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Speaker 1: Portions of this program we're free recorded.

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Speaker 2: The Action radio host.

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Speaker 3: Hello, thanks for listening show I listened to like every morning.

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Speaker 4: I love listening to Elvis.

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Speaker 1: And it's just so great to move. I want every

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Speaker 1: single one of you that scream out, Lady.

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Speaker 5: Elvis, Duran and the Morning Show.

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Speaker 2: Welcome to the day. Look at that. It is officially.

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Speaker 2: I'm gonna give you that an official day. It's Friday,

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Speaker 2: October third. Yes, it is also the Life of a

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Speaker 2: show Girl release day. A lot of people have been

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Speaker 2: up since midnight last night listening to this album over

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Speaker 2: and over and over again. Congratulations to our friend Taylor

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Speaker 2: Swift who has a new album out. We're gonna talk

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Speaker 2: to her, by the way. She'll be on the phone.

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Speaker 2: We're gonna catch up with her on the road. As

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Speaker 2: you know, she's got the busiest day known to man.

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Speaker 2: We'll have her on with you before with the under

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Speaker 2: two hours right under two hours. Yeah, all right, I

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Speaker 2: like phone interviews. I'll tell you why we don't have

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Speaker 2: to clean up this mess.

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Speaker 6: We don't have to makeup one.

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Speaker 2: Tell you what a lot of people have been ramping

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Speaker 2: up for today in different ways. Of course, we're gonna

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Speaker 2: play some songs from Taylor Today, from her new album.

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Speaker 2: We're gonna talk about her talking about all the frenzy

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Speaker 2: that's going on, how you can get a special deal

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Speaker 2: on donuts here and then the lights are on over here,

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Speaker 2: and her colors are there and here, and it is

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Speaker 2: a Taylor Swift day. It's not only for her, for

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Speaker 2: everyone who loves Taylor Swift. So anyway, welcome today. Good morning, Gandhi,

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Speaker 2: good morning, Good morning, Danielle, good morning. Hello, Scary Hi,

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Speaker 2: look at it all scared up over there. He's scared froggy.

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Speaker 2: How you feeling to it's your day? Yeah, I'm good,

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Speaker 2: good morning, Yeah, good morning. Hello, Scottie b Hi, good morning.

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Speaker 2: Producer Sam is here, good morning. And I might as

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Speaker 2: well just give you one. The title track, Tato Swift

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Speaker 2: Sabrina Carpenter, The Life of a show Girl. Welcome to Friday, guys,

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Speaker 2: a great day. This is gonna be a fun day.

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Speaker 7: Let's go.

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Speaker 2: There, you go, the Life of a Showgirl, Tato Swift,

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Speaker 2: Serena Carpenter. Of course, she's saying that she couldn't think

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Speaker 2: of anyone better to have on that track than Serena Carpenter.

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Speaker 2: And we'll talk about that with her. Hopefully Tato swift

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Speaker 2: on with us with us in less than two hours. Well,

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Speaker 2: welcome today, let's go talk to Marissa across the river

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Speaker 2: and beautiful Hoboken. Hey, Marissa, how's everything on the other

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Speaker 2: side of the George Washington Bridge. Are you doing okay?

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Speaker 1: Hell lady?

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Speaker 2: Hello, I guess that's it. Yes, so, Maurissa. Marissa gets

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Speaker 2: up very early. She's baking. We love anyone who opens

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Speaker 2: the oven and cramps some flour product inside. You're delivering

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Speaker 2: pop tarts to all your favorite local coffee shops and

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Speaker 2: Hoboken Marissa, un decorated cookie. I think I think I'm

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Speaker 2: sort of familiar with your work. I mean you you're

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Speaker 2: kind of famous for your pop tarts, are you not.

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Speaker 8: I am very famous for my pops. I'm my cookies,

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Speaker 8: my decorated cookies, and my sour dough.

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Speaker 6: So we're not very far from you. Why haven't we

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Speaker 6: tasted these z pop tarts before?

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Speaker 2: I know we're gonna.

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Speaker 8: Have to hook you up with all of those popis.

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Speaker 2: I got an idea. I got an idea. You're you're

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Speaker 2: in Jersey, We're in New York. We'll meet you at

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Speaker 2: the halfway point on the George Washington Bridge. You bring

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Speaker 2: you bring the pop tarts, will bring the cash.

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Speaker 8: Oh yeah, hell yeah, it's a date.

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Speaker 2: It'll be like a drug deal, but it's a pop

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Speaker 2: tart deal.

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Speaker 7: Well okay.

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Speaker 2: So as a baker, I mean, is this your weekend

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Speaker 2: or do you bake seven days a week? What's your schedule?

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Speaker 8: Like I bake seven days a week, and it is

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Speaker 8: it's hard work. It's a lot of fun, but it's

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Speaker 8: hard work and I enjoy, Like I have great customers

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Speaker 8: and really great people who come to me to hook

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Speaker 8: them up with sour dough and cookies and birthday cakes.

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Speaker 8: It's a lot of fun.

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Speaker 2: Wow, look at you. So ask you a question. So

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Speaker 2: if you're if you're a singer, a performer, a band,

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Speaker 2: in your on stage, you do a great song and

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Speaker 2: you get a standing ovation, you get that instant gratification.

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Speaker 2: If you're like us on the radio and people call

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Speaker 2: it and go, oh my god, I'll listen to you

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Speaker 2: every day, we feel gratified. What is that little thing

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Speaker 2: you see that makes you go, Okay, I am so

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Speaker 2: satisfied with my job and what I'm doing.

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Speaker 8: You know, I'm so honored to like be part of

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Speaker 8: people's lives and the special moments in their lives when

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Speaker 8: they send me a picture of their kid who just

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Speaker 8: had a birthday and they're next to their cake and

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Speaker 8: it's a big deal. You know, they really enjoy the

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Speaker 8: product that I make. Or I have a repeat customer

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Speaker 8: who tells me, Wow, that was an amazing loaf of bread.

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Speaker 8: That really gets me through to the next.

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Speaker 2: You know that, and you see those photos and your

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Speaker 2: cake at the birthday party. It's a part of that moment.

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Speaker 2: Those people will never forget.

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Speaker 8: Congratulations, Marisa, exactly family history. I've listening to you guys

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Speaker 8: for thirty some odd years. I don't want to date myself,

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Speaker 8: but my dad I used to drive me the Long

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Speaker 8: Island Railroad and we've listened to you guys in the

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Speaker 8: morning on the way to the to the train.

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Speaker 2: Wow, I like that morning. Well, you've been listening to us.

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Speaker 2: For listening to us for thirty something years. We haven't

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Speaker 2: been on that long, but that's I will take it.

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Speaker 2: We have I remember, well, hold on, hold on officially,

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Speaker 2: how long have we been on?

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Speaker 7: Scary twenty nine years?

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Speaker 8: Okay ninety three, so yeah, Mikey in ninety four.

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Speaker 2: Well, thanks for being with us. Were we were with

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Speaker 2: you as you learned how to make a loaf. You

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Speaker 2: know what I'm saying for a friend your story.

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Speaker 9: Well, we have the wildly popular Elvis Durant show swag bag.

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Speaker 2: The swag bag. You know that's a brand new item

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Speaker 2: that it just came into our life this week. Wow,

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Speaker 2: swag bag, scutty, you receive it, scutty if you forgured

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Speaker 2: out what's in the Elvis during morning show swag bag?

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Speaker 2: Quite yet?

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Speaker 10: Yeah, it's a T shirt and a sticker in a

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Speaker 10: Target grocery bag.

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Speaker 2: We have stickers, stickers back. Yeah, okay, very cool stickers.

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Speaker 8: Well, why don't we do this. I'll hook you up

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Speaker 8: with some baked goods. You just tell me where to

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Speaker 8: come on a Friday morning and I will hit you

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Speaker 8: guys up.

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Speaker 2: First done, deal, done deal. All right, we're gonna get

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Speaker 2: some information from me. Diamond get her information. Not an

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Speaker 2: even exchange. You get, you get a swag back, and

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Speaker 2: we get incredible baked goods. I think we went on

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Speaker 2: that one. All right, Hold on one second, Marissa, thank you.

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Speaker 2: Look at that she's up early baking pop tarts and loaves.

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Speaker 2: I like that. Let's get into the day, shall we

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Speaker 2: into the three things we need to know from Gandhi.

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Speaker 2: And then we got a day. We got a day.

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Speaker 2: We have Tato Swift coming on with us in less

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Speaker 2: than two hours. We're gonna catch up with her on

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Speaker 2: the road. Get her on the phone, the phone, make

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Speaker 2: sure the phone's working. Thank you? Do we pay the bill? Okay?

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Speaker 2: All right, Gandhi? Three things? What's going on?

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Speaker 1: All right?

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Speaker 11: This is day three of a partial federal government shut down.

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Speaker 11: Lawmakers on both sides of the aisle continue to blame

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Speaker 11: each other, but Senate votes to resolve the standstill could

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Speaker 11: come before the end of the day. Meanwhile, President Trump

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Speaker 11: and the head of the Office of Management and Budget

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Speaker 11: Director are looking at which agencies they can make cuts from.

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Speaker 4: During this shutdown.

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Speaker 11: ICE agents have said that they'll be attending the Super Bowl.

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Speaker 11: Following the announcement that Puerto Rican's superstar Bad Bunny will

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Speaker 11: be performing at the halftime show, Department of Homeland Security

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Speaker 11: advisor Coreley and Lewandowski said Wednesday that there's nowhere that

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Speaker 11: you can provide safe haven to people in this country illegally.

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Speaker 11: Last month, Bad Bunny said he wouldn't perform in the

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Speaker 11: US on his upcoming world tour. Because of concerns over

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Speaker 11: ice raids at his concerts, and finally, a lawsuit over

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Speaker 11: Nirvana's nineteen ninety one album cover four never Mind has

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Speaker 11: been dismissed.

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Speaker 4: We all know that cover, right.

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Speaker 6: The little Baby?

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Speaker 1: Yeah? Cool?

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Speaker 2: Nay well.

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Speaker 11: Spencer Elden, who was photographed as the naked baby on

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Speaker 11: the album's cover, filed the lawsuit, claiming that the image

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Speaker 11: was actually child pornography and his guardians didn't consent to

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Speaker 11: take the photo that was used. A federal judge disagreed

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Speaker 11: in a ruling this week, noting that Elden, who's now

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Speaker 11: in his thirties, has embraced and profited off the image

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Speaker 11: by signing memorabilia recreating that pose and referring to himself

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Speaker 11: as Nirvana Baby.

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Speaker 6: Hell so no luck there, Yeah.

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Speaker 2: Nirvana baby. I I could prop it off that with

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Speaker 2: my little wiener stick it down with it. Are you

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Speaker 2: guys ready for your Friday?

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Speaker 10: Yeah?

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Speaker 4: Hi, this is Ariana.

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Speaker 1: Aren't doing Hi?

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Speaker 2: You're listening to Elvis Duran and The Morning Show. Banking

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Speaker 2: with Capital One helps you keep more money in your

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Speaker 2: wallet with no fees or minimums on checking accounts and

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Speaker 2: no overdraft fees. What's in your wallet terms apply. See

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Speaker 2: Capital one dot com slash bank for details. Capital one

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Speaker 2: n a member fd I.

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Speaker 1: C, Elvis Sturm and The Morning Show.

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Speaker 2: I was talking to a friend about what we were

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Speaker 2: just talking about during the song. You know when you

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Speaker 2: buy a new house, what's the first thing you do? Well,

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Speaker 2: you change the locks of the doors? Yeah, yes, yes, yes,

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Speaker 2: toilet seats. I am toilet seats my first stop. Yeah,

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Speaker 2: so we got we have this house that we're buying,

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Speaker 2: and that's the only thing I can think about. I gotta,

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Speaker 2: you know, measure the toilets to make sure it's the

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Speaker 2: proper size. The toilet seats. They come in like two

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Speaker 2: or three different sizes, right frog.

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Speaker 12: Oh absolutely, there's round, there's oblong, there's ones that have

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Speaker 12: the little hole in the front. There's some that are

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Speaker 12: cushing like Grandma's.

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Speaker 2: I don't want. I don't want to. I don't want.

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Speaker 2: I don't want. I don't want any toilet seats made

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Speaker 2: out of material no, nothing.

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Speaker 12: Absorbing understood that, Like, you don't want to sit there

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Speaker 12: any longer than you need to.

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Speaker 2: Why are you making it comfortable?

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Speaker 1: Yeah?

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Speaker 2: No, I don't need that.

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Speaker 1: I wait.

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Speaker 6: They have sizes like if your butt's bigger, then you

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Speaker 6: can get a bigger the toilet.

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Speaker 2: The toilets are different sizes, and so you have to

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Speaker 2: match the toilet. So some of them are round holes,

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Speaker 2: some of them are like oval oblong. I don't understand

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Speaker 2: the toilet seats that have the like the front's missing.

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Speaker 2: It's like it's like a big, big horseshoe.

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Speaker 6: Yeah, is that.

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Speaker 2: Is it for people who are very well endowed?

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Speaker 6: I wonder if it's just a money saving thing.

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Speaker 2: Yeah, you know, we don't know, we can we can

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Speaker 2: just assume anything. I don't know why. Yeah, why do

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Speaker 2: they have it? You know usually you know, in on

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Speaker 2: industrial toilets. So when we had the ones we have

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Speaker 2: here at High Heart, Yeah, those those have open front.

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Speaker 11: Right, yes they do, and there's always something weird hanging

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Speaker 11: out in that little gap.

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Speaker 2: What is that? Why is that gap there?

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Speaker 6: Maybe it's cheaper.

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Speaker 2: I don't think that's it now. I think there is

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Speaker 2: a reason. There's a reason why commercial or industrial toilet

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Speaker 2: seats don't have a full circle.

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Speaker 11: Let's see, why are some toilets.

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Speaker 2: You know what, aren't you glad you woke up and

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Speaker 2: turned us on this morning because this is our topic

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Speaker 2: of concern here we go that some.

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Speaker 11: Toilet seats are U shaped because the open front design

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Speaker 11: is a hygienic requirement for public restrooms under the Uniform

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Speaker 11: Plumbing Code. It allows users to clean themselves without contacting

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Speaker 11: this seat and prevents contact between the genitals in the seat,

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Speaker 11: which helps avoid the spread of terms.

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Speaker 2: Huh, so your genitals are hanging hanging off the front.

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Speaker 11: Yeah, I guess if you've got you know, like dips

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Speaker 11: like Scott.

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Speaker 2: You know that reminds me of I pictured like the

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Speaker 2: meat hanging over the edge of a foot long from

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Speaker 2: the sea, the five dollar foot long meat hanging over

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Speaker 2: your five dollar foot loar.

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Speaker 6: Wow, I guess it's well and down. We're helping. We

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Speaker 6: are helping people.

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Speaker 2: Good God, all right, or some guy with elephant titus

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Speaker 2: or something. I don't know. I'm sorry I painted that picture.

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Speaker 4: What it's regulation.

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Speaker 2: It's regulation. So if you have the U shaped toilet seat,

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Speaker 2: it's the law. It's the law, all right. Sorry. I

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Speaker 2: gave you that visual, Froggy, the five dollar foot long.

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Speaker 2: With that said, it is Mean Girls October third, right, Yeah,

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Speaker 2: Mean Girl's Day. Explain everyone what that means.

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Speaker 11: So in the movie, she's really trying to talk to

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Speaker 11: Aaron and she's desperately searching for a question to ask him,

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Speaker 11: and she says, do you know what date it is?

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Speaker 6: It's October third?

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Speaker 4: He says, it's October third.

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Speaker 2: Okay, there you go. Today Mean Girls Day. Yeah, and

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Speaker 2: of course Taylor Swift New album Day. We'll have her

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Speaker 2: on in about an hour and a half. We're gonna

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Speaker 2: catch up with her on the road. She better answer

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Speaker 2: that phone. We've been telling everyone she's gonna be on

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Speaker 2: the phone.

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Speaker 6: If it's just like ringing and ringing.

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Speaker 2: I'm sorry, I got the wrong number. Yeah, we see

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Speaker 2: what if we call so it is on our It's like,

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Speaker 2: I don't know who Taylor Swift is? Who this is

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Speaker 2: my phone? Great? All right? Horoscopes? Who you doing them with?

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Speaker 2: Producer Sam Condy help me out?

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Speaker 1: All right?

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Speaker 2: Come on, god, let's do it.

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Speaker 11: Listen On this Mean Girl's Day, you are celebrating your

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Speaker 11: birthday with Asaf Rocky, Gwen Stefani, Tommy Lee, and Nev Campbell.

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Speaker 11: Happy birthday everybody, Libra. If you are feeling lonely, know

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Speaker 11: that sometimes the best company is your own.

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Speaker 4: Take yourself on a mini date. Your day's an eight scorpio.

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Speaker 13: Be careful with the money this week, because an impulse

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Speaker 13: blurge could leave you regretting it later.

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Speaker 4: Your day's seven Sagittarius.

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Speaker 11: Your self esteem is ready to level up, but you've

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Speaker 11: got to stop comparing yourself to people who aren't you.

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Speaker 4: Your date isn't eight tay Capricorn.

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Speaker 13: An unexpected invitation is coming, and saying yes could lead

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Speaker 13: to a story worth telling later.

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Speaker 4: Your day's a ten Aquarium.

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Speaker 11: A betrayal still hurts, but try not to let it

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Speaker 11: define how you see everyone else.

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Speaker 13: Your day is a six Pisces. People around you are

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Speaker 13: not mind readers.

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Speaker 4: You gotta say what you need out loud. Your day's

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Speaker 4: an eight aries.

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Speaker 11: Joy is hiding in the small moments today, not the

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Speaker 11: grand ones, so look closer.

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Speaker 4: Your days of five hey Taurus.

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Speaker 13: You might feel paranoid about what people think, but remember

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Speaker 13: our most are too busy just thinking about themselves.

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Speaker 4: Your days of nine Gemini.

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Speaker 11: Curiosity will lead you into a new space, but don't

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Speaker 11: let that excitement blind you to the red flags. Your

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Speaker 11: day is a seven Cancer, Oh, do not trust every

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Speaker 11: smile today. Some people are hiding their true intentions behind kindness.

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Speaker 4: Your day's a six Leo.

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Speaker 11: The fear you're feeling isn't a signed to stop. It's

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Speaker 11: a sign that you're doing something that matters. Your day

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Speaker 11: is an eighth? Oh god, really is that? My fear matters?

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Speaker 6: It matters.

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Speaker 2: That's why I'm so frightened. Okay, back to.

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Speaker 13: You and finally, my fellow vergos. Your fears about rejection

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Speaker 13: are making you hesitate, but the risk is smaller than

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Speaker 13: the regret would be. All right, your days of nine

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Speaker 13: and those are your Friday morning horoscopes.

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Speaker 2: Danielle, congratulations your Yankees did it last? How are you

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Speaker 2: feeling today?

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Speaker 6: I I bem very tired because it was a very

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Speaker 6: late game, but I am so happy. I'm so happy.

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Speaker 6: Oh it was yeah, four, Yeah, it was good.

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Speaker 2: You said, well and asked what.

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Speaker 14: Thank you?

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Speaker 2: Is that something else? I thought? He said, holding yeah,

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Speaker 2: Oh my god, I gotta stop. All right, Well, okay,

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Speaker 2: let's we should let's take a break. Maybe I want

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00:14:31,200 --> 00:14:33,480
Speaker 2: to hear all about the weird, wild stories you didn't

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Speaker 2: learn in school. Let my best friend Patty Steele and

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Speaker 2: her podcast The Backstory with Patty Steel be your guide.

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Speaker 7: Patty, what are you exploring.

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Speaker 2: Next, eldest?

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Speaker 15: Settling political disagreements with knives, guns, and beatings. Yeah, things

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00:14:47,120 --> 00:14:50,360
Speaker 15: are stressful now, but guess what, it's nothing new. There

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00:14:50,400 --> 00:14:53,840
Speaker 15: was a time when congressmen and senators carried weapons to

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Speaker 15: protect themselves from their coworkers.

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Speaker 2: The Backstory with Patty Steele New episodes every Tuesday and Friday.

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Speaker 2: Listen on the iHeartRadio app or wherever you get your podcast.

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00:15:05,760 --> 00:15:09,360
Speaker 16: Text us at fifty five one hundred standard Data and

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Speaker 16: messaging rates may apply.

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Speaker 1: Elvis Duran and the Morning Show.

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Speaker 2: You know, we sometimes have issues with our phone system here.

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Speaker 2: Can we make sure that works before we get Taylor

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Speaker 2: Swift on the phone?

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Speaker 7: Please?

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Speaker 6: Yeah, that'll be a idea.

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Speaker 2: Are any phone lunch ringing?

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Speaker 17: No?

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Speaker 2: Well, ok, when they do, let me know because sometimes

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Speaker 2: I don't ring because it doesn't work. Well, just whoever

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Speaker 2: calls will test it with them, Okay, all right, just

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Speaker 2: making sure making sure our little our little tubes are unclogged,

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Speaker 2: if you know what I'm saying. All right, So there's that.

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Speaker 2: It is the weekend. Danielle is all skippy because her

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Speaker 2: Yankees won last night.

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Speaker 6: Yes, it was so amazing, Oh my gosh. And that's

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Speaker 6: like a big deal, right frog, isn't it? Like no

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Speaker 6: other team has come back from that from being back

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Speaker 6: like that.

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Speaker 12: Well, it's happens, It's happened before. However, normally, the team

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Speaker 12: that loses game one, I think ninety percent of the

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Speaker 12: time are close to that they lose the series. The

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Speaker 12: Ganges came back and one to in row and they

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Speaker 12: shut them out last night, so it was a big win.

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Speaker 6: It was awesome.

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Speaker 2: Okay, shut out, I hear the shutout. That's good, right, beautiful?

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Speaker 2: It was beautiful. Hey, we're getting ready for our late

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Speaker 2: night Bites, Beats and Suitees presented by Paris Baguette at

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Speaker 2: the New York City Winding Food Festival. I found out

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Speaker 2: yesterday us talking about it actually works. People are buying tickets.

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Speaker 2: People were coming to our party. Thank you, sweet Jesus.

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Speaker 2: Don't you hate telling the party no one shows up?

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Speaker 2: It could be the food from the best chefs in town.

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Speaker 2: These small plates, lots of them from different chefs, desserts, cocktails,

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Speaker 2: all included in the one price you paid to get in.

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Speaker 2: Plus we have karaoke on the stage. We've got sing

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Speaker 2: alongs going on. Lee Schrager has made me swear that

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Speaker 2: we're going to rehearse our opening number.

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Speaker 7: I don't know what that is.

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Speaker 2: I don't know he wants to do. I got you

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Speaker 2: babe from Sonny and Share and I'm taking I don't know,

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Speaker 2: I said, Lee, we need a song. This more of

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Speaker 2: a sing along. So we start and people start singing along.

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Speaker 2: They won't hear how bad we are because they'll be louder.

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Speaker 2: You know, That's that's the whole goal.

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Speaker 11: Okay, me, I feel like would be really good for

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Speaker 11: the two of you. But I know it's kind of

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Speaker 11: a long song, way too long.

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Speaker 13: You love it and people will sing along.

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Speaker 4: For ten minutes.

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Speaker 2: I see little suet to have a man to hear

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Speaker 2: the funding.

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Speaker 7: Very very Friday.

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Speaker 2: I gotta read the words. I forgot the words, all right?

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Speaker 2: Maybe not? It could be too involved. As you know,

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Speaker 2: Bmian Rhapsody has a lot of different movements within one song.

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Speaker 2: You know, we'll figure it out, but we want you there.

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Speaker 2: It's more than just karaoke. Don't think this is just

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Speaker 2: a karaoke night. It's a gathering with great feasting and cocktailing.

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00:17:48,880 --> 00:17:51,199
Speaker 2: So happens we have a stage with the microphone. We

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Speaker 2: do have a contest going on the best karaoke singers

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Speaker 2: that night are in line to win. Some amazing prizes

399
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Speaker 2: have about a trip to Atlantis during our Wine and

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Speaker 2: Food festival there right.

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Speaker 6: Which is amazing.

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00:18:01,359 --> 00:18:02,679
Speaker 2: We have a whole list. We have a whole list

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Speaker 2: of things. I'm gonna give them to you later. If

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00:18:04,119 --> 00:18:05,800
Speaker 2: you want to buy your tickets, it's simple. Go to

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00:18:06,200 --> 00:18:09,520
Speaker 2: Elvis Duran's show on Instagram and then I believe in

406
00:18:09,600 --> 00:18:12,399
Speaker 2: our stories whatever, you can link over and buy your tickets. Also,

407
00:18:12,400 --> 00:18:14,520
Speaker 2: there's ways to audition to get your golden ticket to

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00:18:14,600 --> 00:18:17,040
Speaker 2: karaoke with us. It's gonna be a great night. It's Friday,

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Speaker 2: October seventeenth. It's a late night, late night bites nine

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Speaker 2: pm at excuse me Peer seventeen, in the middle of

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Speaker 2: all the action in New York City Wine and Food Festival.

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00:18:27,920 --> 00:18:30,720
Speaker 2: It's right after the Burger Bash. We were thinking about

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Speaker 2: him going on stage at the Burger Bash next door saying, Hey,

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00:18:33,640 --> 00:18:36,280
Speaker 2: when you're done here eating burgers, come next door, do

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00:18:36,320 --> 00:18:39,119
Speaker 2: some karaoke, eat more food. And then I'm thinking, do

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Speaker 2: we want those people that smell like meat coming into our.

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Speaker 6: Party meat sweats?

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Speaker 4: Yeah, yes, yes, yeah.

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Speaker 6: They're not going to be hungry though, because you know,

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Speaker 6: you remember after we judged the Burger Bash. Oh my gosh,

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Speaker 6: we made a missaink so late night bites for us.

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Speaker 2: Yeah, we'll have a lot of food, a lot of food.

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Speaker 2: Daniel's gonna bring her tupperware. We're pretty sure that. Wait, uh,

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Speaker 2: Danielle time, I think it is. It is Daniel time.

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Speaker 2: All right, let me guess Tator Swift.

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Speaker 6: Yes, So we're gonna start in Cleveland, where her man

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00:19:10,440 --> 00:19:13,880
Speaker 6: Travis Kelsey is from. So Cleveland is doing something really

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Speaker 6: special for the Life of a show Girl. And I

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Speaker 6: think a lot of places are doing this and lighting

430
00:19:19,320 --> 00:19:21,800
Speaker 6: up their cities and stuff like this, but because he's

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00:19:21,840 --> 00:19:24,080
Speaker 6: from there, it's extra special. Like the Rock and Roll

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00:19:24,119 --> 00:19:28,240
Speaker 6: Hall of Fame, Playhouse, Square, Rocket, Rocket Arena, Progressive Fields,

433
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Speaker 6: all places lit up with the beautiful Taylor colors orange

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Speaker 6: and teel from this album. So it's very, very exciting,

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Speaker 6: and I know it's going on. It's definitely going on

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00:19:37,280 --> 00:19:38,320
Speaker 6: today again. I know it's starting.

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Speaker 2: Did you look at the first building last night?

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Speaker 6: They did it last night here too, Yeah.

439
00:19:41,760 --> 00:19:42,920
Speaker 2: Orange, orange and teel.

440
00:19:43,080 --> 00:19:46,320
Speaker 6: Yeah, I love it. So cool, so cool. So yesterday

441
00:19:46,359 --> 00:19:49,160
Speaker 6: in London, Taylor tape the Graham Norton Show. It's gonna

442
00:19:49,160 --> 00:19:51,879
Speaker 6: be seen on the BBC and BBC America or streamed

443
00:19:51,880 --> 00:19:53,400
Speaker 6: at AMC Plus.

444
00:19:54,040 --> 00:19:54,359
Speaker 1: There.

445
00:19:54,440 --> 00:19:57,359
Speaker 6: This was her first of several promotional interviews for the

446
00:19:57,400 --> 00:19:59,000
Speaker 6: Life of the Show Girl. Of course, she's gonna be

447
00:19:59,000 --> 00:20:01,639
Speaker 6: on with us very soon, and it is the first

448
00:20:01,680 --> 00:20:05,880
Speaker 6: time that she has publicly showed that ten Kara diamond

449
00:20:05,880 --> 00:20:09,640
Speaker 6: engagement ring from Travis Kelsey. A person in the studio

450
00:20:09,720 --> 00:20:14,119
Speaker 6: audience for Graham Norton was talking about how she is

451
00:20:14,200 --> 00:20:17,399
Speaker 6: telling everybody exactly how he proposed in the backyard of

452
00:20:17,520 --> 00:20:20,280
Speaker 6: the Kansas City home they share. She talks about the

453
00:20:20,320 --> 00:20:23,000
Speaker 6: fate of Ophelia, she talks about father figure, she talks

454
00:20:23,000 --> 00:20:25,080
Speaker 6: about a whole bunch of things which she will also

455
00:20:25,160 --> 00:20:28,359
Speaker 6: be doing on our show very very soon. And Graham

456
00:20:28,400 --> 00:20:31,520
Speaker 6: Norton revealed that Taylor baked him a loaf of sourdough

457
00:20:31,520 --> 00:20:34,119
Speaker 6: bread and he thanks her for the special gift. So

458
00:20:34,800 --> 00:20:37,760
Speaker 6: she really does make sour dough bread. Guys, it's not joke.

