WEBVTT - Bonnie Morgan Meets World

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<v Speaker 1>So I was having this conversation with my wife the

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<v Speaker 1>other day and I don't know why this pops up,

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<v Speaker 1>but Susan, Susan, my wife, we were talking about, what's

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<v Speaker 1>your favorite word.

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<v Speaker 2>Oh, melifluous. I don't get to say it often, but

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<v Speaker 2>I love the word melifluous.

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<v Speaker 3>I love the word transcendent.

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<v Speaker 4>I like usurp. Oh really, yeah, I'm a bit like.

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<v Speaker 5>I love them.

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<v Speaker 4>But the sound itself, I love it all.

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<v Speaker 1>I don't know if it's it's and it's so on

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<v Speaker 1>a monopoetically incorrect for what it is it's meant for,

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<v Speaker 1>but it's so great.

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<v Speaker 3>So one of my one of my favorite words for

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<v Speaker 3>the meaning is synesthesia.

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<v Speaker 2>Oh I don't know what that means.

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<v Speaker 3>It's when you experience one sense with another. So in

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<v Speaker 3>other words, see music like the idea of like see like,

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<v Speaker 3>and some people have it actually as a brand and

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<v Speaker 3>then they close their eyes and they can actually see

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<v Speaker 3>color or hear colors or you know whatever.

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<v Speaker 4>I think you can take color.

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<v Speaker 3>I love the way it sounds like. And then also

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<v Speaker 3>just you know, the meaning of the word is so cool.

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<v Speaker 2>So that's a great run. I feel like I got

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<v Speaker 2>my love of words because I do love words. I

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<v Speaker 2>just started following Merriam Webster the Dictionary. I just started

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<v Speaker 2>following the Dictionary on Instagram.

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<v Speaker 1>You know, it's not really the Dictionary that's instagramming their stuff.

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<v Speaker 1>There's somebody that's the Dictionary.

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<v Speaker 2>No, guys, it's the book. It's the book. I've seen it. Okay,

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<v Speaker 2>it's very it's I love words, and I will I

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<v Speaker 2>will again. Credit to David Combs. David, David, he had

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<v Speaker 2>such a vocabulary and and I mean involving calls froom

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<v Speaker 2>as we've discussed all it's such a vocabulary and and

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<v Speaker 2>just finding like great words to describe things. It was

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<v Speaker 2>so important. And you learn it too, if you enjoy

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<v Speaker 2>if you enjoy school and you work hard on your papers,

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<v Speaker 2>and you find you have to come up with, you know,

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<v Speaker 2>good words, and there's so many out there. And yet

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<v Speaker 2>you also want to find the fine line between like,

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<v Speaker 2>I don't want to sound pompous. I don't want to

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<v Speaker 2>sound like.

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<v Speaker 3>Sound about the pretentious person in the world.

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<v Speaker 5>Yes, you have to.

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<v Speaker 3>Like no, I love good vocabularies, and it's so fortunate

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<v Speaker 3>that people don't use it enough. Like I feel like

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<v Speaker 3>we all use so many simple words when we could

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<v Speaker 3>have better ones. I love experience. And what's cool is

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<v Speaker 3>that it's one of those things that does get better

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<v Speaker 3>with age, Like yeah, your vocabulary, just like my vocabulary

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<v Speaker 3>just keeps getting bigger. And I love that, like you know,

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<v Speaker 3>and and yeah, I love it.

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<v Speaker 1>I was I was listening to a podcast this weekend

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<v Speaker 1>about William shap It's it's all the things in history

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<v Speaker 1>that are myths that you know, are kind of debunked.

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<v Speaker 1>And one of them, you know, the little famous one

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<v Speaker 1>is did Shakespeare write his own plays? But one of

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<v Speaker 1>the things they talk about is William Shakespeare apparently invented

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<v Speaker 1>over twelve hundred words.

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<v Speaker 3>Oh yeah, oh something like of his vocabulary, of his

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<v Speaker 3>his words were made up.

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<v Speaker 1>Made come up and have become just part of the lexicon.

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<v Speaker 1>I mean, that's amazing, amazing. So that's why I think

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<v Speaker 1>all the time we keep I keep trying to invent

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<v Speaker 1>words on this podcast, hoping just one of them will stick.

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<v Speaker 2>We could still try to get strafty bright Man.

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<v Speaker 4>We just drafty bright could work.

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<v Speaker 1>We could using tage now instead of montage, but that's

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<v Speaker 1>just like delish, we know it, that's all.

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<v Speaker 4>Where we use Jackting, I can't no jacket and I

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<v Speaker 4>think do.

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<v Speaker 2>You use facting when you were talking about face acting?

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<v Speaker 4>Yes, that's the other one. I'm a good factor, so you're.

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<v Speaker 2>A good factor, and I can't. I'm a I'm an

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<v Speaker 2>I cannot jactor.

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<v Speaker 4>Abelia Shakespeare, William Fredell, similar.

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<v Speaker 2>Welcome to Pod Meets World. I'm Danielle Fischel, I'm rather strong,

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<v Speaker 2>and I'm Wilfredell or William Shakespeare Fordell or William Shakespeare.

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<v Speaker 4>I wrote all of my own plays.

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<v Speaker 2>So we have commonly referred to this show as more

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<v Speaker 2>than just a podcast, because it also sometimes doubles as

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<v Speaker 2>a therapy session, and not just when we had a

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<v Speaker 2>real therapist on. Many of the things we've remembered or

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<v Speaker 2>the memories we've unlocked have led us into our own journeys,

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<v Speaker 2>both on the air and off, unpacking a childhood that

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<v Speaker 2>may have been seen on TV, but also had its

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<v Speaker 2>own set of private issues and puberty laced confusion. And

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<v Speaker 2>nothing from Pod Meats World has displayed this therapeutic side

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<v Speaker 2>effect more than recalling the day I was cast as

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<v Speaker 2>to Panga Lawrence, a moment that would change my life forever.

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<v Speaker 2>I have told that story for thirty years. I had

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<v Speaker 2>previously only focused on the aspirational angle, the unbelievable tale

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<v Speaker 2>of going from a character in the background to center

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<v Speaker 2>stage within just minutes the long night my mom and

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<v Speaker 2>I put into nailing Michael's notes, and it was my

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<v Speaker 2>story of success and the origin of my Hollywood career,

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<v Speaker 2>something that I am still lucky enough to have now

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<v Speaker 2>as a director. But it was my adulthood and now

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<v Speaker 2>also having children of my own, that allowed me to

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<v Speaker 2>realize recently it wasn't just my story. There was somebody

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<v Speaker 2>else in that story who shaped the rest of their life.

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<v Speaker 2>There was the original topanga. Her name, Bonnie Morgan, went

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<v Speaker 2>in and out of my memory for the past thirty years,

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<v Speaker 2>either consciously or subconsciously, I don't know. She was part

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<v Speaker 2>of this story I retold on TV and on the radio,

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<v Speaker 2>and in my book and really anywhere that asked me,

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<v Speaker 2>But I never thought about what it must have meant

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<v Speaker 2>to her, and if I was forcing her to relive

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<v Speaker 2>a hard time in her young career. I didn't know.

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<v Speaker 2>So when writer recently recognized her sister during a rewatch,

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<v Speaker 2>also a child actress who appeared on Boy Meets World,

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<v Speaker 2>you heard me in real time announce that I wanted

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<v Speaker 2>to speak to Bonnie because our lives have been so

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<v Speaker 2>connected and yet we have never spoken. So I was

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<v Speaker 2>able to get in touch with her and we had

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<v Speaker 2>a meaningful and beautiful conversation that lasted well over an hour,

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<v Speaker 2>and she very graciously agreed to come on the podcast.

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<v Speaker 2>And so today I am genuinely honored to introduce to

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<v Speaker 2>our audience for this week's Pod Meets World someone I

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<v Speaker 2>know you're going to love, actress and contortionist Bonnie Morgan. Welcome, Bonnie.

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<v Speaker 5>Good gosh, this is a room I never thought I'd

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<v Speaker 5>be sitting in.

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<v Speaker 2>Right. Bonnie, we recently spoke on the phone in a

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<v Speaker 2>conversation that I truly chair and have thought of many

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<v Speaker 2>many times since we spoke. And before we get into

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<v Speaker 2>what you remember about your time on Boy Meets World,

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<v Speaker 2>I wanted to talk about your family and how you

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<v Speaker 2>started in the industry.

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<v Speaker 5>I am third generation vaudeville. My grandma opened for Frank

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<v Speaker 5>Sinatra in nineteen forty two in his Bobby Socks tour.

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<v Speaker 5>She was regularly requested by Jimmy Duranty. My grandparents were

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<v Speaker 5>swing and sway with Morgan and May, and they were

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<v Speaker 5>wow a soft shoe, jitterbug acro duo. My gosh, did

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<v Speaker 5>us so very cool people. They had my father, the

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<v Speaker 5>little scamp Gary Morgan, and had to come off the

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<v Speaker 5>road like many do, to seek a normal life. Their

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<v Speaker 5>version of a normal life was to open a dancing

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<v Speaker 5>school in Pasac, New Jersey. Hmm. And my dad became

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<v Speaker 5>a Broadway brat. He was a child star on Broadway.

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<v Speaker 5>He worked with Olivia de Haviland, oh Man, Henry Fonda,

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<v Speaker 5>Lillian Gish, I mean.

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<v Speaker 4>Yeah ah.

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<v Speaker 5>The man knows his history.

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<v Speaker 4>Of course, of course.

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<v Speaker 5>And like many, sought his fame and fortune in California.

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<v Speaker 5>So he picked his jew fro, put on a top hat,

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<v Speaker 5>got in his Volkswagon bus with a surfboard on the roof,

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<v Speaker 5>and drove to California. Now we're more or less circus spolk.

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<v Speaker 5>Our idea of a straight job is a center ring,

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<v Speaker 5>still walking, trampoline, rolling globe, tight wire, high wire, low wire,

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<v Speaker 5>anything acrobatic that's like, that's your day job. Really so

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<v Speaker 5>my dad, My gosh, my dad is also a horror icon.

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<v Speaker 5>He doubled the dog in Kujo.

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<v Speaker 2>I mean that is coraz.

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<v Speaker 5>My dad did all the attack scenes with Dee Wallace,

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<v Speaker 5>and any So anytime you see the dog attacking, some

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<v Speaker 5>of the dog's attacking trainer, whenever you see an actor

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<v Speaker 5>being attacked, it's my father in a suit, going, that's

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<v Speaker 5>my dad. So great. My aunt Robbie was Jason's first

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<v Speaker 5>victim in Friday the thirteenth. You know, the little hitchhiker, Hi,

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<v Speaker 5>can we go to Camp Cristal Lake, the one that

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<v Speaker 5>gets her throat foot on the tree. My aunt Robbie. Wow,

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<v Speaker 5>my dad was Billy and Logan's Run No Way. He

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<v Speaker 5>screen tested for Luke Skywalker because of that. Oh, my

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<v Speaker 5>dad had two screen tests with George Lucas.

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<v Speaker 2>Oh my gosh.

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<v Speaker 5>But my dad was didn't quite have that fresh faced

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<v Speaker 5>you know country boy. Look, he's a little more han

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<v Speaker 5>solo mischievous.

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<v Speaker 4>So wow.

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<v Speaker 5>It was also the first Frangie that you saw in

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<v Speaker 5>Star Trek.

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<v Speaker 4>Really really, we're we're speaking my language.

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<v Speaker 5>Wow. Oh, talk nerdy to me, man.

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<v Speaker 4>Exactly, that's how I am. That's how I am. Oh man, Oh,

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<v Speaker 4>that's awesome.

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<v Speaker 2>So I mean, as you guys, as you can tell,

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<v Speaker 2>like truly, it never ends. She has story like this

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<v Speaker 2>after story like this, after story like this. It's incredible

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<v Speaker 2>and so I think it's probably when you started acting.

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<v Speaker 2>Did you basically walk out of the womb as an actress.

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<v Speaker 5>I always say I came to an age of reason

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<v Speaker 5>with a sad card and a pension, right, like right?

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<v Speaker 5>Like really? On Facebook you're like, you know, oh, my

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<v Speaker 5>first head shot, I'm like, hmm yep, nope, like.

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<v Speaker 2>Herber stuff, right, that's called a baby picture literally gerber sheets.

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<v Speaker 5>And again it was the family business. We always joke

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<v Speaker 5>whenever one of our cousins has a baby nine months old,

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<v Speaker 5>not that much job.

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<v Speaker 2>Yet, like.

