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Speaker 1: Forever.

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Speaker 2: Hey guys, Hi Sydney, welcome to whatever what do we

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Speaker 2: call this?

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Speaker 3: The unofficial Expert podcast? Whow I haven't.

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Speaker 2: Done that in a long You do it every week? No,

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Speaker 2: I don't do that every week. Sydney is like, welcome

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Speaker 2: to the Unoficial Expert. I'm Sydney Elizabeth Washington, and this

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Speaker 2: is my colleague Marie Elizabeth Foston.

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Speaker 3: That's not true. Here's my actually colleague, Marie Sidney. I

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Speaker 3: see you. You went. You out a little ratitude shirt

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Speaker 3: on today. Dude. It's a black and white striped shirt.

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Speaker 2: This is very like Parisian but also like I will

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Speaker 2: rob you little burg Okay, no, this is Burglar's in

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Speaker 2: like the twenties. You like, this is not not anymore?

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Speaker 2: Oh no, no, not anymore. No, I'm reminiscent, you know. Yes,

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Speaker 2: I'm a TVT.

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Speaker 3: Yes, that's great. Look I'm glad they were on the

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Speaker 3: same page this morning. How are you doing? You had great?

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Speaker 3: You look great? You got your like house but also

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Speaker 3: outside face. I love it.

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Speaker 2: Well, my house face is my outside faces because you know,

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Speaker 2: I don't like wearing makeup because she doesn't need it.

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Speaker 3: You don't need it.

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Speaker 2: Maybe it's made and I got up this morning and

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Speaker 2: I was looking in the mirror at the bathroom and

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Speaker 2: I was like.

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Speaker 3: I am really pretty.

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Speaker 2: It was like crazy, how long it took me to

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Speaker 2: realize that? And thank you so much for actually, no,

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Speaker 2: you're welcome for all the people who've ever met me

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Speaker 2: in real life or seen any of my photos.

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Speaker 3: Okay, so what's going on? Anything new? You thriving? I said, yes,

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Speaker 3: I'm thriving. Friend, let's talk about this.

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Speaker 2: Okay, So this week I was an expert at living

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Speaker 2: by myself because my roommate is going for a week.

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Speaker 2: And listen, you have not lived until you live by yourself.

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Speaker 2: And you're only still paying half the rent because she's gone.

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Speaker 2: And like a person who lives alone, I am naked

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Speaker 2: all the time at my house now, like like when

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Speaker 2: I get in the house, I'm naked. Like I get

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Speaker 2: in and I take my penties off before I take

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Speaker 2: off my shoes. What I live in a house where

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Speaker 2: you I took your shoes off, but now just naked

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Speaker 2: on the couch. Just today's in the fridge, just stalker's

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Speaker 2: got something to jerk off to sis like in the

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Speaker 2: wild the windows, smogging weed with the light on, just backlit.

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Speaker 2: Just oh my god, Wow, I'm gonna just stroll by

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Speaker 2: the corve.

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Speaker 3: Gorgeous. I just want to get to know you better. Friend.

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Speaker 2: Today, I was home, you know, naked on my couch,

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Speaker 2: just like on Twitter, and somebody was talking to my

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Speaker 2: mom on speakerphone and somebody was knocking on the door

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Speaker 2: and I was like, well, I'm not expecting guests. Also

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Speaker 2: I'm naked, and I was like who is it? And

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Speaker 2: they were like inspection because I wasn't gonna open the door.

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Speaker 2: But I was on the phone with my loud ass

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Speaker 2: Haitian mom, so I knew they could hear me.

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Speaker 3: So I had a you know, I had you had.

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Speaker 2: To throw at a little long shirt on that you

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Speaker 2: like hold like this like at the neck, okay, and

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Speaker 2: then at the door like, Hi, my shit is messy

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Speaker 2: because whenever somebody comes to the door, I'll just throw

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Speaker 2: a towel on.

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Speaker 3: I have a bonnet on, I have stats.

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Speaker 2: I look crazy. Yeah, I have a towel. It looks

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Speaker 2: like I took a shower, but I'm it's.

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Speaker 3: Just the house.

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Speaker 2: It's just the towel for company, yeah, or the coum

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Speaker 2: towel whatever you wrap your body and the gips of

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Speaker 2: all y'all doing wa washcloth or hand towels your whole

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Speaker 2: body a full come down, a.

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Speaker 3: Different type of lesbian you know. Oh my god, John,

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Speaker 3: that must be just so moist trip trip. Is it

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Speaker 3: the towel that you lay? Is it the wet spot towel?

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Speaker 3: I think so? The sham wollness sop it up? Wow?

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Speaker 3: The podcast biscuit, the basket towel, the podcast.

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Speaker 2: Is real nasty twenty nineteen. Now you know Sydney, so

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Speaker 2: you wet spot? It looked like a tide situation opened

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Speaker 2: the door for the FedEx man. Yes, and every time

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Speaker 2: I like, I love it that it's the same dude

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Speaker 2: because he just gets it, Like he don't even look

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Speaker 2: at me crazy since that's his requested route. Now he's like,

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Speaker 2: what's some freaky chip with a soggy towel and three.

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Speaker 3: Bit nah nah?

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Speaker 2: He like Auntie lit up in here, you know, because

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Speaker 2: I have my bonnet on it. Like, why is it

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Speaker 2: three pm and you still look like it's morning time?

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Speaker 3: Do you open the door naked?

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Speaker 2: For like the church ladies that knock on the door,

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Speaker 2: like the Jehovah's Witness ladies.

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Speaker 3: We don't open the door for them.

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Speaker 2: We just don't we blast the music and be like,

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Speaker 2: I just don't hear the knocking.

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Speaker 3: I just screamed from the couch. Not interested in Jesus today, Marie.

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Speaker 3: And that's not true. You're interested in Jesus always.

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Speaker 2: But I'm just there to couch and that you talk

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Speaker 2: to me like you're gonna give me a pamphlet and

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Speaker 2: just hey, sister, we just want to talk to you

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Speaker 2: about the world.

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Speaker 3: No, sim no, how about you follow me on the ground.

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Speaker 3: Oh have you have you given your ladies.

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Speaker 2: Don't have Instagram anyway? That was what I was an

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Speaker 2: expert in this week is just like living my best

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Speaker 2: no roommate life.

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Speaker 3: Yeah, and when she gets back, you don't gonna be

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Speaker 3: pissed off.

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Speaker 2: Well, the thing about roommates is, you know, I haven't

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Speaker 2: had one in so long.

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Speaker 3: Hilarious. What's a room? Got nine cats and y'all share

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Speaker 3: one bathroom? So that's a lie.

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Speaker 2: My cats don't even really care for me that much.

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Speaker 2: They like put up with me. They're like, oh, you're here,

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Speaker 2: I guess, but like, yeah, they're they just look over

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Speaker 2: me and make sure that I'm okay.

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Speaker 3: But I haven't had a roommate in five years. So like,

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Speaker 3: you know, I mean.

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Speaker 2: I feel like the way you're saying this is leading

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Speaker 2: the listeners on, it's making you, it's making you sound

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Speaker 2: richer than me.

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Speaker 3: I'm definitely not.

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Speaker 2: But I'm just saying like a roommate, meaning like I'm

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Speaker 2: not intimate with this person.

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Speaker 3: And when I had a roommate.

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Speaker 2: When I had a roommate, I we worked at the

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Speaker 2: same place, we hung out at the same places.

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Speaker 3: We were with each other all the time. We would

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Speaker 3: bicker about any little thing. That's good word we have

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Speaker 3: heard that in a long time.

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Speaker 2: Oh, we were bigger, we were golden girls at nightclubs.

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Speaker 2: We would just be arguing about dumb shit, like oh

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Speaker 2: you ate the last Trader Joe's pizza, Like you never

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Speaker 2: cleaned the forks, like just dumb shit.

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Speaker 3: I feel like both of y'all were not cleaning nothing

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Speaker 3: in that house.

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Speaker 2: No, no, no, no no. My friend was very polish, very

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Speaker 2: like old school.

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Speaker 3: She was very cleose. So she was yelling at you

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Speaker 3: for not clean. Okay, great, that makes sense, Sydney. Maybe

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Speaker 3: resolution for the new year should be to clean. You

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Speaker 3: know what, I think I could do that.

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Speaker 2: Okay, I think I'm gonna do that I'm gonna get

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Speaker 2: you some yellow sexy mom doors or to get enough

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Speaker 2: money that I can get a what made.

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Speaker 3: When was the last time you cleaned the bathroom? Like

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Speaker 3: scrub the tub?

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Speaker 2: Well?

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Speaker 3: Yours? Were you gonna put me on a spot like this?

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Speaker 3: I like clean? Was in the White House when you

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Speaker 3: last cleaned the bath like clean? Like where the crowd

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Speaker 3: is and stuff? I got? You don't even sis? You

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Speaker 3: know we're gonna pray for you. I think I could

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Speaker 3: like two months ago, uh huh? Which no, the judges

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Speaker 3: are saying no, they said two months maybe definitely clean

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Speaker 3: the tub with what? Just walk us through the process

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Speaker 3: real quick, okay? Oxy clean? Oxy clean?

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Speaker 2: Oh my god, Sydney, you sound like my first white

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Speaker 2: roommate who clean shut up? And she used to use

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Speaker 2: that like myers like cleaning, So so I did use

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Speaker 2: that for cleaning. Handsome, you be scribbing the tub with hands.

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Speaker 2: You probably don't have no fabuloso at the house. I

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Speaker 2: axert in this we use am Well products.

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Speaker 3: So how dare you am way? Oh yeah, that's whatever

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Speaker 3: you call it. Well, you know you do what you can. Okay,

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Speaker 3: what was I expert in this week? Hmmm?

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Speaker 2: Oh, I've been reaching out to people that haven't spoken

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Speaker 2: to in a long time.

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Speaker 3: For money. No, I just want to touch base.

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Speaker 2: You got to touch base because it's a new year,

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Speaker 2: and you're like, listen, I have old friends, I have

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Speaker 2: new friends, and I have friends that I have to

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Speaker 2: to get back up with. And so that's what I've

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Speaker 2: been doing. I've been reaching out, Hey, how you doing?

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Speaker 2: I mean I've been looking at their Instagram and it's like, oh,

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Speaker 2: it looks like you came into some money.

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Speaker 3: How are you doing? Wow, yeah, exactly what I thought

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Speaker 3: you were doing.

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Speaker 2: No, that's not what you're No, I'm actually checking on

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Speaker 2: people to make sure everyone's okay for the for the

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Speaker 2: new what's their plans? I want to know what people

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Speaker 2: plans are because I know where I think I want to,

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Speaker 2: where I want to be, and what I want to do.

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Speaker 2: But also it's cool to check in and be like.

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Speaker 3: So, what what are you doing this year?

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Speaker 2: What do you?

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Speaker 3: Hey?

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Speaker 2: Girls, see that you got fat?

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Speaker 3: How y'all doing? He still cheating? You think about, you know,

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Speaker 3: getting married, traveling.

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Speaker 2: I have a friend that is in what's that school

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Speaker 2: where you are going to be?

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Speaker 3: Like working at a spa spa school.

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Speaker 2: No, it's not spot school, but we'll call it Spa

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Speaker 2: school for now.

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Speaker 3: But she's in that.

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Speaker 2: And I ended up getting a facial from her. My

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Speaker 2: old roommate actually shout out to Roxy, Hey boo, she

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Speaker 2: got me a facial.

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Speaker 3: And she cleans the house and cleans your face. Oh

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Speaker 3: my god. It was great.

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Speaker 2: And she was just letting me know, like, oh my,

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Speaker 2: your skin is still amazing.

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Speaker 3: I'm like, see, that's why you got to check in

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Speaker 3: with people. She knew me for years.

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Speaker 2: You went on her Instagram, saw that she was in

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Speaker 2: SPA school, and you were like, let me see if

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Speaker 2: I can she could pencil me in for a quick facial.

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Speaker 3: Ah.

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Speaker 2: Yeah, that's exactly what happened. But you know I would

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Speaker 2: some say using, and I say it's rekindling.

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Speaker 1: M h.

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Speaker 3: Who else have you reached out to?

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Speaker 2: Anybody else? Somebody with a like a boutique or like

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Speaker 2: a that sells hair bundles. No. I reached out to

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Speaker 2: another friend because it seemed like she moved and come

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Speaker 2: to find out, her and her girlfriend broke up. They

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Speaker 2: were together for seven years and they broke up out

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Speaker 2: of nowhere and she had to get her shit together

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Speaker 2: and move and find another place. And I'm like, Wow,

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Speaker 2: you had enough money to get it together in a

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Speaker 2: couple of weeks.

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Speaker 3: Wow, that's what grown ups do.

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Speaker 2: Sid They they have funds and they save money and

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Speaker 2: put money aside, and then when it happens, they just

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Speaker 2: they can leave.

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Speaker 3: They gotta they got a go bag. Listen.

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Speaker 2: I would have to be in a shelter. I would

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Speaker 2: have to be in a hostel. How much is a

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Speaker 2: hostel night? I would be like, Yo, that's still like

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Speaker 2: a hostel is nine dollars plus your life?

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Speaker 3: Oh okay, I think I have that. I will get

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Speaker 3: murdered if you stay at a hostile I think that's

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Speaker 3: what I'm doing for the year. You ready to die

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Speaker 3: in twenty nineteen?

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Speaker 2: Absolutely, you know what I feel like? Hostiles are very hostile. No,

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Speaker 2: they're very community based. So they yeah, because you share everything.

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Speaker 2: People put through your bag, they use your toothbrush, they like,

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Speaker 2: they use your condoms. Like, it's community based and it's

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Speaker 2: bunk beds. Probably I've never stayed at the hospital. Don't

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Speaker 2: judge a bunk bed by its cover. You know, there's

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Speaker 2: some great mattresses on it.

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Speaker 3: Would you date somebody? Like, what would you do?

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Speaker 2: You know what, let's just ask the guest this because

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Speaker 2: I got real questions. Let's get this episode really and

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Speaker 2: truly underway. Yes, we have a light skinned.

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Speaker 1: Gold gold short king.

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Speaker 3: Presence. I mean he.

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Speaker 2: Is iconic and legendary in his own rights. He's written

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Speaker 2: for Big Mouth on Netflix. Okay, come on, he's the

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Speaker 2: newest correspondent on The Daily Show.

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Speaker 3: Okay, we know.

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Speaker 2: People, you know people, and he's our cautation boss expert.

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Speaker 3: Give it up for Jabuki Young.

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Speaker 1: Thank you for having me on your boots.

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Speaker 3: Your skin is glowing, well, thank you. Your curls are popping.

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Speaker 1: Thank you.

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Speaker 3: What are you using for the curls?

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Speaker 1: Diva curl?

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Speaker 3: Okay, she's got money.

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Speaker 1: That's always reaction. That's not for plas. It does last

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Speaker 1: a long time. I will say a little bit of

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Speaker 1: that cream lasts a long time.

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Speaker 3: But now do you go there to get your hair cut? Also?

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Speaker 1: No you do? Yeah no, I mean I'll just like

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Speaker 1: go to a barber and like I'll just take a

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Speaker 1: curl cut it because that's all they do. I went

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Speaker 1: there once and they really went like a nice like

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Speaker 1: snip snip snip sip barbership.

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Speaker 2: Yeah it's not no, no, no, no, Diva curl like the

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Speaker 2: shop no. I was like, you go to the Dominican

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Speaker 2: girls individual. I could see you in like a Dominican salon.

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Speaker 3: They would love.

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Speaker 1: That's usually I try to go because I stay with

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Speaker 1: like a nice auntie haircut. That's when I try to go. Yeah,

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Speaker 1: long at the top, like it's like.

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Speaker 2: A little flappy situation, exactly like a closeted auntie, like

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Speaker 2: on Thanksgiving, Like, oh, you know, just bring my friend like.

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Speaker 3: Queen Latifa in every role she did in the nineties.

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Speaker 1: Oh, my soft butch queens, my icons. That's where I

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Speaker 1: get my style.

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Speaker 3: From soft but Queen.

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Speaker 2: Now, before we introduced you, I was getting ready to

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Speaker 2: ask a new question.

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Speaker 3: But I'm going to ask it to you.

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Speaker 2: What would you do if you were on a date

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Speaker 2: with somebody and they took you home and they had

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Speaker 2: a bunk bed and.

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Speaker 3: He's been through it.

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Speaker 2: I see it does, but I'm just thinking, are they

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Speaker 2: top or bottom bunk?

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Speaker 3: Top bunk?

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Speaker 1: It can't happen. You can't New York. There's no way

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Speaker 1: you have that much ceiling space. If you're at the

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Speaker 1: top bunk in New York City, you.

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Speaker 3: Just like hunched a little bit. If it's a loft bed,

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Speaker 3: bunk bid and.

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Speaker 1: Then it's also like because the whole time, I'll be like,

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Speaker 1: why can't we just use the bottom bunk bed and like, well,

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Speaker 1: my roommate like.

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Speaker 3: No, don't get the dick card.

