840 --> 0:21:56.200
<v Speaker 6>the desk squad came out, then Ruther Meth came out.

0:21:56.320 --> 0:21:58.280
<v Speaker 6>You know what I mean, deals, I had how much

0:21:58.600 --> 0:21:59.879
<v Speaker 6>up front money I was getting?

0:22:00.240 --> 0:22:00.520
<v Speaker 7>You know that?

0:22:01.600 --> 0:22:03.360
<v Speaker 2>Yeah, but that was parish More too.

0:22:03.400 --> 0:22:06.359
<v Speaker 6>But I ended up selling my half, which is I

0:22:06.400 --> 0:22:08.080
<v Speaker 6>don't know why I did that at the time, but

0:22:08.359 --> 0:22:10.440
<v Speaker 6>I gave forty percent this and not that and this.

0:22:10.600 --> 0:22:15.159
<v Speaker 6>Then Clive Davis came you know, you know that was

0:22:15.200 --> 0:22:17.240
<v Speaker 6>four million dollars. This is like, you know again, at

0:22:17.280 --> 0:22:18.879
<v Speaker 6>the end of the day, it was like it just

0:22:19.000 --> 0:22:22.840
<v Speaker 6>kept doing what it was doing. Kadn Masenberg at one

0:22:22.880 --> 0:22:25.440
<v Speaker 6>time too, So it was the fact that and then

0:22:25.560 --> 0:22:28.080
<v Speaker 6>publishing what you see now, I don't think I never

0:22:28.160 --> 0:22:31.240
<v Speaker 6>sold because I didn't have to. So now at the

0:22:31.320 --> 0:22:34.640
<v Speaker 6>end of the day, the publishing is doing what it is.

0:22:34.960 --> 0:22:38.480
<v Speaker 6>You know, you probably sort of sort of the post

0:22:38.840 --> 0:22:43.520
<v Speaker 6>after so many years weekend does I don't want to

0:22:43.560 --> 0:22:48.120
<v Speaker 6>know by you know whatever. One point nine billion streams.

0:22:48.840 --> 0:22:52.359
<v Speaker 6>One point nine billion streams brings you two hundred and

0:22:52.400 --> 0:22:54.320
<v Speaker 6>fifty thousand dollars every quarter.

0:22:54.640 --> 0:22:57.800
<v Speaker 1>So every quarter you get to fifty Jesus for.

0:22:57.840 --> 0:23:01.080
<v Speaker 6>Four percent on one record. So this is what I

0:23:01.119 --> 0:23:03.919
<v Speaker 6>try to tell people. I never told the people to flex.

0:23:04.119 --> 0:23:06.680
<v Speaker 6>I was trying to tell artists, like you said, if

0:23:06.720 --> 0:23:09.879
<v Speaker 6>you have your publishing and you own it, here's what

0:23:10.000 --> 0:23:12.040
<v Speaker 6>can feed you, like a four to one k or

0:23:12.080 --> 0:23:14.720
<v Speaker 6>some type of retirement type of thing, if you own

0:23:14.760 --> 0:23:16.720
<v Speaker 6>your publishing. But I get it, if you don't have

0:23:16.800 --> 0:23:19.080
<v Speaker 6>the money, you have to sell it and people are

0:23:19.119 --> 0:23:21.359
<v Speaker 6>cashing in for the big money. I understand that two

0:23:21.440 --> 0:23:23.840
<v Speaker 6>hundred million two. I'm going to do the same thing too.

0:23:23.880 --> 0:23:26.199
<v Speaker 6>If I was Dre and Neo and Dream and all

0:23:26.200 --> 0:23:28.959
<v Speaker 6>of them, I do it too. But again, but in

0:23:28.960 --> 0:23:31.480
<v Speaker 6>the smaller scheme of things, I never had to do that.

0:23:31.600 --> 0:23:34.280
<v Speaker 6>So when I sit back and I be at home

0:23:34.320 --> 0:23:37.000
<v Speaker 6>and years go by. I took off twelve years to

0:23:37.160 --> 0:23:39.399
<v Speaker 6>be because I was on joint for twelve years. So

0:23:39.520 --> 0:23:41.920
<v Speaker 6>again at the end of the day, them percosets had

0:23:41.920 --> 0:23:44.359
<v Speaker 6>me at home anyway, you know what I'm saying. So

0:23:45.520 --> 0:23:48.000
<v Speaker 6>this is twelve years of being able to sit down

0:23:48.160 --> 0:23:51.760
<v Speaker 6>because you got publishing checks from all that music that

0:23:51.840 --> 0:23:53.760
<v Speaker 6>I was able to do, was able to have me

0:23:53.840 --> 0:23:56.840
<v Speaker 6>sit down. That's how I live and be without me

0:23:56.920 --> 0:23:58.120
<v Speaker 6>doing work is publishing.

0:24:00.320 --> 0:24:02.000
<v Speaker 2>Percosus was when you know.

0:24:02.720 --> 0:24:05.480
<v Speaker 6>Well, when I had that thing in two thousand Women

0:24:05.520 --> 0:24:07.080
<v Speaker 6>it said I felt from the window whatever.

0:24:07.160 --> 0:24:08.480
<v Speaker 2>That was my first time on vikinging.

0:24:08.680 --> 0:24:10.120
<v Speaker 1>Do you ever tell the story that you never tell

0:24:10.119 --> 0:24:10.360
<v Speaker 1>the story?

0:24:10.520 --> 0:24:12.280
<v Speaker 6>Yeah, I mean people know it wasn't that. You know,

0:24:12.600 --> 0:24:13.920
<v Speaker 6>I was in the wrong place at the wrong time,

0:24:13.920 --> 0:24:16.800
<v Speaker 6>but it was suicide side.

0:24:17.119 --> 0:24:19.480
<v Speaker 2>But I viking in is what you get first.

0:24:19.560 --> 0:24:23.040
<v Speaker 6>That's why I said Michael Jackson it was the pills

0:24:23.320 --> 0:24:26.800
<v Speaker 6>before he got to Porfo fall whatever. But I had

0:24:26.800 --> 0:24:29.200
<v Speaker 6>the viking in first. Once I had the viking in,

0:24:29.480 --> 0:24:33.280
<v Speaker 6>I'm like, you know what, Charla Mede, I'm like this,

0:24:33.280 --> 0:24:36.160
<v Speaker 6>this is cool. So I was off of the viking

0:24:36.280 --> 0:24:40.600
<v Speaker 6>In once I got better. Two thousand and and nine,

0:24:41.480 --> 0:24:44.000
<v Speaker 6>I had back surgery as far as like one of

0:24:44.000 --> 0:24:49.200
<v Speaker 6>them L fives or whatever. The the my my nerves

0:24:49.200 --> 0:24:52.000
<v Speaker 6>had wrapped around my spine so it had numb. My

0:24:52.440 --> 0:24:55.479
<v Speaker 6>whole from my balls all the way down to my

0:24:56.080 --> 0:24:59.840
<v Speaker 6>legs was all numb. So I was seventy two hours

0:25:00.000 --> 0:25:03.679
<v Speaker 6>away from nerve damage on that right row.

0:25:03.560 --> 0:25:17.560
<v Speaker 3>What you they gotta say, pause, clearly just talking about balls, So.

0:25:08.640 --> 0:25:17.400
<v Speaker 8>Just right, sorry, listen child, wait talking about this action.

0:25:21.240 --> 0:25:22.320
<v Speaker 4>I'm stupid.

0:25:23.280 --> 0:25:24.760
<v Speaker 1>It's crazy, big kids.

0:25:25.240 --> 0:25:27.200
<v Speaker 4>It was none from the ball way.

0:25:27.720 --> 0:25:30.360
<v Speaker 2>It was a didn't lay. It was a one man lay.