459
00:20:38,200 --> 00:20:39,720
Speaker 2: Will oh No, I'm not doubting that at all.

460
00:20:39,800 --> 00:20:40,520
Speaker 6: She loves baking.

461
00:20:40,720 --> 00:20:42,399
Speaker 2: Let's ask her about the sourdough. We add that to

462
00:20:42,440 --> 00:20:44,000
Speaker 2: the We have the list of things we're gonna talk

463
00:20:44,000 --> 00:20:44,560
Speaker 2: to her about.

464
00:20:44,359 --> 00:20:45,000
Speaker 7: Because you know she won't.

465
00:20:45,000 --> 00:20:46,399
Speaker 2: She won't have that much time because she's got a

466
00:20:46,400 --> 00:20:49,240
Speaker 2: busy day. Yeah, so okay, ed sourdough bread very important.

467
00:20:49,320 --> 00:20:52,760
Speaker 6: We got we got back and today Diddy will be

468
00:20:52,920 --> 00:20:56,760
Speaker 6: sentenced in Manhattan Federal Court. Now. The judge could sentence

469
00:20:56,840 --> 00:20:59,960
Speaker 6: him to a maximum of twenty years in federal bridge

470
00:21:00,080 --> 00:21:02,760
Speaker 6: in prison. The Probation Office was charged with making a

471
00:21:02,840 --> 00:21:06,480
Speaker 6: recommendation and reported six to seven years to be appropriate.

472
00:21:06,720 --> 00:21:09,480
Speaker 6: The defense and prosecution will state their case now. Diddy

473
00:21:09,840 --> 00:21:12,200
Speaker 6: will also address the court before sentencing. With the help

474
00:21:12,240 --> 00:21:15,440
Speaker 6: of his legal team, he submitted a four page letter

475
00:21:15,480 --> 00:21:18,960
Speaker 6: to the judge that said, I humbly ask for you

476
00:21:19,200 --> 00:21:21,080
Speaker 6: to give me another chance to be a better father,

477
00:21:21,359 --> 00:21:23,600
Speaker 6: to be a better son, to be a better leader

478
00:21:23,600 --> 00:21:26,679
Speaker 6: in my community, and another chance to live a better life.

479
00:21:26,760 --> 00:21:30,040
Speaker 6: So we will see what happens today. Did you guys

480
00:21:30,080 --> 00:21:32,239
Speaker 6: see what happened with Jojo Siwa at one of her

481
00:21:32,280 --> 00:21:37,760
Speaker 6: concerts in Glasgow. She stopped the concert because apparently somebody

482
00:21:37,840 --> 00:21:42,920
Speaker 6: was wearing a hoodie that had something offensive towards her

483
00:21:43,280 --> 00:21:46,120
Speaker 6: at her concert. I don't know exactly what it said,

484
00:21:46,160 --> 00:21:48,439
Speaker 6: so we don't know exactly what it said. All we

485
00:21:48,560 --> 00:21:51,560
Speaker 6: know is that she was like, no way, no man,

486
00:21:51,720 --> 00:21:53,719
Speaker 6: You're not gonna wear that here. We're not gonna make

487
00:21:53,720 --> 00:21:55,160
Speaker 6: fun of me at my own concert.

488
00:21:55,480 --> 00:21:57,760
Speaker 7: And they asked me what it is.

489
00:21:57,840 --> 00:22:00,480
Speaker 6: I'm trying to find it. I was googling it.

490
00:22:00,560 --> 00:22:01,919
Speaker 2: Don't tease me like that. I need to know what.

491
00:22:02,200 --> 00:22:04,000
Speaker 2: I need to know. What foul thing was written on

492
00:22:04,040 --> 00:22:04,480
Speaker 2: this switch.

493
00:22:04,600 --> 00:22:06,159
Speaker 6: She didn't even see a picture of it. I was

494
00:22:06,160 --> 00:22:08,000
Speaker 6: trying to find a picture of it, so I know

495
00:22:08,200 --> 00:22:08,639
Speaker 6: I need to know.

496
00:22:08,680 --> 00:22:10,240
Speaker 2: I need to We all need to know. We we

497
00:22:10,359 --> 00:22:14,560
Speaker 2: love reports of foul foul language. That's to see what concert.

498
00:22:14,720 --> 00:22:17,080
Speaker 11: Yes, a fan in the audience was wearing her face

499
00:22:17,119 --> 00:22:19,280
Speaker 11: printed on a T shirt in the shape of an egg.

500
00:22:20,080 --> 00:22:21,439
Speaker 6: Are you sure that's it?

501
00:22:21,960 --> 00:22:24,520
Speaker 2: Okay? What else you got? I mean, I want to

502
00:22:24,520 --> 00:22:25,320
Speaker 2: buy one of these shirts.

503
00:22:25,320 --> 00:22:28,040
Speaker 6: Sounds a lot worse when they were reporting it earlier,

504
00:22:28,240 --> 00:22:31,080
Speaker 6: so I don't know. Anyway, What are we watching? If

505
00:22:31,080 --> 00:22:33,159
Speaker 6: you guys want to watch a really cool horror movie?

506
00:22:33,200 --> 00:22:35,359
Speaker 6: For twenty twenty five, Rotten Tomatoes is giving you the

507
00:22:35,359 --> 00:22:39,280
Speaker 6: best Sinners, The Ugly Stepsister, Weapons Companion and The Long Walk.

508
00:22:39,480 --> 00:22:42,920
Speaker 6: And what are we watching? Baseball football this weekend? A

509
00:22:42,960 --> 00:22:44,680
Speaker 6: lot of good stuff. And that's my Daniel report.

510
00:22:46,280 --> 00:22:47,320
Speaker 2: Oh there goes Elvis.

511
00:22:47,800 --> 00:22:49,520
Speaker 1: Elvis Terran in the Morning show.

512
00:22:49,960 --> 00:22:52,119
Speaker 2: The home You've worked so hard for is ready to

513
00:22:52,160 --> 00:22:54,360
Speaker 2: work hard for you with a home equity loan from

514
00:22:54,480 --> 00:22:56,879
Speaker 2: Rocket Mortgage. To learn how you can turn your home's

515
00:22:56,920 --> 00:23:00,720
Speaker 2: equity into cash, visit Rocket mortgage dot com today.

516
00:23:00,800 --> 00:23:03,880
Speaker 10: Rocket Mortgage LLC licensed in fifty states and MLS Consumer

517
00:23:03,920 --> 00:23:12,040
Speaker 10: Access dot Org number thirty thirty.

518
00:23:12,359 --> 00:23:13,680
Speaker 6: Well, I'll have to kill you now.

519
00:23:15,840 --> 00:23:16,639
Speaker 12: You're all creepy.

520
00:23:19,000 --> 00:23:19,720
Speaker 4: It was upsetting it.

521
00:23:19,760 --> 00:23:21,440
Speaker 2: I'm like you, I've had two dates.

522
00:23:21,640 --> 00:23:25,520
Speaker 4: Run for your life.

523
00:23:26,119 --> 00:23:28,399
Speaker 2: Oh god, I'm hearing that. I just got really nervous

524
00:23:28,640 --> 00:23:33,920
Speaker 2: my palm dress wedding. It's October third, and I once again,

525
00:23:34,200 --> 00:23:36,239
Speaker 2: how many years in a row on October third? I

526
00:23:36,280 --> 00:23:39,119
Speaker 2: have no idea what I'm wearing for Halloween? Nothing nothing.

527
00:23:39,200 --> 00:23:41,680
Speaker 6: You have time time, I lay this out.

528
00:23:42,080 --> 00:23:42,800
Speaker 7: We every year.

529
00:23:42,840 --> 00:23:44,920
Speaker 2: You always say it's okay, Elvis, You've got time, You'll

530
00:23:44,920 --> 00:23:46,520
Speaker 2: figure this out, and I never do. I wait till

531
00:23:46,560 --> 00:23:48,960
Speaker 2: the last minute. And I always borrow a banana costume

532
00:23:48,960 --> 00:23:49,639
Speaker 2: from your husband.

533
00:23:50,320 --> 00:23:51,920
Speaker 6: That is a very popular banana.

534
00:23:52,240 --> 00:23:54,600
Speaker 11: I have to say, well, Elvis, are you doing like

535
00:23:54,800 --> 00:23:56,960
Speaker 11: traditional Halloween or are you gonna do gay Halloween?

536
00:23:57,280 --> 00:23:59,439
Speaker 2: I don't know. Well, okay, well gay Halloween takes a

537
00:23:59,440 --> 00:24:00,719
Speaker 2: lot more out for you know that.

538
00:24:00,840 --> 00:24:03,440
Speaker 11: Yeah, it's so funny day Halloween is my favorite part

539
00:24:03,440 --> 00:24:03,920
Speaker 11: of Halloween.

540
00:24:04,320 --> 00:24:06,600
Speaker 2: I think I still have my big white feather wings

541
00:24:06,600 --> 00:24:09,160
Speaker 2: from Lactadia, the Queen of Lactose Intolerance.

542
00:24:09,200 --> 00:24:11,399
Speaker 6: Okay, were that membery You couldn't move around. You had

543
00:24:11,440 --> 00:24:13,520
Speaker 6: to go sideways everywhere because they're so big.

544
00:24:13,920 --> 00:24:17,280
Speaker 2: I need wider doorways. I don't know, uh scary. What

545
00:24:17,400 --> 00:24:18,480
Speaker 2: is your idea for Halloween?

546
00:24:18,560 --> 00:24:20,920
Speaker 9: Well, for you, Elvis, I mean I think you should

547
00:24:20,920 --> 00:24:24,359
Speaker 9: do the obvious and lean into the Taylor Swift album

548
00:24:24,440 --> 00:24:26,240
Speaker 9: cover The Life of a Showgirl.

549
00:24:26,280 --> 00:24:30,200
Speaker 2: Why don't you try that? Did you see what she's wearing?

550
00:24:30,880 --> 00:24:31,560
Speaker 2: I'd love to.

551
00:24:31,520 --> 00:24:34,200
Speaker 6: See you when that come on show Girl?

552
00:24:34,400 --> 00:24:38,720
Speaker 2: Hello there it is the life of a blob. I

553
00:24:38,760 --> 00:24:40,280
Speaker 2: can't wear that. You kidd me.

554
00:24:40,600 --> 00:24:41,160
Speaker 17: You wore the.

555
00:24:41,080 --> 00:24:43,560
Speaker 6: Wonder Woman costume, remember, I mean you look good in that?

556
00:24:44,040 --> 00:24:45,840
Speaker 2: I did. I really walked well in that too, in

557
00:24:45,880 --> 00:24:49,520
Speaker 2: those boots anyway, heels se I mastered the heels, no problem, Gay,

558
00:24:49,920 --> 00:24:52,080
Speaker 2: Halloween may be it for me? What about you? Gandhi?

559
00:24:52,160 --> 00:24:52,720
Speaker 2: He thought it through?

560
00:24:52,880 --> 00:24:53,399
Speaker 6: I haven't.

561
00:24:53,640 --> 00:24:55,399
Speaker 11: I am terrible about this. I actually come up with

562
00:24:55,400 --> 00:24:57,400
Speaker 11: something like the week before. But I'm brainstorming.

563
00:24:57,520 --> 00:25:00,360
Speaker 2: I'm brainstorm Well, Halloween is on a Friday this year.

564
00:25:00,480 --> 00:25:03,080
Speaker 6: Yes, how exciting. It's gonna be no weekends.

565
00:25:03,320 --> 00:25:05,800
Speaker 2: No, that makes me mad. That means uh, that means

566
00:25:06,320 --> 00:25:09,920
Speaker 2: we have to wear costumes to work. Yeah, if it's

567
00:25:09,960 --> 00:25:12,960
Speaker 2: on a Sunday, O, fine, we can get away with it.

568
00:25:14,400 --> 00:25:16,560
Speaker 11: What's an easy costume? Because one time I did an

569
00:25:16,600 --> 00:25:18,359
Speaker 11: inflatable and that was not easy. In here, I was

570
00:25:18,400 --> 00:25:19,240
Speaker 11: sliding out of the channel.

571
00:25:19,240 --> 00:25:20,440
Speaker 18: Whole morning ghost.

572
00:25:21,960 --> 00:25:22,200
Speaker 1: Easy.

573
00:25:22,600 --> 00:25:25,160
Speaker 2: You have the sheet over the head, the old gray

574
00:25:25,200 --> 00:25:29,639
Speaker 2: t one eyed ghost. I can do that. I don't know. Okay,

575
00:25:29,640 --> 00:25:32,640
Speaker 2: so we got that going for us. Oh, by the way,

576
00:25:32,920 --> 00:25:35,000
Speaker 2: we have jingle Ball going on for us, as you know,

577
00:25:35,280 --> 00:25:37,760
Speaker 2: thanks to Capital One, we've got another jingle ball season

578
00:25:37,800 --> 00:25:42,680
Speaker 2: here at iHeartRadio. The three jingle balls that matter, the

579
00:25:43,040 --> 00:25:45,440
Speaker 2: only three that matter are Z one hundred New York,

580
00:25:46,320 --> 00:25:50,120
Speaker 2: Q one O two Philadelphia, Why one hundred point seven Miami.

581
00:25:50,640 --> 00:25:54,320
Speaker 2: These are the three. This is the trifecta. These are

582
00:25:54,320 --> 00:25:57,040
Speaker 2: the three concerts that you need to see. And I

583
00:25:57,080 --> 00:25:59,320
Speaker 2: suggest seeing all three. I know I am. I'm gonna

584
00:25:59,359 --> 00:26:01,920
Speaker 2: be front center, don't even have seats. I'm gonna show

585
00:26:02,000 --> 00:26:04,840
Speaker 2: up and just stand there on the side, sit on

586
00:26:04,840 --> 00:26:07,959
Speaker 2: the side. I will sit on your lap. Congratulations, you

587
00:26:08,000 --> 00:26:10,920
Speaker 2: call it one hundred. I'm sitting on your lap. Those

588
00:26:10,920 --> 00:26:13,440
Speaker 2: tickets for the general public go on sale at noon

589
00:26:13,560 --> 00:26:16,119
Speaker 2: East Coast time today. For all the info and how

590
00:26:16,160 --> 00:26:18,840
Speaker 2: to get tickets for one or all three of those

591
00:26:18,880 --> 00:26:23,040
Speaker 2: above jingle Ball concerts, go to iHeartRadio slash jingle iHeartRadio

592
00:26:23,040 --> 00:26:26,600
Speaker 2: dot com slash jingle Ball and get popping because they

593
00:26:26,640 --> 00:26:30,320
Speaker 2: will sell out. Absolutely so excited for this year's concerts. Yeah,

594
00:26:30,880 --> 00:26:33,440
Speaker 2: all three of them. So there's that.

595
00:26:33,640 --> 00:26:35,520
Speaker 11: Are you prepared to field all the questions of people

596
00:26:35,560 --> 00:26:37,119
Speaker 11: trying to get tickets from you? I've come up with

597
00:26:37,160 --> 00:26:37,800
Speaker 11: my excuses.

598
00:26:37,920 --> 00:26:41,320
Speaker 19: Oh really, yeah, tell you what they are, Okay, But

599
00:26:41,320 --> 00:26:44,120
Speaker 19: I've come up with why not, because then the people

600
00:26:44,119 --> 00:26:46,240
Speaker 19: who ask me for tickets are gonna know what I'm saying,

601
00:26:46,880 --> 00:26:48,080
Speaker 19: and they're gonna be like, well, that's not true.

602
00:26:48,119 --> 00:26:49,440
Speaker 4: You told me it was an excuse.

603
00:26:49,119 --> 00:26:50,480
Speaker 6: On the air. But I'll text you guys.

604
00:26:50,680 --> 00:26:52,159
Speaker 2: I just tell them the truth. I don't have tickets

605
00:26:52,200 --> 00:26:54,480
Speaker 2: because I don't. You know, back in the old days

606
00:26:54,480 --> 00:26:56,399
Speaker 2: we had their at iHeart they go, oh, you know,

607
00:26:56,440 --> 00:26:59,240
Speaker 2: we're having a jingle Ball concert. Excuse me, here's fifty

608
00:26:59,280 --> 00:27:00,880
Speaker 2: thousand tickets them to your friends.

609
00:27:01,240 --> 00:27:03,200
Speaker 6: Don't you remember we used to sit in a room

610
00:27:03,480 --> 00:27:06,040
Speaker 6: and we'd allot them to like people we knew that

611
00:27:06,119 --> 00:27:07,680
Speaker 6: maybe we had to take care of that were really

612
00:27:07,760 --> 00:27:10,240
Speaker 6: nice to us. We don't have that anymore.

613
00:27:10,440 --> 00:27:12,080
Speaker 2: Those days are done, and that's okay.

614
00:27:12,200 --> 00:27:12,399
Speaker 7: You know.

615
00:27:12,520 --> 00:27:14,480
Speaker 2: I like not having the pressure of having tickets to

616
00:27:14,480 --> 00:27:16,040
Speaker 2: give away to my friends. But first of all, I

617
00:27:16,080 --> 00:27:19,080
Speaker 2: have no friends, which is great. I've whittled that down

618
00:27:19,119 --> 00:27:21,439
Speaker 2: to a list of zero. So now it's like, no,

619
00:27:21,520 --> 00:27:23,120
Speaker 2: don't have to worry about it. But it is going

620
00:27:23,160 --> 00:27:25,600
Speaker 2: to be the amazing, amazing jingle Ball season. We could

621
00:27:25,680 --> 00:27:28,760
Speaker 2: not be more proud of our three concerts that matter

622
00:27:29,359 --> 00:27:35,200
Speaker 2: New York, Philadelphia, Miami. Thank you very much. I say,

623
00:27:35,240 --> 00:27:38,239
Speaker 2: see all three, yeah, because they are unique, they have

624
00:27:38,240 --> 00:27:41,480
Speaker 2: things in common, and they do have unique artists that

625
00:27:41,560 --> 00:27:43,840
Speaker 2: you cannot see at the other two. What's that, Gandhi?

626
00:27:43,920 --> 00:27:45,639
Speaker 11: Well, we also need to start planning our outfits for

627
00:27:45,720 --> 00:27:48,399
Speaker 11: jingle Ball because we try to coordinate for you, well,

628
00:27:48,440 --> 00:27:50,040
Speaker 11: Danielle and I try to coordinate around you.

629
00:27:50,119 --> 00:27:53,440
Speaker 2: Usually when you guys wear pajamas, I'm not care.

630
00:27:53,480 --> 00:27:56,200
Speaker 6: Well, that's only one one scary?

631
00:27:56,240 --> 00:27:58,240
Speaker 2: Are you worrying pajama? Should wear pajamas like the girls?

632
00:27:58,240 --> 00:27:58,600
Speaker 2: I don't know.

633
00:28:00,000 --> 00:28:04,240
Speaker 9: You don't look as good as pajamas as the girls do. Options.

634
00:28:04,920 --> 00:28:06,120
Speaker 2: No, no, we'll be wearing things.

635
00:28:06,680 --> 00:28:06,840
Speaker 1: Well.

636
00:28:07,040 --> 00:28:09,000
Speaker 2: No, I'm fine now, don't worry about my outfit. You

637
00:28:09,080 --> 00:28:10,440
Speaker 2: just do you you do you boo?

638
00:28:10,640 --> 00:28:13,240
Speaker 11: No, we always do about your outfit because we don't

639
00:28:13,240 --> 00:28:13,720
Speaker 11: have to slash.

640
00:28:13,800 --> 00:28:13,960
Speaker 20: Yeah.

641
00:28:13,960 --> 00:28:15,919
Speaker 11: We try to do like a Destiny's child thing around

642
00:28:15,960 --> 00:28:17,280
Speaker 11: it like lord.

643
00:28:17,800 --> 00:28:22,720
Speaker 2: Yeah again, it's iHeartRadio dot Com slash jingle ball tickets

644
00:28:22,720 --> 00:28:25,280
Speaker 2: going tail at noon today. Start thinking about how you're

645
00:28:25,280 --> 00:28:25,840
Speaker 2: gonna grab it.

646
00:28:26,400 --> 00:28:29,600
Speaker 1: Elvis Duran, clap if you think she should tougher.

647
00:28:32,359 --> 00:28:37,800
Speaker 16: Elis Duran in the Morning Show, Elvis Duran and the

648
00:28:37,840 --> 00:28:38,560
Speaker 16: Morning Show.

649
00:28:39,000 --> 00:28:41,120
Speaker 2: All right, so we're counting down Taylor Swift. We're going

650
00:28:41,200 --> 00:28:43,440
Speaker 2: to catch up with her on the road on the phone.

651
00:28:43,800 --> 00:28:46,880
Speaker 2: Let's make sure all phones are working. That's happening in

652
00:28:47,040 --> 00:28:51,480
Speaker 2: about fifty minutes, maybe forty minutes. Actually, am I counting wrong?

653
00:28:51,840 --> 00:28:53,920
Speaker 2: You know I can't count anymore. I'm too old account

654
00:28:53,920 --> 00:28:57,440
Speaker 2: for forty minutes. Forty minutes? Okay, if we are, This

655
00:28:57,520 --> 00:28:59,520
Speaker 2: album is great. We've been sitting with it here on

656
00:28:59,560 --> 00:29:01,640
Speaker 2: the show list, listening to it in the behind the scenes,

657
00:29:01,640 --> 00:29:04,280
Speaker 2: and some great stuff on here. We want to talk

658
00:29:04,280 --> 00:29:07,000
Speaker 2: to her about some of these songs, how she wrote

659
00:29:07,080 --> 00:29:10,560
Speaker 2: and recorded while she's on tour and baking sourdough bread

660
00:29:10,840 --> 00:29:12,600
Speaker 2: and go into football games. I don't get it.

661
00:29:12,720 --> 00:29:14,160
Speaker 6: I do it all.

662
00:29:14,640 --> 00:29:18,400
Speaker 2: So let's talk about the human mind, shall we? We

663
00:29:18,440 --> 00:29:22,840
Speaker 2: all have one, some of us more or less than others. Right, yeah,

664
00:29:23,640 --> 00:29:26,240
Speaker 2: if the functioning of the human brain, the human brain,

665
00:29:26,360 --> 00:29:28,080
Speaker 2: you know, where would we be without it? Let's think

666
00:29:28,120 --> 00:29:30,720
Speaker 2: it through people. I mean, because of the brain, we

667
00:29:30,760 --> 00:29:34,600
Speaker 2: do things that we don't even control, like heartbeats, breathing, seeing,

668
00:29:35,160 --> 00:29:37,720
Speaker 2: things like that. But we also have things that we

669
00:29:37,800 --> 00:29:40,920
Speaker 2: wish we could control but we can't, including the mind,

670
00:29:41,200 --> 00:29:45,640
Speaker 2: our personality, our intelligence. So there's a magazine or a

671
00:29:45,680 --> 00:29:51,920
Speaker 2: journal actually called Intelligence. They're talking about the human mind

672
00:29:52,200 --> 00:29:54,720
Speaker 2: and what happens as we age. So if this doesn't

673
00:29:54,760 --> 00:29:56,880
Speaker 2: apply to you as you're aging, it applies to someone

674
00:29:56,920 --> 00:30:00,240
Speaker 2: in your life, maybe your parents, or your close friends,

675
00:30:00,320 --> 00:30:02,400
Speaker 2: or someone you work with that's a good friend who

676
00:30:02,480 --> 00:30:06,240
Speaker 2: is approaching the age of sixty and going beyond yours truly,

677
00:30:06,400 --> 00:30:10,000
Speaker 2: right in that Wheelhouse. So let's talk about it. They

678
00:30:10,080 --> 00:30:14,640
Speaker 2: say that after psychological research for many decades, there's patterns

679
00:30:14,680 --> 00:30:17,600
Speaker 2: going on here. The functioning of the human brain reaches

680
00:30:17,680 --> 00:30:21,040
Speaker 2: its peak between the ages of fifty five and sixty.

681
00:30:21,880 --> 00:30:23,960
Speaker 2: So think of that person, if not you, someone in

682
00:30:24,000 --> 00:30:27,560
Speaker 2: your life that's right in that that five year span. Okay,

683
00:30:27,720 --> 00:30:30,280
Speaker 2: fifty five to sixty And this is on average, this

684
00:30:30,320 --> 00:30:34,960
Speaker 2: is not everyone. Okay. So there's different types of intelligence.

685
00:30:34,960 --> 00:30:39,280
Speaker 2: We were talking about this fascinating. There's fluid intelligence, which

686
00:30:39,440 --> 00:30:42,840
Speaker 2: is reasoning, like your memory, how far back you can

687
00:30:43,000 --> 00:30:46,440
Speaker 2: remember things and how fast you can process things in

688
00:30:46,480 --> 00:30:49,920
Speaker 2: your mind Already there like memories, that team seems to

689
00:30:49,960 --> 00:30:52,400
Speaker 2: peak in your early twenties and then it starts fading.

690
00:30:52,520 --> 00:30:53,320
Speaker 6: Oh wow.

691
00:30:53,720 --> 00:30:55,640
Speaker 2: So the saying when you're in your early twenties your

692
00:30:55,680 --> 00:30:58,480
Speaker 2: memory is boom, it's there, and how you process things

693
00:30:58,520 --> 00:31:03,800
Speaker 2: you've seen and experienced boom while it recalls immediately without hesitation.

694
00:31:04,200 --> 00:31:07,600
Speaker 2: But just like a phone that's bogged down and losing

695
00:31:07,640 --> 00:31:10,360
Speaker 2: its memory, the mind is the same thing. It takes

696
00:31:10,400 --> 00:31:12,360
Speaker 2: a little longer to pull up a certain app or

697
00:31:12,360 --> 00:31:14,880
Speaker 2: two on your phone. The older you get, your brain

698
00:31:15,000 --> 00:31:16,960
Speaker 2: acts the same way. Is that probably a good way

699
00:31:16,960 --> 00:31:18,440
Speaker 2: to describe it, Gandhi, I think so.

700
00:31:18,560 --> 00:31:21,000
Speaker 11: I also think you know, the older you get, the

701
00:31:21,000 --> 00:31:23,160
Speaker 11: more memories you have. So when you're forty, you have

702
00:31:23,280 --> 00:31:25,520
Speaker 11: twice the lifespan that you had when you were twenty.

703
00:31:25,640 --> 00:31:27,120
Speaker 11: So of course it's going to take longer for you

704
00:31:27,120 --> 00:31:28,880
Speaker 11: to pull up that file than it was when you

705
00:31:28,880 --> 00:31:29,640
Speaker 11: were twenty years old.

706
00:31:30,040 --> 00:31:31,640
Speaker 2: I guess it's safe to say the more photos you

707
00:31:31,680 --> 00:31:35,040
Speaker 2: have in your phone, the slower your your apps are

708
00:31:35,080 --> 00:31:35,560
Speaker 2: gonna work.

709
00:31:36,040 --> 00:31:39,400
Speaker 6: Okay, what is the reason that there's certain memories that

710
00:31:39,440 --> 00:31:43,480
Speaker 6: you can recall so vividly still, but then other ones

711
00:31:43,680 --> 00:31:44,960
Speaker 6: you have no freakin idea?

712
00:31:45,400 --> 00:31:49,800
Speaker 2: Don't know. I don't know. We can assume, I don't know.

713
00:31:49,920 --> 00:31:54,040
Speaker 2: Maybe maybe it was such a powerful event that happened

714
00:31:54,040 --> 00:31:56,800
Speaker 2: when the memory was formed. I guess that it affected

715
00:31:56,800 --> 00:31:58,840
Speaker 2: you emotionally in a someta way. It affected you in

716
00:31:58,880 --> 00:32:01,080
Speaker 2: more than just something to remember. It affected the way

717
00:32:01,160 --> 00:32:05,640
Speaker 2: you thought and you felt, and it resonated with you

718
00:32:05,680 --> 00:32:08,320
Speaker 2: for several days, maybe like something tragic or something really

719
00:32:08,360 --> 00:32:13,000
Speaker 2: fun that happened. Maybe it has a deeper filing file

720
00:32:13,160 --> 00:32:13,480
Speaker 2: in there.

721
00:32:13,560 --> 00:32:13,880
Speaker 8: I don't know.

722
00:32:15,080 --> 00:32:18,200
Speaker 11: Maybe maybe I mean they also say that memories aren't

723
00:32:18,240 --> 00:32:20,840
Speaker 11: stored equally in the brain. So depending on what mood

724
00:32:20,920 --> 00:32:22,840
Speaker 11: you were in when that thing was happening. If you

725
00:32:22,840 --> 00:32:24,720
Speaker 11: were stressed out, you're more likely to forget something. If

726
00:32:24,760 --> 00:32:26,600
Speaker 11: you were in a really happy, receptive place, you're more

727
00:32:26,680 --> 00:32:27,560
Speaker 11: likely to remember something.

728
00:32:27,640 --> 00:32:29,960
Speaker 6: Yeah, so I think that all that goes into it.

729
00:32:30,200 --> 00:32:31,840
Speaker 2: God, you know what, you just hit a button with me,

730
00:32:31,880 --> 00:32:34,400
Speaker 2: both of you. I was like, Okay, what's a great memory?