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<v Speaker 5>This is normal for us. I think the only way

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<v Speaker 5>to disappoint my father is if one of us had

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<v Speaker 5>become a CPA. Right, that's not a joke. So if

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<v Speaker 5>you're ever looking for a fun read, La Weekly did

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<v Speaker 5>a piece called the Fabulous Flying Morgans. It's a fun read.

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<v Speaker 5>Star Forman did all the artwork. It's it's photos of

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<v Speaker 5>are the blue pastel in Laurel Canyon. So literally, I

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<v Speaker 5>was raised by hippies and Laurel Canyon. My parents met

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<v Speaker 5>at a Hollywood party. Before she met my dad, my

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<v Speaker 5>mom was living with hal Ashby, whoa. She was Ruth

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<v Speaker 5>Gordon's like stand in stunt double for Harold and Maude,

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<v Speaker 5>a few other movies. So like literally Hip be Chick,

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<v Speaker 5>Hip Bee guy hurtying in the canyon. This is my life.

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<v Speaker 2>Well that's a perfect segue.

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<v Speaker 3>Into that's exactly why.

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<v Speaker 2>What do you remember about auditioning for Boy Meets World?

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<v Speaker 5>So crazy thing that my parents got married into Panga Canyon.

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<v Speaker 5>I got a call from my agent. I was working

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<v Speaker 5>a lot as a kid at this point. I was

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<v Speaker 5>an Oscar Mayer Wiener kid. I was. I did a

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<v Speaker 5>lot of commercials. I was on The Nanny, I was

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<v Speaker 5>on Life Goes On. I had just done Blossom. Yeah,

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<v Speaker 5>as like a tech nerd in jail, and I had

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<v Speaker 5>a lot of auditions for a show called The Torkul Sins. Okay, yes,

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<v Speaker 5>playing Ruthan.

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<v Speaker 2>So I'm Michael Jacobs.

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<v Speaker 5>I've been seen for that many times in many incarnations

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<v Speaker 5>of the show, it seemed. So I get a call

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<v Speaker 5>from my agent that was like this is weird, Like

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<v Speaker 5>she's like I would normally say, you could get this,

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<v Speaker 5>but it's it's like it was written for you. Like

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<v Speaker 5>you don't hear that a lot. I mean, I mean,

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<v Speaker 5>look at me. You don't hear that a lot, especially

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<v Speaker 5>as a kid and the thing is as an actor, kid,

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<v Speaker 5>The Brass Ring is a series. You know, when can

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<v Speaker 5>I get a pony? When you get a series? What

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<v Speaker 5>everything in your life is going to happen when you

0:13:45.840 --> 0:13:51.120
<v Speaker 5>get a series? Yeah, long running syndication, all words that

0:13:51.200 --> 0:13:57.480
<v Speaker 5>you know, So I get the sides and and it's weird.

0:13:58.080 --> 0:14:01.080
<v Speaker 5>It's it's stuff that I I know, it's stuff in

0:14:01.120 --> 0:14:05.800
<v Speaker 5>my life. I'm reading this going this is easy. First

0:14:05.840 --> 0:14:11.320
<v Speaker 5>call really, casting directors look at me like, wow, I

0:14:12.600 --> 0:14:14.040
<v Speaker 5>you know what, Let's just try it this way just

0:14:14.040 --> 0:14:17.880
<v Speaker 5>for fun. Wow, okay, we thank you for coming in.

0:14:19.000 --> 0:14:22.240
<v Speaker 5>Now here's where it gets a little weird. I had

0:14:22.360 --> 0:14:27.960
<v Speaker 5>three callbacks. They kept bringing me back, and I have

0:14:29.360 --> 0:14:32.040
<v Speaker 5>I have a hyper thymusic memory. I remember what I

0:14:32.200 --> 0:14:36.240
<v Speaker 5>wore to the audition. I remember the French doors in

0:14:36.280 --> 0:14:40.000
<v Speaker 5>the office for one of the meetings on the lot

0:14:40.800 --> 0:14:44.600
<v Speaker 5>so and it was rooms full of people every time.

0:14:44.840 --> 0:14:49.000
<v Speaker 5>And weirdly, every time i'd audition, we'd talk a lot.

0:14:49.120 --> 0:14:56.120
<v Speaker 5>I'm a luquacious felure and every time I'd come back,

0:14:56.160 --> 0:15:00.440
<v Speaker 5>the script would change slightly. It seemed to that we

0:15:00.480 --> 0:15:06.560
<v Speaker 5>had talked about And I have a lot of strange

0:15:06.600 --> 0:15:13.240
<v Speaker 5>side abilities from contortion to animal calls. By the time

0:15:13.320 --> 0:15:17.239
<v Speaker 5>I had this audition, I'd already done two full productions

0:15:17.240 --> 0:15:20.800
<v Speaker 5>of Midsummer Night's Dream, one of which I went on

0:15:20.920 --> 0:15:22.280
<v Speaker 5>for Puck at eleven.

0:15:23.040 --> 0:15:23.560
<v Speaker 2>Wow.

0:15:24.280 --> 0:15:28.880
<v Speaker 5>So the whole humpback whales so pale with the I had,

0:15:29.160 --> 0:15:31.760
<v Speaker 5>like I knew how to do the makeup for that.

0:15:32.120 --> 0:15:35.280
<v Speaker 5>I was like describing the geometric patterns that would be

0:15:35.320 --> 0:15:41.120
<v Speaker 5>exciting for that scene. They kept bringing me back, though,

0:15:42.040 --> 0:15:45.760
<v Speaker 5>which was strange, and one time I even left the

0:15:45.800 --> 0:15:49.120
<v Speaker 5>building and someone chased me down in the party lite. Hey,

0:15:49.160 --> 0:15:51.240
<v Speaker 5>could you come back? We want to try something else.

0:15:51.560 --> 0:15:53.760
<v Speaker 5>We want to give you a different script. You want

0:15:53.760 --> 0:15:57.440
<v Speaker 5>to the what do you call it? A The Men

0:15:57.560 --> 0:16:00.280
<v Speaker 5>Underground scene made it into the audition.

0:16:00.120 --> 0:16:00.760
<v Speaker 2>Okay, right, like.

0:16:03.160 --> 0:16:06.960
<v Speaker 5>All of it so, and it was even my parents

0:16:06.960 --> 0:16:11.720
<v Speaker 5>were going, what's up, something's up? And I got a

0:16:11.760 --> 0:16:15.880
<v Speaker 5>call from my agent that said there's a power struggle

0:16:16.040 --> 0:16:19.120
<v Speaker 5>and Bonnie stuck in the middle of it. The creator

0:16:19.920 --> 0:16:24.040
<v Speaker 5>loves her. And every time someone tees like it's like

0:16:24.120 --> 0:16:27.120
<v Speaker 5>it was written for you. Yeah, it's like it was

0:16:27.160 --> 0:16:30.920
<v Speaker 5>written for you. My mom grew kombucha mushrooms in our

0:16:31.040 --> 0:16:38.280
<v Speaker 5>kitchen right literally, So finally it came down. You got it,

0:16:40.440 --> 0:16:45.160
<v Speaker 5>Michael Won, I didn't know that you could get fired.

0:16:46.040 --> 0:16:48.120
<v Speaker 3>What seems like in some ways Michael was writing the

0:16:48.120 --> 0:16:50.520
<v Speaker 3>part for you. Yeah you know, I mean if you

0:16:50.600 --> 0:16:52.720
<v Speaker 3>had auditioned for Toko since because I mean, I know

0:16:52.800 --> 0:16:54.640
<v Speaker 3>he kept track of Like the reason I auditioned for

0:16:54.640 --> 0:16:57.240
<v Speaker 3>Boy Meets World is because my brother had audition had

0:16:57.240 --> 0:16:59.320
<v Speaker 3>come close on another. So he like kept track of

0:16:59.360 --> 0:17:01.520
<v Speaker 3>actors and he remembered people that he would read with

0:17:01.600 --> 0:17:04.280
<v Speaker 3>and work with. So it seems like the character of

0:17:04.280 --> 0:17:07.240
<v Speaker 3>Topanga was essentially written for you. Around you.

0:17:07.920 --> 0:17:11.040
<v Speaker 5>It would make sense because we did talk a lot,

0:17:11.400 --> 0:17:14.520
<v Speaker 5>I mean more so than now. Anytime you had like

0:17:14.640 --> 0:17:19.359
<v Speaker 5>a significant audition, you talk to people. They want to

0:17:19.400 --> 0:17:21.400
<v Speaker 5>know who you are, what you are, what does your

0:17:21.440 --> 0:17:22.800
<v Speaker 5>mom do? What does your dad do?

0:17:23.440 --> 0:17:26.199
<v Speaker 2>Okay, so you get this call, there's a power struggle.

0:17:26.280 --> 0:17:28.880
<v Speaker 2>The creator loves you, and then you get the call.

0:17:29.640 --> 0:17:31.360
<v Speaker 2>You've got the part.

0:17:31.359 --> 0:17:36.480
<v Speaker 5>You are to Panga. Even the name, even the name

0:17:37.080 --> 0:17:41.800
<v Speaker 5>was out of my parents' love story history. It was.

0:17:43.240 --> 0:17:48.640
<v Speaker 5>It was the coolest thing ever. And what's more, I mean,

0:17:48.800 --> 0:17:51.160
<v Speaker 5>you were all kid actors. You would audition for things

0:17:51.160 --> 0:17:53.200
<v Speaker 5>that you were like, I don't know what to do

0:17:53.240 --> 0:17:58.520
<v Speaker 5>with this. I mean, I'll go in. I'll sometimes it

0:17:58.600 --> 0:18:02.600
<v Speaker 5>was so off, you'd get coaching because you had to

0:18:02.680 --> 0:18:05.640
<v Speaker 5>make something out. Even as a kid, this.

0:18:05.680 --> 0:18:09.800
<v Speaker 2>Was just easy, and you think that's it. I got

0:18:09.880 --> 0:18:12.359
<v Speaker 2>it that you don't know that you could be fired.

0:18:12.880 --> 0:18:18.160
<v Speaker 5>I didn't know that was even possible. So I come

0:18:18.200 --> 0:18:25.720
<v Speaker 5>to set and it was the weirdest day of my life,

0:18:25.840 --> 0:18:30.840
<v Speaker 5>even as a kid. I was like, what's going on here? Weird?

0:18:30.880 --> 0:18:34.480
<v Speaker 5>I remember what I was wearing too. I know you

0:18:34.520 --> 0:18:37.040
<v Speaker 5>can't imagine this. I was a bit of an odd kid. Now.

0:18:37.080 --> 0:18:43.879
<v Speaker 5>Tapanga was originally written as a quirky girl, an outlandish

0:18:44.240 --> 0:18:49.200
<v Speaker 5>hippie flower child. Yes, and quirky was the main word.

0:18:50.000 --> 0:18:53.720
<v Speaker 5>So I came in and all the adults were very

0:18:54.200 --> 0:18:58.680
<v Speaker 5>short with me. I went to wardrobe and I had

0:18:58.760 --> 0:19:02.800
<v Speaker 5>a duffel bag of all of my stuff, all of

0:19:02.800 --> 0:19:07.320
<v Speaker 5>my mom's batiqued clothing from the Renaissance there and all

0:19:07.359 --> 0:19:09.880
<v Speaker 5>of that. And she looked at the bag and looked

0:19:09.920 --> 0:19:15.480
<v Speaker 5>at me like just I couldn't describe it at the time.

0:19:16.000 --> 0:19:18.359
<v Speaker 5>I know what it was now, but at the time,

0:19:19.000 --> 0:19:20.520
<v Speaker 5>I like, I went to open the bag, She's like,

0:19:20.640 --> 0:19:25.639
<v Speaker 5>leave that in the corner. All right, okay. So she

0:19:26.680 --> 0:19:30.720
<v Speaker 5>fitted me in this strange what I could only describe

0:19:31.240 --> 0:19:40.200
<v Speaker 5>as a sweatshirt dress aka sweatshirt dress. Like, well, that's

0:19:40.320 --> 0:19:45.280
<v Speaker 5>not very hippie, like it doesn't matter. H humhm. Like

0:19:45.320 --> 0:19:49.760
<v Speaker 5>they put me in very frumpy, strange wardrobe and wouldn't

0:19:49.800 --> 0:19:52.320
<v Speaker 5>look at my stuff. They're like, you know what, just go,

0:19:52.520 --> 0:19:58.280
<v Speaker 5>we'll do this later. Okay. Weird. So the table read

0:19:58.480 --> 0:20:05.119
<v Speaker 5>was great, fun, it was all there. It was couldn't

0:20:05.119 --> 0:20:09.439
<v Speaker 5>have gone better with everyone around. The minute I was

0:20:09.480 --> 0:20:15.040
<v Speaker 5>separated out, it was another story. So now we're blocking

0:20:15.840 --> 0:20:21.000
<v Speaker 5>and Ben started kind of poking at me a little bit.

