WEBVTT - Harold Lilly Jr.

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<v Speaker 1>Well, we are the authority, ladies and gentlemen. MY name

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<v Speaker 1>is Tank and this is the arm by Money podcast.

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<v Speaker 1>The authority. I say that strong today. The authorities from

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<v Speaker 1>all things are interviews. They can't get, they can't get people,

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<v Speaker 1>they can't talk to. See this. This is not this

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<v Speaker 1>is not This is not a songwriter, this is not

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<v Speaker 1>a producer, This is not an artist. This is an entity. Yes,

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<v Speaker 1>this is This is a musical entity that we have

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<v Speaker 1>on the pot today, A family member, a friend, most

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<v Speaker 1>of all, an inspiration, true story to all of us.

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<v Speaker 1>Mr Harold, Harold Lily, come on man, come on man,

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<v Speaker 1>come on man, come on man. To to kick this off,

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<v Speaker 1>I first want to say thank you. This is my

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<v Speaker 1>first podcast past ever in life. It may be my

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<v Speaker 1>first interview on camera ever in life. True story, and

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<v Speaker 1>I would like to start it off with something I wrote,

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<v Speaker 1>m hmmm, dear mama, you raised the son of a gunner,

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<v Speaker 1>hot cold, can't feel the sun in the summer, too

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<v Speaker 1>bold to be himself in a Honda ninety five on

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<v Speaker 1>ninety five headed the Chippingham listening the Lonnie B. I

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<v Speaker 1>met him at Cool Lane. What the funk you telling me?

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<v Speaker 1>I met stars and stars told me I was gonna

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<v Speaker 1>be a king at fifteen because I had a record

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<v Speaker 1>with the king at fifteen. True story. I ain't lying,

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<v Speaker 1>seen Bubba tell Earl. It was over true story. I

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<v Speaker 1>ain't lyne seeing skill shock the world. It was over

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<v Speaker 1>true story. I ain't lying. Being in l a too

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<v Speaker 1>long twenty years writing songs, I ain't lying. Let's talk

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<v Speaker 1>about it all. Yeah, yeah, you hear you, Lily, Yes, yes, girl, Lily.

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<v Speaker 1>That is called son of a gunner. Yes, so here

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<v Speaker 1>I am. Uh, gentlemen, this is fantappulous. First of all, congratulations.

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<v Speaker 1>I have to let your audience know how I was

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<v Speaker 1>introduced to you guys. Kick it all just really quickly. Yeah,

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<v Speaker 1>I'm a child and I'm watching television and I don't

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<v Speaker 1>see the screen, and I hear a voice of a

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<v Speaker 1>child if Ale you knew the way I feel about you,

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<v Speaker 1>and I call it's not Michael. I don't know this voice.

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<v Speaker 1>Then it goes into the hook. My heart beats for you,

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<v Speaker 1>and I go I can't see the screen. Then it

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<v Speaker 1>comes back around, But it comes back around not after

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<v Speaker 1>the second verse. It was the bridge. Oh I knew this.

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<v Speaker 1>I know this, and Tank I hear it again. If

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<v Speaker 1>only you knew, I go, I would follow this voice

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<v Speaker 1>to the gates of all who's this singing? Then at

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<v Speaker 1>the end of the song, I hear an ad lib.

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<v Speaker 1>Oh god, Ja Valentine, you have to know this. My my,

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<v Speaker 1>my mind, my mind, me, my my heart beach. I said,

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<v Speaker 1>I'll follow that voice into a dungeon. That's how I

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<v Speaker 1>was introduced to Jay Valentine. Now you, sir, oh, I

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<v Speaker 1>see a video of you at the e of my

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<v Speaker 1>studios in Santa Monica, California. It was it was bombs Wow,

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<v Speaker 1>you did a back flip. Do you know what I'm

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<v Speaker 1>talking about? Okay? I said, this is an arm by

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<v Speaker 1>superhero like I've never I've never seen. I just got

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<v Speaker 1>I had just got from Richmond, Virginia. You know. I

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<v Speaker 1>see it and I go, wow, I'm never seeing this.

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<v Speaker 1>Then he plays me of record and the ad libis,

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<v Speaker 1>oh yeah. I said, would you mind if why didn't

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<v Speaker 1>they do that one? And then they did that. We

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<v Speaker 1>had no choice, bra and then and then twenty years

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<v Speaker 1>passed and I see what you guys have done. I'm

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<v Speaker 1>proud of y'all. Man, I was. I mean, I'm being honest.

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<v Speaker 1>I heard your voice as a child, I met you

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<v Speaker 1>coming into your lionhood and now I'm on R and

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<v Speaker 1>B Money podcast. Ah, it's too marvelous to understand. Yeah, okay, man,

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<v Speaker 1>I'm here. I'm here, brother. Yes, First of all, thank

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<v Speaker 1>you for our flowers. Um, thank you, brother. You've you

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<v Speaker 1>been our brother and family for many moons and you

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<v Speaker 1>know you've uh, you've earned You've earned our respect and

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<v Speaker 1>our reverence completely, period, point blank. So for us, like

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<v Speaker 1>you know, as we may appear the same in age,

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<v Speaker 1>you know, in terms of this thing, you are elder

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<v Speaker 1>to us than Yeah. Got busy, yeah by brother, I'm

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<v Speaker 1>just noticing how busy right. And when you said that,

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<v Speaker 1>like you said earlier before before the cameras came and

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<v Speaker 1>he said, I just realized what I've been doing for

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<v Speaker 1>tuny something. I just I just looked up long enough.

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<v Speaker 1>I peeked out of the woods, just long enough to

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<v Speaker 1>actually see the acres of land in the buildings. Yeah, man,

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<v Speaker 1>which is we're gonna get to because what I tell

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<v Speaker 1>most artists is do the work. Just do the work.

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<v Speaker 1>Thank you for telling them, and you'll wake up one

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<v Speaker 1>day and you won't be on the floor. You'll be

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<v Speaker 1>in some presidential suite. Hey man with security waiting for

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<v Speaker 1>you at the front door, saying, the cars downstairs, sir,

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<v Speaker 1>whenever you're ready. You're like, how in the fund did

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<v Speaker 1>I get here? The work? So we want to start?

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<v Speaker 1>Oh my god, this is gonna be a goal. When

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<v Speaker 1>started at the beginning? Okay, grassroots? When did when did

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<v Speaker 1>somebody say, boy, you something? Or when did you feel Oh? Yeah,

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<v Speaker 1>there's there's a calling. Okay, okay. I'm from Richmond, Virginia.

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<v Speaker 1>Virginia is the first state, and I'm from the capitol.

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<v Speaker 1>I was born there interesting place and on the land.

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<v Speaker 1>Before I was born, there was Harold Spencer Lily, my

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<v Speaker 1>father in Richmond, Virginia. His name is bigger than mine.

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<v Speaker 1>Here it's it's my father was the guy for sixty

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<v Speaker 1>years sixty Yeah, so that's my father. My mother as

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<v Speaker 1>a master teacher in the Richmond Public City school system,

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<v Speaker 1>who when she sang, I saw some interesting things happened,

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<v Speaker 1>you know. So if I tell the truth for shame

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<v Speaker 1>the devil bro I've really had no choice. I can

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<v Speaker 1>do other things, but in the city of Richmond, Virginia,

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<v Speaker 1>I'm the junior, I'm the second one. You know what

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<v Speaker 1>I'm saying. And so I didn't know him that well.

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<v Speaker 1>I was always told stories about him through the city. Wow.

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<v Speaker 1>So if I'm in class, JA, yeah, her her, her,

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<v Speaker 1>Lilio daddy. Wow. Yes. And then the next na na

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<v Speaker 1>in the next seven minutes is about how he made

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<v Speaker 1>them feel when he played the organ. At least seven minutes. Oh,

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<v Speaker 1>your daddy played at my mama funeral. Your daddy came

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<v Speaker 1>to the old folks home and played him. Uh, your

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<v Speaker 1>daddy played in my way, and uh, this is this

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<v Speaker 1>is my life growing up. So when it came to music,

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<v Speaker 1>I thought everybody knew how to do it like that. Okay, Um,

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<v Speaker 1>So I had no choice. Grew up in church and

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<v Speaker 1>everybody in church did it. You know. Uh. I had

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<v Speaker 1>basketball dreams. I had. I had hoop dreams. And one

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<v Speaker 1>day I'm trying out for a basketball team and I

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<v Speaker 1>do a move that that gardener's respect from my peers.

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<v Speaker 1>And after I do the move, the coach his name

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<v Speaker 1>was Frank Three's John Marshall High School, legendary figure. He

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<v Speaker 1>blows the whistle and he says, Lily, get over here.

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<v Speaker 1>I'm waiting for him to he praised upon me for

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<v Speaker 1>the move that I just did. In the gym and

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<v Speaker 1>he says, Lily, you know what you're gonna do. I said,

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<v Speaker 1>what he said, You're gonna do music, because you ain't

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<v Speaker 1>gonna be doing that ship on my court. I don't care.

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<v Speaker 1>I don't care. I don't care what you know. You

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<v Speaker 1>won't do that on Mike. You're gonna do music. Don't

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<v Speaker 1>your dad to do music. You're gonna do music. And

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<v Speaker 1>I said, well, uh, I'm not alan. I I waited who,

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<v Speaker 1>by the way, it is Bubba in my hoem Okay,

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<v Speaker 1>I saw Bubba tell Earl it was over true story.

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<v Speaker 1>I ain't lying. Uh. He's a young kid. Uh. Douglas

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<v Speaker 1>Wilder has to free him from joh My High School.