0:25:31.080 --> 0:25:34.119
<v Speaker 1>Came you want to be the.

0:25:34.160 --> 0:25:37.679
<v Speaker 5>Captain A laugh, but I would not look at But

0:25:37.760 --> 0:25:40.600
<v Speaker 5>I'm saying no, but I can't wait to be.

0:25:40.680 --> 0:25:45.240
<v Speaker 6>I didn't say I was I was I was number.

0:25:45.440 --> 0:25:49.160
<v Speaker 9>Was I was number You couldn't from the balls down

0:25:49.240 --> 0:25:51.560
<v Speaker 9>like I was no action.

0:25:52.840 --> 0:25:56.520
<v Speaker 2>So they gave me one hundred and twenty percocets the ground.

0:25:56.640 --> 0:25:57.320
<v Speaker 2>The bottle was this.

0:25:57.400 --> 0:26:01.960
<v Speaker 6>Tall, right, so it's one hundred and twenty. So for

0:26:02.040 --> 0:26:04.399
<v Speaker 6>the first two days I didn't fuck with him, you know,

0:26:04.760 --> 0:26:05.879
<v Speaker 6>because I didn't know where it was.

0:26:05.960 --> 0:26:06.320
<v Speaker 2>I wasn't.

0:26:06.400 --> 0:26:08.119
<v Speaker 6>I'm like, we're the viker in that, you know whatever.

0:26:08.440 --> 0:26:12.080
<v Speaker 6>But then the pain started. So now I take the percosesets.

0:26:12.359 --> 0:26:13.600
<v Speaker 6>Now the pain stopped.

0:26:13.800 --> 0:26:16.320
<v Speaker 2>But I liked the feeling and not for that it

0:26:16.359 --> 0:26:16.680
<v Speaker 2>was over.

0:26:17.280 --> 0:26:20.320
<v Speaker 1>He's ten years twelve. How did you finally get off?

0:26:20.480 --> 0:26:23.600
<v Speaker 2>I went to rehab in twenty twenty two? You rehab?

0:26:23.720 --> 0:26:24.119
<v Speaker 4>Was it? Me?

0:26:25.600 --> 0:26:27.239
<v Speaker 6>And I didn't go to no celebrity rehab. I went

0:26:27.280 --> 0:26:30.440
<v Speaker 6>to a rehab upstate with regular people. And they talk

0:26:30.440 --> 0:26:32.119
<v Speaker 6>about it too. They hit me on the things like, yo,

0:26:32.359 --> 0:26:34.040
<v Speaker 6>Kim Lee, you was in here the whole nine because

0:26:34.119 --> 0:26:36.119
<v Speaker 6>I figured if I went to one celebrity ones you

0:26:36.160 --> 0:26:39.040
<v Speaker 6>allowed to leave and say they say, if sol I

0:26:39.080 --> 0:26:41.360
<v Speaker 6>means as a fan, I could ask him to get

0:26:41.359 --> 0:26:42.679
<v Speaker 6>me some percosets, he get it for me.

0:26:43.119 --> 0:26:45.640
<v Speaker 2>You know what I'm saying. So again, this place was

0:26:45.720 --> 0:26:46.840
<v Speaker 2>really kind of locked down.

0:26:47.000 --> 0:26:49.720
<v Speaker 6>They didn't played. It was a girl and a guy situated.

0:26:49.760 --> 0:26:53.680
<v Speaker 6>So it was twenty two girls upstairs and forty forty

0:26:53.720 --> 0:26:56.440
<v Speaker 6>men downstairs. So and every day you go to a

0:26:56.520 --> 0:26:59.919
<v Speaker 6>class from seven to from seven to eight. So you

0:27:00.080 --> 0:27:02.159
<v Speaker 6>have classes, and you have people who come in on

0:27:02.240 --> 0:27:03.639
<v Speaker 6>Tuesdays and talk for you.

0:27:03.880 --> 0:27:05.119
<v Speaker 2>You it all no no.

0:27:05.440 --> 0:27:07.040
<v Speaker 1>During that time, you couldn't produce, You could not you

0:27:07.080 --> 0:27:07.320
<v Speaker 1>can care.

0:27:07.400 --> 0:27:09.800
<v Speaker 6>There's none of that reflect because because the first five

0:27:09.920 --> 0:27:15.040
<v Speaker 6>days is you're doing detox and you're doing what's that

0:27:15.040 --> 0:27:17.040
<v Speaker 6>that ship they use for whatever, They give you that

0:27:17.080 --> 0:27:19.400
<v Speaker 6>for the first four days, and after that you start rehabbing.

0:27:19.080 --> 0:27:21.280
<v Speaker 1>How I was detox and not not having that after

0:27:21.280 --> 0:27:21.720
<v Speaker 1>having it.

0:27:21.640 --> 0:27:23.560
<v Speaker 6>For twelve four days is crazy because you get the

0:27:23.600 --> 0:27:28.120
<v Speaker 6>ship called to shake the but yeah, well it's it's

0:27:28.560 --> 0:27:31.919
<v Speaker 6>restless legs. So so so your leg is kicking and

0:27:31.960 --> 0:27:34.760
<v Speaker 6>then your arms starts kicking, so you can't sleep. So

0:27:34.840 --> 0:27:37.600
<v Speaker 6>now I'm up for seventy two hours doing this arm

0:27:37.920 --> 0:27:39.800
<v Speaker 6>punctioning like I said for it. Sometimes I used to

0:27:39.800 --> 0:27:41.800
<v Speaker 6>get the emotional, but again not now. But your leger

0:27:41.880 --> 0:27:44.280
<v Speaker 6>is kicking, and your arms kicking is called restless legs,

0:27:44.359 --> 0:27:46.240
<v Speaker 6>so that happens in the beginning. So now they want

0:27:46.240 --> 0:27:49.879
<v Speaker 6>you to take some ship called seboxing, but suboxing is

0:27:49.920 --> 0:27:53.040
<v Speaker 6>another drug, so I was not going to put myself

0:27:53.280 --> 0:27:55.920
<v Speaker 6>back on something else to calm this down.

0:27:56.040 --> 0:27:58.080
<v Speaker 9>I never understood why they do that and rehead. But

0:27:58.359 --> 0:28:01.560
<v Speaker 9>they'll give you something else, another drug, wing you off

0:28:01.600 --> 0:28:03.440
<v Speaker 9>the one that you want, but it has the same shit,

0:28:03.560 --> 0:28:04.000
<v Speaker 9>same thing.

0:28:04.080 --> 0:28:05.280
<v Speaker 2>So if I would have came home, I would have

0:28:05.280 --> 0:28:05.679
<v Speaker 2>been on that.

0:28:06.080 --> 0:28:08.320
<v Speaker 6>So I'm like, fucking, I just wait seventy two hours,

0:28:08.320 --> 0:28:10.240
<v Speaker 6>this and that, whatever, whatever. So I end up taking

0:28:10.240 --> 0:28:12.760
<v Speaker 6>some business jil out of everything too to put me

0:28:12.800 --> 0:28:15.320
<v Speaker 6>to sleep after the seventy two hours and not work

0:28:15.400 --> 0:28:17.440
<v Speaker 6>after that. That was really cool. I was just going

0:28:17.440 --> 0:28:20.040
<v Speaker 6>through it. But then they tell you don't go back

0:28:20.080 --> 0:28:22.800
<v Speaker 6>into your environment. That means if you go back home,

0:28:23.240 --> 0:28:26.480
<v Speaker 6>that driveway is gonna remind me of my dealer coming

0:28:26.480 --> 0:28:29.159
<v Speaker 6>to my driveway. If I go around the corner of

0:28:29.200 --> 0:28:31.120
<v Speaker 6>that store is gonna mind me because I always had

0:28:31.160 --> 0:28:34.199
<v Speaker 6>them meet me somewhere, like my kids didn't know. My

0:28:34.320 --> 0:28:36.879
<v Speaker 6>kids didn't find out. They ain't know nothing for a while.

