1 00:00:00,800 --> 00:00:03,760 Speaker 1: Scrubbing In with Becca Tilly and Tanya Red and I 2 00:00:03,880 --> 00:00:13,120 Speaker 1: Heart Radio podcast. Hello, everybody, we are scrubbing in. We 3 00:00:13,160 --> 00:00:18,439 Speaker 1: are scrubbing in. It is Monday, February, which is Galantine's Day, 4 00:00:18,480 --> 00:00:21,159 Speaker 1: which is also the day after the Super Bowl, and 5 00:00:21,360 --> 00:00:25,480 Speaker 1: I am feeling ferocious. Oh my goodness, and what kind 6 00:00:25,520 --> 00:00:28,159 Speaker 1: of way in a way that I feel like I 7 00:00:28,160 --> 00:00:33,520 Speaker 1: can take on the world. What has led? Was it, Rhanna? 8 00:00:34,640 --> 00:00:39,240 Speaker 1: It was she gave you a ferocious fire in my belly? 9 00:00:39,720 --> 00:00:45,040 Speaker 1: Okay tell me, okay, why Because I thought this woman 10 00:00:46,280 --> 00:00:49,680 Speaker 1: taking on probably the biggest performance of her life right 11 00:00:50,400 --> 00:00:55,840 Speaker 1: mentally exhausting, physically exhausting, time consuming, and she did it 12 00:00:56,720 --> 00:01:03,080 Speaker 1: whilst being pregnant. If she can do that, I can 13 00:01:03,120 --> 00:01:07,840 Speaker 1: do it all too, you can. Yeah. And then my 14 00:01:07,920 --> 00:01:12,839 Speaker 1: boyfriend Robbie reminded me that Serena Williams won a Grand 15 00:01:12,880 --> 00:01:17,720 Speaker 1: Slam whilst she was pregnant, which is also physically wild 16 00:01:18,200 --> 00:01:23,200 Speaker 1: and amazing, very physical. Was that me? Yeah, I heard that, 17 00:01:24,840 --> 00:01:29,640 Speaker 1: I'd be echoing, Yeah, um, yeah, she you know what 18 00:01:29,680 --> 00:01:33,000 Speaker 1: it is? It almost like you're right. It was probably 19 00:01:33,040 --> 00:01:36,720 Speaker 1: the biggest performance of her lifetime. And she just seems 20 00:01:36,800 --> 00:01:39,959 Speaker 1: so cool, like she was just like, thanks for having me, 21 00:01:40,200 --> 00:01:42,720 Speaker 1: happy to be here, happy to be here on this 22 00:01:42,920 --> 00:01:47,000 Speaker 1: rising platform. That was a little lobbly, like is she 23 00:01:47,160 --> 00:01:49,320 Speaker 1: dying on the inside right now? But it was just 24 00:01:49,480 --> 00:01:52,400 Speaker 1: so cool because I think there is this kind of 25 00:01:53,280 --> 00:01:54,600 Speaker 1: I don't know, and I've heard a lot of women 26 00:01:54,640 --> 00:01:56,360 Speaker 1: say before, like you can't have it all. You just 27 00:01:56,360 --> 00:01:59,520 Speaker 1: can't have it all the same time. And I feel like, 28 00:02:00,760 --> 00:02:03,960 Speaker 1: as these women are doing these huge momentous things, it's 29 00:02:04,000 --> 00:02:06,840 Speaker 1: like breaking that glass ceiling just like a little bit more, 30 00:02:06,920 --> 00:02:11,480 Speaker 1: you know. Yeah, And granted, listen, I think you're you're 31 00:02:11,560 --> 00:02:15,600 Speaker 1: able to do more when you have help doing all 32 00:02:15,600 --> 00:02:18,119 Speaker 1: these things. I think she has a massive team that's 33 00:02:18,160 --> 00:02:21,760 Speaker 1: so talented and creative alongside her. If I tried to 34 00:02:21,760 --> 00:02:25,320 Speaker 1: do a Super Bowl performance songs pregnancy, I wouldn't be 35 00:02:25,320 --> 00:02:27,360 Speaker 1: able to do it, you know what I mean, if 36 00:02:28,919 --> 00:02:31,480 Speaker 1: we're all different levels correct? Correct? Know what I'm saying. 37 00:02:31,480 --> 00:02:34,160 Speaker 1: Even if I had like a team of choreographers and 38 00:02:34,160 --> 00:02:38,160 Speaker 1: and creative specialists and stuff like, I would not be 39 00:02:38,200 --> 00:02:41,040 Speaker 1: able to do a Super Bowl performance me right, Neither 40 00:02:41,080 --> 00:02:44,760 Speaker 1: would I write. So it's like different strokes, different folks. Yeah, 41 00:02:44,800 --> 00:02:47,320 Speaker 1: And she took that on because she knew because I 42 00:02:47,680 --> 00:02:50,600 Speaker 1: don't know when she announced it or when they figured 43 00:02:50,639 --> 00:02:52,119 Speaker 1: out that she was going to do the Super Bowl, 44 00:02:52,160 --> 00:02:54,799 Speaker 1: but I was assuming this before she was pregnant, Right, Yeah, 45 00:02:54,840 --> 00:02:57,720 Speaker 1: I think so because you're committed that very like you 46 00:02:57,760 --> 00:03:00,880 Speaker 1: would commit to that a long time. But she could 47 00:03:00,880 --> 00:03:03,680 Speaker 1: have easily been like, listen, I found out I pregnant, 48 00:03:03,720 --> 00:03:05,680 Speaker 1: I don't wanted to do it. And she was like, 49 00:03:06,040 --> 00:03:08,359 Speaker 1: I'm not going to let these people down. They're waiting 50 00:03:08,400 --> 00:03:10,040 Speaker 1: for me. I'm not going to let these people down. 51 00:03:10,080 --> 00:03:13,720 Speaker 1: I'm not gonna skip this opportunity. This is my time, 52 00:03:13,880 --> 00:03:16,920 Speaker 1: this is my time, and she crushed it. I was like, 53 00:03:17,160 --> 00:03:20,240 Speaker 1: I was Haley and I made pizzas and I was 54 00:03:20,440 --> 00:03:22,280 Speaker 1: I realized I was just holding a piece of pizza 55 00:03:22,360 --> 00:03:24,959 Speaker 1: in my hand the whole performance. I never once took 56 00:03:24,960 --> 00:03:27,680 Speaker 1: a bite because I was just like glued to the screen. Yeah. 57 00:03:27,919 --> 00:03:31,680 Speaker 1: It was amazing. It was amazing. The dancers were phenomenal. 58 00:03:32,120 --> 00:03:35,680 Speaker 1: Like they danced for nine minutes, right, wasn't it nine minutes? 59 00:03:35,800 --> 00:03:38,760 Speaker 1: I think it was thirteen. They danced for a long time. Yeah, 60 00:03:39,120 --> 00:03:41,680 Speaker 1: it's We were watching it and we had this debate 61 00:03:41,720 --> 00:03:43,560 Speaker 1: because you know, at the very beginning, she rubbed her 62 00:03:43,600 --> 00:03:45,960 Speaker 1: belly and so we were like, ISSU, oh my gosh, 63 00:03:46,080 --> 00:03:49,360 Speaker 1: she pregnant. And Paulina was like, you guys, she's postpartum. 