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<v Speaker 1>John Marshall High School played his high school, Bethel in

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<v Speaker 1>a state championship. There is no social media. For all

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<v Speaker 1>we know, Bubba Chuck is eight ft tall. We walked

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<v Speaker 1>through the gym and we see just a man until

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<v Speaker 1>it's the fourth quarter of the game and him and

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<v Speaker 1>Tony Rutland start to do things that were you know,

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<v Speaker 1>that allowed them to win the game. But it was

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<v Speaker 1>their guys. I gotta be honest, I've seen somebody win

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<v Speaker 1>the States in that sweat. He was a sweating. I

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<v Speaker 1>saw he wasn't sweating, And on the way home, I said,

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<v Speaker 1>you know what will come easy to me, like I

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<v Speaker 1>wnna do what I'm gonna do. Yeah, will come easy

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<v Speaker 1>to me like athletics come to him because he was

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<v Speaker 1>not He wasn't sweating. He wasn't sweating. And I said, oh,

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<v Speaker 1>it's music. I sing in the Talent show. What great

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<v Speaker 1>is this? Maybe ten? And it's intentional. Before I was

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<v Speaker 1>always singing, but it wasn't intentional. I'm in an R

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<v Speaker 1>and B group. Uh in high school? Thank you Gerard,

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<v Speaker 1>thank you Antoine, thank you Tony Cosby. We are we sing?

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<v Speaker 1>Oh do the the the females and the audience they

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<v Speaker 1>start to scream. And I'm a young lad at the time,

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<v Speaker 1>and I feel electricity. Yeah, come upon me. And I've

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<v Speaker 1>been bitten ever since. Oh my god, bro, it's electricity

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<v Speaker 1>electric Still. I must admit you, gentlemen, I don't know

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<v Speaker 1>how you are able. There there are gifts. We all

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<v Speaker 1>have our graces. And I remember Jamie Fox took me

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<v Speaker 1>on the road with him for Unpredictable. He said her,

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<v Speaker 1>you have to see what this song is doing on

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<v Speaker 1>the road. I agree. The cities were Miami, Atlanta, Atlanta,

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<v Speaker 1>M and I don't know what other city after that.

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<v Speaker 1>I left immediately. I looked backstage and I said, oh,

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<v Speaker 1>what what attention? What attention? M You know, I would

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<v Speaker 1>sit with you guys in studios and then I would

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<v Speaker 1>go home. I wouldn't have to engage with the world.

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<v Speaker 1>Thank you, Missy Elliott, Melissa Elliott, thank you, Missy Elliott.

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<v Speaker 1>I met Missy Elliott through Nicole Ray. Nicole Ray was

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<v Speaker 1>coming to Richmond, Jaan to do songs at my one

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<v Speaker 1>of my teachers. His name is Gerard Thomas, his house. Okay,

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<v Speaker 1>she comes to the studio. Oh uh. And this is when, probably,

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<v Speaker 1>like all of us, I don't know, we had young

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<v Speaker 1>entrepreneurs in the city, uh, funding our dreams. Okay. And

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<v Speaker 1>these are master master mathematicians, master philosophers, and yes, politicians,

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<v Speaker 1>and they were sending us to Jack the Rapper. I'm

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<v Speaker 1>watching Puff walk around with a with a with a

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<v Speaker 1>flag and a big and all of these things. And

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<v Speaker 1>I'm fifteen years old and I record a song with

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<v Speaker 1>Biggie Smalls. That's why I said in the story. M hmm,

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<v Speaker 1>I had a record with the King in fifteen Yes,

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<v Speaker 1>so surely I'm going to be famous because I hear

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<v Speaker 1>juicy as I walked to you crops after school, and

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<v Speaker 1>then I started to go home just because I got

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<v Speaker 1>a song with biggest smalls. That don't mean I'm gonna

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<v Speaker 1>be famous. How does this work? Yes? So how do

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<v Speaker 1>you get this song with with Biggie? Why are the

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<v Speaker 1>heroes in my neighborhood? They knew heroes and other neighbors

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<v Speaker 1>yea connected connected, These are legendary figures. Oh my goodness. Yes,

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<v Speaker 1>so uh we do it at Master Sound Studios, Rob

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<v Speaker 1>ohsh who Master Sound Studios then becomes the studio where

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<v Speaker 1>the neptunes. Um. So is this the studio that Teddy Riley? Alright?

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<v Speaker 1>That was future. Yes, that was two different studios. I

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<v Speaker 1>remember driving from Richmond, Virginia, because we heard Teddy Riley

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<v Speaker 1>was on the land and we just looked. We looked

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<v Speaker 1>through a fence at a tour bus and I said, Wow,

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<v Speaker 1>this piece of my love is this is what it

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<v Speaker 1>gets you? So missing Elliott, here's the song? Um and

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<v Speaker 1>she supports it's me. I go to New York. I'm

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<v Speaker 1>in a session. I see a young Jay Brown, a

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<v Speaker 1>Sylvia arrona Merlin, Bob, I see all these people, and

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<v Speaker 1>I'm singing on a piano for these people, and I go,

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<v Speaker 1>this is interesting. They seem excited. I do this every day.

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<v Speaker 1>This is ah ah. One of the songs on a

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<v Speaker 1>demo tape ends up in the hands of Big John Platt. Hm.

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<v Speaker 1>I think, John, here's the song. He identifies a great song,

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<v Speaker 1>one song out of the three hundred that he may

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<v Speaker 1>have heard that day, and he says, Hey, what was this?

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<v Speaker 1>Who was this Blue? Where Williams Blue? Williams tells him, Hey,

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<v Speaker 1>I'm gonna find out, Nicole. Who is this guy? Nay

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<v Speaker 1>harl or literally from James Are you're singing at demo too? Yes?

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<v Speaker 1>It was. It was so. It was a duet called

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<v Speaker 1>talk with Time uh, and nobody never heard okay, which

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<v Speaker 1>is why songwriters, young songwriters can I look in this

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<v Speaker 1>charactere hey man, just because it's not placed doesn't mean

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<v Speaker 1>that it's not supposed to place. You. He hears the song,

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<v Speaker 1>he calls. He calls his best friend Treat in Denver.

0:19:52.119 --> 0:19:57.200
<v Speaker 1>Treat called his his wife at the time new Uh

0:19:57.600 --> 0:20:00.320
<v Speaker 1>was from Virginia. I think she calls him at it

0:20:00.640 --> 0:20:03.359
<v Speaker 1>in Virginia and say, hey, I'm looking for a guy

0:20:03.720 --> 0:20:07.639
<v Speaker 1>named her Lily. It just so happens that the person

0:20:07.800 --> 0:20:13.320
<v Speaker 1>around knew the name. Of course, of course, and I

0:20:13.320 --> 0:20:19.000
<v Speaker 1>know I know his son, I know his son. I

0:20:19.040 --> 0:20:24.000
<v Speaker 1>get a phone call from Felicia Sanderva or no, Big John. Actually, hey,

0:20:25.320 --> 0:20:27.320
<v Speaker 1>my name Big John. I've been looking for her Lily.

0:20:27.320 --> 0:20:29.399
<v Speaker 1>I want to do a publishing deal. I hang up

0:20:29.440 --> 0:20:32.920
<v Speaker 1>the phone. Why I thought it was my friends plan.

0:20:34.600 --> 0:20:38.960
<v Speaker 1>This is a true story. He calls back. Hello, Hey man,

0:20:39.320 --> 0:20:42.280
<v Speaker 1>this Big John. Um, I'm looking for her old Lily.

0:20:43.640 --> 0:20:48.639
<v Speaker 1>This is him. I'm working at Stanley's Hardware. I'm making

0:20:48.720 --> 0:20:52.840
<v Speaker 1>brackets on doors. I can always find a bracket in

0:20:52.880 --> 0:20:59.280
<v Speaker 1>the room. All right, So I'm working. I get off

0:20:59.400 --> 0:21:01.439
<v Speaker 1>l A. I get a phone call from from l

0:21:01.480 --> 0:21:06.399
<v Speaker 1>A number three one old number. I ain't they're playing.

0:21:07.200 --> 0:21:10.159
<v Speaker 1>This is Antoine Whitley playing with me. He's one of

0:21:10.160 --> 0:21:14.400
<v Speaker 1>my best friends. The next thing, you know, bro, he

0:21:14.440 --> 0:21:16.680
<v Speaker 1>calls back. He said, this is real. This is real.

0:21:16.800 --> 0:21:20.080
<v Speaker 1>This is real. He said, just throw my name around

0:21:20.760 --> 0:21:25.640
<v Speaker 1>and to see if this is real or not. I said, okay,

0:21:26.080 --> 0:21:29.800
<v Speaker 1>I never had anyone tell me that before. Tank. I

0:21:29.840 --> 0:21:34.359
<v Speaker 1>go to a session one day and uh, I say, hey, guys,

0:21:34.480 --> 0:21:42.080
<v Speaker 1>we all playing Sega, Uh Madden. I was electric. We're

0:21:42.080 --> 0:21:45.720
<v Speaker 1>playing Sega and Uh, I said, hey, guys, it's some

0:21:45.760 --> 0:21:49.040
<v Speaker 1>guy named Big John Man. They called me talking about

0:21:49.040 --> 0:21:52.520
<v Speaker 1>he wants sign me and they looked at me like

0:21:52.560 --> 0:22:03.200
<v Speaker 1>I had five hands j J. I said, yeah, May called.

0:22:03.280 --> 0:22:07.000
<v Speaker 1>He called me the other day. I see people running

0:22:07.040 --> 0:22:16.840
<v Speaker 1>to me to grab my phone. You've real what you lie?

0:22:18.280 --> 0:22:23.840
<v Speaker 1>Take my phone? I have no reason. You don't know

0:22:23.880 --> 0:22:30.400
<v Speaker 1>who it is. I have no clue. So then I

0:22:30.400 --> 0:22:34.880
<v Speaker 1>I decided to I then had like four four publishing

0:22:34.880 --> 0:22:39.040
<v Speaker 1>deals on the table. At that time, guys people used

0:22:39.040 --> 0:22:41.160
<v Speaker 1>to sign people of Can I talk to the chemra

0:22:41.359 --> 0:22:46.600
<v Speaker 1>more time? A while ago, A and RS and public

0:22:46.640 --> 0:22:52.000
<v Speaker 1>creative people used to sign other They would identify talent

0:22:52.119 --> 0:22:59.199
<v Speaker 1>and sign it off gut no algorithm necessary, none, not one. No,

0:22:59.320 --> 0:23:03.960
<v Speaker 1>they didn't have of it. I believe that he's the guy.