0:28:37.160 --> 0:28:39.600
<v Speaker 6>All of a sudden, though, Charla mean, I'm looking at

0:28:39.600 --> 0:28:42.320
<v Speaker 6>this situation like, yo, I can't get out of here

0:28:42.360 --> 0:28:45.080
<v Speaker 6>because again I'm gonna have to go someplace else because

0:28:45.080 --> 0:28:47.880
<v Speaker 6>if I stay here, it's gonna call right after that.

0:28:48.320 --> 0:28:51.760
<v Speaker 6>My mother's in stage five. Yeah wow, So now for

0:28:51.840 --> 0:28:55.080
<v Speaker 6>the whole year I'm taking care of her. Now I

0:28:55.080 --> 0:28:57.920
<v Speaker 6>don't supposed to be in that environment because now I'm

0:28:57.920 --> 0:28:59.880
<v Speaker 6>gonna get stressed and the first thing I'm gonna run

0:28:59.880 --> 0:29:03.120
<v Speaker 6>to is her. It's a purtains, but my mother said,

0:29:03.480 --> 0:29:05.600
<v Speaker 6>if you do that, I'm not gonna make it. So

0:29:05.760 --> 0:29:07.920
<v Speaker 6>once she said that, there's no way I'm gonna touch

0:29:07.960 --> 0:29:08.480
<v Speaker 6>the pill.

0:29:08.400 --> 0:29:10.520
<v Speaker 4>So he was talking to her about the challenges you face.

0:29:11.280 --> 0:29:13.760
<v Speaker 2>Well, well, she no, she's not that.

0:29:13.840 --> 0:29:15.920
<v Speaker 6>She just knew that I came up from rehab and

0:29:15.960 --> 0:29:17.760
<v Speaker 6>I wasn't supposed to be in that environment or any

0:29:17.760 --> 0:29:20.840
<v Speaker 6>type of stressful environment. She knew that, but again I

0:29:20.840 --> 0:29:22.880
<v Speaker 6>had to take care of her, you know, so at

0:29:22.920 --> 0:29:23.480
<v Speaker 6>the end of the day.

0:29:23.480 --> 0:29:25.080
<v Speaker 2>So once that happened.

0:29:26.280 --> 0:29:31.160
<v Speaker 6>From June to May, when she passed away, right, my

0:29:31.160 --> 0:29:33.520
<v Speaker 6>mother was so ill because my mother knew that how

0:29:34.560 --> 0:29:36.640
<v Speaker 6>how how it was going to hurt me for me

0:29:36.720 --> 0:29:39.880
<v Speaker 6>to see her die. So I got the call from

0:29:39.920 --> 0:29:43.120
<v Speaker 6>Kanye West to go produce. I knew I was leaving

0:29:43.160 --> 0:29:45.680
<v Speaker 6>that week, you know what I mean, All of a sudden,

0:29:46.160 --> 0:29:48.600
<v Speaker 6>she told my sister, tell Eric to get on the

0:29:48.600 --> 0:29:50.600
<v Speaker 6>plane and don't miss that opportunity.

0:29:50.800 --> 0:29:53.640
<v Speaker 2>She's dying, and she's like, you know, well go do that.

0:29:54.320 --> 0:29:57.120
<v Speaker 6>So I go on the plane, I land, me and

0:29:57.200 --> 0:29:59.320
<v Speaker 6>b As soon as I land, he passed me the

0:29:59.320 --> 0:30:02.880
<v Speaker 6>phones with my sister. My mother's transitioned. Kanye calls and

0:30:02.880 --> 0:30:05.840
<v Speaker 6>says Eric. It happened to me too. My aunt called me,

0:30:06.160 --> 0:30:08.920
<v Speaker 6>don't worry about that, come to the studio tomorrow. So

0:30:09.160 --> 0:30:11.800
<v Speaker 6>when niggas talk about YA two, he was there for me,

0:30:12.720 --> 0:30:16.720
<v Speaker 6>you know. So that whole seven months with him had

0:30:16.800 --> 0:30:18.760
<v Speaker 6>me off of what does happened? Even though I went

0:30:18.800 --> 0:30:21.000
<v Speaker 6>home to bury my mother. I went home and buried her.

0:30:21.560 --> 0:30:24.280
<v Speaker 6>I flew to Italy where he was at. You know,

0:30:24.480 --> 0:30:28.160
<v Speaker 6>so we worked in Italy and I came back home again,

0:30:28.440 --> 0:30:31.920
<v Speaker 6>and after that whatever, I knew that it had left

0:30:31.920 --> 0:30:39.160
<v Speaker 6>me because, believe me, those ship called it's called pause, posts, acute,

0:30:42.440 --> 0:30:47.080
<v Speaker 6>stressed to something whatever, where you get the symptoms of

0:30:47.440 --> 0:30:54.360
<v Speaker 6>it calling you, Chris Rock, it's calling you. So now

0:30:54.360 --> 0:30:57.480
<v Speaker 6>it's like, okay, well damn, you know, how can I

0:30:57.520 --> 0:30:59.959
<v Speaker 6>get this? But I know I don't want to do this,

0:31:00.920 --> 0:31:03.200
<v Speaker 6>but something going to have to stop me because of

0:31:03.320 --> 0:31:04.560
<v Speaker 6>not that pause is coming in.

0:31:04.680 --> 0:31:05.960
<v Speaker 8>What was that first.

0:31:07.040 --> 0:31:09.080
<v Speaker 7>Meet up with you and Kanye as you're going through

0:31:09.080 --> 0:31:10.840
<v Speaker 7>all of this stuff about your mom and he's there

0:31:10.880 --> 0:31:12.280
<v Speaker 7>with you and he's been through it, Like what was

0:31:12.280 --> 0:31:14.680
<v Speaker 7>that first initial like come here, I got you.

0:31:14.720 --> 0:31:17.560
<v Speaker 6>He just told me that when his moms died, he

0:31:17.640 --> 0:31:18.400
<v Speaker 6>went to work too.

0:31:19.200 --> 0:31:23.120
<v Speaker 2>Yeah, So the music helped all of it. I went

0:31:23.160 --> 0:31:24.680
<v Speaker 2>into the studio.

0:31:25.720 --> 0:31:28.080
<v Speaker 6>He had a big twenty five thousand square feet warehouse

0:31:28.360 --> 0:31:31.400
<v Speaker 6>and Slawson right, So we went in there and nixt thing,

0:31:31.400 --> 0:31:34.719
<v Speaker 6>you know. It was him and eighty eight keys whatever,

0:31:34.800 --> 0:31:37.440
<v Speaker 6>and the engineer and I just stopped playing music and

0:31:37.600 --> 0:31:40.160
<v Speaker 6>he was just like getting excited, and we was like whatever.

0:31:40.400 --> 0:31:42.240
<v Speaker 6>And the producer came in and said, you everic before

0:31:42.240 --> 0:31:44.440
<v Speaker 6>you came here, we had no vibe, you know what

0:31:44.480 --> 0:31:46.800
<v Speaker 6>I'm saying. So whatever was working at the time was

0:31:46.840 --> 0:31:48.320
<v Speaker 6>just working, and we just kept me just.

0:31:48.280 --> 0:31:49.040
<v Speaker 2>Doing what we was doing.

0:31:49.200 --> 0:31:51.479
<v Speaker 5>What came from those sessions, cause I remember you had

0:31:51.520 --> 0:31:53.720
<v Speaker 5>said that Kanye was putting on an album called Why three,

0:31:53.760 --> 0:31:54.840
<v Speaker 5>and Kanye was like, nine.

