WEBVTT - 209: Blown Away w/ Darby Stanchfield

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaline Audio in

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<v Speaker 1>partnership with Iheartradiots das Katie Tho.

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<v Speaker 2>I just logged on and noticed that Giermo for this

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<v Speaker 2>episode is wearing a very very very sexy red hoodie.

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<v Speaker 2>Why would you be wearing a red hoodie today?

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<v Speaker 1>Because in this episode, Huck tries to go incognito into

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<v Speaker 1>a hotel. Well, he doesn't even realize he has to

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<v Speaker 1>go incognity. He just happens to be wearing a red hoodie.

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<v Speaker 1>Who's been wearing flannels? Like how many episodes?

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<v Speaker 2>Stupid? I'm sorry, scandal, I love you all.

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<v Speaker 1>All of a sudden he's like, he's like, I'm gonna

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<v Speaker 1>rock this bright red hoodie.

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<v Speaker 2>Because they couldn't have like further down the line, being

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<v Speaker 2>like the most wanted man in America is wearing a

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<v Speaker 2>poop brown flannel. Right, it's like the most wanted man

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<v Speaker 2>in America is wearing a red hoodie that like sticks.

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<v Speaker 2>Although I honestly, until this episode, has Huck ever worn

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<v Speaker 2>the color red.

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<v Speaker 1>No, only when there's blood spatter on him does he

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<v Speaker 1>have red on his body. But he has not worn

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<v Speaker 1>the color red or any other color for that matter,

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<v Speaker 1>I mean you know.

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<v Speaker 2>Yeah, you were always like all fucking dull and shit, boy,

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<v Speaker 2>you looked cute in this you're dull. Well, we have

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<v Speaker 2>a great episode because I love this episode, and we

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<v Speaker 2>have very special guests who we're going to tease you

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<v Speaker 2>about later. But wait, wait, wait, wait really quickly, I

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<v Speaker 2>wanted to tell you that I got a text from

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<v Speaker 2>Shonda Rhymes this morning.

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<v Speaker 1>You did. I love it? What did she say? Does

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<v Speaker 1>she love us?

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<v Speaker 2>Yeah, she loves us. She's obsessed with us. She's going

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<v Speaker 2>to put us in all of her shows from now

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<v Speaker 2>until the end of time. But Shonda wrote, she sent

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<v Speaker 2>me the Prince tweet? Did you know that Prince ever

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<v Speaker 2>tweeted us?

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<v Speaker 1>I did not, don't. I feel like if I would

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<v Speaker 1>have known that, we would have ran with that shit.

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<v Speaker 1>How did we? I didn't know? Did you?

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<v Speaker 2>I did not know? And this she sent me a

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<v Speaker 2>picture of Prince. He tweeted a picture We're going to

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<v Speaker 2>post it when this episode comes out of himself dressed

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<v Speaker 2>and it says a gladiator in a suit, and it's

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<v Speaker 2>Prince in like a beautiful suit. My god, from his

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<v Speaker 2>fucking own personal.

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<v Speaker 1>Oh coount, my god.

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<v Speaker 2>I'm showing this to g right now on the phone, Like,

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<v Speaker 2>can you even handle this for one second?

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<v Speaker 1>Katie?

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<v Speaker 2>This was when he was alive.

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<v Speaker 1>We have to retweet this like when this episode as

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<v Speaker 1>this is amazing.

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<v Speaker 2>This is how I never how did I know?

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<v Speaker 3>Right?

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<v Speaker 1>But to be honest, Katie, remember it was like a

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<v Speaker 1>whirlwind of things happening around us when shows were airing.

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<v Speaker 1>In the tweeting, it was a lot going on in

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<v Speaker 1>our worlds, right, Like there was a lot of shit,

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<v Speaker 1>So we probably just missed it. But it's Prince. How

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<v Speaker 1>did we freaking miss Prince?

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<v Speaker 2>The fact that he even sat somewhere and watched anything

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<v Speaker 2>of me doing anything is like absolutely fucking insane to me. Yeah,

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<v Speaker 2>we have somebody coming on so special for you gladiators

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<v Speaker 2>out there, and my mouth is already watering because she

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<v Speaker 2>could win the award for bringing the best salads and

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<v Speaker 2>the best fucking food that in seven years of scandal

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<v Speaker 2>that we ever saw this person.

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<v Speaker 1>And I first bonded over cum quats because she has

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<v Speaker 1>the most amazing cum quats that she grows in her

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<v Speaker 1>backyard and she brought me some and she used to

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<v Speaker 1>put them in her salad, and ugh, now I can't get.

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<v Speaker 2>Enough of her constant watering. She is incredible. She would

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<v Speaker 2>come in to work sometimes with dirt under her nails,

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<v Speaker 2>like and having to get a manicure in this and

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<v Speaker 2>everything because she's like to put her hands in the

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<v Speaker 2>earth because she's so fucking real.

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<v Speaker 1>She is uh the best.

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<v Speaker 2>Born and raised in a little town off of Alaska,

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<v Speaker 2>like I think an island uff of Alaska, and her

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<v Speaker 2>dad growing up was one of those deadliest catch fishermen.

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<v Speaker 1>Do you know that? Yes, yes, yes, And I'm.

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<v Speaker 2>Convinced it's why she's such an incredible actress because she literally,

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<v Speaker 2>in my head, she just grew up playing imagination all

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<v Speaker 2>the time because literally no one was the fuck around.

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<v Speaker 1>Yeah. I remember she told me a story once that she, uh,

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<v Speaker 1>the weather there was so crazy and we could ask

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<v Speaker 1>her this when she pops on, that she jumped up

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<v Speaker 1>or something in the wind like blew her away because

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<v Speaker 1>she was so skinny at the time. I mean, my gosh,

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<v Speaker 1>when she comes.

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<v Speaker 2>On, she is incredible. She's also the inventor of the

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<v Speaker 2>eye hug. Yes, we're going to talk to you about yeah,

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<v Speaker 2>because she needs to explain to you all what that

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<v Speaker 2>is in all its glory. She was the last person

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<v Speaker 2>hired of the series regulars on Scandal. We were waiting

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<v Speaker 2>and waiting and waiting.

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<v Speaker 1>That's a very good fun fact, Katie. Yeah, hell yeah,

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<v Speaker 1>she was the last one.

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<v Speaker 2>Who the hell was going to be playing? Yeah, Abby Wheeling. Yes,

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<v Speaker 2>And we are here today hanging out with one of

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<v Speaker 2>our true true other gladiators from Olivia Popan Associates, the

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<v Speaker 2>one and only Darby stanch Oh. Oh yeah, I'm honestly

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<v Speaker 2>going to be emotional.

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<v Speaker 4>Oh my god, dubs, Miracle you guys, dum.

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<v Speaker 2>I'm telling you. We've had other people on Carrie, John

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<v Speaker 2>and Tony, but no one makes me feel like kind

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<v Speaker 2>of emotional, like.

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<v Speaker 1>I know, I know, I don't know, because if we

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<v Speaker 1>were the crew.

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<v Speaker 2>Right, we were like more in the trenches or something like.

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<v Speaker 2>I just feel like I feel like the three of us.

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<v Speaker 2>And then of course the first three seasons Columbus were like.

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<v Speaker 1>It was special. Yeah.

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<v Speaker 4>It reminds me a lot of the same that I

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<v Speaker 4>feel with people I did an MFA program with, Like, Yes,

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<v Speaker 4>we've seen each other in absolutely every single state of mind,

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<v Speaker 4>and I feel like I know you guys better just

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<v Speaker 4>by looking at you. That's the words that I know

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<v Speaker 4>most people. Yes, familiarity.

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<v Speaker 2>I completely agree. Can we just stay for the record

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<v Speaker 2>that you are so beautiful? It is a show like

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<v Speaker 2>it is a shock to the system, Like she's here

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<v Speaker 2>with her long red hair and her beautiful face, and

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<v Speaker 2>we've been like g and I have watched the first

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<v Speaker 2>two seasons and you are so remarkable. You have so

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<v Speaker 2>much amazing material. And by the way, this just occurred

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<v Speaker 2>to me. We're in these two seasons before you even

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<v Speaker 2>became the fucking chief of staff.

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<v Speaker 4>Yes, yes, the secretary I know, which was like a

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<v Speaker 4>whole inner series for me.

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<v Speaker 1>Yeah, you became red right, like the.

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<v Speaker 4>Nicknames, and then I had that big TV hair and

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<v Speaker 4>started wearing the dresses and you know, and then when

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<v Speaker 4>low status like trying to get in the bubble at

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<v Speaker 4>the White House and being called Gabby, Yeah, like it

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<v Speaker 4>was a whole different thing. Yeah.

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<v Speaker 2>First, tell us your origin story of how you joined

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<v Speaker 2>the Scandal family. Do you remember your audition or where

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<v Speaker 2>you were in your life.

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<v Speaker 4>I remember that you guys, I had been binging Damages

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<v Speaker 4>with Nails and Rose Byrne, and I was at a

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<v Speaker 4>point in my career where I was like, Okay, I

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<v Speaker 4>really want to play a woman like this. You know,

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<v Speaker 4>on a show like this, where you know, they get

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<v Speaker 4>to do all the big things and they're and they're

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<v Speaker 4>like the main event. And I was at a point

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<v Speaker 4>where I was like I might quit acting. And that

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<v Speaker 4>was the first summer really thought that way where I

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<v Speaker 4>was like, if I'm only going to be called to

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<v Speaker 4>be on a you know, a guest star on some

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<v Speaker 4>sort of episodic where I cry over you know, a

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<v Speaker 4>dead husband, I'm going to go do something else. So

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<v Speaker 4>I was in that state of mind when I auditioned

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<v Speaker 4>First Gamble, and I was just not having it. I

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<v Speaker 4>was so no nonsense in my life. What you see

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<v Speaker 4>is what you get. I walked in the room and

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<v Speaker 4>Betsy Beer's, you know, Betsy Shadder in the room, Paul mcwigan,

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<v Speaker 4>Wenda lay. Betsy says, that's a great suit. And as

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<v Speaker 4>opposed to saying you know what the designer was or anything,

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<v Speaker 4>I was like, oh, well, it's nothing special. It's just

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<v Speaker 4>all a lot of good tailor you know, so abby

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<v Speaker 4>wheeling so much true, Yeah, so true. I think Betsy laughed.

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<v Speaker 4>And then we did the audition.

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<v Speaker 2>What was the scene?

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<v Speaker 4>I had like three four scenes that one page is

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<v Speaker 4>of war where I where I learned this big clue

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<v Speaker 4>and I so there's that like kind of awkward side

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<v Speaker 4>of Abbey that we see. There was a monologue that

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<v Speaker 4>was never in the show that Shonda wrote about Stephen

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<v Speaker 4>how Steven smells like apples and man, wow.

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<v Speaker 2>Well god, we see it all over your face in

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<v Speaker 2>a bunch of episodes.

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<v Speaker 4>Anyway, we did the scenes and I got done and

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<v Speaker 4>sat down and there was pure silence, and Shonda was

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<v Speaker 4>just staring at me. And you know, Sho is like

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<v Speaker 4>this presence and sure her brain is going, but she doesn't.