0:23:05.080 --> 0:23:07.000
<v Speaker 1>John Platt is one of the best in the game,

0:23:08.440 --> 0:23:12.000
<v Speaker 1>hands down. It isn't even And when you're the first

0:23:12.359 --> 0:23:18.840
<v Speaker 1>black anything, you must get grace. It's a lone man,

0:23:18.960 --> 0:23:26.200
<v Speaker 1>the first black chairman. If you're the first black anything,

0:23:27.240 --> 0:23:33.119
<v Speaker 1>that's a line. So his community supports him, you know,

0:23:33.600 --> 0:23:36.760
<v Speaker 1>And so he put me in the game. Man. And

0:23:36.880 --> 0:23:42.760
<v Speaker 1>I've worked with UM everybody. I work what everybody if

0:23:42.880 --> 0:23:52.160
<v Speaker 1>they are original and you love their music and they

0:23:52.200 --> 0:23:55.040
<v Speaker 1>mean something to your family, I've worked with him one

0:23:55.040 --> 0:24:05.520
<v Speaker 1>way or another. Yes, I working both of y'all definitely. Yea. Yeah.

0:24:05.960 --> 0:24:10.440
<v Speaker 1>What was the first the first wild moment for you?

0:24:11.320 --> 0:24:17.600
<v Speaker 1>Where where something that you created, like made it made

0:24:17.600 --> 0:24:22.320
<v Speaker 1>a difference in a way that you've never seen or

0:24:22.359 --> 0:24:32.200
<v Speaker 1>even expected. Okay, I had UM. I signed with E

0:24:32.359 --> 0:24:37.240
<v Speaker 1>M I and I gotta check. They came to my

0:24:37.359 --> 0:24:42.560
<v Speaker 1>house at the time, seven Hawthorne Avenue in Richmond, Virginia,

0:24:43.400 --> 0:24:46.480
<v Speaker 1>and I had never I had never seen UM. Like

0:24:46.520 --> 0:24:50.800
<v Speaker 1>a FedEx like I had never seen it before. Okay,

0:24:51.960 --> 0:24:56.680
<v Speaker 1>like a package, yea certified package. Got sign for Yeah,

0:24:56.720 --> 0:24:59.920
<v Speaker 1>I've never seen that. I've never seen that. The bad

0:25:00.040 --> 0:25:03.439
<v Speaker 1>it comes up. My uncle Bobby get to get the thing,

0:25:03.480 --> 0:25:05.400
<v Speaker 1>he said her, you gotta sign for something, my sign

0:25:05.480 --> 0:25:08.200
<v Speaker 1>for it. I opened it. There's a check for thirty

0:25:08.400 --> 0:25:17.639
<v Speaker 1>thousand dollars. Ja Tank. I took my whole family to

0:25:17.680 --> 0:25:27.760
<v Speaker 1>them all. How much was maybe four hundred and eighty

0:25:27.840 --> 0:25:32.800
<v Speaker 1>seven dollars every Friday? Yeah, yeah, the whole family to

0:25:32.840 --> 0:25:35.639
<v Speaker 1>them all. I said, everybody, let's go eat. We pound

0:25:35.720 --> 0:25:39.480
<v Speaker 1>up in a Plymouth villager, villager, Mercury Villager, or something

0:25:39.520 --> 0:25:43.720
<v Speaker 1>like that. I tried to go cash the check. The

0:25:43.880 --> 0:25:48.040
<v Speaker 1>lady at Crestar Bank on Azaia Avenue, she says, this

0:25:48.080 --> 0:25:51.679
<v Speaker 1>isn't real. I said, oh my goodness, could it not

0:25:51.800 --> 0:26:04.320
<v Speaker 1>be real? Perhaps? Perhaps perhaps I've been hanged. We all

0:26:04.400 --> 0:26:13.200
<v Speaker 1>go to the check cashing place and let me tell you.

0:26:14.080 --> 0:26:19.680
<v Speaker 1>I they gave me twelve thousand dollars, but I had

0:26:19.720 --> 0:26:26.280
<v Speaker 1>to pay back hard money loan. And I said, gladly,

0:26:27.920 --> 0:26:33.159
<v Speaker 1>show me where to say. I took my family to

0:26:33.320 --> 0:26:37.240
<v Speaker 1>Virginia Center Commons Mall and I said, hey, man, y'all

0:26:37.280 --> 0:26:41.320
<v Speaker 1>get what y'all want. Man, all right, but what'd you get?

0:26:41.720 --> 0:26:44.400
<v Speaker 1>I don't think I got anything. Same thing, same thing,

0:26:44.800 --> 0:26:46.680
<v Speaker 1>same thing. I couldn't even spend it. My first year,

0:26:46.720 --> 0:26:50.160
<v Speaker 1>I couldn't spend it. I went to the mall with

0:26:50.200 --> 0:26:55.080
<v Speaker 1>the cash and I still had the City National Bank envelope.

0:26:53.560 --> 0:26:58.800
<v Speaker 1>You didn't find anything. I like, I got money. I

0:26:58.840 --> 0:27:03.359
<v Speaker 1>found a bunch of stuff. What did you It was

0:27:03.359 --> 0:27:06.840
<v Speaker 1>a breakda? I found strippers, okay? You found yeah, found

0:27:06.840 --> 0:27:12.600
<v Speaker 1>strippers who needed the money? Okay, okay? I found also

0:27:12.640 --> 0:27:14.919
<v Speaker 1>in that same place. There were crab legs and shrimp

0:27:15.200 --> 0:27:18.199
<v Speaker 1>the size of your back. Yes, I needed those. Were

0:27:18.200 --> 0:27:21.520
<v Speaker 1>you still living in Okay? Okay? It was used to

0:27:21.560 --> 0:27:24.280
<v Speaker 1>be Mirage Nightclub, but then it became Nexus Gold Club.

0:27:25.520 --> 0:27:34.560
<v Speaker 1>I found a gun Okay, I purchased. Who was your

0:27:34.600 --> 0:27:40.560
<v Speaker 1>first check? My first check was was seventy five dollars.

0:27:41.119 --> 0:27:43.680
<v Speaker 1>My first artist check wasn't it? Wasn't it? And then

0:27:43.680 --> 0:27:46.920
<v Speaker 1>my publishing My first publishing check was a hundred thousand dollars.

0:27:47.000 --> 0:27:51.719
<v Speaker 1>Oh you was bad, you know my twenty five small

0:27:51.840 --> 0:27:58.080
<v Speaker 1>sets small set. My deal was for more. But the

0:27:58.119 --> 0:28:03.040
<v Speaker 1>first check as an adult, like, yeah, my kid career

0:28:03.119 --> 0:28:06.240
<v Speaker 1>or whatever. My daddy got that he did with you know,

0:28:06.440 --> 0:28:10.840
<v Speaker 1>he got that my first adult check, my first publishing

0:28:10.880 --> 0:28:15.080
<v Speaker 1>deal at Warner Chapel. Shout out Denise Weathers. Be shout

0:28:15.119 --> 0:28:20.960
<v Speaker 1>out Denise Weathers for believing in the young player. Yeah.

0:28:21.840 --> 0:28:24.800
<v Speaker 1>The first money, the first part of the advance was

0:28:25.520 --> 0:28:28.320
<v Speaker 1>k the bank held it. They held they had to

0:28:28.320 --> 0:28:30.119
<v Speaker 1>hold it for it. See that's that's the difference. You

0:28:30.240 --> 0:28:32.879
<v Speaker 1>was in Richmon, so they made you got to check that.

0:28:33.000 --> 0:28:35.679
<v Speaker 1>They knew mine was real because you were in I

0:28:35.760 --> 0:28:39.120
<v Speaker 1>was in Los Angeles at the time. But they were like, yeah,

0:28:39.160 --> 0:28:41.800
<v Speaker 1>we're gonna hold it for seven days because you have

0:28:41.840 --> 0:28:45.120
<v Speaker 1>a new account, we're gonna give you undred. Can we

0:28:45.160 --> 0:28:47.840
<v Speaker 1>say something, Can we just go back to the past

0:28:48.240 --> 0:28:56.480
<v Speaker 1>and talk about the holding the holding of And then

0:28:56.520 --> 0:28:59.680
<v Speaker 1>they went to seven days, you get one piece. The

0:28:59.800 --> 0:29:02.239
<v Speaker 1>up of seven, you're gonna get the next piece. And

0:29:02.320 --> 0:29:07.720
<v Speaker 1>I would sweat bullets while that's seven or fourteen days.

0:29:08.440 --> 0:29:11.560
<v Speaker 1>I need my money, Yes, I need all of it,

0:29:11.600 --> 0:29:14.440
<v Speaker 1>to look all of them to hit. Asked me how

0:29:14.480 --> 0:29:17.320
<v Speaker 1>fast I went through that money fast? I don't know,

0:29:18.600 --> 0:29:22.240
<v Speaker 1>too fast. I was blowing money fast way before being

0:29:22.960 --> 0:29:24.760
<v Speaker 1>all right. So so this is the good thing. So

0:29:25.400 --> 0:29:28.600
<v Speaker 1>johant head is set up to where the structure of

0:29:28.640 --> 0:29:33.800
<v Speaker 1>the deals were. You get half upfront and yes, as

0:29:33.840 --> 0:29:39.320
<v Speaker 1>you go m Drnimum delivery required. Talk about say that again,

0:29:39.560 --> 0:29:46.000
<v Speaker 1>minimum delivery required commitment. Oh I whatever that number was

0:29:46.080 --> 0:29:50.040
<v Speaker 1>for me, I would want to obliterate it because it

0:29:50.040 --> 0:29:57.160
<v Speaker 1>seemed like that number stood in between me and food shell. Okay, okay,

0:29:57.400 --> 0:29:59.000
<v Speaker 1>So I said, let me get rid of that number.