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Speaker 2: They don't get the dick card at all, your roommate, No,

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Speaker 2: it just recoils the dick.

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Speaker 3: You're like, oh, you know what you can be like

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Speaker 3: and then you.

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Speaker 2: Check your you check your uber app and you're like,

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Speaker 2: what is this surg hard just on the top?

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Speaker 1: I mean.

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Speaker 3: I got eighteen and a half minutes.

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Speaker 2: I mean I've been I've been to loft bed Like

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Speaker 2: you can't even stand all the way up sometimes, like

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Speaker 2: you you walk up these little stairs to get to

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Speaker 2: this loft and then you're like, I guess and I'm

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Speaker 2: not tall, so if I can't stand, Like what, what

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Speaker 2: dude am I with that sleeps there like he's smaller

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Speaker 2: than me. I was gonna say, you're so young, like

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Speaker 2: you're I feel like you could do a bunk bed.

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Speaker 1: You know, I do have the capability. I could. I'm

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Speaker 1: flexible enough.

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Speaker 3: Are you in yoga?

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Speaker 4: Yeah?

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Speaker 1: I mean yoga. I do yoga with yoga heavy gotta

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Speaker 1: stay limber, you know. I mean I've done lofted, so

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Speaker 1: I know I could do it. I just think on

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Speaker 1: principal there's a difference between loft and bunked.

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Speaker 3: Yes, yeah, because it's a different likeferent.

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Speaker 1: Artists and it's like I'm putting up with all of

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Speaker 1: your artistic quirks right now. But bunk bed it's like

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Speaker 1: what am I bunk?

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Speaker 3: But is like okay, well he gonna give me pizza

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Speaker 3: bagels in the morning, yes, which is you know, a

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Speaker 3: pizza bagel. I love a pizza bagel.

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Speaker 2: But it also gives you like mixtape vibes, like, oh,

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Speaker 2: he's his studios deafinitely in the bathroom right.

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Speaker 3: No, I've never dated a dude the music in his

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Speaker 3: host I did. I lost my virginity to someone that

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Speaker 3: has studio in the bathroom. They had like the eggshell

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Speaker 3: crate things, yeah, the sock over the mic. Yeah this.

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Speaker 3: So you two have met somebody who was like, oh,

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Speaker 3: I'm going to Germany for rap.

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Speaker 1: To Germany that because the scene is so big there.

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Speaker 3: Yes, he said that he took my virginity and then

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Speaker 3: he said.

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Speaker 1: And took it to Germany.

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Speaker 3: Yeah.

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Speaker 2: Oh yes, he's like, oh you know, I'm actually going

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Speaker 2: to be moving to Germany in two weeks and then

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Speaker 2: what happened to weeks? And then I saw him two

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Speaker 2: weeks on the two train and I was like, wow,

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Speaker 2: I guess Germany is in Brooklyn.

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Speaker 3: He was like, I met Germany Bushwick. Yeah, it's a

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Speaker 3: Germany streaked.

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Speaker 1: No, it's actually a girl named Germany that.

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Speaker 2: We're talking about music, JABOOKI, what's your favorite type of music?

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Speaker 1: My favorite type of music? Huh? I would say I

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Speaker 1: listened to. The thing I listened to the most is

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00:15:34,040 --> 00:15:37,840
Speaker 1: probably indie like pop music like Okay who You? An example,

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Speaker 1: Beach House is probably my favorite band of all time.

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Speaker 3: What's their number one?

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Speaker 1: The number one Spotify? There was this one song that

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00:15:45,480 --> 00:15:48,080
Speaker 1: I think Kendrick sampled that is their number one?

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00:15:48,560 --> 00:15:51,680
Speaker 3: And what's the song? Can you sing it?

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00:15:51,320 --> 00:15:54,960
Speaker 1: You know? It's very like like just like and it's

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Speaker 1: like dreamy and like it's not really lyrics. It's more

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Speaker 1: so like the Okay you drugs?

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Speaker 2: I'm like acid sounds like acid because that's the type

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00:16:04,440 --> 00:16:06,520
Speaker 2: of music that I've kind of been enjoying recently. Is

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Speaker 2: the vibe of the song like won't like somebody? Do

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00:16:09,800 --> 00:16:14,520
Speaker 2: you know Claire Brown or Claii Brown? I got a

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Speaker 2: whole playlist that's just like a vibe.

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00:16:16,800 --> 00:16:20,080
Speaker 1: But it's either indipop or like R and b uh,

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Speaker 1: but like newer kind of stuff like uh, like this

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00:16:23,760 --> 00:16:25,240
Speaker 1: is a you know that brand.

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Speaker 3: You don't have no music soul Child and your I have.

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Speaker 1: That's reserved from when I'm cooking. That's like the Eric

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Speaker 1: music soul Child Maxwell. That's like, you know, I'm like

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Speaker 1: making someone with some love. You know.

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Speaker 3: That's like my So what's your cleaning music?

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Speaker 1: My cleaning music has got to be up like Playboy

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00:16:43,520 --> 00:16:46,560
Speaker 1: CARDI like Little Uzzy. Really I need motivation.

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00:16:46,920 --> 00:16:50,080
Speaker 2: I feel like my cleaning music is like throwback R

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Speaker 2: and B. So your cooking music is.

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Speaker 3: My cleaning music?

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00:16:52,200 --> 00:16:56,200
Speaker 2: Yes, yeah, yeah, My cooking music is usually Wendy Williams

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00:16:56,200 --> 00:16:59,160
Speaker 2: because that's when I watch her show, because I get my.

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Speaker 3: Celebrity news from any Williams.

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Speaker 2: Yeah. I don't want to listen to music or watch

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00:17:03,360 --> 00:17:06,520
Speaker 2: TV or anything. I need to focus. Did you just

387
00:17:06,560 --> 00:17:08,919
Speaker 2: say while you're cooking? Yeah, because the fans want to

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00:17:08,920 --> 00:17:10,000
Speaker 2: know when the last time you cook?

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Speaker 3: Wow? Are you staying me on last?

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00:17:13,960 --> 00:17:16,520
Speaker 2: I mean you you you said when I'm cooking in

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Speaker 2: twenty nineteen.

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Speaker 3: I thought you was gonna be uplifting me.

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00:17:18,920 --> 00:17:21,840
Speaker 2: Sis, listen, if your friends are not uplifting you and

394
00:17:21,920 --> 00:17:24,439
Speaker 2: dragging you at the same time, do you even have friends? Like?

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00:17:24,720 --> 00:17:26,840
Speaker 2: You know? But okay, but let's get back this. Okay,

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00:17:26,840 --> 00:17:29,240
Speaker 2: that's time you cooked. When's the last time I was it?

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Speaker 2: Right around the time you clean. I'm gonna cook this

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Speaker 2: and then I'm clean out of this house. I was like,

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Speaker 2: I'm gonna clean the tub and then I'm gonna make

400
00:17:39,800 --> 00:17:43,440
Speaker 2: me some spaghetti. Uh No, I actually need to pay

401
00:17:43,480 --> 00:17:46,840
Speaker 2: attention when I'm cooking because I don't cook frequently, so

402
00:17:46,920 --> 00:17:49,320
Speaker 2: I have to, you know, feed the ingredients, make sure

403
00:17:49,359 --> 00:17:51,200
Speaker 2: I have everything, make sure I don't cut my finger.

404
00:17:51,440 --> 00:17:53,440
Speaker 2: You are right on, so I like silence.

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Speaker 1: I like that I've busted my finger offen so many

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00:17:55,880 --> 00:17:56,520
Speaker 1: times cooking.

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00:17:56,840 --> 00:17:58,240
Speaker 2: Let's talk about it. Well, you know you got to

408
00:17:58,280 --> 00:18:00,640
Speaker 2: you gotta hold it. You gotta like tuck fingers when

409
00:18:00,680 --> 00:18:02,320
Speaker 2: you cut right, you be cutting?

410
00:18:03,160 --> 00:18:05,480
Speaker 3: Yeah, that's me, you cut me shot.

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00:18:07,200 --> 00:18:09,480
Speaker 2: That's why you can't be watching these cooking shows because

412
00:18:09,480 --> 00:18:12,800
Speaker 2: they these these professional chefs make it look you'd be like, okay,

413
00:18:13,720 --> 00:18:16,320
Speaker 2: learn how to cut some green onions or some chives.

414
00:18:16,359 --> 00:18:18,600
Speaker 2: I don't know, whatever. The long green thing is is

415
00:18:18,600 --> 00:18:19,639
Speaker 2: that schibes a green onion?

416
00:18:19,680 --> 00:18:20,240
Speaker 1: Green?

417
00:18:20,560 --> 00:18:23,920
Speaker 3: Yeah, green scallions? What's a skeleton? I feel like that's

418
00:18:23,960 --> 00:18:25,040
Speaker 3: the Greening's the same thing?

419
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Speaker 2: Do you be cooking this every day of the week?

420
00:18:28,359 --> 00:18:33,240
Speaker 2: My guess bill was forty seven dollars. This forty seven

421
00:18:33,280 --> 00:18:36,240
Speaker 2: American dollars. Wait, so what music do you listen to

422
00:18:36,440 --> 00:18:38,000
Speaker 2: when you're writing? Because you write a lot.

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00:18:38,040 --> 00:18:39,919
Speaker 1: When I'm writing, I will pick like one song and

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00:18:40,000 --> 00:18:41,359
Speaker 1: listen to it over and over.

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00:18:41,680 --> 00:18:44,439
Speaker 3: Really, do you think that's on some cycle shit or

426
00:18:44,480 --> 00:18:47,400
Speaker 3: like it sounds like it sounds like you think because I.

427
00:18:47,320 --> 00:18:49,760
Speaker 2: Listened to the same song over and over and over.

428
00:18:49,840 --> 00:18:52,160
Speaker 2: If I love it, I will listen to it half

429
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Speaker 2: the day.

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Speaker 1: I think it's like some psychle shit. Yes, But it's

431
00:18:55,560 --> 00:18:58,159
Speaker 1: also like, specifically when I'm working, if I listen to

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00:18:58,200 --> 00:18:59,560
Speaker 1: the same song over and over and over again, it

433
00:18:59,560 --> 00:19:00,960
Speaker 1: gets to the point where it's just in my head

434
00:19:00,960 --> 00:19:03,160
Speaker 1: and I'm not thinking about the song anymore, but it's

435
00:19:03,200 --> 00:19:04,480
Speaker 1: like still stimulating.

436
00:19:04,560 --> 00:19:06,000
Speaker 3: You know. You know what song does that for me?

437
00:19:06,320 --> 00:19:12,040
Speaker 3: Cautious Clay Cold. Have you heard this song? No?

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00:19:13,840 --> 00:19:15,919
Speaker 2: That was my number one most listened to song in

439
00:19:16,040 --> 00:19:19,040
Speaker 2: twenty eighteen cause I just and I find something that

440
00:19:19,040 --> 00:19:20,280
Speaker 2: I like and I listen to it on a loop.

441
00:19:20,320 --> 00:19:22,360
Speaker 2: But when I'm doing work and stuff, I'll be like Alexa,

442
00:19:22,880 --> 00:19:24,640
Speaker 2: and I'll ask for like an album, and then I'll

443
00:19:24,680 --> 00:19:26,480
Speaker 2: be like Volume.

444
00:19:26,160 --> 00:19:28,520
Speaker 3: Six so that I'm not really hearing he and I be.

445
00:19:29,200 --> 00:19:33,080
Speaker 3: Then I'll be like Volume eight. Well, the thing is.

446
00:19:33,160 --> 00:19:35,200
Speaker 2: Is like I live right near the train, so if

447
00:19:35,240 --> 00:19:37,320
Speaker 2: I need some background noise, I got that. I got

448
00:19:37,320 --> 00:19:40,639
Speaker 2: the jam, I got the like I can hear it,

449
00:19:40,680 --> 00:19:44,240
Speaker 2: and I don't like train noise when I like music.

450
00:19:44,600 --> 00:19:47,320
Speaker 3: Like the other day yesterday, my headphone stopped working and

451
00:19:47,359 --> 00:19:47,880
Speaker 3: I was like.

452
00:19:48,119 --> 00:19:50,200
Speaker 2: Fuck, I just gotta listen to this dude talk about

453
00:19:50,240 --> 00:19:53,320
Speaker 2: his cat yeah real loud with his girlfriend.

454
00:19:53,400 --> 00:19:55,280
Speaker 3: I was like, oh my god, my neighbors thing.

455
00:19:55,280 --> 00:19:58,440
Speaker 2: I'm crazy because I will play the same song on

456
00:19:58,480 --> 00:20:00,440
Speaker 2: the speaker all day.

457
00:20:00,480 --> 00:20:05,200
Speaker 3: What's what's your favorite song currently? Okay, let me let's see.

458
00:20:05,920 --> 00:20:08,840
Speaker 2: It was a Mac Miller song self Care.

459
00:20:09,080 --> 00:20:11,560
Speaker 3: I like. I like Miller. I don't I ever listened

460
00:20:11,560 --> 00:20:12,600
Speaker 3: to any of his songs.

461
00:20:12,720 --> 00:20:16,200
Speaker 2: His last album was really good, and I was like, damn,

462
00:20:16,240 --> 00:20:17,720
Speaker 2: I wish I would have got into them before you

463
00:20:17,760 --> 00:20:18,359
Speaker 2: passed away.

464
00:20:18,560 --> 00:20:20,360
Speaker 3: I mean, you know, you go back to the archives.

465
00:20:20,480 --> 00:20:23,720
Speaker 2: Yeah, no, it was really really self Care. Yeah, self Care,

466
00:20:24,840 --> 00:20:27,520
Speaker 2: it's I feel like that's a vibe song too. Yeah,

467
00:20:28,359 --> 00:20:30,600
Speaker 2: so put that clip in there to forever. No, we

468
00:20:30,640 --> 00:20:32,080
Speaker 2: don't have the right stand of the song.

469
00:20:32,200 --> 00:20:34,640
Speaker 3: Don't put it right. You're right, you're right, self Care.

470
00:20:35,440 --> 00:20:38,600
Speaker 2: I want to talk about Caucasian bops now, when we

471
00:20:38,640 --> 00:20:41,520
Speaker 2: think of those I think when you said that, I

472
00:20:41,720 --> 00:20:44,199
Speaker 2: thought kids bop Like I would see those commercials as

473
00:20:44,200 --> 00:20:45,880
Speaker 2: a kid, and it was like it would be these

474
00:20:45,920 --> 00:20:50,000
Speaker 2: little white voices covering like top one hundred songs.

475
00:20:50,320 --> 00:20:52,520
Speaker 3: Right, So, what's your like in your mind? What is

476
00:20:52,520 --> 00:20:54,880
Speaker 3: a Caucasian bob? Was a classic white people song?

477
00:20:55,119 --> 00:20:59,000
Speaker 1: Come on, I don't know what that is. Yeah, that's

478
00:20:59,040 --> 00:21:01,000
Speaker 1: a classic Caucasian. But what's another classic cauca?

479
00:21:01,440 --> 00:21:03,359
Speaker 3: Hey there, Delilah.

480
00:21:04,200 --> 00:21:05,280
Speaker 1: Caucasian bops?

481
00:21:05,640 --> 00:21:12,400
Speaker 2: Sweet Caroline, Sweet Caroline Carola. Yeah, yeah, it's their back

482
00:21:12,480 --> 00:21:17,000
Speaker 2: that ass up, that's their bad. I've been trying to

483
00:21:17,119 --> 00:21:21,560
Speaker 2: like accumulate all of these because they get so unnoticed.

484
00:21:21,080 --> 00:21:24,560
Speaker 1: Because they're just like so like ubiquitous. They're just a

485
00:21:24,600 --> 00:21:27,159
Speaker 1: part of the culture that it's just like we forget

486
00:21:27,240 --> 00:21:27,639
Speaker 1: about it.

487
00:21:27,680 --> 00:21:30,240
Speaker 3: Do you know what the Journey Midnight Train.

488
00:21:30,160 --> 00:21:33,159
Speaker 1: Song, right right, right, Don't Stop Believing It is that the.

489
00:21:33,160 --> 00:21:38,520
Speaker 3: Name of Don't Stop Believe That is about car song.

490
00:21:38,960 --> 00:21:42,320
Speaker 2: When they play that in the bar or the club,

491
00:21:42,440 --> 00:21:46,240
Speaker 2: it's like, it's usually two thirty two thirty three am.

492
00:21:46,320 --> 00:21:48,440
Speaker 3: It's like, is that there is that their candy rain

493
00:21:48,480 --> 00:21:51,120
Speaker 3: that means the night is away? Yeah?

494
00:21:51,119 --> 00:21:52,960
Speaker 2: I think so, it's not all the way over. But

495
00:21:53,000 --> 00:21:55,080
Speaker 2: it's like you should be rapping. You should have your

496
00:21:55,119 --> 00:21:59,040
Speaker 2: bitch already. You should have already done like a couple

497
00:21:59,160 --> 00:22:01,280
Speaker 2: yeagermeisterer mom.

498
00:22:01,200 --> 00:22:01,760
Speaker 3: Yeah, youager.