0:31:55.080 --> 0:31:57.800
<v Speaker 6>Right, you have listen, Charla Man, you were The stuff

0:31:57.800 --> 0:32:01.760
<v Speaker 6>that we was doing was classic ya samples, beats, rhymes,

0:32:01.760 --> 0:32:04.800
<v Speaker 6>the whole nine. Once I came back from burying my

0:32:04.840 --> 0:32:07.400
<v Speaker 6>mother and I flew to Italy, I saw Todd Donalds

0:32:07.440 --> 0:32:08.880
<v Speaker 6>sign and I looked.

0:32:08.640 --> 0:32:12.000
<v Speaker 2>On the board. I saw my songs, but all the rest.

0:32:11.800 --> 0:32:13.760
<v Speaker 6>Of them was him and Todd donald sign. So they

0:32:13.800 --> 0:32:19.560
<v Speaker 6>switched the whole situation. When I was gone, right, anything,

0:32:19.600 --> 0:32:23.720
<v Speaker 6>I mean anything about Now they leaked a couple of songs.

0:32:25.600 --> 0:32:28.720
<v Speaker 2>Worship and something else came out that I did, but

0:32:28.800 --> 0:32:29.400
<v Speaker 2>it was a leak.

0:32:30.560 --> 0:32:32.600
<v Speaker 5>I always wondered, man, because I don't know for the

0:32:32.640 --> 0:32:35.480
<v Speaker 5>people who don't know. Eric Serman discovered red Man. You

0:32:35.560 --> 0:32:38.080
<v Speaker 5>heard him mention Keith Murray. Always wondered, if e pm

0:32:38.440 --> 0:32:41.240
<v Speaker 5>D doesn't break up, do we still get Oh my.

0:32:41.120 --> 0:32:44.400
<v Speaker 6>God, Jesus christ Man Yo. Of course, because Reggie was there.

0:32:45.800 --> 0:32:48.440
<v Speaker 6>Murray was there too. But I can imagine the five years.

0:32:48.520 --> 0:32:51.000
<v Speaker 6>Don't figure this is this is head binger and crossover

0:32:51.720 --> 0:32:55.480
<v Speaker 6>just and we out, So imagine the five years in between.

0:32:56.080 --> 0:32:57.680
<v Speaker 2>I wonder what would have happened.

0:32:58.320 --> 0:33:01.560
<v Speaker 6>You know what was there other groups that would have

0:33:01.600 --> 0:33:05.440
<v Speaker 6>came was the Wu Tang and the chronic would have

0:33:05.520 --> 0:33:09.520
<v Speaker 6>been you know, able to you know the rain that

0:33:09.560 --> 0:33:12.120
<v Speaker 6>we had was was keeping ready would have been the

0:33:12.160 --> 0:33:15.680
<v Speaker 6>new added edition at that moment. Now we oh my god,

0:33:15.960 --> 0:33:19.600
<v Speaker 6>you know another one? You know, so five years in between.

0:33:19.920 --> 0:33:21.680
<v Speaker 6>I asked that question all the time. I wonder what

0:33:21.760 --> 0:33:27.480
<v Speaker 6>it would have happened. House keep people forget about Jamal Jamal?

0:33:28.960 --> 0:33:30.240
<v Speaker 1>How is you speaking to?

0:33:30.400 --> 0:33:30.760
<v Speaker 2>How's Keith?

0:33:30.760 --> 0:33:31.360
<v Speaker 1>How's keep doing?

0:33:31.440 --> 0:33:34.240
<v Speaker 6>Yeah, he's doing he's doing good. I don't really talk

0:33:34.240 --> 0:33:35.920
<v Speaker 6>to him to see him as much though, but he's

0:33:36.720 --> 0:33:38.240
<v Speaker 6>heard from Keith in a minute, yea, yeah, he Well,

0:33:39.000 --> 0:33:41.600
<v Speaker 6>Keith had moved down south, you know what I'm saying.

0:33:41.640 --> 0:33:44.880
<v Speaker 6>But again, I know that the Depth Squad is in

0:33:44.960 --> 0:33:47.960
<v Speaker 6>the talking right now as far as the Death Squad LP,

0:33:48.480 --> 0:33:51.560
<v Speaker 6>so hopefully that does happen. You know what I'm saying again,

0:33:52.840 --> 0:33:56.240
<v Speaker 6>Right now where music is at, to me, it's fun,

0:33:56.280 --> 0:34:01.680
<v Speaker 6>but I'm not with the system of putting my music

0:34:02.080 --> 0:34:05.320
<v Speaker 6>at this time. Would the name through platforms?

0:34:05.840 --> 0:34:06.040
<v Speaker 2>Now?

0:34:06.160 --> 0:34:08.239
<v Speaker 6>This album right now is going through a platform because

0:34:08.239 --> 0:34:11.840
<v Speaker 6>I happened that three hundred I was signed to and

0:34:11.960 --> 0:34:12.719
<v Speaker 6>Warner took it.

0:34:12.960 --> 0:34:16.040
<v Speaker 2>So it's going through the platforms. But that's not my

0:34:16.160 --> 0:34:17.440
<v Speaker 2>future one like that mass Appeal.

0:34:17.600 --> 0:34:18.759
<v Speaker 1>I like what mass Appeal's doing.

0:34:19.239 --> 0:34:23.160
<v Speaker 7>I saw you talked about and yeah listen, I like

0:34:23.200 --> 0:34:23.719
<v Speaker 7>that too.

0:34:23.920 --> 0:34:26.239
<v Speaker 6>I just I just don't I want to make all

0:34:26.239 --> 0:34:32.840
<v Speaker 6>the money at this time, because again, listen, the president

0:34:32.880 --> 0:34:37.600
<v Speaker 6>of Spotify, not the owner. The president makes He made

0:34:37.600 --> 0:34:41.440
<v Speaker 6>three hundred million dollars in twenty twenty four. In twenty

0:34:41.480 --> 0:34:44.200
<v Speaker 6>twenty five, he made four hundred and twenty five million dollars,

0:34:44.480 --> 0:34:46.040
<v Speaker 6>not the owner, the president.

0:34:46.120 --> 0:34:46.520
<v Speaker 4>President.

0:34:46.680 --> 0:34:48.200
<v Speaker 2>Wow, so we're.

0:34:48.040 --> 0:34:52.600
<v Speaker 6>Still making zero zero zero four less than a penny. Right,

0:34:53.480 --> 0:34:56.560
<v Speaker 6>Congress just passed the bill that we get one cent now,

0:34:57.440 --> 0:35:02.280
<v Speaker 6>but one cent is one million streams is fourteen grand.

0:35:02.800 --> 0:35:03.040
<v Speaker 2>Right.

0:35:04.120 --> 0:35:06.560
<v Speaker 6>If I get fourteen thousand people to give me one dollar,

0:35:06.600 --> 0:35:10.640
<v Speaker 6>I make fourteen thousand dollars. I don't know how Jay

0:35:10.640 --> 0:35:11.640
<v Speaker 6>said numbers don't lie.

0:35:11.680 --> 0:35:12.840
<v Speaker 2>This is this is the truth.

0:35:13.239 --> 0:35:17.040
<v Speaker 6>So if I get eight thousand fans to give me

0:35:17.120 --> 0:35:20.000
<v Speaker 6>two hundred bucks, that means merchandise records. The whole night,

0:35:20.000 --> 0:35:22.040
<v Speaker 6>I made one point six million dollars. I only need

0:35:22.040 --> 0:35:24.440
<v Speaker 6>a million people. I only need two hundred thousand, one

0:35:24.520 --> 0:35:27.320
<v Speaker 6>hundred thousand. I need eight thousand people. If eight thousand

0:35:27.320 --> 0:35:29.680
<v Speaker 6>people give me one hundred dollars, it's eight hundred grand.