0:30:00.160 --> 0:30:05.200
<v Speaker 1>And uh, look, man, I moved from Los Angeles to Richmond,

0:30:05.280 --> 0:30:08.720
<v Speaker 1>I mean Richmond to l A bro You talk about

0:30:09.080 --> 0:30:12.080
<v Speaker 1>off the first thirty coaches. Shot, well, I was here

0:30:12.080 --> 0:30:15.320
<v Speaker 1>for a year. I was here for a year, and uh,

0:30:15.360 --> 0:30:17.000
<v Speaker 1>I never forget John was telling me, her Man, you

0:30:17.040 --> 0:30:18.680
<v Speaker 1>might want to move him. Man your rod to account

0:30:18.680 --> 0:30:21.640
<v Speaker 1>getting up there. You're standing in the motels. You were

0:30:21.680 --> 0:30:25.640
<v Speaker 1>in them cars because he was flying me out and

0:30:25.640 --> 0:30:28.440
<v Speaker 1>it was putting me out, you know. And he said, Harry,

0:30:28.440 --> 0:30:32.000
<v Speaker 1>won't you just move? And I'm like, these people are

0:30:32.000 --> 0:30:36.760
<v Speaker 1>strange here. I will stay, i will work and I

0:30:36.760 --> 0:30:39.840
<v Speaker 1>will go home and I'll never forget it. One day

0:30:39.920 --> 0:30:44.560
<v Speaker 1>we do take you out for Luther Vandro come on,

0:30:44.680 --> 0:30:46.520
<v Speaker 1>come on, because he was just gonna say it like

0:30:46.560 --> 0:30:49.720
<v Speaker 1>it was just he was gon skip by. He almost

0:30:49.720 --> 0:30:53.040
<v Speaker 1>whispered it. Yeah, you know you're not gonna do that

0:30:53.120 --> 0:30:56.440
<v Speaker 1>true story tank. Oh god, I'm talking to the man

0:30:56.960 --> 0:31:01.920
<v Speaker 1>and and in the bowling alley, me and Warren and

0:31:02.120 --> 0:31:08.720
<v Speaker 1>John Jugu Smith. Let's get first. I was introduced to

0:31:08.760 --> 0:31:14.200
<v Speaker 1>Warren Campbell Baby Baby Baby dub Warren Campbell through John

0:31:14.360 --> 0:31:18.120
<v Speaker 1>playing Okay, I the first time I meet Warren Campbell.

0:31:18.360 --> 0:31:22.760
<v Speaker 1>They're celebrating him and Mary Mary's success for Shackles being

0:31:22.800 --> 0:31:26.120
<v Speaker 1>the biggest song in the world. On my first introduction

0:31:26.240 --> 0:31:29.560
<v Speaker 1>to him, on a trip on my first trip to

0:31:29.600 --> 0:31:35.760
<v Speaker 1>Los Angeles. Uh, layover with Chris Henderson from Dallas, Texas.

0:31:35.560 --> 0:31:40.640
<v Speaker 1>This is interesting. So anyway, as a man named Mr

0:31:40.680 --> 0:31:43.680
<v Speaker 1>Clive Davis, he started a new label, UM, and it's

0:31:43.720 --> 0:31:46.960
<v Speaker 1>called Jay Records. And you know when you started record label,

0:31:46.960 --> 0:31:49.880
<v Speaker 1>you gotta go get a big artist at everybody. No, first,

0:31:51.320 --> 0:31:57.240
<v Speaker 1>let's just grease the gears here so this thing can

0:31:57.280 --> 0:32:01.080
<v Speaker 1>go easy. Luther Van Drass is the one of the

0:32:01.280 --> 0:32:05.480
<v Speaker 1>artists that decides to work with Clive Davis. And they're

0:32:05.480 --> 0:32:09.640
<v Speaker 1>looking for songs. I see a beat tape. Uh, John

0:32:09.720 --> 0:32:14.480
<v Speaker 1>Jubu Smith and Warren Baby Dup Campbell. Uh, they have

0:32:14.600 --> 0:32:18.800
<v Speaker 1>some music. They're working on music. I take a tape home.

0:32:19.800 --> 0:32:24.000
<v Speaker 1>I was staying at the Best Western on the four

0:32:24.080 --> 0:32:26.840
<v Speaker 1>or five of the full or five and Santa Monica meets.

0:32:27.800 --> 0:32:32.560
<v Speaker 1>I wrote, I wrote People's Childhood and the hell town

0:32:33.120 --> 0:32:35.920
<v Speaker 1>in my head, yeah, right across you from the from

0:32:35.960 --> 0:32:39.400
<v Speaker 1>the gas station. Yeah, and so I wrote take you out.

0:32:40.600 --> 0:32:43.600
<v Speaker 1>I think nothing of it because I don't know how

0:32:43.640 --> 0:32:46.680
<v Speaker 1>this works. One day, me and Warren go to a

0:32:46.720 --> 0:32:54.480
<v Speaker 1>bowling alley. The phone rings. Warren looks at me, he goes,

0:32:54.520 --> 0:32:58.280
<v Speaker 1>he's right here, but Warren looked like he's seen a ghost.

0:32:58.480 --> 0:33:00.959
<v Speaker 1>Well he looking at me like I got five heads.

0:33:04.320 --> 0:33:09.160
<v Speaker 1>He's right here, Harles Luther Van draws. No, I said,

0:33:10.240 --> 0:33:15.040
<v Speaker 1>m I'm twenty two years old, and look at that.

0:33:15.280 --> 0:33:17.720
<v Speaker 1>Warn Campbell is telling me God is on the phone,

0:33:18.440 --> 0:33:24.160
<v Speaker 1>the Lord. I get there. I get the phone and

0:33:24.240 --> 0:33:28.000
<v Speaker 1>I go hello, and he says, hold on, hold on,

0:33:28.040 --> 0:33:32.720
<v Speaker 1>hold on, and I hear so amazing to be I

0:33:32.960 --> 0:33:35.440
<v Speaker 1>follow you to the I go. He has his own

0:33:35.520 --> 0:33:38.800
<v Speaker 1>old music. Wait wait wait, no, no, no, no no,

0:33:38.840 --> 0:33:41.080
<v Speaker 1>I think you just hear that in your head. No, no, no,

0:33:41.280 --> 0:33:51.160
<v Speaker 1>he has whole music. Yeah, yeah, yeah he when he

0:33:51.200 --> 0:33:56.680
<v Speaker 1>puts you on hold, you heard his music. I gotta

0:33:56.720 --> 0:33:59.880
<v Speaker 1>be honest. This, this conversation set up to set up

0:33:59.880 --> 0:34:05.960
<v Speaker 1>the next This conversation set up the framework of my career.

0:34:08.840 --> 0:34:13.920
<v Speaker 1>He gets back on the phone. He says, yes, uh uh,

0:34:14.200 --> 0:34:17.200
<v Speaker 1>who am I talking with? This is her? This is her?

0:34:17.320 --> 0:34:20.800
<v Speaker 1>Litly Okay, good, um, Look, you gotta hit You're welcome.

0:34:22.880 --> 0:34:28.080
<v Speaker 1>Oh it's gonna be a smash. You're welcome. I'm gonna

0:34:28.200 --> 0:34:32.000
<v Speaker 1>use your backgrounds. You're welcome, all right? Whoa, This is

0:34:32.040 --> 0:34:36.480
<v Speaker 1>a lot of energy. He's telling me you're welcome. And

0:34:36.520 --> 0:34:47.600
<v Speaker 1>I haven't even said thank you. What's happening? What's happening here?

0:34:49.760 --> 0:34:53.800
<v Speaker 1>And then I say, okay, thank you. He said, listen,

0:34:54.840 --> 0:34:59.640
<v Speaker 1>I'm in the studio. And he said, the first verse

0:34:59.719 --> 0:35:02.319
<v Speaker 1>I need in the new first verse. He said, your

0:35:02.360 --> 0:35:05.920
<v Speaker 1>first verse is very gender specific. You're you're talking too small.

0:35:06.440 --> 0:35:10.120
<v Speaker 1>You need to think bigger. Luther's bigger than women. Luther

0:35:10.280 --> 0:35:16.160
<v Speaker 1>is bigger than men. Luther's biggest love. And I said okay.

0:35:16.520 --> 0:35:18.839
<v Speaker 1>I said, well, I'll get it to you, uh, you know,

0:35:19.080 --> 0:35:21.160
<v Speaker 1>in a couple of days. He said, oh, no, I'm

0:35:21.160 --> 0:35:24.040
<v Speaker 1>at the studio now. I said, well, I'm at the

0:35:24.080 --> 0:35:28.040
<v Speaker 1>bowling alley. He said, oh, you're at the bowling alley. Okay,

0:35:28.719 --> 0:35:30.520
<v Speaker 1>he said. I have a lot of cars. I go, oh,

0:35:30.600 --> 0:35:35.640
<v Speaker 1>where is this going. What does automobiles have to do

0:35:35.760 --> 0:35:41.120
<v Speaker 1>with a verse that needs to be rewritten? He said,

0:35:41.120 --> 0:35:44.400
<v Speaker 1>I have a Jaguar, have a Rolls, I have a Cadillac.

0:35:44.560 --> 0:35:48.399
<v Speaker 1>I have many many cars. What if I took one

0:35:48.440 --> 0:35:53.920
<v Speaker 1>of my cars to a mechanic shop and I need

0:35:53.960 --> 0:35:58.719
<v Speaker 1>a new spark plugs and they told me, oh, we

0:35:58.840 --> 0:36:02.800
<v Speaker 1>can't get your spark plugs today. What am I gonna

0:36:02.880 --> 0:36:06.200
<v Speaker 1>do with the car? I said, you're gonna take across

0:36:06.239 --> 0:36:08.040
<v Speaker 1>the street. Do you want me to take your song

0:36:08.160 --> 0:36:14.400
<v Speaker 1>across the street? No, sir, I'll have it done good.