64 00:03:50,240 --> 00:03:52,920 Speaker 1: Stop comment kind of like, stop commenting about her body. 65 00:03:53,040 --> 00:03:55,920 Speaker 1: And I'm like, I'm pretty sure she's pregnant. And then 66 00:03:55,920 --> 00:03:58,560 Speaker 1: like the second time she did it again when she 67 00:03:58,600 --> 00:04:01,600 Speaker 1: said like baby or something, I was like, up, sure 68 00:04:01,600 --> 00:04:04,800 Speaker 1: he's pregnant. I'm not trying to outfit talk about a 69 00:04:04,800 --> 00:04:07,120 Speaker 1: woman's body, but I feel like she wants us to 70 00:04:07,280 --> 00:04:10,320 Speaker 1: know that she's pregnant. That's what I was because Haley 71 00:04:10,320 --> 00:04:11,920 Speaker 1: and I were going back and forth and I was like, 72 00:04:12,360 --> 00:04:15,880 Speaker 1: I think that that outfit specifically she was showing her 73 00:04:16,200 --> 00:04:19,039 Speaker 1: like stomach and her belly, So I think that was 74 00:04:19,160 --> 00:04:21,120 Speaker 1: very intentional. I don't think they would have put her 75 00:04:21,640 --> 00:04:25,320 Speaker 1: in like a outfit that like your eyes went directly 76 00:04:25,400 --> 00:04:28,600 Speaker 1: to that spot, right, But it was just epic. It 77 00:04:28,720 --> 00:04:30,359 Speaker 1: was epic. So I woke up this morning with like 78 00:04:30,360 --> 00:04:34,480 Speaker 1: a little bit more of a pep in my step um, 79 00:04:34,560 --> 00:04:38,880 Speaker 1: with a little bit more fire in my loins. In 80 00:04:39,640 --> 00:04:43,039 Speaker 1: the loins, fired up, fired up. So what does that 81 00:04:43,080 --> 00:04:45,280 Speaker 1: look like? Like? What are those things that what are 82 00:04:45,279 --> 00:04:47,599 Speaker 1: you doing with the fire? Well? It was an interesting. 83 00:04:47,600 --> 00:04:51,760 Speaker 1: It's an interesting dichotomy. Is that the word that I 84 00:04:51,839 --> 00:04:53,520 Speaker 1: was a pickle, that I was in this week because 85 00:04:53,560 --> 00:04:54,800 Speaker 1: we found out we did not get a New York 86 00:04:54,839 --> 00:04:59,279 Speaker 1: Times best seller. So I was down, which is okay, 87 00:04:59,320 --> 00:05:02,719 Speaker 1: by the way, your girl was down. She was down. 88 00:05:03,680 --> 00:05:07,640 Speaker 1: I will admit it here. I cried. But I was 89 00:05:07,640 --> 00:05:09,520 Speaker 1: attached to an outcome, and that's never the way I 90 00:05:09,520 --> 00:05:13,520 Speaker 1: like to live my life. But I guess that wasn't 91 00:05:14,080 --> 00:05:15,880 Speaker 1: I thought I was going to be fine, and I am. 92 00:05:15,960 --> 00:05:18,280 Speaker 1: I am finding it's not the end all beyond and 93 00:05:18,279 --> 00:05:20,960 Speaker 1: it's not the goal of the book. However, I did 94 00:05:20,960 --> 00:05:23,040 Speaker 1: attach myself to the outcome. So I was really low. 95 00:05:23,120 --> 00:05:26,520 Speaker 1: And so this Rihanna performance was just like the craziest 96 00:05:26,560 --> 00:05:35,640 Speaker 1: timing because I was like, you need Yeah, you can't. 97 00:05:36,400 --> 00:05:39,560 Speaker 1: You can't keep a fierce woman down. You can't keep 98 00:05:39,560 --> 00:05:42,599 Speaker 1: her down when the fire is in the loins. She's 99 00:05:42,680 --> 00:05:46,479 Speaker 1: no longer down. No, no, no, okay. But on a 100 00:05:46,520 --> 00:05:49,080 Speaker 1: more serious note, I do I think you can be 101 00:05:49,240 --> 00:05:53,080 Speaker 1: fine with the results of that and also be disappointed. Yeah. 102 00:05:53,160 --> 00:05:58,000 Speaker 1: I was a little more than disappointed, though, down, bummed, sorrowful, sorrowful, 103 00:05:58,520 --> 00:06:01,560 Speaker 1: and then be able to go alright. Alright, moving on, 104 00:06:01,720 --> 00:06:06,640 Speaker 1: moving on, yeah, next next time, yeah, next, next book, 105 00:06:07,560 --> 00:06:11,480 Speaker 1: next book. We'll get there. Um, you're in my t 106 00:06:11,640 --> 00:06:14,159 Speaker 1: best seller in my book. I do get to say, though, 107 00:06:14,760 --> 00:06:18,080 Speaker 1: I didn't know how the system works where you're like 108 00:06:18,120 --> 00:06:21,240 Speaker 1: competing against books that have already been out and there 109 00:06:21,240 --> 00:06:24,800 Speaker 1: were some large names that you were so I'm not 110 00:06:24,800 --> 00:06:26,760 Speaker 1: really sure how it all works either. To be honest, 111 00:06:27,040 --> 00:06:29,279 Speaker 1: it's really not how you think it is. It's not 112 00:06:29,360 --> 00:06:32,680 Speaker 1: a numbers game. It's very objective. So I'm just gonna 113 00:06:32,760 --> 00:06:34,640 Speaker 1: let it be. I'm not gonna try and get the 114 00:06:34,680 --> 00:06:37,560 Speaker 1: behind the science of it. Yeah, yeah, yeah, But I 115 00:06:37,600 --> 00:06:41,360 Speaker 1: do think that's a really good awareness of because your 116 00:06:41,440 --> 00:06:44,960 Speaker 1: whole one of your favorite quote quotes is not to 117 00:06:45,120 --> 00:06:48,599 Speaker 1: get attached to the outcome. Correct, open to the possibility, 118 00:06:48,760 --> 00:06:51,800 Speaker 1: not attached to the outcome. But sometimes we do get it. 119 00:06:51,920 --> 00:06:56,080 Speaker 1: Sometimes we do, not even realizing attached ourselves. Correct, we 120 00:06:56,160 --> 00:07:02,720 Speaker 1: had really attached. We had latched on ourselves. So here 121 00:07:02,720 --> 00:07:05,920 Speaker 1: we are. Okay, So okay, So that was in the past, 122 00:07:06,080 --> 00:07:08,359 Speaker 1: and now we are moving on to fire in the 123 00:07:08,400 --> 00:07:12,400 Speaker 1: loins future. What does that look like? Ferociousness just in 124 00:07:13,120 --> 00:07:19,560 Speaker 1: everything and attacking, attacking live anything specific or no you know, 125 00:07:19,600 --> 00:07:25,280 Speaker 1: it's been a night. Yeah, it's just a general general start. Correct. 126 00:07:25,880 --> 00:07:31,840 Speaker 1: Did it give you any sort of like I have 127 00:07:31,960 --> 00:07:35,600 Speaker 1: I've ever gotten that. That's disappointing. But at Crystal to 128 00:07:35,640 --> 00:07:41,280 Speaker 1: do a quick edit of that. Um no, Well, so 129 00:07:41,360 --> 00:07:45,240 Speaker 1: Haley and I went to um it's called Three Rivers, 130 00:07:45,240 --> 00:07:47,440 Speaker 1: but it's like next to the Sequoya National Park where 131 00:07:47,440 --> 00:07:49,760 Speaker 1: the big trees are. We really like to go to 132 00:07:49,800 --> 00:07:52,720 Speaker 1: the trees. You know, when you're feeling like overwhelmed by things, 133 00:07:52,920 --> 00:07:55,040 Speaker 1: I don't. I didn't really have anything that was overwhelming me. 134 00:07:55,120 --> 00:07:57,400 Speaker 1: I did find your perspective very interesting, Like, wow, it 135 00:07:57,400 --> 00:07:59,920 Speaker 1: feels so cool to be small and to feel small, 136 00:08:00,200 --> 00:08:02,880 Speaker 1: you know how Like feeling small sometimes it's like the 137 00:08:02,920 --> 00:08:05,040 Speaker 1: worst feeling because like if you're in a room of 138 00:08:05,080 --> 00:08:07,560 Speaker 1: people and they make you feel small, that's a bad 139 00:08:07,600 --> 00:08:10,840 Speaker 1: feeling small. But then when you're next to like the ocean, 140 00:08:10,920 --> 00:08:14,000 Speaker 1: you're next these like massive giant trees and you feel small, 141 00:08:14,040 --> 00:08:17,680 Speaker 1: You're like, wow, my, it's a total perspective shift over. 142 00:08:17,800 --> 00:08:21,760 Speaker 1: Like problems are still problems, but in the grand scheme 143 00:08:21,760 --> 00:08:24,200 Speaker 1: of things, it's all things are going to be just fine. 144 00:08:24,880 --> 00:08:26,400 Speaker 1: I don't even know what I was feeling. I don't 145 00:08:26,400 --> 00:08:29,280 Speaker 1: even know like what problems I was feeling on the inside, 146 00:08:29,280 --> 00:08:34,240 Speaker 1: but the feeling yeah yeah, um. And so we went 147 00:08:34,240 --> 00:08:38,080 Speaker 1: to the trees and we did not pack clothes like 148 00:08:38,160 --> 00:08:41,480 Speaker 1: for snow, because I think Hailey looked where we were 149 00:08:41,480 --> 00:08:43,199 Speaker 1: staying and it was like in the fifties sixties, so 150 00:08:43,240 --> 00:08:45,320 Speaker 1: we're like, oh, it's probably gonna be like really nice 151 00:08:45,400 --> 00:08:47,679 Speaker 1: up in the trees. We get up there. Luckily we 152 00:08:47,760 --> 00:08:50,560 Speaker 1: had like snow jackets and stuff and in the car, 153 00:08:50,840 --> 00:08:54,440 Speaker 1: and it was like probably eight feet of snow, so 154 00:08:54,480 --> 00:08:56,040 Speaker 1: we were able to actually go up to the tree, 155 00:08:56,040 --> 00:08:58,319 Speaker 1: which you're not normally able to go up to because 156 00:08:58,320 --> 00:09:00,320 Speaker 1: everyone was like messaging me like did you over the 157 00:09:00,320 --> 00:09:03,840 Speaker 1: fence because you're not supposed to cross it. People to 158 00:09:03,880 --> 00:09:06,280 Speaker 1: the park ranger and he was like, you can go 159 00:09:06,360 --> 00:09:08,800 Speaker 1: up and touch. It's a rare moment. So we just 160 00:09:08,840 --> 00:09:12,000 Speaker 1: had like the best time. We made pizzas in the 161 00:09:12,679 --> 00:09:16,640 Speaker 1: stone oven fire started to fire ourselves, but the fire 162 00:09:17,040 --> 00:09:21,240 Speaker 1: watched the Super Bowl outside modern women, we really are. Yeah, 163 00:09:21,320 --> 00:09:23,480 Speaker 1: I gotta say, it's really nice dating a woman in 164 00:09:23,480 --> 00:09:26,560 Speaker 1: this sense that like she had every meal prepared because 165 00:09:26,559 --> 00:09:28,080 Speaker 1: we just stayed at the house and cook so she 166 00:09:28,120 --> 00:09:31,040 Speaker 1: had every single meal, like prepared, like she cooked fish 167 00:09:31,040 --> 00:09:34,000 Speaker 1: in the oven. One night, we had pasta. We had 168 00:09:34,320 --> 00:09:37,040 Speaker 1: just prepped. You know, it's really nice. I can say 169 00:09:37,120 --> 00:09:40,160 Speaker 1: dating a man, he does the same on the barbecue though, 170 00:09:40,200 --> 00:09:42,600 Speaker 1: like that guy, you can do anything on the barbecue. 171 00:09:42,600 --> 00:09:46,200 Speaker 1: I will say, Robbie is a very good prepared gentleman. Yes, 172 00:09:46,240 --> 00:09:48,640 Speaker 1: and prepared gentlemen he is. Yeah, I guess it's just 173 00:09:48,760 --> 00:09:50,960 Speaker 1: dating someone who's prepared, because I guess I'm a woman 174 00:09:51,000 --> 00:09:52,440 Speaker 1: and I would never do that, so I guess it 175 00:09:52,440 --> 00:09:54,280 Speaker 1: has nothing to do with that. We were missed at 176 00:09:54,280 --> 00:09:56,440 Speaker 1: our Super Bowl parte. It was a handful. It was 177 00:09:56,480 --> 00:09:58,679 Speaker 1: not really a big parte. It was like a handful 178 00:09:58,720 --> 00:10:01,240 Speaker 1: of people, but it's a nice idea all had, honestly, 179 00:10:01,480 --> 00:10:04,480 Speaker 1: you know, it was interesting. We had maybe, let's see, 180 00:10:04,480 --> 00:10:07,080 Speaker 1: including us, it was seven or eight people, so that's 181 00:10:07,080 --> 00:10:10,080 Speaker 1: not a big amount of people. I was cooking. We 182 00:10:10,080 --> 00:10:12,240 Speaker 1: were cooking and prepping, like I made like this giant 183 00:10:12,320 --> 00:10:15,200 Speaker 1: Jennifer Fisher salad and he'd like steak and corn, and 184 00:10:15,240 --> 00:10:18,080 Speaker 1: we like made fresh quaca moli. We were cooking like. 185 00:10:18,120 --> 00:10:20,880 Speaker 1: I was cooking, preparing and doing stuffing the majority of 186 00:10:20,920 --> 00:10:23,240 Speaker 1: the game. Yeah, And I was like, wow, this is 187 00:10:23,280 --> 00:10:26,160 Speaker 1: probably people order food and don't do this. I've never 188 00:10:26,200 --> 00:10:29,760 Speaker 1: seen someone make a full steak dinner for everybody. But 189 00:10:30,440 --> 00:10:32,520 Speaker 1: I was like, I might be coming there next year. 190 00:10:33,760 --> 00:10:39,720 Speaker 1: My expectations, Hi, if I got I'm expecting the medium 191 00:10:40,160 --> 00:10:44,920 Speaker 1: cooked steak. Um. Yeah it was. I loved the game 192 00:10:45,000 --> 00:10:49,000 Speaker 1: was so great. Like, did you watch the game? It 193 00:10:49,120 --> 00:10:53,320 Speaker 1: was such a I'd say maybe the last like five minutes. 194 00:10:53,400 --> 00:10:56,080 Speaker 1: So did you watch the commercials? Yeah? But again I 195 00:10:56,080 --> 00:10:58,000 Speaker 1: was like cooking. I was prepping. I was chopping. I was, 196 00:10:58,800 --> 00:11:02,560 Speaker 1: you know, making my spa while or for everybody. Okay, 197 00:11:02,640 --> 00:11:07,720 Speaker 1: maybe I'm rethinking the Super Bowl water you let me 198 00:11:07,760 --> 00:11:11,079 Speaker 1: tell you they guests very much enjoyed my lemon squeezed 199 00:11:11,080 --> 00:11:14,839 Speaker 1: pitcher and my strawberry muddled water. Oh wow, that is 200 00:11:14,880 --> 00:11:19,360 Speaker 1: pretty nice. Actually, thank you m Yeah, the commercials, I 201 00:11:19,400 --> 00:11:22,600 Speaker 1: didn't really have a favorite commercial. I knew which one 202 00:11:22,600 --> 00:11:25,000 Speaker 1: I liked if I may for some reason this with 203 00:11:25,040 --> 00:11:28,520 Speaker 1: the doubt to me, the Dorrito's commercial with Jack Harlow. Okay, 204 00:11:29,120 --> 00:11:31,920 Speaker 1: that one was inspired by the shape of the dorrito, which, 205 00:11:31,960 --> 00:11:34,520 Speaker 1: as you know, is a triangle. That's to play the 206 00:11:34,559 --> 00:11:40,040 Speaker 1: triangle musically. It became so popular everybody started playing the triangle. 