0:35:31.600 --> 0:35:34.640
<v Speaker 2>This doesn't make any sense. Dj MB is already a name.

0:35:35.520 --> 0:35:37.880
<v Speaker 6>You're already a name already, so at the end of

0:35:37.920 --> 0:35:40.040
<v Speaker 6>the day, you know you got people who gonna support you.

0:35:40.760 --> 0:35:42.359
<v Speaker 6>Is the fact that you don't want to take that

0:35:42.480 --> 0:35:44.759
<v Speaker 6>shot because again you don't trust it.

0:35:44.840 --> 0:35:45.400
<v Speaker 2>But why not.

0:35:45.840 --> 0:35:51.000
<v Speaker 6>You're already popular, so they're gonna support whatever you show them.

0:35:52.160 --> 0:35:55.160
<v Speaker 7>You talked about in a rollin Stone article bringing back

0:35:55.200 --> 0:35:57.719
<v Speaker 7>giving people a blueprint to certain things. Right, So with

0:35:57.760 --> 0:35:59.799
<v Speaker 7>what you just say, So the blueprint that you're telling

0:35:59.840 --> 0:36:02.520
<v Speaker 7>are now even new artists, is what create a dot com?

0:36:02.560 --> 0:36:05.480
<v Speaker 7>Like create their own streaming? Like what is that business model?

0:36:05.560 --> 0:36:07.560
<v Speaker 6>The same thing that you're doing right now that no

0:36:07.560 --> 0:36:09.480
<v Speaker 6>matter what, everybody has a www.

0:36:10.280 --> 0:36:12.120
<v Speaker 2>It doesn't matter that that never left.

0:36:12.360 --> 0:36:15.359
<v Speaker 6>We left the websites because nobody talks about them no more.

0:36:15.800 --> 0:36:19.799
<v Speaker 6>But on your website you can have band camp and

0:36:19.840 --> 0:36:24.000
<v Speaker 6>shopify and it's the same thing no matter what.

0:36:24.120 --> 0:36:25.239
<v Speaker 2>So this is what you do.

0:36:25.280 --> 0:36:28.040
<v Speaker 6>You direct them to that same marketing promotion that you

0:36:28.080 --> 0:36:30.080
<v Speaker 6>would spend how you would market and promote something.

0:36:30.200 --> 0:36:31.560
<v Speaker 2>Now you send them to your website.

0:36:31.840 --> 0:36:35.759
<v Speaker 6>Every major show you watch, every major person with a

0:36:36.280 --> 0:36:40.440
<v Speaker 6>that is pop well you know that's clothing line, whatever,

0:36:40.719 --> 0:36:44.000
<v Speaker 6>has a WWW and once and when they want you

0:36:44.040 --> 0:36:46.440
<v Speaker 6>to look at something, they direct it to their website.

0:36:46.560 --> 0:36:49.080
<v Speaker 6>That's the whole thing. The website is back. Make it

0:36:49.120 --> 0:36:52.120
<v Speaker 6>dope again, make it colorful, make it the fact that whatever,

0:36:52.520 --> 0:36:54.879
<v Speaker 6>make it whatever, and then put your shit on there,

0:36:55.120 --> 0:36:58.120
<v Speaker 6>shopify in the band camp or whatever you can use

0:36:58.280 --> 0:37:01.000
<v Speaker 6>for them to purchase the situation. And that's the model

0:37:01.160 --> 0:37:03.440
<v Speaker 6>that I would use. I'm not saying the new people

0:37:03.480 --> 0:37:05.479
<v Speaker 6>because they're going to be harder for somebody who doesn't

0:37:05.560 --> 0:37:08.680
<v Speaker 6>have a name, but somebody who already has a name.

0:37:09.280 --> 0:37:11.799
<v Speaker 6>I'm just telling you the numbers again. If you got

0:37:11.800 --> 0:37:17.040
<v Speaker 6>a thousand people giving you five dollars, there's the numbers.

0:37:17.360 --> 0:37:20.319
<v Speaker 6>You can't lose on that. And you see the people

0:37:20.440 --> 0:37:23.840
<v Speaker 6>making you sleep, ess and you're making thirty dousand dollars whatever,

0:37:23.840 --> 0:37:26.560
<v Speaker 6>and you resting because this shit that you put out

0:37:26.640 --> 0:37:29.839
<v Speaker 6>hat is moving while you're sleeping.

0:37:30.000 --> 0:37:32.319
<v Speaker 2>Jeff yo yo.

0:37:32.360 --> 0:37:35.000
<v Speaker 6>But people don't want to do that because they like,

0:37:35.080 --> 0:37:36.600
<v Speaker 6>this is what I heard from some artists.

0:37:36.600 --> 0:37:37.520
<v Speaker 2>I'm gonna miss his name.

0:37:38.200 --> 0:37:42.439
<v Speaker 6>Somebody just said, yeah, that's dope though, But I want

0:37:42.440 --> 0:37:46.520
<v Speaker 6>people to hear my music worldwide, nigga, you already famous,

0:37:48.200 --> 0:37:50.440
<v Speaker 6>meaning that they want to put their music on the

0:37:50.520 --> 0:37:55.400
<v Speaker 6>platforms so everybody can hear it. You pass that already.

0:37:56.040 --> 0:37:57.640
<v Speaker 8>But you know what what some people get.

0:37:58.040 --> 0:38:01.080
<v Speaker 9>You know, I could understand that artist because like if

0:38:01.120 --> 0:38:04.680
<v Speaker 9>your if your fan base is used to just getting

0:38:04.719 --> 0:38:10.439
<v Speaker 9>it anyway. There's so many subscriptions shit's going on. It's like, yo,

0:38:10.640 --> 0:38:12.560
<v Speaker 9>I gotta ask or they gotta pay for something else.

0:38:12.560 --> 0:38:14.880
<v Speaker 9>And somebody and people with the fans, like even in

0:38:14.880 --> 0:38:17.560
<v Speaker 9>the twitch chat, they always like somebody always selling something

0:38:17.600 --> 0:38:20.319
<v Speaker 9>and it's like, you know, how many subscriptions do you

0:38:20.360 --> 0:38:21.040
<v Speaker 9>want or can.

0:38:20.960 --> 0:38:21.480
<v Speaker 1>You pay for?

0:38:21.680 --> 0:38:24.440
<v Speaker 2>But yes, but you work hard.

0:38:25.320 --> 0:38:27.640
<v Speaker 6>We get up in the morning, we go to work,

0:38:28.040 --> 0:38:31.239
<v Speaker 6>I press them buttons, I do all that shit, and

0:38:31.360 --> 0:38:34.160
<v Speaker 6>all of a sudden, somebody, would you buy something? Would

0:38:34.160 --> 0:38:36.200
<v Speaker 6>you can wage something for a penny?

0:38:36.480 --> 0:38:37.560
<v Speaker 4>Nah? I'm with you.

0:38:37.640 --> 0:38:39.960
<v Speaker 6>I get what I'm saying. Like, Yo, I'm giving away

0:38:40.160 --> 0:38:44.439
<v Speaker 6>something for less than one cent. Yeah, that's all I'm

0:38:44.440 --> 0:38:49.000
<v Speaker 6>saying now like at this stage, now I'm selling my

0:38:49.000 --> 0:38:49.920
<v Speaker 6>ship for less.

0:38:49.760 --> 0:38:52.040
<v Speaker 2>Than a penny. Nah. I can't do that.

0:38:52.040 --> 0:38:53.160
<v Speaker 4>And it feels like robbery.

0:38:53.200 --> 0:38:56.320
<v Speaker 5>When I hear artists say the music is the promo

0:38:56.480 --> 0:38:58.759
<v Speaker 5>for the tour and the merch, I'm like, nah, you

0:38:58.760 --> 0:38:59.960
<v Speaker 5>should be getting paid off the music.