0:36:18.400 --> 0:36:23.319
<v Speaker 1>I feel like I've aged seventy eight years on this

0:36:23.400 --> 0:36:28.080
<v Speaker 1>particular call. Then he tells me the most amazing thing

0:36:28.680 --> 0:36:33.080
<v Speaker 1>he said, and another thing said, Yes, sir, I'm gonna

0:36:33.160 --> 0:36:37.560
<v Speaker 1>tell everybody I wrote it. I said, well, this is

0:36:37.600 --> 0:36:43.160
<v Speaker 1>too much to understand, ship, but let me submit my

0:36:43.440 --> 0:36:48.360
<v Speaker 1>will and my I did just get here from Richmond, Virginia.

0:36:49.200 --> 0:36:55.120
<v Speaker 1>Uh I, I was making brackets about three months ago.

0:36:55.360 --> 0:37:03.480
<v Speaker 1>Or yes, sir, would you like to know why? Yes?

0:37:04.360 --> 0:37:07.080
<v Speaker 1>He said, well I'm gonna go on Oprah. Oprah is

0:37:07.080 --> 0:37:09.600
<v Speaker 1>gonna ask me a question. The way I answered that

0:37:09.719 --> 0:37:15.000
<v Speaker 1>question can make you more money. So what's the question?

0:37:15.840 --> 0:37:20.879
<v Speaker 1>The question is, oh, Luther, all right, I want you

0:37:21.000 --> 0:37:26.640
<v Speaker 1>to tell my studio audience and the millions watching how

0:37:26.760 --> 0:37:30.799
<v Speaker 1>you came up with this song. The first answer is, oh,

0:37:30.800 --> 0:37:33.160
<v Speaker 1>a guy named her a little from Richmond, Virginia wrote it.

0:37:35.120 --> 0:37:40.319
<v Speaker 1>I said, hmm, that doesn't seem exciting. He said. The

0:37:40.400 --> 0:37:43.680
<v Speaker 1>next way I can answer that question is, Oprah, I

0:37:43.719 --> 0:37:47.280
<v Speaker 1>want you to take all of my songs so amazing

0:37:47.280 --> 0:37:49.520
<v Speaker 1>in our house is not a home power love never

0:37:49.560 --> 0:37:52.520
<v Speaker 1>too much, roll them into one and introduced it to

0:37:52.560 --> 0:37:55.879
<v Speaker 1>a new generation. That's how this song came together. He said,

0:37:55.920 --> 0:37:59.359
<v Speaker 1>which answer is gonna make you more money? I said

0:37:59.360 --> 0:38:07.719
<v Speaker 1>the second one. I don't know. Listen, I don't know

0:38:07.760 --> 0:38:09.239
<v Speaker 1>how much y'all be on it of there, but you

0:38:09.239 --> 0:38:12.400
<v Speaker 1>know I'm tapping here there And there is of me

0:38:12.719 --> 0:38:15.960
<v Speaker 1>in a video of a man from the Bay Area saying,

0:38:16.280 --> 0:38:22.960
<v Speaker 1>you gotta you're think it's too small? Big, big big.

0:38:24.280 --> 0:38:27.040
<v Speaker 1>That was the That was the conversation ever since. The

0:38:27.360 --> 0:38:33.280
<v Speaker 1>guys I've said nothing. I've said nothing. I've said nothing.

0:38:33.960 --> 0:38:39.000
<v Speaker 1>And the people who needed to know, they know, and

0:38:39.080 --> 0:38:43.480
<v Speaker 1>they know. The people who needed to know, they they

0:38:44.400 --> 0:38:53.160
<v Speaker 1>I talked to them often. Now recently, I am submitting

0:38:53.840 --> 0:38:59.280
<v Speaker 1>to the information age. I feel like now the age

0:38:59.360 --> 0:39:04.400
<v Speaker 1>demands the information. If you have information, the age will

0:39:04.640 --> 0:39:08.920
<v Speaker 1>receive it. Why in your phones is your birthdate and

0:39:08.920 --> 0:39:13.120
<v Speaker 1>your social in your credit card? And the age it's

0:39:13.120 --> 0:39:17.400
<v Speaker 1>gonna get that information. And I have a company. I

0:39:17.480 --> 0:39:20.920
<v Speaker 1>have a I have a place where there are children

0:39:21.320 --> 0:39:26.120
<v Speaker 1>doing some immaculate things that come out of the speakers,

0:39:27.200 --> 0:39:30.040
<v Speaker 1>and they're telling me, Harry, can you say something. I

0:39:30.040 --> 0:39:34.600
<v Speaker 1>don't know. Why would I do that? God told me

0:39:34.640 --> 0:39:37.840
<v Speaker 1>not to. This is about hard that was you as

0:39:37.880 --> 0:39:43.479
<v Speaker 1>a songwriter. You're not you're not. You got people here,

0:39:45.040 --> 0:39:49.400
<v Speaker 1>and I go, I do live in Los Angeles. It

0:39:49.520 --> 0:39:53.520
<v Speaker 1>is storyline. If you tell the story in Los Angeles, guys, uh,

0:39:53.920 --> 0:39:56.280
<v Speaker 1>you kind of tell it everywhere. It's the third largest

0:39:56.280 --> 0:40:02.760
<v Speaker 1>economy in the world. I'm like, damn, man, we gotta

0:40:03.480 --> 0:40:06.200
<v Speaker 1>there's a lot of names. Brove, I've been blessed. Bro

0:40:06.239 --> 0:40:09.200
<v Speaker 1>I've been blessed. But then I go, well, maybe I

0:40:09.200 --> 0:40:13.400
<v Speaker 1>should start talking now, maybe say something. Maybe I should.

0:40:13.600 --> 0:40:17.319
<v Speaker 1>And the irony My first Grammy was a song called

0:40:17.360 --> 0:40:26.840
<v Speaker 1>you Don't Know My Name irony of I'm not gonna

0:40:26.960 --> 0:40:32.239
<v Speaker 1>say your name. Yes in your first Grammy being you

0:40:32.280 --> 0:40:36.200
<v Speaker 1>don't know my name? Uh, Alicia Keys is coming off

0:40:36.320 --> 0:40:39.920
<v Speaker 1>ten million real album so like this is ten million

0:40:40.000 --> 0:40:44.080
<v Speaker 1>real albums, so real. Yeah. Yeah, like no, she's coming

0:40:44.840 --> 0:40:48.680
<v Speaker 1>yeah physical, she's coming off of so you got to

0:40:48.719 --> 0:40:51.440
<v Speaker 1>pick the plastic off of these Yes, yes, And then

0:40:51.480 --> 0:40:54.080
<v Speaker 1>there's some tape, Yes sir, Yes, sir, you gotta undo

0:40:54.160 --> 0:40:56.759
<v Speaker 1>to take. You're gonna see Uncle Bobby's name when you

0:40:56.800 --> 0:40:59.560
<v Speaker 1>when you open up. Oh yeah, yeah, yeah, I seen it, yeah,

0:41:00.000 --> 0:41:04.200
<v Speaker 1>and so guys. I but again it was work man,

0:41:04.239 --> 0:41:11.279
<v Speaker 1>I didn't. I didn't. I see Kanye, I see Alicia.

0:41:11.440 --> 0:41:14.600
<v Speaker 1>He plays beats. That was meant for Blueprint. We was

0:41:14.640 --> 0:41:20.840
<v Speaker 1>at qualit that day. We did uh m hmm. You

0:41:20.880 --> 0:41:26.600
<v Speaker 1>don't know my name and Unbreakable. I was like, but

0:41:26.719 --> 0:41:28.560
<v Speaker 1>it was to me it was a job. So I

0:41:28.600 --> 0:41:31.520
<v Speaker 1>gotta I go, I gotta, I gotta do this tomorrow.

0:41:32.520 --> 0:41:35.560
<v Speaker 1>So it's I gotta. You know, my bird saying this

0:41:35.680 --> 0:41:43.040
<v Speaker 1>used to do something. Definitely, here's the very same. You

0:41:43.080 --> 0:41:45.360
<v Speaker 1>didn't walk away though you walk away the game. Oh no,

0:41:45.760 --> 0:41:53.400
<v Speaker 1>I'm I'm actually no mm hmm. I was. Um. You know,

0:41:53.520 --> 0:41:55.920
<v Speaker 1>when you write songs for a living, you have to serve.

0:41:56.120 --> 0:42:00.799
<v Speaker 1>Can I talk to the listen writers? Your job is

0:42:00.840 --> 0:42:05.320
<v Speaker 1>to serve the artist. Uh, it is not your session,

0:42:06.120 --> 0:42:09.080
<v Speaker 1>it is not your album, it is not your budget,

0:42:11.280 --> 0:42:16.840
<v Speaker 1>but it can be your vision. Okay, and so please

0:42:16.960 --> 0:42:20.320
<v Speaker 1>understand that you're there to serve. Okay, got that on

0:42:20.480 --> 0:42:25.800
<v Speaker 1>doing so, I've been serving in these studio sessions. Hey man, Uh,

0:42:26.280 --> 0:42:29.520
<v Speaker 1>we've abbing out with Jamie. Jamie wanted to talk his ship.