0:20:21.800 --> 0:20:25.080
<v Speaker 5>He would make faces and try to break me, and

0:20:25.400 --> 0:20:28.480
<v Speaker 5>it worked. At this point, I was becoming a nervous wreck.

0:20:29.080 --> 0:20:32.439
<v Speaker 5>I couldn't get his name. The opening line, Corey, I

0:20:32.480 --> 0:20:37.000
<v Speaker 5>would like, beffaw Corey. And David was just like, get

0:20:37.040 --> 0:20:40.199
<v Speaker 5>it tag together, and I'm trying to pull it together.

0:20:40.600 --> 0:20:43.400
<v Speaker 5>And I pulled it together in sheer fear, and Ben

0:20:43.560 --> 0:20:46.840
<v Speaker 5>just kept kept doing this thing to.

0:20:46.840 --> 0:20:49.760
<v Speaker 2>Crack and you were breaking. You were giggling and breaking

0:20:49.800 --> 0:20:50.440
<v Speaker 2>and giggling.

0:20:51.359 --> 0:20:55.520
<v Speaker 5>Another strange fact is that my dad was not on

0:20:55.720 --> 0:20:59.120
<v Speaker 5>set with me that day. My dad was almost always

0:20:59.119 --> 0:21:01.399
<v Speaker 5>on set with me. Actually on big days it was

0:21:01.440 --> 0:21:04.480
<v Speaker 5>my mom, and my mom was much more. You know.

0:21:05.680 --> 0:21:11.560
<v Speaker 5>I would stay to the side. And I know that

0:21:11.600 --> 0:21:16.760
<v Speaker 5>Michael wasn't there that day, right, Michael wasn't there, My

0:21:16.880 --> 0:21:23.000
<v Speaker 5>dad wasn't there. Strange. And at one point I had

0:21:23.040 --> 0:21:26.960
<v Speaker 5>a line. It was a sweet line, and David went,

0:21:27.600 --> 0:21:34.480
<v Speaker 5>I want you to say it's sweeter peace.

0:21:34.560 --> 0:21:38.960
<v Speaker 2>I was like, I said peace, okay.

0:21:37.680 --> 0:21:45.679
<v Speaker 5>Okay, and uh he said, say it's sweeter. So I

0:21:45.720 --> 0:21:48.399
<v Speaker 5>said its sweeter. He went, no, I want you to

0:21:48.480 --> 0:21:51.720
<v Speaker 5>say it, and he got really close to me, like

0:21:51.800 --> 0:21:58.320
<v Speaker 5>you're saying up birthday. And I was. I was so

0:21:58.600 --> 0:22:04.080
<v Speaker 5>tiny at that moment, and I just said, Okay, I

0:22:04.160 --> 0:22:08.600
<v Speaker 5>really goes do it. I said. I thought he meant

0:22:08.680 --> 0:22:12.080
<v Speaker 5>during the take, he goes do it now, wish me

0:22:12.200 --> 0:22:19.280
<v Speaker 5>a happy birthday. And I took every bit of sacharin

0:22:19.480 --> 0:22:24.920
<v Speaker 5>in my body and just said happy birthday. Good, that's better.

0:22:25.400 --> 0:22:31.520
<v Speaker 5>I was. I was amazed and knew not what to say.

0:22:33.119 --> 0:22:37.600
<v Speaker 5>So and again, benk I would say that your hair

0:22:37.640 --> 0:22:40.879
<v Speaker 5>looks different, so upline. He would mock me. While I

0:22:40.920 --> 0:22:43.200
<v Speaker 5>was saying that. I would say a line and he'd

0:22:43.400 --> 0:22:46.679
<v Speaker 5>mock it back to me. And I think I went, mmmm,

0:22:47.119 --> 0:22:51.080
<v Speaker 5>what are you whoa hey, like, that's not cool. It

0:22:51.480 --> 0:22:55.439
<v Speaker 5>every step of the day, and we were gonna do

0:22:55.480 --> 0:22:58.280
<v Speaker 5>the kissing scene on the locker, but at that point

0:22:58.320 --> 0:23:00.560
<v Speaker 5>I was like, I'm just gonna stay away from him

0:23:00.560 --> 0:23:05.800
<v Speaker 5>till Wednesday, right, geez right, thinking I was, you know,

0:23:06.800 --> 0:23:11.440
<v Speaker 5>stand on my ground, making a good went back to wardrobe.

0:23:11.480 --> 0:23:15.680
<v Speaker 5>They were like, you just take your stuff home. It's like, oh, okay.

0:23:16.760 --> 0:23:19.320
<v Speaker 5>The people that were nice to me were nice. Everyone

0:23:20.160 --> 0:23:24.640
<v Speaker 5>who was lovely was lovely. But it was the strangest

0:23:24.720 --> 0:23:28.240
<v Speaker 5>day on set I had ever had. I went home

0:23:28.680 --> 0:23:32.720
<v Speaker 5>and knew nothing. I did not know what was happening

0:23:32.760 --> 0:23:33.280
<v Speaker 5>that day.

0:23:33.640 --> 0:23:36.000
<v Speaker 2>Of course, so this is this is our Friday. You're

0:23:36.080 --> 0:23:39.119
<v Speaker 2>very the very first day. You probably arrived to set

0:23:39.160 --> 0:23:42.240
<v Speaker 2>around seven or eight. For school, we would have had

0:23:42.240 --> 0:23:45.440
<v Speaker 2>our table read at nine. Rehearsal would have started pretty

0:23:45.480 --> 0:23:48.520
<v Speaker 2>much immediately after, and then the day is usually wrapped.

0:23:48.600 --> 0:23:51.800
<v Speaker 2>Like you, we were done for the day by four

0:23:51.920 --> 0:23:57.400
<v Speaker 2>or five o'clock. And so you're having this awkward, uncomfortable,

0:23:58.119 --> 0:24:01.320
<v Speaker 2>super strange day on set and you're probably thinking, well,

0:24:01.359 --> 0:24:03.880
<v Speaker 2>thank god, there's a weekend after this. I just get

0:24:03.960 --> 0:24:08.440
<v Speaker 2>to go home. Recoop, have a nice weekend, and I'll

0:24:08.440 --> 0:24:10.560
<v Speaker 2>be back on Monday to start fresh.

0:24:10.880 --> 0:24:14.359
<v Speaker 5>Well. And what's even funnier is even with that crazy day,

0:24:14.480 --> 0:24:19.600
<v Speaker 5>I was like, and Monday'll be even better, right, Monday

0:24:19.640 --> 0:24:23.440
<v Speaker 5>will be even better? Uh you know, I'll pull out

0:24:23.480 --> 0:24:28.000
<v Speaker 5>all my my btique tie dyed boardroom that I have.

0:24:28.800 --> 0:24:32.199
<v Speaker 5>I had a whole thing, the humpback Whale. I was

0:24:32.280 --> 0:24:35.120
<v Speaker 5>gonna go full contortion on that scene in my audition.

0:24:35.320 --> 0:24:38.359
<v Speaker 5>I sat down, put both legs behind my head and

0:24:38.480 --> 0:24:43.800
<v Speaker 5>began doing pushups like my gosh, like a dolphin going

0:24:43.960 --> 0:24:49.240
<v Speaker 5>through a wave shape. Like I had a whole choreograph plan,

0:24:50.200 --> 0:24:53.880
<v Speaker 5>yoga centric bit to go with that. I was like,

0:24:54.160 --> 0:24:56.000
<v Speaker 5>when we all get it on our feet, it's gonna

0:24:56.040 --> 0:25:02.200
<v Speaker 5>be great, right, Jes. I had no clue.

0:25:02.440 --> 0:25:05.000
<v Speaker 2>And how old are you? Are you eleven or twelve?

0:25:07.080 --> 0:25:10.080
<v Speaker 2>We're about the same age, right, eighty one?

0:25:10.320 --> 0:25:10.480
<v Speaker 5>Yeah?

0:25:10.560 --> 0:25:13.760
<v Speaker 2>Eighty one roughly? Okay, yeah, so you're twelve ish twelve?

0:25:15.560 --> 0:25:20.680
<v Speaker 5>I was twelvesh Now, what's I remember it so very clearly?

0:25:22.880 --> 0:25:25.359
<v Speaker 5>I had no idea. I woke up the next morning

0:25:26.119 --> 0:25:31.040
<v Speaker 5>to celebrate. I made myself blueberry pancakes because I was

0:25:31.080 --> 0:25:33.240
<v Speaker 5>so grown up with the job now, you know.

0:25:33.520 --> 0:25:34.119
<v Speaker 2>Yeah.

0:25:34.359 --> 0:25:37.040
<v Speaker 5>I made blueberry pancakes and brought them up to my parents'

0:25:37.040 --> 0:25:41.280
<v Speaker 5>bedroom to sit and eat them. When the phone rang.

0:25:44.359 --> 0:25:47.679
<v Speaker 5>My dad picked up the phone. They're like, we're a

0:25:48.320 --> 0:25:51.280
<v Speaker 5>we're the kind of like hanging out, hanging out in

0:25:51.359 --> 0:25:54.360
<v Speaker 5>bed all day sort of it's Saturday. Yeah, the mom

0:25:54.359 --> 0:25:57.359
<v Speaker 5>and dad are totally just you know, chilling. Dad picks

0:25:57.400 --> 0:26:03.040
<v Speaker 5>up the phone and and he didn't wait to get

0:26:03.080 --> 0:26:11.080
<v Speaker 5>off the phone. He just said, what you're kidding? They

0:26:11.160 --> 0:26:22.840
<v Speaker 5>fired you? You're fired? What what? I left my pancakes,

0:26:22.880 --> 0:26:27.560
<v Speaker 5>ran into my room, took a blue blueberry smelling Markron

0:26:27.600 --> 0:26:31.040
<v Speaker 5>wrote the worst day of my life on my Hummingbird calendar.

0:26:32.840 --> 0:26:37.080
<v Speaker 5>What came out? Fortunately, I had been with my agent

0:26:37.119 --> 0:26:40.600
<v Speaker 5>a very long time. I'd been working with her a

0:26:40.880 --> 0:26:46.400
<v Speaker 5>very long time. The director said I couldn't take direction,

0:26:47.680 --> 0:26:51.639
<v Speaker 5>which is one thing I had never been accused of.

0:26:52.480 --> 0:26:56.440
<v Speaker 5>I was working a lot, and my agent immediately fought

0:26:56.560 --> 0:26:59.240
<v Speaker 5>back on that one. It's like, she can't take direction,

0:26:59.359 --> 0:27:00.520
<v Speaker 5>we have to fire or her.

0:27:00.920 --> 0:27:02.840
<v Speaker 2>Yeah, well, she's worked on this show and that show,

0:27:02.880 --> 0:27:04.440
<v Speaker 2>and this show and that show, and none of them

0:27:04.480 --> 0:27:06.399
<v Speaker 2>have ever said she can't take direction.

0:27:07.119 --> 0:27:11.000
<v Speaker 5>And actually every director been like she takes she too

0:27:11.880 --> 0:27:16.280
<v Speaker 5>wonderfully like that. She even said that's a lie. What's

0:27:16.400 --> 0:27:17.000
<v Speaker 5>going on?

0:27:17.440 --> 0:27:20.000
<v Speaker 2>Yeah?

0:27:20.040 --> 0:27:26.280
<v Speaker 5>And because I always say corpse's float. There are no secrets,

0:27:27.240 --> 0:27:32.159
<v Speaker 5>especially in this industry. It came out very quickly to

0:27:32.200 --> 0:27:37.359
<v Speaker 5>my agent that the director didn't think I was pretty enough,

0:27:39.320 --> 0:27:45.560
<v Speaker 5>literally did not think I was pretty enough. So that

0:27:45.720 --> 0:27:50.680
<v Speaker 5>meant that a grown up, a man, a boss, would

0:27:50.920 --> 0:27:54.040
<v Speaker 5>could lie about me and tell me I was untalented

0:27:54.480 --> 0:27:59.200
<v Speaker 5>because the fact was he didn't think I was pretty. Wow.