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<v Speaker 4>You know, it's like time has stopped. Everyone stopped. Everyone's

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<v Speaker 4>looking at her again. Because of the frame of mind,

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<v Speaker 4>I was at take it or leave it, you know,

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<v Speaker 4>I didn't start to oh, thank you so much, yeah, yeah,

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<v Speaker 4>anything again.

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<v Speaker 2>I just sat whatever, this is it.

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<v Speaker 4>I stared right back at her. You did that for

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<v Speaker 4>like a minute.

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<v Speaker 2>Wow.

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<v Speaker 4>Yeah, pretty intense.

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<v Speaker 1>Wow.

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<v Speaker 4>That's mostly what I remember. And then I had to

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<v Speaker 4>come back again, I think for some suits who needed

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<v Speaker 4>to see with my hair down and can she cry

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<v Speaker 4>and stuff like that. So he did another little round.

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<v Speaker 4>But at that point I could tell.

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<v Speaker 1>This all happened very quickly though, right Darby, because I was.

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<v Speaker 4>The last one to be cast.

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<v Speaker 2>Yeah, yes, do you guys remember this?

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<v Speaker 4>Oh?

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<v Speaker 1>We we had been we had been rehearsing this show already,

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<v Speaker 1>we had been rehearsing the pilot and we were all like,

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<v Speaker 1>oh my god, who's going to play Abbey? Who's going

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<v Speaker 1>to play Abbey?

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<v Speaker 4>And then okay, and I have two very specific memories

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<v Speaker 4>of you guys really. But first was so I get

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<v Speaker 4>cast and we go to the Prospect Studios Prospect Studios, right,

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<v Speaker 4>and you guys are we're all waiting for like screen

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<v Speaker 4>tests or something or rehearsal or something. And I walk

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<v Speaker 4>to the where all this is happening, and Katie, you're

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<v Speaker 4>one of the first ones I see. Do you remember this?

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<v Speaker 4>What I remember like yesterday and you're sitting there. I

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<v Speaker 4>remember where you were sitting at this table and you

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<v Speaker 4>look up at me, and you know your face, I mean,

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<v Speaker 4>you have this sunshine face. You have the most beautiful,

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<v Speaker 4>kind eager like I can't wait to meet my new classmate,

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<v Speaker 4>you know, my new show.

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<v Speaker 2>I felt, I.

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<v Speaker 4>Know, and you were so I just remember your radiance

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<v Speaker 4>and I was like, Okay, this is gonna be fun.

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<v Speaker 2>I remember that moment so well. I was sitting at

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<v Speaker 2>a table that had a chair attached to it or something,

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<v Speaker 2>and you can walk in, and you were wearing your

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<v Speaker 2>suit that I think you auditioned in, like I don't

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<v Speaker 2>know or no, was it the suit?

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<v Speaker 4>You know, I don't actually know what I was wearing

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<v Speaker 4>in that moment, But for rehearses, I was like in

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<v Speaker 4>a long black coat of my own that ended up

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<v Speaker 4>being very much like what Abby wears.

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<v Speaker 2>It just made me feel like, well, I just.

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<v Speaker 4>I'm a sucker for a long black tailored coat. And

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<v Speaker 4>then Jared, when we did cut you a couple of

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<v Speaker 4>days later after warhears as, we did a studio read,

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<v Speaker 4>a read for the studio read for the network, and

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<v Speaker 4>it was like a big room of you know, all

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<v Speaker 4>the important people. And I remember coming into this room

0:12:14.360 --> 0:12:17.520
<v Speaker 4>and I was feeling very much like I often do,

0:12:17.679 --> 0:12:21.400
<v Speaker 4>like like a watcher, like just kind of quieter, and

0:12:21.440 --> 0:12:24.040
<v Speaker 4>you were doing that. You were quiet, no one was

0:12:24.040 --> 0:12:26.079
<v Speaker 4>talking to you were already sitting down, I think, at

0:12:26.080 --> 0:12:28.520
<v Speaker 4>the table, and I went up and I joined you,

0:12:28.640 --> 0:12:31.080
<v Speaker 4>and I just remember, I just remember like that being

0:12:31.080 --> 0:12:35.880
<v Speaker 4>the first moment of connection of like okay energy.

0:12:36.080 --> 0:12:40.840
<v Speaker 1>I remember that. I remember that and moving forward from there.

0:12:40.920 --> 0:12:43.560
<v Speaker 1>Every time you and I had a scene together. When

0:12:43.600 --> 0:12:47.360
<v Speaker 1>we started shooting, it just felt special because our worlds

0:12:47.360 --> 0:12:51.000
<v Speaker 1>didn't really collide that much, right, Like on screen.

0:12:50.760 --> 0:12:54.840
<v Speaker 4>I know special task, special group of individuals. I feel

0:12:54.960 --> 0:12:59.040
<v Speaker 4>very connected to each and everyone, especially this Gladiator.

0:12:59.360 --> 0:13:01.000
<v Speaker 1>Yeah, oh my god.

0:13:01.360 --> 0:13:03.520
<v Speaker 2>I mean going back to these cases of the week

0:13:03.559 --> 0:13:05.280
<v Speaker 2>and like you being up on the board and you

0:13:05.400 --> 0:13:07.600
<v Speaker 2>being like, I do know that Wally.

0:13:09.920 --> 0:13:12.280
<v Speaker 1>Was She's pulling out that like hair from the from

0:13:12.320 --> 0:13:14.960
<v Speaker 1>the drain in that one episode.

0:13:18.760 --> 0:13:20.960
<v Speaker 4>An investigator, right and taking.

0:13:22.520 --> 0:13:25.120
<v Speaker 2>Super into Steven. The episodes were like you find out

0:13:25.160 --> 0:13:28.880
<v Speaker 2>Steven's sleeping with prostitutes, and you have all these amazing

0:13:28.920 --> 0:13:31.000
<v Speaker 2>lines in the first season when you're like finding out

0:13:31.000 --> 0:13:34.760
<v Speaker 2>what hardwood floors are, like the drapes and the curtains,

0:13:34.800 --> 0:13:41.920
<v Speaker 2>and like you're the snarky, ironic character dry so needed,

0:13:42.040 --> 0:13:44.720
<v Speaker 2>so funny, and your relationship with Olivia is just.

0:13:44.720 --> 0:13:48.840
<v Speaker 1>Like so good. We'll be right back, guys.

0:13:53.040 --> 0:13:56.200
<v Speaker 2>Are there any memories that you have that really stick

0:13:56.240 --> 0:13:57.520
<v Speaker 2>out from the pilot?

0:13:58.559 --> 0:14:04.280
<v Speaker 4>Yeah, shooting in the original building downtown for some reason

0:14:04.320 --> 0:14:06.120
<v Speaker 4>that period of time. I think it's because we had

0:14:06.120 --> 0:14:09.520
<v Speaker 4>to do all night shoots. Yeah, because of we were

0:14:09.520 --> 0:14:12.040
<v Speaker 4>shooting night for night I guess right, And it was

0:14:12.040 --> 0:14:14.000
<v Speaker 4>also maybe just when we could get in there. I

0:14:14.000 --> 0:14:17.280
<v Speaker 4>don't remember. We were there all night long in that giant,

0:14:17.360 --> 0:14:20.800
<v Speaker 4>drafty building and there was a jewelry robbery that there

0:14:20.840 --> 0:14:23.120
<v Speaker 4>was a robbery that happened across the street at the

0:14:23.200 --> 0:14:24.720
<v Speaker 4>jewelry store for real.

0:14:25.360 --> 0:14:28.040
<v Speaker 1>I love that you remember that the jewel heighst and

0:14:28.080 --> 0:14:31.400
<v Speaker 1>we all couldn't leave the building. They resolved it or.

0:14:31.400 --> 0:14:35.200
<v Speaker 4>Whatever, and so I just remember the sequence that all

0:14:35.320 --> 0:14:37.880
<v Speaker 4>night long, like we were doing a sequence where it

0:14:38.000 --> 0:14:41.840
<v Speaker 4>was the cloths feeding up but you see all the

0:14:41.920 --> 0:14:45.280
<v Speaker 4>different evidence going up on the board and then and

0:14:45.360 --> 0:14:48.320
<v Speaker 4>how long that took didn't fail me even though it yeah,

0:14:48.680 --> 0:14:51.280
<v Speaker 4>you know, in Paul mccueigan's style, it sped up really

0:14:51.320 --> 0:14:55.680
<v Speaker 4>really fast and takety seconds. But how many hours that took?

0:14:56.960 --> 0:14:59.720
<v Speaker 1>Do you remember the windows leaking because it was raining outside?

0:14:59.760 --> 0:15:01.240
<v Speaker 1>It was it was raining.

0:15:00.960 --> 0:15:03.760
<v Speaker 4>It was drafty, it was yeah, I mean, wasn't there

0:15:03.840 --> 0:15:06.920
<v Speaker 4>like a crazy elevator situation just to get up there? Yes?

0:15:08.480 --> 0:15:11.600
<v Speaker 4>I was well, I was having my own high health drama.

0:15:11.680 --> 0:15:13.680
<v Speaker 4>I was having I was getting blisters.

0:15:13.880 --> 0:15:17.040
<v Speaker 2>I remember that because you were stockings in.

0:15:16.960 --> 0:15:19.480
<v Speaker 4>The show my god, it was so awful. It was

0:15:20.560 --> 0:15:22.560
<v Speaker 4>It's so funny being were like, you know, you can

0:15:22.640 --> 0:15:24.560
<v Speaker 4>change shoes, even though we've shot half those things. You

0:15:24.600 --> 0:15:25.640
<v Speaker 4>need to change shoes because I.

0:15:25.640 --> 0:15:25.800
<v Speaker 3>Was just.

0:15:27.320 --> 0:15:31.160
<v Speaker 4>They were so supportive, you know, and literally just finding

0:15:31.200 --> 0:15:33.640
<v Speaker 4>our feet, understanding what the tone of the show was

0:15:33.680 --> 0:15:36.720
<v Speaker 4>and everything. But you know, when your boss will say

0:15:36.720 --> 0:15:39.400
<v Speaker 4>something like that, you feel quite supportive. Yeah, I'm sure

0:15:39.560 --> 0:15:41.080
<v Speaker 4>struggling with something so technical.

0:15:41.240 --> 0:15:43.840
<v Speaker 1>Yeah, flashing forward, Darby, do you remember you and I

0:15:43.880 --> 0:15:46.120
<v Speaker 1>were shooting a scene. I think it was the last season.

0:15:46.600 --> 0:15:48.520
<v Speaker 1>We were in a scene We're at a party, and

0:15:48.560 --> 0:15:51.440
<v Speaker 1>we were like, let's try like Huck is rubbing your feet.

0:15:51.720 --> 0:15:53.800
<v Speaker 1>We rehearsed the scene where I'm rubbing your feet, and

0:15:53.840 --> 0:15:55.920
<v Speaker 1>I think Tom was like, yeah, I don't I don't

0:15:55.960 --> 0:15:58.680
<v Speaker 1>think I don't remember that.