0:42:30.600 --> 0:42:34.319
<v Speaker 1>Be Jamie deserves and should talk every amount of ship

0:42:34.400 --> 0:42:37.919
<v Speaker 1>that he wants to talk. If I'm in the room,

0:42:37.960 --> 0:42:41.239
<v Speaker 1>if if if Warren called me he needs a song

0:42:41.440 --> 0:42:46.160
<v Speaker 1>for the Soul Secret, let's go back. If Jamie wants

0:42:46.160 --> 0:42:47.920
<v Speaker 1>to talk his ship, Yes, you should be able to

0:42:47.960 --> 0:42:50.040
<v Speaker 1>talk to ship, and I should be able to serve

0:42:50.120 --> 0:42:52.640
<v Speaker 1>that as a song. Where as you serve that, Yes,

0:42:52.800 --> 0:43:00.479
<v Speaker 1>what do you do? What do you serve? Unpredictable? He's

0:43:00.520 --> 0:43:04.319
<v Speaker 1>coming off of ray. Uh, he just want an oscar

0:43:04.520 --> 0:43:07.880
<v Speaker 1>talk about it and it was the hottest project to

0:43:07.880 --> 0:43:13.719
<v Speaker 1>get on at the time. Clive Davis was holding Bungalow

0:43:13.800 --> 0:43:18.680
<v Speaker 1>meetings for the songs. You know material, Can I say another?

0:43:19.440 --> 0:43:22.239
<v Speaker 1>You have to bring it the writers. If you can

0:43:22.360 --> 0:43:29.600
<v Speaker 1>read it, it'll probably sing even better. Okay, I go

0:43:29.800 --> 0:43:33.400
<v Speaker 1>to the place he tells me about Jamie. He's like,

0:43:33.480 --> 0:43:36.240
<v Speaker 1>he's And all I know at the time is it

0:43:36.360 --> 0:43:41.160
<v Speaker 1>was just if you That's all I know. That's all

0:43:41.200 --> 0:43:43.480
<v Speaker 1>I know at the time. And I know he's a

0:43:43.560 --> 0:43:47.719
<v Speaker 1>dynamic actor, and um, it's the biggest project to get on.

0:43:49.280 --> 0:43:54.719
<v Speaker 1>Brian Prescott talk about it the Guy with the King,

0:43:55.800 --> 0:44:01.319
<v Speaker 1>but for the new ones. Yeah, Brian Prescott calls me

0:44:01.360 --> 0:44:05.680
<v Speaker 1>and says her out of hit boy, I out of

0:44:05.760 --> 0:44:09.040
<v Speaker 1>hit I'm trying to take now. Prior, prior, our first

0:44:09.040 --> 0:44:13.520
<v Speaker 1>record together was Brother by Andrew Stone. This is the

0:44:13.560 --> 0:44:17.120
<v Speaker 1>second one, he says. He says her, I got a

0:44:17.239 --> 0:44:20.359
<v Speaker 1>record it's crazy Big d and Jim Johnson, and I

0:44:20.440 --> 0:44:23.799
<v Speaker 1>was fans of theirs. I was fansy Big Things. Okay,

0:44:23.800 --> 0:44:27.319
<v Speaker 1>it was cooking. Oh that was cooking. He sends me

0:44:27.400 --> 0:44:36.280
<v Speaker 1>the Unpredictable track, so dry and ruinated. Baby, Baby, time

0:44:36.320 --> 0:44:39.600
<v Speaker 1>write a song, Okay, Boom, send it back. It's it's

0:44:39.600 --> 0:44:44.000
<v Speaker 1>gonna be the s We're getting this, you know. Brian

0:44:44.160 --> 0:44:50.319
<v Speaker 1>starts to Brian, I go, oh, chamber records it. We

0:44:50.360 --> 0:44:55.680
<v Speaker 1>go down and I forgot what movie he was filming. Okay, yep.

0:44:56.760 --> 0:45:04.680
<v Speaker 1>And the the engineer of Unpredictable was a man by

0:45:04.680 --> 0:45:07.959
<v Speaker 1>the name of Camel, and he was on his way

0:45:08.000 --> 0:45:10.880
<v Speaker 1>to be the like you know he would have like

0:45:11.000 --> 0:45:13.279
<v Speaker 1>Manny and Jason and all of those guys. Now he

0:45:13.400 --> 0:45:15.799
<v Speaker 1>was that's where he was headed. One of the best

0:45:15.840 --> 0:45:20.239
<v Speaker 1>guys ever met. He passes away, right, And so when

0:45:20.239 --> 0:45:25.160
<v Speaker 1>he passed away, I said damn, because he called me, said, yo,

0:45:25.239 --> 0:45:29.839
<v Speaker 1>I've been New York Baby Unpredictable going crazy? Oh hey, baby.

0:45:29.880 --> 0:45:32.520
<v Speaker 1>A couple of weeks. He's gone. Best guy ever met

0:45:32.960 --> 0:45:36.160
<v Speaker 1>at that point in my life. He was younger than me,

0:45:37.080 --> 0:45:40.879
<v Speaker 1>and uh I named my son after him. Yeah. Yeah,

0:45:41.040 --> 0:45:42.759
<v Speaker 1>I mean one of the best guys I ever met. Man,

0:45:43.320 --> 0:45:47.760
<v Speaker 1>And so all these records Man Tray songs just gotta

0:45:47.800 --> 0:45:51.279
<v Speaker 1>make it. I gotta stay it, unpredicted, ok. I gotta

0:45:51.320 --> 0:45:53.920
<v Speaker 1>stay there because I was there. Yeah, you were there.

0:45:54.000 --> 0:45:56.520
<v Speaker 1>We did a song called three Letter Words. I was

0:45:56.840 --> 0:46:00.200
<v Speaker 1>there and I remember I said, Tank is here here.

0:46:01.680 --> 0:46:05.040
<v Speaker 1>I can get Tanked to sing on one of the

0:46:05.200 --> 0:46:11.160
<v Speaker 1>songs that I was able to remember. It would be legendary.

0:46:12.800 --> 0:46:16.200
<v Speaker 1>It's a tank. You think you can sing on this song? Oh?

0:46:16.600 --> 0:46:21.360
<v Speaker 1>Come on, man, whatever Tank goes in the booth. Ah

0:46:21.920 --> 0:46:28.360
<v Speaker 1>and I hear Tank, Dude does Tank? My life is

0:46:28.360 --> 0:46:43.080
<v Speaker 1>into it. I'm Sarah lily As. You've been reading um

0:46:43.200 --> 0:46:47.399
<v Speaker 1>as you're a scholar on the subject. He's about Yeah,

0:46:47.560 --> 0:46:52.520
<v Speaker 1>doctor it over doctors probably. Yeah, I've heard it other

0:46:52.560 --> 0:46:56.279
<v Speaker 1>about this here. Yeah, we we need we need some

0:46:56.360 --> 0:46:58.759
<v Speaker 1>information from me. We're gonna, we're gonna, we're gonna, we're

0:46:58.760 --> 0:47:01.040
<v Speaker 1>gonna pick at your rm B mine. Okay, yes, sir,

0:47:01.360 --> 0:47:04.319
<v Speaker 1>you know you got it? Yes, sure, I need to

0:47:04.360 --> 0:47:13.799
<v Speaker 1>know top five R and B singers from any time,

0:47:13.800 --> 0:47:22.160
<v Speaker 1>male or female, Male or female female, Top five all Time,

0:47:23.120 --> 0:47:30.400
<v Speaker 1>Your Carotti, Aretha Franklin. Yeah, you're gonna start there. Wow,

0:47:31.200 --> 0:47:47.280
<v Speaker 1>Sam Cook, I'll see where you going. Stevie Wonder, Whitney Houston,

0:47:57.640 --> 0:48:07.320
<v Speaker 1>Michael Land, Prince. I'm sorry. Who was my top five?

0:48:07.880 --> 0:48:11.000
<v Speaker 1>And I and I and I didn't even mention Marvin

0:48:11.040 --> 0:48:15.160
<v Speaker 1>and Barry Whine because it gets crazy kids, So I

0:48:15.200 --> 0:48:18.960
<v Speaker 1>have to talk about our mothers and our fathers before

0:48:19.000 --> 0:48:24.480
<v Speaker 1>I talk about the children. Wow. I like that. Top

0:48:24.520 --> 0:48:37.720
<v Speaker 1>five R and B songs. Who you are a songwriter? Man?

0:48:40.560 --> 0:48:47.440
<v Speaker 1>Tender Lover by for sim God. What a song. Okay,

0:48:47.480 --> 0:48:52.960
<v Speaker 1>that's number one. What a song? Jeez, Louise My who

0:48:52.960 --> 0:48:56.960
<v Speaker 1>wrote that? Who wrote that? Jamm and Leuis thank you?

0:48:57.080 --> 0:49:04.000
<v Speaker 1>They wrote it from from my You're standing Yeah, love

0:49:04.080 --> 0:49:08.279
<v Speaker 1>so tender. I love tender no more. They don't They're

0:49:08.280 --> 0:49:16.240
<v Speaker 1>not tender no more. Joy and Pain by Frankie Beverly

0:49:16.320 --> 0:49:25.640
<v Speaker 1>and Maids. Yeah. Yeah, sold out Arena's worldwide. It's like

0:49:25.760 --> 0:49:30.399
<v Speaker 1>going R and B, R and R and B Top

0:49:30.440 --> 0:49:45.840
<v Speaker 1>five greatest songs. Mm hmm okay Piece of My Love

0:49:46.160 --> 0:49:51.719
<v Speaker 1>by Come on guy, come on? Huh Huh, you gotta

0:49:51.760 --> 0:49:54.080
<v Speaker 1>have all of it, but you get a piece of it. Huh.

0:49:54.800 --> 0:50:09.439
<v Speaker 1>Four has to be Oh buddy, mm hm hm m

0:50:09.480 --> 0:50:20.080
<v Speaker 1>hmm Forever My Lady by joviash Don't Hold It, Oh Goodness,

0:50:20.960 --> 0:50:36.600
<v Speaker 1>Oh goodness. And then number five oh man m h okay.

0:50:36.640 --> 0:50:41.640
<v Speaker 1>There's a song by Stevie Wonder. It's called Seems So Long.