499
00:22:01,800 --> 00:22:04,240
Speaker 2: Mom's like, you shouldn't be just starting your night when

500
00:22:04,240 --> 00:22:06,000
Speaker 2: you hear that song. You didn't fucked up. If you

501
00:22:06,040 --> 00:22:08,320
Speaker 2: heard that song and you haven't got it cracking.

502
00:22:08,040 --> 00:22:11,719
Speaker 3: Oh my god. That's so you should already have your

503
00:22:15,840 --> 00:22:18,440
Speaker 3: cannot the title wait not to be merch merch on

504
00:22:18,480 --> 00:22:22,480
Speaker 3: the T shirt merch Okay? So what else?

505
00:22:22,520 --> 00:22:22,600
Speaker 2: Like?

506
00:22:22,640 --> 00:22:25,920
Speaker 3: Why why are you fans of this news?

507
00:22:26,200 --> 00:22:27,919
Speaker 1: I do some of them, I do sincerely like, and

508
00:22:27,920 --> 00:22:29,639
Speaker 1: then some of them I think are trash, but like

509
00:22:29,680 --> 00:22:31,120
Speaker 1: them because.

510
00:22:30,920 --> 00:22:31,360
Speaker 3: You're so bad.

511
00:22:31,400 --> 00:22:32,719
Speaker 1: Yeah, I like them because they're so bad. But I

512
00:22:32,720 --> 00:22:35,600
Speaker 1: also like calling it a Caucasian bop because it, like

513
00:22:36,400 --> 00:22:38,960
Speaker 1: otherwises it in a way that like R and B

514
00:22:39,040 --> 00:22:41,040
Speaker 1: and like rap have been otherwise, you know what I mean?

515
00:22:41,320 --> 00:22:44,520
Speaker 1: It makes like mainstream music a special interest and I

516
00:22:44,640 --> 00:22:45,400
Speaker 1: like doing that.

517
00:22:45,680 --> 00:22:49,080
Speaker 3: You're good at that, You're good for that. I like, wait,

518
00:22:49,119 --> 00:22:49,959
Speaker 3: go ahead, what were you gonna say?

519
00:22:50,000 --> 00:22:52,400
Speaker 2: I was gonna say, but what's one that's like trash?

520
00:22:52,440 --> 00:22:55,960
Speaker 2: So you're like, how could people ever be on board with?

521
00:22:56,040 --> 00:23:04,800
Speaker 2: I feel like Queen, that's quins no mommy, so much

522
00:23:04,920 --> 00:23:08,480
Speaker 2: fucking going. Like I liked that song because I saw

523
00:23:08,480 --> 00:23:09,760
Speaker 2: the movie and I was like, I guess I like

524
00:23:09,800 --> 00:23:10,080
Speaker 2: the song.

525
00:23:10,119 --> 00:23:14,840
Speaker 1: Now I fuck with it Mercury, but it feels too musical,

526
00:23:15,000 --> 00:23:15,520
Speaker 1: like theater.

527
00:23:15,720 --> 00:23:18,400
Speaker 2: Yeah, like it was a night at the opera. Come guys,

528
00:23:18,480 --> 00:23:21,600
Speaker 2: obviously not dropping it low to that. You get White

529
00:23:21,600 --> 00:23:24,439
Speaker 2: people don't make music for you to drop it. Location

530
00:23:24,640 --> 00:23:27,560
Speaker 2: bo is just for you to like swing your arms

531
00:23:27,600 --> 00:23:33,240
Speaker 2: and toss your hair like you and Mikon Nosey.

532
00:23:31,680 --> 00:23:35,119
Speaker 3: Lindsay Lohan loves Lohan has some bops that song? Do

533
00:23:35,160 --> 00:23:38,359
Speaker 3: you know Bossy just a little bit?

534
00:23:38,840 --> 00:23:47,000
Speaker 1: You know, it's always like rumors.

535
00:23:44,480 --> 00:23:49,520
Speaker 2: Wait, Paris Hilton, stars are blind ye that it was

536
00:23:49,560 --> 00:23:51,800
Speaker 2: a moment I was gonna say, that's one of those

537
00:23:51,800 --> 00:23:53,640
Speaker 2: songs that trash.

538
00:23:54,680 --> 00:23:56,760
Speaker 3: It's a good song. It's too like it's like bonb

539
00:23:58,520 --> 00:23:59,879
Speaker 3: Yeah you got like that's what made it so like

540
00:24:00,240 --> 00:24:02,680
Speaker 3: nic friend. I mean, that's a strong word.

541
00:24:04,480 --> 00:24:06,960
Speaker 2: It's just weird that it was coming from her, That's

542
00:24:06,960 --> 00:24:09,280
Speaker 2: what I'm saying. Like, she doesn't remind me of like

543
00:24:09,920 --> 00:24:12,240
Speaker 2: Bonfire Dawson's Creek type ship.

544
00:24:12,359 --> 00:24:14,040
Speaker 3: She don't look like she'll throw it like a.

545
00:24:13,880 --> 00:24:18,040
Speaker 2: Like a big cable knit like a summer sweater on

546
00:24:18,119 --> 00:24:19,840
Speaker 2: and just like curl up in front of a firearm.

547
00:24:20,080 --> 00:24:22,800
Speaker 2: Not with that swoop bang. So sorry, not with that

548
00:24:22,840 --> 00:24:24,680
Speaker 2: blonde hair, that bleach blonde hair.

549
00:24:24,800 --> 00:24:25,160
Speaker 3: No way.

550
00:24:25,280 --> 00:24:25,720
Speaker 1: Hmmmm.

551
00:24:26,440 --> 00:24:28,560
Speaker 2: Her brother's having a hard time. Apparently he's like stalking

552
00:24:28,560 --> 00:24:29,240
Speaker 2: his ex girlfriend.

553
00:24:29,240 --> 00:24:32,000
Speaker 3: Wendy Wheeliams was doing me. Oh really, well, it happens.

554
00:24:32,080 --> 00:24:34,359
Speaker 3: His name is like Connor or something like that. Some trash.

555
00:24:34,800 --> 00:24:35,360
Speaker 3: It happens.

556
00:24:35,359 --> 00:24:37,720
Speaker 2: This is the time of year where you're like you're reflecting,

557
00:24:37,800 --> 00:24:38,359
Speaker 2: You're like.

558
00:24:38,320 --> 00:24:39,359
Speaker 3: What my old bids doing?

559
00:24:39,400 --> 00:24:39,679
Speaker 2: You know?

560
00:24:40,000 --> 00:24:43,000
Speaker 3: Let me took up Yeah, at.

561
00:24:42,840 --> 00:24:45,679
Speaker 2: Her house, he like tied a teddy bear to the

562
00:24:45,720 --> 00:24:47,120
Speaker 2: fence and was like I miss.

563
00:24:46,960 --> 00:24:50,080
Speaker 1: You, And it was like, oh no, okay, okay, maybe

564
00:24:50,080 --> 00:24:51,760
Speaker 1: the teddy bear on the ground, don't tie to the

565
00:24:52,960 --> 00:24:54,160
Speaker 1: like it's crazy.

566
00:24:55,119 --> 00:24:57,399
Speaker 3: A lot books. You've never been in a situation like

567
00:24:57,400 --> 00:24:59,480
Speaker 3: that where you're like, so doing.

568
00:24:59,440 --> 00:25:02,440
Speaker 2: With somebody, but I do it digitally. You know, I'll

569
00:25:02,480 --> 00:25:05,720
Speaker 2: digitally dig drive by, you know, if you have me blocked,

570
00:25:05,760 --> 00:25:07,800
Speaker 2: I'll create a second subarct account.

571
00:25:07,520 --> 00:25:09,600
Speaker 3: You know, you or when your friends you'll just check

572
00:25:09,600 --> 00:25:10,280
Speaker 3: from your friend's phone.

573
00:25:10,320 --> 00:25:12,200
Speaker 1: Yeah, exactly, exactly exactly.

574
00:25:12,160 --> 00:25:14,280
Speaker 2: But you've never been like, oh, I know where my

575
00:25:14,359 --> 00:25:17,800
Speaker 2: ex be hanging out, and I'm just going just, oh,

576
00:25:17,920 --> 00:25:18,960
Speaker 2: what are you doing here?

577
00:25:19,440 --> 00:25:23,880
Speaker 3: No? No, that's the behavior you was doing before. No, no, no,

578
00:25:23,920 --> 00:25:24,200
Speaker 3: no no.

579
00:25:24,359 --> 00:25:26,639
Speaker 2: I feel like my exes have done like that, like

580
00:25:26,680 --> 00:25:28,959
Speaker 2: they knew that I worked at this spot, What are

581
00:25:28,960 --> 00:25:30,720
Speaker 2: you doing here? Why are you trying to get a

582
00:25:30,800 --> 00:25:34,080
Speaker 2: job here? On top of that, yes, that definitely happened

583
00:25:34,119 --> 00:25:36,880
Speaker 2: to me. I had an X that hit me up, like, hey,

584
00:25:37,000 --> 00:25:40,000
Speaker 2: wondering if they're hiring over there. They're not hiring because

585
00:25:40,000 --> 00:25:43,800
Speaker 2: I work here. I DJ now I waitress and DJ no,

586
00:25:43,880 --> 00:25:50,359
Speaker 2: we're good, And then he ended up she don't I

587
00:25:50,400 --> 00:25:56,800
Speaker 2: know you? DJ was a catalog pres DJ, a French

588
00:25:56,880 --> 00:26:00,800
Speaker 2: DJ Oh my god, just very casual, but also shoveled. Okay,

589
00:26:00,840 --> 00:26:02,520
Speaker 2: you look like marvelous miss masl If.

590
00:26:02,600 --> 00:26:02,960
Speaker 3: She was.

591
00:26:06,280 --> 00:26:08,840
Speaker 2: Yeah, but he ended up getting a job there because

592
00:26:08,880 --> 00:26:09,719
Speaker 2: he knew the manager.

593
00:26:09,840 --> 00:26:11,920
Speaker 3: He put you down as a reference. Oh my god.

594
00:26:12,160 --> 00:26:14,160
Speaker 2: And then I had to work while he was DJing,

595
00:26:14,200 --> 00:26:16,000
Speaker 2: and I was like going up to people. I was like,

596
00:26:16,040 --> 00:26:18,399
Speaker 2: this music sucks, right, oh my god, we need to

597
00:26:18,480 --> 00:26:20,080
Speaker 2: change the mood or the DJ.

598
00:26:20,320 --> 00:26:23,520
Speaker 3: Was Was he a good DJ? No? Okay, so he

599
00:26:23,640 --> 00:26:26,040
Speaker 3: just he was definitely wasn't. So he wasn't playing Stars

600
00:26:26,040 --> 00:26:27,240
Speaker 3: Are Blind at all. He was not.

601
00:26:28,640 --> 00:26:30,800
Speaker 2: But he was playing like TV on the radio, which

602
00:26:30,800 --> 00:26:33,680
Speaker 2: is pretty decent and like Santo Gold and stuff like that.

603
00:26:33,840 --> 00:26:36,160
Speaker 3: But I don't know TV on the radio.

604
00:26:35,960 --> 00:26:38,800
Speaker 1: A little taste, little taste, little taste, you know, Yeah,

605
00:26:38,800 --> 00:26:39,680
Speaker 1: TV on the radio.

606
00:26:39,600 --> 00:26:43,280
Speaker 3: Yeah, little amuse bosh. I don't know on the radio.

607
00:26:43,440 --> 00:26:45,480
Speaker 1: Neither band projectors.

608
00:26:45,840 --> 00:26:46,000
Speaker 3: No.

609
00:26:46,119 --> 00:26:48,639
Speaker 2: Okay, y'all you just putting two words together and you're like,

610
00:26:48,960 --> 00:26:50,120
Speaker 2: you know SACKI microphone.

611
00:26:50,280 --> 00:26:53,120
Speaker 1: I'm like, do you know do you know the flip flop?

612
00:26:54,480 --> 00:26:56,359
Speaker 2: Do you know what ashy blacks? I'm like, I know

613
00:26:56,440 --> 00:26:59,879
Speaker 2: some ashy blacks, but no, Jabki, how are you? How

614
00:26:59,880 --> 00:27:03,639
Speaker 2: do you find new music? Because Spotify has opened it up,

615
00:27:03,680 --> 00:27:07,400
Speaker 2: so we know that there's literally five hundred million artists

616
00:27:07,400 --> 00:27:09,720
Speaker 2: out there and some people only have that one song,

617
00:27:10,800 --> 00:27:11,800
Speaker 2: But like, how.

618
00:27:11,640 --> 00:27:14,280
Speaker 1: Do you find It's hard? I mean everything is so

619
00:27:14,400 --> 00:27:16,720
Speaker 1: like based on the algorithm. Now it's hard to like

620
00:27:17,080 --> 00:27:21,240
Speaker 1: really naturally find some new ship. Mostly just like people

621
00:27:21,320 --> 00:27:23,120
Speaker 1: recommending stuff to me, like all the ship that you said,

622
00:27:23,119 --> 00:27:24,840
Speaker 1: I'm gonna go look up now, and then like if

623
00:27:24,840 --> 00:27:26,439
Speaker 1: I find someone, I really fuck with them, I'll look

624
00:27:26,480 --> 00:27:28,320
Speaker 1: at the like if you like this artist, you should

625
00:27:28,320 --> 00:27:29,560
Speaker 1: also got this artist.

626
00:27:29,680 --> 00:27:32,919
Speaker 2: Yeah, I make sure that my playlist ends and then

627
00:27:32,960 --> 00:27:35,440
Speaker 2: they start playing music that all of.

628
00:27:35,400 --> 00:27:36,600
Speaker 1: Them and you'll be like, oh.

629
00:27:40,280 --> 00:27:44,000
Speaker 2: Yes, Spotify, I'm like, yo, you just speak to me

630
00:27:44,080 --> 00:27:48,200
Speaker 2: like you fucking know they knowing. Also, certain shows, certain

631
00:27:48,200 --> 00:27:51,920
Speaker 2: TV shows have really good set like soundtracks and secures.

632
00:27:52,400 --> 00:27:53,000
Speaker 1: There is great.

633
00:27:53,040 --> 00:27:55,639
Speaker 2: They've put me on this so much, so much, and

634
00:27:55,680 --> 00:27:59,160
Speaker 2: then uh, the series was trash, but the playlist was good.

635
00:27:59,720 --> 00:28:03,840
Speaker 2: She's she's got to have it on Netflix. Their their

636
00:28:03,920 --> 00:28:06,280
Speaker 2: music was good on that. Also, I would say, if

637
00:28:06,320 --> 00:28:10,000
Speaker 2: you want to find new music, go to Instagram. Thought

638
00:28:10,119 --> 00:28:14,680
Speaker 2: models ship Okay that you're like, what the fuck.

639
00:28:14,560 --> 00:28:16,439
Speaker 1: Is this you guys? Listen to Megan the Stallion.

640
00:28:17,000 --> 00:28:21,400
Speaker 3: No, amazing Meghan mean the Stallion?

641
00:28:21,520 --> 00:28:25,160
Speaker 1: Yeah, Melion, Meghan the with two e's, I'm here, I'm

642
00:28:25,200 --> 00:28:28,199
Speaker 1: I'm here for great Megan?

643
00:28:28,440 --> 00:28:30,240
Speaker 3: Is she? Where is she from? What does she look like? What?

644
00:28:30,400 --> 00:28:33,679
Speaker 1: I think she's from Houston and she's like in college

645
00:28:33,720 --> 00:28:36,840
Speaker 1: right now, but like has bars, like is actually like

646
00:28:37,920 --> 00:28:39,120
Speaker 1: rapping and it's good.

647
00:28:39,320 --> 00:28:41,720
Speaker 3: You know who also has bars that? I really like?

648
00:28:41,840 --> 00:28:45,720
Speaker 2: Her name is something weird. It's like, oh, hold onta

649
00:28:45,720 --> 00:28:46,240
Speaker 2: be looking for it?

650
00:28:46,920 --> 00:28:47,520
Speaker 3: Am I ready?

651
00:28:47,600 --> 00:28:48,240
Speaker 1: I'm not ready?

652
00:28:48,320 --> 00:28:51,720
Speaker 2: Throw throw some as mr Background noise in here while

653
00:28:51,720 --> 00:28:57,200
Speaker 2: I'm looking for this artist, Meghan the Stallion, A little

654
00:28:57,200 --> 00:28:58,080
Speaker 2: bit of right?

655
00:28:58,760 --> 00:29:01,840
Speaker 3: And where? What about that? What about that thick girl

656
00:29:01,880 --> 00:29:07,600
Speaker 3: that's from Detroit? Guys, what's her name? You move your

657
00:29:07,600 --> 00:29:11,240
Speaker 3: mouth from the microphone. You're too close. You have actually

658
00:29:11,360 --> 00:29:11,880
Speaker 3: saying something?

659
00:29:11,960 --> 00:29:19,280
Speaker 2: Oh, okay, have you my friends?