0:16:00.320 --> 0:16:03.320
<v Speaker 4>Oh shut it down.

0:16:03.600 --> 0:16:05.520
<v Speaker 1>Yes, yes, yeah, I thought it was.

0:16:05.960 --> 0:16:07.440
<v Speaker 4>Why I would have liked it.

0:16:08.200 --> 0:16:11.800
<v Speaker 1>Was you and I liked it because we were tired.

0:16:11.920 --> 0:16:14.040
<v Speaker 1>It was very like, you know, just like your little

0:16:14.320 --> 0:16:16.160
<v Speaker 1>or older brother. I was gonna say a little brother.

0:16:16.200 --> 0:16:17.920
<v Speaker 4>Maybe he thought it would just like lead to too

0:16:17.920 --> 0:16:18.720
<v Speaker 4>many questions.

0:16:18.960 --> 0:16:22.680
<v Speaker 2>Yes, exactly, exactly interesting interesting debut.

0:16:23.040 --> 0:16:26.440
<v Speaker 1>Did you know about Abby's backstory at all about the

0:16:26.760 --> 0:16:29.440
<v Speaker 1>abusive husband, about any of that before you got the

0:16:29.520 --> 0:16:30.280
<v Speaker 1>role was that.

0:16:30.720 --> 0:16:34.880
<v Speaker 4>No, I did not know. And this particular episode was

0:16:34.920 --> 0:16:38.880
<v Speaker 4>an interesting moment in that in that whole story, I

0:16:38.920 --> 0:16:41.480
<v Speaker 4>did not know that at all. And I think it

0:16:41.560 --> 0:16:46.120
<v Speaker 4>first comes up in season one between Olivia and Abby.

0:16:46.200 --> 0:16:49.520
<v Speaker 4>Think it's a very inflammatory scene. I don't remember all

0:16:49.520 --> 0:16:54.240
<v Speaker 4>the words, but I remember Abby basically really sticking into

0:16:54.240 --> 0:16:56.280
<v Speaker 4>Olivia and saying, you've got your names on that door

0:16:56.400 --> 0:16:58.760
<v Speaker 4>you have to fix. You've got to say it, just

0:16:58.800 --> 0:17:02.960
<v Speaker 4>like you've helped me out of this relationship. And I

0:17:03.000 --> 0:17:06.400
<v Speaker 4>didn't know much. And you know, when I think about it,

0:17:06.400 --> 0:17:09.359
<v Speaker 4>it wasn't like I was briefed about it or you know,

0:17:09.440 --> 0:17:12.679
<v Speaker 4>I just sort of learned as we went, and then

0:17:12.720 --> 0:17:18.399
<v Speaker 4>I I researched, you know, domestic abuse. I started to

0:17:18.400 --> 0:17:20.880
<v Speaker 4>build a backstory like we all do with these characters.

0:17:20.960 --> 0:17:25.960
<v Speaker 4>And then, you know, it's so interesting because every time

0:17:25.960 --> 0:17:31.760
<v Speaker 4>that Abby had anything domestic abuse come up about her

0:17:31.800 --> 0:17:36.760
<v Speaker 4>past relationship or a trigger in some way, it always

0:17:36.920 --> 0:17:41.160
<v Speaker 4>was like a very PTSD kind of experience. I, as

0:17:41.200 --> 0:17:43.920
<v Speaker 4>an actor, didn't know how these scenes would turn out.

0:17:44.160 --> 0:17:49.160
<v Speaker 4>It was also surprising what was written in the scripts.

0:17:49.200 --> 0:17:52.520
<v Speaker 4>It was new, and I would have a very visceral

0:17:52.640 --> 0:17:58.000
<v Speaker 4>reaction to the material and I wouldn't get to.

0:18:00.000 --> 0:18:03.520
<v Speaker 2>Collectual about it or yeah we were I feel like

0:18:03.560 --> 0:18:04.680
<v Speaker 2>that was the process.

0:18:04.760 --> 0:18:09.920
<v Speaker 4>It was very very strange how how that process was,

0:18:09.920 --> 0:18:12.119
<v Speaker 4>and now it affected me. But I think in the

0:18:12.160 --> 0:18:16.120
<v Speaker 4>episode that we're talking about, there's a scene where Abby's

0:18:16.119 --> 0:18:21.040
<v Speaker 4>waiting for David in his apartment and there's no words

0:18:21.480 --> 0:18:23.240
<v Speaker 4>and Abby slaps him.

0:18:23.400 --> 0:18:26.280
<v Speaker 2>Oh my god, but that's your brilliance? Are your few?

0:18:26.600 --> 0:18:29.320
<v Speaker 2>Me and Carrie used to say this about you. Only

0:18:29.400 --> 0:18:32.320
<v Speaker 2>Darby can go from like is she gonna laugh? And

0:18:32.359 --> 0:18:34.199
<v Speaker 2>then she gets a twinge of emotion and then you

0:18:34.200 --> 0:18:36.760
<v Speaker 2>can see her bury it and then you can see

0:18:36.840 --> 0:18:39.639
<v Speaker 2>like anger come out, but like in your face. Without

0:18:39.680 --> 0:18:44.440
<v Speaker 2>them writing anything, we could see all of that on

0:18:44.480 --> 0:18:47.040
<v Speaker 2>you so beautifully, And.

0:18:47.240 --> 0:18:50.880
<v Speaker 1>In this episode it happens. In this episode you go

0:18:50.920 --> 0:18:58.680
<v Speaker 1>from like anger to lust to hatred to emotional oh

0:18:58.720 --> 0:18:59.560
<v Speaker 1>my god.

0:18:59.640 --> 0:19:03.440
<v Speaker 2>Almost crying, to the relationship that couldn't be. Oh my god,

0:19:03.440 --> 0:19:06.159
<v Speaker 2>we're going to get there. I can't even taking like

0:19:06.320 --> 0:19:11.600
<v Speaker 2>such a hard left turn. And I talk about how

0:19:11.680 --> 0:19:17.000
<v Speaker 2>delicious the salads you made on set for or whatever

0:19:17.080 --> 0:19:20.920
<v Speaker 2>food you were bringing in, and honestly, you would come

0:19:20.960 --> 0:19:23.200
<v Speaker 2>in with fucking ship that I don't know if you'd

0:19:23.240 --> 0:19:27.840
<v Speaker 2>grown in your own garden manicure because there's dirt underneath

0:19:27.880 --> 0:19:30.200
<v Speaker 2>my nails.

0:19:30.840 --> 0:19:33.120
<v Speaker 1>We enjoyed watching your salads. We just.

0:19:36.400 --> 0:19:40.399
<v Speaker 2>The spinach, the like nuts. There'd be like it was delicious,

0:19:40.400 --> 0:19:42.760
<v Speaker 2>and then you'd always put lemon and stuff in like

0:19:42.800 --> 0:19:45.639
<v Speaker 2>a little lemon baggy to like squeeze it. I was like,

0:19:45.720 --> 0:19:50.320
<v Speaker 2>she is the classiest bitch guy, remember, oh.

0:19:50.359 --> 0:19:57.440
<v Speaker 3>Yeah, oh yeah, that's a wonderful thing to be obs

0:19:58.080 --> 0:20:00.359
<v Speaker 3>that is, you were a great cook.

0:20:00.520 --> 0:20:03.880
<v Speaker 2>And also can this bring us to I do think

0:20:03.960 --> 0:20:07.000
<v Speaker 2>you also grew grapefruits and you had the most incredible

0:20:07.040 --> 0:20:10.280
<v Speaker 2>Instagram video during COVID that saved all of our lives

0:20:10.320 --> 0:20:13.560
<v Speaker 2>where you instructed us all how to cut said grapefruit

0:20:13.680 --> 0:20:17.680
<v Speaker 2>while you had a breakdown of hysteria, which glass of

0:20:17.840 --> 0:20:19.600
<v Speaker 2>Darby can only break like that.

0:20:20.520 --> 0:20:22.600
<v Speaker 4>Yeah, that's what happens when you were quarantine.

0:20:22.600 --> 0:20:25.679
<v Speaker 1>And and it wasn't only in one way. You had

0:20:25.800 --> 0:20:27.919
<v Speaker 1>different ways you could do it. You were like, well

0:20:27.960 --> 0:20:32.120
<v Speaker 1>you could do slices or you could do cute, which

0:20:32.200 --> 0:20:33.600
<v Speaker 1>was brilliant.

0:20:34.320 --> 0:20:37.560
<v Speaker 2>You are the most delicious human being Oh my god,

0:20:37.840 --> 0:20:41.800
<v Speaker 2>do you remember in DC for the penultimate episode when

0:20:41.880 --> 0:20:44.080
<v Speaker 2>you and George and all of us we were like

0:20:44.160 --> 0:20:49.080
<v Speaker 2>running around at like the John Wilkspooth Theater where Lincoln

0:20:49.160 --> 0:20:52.639
<v Speaker 2>got shot, and we were running around to the bathrooms.

0:20:52.640 --> 0:20:55.160
<v Speaker 2>We were like freezing cold, but we were just running around.

0:20:55.200 --> 0:20:57.600
<v Speaker 2>Like you said, I think you nailed it like classmates,

0:20:57.680 --> 0:20:59.960
<v Speaker 2>like as if they were like back in elementary school,

0:21:00.080 --> 0:21:01.000
<v Speaker 2>like almost giddy.

0:21:01.320 --> 0:21:03.760
<v Speaker 4>Some of my favorite memories of all of us are

0:21:03.800 --> 0:21:10.560
<v Speaker 4>like backstage before we go on to do Haimy fest

0:21:10.920 --> 0:21:15.080
<v Speaker 4>or or Jimmy Cammel, you know, just these sort of

0:21:15.200 --> 0:21:19.600
<v Speaker 4>backstage moments where we're in the wings and publicity is

0:21:19.640 --> 0:21:22.480
<v Speaker 4>set to work. That's like, really, you know, you're not acting,

0:21:22.520 --> 0:21:26.639
<v Speaker 4>you're selling your show. But it was always play with everybody.

0:21:26.760 --> 0:21:29.520
<v Speaker 4>There was always there was always We sent so many

0:21:29.680 --> 0:21:33.560
<v Speaker 4>upfronts together in New York, and I just remember being

0:21:33.600 --> 0:21:37.800
<v Speaker 4>like going through backs of kitchens, you know, being in elevators.

0:21:37.920 --> 0:21:39.159
<v Speaker 2>I forgot about that.

0:21:39.680 --> 0:21:42.080
<v Speaker 4>Waiting at the upfronts, for instance, and there'd be all

0:21:42.080 --> 0:21:44.840
<v Speaker 4>these other shows and all these other casts. It would

0:21:44.880 --> 0:21:47.359
<v Speaker 4>be quite dry and kind of a corporate day. And

0:21:47.400 --> 0:21:49.959
<v Speaker 4>if we would just be like yucking it up.