0:50:42.440 --> 0:50:45.680
<v Speaker 1>It's off the Music of my Mind album. This is

0:50:45.719 --> 0:50:50.920
<v Speaker 1>when he's allowed to produce his own album. Before this,

0:50:51.239 --> 0:50:54.839
<v Speaker 1>he had done maybe eleven or fourteen albums where he

0:50:54.880 --> 0:50:58.719
<v Speaker 1>had to do what Barry said. You know, Barry basically said, no,

0:50:58.760 --> 0:51:02.440
<v Speaker 1>you're not gonna write anything. You're gonna learn from the

0:51:02.480 --> 0:51:07.360
<v Speaker 1>best writers, producers, arrangers. And it's a song on his

0:51:07.440 --> 0:51:12.480
<v Speaker 1>album called Seems So Long Music of My Mind is.

0:51:13.400 --> 0:51:16.960
<v Speaker 1>It's phenomenal, It's phenomenon And this is one of the

0:51:16.960 --> 0:51:19.480
<v Speaker 1>first songs he's ever written. Well it was it was

0:51:19.520 --> 0:51:22.240
<v Speaker 1>on his album that he got to create creative control.

0:51:22.760 --> 0:51:26.640
<v Speaker 1>He had creative control. Man, it seems so long. It

0:51:26.719 --> 0:51:31.240
<v Speaker 1>one of my favorite songs. Bro so the theme today,

0:51:31.440 --> 0:51:33.799
<v Speaker 1>I have to go look at us. It seems so long.

0:51:34.000 --> 0:51:39.320
<v Speaker 1>Steven wanted to brow it up. Yeah, I listened to

0:51:39.400 --> 0:51:41.239
<v Speaker 1>this song and that I listened to that song and

0:51:41.320 --> 0:51:44.040
<v Speaker 1>that Okay, we're gonna we're gonna build an R and

0:51:44.040 --> 0:51:46.520
<v Speaker 1>B singer. We called this the R and B voltron.

0:51:48.440 --> 0:51:50.920
<v Speaker 1>Who are getting the vocals from? Who you're getting the

0:51:50.960 --> 0:51:54.319
<v Speaker 1>performance style from, Who are you getting the st from,

0:51:54.360 --> 0:51:56.640
<v Speaker 1>and who are you getting the passion from the heart

0:51:56.640 --> 0:52:00.880
<v Speaker 1>of the artists. Let's start with the vocals. Whose vocals

0:52:00.880 --> 0:52:12.799
<v Speaker 1>are you grabbing to build your artists? Aretha Franklin, I mean,

0:52:12.840 --> 0:52:17.279
<v Speaker 1>why not? Why why not? Why not? It has to

0:52:17.320 --> 0:52:34.719
<v Speaker 1>be We're gonna be on the mountain. Performance style, James Brown, this, this,

0:52:34.719 --> 0:52:40.400
<v Speaker 1>this person is already wonderful. Oh my god, like what

0:52:40.560 --> 0:52:45.000
<v Speaker 1>you really think about it's wonderful, Oh my goodness? Who

0:52:46.400 --> 0:52:55.280
<v Speaker 1>unfolding ones, unfolding majesty. The vocals of Aretha, the performance

0:52:55.719 --> 0:53:00.520
<v Speaker 1>of James okay with us? The styling okay, looking like,

0:53:02.640 --> 0:53:13.799
<v Speaker 1>oh this is gonna be interesting. Um, this is styling

0:53:13.880 --> 0:53:19.840
<v Speaker 1>has really not been. But I know every time I

0:53:20.040 --> 0:53:32.839
<v Speaker 1>saw Prince, the intentionality seems so inality, it seems so

0:53:32.920 --> 0:53:38.239
<v Speaker 1>worri intentionality. Yeah, it seems so real, like, wow, us

0:53:38.400 --> 0:53:49.960
<v Speaker 1>that your pants, You're really gonna have you do this?

0:53:49.960 --> 0:54:00.640
<v Speaker 1>This was intentional? This was intentional until I mean the

0:54:00.640 --> 0:54:07.000
<v Speaker 1>the outfit, the shoes, the silver shirts, to makeup, the hair.

0:54:07.200 --> 0:54:12.839
<v Speaker 1>It was a movie. Oh my good Yes. And then

0:54:12.840 --> 0:54:16.799
<v Speaker 1>he made him, Yeah, a movie. Every time I've seen him,

0:54:17.440 --> 0:54:21.440
<v Speaker 1>him and Michael looking. You can't mistake somebody being Prince

0:54:21.960 --> 0:54:26.560
<v Speaker 1>for Halloween, you can't exactly. Yeah, even when it was

0:54:26.600 --> 0:54:33.080
<v Speaker 1>a bad it's a prince. Fix your hair, it's prince

0:54:33.120 --> 0:54:37.920
<v Speaker 1>for sure. Yeah, Prince started. And you know, even Diana

0:54:38.080 --> 0:54:45.520
<v Speaker 1>ross Man, she looked like a walking, living, breathing queens

0:54:45.560 --> 0:54:53.800
<v Speaker 1>like black elegance and excellence all and like di was

0:54:53.920 --> 0:55:00.320
<v Speaker 1>some girls from Detroit talking to queens and kings. Yeah, talking, yeah,

0:55:01.200 --> 0:55:06.040
<v Speaker 1>carrying themselves. Come on, man, royalty Okay. And this is

0:55:06.200 --> 0:55:09.640
<v Speaker 1>and this is the power of this music. This is

0:55:09.680 --> 0:55:13.040
<v Speaker 1>the power of the people that do this thing called

0:55:13.120 --> 0:55:16.840
<v Speaker 1>R and B. Come on, man, come on man. So

0:55:16.920 --> 0:55:18.800
<v Speaker 1>I got them my three? You got anywhere? Yeah, you

0:55:18.840 --> 0:55:20.759
<v Speaker 1>don't got something else? One more thing, who are you

0:55:20.800 --> 0:55:25.520
<v Speaker 1>getting the passion from? Whose heart? Whose heart and soul

0:55:25.520 --> 0:55:44.800
<v Speaker 1>you're putting into this artist? Mm hmmm hmm. It has

0:55:44.840 --> 0:55:49.799
<v Speaker 1>to be mine. It has to be mine. It has

0:55:49.840 --> 0:55:54.759
<v Speaker 1>to be it has to be But I've ever met

0:55:54.760 --> 0:55:58.560
<v Speaker 1>anyone more passion. I don't. I don't think i've met them.

0:55:58.600 --> 0:56:07.000
<v Speaker 1>I'm fighting, never met. I'm introducing myself to myself. And

0:56:07.120 --> 0:56:11.239
<v Speaker 1>this is why I'm sitting on the couch. It would

0:56:11.280 --> 0:56:13.920
<v Speaker 1>it would have to be. It would just have to

0:56:14.000 --> 0:56:22.440
<v Speaker 1>be I know, close, yeah, yea, eat, sleep, breathe bleed

0:56:23.400 --> 0:56:30.080
<v Speaker 1>the music. Yes, I'm no corporate person, and I'm I'm

0:56:30.080 --> 0:56:35.120
<v Speaker 1>seeing now that whole I'm dealing with corporations. I never

0:56:35.200 --> 0:56:37.879
<v Speaker 1>professed to be a businessman, but now I'm dealing with

0:56:37.960 --> 0:56:42.399
<v Speaker 1>business people all because I closed my eyes and go

0:56:42.480 --> 0:56:47.680
<v Speaker 1>into a room and sing in a microphone. Mm hmm.

0:56:49.640 --> 0:56:59.560
<v Speaker 1>It would have to be met. That is the front.

0:56:59.640 --> 0:57:02.440
<v Speaker 1>It would have to be me. It would have to be.

0:57:03.560 --> 0:57:09.719
<v Speaker 1>It would have to be. So yeah, yeah, I agree. Yeah,

0:57:09.760 --> 0:57:14.279
<v Speaker 1>I know, yeah, I haven't agreeance. Yeah, I'm gonna jay

0:57:14.280 --> 0:57:17.600
<v Speaker 1>do the rest. I'm talking because we got a special

0:57:17.600 --> 0:57:22.240
<v Speaker 1>part for you too, alright. You know that's really important

0:57:22.240 --> 0:57:25.920
<v Speaker 1>to this showy alright, yeah, and I know you know,

0:57:25.960 --> 0:57:28.680
<v Speaker 1>I know you watched the show. I know you tune

0:57:28.720 --> 0:57:33.560
<v Speaker 1>into your brother. Yes, sir, yes, sir, yes sir. I

0:57:33.600 --> 0:57:38.000
<v Speaker 1>ain't saying no names. I ain't saying the name. And

0:57:38.040 --> 0:57:40.960
<v Speaker 1>as you know, this portion of the show can be

0:57:41.040 --> 0:57:44.880
<v Speaker 1>either funny or fucked up. Are funny and fucked up?

0:57:45.480 --> 0:57:52.960
<v Speaker 1>The only rule is her literally ain't saying no name. Okay.

0:57:59.480 --> 0:58:07.520
<v Speaker 1>The year doesn't matter, the place doesn't matter, the scenario

0:58:10.760 --> 0:58:17.400
<v Speaker 1>I don't think matters. But let's say this. I have

0:58:17.520 --> 0:58:28.920
<v Speaker 1>been holding on to a promised favor for twenty years.

0:58:30.680 --> 0:58:38.680
<v Speaker 1>M hm, yes, promised favor. And the person who promised

0:58:38.680 --> 0:58:46.520
<v Speaker 1>me said favor is um I'm sure as a person

0:58:46.600 --> 0:58:56.680
<v Speaker 1>of their word, okay, And I am expecting my favor.

0:58:59.840 --> 0:59:06.880
<v Speaker 1>H that's all. I'm expecting it, and it's gonna be marvelous.