660
00:29:19,280 --> 00:29:21,560
Speaker 1: I'm actually doing this. Scratch my fingernails across that.

661
00:29:21,800 --> 00:29:23,960
Speaker 3: What are you guys? Like the Ying Twins? No, this

662
00:29:24,040 --> 00:29:26,800
Speaker 3: is asmr oh, I'm sorry I missed that.

663
00:29:30,040 --> 00:29:33,880
Speaker 2: With a band, you know, I want to get into that.

664
00:29:33,920 --> 00:29:35,800
Speaker 2: I feel like those people make money, they.

665
00:29:35,720 --> 00:29:38,440
Speaker 1: Do they may make coins.

666
00:29:37,640 --> 00:29:40,400
Speaker 3: Because it's almost like kink a little bit kink.

667
00:29:40,600 --> 00:29:42,760
Speaker 1: Yeah, yeah, the sensation that it gives people.

668
00:29:43,600 --> 00:29:46,280
Speaker 2: Well, certain things like when I because you know who

669
00:29:46,480 --> 00:29:48,880
Speaker 2: helped me discover a SMR is Cardi b because she

670
00:29:48,960 --> 00:29:50,760
Speaker 2: did that thing a couple of months ago, and I

671
00:29:50,840 --> 00:29:56,360
Speaker 2: was like, the hook is she sucking that microphone? And

672
00:29:56,520 --> 00:29:58,000
Speaker 2: I looked it up and there's like a bunch of

673
00:29:58,040 --> 00:30:02,640
Speaker 2: videos on YouTube. There's play list all over Spotify, And

674
00:30:02,720 --> 00:30:05,120
Speaker 2: sometimes it's cool, but other times I can hear the

675
00:30:05,200 --> 00:30:09,440
Speaker 2: spit in their mouths and it's like, mmm, giving you

676
00:30:09,480 --> 00:30:11,920
Speaker 2: real ditty vibes, vibes where you're like you got a

677
00:30:11,920 --> 00:30:14,800
Speaker 2: lot going on, like we've all met that like hood

678
00:30:14,840 --> 00:30:18,080
Speaker 2: dude like that that that day bottom lip and you're

679
00:30:18,120 --> 00:30:21,440
Speaker 2: just like you and they got a lot of gums.

680
00:30:21,520 --> 00:30:29,680
Speaker 2: It's just like why so much gum with the white stuff? No? No, okay, wait.

681
00:30:29,760 --> 00:30:33,600
Speaker 2: Another thing, what do you listen to when you're sad? Like,

682
00:30:33,720 --> 00:30:35,080
Speaker 2: how do you find that music?

683
00:30:35,120 --> 00:30:37,560
Speaker 3: I love a ballad. I love a ballad when I'm happy.

684
00:30:37,960 --> 00:30:40,120
Speaker 1: Yeah, when I'm said, I listened to a lot of

685
00:30:40,120 --> 00:30:41,720
Speaker 1: the ship that I listened to when I was a teenager,

686
00:30:42,280 --> 00:30:45,120
Speaker 1: So like emo stuff or like emo rap, even like

687
00:30:45,160 --> 00:30:48,360
Speaker 1: some little uzzy cuts are like, here's the.

688
00:30:48,400 --> 00:30:50,960
Speaker 2: Other one that has listen to some logic. I feel

689
00:30:51,000 --> 00:30:53,280
Speaker 2: like he'd been making some sad I haven't listened to logic. No,

690
00:30:53,560 --> 00:30:55,200
Speaker 2: we have some lights contention that we need to.

691
00:30:55,320 --> 00:30:58,040
Speaker 3: Okay, wait, why what's going on about it?

692
00:30:58,040 --> 00:30:59,280
Speaker 1: It can't be more than two lights.

693
00:31:00,600 --> 00:31:01,640
Speaker 3: More light skins are gathered.

694
00:31:01,720 --> 00:31:03,000
Speaker 1: Yeah, it's beef. It's beef.

695
00:31:03,040 --> 00:31:06,080
Speaker 3: It's I mean, Drake is the overarching light skin.

696
00:31:06,160 --> 00:31:08,240
Speaker 1: Yeah, I mean he is. We answer to him.

697
00:31:08,320 --> 00:31:11,000
Speaker 2: Yeah, well, Drake is a light skinned dude, but he

698
00:31:11,200 --> 00:31:14,480
Speaker 2: sometimes has dark skin energy just the way that he talks,

699
00:31:14,640 --> 00:31:16,040
Speaker 2: and then you see him and you're.

700
00:31:15,840 --> 00:31:17,920
Speaker 3: Like on a sad man right here with the beard.

701
00:31:18,120 --> 00:31:21,760
Speaker 2: No, whenever you say this dark skinned energy, I feel

702
00:31:21,800 --> 00:31:25,120
Speaker 2: like it's always like somebody else is curating that for him.

703
00:31:25,160 --> 00:31:28,760
Speaker 2: That's not him, that's not him. Like even when he

704
00:31:28,760 --> 00:31:30,920
Speaker 2: wears his hoodies and he has his beard, I'm like,

705
00:31:31,320 --> 00:31:35,240
Speaker 2: this feels like very uh tzara for men, like like

706
00:31:35,440 --> 00:31:39,760
Speaker 2: the athleisure where it just doesn't feel right. It doesn't

707
00:31:39,760 --> 00:31:43,000
Speaker 2: feel honest, it don't sit right with your it doesn't

708
00:31:43,040 --> 00:31:44,840
Speaker 2: it doesn't feel like well, you don't be on the block,

709
00:31:45,040 --> 00:31:45,640
Speaker 2: like it's clear.

710
00:31:46,440 --> 00:31:48,040
Speaker 1: I just love that he decided to be Jamaican in

711
00:31:48,040 --> 00:31:48,880
Speaker 1: twenty fifteen.

712
00:31:48,960 --> 00:31:56,440
Speaker 3: What watch I don't know, I don't even It was

713
00:31:56,440 --> 00:31:58,760
Speaker 3: like your mom is Jewish and that's who raised you. Yeah,

714
00:31:59,480 --> 00:32:01,000
Speaker 3: Jamaica is on. I think, go all the way up

715
00:32:01,000 --> 00:32:01,520
Speaker 3: to Canada.

716
00:32:01,560 --> 00:32:04,960
Speaker 2: I feel like they just like the Caribbeans in Toronto,

717
00:32:05,760 --> 00:32:09,640
Speaker 2: it's Haitians in Montreal are there.

718
00:32:09,680 --> 00:32:10,920
Speaker 3: So the Jamaicans are just everywhere.

719
00:32:10,920 --> 00:32:12,560
Speaker 1: I think you just saw that. Like apple Jack cinnamon

720
00:32:12,600 --> 00:32:15,240
Speaker 1: commercial was like cinnamon cinemon.

721
00:32:19,600 --> 00:32:22,120
Speaker 2: It was like shut up, Drake, but I actually like it.

722
00:32:22,200 --> 00:32:25,080
Speaker 2: I was like, oh, work, improv Okay, I do.

723
00:32:25,280 --> 00:32:27,440
Speaker 1: I do with it sometimes, but sometimes it's like, okay,

724
00:32:27,760 --> 00:32:28,280
Speaker 1: pull it back.

725
00:32:33,120 --> 00:32:36,240
Speaker 3: I love that. That brings me back to high school.

726
00:32:36,280 --> 00:32:39,720
Speaker 2: Yo, every those dirty basement parties, Oh my.

727
00:32:39,640 --> 00:32:41,160
Speaker 1: God, what were you doing?

728
00:32:42,000 --> 00:32:44,280
Speaker 2: Nobody had the dirty basement party. I mean I remember

729
00:32:44,360 --> 00:32:46,240
Speaker 2: a house party, but you said dirty basement.

730
00:32:46,320 --> 00:32:47,520
Speaker 1: You're from New York, right, Yeah?

731
00:32:47,640 --> 00:32:50,280
Speaker 2: But I grew up in California, so like I'm half

732
00:32:50,280 --> 00:32:52,680
Speaker 2: and half okay. Like when I moved to New York,

733
00:32:52,680 --> 00:32:55,320
Speaker 2: people were like are you on drugs?

734
00:32:55,320 --> 00:32:56,280
Speaker 3: Like or what do you want?

735
00:32:56,360 --> 00:32:56,440
Speaker 1: Like?

736
00:32:56,440 --> 00:32:58,040
Speaker 3: What are you selling? Why are you so nice?

737
00:32:58,200 --> 00:33:01,520
Speaker 2: So like I could never like murder into like Yorker

738
00:33:01,600 --> 00:33:03,360
Speaker 2: lifestyle the way I wanted to, because.

739
00:33:03,160 --> 00:33:06,800
Speaker 1: I was like, there's a softness in your spirit's soft

740
00:33:08,400 --> 00:33:09,720
Speaker 1: I love that, and I love that.

741
00:33:09,840 --> 00:33:12,880
Speaker 2: It's because I grew up with a backyard and whatnot.

742
00:33:12,920 --> 00:33:15,760
Speaker 2: I had three big wheels, so I had a childhood.

743
00:33:15,840 --> 00:33:17,520
Speaker 2: So that's big wheels, three big wheels.

744
00:33:17,520 --> 00:33:19,240
Speaker 3: But you only what three?

745
00:33:19,280 --> 00:33:23,480
Speaker 2: Girl, rich like hand me down you one was an

746
00:33:23,480 --> 00:33:27,480
Speaker 2: heirloom and one when one's a classic classic from my

747
00:33:27,600 --> 00:33:29,240
Speaker 2: great great great grand cousin.

748
00:33:29,920 --> 00:33:32,200
Speaker 3: There's a softness in your spirit. Thank you.

749
00:33:32,280 --> 00:33:35,360
Speaker 2: That's the name of Jibuki's comedy albums.

750
00:33:39,360 --> 00:33:40,320
Speaker 3: I love it.

751
00:33:40,600 --> 00:33:42,760
Speaker 1: Oh my god. I sound like some weird ass pastor

752
00:33:42,840 --> 00:33:44,360
Speaker 1: talking to someone as they like walk up to the

753
00:33:44,360 --> 00:33:47,880
Speaker 1: stage to get saved. Yeah, okay, there's a softness in

754
00:33:47,920 --> 00:33:48,520
Speaker 1: your spirit.

755
00:33:48,880 --> 00:33:50,960
Speaker 3: It's like, uh, can you not touch me while you're

756
00:33:50,960 --> 00:33:51,360
Speaker 3: saying it?

757
00:33:51,560 --> 00:33:53,400
Speaker 2: And I'm gonna need you to take that softness and

758
00:33:53,440 --> 00:33:55,720
Speaker 2: put it in your pocket and pull out whatever money you.

759
00:33:55,680 --> 00:33:57,640
Speaker 3: Have, soft money, not the coin.

760
00:33:58,640 --> 00:33:59,960
Speaker 1: Did did y'all grow up in church?

761
00:34:00,360 --> 00:34:00,640
Speaker 3: Yes?

762
00:34:00,880 --> 00:34:02,840
Speaker 1: Yes, church has the bops? Church?

763
00:34:03,280 --> 00:34:05,360
Speaker 3: Okay, what's your go to? Like, what's your favorite?

764
00:34:06,640 --> 00:34:20,080
Speaker 1: We lift our hands in the same Yes, yes, I.

765
00:34:20,040 --> 00:34:23,000
Speaker 3: Grew up in a white church, so that it was

766
00:34:23,040 --> 00:34:24,320
Speaker 3: a lot of hard.

767
00:34:25,600 --> 00:34:31,160
Speaker 1: Angel was it was it Pentecostal. It was Pentecostal, Pentecostal white.

768
00:34:31,480 --> 00:34:33,640
Speaker 1: What was that like? Did they talk in tongues ever? Yeah?

769
00:34:33,680 --> 00:34:33,920
Speaker 2: They did.

770
00:34:34,200 --> 00:34:38,120
Speaker 1: Really, I've never seen people there was mixed.

771
00:34:38,280 --> 00:34:38,800
Speaker 3: It was mixed.

772
00:34:38,840 --> 00:34:42,200
Speaker 2: Okay, so the people preaching were white, but everybody else

773
00:34:42,320 --> 00:34:45,080
Speaker 2: was black. Wow, everybody else was not black. It was

774
00:34:45,200 --> 00:34:47,360
Speaker 2: mainly I mean we were black Haitian.

775
00:34:47,760 --> 00:34:49,759
Speaker 1: So yeah, there was only one white.

776
00:34:49,760 --> 00:34:50,759
Speaker 3: There's a difference.

777
00:34:50,880 --> 00:34:51,960
Speaker 1: Really, brother Sud.

778
00:34:52,320 --> 00:34:53,280
Speaker 3: Brother Sud.

779
00:34:56,680 --> 00:34:58,960
Speaker 2: That was his name, was his first name, like Ted

780
00:34:59,160 --> 00:35:05,880
Speaker 2: Ted words. I grew up in a Baptist church. Service

781
00:35:06,000 --> 00:35:09,160
Speaker 2: was like nine hours. It was so long, and then

782
00:35:09,280 --> 00:35:11,560
Speaker 2: people would be sleeping and then wake back up. The

783
00:35:11,680 --> 00:35:14,359
Speaker 2: hats would be like falling off and like but the

784
00:35:14,440 --> 00:35:17,960
Speaker 2: choir would be lit. There was like a celestial choir

785
00:35:18,040 --> 00:35:19,000
Speaker 2: and then there was another choir.

786
00:35:19,080 --> 00:35:23,000
Speaker 3: What's the celestial about the star? The celestial choir was

787
00:35:23,080 --> 00:35:25,200
Speaker 3: very like Kirk Franklin and the Family. Do you want

788
00:35:25,200 --> 00:35:28,000
Speaker 3: to Yes? People would be like that's what people would

789
00:35:28,000 --> 00:35:28,799
Speaker 3: wake up from their neck.

790
00:35:28,800 --> 00:35:34,000
Speaker 2: They're like okay that they would think sink stump. That's

791
00:35:34,040 --> 00:35:36,759
Speaker 2: when they would pass the collection plate because people would

792
00:35:36,800 --> 00:35:38,879
Speaker 2: have like energy, like, oh, I'm in a good mood

793
00:35:38,960 --> 00:35:40,680
Speaker 2: now if I'm dancing, I'm not reaching to.

794
00:35:43,280 --> 00:35:50,120
Speaker 3: Hit me when Silent Night come. So yeah, that's great,

795
00:35:50,160 --> 00:35:50,719
Speaker 3: I'm here for that.

796
00:35:51,920 --> 00:35:54,160
Speaker 2: When I was talking about like sad songs, you know

797
00:35:54,239 --> 00:36:01,120
Speaker 2: the Smiths, that is like depression on depressions, saddest song

798
00:36:01,200 --> 00:36:05,919
Speaker 2: that I have ever heard in recent memory, Sydney's DJ

799
00:36:06,040 --> 00:36:09,319
Speaker 2: Swoon put me onto Uh she Swoon wasn't playing it,

800
00:36:09,400 --> 00:36:10,560
Speaker 2: she was just talking to me about it.

801
00:36:10,600 --> 00:36:15,680
Speaker 3: And it's a whiskey lullaby. This sad country. Do you

802
00:36:15,800 --> 00:36:16,840
Speaker 3: f a country ever?

803
00:36:17,760 --> 00:36:20,440
Speaker 1: I'm country adjacent. I haven't gotten into country.

804
00:36:21,440 --> 00:36:24,120
Speaker 2: I'm like a song that with a story I can

805
00:36:24,160 --> 00:36:27,320
Speaker 2: carry underwood. She there's a beginning in the middle and

806
00:36:27,360 --> 00:36:30,799
Speaker 2: it n wait, what's this whiskey lullaby? Is? Is two

807
00:36:30,800 --> 00:36:32,760
Speaker 2: white people singing. I think they both have on cowboy

808
00:36:32,760 --> 00:36:36,959
Speaker 2: hats and it's it starts. How does the song start?

809
00:36:37,040 --> 00:36:39,080
Speaker 2: It's like she called her fame.

810
00:36:43,520 --> 00:36:45,200
Speaker 3: Take it time, now, take it time now.

811
00:36:45,239 --> 00:36:46,319
Speaker 1: Okay, I'm gonna have to add this to.

812
00:36:46,239 --> 00:36:50,839
Speaker 2: The lullaby is about a couple and they break up

813
00:36:50,960 --> 00:36:54,520
Speaker 2: and he drinks himself to death. Okay, after he dies,

814
00:36:54,680 --> 00:36:58,480
Speaker 2: she hears about it, and she it was like she

815
00:36:58,640 --> 00:37:01,200
Speaker 2: put the bottle of whiskey to her head and.

816
00:37:01,239 --> 00:37:06,439
Speaker 3: Pulled the trigger, and it's like, what, it's crazy.

817
00:37:06,440 --> 00:37:07,960
Speaker 2: So they both drink themselves to death and then they

818
00:37:07,960 --> 00:37:10,160
Speaker 2: bury them under some oak tree next to each other.

819
00:37:10,320 --> 00:37:11,560
Speaker 1: What so sad.