731
00:32:34,440 --> 00:32:37,760
Speaker 2: I probably am. I'm not recalling that I should because

732
00:32:37,760 --> 00:32:40,160
Speaker 2: it was such a great moment. Then you can't recall

733
00:32:40,160 --> 00:32:44,880
Speaker 2: it because it's gone. You can't remember what you don't remember.

734
00:32:45,040 --> 00:32:47,760
Speaker 6: So I love when I recall something much differently than

735
00:32:47,840 --> 00:32:50,360
Speaker 6: like my say, my husband, and he'll go, but wait,

736
00:32:50,400 --> 00:32:53,360
Speaker 6: that's not how it happened. I'm like, yeah, that's how

737
00:32:53,400 --> 00:32:55,080
Speaker 6: I remember it. Like that's.

738
00:32:56,920 --> 00:32:57,080
Speaker 3: So.

739
00:32:57,160 --> 00:32:59,040
Speaker 2: Add that to the whole list of reasons why you

740
00:32:59,040 --> 00:33:02,560
Speaker 2: will or will not remember things, right. It's different sets

741
00:33:02,560 --> 00:33:05,200
Speaker 2: of eyes, all right. So that's fluid intelligence. It peaks

742
00:33:05,200 --> 00:33:09,400
Speaker 2: in your early twenties and then it fades steadily. Crystallized intelligence.

743
00:33:09,640 --> 00:33:12,160
Speaker 2: I love this one. No matter how old you get,

744
00:33:12,240 --> 00:33:16,880
Speaker 2: they say, you still accumulate knowledge and experience. You build

745
00:33:16,880 --> 00:33:19,960
Speaker 2: that for decades you're good. So as you get older

746
00:33:19,960 --> 00:33:22,080
Speaker 2: and older and maybe things in the brain are slowing

747
00:33:22,160 --> 00:33:28,360
Speaker 2: down your experiences in life, they still build that knowledge

748
00:33:28,440 --> 00:33:31,160
Speaker 2: you learning new things. That's why Gandhi and a lot

749
00:33:31,160 --> 00:33:34,080
Speaker 2: of scientists tell you always be learning, no matter how

750
00:33:34,120 --> 00:33:36,320
Speaker 2: young or old you are. Learn new things right.

751
00:33:36,440 --> 00:33:37,120
Speaker 6: Absolutely.

752
00:33:37,560 --> 00:33:39,440
Speaker 11: I think so many people just stop when they leave school,

753
00:33:39,480 --> 00:33:41,080
Speaker 11: and you're like, no, no, no, that's a way for

754
00:33:41,160 --> 00:33:42,080
Speaker 11: you to just atrophy.

755
00:33:42,280 --> 00:33:43,800
Speaker 4: There's so much out there to keep learning.

756
00:33:44,400 --> 00:33:47,200
Speaker 2: We're so fast to roll into our professional lives and

757
00:33:47,320 --> 00:33:49,560
Speaker 2: just Okay, I worked all day nine to five, I'm home,

758
00:33:49,600 --> 00:33:51,720
Speaker 2: I'm ready to relax and not do anything. Well, that's

759
00:33:51,800 --> 00:33:57,360
Speaker 2: not good. Personality traits. They mature and increase through early

760
00:33:57,400 --> 00:34:00,160
Speaker 2: adulthood and then they level off later in life. If

761
00:34:00,160 --> 00:34:05,680
Speaker 2: your personality traits like your emotional stability, ability to keep

762
00:34:05,720 --> 00:34:09,680
Speaker 2: calm under stress, you know those are learned things. Sometimes,

763
00:34:09,719 --> 00:34:13,520
Speaker 2: you know you get under stressful situations, you know you

764
00:34:13,560 --> 00:34:16,320
Speaker 2: can think it through and go okay, I can deal

765
00:34:16,360 --> 00:34:18,720
Speaker 2: in reason with this. And when there's when you're older,

766
00:34:19,000 --> 00:34:19,600
Speaker 2: not as easy.

767
00:34:19,640 --> 00:34:22,759
Speaker 6: They're saying, Okay, I think it's the opposite. Sometimes. I

768
00:34:22,800 --> 00:34:25,160
Speaker 6: think that things that stressed you out when you were

769
00:34:25,160 --> 00:34:27,239
Speaker 6: a little bit younger. Don't stress you out as much

770
00:34:27,280 --> 00:34:30,399
Speaker 6: as you get older, because you realize that maybe life

771
00:34:30,520 --> 00:34:33,279
Speaker 6: is short and there's no need to stress over some

772
00:34:33,320 --> 00:34:34,040
Speaker 6: stupid stuff.

773
00:34:34,040 --> 00:34:34,719
Speaker 1: Do you know what I mean?

774
00:34:35,680 --> 00:34:38,040
Speaker 2: Yeah, I don't know if this is exactly I think

775
00:34:38,040 --> 00:34:39,640
Speaker 2: that that hits on this, This hits on that.

776
00:34:39,840 --> 00:34:40,000
Speaker 17: You know.

777
00:34:40,040 --> 00:34:42,319
Speaker 2: That's kind of funny about all these different personality traits.

778
00:34:42,360 --> 00:34:45,359
Speaker 2: They kind of melt into each other a little bit.

779
00:34:46,280 --> 00:34:50,720
Speaker 2: Moral reasoning, the ability to weigh competing principles that deepens

780
00:34:50,719 --> 00:34:53,960
Speaker 2: with your experience in your life, producing sounder judgments about

781
00:34:53,960 --> 00:34:58,400
Speaker 2: fairness and duty. That continues, as I'm reading this, to

782
00:34:58,440 --> 00:35:02,520
Speaker 2: increase and get better for you, hopefully as you age.

783
00:35:02,600 --> 00:35:04,239
Speaker 11: Do you feel like that applies to you, Like, do

784
00:35:04,280 --> 00:35:07,120
Speaker 11: you think that as you have grown up you feel

785
00:35:07,200 --> 00:35:10,960
Speaker 11: like you have more morals and that you implement a

786
00:35:10,960 --> 00:35:13,160
Speaker 11: more you know, moralistic lifestyle.

787
00:35:13,200 --> 00:35:13,880
Speaker 4: I guess.

788
00:35:15,320 --> 00:35:20,120
Speaker 2: I believe that. I believe that all the morals that

789
00:35:20,200 --> 00:35:22,040
Speaker 2: I was wired with and I learned as a child

790
00:35:22,080 --> 00:35:24,759
Speaker 2: from my parents and my surroundings, I still hang on

791
00:35:24,840 --> 00:35:27,240
Speaker 2: to those, But I do think they're deeply more deeply

792
00:35:27,400 --> 00:35:31,920
Speaker 2: ingrained with me. Yeah, yeah, no, Yeah.

793
00:35:31,239 --> 00:35:32,960
Speaker 11: I get torn because there's some stuff. You know, my

794
00:35:33,000 --> 00:35:35,200
Speaker 11: parents they beat it into my head, this is this

795
00:35:35,280 --> 00:35:37,799
Speaker 11: is the way it is. And then there's and I

796
00:35:37,880 --> 00:35:40,120
Speaker 11: carry that with me. But then as you grow up

797
00:35:40,160 --> 00:35:41,799
Speaker 11: and you look at the world around you, and maybe

798
00:35:41,840 --> 00:35:43,719
Speaker 11: you notice a bunch of other people not following the

799
00:35:43,719 --> 00:35:47,040
Speaker 11: same thing, sometimes it makes you think, huh, should I

800
00:35:47,440 --> 00:35:49,600
Speaker 11: Should I keep living this way if nobody else is?

801
00:35:49,840 --> 00:35:52,279
Speaker 11: Am I putting myself at a disadvantage? I always wonder

802
00:35:52,320 --> 00:35:52,960
Speaker 11: about that stuff.

803
00:35:53,280 --> 00:35:56,560
Speaker 2: I don't know though, the ability to weigh competing principles

804
00:35:56,600 --> 00:36:00,319
Speaker 2: producing sounder judgments with fairness and duty. As you eight,

805
00:36:00,680 --> 00:36:02,239
Speaker 2: I can see that could be a conflict as well.

806
00:36:02,640 --> 00:36:03,839
Speaker 2: Foggy was shaking his head.

807
00:36:04,600 --> 00:36:07,360
Speaker 12: No, that's because because there are certain things that I

808
00:36:07,400 --> 00:36:09,200
Speaker 12: know that we're instilled. For example, when I lived in

809
00:36:09,200 --> 00:36:11,480
Speaker 12: North Carolina when I was a young kid, there were

810
00:36:11,520 --> 00:36:13,560
Speaker 12: things there that were totally different when I moved to Florida,

811
00:36:13,719 --> 00:36:15,359
Speaker 12: and then you learn a different way, and you learn

812
00:36:15,360 --> 00:36:18,120
Speaker 12: a different people do things differently in different parts of

813
00:36:18,120 --> 00:36:20,840
Speaker 12: the country. Yeah, and so I believe that that's another

814
00:36:20,880 --> 00:36:24,759
Speaker 12: reason that going other places and seeing other ways that

815
00:36:24,800 --> 00:36:27,080
Speaker 12: things are done and meeting people from different cultures is

816
00:36:27,160 --> 00:36:30,880
Speaker 12: so important because it teaches you different than just the

817
00:36:30,960 --> 00:36:33,640
Speaker 12: little place that you lived. It feels like your whole life,

818
00:36:33,640 --> 00:36:35,239
Speaker 12: but yet there's so much more out there.

819
00:36:35,360 --> 00:36:37,000
Speaker 6: You got to be open minded about it too, because

820
00:36:37,040 --> 00:36:40,160
Speaker 6: so many people are closed minded and they think like, Nope, my.

821
00:36:40,120 --> 00:36:42,640
Speaker 12: Way I've always done I've always done it this way.

822
00:36:42,880 --> 00:36:43,960
Speaker 12: Well maybe that's not the right way.

823
00:36:44,080 --> 00:36:44,200
Speaker 1: Right.

824
00:36:45,200 --> 00:36:49,600
Speaker 2: Here's one they hit on that definitely, they say, anyway

825
00:36:49,800 --> 00:36:55,600
Speaker 2: phage with age. Cognitive flexibility. That's the ability to the

826
00:36:55,680 --> 00:37:01,000
Speaker 2: ability to shift smoothly between tasks and strategies when circulstances change.

827
00:37:01,840 --> 00:37:06,360
Speaker 2: And then there's the cognitive empathy. Cognitive empathy the ability

828
00:37:06,400 --> 00:37:09,439
Speaker 2: to get what others are thinking. Okay, so how many

829
00:37:09,440 --> 00:37:11,960
Speaker 2: times have you been hanging out with your parents, your grandparents,

830
00:37:12,000 --> 00:37:15,239
Speaker 2: or me? And oh, one of that Elvis, he is

831
00:37:15,280 --> 00:37:18,480
Speaker 2: set in his ways. Even though you throw a whole

832
00:37:18,520 --> 00:37:20,960
Speaker 2: different world of possibilities in front of me, I'm still

833
00:37:21,040 --> 00:37:23,440
Speaker 2: going to do it that same way that I'm accustomed

834
00:37:23,719 --> 00:37:26,040
Speaker 2: to doing, and I don't grow with it. The brain

835
00:37:26,280 --> 00:37:31,080
Speaker 2: as you age does not allow you or promote these

836
00:37:31,080 --> 00:37:33,960
Speaker 2: things to change and to bend right one hundred percent.

837
00:37:34,000 --> 00:37:36,319
Speaker 11: That's when my dad's out here calling Apple for help.

838
00:37:36,360 --> 00:37:38,400
Speaker 11: I'm like, why are you calling? You can google it,

839
00:37:38,440 --> 00:37:40,319
Speaker 11: you can look up so many different things. But he's

840
00:37:40,320 --> 00:37:43,279
Speaker 11: so hardwired to have called somebody and talk to a

841
00:37:43,360 --> 00:37:46,040
Speaker 11: human that it's so hard for him to just adjust

842
00:37:46,160 --> 00:37:48,719
Speaker 11: to a new way. I don't think older people are

843
00:37:48,840 --> 00:37:50,520
Speaker 11: unable to do things.

844
00:37:50,560 --> 00:37:51,560
Speaker 4: I think they're unwilling.

845
00:37:51,800 --> 00:37:54,880
Speaker 6: Oh my gosh, one hundred percent. I have this conversation

846
00:37:54,960 --> 00:37:57,560
Speaker 6: with my mom all the time, because my mom is

847
00:37:57,719 --> 00:38:01,920
Speaker 6: very smart. She's seventy six. She you know, she's out

848
00:38:01,920 --> 00:38:03,839
Speaker 6: there in the world doing more things than I do.

849
00:38:04,320 --> 00:38:08,080
Speaker 6: She's just so damn stubborn. Like I'll say to her, Mom,

850
00:38:08,239 --> 00:38:10,880
Speaker 6: I showed you five times how to return on Amazon,

851
00:38:10,960 --> 00:38:14,400
Speaker 6: and she's like, Danny, I don't remember. She's full of craps.

852
00:38:14,440 --> 00:38:17,839
Speaker 6: She played the damsel in distress all exactly. She knows

853
00:38:17,880 --> 00:38:18,799
Speaker 6: I'm going to do it for her.

854
00:38:19,040 --> 00:38:20,640
Speaker 2: You know, Uncle Johnny did the same thing in his

855
00:38:20,960 --> 00:38:23,960
Speaker 2: late last year. Ye he could easily do these things

856
00:38:24,000 --> 00:38:27,680
Speaker 2: for himself, or at least figure out how to through logic,

857
00:38:27,760 --> 00:38:29,840
Speaker 2: fix them, and he wouldn't do it. He had to

858
00:38:29,840 --> 00:38:31,560
Speaker 2: have someone come over and do it. And we just

859
00:38:31,600 --> 00:38:33,279
Speaker 2: wrote that off as him just being lonely, and he

860
00:38:33,320 --> 00:38:36,600
Speaker 2: wants people to come over and fixes his vacuum cleaner

861
00:38:37,600 --> 00:38:41,080
Speaker 2: or whatever, right, Scotty. But you know the mind does that. Okay,

862
00:38:41,120 --> 00:38:45,400
Speaker 2: So inclosing on this article, anyway, throughout middle age, the

863
00:38:45,600 --> 00:38:48,760
Speaker 2: gains more than offset the losses. As you get older,

864
00:38:49,120 --> 00:38:53,960
Speaker 2: you are gaining knowledge, you are gaining experiences, and that

865
00:38:54,080 --> 00:38:57,279
Speaker 2: outweighs your ability to be as speedy as you used

866
00:38:57,320 --> 00:39:00,640
Speaker 2: to be. The late fifties emerge as the sweet spot.

867
00:39:00,800 --> 00:39:04,960
Speaker 2: That's the point when hard won wisdom compensates for dwindling speed.

868
00:39:05,000 --> 00:39:08,680
Speaker 2: But it's downhill from there. So there you go, so

869
00:39:08,880 --> 00:39:11,640
Speaker 2: knowing that, you know, being in my sixties and anyone

870
00:39:11,800 --> 00:39:15,200
Speaker 2: in your life who's approaching the sixties in that sixty mark,

871
00:39:15,440 --> 00:39:17,160
Speaker 2: let them know. You need to be out there learning

872
00:39:17,160 --> 00:39:21,080
Speaker 2: things your life. You may not be able to run

873
00:39:21,120 --> 00:39:23,720
Speaker 2: as fast, and you know it may take an extra

874
00:39:23,719 --> 00:39:25,840
Speaker 2: second to stand up way for sitting on the floor.

875
00:39:26,360 --> 00:39:28,680
Speaker 2: Does it keep you from out there learning because your

876
00:39:28,719 --> 00:39:33,640
Speaker 2: mind is still making space for new feelings, new things

877
00:39:34,040 --> 00:39:36,560
Speaker 2: that will always be with you in your heart, and

878
00:39:36,640 --> 00:39:39,440
Speaker 2: of course being with friends, and being with friends and

879
00:39:39,480 --> 00:39:42,480
Speaker 2: letting them titillate your brain. You know, yeah, scary.

880
00:39:42,680 --> 00:39:45,120
Speaker 7: I feel like the more I learn, the more I forget.

881
00:39:45,520 --> 00:39:48,960
Speaker 9: I can't remember current things, but then I have these

882
00:39:48,960 --> 00:39:51,600
Speaker 9: crystallized versions of things that I that I did years ago,

883
00:39:51,640 --> 00:39:53,879
Speaker 9: and I'm like, I keep accessing all this stuff from

884
00:39:53,880 --> 00:39:56,520
Speaker 9: all the back then, but what about now? I'm learning

885
00:39:56,520 --> 00:39:58,440
Speaker 9: so much every single day, But then I'm like, oh,

886
00:39:58,480 --> 00:39:59,759
Speaker 9: I can't I can't remember that.

887
00:40:00,040 --> 00:40:02,840
Speaker 6: Isn't that a thing with Alzheimer's, though, Elvis, because I remember, well,

888
00:40:02,840 --> 00:40:03,400
Speaker 6: I didn't.

889
00:40:03,160 --> 00:40:05,560
Speaker 2: Want to say. I didn't want to. I didn't want

890
00:40:05,640 --> 00:40:07,920
Speaker 2: to go to tell Scary he has dementia.

891
00:40:07,560 --> 00:40:09,799
Speaker 6: Or go ahead, sorry, but I'm just saying, like, I

892
00:40:09,840 --> 00:40:14,840
Speaker 6: remember my grandmother, like not remembering anything now, but she

893
00:40:14,880 --> 00:40:17,920
Speaker 6: would tell me stories of things that happened twenty twenty

894
00:40:17,920 --> 00:40:20,040
Speaker 6: five years ago, saying with my mom, she knew them

895
00:40:20,080 --> 00:40:21,920
Speaker 6: like they were, you know, right in front of her.

896
00:40:21,920 --> 00:40:22,319
Speaker 6: It's crazy.

897
00:40:22,400 --> 00:40:24,919
Speaker 2: It's a short term memory thing. Yeah, my mom could

898
00:40:25,120 --> 00:40:29,320
Speaker 2: she could, as I've told you, she could actually recite Chaucer.

899
00:40:29,920 --> 00:40:35,160
Speaker 2: Oh wow, wow, I mean tons of Chaucer. She could

900
00:40:35,200 --> 00:40:37,080
Speaker 2: recite it. But she couldn't tell you what she had

901
00:40:37,160 --> 00:40:40,640
Speaker 2: for lunch ten minutes ago. So that's the short term everything. Scary,

902
00:40:40,719 --> 00:40:42,840
Speaker 2: We're not diagnosing you as dementia.

903
00:40:45,800 --> 00:40:46,080
Speaker 7: At all.

904
00:40:46,400 --> 00:40:49,160
Speaker 11: I think, well, this two has to do with you know, like,

905
00:40:49,200 --> 00:40:51,279
Speaker 11: obviously we can do everything we can do, and you're

906
00:40:51,400 --> 00:40:53,319
Speaker 11: all the things you're talking about, Elvis are with a

907
00:40:53,320 --> 00:40:56,520
Speaker 11: healthy functioning brain. But when you also add into it

908
00:40:56,560 --> 00:40:58,680
Speaker 11: what we're doing to ourselves as we get older, and

909
00:40:58,719 --> 00:41:00,640
Speaker 11: just with the climbing around us, you're not and you're

910
00:41:00,640 --> 00:41:03,600
Speaker 11: consuming a ton of sugar. Those things directly impact your

911
00:41:03,600 --> 00:41:07,359
Speaker 11: mind and your ability to absorb and retain things also,

912
00:41:07,520 --> 00:41:10,439
Speaker 11: so maybe scary some things.

913
00:41:11,000 --> 00:41:14,360
Speaker 2: Yeah, yeah, a little cardio wouldn't hurt as scary cardio.

914
00:41:14,600 --> 00:41:15,440
Speaker 6: This shots of candy.

915
00:41:15,440 --> 00:41:16,680
Speaker 4: I don't know if that's great for them.

916
00:41:16,920 --> 00:41:17,600
Speaker 7: Yeah, I don't know.

917
00:41:17,680 --> 00:41:18,719
Speaker 2: Yeah, Froggy, what's up?

918
00:41:19,120 --> 00:41:22,040
Speaker 12: You know, I'm in my last month of my forties now,

919
00:41:22,320 --> 00:41:24,759
Speaker 12: and I realized that I can remember lyrics to a

920
00:41:24,840 --> 00:41:28,440
Speaker 12: rap song from like nineteen eighty four, no problems. But

921
00:41:28,520 --> 00:41:29,799
Speaker 12: I can get up to go to the kitchen and

922
00:41:29,800 --> 00:41:31,479
Speaker 12: forget what the hell I was going to get well

923
00:41:31,600 --> 00:41:32,479
Speaker 12: four seconds ago.

924
00:41:33,280 --> 00:41:36,759
Speaker 2: Explain that to me, Well, it's sort of earlier when

925
00:41:36,760 --> 00:41:38,920
Speaker 2: we were talking. People in their early twenties or at

926
00:41:38,960 --> 00:41:41,560
Speaker 2: the peak their minds are at peak form as far

927
00:41:41,640 --> 00:41:44,719
Speaker 2: as learning new things. That's why if you want to

928
00:41:44,719 --> 00:41:47,839
Speaker 2: teach someone a new language, do it when they're at

929
00:41:48,000 --> 00:41:52,400
Speaker 2: seven years old? Yeah? Right, Because when I tried to

930
00:41:52,400 --> 00:41:55,680
Speaker 2: brush up on my my Italian, I met Itaian, my

931
00:41:55,840 --> 00:41:58,719
Speaker 2: Italian before I go, you know, Italy. Whatever, it's more

932
00:41:58,760 --> 00:42:01,000
Speaker 2: difficult for me, and I recognize it. I see it

933
00:42:01,040 --> 00:42:03,480
Speaker 2: clearly because I remember, you know, twenty thirty years ago,

934
00:42:03,480 --> 00:42:05,319
Speaker 2: when I started going to Italy, I could, I could

935
00:42:05,320 --> 00:42:07,239
Speaker 2: be ready to get off the plane and have conversations.

936
00:42:07,280 --> 00:42:09,560
Speaker 2: I can't do that anymore. It takes more time. So

937
00:42:09,600 --> 00:42:11,000
Speaker 2: maybe that's why you know.

938
00:42:11,040 --> 00:42:13,200
Speaker 12: It's hard to watch it with your parents. Like I'll

939
00:42:13,239 --> 00:42:16,240
Speaker 12: go to my parents' house and help my dad do something,

940
00:42:16,840 --> 00:42:18,680
Speaker 12: and I'll and he'll say, to be handing your help,

941
00:42:18,719 --> 00:42:20,200
Speaker 12: and so I help him, and then I look over

942
00:42:20,680 --> 00:42:22,480
Speaker 12: and he's got a tear running down his face. I'm like,

943
00:42:22,480 --> 00:42:24,600
Speaker 12: what's wrong. He's like I used to be able to

944
00:42:24,640 --> 00:42:28,080
Speaker 12: do this on my own. I feel terrible for him.

945
00:42:29,000 --> 00:42:31,320
Speaker 2: Well, and I'll say something, and you can actually have

946
00:42:31,360 --> 00:42:33,680
Speaker 2: this conversation with your parents, maybe depending on where their

947
00:42:33,719 --> 00:42:36,680
Speaker 2: brain is and where how they're doing. There are moments

948
00:42:36,960 --> 00:42:39,560
Speaker 2: in every day of mine. I'll try to recall something

949
00:42:39,560 --> 00:42:41,960
Speaker 2: that I know. I know I just can't recall it,

950
00:42:42,080 --> 00:42:44,520
Speaker 2: you know. And you know, I've talked to many doctors

951
00:42:44,560 --> 00:42:46,720
Speaker 2: about it, and they're like, look, you know, this happens

952
00:42:46,760 --> 00:42:49,520
Speaker 2: as you age. It will happen faster with some people.

953
00:42:49,520 --> 00:42:52,760
Speaker 2: Maybe you doesn't mean it, doesn't mean it's curtains, doesn't

954
00:42:52,760 --> 00:42:54,799
Speaker 2: mean that at all. But this is naturally what the

955
00:42:54,800 --> 00:42:56,640
Speaker 2: brain does. And if you're listening to us right now

956
00:42:56,680 --> 00:42:58,680
Speaker 2: in your twenties and thirties, you're like, I don't understand.

957
00:42:58,680 --> 00:43:01,799
Speaker 2: I can't even relate to this conversation. Well you will

958
00:43:01,840 --> 00:43:04,040
Speaker 2: one day, but you can today. If you think about

959
00:43:04,080 --> 00:43:07,120
Speaker 2: the people in your life that are in their sixties

960
00:43:07,120 --> 00:43:10,160
Speaker 2: and seventies or maybe more, and you wonder why they're

961
00:43:10,160 --> 00:43:13,600
Speaker 2: a little slow in recalling things. The memories are all there,

962
00:43:13,960 --> 00:43:17,200
Speaker 2: your brain has them. It's the recalling of these things

963
00:43:17,239 --> 00:43:20,239
Speaker 2: which is the struggle. Yeah, and so that's where we are.

964
00:43:21,080 --> 00:43:22,719
Speaker 11: I think part of the recall too, and just the

965
00:43:22,760 --> 00:43:26,360
Speaker 11: memory making in general also gets really impacted by the

966
00:43:26,400 --> 00:43:31,000
Speaker 11: scrolling constantly, the streaming constantly, and the short form videos

967
00:43:31,040 --> 00:43:32,840
Speaker 11: like we've talked about this not too long ago, but

968
00:43:33,000 --> 00:43:36,120
Speaker 11: scientists and researchers are saying that impacts your brain five

969
00:43:36,239 --> 00:43:39,600
Speaker 11: times more than anything else that you're doing. So by

970
00:43:39,680 --> 00:43:42,680
Speaker 11: us constantly consuming this nonsense, we're also hurting our memory.

971
00:43:42,920 --> 00:43:43,640
Speaker 4: So put it down.

972
00:43:43,719 --> 00:43:47,080
Speaker 2: Read a book, all right, read a book. Do some cardio, Scary,

973
00:43:47,120 --> 00:43:50,279
Speaker 2: let's do some cardio today. We can read books while

974
00:43:50,320 --> 00:43:54,080
Speaker 2: doing cardio. We can unwillingly. I'm not getting on that rower.

975
00:43:57,239 --> 00:43:58,440
Speaker 2: I've seen him on the rower.

976
00:43:58,600 --> 00:43:59,399
Speaker 7: The rower is.

977
00:43:59,400 --> 00:44:00,439
Speaker 1: Bad, bad?

978
00:44:01,320 --> 00:44:02,000
Speaker 6: Why is it bad?

979
00:44:02,640 --> 00:44:05,080
Speaker 9: And that that fan bike, the bike we're with with

980
00:44:05,120 --> 00:44:07,959
Speaker 9: the fanling.

981
00:44:06,800 --> 00:44:10,000
Speaker 2: See, I love Okay, So I'm usually doing arms while

982
00:44:10,040 --> 00:44:12,400
Speaker 2: Scary's on the fan bike. I love it because the

983
00:44:12,400 --> 00:44:14,680
Speaker 2: fans right next to me. It blows cool air toward me.

984
00:44:16,000 --> 00:44:18,080
Speaker 2: But I don't look up because everyone he'll sweat down

985
00:44:18,080 --> 00:44:19,920
Speaker 2: onto the fan. It'll blow his sweat at me. It's

986
00:44:20,000 --> 00:44:23,480
Speaker 2: really a hey twelve noon East Coast time today.

987
00:44:23,760 --> 00:44:23,880
Speaker 17: Uh.

988
00:44:24,160 --> 00:44:26,719
Speaker 2: Jingle Ball tickets for everyone. You gotta buy him, though,

989
00:44:26,920 --> 00:44:28,360
Speaker 2: if you want to know how to get in and

990
00:44:28,400 --> 00:44:30,440
Speaker 2: where you want to go, I say all three concerts

991
00:44:30,480 --> 00:44:32,480
Speaker 2: here in New York, in Philly and in Miami will

992
00:44:32,480 --> 00:44:34,360
Speaker 2: be at all three. Check it out now. Go to

993
00:44:35,480 --> 00:44:38,800
Speaker 2: iHeartRadio dot com slash jingle Ball. See it took me

994
00:44:38,840 --> 00:44:41,000
Speaker 2: a second tree call that and get your tickets. They

995
00:44:41,040 --> 00:44:49,000
Speaker 2: go on still at noon today phone Tash getting into

996
00:44:49,040 --> 00:44:51,239
Speaker 2: the free money phone tap worth one thousand dollars. As

997
00:44:51,239 --> 00:44:52,920
Speaker 2: you know, Taylor Swift, we're going to catch up with

998
00:44:52,920 --> 00:44:55,640
Speaker 2: her on the phone. She's on the road running around

999
00:44:55,680 --> 00:44:59,480
Speaker 2: on last time we check, she's in England. So anyway,

1000
00:44:59,719 --> 00:45:01,040
Speaker 2: I it looks as if we're going to get to

1001
00:45:01,080 --> 00:45:03,200
Speaker 2: her phone call right before the top of the hour,

1002
00:45:03,280 --> 00:45:07,520
Speaker 2: so in about about fifteen minutes, maybe fifteen ish, So hangout.