0:21:51.080 --> 0:21:54.359
<v Speaker 1>We were rock stars. Man. That was so much fun,

0:21:54.560 --> 0:21:55.080
<v Speaker 1>you know what I.

0:21:55.000 --> 0:21:59.159
<v Speaker 4>Mean, just the chemistry, the fun that we all have together.

0:21:59.280 --> 0:22:02.000
<v Speaker 4>There's just this now actual band or so such a you.

0:22:01.880 --> 0:22:04.520
<v Speaker 2>Know, do you get recognized? I wanted to ask you

0:22:04.640 --> 0:22:07.159
<v Speaker 2>because I feel like I can hide really easily. G

0:22:07.320 --> 0:22:09.880
<v Speaker 2>sticks out like a sore thumb. And I've always been like, God, Darby,

0:22:09.960 --> 0:22:11.440
<v Speaker 2>must stick out like a sore thumb. Even though you're

0:22:11.520 --> 0:22:13.800
<v Speaker 2>very good at stuffing that red hair underneath the hat.

0:22:14.560 --> 0:22:18.520
<v Speaker 2>You're just so tall, You're a giraffe. I mean you

0:22:18.840 --> 0:22:21.119
<v Speaker 2>to me, you would stick out even if I didn't

0:22:21.119 --> 0:22:21.320
<v Speaker 2>know you.

0:22:21.520 --> 0:22:25.399
<v Speaker 4>I definitely enjoyed when we were in the thick of

0:22:25.440 --> 0:22:28.280
<v Speaker 4>the pandemic and we were wearing gasps everywhere. I really

0:22:28.359 --> 0:22:28.760
<v Speaker 4>enjoy that.

0:22:29.160 --> 0:22:30.200
<v Speaker 1>Yes, but I still.

0:22:30.040 --> 0:22:32.800
<v Speaker 4>Got recognized with that because of my red hair. So

0:22:33.040 --> 0:22:35.119
<v Speaker 4>you're right, if I put a hat on, I do

0:22:35.240 --> 0:22:38.840
<v Speaker 4>feel like right now I'm getting recognized. For the last role,

0:22:38.880 --> 0:22:40.440
<v Speaker 4>I did a lot more, only because I look more.

0:22:40.640 --> 0:22:43.720
<v Speaker 4>My hair's a little bit more. It's not as red

0:22:43.760 --> 0:22:45.760
<v Speaker 4>as when I was on Scandal. You know, I really

0:22:45.800 --> 0:22:48.840
<v Speaker 4>bumped up the red there for a bit. But yeah,

0:22:49.240 --> 0:22:50.720
<v Speaker 4>you know, here and there.

0:22:50.760 --> 0:22:54.280
<v Speaker 1>For the listeners. Darby plays Nina Locke on an amazing

0:22:54.320 --> 0:22:56.800
<v Speaker 1>show called Lock and Key. It's on Netflix, yes, and

0:22:56.840 --> 0:22:58.680
<v Speaker 1>I don't know why it took me so freaking long

0:22:58.720 --> 0:22:59.800
<v Speaker 1>to start watching it.

0:22:59.720 --> 0:23:02.640
<v Speaker 4>But because there's so much content cabs now.

0:23:03.000 --> 0:23:05.480
<v Speaker 1>Truly, how was that experience shooting Lock and Key?

0:23:05.520 --> 0:23:06.119
<v Speaker 4>It was great?

0:23:06.280 --> 0:23:07.160
<v Speaker 1>Yeah, it was nice.

0:23:07.200 --> 0:23:10.639
<v Speaker 4>It happened just, you know, several months after Scandal. It

0:23:10.760 --> 0:23:12.960
<v Speaker 4>was a three season a run. I liked it because

0:23:12.960 --> 0:23:15.760
<v Speaker 4>it was something so totally different from Abbey Wheeling, that

0:23:15.960 --> 0:23:19.840
<v Speaker 4>kind of a murder mystery so good, wrapped up in

0:23:19.920 --> 0:23:24.480
<v Speaker 4>a show that's very magic or kind of light horror oriented.

0:23:24.680 --> 0:23:27.679
<v Speaker 4>So it was all very very different from Scandal. The

0:23:27.720 --> 0:23:29.120
<v Speaker 4>world of it, well.

0:23:29.200 --> 0:23:33.120
<v Speaker 2>Except for another Scandal cast member who is on Lock

0:23:33.160 --> 0:23:39.479
<v Speaker 2>and Key, Brendon Brendan Hines, Mister Tatiana Maslani or to grow,

0:23:39.800 --> 0:23:45.960
<v Speaker 2>mister Xana Bayou. Gideon Wallace also was on Lock and Key.

0:23:46.040 --> 0:23:48.880
<v Speaker 2>Working with Darby. Was that so crazy?

0:23:49.119 --> 0:23:51.159
<v Speaker 4>It was crazy. It's so funny. I every once in

0:23:51.200 --> 0:23:53.880
<v Speaker 4>a while I'll still text him a picture of us

0:23:54.000 --> 0:23:57.439
<v Speaker 4>rolling him up in the carpet. Remember, yeah, he dies,

0:23:57.520 --> 0:23:59.280
<v Speaker 4>there was a photo that we have, or the whole

0:23:59.600 --> 0:24:02.639
<v Speaker 4>all of it are standing over him. Katie, you're so bloody,

0:24:02.680 --> 0:24:06.000
<v Speaker 4>you're in air. Yes, and we literally roll home up

0:24:06.000 --> 0:24:07.880
<v Speaker 4>in this carpet. So I'll just send him out without

0:24:07.880 --> 0:24:08.479
<v Speaker 4>any words.

0:24:08.560 --> 0:24:09.159
<v Speaker 1>I love that.

0:24:10.440 --> 0:24:11.359
<v Speaker 4>Back to the good old.

0:24:11.240 --> 0:24:15.880
<v Speaker 2>Days, hilarious. Earlier on, when we were recording these episodes,

0:24:15.920 --> 0:24:18.560
<v Speaker 2>I was the one that told Giermos, like, guess what

0:24:18.600 --> 0:24:22.320
<v Speaker 2>Brendan Hines did in COVID He got married Tatiana Maslani,

0:24:22.720 --> 0:24:24.919
<v Speaker 2>and Geirmouth thought, I said, Oxana by.

0:24:25.040 --> 0:24:30.119
<v Speaker 5>Lesle what So it sends us down a real long

0:24:30.240 --> 0:24:35.160
<v Speaker 5>imagination train of what what Idi and on Oxana's children

0:24:35.200 --> 0:24:36.320
<v Speaker 5>would be like or something.

0:24:37.280 --> 0:24:39.920
<v Speaker 2>Darby, will you do something with us? When we get

0:24:39.960 --> 0:24:42.879
<v Speaker 2>to the synopsis? Would you do us the biggest solid

0:24:42.880 --> 0:24:45.280
<v Speaker 2>If I read the first paragraph, g is going to

0:24:45.359 --> 0:24:47.800
<v Speaker 2>read the second, and you'll read the little third paragraph,

0:24:47.880 --> 0:24:49.040
<v Speaker 2>and we're going to try.

0:24:52.280 --> 0:24:52.520
<v Speaker 6>Yours.

0:24:52.760 --> 0:24:55.800
<v Speaker 2>Oh no, we only got a year, and it's remarkable

0:24:55.960 --> 0:24:58.080
<v Speaker 2>how far we have fallen, you guys. To day we

0:24:58.160 --> 0:25:00.439
<v Speaker 2>were talking about we have Darby Stanchfiel here, the one

0:25:00.440 --> 0:25:02.280
<v Speaker 2>and Only Abbey Wheel and we're talking about episode two

0:25:02.320 --> 0:25:05.399
<v Speaker 2>oh nine, which was titled blown Away. It aired on

0:25:05.400 --> 0:25:07.840
<v Speaker 2>December thirteenth of twenty twelve, and it.

0:25:07.840 --> 0:25:10.960
<v Speaker 1>Was written by Mark Wilding and directed by Jessica Yu.

0:25:11.280 --> 0:25:14.119
<v Speaker 2>It was guest starring Susan Porfar as Becky Flynn, Kate

0:25:14.160 --> 0:25:21.359
<v Speaker 2>Burton is Vice President, Sally Langston, Greg Henry is Holly.

0:25:18.960 --> 0:25:24.359
<v Speaker 6>Bally Doya, Dan Bucatinski is James Novak, George Newburn our

0:25:24.440 --> 0:25:28.360
<v Speaker 6>Georgie as Charlie, Deborah Mooney as Vernon Thornton, Shannon Cochrane

0:25:28.359 --> 0:25:31.639
<v Speaker 6>as Attorney General, Susan Sawyer, and Kate McGregor Stewart as Mary.

0:25:31.960 --> 0:25:37.680
<v Speaker 2>Here's the synopsis, Sorry, Ready, here we go. Olivia and

0:25:37.720 --> 0:25:39.520
<v Speaker 2>the OPI team are shocked Whenhuck reveals that he's the

0:25:39.520 --> 0:25:41.760
<v Speaker 2>person the FBI are looking for in connection with Fitzest shooting.

0:25:41.920 --> 0:25:44.000
<v Speaker 2>As the team gets to work uncovering the truth about Becky,

0:25:44.040 --> 0:25:46.199
<v Speaker 2>Huck spirals and denial until Becky asks Huck to run

0:25:46.240 --> 0:25:48.120
<v Speaker 2>away with her, admitting the truth of her involvement and

0:25:48.119 --> 0:25:49.119
<v Speaker 2>and her background.

0:25:49.400 --> 0:25:51.600
<v Speaker 1>As Huck struggles with the decision to run away with Becky,

0:25:51.640 --> 0:25:54.280
<v Speaker 1>Olivia and doors fittest potential funeral planning, and Cyrus looks

0:25:54.320 --> 0:25:57.240
<v Speaker 1>into exactly what James knows about defiance. As Huck finally

0:25:57.280 --> 0:25:59.600
<v Speaker 1>decides to stay Becky anticipates his betrayal and kills the family.

0:25:59.640 --> 0:26:02.399
<v Speaker 4>Howkwak Holostyle is up to even more tricks as he

0:26:02.480 --> 0:26:04.880
<v Speaker 4>gives Sally Langston and nothing inform mentioned about Berna Thor

0:26:05.040 --> 0:26:07.200
<v Speaker 4>to put her off the bench. But Verna has plans

0:26:07.240 --> 0:26:09.040
<v Speaker 4>of her own when she offers to resign or give

0:26:09.040 --> 0:26:10.679
<v Speaker 4>it the name of the person who wanted for shooting

0:26:10.720 --> 0:26:11.200
<v Speaker 4>the president.

0:26:11.520 --> 0:26:14.000
<v Speaker 1>Oh yeah, like.

0:26:16.200 --> 0:26:20.160
<v Speaker 2>Riding a fuck you guys my heart right now?

0:26:24.600 --> 0:26:26.720
<v Speaker 4>Yay, that's anxiety and.