820
00:37:11,600 --> 00:37:12,640
Speaker 3: But I'd be on the train, like.

821
00:37:15,520 --> 00:37:18,279
Speaker 2: You never know what people on the train are listening to,

822
00:37:18,400 --> 00:37:21,200
Speaker 2: because you might think it's something real hard and then

823
00:37:21,360 --> 00:37:25,200
Speaker 2: it's Whiskey Lullaby by Brad Paisley. Well, whatever train, I'm

824
00:37:25,200 --> 00:37:27,520
Speaker 2: on the Jay train, it's always somebody who doesn't have

825
00:37:27,520 --> 00:37:29,560
Speaker 2: have phones on and has big ass speakers and they're like,

826
00:37:29,880 --> 00:37:32,359
Speaker 2: everybody needs to hear this song. We're all gonna give

827
00:37:32,400 --> 00:37:35,520
Speaker 2: in a Meek mill shout for ten minutes. Oh my god,

828
00:37:35,600 --> 00:37:38,840
Speaker 2: that's that one song that's like he's screaming all the songs,

829
00:37:38,920 --> 00:37:39,239
Speaker 2: you know.

830
00:37:44,040 --> 00:37:44,560
Speaker 3: Mick Millers.

831
00:37:44,600 --> 00:37:51,120
Speaker 2: Whatever the oppisode of ASMR is, it's like, are you

832
00:37:51,239 --> 00:37:52,320
Speaker 2: calling out to someone?

833
00:37:52,360 --> 00:37:53,399
Speaker 3: What is going on?

834
00:37:54,080 --> 00:37:54,200
Speaker 2: So?

835
00:37:54,600 --> 00:37:56,839
Speaker 3: How do you feel about like pop music right now?

836
00:37:56,920 --> 00:37:57,200
Speaker 2: Right now?

837
00:37:57,239 --> 00:37:58,759
Speaker 3: Like where you at? Like how do you feel about

838
00:37:58,880 --> 00:37:59,840
Speaker 3: Arian and Grande?

839
00:38:00,200 --> 00:38:02,960
Speaker 1: Okay, she's doing good stuff. I like her. I think

840
00:38:03,000 --> 00:38:03,520
Speaker 1: that she.

841
00:38:03,400 --> 00:38:05,319
Speaker 3: Could really sing like what.

842
00:38:07,840 --> 00:38:10,960
Speaker 2: Like she gives It gives me like Hamilton vibes, like

843
00:38:10,960 --> 00:38:15,799
Speaker 2: you know Hamilton, Like there's soul, like you know the

844
00:38:15,920 --> 00:38:19,640
Speaker 2: technique okay, like but it's not really anything.

845
00:38:19,680 --> 00:38:24,440
Speaker 1: I could see that I could. She's flawlessly killing the technique. Yes, yes,

846
00:38:24,680 --> 00:38:27,160
Speaker 1: but like in terms of soul sometimes I am like.

847
00:38:27,440 --> 00:38:30,480
Speaker 2: I feel like the most I feel like most pop

848
00:38:30,640 --> 00:38:34,240
Speaker 2: music right now is that though like it used to be,

849
00:38:34,239 --> 00:38:34,960
Speaker 2: because people.

850
00:38:34,760 --> 00:38:36,759
Speaker 3: Are not writing their music anymore. That's what the problem is.

851
00:38:37,040 --> 00:38:39,399
Speaker 2: When you write your songs like that, you feel how

852
00:38:39,520 --> 00:38:41,880
Speaker 2: sad they are. The ad libs be on point you

853
00:38:41,960 --> 00:38:44,640
Speaker 2: those feel real even like when people do ad libs

854
00:38:44,680 --> 00:38:47,359
Speaker 2: now it's written for them and it's like, oh that

855
00:38:47,480 --> 00:38:50,560
Speaker 2: I don't believe that, Like that doesn't even feel real.

856
00:38:50,800 --> 00:38:54,000
Speaker 2: You listeners go to any Marry J. Bloch album, you

857
00:38:54,080 --> 00:38:56,920
Speaker 2: know that bitch is like she has been through You

858
00:38:57,080 --> 00:39:00,239
Speaker 2: feel that her Fantasia Jennifer Hudson, they know what I think.

859
00:39:00,239 --> 00:39:01,640
Speaker 1: It's another thing, though, and this is why I brought

860
00:39:01,719 --> 00:39:04,279
Speaker 1: up church is because people aren't raised in church anymore, right,

861
00:39:04,360 --> 00:39:05,239
Speaker 1: And that's where like.

862
00:39:05,160 --> 00:39:07,080
Speaker 3: All these sinners dropping singles.

863
00:39:08,560 --> 00:39:11,080
Speaker 1: These heathens, A lot of people music.

864
00:39:10,840 --> 00:39:12,759
Speaker 3: A lot of people haven't been touched, you know.

865
00:39:13,160 --> 00:39:16,000
Speaker 2: Okay, but that's why like these people. Like somebody was

866
00:39:16,000 --> 00:39:18,560
Speaker 2: talking about Tanache on Twitter the other day and I.

867
00:39:18,480 --> 00:39:22,120
Speaker 3: Was like, I don't know a single song. What is that?

868
00:39:22,239 --> 00:39:26,480
Speaker 2: I love to get on, but like that music doesn't like,

869
00:39:26,480 --> 00:39:29,200
Speaker 2: I don't feel anything, right, she had that song like

870
00:39:29,239 --> 00:39:32,319
Speaker 2: Britney Spears. Britney Spears is a robot in the studio too,

871
00:39:32,520 --> 00:39:36,240
Speaker 2: Like she you know, she doesn't feel anything that she's singing.

872
00:39:36,440 --> 00:39:39,560
Speaker 2: I think she was the queen or the princess of

873
00:39:39,840 --> 00:39:41,960
Speaker 2: Caucasian Bob and her time.

874
00:39:42,080 --> 00:39:45,040
Speaker 3: Like every babe and you were like yes.

875
00:39:45,360 --> 00:39:47,520
Speaker 2: When she came out with I'm a Slave, I was like, oh,

876
00:39:47,560 --> 00:39:48,200
Speaker 2: she didn't took it.

877
00:39:48,160 --> 00:39:49,799
Speaker 3: To another level.

878
00:39:50,280 --> 00:39:50,560
Speaker 1: Video?

879
00:39:50,920 --> 00:39:52,640
Speaker 3: Yeah, is that the one with the snake?

880
00:39:53,120 --> 00:39:53,279
Speaker 2: Yes?

881
00:39:53,400 --> 00:39:55,719
Speaker 1: And she's in all those men that turn me gay?

882
00:39:55,760 --> 00:39:57,960
Speaker 2: I think yeah that video toxic was a was a

883
00:39:57,960 --> 00:40:00,800
Speaker 2: little bob Yeah. Like but you you know that she's

884
00:40:00,960 --> 00:40:04,560
Speaker 2: so above the curve because she's like, let me talk

885
00:40:04,560 --> 00:40:09,400
Speaker 2: about being a slave, and they have niggas sing that

886
00:40:09,520 --> 00:40:13,560
Speaker 2: song in public. She might she maybe want to get snakes. Yeah,

887
00:40:13,680 --> 00:40:15,759
Speaker 2: she did the whole other level of you put the

888
00:40:15,840 --> 00:40:20,120
Speaker 2: bowl Constrictors back on the map. They were extinct, and

889
00:40:20,200 --> 00:40:24,279
Speaker 2: she brought them back to life. She rescitated. Then you

890
00:40:24,360 --> 00:40:26,719
Speaker 2: were like, see niggas in the hoods would like why

891
00:40:26,800 --> 00:40:29,080
Speaker 2: you have a bowl constrictor you live in the projects? Okay,

892
00:40:29,120 --> 00:40:30,480
Speaker 2: and that's where you be seeing them. They know you

893
00:40:30,480 --> 00:40:32,200
Speaker 2: won't take a picture. You gotta pay me money.

894
00:40:32,280 --> 00:40:33,960
Speaker 1: Yes, oh my god.

895
00:40:34,480 --> 00:40:39,560
Speaker 2: So she encouraged small businesses in entrepreneurs entrepreneurship exactly.

896
00:40:39,880 --> 00:40:44,000
Speaker 3: I mean, what a Christina Aguilar do. She just like

897
00:40:44,040 --> 00:40:45,239
Speaker 3: had that dirty video.

898
00:40:45,400 --> 00:40:49,320
Speaker 2: And then she did the the Beautiful So that's basically

899
00:40:49,400 --> 00:40:50,319
Speaker 2: like HERTLC.

900
00:40:50,960 --> 00:40:53,080
Speaker 3: Pretty yeah, yeah, pretty pretty?

901
00:40:53,120 --> 00:40:53,319
Speaker 2: Yeah?

902
00:40:53,440 --> 00:40:56,600
Speaker 3: Remember that song? You make it pretty too? Yeah, But

903
00:40:56,640 --> 00:40:58,040
Speaker 3: I like the way the song starts.

904
00:40:58,200 --> 00:41:06,680
Speaker 2: She goes, don't look at me.

905
00:41:07,520 --> 00:41:07,840
Speaker 3: Okay.

906
00:41:08,000 --> 00:41:10,799
Speaker 2: Did you think that song is better than TLC? I'm

907
00:41:10,800 --> 00:41:14,160
Speaker 2: pretty no, I mean message was different.

908
00:41:14,239 --> 00:41:16,360
Speaker 3: It's different vibes though, I feel like.

909
00:41:16,360 --> 00:41:17,520
Speaker 1: They were copying TLC.

910
00:41:17,680 --> 00:41:19,120
Speaker 2: No, yeah, I have.

911
00:41:24,000 --> 00:41:28,280
Speaker 3: That's a different vibe than beautiful. What's the vibe?

912
00:41:28,480 --> 00:41:31,319
Speaker 2: The Christian agular Beautiful song is just like, you know,

913
00:41:31,400 --> 00:41:32,480
Speaker 2: for like that sad kid.

914
00:41:33,640 --> 00:41:35,040
Speaker 3: Okay, I guess they're both for sad kids.

915
00:41:35,120 --> 00:41:37,080
Speaker 1: Yeah, you know what else? Was another bop in the

916
00:41:37,120 --> 00:41:44,040
Speaker 1: same range as Beautiful Breakaway, Kelly clarkson break Uplifting, uplifting.

917
00:41:44,080 --> 00:41:45,799
Speaker 1: Though you know, it's like I see that, You're said,

918
00:41:45,800 --> 00:41:49,239
Speaker 1: I'm an imagine.

919
00:41:49,480 --> 00:41:59,600
Speaker 2: Yeah, yeah, yeah, you're holding your ear. You're like, I

920
00:41:59,600 --> 00:42:03,560
Speaker 2: can hear it's coming macking up Caucasians remember. Okay, So

921
00:42:03,600 --> 00:42:05,360
Speaker 2: there's a video that was going around on Instagram for

922
00:42:05,440 --> 00:42:08,520
Speaker 2: like the last month of Jessica Simpson and Ashley Simpson

923
00:42:08,680 --> 00:42:10,160
Speaker 2: singing Little Drummer Boy.

924
00:42:10,200 --> 00:42:11,880
Speaker 3: Have y'all seen this terrible video?

925
00:42:12,239 --> 00:42:16,319
Speaker 2: It is so like it's tragic, perfect video, but that's

926
00:42:16,320 --> 00:42:16,799
Speaker 2: what it is.

927
00:42:16,840 --> 00:42:18,839
Speaker 3: It's like, first of all, Holidays songs are hard.

928
00:42:19,000 --> 00:42:21,920
Speaker 2: They very hard, and that's why Mariah Carey has capitalized

929
00:42:21,920 --> 00:42:23,759
Speaker 2: and nobody wants to take it over because it's so

930
00:42:24,200 --> 00:42:26,080
Speaker 2: if people want to knock, people want to take it over.

931
00:42:26,160 --> 00:42:28,879
Speaker 2: No one else's song is like hitting us. The way

932
00:42:28,920 --> 00:42:32,120
Speaker 2: all I want for Christmas is you is because everybody,

933
00:42:32,400 --> 00:42:36,200
Speaker 2: every artist that does pop music has a Christmas album,

934
00:42:36,200 --> 00:42:37,640
Speaker 2: and every R and B artist I feel it was

935
00:42:37,680 --> 00:42:42,120
Speaker 2: a Christmas album. Now everybody has a Christmas album. Name

936
00:42:42,160 --> 00:42:44,160
Speaker 2: an artist and then I'll scream Christmas album in your face.

937
00:42:44,680 --> 00:42:47,640
Speaker 2: Beyonce Christmas Album, Disney's child had that Eight Days of

938
00:42:47,719 --> 00:42:49,160
Speaker 2: Christmas Christmas.

939
00:42:48,760 --> 00:42:52,480
Speaker 3: Album and that actually was pretty cute. My baby are

940
00:42:52,520 --> 00:42:52,960
Speaker 3: getting me?

941
00:42:54,680 --> 00:42:57,640
Speaker 2: Oh yeah, Okay, name another artist. I'm a screaming Christmas

942
00:42:57,680 --> 00:42:58,160
Speaker 2: album again.

943
00:42:58,600 --> 00:42:59,960
Speaker 3: Tony Raxton Christmas album.

944
00:43:00,120 --> 00:43:02,920
Speaker 2: I don't know what it is covered Joy to the

945
00:43:02,920 --> 00:43:09,840
Speaker 2: World or something at least twice, right check was Christmas album?

946
00:43:16,760 --> 00:43:18,120
Speaker 1: How does the song start?

947
00:43:19,560 --> 00:43:20,879
Speaker 3: I don't know, but I love that song.

948
00:43:21,880 --> 00:43:27,120
Speaker 2: That's the song bitch that's fucking nuts for Christmas. You

949
00:43:27,160 --> 00:43:29,920
Speaker 2: can't take a bitch out for Christmas. Yeah, that's a

950
00:43:30,239 --> 00:43:32,680
Speaker 2: that's that's one of the lyrics this song. Okay, you

951
00:43:32,719 --> 00:43:33,600
Speaker 2: got you got to?

952
00:43:34,600 --> 00:43:35,000
Speaker 3: Who else?

953
00:43:35,040 --> 00:43:35,279
Speaker 2: Do we?

954
00:43:35,640 --> 00:43:37,880
Speaker 3: What happened? All right?

955
00:43:37,960 --> 00:43:42,480
Speaker 2: Do mix has dipset? Got dipset? Got a Christmas situation?

956
00:43:43,600 --> 00:43:45,360
Speaker 2: It's a hip hop Christmas listeners.

957
00:43:45,360 --> 00:43:47,080
Speaker 3: I'm gonna need y'all to google these.

958
00:43:47,680 --> 00:43:50,520
Speaker 2: Seanna Taylor and Kanye West Christmas in Harlem, like these

959
00:43:50,560 --> 00:43:54,919
Speaker 2: people have Chris. Everyone has a Christmas song, at least one.

960
00:43:55,680 --> 00:43:58,160
Speaker 2: I feel like Dead Mouths probably got a Christmas but

961
00:43:58,239 --> 00:44:00,520
Speaker 2: they just can't take over this Marie care and I'm

962
00:44:00,560 --> 00:44:01,880
Speaker 2: ready for it to be canceled.

963
00:44:02,800 --> 00:44:10,719
Speaker 3: It's a good song, No, it's not. It's like it's overdone.

964
00:44:12,080 --> 00:44:18,080
Speaker 2: They don't listen to unofficial experts.

965
00:44:18,560 --> 00:44:20,879
Speaker 3: I just feel like, okay, we get it, like.

966
00:44:22,360 --> 00:44:26,920
Speaker 2: Chris Math. It's just it's triggering for me. It's like,

967
00:44:27,640 --> 00:44:29,120
Speaker 2: what if you're not a holiday person?

968
00:44:29,160 --> 00:44:32,200
Speaker 3: Okay, so why are you listening to the song? Okay?

969
00:44:33,120 --> 00:44:37,239
Speaker 2: Ears, I want to hear some like chestnuts roasting on

970
00:44:37,280 --> 00:44:41,279
Speaker 2: an open classics classics You're like, maybe it's cold out,

971
00:44:41,480 --> 00:44:44,040
Speaker 2: like some napkin cold type.

972
00:44:47,080 --> 00:44:47,279
Speaker 3: You know.

973
00:44:47,440 --> 00:44:50,960
Speaker 2: I just want somebody blind singing a fucking holidays bop.

974
00:44:51,160 --> 00:44:53,800
Speaker 3: That's what I want. Okay, Well, let's let's talk about

975
00:44:53,800 --> 00:44:56,080
Speaker 3: sex bops. Do you have a.

976
00:45:00,160 --> 00:45:00,520
Speaker 1: Silence?

977
00:45:00,600 --> 00:45:01,160
Speaker 3: Is weird to me?

978
00:45:01,680 --> 00:45:09,560
Speaker 1: I hate this? Oh I think I think.

979
00:45:13,640 --> 00:45:16,400
Speaker 2: I'm gonna get you. Let me go get you a

980
00:45:16,480 --> 00:45:18,319
Speaker 2: long body chield to wipe this up.