0:28:00.040 --> 0:28:02.960
<v Speaker 5>Live with that, I'm taking away the thing you want

0:28:03.000 --> 0:28:07.280
<v Speaker 5>most in the world that was all but written for you. Yeah,

0:28:07.600 --> 0:28:11.440
<v Speaker 5>it's because you're not talented. Sorry, eyelied, It's just because

0:28:11.480 --> 0:28:13.800
<v Speaker 5>you're not pretty, right right?

0:28:15.320 --> 0:28:23.119
<v Speaker 3>Wow?

0:28:26.000 --> 0:28:29.960
<v Speaker 2>And so when you hear this, we all know because

0:28:29.960 --> 0:28:32.520
<v Speaker 2>we've all been those twelve year olds who also operate

0:28:32.640 --> 0:28:37.600
<v Speaker 2>like adults. Do you take this with twelve year old

0:28:37.600 --> 0:28:41.400
<v Speaker 2>emotion or like, how does this affect you when you

0:28:41.480 --> 0:28:44.840
<v Speaker 2>hear it? Do you just like this this this professional

0:28:45.000 --> 0:28:49.400
<v Speaker 2>adult side kick in and you kind of muster up

0:28:49.440 --> 0:28:52.080
<v Speaker 2>the courage, or do you just emotionally break?

0:28:54.520 --> 0:28:59.960
<v Speaker 5>I was shattered. I was shattered there. I don't know

0:29:00.080 --> 0:29:03.040
<v Speaker 5>a lot of adults that could handle that one.

0:29:03.200 --> 0:29:05.080
<v Speaker 4>No way, no way, let.

0:29:05.240 --> 0:29:08.320
<v Speaker 5>Let alone a quirky kid.

0:29:10.440 --> 0:29:11.240
<v Speaker 4>Emotional people.

0:29:11.720 --> 0:29:16.960
<v Speaker 5>Quirky in the nineties was also kind of code for nerdy, like.

0:29:17.480 --> 0:29:24.120
<v Speaker 3>Just weird, abnormal and different. Quirky was the positive spin

0:29:24.280 --> 0:29:28.080
<v Speaker 3>on the correct characteristics that were not considered great.

0:29:28.800 --> 0:29:33.440
<v Speaker 5>I never knew who got the job until it aired.

0:29:34.360 --> 0:29:36.480
<v Speaker 2>Wow, And did you watch it then? When it aired?

0:29:37.200 --> 0:29:41.080
<v Speaker 5>I watched the show exactly once in my life, and

0:29:41.160 --> 0:29:42.280
<v Speaker 5>it was that episode.

0:29:42.960 --> 0:29:43.400
<v Speaker 2>Wow.

0:29:44.200 --> 0:29:49.040
<v Speaker 5>There is a lot that goes on throughout that time.

0:29:50.640 --> 0:29:54.360
<v Speaker 5>But I had found out that that you and Marla

0:29:54.480 --> 0:29:57.960
<v Speaker 5>had auditioned over the weekend, which.

0:29:57.880 --> 0:30:00.000
<v Speaker 2>Was Friday night. To be exactly what you did.

0:30:00.240 --> 0:30:02.920
<v Speaker 5>No, such a slap in the face to find out

0:30:03.000 --> 0:30:04.600
<v Speaker 5>that I was dead man walking.

0:30:05.040 --> 0:30:07.480
<v Speaker 2>Yeah, by that time you left on Friday, you were

0:30:07.480 --> 0:30:08.600
<v Speaker 2>already gone. I bet you.

0:30:09.160 --> 0:30:11.240
<v Speaker 3>My theory is that they made the decision at the

0:30:11.280 --> 0:30:14.320
<v Speaker 3>table read. I bet you it was. The reason you

0:30:14.320 --> 0:30:17.280
<v Speaker 3>felt so awkward. Is that whoever was pushing against you,

0:30:17.320 --> 0:30:19.600
<v Speaker 3>whether that was David Traynor alone or someone at the

0:30:19.640 --> 0:30:23.000
<v Speaker 3>network or whatever, who decided they made that decision after

0:30:23.040 --> 0:30:25.120
<v Speaker 3>the table read, and then you were dead man walking

0:30:25.120 --> 0:30:25.800
<v Speaker 3>the entire day.

0:30:25.840 --> 0:30:28.320
<v Speaker 5>That's my feeling. And that's why I haven't even a

0:30:28.360 --> 0:30:32.360
<v Speaker 5>bigger feeling than that I was dead before I ever

0:30:32.400 --> 0:30:35.959
<v Speaker 5>walked on that set. I truly believe that David Traynor

0:30:36.680 --> 0:30:41.600
<v Speaker 5>decided the minute the phone call was made that he

0:30:41.640 --> 0:30:43.320
<v Speaker 5>was going to get rid of that kid, come hell

0:30:43.400 --> 0:30:46.200
<v Speaker 5>or high water. And what a hell of a thing

0:30:46.280 --> 0:30:50.040
<v Speaker 5>to do to somebody. Yeah, I'm sure you all had

0:30:50.160 --> 0:30:54.959
<v Speaker 5>amazing experiences with him. He went on to do a

0:30:55.000 --> 0:30:59.880
<v Speaker 5>lot of great shows. Yeah, it makes me wonder why

0:31:00.120 --> 0:31:03.160
<v Speaker 5>didn't my second choice, Why wasn't there a backup?

0:31:03.960 --> 0:31:07.160
<v Speaker 2>Well, because I think, really, when when we take our

0:31:07.200 --> 0:31:08.800
<v Speaker 2>if we can get to a place where we can

0:31:08.840 --> 0:31:12.880
<v Speaker 2>completely take ourselves out of it. There was a power

0:31:12.920 --> 0:31:16.640
<v Speaker 2>struggle that had nothing to do with characters or topanga

0:31:16.880 --> 0:31:21.480
<v Speaker 2>or actors at all. It was a power struggle between

0:31:21.800 --> 0:31:27.000
<v Speaker 2>two adults who wanted power, period and the the we

0:31:27.000 --> 0:31:31.440
<v Speaker 2>were all just you know, yeah, I want to get

0:31:31.480 --> 0:31:35.640
<v Speaker 2>back to Bonnie. You and you're where you were at

0:31:35.680 --> 0:31:40.479
<v Speaker 2>that day. So you're just absolutely shattered. Your job has

0:31:40.520 --> 0:31:43.600
<v Speaker 2>been taken from you. This dream you thought you had

0:31:43.640 --> 0:31:46.000
<v Speaker 2>finally fulfilled. You were going to be this character on

0:31:46.040 --> 0:31:49.200
<v Speaker 2>the show that was going to be amazing. What's the

0:31:49.240 --> 0:31:51.640
<v Speaker 2>first thing you do. Your dad hangs up the phone,

0:31:51.840 --> 0:31:54.840
<v Speaker 2>and what's the first thing you do to like pick

0:31:54.920 --> 0:31:56.880
<v Speaker 2>up and move on from this situation.

0:31:58.200 --> 0:32:04.720
<v Speaker 5>Well, that's where it gets a little more interesting. At

0:32:04.720 --> 0:32:08.400
<v Speaker 5>the time, I had booked two series.

0:32:08.480 --> 0:32:10.480
<v Speaker 2>When you got the role of Tapanga and I got

0:32:10.520 --> 0:32:11.520
<v Speaker 2>something else ya.

0:32:12.240 --> 0:32:15.360
<v Speaker 5>When I got the role of Tapanga, I had also

0:32:15.400 --> 0:32:19.120
<v Speaker 5>booked a pilot and they both shot at the same time.

0:32:19.400 --> 0:32:20.239
<v Speaker 4>Oh no oh.

0:32:20.480 --> 0:32:23.400
<v Speaker 5>I had to make a decision, a very hard decision

0:32:24.120 --> 0:32:32.200
<v Speaker 5>between a series regular role that was the exact character

0:32:32.240 --> 0:32:36.600
<v Speaker 5>I wanted to play, or the little sister on a

0:32:36.680 --> 0:32:42.960
<v Speaker 5>Nickelodeon pilot who was written like Doogie howser tough Call

0:32:43.440 --> 0:32:45.720
<v Speaker 5>pilot and it was really, you know, like bird in

0:32:45.720 --> 0:32:47.480
<v Speaker 5>the Hand is worth two in the Bush pilot might

0:32:47.560 --> 0:32:51.960
<v Speaker 5>not ago, and I was. I was gung ho for Tipanga,

0:32:52.040 --> 0:32:54.120
<v Speaker 5>but the grown ups were talking, the parents and the

0:32:54.120 --> 0:32:58.440
<v Speaker 5>agents were like wow, decision was made for that. So

0:32:58.800 --> 0:33:05.280
<v Speaker 5>while I'm know hugging Gone by Bed now, my parents

0:33:05.320 --> 0:33:08.240
<v Speaker 5>are trying to find the silver line, like, well, maybe

0:33:08.240 --> 0:33:13.880
<v Speaker 5>you can do the other show, which was such a

0:33:14.080 --> 0:33:20.360
<v Speaker 5>consolation prize because this was Nerd Glass of knee Socks

0:33:20.360 --> 0:33:21.000
<v Speaker 5>and Peter.

0:33:20.800 --> 0:33:23.080
<v Speaker 2>Pan collars because everything.

0:33:28.240 --> 0:33:33.320
<v Speaker 5>So immediately my scheme goes in damage control to get

0:33:33.360 --> 0:33:39.000
<v Speaker 5>that back, and miraculously they did. They got it back,

0:33:39.160 --> 0:33:43.840
<v Speaker 5>so I didn't have a chance to wallow, and I

0:33:44.000 --> 0:33:48.440
<v Speaker 5>wanted to waller. Oh my pity party was going to

0:33:48.480 --> 0:33:51.120
<v Speaker 5>be amazing. There were going to be tea cakes and everything.

0:33:51.880 --> 0:33:55.160
<v Speaker 5>How you have a job to do, and you're going

0:33:55.240 --> 0:33:59.520
<v Speaker 5>to do that job because that's what we do. If

0:33:59.560 --> 0:34:02.800
<v Speaker 5>you hear strange screeching, it's because I have a cockatoo

0:34:02.800 --> 0:34:03.440
<v Speaker 5>in the other room.

0:34:03.480 --> 0:34:06.520
<v Speaker 2>Who was going to say, do you have a food? Yeah?

0:34:06.320 --> 0:34:09.839
<v Speaker 5>Yes, I have a small menagerie at my house. And

0:34:09.880 --> 0:34:12.600
<v Speaker 5>the kind of it is a let me know if

0:34:12.640 --> 0:34:15.319
<v Speaker 5>it's a too invasive in the sound process.

0:34:15.520 --> 0:34:17.680
<v Speaker 2>Yeah, maybe your cockatoo is something he'd like to say

0:34:17.680 --> 0:34:17.880
<v Speaker 2>to me.

0:34:19.440 --> 0:34:24.600
<v Speaker 5>He will, he will make sweet Casanova bird love too, Sweetie.

0:34:24.880 --> 0:34:26.240
<v Speaker 5>I'll go get him in a minute.

0:34:26.400 --> 0:34:27.000
<v Speaker 2>Okay, great.

0:34:27.160 --> 0:34:32.560
<v Speaker 5>So this show was about a girl who gets doused

0:34:32.960 --> 0:34:38.560
<v Speaker 5>with a nuclear waste or something and she gets superpowers,

0:34:38.880 --> 0:34:42.000
<v Speaker 5>and like that was really the cool rule that once

0:34:42.040 --> 0:34:45.520
<v Speaker 5>again went to the pretty girl. Now I hate to

0:34:45.600 --> 0:34:48.839
<v Speaker 5>use that term so much because I'm in no way

0:34:48.880 --> 0:34:55.760
<v Speaker 5>disparaging myself, but every generation has their ideal of beauty,

0:34:55.800 --> 0:34:59.720
<v Speaker 5>if you will. Sure in the nineties it was Alyssa Milano.

0:35:00.120 --> 0:35:01.960
<v Speaker 2>Mm hmmm, it was that type.

0:35:02.440 --> 0:35:07.560
<v Speaker 5>Right now it's Anya Taylor Joy or Ananta Sea Freed. Like.

0:35:08.000 --> 0:35:13.520
<v Speaker 5>That's not to say that others aren't beautiful, but when

0:35:13.560 --> 0:35:18.600
<v Speaker 5>you have Charlie's their own as your measure of beauty,

0:35:18.840 --> 0:35:24.480
<v Speaker 5>I am not a common looking that, especially for the nineties.