0:26:27.280 --> 0:26:32.879
<v Speaker 2>You have that in spades, yes, oh yeah. First and foremost,

0:26:33.040 --> 0:26:36.800
<v Speaker 2>the biggest scene from this episode that shows the emotion

0:26:37.040 --> 0:26:40.760
<v Speaker 2>is like you said, it's the fingers in his mouth.

0:26:41.080 --> 0:26:43.679
<v Speaker 1>Where did that come from? Darby? Was that your idea?

0:26:43.880 --> 0:26:44.960
<v Speaker 1>Was that in the script?

0:26:45.320 --> 0:26:48.000
<v Speaker 4>Okay, I'm so glad you asked this farm because that

0:26:48.200 --> 0:26:54.320
<v Speaker 4>I have been asked this question so many times from fans,

0:26:54.359 --> 0:26:56.560
<v Speaker 4>from fans and from you know, like every time we

0:26:56.720 --> 0:26:59.399
<v Speaker 4>do press interviews. That was one of the questions I asked,

0:26:59.480 --> 0:27:05.359
<v Speaker 4>which prizes me because we were so bound to the script.

0:27:05.960 --> 0:27:08.840
<v Speaker 4>And I remember after a table reached on and I said, Okay,

0:27:08.840 --> 0:27:10.560
<v Speaker 4>I'm gonna write the scene you know how she does.

0:27:10.760 --> 0:27:13.040
<v Speaker 4>I'm gonna write the scene for you guys, and we

0:27:13.119 --> 0:27:15.360
<v Speaker 4>get the scene and there's no words. What we did

0:27:15.480 --> 0:27:19.119
<v Speaker 4>is exactly what she wrote. What we werehearsed it just

0:27:19.160 --> 0:27:23.800
<v Speaker 4>like you would, you know, some sort of stunt, whether

0:27:23.880 --> 0:27:27.520
<v Speaker 4>it's violence or sex or whatever those sort of sequences

0:27:27.640 --> 0:27:30.439
<v Speaker 4>in TV land. You know, it was very technical and

0:27:30.480 --> 0:27:32.479
<v Speaker 4>it was very much like a dance, like you put

0:27:32.520 --> 0:27:36.200
<v Speaker 4>your foot here, you put your fingers here, go on,

0:27:36.359 --> 0:27:41.760
<v Speaker 4>and so it was really really clinical and it was

0:27:41.840 --> 0:27:44.640
<v Speaker 4>all shown it. She was all that she wrote under.

0:27:44.640 --> 0:27:46.080
<v Speaker 2>Why did she ever say.

0:27:46.040 --> 0:27:52.199
<v Speaker 4>Why I didn't ask her about the scene. I didn't

0:27:52.440 --> 0:27:55.919
<v Speaker 4>discuss it with her. I almost felt like it was

0:27:56.040 --> 0:27:59.960
<v Speaker 4>so powerful on its own. I just wanted to do it,

0:28:00.359 --> 0:28:05.320
<v Speaker 4>execute it kind of without thinking. It goes back to

0:28:05.359 --> 0:28:08.480
<v Speaker 4>what I was saying about, you know, finding more about

0:28:08.480 --> 0:28:11.040
<v Speaker 4>Abbie's backstory, and this is the first I mean, what's

0:28:11.160 --> 0:28:14.159
<v Speaker 4>so astonishing for me about the scene is it's the

0:28:14.240 --> 0:28:19.120
<v Speaker 4>first time you see Abby's maybe her past domestic abuse,

0:28:19.280 --> 0:28:22.880
<v Speaker 4>violence stuff sort of creep up in her life in

0:28:22.880 --> 0:28:26.880
<v Speaker 4>a present day way that she's initiating and it's like, yeah,

0:28:27.040 --> 0:28:28.400
<v Speaker 4>it's tied up with.

0:28:28.560 --> 0:28:30.960
<v Speaker 2>Her lover, her trauma.

0:28:31.200 --> 0:28:34.320
<v Speaker 4>There's so many questions about that and he accepts it.

0:28:34.400 --> 0:28:36.359
<v Speaker 1>And he's so submissive to you. Yeah.

0:28:36.960 --> 0:28:39.840
<v Speaker 4>Yeah, it's an astonishing scene. There's so many questions.

0:28:40.440 --> 0:28:43.360
<v Speaker 1>But Darby, what about the smacking? You really smacked him?

0:28:43.400 --> 0:28:44.960
<v Speaker 1>I thought me and Katie have a scene where she

0:28:45.000 --> 0:28:47.520
<v Speaker 1>smacks the shit out of me like three times. I

0:28:47.600 --> 0:28:50.840
<v Speaker 1>lost my hearing for about twenty minutes. But I was

0:28:51.080 --> 0:28:53.680
<v Speaker 1>in Katie's defense. I was like, smack me for real,

0:28:54.320 --> 0:28:56.400
<v Speaker 1>do not play smack me? And then I was like,

0:28:56.440 --> 0:28:59.520
<v Speaker 1>what what did you say? But it looked like you

0:28:59.640 --> 0:29:03.440
<v Speaker 1>really smack Josh. Did you guys have a conversation about that,

0:29:03.560 --> 0:29:05.560
<v Speaker 1>about smacking him, how that was going to be, how

0:29:05.680 --> 0:29:06.800
<v Speaker 1>that you were going to do that.

0:29:09.080 --> 0:29:11.959
<v Speaker 4>I don't really recall. I don't except that it was

0:29:12.040 --> 0:29:14.640
<v Speaker 4>just like this sheet that John had written all of

0:29:14.720 --> 0:29:17.880
<v Speaker 4>these actions, and it was just try and remember one

0:29:17.880 --> 0:29:19.720
<v Speaker 4>thing in the saint, you know, in the right order,

0:29:19.800 --> 0:29:20.840
<v Speaker 4>and do it with no words.

0:29:21.240 --> 0:29:23.640
<v Speaker 2>First we come in first, I do this. Then I

0:29:23.680 --> 0:29:26.120
<v Speaker 2>shot up him twice. Then we pull apart. Then I

0:29:26.120 --> 0:29:28.000
<v Speaker 2>put fingers down, and then I lift my skirt. Then

0:29:28.040 --> 0:29:28.760
<v Speaker 2>I pushed it out.

0:29:28.840 --> 0:29:31.600
<v Speaker 4>It was three fingers. I think it was so specific, you.

0:29:31.560 --> 0:29:35.280
<v Speaker 1>Know, But you guys did it so well. You could

0:29:35.320 --> 0:29:36.800
<v Speaker 1>have done all that, and it could have been a

0:29:36.840 --> 0:29:39.320
<v Speaker 1>shitty scene. But the reason that people remember it is

0:29:39.360 --> 0:29:42.160
<v Speaker 1>because you guys played it so well, so.

0:29:42.200 --> 0:29:45.520
<v Speaker 2>Real, so good, so good, He's so good, and it's

0:29:45.560 --> 0:29:51.320
<v Speaker 2>so you can see her feeling like embarrassed and then powerful,

0:29:51.360 --> 0:29:53.680
<v Speaker 2>and then hating him and then wanting to be with him,

0:29:53.720 --> 0:29:56.160
<v Speaker 2>and then being sad for where they were, what their

0:29:56.200 --> 0:30:00.000
<v Speaker 2>relationship could have been, and just like there's so much

0:30:00.360 --> 0:30:03.360
<v Speaker 2>and then she literally lifts her skirt up. You have

0:30:03.400 --> 0:30:05.640
<v Speaker 2>sex with them, and then there's this whole moment where

0:30:05.680 --> 0:30:09.000
<v Speaker 2>you stand up and you repull your skirt down over

0:30:09.040 --> 0:30:12.200
<v Speaker 2>these amazing tights, thank you Lyn paw Right. They're thigh

0:30:12.280 --> 0:30:15.880
<v Speaker 2>highs kind of thing, and then you flip your red

0:30:16.000 --> 0:30:20.200
<v Speaker 2>hair in like a sexy way, which was incredible, and

0:30:20.240 --> 0:30:22.680
<v Speaker 2>then you just pull your skirt down, fix your sort

0:30:22.680 --> 0:30:24.680
<v Speaker 2>of jacket, and then you like walk out of the

0:30:24.720 --> 0:30:26.680
<v Speaker 2>apartment and just fucking leave his ass.

0:30:27.120 --> 0:30:29.080
<v Speaker 1>But that look she looks back at him and has

0:30:29.120 --> 0:30:31.520
<v Speaker 1>this face where she's like about to cry, but no,

0:30:31.680 --> 0:30:32.800
<v Speaker 1>fuck you, I'm not gonna cry.

0:30:33.000 --> 0:30:36.800
<v Speaker 2>So emotional. Like other huge moments of this episode, this

0:30:36.880 --> 0:30:41.480
<v Speaker 2>is the episode where Becky, played by Susie poorfar. She

0:30:41.560 --> 0:30:44.360
<v Speaker 2>finds out that Huck might be framing her to be

0:30:44.480 --> 0:30:48.600
<v Speaker 2>caught for shooting the president, and to get back at Huck,

0:30:49.000 --> 0:30:54.120
<v Speaker 2>she shoots his family. Yes, and I remember being at

0:30:54.120 --> 0:30:58.680
<v Speaker 2>the table read because she shoots the two little girls,

0:30:58.720 --> 0:30:59.760
<v Speaker 2>the mom, the dad, and the.

0:30:59.720 --> 0:31:02.960
<v Speaker 1>Dog, and people were more upset about the dog. People

0:31:02.960 --> 0:31:08.120
<v Speaker 1>were like, remember that bitch. Yeah right. This was the

0:31:08.160 --> 0:31:10.720
<v Speaker 1>first episode that I I mean, and I did this

0:31:10.760 --> 0:31:13.360
<v Speaker 1>several times after this that I called my managers and

0:31:13.400 --> 0:31:15.400
<v Speaker 1>I told them what I was going to be doing

0:31:15.440 --> 0:31:17.880
<v Speaker 1>in the episode because I was so excited and what

0:31:17.960 --> 0:31:20.760
<v Speaker 1>was happening in the episode, Like I've never done that

0:31:20.800 --> 0:31:23.640
<v Speaker 1>with another job, Like on this job, I feel like

0:31:23.680 --> 0:31:24.960
<v Speaker 1>I did that a lot.

0:31:25.160 --> 0:31:28.440
<v Speaker 2>Yeah, it's really really cool. It's really sweet.

0:31:28.520 --> 0:31:30.880
<v Speaker 1>And the fact that Seanda went there with that scene

0:31:30.920 --> 0:31:33.440
<v Speaker 1>of you know, we see that whole family dead.

0:31:33.720 --> 0:31:36.600
<v Speaker 4>Yeah, yes, but I didn't need to pull back on it.

0:31:36.800 --> 0:31:37.400
<v Speaker 1>Yeah.

0:31:37.440 --> 0:31:41.440
<v Speaker 4>And we're talking season two, so everything was so shocking. Yes,

0:31:42.280 --> 0:31:45.840
<v Speaker 4>it's almost like season one establishes the show. It feels

0:31:45.920 --> 0:31:48.320
<v Speaker 4>quite procedural, and season two it just goes off.