1003
00:45:07,680 --> 00:45:10,440
Speaker 2: We originally said ten till, but of course, you know

1004
00:45:10,480 --> 00:45:12,520
Speaker 2: we're a live show. Things are very fluid around here.

1005
00:45:12,920 --> 00:45:15,640
Speaker 2: So Taylor Swift on the phone to talk about the

1006
00:45:15,680 --> 00:45:18,719
Speaker 2: new album and how she recorded it and everything coming

1007
00:45:18,800 --> 00:45:21,000
Speaker 2: up in like fifteen minutes, so hang out right before

1008
00:45:21,040 --> 00:45:22,960
Speaker 2: the top of the hour. All right. So thanks to

1009
00:45:23,000 --> 00:45:25,920
Speaker 2: our friends at Mars Wrigglely. It's a Halloween and the

1010
00:45:25,960 --> 00:45:28,400
Speaker 2: bowl is full of treats from Mars Wrigglely.

1011
00:45:28,880 --> 00:45:31,080
Speaker 6: What it's less because I put some in my bag

1012
00:45:31,200 --> 00:45:32,320
Speaker 6: to take home this morning.

1013
00:45:34,400 --> 00:45:37,600
Speaker 2: Danielle, you know, thanks to Tougherware, you steal, you steal

1014
00:45:37,719 --> 00:45:42,560
Speaker 2: from every party we have every every Halloween. Snickers Twigs,

1015
00:45:42,680 --> 00:45:45,560
Speaker 2: Snickers Twigs. Eminem skittles and a lot more thanks to

1016
00:45:45,600 --> 00:45:48,840
Speaker 2: our friends at Mars Wrigglely. Make sure you got a tasty,

1017
00:45:48,880 --> 00:45:51,360
Speaker 2: fun sized treats ready for Halloween and between now and

1018
00:45:51,400 --> 00:45:53,680
Speaker 2: Halloween because you need to eat them as well. If

1019
00:45:53,680 --> 00:45:55,760
Speaker 2: you want to know more, go to Mars Wrigglely Halloween

1020
00:45:55,800 --> 00:45:58,799
Speaker 2: dot com. It's a Mars Wriggly Halloween thousand dollars free

1021
00:45:58,880 --> 00:46:00,440
Speaker 2: on a phone tap. So if you're calling one hundred

1022
00:46:00,480 --> 00:46:03,040
Speaker 2: now you win one thousand dollars eight hundred two four

1023
00:46:03,080 --> 00:46:04,520
Speaker 2: to two zero one hundred.

1024
00:46:04,600 --> 00:46:08,399
Speaker 16: Don't answer the phone. Elvis Durand. Elvis Durand's phone tap.

1025
00:46:08,960 --> 00:46:11,319
Speaker 2: Let's roll into the phone tap. Shall we come on

1026
00:46:11,360 --> 00:46:14,719
Speaker 2: in and have a seat. Today's email. Dear Elvis, my

1027
00:46:14,960 --> 00:46:21,040
Speaker 2: father Ephyrin gets nuts when it comes to telemarketers. Oh,

1028
00:46:21,360 --> 00:46:24,120
Speaker 2: why don't we have mister Michael Oppenheimer give dat a

1029
00:46:24,160 --> 00:46:27,040
Speaker 2: phone call and wind him up? All right? Anthony Anthony

1030
00:46:27,120 --> 00:46:31,280
Speaker 2: wants us to phone tap his father Ephrin. Scary Jones,

1031
00:46:31,320 --> 00:46:34,800
Speaker 2: of course, plays the relentless telemarketer, mister Michael Oppenheimer calling

1032
00:46:34,800 --> 00:46:39,279
Speaker 2: today from a credit card company. Let's listen in to

1033
00:46:39,280 --> 00:46:40,759
Speaker 2: today's phone tap.

1034
00:46:41,680 --> 00:46:46,279
Speaker 7: Hell if freeing, please this is mister Michael Oppenheimer with

1035
00:46:46,360 --> 00:46:49,320
Speaker 7: the gravit card. How are you doing today, sir, I'll

1036
00:46:49,520 --> 00:46:50,560
Speaker 7: be directing.

1037
00:46:50,239 --> 00:46:53,160
Speaker 21: To the point I no longer will require or want

1038
00:46:53,200 --> 00:46:53,640
Speaker 21: your card.

1039
00:46:53,760 --> 00:46:56,040
Speaker 7: Tell us the reason why you might have discontinued your

1040
00:46:56,120 --> 00:46:56,680
Speaker 7: use of the.

1041
00:46:56,880 --> 00:46:59,839
Speaker 21: Okay for the fifth hundred times. While I had your car,

1042
00:47:00,160 --> 00:47:04,000
Speaker 21: I got bombarded by call from your telemarkers at all

1043
00:47:04,080 --> 00:47:07,280
Speaker 21: hours of the day and night, in Spanish and in English,

1044
00:47:08,000 --> 00:47:12,840
Speaker 21: and that made me get very, very uncomfortable. Just because

1045
00:47:12,840 --> 00:47:15,480
Speaker 21: I have a certain name that they can put me

1046
00:47:15,560 --> 00:47:19,080
Speaker 21: in a category that they feel like it. I'm against

1047
00:47:19,360 --> 00:47:23,360
Speaker 21: people not using the proper work etiquette. Okay, if someone

1048
00:47:23,440 --> 00:47:25,439
Speaker 21: calls me, don't call me by my first name. Called

1049
00:47:25,440 --> 00:47:28,360
Speaker 21: me mister so and so. You don't know me socially,

1050
00:47:28,840 --> 00:47:31,480
Speaker 21: like if you know I was some sort of teenager.

1051
00:47:31,600 --> 00:47:34,680
Speaker 21: I mean, if you got business etiquette, you should use it.

1052
00:47:35,000 --> 00:47:38,719
Speaker 7: But the thing is, I'm here today to reintroduce you

1053
00:47:38,760 --> 00:47:41,400
Speaker 7: to the Platinum Card, the card that gives you nothing

1054
00:47:41,440 --> 00:47:42,280
Speaker 7: but rewards.

1055
00:47:42,680 --> 00:47:45,720
Speaker 21: Ephram I understand that, but I really don't want anything.

1056
00:47:45,960 --> 00:47:48,319
Speaker 2: I'll give you a five percent cash back bonus right now.

1057
00:47:48,840 --> 00:47:51,600
Speaker 21: No, no, no, no, I don't want I just don't

1058
00:47:51,719 --> 00:47:54,600
Speaker 21: want it, have a pleasant.

1059
00:47:54,280 --> 00:48:00,000
Speaker 22: Day, a day, have a good day.

1060
00:48:00,640 --> 00:48:02,160
Speaker 7: If you could like to take a.

1061
00:48:04,920 --> 00:48:12,960
Speaker 22: Hi Ephraim, Oh please hip from me, mister Michael Cardah.

1062
00:48:12,600 --> 00:48:15,200
Speaker 21: Do not call me again today?

1063
00:48:16,560 --> 00:48:16,880
Speaker 18: Hello?

1064
00:48:17,440 --> 00:48:19,839
Speaker 7: Oh sir, you've been cutting me off and you've listen.

1065
00:48:20,040 --> 00:48:23,720
Speaker 21: You've told you one hundred times. Don't you understand English?

1066
00:48:24,000 --> 00:48:24,320
Speaker 22: Now?

1067
00:48:24,320 --> 00:48:27,920
Speaker 21: Do you understand English? Do not call me, sir.

1068
00:48:28,000 --> 00:48:30,200
Speaker 22: I'm trying to not deal with your company.

1069
00:48:30,400 --> 00:48:31,680
Speaker 7: I can offer you this card with no.

1070
00:48:33,760 --> 00:48:35,160
Speaker 21: Thing. Don't you understand?

1071
00:48:35,360 --> 00:48:35,960
Speaker 7: Would you like one?

1072
00:48:36,480 --> 00:48:36,880
Speaker 21: Stupid?

1073
00:48:36,960 --> 00:48:37,560
Speaker 7: Would you like one?

1074
00:48:38,120 --> 00:48:41,200
Speaker 21: I don't want to think from you? Do you understand English?

1075
00:48:41,360 --> 00:48:51,239
Speaker 7: Unlimited? What about unlimited cash rewards? Euphrain and no. I

1076
00:48:51,239 --> 00:48:52,359
Speaker 7: can hear your breathing, sir.

1077
00:48:52,680 --> 00:48:54,640
Speaker 21: Hey, you can hear me breathing, and you also heard

1078
00:48:54,680 --> 00:48:57,360
Speaker 21: me say I don't want it. You know if you

1079
00:48:57,440 --> 00:49:00,480
Speaker 21: have any type of intelligence, you used to making a

1080
00:49:00,480 --> 00:49:01,320
Speaker 21: food of yourself.

1081
00:49:01,480 --> 00:49:03,120
Speaker 7: What if I was to double your case back?

1082
00:49:03,239 --> 00:49:05,719
Speaker 21: Give me. I don't want to hear anything. I do

1083
00:49:05,840 --> 00:49:07,600
Speaker 21: not want to deal with your card. Are you going

1084
00:49:07,680 --> 00:49:09,759
Speaker 21: to make me call the president of your company or

1085
00:49:09,800 --> 00:49:12,840
Speaker 21: someone higher than you and report your ass.

1086
00:49:12,440 --> 00:49:14,160
Speaker 7: I was told to call you today to give you

1087
00:49:14,239 --> 00:49:14,720
Speaker 7: this card.

1088
00:49:14,880 --> 00:49:17,839
Speaker 21: Well, you were told and I'm telling you no. Come on,

1089
00:49:18,200 --> 00:49:20,319
Speaker 21: don't be such an idiot. Don't be a fool for

1090
00:49:20,400 --> 00:49:20,960
Speaker 21: these people.

1091
00:49:21,280 --> 00:49:24,200
Speaker 7: But sir, this card has a lot of buying power.

1092
00:49:24,320 --> 00:49:27,799
Speaker 21: Stop being such an idiot. We'd let you call stop

1093
00:49:27,880 --> 00:49:30,120
Speaker 21: being an idiot. You're not going to get any business here.

1094
00:49:30,239 --> 00:49:32,040
Speaker 7: We'd like to reinstate your card today.

1095
00:49:31,920 --> 00:49:34,120
Speaker 21: Or not reinstate. You know what your Korean state.

1096
00:49:34,480 --> 00:49:37,919
Speaker 7: So this is mister Michael Oppenheimer with Michaelheimer.

1097
00:49:38,000 --> 00:49:38,280
Speaker 21: Listen.

1098
00:49:38,640 --> 00:49:40,920
Speaker 7: No, maybe there's someone in your family you'd like to give.

1099
00:49:41,000 --> 00:49:43,759
Speaker 21: No one in my family is interested in dealing with

1100
00:49:43,840 --> 00:49:45,680
Speaker 21: your card. Michael Ippelheimer.

1101
00:49:46,239 --> 00:49:47,280
Speaker 7: Can I give you?

1102
00:49:47,480 --> 00:49:49,480
Speaker 22: Can't give me a Michael?

1103
00:49:49,640 --> 00:49:51,120
Speaker 7: Can I get your address for something?

1104
00:49:51,160 --> 00:49:52,760
Speaker 21: No, you cannot have anything.

1105
00:49:53,040 --> 00:49:56,120
Speaker 7: Your application is safe and confidential, and we never sell

1106
00:49:56,160 --> 00:49:57,040
Speaker 7: your name or phone.

1107
00:49:57,280 --> 00:49:58,880
Speaker 21: Not being a pen in the ass. Because if I

1108
00:49:58,880 --> 00:50:01,160
Speaker 21: could get to your neck right now, i'd bring it

1109
00:50:01,200 --> 00:50:01,880
Speaker 21: for you.

1110
00:50:01,880 --> 00:50:03,520
Speaker 7: You can choose from three different cards today.

1111
00:50:03,800 --> 00:50:06,080
Speaker 21: I don't want to card. Would you shove the card

1112
00:50:06,160 --> 00:50:06,960
Speaker 21: up already?

1113
00:50:07,080 --> 00:50:08,640
Speaker 7: You don't have to use it, sir, you could just

1114
00:50:08,640 --> 00:50:09,359
Speaker 7: hold on to it.

1115
00:50:09,600 --> 00:50:12,320
Speaker 21: I would like to shove it up your I think.

1116
00:50:12,200 --> 00:50:13,839
Speaker 7: You should say yes to this card right now.

1117
00:50:14,120 --> 00:50:15,040
Speaker 21: Send it to your mother.

1118
00:50:15,160 --> 00:50:17,239
Speaker 2: Did I mention that it has zero percent financing?

1119
00:50:17,320 --> 00:50:19,359
Speaker 21: Yeah, you mentioned it, and you could shove it right.

1120
00:50:19,280 --> 00:50:22,120
Speaker 7: Up your Did I tell you can choose your color?

1121
00:50:22,760 --> 00:50:25,560
Speaker 22: You can shove it right up your Okay.

1122
00:50:25,840 --> 00:50:29,280
Speaker 7: One other thing though, that's very important. You've been phone tapped.

1123
00:50:30,200 --> 00:50:30,600
Speaker 22: Good.

1124
00:50:31,080 --> 00:50:32,120
Speaker 21: I'm glad you enjoying.

1125
00:50:32,440 --> 00:50:33,040
Speaker 7: No, not me.

1126
00:50:33,560 --> 00:50:36,080
Speaker 2: This is scary Jones from Elvis Durant in the Morning Show.

1127
00:50:36,200 --> 00:50:37,239
Speaker 21: Anthony puts you up.

1128
00:50:37,120 --> 00:50:38,240
Speaker 7: To this, Yes, he did.

1129
00:50:40,880 --> 00:50:43,400
Speaker 21: Listen, shove it up.

1130
00:50:47,600 --> 00:50:52,080
Speaker 2: Well, there you go. Wow, there's the life of a

1131
00:50:52,120 --> 00:50:56,759
Speaker 2: show girl right there. One one thousand dollars got to

1132
00:50:56,760 --> 00:50:58,359
Speaker 2: give it away. That was the free money phone tap

1133
00:50:58,360 --> 00:51:01,319
Speaker 2: from Lars Wrigley. Happy Hallow, Jen, you got it? One

1134
00:51:01,320 --> 00:51:05,360
Speaker 2: thousand dollars. Congratulations, Yeah, no way, Yeah.

1135
00:51:06,719 --> 00:51:08,160
Speaker 6: You guys every day, call every day.

1136
00:51:08,840 --> 00:51:09,359
Speaker 7: You got it.

1137
00:51:09,400 --> 00:51:12,640
Speaker 2: Finally it paid off. A thousand dollars coming your way. Congratulations, Jen.

1138
00:51:13,520 --> 00:51:15,359
Speaker 17: Oh my gosh, thank you guys so much.

1139
00:51:15,400 --> 00:51:16,200
Speaker 22: This is amazing.

1140
00:51:16,200 --> 00:51:16,600
Speaker 8: Oh my god.

1141
00:51:16,600 --> 00:51:17,840
Speaker 3: Time your heart is racing.

1142
00:51:18,320 --> 00:51:20,960
Speaker 2: Okay, stop it at racing. You don't want to go

1143
00:51:20,960 --> 00:51:23,160
Speaker 2: any faster than that. Hold on, Jen, I gotta get

1144
00:51:23,200 --> 00:51:24,440
Speaker 2: this check out to you as soon as we can.

1145
00:51:24,520 --> 00:51:25,800
Speaker 2: It's the end of the year. Got to pay the

1146
00:51:25,840 --> 00:51:28,279
Speaker 2: bills thanks to Mars Wrigley. It's a Halloween the free

1147
00:51:28,320 --> 00:51:30,680
Speaker 2: money phone tap all week thanks to them. If you

1148
00:51:30,680 --> 00:51:32,799
Speaker 2: want to know more about how you can fill your

1149
00:51:32,800 --> 00:51:36,799
Speaker 2: bowl with the important things before Halloween. It'll empty several times.

1150
00:51:36,840 --> 00:51:38,680
Speaker 2: You can refill it thanks to Mars Wrigley, go to

1151
00:51:38,719 --> 00:51:42,759
Speaker 2: Mars Wrigglely Halloween dot com. All right, today is the day,

1152
00:51:42,800 --> 00:51:47,160
Speaker 2: as you know, the life of a Showgirl Taylor Swift.

1153
00:51:48,080 --> 00:51:49,840
Speaker 2: I think we found her. We caught up with her

1154
00:51:49,920 --> 00:51:56,160
Speaker 2: on the road. We're going to talk to her. Coming up. Hello, Yeah, Helloay.

1155
00:51:55,200 --> 00:51:57,320
Speaker 1: Elvis Terran in the Morning Show.

1156
00:51:57,840 --> 00:51:59,920
Speaker 6: A lot of those Romance collection is something just had

1157
00:52:00,160 --> 00:52:04,080
Speaker 6: by every side of you. Dive into a romanticy series

1158
00:52:04,360 --> 00:52:07,600
Speaker 6: or the Perfect Enemies to Lovers rom com. Your first

1159
00:52:07,600 --> 00:52:09,600
Speaker 6: Love Story is free when you sign up for a

1160
00:52:09,600 --> 00:52:11,640
Speaker 6: thirty day trial at audible dot com.

1161
00:52:11,680 --> 00:52:16,200
Speaker 16: Slash Elvis Hi from the Mercedes Benz Interview Lounge.

1162
00:52:16,480 --> 00:52:18,560
Speaker 2: So unless you're living in a cave, and caves are

1163
00:52:18,560 --> 00:52:21,760
Speaker 2: great living. By the way, The Life of a Showgirl

1164
00:52:21,760 --> 00:52:24,120
Speaker 2: Taylor Swift's album is back. We caught up with her

1165
00:52:24,160 --> 00:52:26,920
Speaker 2: on the road. She's on the phone Taylor.

1166
00:52:27,360 --> 00:52:28,960
Speaker 23: Oh hi, oh.

1167
00:52:28,800 --> 00:52:31,440
Speaker 2: Hello, Look who had time in the busiest day of

1168
00:52:31,480 --> 00:52:36,440
Speaker 2: the year to give us a phone Callay? How are you?

1169
00:52:37,680 --> 00:52:40,799
Speaker 3: I'm so good. I'm so excited for this record. I'm

1170
00:52:40,800 --> 00:52:43,520
Speaker 3: still very like uncomplicated joy about it.

1171
00:52:43,600 --> 00:52:43,759
Speaker 1: You know.

1172
00:52:44,480 --> 00:52:46,120
Speaker 2: Well, I have to tell you I sat in a

1173
00:52:46,200 --> 00:52:49,880
Speaker 2: room full of adults and watch them cry while listening

1174
00:52:49,880 --> 00:52:51,239
Speaker 2: to some of these tracks. I want to go over

1175
00:52:51,239 --> 00:52:53,080
Speaker 2: these with you because I loved it too.

1176
00:52:53,239 --> 00:52:53,399
Speaker 20: Oh.

1177
00:52:53,440 --> 00:52:56,040
Speaker 2: Really, this is going to be something special when everyone

1178
00:52:56,080 --> 00:52:57,760
Speaker 2: gets a hold of it. And it looks like everyone

1179
00:52:57,840 --> 00:53:00,040
Speaker 2: is going to get a hold of it.

1180
00:53:00,440 --> 00:53:02,480
Speaker 3: I'm so happy. I'm really happy to hear that. It's

1181
00:53:02,520 --> 00:53:04,839
Speaker 3: so nice to have feedback from this. It's like it's

1182
00:53:04,840 --> 00:53:05,920
Speaker 3: been such a secret for.

1183
00:53:05,880 --> 00:53:06,640
Speaker 18: Such a long time.

1184
00:53:07,400 --> 00:53:09,959
Speaker 2: We let's talk about that. Tell me the story now.

1185
00:53:10,760 --> 00:53:15,640
Speaker 2: On the most crazy two year tour and you're going

1186
00:53:15,640 --> 00:53:20,400
Speaker 2: to football games and you're baking sourdough bread and you

1187
00:53:20,440 --> 00:53:25,680
Speaker 2: were writing, producing, and recording an album at the same time,

1188
00:53:26,480 --> 00:53:28,680
Speaker 2: tell me the story of how that happened. It didn't

1189
00:53:28,719 --> 00:53:30,400
Speaker 2: drive you a little nuts?

1190
00:53:31,360 --> 00:53:34,800
Speaker 3: Well, it was actually kind of the opposite of going nuts,

1191
00:53:34,840 --> 00:53:37,080
Speaker 3: because I think if I hadn't started to create a

1192
00:53:37,120 --> 00:53:39,319
Speaker 3: process of making this album while I was on tour.

1193
00:53:39,920 --> 00:53:42,640
Speaker 18: I think I was way more.

1194
00:53:42,520 --> 00:53:48,799
Speaker 3: Exhausted than I was, because like this album started to

1195
00:53:49,000 --> 00:53:53,080
Speaker 3: happen in the European leg of the Eras tour, like

1196
00:53:53,160 --> 00:53:54,120
Speaker 3: last summer.

1197
00:53:55,120 --> 00:53:55,520
Speaker 18: And.

1198
00:53:57,480 --> 00:53:59,040
Speaker 3: It was during a time in the tour I.

1199
00:53:58,960 --> 00:54:03,040
Speaker 23: Was so physically exhaust did that that like my.

1200
00:54:02,920 --> 00:54:05,879
Speaker 3: Feet were sore, my legs were sore, my hits, my neck,

1201
00:54:05,960 --> 00:54:09,360
Speaker 3: my back, everything was like in pain all the time.

1202
00:54:10,840 --> 00:54:12,760
Speaker 23: And it was also like almost two.

1203
00:54:12,640 --> 00:54:14,759
Speaker 3: Years into the tour, so I was starting to get

1204
00:54:14,880 --> 00:54:16,640
Speaker 3: muscle memory. I was starting to be able to do

1205
00:54:16,719 --> 00:54:20,000
Speaker 3: the show without thinking about it. So I knew I

1206
00:54:20,040 --> 00:54:22,560
Speaker 3: needed to like stimulate my brain and my creativity and

1207
00:54:22,640 --> 00:54:26,239
Speaker 3: like figure out a way to like be excited every day.

1208
00:54:26,320 --> 00:54:29,040
Speaker 3: And so I would do three shows, I'd fly to

1209
00:54:29,080 --> 00:54:32,320
Speaker 3: Sweden and record, do three more shows, fly back to Sweden.

1210
00:54:32,320 --> 00:54:35,560
Speaker 3: And it was actually that stimulation of the creative process

1211
00:54:35,560 --> 00:54:38,400
Speaker 3: of making this record that made me finish out that

1212
00:54:38,440 --> 00:54:41,800
Speaker 3: tour without like without ever like hitting a wall.

1213
00:54:41,840 --> 00:54:44,600
Speaker 2: You know, look at all those Sweden stamped in that past.

1214
00:54:46,840 --> 00:54:48,080
Speaker 18: Oh yeah, absolutely.

1215
00:54:48,800 --> 00:54:50,640
Speaker 2: I don't even know where to start here. I'll start

1216
00:54:50,680 --> 00:54:52,200
Speaker 2: with the crying in the room, and I'm going to

1217
00:54:52,239 --> 00:54:56,080
Speaker 2: play it in a minute, The Fate of Ophelia. Of

1218
00:54:56,120 --> 00:54:57,840
Speaker 2: course I got add to the list of things you

1219
00:54:57,840 --> 00:55:00,319
Speaker 2: were doing. You were restudying Hamlet again, so I will.

1220
00:55:00,280 --> 00:55:04,880
Speaker 18: Get But hey, you know that story never leaves you.

1221
00:55:06,000 --> 00:55:09,120
Speaker 2: There's just something about the way the music sonically hits

1222
00:55:09,200 --> 00:55:11,320
Speaker 2: the words and it really kind of it grabs you

1223
00:55:11,360 --> 00:55:12,920
Speaker 2: by the heart. It's beautiful. We're gonna play that in

1224
00:55:12,920 --> 00:55:13,319
Speaker 2: just a second.

1225
00:55:13,400 --> 00:55:16,719
Speaker 3: Oh, I'm so happy you like that one. That one,

1226
00:55:16,880 --> 00:55:18,680
Speaker 3: just like as soon as we wrote it, I have

1227
00:55:18,719 --> 00:55:20,320
Speaker 3: a feeling it would be the one that we would

1228
00:55:20,360 --> 00:55:21,960
Speaker 3: go with first, and the one I'd get to make

1229
00:55:21,960 --> 00:55:25,200
Speaker 3: a music video for because it's just so visual and

1230
00:55:25,320 --> 00:55:26,880
Speaker 3: also just like so infectious.

1231
00:55:27,080 --> 00:55:29,000
Speaker 6: I love it. And I want to talk about your

1232
00:55:29,040 --> 00:55:32,360
Speaker 6: Easter eggs. Like so many of your fans, you know,

1233
00:55:32,480 --> 00:55:35,719
Speaker 6: hear these Easter eggs or see these Easter eggs. Are

1234
00:55:35,719 --> 00:55:40,000
Speaker 6: they really always there? Or is there times where you go, yeah,

1235
00:55:40,080 --> 00:55:42,479
Speaker 6: that's not really a hint, that's not really an Easter egg.

1236
00:55:43,920 --> 00:55:44,160
Speaker 18: Yeah.

1237
00:55:44,160 --> 00:55:48,040
Speaker 3: There are definitely some theories that are based in absolutely

1238
00:55:48,160 --> 00:55:52,520
Speaker 3: nothing close to reality, but you know what, like there

1239
00:55:52,520 --> 00:55:56,719
Speaker 3: are some that are so fun when they figure about

1240
00:55:56,840 --> 00:56:00,759
Speaker 3: Like like just yesterday, somebody figured out that if you

1241
00:56:00,840 --> 00:56:03,400
Speaker 3: line up the titles of all the tracks of this

1242
00:56:03,520 --> 00:56:06,040
Speaker 3: album in order and you line them up in the

1243
00:56:06,080 --> 00:56:11,080
Speaker 3: center of the frame, the shape of the track list

1244
00:56:11,239 --> 00:56:14,560
Speaker 3: makes the same shape as the era's tour stage.

1245
00:56:15,680 --> 00:56:16,000
Speaker 6: Wow.

1246
00:56:16,120 --> 00:56:19,000
Speaker 3: So that was a real one. That was one that

1247
00:56:19,040 --> 00:56:21,200
Speaker 3: it took a while for them to discover and then

1248
00:56:21,280 --> 00:56:23,400
Speaker 3: finally they figured it out and it was really fun.

1249
00:56:23,680 --> 00:56:28,200
Speaker 3: But then there's somewhere like people thought that somehow sourdough

1250
00:56:28,280 --> 00:56:30,560
Speaker 3: bread was a part of the whole thing, when actually

1251
00:56:30,960 --> 00:56:32,240
Speaker 3: that's I bake.

1252
00:56:32,480 --> 00:56:33,240
Speaker 18: I love baking.

1253
00:56:33,360 --> 00:56:35,400
Speaker 23: It's completely aside.

1254
00:56:34,960 --> 00:56:36,760
Speaker 18: From my music. It's just a hobby.

1255
00:56:36,760 --> 00:56:37,520
Speaker 3: I'm obsess to it.

1256
00:56:37,719 --> 00:56:40,040
Speaker 2: There's a track on this album about sourdough. I know

1257
00:56:40,080 --> 00:56:40,440
Speaker 2: there is.

1258
00:56:41,680 --> 00:56:46,000
Speaker 3: I know there's not, there's not. But yeah, it's been

1259
00:56:46,040 --> 00:56:49,120
Speaker 3: really funny to like to have people care.

1260
00:56:48,960 --> 00:56:50,080
Speaker 18: That much, you know, because.

1261
00:56:50,000 --> 00:56:54,160
Speaker 3: Ultimately easter Heads are always leading towards more art. They're

1262
00:56:54,239 --> 00:56:57,880
Speaker 3: leading toward lyrics or art that's coming in the future.

1263
00:56:58,640 --> 00:57:00,279
Speaker 3: So I wouldn't be able to do that if the fans

1264
00:57:00,320 --> 00:57:03,400
Speaker 3: didn't care so much about the music itself, which I'm

1265
00:57:03,480 --> 00:57:04,120
Speaker 3: very honored by.

1266
00:57:04,640 --> 00:57:07,360
Speaker 11: So we always say that your albums are really like

1267
00:57:07,400 --> 00:57:09,239
Speaker 11: a diary and then you just open it up and

1268
00:57:09,280 --> 00:57:11,239
Speaker 11: you share your diary with the world. And you've done

1269
00:57:11,239 --> 00:57:14,719
Speaker 11: this twelve times, so twelve different diaries. But in doing it,

1270
00:57:14,880 --> 00:57:16,959
Speaker 11: are there lyrics that you can think of right now

1271
00:57:17,000 --> 00:57:19,720
Speaker 11: that were just incredibly difficult for you to write and

1272
00:57:19,760 --> 00:57:21,280
Speaker 11: then open up and share with people.

1273
00:57:23,280 --> 00:57:27,440
Speaker 3: Not really, I don't really operate that way, Like my

1274
00:57:27,640 --> 00:57:30,320
Speaker 3: music is a way of like it's the part of Critharsis,

1275
00:57:30,480 --> 00:57:32,320
Speaker 3: Like there will be times where I'll write the most

1276
00:57:32,400 --> 00:57:36,360
Speaker 3: gut wrenching so on the torment and heartbreak, and then

1277
00:57:36,480 --> 00:57:39,040
Speaker 3: as soon as I'm done writing it, I'm done with

1278
00:57:39,080 --> 00:57:41,760
Speaker 3: that emotion. Like it's almost been a way of just

1279
00:57:41,760 --> 00:57:43,800
Speaker 3: sort of like you say the thing.