981
00:45:18,400 --> 00:45:19,759
Speaker 1: Oh I'm not you just like this?

982
00:45:20,520 --> 00:45:20,719
Speaker 3: Wow.

983
00:45:21,239 --> 00:45:24,200
Speaker 1: But you know, Kala is my go to Probably.

984
00:45:23,880 --> 00:45:26,319
Speaker 3: Yes, she got it, and she.

985
00:45:26,680 --> 00:45:29,799
Speaker 1: Knows she's got it. It's not an accident. Like she's like,

986
00:45:29,880 --> 00:45:31,560
Speaker 1: I understand this is the music I make. I'm gonna

987
00:45:31,600 --> 00:45:34,120
Speaker 1: give you what you want. So I usually start with

988
00:45:34,120 --> 00:45:36,640
Speaker 1: her and I work out from there, Like do you

989
00:45:36,640 --> 00:45:39,080
Speaker 1: have a playlist or do you just like, yes, I

990
00:45:39,120 --> 00:45:40,600
Speaker 1: have a playlist, gotta keep it. You know who else

991
00:45:40,680 --> 00:45:41,120
Speaker 1: is really good?

992
00:45:43,360 --> 00:45:44,479
Speaker 3: But hold on, hold on TV.

993
00:45:45,520 --> 00:45:49,840
Speaker 2: Yes, yes, I love them and they're all over my

994
00:45:50,480 --> 00:45:54,560
Speaker 2: sex playlist well dvs. And the other one is the

995
00:45:54,600 --> 00:45:57,160
Speaker 2: producer syst so Well, I want to.

996
00:45:57,080 --> 00:45:59,000
Speaker 1: Say, is really good.

997
00:45:59,200 --> 00:46:05,200
Speaker 3: Yes, yeah, wait, his music doesn't match his face.

998
00:46:05,840 --> 00:46:08,120
Speaker 2: Sometimes I don't want to see the person who's singing

999
00:46:08,120 --> 00:46:10,280
Speaker 2: the song because it makes the song different.

1000
00:46:10,440 --> 00:46:11,880
Speaker 3: Sid is sid.

1001
00:46:11,880 --> 00:46:14,120
Speaker 2: Is legendary for that, because it's like Sid. You hear

1002
00:46:14,160 --> 00:46:17,239
Speaker 2: a voice, You're like, okay, lets me in, and then

1003
00:46:17,280 --> 00:46:19,200
Speaker 2: you see her like okay.

1004
00:46:18,880 --> 00:46:28,960
Speaker 3: Queen, Okay, yeah, I'm telling you now, Okay.

1005
00:46:29,080 --> 00:46:31,800
Speaker 2: Do you think people are hooking up to a whole album.

1006
00:46:31,920 --> 00:46:33,800
Speaker 2: I don't believe that. I feel like two songs and

1007
00:46:33,880 --> 00:46:37,160
Speaker 2: you've done Oh my God Black six l A c

1008
00:46:37,400 --> 00:46:40,719
Speaker 2: kN has red music for you to be.

1009
00:46:44,000 --> 00:46:48,600
Speaker 3: Two the hood rat. Second, I don't have a hood

1010
00:46:48,640 --> 00:46:50,960
Speaker 3: rat sex playlist.

1011
00:46:51,600 --> 00:46:54,200
Speaker 1: I've done control before. Control has worked for me before.

1012
00:46:54,880 --> 00:47:01,799
Speaker 2: Ye sad though it is get your own man, your

1013
00:47:01,800 --> 00:47:04,520
Speaker 2: old nigga, like you stop, like girl, you're too pretty

1014
00:47:04,600 --> 00:47:06,640
Speaker 2: for this. Every time I hear her saying, I'm like

1015
00:47:07,400 --> 00:47:10,000
Speaker 2: her songs don't match what she is, like, you can

1016
00:47:10,160 --> 00:47:12,360
Speaker 2: do better, Sissa.

1017
00:47:12,600 --> 00:47:16,640
Speaker 3: Yeah, but also Scissor's voice is not.

1018
00:47:18,400 --> 00:47:19,120
Speaker 1: Sissu's voice.

1019
00:47:19,200 --> 00:47:20,760
Speaker 3: Live don't match what alive.

1020
00:47:20,840 --> 00:47:23,200
Speaker 2: I'd be like says you're sick again.

1021
00:47:24,760 --> 00:47:30,040
Speaker 3: You have healthcare I need Marti. Yeah.

1022
00:47:30,080 --> 00:47:32,160
Speaker 2: But that's the thing about music, right is some like

1023
00:47:33,160 --> 00:47:34,640
Speaker 2: a lot of people, I will never want to see

1024
00:47:34,640 --> 00:47:36,799
Speaker 2: live because it's just it's first of all, I'm never

1025
00:47:36,800 --> 00:47:37,560
Speaker 2: paying money to se.

1026
00:47:37,440 --> 00:47:39,239
Speaker 3: Your rap concert life. I'm all set.

1027
00:47:39,239 --> 00:47:41,600
Speaker 2: They're not giving me what I need. I need like production,

1028
00:47:41,760 --> 00:47:44,280
Speaker 2: I need a show. I need production values.

1029
00:47:44,560 --> 00:47:46,520
Speaker 1: Reason why you're not just at home listening to.

1030
00:47:46,600 --> 00:47:48,520
Speaker 2: Listening to you and your six friends shout into a

1031
00:47:48,560 --> 00:47:52,920
Speaker 2: microphone with the track in the back blood Orange Blonge

1032
00:47:55,360 --> 00:47:58,040
Speaker 2: perfect Blood Orange is like, Oh, we fucking and then

1033
00:47:58,040 --> 00:47:59,640
Speaker 2: we probably we might talk after this.

1034
00:48:00,840 --> 00:48:07,239
Speaker 1: A little dialogue. Tell me a secret. I don't know.

1035
00:48:07,280 --> 00:48:07,920
Speaker 1: That's so good.

1036
00:48:07,960 --> 00:48:11,719
Speaker 3: You're like pillow talk like hand tucked under the ear

1037
00:48:13,120 --> 00:48:15,920
Speaker 3: direct icon. It's like, oh, do you want to just

1038
00:48:15,960 --> 00:48:17,880
Speaker 3: open up a book and just read it out loud?

1039
00:48:18,360 --> 00:48:19,640
Speaker 1: What was your family like growing up?

1040
00:48:19,800 --> 00:48:22,400
Speaker 3: Yeah, you don't have to rush out of here.

1041
00:48:23,400 --> 00:48:25,880
Speaker 2: Do you bust back a TBT like a Jo Tosy,

1042
00:48:26,360 --> 00:48:29,680
Speaker 2: Because yes, because it's important to know your roots.

1043
00:48:29,719 --> 00:48:32,200
Speaker 3: To know where he came from. That's how we got here. Yeah,

1044
00:48:32,400 --> 00:48:33,719
Speaker 3: h mine and rock and.

1045
00:48:37,640 --> 00:48:41,320
Speaker 1: I even have some uh some John b on there.

1046
00:48:43,080 --> 00:48:46,920
Speaker 2: You say, okay, how many songs is on your sex playlist?

1047
00:48:46,920 --> 00:48:47,600
Speaker 3: It sounds like a lot.

1048
00:48:47,719 --> 00:48:50,680
Speaker 1: Yeah you count, tell us say maybe like fifty something

1049
00:48:50,800 --> 00:48:52,719
Speaker 1: right now, fifty but I updated every once.

1050
00:48:52,640 --> 00:48:53,920
Speaker 3: In a while, right right, right right? How do we

1051
00:48:53,920 --> 00:48:55,280
Speaker 3: feel about Gallant?

1052
00:48:55,640 --> 00:48:58,200
Speaker 2: He has a song called Gentleman and he's like, I'm

1053
00:48:58,200 --> 00:49:00,160
Speaker 2: a treater like a it's very good at it, g

1054
00:49:00,200 --> 00:49:03,319
Speaker 2: A L L A and t Gentleman fabulous do it.

1055
00:49:03,560 --> 00:49:05,120
Speaker 3: And the rapper that I was thinking about.

1056
00:49:04,880 --> 00:49:08,080
Speaker 2: Was Tierra Wack when I was talking about Meghan the Stallion.

1057
00:49:08,160 --> 00:49:10,160
Speaker 2: Tiera Wack is another rap for that, Like, okay, I'll

1058
00:49:10,239 --> 00:49:12,320
Speaker 2: check her out. She got some, she got some bars

1059
00:49:12,360 --> 00:49:13,680
Speaker 2: and her music is you.

1060
00:49:13,640 --> 00:49:16,399
Speaker 3: Know what's her? Love me some her her is good.

1061
00:49:16,880 --> 00:49:18,719
Speaker 3: She can and she can sing live.

1062
00:49:18,920 --> 00:49:23,239
Speaker 2: Your sun me and I love that she has her

1063
00:49:23,280 --> 00:49:24,399
Speaker 2: glasses on the whole time.

1064
00:49:24,440 --> 00:49:25,799
Speaker 3: I'm like, she wants you to focus on her.

1065
00:49:25,880 --> 00:49:28,000
Speaker 2: Yeah, And I feel like she's the one that will

1066
00:49:28,000 --> 00:49:29,279
Speaker 2: have sex with her glasses on.

1067
00:49:29,440 --> 00:49:31,480
Speaker 3: No, she don't do that. She's her glasses are her

1068
00:49:31,680 --> 00:49:34,200
Speaker 3: see a wig? Like, see, you don't wear that wig.

1069
00:49:34,239 --> 00:49:39,399
Speaker 2: When she's with her friends, she's pumping gas. That's her,

1070
00:49:39,520 --> 00:49:42,879
Speaker 2: like invisibility cloak. How do you feel about sea? That's

1071
00:49:42,880 --> 00:49:45,480
Speaker 2: the white lady that she'd be writing and she'd be making, and.

1072
00:49:45,440 --> 00:49:48,720
Speaker 1: She got bops and she's written many bops for other

1073
00:49:48,719 --> 00:49:49,640
Speaker 1: people to Ye.

1074
00:49:49,840 --> 00:49:51,640
Speaker 2: She writes me, I have to respect you, right, You

1075
00:49:51,640 --> 00:49:54,560
Speaker 2: gotta respect people who can write music for people that

1076
00:49:54,640 --> 00:49:57,120
Speaker 2: we like. Okay, but who is the Queen of Caucasian bop?

1077
00:49:57,280 --> 00:49:59,760
Speaker 2: Like like everything is like you know, when she touches

1078
00:49:59,760 --> 00:50:02,000
Speaker 2: it gonna be like, oh, we all going, we all

1079
00:50:02,120 --> 00:50:02,440
Speaker 2: for it.

1080
00:50:03,160 --> 00:50:08,520
Speaker 3: Queen of Caucasian bobs. Wow, that's so hard.

1081
00:50:09,280 --> 00:50:11,880
Speaker 1: Was the Queen of Caucasian bobs for like a year on?

1082
00:50:12,719 --> 00:50:14,040
Speaker 3: Yes, she had a moment.

1083
00:50:16,400 --> 00:50:19,600
Speaker 1: She was like banana, she had cool, she had rich girl.

1084
00:50:19,880 --> 00:50:22,120
Speaker 1: It was like I think two thousand and five, I think.

1085
00:50:22,200 --> 00:50:24,920
Speaker 3: Well she also remember she had like the Asian girls

1086
00:50:24,920 --> 00:50:26,960
Speaker 3: as accessories for a while. Girls.

1087
00:50:27,040 --> 00:50:30,560
Speaker 2: She was like these are my plus twelve but very problematic,

1088
00:50:30,680 --> 00:50:32,200
Speaker 2: like I don't think she can bring them out now.

1089
00:50:33,400 --> 00:50:35,000
Speaker 1: That album came out today, it would be.

1090
00:50:34,960 --> 00:50:39,120
Speaker 2: Tu people would tear it apart, for sure, oh, you're

1091
00:50:39,160 --> 00:50:41,440
Speaker 2: not here for some friends, some people as accessories.

1092
00:50:43,239 --> 00:50:43,479
Speaker 3: Girl.

1093
00:50:43,600 --> 00:50:47,399
Speaker 2: No, uh, Fergie. I feel like Fergie had the FIRS.

1094
00:50:47,520 --> 00:50:49,839
Speaker 2: I never got on the Furggy train.

1095
00:50:50,160 --> 00:50:52,160
Speaker 1: But you know, there's so many different kinds of Caucasian bops.

1096
00:50:52,160 --> 00:50:53,600
Speaker 1: But if I have to reduce it to one person,

1097
00:50:53,600 --> 00:50:57,640
Speaker 1: I would say Adele. She's really got the like sweater wearing,

1098
00:50:57,800 --> 00:51:02,759
Speaker 1: like shawl wearing, and she got the whole girlings of mine. Yeah,

1099
00:51:03,040 --> 00:51:05,479
Speaker 1: like she's got that Caucasian audience on lock.

1100
00:51:05,719 --> 00:51:10,000
Speaker 2: And I mean Adele is somebody who writes her music

1101
00:51:10,480 --> 00:51:13,640
Speaker 2: and you believe what she's saying, Like the first two out,

1102
00:51:13,760 --> 00:51:16,560
Speaker 2: like the second two albums, you hear them and you're

1103
00:51:16,640 --> 00:51:19,160
Speaker 2: just like, yes, is he he heard both of us? Yes?

1104
00:51:20,480 --> 00:51:22,319
Speaker 3: Do we need to pull up on his job? Let's

1105
00:51:22,360 --> 00:51:26,319
Speaker 3: go never man fun someone and you're like, you will

1106
00:51:26,360 --> 00:51:27,319
Speaker 3: find someone like him.

1107
00:51:28,440 --> 00:51:30,080
Speaker 1: Every time she dropped something in the blocks of the

1108
00:51:30,120 --> 00:51:32,800
Speaker 1: cul de Sac army hot and she has the streets

1109
00:51:32,840 --> 00:51:33,719
Speaker 1: on fire.

1110
00:51:33,520 --> 00:51:36,280
Speaker 3: She got the sacrament vans just full of tears.

1111
00:51:36,680 --> 00:51:36,799
Speaker 2: Uh.

1112
00:51:37,320 --> 00:51:41,040
Speaker 3: You know who? Also? I love what's his name? James Blake?

1113
00:51:43,120 --> 00:51:46,440
Speaker 1: Okay, Yeah, he's crossed out. It's almost not even a

1114
00:51:46,440 --> 00:51:49,120
Speaker 1: Caucasian bob at that point, he's worked with like so

1115
00:51:49,160 --> 00:51:52,120
Speaker 1: many black artists, and he's so respected, and he grew

1116
00:51:52,200 --> 00:51:54,040
Speaker 1: up in the church. Yeah, he grew up in church.

1117
00:51:54,200 --> 00:51:55,640
Speaker 1: Like he's damn near clothes.

1118
00:51:55,680 --> 00:51:57,279
Speaker 3: Does to find you a white boy that grew up

1119
00:51:57,320 --> 00:51:58,120
Speaker 3: in church? Listen.

1120
00:51:58,200 --> 00:52:00,040
Speaker 2: I found out about James Blake the first time I

1121
00:52:00,120 --> 00:52:01,520
Speaker 2: hooked up with my girlfriend.

1122
00:52:01,600 --> 00:52:03,840
Speaker 3: She I cried, I definitely what song was played? Do

1123
00:52:03,840 --> 00:52:05,479
Speaker 3: you remember what song was? I think it was like.

1124
00:52:07,280 --> 00:52:11,920
Speaker 1: Willielm's screen, that's my jail.

1125
00:52:12,040 --> 00:52:13,719
Speaker 2: I was like, you want to tell them I want

1126
00:52:13,760 --> 00:52:16,040
Speaker 2: to talk after you want to get some coffee?

1127
00:52:16,120 --> 00:52:18,440
Speaker 3: No, actually, I was like in a fetal position, like,

1128
00:52:18,480 --> 00:52:26,600
Speaker 3: oh my god, I don't have a white people playlist,

1129
00:52:26,600 --> 00:52:27,680
Speaker 3: but I feel like I should.

1130
00:52:28,920 --> 00:52:29,479
Speaker 1: It's a mood.

1131
00:52:29,840 --> 00:52:32,000
Speaker 2: I feel like I should. Let's see what. Let's see what,

1132
00:52:32,239 --> 00:52:34,279
Speaker 2: uh what they're trying to give me?

1133
00:52:34,320 --> 00:52:35,240
Speaker 3: What about our producer?

1134
00:52:35,280 --> 00:52:38,399
Speaker 2: You got anything, Alex? You gotta be like Creed that's

1135
00:52:38,440 --> 00:52:39,320
Speaker 2: on your playlist.

1136
00:52:39,480 --> 00:52:44,080
Speaker 1: He's gonna be like with Arms Wattle, Well you got

1137
00:52:44,200 --> 00:52:45,000
Speaker 1: the older ones.