0:31:48.200 --> 0:31:50.840
<v Speaker 2>The rail, totally off the rails. At the end of

0:31:50.880 --> 0:31:55.800
<v Speaker 2>this episode, they take Hawk under the Patriot Act and

0:31:55.840 --> 0:31:58.600
<v Speaker 2>so we start the whole journey of him being like

0:31:58.880 --> 0:32:02.959
<v Speaker 2>waterboarded and orchard in the Pentagon and all that kind

0:32:03.000 --> 0:32:05.880
<v Speaker 2>of shit. But there's also just such great stuff in

0:32:05.920 --> 0:32:09.640
<v Speaker 2>this episode, as per usual, with just God, you worked

0:32:09.680 --> 0:32:13.320
<v Speaker 2>so much with Columbus, Like what was that You guys

0:32:13.400 --> 0:32:17.160
<v Speaker 2>really were the core of OPA, because Quinn's really the

0:32:17.240 --> 0:32:22.920
<v Speaker 2>newbie and Huck is a fucking weirdo beyond and not

0:32:23.080 --> 0:32:25.880
<v Speaker 2>that Abby and Harrison aren't, but Abby and Harrison are

0:32:25.920 --> 0:32:27.920
<v Speaker 2>sort of like the stronghold, like, and I see that

0:32:28.120 --> 0:32:30.680
<v Speaker 2>so much in this episode because this episode, Olivia's kind

0:32:30.680 --> 0:32:32.560
<v Speaker 2>of moved back into the White House and she's.

0:32:32.480 --> 0:32:35.680
<v Speaker 4>Yeah, she's back and forth. It did feel like in

0:32:35.760 --> 0:32:39.240
<v Speaker 4>season two more and more Abby and Harrison were being partnered,

0:32:39.240 --> 0:32:42.880
<v Speaker 4>but they were being assigned more together, and so you know,

0:32:42.960 --> 0:32:45.480
<v Speaker 4>it kind of worked, I think great in that Harrison

0:32:45.560 --> 0:32:49.320
<v Speaker 4>was so sort of charismatic and loose and charming and

0:32:49.360 --> 0:32:53.320
<v Speaker 4>Abby is like such a smart ap and a cut

0:32:53.800 --> 0:32:57.640
<v Speaker 4>you know, like they just seem like opposite. So I

0:32:57.760 --> 0:33:04.840
<v Speaker 4>remember having they're being nice, nice scenes. They're written for

0:33:04.960 --> 0:33:08.200
<v Speaker 4>those characters where you can really feel the opposites.

0:33:08.560 --> 0:33:12.600
<v Speaker 2>Yeah, speaking about this, like your Josh Molina stuff was

0:33:12.640 --> 0:33:16.120
<v Speaker 2>so amazing in seasons one and two. I mean, Josh,

0:33:16.160 --> 0:33:20.960
<v Speaker 2>Abby and David Rosen were really the first couple that

0:33:21.600 --> 0:33:24.400
<v Speaker 2>they wrote on Scandal, other than the ones that had

0:33:24.440 --> 0:33:27.200
<v Speaker 2>already been established, Like we'd already had Fits and Olivia,

0:33:27.240 --> 0:33:31.280
<v Speaker 2>we already had Cyrus and James. Yes, yes, but when

0:33:31.320 --> 0:33:35.320
<v Speaker 2>he breaks you up because Olivia is telling Harrison like

0:33:35.360 --> 0:33:38.560
<v Speaker 2>your one job is to make sure that David and

0:33:38.680 --> 0:33:40.600
<v Speaker 2>don't ask me why, but David and Abby can't be

0:33:40.720 --> 0:33:42.760
<v Speaker 2>together because the two of you are going behind your

0:33:42.760 --> 0:33:45.120
<v Speaker 2>back and putting the pieces together about Cytron and the

0:33:45.160 --> 0:33:48.440
<v Speaker 2>election rigging. He breaks you guys up, and you have

0:33:48.520 --> 0:33:52.160
<v Speaker 2>this amazing scene during the case of the Week is

0:33:52.200 --> 0:33:54.600
<v Speaker 2>like the really really rich millionaire crazy guy. But there's

0:33:54.600 --> 0:33:57.000
<v Speaker 2>a whole episode where you do are on a stakeout

0:33:57.040 --> 0:33:59.840
<v Speaker 2>and you slow dance to some people at a jazz

0:34:01.080 --> 0:34:04.880
<v Speaker 2>You're gonna find a nice guy because he sets David

0:34:04.960 --> 0:34:07.640
<v Speaker 2>Rosen up to make it seem like he had abused

0:34:07.680 --> 0:34:10.479
<v Speaker 2>his past women and.

0:34:10.400 --> 0:34:12.680
<v Speaker 4>You want so bad with Alby's background for her to

0:34:12.680 --> 0:34:15.160
<v Speaker 4>be happy, and then you know yes, and then you

0:34:15.200 --> 0:34:17.759
<v Speaker 4>know Harrison, it's such a good guy in terms of

0:34:17.800 --> 0:34:20.759
<v Speaker 4>them working together and well, that seems to be a

0:34:20.800 --> 0:34:24.440
<v Speaker 4>common theme in this show, doesn't it. You know, the

0:34:24.440 --> 0:34:30.239
<v Speaker 4>the things that we our characters do for power or

0:34:30.280 --> 0:34:34.839
<v Speaker 4>for you know, to fix something, either in a good

0:34:34.840 --> 0:34:39.200
<v Speaker 4>way or or because of being blackmailed or because of

0:34:39.480 --> 0:34:44.440
<v Speaker 4>hunger power. It's I remember that, Yeah, I remember.

0:34:44.160 --> 0:34:47.439
<v Speaker 1>That by any means necessary. Right, we got we got

0:34:47.480 --> 0:34:51.120
<v Speaker 1>shit done. Can we talk about you and josh Joshua

0:34:51.160 --> 0:34:55.960
<v Speaker 1>Molina on set? How he would push which he was

0:34:56.120 --> 0:34:58.160
<v Speaker 1>such a ask to.

0:34:58.160 --> 0:35:00.680
<v Speaker 2>You mag your sides down, which, by the way, he

0:35:00.719 --> 0:35:02.680
<v Speaker 2>did to me too. He's a fucking turd.

0:35:02.760 --> 0:35:04.840
<v Speaker 1>Not to me, because I would have been like, look, motherfucker.

0:35:04.880 --> 0:35:06.799
<v Speaker 2>He told josh we said the only people you were

0:35:06.840 --> 0:35:10.359
<v Speaker 2>scared of was gear. He never fucked with Germo, really did.

0:35:10.360 --> 0:35:11.120
<v Speaker 4>He never rank you.

0:35:11.640 --> 0:35:13.640
<v Speaker 1>He pranked me that one time, and then after that

0:35:13.719 --> 0:35:15.279
<v Speaker 1>he didn't do it again. And I could tell you

0:35:15.800 --> 0:35:18.640
<v Speaker 1>what happened. I don't know. I think he could just

0:35:18.719 --> 0:35:20.839
<v Speaker 1>tell that I was not I was not going to play.

0:35:21.360 --> 0:35:23.600
<v Speaker 1>I was like, don't play with me. But I remember

0:35:23.640 --> 0:35:26.080
<v Speaker 1>I remember him at one point we were in oh

0:35:26.120 --> 0:35:28.640
<v Speaker 1>Pa and we were on wheelie chairs and he would

0:35:28.640 --> 0:35:30.600
<v Speaker 1>grab you while you were sitting down and roll you

0:35:30.800 --> 0:35:33.680
<v Speaker 1>like twenty feet away from everybody. And he would do

0:35:33.760 --> 0:35:37.800
<v Speaker 1>this over.

0:35:36.040 --> 0:35:38.800
<v Speaker 2>Over six scenes with this asshole.

0:35:39.200 --> 0:35:40.400
<v Speaker 1>You were such a good sport.

0:35:41.080 --> 0:35:43.160
<v Speaker 2>We had him on and I said to him, you

0:35:43.200 --> 0:35:48.040
<v Speaker 2>were the most polarizing person of the Scandal crew.

0:35:47.960 --> 0:35:49.000
<v Speaker 4>And what did you say?

0:35:49.080 --> 0:35:50.920
<v Speaker 2>He was psyched about it. He was like, he was like,

0:35:51.520 --> 0:35:53.960
<v Speaker 2>give me all the edge. He loves it.

0:35:54.080 --> 0:35:57.200
<v Speaker 4>He loves to be the troublemaker does he wants that

0:35:57.320 --> 0:36:00.439
<v Speaker 4>to be his reputation. The thing that I've was most

0:36:00.520 --> 0:36:03.520
<v Speaker 4>humored by, I think, is that every once in a

0:36:03.520 --> 0:36:07.120
<v Speaker 4>while we'd have some really neaty scene, you know, I

0:36:07.120 --> 0:36:09.560
<v Speaker 4>mean just it would be immediate relationship scene where we're

0:36:10.320 --> 0:36:14.280
<v Speaker 4>breaking up, or you know, something a three four page scene,

0:36:14.400 --> 0:36:17.680
<v Speaker 4>lots of words, scandal pace, we're in the makeup trailor

0:36:17.920 --> 0:36:23.200
<v Speaker 4>he hasn't looked at at once because he has a photographic,

0:36:24.000 --> 0:36:28.800
<v Speaker 4>freaking photographic memory, so he just live in the makeup

0:36:28.800 --> 0:36:31.120
<v Speaker 4>care We ran the lines once or twice, and he

0:36:31.160 --> 0:36:33.359
<v Speaker 4>knows it like that, where I, on the other hand,

0:36:33.400 --> 0:36:35.320
<v Speaker 4>for the last forty eight hours or whatever long and

0:36:35.400 --> 0:36:40.319
<v Speaker 4>has this really dissecting this thing I've been I mean

0:36:40.800 --> 0:36:42.839
<v Speaker 4>not to say that I'm a slow learner. I think

0:36:42.840 --> 0:36:45.680
<v Speaker 4>anybody could be qualified as a slow learner and be

0:36:45.760 --> 0:36:49.759
<v Speaker 4>unscandaled for seven users. I think we all learned to

0:36:49.840 --> 0:36:53.960
<v Speaker 4>memorize quite quickly, but my process was just so different

0:36:53.960 --> 0:36:55.919
<v Speaker 4>from his. I think I got such a big kick

0:36:55.960 --> 0:36:59.080
<v Speaker 4>out of that that he he's so good. I mean,

0:36:59.080 --> 0:37:03.520
<v Speaker 4>he's such a mass at the verbose role that he played,

0:37:03.719 --> 0:37:06.600
<v Speaker 4>and you know, the thoughts are very clear. He executes

0:37:06.640 --> 0:37:09.799
<v Speaker 4>it so well. It's so brilliant. But we just would

0:37:09.840 --> 0:37:11.799
<v Speaker 4>approach it such different ways, and he'd learned it in

0:37:11.800 --> 0:37:13.920
<v Speaker 4>like ten minutes and then, you know, be off to

0:37:13.960 --> 0:37:14.839
<v Speaker 4>prank someone else.