0:35:25.200 --> 0:35:28.560
<v Speaker 5>So there's the girl covered in nuclear waste who's suddenly

0:35:28.640 --> 0:35:32.440
<v Speaker 5>moving things with her mind, and I'm the nerdy doogie

0:35:32.440 --> 0:35:37.279
<v Speaker 5>howser MD type genius who has already graduated college and

0:35:37.440 --> 0:35:42.120
<v Speaker 5>is sort of her sidekick, almost little sister, but helping

0:35:42.120 --> 0:35:47.160
<v Speaker 5>her navigate her powers. A lot of big words, yeah right, Yeah,

0:35:47.360 --> 0:35:51.000
<v Speaker 5>a lot of big words in that script. So I

0:35:51.040 --> 0:35:54.480
<v Speaker 5>went from one to the next, and I am just

0:35:54.600 --> 0:35:58.319
<v Speaker 5>trying to keep it together and not talk about it, right,

0:35:58.400 --> 0:36:00.120
<v Speaker 5>because you're not supposed to talk about.

0:35:59.880 --> 0:36:01.279
<v Speaker 2>It, right. Yeah.

0:36:01.480 --> 0:36:15.240
<v Speaker 5>Really, I do have to go back just a little bit, though,

0:36:15.719 --> 0:36:19.680
<v Speaker 5>because you definitely had something to add because as viciously

0:36:19.719 --> 0:36:24.799
<v Speaker 5>as I was treated by David, who was championing a

0:36:24.880 --> 0:36:29.960
<v Speaker 5>different look which he cast, he cast that look, he

0:36:30.040 --> 0:36:33.799
<v Speaker 5>had a type. You and Marla were definitely on the

0:36:33.840 --> 0:36:39.880
<v Speaker 5>same call sheet looking wise. Yes, So he had his

0:36:40.320 --> 0:36:44.960
<v Speaker 5>ideal replacements on deck in lesser roles. So the minute

0:36:44.960 --> 0:36:49.880
<v Speaker 5>I walked off that set, those two were ushered into network.

0:36:51.320 --> 0:36:56.200
<v Speaker 5>And I understand that you had an equally terrible experience

0:36:56.280 --> 0:36:57.640
<v Speaker 5>with my champion, Michael.

0:36:58.239 --> 0:37:03.200
<v Speaker 2>Yeah on that Yeah. So Friday was your brutal day

0:37:03.920 --> 0:37:08.000
<v Speaker 2>and David was hard on you. And I thought it

0:37:08.040 --> 0:37:10.919
<v Speaker 2>was very interesting that you really remembered that cafeteria scene

0:37:10.920 --> 0:37:14.319
<v Speaker 2>where you had to say peace, because I remember that

0:37:14.440 --> 0:37:18.560
<v Speaker 2>scene and watching David work with you, and I remember

0:37:18.719 --> 0:37:24.720
<v Speaker 2>hearing David say, no, Sweeter, it's peace. It's not peace,

0:37:25.400 --> 0:37:31.480
<v Speaker 2>it's peace, and I remained in my voice. Yeah, you know,

0:37:31.840 --> 0:37:35.360
<v Speaker 2>Michael loves your voice. Michael is my whole life. Michael

0:37:35.400 --> 0:37:39.960
<v Speaker 2>told me, lower your voice, lower your voice the register

0:37:40.880 --> 0:37:43.840
<v Speaker 2>I needed your Michael wanted me to have your voice,

0:37:44.160 --> 0:37:50.520
<v Speaker 2>and David wanted you to say peace. And so you

0:37:50.600 --> 0:37:52.400
<v Speaker 2>had that day Friday, Hary Willow.

0:37:53.200 --> 0:37:54.800
<v Speaker 5>Yeah, I believe, and.

0:37:55.160 --> 0:37:59.080
<v Speaker 2>You know, and I then went to work on Monday

0:37:59.200 --> 0:38:02.680
<v Speaker 2>as the new to pay and had a perfectly fine

0:38:02.719 --> 0:38:06.160
<v Speaker 2>day with David. Went all day rehearsal. Think it's great,

0:38:06.360 --> 0:38:09.319
<v Speaker 2>I've got it. This feels good, and then I did

0:38:09.360 --> 0:38:12.239
<v Speaker 2>the run through, and at the end of that run through,

0:38:12.920 --> 0:38:17.400
<v Speaker 2>Michael did in front of everybody what David had done

0:38:17.600 --> 0:38:19.680
<v Speaker 2>to you in front of everybody on Friday.

0:38:19.760 --> 0:38:24.000
<v Speaker 4>Can I ask, was a male actor ever treated like that?

0:38:24.160 --> 0:38:26.040
<v Speaker 1>I can't think of a single time when a male

0:38:26.080 --> 0:38:27.560
<v Speaker 1>actor on our show was treated like that?

0:38:27.600 --> 0:38:28.399
<v Speaker 4>Can anybody else?

0:38:30.000 --> 0:38:32.080
<v Speaker 3>No? I mean kids were fired, right, We had multiple

0:38:32.160 --> 0:38:33.600
<v Speaker 3>sh but they weren't fired.

0:38:33.800 --> 0:38:36.680
<v Speaker 4>They weren't called out in front of everybody and then fired.

0:38:36.719 --> 0:38:37.800
<v Speaker 4>They just weren't there again.

0:38:38.160 --> 0:38:39.040
<v Speaker 3>Right.

0:38:39.040 --> 0:38:42.080
<v Speaker 1>It seemed like it seemed like this was for some reason.

0:38:42.600 --> 0:38:45.759
<v Speaker 1>If you were a girl, I'm going to wreck you

0:38:45.760 --> 0:38:46.719
<v Speaker 1>in front of everybody.

0:38:46.840 --> 0:38:55.520
<v Speaker 5>Whoever. I've weirdly been on other sets observing when one,

0:38:56.239 --> 0:38:59.840
<v Speaker 5>let's just say one mogul champions one person and another

0:39:00.040 --> 0:39:03.400
<v Speaker 5>logal champions and other so they'll like take turns, and

0:39:03.440 --> 0:39:08.040
<v Speaker 5>this happens when time's up. Happened it was time. They'll

0:39:08.040 --> 0:39:15.240
<v Speaker 5>take turns, like abusing the other one's favorite if you will, like, well,

0:39:15.680 --> 0:39:18.319
<v Speaker 5>I'm gonna yell at yours and like beat them down.

0:39:18.440 --> 0:39:20.359
<v Speaker 5>It's like, oh, you want to yell at mine, I'll

0:39:20.440 --> 0:39:23.640
<v Speaker 5>yell at yours. And I've watched it obvious when it

0:39:23.719 --> 0:39:28.600
<v Speaker 5>happens and it's like, wow, it's alive and well, isn't it.

0:39:28.960 --> 0:39:33.560
<v Speaker 5>But even in my episode, the hair straightening serum was

0:39:33.600 --> 0:39:38.520
<v Speaker 5>from another actor, a young actor, and I remember the doves.

0:39:38.800 --> 0:39:41.279
<v Speaker 5>Rochelle says, it was.

0:39:41.239 --> 0:39:48.280
<v Speaker 3>All about I will and yeah, I had a tiny

0:39:48.280 --> 0:39:50.200
<v Speaker 3>part that week until.

0:39:50.120 --> 0:39:54.759
<v Speaker 5>When finally came to Fruition, he was gone too. It

0:39:54.840 --> 0:39:57.000
<v Speaker 5>was like they cleaned house and all of a sudden,

0:39:57.080 --> 0:40:01.880
<v Speaker 5>Stacey said said, geez, so.

0:40:02.239 --> 0:40:04.920
<v Speaker 2>But I want I mean, I don't. Maybe it didn't

0:40:04.920 --> 0:40:08.560
<v Speaker 2>bring you the same comfort it brought me, But it

0:40:08.640 --> 0:40:11.040
<v Speaker 2>was so interesting when Bonnie and I were on the

0:40:11.080 --> 0:40:15.040
<v Speaker 2>phone and first of all, just for her and I

0:40:15.120 --> 0:40:19.840
<v Speaker 2>to connect as just woman to woman, but then also

0:40:20.200 --> 0:40:23.480
<v Speaker 2>actor to actor, and all this time between the two

0:40:23.520 --> 0:40:25.680
<v Speaker 2>of us, and yet our lives have we have in

0:40:26.120 --> 0:40:28.640
<v Speaker 2>my mind, I mean, Bonnie and I are like this,

0:40:29.239 --> 0:40:31.719
<v Speaker 2>and yet we've had all this time, but are are

0:40:36.120 --> 0:40:42.920
<v Speaker 2>no Our stories are inextricably flinked, and yet we have

0:40:43.040 --> 0:40:47.799
<v Speaker 2>had all the space. And to hear what she what

0:40:48.000 --> 0:40:50.800
<v Speaker 2>from her POV and her perspective and what she went through,

0:40:50.880 --> 0:40:53.240
<v Speaker 2>and then to have it go all the light bulbs

0:40:53.280 --> 0:40:56.439
<v Speaker 2>went off for me that, oh that that that note

0:40:56.480 --> 0:41:00.120
<v Speaker 2>session had nothing to do with me. It had nothing

0:41:00.160 --> 0:41:03.240
<v Speaker 2>to do with my performance. And guess what, everything Bonnie

0:41:03.239 --> 0:41:05.480
<v Speaker 2>had happened, everything that went through there had nothing to

0:41:05.480 --> 0:41:07.880
<v Speaker 2>do with Bonnie, had nothing to do with her looks,

0:41:08.040 --> 0:41:10.239
<v Speaker 2>had nothing to do with her performance, had nothing to

0:41:10.239 --> 0:41:15.440
<v Speaker 2>do with her. It was another storyline that was playing

0:41:15.480 --> 0:41:19.960
<v Speaker 2>out behind the scenes, and we were just characters in

0:41:20.040 --> 0:41:26.080
<v Speaker 2>the play. And we never would have known that had

0:41:26.120 --> 0:41:26.960
<v Speaker 2>we not talked.

0:41:28.360 --> 0:41:30.640
<v Speaker 5>But what I told you too, which got even a

0:41:30.680 --> 0:41:36.280
<v Speaker 5>little weirder, was this is really, this is the thing

0:41:36.360 --> 0:41:39.879
<v Speaker 5>that doesn't go away in my life. Very weirdly, it

0:41:40.080 --> 0:41:45.959
<v Speaker 5>keeps rearing its head no matter how much I get

0:41:46.040 --> 0:41:50.960
<v Speaker 5>past it, Like really, it just keeps showing up. Yeah,

0:41:51.040 --> 0:41:53.120
<v Speaker 5>I have to back up one more time too. When

0:41:53.160 --> 0:41:58.760
<v Speaker 5>I saw the show, I realized because I had found

0:41:58.800 --> 0:42:04.640
<v Speaker 5>out all of that, and I saw the Barbie Mettell

0:42:04.800 --> 0:42:13.560
<v Speaker 5>Girl a literal doll as Topanga, and it was like, oh,

0:42:13.640 --> 0:42:16.520
<v Speaker 5>it was the only time I would ever watch the

0:42:16.600 --> 0:42:23.480
<v Speaker 5>show because I was not about torturing myself, which is

0:42:23.520 --> 0:42:26.840
<v Speaker 5>probably healthy, and it was a hard show to avoid really,

0:42:28.640 --> 0:42:33.120
<v Speaker 5>so the one time I did see it was very

0:42:33.200 --> 0:42:36.480
<v Speaker 5>hard and I had to just and it's hard not

0:42:36.560 --> 0:42:38.120
<v Speaker 5>to become a bitter twelve year old.

0:42:38.880 --> 0:42:41.200
<v Speaker 2>Yeah, z, you don't want to be that.

0:42:41.360 --> 0:42:46.200
<v Speaker 5>So in the meantime, the show The Secret World of

0:42:46.239 --> 0:42:50.759
<v Speaker 5>Alex Mack gets picked up by Nickelodeon. Yes, and I

0:42:50.800 --> 0:42:56.319
<v Speaker 5>get a letter in the mail how wonderful you were

0:42:56.320 --> 0:43:01.480
<v Speaker 5>in the pilot and how much energy you brought. However,

0:43:01.560 --> 0:43:05.560
<v Speaker 5>that network has decided it would serve the show better

0:43:05.960 --> 0:43:12.760
<v Speaker 5>to have an older sister as Dianer sixteen. So better

0:43:12.880 --> 0:43:13.920
<v Speaker 5>luck next time.

0:43:15.040 --> 0:43:15.400
<v Speaker 2>Geez.