0:39:00.280 --> 0:39:02.759
<v Speaker 6>Charla Man like you mentioned that. That's that right there

0:39:02.880 --> 0:39:06.120
<v Speaker 6>is so true. That's what they be saying, which is crazy.

0:39:07.000 --> 0:39:09.680
<v Speaker 6>That's also crazy. No, it makes no sense.

0:39:10.040 --> 0:39:11.680
<v Speaker 5>I went to the massive pill shop the other day.

0:39:11.719 --> 0:39:14.880
<v Speaker 5>I dropped some coins. Then what because they had the

0:39:15.000 --> 0:39:18.080
<v Speaker 5>nos illmatic jacket. That's so fire. You know, ghost Face

0:39:18.200 --> 0:39:20.320
<v Speaker 5>my favorite artist. So when you're walking around the store,

0:39:20.880 --> 0:39:22.520
<v Speaker 5>you like a kid in the candy shop. It's all

0:39:22.520 --> 0:39:24.080
<v Speaker 5>of the different merch you want the merch.

0:39:24.200 --> 0:39:27.359
<v Speaker 6>You know, certain things I did do Like next year

0:39:27.360 --> 0:39:29.880
<v Speaker 6>I got Levi's got the e P M D jacket

0:39:29.920 --> 0:39:33.719
<v Speaker 6>EPMD shirt. They signed NAS and they signed the EPM D.

0:39:34.520 --> 0:39:37.280
<v Speaker 2>I did it for like Geenie jackets, Yeah, gene jackets.

0:39:38.520 --> 0:39:39.399
<v Speaker 2>But I did it for.

0:39:40.920 --> 0:39:43.880
<v Speaker 6>The the leverage of stuff, knowing that there was no money.

0:39:44.080 --> 0:39:45.760
<v Speaker 6>You know, I don't know, I don't know when NAS

0:39:45.760 --> 0:39:48.200
<v Speaker 6>got paid, but they adn't give me dime.

0:39:49.600 --> 0:39:51.719
<v Speaker 2>I'm lee by, I'm cool, I'm cool, cool.

0:39:52.400 --> 0:39:55.719
<v Speaker 6>But again, the leverage of me having this and then

0:39:55.760 --> 0:39:58.839
<v Speaker 6>being able to use that everything is usually too though.

0:39:58.880 --> 0:40:02.960
<v Speaker 2>I know y'all all know about leverage. Leverage is the.

0:40:02.960 --> 0:40:06.640
<v Speaker 6>Money will come, but certain things you do to get

0:40:06.680 --> 0:40:09.160
<v Speaker 6>into the second door in the third door. Yeah, you

0:40:09.200 --> 0:40:12.400
<v Speaker 6>know what, I'm so again, they you know, LEVI called people.

0:40:12.480 --> 0:40:14.160
<v Speaker 6>You know, I'm like, hell, yeah, fuck it. You don't

0:40:14.160 --> 0:40:16.799
<v Speaker 6>give what it was, but you know they're giving me

0:40:16.840 --> 0:40:19.920
<v Speaker 6>two things. The shirt was just the first thing. It's like, oh,

0:40:19.920 --> 0:40:22.000
<v Speaker 6>we want to give you a jacket too, and let's

0:40:22.040 --> 0:40:22.520
<v Speaker 6>let's do that.

0:40:22.760 --> 0:40:25.160
<v Speaker 7>Fucking you know so well all this business success. I

0:40:25.160 --> 0:40:26.680
<v Speaker 7>also saw you talk about the artists you could have

0:40:26.760 --> 0:40:29.560
<v Speaker 7>signed that you didn't sign, So like fifty cent Rick

0:40:29.680 --> 0:40:33.920
<v Speaker 7>ross akon fujis like looking back at that now, like,

0:40:34.120 --> 0:40:36.200
<v Speaker 7>first of all, how did you not think to just

0:40:36.200 --> 0:40:38.520
<v Speaker 7>do the label and then keep all those artists close

0:40:38.560 --> 0:40:38.880
<v Speaker 7>to your chest?

0:40:38.920 --> 0:40:40.799
<v Speaker 6>Because you see, this is what I said on one

0:40:40.800 --> 0:40:44.400
<v Speaker 6>of my posts that I'm sorry for keep repeating the stories.

0:40:44.440 --> 0:40:47.440
<v Speaker 6>But then the beautiful lady asks again, so you're gonna

0:40:47.640 --> 0:40:49.680
<v Speaker 6>hear it again for the third podcast.

0:40:50.120 --> 0:40:51.520
<v Speaker 2>You know, at the time.

0:40:51.320 --> 0:40:54.840
<v Speaker 6>I was just I had my own groups, so I

0:40:54.880 --> 0:40:58.040
<v Speaker 6>didn't look at, you know, what it was what somebody

0:40:58.040 --> 0:40:58.640
<v Speaker 6>else was doing.

0:40:58.920 --> 0:41:01.000
<v Speaker 2>I had my own crew. The his squad was my

0:41:01.040 --> 0:41:01.479
<v Speaker 2>own crew.

0:41:01.760 --> 0:41:04.040
<v Speaker 6>So when when when they was when all of them

0:41:04.120 --> 0:41:06.319
<v Speaker 6>was coming to me at the time, I wasn't, you know,

0:41:06.640 --> 0:41:10.640
<v Speaker 6>focused on them like that. I kind of listen, man,

0:41:11.560 --> 0:41:13.440
<v Speaker 6>the guy got him say but no and be gonna

0:41:13.440 --> 0:41:15.560
<v Speaker 6>know too. But no, back there it's like two he

0:41:15.640 --> 0:41:18.360
<v Speaker 6>brought me the fujis whatever. I just wasn't at the

0:41:18.400 --> 0:41:21.080
<v Speaker 6>time paying attention to it at the time, you know.

0:41:21.560 --> 0:41:26.279
<v Speaker 6>But again lucky I didn't because salm Remy without that

0:41:26.360 --> 0:41:27.840
<v Speaker 6>probably wouldn't have heard the fujis.

0:41:28.080 --> 0:41:28.319
<v Speaker 2>You know.

0:41:29.360 --> 0:41:31.640
<v Speaker 4>None of those artists that you mentioned excited me.

0:41:31.680 --> 0:41:34.359
<v Speaker 5>There's one artist that I always wish was with Eric

0:41:34.400 --> 0:41:38.279
<v Speaker 5>Sherman in Hitch Squad who Cannabis. Yeah, he was with me,

0:41:38.840 --> 0:41:40.239
<v Speaker 5>I know, but I wish he would have stayed with

0:41:40.320 --> 0:41:42.080
<v Speaker 5>y'all and did his debut album.

0:41:42.840 --> 0:41:44.759
<v Speaker 4>We'd be having a whole other conversation.

0:41:46.600 --> 0:41:49.480
<v Speaker 6>But but again, Ross was brought me to me by

0:41:49.560 --> 0:41:53.239
<v Speaker 6>Tony Draper, you know, and and he was Teflon, So

0:41:53.239 --> 0:41:55.719
<v Speaker 6>I did put him on the ninety nine album as Teflon,

0:41:55.760 --> 0:41:57.160
<v Speaker 6>though you know what.

0:41:57.239 --> 0:41:59.719
<v Speaker 4>Happened with cannabis? Why didn't that? Why didn't he stay

0:41:59.719 --> 0:42:00.160
<v Speaker 4>with your.

0:42:00.040 --> 0:42:02.719
<v Speaker 6>He signed the White Cleft, Oh yeah, I mean yeah,

0:42:02.719 --> 0:42:05.200
<v Speaker 6>but again yeah, the money, the money was offered, I

0:42:05.239 --> 0:42:07.000
<v Speaker 6>think it was like a million dollars something like that

0:42:07.040 --> 0:42:07.880
<v Speaker 6>was offered to him.