1280
00:57:43,720 --> 00:57:45,360
Speaker 18: And then you can move on from the thing.

1281
00:57:47,360 --> 00:57:50,520
Speaker 3: But I just have like kind of learned as kind

1282
00:57:50,560 --> 00:57:53,360
Speaker 3: that's gone by to sort of deal with writing in

1283
00:57:53,440 --> 00:57:57,520
Speaker 3: terms of from the character or story, arts or fiction

1284
00:57:57,840 --> 00:58:00,720
Speaker 3: or in this record, like there's a song called Elizabeth.

1285
00:58:00,400 --> 00:58:03,080
Speaker 23: Taylor, which is sort of like my emotions and.

1286
00:58:03,000 --> 00:58:06,360
Speaker 3: My issues with same through the lens of cause playing

1287
00:58:06,480 --> 00:58:08,040
Speaker 3: the life of Elizabeth.

1288
00:58:07,560 --> 00:58:10,760
Speaker 23: Taylor, so you kind of meld the two experiences.

1289
00:58:10,160 --> 00:58:13,000
Speaker 3: Together because she's always someone that I've looked up to

1290
00:58:13,160 --> 00:58:17,760
Speaker 3: as being this very very glamorous, very beloved, but for

1291
00:58:17,800 --> 00:58:20,520
Speaker 3: some reason a polarizing figure, which I've found myself in

1292
00:58:20,560 --> 00:58:21,200
Speaker 3: that place too.

1293
00:58:21,840 --> 00:58:24,840
Speaker 23: So it's been really fun, right, Yeah, I love writing.

1294
00:58:24,840 --> 00:58:28,200
Speaker 2: Well Elizabeth Taylor. Elizabeth Taylor. I've always been a massive

1295
00:58:28,240 --> 00:58:30,000
Speaker 2: fan because I guess it's the you know, the old

1296
00:58:30,000 --> 00:58:34,520
Speaker 2: gay thing. But uh, I mean, she would just navigate

1297
00:58:34,560 --> 00:58:36,560
Speaker 2: through life just looking flawless at all times. But you know,

1298
00:58:36,600 --> 00:58:38,200
Speaker 2: as soon as the door closed, she was throwing.

1299
00:58:38,200 --> 00:58:38,880
Speaker 18: She was funny.

1300
00:58:39,080 --> 00:58:40,840
Speaker 2: She was hilarious, but she was funny.

1301
00:58:41,200 --> 00:58:44,600
Speaker 3: And I think she's just a fabulous role model and

1302
00:58:44,680 --> 00:58:46,720
Speaker 3: like person that I hope my fans will look her

1303
00:58:46,800 --> 00:58:50,160
Speaker 3: up and see how much she went through and how

1304
00:58:50,200 --> 00:58:53,520
Speaker 3: she was making her best art, like even at the

1305
00:58:53,560 --> 00:58:57,840
Speaker 3: midst of people's outrage over something in her life, like

1306
00:58:58,280 --> 00:59:01,320
Speaker 3: she continued being the top of her game in terms

1307
00:59:01,400 --> 00:59:02,760
Speaker 3: of her artistic output.

1308
00:59:03,160 --> 00:59:04,920
Speaker 2: Well good. I mean, a whole new audience needs to

1309
00:59:05,000 --> 00:59:07,040
Speaker 2: learn a lot more about Elizabeth Taylor. And so I

1310
00:59:07,080 --> 00:59:08,320
Speaker 2: was listening to the song, I was thinking, this is

1311
00:59:08,320 --> 00:59:10,920
Speaker 2: definitely an homage to her, but it's actually an homage

1312
00:59:10,920 --> 00:59:13,320
Speaker 2: to yourself as well, and I love that. And also

1313
00:59:13,520 --> 00:59:17,320
Speaker 2: opal light talking the experiences talk about opal Light. Is

1314
00:59:17,600 --> 00:59:19,160
Speaker 2: that Is that the one that has the lyric It's

1315
00:59:19,200 --> 00:59:21,920
Speaker 2: my favorite lyric on the album. You're dancing through the

1316
00:59:22,000 --> 00:59:24,280
Speaker 2: Lightning strikes? Is that that's from the song?

1317
00:59:24,440 --> 00:59:29,080
Speaker 3: Yeah, I'm glad you liked that one. That's one of

1318
00:59:29,080 --> 00:59:29,919
Speaker 3: my favorite.

1319
00:59:29,560 --> 00:59:30,360
Speaker 23: Songs on the record.

1320
00:59:31,080 --> 00:59:33,360
Speaker 2: But you can actually see choreography, you can see someone

1321
00:59:33,440 --> 00:59:36,960
Speaker 2: dancing through the lightning strikes. What a powerful line that is.

1322
00:59:37,760 --> 00:59:40,880
Speaker 2: Love that And also it's about it's about.

1323
00:59:40,720 --> 00:59:43,959
Speaker 3: Choosing happiness in your own life. You know, like Opal

1324
00:59:44,080 --> 00:59:46,680
Speaker 3: Light isn't is a man made opal It's just like

1325
00:59:46,760 --> 00:59:50,000
Speaker 3: you know how they have man made diamonds now like,

1326
00:59:50,400 --> 00:59:54,800
Speaker 3: and so I love that sort of reference and metaphor.

1327
00:59:54,440 --> 00:59:57,440
Speaker 23: Between making your own.

1328
00:59:58,000 --> 01:00:02,360
Speaker 3: Like gemstone and then manufacturing your own happiness even when

1329
01:00:02,360 --> 01:00:03,360
Speaker 3: things aren't going your way.

1330
01:00:04,160 --> 01:00:07,480
Speaker 2: Also, if you're a size queen, Father Figure is an

1331
01:00:07,520 --> 01:00:08,400
Speaker 2: ice selection.

1332
01:00:10,400 --> 01:00:15,400
Speaker 23: Of father figures a great I love that one. I

1333
01:00:15,440 --> 01:00:16,240
Speaker 23: love that one.

1334
01:00:16,720 --> 01:00:18,280
Speaker 2: No one's going to ask you who that's about, but

1335
01:00:18,320 --> 01:00:20,760
Speaker 2: it's sure is applaicable to all of our lives.

1336
01:00:21,200 --> 01:00:23,960
Speaker 3: It's a song, it's a song about power, and it's

1337
01:00:24,000 --> 01:00:26,720
Speaker 3: a it's got a really good metaphor about the way

1338
01:00:26,760 --> 01:00:30,040
Speaker 3: that men move through the world. In a sense of power,

1339
01:00:30,040 --> 01:00:32,640
Speaker 3: and it's kind of like you kind of can't tell

1340
01:00:32,680 --> 01:00:35,600
Speaker 3: if I'm singing from the perspective of the engenou or

1341
01:00:36,560 --> 01:00:40,800
Speaker 3: of the father figure mentor character, and that's by design.

1342
01:00:41,280 --> 01:00:42,800
Speaker 2: Wow, awesome, you know.

1343
01:00:43,120 --> 01:00:43,560
Speaker 7: Go ahead.

1344
01:00:44,240 --> 01:00:47,160
Speaker 11: You mentioned earlier you just talked about making your own happiness,

1345
01:00:47,160 --> 01:00:48,960
Speaker 11: and when we started this call, you said that you're

1346
01:00:48,960 --> 01:00:50,800
Speaker 11: feeling uncomplicated joy.

1347
01:00:51,480 --> 01:00:53,560
Speaker 4: What to you is complicated joy?

1348
01:00:53,640 --> 01:00:55,760
Speaker 11: Because that made me really think about, huh, what does

1349
01:00:55,800 --> 01:00:56,080
Speaker 11: that mean?

1350
01:00:56,120 --> 01:00:56,920
Speaker 2: I think I want some of that.

1351
01:00:58,600 --> 01:01:01,600
Speaker 3: That's a good question. Complicated joy around a record release

1352
01:01:01,760 --> 01:01:04,640
Speaker 3: is when you wrote the album a year ago, when

1353
01:01:04,640 --> 01:01:07,920
Speaker 3: you were in a very different place emotionally than you are.

1354
01:01:07,880 --> 01:01:08,440
Speaker 18: When you wrote it.

1355
01:01:08,520 --> 01:01:10,560
Speaker 3: Let's say you wrote a heartbreak album and now you're

1356
01:01:10,680 --> 01:01:13,400
Speaker 3: very happy, or let's say you wrote a happy album

1357
01:01:13,400 --> 01:01:17,120
Speaker 3: and now you're very heartbroken, like or any kind of

1358
01:01:17,240 --> 01:01:19,280
Speaker 3: variation on that. When you feel that you're in a

1359
01:01:19,320 --> 01:01:22,920
Speaker 3: different place and now you're putting out art that you're

1360
01:01:22,920 --> 01:01:27,240
Speaker 3: proud of but you don't relate to anymore. I really

1361
01:01:27,240 --> 01:01:29,000
Speaker 3: related to this record because I'm in the same exact

1362
01:01:29,000 --> 01:01:30,400
Speaker 3: place as I was when I wrote it.

1363
01:01:31,000 --> 01:01:31,480
Speaker 6: I love that.

1364
01:01:31,520 --> 01:01:31,800
Speaker 17: Wow.

1365
01:01:32,000 --> 01:01:34,160
Speaker 2: We're about to play the Fate of Ophelia, the one

1366
01:01:34,160 --> 01:01:37,960
Speaker 2: that makes people in the rim crass. But first, before

1367
01:01:38,120 --> 01:01:40,360
Speaker 2: you have one more second to talk about life of

1368
01:01:40,400 --> 01:01:43,480
Speaker 2: a Showgirl. I mean this this track, I'm trying to

1369
01:01:43,560 --> 01:01:47,560
Speaker 2: figure out where it's from. I mean, it's is it

1370
01:01:47,600 --> 01:01:49,440
Speaker 2: is it so simple? It is exactly what it is.

1371
01:01:49,520 --> 01:01:51,840
Speaker 2: You out there on the road doing your thing. Talk

1372
01:01:51,840 --> 01:01:52,480
Speaker 2: to me about that.

1373
01:01:53,280 --> 01:01:54,919
Speaker 3: The song the Life of a show Girls, the song

1374
01:01:55,000 --> 01:01:59,560
Speaker 3: that I did with Sabrina Carpenter, because it's about it's

1375
01:01:59,560 --> 01:02:03,960
Speaker 3: a story about meeting one of your idols and telling

1376
01:02:04,000 --> 01:02:05,480
Speaker 3: them you want to do this too, you want to

1377
01:02:05,480 --> 01:02:09,200
Speaker 3: follow those footsteps. And I think a lot of people

1378
01:02:09,240 --> 01:02:12,480
Speaker 3: in the entertainment industry have had this happen. Your idol

1379
01:02:12,680 --> 01:02:15,880
Speaker 3: warns you not to do it, not to follow in

1380
01:02:15,920 --> 01:02:19,560
Speaker 3: their footsteps because of how hard this industry is. And

1381
01:02:19,600 --> 01:02:23,000
Speaker 3: it's about taking that advice and completely disregarding it and

1382
01:02:23,040 --> 01:02:23,800
Speaker 3: doing it anyway.

1383
01:02:25,240 --> 01:02:26,960
Speaker 23: And I wanted the brain it to be the person who.

1384
01:02:26,800 --> 01:02:28,680
Speaker 3: Did a duet with me on it, because I just

1385
01:02:28,680 --> 01:02:32,440
Speaker 3: think she's so smartd and like cut out for this

1386
01:02:33,240 --> 01:02:35,320
Speaker 3: job if you want to call it a job, it's

1387
01:02:35,360 --> 01:02:39,240
Speaker 3: really a all encompassing life path.

1388
01:02:39,480 --> 01:02:40,640
Speaker 18: And I think she's like.

1389
01:02:42,280 --> 01:02:45,960
Speaker 3: Just so brilliant and tough in a way. She's very

1390
01:02:46,000 --> 01:02:48,439
Speaker 3: sensitive in terms of being an artist, which she can

1391
01:02:48,480 --> 01:02:51,840
Speaker 3: handle herself. So I just thought that she would be

1392
01:02:51,920 --> 01:02:54,760
Speaker 3: kind of a great person to collaborate with on that

1393
01:02:54,800 --> 01:02:57,080
Speaker 3: song in particular. And it's the last song on the record,

1394
01:02:57,080 --> 01:03:00,400
Speaker 3: so it really ends out the story of the album.

1395
01:03:00,520 --> 01:03:02,280
Speaker 6: This is what you do, Elvis. If someone wants to

1396
01:03:02,280 --> 01:03:03,800
Speaker 6: be in radio, you tell him run the.

1397
01:03:03,720 --> 01:03:06,880
Speaker 2: Other run, run for your life. Live to tell others

1398
01:03:06,920 --> 01:03:10,000
Speaker 2: the life of a showgirl. It's out today. There's so

1399
01:03:10,040 --> 01:03:12,840
Speaker 2: many great stories and you were the best storyteller. Let

1400
01:03:12,920 --> 01:03:15,480
Speaker 2: me give you the fatal ophilia. Congratulations Taylor, thanks for

1401
01:03:15,520 --> 01:03:16,400
Speaker 2: being on with us today.

1402
01:03:16,760 --> 01:03:19,080
Speaker 23: Thank you so much, Thanks for listening to music.

1403
01:03:19,120 --> 01:03:20,360
Speaker 3: And I hope you guys have a great today.

1404
01:03:20,760 --> 01:03:21,680
Speaker 2: You too. Take care.

1405
01:03:22,920 --> 01:03:32,400
Speaker 17: You saved my heart from the fate of Oh.

1406
01:03:29,400 --> 01:03:30,520
Speaker 2: Hey, Spassy Boone Joe.

1407
01:03:30,600 --> 01:03:31,160
Speaker 1: What's going on?

1408
01:03:31,200 --> 01:03:32,280
Speaker 2: This is Tracy track and.

1409
01:03:32,400 --> 01:03:35,000
Speaker 6: Is Stemmi Lavara with Elvis Duran in the Morning Show.

1410
01:03:36,520 --> 01:03:39,400
Speaker 2: Never Forget. Join the Tunnel to Towers Foundation on its

1411
01:03:39,400 --> 01:03:42,840
Speaker 2: mission to do good in honor of America's heroes. Donate

1412
01:03:42,880 --> 01:03:45,600
Speaker 2: eleven dollars a month at T two T dot org.

1413
01:03:45,800 --> 01:03:48,880
Speaker 2: That's t the number two t dot Org.

1414
01:03:54,800 --> 01:03:59,600
Speaker 4: The Action radio host. He Hello, and thanks for listening.

1415
01:04:00,120 --> 01:04:04,000
Speaker 1: Drivers Durana, the Morning Show listen to like every morning.

1416
01:04:04,000 --> 01:04:05,200
Speaker 4: I love listening to Elvin.

1417
01:04:05,800 --> 01:04:07,480
Speaker 14: It's just so great to move up.

1418
01:04:07,560 --> 01:04:10,520
Speaker 1: I want every single one of you scream ladies.

1419
01:04:13,000 --> 01:04:23,400
Speaker 5: Elvis, duran and the Morning Show.

1420
01:04:23,920 --> 01:04:26,440
Speaker 2: Wow, so many people are checking in that heard the

1421
01:04:26,480 --> 01:04:30,320
Speaker 2: conversation with Taylor Swift. Hey, apologies for that bad phone line.

1422
01:04:30,440 --> 01:04:33,640
Speaker 2: This is one of those things tone lines happening present

1423
01:04:33,720 --> 01:04:36,440
Speaker 2: to us here in the year twenty twenty five. She

1424
01:04:36,560 --> 01:04:39,760
Speaker 2: was not on another planet. She was actually somewhere, traveling

1425
01:04:39,920 --> 01:04:44,080
Speaker 2: between England and here and there and everywhere. I wonder

1426
01:04:44,240 --> 01:04:48,480
Speaker 2: if Taylor Swift's passport is five hundred pages thick.

1427
01:04:48,960 --> 01:04:49,640
Speaker 6: Oh, I bet it is.

1428
01:04:49,800 --> 01:04:51,640
Speaker 2: For I mean, I mean, they only let you have

1429
01:04:51,680 --> 01:04:54,040
Speaker 2: so many pages in that thing. They let you get

1430
01:04:54,120 --> 01:04:57,040
Speaker 2: larger passports. But she's been going around the world for

1431
01:04:57,080 --> 01:05:00,640
Speaker 2: over two years. You know it at least when she's

1432
01:05:00,680 --> 01:05:02,960
Speaker 2: you know, in the EU. She you know, it's all

1433
01:05:03,000 --> 01:05:04,520
Speaker 2: in the EU. You don't have to you don't have

1434
01:05:04,520 --> 01:05:07,760
Speaker 2: to passport everywhere there. I don't think if you're between countries, right,

1435
01:05:07,840 --> 01:05:08,400
Speaker 2: I don't think so.

1436
01:05:08,720 --> 01:05:09,280
Speaker 1: I know.

1437
01:05:09,520 --> 01:05:09,880
Speaker 3: I don't know.

1438
01:05:10,000 --> 01:05:10,920
Speaker 2: I don't think so.

1439
01:05:10,920 --> 01:05:13,000
Speaker 11: So when I just did London and Portugal, I did,

1440
01:05:13,000 --> 01:05:15,120
Speaker 11: but I think that's because London left the EU.

1441
01:05:15,400 --> 01:05:17,760
Speaker 2: Yeah, London, I don't know, but I bet she has

1442
01:05:17,800 --> 01:05:19,280
Speaker 2: a big fat one, if you know what I'm saying.

1443
01:05:20,120 --> 01:05:23,200
Speaker 2: Passport Wise the album, a lot of people are still

1444
01:05:23,240 --> 01:05:25,320
Speaker 2: just now waking up and listening to some of the cuts.

1445
01:05:25,400 --> 01:05:27,640
Speaker 2: We're gonna hear a little sample of a few of

1446
01:05:27,640 --> 01:05:30,720
Speaker 2: them in a second with Sound and Garrett. Also yesterday

1447
01:05:30,960 --> 01:05:33,040
Speaker 2: there was a moment where I swear to god, Scary

1448
01:05:33,080 --> 01:05:34,880
Speaker 2: farted right on me. We'll get to that in the moment.

1449
01:05:35,800 --> 01:05:38,480
Speaker 2: It's a very busy day, very busy go how do

1450
01:05:38,520 --> 01:05:41,440
Speaker 2: we keep up with all of this? Hey? Any thoughts,

1451
01:05:43,080 --> 01:05:47,680
Speaker 2: debriefing anyway? After speaking with Taylor, any anything you want

1452
01:05:47,760 --> 01:05:49,880
Speaker 2: to talk about? What'd you get out of that? Anything good?

1453
01:05:50,720 --> 01:05:53,960
Speaker 11: I am very excited for the fans that are just

1454
01:05:54,000 --> 01:05:56,120
Speaker 11: so rabid and so into this. Like I was looking

1455
01:05:56,120 --> 01:05:58,160
Speaker 11: at some of the text messages and any conversation with

1456
01:05:58,200 --> 01:06:00,440
Speaker 11: her just seems like it moves them so much. There

1457
01:06:00,440 --> 01:06:03,240
Speaker 11: are tears. They're talking about mothers here, Oh my god.

1458
01:06:03,400 --> 01:06:05,520
Speaker 11: And that makes me happy. Other people's joy is nice.

1459
01:06:05,800 --> 01:06:07,440
Speaker 2: Yeah, very happy. What about you, Danielle.

1460
01:06:07,480 --> 01:06:10,320
Speaker 6: Yeah, And I like the fact that so many places

1461
01:06:10,520 --> 01:06:15,080
Speaker 6: embraced the album released, like just like the targets and

1462
01:06:15,160 --> 01:06:18,840
Speaker 6: like you know, then light shows in New York City

1463
01:06:18,880 --> 01:06:20,720
Speaker 6: and all over the place. Cleveland did a lot of

1464
01:06:20,720 --> 01:06:23,840
Speaker 6: special things. It's just nice. People were really people know

1465
01:06:23,960 --> 01:06:27,720
Speaker 6: how much the fans love her, and so they feed

1466
01:06:27,760 --> 01:06:30,440
Speaker 6: into it and they really do special things. And I

1467
01:06:30,520 --> 01:06:31,880
Speaker 6: think that's really nice.

1468
01:06:32,080 --> 01:06:35,320
Speaker 2: Well, you know, on that note, we're part of it too.

1469
01:06:35,360 --> 01:06:39,120
Speaker 2: I mean it seems to be a catching things. It's

1470
01:06:39,200 --> 01:06:41,520
Speaker 2: very very of the moment. It's a headline, and you know,

1471
01:06:41,560 --> 01:06:42,640
Speaker 2: I'm glad we could be a part of it.

1472
01:06:42,720 --> 01:06:42,919
Speaker 7: Yeah.

1473
01:06:42,960 --> 01:06:45,480
Speaker 11: Oh you know my favorite part of all this. We

1474
01:06:45,480 --> 01:06:47,680
Speaker 11: were the only station in North America to get her.

1475
01:06:48,360 --> 01:06:49,800
Speaker 11: Yay for us, Yay for us.

1476
01:06:50,240 --> 01:06:53,600
Speaker 2: There you go. It was on a mangled up phone line,

1477
01:06:53,640 --> 01:06:54,040
Speaker 2: but it worked.

1478
01:06:56,080 --> 01:06:58,080
Speaker 11: No, I know, like people were so excited that other

1479
01:06:58,200 --> 01:07:00,120
Speaker 11: radio stations have reached out to me to see if

1480
01:07:00,160 --> 01:07:02,120
Speaker 11: they can use pieces of the audio for their show

1481
01:07:02,160 --> 01:07:03,520
Speaker 11: because she only did our show.

1482
01:07:03,600 --> 01:07:07,000
Speaker 2: So well, from now on, if ever anyone runs that

1483
01:07:07,080 --> 01:07:09,480
Speaker 2: soundback on their shows, well no, it's ours, because it's

1484
01:07:10,280 --> 01:07:11,360
Speaker 2: got the phone lines on.

1485
01:07:12,600 --> 01:07:14,200
Speaker 11: I know Boston is going to do it, so I

1486
01:07:14,200 --> 01:07:15,840
Speaker 11: don't know who, if the other people will or not,

1487
01:07:15,920 --> 01:07:17,120
Speaker 11: but yeah, her famous.

1488
01:07:17,120 --> 01:07:19,800
Speaker 2: Guys, we're famous, I have to say, you know. The

1489
01:07:19,800 --> 01:07:23,000
Speaker 2: first question out of the shoot with her was asking her,

1490
01:07:23,040 --> 01:07:29,800
Speaker 2: how on earth do you create, produce, write, and prepare

1491
01:07:29,880 --> 01:07:32,960
Speaker 2: to release all of the visuals and everything that goes

1492
01:07:33,000 --> 01:07:36,400
Speaker 2: with an album while you're on tour, while you're going

1493
01:07:36,440 --> 01:07:42,080
Speaker 2: to football games in America, but touring across the globe,

1494
01:07:43,560 --> 01:07:45,800
Speaker 2: you know, and having a relationship that's all over the headlines,

1495
01:07:45,800 --> 01:07:47,960
Speaker 2: and you know, going out to dinner with friends. She

1496
01:07:48,160 --> 01:07:50,480
Speaker 2: at that same time did that, and she answered how

1497
01:07:50,480 --> 01:07:52,560
Speaker 2: she did it. She said it was the craziness of

1498
01:07:52,600 --> 01:07:56,480
Speaker 2: the tour that was making her all itchy, and so

1499
01:07:56,520 --> 01:07:59,960
Speaker 2: she needed this this outlet. She needed this artistic outlet

1500
01:08:00,920 --> 01:08:03,640
Speaker 2: to keep her on track. How many people do you

1501
01:08:03,680 --> 01:08:06,960
Speaker 2: know in your life that actually need more to stimulate

1502
01:08:07,000 --> 01:08:09,680
Speaker 2: them because they've had so much stimulation.

1503
01:08:10,600 --> 01:08:12,920
Speaker 11: Honestly, all of the really successful people I know are

1504
01:08:12,960 --> 01:08:13,200
Speaker 11: like that.

1505
01:08:13,560 --> 01:08:13,800
Speaker 2: Yeah.

1506
01:08:15,400 --> 01:08:15,680
Speaker 6: Yeah.

1507
01:08:15,880 --> 01:08:18,280
Speaker 11: I mean it's like they accomplished something huge and I'm

1508
01:08:18,280 --> 01:08:20,519
Speaker 11: clapping for them, like wow, that's huge, and they're already

1509
01:08:20,560 --> 01:08:21,479
Speaker 11: on to the next thing.

1510
01:08:22,680 --> 01:08:23,559
Speaker 6: They just keep raising the.

1511
01:08:23,560 --> 01:08:24,400
Speaker 4: Bar for themselves.

1512
01:08:24,760 --> 01:08:27,320
Speaker 2: And she mentioned twice, partially on her own and also

1513
01:08:27,360 --> 01:08:31,559
Speaker 2: aided by a question you asked, Gandhi, Well, what does

1514
01:08:31,560 --> 01:08:33,280
Speaker 2: that mean? You know what you just said? I think

1515
01:08:33,320 --> 01:08:35,880
Speaker 2: she said pleasant detachments? What was it?

1516
01:08:35,880 --> 01:08:36,840
Speaker 4: It was sated joy?

1517
01:08:37,439 --> 01:08:38,000
Speaker 7: Yeah, she is.

1518
01:08:38,080 --> 01:08:41,400
Speaker 2: She was experiencing uncomplicated joy with the release of this album.

1519
01:08:41,760 --> 01:08:44,160
Speaker 2: And she clearly said as I said twice in this interview,

1520
01:08:44,200 --> 01:08:46,400
Speaker 2: she alluded to the fact that she was on to

1521
01:08:46,520 --> 01:08:49,320
Speaker 2: something else. All the emotions and things that she was

1522
01:08:49,320 --> 01:08:52,240
Speaker 2: feeling when she wrote, produced and created all those songs

1523
01:08:52,640 --> 01:08:56,120
Speaker 2: is gone. It's done. Those are things that she was

1524
01:08:56,120 --> 01:09:00,720
Speaker 2: experiencing earlier and now done. And she said that was

1525
01:09:00,760 --> 01:09:04,120
Speaker 2: part of the cathartic evolution of the of the art

1526
01:09:04,200 --> 01:09:05,680
Speaker 2: form that she's experiencing.

1527
01:09:05,760 --> 01:09:09,880
Speaker 11: Right, wow, okay, yeah, she said a lot of times,

1528
01:09:09,920 --> 01:09:12,439
Speaker 11: like what complicates the joy is when she's written something,

1529
01:09:13,000 --> 01:09:15,120
Speaker 11: when it comes out, it's not aligned with how she's

1530
01:09:15,120 --> 01:09:16,880
Speaker 11: feeling at the moment. So it almost takes her back

1531
01:09:16,920 --> 01:09:18,720
Speaker 11: to a weird time or as with this because it

1532
01:09:18,760 --> 01:09:21,400
Speaker 11: happened so fast, she's still living in it, so feeling yeah,

1533
01:09:21,439 --> 01:09:23,000
Speaker 11: this stuff, so it's just a to happy.

1534
01:09:23,080 --> 01:09:25,000
Speaker 6: Yeah, that's kind of cool though, that when you're listening

1535
01:09:25,080 --> 01:09:28,080
Speaker 6: to this album, you realize that she still feels these

1536
01:09:28,120 --> 01:09:31,080
Speaker 6: feelings right now, that she's still going through how she

1537
01:09:31,160 --> 01:09:34,360
Speaker 6: feels with this. It's not like the past. It's just cool.

1538
01:09:35,520 --> 01:09:38,040
Speaker 2: Well yeah, but there's a lesson to be learned here.

1539
01:09:38,840 --> 01:09:41,519
Speaker 2: You go through something in your life and you find

1540
01:09:41,560 --> 01:09:43,519
Speaker 2: a way to deal with it. Her way is through

1541
01:09:43,520 --> 01:09:46,719
Speaker 2: her music, right, and then you move on. So therefore

1542
01:09:46,760 --> 01:09:49,120
Speaker 2: she's not going through it the same way she used to,

1543
01:09:49,640 --> 01:09:51,960
Speaker 2: and that's what the album did to save her, she said.

1544
01:09:53,040 --> 01:09:55,160
Speaker 2: She did confirm that Sourdough Brett had nothing to do

1545
01:09:55,200 --> 01:09:57,280
Speaker 2: with the super Bowl. I like that, yes, and so

1546
01:09:57,320 --> 01:10:01,280
Speaker 2: we can move on with that thought. So that said,

1547
01:10:01,400 --> 01:10:03,720
Speaker 2: Tato Swift. The album is out, people are listening to

1548
01:10:03,760 --> 01:10:05,320
Speaker 2: it letting it sink in. You should do it too.