0:43:16.040 --> 0:43:25.400
<v Speaker 5>So I have now lost both series, which was again

0:43:25.840 --> 0:43:31.200
<v Speaker 5>the hits came so hard and so fast, and again

0:43:31.320 --> 0:43:36.040
<v Speaker 5>they had nothing to do with me. And finally someone

0:43:36.080 --> 0:43:40.480
<v Speaker 5>from Alex Matt Colden said it was a conflict. We

0:43:41.239 --> 0:43:45.400
<v Speaker 5>couldn't have Doogie Howser on the show with So now

0:43:46.120 --> 0:43:50.760
<v Speaker 5>time March is on. My sister and I are both actors.

0:43:50.840 --> 0:43:56.240
<v Speaker 5>Molly was on Full House actually for several episodes as Mickey,

0:43:56.600 --> 0:43:59.560
<v Speaker 5>the girl that gets Stephanie to smoke. All of them

0:44:00.040 --> 0:44:05.560
<v Speaker 5>had bad noir, Big Sister. So now I get word

0:44:06.360 --> 0:44:09.200
<v Speaker 5>from the and everyone knows this is a touchy subject.

0:44:09.760 --> 0:44:11.840
<v Speaker 5>Molly has an audition for Boyet's World.

0:44:12.160 --> 0:44:14.319
<v Speaker 2>Yeah. It's about a year later, because it's season two.

0:44:14.719 --> 0:44:17.399
<v Speaker 5>Yeah, it's about a year later. And Mollie actually did

0:44:17.400 --> 0:44:21.319
<v Speaker 5>two episodes and it was a very small part. And

0:44:21.400 --> 0:44:29.239
<v Speaker 5>I was like, no, absolutely not but professional small role.

0:44:29.640 --> 0:44:32.800
<v Speaker 5>This is not how we do things. So Molly auditioned.

0:44:32.880 --> 0:44:36.239
<v Speaker 5>Of course, she booked it. Mollie was a wonderful actress,

0:44:37.400 --> 0:44:40.120
<v Speaker 5>all of those things. She books it, and then the

0:44:40.280 --> 0:44:44.920
<v Speaker 5>character recurs, and then the character recurs, and it was

0:44:47.760 --> 0:44:51.560
<v Speaker 5>very happy for her, very hard. This is still really fresh.

0:44:52.280 --> 0:44:53.080
<v Speaker 2>Yeah.

0:44:53.120 --> 0:44:58.920
<v Speaker 5>And what's more is we didn't think they knew she

0:44:59.120 --> 0:45:01.960
<v Speaker 5>was my sister. We didn't know how much of a

0:45:02.040 --> 0:45:07.160
<v Speaker 5>scourge I was on set, so we really didn't want

0:45:07.200 --> 0:45:11.960
<v Speaker 5>anyone to know right that we were related, that she

0:45:12.080 --> 0:45:14.439
<v Speaker 5>had anything to do with me, because we didn't want

0:45:14.520 --> 0:45:15.879
<v Speaker 5>her to get fired too.

0:45:16.680 --> 0:45:17.120
<v Speaker 2>Yeah.

0:45:17.160 --> 0:45:23.560
<v Speaker 5>So there she is on set. And what's strange is

0:45:24.040 --> 0:45:26.800
<v Speaker 5>I was always the contortionist, all of that, and Molly

0:45:26.920 --> 0:45:33.280
<v Speaker 5>had also figured out how to pop hers. Not quite

0:45:33.280 --> 0:45:37.560
<v Speaker 5>the same, but apparently everyone on set had been talking

0:45:37.560 --> 0:45:41.400
<v Speaker 5>about party tricks or strange things, and Molly, without thinking,

0:45:41.880 --> 0:45:45.479
<v Speaker 5>pulled it out. And she.

0:45:48.560 --> 0:45:49.200
<v Speaker 4>Even said the.

0:45:49.160 --> 0:45:51.600
<v Speaker 5>Minute she did it, and I was like, hey, you

0:45:51.640 --> 0:45:55.800
<v Speaker 5>know who you look like? And she went, oh, no,

0:46:01.360 --> 0:46:06.759
<v Speaker 5>oh no. So Molly pulled you aside and confided it

0:46:06.800 --> 0:46:09.319
<v Speaker 5>to you. And that was kind of a big deal

0:46:09.360 --> 0:46:13.000
<v Speaker 5>for her to do, because, look, she trusted you to

0:46:13.040 --> 0:46:15.960
<v Speaker 5>tell you that. At that point, she was probably a

0:46:15.960 --> 0:46:21.360
<v Speaker 5>little scared she might get found out or fired. So

0:46:22.719 --> 0:46:26.719
<v Speaker 5>insult to injury comes. It's tape day and the family's like,

0:46:26.800 --> 0:46:28.400
<v Speaker 5>you should go and support your sister.

0:46:29.040 --> 0:46:33.560
<v Speaker 2>Wow, so do you.

0:46:33.719 --> 0:46:38.480
<v Speaker 5>I had to put on my big girl panties this

0:46:38.520 --> 0:46:40.120
<v Speaker 5>show that day.

0:46:41.080 --> 0:46:43.640
<v Speaker 2>Good four there.

0:46:44.160 --> 0:46:46.880
<v Speaker 5>And showed up and I sat in that audience and

0:46:46.920 --> 0:46:48.920
<v Speaker 5>when the warm up, guys like, does anyone have any

0:46:48.960 --> 0:46:51.120
<v Speaker 5>special talents that they want to show off to our

0:46:51.160 --> 0:46:54.719
<v Speaker 5>studio audience. I had so many T shirts from all

0:46:54.800 --> 0:46:57.680
<v Speaker 5>my friends shows Growing Pains. I had a T shirt

0:46:57.719 --> 0:46:59.880
<v Speaker 5>from every show that I got up and entertained on.

0:47:01.480 --> 0:47:05.840
<v Speaker 5>I didn't get up. I sat there and watched and

0:47:05.960 --> 0:47:08.160
<v Speaker 5>at the end of the show, Cast takes a bow

0:47:08.680 --> 0:47:13.680
<v Speaker 5>and Molly weaves the family down setting foot on that set.

0:47:15.040 --> 0:47:20.640
<v Speaker 5>Really like my toes curled when I walked like past

0:47:20.760 --> 0:47:25.160
<v Speaker 5>audience land onto that set. It was just like yeah

0:47:25.200 --> 0:47:30.840
<v Speaker 5>and cast, yeah, and everyone was really nice to me.

0:47:32.560 --> 0:47:35.320
<v Speaker 5>Everyone was really nice, and it was kind of awkward.

0:47:35.320 --> 0:47:38.400
<v Speaker 5>And I didn't know this. My dad said that David

0:47:39.120 --> 0:47:42.560
<v Speaker 5>came in from the corner and clocked me and saw me,

0:47:43.320 --> 0:47:45.480
<v Speaker 5>and he said the look on his face was just

0:47:47.960 --> 0:47:50.080
<v Speaker 5>he said, he just gave a look to you. And

0:47:50.520 --> 0:47:54.799
<v Speaker 5>Dad looked at him like, hey, man, gave him a

0:47:54.800 --> 0:47:57.120
<v Speaker 5>total hay Man look. And he said that it was

0:47:57.160 --> 0:48:00.400
<v Speaker 5>a look of I don't know if it was Contricia Gilt,

0:48:00.400 --> 0:48:04.480
<v Speaker 5>but it was like right, it was a definite look.

0:48:04.960 --> 0:48:09.439
<v Speaker 5>And weirdly, weirdly, I ran into the rider. I don't

0:48:09.440 --> 0:48:13.360
<v Speaker 5>know if you remember this where when I was doing

0:48:13.600 --> 0:48:18.920
<v Speaker 5>Shakespeare in northern California. I think I may have been

0:48:18.960 --> 0:48:22.200
<v Speaker 5>doing Midsummer again. This time I was playing Puck and

0:48:23.120 --> 0:48:26.200
<v Speaker 5>Molly was there, and we were at the Burbank Airport.

0:48:26.960 --> 0:48:29.399
<v Speaker 2>Writer's favorite face Home away from Home.

0:48:29.680 --> 0:48:33.400
<v Speaker 5>You were walking through and again you're walking through. I

0:48:33.480 --> 0:48:35.920
<v Speaker 5>was sitting with a man named David Springhorn who was

0:48:35.920 --> 0:48:42.359
<v Speaker 5>playing bottom genius actor, and I just he goes, well,

0:48:42.440 --> 0:48:45.799
<v Speaker 5>you look like you just saw a ghost and you

0:48:45.880 --> 0:48:51.000
<v Speaker 5>saw my sister and you were like me and you

0:48:51.040 --> 0:48:54.840
<v Speaker 5>two sat down and Molly like pointed me like you

0:48:54.960 --> 0:48:59.799
<v Speaker 5>got like hey, hi, and you do. I think our

0:49:00.160 --> 0:49:04.279
<v Speaker 5>was delayed because we had a lot of time, and

0:49:05.560 --> 0:49:10.400
<v Speaker 5>I sat and told bottom David Springhorn the story of

0:49:10.520 --> 0:49:14.279
<v Speaker 5>what happened, and he looked at it was like, well,

0:49:14.320 --> 0:49:19.560
<v Speaker 5>aren't you just the little survivor? Yeah, because because I

0:49:19.600 --> 0:49:27.560
<v Speaker 5>didn't leave, I stayed in this business. This destroyed me

0:49:27.640 --> 0:49:30.839
<v Speaker 5>at the time. Make no mistake, this was probably one

0:49:30.880 --> 0:49:36.439
<v Speaker 5>of the more defining experiences of my life. But it's

0:49:36.520 --> 0:49:44.959
<v Speaker 5>one of severe perseverance. I did not let it take

0:49:45.000 --> 0:49:47.800
<v Speaker 5>me out of of my life.

0:49:49.960 --> 0:49:54.600
<v Speaker 2>And so over the years, have you ever shared this

0:49:54.719 --> 0:49:58.560
<v Speaker 2>story publicly with as many times as you've been interviewed

0:49:58.960 --> 0:50:01.120
<v Speaker 2>with as an illustrious this is a of a career

0:50:01.160 --> 0:50:04.080
<v Speaker 2>as you have had. Have you ever when somebody asks you,

0:50:04.160 --> 0:50:07.000
<v Speaker 2>what's a little tidbit about you that nobody knows? Have

0:50:07.120 --> 0:50:09.360
<v Speaker 2>you ever shared this story publicly?

0:50:09.800 --> 0:50:14.439
<v Speaker 5>Never? Once? Never? Once? And I'm asked a lot tell

0:50:14.480 --> 0:50:17.040
<v Speaker 5>me something that nobody knows about you, and this is

0:50:17.160 --> 0:50:22.800
<v Speaker 5>always that thing. It's like a dirty little industry secret.

0:50:23.520 --> 0:50:26.840
<v Speaker 5>And I haven't said it for a lot of reasons.

0:50:26.920 --> 0:50:31.560
<v Speaker 5>Number One, I don't want to disrespect you, Danielle. Really,

0:50:32.400 --> 0:50:35.120
<v Speaker 5>you were on that show a long time. You are

0:50:35.200 --> 0:50:40.759
<v Speaker 5>an icon of that day, and who am I to

0:50:40.840 --> 0:50:45.680
<v Speaker 5>take anything away? From you. Really, even if as a

0:50:45.760 --> 0:50:48.560
<v Speaker 5>child I felt something had been taken away from me,

0:50:50.000 --> 0:50:53.759
<v Speaker 5>I didn't think it would do me any good to

0:50:53.880 --> 0:50:58.440
<v Speaker 5>stand up and say even come across as that was

0:50:58.680 --> 0:51:03.920
<v Speaker 5>not like right, Really it didn't matter by then. And

0:51:04.040 --> 0:51:08.000
<v Speaker 5>what's more, I didn't know if that was ever public.

0:51:08.800 --> 0:51:13.360
<v Speaker 5>I know I read once, because unfortunately, when something happens

0:51:13.360 --> 0:51:16.200
<v Speaker 5>to you, even if you break up with someone, people

0:51:16.280 --> 0:51:20.680
<v Speaker 5>feel the need to keep tabs for you. Exactly broken

0:51:20.760 --> 0:51:24.520
<v Speaker 5>up with so they're like, hey, so she's dating someone new,

0:51:24.560 --> 0:51:24.960
<v Speaker 5>and you're.

0:51:24.840 --> 0:51:28.279
<v Speaker 2>Exactly, that's nice. I didn't want to know her.