0:42:08.280 --> 0:42:10.719
<v Speaker 5>I wouldn't have took the money, take the sound. That

0:42:10.800 --> 0:42:12.160
<v Speaker 5>sound would have been totally different.

0:42:12.520 --> 0:42:15.320
<v Speaker 6>But all those groups, the Woutangs, the whole nine to

0:42:15.360 --> 0:42:18.279
<v Speaker 6>two again, but no, his father had a church in

0:42:18.400 --> 0:42:21.920
<v Speaker 6>Staten Island, you know, for over thirty years, and he

0:42:22.040 --> 0:42:25.280
<v Speaker 6>took me to the Whatever project. It was at Whatever,

0:42:25.280 --> 0:42:26.799
<v Speaker 6>and I met all and there's a picture I told

0:42:26.800 --> 0:42:29.719
<v Speaker 6>you that that's out park Hill is a picture that's

0:42:29.760 --> 0:42:32.200
<v Speaker 6>out with me on my eye rock with all them

0:42:32.239 --> 0:42:32.600
<v Speaker 6>on it.

0:42:32.760 --> 0:42:34.920
<v Speaker 2>You know, it was out there somewhere and now we

0:42:34.960 --> 0:42:35.520
<v Speaker 2>can't find it.

0:42:35.560 --> 0:42:39.040
<v Speaker 6>But again, you know, I was really gonna sign Ray

0:42:39.120 --> 0:42:43.520
<v Speaker 6>Kwan by himself first, but again time go by, you know,

0:42:44.040 --> 0:42:45.920
<v Speaker 6>and I ended up getting robed in staff noillis.

0:42:48.320 --> 0:42:48.560
<v Speaker 2>You know.

0:42:48.640 --> 0:42:51.560
<v Speaker 9>So with this album is titled Volume one, you got

0:42:51.600 --> 0:42:52.800
<v Speaker 9>other volumes.

0:42:52.440 --> 0:42:54.759
<v Speaker 6>Coming, yeah, Volume two is coming too, And I just

0:42:54.840 --> 0:42:57.160
<v Speaker 6>like looked at it's kind of crazy because I played

0:42:57.520 --> 0:43:01.880
<v Speaker 6>a Locks record by mistake on the on another podcast

0:43:02.040 --> 0:43:05.919
<v Speaker 6>on you know, on his podcast. Yeah, and I didn't

0:43:06.000 --> 0:43:08.680
<v Speaker 6>know that they're going to keep it. So it's playing.

0:43:09.680 --> 0:43:12.120
<v Speaker 6>My daughter said, Yo, there was the Locks record. I'm like,

0:43:12.680 --> 0:43:14.359
<v Speaker 6>how do you know about that? He said, oh no,

0:43:14.600 --> 0:43:17.719
<v Speaker 6>it's on the podcast at the end. So at the

0:43:17.840 --> 0:43:20.520
<v Speaker 6>end it played. So I had that as a surprise.

0:43:21.040 --> 0:43:23.080
<v Speaker 6>I might be got to make something else if I

0:43:23.120 --> 0:43:28.560
<v Speaker 6>don't get popular. But all the CNN, you know.

0:43:28.640 --> 0:43:29.680
<v Speaker 4>It's gonna get popular.

0:43:30.160 --> 0:43:35.480
<v Speaker 9>You number one, no, no, no, But but I have

0:43:36.000 --> 0:43:40.000
<v Speaker 9>all the stuff seeing in Black Star, you know, you know,

0:43:41.040 --> 0:43:43.520
<v Speaker 9>I was came in the Locks I told you before.

0:43:45.760 --> 0:43:55.839
<v Speaker 2>Damn a ball. M j G requined ghost face, healter skeleton. No, no, no,

0:43:56.080 --> 0:44:04.360
<v Speaker 2>this is this is no, this is what what whatever? Ego? Yeah, okay,

0:44:04.960 --> 0:44:09.200
<v Speaker 2>it's A. It's a. It's twenty three groups. Right.

0:44:09.760 --> 0:44:13.720
<v Speaker 6>The reason why I put on Lil Wayne the game

0:44:13.920 --> 0:44:16.520
<v Speaker 6>in Conway is because I'm.

0:44:16.360 --> 0:44:19.319
<v Speaker 2>Also doing making up dynamic duels too.

0:44:19.800 --> 0:44:22.600
<v Speaker 6>The Lil Wayne is not on the one that you hearing,

0:44:22.760 --> 0:44:25.360
<v Speaker 6>but they played that on Joe and Jay too, and

0:44:25.440 --> 0:44:28.560
<v Speaker 6>that's also going. I'm like, god, damn, I can't even

0:44:28.680 --> 0:44:30.680
<v Speaker 6>bring the remix back, you know what I'm saying, like,

0:44:31.239 --> 0:44:36.799
<v Speaker 6>you know what, yeah, yeah, but no, but big time

0:44:36.920 --> 0:44:43.520
<v Speaker 6>is so people ast me to where's the South groups?

0:44:44.080 --> 0:44:46.279
<v Speaker 6>You think I don't want to get you know, you

0:44:46.320 --> 0:44:48.880
<v Speaker 6>know UGK Pempcey's right here. I think I want to

0:44:48.920 --> 0:44:51.799
<v Speaker 6>get out cast if I could. This is impossible to

0:44:51.800 --> 0:44:53.680
<v Speaker 6>get those, So, you know, I didn't want to go

0:44:53.719 --> 0:44:56.000
<v Speaker 6>all in New York. I used three West Coast. I

0:44:56.000 --> 0:44:59.880
<v Speaker 6>did dog pounds snooping the Nate Dog in Cyprus Hills

0:45:00.080 --> 0:45:02.919
<v Speaker 6>in the game, you know, in the game, yeah four right,

0:45:03.560 --> 0:45:05.880
<v Speaker 6>So but I didn't want to go all East. I

0:45:05.880 --> 0:45:07.960
<v Speaker 6>could have went that way because my first thing I

0:45:08.000 --> 0:45:10.239
<v Speaker 6>wanted to get with Slick Rick and Dougie. I wanted

0:45:10.239 --> 0:45:13.919
<v Speaker 6>to make another show part two, just differently my way,

0:45:14.440 --> 0:45:15.879
<v Speaker 6>you know, just I had it.

0:45:16.160 --> 0:45:19.600
<v Speaker 2>I called them first and nice and smooth. Again, I didn't.

0:45:19.600 --> 0:45:22.759
<v Speaker 2>I couldn't get I couldn't get the things going at

0:45:22.760 --> 0:45:24.439
<v Speaker 2>the time. But but but I want to do.

0:45:27.200 --> 0:45:32.680
<v Speaker 6>Common and and and what was my god?

0:45:33.680 --> 0:45:36.400
<v Speaker 2>I got to tell you that.

0:45:38.440 --> 0:45:39.480
<v Speaker 1>The common common.

0:45:39.239 --> 0:45:43.680
<v Speaker 6>Who black though black? Okay, So I want to make

0:45:43.680 --> 0:45:45.640
<v Speaker 6>my duos, put put them together. Do to make sure

0:45:45.760 --> 0:45:48.520
<v Speaker 6>he and you know what. I was playing the styles

0:45:48.560 --> 0:45:51.000
<v Speaker 6>pre record on your album. You know that beat was

0:45:51.080 --> 0:45:58.400
<v Speaker 6>your It was your way before it's time, Okay, anything sposed.

0:45:58.080 --> 0:46:01.919
<v Speaker 1>To sign yes and listen.

0:46:02.040 --> 0:46:03.799
<v Speaker 2>I need you this.