1549
01:10:05,400 --> 01:10:06,640
Speaker 2: You should get in there, even if you're not a

1550
01:10:06,720 --> 01:10:08,120
Speaker 2: huge fan of hers. The Life of a show Girl

1551
01:10:08,160 --> 01:10:10,040
Speaker 2: could just be something that maybe even give a listen

1552
01:10:10,080 --> 01:10:12,040
Speaker 2: to this weekend. Let's go round the room. I want

1553
01:10:12,080 --> 01:10:13,720
Speaker 2: to see what's on your mind. And then we got

1554
01:10:13,720 --> 01:10:18,080
Speaker 2: some sound with Garrett Proof that Scary did flatulate low

1555
01:10:18,640 --> 01:10:23,879
Speaker 2: right on top of me. Flatulence, pure clapping flatulence. Nope,

1556
01:10:24,240 --> 01:10:27,120
Speaker 2: we'll start with you, scary. What's on your mind today?

1557
01:10:27,280 --> 01:10:28,880
Speaker 9: Now I know what it feels like to be a dog.

1558
01:10:30,240 --> 01:10:33,880
Speaker 9: My girlfriend's friend literally was wearing a sex leash to

1559
01:10:33,960 --> 01:10:38,400
Speaker 9: the third Alvenue festival in Bay Ridge on Sunday, and

1560
01:10:38,439 --> 01:10:40,080
Speaker 9: we were all there hanging out and they're.

1561
01:10:39,920 --> 01:10:42,000
Speaker 7: Like, come on, scary, try it on for size. Come on.

1562
01:10:42,280 --> 01:10:44,800
Speaker 7: And it does like a metal like leash and a chain.

1563
01:10:45,120 --> 01:10:47,480
Speaker 9: So they're like, I'm like, okay, So just for funzies,

1564
01:10:47,600 --> 01:10:49,759
Speaker 9: I put it around my neck and then my girlfriend

1565
01:10:49,920 --> 01:10:52,200
Speaker 9: like put it up really tight and she started pulling

1566
01:10:52,240 --> 01:10:54,679
Speaker 9: me with it, and I'm like, oh my god, is this.

1567
01:10:54,800 --> 01:10:56,680
Speaker 7: What our animals deal with?

1568
01:10:56,720 --> 01:10:57,120
Speaker 2: Every name?

1569
01:10:57,200 --> 01:10:57,479
Speaker 20: This is?

1570
01:10:57,800 --> 01:10:58,679
Speaker 7: This is crazy?

1571
01:10:58,880 --> 01:11:01,880
Speaker 2: Well you got in mind. Dogs are usually trained to

1572
01:11:01,920 --> 01:11:04,080
Speaker 2: walk on a leash better than being pulled around. Secondly,

1573
01:11:04,160 --> 01:11:07,719
Speaker 2: they're also at ankle level near the ground, and you weren't.

1574
01:11:07,760 --> 01:11:10,000
Speaker 2: You weren't. There's so now I no, no, maybe you're

1575
01:11:10,040 --> 01:11:11,559
Speaker 2: on your way to feeling like a dog, but you're

1576
01:11:11,680 --> 01:11:12,600
Speaker 2: You've got more work to do.

1577
01:11:12,800 --> 01:11:13,160
Speaker 7: Okay.

1578
01:11:13,360 --> 01:11:15,840
Speaker 9: I'm just saying I kind of got what it felt

1579
01:11:15,840 --> 01:11:17,519
Speaker 9: like wearing this sexy shit.

1580
01:11:17,560 --> 01:11:18,919
Speaker 11: Did you hump someone randomly?

1581
01:11:19,120 --> 01:11:19,200
Speaker 23: No?

1582
01:11:20,240 --> 01:11:23,880
Speaker 2: Fire hid though, oh, did you sniff crotches? See? I

1583
01:11:23,880 --> 01:11:25,400
Speaker 2: think it gives you license to do that and get

1584
01:11:25,400 --> 01:11:28,360
Speaker 2: away with you. All right, Danielle, what's up with you?

1585
01:11:28,640 --> 01:11:32,879
Speaker 6: I would like to apologize to Scotti's dog, Sawyer, because

1586
01:11:33,000 --> 01:11:35,880
Speaker 6: I wanted to play and Sawyer wanted to sleep in

1587
01:11:35,920 --> 01:11:38,800
Speaker 6: the other room. And I'm like, come on, Sawyer, play

1588
01:11:38,840 --> 01:11:41,679
Speaker 6: with me, wake up, wake up. It's like, really, lady, God,

1589
01:11:41,680 --> 01:11:43,720
Speaker 6: I really just want to sleep. But now I look

1590
01:11:43,800 --> 01:11:46,479
Speaker 6: like Sawyer. I'm wearing all black today and I am

1591
01:11:46,800 --> 01:11:48,960
Speaker 6: head to toe in so I'm good.

1592
01:11:50,479 --> 01:11:51,200
Speaker 2: He's a part of you.

1593
01:11:51,280 --> 01:11:53,040
Speaker 6: I like that taking him home with me to I'm

1594
01:11:53,040 --> 01:11:53,719
Speaker 6: a Sawyer sweater.

1595
01:11:54,439 --> 01:11:57,040
Speaker 2: I gotta be honest. I never ever feel guilty about

1596
01:11:57,080 --> 01:11:59,680
Speaker 2: waking my dogs up? What about you, guys? I mean no,

1597
01:11:59,720 --> 01:12:01,559
Speaker 2: they they got plenty of time to sleep.

1598
01:12:01,760 --> 01:12:01,960
Speaker 1: You know.

1599
01:12:02,120 --> 01:12:05,240
Speaker 2: They love loving from you no matter what. They would

1600
01:12:05,280 --> 01:12:06,960
Speaker 2: rather you wake them up and give them love than not.

1601
01:12:07,080 --> 01:12:07,920
Speaker 2: So you did the right thing.

1602
01:12:08,360 --> 01:12:09,120
Speaker 6: He's very cuddly.

1603
01:12:09,479 --> 01:12:10,400
Speaker 2: Hey, what's up, Froggy.

1604
01:12:10,800 --> 01:12:13,280
Speaker 12: I made a really embarrassing mistake yesterday. I was on

1605
01:12:13,320 --> 01:12:16,160
Speaker 12: the phone with a uh, somebody I work with out

1606
01:12:16,160 --> 01:12:18,559
Speaker 12: of Nashville, and I'm talking to him and I was

1607
01:12:18,600 --> 01:12:21,240
Speaker 12: looking at something on my phone from Lisa at the

1608
01:12:21,280 --> 01:12:23,080
Speaker 12: time while I was talking to this person, and I

1609
01:12:23,400 --> 01:12:25,360
Speaker 12: really wasn't paying attention, and it was time to hang up,

1610
01:12:25,800 --> 01:12:27,880
Speaker 12: and so we're saying goodbye, and I said all right,

1611
01:12:27,880 --> 01:12:30,040
Speaker 12: and I was remember I'm looking at something from Lisa,

1612
01:12:30,080 --> 01:12:31,800
Speaker 12: and I said, all right, love, you talk to you later.

1613
01:12:32,360 --> 01:12:34,400
Speaker 12: And I hung up and I called him back, like, dude,

1614
01:12:34,640 --> 01:12:36,920
Speaker 12: you did not hear that, he goes. I was wondering

1615
01:12:36,920 --> 01:12:40,640
Speaker 12: why you said that. My mind was my mind was

1616
01:12:40,720 --> 01:12:43,639
Speaker 12: somewhere else. And then I was trying to say goodbye

1617
01:12:43,680 --> 01:12:46,840
Speaker 12: to him, and I'm like, dude, this is my mind's

1618
01:12:46,840 --> 01:12:48,800
Speaker 12: in seventy two different directions. But yeah, i'd be called

1619
01:12:48,840 --> 01:12:49,960
Speaker 12: back and apologize.

1620
01:12:50,200 --> 01:12:52,040
Speaker 2: That's it. The break can only take so much. And

1621
01:12:52,080 --> 01:12:56,240
Speaker 2: you did, okay. I mean it's like, yeah, you do,

1622
01:12:56,600 --> 01:12:59,240
Speaker 2: you do? Maybe deep down you do. Hey, Gandhi, what's

1623
01:12:59,320 --> 01:12:59,920
Speaker 2: up with you today?

1624
01:13:00,080 --> 01:13:00,280
Speaker 3: Okay?

1625
01:13:00,320 --> 01:13:03,000
Speaker 11: So I know I talked about Jane Goodall yesterday because

1626
01:13:03,040 --> 01:13:05,240
Speaker 11: she was one of my favorite people. We lost her

1627
01:13:05,320 --> 01:13:07,680
Speaker 11: on Wednesday, and she just had so many quotes out there,

1628
01:13:07,720 --> 01:13:10,839
Speaker 11: and I found one that I wanted to share with everybody. Okay, says,

1629
01:13:11,760 --> 01:13:14,760
Speaker 11: whatever you do or don't do makes a difference, and

1630
01:13:14,840 --> 01:13:16,960
Speaker 11: you have to decide what kind of difference you want

1631
01:13:17,000 --> 01:13:17,280
Speaker 11: to make.

1632
01:13:17,680 --> 01:13:18,760
Speaker 4: And it really made me think.

1633
01:13:18,680 --> 01:13:21,400
Speaker 11: About that, because whether you choose to recycle or you

1634
01:13:21,439 --> 01:13:24,000
Speaker 11: don't choose to recycle, you are making an impact one

1635
01:13:24,000 --> 01:13:26,559
Speaker 11: way or another. So you might feel like doing nothing

1636
01:13:26,880 --> 01:13:29,120
Speaker 11: doesn't do anything, but in fact it does. So just

1637
01:13:29,160 --> 01:13:32,519
Speaker 11: make conscious choices about your actions when you're making them

1638
01:13:32,840 --> 01:13:33,960
Speaker 11: doing them, I should.

1639
01:13:33,680 --> 01:13:36,320
Speaker 2: Say, the more I read about her, and I've been

1640
01:13:36,479 --> 01:13:39,080
Speaker 2: studying Jane good good All for years, the more I

1641
01:13:39,080 --> 01:13:42,080
Speaker 2: read about her that I still learn from this most incredible,

1642
01:13:42,120 --> 01:13:44,880
Speaker 2: incredible force. What a wonderful woman. She's one of those

1643
01:13:44,880 --> 01:13:46,640
Speaker 2: people who, even though her body has passed away, she

1644
01:13:46,600 --> 01:13:49,000
Speaker 2: will live forever. Pretty cool for sure, and I totally

1645
01:13:49,040 --> 01:13:51,880
Speaker 2: get why so many people are enamored with her. Danielle,

1646
01:13:51,920 --> 01:13:56,720
Speaker 2: what's up? Or did you you did? I'm having them

1647
01:13:56,840 --> 01:14:00,960
Speaker 2: having a froggy moment. I love you, Producer Sandwich up

1648
01:14:00,960 --> 01:14:01,519
Speaker 2: with you to doing all right?

1649
01:14:01,520 --> 01:14:03,200
Speaker 13: There was a divide in my friend group yesterday, and

1650
01:14:03,240 --> 01:14:05,479
Speaker 13: I just want y'all's opinion. I know we talked about

1651
01:14:05,479 --> 01:14:08,040
Speaker 13: this on air a while ago. My friend woke up

1652
01:14:08,080 --> 01:14:11,400
Speaker 13: furious at her husband because he did something really messed

1653
01:14:11,439 --> 01:14:12,840
Speaker 13: up in her dream, and she.

1654
01:14:12,840 --> 01:14:13,559
Speaker 2: Came he did it.

1655
01:14:14,040 --> 01:14:15,760
Speaker 13: She came to the friend group and she's like, I'm

1656
01:14:15,800 --> 01:14:17,599
Speaker 13: allowed to be really pissed about the things he did

1657
01:14:17,640 --> 01:14:20,639
Speaker 13: in my dream, right, And my response was I really

1658
01:14:20,680 --> 01:14:21,840
Speaker 13: want to back you on this.

1659
01:14:22,000 --> 01:14:23,960
Speaker 4: I want to And then it caused a little bit

1660
01:14:23,960 --> 01:14:24,320
Speaker 4: of a fight.

1661
01:14:24,400 --> 01:14:26,519
Speaker 13: I put up a poll and fifty two percent of

1662
01:14:26,520 --> 01:14:29,200
Speaker 13: people on Instagram said, yes, you can be mad at

1663
01:14:29,200 --> 01:14:32,120
Speaker 13: your significant other for a dream. Okay, Gandhi is on

1664
01:14:32,200 --> 01:14:33,879
Speaker 13: my side.

1665
01:14:33,000 --> 01:14:36,439
Speaker 2: No she's not. Say you're not on her side for that.

1666
01:14:36,439 --> 01:14:37,000
Speaker 2: That's silly.

1667
01:14:37,200 --> 01:14:39,360
Speaker 11: No, you can't be mad at somebody for what they

1668
01:14:39,360 --> 01:14:41,519
Speaker 11: did in your dream. That was your brain attacking you.

1669
01:14:41,680 --> 01:14:43,880
Speaker 4: I agree, The masses don't agree.

1670
01:14:43,960 --> 01:14:45,920
Speaker 2: Oh I thought you said that Gandhi was on that

1671
01:14:45,960 --> 01:14:48,040
Speaker 2: side of saying you can be mad at No.

1672
01:14:47,840 --> 01:14:48,759
Speaker 6: She's on my side.

1673
01:14:48,800 --> 01:14:49,599
Speaker 4: I said that to her.

1674
01:14:49,640 --> 01:14:52,400
Speaker 13: I really want to validate your feelings. It's my favorite hobby,

1675
01:14:52,439 --> 01:14:53,479
Speaker 13: but I can't do that on this.

1676
01:14:53,600 --> 01:14:54,320
Speaker 4: I'm so sorry.

1677
01:14:54,560 --> 01:14:57,120
Speaker 6: So real though, Mackham for one second, and then you

1678
01:14:57,160 --> 01:14:59,280
Speaker 6: have oh, do not do that?

1679
01:14:59,479 --> 01:14:59,959
Speaker 3: No?

1680
01:15:00,120 --> 01:15:01,679
Speaker 2: Oh no, that's not reality.

1681
01:15:01,720 --> 01:15:04,000
Speaker 4: No, dude, I mean it feels nice that they care

1682
01:15:04,040 --> 01:15:06,080
Speaker 4: that your feelings were hurt. But that's like I feel

1683
01:15:06,080 --> 01:15:07,680
Speaker 4: like the extent of it, like if I had a

1684
01:15:07,680 --> 01:15:09,800
Speaker 4: really bad dream A William like you did this, He's like, oh,

1685
01:15:09,880 --> 01:15:11,960
Speaker 4: that's stinks. I'm sorry. Then that's good.

1686
01:15:12,040 --> 01:15:12,559
Speaker 2: That's enough.

1687
01:15:12,600 --> 01:15:14,920
Speaker 4: Don't be mad at them.

1688
01:15:15,439 --> 01:15:17,000
Speaker 2: Okay, there's your around the room. I think we got

1689
01:15:17,000 --> 01:15:20,040
Speaker 2: everyone in. We're good, We're good. Let's get some how

1690
01:15:20,040 --> 01:15:22,120
Speaker 2: about the headlines from you, Danielle. Then I have a

1691
01:15:22,120 --> 01:15:23,760
Speaker 2: few pieces of sound coming up. We'll start with you.

1692
01:15:23,800 --> 01:15:24,240
Speaker 2: What's going on?

1693
01:15:24,400 --> 01:15:27,640
Speaker 6: Yesterday in London, taylorswept tape the Graham Norton Show. It

1694
01:15:27,640 --> 01:15:29,960
Speaker 6: will be seen on BBC and BBC America and streamed

1695
01:15:30,000 --> 01:15:33,640
Speaker 6: on AMC Plus. This was her first of several promotional

1696
01:15:33,680 --> 01:15:35,519
Speaker 6: interviews for the Life of a show Girl. Of course,

1697
01:15:35,920 --> 01:15:38,679
Speaker 6: we're the only radio she did, so that was pretty exciting.

1698
01:15:38,800 --> 01:15:42,519
Speaker 6: And she was on the Graham Norton Show and they

1699
01:15:42,520 --> 01:15:45,120
Speaker 6: were talking, of course about her engagement to Travis Kelsey.

1700
01:15:45,560 --> 01:15:48,479
Speaker 6: They were talking about her baking. She actually brought him

1701
01:15:48,520 --> 01:15:50,760
Speaker 6: some sour dough bread, which was nice. You'll get to

1702
01:15:50,800 --> 01:15:53,639
Speaker 6: see all of this tonight and next week, Taylor, we'll

1703
01:15:53,680 --> 01:15:55,679
Speaker 6: have more stories to share. She'll be on the Tonight

1704
01:15:55,720 --> 01:15:57,840
Speaker 6: Show with our boy Jimmy Fallon, who, by the way,

1705
01:15:58,000 --> 01:15:59,840
Speaker 6: was cheering on the New York Yankees last night. I

1706
01:16:00,080 --> 01:16:02,920
Speaker 6: don't know if you saw him at Yankee Stadium's so cute,

1707
01:16:03,000 --> 01:16:07,080
Speaker 6: And she'll be also on with Late Night with Seth Myers. Today,

1708
01:16:07,439 --> 01:16:11,320
Speaker 6: Diddy will be sentenced in Manhattan Federal Court, so the

1709
01:16:11,400 --> 01:16:14,559
Speaker 6: judge could sentence him to a maximum of twenty years

1710
01:16:14,600 --> 01:16:18,400
Speaker 6: in federal prison. The defensive prosecution will state their case

1711
01:16:18,680 --> 01:16:21,040
Speaker 6: did He will also address the court before sentencing with

1712
01:16:21,080 --> 01:16:23,720
Speaker 6: the help of his legal team. Now, he submitted a

1713
01:16:23,800 --> 01:16:27,280
Speaker 6: four page letter to the judge that said, I humbly

1714
01:16:27,360 --> 01:16:29,360
Speaker 6: ask you for another chance to be a better father,

1715
01:16:29,479 --> 01:16:31,280
Speaker 6: to be a better son, to be a better leader

1716
01:16:31,280 --> 01:16:36,360
Speaker 6: in my community, and another chance to live a better life. Say, guests, yeah,

1717
01:16:36,439 --> 01:16:37,519
Speaker 6: we'll see what happens with that.

1718
01:16:37,680 --> 01:16:39,479
Speaker 11: Don't come out and try to lead the community now, yeah,

1719
01:16:39,520 --> 01:16:41,240
Speaker 11: heaves the community alone, exactly.

1720
01:16:41,520 --> 01:16:45,479
Speaker 6: Elon Musk became the first human with a net worth

1721
01:16:45,520 --> 01:16:50,839
Speaker 6: of five hundred billion dollars yesterday after Tesla stock climbed

1722
01:16:50,880 --> 01:16:54,920
Speaker 6: by around four percent. But easy come, easy go everybody,

1723
01:16:54,960 --> 01:16:58,240
Speaker 6: because his bank account eventually drop back down to oh

1724
01:16:58,640 --> 01:17:01,160
Speaker 6: just four hundred and eighty five eight billion, guys. I mean,

1725
01:17:01,200 --> 01:17:02,920
Speaker 6: good God, do it with that.

1726
01:17:03,000 --> 01:17:03,639
Speaker 2: That's a big loss.

1727
01:17:03,680 --> 01:17:06,479
Speaker 6: If you think about it, it's crazy. And if he

1728
01:17:06,520 --> 01:17:08,519
Speaker 6: doesn't do it sooner. He is also on track to

1729
01:17:08,600 --> 01:17:12,680
Speaker 6: become a trillionaire in twenty thirty three thanks to a

1730
01:17:12,760 --> 01:17:16,200
Speaker 6: pay package sheeese due from Tesla. That's insane and that's

1731
01:17:16,200 --> 01:17:17,040
Speaker 6: my Daniel report.

1732
01:17:17,439 --> 01:17:18,120
Speaker 2: That's fabulous.

1733
01:17:18,120 --> 01:17:18,400
Speaker 7: All right.

1734
01:17:18,400 --> 01:17:21,160
Speaker 2: A few pieces of sound from Garrett, Yes, a couple

1735
01:17:21,200 --> 01:17:24,000
Speaker 2: of songs, just a few. Let's look at two songs

1736
01:17:24,000 --> 01:17:25,960
Speaker 2: that people really aren't paying a lot of attention to

1737
01:17:26,240 --> 01:17:27,360
Speaker 2: from the Life of a show Girl.

1738
01:17:27,439 --> 01:17:29,599
Speaker 24: We'll start with Elizabeth Taylor. And it sounds like this

1739
01:17:30,320 --> 01:17:35,559
Speaker 24: love Elizabeth Taylor. I love this song, Taylor.

1740
01:17:37,479 --> 01:17:43,760
Speaker 2: It's Elizabeth Taylor. I loved Elizabeth Taylor. She was this

1741
01:17:44,120 --> 01:17:46,679
Speaker 2: a big part of my childhood, the glamorous, glamorous woman

1742
01:17:46,960 --> 01:17:49,519
Speaker 2: who would throw sharp objects when no one was watching.

1743
01:17:50,240 --> 01:17:52,519
Speaker 2: But that's okay, we love that. And what's the other one,

1744
01:17:52,760 --> 01:17:55,760
Speaker 2: father figure? Oh yeah, and there's a line in the

1745
01:17:55,800 --> 01:17:59,040
Speaker 2: album version that says, my schlong is bigger than yours.

1746
01:17:59,200 --> 01:18:01,200
Speaker 2: I don't she doesn't use the words long. It's edited

1747
01:18:01,280 --> 01:18:04,240
Speaker 2: out here. Yeah, But in the radio version, it's in

1748
01:18:04,320 --> 01:18:07,080
Speaker 2: the radio version. It's actually my paychecks bigger than you

1749
01:18:07,160 --> 01:18:17,719
Speaker 2: or something like that. Yes, exactly, Yeah, my things bigger

1750
01:18:17,720 --> 01:18:20,720
Speaker 2: than yours. All right now, just a couple of other cuts. Now,

1751
01:18:20,800 --> 01:18:22,280
Speaker 2: let's get to the scary story. Please.

1752
01:18:22,360 --> 01:18:24,760
Speaker 24: Yes, So yesterday, late in the show, we were having

1753
01:18:24,760 --> 01:18:28,439
Speaker 24: a conversation and a questionable sound happened while you were talking, Elvis,

1754
01:18:28,479 --> 01:18:29,600
Speaker 24: and you called scary out on it.

1755
01:18:29,680 --> 01:18:31,280
Speaker 2: It sounded like he was right next to me, next

1756
01:18:31,280 --> 01:18:33,760
Speaker 2: to my next to me. My microphone was okay, I

1757
01:18:33,800 --> 01:18:36,800
Speaker 2: will tell you this. If the thing did you fart?

1758
01:18:37,880 --> 01:18:39,519
Speaker 2: Did you hear that? Did you hear that?

1759
01:18:39,760 --> 01:18:40,360
Speaker 1: Give a little bit.

1760
01:18:40,439 --> 01:18:44,600
Speaker 2: It was like it was like, okay, okay, let me

1761
01:18:44,600 --> 01:18:47,040
Speaker 2: play it again. Hold on, okay, I will tell you this,

1762
01:18:47,840 --> 01:18:49,360
Speaker 2: if the thing did you fart?

1763
01:18:51,280 --> 01:18:53,799
Speaker 7: Oh wait, I think I did a raspberry with my mouth.

1764
01:18:54,479 --> 01:18:56,240
Speaker 2: No, okay, you didn't a raspberry.

1765
01:18:56,320 --> 01:18:58,240
Speaker 7: Good, that's what I did. That's what happened.

1766
01:18:58,360 --> 01:19:01,519
Speaker 2: You did a raspberry with your butt. I isolated the

1767
01:19:01,560 --> 01:19:07,360
Speaker 2: questionable part. Here's what it sounds like one more time.

1768
01:19:07,400 --> 01:19:09,800
Speaker 7: Here, I did not.

1769
01:19:10,000 --> 01:19:11,680
Speaker 9: I swear I didn't even have any food in me

1770
01:19:11,720 --> 01:19:12,800
Speaker 9: at that out.

1771
01:19:12,920 --> 01:19:14,720
Speaker 2: That's that's gross.

1772
01:19:17,080 --> 01:19:20,719
Speaker 7: I need some fuel and there was nothing.

1773
01:19:21,720 --> 01:19:25,360
Speaker 2: Okay, I'm so glad we're ending this segment with that conversation.

1774
01:19:25,840 --> 01:19:28,439
Speaker 6: And he's lying we had virgils yesterday, so he definite.

1775
01:19:29,600 --> 01:19:29,800
Speaker 1: God.

1776
01:19:29,880 --> 01:19:35,920
Speaker 7: Yeah, yeah, so appreciated and I love you guys.

1777
01:19:36,560 --> 01:19:38,200
Speaker 1: Tell mister Wrenn in the Morning show.

1778
01:19:38,680 --> 01:19:41,280
Speaker 2: Well, hold on, daddy, Big Daddy's got big news. Are

1779
01:19:41,280 --> 01:19:44,400
Speaker 2: you ready? The best five G network wants to bring

1780
01:19:44,479 --> 01:19:50,519
Speaker 2: you into a new world of better, better economy with

1781
01:19:50,640 --> 01:19:53,000
Speaker 2: your phone. Are you ready for this? Bring your AT

1782
01:19:53,160 --> 01:19:56,080
Speaker 2: and T or your T Mobile bill into Verizon. They'll

1783
01:19:56,080 --> 01:19:58,599
Speaker 2: give you a better deal. If you think Verizon's expensive,

1784
01:19:58,600 --> 01:20:00,360
Speaker 2: think again. I'll only just a Verizon and let you

1785
01:20:00,560 --> 01:20:03,559
Speaker 2: lock in your low price for three years. But everyone

1786
01:20:03,640 --> 01:20:05,720
Speaker 2: in your family can mix and match their plans with

1787
01:20:06,360 --> 01:20:09,479
Speaker 2: my plan. You've heard of Horizons my plan, you have it, Well,

1788
01:20:09,560 --> 01:20:12,080
Speaker 2: let me tell you more. They'll let everyone get the

1789
01:20:12,120 --> 01:20:14,240
Speaker 2: same great phone deals in your family when they trade

1790
01:20:14,280 --> 01:20:17,880
Speaker 2: in an eligible phone in any condition on my plan.

1791
01:20:18,360 --> 01:20:22,320
Speaker 2: Really the any condition. Have you have you seen Gandhi's phone? Yeah,

1792
01:20:22,360 --> 01:20:25,320
Speaker 2: they will take that phone. They will day, But I'm

1793
01:20:25,320 --> 01:20:28,800
Speaker 2: gonna go, Oh my god. That means new and existing customers,

1794
01:20:28,840 --> 01:20:31,600
Speaker 2: more reasons to save, more reasons to switch. So just

1795
01:20:31,640 --> 01:20:33,880
Speaker 2: take your AT and T or your T mobile bill

1796
01:20:33,960 --> 01:20:36,719
Speaker 2: to your local Verizon store. They'll give you a better deal.

1797
01:20:36,760 --> 01:20:39,160
Speaker 2: All right, let me read all this stuff. Rankings based

1798
01:20:39,200 --> 01:20:41,960
Speaker 2: on a root Metrics or root Score report dated first

1799
01:20:42,000 --> 01:20:45,240
Speaker 2: half twenty twenty five. Your results to me very must

1800
01:20:45,240 --> 01:20:50,800
Speaker 2: provide must provide a postpaid consumer mobile bill donated about

1801
01:20:50,880 --> 01:20:54,160
Speaker 2: I mean dated. This is the first commercial ever dated

1802
01:20:54,200 --> 01:20:56,800
Speaker 2: within the first forty five days. Bill must be in

1803
01:20:56,840 --> 01:21:00,559
Speaker 2: the same name as the person redeeming the deal. Three,

1804
01:21:01,040 --> 01:21:05,040
Speaker 2: don't try to scam that there you hold on, wait

1805
01:21:05,080 --> 01:21:08,920
Speaker 2: there's more. Three year price luck applies to then current

1806
01:21:09,040 --> 01:21:16,240
Speaker 2: based monthly rate. Additional terms apply to promotional offers. So there,

1807
01:21:16,280 --> 01:21:20,040
Speaker 2: I thought, that's it. You know, I'll give you a

1808
01:21:20,040 --> 01:21:21,280
Speaker 2: part two later. So hang out.

1809
01:21:21,680 --> 01:21:24,640
Speaker 16: Elis in the morning show.

1810
01:21:25,160 --> 01:21:28,120
Speaker 2: It's the weekend. Don't you dare step foot in a

1811
01:21:28,200 --> 01:21:31,840
Speaker 2: theater or stream anything until Juju Green tells you what

1812
01:21:31,920 --> 01:21:34,280
Speaker 2: to stream and what to watch. Hey, Juju Green, welcome

1813
01:21:34,320 --> 01:21:37,639
Speaker 2: to the weekend. How you feeling I'm feeling pretty good.

1814
01:21:37,760 --> 01:21:39,880
Speaker 20: A little under the weather, but you know what, man,

1815
01:21:39,920 --> 01:21:42,080
Speaker 20: I'm always feeling better when I got things to watch,

1816
01:21:42,280 --> 01:21:45,080
Speaker 20: and you know, everything's always fun when we have something

1817
01:21:45,080 --> 01:21:45,320
Speaker 20: to watch.