0:51:29.960 --> 0:51:35.520
<v Speaker 5>So people would send me articles even as a kid, Oh,

0:51:35.680 --> 0:51:38.719
<v Speaker 5>this was the worst. As a kid, people go, hey,

0:51:38.800 --> 0:51:41.440
<v Speaker 5>so there's this new character on this show. Did you

0:51:41.560 --> 0:51:44.040
<v Speaker 5>audition for that? I mean, it's like it was written

0:51:44.120 --> 0:51:48.040
<v Speaker 5>for you. I got that for the first three seasons

0:51:48.080 --> 0:51:52.640
<v Speaker 5>of Brains, like oh my gosh, and don't you live

0:51:52.640 --> 0:52:01.799
<v Speaker 5>into Panga Canyon. I'm like yeah, So, like a very

0:52:01.840 --> 0:52:05.280
<v Speaker 5>few people knew about it, and those who did would

0:52:05.320 --> 0:52:08.120
<v Speaker 5>like send me articles like hey, she said she wasn't

0:52:08.120 --> 0:52:10.200
<v Speaker 5>the first choice. Why don't you get up? And I'm

0:52:10.239 --> 0:52:17.400
<v Speaker 5>like no, thank you, yeah, thank you. And then years

0:52:17.440 --> 0:52:22.560
<v Speaker 5>past and then Girl Meets World came up. I was like, Oh, holy, how.

0:52:26.800 --> 0:52:28.480
<v Speaker 4>Did this show die with the nineties?

0:52:28.640 --> 0:52:35.080
<v Speaker 5>Come on, maybe it'll work on it. I was like,

0:52:35.239 --> 0:52:39.840
<v Speaker 5>Oh good, let's just reignite that old flame. Wow.

0:52:41.400 --> 0:52:41.440
<v Speaker 1>No.

0:52:41.840 --> 0:52:44.680
<v Speaker 5>I also wasn't sure if I would be disavowed if

0:52:44.719 --> 0:52:50.040
<v Speaker 5>I said so. You never know. I can't imagine how

0:52:50.200 --> 0:52:55.520
<v Speaker 5>Eric Stoltz felt Back to the Future. He filmed for

0:52:55.680 --> 0:52:59.680
<v Speaker 5>like two or three weeks and they went it's just

0:53:00.160 --> 0:53:03.960
<v Speaker 5>not working. I don't know if he ever broke it

0:53:04.400 --> 0:53:10.080
<v Speaker 5>or if that's just something that's come out in recent decades. Yeah,

0:53:10.120 --> 0:53:13.759
<v Speaker 5>because make no misp, I don't know what that is.

0:53:14.600 --> 0:53:20.560
<v Speaker 5>Everyone has been fired anyone who has lasted in this

0:53:20.680 --> 0:53:24.640
<v Speaker 5>town for any amount of time, director, producer, writer, is

0:53:25.400 --> 0:53:30.719
<v Speaker 5>specially actors. Everyone has been fired or replaced for one

0:53:30.760 --> 0:53:31.560
<v Speaker 5>reason or another.

0:53:32.200 --> 0:53:33.799
<v Speaker 4>Yes, yep, absolutely true.

0:53:34.120 --> 0:53:39.120
<v Speaker 5>So this is not a unique story. But again, I

0:53:39.160 --> 0:53:43.279
<v Speaker 5>would hate to say something to Fangoria or to one

0:53:43.320 --> 0:53:47.279
<v Speaker 5>of those and have it be fact checked and have

0:53:47.560 --> 0:53:52.959
<v Speaker 5>Disney disavow right or have you called out of the blue, hey,

0:53:53.600 --> 0:53:57.479
<v Speaker 5>so this person is saying that they are and put

0:53:57.719 --> 0:53:58.800
<v Speaker 5>you in that position.

0:53:59.239 --> 0:54:01.920
<v Speaker 2>Well, and again, because we hadn't spoken, you didn't know

0:54:02.480 --> 0:54:05.239
<v Speaker 2>how I what I knew about you or how I

0:54:05.280 --> 0:54:08.120
<v Speaker 2>felt about you, and I've never known how you felt

0:54:08.160 --> 0:54:10.600
<v Speaker 2>about me, And so I do I have to ask,

0:54:11.440 --> 0:54:14.920
<v Speaker 2>was there at twelve when this whole thing happened and

0:54:15.000 --> 0:54:17.040
<v Speaker 2>you then watched the episode and find out it was me?

0:54:17.360 --> 0:54:20.440
<v Speaker 2>Did you ever hate me? Did you ever think like

0:54:21.160 --> 0:54:21.880
<v Speaker 2>that girl?

0:54:22.320 --> 0:54:26.479
<v Speaker 5>Oh? Of course, yeah, I am not going to lie,

0:54:26.600 --> 0:54:31.040
<v Speaker 5>and I was the bigger man about this, right. Well,

0:54:31.160 --> 0:54:35.320
<v Speaker 5>what's more is what you don't know as a kid

0:54:36.160 --> 0:54:39.279
<v Speaker 5>is that you had nothing to do with it, is

0:54:39.320 --> 0:54:44.080
<v Speaker 5>that someone else was going to have that role because

0:54:44.080 --> 0:54:47.920
<v Speaker 5>at that point it was going to be anyone but

0:54:48.120 --> 0:54:52.200
<v Speaker 5>me because there were too many egos involved in it. Yeah,

0:54:52.680 --> 0:54:56.600
<v Speaker 5>my victory was to be short lived because someone didn't

0:54:56.640 --> 0:55:01.840
<v Speaker 5>want that guy to win. So absolutely, when I turned

0:55:01.880 --> 0:55:09.120
<v Speaker 5>on the TV and saw literally Barbie the prettiest girl,

0:55:09.880 --> 0:55:15.960
<v Speaker 5>a literal model you were. You were literally on Barbie

0:55:15.960 --> 0:55:19.319
<v Speaker 5>commercials like you and Barbie next to each other, it

0:55:19.440 --> 0:55:21.360
<v Speaker 5>was like, oh my.

0:55:21.280 --> 0:55:23.600
<v Speaker 2>Gosh, that was the live action skipper.

0:55:23.920 --> 0:55:30.120
<v Speaker 5>That's who they got and it was not me. So yes,

0:55:30.360 --> 0:55:33.759
<v Speaker 5>of course, for a long time it was like she

0:55:34.400 --> 0:55:37.680
<v Speaker 5>took it from me, but you were not in the

0:55:37.719 --> 0:55:43.839
<v Speaker 5>corner conniving and conspiring. No, the seat was open and

0:55:43.920 --> 0:55:45.359
<v Speaker 5>you were ushered into it.

0:55:46.080 --> 0:55:48.840
<v Speaker 2>Yeah. Well, and to touch on, like you said, the

0:55:48.880 --> 0:55:51.799
<v Speaker 2>story of perseverance, I mean the career you have had

0:55:51.920 --> 0:55:55.080
<v Speaker 2>after Boy Meets World. It was like a Boy Meets

0:55:55.120 --> 0:55:57.759
<v Speaker 2>World was a blip on your radar. I mean, you

0:55:57.840 --> 0:56:01.800
<v Speaker 2>are Samara in the Ring mov franchise, You come out

0:56:01.840 --> 0:56:05.800
<v Speaker 2>of the TV. You have been in tons of things,

0:56:05.840 --> 0:56:08.640
<v Speaker 2>Minority Report, Criminal Minds, you did three episodes of a

0:56:08.680 --> 0:56:11.400
<v Speaker 2>Series of Unfortunate Events, three episodes of Ant Farm, Shamelets,

0:56:11.440 --> 0:56:16.520
<v Speaker 2>the Muppets, stunt performances, and over thirty projects. Your career

0:56:16.800 --> 0:56:21.880
<v Speaker 2>has You have an incredible career anybody would die for.

0:56:22.760 --> 0:56:27.680
<v Speaker 2>And I just our phone conversation was so I don't

0:56:27.719 --> 0:56:30.560
<v Speaker 2>know if I could ever put to words how it

0:56:30.600 --> 0:56:33.200
<v Speaker 2>felt for the two of us on that phone call

0:56:33.360 --> 0:56:35.680
<v Speaker 2>to have connected after all this time and to have

0:56:35.680 --> 0:56:40.760
<v Speaker 2>shared the things that we shared. And looking back now

0:56:41.120 --> 0:56:45.320
<v Speaker 2>a full thirty years later, how do you feel about

0:56:45.880 --> 0:56:49.080
<v Speaker 2>your experience on Boy Meets World and how it has

0:56:49.120 --> 0:56:53.600
<v Speaker 2>shaped your life over this time and the fact that

0:56:53.640 --> 0:56:55.920
<v Speaker 2>now here we are sitting here together.

0:56:56.480 --> 0:57:01.040
<v Speaker 5>Goodness, it was not a good experience. I'm not going

0:57:01.080 --> 0:57:04.880
<v Speaker 5>to sugarcoat it and say that it was. It was

0:57:05.800 --> 0:57:09.480
<v Speaker 5>a hard lesson in the real world of the business

0:57:09.560 --> 0:57:12.960
<v Speaker 5>be chosen. But as they said in The Godfather, we've

0:57:13.040 --> 0:57:15.120
<v Speaker 5>chosen this business. No one put a gun to our head,

0:57:16.280 --> 0:57:19.320
<v Speaker 5>and you choose to stay in it as far as

0:57:19.400 --> 0:57:23.840
<v Speaker 5>it goes. I do get to say in my own head,

0:57:23.880 --> 0:57:27.240
<v Speaker 5>in my own world that I did get that role.

0:57:30.000 --> 0:57:34.960
<v Speaker 5>The ways and the reasons it was taken well, that

0:57:35.080 --> 0:57:40.720
<v Speaker 5>was outside of my control. But really one thing that

0:57:41.400 --> 0:57:44.040
<v Speaker 5>kind of cracks me up that we joke about is

0:57:46.240 --> 0:57:49.760
<v Speaker 5>I became the monster that the pretty girls are scared of.

0:57:52.000 --> 0:57:55.680
<v Speaker 5>I'm the thing in the dark that will scare your

0:57:55.800 --> 0:58:04.400
<v Speaker 5>children and your boyfriends wherever. Though I have lived on

0:58:04.920 --> 0:58:08.640
<v Speaker 5>I've lived a life that I don't know that I

0:58:08.640 --> 0:58:12.440
<v Speaker 5>would have lived had I been to Pangolorence on boy

0:58:12.520 --> 0:58:17.080
<v Speaker 5>Meet's World. In my life, I opened for Paul McCartney.

0:58:18.560 --> 0:58:23.120
<v Speaker 5>I toured with Sir Paul McCartney for ten weeks and

0:58:23.320 --> 0:58:28.439
<v Speaker 5>stood on stage with him and took a bow every night.

0:58:30.520 --> 0:58:36.640
<v Speaker 5>I have seen things you people wouldn't believe. Yeah, I've

0:58:36.640 --> 0:58:41.000
<v Speaker 5>seen attack ships off the shoulder of Orion. In my life,

0:58:41.040 --> 0:58:44.720
<v Speaker 5>I have ridden horses with my dad to the foot

0:58:44.840 --> 0:58:48.360
<v Speaker 5>of the Pyramids at sunset and sipped tea in a

0:58:48.360 --> 0:58:54.880
<v Speaker 5>Bedouin outpost. Cool. I have lived a crazy, adventurous life.

0:58:54.960 --> 0:59:01.600
<v Speaker 5>I have ridden wire rigs that frankly, only a handful

0:59:01.600 --> 0:59:05.480
<v Speaker 5>of people and mostly from the Matrix movies, have ever ridden.

0:59:06.240 --> 0:59:12.640
<v Speaker 5>I have safeguarded other children on sets. Yeah, that couldn't

0:59:12.680 --> 0:59:16.160
<v Speaker 5>speak up for themselves, or stand for themselves, or fall

0:59:16.200 --> 0:59:21.920
<v Speaker 5>down for themselves. I am one of five women who

0:59:22.000 --> 0:59:23.400
<v Speaker 5>can say they were a Terminator.

0:59:24.200 --> 0:59:24.360
<v Speaker 1>Hm.

0:59:27.000 --> 0:59:32.760
<v Speaker 5>I'm actually in the legacy of the Terminators series. I

0:59:32.880 --> 0:59:39.080
<v Speaker 5>was one of the female Terminators. Really, I would love

0:59:39.200 --> 0:59:43.680
<v Speaker 5>to have met the girl that went on that show.