207 00:11:40,040 --> 00:11:43,160 Speaker 1: You couldn't keep triangles and talking. Eventually the triangle replaced 208 00:11:43,160 --> 00:11:45,920 Speaker 1: the British Pound, which I thought was very funny. And 209 00:11:46,000 --> 00:11:49,560 Speaker 1: then um he went oh he was up to the 210 00:11:49,559 --> 00:11:54,520 Speaker 1: award for best triangle playing and he lost Elton John. Yeah, 211 00:11:54,640 --> 00:11:59,360 Speaker 1: I enjoyed it. It was a journey by my breaking 212 00:11:59,360 --> 00:12:02,440 Speaker 1: bad one that was a good one. Watched Freak then 213 00:12:02,480 --> 00:12:05,480 Speaker 1: you wouldn't appreciate it, honestly. But you know what I 214 00:12:05,600 --> 00:12:08,320 Speaker 1: felt during this year of the commercials, I feel like 215 00:12:08,720 --> 00:12:13,280 Speaker 1: people rushed. They're trying to get there, like big moment, 216 00:12:13,400 --> 00:12:15,120 Speaker 1: and they try to make it happen. But then it 217 00:12:15,200 --> 00:12:17,600 Speaker 1: was like it would just end and there wasn't even 218 00:12:17,640 --> 00:12:19,600 Speaker 1: like an ending or something. It felt like the commercial 219 00:12:19,640 --> 00:12:21,600 Speaker 1: would just end. Sometimes I felt like they were just like, 220 00:12:22,120 --> 00:12:25,040 Speaker 1: take all this money, put us on the TV. Here's 221 00:12:25,040 --> 00:12:28,359 Speaker 1: our idea that we came up. There's so much expectation 222 00:12:29,080 --> 00:12:31,400 Speaker 1: the best payoff. Yeah, and it's like you only have 223 00:12:31,440 --> 00:12:33,240 Speaker 1: a certain amount of time for the millions of dollars 224 00:12:33,240 --> 00:12:35,040 Speaker 1: you pay to have that slot, so you just have 225 00:12:35,160 --> 00:12:36,760 Speaker 1: to squeeze it in. But there were a few where 226 00:12:36,800 --> 00:12:39,440 Speaker 1: I was like, huh. The one that I really didn't 227 00:12:39,480 --> 00:12:42,160 Speaker 1: like and I might this might be controversial, I don't know, 228 00:12:42,440 --> 00:12:47,720 Speaker 1: but John Travolta one, which was I think it song 229 00:12:47,840 --> 00:12:56,800 Speaker 1: is like an insurance commercial I think, and they were 230 00:12:57,160 --> 00:12:59,439 Speaker 1: from Grace. I just can't imagine what they had to 231 00:12:59,480 --> 00:13:01,400 Speaker 1: pay John to vaulted to get him to sing a 232 00:13:01,400 --> 00:13:03,839 Speaker 1: grease song, which I don't think he's done in twenty years. 233 00:13:03,880 --> 00:13:05,200 Speaker 1: But I want to know. I want to know how 234 00:13:05,280 --> 00:13:07,839 Speaker 1: much money all these were, like the j Lo and 235 00:13:07,880 --> 00:13:13,000 Speaker 1: Ben one, like millions of dollars to do that. I mean, 236 00:13:13,040 --> 00:13:14,920 Speaker 1: it's got to be insane, especially get revolted to do 237 00:13:15,000 --> 00:13:16,679 Speaker 1: something like that. But I enjoyed that one. Why did 238 00:13:16,720 --> 00:13:19,520 Speaker 1: you dislike it? Um? It gave me the ick? Yeah, 239 00:13:19,559 --> 00:13:24,440 Speaker 1: he's yeah. I don't want to shame anyone. He doesn't anyway, 240 00:13:24,720 --> 00:13:26,200 Speaker 1: you know, Okay, I get it. I'll just say I 241 00:13:26,200 --> 00:13:29,800 Speaker 1: get it. It was just and I think that the guys, 242 00:13:29,840 --> 00:13:36,199 Speaker 1: the scrub guys with him, what was that the mobile spokespeople. Okay, 243 00:13:36,240 --> 00:13:38,760 Speaker 1: I guess I missed that. I don't know. I just 244 00:13:39,920 --> 00:13:42,760 Speaker 1: it is fascinating because it was six million dollars this 245 00:13:42,880 --> 00:13:45,079 Speaker 1: year for a thirty second Super Bowl commercial. So some 246 00:13:45,240 --> 00:13:47,240 Speaker 1: would come up and like there was one word a 247 00:13:47,320 --> 00:13:50,400 Speaker 1: woman kept buying things on her phone. I'm like, holy god, 248 00:13:50,480 --> 00:13:52,680 Speaker 1: they've just been six million dollars on that. I don't 249 00:13:52,720 --> 00:13:55,560 Speaker 1: know what that was. No, it wasn't funny, it wasn't interesting. 250 00:13:55,600 --> 00:13:59,280 Speaker 1: It's like, wow, that's what I'm saying, baffling. I don't 251 00:13:59,320 --> 00:14:01,280 Speaker 1: know if it was just like, Okay, we got the spot, 252 00:14:01,360 --> 00:14:02,959 Speaker 1: we have to come up with something and get it 253 00:14:03,040 --> 00:14:05,880 Speaker 1: submitted within I don't know how far in advance they 254 00:14:05,920 --> 00:14:10,160 Speaker 1: know it, but it felt very yikes. Yeah, and Jesus 255 00:14:10,200 --> 00:14:12,480 Speaker 1: bought time. Oh yeah, I saw that. I was like, 256 00:14:14,400 --> 00:14:16,600 Speaker 1: it was like, wait for what was it for? No idea? 257 00:14:16,640 --> 00:14:19,520 Speaker 1: It was literally like Jesus dot com or something. It 258 00:14:19,600 --> 00:14:23,880 Speaker 1: was about Jesus loving it like love your enemy. Yeah. 259 00:14:25,240 --> 00:14:29,640 Speaker 1: We were watching and we're like, what is this commercial us? Yes, 260 00:14:29,760 --> 00:14:34,920 Speaker 1: that's right. Um, But anyways, the game was great. Oh 261 00:14:35,000 --> 00:14:39,200 Speaker 1: and then um Miles Teller and his wife Kayle they together. Yeah. 262 00:14:39,200 --> 00:14:41,200 Speaker 1: I like that one a lot. I just thought the 263 00:14:41,280 --> 00:14:45,240 Speaker 1: Duncan commercial was funny. After all the Grammys memes and 264 00:14:45,360 --> 00:14:48,240 Speaker 1: stuff about Ben and Jen that they had that commercial. 265 00:14:49,080 --> 00:14:53,400 Speaker 1: Good timing. I have expected Machine Gun, Kelly and Megan 266 00:14:53,440 --> 00:14:55,920 Speaker 1: Fox to being a Super Bowl commercial together and and 267 00:14:56,080 --> 00:14:57,920 Speaker 1: what what happened over the weekend was kind of the 268 00:14:57,960 --> 00:15:00,800 Speaker 1: set up. Her clearing her inst A stuff was gonna 269 00:15:00,800 --> 00:15:02,040 Speaker 1: be a set up for them sitting on the couch 270 00:15:02,080 --> 00:15:06,680 Speaker 1: eating and I'm going, ha ha, fooled you, But I 271 00:15:06,720 --> 00:15:09,160 Speaker 1: thought that would have been cool. You're very wrong. Well, 272 00:15:09,240 --> 00:15:13,360 Speaker 1: they definitely we're not in a commercial together and don't 273 00:15:13,440 --> 00:15:16,440 Speaker 1: seem like they will be any in any commercials together. 274 00:15:17,960 --> 00:15:19,640 Speaker 1: Should we take a break and come back and talk 275 00:15:19,680 --> 00:15:39,480 Speaker 1: about this? Sure, sure, Okay, we'll be right back. Okay, 276 00:15:40,360 --> 00:15:43,800 Speaker 1: we're back. And so Megan Fox and Machine and Kelly 277 00:15:44,200 --> 00:15:50,840 Speaker 1: allegedly have split. Allegedly, there's been no information current status. 