0:46:03.960 --> 0:46:05.919
<v Speaker 6>He is gonna sound crazy, but I need to make

0:46:05.960 --> 0:46:08.000
<v Speaker 6>sure that we got clickbaits.

0:46:08.560 --> 0:46:09.759
<v Speaker 2>So start something up real quick.

0:46:12.000 --> 0:46:14.759
<v Speaker 5>As soon as you're saying, all of the young people here,

0:46:15.000 --> 0:46:17.600
<v Speaker 5>when they talk about the Diddy Doc, they be like, yo, man,

0:46:17.600 --> 0:46:19.160
<v Speaker 5>I ain't no didd he was messing with dudes. So

0:46:19.160 --> 0:46:22.120
<v Speaker 5>they'd be like little rod Ex. I'm like, wha, you

0:46:22.120 --> 0:46:23.000
<v Speaker 5>ain't watch the doctor?

0:46:23.320 --> 0:46:29.239
<v Speaker 4>If you say, Eric, I never heard just the perception

0:46:29.320 --> 0:46:31.279
<v Speaker 4>of the doc because the guy that don't know.

0:46:31.360 --> 0:46:33.759
<v Speaker 1>I'm serious.

0:46:34.960 --> 0:46:39.239
<v Speaker 7>Perception after that is crazy.

0:46:40.080 --> 0:46:43.719
<v Speaker 2>I'm not even people friend. But I'm not. I'm not

0:46:43.760 --> 0:46:54.239
<v Speaker 2>even mad. I'm not even made right. I never listen.

0:46:55.239 --> 0:46:59.040
<v Speaker 6>I don't want to be the interview where it was like, okay,

0:46:59.560 --> 0:47:02.680
<v Speaker 6>like you're all have the biggest stars in America and

0:47:02.680 --> 0:47:05.040
<v Speaker 6>like and like, and have the people up here that

0:47:05.200 --> 0:47:06.960
<v Speaker 6>be saying some other ship.

0:47:06.800 --> 0:47:08.680
<v Speaker 4>That you've got a story already.

0:47:08.680 --> 0:47:09.160
<v Speaker 5>You don't have to.

0:47:12.040 --> 0:47:12.319
<v Speaker 2>Let me.

0:47:12.760 --> 0:47:18.480
<v Speaker 6>Let me listen. Man, I need I need. I need

0:47:18.480 --> 0:47:20.440
<v Speaker 6>to have to click. I need the ship to be.

0:47:20.880 --> 0:47:26.360
<v Speaker 9>I need Another young boy.

0:47:27.200 --> 0:47:29.759
<v Speaker 5>There was another young another young boy Priaid that was

0:47:29.760 --> 0:47:31.239
<v Speaker 5>talking and he was just talking about the Diddy doc

0:47:31.280 --> 0:47:33.400
<v Speaker 5>and he was like, yeah, man, dude didn't pay the

0:47:33.400 --> 0:47:35.560
<v Speaker 5>producer two hundred and fifty thousand dollars and the producers

0:47:35.560 --> 0:47:37.359
<v Speaker 5>say sometimes he woke up with girls, sometimes he woke

0:47:37.440 --> 0:47:37.839
<v Speaker 5>up with boys.

0:47:37.840 --> 0:47:39.560
<v Speaker 4>And I'm like, what's the producer? He was like, Eric Sermon,

0:47:39.600 --> 0:47:40.839
<v Speaker 4>I said, no, that was little Rod.

0:47:41.440 --> 0:47:43.319
<v Speaker 2>Oh you said that. Yes, that's what.

0:47:43.360 --> 0:47:46.960
<v Speaker 6>I'm trying to these young people, you know, listen telling me,

0:47:47.880 --> 0:47:50.040
<v Speaker 6>I'm gonna believe you for a second.

0:47:50.800 --> 0:47:53.040
<v Speaker 4>To make up some clickba You just told me to

0:47:53.040 --> 0:47:53.360
<v Speaker 4>make up.

0:47:53.400 --> 0:47:55.759
<v Speaker 2>Some believe the documentary. Don't say that thought.

0:47:56.040 --> 0:47:56.920
<v Speaker 4>No, that's my.

0:47:56.960 --> 0:47:58.000
<v Speaker 1>Point to me.

0:48:00.080 --> 0:48:01.200
<v Speaker 8>Want back around.

0:48:01.680 --> 0:48:04.800
<v Speaker 4>You're told you don't even know.

0:48:05.080 --> 0:48:06.239
<v Speaker 2>Don't click My bad.

0:48:08.280 --> 0:48:09.040
<v Speaker 1>It was addressing.

0:48:09.200 --> 0:48:10.600
<v Speaker 2>Let's get into a record of that. What do you

0:48:10.640 --> 0:48:11.160
<v Speaker 2>want to hear that?

0:48:11.480 --> 0:48:12.480
<v Speaker 1>American is so funny?

0:48:12.520 --> 0:48:18.600
<v Speaker 4>What you want to play? Let's do sidewalk executives man, Yeah, yeah, and.

0:48:20.080 --> 0:48:28.760
<v Speaker 3>Let's get into it now, Euble, we appreciate you.

0:48:29.440 --> 0:48:32.879
<v Speaker 6>No, no, listen, no, because Charlott mane is not being fair.

0:48:33.160 --> 0:48:35.080
<v Speaker 6>This right here is that's a cool one. But now

0:48:35.080 --> 0:48:37.560
<v Speaker 6>you usually do a lot more, and I feel like

0:48:37.600 --> 0:48:38.480
<v Speaker 6>I'm getting shorted.

0:48:38.560 --> 0:48:44.399
<v Speaker 2>But you do icon you have real I was here

0:48:44.800 --> 0:48:47.520
<v Speaker 2>discovered in nineteen ninety seven.

0:48:47.800 --> 0:48:49.000
<v Speaker 1>You wasn't, No ninety six, I was.

0:48:49.320 --> 0:48:50.319
<v Speaker 2>I was in ninety nine.

0:48:50.400 --> 0:48:51.040
<v Speaker 8>I got one.

0:48:51.080 --> 0:48:52.160
<v Speaker 1>You said the nine and nine.

0:48:52.200 --> 0:48:54.279
<v Speaker 7>You said it with stories you told and the doctor

0:48:54.320 --> 0:48:55.600
<v Speaker 7>didn't make it tell us one of those stories?

0:48:55.600 --> 0:48:58.040
<v Speaker 8>Oh no, yeah, what's the other four?

0:48:58.120 --> 0:48:58.200
<v Speaker 4>No?

0:48:58.239 --> 0:49:00.160
<v Speaker 2>I didn't do that. You're not doing that? But what it?

0:49:00.239 --> 0:49:03.000
<v Speaker 2>But j just like can that? Hey just listen, just are

0:49:03.040 --> 0:49:04.000
<v Speaker 2>you gonna make me boy with you?

0:49:04.080 --> 0:49:04.160
<v Speaker 9>Not?

0:49:05.200 --> 0:49:06.959
<v Speaker 5>I already did it earlier, but I'll say it again.

0:49:07.200 --> 0:49:11.680
<v Speaker 5>When did He drove me around the corners.

0:49:11.719 --> 0:49:16.120
<v Speaker 2>He thank you. I love it.

0:49:16.520 --> 0:49:17.680
<v Speaker 4>I know what.

0:49:19.560 --> 0:49:21.080
<v Speaker 2>I love you.

0:49:23.320 --> 0:49:26.480
<v Speaker 6>Pe, we love you, thank you, we love you.

0:49:26.480 --> 0:49:31.920
<v Speaker 2>Thank you. Club good, wake that ass up in the morning.

0:49:32.080 --> 0:49:33.080
<v Speaker 2>The Breakfast Club