1138
00:52:46,600 --> 00:52:51,480
Speaker 3: Billy Piano Man is my jail. Yeah, I like that song. Also,

1139
00:52:52,200 --> 00:52:53,680
Speaker 3: there's another Billy Joe song that I like, but I

1140
00:52:53,680 --> 00:52:57,719
Speaker 3: can't remember what it is. Okay, who else? Okay, I

1141
00:52:57,760 --> 00:53:08,440
Speaker 3: don't know a single. I don't know mm hmm okay.

1142
00:53:03,320 --> 00:53:09,200
Speaker 3: And Bonnie.

1143
00:53:10,600 --> 00:53:12,960
Speaker 1: Kanye a lot, but he definitely has the Mason jar

1144
00:53:13,160 --> 00:53:15,480
Speaker 1: like love to retreat to the wood white people audience.

1145
00:53:16,440 --> 00:53:19,239
Speaker 3: It's Boney there, not Bonnie the not bonne Iver.

1146
00:53:19,960 --> 00:53:20,640
Speaker 1: I was saying.

1147
00:53:26,360 --> 00:53:28,839
Speaker 3: That feels wrong. Oh you know who?

1148
00:53:28,880 --> 00:53:32,320
Speaker 2: I was fucking hard YouTube YouTube. I feel like, oh,

1149
00:53:32,600 --> 00:53:37,560
Speaker 2: it's a beautiful. Remember when Apple gave everybody the YouTube

1150
00:53:37,560 --> 00:53:42,640
Speaker 2: album and everybody was pissed off, disrespected, trying to delete it.

1151
00:53:43,440 --> 00:53:46,800
Speaker 1: You know who has bops? And it shipped on unnecessarily

1152
00:53:47,160 --> 00:53:47,760
Speaker 1: cold Play.

1153
00:53:48,440 --> 00:53:53,240
Speaker 2: I think it's I like the scientists, but that's it.

1154
00:53:53,520 --> 00:53:57,360
Speaker 1: Yellow Yellow was great. They're like earlier ship a Russian

1155
00:53:57,360 --> 00:53:58,000
Speaker 1: blood to the head.

1156
00:53:58,160 --> 00:53:58,799
Speaker 3: I don't know, that's.

1157
00:53:59,200 --> 00:54:01,760
Speaker 2: Neither you know who. I do like though, imagine dragons.

1158
00:54:01,800 --> 00:54:03,680
Speaker 2: They got a couple of Thunder. They got a song

1159
00:54:03,719 --> 00:54:04,240
Speaker 2: called Thunder.

1160
00:54:04,320 --> 00:54:05,160
Speaker 3: It's super cute.

1161
00:54:07,160 --> 00:54:12,880
Speaker 2: My god, that's a j Okay, they play that song

1162
00:54:13,120 --> 00:54:14,360
Speaker 2: when you get there too early.

1163
00:54:14,520 --> 00:54:16,680
Speaker 3: They're playing that. The DJ is definitely playing that song.

1164
00:54:16,719 --> 00:54:22,959
Speaker 2: I'm not going anywhere that's playing that in my home.

1165
00:54:24,280 --> 00:54:26,080
Speaker 2: I have a question, have you ever been in an

1166
00:54:26,080 --> 00:54:28,840
Speaker 2: elevator and you're like, Shazam, I gotta sam this.

1167
00:54:29,040 --> 00:54:30,880
Speaker 3: I love me some elevator music.

1168
00:54:31,560 --> 00:54:36,000
Speaker 2: Yeah, like a like a like a like bachelor, Like, yeah,

1169
00:54:36,160 --> 00:54:36,600
Speaker 2: what's that?

1170
00:54:36,680 --> 00:54:37,719
Speaker 3: What's that? Is it?

1171
00:54:37,760 --> 00:54:42,440
Speaker 2: Bittersweet? It might be a group called Bitter Sweet. Let

1172
00:54:42,440 --> 00:54:44,440
Speaker 2: me look on my Spotify. I feel like I have

1173
00:54:44,600 --> 00:54:46,680
Speaker 2: them on here sweet.

1174
00:54:47,400 --> 00:54:49,080
Speaker 3: No, but I love an elevator.

1175
00:54:50,280 --> 00:54:54,120
Speaker 1: I don't want you.

1176
00:54:55,280 --> 00:54:55,640
Speaker 2: I love that.

1177
00:54:55,680 --> 00:54:57,160
Speaker 3: We both knew that.

1178
00:54:56,640 --> 00:54:57,160
Speaker 1: I that.

1179
00:54:58,719 --> 00:54:59,040
Speaker 3: I know.

1180
00:54:59,160 --> 00:55:00,719
Speaker 2: And it's not even I don't even think it's one

1181
00:55:00,880 --> 00:55:03,560
Speaker 2: Kanye album. No, you gotta find that on YouTube.

1182
00:55:03,719 --> 00:55:05,440
Speaker 3: Kanye and John.

1183
00:55:07,200 --> 00:55:13,719
Speaker 2: John John H Mayor exactly.

1184
00:55:14,160 --> 00:55:16,080
Speaker 3: You guys have a love connection. I see it.

1185
00:55:16,840 --> 00:55:19,080
Speaker 2: Well, I like songs like that, Like I like that

1186
00:55:19,160 --> 00:55:24,560
Speaker 2: other Kanye song going with Cameron. Yeah, yeah, that's one

1187
00:55:24,600 --> 00:55:27,040
Speaker 2: of his best. I love that song of his best.

1188
00:55:27,320 --> 00:55:28,920
Speaker 2: That's one of my favorite Kanye West songs. And now

1189
00:55:28,920 --> 00:55:32,640
Speaker 2: I don't listen to him, so yeah, he's are.

1190
00:55:32,520 --> 00:55:35,120
Speaker 3: You Are you down with the canceling cancelation.

1191
00:55:34,719 --> 00:55:37,000
Speaker 1: Of It's like it was easy to cancel him because

1192
00:55:37,000 --> 00:55:38,440
Speaker 1: I just stopped liking his music.

1193
00:55:38,680 --> 00:55:41,120
Speaker 3: You know, he stopped trying.

1194
00:55:41,200 --> 00:55:43,279
Speaker 1: Yeah, he stopped trying. The music just.

1195
00:55:43,200 --> 00:55:45,239
Speaker 2: Got weird and people are like you don't get it.

1196
00:55:45,280 --> 00:55:47,480
Speaker 2: This is art and it's like, this is bad music.

1197
00:55:47,680 --> 00:55:49,319
Speaker 1: When did you fall off? When was it cut off? Point?

1198
00:55:50,280 --> 00:55:53,480
Speaker 3: After Beautiful Dark Twist?

1199
00:55:53,640 --> 00:55:54,240
Speaker 1: That was album?

1200
00:55:54,280 --> 00:55:55,480
Speaker 3: What album came out after that?

1201
00:55:55,760 --> 00:55:56,280
Speaker 1: Jesus?

1202
00:55:56,480 --> 00:55:58,160
Speaker 3: Yeah, I didn't even really didn't even.

1203
00:55:58,680 --> 00:56:01,840
Speaker 1: I was rocking with him on Jesus. Yeah, like fully,

1204
00:56:02,040 --> 00:56:04,960
Speaker 1: I was there. I was with him. I saw him

1205
00:56:05,040 --> 00:56:07,200
Speaker 1: at Governor's Ball when he was premiering some of the

1206
00:56:07,200 --> 00:56:09,719
Speaker 1: tracks and there were people leaving the audience when he

1207
00:56:09,800 --> 00:56:11,480
Speaker 1: was like playing I Am a God and shit like that.

1208
00:56:11,560 --> 00:56:11,759
Speaker 3: Yeah.

1209
00:56:11,760 --> 00:56:13,879
Speaker 2: See that's I'm not here for I'm a guy Black,

1210
00:56:13,960 --> 00:56:17,840
Speaker 2: the Skinhead, new Slaves, here for any of these. It

1211
00:56:17,920 --> 00:56:20,960
Speaker 2: was very like Edgy, but that album was like, Yo,

1212
00:56:21,080 --> 00:56:24,239
Speaker 2: you've done Molly like for a whole month and you're

1213
00:56:24,239 --> 00:56:24,839
Speaker 2: feeling like.

1214
00:56:24,880 --> 00:56:27,280
Speaker 3: Oh, I'm creative, I'm about to I'm about to hit.

1215
00:56:27,120 --> 00:56:30,040
Speaker 2: A new wall, right Yeah, so I mean I also,

1216
00:56:30,200 --> 00:56:32,280
Speaker 2: I mean I came back for a Life of Pablo

1217
00:56:32,360 --> 00:56:34,840
Speaker 2: with some bops on that, yeah, and then I and

1218
00:56:34,880 --> 00:56:35,359
Speaker 2: then I left.

1219
00:56:35,400 --> 00:56:37,200
Speaker 1: After Life of Pablo is when I was like, okay,

1220
00:56:37,360 --> 00:56:38,200
Speaker 1: yeah it's time.

1221
00:56:38,320 --> 00:56:40,800
Speaker 3: Yeah, you're talking about Yay and Kidsy Ghosts.

1222
00:56:40,880 --> 00:56:41,200
Speaker 2: Yeah.

1223
00:56:41,280 --> 00:56:43,239
Speaker 1: Yeah, some of the tracks on Kids. He ghosts were good.

1224
00:56:43,320 --> 00:56:44,120
Speaker 1: I love Cuddy.

1225
00:56:44,320 --> 00:56:47,960
Speaker 2: I like Cuddy, but whenever I would listen to Cuddy,

1226
00:56:48,000 --> 00:56:49,480
Speaker 2: I was like, damn. He definitely used to be a

1227
00:56:49,520 --> 00:56:52,560
Speaker 2: cocade Like I just felled the remnants.

1228
00:56:52,560 --> 00:56:57,600
Speaker 3: His music is so like Emo. It's like black Emo Coke.

1229
00:56:57,840 --> 00:57:01,040
Speaker 3: I'm telling here, I've been there, man.

1230
00:57:01,239 --> 00:57:03,960
Speaker 2: I'm like, yo, man, he definitely hung out at Avenue

1231
00:57:04,040 --> 00:57:08,719
Speaker 2: too much too. I'm in the pursuit of happy painess

1232
00:57:08,840 --> 00:57:11,759
Speaker 2: and not knows And Okay, a movie with the best

1233
00:57:11,800 --> 00:57:16,000
Speaker 2: soundtrack that you're like, yo, movie with the best soundtrack?

1234
00:57:16,120 --> 00:57:18,840
Speaker 3: That's hard. That like, we didn't prepare for that. Yeah,

1235
00:57:18,880 --> 00:57:20,040
Speaker 3: before we got here.

1236
00:57:20,000 --> 00:57:23,520
Speaker 2: What were you gonna say, waiting to excel? That was

1237
00:57:23,560 --> 00:57:26,600
Speaker 2: a good soundtrack. Oh wait, No, Black Panther had a

1238
00:57:26,600 --> 00:57:29,360
Speaker 2: good soundtrack. I feel like The Blackman's soundtrack was solid.

1239
00:57:31,160 --> 00:57:31,640
Speaker 2: Who else?

1240
00:57:31,920 --> 00:57:34,480
Speaker 3: I feel like movies don't have good soundtracks anymore. That's

1241
00:57:34,480 --> 00:57:36,640
Speaker 3: what it is. Yeah, it's just like it's not as.

1242
00:57:36,600 --> 00:57:37,480
Speaker 1: Much of like an event.

1243
00:57:37,840 --> 00:57:39,840
Speaker 2: Yeah, I'll tell you a show that had a good soundtrack,

1244
00:57:40,400 --> 00:57:41,920
Speaker 2: Entourage you still have a good soundtrack?

1245
00:57:42,040 --> 00:57:45,000
Speaker 3: Really well, I'm blown away, Okay, I'm.

1246
00:57:44,840 --> 00:57:47,960
Speaker 2: Blown away that you watch when I'm at my mom's

1247
00:57:48,000 --> 00:57:50,280
Speaker 2: house and it you know, it comes on TBS. I'd

1248
00:57:50,280 --> 00:57:52,320
Speaker 2: be like, oh, let me sound let me sound cloud

1249
00:57:53,000 --> 00:57:55,720
Speaker 2: this the edited version where it's like seventeen minutes because

1250
00:57:55,720 --> 00:57:59,280
Speaker 2: I got a censor. But I like, I like something

1251
00:57:59,440 --> 00:58:02,160
Speaker 2: like I feel like that's a job that I would

1252
00:58:02,240 --> 00:58:04,800
Speaker 2: love to be able to do, like to know music

1253
00:58:05,080 --> 00:58:07,720
Speaker 2: so like so well that like I'm just doing the

1254
00:58:07,800 --> 00:58:10,520
Speaker 2: music for a TV show that sounds like an amazing thing.

1255
00:58:11,120 --> 00:58:14,720
Speaker 2: It was Rafael sa Diq and Solange were on Insecure,

1256
00:58:14,760 --> 00:58:15,480
Speaker 2: and I felt it.

1257
00:58:15,600 --> 00:58:17,960
Speaker 3: I felt it. I was like, these are great vibes

1258
00:58:18,000 --> 00:58:21,720
Speaker 3: and it's they only do black artists on Insecure. You peep.

1259
00:58:22,000 --> 00:58:23,760
Speaker 2: Every time I listened to the soundtrack, I was like,

1260
00:58:23,800 --> 00:58:25,720
Speaker 2: I need to go grease my scalp.

1261
00:58:28,000 --> 00:58:31,120
Speaker 3: Oil all over my body, right, moisturize.

1262
00:58:31,840 --> 00:58:34,120
Speaker 2: We're talking about Caucasian bops and I haven't even mentioned

1263
00:58:34,120 --> 00:58:35,040
Speaker 2: Miley Cyrus.

1264
00:58:35,400 --> 00:58:39,080
Speaker 1: Wow, Okay, iconic just for the fact that she started

1265
00:58:39,200 --> 00:58:43,240
Speaker 1: cultural appropriation like dialogue. You think she didn't start it

1266
00:58:43,280 --> 00:58:47,080
Speaker 1: but realized, Yeah, no one called it out until she

1267
00:58:47,280 --> 00:58:49,360
Speaker 1: was doing it with like at the VMA's and everything

1268
00:58:49,360 --> 00:58:50,960
Speaker 1: when she was working, because they were.

1269
00:58:50,800 --> 00:58:53,240
Speaker 2: Like they were saying that she invented torking and all

1270
00:58:53,280 --> 00:58:54,080
Speaker 2: the people were like.

1271
00:58:54,120 --> 00:58:56,160
Speaker 3: Oh, that's not that's not even what that is.

1272
00:58:56,320 --> 00:58:58,800
Speaker 2: Yeah, well because she goofyed, that's what it is. It's

1273
00:58:58,840 --> 00:59:01,400
Speaker 2: like you towerking like that at your haircut is awful.

1274
00:59:01,440 --> 00:59:05,600
Speaker 2: The body is black, like you know, like I feel

1275
00:59:05,640 --> 00:59:10,880
Speaker 2: like what's her name? What's her name? Azelia Iggy was

1276
00:59:11,040 --> 00:59:15,480
Speaker 2: kind of appropriating as well, and she got a completely

1277
00:59:15,480 --> 00:59:18,200
Speaker 2: different act. Got a black scent, right, she was like

1278
00:59:18,320 --> 00:59:22,000
Speaker 2: in costume. Yeah, she was like a beige black face.

1279
00:59:22,400 --> 00:59:23,360
Speaker 2: She got a whole new body.

1280
00:59:23,480 --> 00:59:25,280
Speaker 1: That's the thing is that they never go full black.

1281
00:59:25,280 --> 00:59:27,680
Speaker 1: They always go fake light skin vague, but you know

1282
00:59:27,760 --> 00:59:31,040
Speaker 1: what fake light skin was justin Bieber's best phase. He

1283
00:59:31,160 --> 00:59:33,160
Speaker 1: was giving us bops when he was light skinning.

1284
00:59:33,280 --> 00:59:39,720
Speaker 3: Honestly, what's your what are your favorite bops? The fact

1285
00:59:39,760 --> 00:59:42,360
Speaker 3: that he said he was light skin he had a

1286
00:59:42,440 --> 00:59:43,160
Speaker 3: light skin face.

1287
00:59:43,280 --> 00:59:47,520
Speaker 1: This is he was like cosplaying is those like Chipotle

1288
00:59:47,600 --> 00:59:49,320
Speaker 1: bag light skin dudes you know that have like so

1289
00:59:49,320 --> 00:59:52,880
Speaker 1: many tattoos lights?

1290
00:59:52,400 --> 00:59:54,520
Speaker 3: Okay, this is great.

1291
00:59:54,560 --> 00:59:57,440
Speaker 2: You know Quawk is extra so many lines in this

1292
00:59:57,800 --> 00:59:59,040
Speaker 2: episode today, Where.

1293
00:59:58,840 --> 01:00:03,200
Speaker 1: Are you now? Iconic? You can't where are you now?

1294
01:00:03,360 --> 01:00:04,160
Speaker 1: That I need?