1818
01:21:45,520 --> 01:21:47,320
Speaker 2: Nothing better than just sitting on the couch, you and

1819
01:21:47,360 --> 01:21:54,040
Speaker 2: a box of Kleenex. Make sure you lock the door,

1820
01:21:54,439 --> 01:21:56,400
Speaker 2: all right, So let's start to theaters. What do you

1821
01:21:56,479 --> 01:21:58,439
Speaker 2: love in this week? Juju? All right?

1822
01:21:58,520 --> 01:22:00,679
Speaker 20: If you're not feeling like me, I got two things

1823
01:22:00,720 --> 01:22:03,000
Speaker 20: for you to watch. The first thing, it's actually a

1824
01:22:03,120 --> 01:22:06,000
Speaker 20: very very big thing. We have the Smashing Machine from

1825
01:22:06,000 --> 01:22:08,920
Speaker 20: a twenty four directed by Ben Safti and starting to

1826
01:22:08,920 --> 01:22:10,960
Speaker 20: wagne the Rock Johnson. I'm sure you guys have heard

1827
01:22:11,000 --> 01:22:13,840
Speaker 20: about it. It's Doayne the Rock Johnson in a role

1828
01:22:13,880 --> 01:22:16,520
Speaker 20: of a lifetime. It' says we've never seen him before.

1829
01:22:16,960 --> 01:22:19,320
Speaker 20: Usually we see the Rock he's very charismatic and it's

1830
01:22:19,320 --> 01:22:21,360
Speaker 20: almost like he's playing a version of himself. But here

1831
01:22:21,680 --> 01:22:24,719
Speaker 20: he's completely disappearing into a role for the first time ever.

1832
01:22:25,520 --> 01:22:27,960
Speaker 20: Rumor has it he got a twenty minute standing ovation

1833
01:22:28,520 --> 01:22:32,719
Speaker 20: at Tiff because of this performance. So this is something

1834
01:22:32,760 --> 01:22:36,479
Speaker 20: that he's probably gonna get a lot of awards consideration for.

1835
01:22:36,880 --> 01:22:38,760
Speaker 20: So I think it's something that we definitely should be

1836
01:22:38,840 --> 01:22:39,240
Speaker 20: checking out.

1837
01:22:39,400 --> 01:22:41,280
Speaker 2: You know, we love him, We've always loved him, but

1838
01:22:41,320 --> 01:22:44,400
Speaker 2: he's always been in more whimsical roles and fun roles

1839
01:22:44,439 --> 01:22:47,800
Speaker 2: and tough guy roles, but this one is totally it's

1840
01:22:47,800 --> 01:22:48,679
Speaker 2: a total departure.

1841
01:22:48,800 --> 01:22:49,960
Speaker 4: He looks totally different.

1842
01:22:50,000 --> 01:22:51,120
Speaker 11: I had to do a double take, like.

1843
01:22:51,200 --> 01:22:52,280
Speaker 7: It looks totally different.

1844
01:22:52,439 --> 01:22:55,120
Speaker 20: Yeah, and to see the Rock right like, as you know,

1845
01:22:55,200 --> 01:22:57,640
Speaker 20: we love the Rock and everything that he does, but

1846
01:22:57,680 --> 01:23:00,000
Speaker 20: we just see a different side of his acting talent

1847
01:23:00,120 --> 01:23:02,320
Speaker 20: and said, that's something that whenever you walk out of

1848
01:23:02,320 --> 01:23:04,320
Speaker 20: the movie, you go, we got to tell people to

1849
01:23:04,400 --> 01:23:06,280
Speaker 20: kind of like see this because how often do you

1850
01:23:06,320 --> 01:23:09,360
Speaker 20: get to see in real time a very popular actor

1851
01:23:09,400 --> 01:23:11,840
Speaker 20: making departure from what they're act like doing it all

1852
01:23:11,880 --> 01:23:12,200
Speaker 20: the time?

1853
01:23:12,280 --> 01:23:14,919
Speaker 2: Do you actually buy into this character? Does he achieve

1854
01:23:15,160 --> 01:23:17,559
Speaker 2: what do you set out to achieve? I think he

1855
01:23:17,760 --> 01:23:20,800
Speaker 2: more than sets out to achieve with this. What you know?

1856
01:23:20,840 --> 01:23:22,439
Speaker 20: I think like as soon as you saw the trailer,

1857
01:23:22,479 --> 01:23:25,000
Speaker 20: you know this was going to be something special. And

1858
01:23:25,400 --> 01:23:26,960
Speaker 20: when you walk out of this, you just want to

1859
01:23:26,960 --> 01:23:31,200
Speaker 20: see more roles like this that Dwayne takes on. And

1860
01:23:31,320 --> 01:23:33,120
Speaker 20: he's actually going to be doing this pretty soon in

1861
01:23:33,160 --> 01:23:35,439
Speaker 20: a Martin Scorsese movie of all things. So we know

1862
01:23:35,479 --> 01:23:38,000
Speaker 20: that Martin Scorsese knows that knows how to get the

1863
01:23:38,000 --> 01:23:39,400
Speaker 20: best performances out of his actors.

1864
01:23:39,439 --> 01:23:41,639
Speaker 2: So I think after you walk out of this movie.

1865
01:23:41,439 --> 01:23:43,360
Speaker 20: You're gonna want more, and you're gonna get more from

1866
01:23:43,400 --> 01:23:44,680
Speaker 20: Dwayne Johnson and rolls like this.

1867
01:23:44,840 --> 01:23:47,600
Speaker 2: All right, it's smashing machine Dwayne Johnson. He had the

1868
01:23:47,680 --> 01:23:50,879
Speaker 2: rock he ectomy and did you say.

1869
01:23:50,720 --> 01:23:53,000
Speaker 11: Ben Saftie is the person directing this.

1870
01:23:53,720 --> 01:23:54,040
Speaker 2: He is.

1871
01:23:54,560 --> 01:23:56,519
Speaker 11: That's the bad guy from Happy Gilmore too right.

1872
01:23:57,439 --> 01:24:01,040
Speaker 20: It is literally the doodoo bref guy from Happy to.

1873
01:24:02,960 --> 01:24:04,160
Speaker 6: Now Crazy.

1874
01:24:05,880 --> 01:24:08,200
Speaker 20: He's really good. He does acting. He's a great director.

1875
01:24:08,200 --> 01:24:10,840
Speaker 20: He's also directed to uncut Jones. It's it's crazy the

1876
01:24:10,960 --> 01:24:13,160
Speaker 20: range this man has in life.

1877
01:24:13,720 --> 01:24:14,040
Speaker 7: All right?

1878
01:24:14,080 --> 01:24:16,080
Speaker 2: What else you got? What I also have?

1879
01:24:16,360 --> 01:24:18,760
Speaker 20: Is actually a directorial debut from someone else that we

1880
01:24:18,800 --> 01:24:22,320
Speaker 20: all love. Scarlett Johansson makes her directorial debut with Eleanor

1881
01:24:22,439 --> 01:24:25,080
Speaker 20: the Greats, which is a movie from Sony Picture Classics,

1882
01:24:25,360 --> 01:24:28,160
Speaker 20: And it starts June Squib and I don't know if

1883
01:24:28,200 --> 01:24:30,599
Speaker 20: you guys are whatever was cent familiar with June Squib.

1884
01:24:30,640 --> 01:24:33,439
Speaker 20: She's ninety seven years old, I believe, and she's putting

1885
01:24:33,479 --> 01:24:36,080
Speaker 20: in one of the best performances of the year. It's

1886
01:24:36,120 --> 01:24:38,880
Speaker 20: about a older woman who has a best friend who

1887
01:24:38,920 --> 01:24:41,439
Speaker 20: passes away, and so she moves with her daughter to

1888
01:24:41,520 --> 01:24:45,040
Speaker 20: Manhattan and she's trying to adjust when she makes friends

1889
01:24:45,040 --> 01:24:47,519
Speaker 20: with a young journalist who wants to tell the story

1890
01:24:47,560 --> 01:24:50,800
Speaker 20: of her life because she is a Holocaust survivor. Now,

1891
01:24:50,840 --> 01:24:52,799
Speaker 20: there's a big twist in the movie that I won't spoil,

1892
01:24:52,880 --> 01:24:55,880
Speaker 20: but the fact that this is scarl Johnson's directorial debut

1893
01:24:55,920 --> 01:24:57,320
Speaker 20: is something that we all should keep an eye on.

1894
01:24:57,439 --> 01:24:59,920
Speaker 20: I watched the movie. There's a lot of moments that

1895
01:25:00,000 --> 01:25:02,799
Speaker 20: that will make me, that will make you cry because

1896
01:25:02,800 --> 01:25:05,400
Speaker 20: of the subject matter, because of the performances, and you know,

1897
01:25:05,439 --> 01:25:10,680
Speaker 20: Scart Johansson just really brings a very empathetic and a

1898
01:25:10,760 --> 01:25:14,559
Speaker 20: heartfelt view to this character, to the story, and it's

1899
01:25:14,600 --> 01:25:16,400
Speaker 20: it's just one of those films that I think we

1900
01:25:16,439 --> 01:25:17,880
Speaker 20: should be like looking at right now.

1901
01:25:17,960 --> 01:25:22,639
Speaker 2: What's the name of the film again, Eleanor the Great. Okay,

1902
01:25:22,680 --> 01:25:25,360
Speaker 2: so that's Scarlett Johanson directing, and of course starr Agan

1903
01:25:25,439 --> 01:25:28,360
Speaker 2: Eleanor the Great taking.

1904
01:25:28,120 --> 01:25:30,479
Speaker 20: Us all right, So we're going to streaming now, and

1905
01:25:30,520 --> 01:25:32,479
Speaker 20: as you guys know, it is spooky season that just

1906
01:25:32,520 --> 01:25:33,439
Speaker 20: started yesterday.

1907
01:25:33,479 --> 01:25:34,679
Speaker 2: We're now in October second.

1908
01:25:34,960 --> 01:25:36,840
Speaker 20: So if you watch something that will kind of like

1909
01:25:36,920 --> 01:25:39,000
Speaker 20: scare you, but something that's kind of like it. I

1910
01:25:39,040 --> 01:25:40,760
Speaker 20: don't want to call it an oldie, but goodie, it's

1911
01:25:40,760 --> 01:25:43,800
Speaker 20: still a fairly recent movie. I just rewatched it last

1912
01:25:43,880 --> 01:25:46,919
Speaker 20: night because he's on HBO Max the Stevin King adaptation,

1913
01:25:47,439 --> 01:25:50,320
Speaker 20: starring Bill scars Gar as Pittywise the Clown. This is

1914
01:25:50,360 --> 01:25:52,160
Speaker 20: a great movie, guys, like, I don't know what was

1915
01:25:52,160 --> 01:25:54,360
Speaker 20: the last time you revisited this movie, but it it's

1916
01:25:54,400 --> 01:25:57,320
Speaker 20: so freaking good. There's so much more than just the

1917
01:25:57,320 --> 01:25:58,280
Speaker 20: scares in this movie.

1918
01:25:58,479 --> 01:25:59,720
Speaker 7: You guys, remember that.

1919
01:26:01,720 --> 01:26:03,280
Speaker 6: I like spooky stuff, but clowns.

1920
01:26:04,040 --> 01:26:06,439
Speaker 2: That's all the more reasons why you should know watch

1921
01:26:06,439 --> 01:26:12,040
Speaker 2: it exactly, exactly, listen, definitely listen, face your fears.

1922
01:26:12,080 --> 01:26:14,400
Speaker 20: This is this is the time to face your fears. Plus,

1923
01:26:14,400 --> 01:26:16,599
Speaker 20: it's a great performance. Plus, I will say that even

1924
01:26:16,640 --> 01:26:19,400
Speaker 20: though it is spooky, it's still a great coming up

1925
01:26:19,439 --> 01:26:22,720
Speaker 20: age story. There was just beautiful moments of kids just

1926
01:26:22,760 --> 01:26:25,040
Speaker 20: like in a quarry, just playing like you know, just

1927
01:26:25,720 --> 01:26:28,240
Speaker 20: standing up for each other. There's also this really great

1928
01:26:28,280 --> 01:26:31,360
Speaker 20: moment where they make fun of new kids on the block,

1929
01:26:31,840 --> 01:26:33,720
Speaker 20: and any like horror film that makes fun of new

1930
01:26:33,760 --> 01:26:35,160
Speaker 20: kids on the block, I'm with it.

1931
01:26:36,439 --> 01:26:40,360
Speaker 6: Okay, Okay, then you see it.

1932
01:26:41,920 --> 01:26:44,120
Speaker 2: Yeah. Chapter one ed Chapter two why not make it

1933
01:26:44,120 --> 01:26:44,599
Speaker 2: a marathon?

1934
01:26:44,680 --> 01:26:46,160
Speaker 6: Oh yeah, why not? Don't sleep ever?

1935
01:26:47,000 --> 01:26:49,800
Speaker 20: Yeah yeah, who cares? Who cares about sleep? And then

1936
01:26:49,800 --> 01:26:51,680
Speaker 20: we can come back here at six thirty in the

1937
01:26:51,680 --> 01:26:52,720
Speaker 20: morning and talk about it.

1938
01:26:53,479 --> 01:26:54,759
Speaker 2: Do you have anything else for us today?

1939
01:26:55,760 --> 01:26:56,000
Speaker 17: Yes?

1940
01:26:56,479 --> 01:26:57,639
Speaker 2: This is a movie that I saw.

1941
01:26:58,080 --> 01:26:59,519
Speaker 20: I want to say it was a couple of months ago,

1942
01:26:59,560 --> 01:27:01,839
Speaker 20: but I think this is the first time it hits streaming.

1943
01:27:02,080 --> 01:27:05,000
Speaker 20: It's called The Surfer and it starts Nicholas Cage and

1944
01:27:05,320 --> 01:27:09,520
Speaker 20: it is a psychological thriller horror if you could categorize

1945
01:27:09,520 --> 01:27:13,599
Speaker 20: it as at but imagine a horror film primarily set

1946
01:27:13,880 --> 01:27:17,519
Speaker 20: on a beach in Australia during the day, right, And

1947
01:27:17,560 --> 01:27:21,000
Speaker 20: it's about this American man who moves to Australia and

1948
01:27:21,120 --> 01:27:24,320
Speaker 20: all he wants to do is go and surf. However,

1949
01:27:24,400 --> 01:27:27,519
Speaker 20: the locals are very much like part of this strong

1950
01:27:27,600 --> 01:27:31,200
Speaker 20: rule that the beach only should have locals only, so

1951
01:27:31,200 --> 01:27:34,120
Speaker 20: they do everything that they can to gas like this man,

1952
01:27:34,439 --> 01:27:37,880
Speaker 20: to mess with this man psychologically, physically, and it will

1953
01:27:37,880 --> 01:27:39,320
Speaker 20: make you feel like you're going crazy.

1954
01:27:39,360 --> 01:27:40,360
Speaker 2: It's a hell of a ride.

1955
01:27:40,439 --> 01:27:44,120
Speaker 20: The villains are absolutely insane, and Nicholas Cage just puts

1956
01:27:44,160 --> 01:27:46,400
Speaker 20: in one of those performances that just he's really good

1957
01:27:46,439 --> 01:27:48,599
Speaker 20: at playing like I have no idea what the hell

1958
01:27:48,680 --> 01:27:49,320
Speaker 20: is going on.

1959
01:27:51,520 --> 01:27:54,200
Speaker 2: In that frame when you watch the movie. So the

1960
01:27:54,240 --> 01:27:56,960
Speaker 2: Surfer is a good one, all right. So if you're

1961
01:27:56,960 --> 01:27:58,840
Speaker 2: gonna be streaming and screaming, if you want for the

1962
01:27:58,880 --> 01:28:03,040
Speaker 2: season all about clowns, Danielle, face your fears, Okay. Also

1963
01:28:04,080 --> 01:28:06,479
Speaker 2: the Surfer, I want to see that Nick Cage picked

1964
01:28:06,479 --> 01:28:08,439
Speaker 2: on on an Australian beach. I want to see some

1965
01:28:08,520 --> 01:28:08,720
Speaker 2: of that.

1966
01:28:08,920 --> 01:28:09,720
Speaker 6: Yeah.

1967
01:28:09,760 --> 01:28:11,960
Speaker 2: And of course the theaters you have Cashy Machine with

1968
01:28:12,040 --> 01:28:15,679
Speaker 2: Dwayne Johnson without the rock and eleanor the great Scott

1969
01:28:15,720 --> 01:28:18,760
Speaker 2: at Johansson directing in acting. And I'll say, Juju, the

1970
01:28:18,800 --> 01:28:22,600
Speaker 2: movie I'm waiting for is Frankenstein. I cannot wait to have.

1971
01:28:22,720 --> 01:28:26,320
Speaker 14: You wait to the red carpet this week. So next week, sorry,

1972
01:28:26,520 --> 01:28:29,240
Speaker 14: looks so beautiful. I cannot wait to see that. And

1973
01:28:29,240 --> 01:28:33,320
Speaker 14: one of my favorite stories of all absolutely absolutely uh

1974
01:28:33,520 --> 01:28:37,080
Speaker 14: Juju Green also known as Goofy all over TikTok and

1975
01:28:37,200 --> 01:28:38,080
Speaker 14: here and everywhere.

1976
01:28:38,120 --> 01:28:39,920
Speaker 2: Thank you so much, Juju. We appreciate it and have

1977
01:28:40,000 --> 01:28:40,719
Speaker 2: a great weekend.

1978
01:28:40,800 --> 01:28:42,960
Speaker 20: Thank you everybody, And watch get Wrecked with straw had

1979
01:28:42,960 --> 01:28:46,840
Speaker 20: Goofy here on iHeartRadio ever wondered.

1980
01:28:46,520 --> 01:28:47,280
Speaker 1: What we look like?

1981
01:28:47,920 --> 01:28:49,160
Speaker 22: Do you think I look in bred?

1982
01:28:49,400 --> 01:28:49,600
Speaker 3: I do?

1983
01:28:50,200 --> 01:28:54,120
Speaker 16: Follow us on Instagram at Elvis Durant Show Elvis duran

1984
01:28:54,200 --> 01:28:55,000
Speaker 16: in the Morning Show.

1985
01:28:55,760 --> 01:28:57,880
Speaker 2: The home You've worked so hard for is ready to

1986
01:28:57,920 --> 01:29:00,160
Speaker 2: work hard for you with a home equity loan from

1987
01:29:00,280 --> 01:29:02,679
Speaker 2: Rocket Mortgage. To learn how you can turn your home's

1988
01:29:02,680 --> 01:29:06,160
Speaker 2: equity into cash, visit Rocket mortgage dot com today.

1989
01:29:06,600 --> 01:29:09,639
Speaker 10: Rocket Mortgage LLC licensed in fifty states and MLS Consumer

1990
01:29:09,680 --> 01:29:12,760
Speaker 10: Access dot Org number thirty thirty.

1991
01:29:18,160 --> 01:29:20,559
Speaker 16: Fly from the Mercedes Fenz Interview Lounge.

1992
01:29:21,280 --> 01:29:23,360
Speaker 2: So unless you're living in a cave, and caves are

1993
01:29:23,360 --> 01:29:26,519
Speaker 2: great living by the way, The Life of the Showgirl

1994
01:29:26,560 --> 01:29:28,920
Speaker 2: Taylor Swift's album is back. We caught up with her

1995
01:29:28,960 --> 01:29:33,840
Speaker 2: on the road. She's on the phone, Taylor, Oh hi, Hello.

1996
01:29:34,520 --> 01:29:36,280
Speaker 2: Look who had time in the busiest day of the

1997
01:29:36,360 --> 01:29:41,240
Speaker 2: year to give us a phone Callay? How are you?

1998
01:29:42,479 --> 01:29:45,559
Speaker 3: I'm so good. I'm so excited for this record. I'm

1999
01:29:45,600 --> 01:29:48,360
Speaker 3: still very like uncomplicated.

2000
01:29:47,680 --> 01:29:48,320
Speaker 23: Joy about it.

2001
01:29:48,360 --> 01:29:50,679
Speaker 2: You know, well, I have to tell you I sat

2002
01:29:50,720 --> 01:29:53,840
Speaker 2: in a room full of adults and watch them cry

2003
01:29:54,120 --> 01:29:55,800
Speaker 2: while listening to some of these tracks. I want to

2004
01:29:55,800 --> 01:29:57,920
Speaker 2: go over these with you because I loved it too.

2005
01:29:58,000 --> 01:30:00,519
Speaker 2: Oh really, this is going to be something special when

2006
01:30:00,520 --> 01:30:02,120
Speaker 2: everyone gets a hold of it. And it looks like

2007
01:30:02,160 --> 01:30:03,639
Speaker 2: everyone is going to get a hold of it.

2008
01:30:05,240 --> 01:30:06,040
Speaker 3: I'm so happy.

2009
01:30:06,080 --> 01:30:07,120
Speaker 18: I'm really happy to hear that.

2010
01:30:07,160 --> 01:30:08,720
Speaker 23: It's so nice to have feedback from this.

2011
01:30:08,800 --> 01:30:10,920
Speaker 3: It's like it's been such a secret for such a

2012
01:30:10,920 --> 01:30:11,439
Speaker 3: long time.

2013
01:30:12,320 --> 01:30:15,760
Speaker 2: Let's talk about that. Tell me the story now, on

2014
01:30:16,040 --> 01:30:20,519
Speaker 2: the most crazy two year tour and you're going to

2015
01:30:20,520 --> 01:30:26,519
Speaker 2: football games and you're baking sourdough bread and you were writing,

2016
01:30:26,800 --> 01:30:31,479
Speaker 2: producing and recording an album at the same time, tell

2017
01:30:31,479 --> 01:30:33,720
Speaker 2: me the story of how that happened. It didn't drive

2018
01:30:33,720 --> 01:30:36,639
Speaker 2: you a little nuts, Well, it.

2019
01:30:36,640 --> 01:30:39,880
Speaker 3: Was actually kind of the opposite of going nuts, because

2020
01:30:39,880 --> 01:30:42,320
Speaker 3: I think if I hadn't started to create a process

2021
01:30:42,320 --> 01:30:44,840
Speaker 3: of making this album while I was on tour, I

2022
01:30:44,880 --> 01:30:50,040
Speaker 3: think I was way more exhausted than I was because,

2023
01:30:50,080 --> 01:30:51,960
Speaker 3: like this album.

2024
01:30:52,160 --> 01:30:56,600
Speaker 18: Started to happen in the European.

2025
01:30:56,200 --> 01:31:02,360
Speaker 3: Leg of the Eras tour, like last summer, and it

2026
01:31:02,400 --> 01:31:03,920
Speaker 3: was during a time in the tour I was so

2027
01:31:04,040 --> 01:31:05,679
Speaker 3: physically exhausted.

2028
01:31:06,600 --> 01:31:08,200
Speaker 23: That that like my feet.

2029
01:31:08,000 --> 01:31:10,679
Speaker 3: Were sore, my legs were sore, I hits, my neck,

2030
01:31:10,760 --> 01:31:12,040
Speaker 3: my back, everything was.

2031
01:31:12,040 --> 01:31:13,400
Speaker 18: Like in pain.

2032
01:31:13,520 --> 01:31:14,160
Speaker 3: All the time.

2033
01:31:15,600 --> 01:31:18,000
Speaker 23: And it was also like almost two years into the.

2034
01:31:17,920 --> 01:31:20,479
Speaker 3: Tour, so I was starting to get muscle memory. I

2035
01:31:20,520 --> 01:31:22,200
Speaker 3: was starting to be able to do the show without

2036
01:31:22,200 --> 01:31:25,240
Speaker 3: thinking about it. So I knew I needed to like

2037
01:31:25,280 --> 01:31:28,200
Speaker 3: stimulate my brain and my creativity and like figure out

2038
01:31:28,200 --> 01:31:31,320
Speaker 3: a way to like be excited every day. And so

2039
01:31:31,400 --> 01:31:34,759
Speaker 3: I would do three shows, I'd fly to Sweden and record,

2040
01:31:35,240 --> 01:31:37,320
Speaker 3: do three more shows, fly back to Sweden. And it

2041
01:31:37,360 --> 01:31:40,719
Speaker 3: was actually that stimulation of the creative process of making

2042
01:31:40,720 --> 01:31:43,920
Speaker 3: this record that made me finish out that tour without

2043
01:31:44,000 --> 01:31:46,599
Speaker 3: like without ever like hitting a wall.

2044
01:31:46,640 --> 01:31:48,840
Speaker 2: You know, look at Sweden stamps in that.

2045
01:31:51,600 --> 01:31:52,880
Speaker 18: Oh yeah, absolutely.

2046
01:31:53,600 --> 01:31:55,439
Speaker 2: I don't even know where to start here. I'll start

2047
01:31:55,479 --> 01:31:57,000
Speaker 2: with the crying in the Room and I'm going to

2048
01:31:57,040 --> 01:32:01,200
Speaker 2: play it in a minute. The Fate of Ophelia. Of course,

2049
01:32:01,840 --> 01:32:03,160
Speaker 2: add to the list of things you were doing. You're

2050
01:32:03,160 --> 01:32:05,559
Speaker 2: restudying Hamlet again, so we'll get that.

2051
01:32:06,439 --> 01:32:09,680
Speaker 18: But hey, you know, that story never leaves you.

2052
01:32:10,800 --> 01:32:13,920
Speaker 2: There's just something about the way the music sonically hits

2053
01:32:14,000 --> 01:32:16,080
Speaker 2: the words and it really kind of it grabs you

2054
01:32:16,160 --> 01:32:17,640
Speaker 2: by the heart. It's beautiful. We're gonna play that in

2055
01:32:17,720 --> 01:32:18,120
Speaker 2: just a second.

2056
01:32:18,200 --> 01:32:21,519
Speaker 3: Oh, I'm so happy you'd like that one. That one,

2057
01:32:21,680 --> 01:32:23,479
Speaker 3: just like as soon as we wrote it, I had

2058
01:32:23,520 --> 01:32:25,120
Speaker 3: a feeling it would be the one that we would

2059
01:32:25,160 --> 01:32:26,720
Speaker 3: go with first, and the one I'd get to make

2060
01:32:26,760 --> 01:32:30,000
Speaker 3: a music video for because it's just so visual and

2061
01:32:30,120 --> 01:32:31,640
Speaker 3: also just like so infectious.

2062
01:32:31,880 --> 01:32:33,800
Speaker 6: I love it, And I want to talk about your

2063
01:32:33,800 --> 01:32:37,160
Speaker 6: Easter eggs. Like so many of your fans, you know,

2064
01:32:37,240 --> 01:32:40,479
Speaker 6: hear these Easter eggs or see these Easter eggs. Are

2065
01:32:40,520 --> 01:32:44,799
Speaker 6: they really always there? Or is there times where you go, yeah,

2066
01:32:44,880 --> 01:32:47,240
Speaker 6: that's not really a hint, that's not really an Easter egg.

2067
01:32:48,720 --> 01:32:48,920
Speaker 18: Yeah.

2068
01:32:48,960 --> 01:32:52,840
Speaker 3: There are definitely some theories that are based in absolutely

2069
01:32:52,960 --> 01:32:57,280
Speaker 3: nothing close to reality, but you know what, like there

2070
01:32:57,320 --> 01:32:59,840
Speaker 3: are some that are so.

2071
01:33:00,280 --> 01:33:01,559
Speaker 18: Fun when they figure them out.

2072
01:33:01,600 --> 01:33:05,559
Speaker 3: Like like just yesterday, somebody figured out that if you

2073
01:33:05,600 --> 01:33:08,200
Speaker 3: line up the titles of all the tracks of this

2074
01:33:08,320 --> 01:33:10,840
Speaker 3: album in order and you line them up in the

2075
01:33:10,880 --> 01:33:15,840
Speaker 3: center of the frame, the shape of the track list

2076
01:33:16,000 --> 01:33:19,280
Speaker 3: makes the same shape as the era's tour stage.

2077
01:33:20,479 --> 01:33:20,799
Speaker 6: Wow.

2078
01:33:20,920 --> 01:33:23,760
Speaker 3: So that was a real one. That was one that

2079
01:33:23,800 --> 01:33:26,000
Speaker 3: it took a while for them to discover and then

2080
01:33:26,040 --> 01:33:28,200
Speaker 3: finally they figured it out and it was really fun.

2081
01:33:28,479 --> 01:33:32,759
Speaker 3: But then there's somewhere like people thought that somehow sour

2082
01:33:32,800 --> 01:33:34,960
Speaker 3: though bread was a part of the whole thing, when

2083
01:33:34,960 --> 01:33:37,040
Speaker 3: actually that's I bake.

2084
01:33:37,240 --> 01:33:38,040
Speaker 18: I love baking.

2085
01:33:38,160 --> 01:33:40,599
Speaker 23: It's completely aside from my music.

2086
01:33:40,640 --> 01:33:42,479
Speaker 3: It's just a hobby, IM obsess to it.

2087
01:33:42,520 --> 01:33:44,800
Speaker 2: There's a track on this album about sourdough. I know

2088
01:33:44,880 --> 01:33:48,680
Speaker 2: there is, I know there's not, there's not.