0:59:07.480 --> 0:59:16.640
<v Speaker 1>The give back it's gonna be marvelous. So that's that's

0:59:16.720 --> 0:59:25.960
<v Speaker 1>probably all I can say. Uh. I mean, can you

0:59:26.040 --> 0:59:31.200
<v Speaker 1>imagine a twenty year favorite? Can you imagine it? There's

0:59:31.240 --> 0:59:33.280
<v Speaker 1>a lot of interest in that favorite. If I could

0:59:33.320 --> 0:59:42.280
<v Speaker 1>be honest, the favor actually propelled me into the unknown

0:59:43.360 --> 0:59:48.360
<v Speaker 1>just so I could make sure I would get my favorite,

0:59:49.240 --> 0:59:55.840
<v Speaker 1>because you can't just tell me anything. You know, your

0:59:55.840 --> 1:00:01.840
<v Speaker 1>new name is the Riddler, right, you know? Ler. It's like, hey, man,

1:00:02.520 --> 1:00:06.760
<v Speaker 1>do you know you told me something a long time ago?

1:00:08.000 --> 1:00:11.920
<v Speaker 1>And I hope you didn't forget because I didn't no,

1:00:12.800 --> 1:00:19.600
<v Speaker 1>I think now it was a good time. Um for

1:00:19.720 --> 1:00:24.360
<v Speaker 1>the favor, whatever that may be. I don't even know

1:00:24.400 --> 1:00:33.400
<v Speaker 1>what it is, but I was promised and I shall

1:00:35.160 --> 1:00:44.160
<v Speaker 1>get my favor. It's taken me many places, but it's

1:00:44.200 --> 1:00:48.080
<v Speaker 1>like you said something to me, and I know you

1:00:48.120 --> 1:00:53.280
<v Speaker 1>were going to fulfill your word. I was a child,

1:00:54.600 --> 1:00:59.680
<v Speaker 1>I still am in a lot of ways. But um,

1:00:59.720 --> 1:01:06.720
<v Speaker 1>I'm not saying any names, but I want my favorite.

1:01:09.920 --> 1:01:13.480
<v Speaker 1>Give that man his favorite. Please. You know who you are,

1:01:13.680 --> 1:01:21.440
<v Speaker 1>you know who you is. Just you know what? You

1:01:21.480 --> 1:01:27.040
<v Speaker 1>know what The story reminded me of. Uh, it reminded

1:01:27.080 --> 1:01:32.800
<v Speaker 1>me of what's my John Wick reminded me of John Wick.

1:01:34.120 --> 1:01:39.120
<v Speaker 1>And when he went to john Wick to collect on

1:01:39.240 --> 1:01:44.360
<v Speaker 1>the favor, which was in blood, he said, he said,

1:01:45.240 --> 1:01:50.000
<v Speaker 1>I need my favor. John said, I I'm out. I'm

1:01:50.000 --> 1:01:54.680
<v Speaker 1>not in no more. I can't give you that blood

1:01:55.920 --> 1:02:01.360
<v Speaker 1>right here. Yes I need my favorite? Yes, yes, And

1:02:01.520 --> 1:02:10.040
<v Speaker 1>John Wick reluctantly yes. After many fights and shootouts, he

1:02:09.520 --> 1:02:13.720
<v Speaker 1>had to pay his debt. Did you just tell her

1:02:13.880 --> 1:02:15.560
<v Speaker 1>to get it back in blood? No? No, No, what

1:02:15.600 --> 1:02:23.800
<v Speaker 1>I'm saying is what I'm saying is for man or

1:02:23.880 --> 1:02:28.080
<v Speaker 1>woman put their word in we have it might as

1:02:28.120 --> 1:02:32.000
<v Speaker 1>well be in blood, so we have. I was a

1:02:32.080 --> 1:02:38.680
<v Speaker 1>young kid man and I had no clue. Uh. You know,

1:02:40.720 --> 1:02:45.800
<v Speaker 1>things happen in this business. Uh. And guess what. I'm

1:02:45.880 --> 1:02:49.280
<v Speaker 1>glad everything happened the way it did, if I could

1:02:49.280 --> 1:02:55.280
<v Speaker 1>be honest, because it calls me to say, Hey, who

1:02:55.360 --> 1:02:59.240
<v Speaker 1>I am is so much bigger than what I do. Okay,

1:03:00.080 --> 1:03:02.720
<v Speaker 1>who I am will be bigger than all of it,

1:03:03.640 --> 1:03:13.240
<v Speaker 1>you know, hurlet Maybe this favor is actually worth um.

1:03:13.280 --> 1:03:17.240
<v Speaker 1>Maybe this favor is worth more than money. Um, but

1:03:17.440 --> 1:03:25.440
<v Speaker 1>make sure that you receive it. Yeah. So, but I

1:03:25.480 --> 1:03:35.200
<v Speaker 1>ain't saying on that. The wonderful, the masterful man, thank you,

1:03:37.280 --> 1:03:40.440
<v Speaker 1>the highest level of this song writing. Oh my god,

1:03:42.440 --> 1:03:43.840
<v Speaker 1>I'm going to tell him. I don't know if I've

1:03:43.840 --> 1:03:50.440
<v Speaker 1>ever taught my favorite songwriter. Thank you, harl Lily Jr.

1:03:50.520 --> 1:03:53.520
<v Speaker 1>Hey man, thank you brother, Thank you man. That means

1:03:53.680 --> 1:04:01.200
<v Speaker 1>that Lily Jr. The original, Yeah, the original man. Yeah, man, yes, sir,

1:04:01.440 --> 1:04:05.120
<v Speaker 1>because you know, but you really about to say, I

1:04:05.160 --> 1:04:08.360
<v Speaker 1>know what the name means Richmond, Virginia. Yeah, let me

1:04:08.400 --> 1:04:11.680
<v Speaker 1>tell you there's a place called the world, Craig, Yes, yeah,

1:04:11.760 --> 1:04:17.040
<v Speaker 1>the world. I took that name something. Yeah, facts, it's

1:04:17.040 --> 1:04:20.960
<v Speaker 1>been beautiful, man, I, and I'm still wrapping my head

1:04:21.120 --> 1:04:24.400
<v Speaker 1>around it. Time to be honest with you, bro. I

1:04:24.520 --> 1:04:28.680
<v Speaker 1>heard on I heard talk about our love the other

1:04:28.760 --> 1:04:33.160
<v Speaker 1>day and I said, man, Brandy was singing on that

1:04:33.240 --> 1:04:38.600
<v Speaker 1>jung mhmm. My sister sent me a video of a

1:04:38.680 --> 1:04:44.440
<v Speaker 1>man's choir in Richmond, Virginia singing It's all God. I said, Wow,

1:04:47.760 --> 1:04:50.480
<v Speaker 1>I can't even believe it. They're singing my song on

1:04:52.200 --> 1:05:00.320
<v Speaker 1>third Sundays across the nation, Men's Men's Quiet. Then trade

1:05:00.320 --> 1:05:03.240
<v Speaker 1>the men's choir, you gotta you gotta record. They don't

1:05:03.280 --> 1:05:11.000
<v Speaker 1>have many songs Man's Quiet, a few selections, and they

1:05:11.080 --> 1:05:14.360
<v Speaker 1>don't sing them. Same song that that that song going

1:05:15.000 --> 1:05:17.160
<v Speaker 1>I'm gonna be gone. They're gonna be singing this song.

1:05:18.280 --> 1:05:20.720
<v Speaker 1>So my sister sent it to me. I said, man,

1:05:21.200 --> 1:05:26.000
<v Speaker 1>I've never engaged with it. Um, I just never engaged

1:05:26.040 --> 1:05:29.520
<v Speaker 1>with it. And so now I think it's okay to

1:05:29.640 --> 1:05:33.840
<v Speaker 1>engage with it. And you tap into a flower. Thank you, bro,

1:05:34.440 --> 1:05:37.080
<v Speaker 1>just because because the truth for the matter that those

1:05:37.160 --> 1:05:41.880
<v Speaker 1>that know you, yeah, we love you, and those that

1:05:41.960 --> 1:05:45.160
<v Speaker 1>just know your music, they love you, and they don't

1:05:45.160 --> 1:05:48.360
<v Speaker 1>even facts. They love you, and you should you should

1:05:48.440 --> 1:05:51.720
<v Speaker 1>receive that love. Yes, sir, and we're here to put

1:05:51.720 --> 1:05:54.560
<v Speaker 1>you on this platform so more people can put the

1:05:54.640 --> 1:05:57.240
<v Speaker 1>face with the name, with the sound. Thank you, with

1:05:57.320 --> 1:06:02.840
<v Speaker 1>the feeling, with the feeling. So thank you, brother, thank you,

1:06:02.960 --> 1:06:10.240
<v Speaker 1>thank you, thank you man. I mean, listen, listen. I'm Tank.

1:06:12.080 --> 1:06:14.840
<v Speaker 1>This is the arm by Money podcast, the authority on

1:06:15.040 --> 1:06:19.520
<v Speaker 1>all things R and B. And this has been incredible

1:06:20.200 --> 1:06:24.280
<v Speaker 1>to say, the police and listen. If you're gonna look

1:06:24.360 --> 1:06:28.080
<v Speaker 1>up incredible in the dictionary as a brother sitting there

1:06:28.120 --> 1:06:32.040
<v Speaker 1>just chilling, looking really inconspicuous, not bothering nobody in his

1:06:32.160 --> 1:06:37.400
<v Speaker 1>hands like this, ya do your history and that and

1:06:37.440 --> 1:06:53.440
<v Speaker 1>that's his picture. His name is Harold Lenny Money. R

1:06:53.480 --> 1:06:55.600
<v Speaker 1>and B Money is a production of the Black Effect

1:06:55.640 --> 1:06:59.840
<v Speaker 1>podcast Network. For more podcasts from I Heart Radio, visit

1:06:59.840 --> 1:07:03.320
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

1:07:03.400 --> 1:07:06.640
<v Speaker 1>listen to your favorite shows. Don't forget to subscribe to

1:07:06.840 --> 1:07:09.360
<v Speaker 1>and rate our show, and you can connect with us

1:07:09.360 --> 1:07:13.080
<v Speaker 1>on social media at Ja Valentine and at the Real Tank.

1:07:13.480 --> 1:07:18.840
<v Speaker 1>For the extended episode, subscribe to YouTube dot com, forward Slash,

1:07:19.120 --> 1:07:22.520
<v Speaker 1>R and B Money