278 00:15:51,440 --> 00:15:55,440 Speaker 1: But she deleted did she delete her whole Instagram account 279 00:15:55,480 --> 00:15:58,920 Speaker 1: or she just photos Instagram? Well, okay, so it was 280 00:15:58,920 --> 00:16:02,600 Speaker 1: like a series of events. So basically she deleted all 281 00:16:02,600 --> 00:16:05,040 Speaker 1: the photos of her, Machine gun Kelly off her page. 282 00:16:05,440 --> 00:16:08,320 Speaker 1: Then she posted that carousela photos with that with the 283 00:16:08,640 --> 00:16:11,480 Speaker 1: fire burning yeah, the fire burning letter at the end 284 00:16:11,520 --> 00:16:13,640 Speaker 1: of it. But also the lyrics that she posted about 285 00:16:13,640 --> 00:16:17,160 Speaker 1: betrayal were from Beyonce's album Lemonade, So all of this 286 00:16:17,280 --> 00:16:20,040 Speaker 1: is very telling. Then she starts only following three people, 287 00:16:20,240 --> 00:16:24,840 Speaker 1: which are Harry Styles, Timothey, Chalomi, and isn't how you 288 00:16:24,880 --> 00:16:27,840 Speaker 1: say it? Yeah, there's that seems to be there seems 289 00:16:27,880 --> 00:16:32,400 Speaker 1: to be something to that, Timota, Chalomi and uh, Eminem 290 00:16:34,160 --> 00:16:43,440 Speaker 1: is this a joke? Timothy, Timota, Timid and then Eminem 291 00:16:43,520 --> 00:16:45,920 Speaker 1: who if you know Eminem and Machine Gun Kelly have 292 00:16:46,040 --> 00:16:48,280 Speaker 1: had some beef in the past. Well, and Machine and 293 00:16:48,480 --> 00:16:51,920 Speaker 1: Eminem and Megan fox We're in Love the Way You 294 00:16:52,000 --> 00:16:56,840 Speaker 1: Live video together with Rihanna. Wow, I did not connect 295 00:16:56,920 --> 00:17:02,800 Speaker 1: those dots so interesting that I'm not sure I cannot 296 00:17:02,880 --> 00:17:08,119 Speaker 1: confirm nor deny that fact. Because googling and Marcus spinning 297 00:17:08,160 --> 00:17:09,960 Speaker 1: his computer around, because I'm going to play for you 298 00:17:10,440 --> 00:17:15,960 Speaker 1: show it is Megan Foxy and because your dad's French? 299 00:17:16,880 --> 00:17:19,680 Speaker 1: Are you really too attach? It's supposed to be too tap, 300 00:17:19,680 --> 00:17:23,119 Speaker 1: but it always just seemed like too obnoxious requirement to 301 00:17:23,160 --> 00:17:26,959 Speaker 1: put on people. So you go, I'm going to give 302 00:17:27,040 --> 00:17:29,320 Speaker 1: him the respect he deserves and call him Timotay. I 303 00:17:29,400 --> 00:17:31,920 Speaker 1: appreciate I learned something new every day here on the podcast. 304 00:17:32,200 --> 00:17:36,560 Speaker 1: So anyways, so that's kind of the spiral. And then 305 00:17:37,520 --> 00:17:41,080 Speaker 1: she deleted her Instagram after all of these things. Okay, 306 00:17:42,640 --> 00:17:46,560 Speaker 1: so we're assuming what's been assumed is that he cheated, correct. 307 00:17:47,520 --> 00:17:54,159 Speaker 1: I just cannot imagine being a machine Gun Kelly and 308 00:17:54,680 --> 00:17:59,760 Speaker 1: dating a Megan Fox and thinking cheating getting that comfortable. 309 00:18:00,560 --> 00:18:02,760 Speaker 1: What do you mean that he thought that he could 310 00:18:02,800 --> 00:18:06,880 Speaker 1: do that and it and not have consequences. I don't 311 00:18:07,000 --> 00:18:10,800 Speaker 1: understand how any of these celebrities think that they can 312 00:18:10,920 --> 00:18:12,880 Speaker 1: and any way will First of all any way shape 313 00:18:12,920 --> 00:18:15,560 Speaker 1: or from cheating, I think is horrendous, but also that 314 00:18:15,640 --> 00:18:17,399 Speaker 1: they think they can just get away like Adam Leavine 315 00:18:17,440 --> 00:18:19,440 Speaker 1: d m NG inappropriate things to all these women, Like 316 00:18:19,520 --> 00:18:21,439 Speaker 1: how does he not think that that's going to come 317 00:18:21,480 --> 00:18:24,600 Speaker 1: out at some point? Yeah, that's what I'm saying that, 318 00:18:24,840 --> 00:18:26,919 Speaker 1: like the machine Gun Kelly really think that he can 319 00:18:27,320 --> 00:18:30,000 Speaker 1: hook up with somebody and it's not going to get out, Like, 320 00:18:30,280 --> 00:18:34,200 Speaker 1: what are they that egotistically like that they just think 321 00:18:34,240 --> 00:18:38,200 Speaker 1: they walk on water? I think it's so bizarre to me. 322 00:18:39,440 --> 00:18:42,920 Speaker 1: That's remember I had this conversation recently about how these 323 00:18:43,840 --> 00:18:48,360 Speaker 1: men that I say are that I would say our 324 00:18:48,440 --> 00:18:53,960 Speaker 1: average with like tens cheating on the ten and it's 325 00:18:54,000 --> 00:18:58,520 Speaker 1: like you were lucky to have that, the amazing person 326 00:18:58,920 --> 00:19:05,639 Speaker 1: that you just cheated on my nails. But literally, really 327 00:19:07,320 --> 00:19:10,960 Speaker 1: I'm getting them done can we go back to zoom? 328 00:19:12,320 --> 00:19:16,320 Speaker 1: I don't they're really bad. That nail that you just 329 00:19:16,400 --> 00:19:18,880 Speaker 1: pointed at me with was disturbing. I know it's not. Well, 330 00:19:18,920 --> 00:19:21,320 Speaker 1: I chipped all of them off this fingers on the 331 00:19:21,400 --> 00:19:26,680 Speaker 1: way out too, Okay. Anyways, anyways, I was trying to 332 00:19:26,760 --> 00:19:28,560 Speaker 1: hide them from you because then you called me out 333 00:19:28,680 --> 00:19:32,480 Speaker 1: last time. Yeah, I didn't know. I don't feel safe 334 00:19:33,960 --> 00:19:37,600 Speaker 1: nails around you. Anyways. I'm just saying the fact the 335 00:19:37,760 --> 00:19:40,240 Speaker 1: idea that a man can have an ego so big 336 00:19:40,359 --> 00:19:43,760 Speaker 1: that you have Megan Fox and you're like, I'm gonna 337 00:19:43,760 --> 00:19:45,720 Speaker 1: blow it and see what happens. Well, I don't. I mean, 338 00:19:45,800 --> 00:19:49,160 Speaker 1: look to me, I don't understand cheating in the first place. 339 00:19:49,240 --> 00:19:51,160 Speaker 1: Like I think it's awful and I think it's such 340 00:19:51,200 --> 00:19:55,680 Speaker 1: a testament to people's character, But I just don't understand 341 00:19:56,040 --> 00:19:59,840 Speaker 1: the the thought behind I'm going to cheat on my 342 00:20:00,000 --> 00:20:02,000 Speaker 1: significant other and think I'm going to get away with it. 343 00:20:02,880 --> 00:20:08,320 Speaker 1: To me, just seems mind blowingly idiotic. Yeah, I agree, 344 00:20:08,880 --> 00:20:13,639 Speaker 1: this is all speculation. Again, we don't know that. With 345 00:20:13,800 --> 00:20:17,439 Speaker 1: that being said, we have no idea what actually happened. Correct, 346 00:20:17,560 --> 00:20:19,320 Speaker 1: We're just basing it off of the info we have. 347 00:20:19,560 --> 00:20:23,720 Speaker 1: Correct and you know what they say about speculation, What 348 00:20:23,880 --> 00:20:26,520 Speaker 1: do they say about speculation? Can bite you in the butt, 349 00:20:27,040 --> 00:20:32,760 Speaker 1: that's what they say. But it's interesting this one didn't 350 00:20:32,760 --> 00:20:34,760 Speaker 1: this one have to flame out like this one burned 351 00:20:34,880 --> 00:20:38,879 Speaker 1: so hot at the beginning, it wasn't gonna last forever. 