2089
01:33:50,080 --> 01:33:53,040
Speaker 3: But yeah, it's been really funny to like to have

2090
01:33:53,160 --> 01:33:55,840
Speaker 3: people care that much, you know, because ultimately Easter eggs

2091
01:33:55,880 --> 01:34:00,280
Speaker 3: are always leading towards more art. They're leading toward rics

2092
01:34:00,479 --> 01:34:04,120
Speaker 3: or art that's coming in the future. So I wouldn't

2093
01:34:04,120 --> 01:34:05,559
Speaker 3: be able to do that if the fans didn't care

2094
01:34:05,600 --> 01:34:08,880
Speaker 3: so much about the music itself, which I'm very honored by.

2095
01:34:09,439 --> 01:34:12,120
Speaker 11: So we always say that your albums are really like

2096
01:34:12,160 --> 01:34:14,040
Speaker 11: a diary, and then you just open it up and

2097
01:34:14,080 --> 01:34:16,000
Speaker 11: you share your diary with the world. And you've done

2098
01:34:16,040 --> 01:34:19,519
Speaker 11: this twelve times, so twelve different diaries. But in doing it,

2099
01:34:19,640 --> 01:34:21,719
Speaker 11: are there lyrics that you can think of right now

2100
01:34:21,760 --> 01:34:24,479
Speaker 11: that were just incredibly difficult for you to write and

2101
01:34:24,520 --> 01:34:26,040
Speaker 11: then open up and share with people.

2102
01:34:28,080 --> 01:34:32,200
Speaker 3: Not really, I don't really operate that way. Like my

2103
01:34:32,439 --> 01:34:35,240
Speaker 3: music is a way of like it's the art of catharsis,

2104
01:34:35,240 --> 01:34:37,120
Speaker 3: like there will be times where I'll write the most

2105
01:34:37,200 --> 01:34:41,160
Speaker 3: gut wrenching so on the torment and heartbreak, and then

2106
01:34:41,280 --> 01:34:43,840
Speaker 3: as soon as I'm done writing it, I'm done with

2107
01:34:43,840 --> 01:34:46,519
Speaker 3: that emotion. Like it's almost been a way of just

2108
01:34:46,560 --> 01:34:48,599
Speaker 3: sort of like you say the thing.

2109
01:34:48,520 --> 01:34:50,160
Speaker 18: And then you can move on from the thing.

2110
01:34:52,160 --> 01:34:55,439
Speaker 23: But I just have like kind of learned that's kind of.

2111
01:34:55,479 --> 01:34:58,479
Speaker 3: Gone by to sort of deal with writing in terms

2112
01:34:58,520 --> 01:35:02,800
Speaker 3: of from the character or story, arts or fiction or

2113
01:35:03,160 --> 01:35:05,439
Speaker 3: in this record, like there's a song called Elizabeth Taylor,

2114
01:35:05,479 --> 01:35:08,599
Speaker 3: which is sort of like my emotions and my issues

2115
01:35:08,640 --> 01:35:11,679
Speaker 3: with same through the lens of cause playing the life

2116
01:35:11,680 --> 01:35:14,240
Speaker 3: of Elizabeth Taylor, so you kind of meld the two

2117
01:35:14,360 --> 01:35:17,680
Speaker 3: experiences together because she's always someone that I've looked up

2118
01:35:17,720 --> 01:35:21,680
Speaker 3: to as being this very very glamorous, very beloved but

2119
01:35:22,400 --> 01:35:25,200
Speaker 3: for some reason a polarizing figure, which I've found myself

2120
01:35:25,240 --> 01:35:26,000
Speaker 3: in that place too.

2121
01:35:26,640 --> 01:35:29,640
Speaker 23: So it's been really fun, right, Yeah, I love writing.

2122
01:35:29,640 --> 01:35:33,000
Speaker 2: Well Elizabeth Taylor. Elizabeth Taylor. I've always been a massive

2123
01:35:33,000 --> 01:35:34,760
Speaker 2: fan because I guess it's the you know, the old

2124
01:35:34,800 --> 01:35:39,320
Speaker 2: gay thing, but uh, I mean she would just navigate

2125
01:35:39,360 --> 01:35:41,360
Speaker 2: through life just looking flawless at all times. But you know,

2126
01:35:41,400 --> 01:35:42,800
Speaker 2: as soon as the door closed, she was throwing.

2127
01:35:43,000 --> 01:35:43,639
Speaker 18: She was funny.

2128
01:35:43,880 --> 01:35:45,639
Speaker 2: She was hilarious, but she was funny.

2129
01:35:45,960 --> 01:35:49,400
Speaker 3: And I think she's just a fabulous role model and

2130
01:35:49,439 --> 01:35:51,519
Speaker 3: like person that I hope my fans will look her

2131
01:35:51,600 --> 01:35:54,960
Speaker 3: up and see how much she went through and how

2132
01:35:55,000 --> 01:35:58,320
Speaker 3: she was making her best art, like even at the

2133
01:35:58,360 --> 01:36:02,640
Speaker 3: midst of people's outrage over something in her life, like

2134
01:36:03,080 --> 01:36:05,800
Speaker 3: she continued being at the top of her game in

2135
01:36:05,880 --> 01:36:07,559
Speaker 3: terms of her artistic output.

2136
01:36:07,960 --> 01:36:09,720
Speaker 2: Well good. I mean, a whole new audience needs to

2137
01:36:09,760 --> 01:36:11,800
Speaker 2: learn a lot more about Elizabeth Taylor. And so I

2138
01:36:11,840 --> 01:36:13,120
Speaker 2: was listening to the song, I was thinking, this is

2139
01:36:13,120 --> 01:36:15,719
Speaker 2: definitely an homage to her, but it's actually an homage

2140
01:36:15,720 --> 01:36:18,120
Speaker 2: to yourself as well. And I love that. And also

2141
01:36:18,320 --> 01:36:21,720
Speaker 2: Oprah Light talk about the experiences, talk about opal Light.

2142
01:36:22,080 --> 01:36:23,720
Speaker 2: Is that is that the one that has the lyric

2143
01:36:23,800 --> 01:36:26,639
Speaker 2: It's my favorite lyric on the album. You're Dancing through

2144
01:36:26,640 --> 01:36:29,120
Speaker 2: the lightning strikes? Is that that's from that? The song?

2145
01:36:29,200 --> 01:36:33,800
Speaker 3: Yeah, I'm glad you liked that one. That's one of

2146
01:36:33,880 --> 01:36:35,160
Speaker 3: my favorite songs on the record.

2147
01:36:35,880 --> 01:36:38,160
Speaker 2: But you can actually see choreography. You can see someone

2148
01:36:38,240 --> 01:36:41,720
Speaker 2: dancing through the lightning strikes. What a powerful line that is.

2149
01:36:42,560 --> 01:36:44,639
Speaker 2: Love that and also it's.

2150
01:36:44,479 --> 01:36:47,559
Speaker 3: About it's about choosing happiness in your own life. You know,

2151
01:36:47,600 --> 01:36:51,120
Speaker 3: like opal light isn't is a man made opal. It's

2152
01:36:51,200 --> 01:36:54,320
Speaker 3: just like you know how they have man made diamonds

2153
01:36:54,320 --> 01:36:58,280
Speaker 3: now like, And so I love that sort of reference

2154
01:36:58,360 --> 01:37:04,719
Speaker 3: and metaphor between making your own like gemstone and then

2155
01:37:05,160 --> 01:37:08,160
Speaker 3: manufacturing your own happiness even when things aren't going your way.

2156
01:37:08,960 --> 01:37:12,320
Speaker 2: Also, if you're a size queen, father figure is an

2157
01:37:12,320 --> 01:37:13,120
Speaker 2: ice selection.

2158
01:37:15,200 --> 01:37:18,559
Speaker 18: Of father figures a great I.

2159
01:37:18,560 --> 01:37:20,880
Speaker 23: Love that one. I love that one.

2160
01:37:21,520 --> 01:37:23,080
Speaker 2: No one's going to ask you who that's about, but

2161
01:37:23,120 --> 01:37:25,880
Speaker 2: it's sure is it applatable to all of our lives.

2162
01:37:26,000 --> 01:37:28,760
Speaker 3: It's a song. It's a song about power, and it's

2163
01:37:28,800 --> 01:37:31,519
Speaker 3: a it's got a really good metaphor about the way

2164
01:37:31,560 --> 01:37:34,840
Speaker 3: that men move through the world in a sense of power.

2165
01:37:34,920 --> 01:37:37,599
Speaker 3: It's kind of like you kind of can't tell if

2166
01:37:37,640 --> 01:37:41,599
Speaker 3: I'm singing from the perspective of the angenou or of

2167
01:37:42,000 --> 01:37:45,599
Speaker 3: the father figure mentor character. And that's by design.

2168
01:37:46,080 --> 01:37:48,320
Speaker 2: Wow, awesome, you know, go ahead.

2169
01:37:49,040 --> 01:37:51,920
Speaker 11: You mentioned earlier you just talked about making your own happiness.

2170
01:37:51,960 --> 01:37:53,760
Speaker 11: And when we started this call, you said that you're

2171
01:37:53,760 --> 01:37:58,679
Speaker 11: feeling uncomplicated joy. What to you is complicated joy? Because

2172
01:37:58,680 --> 01:38:00,880
Speaker 11: that made me really think about what does that mean?

2173
01:38:00,920 --> 01:38:01,680
Speaker 2: I think I want some of that.

2174
01:38:01,840 --> 01:38:06,040
Speaker 3: Yeah, that's a good question. Complicated joy around a record

2175
01:38:06,080 --> 01:38:09,080
Speaker 3: release is when you wrote the album a year ago,

2176
01:38:09,240 --> 01:38:12,400
Speaker 3: when you were in a very different place emotionally than you.

2177
01:38:12,400 --> 01:38:13,240
Speaker 18: Are when you wrote it.

2178
01:38:13,320 --> 01:38:15,360
Speaker 3: Let's say you wrote a heartbreak album and now you're

2179
01:38:15,479 --> 01:38:18,160
Speaker 3: very happy, or let's say you wrote a happy album

2180
01:38:18,200 --> 01:38:19,680
Speaker 3: and now you're very heartbroken, like.

2181
01:38:20,840 --> 01:38:23,000
Speaker 18: Or any kind of variation on that.

2182
01:38:23,040 --> 01:38:25,720
Speaker 3: When you feel that you're in a different place and

2183
01:38:25,760 --> 01:38:28,280
Speaker 3: now you're putting out art that you're proud.

2184
01:38:28,040 --> 01:38:29,679
Speaker 18: Of but you don't relate to anymore.

2185
01:38:31,320 --> 01:38:33,280
Speaker 3: I really relate to this record because I'm in the

2186
01:38:33,280 --> 01:38:35,160
Speaker 3: same exact place as I was when I wrote it.

2187
01:38:35,760 --> 01:38:36,240
Speaker 6: I love that.

2188
01:38:36,280 --> 01:38:38,760
Speaker 2: Wow, we're about to play the Fate of Ophelia, the

2189
01:38:38,800 --> 01:38:42,120
Speaker 2: one that makes people in the room cry. But first,

2190
01:38:42,439 --> 01:38:45,040
Speaker 2: before you have one more second to talk about life

2191
01:38:45,080 --> 01:38:48,160
Speaker 2: of a Showgirl. I mean this, this track, I'm trying

2192
01:38:48,160 --> 01:38:52,360
Speaker 2: to figure out where it's from. I mean, it's it

2193
01:38:52,400 --> 01:38:54,200
Speaker 2: is it so simple, It is exactly what it is.

2194
01:38:54,320 --> 01:38:56,639
Speaker 2: You out there on the road doing your thing. Talk

2195
01:38:56,640 --> 01:38:57,280
Speaker 2: to me about that.

2196
01:38:58,080 --> 01:38:59,760
Speaker 3: The wrong the life of a Showgirls, the song of

2197
01:38:59,760 --> 01:39:04,439
Speaker 3: that I with Sabrina Carpenter because it's about it's a

2198
01:39:04,520 --> 01:39:09,160
Speaker 3: story about meeting one of your idols and telling them you.

2199
01:39:09,120 --> 01:39:10,560
Speaker 23: Want to do this too, you want to follow in

2200
01:39:10,560 --> 01:39:12,040
Speaker 23: those footsteps.

2201
01:39:12,080 --> 01:39:14,919
Speaker 3: And I think a lot of people in the entertainment

2202
01:39:14,920 --> 01:39:19,120
Speaker 3: industry have had this happen. Your idol warns you not

2203
01:39:19,320 --> 01:39:21,679
Speaker 3: to do it, not to follow in their footsteps because

2204
01:39:21,680 --> 01:39:25,280
Speaker 3: of how hard this industry is, And it's about taking

2205
01:39:25,320 --> 01:39:28,639
Speaker 3: that advice and completely disregarding it and doing it any way.

2206
01:39:30,040 --> 01:39:31,720
Speaker 3: And I wanted Sabrina to be the person who did

2207
01:39:31,720 --> 01:39:33,639
Speaker 3: the duet with me on it because I just think

2208
01:39:33,680 --> 01:39:38,280
Speaker 3: she's so smarked and like cut out for this job,

2209
01:39:38,360 --> 01:39:38,960
Speaker 3: if you want to.

2210
01:39:38,880 --> 01:39:39,559
Speaker 18: Call it a job.

2211
01:39:39,600 --> 01:39:44,040
Speaker 3: It's really a all encompassing life path.

2212
01:39:44,240 --> 01:39:45,439
Speaker 18: And I think she's like.

2213
01:39:47,080 --> 01:39:50,720
Speaker 3: Just so brilliant and tough in a way. She's very

2214
01:39:50,760 --> 01:39:53,200
Speaker 3: sensitive in terms of being an artist, but she can

2215
01:39:53,240 --> 01:39:56,640
Speaker 3: handle herself. So I just thought that she would be

2216
01:39:56,720 --> 01:39:59,559
Speaker 3: kind of a great person to collaborate with on that

2217
01:39:59,600 --> 01:40:01,840
Speaker 3: song in particular, And it's the last song on the record,

2218
01:40:01,880 --> 01:40:05,120
Speaker 3: so it really ends out the story of the album.

2219
01:40:05,280 --> 01:40:07,080
Speaker 6: This is what you do, Elvis. If someone wants to

2220
01:40:07,080 --> 01:40:08,519
Speaker 6: be in radio, you tell him run.

2221
01:40:08,439 --> 01:40:10,680
Speaker 2: The other run run from your life, live to tell

2222
01:40:10,720 --> 01:40:14,680
Speaker 2: others the life of a showgirl. It's out today. There's

2223
01:40:14,720 --> 01:40:17,040
Speaker 2: so many great stories and you were the best storyteller.

2224
01:40:17,520 --> 01:40:20,160
Speaker 2: Let me give you the fatal ophilia. Congratulations Taylor, thanks

2225
01:40:20,200 --> 01:40:21,200
Speaker 2: for being on with us today.

2226
01:40:21,560 --> 01:40:23,960
Speaker 3: Thank you so much. Thanks for listening to music, and

2227
01:40:23,960 --> 01:40:25,160
Speaker 3: I hope you guys have a great today.

2228
01:40:25,560 --> 01:40:26,479
Speaker 2: You too, Take care.

2229
01:40:27,600 --> 01:40:35,280
Speaker 17: You saved my heart from the fate of Oh.

2230
01:40:35,760 --> 01:40:37,400
Speaker 1: The Brooklyn Boys podcast.

2231
01:40:38,640 --> 01:40:40,200
Speaker 2: I want to read his next one because she gave

2232
01:40:40,280 --> 01:40:41,280
Speaker 2: us two straws out of five.

2233
01:40:41,920 --> 01:40:44,439
Speaker 7: How's your corn beef? If we're all go take another bite? Okay? Well,

2234
01:40:44,439 --> 01:40:47,280
Speaker 7: what is his review of our podcast? Abe seventy seven?

2235
01:40:47,520 --> 01:40:51,520
Speaker 9: Yeah, Ab says, stop eating during the podcast dummies.

2236
01:40:53,160 --> 01:40:56,160
Speaker 16: Listen to the Brooklyn Boys podcast on the iHeartRadio apps,

2237
01:40:56,240 --> 01:41:00,880
Speaker 16: Apple Podcasts, or wherever you get your podcasts. Elvis ter

2238
01:41:01,000 --> 01:41:05,120
Speaker 16: Ran in the Morning Show, Elvis Durand. Elvis Durand's phone Tap.

2239
01:41:05,640 --> 01:41:08,000
Speaker 2: Let's roll into the phone tap. Shall we come on

2240
01:41:08,040 --> 01:41:11,400
Speaker 2: in and have a seat. Today's email. Dear Elvis, my

2241
01:41:11,640 --> 01:41:17,800
Speaker 2: father Ephrin gets nuts when it comes to telemarketers. Oh,

2242
01:41:18,040 --> 01:41:20,800
Speaker 2: why don't we have mister Michael Oppenheimer, give dat a

2243
01:41:20,840 --> 01:41:23,719
Speaker 2: phone call and wind him up, all right, Anthony Anthony

2244
01:41:23,800 --> 01:41:27,960
Speaker 2: wants us to phone tap his father ephrin Scary Jones,

2245
01:41:28,000 --> 01:41:31,479
Speaker 2: of course, plays the relentless telemarketer, mister Michael Oppenheimer calling

2246
01:41:31,479 --> 01:41:35,960
Speaker 2: today from a credit card company. Let's listen in to

2247
01:41:35,960 --> 01:41:37,439
Speaker 2: today's phone tap.

2248
01:41:38,360 --> 01:41:42,960
Speaker 7: Hell if freeing please, this is mister Michael Oppenheimer with

2249
01:41:43,040 --> 01:41:45,200
Speaker 7: the pervit card. How are you doing today, sir?

2250
01:41:45,640 --> 01:41:48,679
Speaker 21: I'll be directing to the point I no longer will

2251
01:41:48,720 --> 01:41:50,320
Speaker 21: require or want your card.

2252
01:41:50,439 --> 01:41:52,720
Speaker 7: Tell us the reason why you might have discontinued your

2253
01:41:52,800 --> 01:41:53,280
Speaker 7: use of.

2254
01:41:53,200 --> 01:41:56,120
Speaker 21: The Okay for the fifth hundred time while I had

2255
01:41:56,160 --> 01:42:00,000
Speaker 21: your card, I got bombarded by Cole from the telemarkers

2256
01:42:00,200 --> 01:42:03,120
Speaker 21: at all hours of the day and night, in Spanish

2257
01:42:03,160 --> 01:42:07,840
Speaker 21: and in English, and that made me get very very uncomfortable,

2258
01:42:09,080 --> 01:42:11,280
Speaker 21: just because I have a certain name that they can

2259
01:42:11,840 --> 01:42:14,439
Speaker 21: put me in a category that they feel like it.

2260
01:42:15,120 --> 01:42:19,000
Speaker 21: I'm against people not using the proper work etiquette. Okay,

2261
01:42:19,439 --> 01:42:21,840
Speaker 21: if someone calls me, don't call me by my first name.

2262
01:42:21,880 --> 01:42:25,040
Speaker 21: Called me mister so and so. You don't know me socially,

2263
01:42:25,520 --> 01:42:28,160
Speaker 21: like if you know I was some sort of teenager.

2264
01:42:28,280 --> 01:42:31,360
Speaker 21: I mean, if you got business etiquette, you should use it.

2265
01:42:31,680 --> 01:42:35,400
Speaker 7: But the thing is, I'm here today to reintroduce you

2266
01:42:35,439 --> 01:42:38,080
Speaker 7: to the Platinum Card, the card that gives you nothing

2267
01:42:38,120 --> 01:42:38,960
Speaker 7: but rewards.

2268
01:42:39,360 --> 01:42:42,400
Speaker 21: Ephram, I understand that, but I really don't want anything.

2269
01:42:42,640 --> 01:42:43,280
Speaker 22: I'll give you a.

2270
01:42:43,240 --> 01:42:45,000
Speaker 2: Five percent cash back bonus right now.

2271
01:42:45,520 --> 01:42:48,280
Speaker 21: No, no, no, no, I don't want I just don't

2272
01:42:48,400 --> 01:42:56,880
Speaker 21: want it. Have a pleasant day, a day, A good day, sir.

2273
01:42:57,320 --> 01:42:58,840
Speaker 7: If you could like to take a.

2274
01:43:01,600 --> 01:43:04,640
Speaker 22: Hi, Ephraim, Oh, please hip.

2275
01:43:04,880 --> 01:43:08,919
Speaker 7: From me, mister Michael cards Bahoma.

2276
01:43:09,280 --> 01:43:11,879
Speaker 21: Do not call me again today.

2277
01:43:13,240 --> 01:43:16,599
Speaker 7: Hello, Oh sir, you've been cutting me off and you've listen.

2278
01:43:16,720 --> 01:43:19,200
Speaker 22: You've told you one hundred times.

2279
01:43:19,200 --> 01:43:20,400
Speaker 21: Don't you understand English?

2280
01:43:20,680 --> 01:43:21,000
Speaker 22: Now?

2281
01:43:21,040 --> 01:43:24,599
Speaker 21: Do you understand English? Do not call me, sir.

2282
01:43:24,680 --> 01:43:26,879
Speaker 22: I'm trying to not deal with your company.

2283
01:43:27,080 --> 01:43:28,200
Speaker 7: I can offer you this card with.

2284
01:43:30,439 --> 01:43:31,840
Speaker 21: Thing. Don't you understand?

2285
01:43:32,040 --> 01:43:32,680
Speaker 7: Would you like one?

2286
01:43:33,200 --> 01:43:33,559
Speaker 21: Stupid?

2287
01:43:33,640 --> 01:43:34,240
Speaker 7: Would you like one?

2288
01:43:34,800 --> 01:43:37,880
Speaker 21: I don't want to thing from you? Do you understand English?

2289
01:43:38,040 --> 01:43:47,920
Speaker 7: Unlimited? What about unlimited cash rewards? Ephrain? I know I

2290
01:43:47,920 --> 01:43:49,040
Speaker 7: can hear your breathing, sir.

2291
01:43:49,360 --> 01:43:51,320
Speaker 21: Hey, you can hear me breathing, and you also heard

2292
01:43:51,360 --> 01:43:54,040
Speaker 21: me say I don't want it. You know, if you

2293
01:43:54,120 --> 01:43:57,400
Speaker 21: have any type of intelligence, you stop making a food

2294
01:43:57,439 --> 01:43:58,000
Speaker 21: of yourself.

2295
01:43:58,160 --> 01:44:00,320
Speaker 7: What if I was to double your cash back of me.

2296
01:44:00,640 --> 01:44:02,880
Speaker 21: I don't want to hear anything. I do not want

2297
01:44:02,920 --> 01:44:04,559
Speaker 21: to deal with your card. Are you going to make

2298
01:44:04,600 --> 01:44:07,200
Speaker 21: me call the president of your company or someone higher

2299
01:44:07,200 --> 01:44:08,000
Speaker 21: than you and.

2300
01:44:08,040 --> 01:44:10,479
Speaker 7: Report your ass I was told to call you today

2301
01:44:10,479 --> 01:44:11,400
Speaker 7: to give you this card.

2302
01:44:11,560 --> 01:44:14,519
Speaker 21: Well you were told, and I'm telling you no. Come on,

2303
01:44:14,880 --> 01:44:17,000
Speaker 21: don't be such an idiot. Don't be a fool for

2304
01:44:17,080 --> 01:44:17,639
Speaker 21: these people.

2305
01:44:17,960 --> 01:44:20,880
Speaker 7: But sir, this card has a lot of buying power.

2306
01:44:21,000 --> 01:44:24,519
Speaker 21: Stop being such an idiot. We'd like to call stop

2307
01:44:24,560 --> 01:44:26,800
Speaker 21: being an idiot. You're not going to get any business here.

2308
01:44:26,920 --> 01:44:28,720
Speaker 7: We'd like to reinstate your card today.

2309
01:44:28,600 --> 01:44:30,800
Speaker 21: Or not reinstate. You know what, you can reinstate.

2310
01:44:31,200 --> 01:44:34,560
Speaker 22: So this is mister Michael Oppenheimer with Michaelheimer.

2311
01:44:34,680 --> 01:44:35,000
Speaker 21: Listen.

2312
01:44:35,320 --> 01:44:37,599
Speaker 7: No, maybe there's someone in your family you'd like to give.

2313
01:44:37,680 --> 01:44:40,439
Speaker 21: No one in my family is interested in dealing with

2314
01:44:40,520 --> 01:44:44,439
Speaker 21: your card. Michael Ippelheimer, can I give you You can't

2315
01:44:44,439 --> 01:44:46,520
Speaker 21: give me a Michael.

2316
01:44:46,320 --> 01:44:47,800
Speaker 7: Can I get your address for something?

2317
01:44:47,880 --> 01:44:49,439
Speaker 21: No, you cannot have anything.

2318
01:44:49,760 --> 01:44:53,000
Speaker 7: Your application is safe and confidential, and we never sell.

2319
01:44:52,840 --> 01:44:54,720
Speaker 21: Your name or phone on not being a pen in

2320
01:44:54,760 --> 01:44:56,920
Speaker 21: the ass, because if I could get to your neck

2321
01:44:57,000 --> 01:44:58,559
Speaker 21: right now. I'd bring it for you.

2322
01:44:58,560 --> 01:45:00,240
Speaker 7: You can choose from three different cards today.

2323
01:45:00,479 --> 01:45:02,760
Speaker 21: I don't want to card. Would you shove the card

2324
01:45:02,840 --> 01:45:03,679
Speaker 21: up already?

2325
01:45:03,760 --> 01:45:05,320
Speaker 7: You don't have to use it, sir. You could just

2326
01:45:05,360 --> 01:45:06,040
Speaker 7: hold on to it.

2327
01:45:06,280 --> 01:45:09,000
Speaker 21: I would like to shove it up your I think.

2328
01:45:08,880 --> 01:45:11,040
Speaker 7: You should say yes to this card right now, send

2329
01:45:11,040 --> 01:45:11,719
Speaker 7: it to your mother.

2330
01:45:11,840 --> 01:45:14,240
Speaker 2: Did I mention that it has zero percent financing? Yeah?

2331
01:45:14,280 --> 01:45:15,800
Speaker 21: You mentioned it, and you could shove it.

2332
01:45:15,800 --> 01:45:18,799
Speaker 7: Right up your Did I tell you can choose your color?

2333
01:45:19,439 --> 01:45:22,240
Speaker 22: You can shove it right up your Okay.

2334
01:45:22,520 --> 01:45:25,960
Speaker 7: One other thing, though, that's very important. You've been phone tapped.

2335
01:45:26,920 --> 01:45:27,280
Speaker 22: Good.

2336
01:45:27,760 --> 01:45:28,799
Speaker 21: I'm glad you enjoying.

2337
01:45:29,120 --> 01:45:29,720
Speaker 7: No, not me.

2338
01:45:30,240 --> 01:45:32,760
Speaker 2: This is scary Jones from Elvis Durant in the Morning Show.

2339
01:45:32,880 --> 01:45:37,880
Speaker 21: Anthony put you up to this, Yes he did, listen,

2340
01:45:39,560 --> 01:45:40,200
Speaker 21: shove it up you.

2341
01:45:41,960 --> 01:45:43,439
Speaker 1: Elvis Duran's phone tap.

2342
01:45:44,880 --> 01:45:48,800
Speaker 10: This tab was pre recorded with permission granted by Oliver the.

2343
01:45:48,920 --> 01:45:52,280
Speaker 16: Elvis Duran phone tap only on Elvis Duran in the

2344
01:45:52,320 --> 01:45:52,960
Speaker 16: Morning Show.

2345
01:45:55,320 --> 01:45:57,439
Speaker 2: The home You've worked so hard for is ready to

2346
01:45:57,479 --> 01:45:59,720
Speaker 2: work hard for you. With a home equity loan from

2347
01:45:59,800 --> 01:46:02,240
Speaker 2: Raw Mortgage to learn how you can turn your home's

2348
01:46:02,240 --> 01:46:05,719
Speaker 2: equity into cash. Visit Rocket Mortgage dot com today.

2349
01:46:06,160 --> 01:46:09,200
Speaker 10: Rocket Mortgage LLC licensed in fifty states and MLS Consumer

2350
01:46:09,280 --> 01:46:12,000
Speaker 10: Access dot Org number thirty thirty what Today.

2351
01:46:12,040 --> 01:46:14,800
Speaker 2: Thank you Taylor Swift for coming on and congratulations on

2352
01:46:14,840 --> 01:46:17,000
Speaker 2: a great new album. If you want to buy those

2353
01:46:17,240 --> 01:46:20,320
Speaker 2: jingle Ball tickets, it's so simple. Go to iHeartRadio dot

2354
01:46:20,360 --> 01:46:22,640
Speaker 2: com slash jingle Ball and buy them. They go on

2355
01:46:22,720 --> 01:46:25,679
Speaker 2: sale at noon today. All right, Djcream get in here,

2356
01:46:25,960 --> 01:46:27,720
Speaker 2: mix us out of here. Have a great weekend. Until

2357
01:46:27,760 --> 01:46:32,280
Speaker 2: next time. Check out Djcream on Instagram at Djcream NYC.

2358
01:46:32,720 --> 01:46:36,000
Speaker 2: We'll see you next time. Until then, say peace out everybody.

2359
01:46:35,000 --> 01:46:35,080
Speaker 1: Pe