0:37:16.440 --> 0:37:19.880
<v Speaker 2>So we will be back with more after the break.

0:37:23.760 --> 0:37:25.280
<v Speaker 2>Oh you know what I want to talk to you about.

0:37:25.440 --> 0:37:28.279
<v Speaker 2>Remember I've talked about it on this podcast before, like

0:37:28.760 --> 0:37:32.000
<v Speaker 2>the goodbye process of like like I have to hug

0:37:32.040 --> 0:37:34.160
<v Speaker 2>everyone and say goodbye and all this stuff. And Darby

0:37:34.239 --> 0:37:37.160
<v Speaker 2>was a person who like never moved shit into her trailer.

0:37:38.239 --> 0:37:40.480
<v Speaker 2>I remember at the end of season one or something,

0:37:40.480 --> 0:37:42.560
<v Speaker 2>you were like, oh, I won't be here when we're

0:37:42.560 --> 0:37:45.960
<v Speaker 2>all saying goodbye, like I'm out, thank you, Yeah something

0:37:46.080 --> 0:37:48.400
<v Speaker 2>I'm paraphrasing. Yeah, yeah, can you talk about that a

0:37:48.400 --> 0:37:48.799
<v Speaker 2>little bit.

0:37:49.280 --> 0:37:52.160
<v Speaker 4>Yeah, it's I do remember what you're saying. And it

0:37:52.200 --> 0:37:54.279
<v Speaker 4>was at the end of season one. Okay, we shot

0:37:54.320 --> 0:37:56.640
<v Speaker 4>seven episodes and we didn't know if we were coming back,

0:37:56.719 --> 0:37:59.840
<v Speaker 4>right we were shooting for as a mid season replacement.

0:38:00.560 --> 0:38:03.879
<v Speaker 4>So we're we're on the last scenes together in the room,

0:38:04.520 --> 0:38:08.839
<v Speaker 4>and it felt like most actors were, you know, we're

0:38:08.880 --> 0:38:13.080
<v Speaker 4>really into saying goodbye and getting emotional and hugging a

0:38:13.120 --> 0:38:15.880
<v Speaker 4>lot and talking about what it meant to them that

0:38:17.320 --> 0:38:20.120
<v Speaker 4>I think it's just a habit that I it's it's

0:38:20.200 --> 0:38:24.479
<v Speaker 4>really just kind of a muscle that I've developed over

0:38:24.600 --> 0:38:27.640
<v Speaker 4>time being in this business. Not too high, not too well,

0:38:27.840 --> 0:38:32.440
<v Speaker 4>you know, it's it's a protection or a diplomatic you know.

0:38:32.800 --> 0:38:35.960
<v Speaker 4>I had a great time, but I'm not I'm not

0:38:36.000 --> 0:38:38.200
<v Speaker 4>going to count any chickens before the hatch. I'm not

0:38:38.239 --> 0:38:39.800
<v Speaker 4>going to assume that I'm back. I'm not going to

0:38:39.880 --> 0:38:44.960
<v Speaker 4>celebrate before it's happened, you know, and even when something

0:38:45.040 --> 0:38:48.480
<v Speaker 4>is awarded. My management team said this about me, like,

0:38:48.560 --> 0:38:51.319
<v Speaker 4>you're really a funny one because you don't ever get

0:38:51.360 --> 0:38:54.960
<v Speaker 4>to I don't burst into tears when I you know,

0:38:55.120 --> 0:39:04.400
<v Speaker 4>when I got scandal or book something huge, O, my god, beautiful,

0:39:04.440 --> 0:39:09.000
<v Speaker 4>But that's beautiful and I admire that. And that's the actors.

0:39:09.000 --> 0:39:11.920
<v Speaker 4>I mean, we're feeling and we're right. I mean, Katie,

0:39:11.960 --> 0:39:14.680
<v Speaker 4>I love your hugging and not letting go. Belly is

0:39:14.719 --> 0:39:17.480
<v Speaker 4>very much the same. You're that that kind of love

0:39:17.520 --> 0:39:21.799
<v Speaker 4>where you just want to show someone and you're feeling it.

0:39:21.800 --> 0:39:23.960
<v Speaker 4>It's so beautiful. Sometimes I was more like that.

0:39:24.160 --> 0:39:29.600
<v Speaker 2>But you know, we're we're a perfect Matt Darby Stanfield.

0:39:29.800 --> 0:39:32.359
<v Speaker 4>But I do like it. We're all so different too.

0:39:32.440 --> 0:39:35.080
<v Speaker 4>I think that makes it more interesting. You know, you're

0:39:35.120 --> 0:39:39.320
<v Speaker 4>all the same. It would be it would be. Yeah,

0:39:39.520 --> 0:39:41.480
<v Speaker 4>back to my thing about Josh Wullia. So I think

0:39:42.120 --> 0:39:43.640
<v Speaker 4>I enjoy working with them because.

0:39:43.600 --> 0:39:49.600
<v Speaker 2>It's just such a different derby. I promise these people.

0:39:49.680 --> 0:39:51.719
<v Speaker 2>Can you tell us right quick? What's an eye hug?

0:39:53.160 --> 0:39:54.799
<v Speaker 4>Yeah?

0:39:55.320 --> 0:39:57.759
<v Speaker 2>She's doing it right now, folks, Yeah, right now?

0:39:57.960 --> 0:40:01.120
<v Speaker 4>Who invented that? We were at all of us? We

0:40:01.120 --> 0:40:04.160
<v Speaker 4>were in the conference room. Maybe was it Carrien?

0:40:05.000 --> 0:40:11.279
<v Speaker 1>I thought it was you. Yeah, you were the eye

0:40:11.320 --> 0:40:12.120
<v Speaker 1>hug inventor.

0:40:12.440 --> 0:40:15.880
<v Speaker 4>I was probably because I'm like kind of like lest contact.

0:40:16.000 --> 0:40:17.799
<v Speaker 1>You were like, don't touch me, stay open there. I'm

0:40:17.800 --> 0:40:18.960
<v Speaker 1>gonna hugging with my eyes.

0:40:19.640 --> 0:40:23.080
<v Speaker 2>But that's so sweet. Would we would all stand around

0:40:23.080 --> 0:40:24.839
<v Speaker 2>the O PA table and it would be fucking late

0:40:24.840 --> 0:40:26.920
<v Speaker 2>at night, we will have been shooting for a million hours,

0:40:27.320 --> 0:40:29.080
<v Speaker 2>and then we would just look across and do like

0:40:29.120 --> 0:40:32.480
<v Speaker 2>a really nice slow blank to me and say, you know,

0:40:32.560 --> 0:40:40.400
<v Speaker 2>she's sending me an eye hug beautiful. Okay, I'm giving it.

0:40:41.480 --> 0:40:41.920
<v Speaker 1>Let's give it.

0:40:42.040 --> 0:40:44.920
<v Speaker 2>Darby Stansfield was the inventor of she created it.

0:40:45.280 --> 0:40:46.560
<v Speaker 4>Yeah, I'll take it.

0:40:46.480 --> 0:40:48.960
<v Speaker 2>Before we do some tweets at the time really quickly. Gee,

0:40:49.080 --> 0:40:52.120
<v Speaker 2>is there any scenes from episode two O nine that

0:40:52.239 --> 0:40:53.000
<v Speaker 2>stick out to.

0:40:52.920 --> 0:40:55.320
<v Speaker 1>You some of the stuff that sticks out? His stuff

0:40:55.320 --> 0:40:59.160
<v Speaker 1>with James and Cyrus. James is back on his ship

0:40:59.239 --> 0:41:02.200
<v Speaker 1>with the side on card and defiance and all of that,

0:41:02.360 --> 0:41:05.480
<v Speaker 1>and there's just such great moments with those two they have.

0:41:05.920 --> 0:41:07.960
<v Speaker 1>They have a scene where they both have sandwiches in

0:41:07.960 --> 0:41:10.480
<v Speaker 1>front of them, and the thing that bothered me the

0:41:10.520 --> 0:41:12.680
<v Speaker 1>most and not one of them to bite that damn

0:41:12.760 --> 0:41:15.040
<v Speaker 1>sandwich fuckers.

0:41:15.440 --> 0:41:18.040
<v Speaker 2>We always don't like when any actors don't eat.

0:41:19.080 --> 0:41:19.319
<v Speaker 1>Yeah.

0:41:19.360 --> 0:41:21.920
<v Speaker 2>Their whole storyline in this episode is that James is

0:41:21.960 --> 0:41:24.160
<v Speaker 2>on the tail of Defiance and is sort of working

0:41:24.200 --> 0:41:27.120
<v Speaker 2>with David Rosen and Cyrus to get him off. The

0:41:27.120 --> 0:41:29.720
<v Speaker 2>scent is like, I got you your baby. We adopted

0:41:29.719 --> 0:41:32.400
<v Speaker 2>a baby. He's like dangling the baby in front of

0:41:33.000 --> 0:41:36.799
<v Speaker 2>James's face to make him stop. And Verna Thornton and

0:41:36.840 --> 0:41:41.520
<v Speaker 2>Sally Langston have an amazing scene in this where Sally

0:41:42.440 --> 0:41:46.839
<v Speaker 2>comes and figures out that Verna has terminal cancer. Yeah, like,

0:41:46.920 --> 0:41:48.720
<v Speaker 2>I want your fucking seat on the bench.

0:41:48.800 --> 0:41:50.439
<v Speaker 1>You want to to step off?

0:41:50.560 --> 0:41:52.000
<v Speaker 4>Yeah, so much happens.

0:41:52.960 --> 0:41:53.759
<v Speaker 1>Yeah, Oh my god.

0:41:53.800 --> 0:41:56.320
<v Speaker 2>By the way, that's every Scandal episode in forty two minutes.

0:41:56.360 --> 0:42:00.520
<v Speaker 2>The amount of plot. Yeah, had incredible writing that goes on.

0:42:00.680 --> 0:42:02.440
<v Speaker 4>Is no wonder we're going at stand apace.

0:42:03.000 --> 0:42:05.040
<v Speaker 2>Yeah, we have to so insane.

0:42:05.120 --> 0:42:07.360
<v Speaker 1>This is also the first time you see Huck have

0:42:07.600 --> 0:42:09.120
<v Speaker 1>sex with with Becky.

0:42:09.280 --> 0:42:11.920
<v Speaker 2>Yes, I was just going to say that. Yeah, I

0:42:12.000 --> 0:42:17.880
<v Speaker 2>wrote Becky and Huck fuck on picks because they're sexces

0:42:17.920 --> 0:42:19.520
<v Speaker 2>on top of all these photos.

0:42:19.760 --> 0:42:22.239
<v Speaker 4>You want to know something, that's something I really love

0:42:22.400 --> 0:42:24.960
<v Speaker 4>the way that was shot. Yeah, you're on top of

0:42:24.960 --> 0:42:27.160
<v Speaker 4>all those pictures and they're laid out at like a rainbow,

0:42:27.200 --> 0:42:32.480
<v Speaker 4>I mean, and have sex and roll all over these pictures.