352 00:20:39,000 --> 00:20:42,480 Speaker 1: I don't like that school of thought. Let's hear hear 353 00:20:42,520 --> 00:20:44,280 Speaker 1: it because I'm a little bit with Mark on this 354 00:20:44,600 --> 00:20:49,080 Speaker 1: because I think that you can have a flaming hot 355 00:20:49,160 --> 00:20:57,240 Speaker 1: relationship throughout your life period. I disagree, Okay, I agree 356 00:20:57,320 --> 00:20:59,879 Speaker 1: with that. I just felt like the things that they 357 00:21:00,080 --> 00:21:04,119 Speaker 1: said about each other so publicly and so fast felt 358 00:21:04,240 --> 00:21:09,639 Speaker 1: very love bolly to me, where it was like like 359 00:21:09,960 --> 00:21:13,720 Speaker 1: a little unhealthy feeling. I don't know the relationship. I'm 360 00:21:13,760 --> 00:21:16,639 Speaker 1: just basing it off public knowledge because I know how 361 00:21:16,720 --> 00:21:18,879 Speaker 1: I felt about Haley like I would some of my 362 00:21:19,080 --> 00:21:23,280 Speaker 1: notes from like what I would write down are so dramatic, 363 00:21:23,680 --> 00:21:26,280 Speaker 1: and she is like not, Haley is not really corny 364 00:21:26,440 --> 00:21:29,119 Speaker 1: or cheesy like I am. I feel, wow, this is 365 00:21:29,200 --> 00:21:33,800 Speaker 1: really just insight. And you've never been corny or cheesy 366 00:21:33,880 --> 00:21:44,359 Speaker 1: with me. I know this is different. Um. Anyways, I 367 00:21:45,400 --> 00:21:46,960 Speaker 1: just think about the things that I said, like I 368 00:21:47,000 --> 00:21:49,280 Speaker 1: remember feeling those feelings, but it was just like so 369 00:21:49,600 --> 00:21:54,000 Speaker 1: personal and like I didn't want it to be something 370 00:21:54,080 --> 00:21:55,399 Speaker 1: I looked back on and I was like, wow, I 371 00:21:55,480 --> 00:21:58,880 Speaker 1: got way in over my head. I've never told this story. 372 00:21:58,920 --> 00:22:00,119 Speaker 1: I don't know if we told this story on the 373 00:22:00,200 --> 00:22:02,840 Speaker 1: podcast I Haley did. But when we first met and 374 00:22:02,880 --> 00:22:05,800 Speaker 1: started dating, I had this tiny little picture frame that 375 00:22:05,880 --> 00:22:07,879 Speaker 1: this company sent me with a Phoebe photo in it, 376 00:22:08,280 --> 00:22:11,080 Speaker 1: and she sent me like multiple of them, and it 377 00:22:11,280 --> 00:22:13,000 Speaker 1: was maybe I don't even know how big that is. 378 00:22:13,640 --> 00:22:17,040 Speaker 1: This big like an inch or two yeah, definitely more 379 00:22:17,080 --> 00:22:22,240 Speaker 1: than an in two inches, okay, and um I put 380 00:22:22,400 --> 00:22:25,399 Speaker 1: a photo of the first photo we took together. I 381 00:22:25,520 --> 00:22:27,080 Speaker 1: put it, I printed it out and put it in 382 00:22:27,160 --> 00:22:29,800 Speaker 1: this picture frame and gave it to her before she 383 00:22:29,880 --> 00:22:34,480 Speaker 1: went on tour literally right after we met. Two weeks 384 00:22:34,520 --> 00:22:36,520 Speaker 1: that was a week, no too, it was two weeks 385 00:22:36,560 --> 00:22:41,240 Speaker 1: after we met. You did that, yes, And I remember 386 00:22:41,359 --> 00:22:44,240 Speaker 1: her looking at it being like, oh, that's so cute, 387 00:22:44,280 --> 00:22:47,560 Speaker 1: and me walking away being like, what who have I become? 388 00:22:50,600 --> 00:22:55,480 Speaker 1: So I would do exactly. I get the passionate like 389 00:22:55,760 --> 00:22:57,760 Speaker 1: love and like wanting to share it with the world 390 00:22:57,880 --> 00:22:59,720 Speaker 1: and everything, but I just felt like it was so 391 00:23:00,160 --> 00:23:03,360 Speaker 1: much so fast that there had to be a fizzle 392 00:23:03,600 --> 00:23:08,639 Speaker 1: or burnout. Being like that public about it interesting, But 393 00:23:08,760 --> 00:23:11,119 Speaker 1: I also disagree with Mark that I think the fizzle 394 00:23:11,160 --> 00:23:17,080 Speaker 1: burns out because and the fiddle changes certainly over years. 395 00:23:20,520 --> 00:23:22,880 Speaker 1: You can keep a fizzle going, but you can't keep 396 00:23:22,960 --> 00:23:31,399 Speaker 1: going the conflagration that machine gun, Kelly and then excuse me, conflagration. 397 00:23:32,560 --> 00:23:35,040 Speaker 1: What those two had is not sustainable. But they were 398 00:23:35,080 --> 00:23:39,000 Speaker 1: doing their blood around their necks or something like different strokes, 399 00:23:39,040 --> 00:23:42,000 Speaker 1: different frogs. Baby. I'm just saying that is not sustainable. 400 00:23:42,600 --> 00:23:46,639 Speaker 1: And but keeping the fiddle going great, keep that fire burning, 401 00:23:46,920 --> 00:23:48,879 Speaker 1: put some oxygen in there, and keep it going. All 402 00:23:48,960 --> 00:23:51,280 Speaker 1: for it. I hope you can do it trying myself, 403 00:23:51,920 --> 00:23:57,760 Speaker 1: but that's not sustainable. Conflagration. Conflagration. Yeah. You know what, though, 404 00:23:58,440 --> 00:24:01,120 Speaker 1: the most important thing is that I hope up both 405 00:24:01,200 --> 00:24:02,920 Speaker 1: of them are okay. I hope their hearts are okay. 406 00:24:03,400 --> 00:24:06,359 Speaker 1: I hope their hearts through the public, no matter how 407 00:24:06,480 --> 00:24:08,360 Speaker 1: much you put out there. And you can be like, well, 408 00:24:08,880 --> 00:24:10,679 Speaker 1: you know, they were setting theirselves up for it if 409 00:24:10,720 --> 00:24:12,480 Speaker 1: they broke up or anything happened. But you know what, 410 00:24:12,760 --> 00:24:18,040 Speaker 1: we don't wish ill will or heartache on anyone. Definitely 411 00:24:18,080 --> 00:24:20,960 Speaker 1: not heartache on anyone, because that has a pain like 412 00:24:21,080 --> 00:24:24,800 Speaker 1: no other, pain like no other. But if Machine Gun 413 00:24:24,920 --> 00:24:29,000 Speaker 1: Kelly did cheat, we wish him a little heartbreak. No, 414 00:24:29,160 --> 00:24:39,480 Speaker 1: not heartbreak, but coation karma configuration. Okay, we do yeah karma. 