0:59:43.880 --> 0:59:48.200
<v Speaker 5>I really would. But I had had adventures that I

0:59:48.240 --> 0:59:54.200
<v Speaker 5>think my life took me so far beyond that, beyond

0:59:54.240 --> 0:59:55.640
<v Speaker 5>being a kid on a series.

0:59:56.440 --> 1:00:02.200
<v Speaker 2>Yeah, in that sense, you know, that's exactly right. I

1:00:02.360 --> 1:00:07.640
<v Speaker 2>just thank you so much for being willing, for the

1:00:07.720 --> 1:00:12.920
<v Speaker 2>first time ever to come out here and share your

1:00:12.960 --> 1:00:16.200
<v Speaker 2>story with us and share your experience with our listeners.

1:00:16.720 --> 1:00:19.200
<v Speaker 2>I also would like to make it clear I did

1:00:19.200 --> 1:00:22.800
<v Speaker 2>not coerce you in any way into doing this. I

1:00:23.840 --> 1:00:26.000
<v Speaker 2>said to you when I first called you, I said,

1:00:26.240 --> 1:00:29.560
<v Speaker 2>if nothing else, all I care about, truthfully, was that

1:00:29.600 --> 1:00:32.480
<v Speaker 2>you and I got to have a conversation and with that,

1:00:32.840 --> 1:00:36.400
<v Speaker 2>if you wanted to share your story publicly and to

1:00:36.520 --> 1:00:39.440
<v Speaker 2>share your life and to share your story with the public,

1:00:39.680 --> 1:00:42.280
<v Speaker 2>then I wanted to give you that platform. However, if

1:00:42.320 --> 1:00:44.680
<v Speaker 2>you're if you were, if you never wanted that, I

1:00:44.720 --> 1:00:47.080
<v Speaker 2>was never going to force you to do it. What

1:00:47.240 --> 1:00:49.640
<v Speaker 2>was most important to me was that we got to

1:00:49.680 --> 1:00:53.360
<v Speaker 2>have the conversation that we had, and the very first

1:00:53.560 --> 1:00:56.560
<v Speaker 2>when I said, do you have any desire in coming

1:00:56.600 --> 1:00:58.720
<v Speaker 2>on and sharing your story and you said I will,

1:00:58.920 --> 1:01:00.600
<v Speaker 2>I will do it. I would like to do it.

1:01:00.960 --> 1:01:03.640
<v Speaker 2>And I know that it took courage and I know

1:01:03.720 --> 1:01:09.120
<v Speaker 2>it took bravery. And I am so eternally grateful for

1:01:09.200 --> 1:01:11.680
<v Speaker 2>you and to you for not only coming on here

1:01:11.720 --> 1:01:14.680
<v Speaker 2>and sharing your story with everyone, but just for accepting

1:01:14.720 --> 1:01:18.760
<v Speaker 2>that phone call on that random Tuesday and for talking

1:01:18.800 --> 1:01:21.000
<v Speaker 2>to me. And you know, just.

1:01:21.120 --> 1:01:25.240
<v Speaker 5>Daniel, you're lovely, You are lovely. It couldn't have happened

1:01:25.240 --> 1:01:29.800
<v Speaker 5>to a nicer person, really, So thank you for being

1:01:30.880 --> 1:01:35.960
<v Speaker 5>kind and open and really being just so lovely about

1:01:36.000 --> 1:01:36.640
<v Speaker 5>the whole thing.

1:01:38.400 --> 1:01:40.320
<v Speaker 2>Thank you, Bonnie. It really means a lot to us.

1:01:40.480 --> 1:01:44.640
<v Speaker 2>So ah, thank you. This has been a nice one.

1:01:44.720 --> 1:01:47.760
<v Speaker 2>It's it's just a really beautiful full circle moment for me.

1:01:47.880 --> 1:01:49.760
<v Speaker 2>So I appreciate you so much.

1:01:51.200 --> 1:01:54.600
<v Speaker 5>And are you thank thank you for talking about it,

1:01:54.640 --> 1:01:58.120
<v Speaker 5>because my gosh, this has been like the dark industry

1:01:58.200 --> 1:02:01.360
<v Speaker 5>secret in my life. Wow. And I have gone on

1:02:01.480 --> 1:02:05.280
<v Speaker 5>to other strange and wonderful things, but this is not

1:02:05.440 --> 1:02:06.720
<v Speaker 5>something that's ever come out.

1:02:07.040 --> 1:02:12.320
<v Speaker 2>So yeah, thank you, thank you, thank you, thank you.

1:02:13.160 --> 1:02:16.880
<v Speaker 3>I was so good to see you everybody.

1:02:16.680 --> 1:02:32.080
<v Speaker 2>Bye bye. Oh wow. What a life, what a career,

1:02:32.120 --> 1:02:32.760
<v Speaker 2>what a story.

1:02:33.160 --> 1:02:38.280
<v Speaker 1>Is just a total class act, just so classy about

1:02:38.280 --> 1:02:41.680
<v Speaker 1>the entire thing, the situation back then. I'm coming to

1:02:41.960 --> 1:02:45.920
<v Speaker 1>the show with her sister to support her sister after.

1:02:45.720 --> 1:02:46.520
<v Speaker 4>What she went through.

1:02:46.640 --> 1:02:49.240
<v Speaker 2>That is so intense at thirteen years old. She would

1:02:49.280 --> 1:02:52.000
<v Speaker 2>have been there a thirteen years old ago, a year ago.

1:02:52.880 --> 1:02:56.000
<v Speaker 2>My entire life feels ripped out from under me.

1:02:56.320 --> 1:02:59.560
<v Speaker 1>Yep, crushed, and I'm now going I'm going to go

1:02:59.600 --> 1:03:03.000
<v Speaker 1>set back back to that set, same directors, same people there,

1:03:03.080 --> 1:03:05.160
<v Speaker 1>see those people sister she.

1:03:05.160 --> 1:03:08.160
<v Speaker 3>Was describing the secret world of alex Mack was like,

1:03:08.240 --> 1:03:13.280
<v Speaker 3>is she talking about secret world of Alexis's show? And

1:03:13.280 --> 1:03:15.640
<v Speaker 3>then it was like right, which was also Nitania's show, right,

1:03:15.640 --> 1:03:18.560
<v Speaker 3>like ended up being the sidekick. So what in a

1:03:19.040 --> 1:03:24.760
<v Speaker 3>yeah world of Yeah, like she's man, she's super classy,

1:03:24.920 --> 1:03:27.600
<v Speaker 3>so classy, can't you know? Yeah, I mean in a

1:03:27.640 --> 1:03:28.360
<v Speaker 3>weird way.

1:03:29.520 --> 1:03:30.280
<v Speaker 5>It couldn't have happened.

1:03:30.280 --> 1:03:32.280
<v Speaker 3>I mean, it's it's she was lucky that she had

1:03:32.320 --> 1:03:34.160
<v Speaker 3>to show biz family, do you know what I mean? Like,

1:03:34.400 --> 1:03:37.720
<v Speaker 3>could help her be resilient about this, because if you didn't,

1:03:38.040 --> 1:03:40.000
<v Speaker 3>you know, like I don't know about the other kids

1:03:40.040 --> 1:03:42.520
<v Speaker 3>who were fired off of our show, what their experiences

1:03:42.520 --> 1:03:45.120
<v Speaker 3>were like moving forward, you know, if any of them continued,

1:03:46.000 --> 1:03:48.240
<v Speaker 3>and and you know the fact that she was able

1:03:48.240 --> 1:03:49.840
<v Speaker 3>to stick it out, yeah, god, I.

1:03:49.760 --> 1:03:51.920
<v Speaker 2>Mean, and even the fact that her parents made her

1:03:51.960 --> 1:03:53.880
<v Speaker 2>do the hard thing and were like, you should go

1:03:53.960 --> 1:03:58.120
<v Speaker 2>support your sister. You know, they probably knew better than

1:03:58.120 --> 1:04:01.240
<v Speaker 2>she did that staying away from the set was only

1:04:01.280 --> 1:04:04.919
<v Speaker 2>building it up to be this big, horrible, scary monster. Yeah,

1:04:05.200 --> 1:04:08.160
<v Speaker 2>that once she actually went there, it would give her,

1:04:08.640 --> 1:04:10.320
<v Speaker 2>you know, probably a sense of comfort.

1:04:10.680 --> 1:04:12.480
<v Speaker 1>This is our family, this is our business, this is

1:04:12.480 --> 1:04:14.320
<v Speaker 1>what we do. There's good times, there's bad times, and

1:04:14.360 --> 1:04:18.040
<v Speaker 1>the bad times can be really bad, and the good times.

1:04:17.720 --> 1:04:19.040
<v Speaker 4>Can be amazing.

1:04:19.240 --> 1:04:19.439
<v Speaker 2>Yep.

1:04:19.480 --> 1:04:21.320
<v Speaker 4>And that's the same. There's the highs and lows in

1:04:21.360 --> 1:04:23.080
<v Speaker 4>this business are insane.

1:04:22.720 --> 1:04:24.720
<v Speaker 2>And we have we have both of them to talk

1:04:24.720 --> 1:04:27.400
<v Speaker 2>about all of us. You know, we all have those

1:04:27.520 --> 1:04:30.080
<v Speaker 2>horrible lows and we have those extreme highs, and yet

1:04:30.680 --> 1:04:34.680
<v Speaker 2>you know, thankfully for most of us, we go, you

1:04:34.720 --> 1:04:37.160
<v Speaker 2>know what, it's all worth it, and we and we

1:04:37.240 --> 1:04:40.280
<v Speaker 2>love what we do, and you know, it's just yeah,

1:04:40.320 --> 1:04:45.080
<v Speaker 2>it's just amazing. So anyway, I I just my conversation

1:04:45.160 --> 1:04:48.040
<v Speaker 2>with her was just even you know this it was

1:04:48.280 --> 1:04:51.480
<v Speaker 2>it was better than this was because it was intimate.

1:04:51.520 --> 1:04:53.320
<v Speaker 2>It was just the two of us learning of these

1:04:53.360 --> 1:04:56.680
<v Speaker 2>things about each other and sharing our experiences, and it

1:04:56.760 --> 1:05:00.960
<v Speaker 2>felt like there were just men's like men, little little

1:05:01.040 --> 1:05:04.760
<v Speaker 2>patches to spots on our heart and in our soul

1:05:04.800 --> 1:05:07.600
<v Speaker 2>that needed patching. And so I'm so glad that she

1:05:07.680 --> 1:05:10.880
<v Speaker 2>agreed to come on and share just share her life

1:05:10.920 --> 1:05:12.840
<v Speaker 2>with all of you, because she's so special and so

1:05:13.480 --> 1:05:17.440
<v Speaker 2>classy and so yeah, thank you, as always everyone for

1:05:17.560 --> 1:05:20.480
<v Speaker 2>following along with this episode of Pod Meets World. As always,

1:05:20.480 --> 1:05:22.600
<v Speaker 2>you can follow us on Instagram pod meets World Show.

1:05:22.760 --> 1:05:26.040
<v Speaker 2>You can email us pod meets Worldshow at gmail dot com.

1:05:26.320 --> 1:05:27.840
<v Speaker 2>And we have merch.

1:05:28.280 --> 1:05:30.640
<v Speaker 4>Merchandise I try to do it classy.

1:05:30.880 --> 1:05:32.720
<v Speaker 2>I like its Bonnie classy great.

1:05:32.800 --> 1:05:34.280
<v Speaker 4>Thank you for Bonnie, Thank you.

1:05:34.520 --> 1:05:36.920
<v Speaker 2>I will send us out this time. We love you all,

1:05:37.520 --> 1:05:42.760
<v Speaker 2>pod dismissed. Pod Meets World is an iHeart podcast produced

1:05:42.760 --> 1:05:46.960
<v Speaker 2>and hosted by Danielle Fischel, Wilfredell and Wright Strong Executive producers,

1:05:47.040 --> 1:05:50.120
<v Speaker 2>Jensen Karp and Amy Sugarman Executive in charge of production,

1:05:50.360 --> 1:05:55.160
<v Speaker 2>Danielle Romo, producer and editor, Tara sudbachsch producer, Jackie Rodriguez,

1:05:55.280 --> 1:05:58.600
<v Speaker 2>engineer and Boy Meets World super fan Easton Allen. Our

1:05:58.640 --> 1:06:01.400
<v Speaker 2>theme song is by Kyle Mooreton of Typhoon. You can

1:06:01.440 --> 1:06:04.520
<v Speaker 2>follow us on Instagram at Podmeets World Show or email

1:06:04.600 --> 1:06:07.080
<v Speaker 2>us at podmeetsworldshowat gmail dot com.