1295
01:00:08,480 --> 01:00:12,120
Speaker 2: Yeah, like David Getta have like a remix to that,

1296
01:00:12,760 --> 01:00:16,160
Speaker 2: Like it's totally house music esque. But that's the thing

1297
01:00:16,360 --> 01:00:18,760
Speaker 2: these white artists when they get with a black producer

1298
01:00:18,880 --> 01:00:22,800
Speaker 2: like Timberland built just Justin Timberlake, Yes, because from the ground,

1299
01:00:24,120 --> 01:00:25,800
Speaker 2: from the.

1300
01:00:25,520 --> 01:00:30,720
Speaker 1: From his rib, he broke off a rib madelake.

1301
01:00:30,000 --> 01:00:33,720
Speaker 3: Just the powder like a little like he built him up.

1302
01:00:33,960 --> 01:00:36,959
Speaker 2: And people don't even like know their music history because

1303
01:00:36,960 --> 01:00:38,880
Speaker 2: they just think that he went straight from and sync

1304
01:00:38,920 --> 01:00:41,280
Speaker 2: to like bomb ass music, and it's like, no, this

1305
01:00:41,360 --> 01:00:43,880
Speaker 2: black dude made him. Yeah, well, he was wearing corn

1306
01:00:43,960 --> 01:00:47,240
Speaker 2: rolls before Timberlake. Let's let's talk about it now. He

1307
01:00:47,320 --> 01:00:50,320
Speaker 2: had the corral he was he had the Averrex jacket,

1308
01:00:50,600 --> 01:00:54,600
Speaker 2: and my god, he was wearing vancing.

1309
01:00:55,600 --> 01:00:58,840
Speaker 3: I had had sneakers in high school.

1310
01:00:58,840 --> 01:01:00,520
Speaker 1: I had an Averx hoodie. I used to that ship

1311
01:01:00,560 --> 01:01:01,240
Speaker 1: every day.

1312
01:01:01,400 --> 01:01:04,760
Speaker 2: Yeah, my snickers had two laces. Yeah, they had a

1313
01:01:04,760 --> 01:01:07,320
Speaker 2: black lace and a white lace. Oh my god, Justin

1314
01:01:07,440 --> 01:01:09,800
Speaker 2: was wearing some Pello Pella jeans. I definitely know.

1315
01:01:09,840 --> 01:01:10,760
Speaker 3: I've seen the face.

1316
01:01:10,800 --> 01:01:12,840
Speaker 1: You remember those of Vsu jeans that had the like

1317
01:01:12,880 --> 01:01:15,280
Speaker 1: samurai in the back flashing her pussy and everybody in

1318
01:01:15,280 --> 01:01:16,520
Speaker 1: the hoods were those for a while.

1319
01:01:16,720 --> 01:01:20,400
Speaker 2: No, that was that popping when all the dudes were

1320
01:01:20,400 --> 01:01:24,680
Speaker 2: wearing like the kimono dragon shirts. Yes, yes, with the

1321
01:01:24,760 --> 01:01:25,480
Speaker 2: dragon sauce.

1322
01:01:25,800 --> 01:01:26,760
Speaker 1: I lovenestly.

1323
01:01:26,800 --> 01:01:28,880
Speaker 2: I want to somebody at the Bodagga in front of

1324
01:01:28,880 --> 01:01:30,280
Speaker 2: me had it on the other day and I took

1325
01:01:30,520 --> 01:01:34,440
Speaker 2: so many photos. And the girls were wearing Sergio Valente jeans.

1326
01:01:34,800 --> 01:01:35,479
Speaker 3: Remember those?

1327
01:01:35,920 --> 01:01:38,920
Speaker 2: They sounds like like the shiny Iceberg jean. You know,

1328
01:01:39,000 --> 01:01:41,880
Speaker 2: it kind of has like the Arizona iced tea print

1329
01:01:42,520 --> 01:01:43,400
Speaker 2: that's on the can.

1330
01:01:43,640 --> 01:01:47,480
Speaker 3: They had them on the jean. Oh, like hibiscus flowers.

1331
01:01:48,880 --> 01:01:51,920
Speaker 2: No, it's just like it seems like very Arizonian.

1332
01:01:52,320 --> 01:01:53,400
Speaker 1: Did you have gribos?

1333
01:01:54,080 --> 01:01:59,280
Speaker 3: I had? Do we know how to say?

1334
01:01:59,880 --> 01:02:06,800
Speaker 1: Is gerbo gerbod? It's what I said.

1335
01:02:06,920 --> 01:02:09,480
Speaker 3: I had the I had the puffy jacket. I stole

1336
01:02:09,560 --> 01:02:14,040
Speaker 3: somebody's jacket and wore it all through high school. Gribo.

1337
01:02:15,160 --> 01:02:17,920
Speaker 2: Okay, Well, I feel like, uh, you know, we we

1338
01:02:18,000 --> 01:02:21,160
Speaker 2: hit all points in this episode today. But I definitely

1339
01:02:21,200 --> 01:02:23,840
Speaker 2: want to see what's your five last songs that you

1340
01:02:23,920 --> 01:02:25,800
Speaker 2: played on your Spotify list?

1341
01:02:25,920 --> 01:02:28,560
Speaker 3: Five l five last song. Ye, that's such a weird.

1342
01:02:28,680 --> 01:02:29,360
Speaker 1: How do I find that?

1343
01:02:29,440 --> 01:02:29,640
Speaker 3: Yeah?

1344
01:02:29,640 --> 01:02:32,200
Speaker 2: How does one of the last five songs on your playlist. Sorry,

1345
01:02:32,240 --> 01:02:33,080
Speaker 2: I might have said it.

1346
01:02:33,120 --> 01:02:37,000
Speaker 1: On my Caucasian playlist or just that I've listened to recently.

1347
01:02:37,080 --> 01:02:39,320
Speaker 3: Last five artists that you're listening to maybe listen.

1348
01:02:39,400 --> 01:02:43,000
Speaker 1: Okay, are we all doing this? How do you feel

1349
01:02:43,000 --> 01:02:47,880
Speaker 1: about Lord Loring pop talent?

1350
01:02:48,040 --> 01:02:48,440
Speaker 3: I like her.

1351
01:02:48,600 --> 01:02:50,520
Speaker 2: I just want her to like have a snack or

1352
01:02:50,640 --> 01:02:53,600
Speaker 2: she just seemed angry, like she's sad and she needs

1353
01:02:53,600 --> 01:02:55,960
Speaker 2: a sandwich. You know, you know it's it's hard being

1354
01:02:56,040 --> 01:02:59,880
Speaker 2: twenty one. Okay, I'll give you my last five Santa

1355
01:03:00,080 --> 01:03:06,320
Speaker 2: Old Cuck Cuckoo, uh Clarie Brown, f U b m

1356
01:03:06,560 --> 01:03:13,240
Speaker 2: M Billy Elish and Khalid Lovely or Khalid uh Gerald

1357
01:03:13,280 --> 01:03:15,960
Speaker 2: LeVert mister two damn good. Wow you do that and

1358
01:03:16,040 --> 01:03:21,160
Speaker 2: now listen. And Chromeo must have been featuring drum. I

1359
01:03:21,200 --> 01:03:25,080
Speaker 2: love drum. Oh yeah, that's a good last five songs.

1360
01:03:26,280 --> 01:03:29,440
Speaker 1: My last couple of artists with playbook CARDI, Charlie xc X,

1361
01:03:30,360 --> 01:03:34,680
Speaker 1: Saint Vincent's is a Sophie No Name? I love Yeah

1362
01:03:34,840 --> 01:03:35,280
Speaker 1: no Name?

1363
01:03:35,440 --> 01:03:38,040
Speaker 3: And that song Window Yes, I like that?

1364
01:03:38,120 --> 01:03:41,080
Speaker 2: Yeah, yeah, okay great adding that to go ahead Window

1365
01:03:41,160 --> 01:03:42,200
Speaker 2: And did you say Sophie?

1366
01:03:42,320 --> 01:03:46,240
Speaker 1: Yeah, who's Sophie Like this electronic pop artist. It's really good.

1367
01:03:46,280 --> 01:03:49,560
Speaker 1: It's like it's like early Britney Spears, but like on crack.

1368
01:03:49,680 --> 01:03:52,560
Speaker 3: Oh, so really just early Britney Spears. Yeah.

1369
01:03:53,720 --> 01:03:56,600
Speaker 2: Is it like when you walk into Armani Exchange, that

1370
01:03:56,640 --> 01:03:59,600
Speaker 2: song might be playing. No, it would be like walking

1371
01:03:59,640 --> 01:04:05,560
Speaker 2: into her Money Exchange. And when you go into a

1372
01:04:05,560 --> 01:04:08,520
Speaker 2: Diesel Story maybe DJ play it would be like opening

1373
01:04:08,560 --> 01:04:09,960
Speaker 2: ceremony probably.

1374
01:04:09,840 --> 01:04:12,720
Speaker 3: Maybe even like okay, okay, okay, we got that.

1375
01:04:16,800 --> 01:04:21,320
Speaker 2: I'm like, no, I'm like, remember when you go into

1376
01:04:21,560 --> 01:04:22,560
Speaker 2: Buffalo Exchange?

1377
01:04:23,320 --> 01:04:24,920
Speaker 3: What would be playing at a Forever twenty one?

1378
01:04:25,120 --> 01:04:25,240
Speaker 2: Right?

1379
01:04:25,880 --> 01:04:27,200
Speaker 3: Because Baliaga?

1380
01:04:28,360 --> 01:04:32,600
Speaker 2: Okay, So my last five are Cardi B Money, Her,

1381
01:04:33,360 --> 01:04:40,400
Speaker 2: I Have, Amber, Oliver, Big Sean so Sorry and I'm

1382
01:04:40,960 --> 01:04:42,800
Speaker 2: so sorry, and Rihanna.

1383
01:04:43,200 --> 01:04:44,400
Speaker 1: Classic Rihanna song.

1384
01:04:47,960 --> 01:04:51,120
Speaker 2: I like, I feel like Rihanna makes good music for

1385
01:04:51,240 --> 01:04:55,760
Speaker 2: somebody who can't sing, but her music is enjoyable. I

1386
01:04:55,920 --> 01:05:00,000
Speaker 2: enjoy listening to her. Yeah, but she don't like you.

1387
01:05:00,080 --> 01:05:03,080
Speaker 2: She not writing none of that. She's barely singing it.

1388
01:05:03,480 --> 01:05:07,280
Speaker 2: If you see Rihanna live, like she might maybe be

1389
01:05:07,600 --> 01:05:08,520
Speaker 2: too high to perform.

1390
01:05:08,840 --> 01:05:10,680
Speaker 3: Yeah, but you know she's fun.

1391
01:05:11,000 --> 01:05:13,760
Speaker 2: Rihanna is that like popular girl in high school You're like,

1392
01:05:14,080 --> 01:05:16,240
Speaker 2: I don't see what she's doing.

1393
01:05:16,000 --> 01:05:17,960
Speaker 3: But I kind of get it. She's just coasting through

1394
01:05:18,000 --> 01:05:18,280
Speaker 3: the four.

1395
01:05:18,360 --> 01:05:23,320
Speaker 2: Yeah, she won't never be in class, but she like

1396
01:05:23,400 --> 01:05:24,560
Speaker 2: she'd be surfing looks.

1397
01:05:25,360 --> 01:05:27,600
Speaker 3: Her locker is always where everybody's hanging out, the.

1398
01:05:27,560 --> 01:05:31,000
Speaker 1: Looks, the the look icon is like really her role.

1399
01:05:31,040 --> 01:05:33,360
Speaker 1: I feel like every time she's changed her hair, it's

1400
01:05:33,400 --> 01:05:34,840
Speaker 1: been just a trend.

1401
01:05:34,640 --> 01:05:35,560
Speaker 3: For the next five Yeah.

1402
01:05:35,560 --> 01:05:37,080
Speaker 2: And then you see bitches with them, like we don't

1403
01:05:37,080 --> 01:05:39,200
Speaker 2: have to remember the asymmetrical body.

1404
01:05:39,280 --> 01:05:42,120
Speaker 3: Yes, everybody who's running around getting the umbrella.

1405
01:05:41,760 --> 01:05:45,840
Speaker 1: BA, the cherry red hair, star neck tattoos.

1406
01:05:46,560 --> 01:05:49,800
Speaker 4: No, not even the remember she got THEO when I

1407
01:05:49,840 --> 01:05:53,640
Speaker 4: got that? And then like the Roman numerals on their shoulder. Listen,

1408
01:05:53,680 --> 01:05:56,920
Speaker 4: everything Rihanna's doing, people are copying. Yeah, but like remember

1409
01:05:56,920 --> 01:06:01,000
Speaker 4: when Beyonce had them short harducal balls. That must have

1410
01:06:01,040 --> 01:06:02,160
Speaker 4: been when jay Z was cheating.

1411
01:06:02,280 --> 01:06:04,000
Speaker 3: That's when she lost us. That's when I was like,

1412
01:06:04,080 --> 01:06:08,600
Speaker 3: Beyonce can't do everything well. Beyonce's street style is not good. No,

1413
01:06:09,040 --> 01:06:09,480
Speaker 3: she don't.

1414
01:06:09,960 --> 01:06:12,040
Speaker 2: She don't dress well, she's not in the streets too,

1415
01:06:12,600 --> 01:06:14,919
Speaker 2: I mean, but like when you see her like walk

1416
01:06:14,960 --> 01:06:17,320
Speaker 2: from the car to wherever she's going. You'd be like,

1417
01:06:17,440 --> 01:06:19,280
Speaker 2: it'll be like right from the runway, but it'll be like.

1418
01:06:20,800 --> 01:06:21,200
Speaker 1: It doesn't.

1419
01:06:21,240 --> 01:06:23,600
Speaker 3: It looks exactly like how they had it on, except

1420
01:06:23,640 --> 01:06:27,240
Speaker 3: you have hips. They do. They come in al eight.

1421
01:06:33,560 --> 01:06:37,400
Speaker 2: This has been outstanding. We love talking to you. Do

1422
01:06:37,520 --> 01:06:38,800
Speaker 2: you have anything coming up?

1423
01:06:39,280 --> 01:06:42,000
Speaker 1: Yeah? A show Union Hall that you are going to

1424
01:06:42,040 --> 01:06:42,200
Speaker 1: be on.

1425
01:06:42,480 --> 01:06:44,440
Speaker 3: Oh yes, yes, yesterday.

1426
01:06:45,040 --> 01:06:48,080
Speaker 1: It's January seventh, fab Yeah, and then I got some

1427
01:06:48,160 --> 01:06:51,000
Speaker 1: shows of Carolines on. I think it's the tenth to

1428
01:06:51,080 --> 01:06:51,480
Speaker 1: the twelfth.

1429
01:06:51,560 --> 01:06:53,480
Speaker 3: Okay, they're not coming on the eleventh because they're going

1430
01:06:53,520 --> 01:06:54,040
Speaker 3: to be at our show.

1431
01:06:55,800 --> 01:06:57,680
Speaker 1: Okay, so we don't get the tenth in the twelve,

1432
01:06:57,720 --> 01:06:58,960
Speaker 1: and then we're going to be a Union Hall on

1433
01:06:59,000 --> 01:06:59,400
Speaker 1: the eleven.

1434
01:06:59,560 --> 01:07:02,200
Speaker 3: Yeah, ok god, oh my god.

1435
01:07:02,200 --> 01:07:04,760
Speaker 2: Okay. Well we give you guys so much. I hope

1436
01:07:04,760 --> 01:07:07,080
Speaker 2: you guys are writing all these songs down. Yes, we

1437
01:07:07,200 --> 01:07:09,520
Speaker 2: gave you some really really good ones. Marie, you really

1438
01:07:09,760 --> 01:07:16,720
Speaker 2: surprised me. I listened to everything except New Eminem. I

1439
01:07:16,760 --> 01:07:19,280
Speaker 2: don't know what he's feeling. He's angry and he's like

1440
01:07:20,840 --> 01:07:23,640
Speaker 2: I like old Eminem when he was like Robin Banks.

1441
01:07:24,240 --> 01:07:25,920
Speaker 2: Do you I remember that album.

1442
01:07:27,400 --> 01:07:40,080
Speaker 3: I'm just Marshall Mathers and this has been a Forever

1443
01:07:40,160 --> 01:07:44,520
Speaker 3: Dog production executive produced by Brett Baham, Joe ccilio, and

1444
01:07:44,680 --> 01:07:50,080
Speaker 3: Alex Ramsey. For more original podcasts, please visit Foreverdog Podcasts

1445
01:07:50,120 --> 01:07:55,280
Speaker 3: dot com and subscribe to our shows on Apple Podcasts, Spotify.

1446
01:07:55,160 --> 01:07:56,680
Speaker 1: Or wherever you get your podcasts.

1447
01:07:57,000 --> 01:07:59,760
Speaker 3: Keep up with the latest Forever Dog news by following

1448
01:07:59,840 --> 01:08:04,080
Speaker 3: us on Twitter and Instagram at Forever Dog Team, and

1449
01:08:04,240 --> 01:08:06,120
Speaker 3: liking our page on Facebook.