415 00:24:40,240 --> 00:24:44,360 Speaker 1: What did you did you see Tom Brady's thirst trap photos? Sure? Did? 416 00:24:45,040 --> 00:24:48,160 Speaker 1: What do you think about that? Hubba hubba? Oh? Interesting? Yeah? 417 00:24:48,280 --> 00:24:51,080 Speaker 1: I like it that he is on the prowl and 418 00:24:51,480 --> 00:24:55,200 Speaker 1: and living his best single life and like, come at me, 419 00:24:55,400 --> 00:24:58,080 Speaker 1: hear me, roar, I love it thirst trap. I love 420 00:24:58,119 --> 00:25:01,000 Speaker 1: thirst traps. I think more people should post thirst traps. 421 00:25:01,640 --> 00:25:04,840 Speaker 1: Why not when if you're ready to date, put a 422 00:25:04,920 --> 00:25:08,960 Speaker 1: message out there like here I am. Yeah, I was 423 00:25:09,040 --> 00:25:11,800 Speaker 1: just asking to do like his thirst trap. But thank 424 00:25:11,840 --> 00:25:14,520 Speaker 1: you for the general feeling of thirst trap. Do you 425 00:25:14,600 --> 00:25:19,200 Speaker 1: like it? Um? It wasn't really for me specifically, but 426 00:25:19,320 --> 00:25:23,359 Speaker 1: I definitely understand why why people would be into it. Yeah, 427 00:25:25,119 --> 00:25:29,200 Speaker 1: you're like an older man, Yeah, but it's interesting, like 428 00:25:29,240 --> 00:25:33,240 Speaker 1: what I like Robbie sitting on his underwear post probably 429 00:25:33,760 --> 00:25:36,200 Speaker 1: So how much do you like thirst traps when they're 430 00:25:36,240 --> 00:25:38,560 Speaker 1: in a relationship? That's what I'm saying. I think for me, 431 00:25:38,640 --> 00:25:43,399 Speaker 1: a thirst trap is is I'm single, I'm ready to mingle, 432 00:25:43,960 --> 00:25:49,720 Speaker 1: come at me in a relationship. If you're just feeling yourself, 433 00:25:49,760 --> 00:25:52,200 Speaker 1: how do you feel about that? I don't know, because 434 00:25:52,240 --> 00:25:54,680 Speaker 1: again I'm putting my I'm putting Robbie in his underwear 435 00:25:54,800 --> 00:25:57,840 Speaker 1: on a bed in that position, posting it on his Instagram. 436 00:25:57,880 --> 00:25:59,720 Speaker 1: I think i'd feel a certain type of way. No, 437 00:26:00,119 --> 00:26:06,040 Speaker 1: you giving a thirst trap one like that? Yeah, I 438 00:26:06,080 --> 00:26:08,000 Speaker 1: don't know. I don't think I would right now. Do 439 00:26:08,080 --> 00:26:11,080 Speaker 1: you think Robbie would be fine with it? Probably not. 440 00:26:12,080 --> 00:26:15,320 Speaker 1: Do you think Hayley what do you find with it? Well, 441 00:26:15,359 --> 00:26:18,520 Speaker 1: Hayley post thirst traps all the time. She does, like 442 00:26:18,760 --> 00:26:21,879 Speaker 1: she's just always posting like I mean, a lot of 443 00:26:21,960 --> 00:26:26,680 Speaker 1: her stuff like her those are thirst traps. She just 444 00:26:26,760 --> 00:26:29,080 Speaker 1: might not be like fully clothed and stuff. But that's 445 00:26:29,119 --> 00:26:35,320 Speaker 1: not thirst trap. Is a little like inviting, okay, traps, 446 00:26:35,359 --> 00:26:40,840 Speaker 1: but Haley is not like come come get me, I'm single. 447 00:26:41,480 --> 00:26:44,040 Speaker 1: But I'm saying she posts like very beautiful sexy photos, 448 00:26:44,200 --> 00:26:48,560 Speaker 1: so I mean, like this yellow shirt or she's like 449 00:26:48,600 --> 00:26:52,560 Speaker 1: laying on the ground. That's not a thirst trap. It's 450 00:26:52,600 --> 00:26:54,720 Speaker 1: also different from a musician too. You're going to do 451 00:26:54,880 --> 00:26:57,640 Speaker 1: some sex to your photos that aren't necessarily an invitation 452 00:26:57,720 --> 00:26:59,640 Speaker 1: to anyone. They're just that's that's part of the game. 453 00:26:59,800 --> 00:27:03,320 Speaker 1: But because you know, if she's posting thirst traps, if 454 00:27:03,359 --> 00:27:05,960 Speaker 1: I'm feeling myself, I think she'd be fine with me 455 00:27:06,040 --> 00:27:08,920 Speaker 1: posting something. If she just goes on Instagram and holds 456 00:27:08,960 --> 00:27:10,840 Speaker 1: up her phone in the bathroom and she's in a bikini, 457 00:27:11,000 --> 00:27:14,639 Speaker 1: that's more of a THIRSDT trap a professional photographer to shoot. 458 00:27:15,760 --> 00:27:20,760 Speaker 1: That's a good differentiating of the photos because if it's 459 00:27:20,840 --> 00:27:23,719 Speaker 1: a professional photo and it's styled and makeup and hair 460 00:27:23,880 --> 00:27:27,240 Speaker 1: and everything, that's not a thirst trap. But when it's 461 00:27:27,760 --> 00:27:30,879 Speaker 1: a self image, like on your phone or something like 462 00:27:31,000 --> 00:27:32,920 Speaker 1: we used to do for you when we go on vacations, 463 00:27:34,920 --> 00:27:39,280 Speaker 1: I mean, how like how much canna stick my chest out? 464 00:27:42,880 --> 00:27:46,959 Speaker 1: I was thirsty. I was like, here is some gatorade, 465 00:27:47,119 --> 00:27:52,680 Speaker 1: drink me up. Oh my gosh, gents, would you say 466 00:27:52,760 --> 00:27:57,480 Speaker 1: they drink it up? They drink Yeah. It was just 467 00:27:57,600 --> 00:28:00,840 Speaker 1: torrential downpour of men my d M back in the day. 468 00:28:01,840 --> 00:28:03,800 Speaker 1: It is so funny because I was posting all these 469 00:28:03,840 --> 00:28:05,840 Speaker 1: thirst traps and I like, I look at my insights 470 00:28:05,880 --> 00:28:10,080 Speaker 1: on my Instagram and my following is like eight percent female, 471 00:28:11,040 --> 00:28:14,159 Speaker 1: So the point whatever that is left of the men 472 00:28:14,280 --> 00:28:17,480 Speaker 1: that follow me. This is for you. It's like Brad 473 00:28:17,760 --> 00:28:29,400 Speaker 1: coming here, double top, this thirst trap so good? Did 474 00:28:29,440 --> 00:28:32,640 Speaker 1: you see the new photos of Carrie and Aiden? We're 475 00:28:32,760 --> 00:28:35,760 Speaker 1: just like that making out in the street. Yeah, or 476 00:28:35,800 --> 00:28:39,200 Speaker 1: what do you feel about out of the bed here? 477 00:28:39,760 --> 00:28:44,560 Speaker 1: I'm so happy Eastern. I love Aidan. I had an 478 00:28:44,640 --> 00:28:47,760 Speaker 1: idea I posted I posted this on Instagram. But um, 479 00:28:47,880 --> 00:28:50,480 Speaker 1: I would be happy if all these images were seeing 480 00:28:50,840 --> 00:28:53,040 Speaker 1: are from a dream sequence, like he's not actually in 481 00:28:53,160 --> 00:28:55,400 Speaker 1: the show. That would That's the only way I'm fine 482 00:28:55,440 --> 00:28:58,760 Speaker 1: with this. Otherwise, Um, I'm I'm upset on multiple levels. 