0:42:32.520 --> 0:42:34.440
<v Speaker 4>I thought that was really I thought that was a

0:42:34.440 --> 0:42:35.240
<v Speaker 4>really neat scene.

0:42:35.520 --> 0:42:39.200
<v Speaker 2>Yeah, Jessica you, and Becky sort of saying I want

0:42:39.200 --> 0:42:41.160
<v Speaker 2>to be with you, and Huck is saying, well, what's

0:42:41.160 --> 0:42:41.680
<v Speaker 2>your name?

0:42:41.719 --> 0:42:44.320
<v Speaker 1>And she what's your real name? Yeah, and she won't.

0:42:44.080 --> 0:42:46.240
<v Speaker 2>Tell him, which means like she's being shady.

0:42:46.360 --> 0:42:48.520
<v Speaker 1>Yeah, that's a tell for Huck, He's like, oh, you

0:42:48.560 --> 0:42:49.440
<v Speaker 1>don't really love me.

0:42:49.640 --> 0:42:52.840
<v Speaker 2>Yeah, And the episode ends. Verna goes to Sally and says,

0:42:53.280 --> 0:42:55.680
<v Speaker 2>I'm not giving up my bench. I won't give up

0:42:55.680 --> 0:42:57.480
<v Speaker 2>my seat on the bench, but I can give you

0:42:57.520 --> 0:43:00.919
<v Speaker 2>the name of the man in the Red Hood who

0:43:01.000 --> 0:43:04.200
<v Speaker 2>shot Fits. And then the swat team comes to Opa

0:43:04.520 --> 0:43:08.760
<v Speaker 2>and takes drink under the Patriot Act. Yeah, oh my gosh,

0:43:08.800 --> 0:43:12.720
<v Speaker 2>it's a little bit time right now. Darbzy's for tweets

0:43:12.719 --> 0:43:18.120
<v Speaker 2>of the time. Tweetetetweeteto, tweetoto, tweetwet two tweets of the time.

0:43:22.080 --> 0:43:30.080
<v Speaker 2>Things were insane at dc PsyD on December fourteen, twenty twelve.

0:43:30.120 --> 0:43:33.799
<v Speaker 2>Had to repost this and it's a picture. Chicks be like,

0:43:33.840 --> 0:43:38.080
<v Speaker 2>I can't stand infidelity, but on Thursdays they'd be like,

0:43:38.600 --> 0:43:43.560
<v Speaker 2>oh yeah, because Scandal really made infidelity hot. I've never

0:43:43.600 --> 0:43:48.399
<v Speaker 2>seen more fans be more into cheating and loving that

0:43:48.760 --> 0:43:50.560
<v Speaker 2>Fits is just a cheating piece of shit?

0:43:50.960 --> 0:43:54.879
<v Speaker 1>Yep, I remember Sue Tanner this this one gladiator. She's

0:43:54.920 --> 0:43:58.920
<v Speaker 1>an old g gladiator. Yes, she tweeted at Scandal ABC.

0:43:59.080 --> 0:44:01.080
<v Speaker 1>I hear there's a buve that will be going around

0:44:01.080 --> 0:44:06.920
<v Speaker 1>in January. The Gladiator flew hashtag scandal, hashtag what the huck. Also,

0:44:07.600 --> 0:44:11.319
<v Speaker 1>this is the episode where hashtag what the huck came

0:44:11.360 --> 0:44:13.360
<v Speaker 1>into plate way.

0:44:13.719 --> 0:44:17.239
<v Speaker 4>Yes, and I think didn't that hashtags stay around for seasons?

0:44:17.600 --> 0:44:19.879
<v Speaker 1>Yes? It did.

0:44:20.719 --> 0:44:25.920
<v Speaker 2>What were your ship? Did you have any hashtags? Darby?

0:44:25.960 --> 0:44:26.320
<v Speaker 4>Abby?

0:44:26.880 --> 0:44:27.120
<v Speaker 1>Oh?

0:44:27.320 --> 0:44:29.520
<v Speaker 2>Sassy Abby? That's right?

0:44:30.000 --> 0:44:33.640
<v Speaker 1>Oh yeah, not like what the heck?

0:44:34.920 --> 0:44:38.040
<v Speaker 4>Not like that? And Quinn, what was yours? Was it yours?

0:44:38.280 --> 0:44:38.440
<v Speaker 1>Oh?

0:44:38.520 --> 0:44:42.640
<v Speaker 2>I'm Quinn, bitch. Yes, in response to a monelogue that

0:44:42.680 --> 0:44:44.960
<v Speaker 2>I have to you where you're like Lindsey the whole

0:44:45.000 --> 0:44:47.360
<v Speaker 2>first season, You're like lindsay this and lindsay that. And

0:44:47.400 --> 0:44:49.040
<v Speaker 2>then I turned to you in the bar and I'm like,

0:44:50.120 --> 0:44:54.200
<v Speaker 2>I am not Lindsey. My name is Quinn Perkins. Then

0:44:54.239 --> 0:44:57.279
<v Speaker 2>I actually walk away and it's actually Harrison who looks

0:44:57.320 --> 0:45:01.600
<v Speaker 2>to you and says she's Quinn bitch.

0:45:03.400 --> 0:45:03.680
<v Speaker 1>Oh.

0:45:03.719 --> 0:45:06.160
<v Speaker 4>We were all waiting for Quinn to do that. Abby

0:45:06.280 --> 0:45:07.799
<v Speaker 4>was just such a Pilber.

0:45:08.160 --> 0:45:10.920
<v Speaker 2>I was too. Let me tell you something. I watched

0:45:11.000 --> 0:45:13.279
<v Speaker 2>Quinn in the first season and I'm like, Jesus, let's

0:45:13.320 --> 0:45:14.840
<v Speaker 2>get the Carol of Kara.

0:45:14.800 --> 0:45:20.600
<v Speaker 4>Nuts from Deetrough the truth. Counts Abby handled her business

0:45:20.640 --> 0:45:23.279
<v Speaker 4>and got up and walked out. You go, girl, such

0:45:23.280 --> 0:45:26.120
<v Speaker 4>a scandal. And I think she's referring to that scene

0:45:26.120 --> 0:45:27.080
<v Speaker 4>that you guys were talking about.

0:45:27.160 --> 0:45:31.840
<v Speaker 1>Yeah, oh it's so good, so so good. Melody Baker

0:45:32.200 --> 0:45:36.759
<v Speaker 1>at Evan GML, she tweets Harrison in charge, get your

0:45:36.840 --> 0:45:40.520
<v Speaker 1>ass back here now. She's referring to when he calls

0:45:40.560 --> 0:45:42.960
<v Speaker 1>Olivia and he's like, get back to the office because

0:45:43.000 --> 0:45:46.120
<v Speaker 1>because Huck has the rifle that shot the president and

0:45:46.160 --> 0:45:48.160
<v Speaker 1>he yells at her on the phone, get your ass

0:45:48.160 --> 0:45:50.600
<v Speaker 1>back here now, which is the first time we see

0:45:50.680 --> 0:45:54.520
<v Speaker 1>him like talk to her like that that episode. It

0:45:54.680 --> 0:45:56.920
<v Speaker 1>was it was episode.

0:45:56.760 --> 0:46:02.640
<v Speaker 4>Factor Carter Away at the end after Families and good

0:46:03.280 --> 0:46:07.040
<v Speaker 4>Yeah happen right, Oh just a little water boarding.

0:46:07.680 --> 0:46:09.840
<v Speaker 2>Oh yeah, that's week. We're about to go on like

0:46:09.880 --> 0:46:11.320
<v Speaker 2>a whole Hawk journey.

0:46:11.400 --> 0:46:14.240
<v Speaker 4>I was gonna say, let's just talk about Hawk and water.

0:46:15.040 --> 0:46:16.319
<v Speaker 1>Oh my god, that's right.

0:46:17.440 --> 0:46:18.840
<v Speaker 4>Just the water your camel.

0:46:19.320 --> 0:46:19.960
<v Speaker 2>It's awful.

0:46:20.080 --> 0:46:21.439
<v Speaker 1>Remember when you stopped.

0:46:21.160 --> 0:46:23.439
<v Speaker 4>Showering and the rain.

0:46:24.320 --> 0:46:27.640
<v Speaker 1>Yes, and all you guys make those faces every time

0:46:27.680 --> 0:46:29.840
<v Speaker 1>I come around or you guys, are you stink?

0:46:30.000 --> 0:46:32.600
<v Speaker 4>But remember later on there's like a whole water episode

0:46:32.600 --> 0:46:33.440
<v Speaker 4>where you're under.

0:46:33.360 --> 0:46:35.279
<v Speaker 2>Like stuck in a car in a trunk.

0:46:35.680 --> 0:46:39.560
<v Speaker 1>Yes, So between that the showering, the water, I did

0:46:39.640 --> 0:46:43.239
<v Speaker 1>two weeks of rehearsal in a pool with an instructor

0:46:43.280 --> 0:46:47.200
<v Speaker 1>for that episode. Anyway, this podcast is about Darby stanch Field.

0:46:47.440 --> 0:46:51.960
<v Speaker 2>Darby, I just want to say we love you, thank

0:46:52.000 --> 0:46:55.200
<v Speaker 2>you for Unpacking the Toolbox of episode two nine.

0:46:55.640 --> 0:46:58.000
<v Speaker 1>Darby, we love you. You're the best. Thank you, thank you,

0:46:58.040 --> 0:46:58.640
<v Speaker 1>thank you.

0:46:59.120 --> 0:47:00.880
<v Speaker 4>It's an honor to be on your podcast.

0:47:01.600 --> 0:47:05.600
<v Speaker 2>Yay. The next episode we have next week is called one.

0:47:05.600 --> 0:47:08.359
<v Speaker 1>For the Dog, well for the dog, bitch, and.

0:47:08.320 --> 0:47:10.560
<v Speaker 2>I think we're talking about the dog that Becky Beck

0:47:10.760 --> 0:47:15.040
<v Speaker 2>just sh yes. Gladiators, We're so happy that you tuned in.

0:47:15.280 --> 0:47:20.040
<v Speaker 2>I hope you loved hearing from Darby Lee STANSFIELDO.

0:47:23.760 --> 0:47:27.120
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:47:27.440 --> 0:47:31.040
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends, rate,

0:47:31.200 --> 0:47:32.120
<v Speaker 1>or leave us a review.

0:47:32.280 --> 0:47:36.200
<v Speaker 2>Scandal is executive produced by Sandy Bailey, alex Alcea, Lauren Homan,

0:47:36.560 --> 0:47:40.279
<v Speaker 2>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:47:40.400 --> 0:47:43.160
<v Speaker 2>Vince de Johnny, with music by Chad Fisher.

0:47:43.400 --> 0:47:46.319
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:47:46.360 --> 0:47:48.600
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:47:48.800 --> 0:47:51.200
<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

0:47:51.280 --> 0:47:55.600
<v Speaker 2>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:47:55.600 --> 0:48:05.400
<v Speaker 2>the iHeartRadio app or anywhere you subscribe to your favorite shows.