483 00:28:58,800 --> 00:29:00,320 Speaker 1: I don't like Aiden. I don't want him come and back. 484 00:29:00,360 --> 00:29:02,280 Speaker 1: And also they're showing us everything, like what's the point 485 00:29:02,320 --> 00:29:04,000 Speaker 1: of even watching it? Now? We see that they make 486 00:29:04,040 --> 00:29:06,600 Speaker 1: out he's smoking a cigarette one of the pictures, Like, 487 00:29:06,720 --> 00:29:09,560 Speaker 1: what the hell's that? Actually? You know what, though, Eastern, 488 00:29:09,840 --> 00:29:12,719 Speaker 1: the cigarette makes me think that the dream sequence might 489 00:29:12,800 --> 00:29:16,160 Speaker 1: be real because maybe she's dreaming about like him being 490 00:29:16,240 --> 00:29:19,680 Speaker 1: the perfect man. I bet they run into each other 491 00:29:19,880 --> 00:29:21,760 Speaker 1: and they see each other at something and then she 492 00:29:22,280 --> 00:29:24,360 Speaker 1: that goes home that night and has a dream and 493 00:29:24,440 --> 00:29:26,360 Speaker 1: it's like he's everything she wanted him to be, and 494 00:29:26,360 --> 00:29:30,480 Speaker 1: then she wakes up. Am I a showrunner? East? And 495 00:29:30,520 --> 00:29:35,840 Speaker 1: I should we write a show together? Yes, it sounds 496 00:29:35,880 --> 00:29:41,520 Speaker 1: good to me. Fan fixex in the City. Yeah, sequences, 497 00:29:41,560 --> 00:29:43,640 Speaker 1: I think they're so annoying. But that's why I'm saying 498 00:29:43,680 --> 00:29:47,240 Speaker 1: that they're posting everything, because it does feel a little 499 00:29:47,320 --> 00:29:52,120 Speaker 1: spoiler ish for for that to be the actual pot. 500 00:29:53,760 --> 00:29:56,760 Speaker 1: Only time will tell. You didn't even watch the first one. 501 00:29:56,920 --> 00:30:00,760 Speaker 1: I did watch half of it. I didn't finish it though. Yeah, yeah, 502 00:30:00,920 --> 00:30:04,400 Speaker 1: some fan I know. Honestly, when you go back and 503 00:30:04,480 --> 00:30:10,200 Speaker 1: watch the old ones, it's like so much better. It 504 00:30:10,320 --> 00:30:13,880 Speaker 1: really is. It really is. That's how all the shows are, 505 00:30:13,920 --> 00:30:15,600 Speaker 1: and that's why I don't know if I can ever 506 00:30:16,160 --> 00:30:18,720 Speaker 1: root for Friends to come back. No, I don't want 507 00:30:18,760 --> 00:30:23,520 Speaker 1: Friends to come back very right, Yes, because I wouldn't 508 00:30:23,520 --> 00:30:26,320 Speaker 1: have to watch it and it would pain me. It 509 00:30:26,400 --> 00:30:31,440 Speaker 1: would literally pain me. Yeah, I agree, So I'm down 510 00:30:31,520 --> 00:30:34,600 Speaker 1: to sign a petition to not bring Friends back. I 511 00:30:34,680 --> 00:30:37,840 Speaker 1: thought that HBO reunion was that that's great and that's 512 00:30:37,960 --> 00:30:46,200 Speaker 1: all I need. Yeah, I Haley and I were talking 513 00:30:46,240 --> 00:30:48,200 Speaker 1: about this and I was like, I just missed the show. 514 00:30:48,280 --> 00:30:49,760 Speaker 1: I love watching the old ones. I was like, but 515 00:30:50,400 --> 00:30:52,840 Speaker 1: they could never redo it and it be what it 516 00:30:53,000 --> 00:30:56,240 Speaker 1: is or what it was. Before we get to emails, 517 00:30:57,520 --> 00:30:59,440 Speaker 1: I was gonna talk about have you listened to raise 518 00:30:59,480 --> 00:31:03,239 Speaker 1: new album? Have not? Let me just tell you if 519 00:31:03,360 --> 00:31:05,680 Speaker 1: you are like getting ready for a night out or 520 00:31:05,760 --> 00:31:08,800 Speaker 1: you're driving in the car, put the album on. There 521 00:31:08,840 --> 00:31:11,440 Speaker 1: are no skips and just let it play. It is 522 00:31:12,240 --> 00:31:15,120 Speaker 1: so good. I want her to win every award that 523 00:31:15,200 --> 00:31:18,640 Speaker 1: she could win in the top twenty American. Yeah, that 524 00:31:18,640 --> 00:31:20,880 Speaker 1: sounds really good. Yeah, that sounds really good. Um. I 525 00:31:21,000 --> 00:31:23,480 Speaker 1: was going to tell you that I sent Becca photo 526 00:31:23,520 --> 00:31:27,200 Speaker 1: that I found Becca. I had Fecca in a closet 527 00:31:27,880 --> 00:31:31,600 Speaker 1: next to my um washer dryer. If you're near to 528 00:31:31,640 --> 00:31:36,920 Speaker 1: the podcast fake beccaup Becca stand up cardboard stand up 529 00:31:37,000 --> 00:31:39,600 Speaker 1: that I feel like it was given to me from scrubbers. 530 00:31:39,640 --> 00:31:42,280 Speaker 1: Oh no, it was given to me by Ali. No. 531 00:31:42,400 --> 00:31:45,120 Speaker 1: I think it was for scrubbers. Subers bought you Fonia 532 00:31:46,000 --> 00:31:51,760 Speaker 1: because I had Fecca no Becca from Rita. Yeah, yeah, yeah, 533 00:31:51,880 --> 00:31:56,040 Speaker 1: Becca is a photo. A lot of fun with Secca 534 00:31:57,000 --> 00:31:59,960 Speaker 1: over quarantine when we were back in the COVID days, 535 00:32:00,120 --> 00:32:01,840 Speaker 1: Like she was my only friend that was like allowed 536 00:32:01,840 --> 00:32:05,200 Speaker 1: of my apartment. So anyways, I've ever since quarantine. I 537 00:32:05,240 --> 00:32:07,320 Speaker 1: put Fecca somewhere and I did not know where Fecca was. 538 00:32:07,840 --> 00:32:10,120 Speaker 1: And we've been cleaning out my apartment and like taking 539 00:32:10,160 --> 00:32:13,240 Speaker 1: stuff over to Robbie's and I found Fecca and I 540 00:32:13,320 --> 00:32:18,200 Speaker 1: was like, we gotta put her in prime location. So 541 00:32:18,360 --> 00:32:21,200 Speaker 1: she is now sitting in the living room watching TV 542 00:32:21,320 --> 00:32:24,479 Speaker 1: with us every day, and Sonny got really acquainted with her, 543 00:32:24,880 --> 00:32:28,600 Speaker 1: and she's just having a good old time. Poor Robbie 544 00:32:28,880 --> 00:32:31,160 Speaker 1: has to deal with not just the hairy styles pillow, 545 00:32:32,280 --> 00:32:35,720 Speaker 1: but a cardboard cutter best. He probably like that though, 546 00:32:36,080 --> 00:32:38,960 Speaker 1: And Fecca has a La Marina in hand. She's like 547 00:32:39,040 --> 00:32:41,960 Speaker 1: always ready, she's down party. Yeah, I felt like she 548 00:32:42,080 --> 00:32:44,520 Speaker 1: was part of the gang, you know, felt like Becca 549 00:32:44,760 --> 00:32:47,960 Speaker 1: was kind of with us at the super Bowl, And yeah, 550 00:32:48,000 --> 00:32:50,040 Speaker 1: I brought my People's choice sword over put it right 551 00:32:50,080 --> 00:32:52,440 Speaker 1: there in the entryway. I do have a bone to 552 00:32:52,520 --> 00:32:55,360 Speaker 1: pick because I noticed that outside the super Bowl there's 553 00:32:55,400 --> 00:32:58,040 Speaker 1: been a lot of hangouts, little hangouts with the crew, 554 00:32:58,160 --> 00:33:01,600 Speaker 1: and I haven't been invited to a single so, well, 555 00:33:01,680 --> 00:33:03,880 Speaker 1: you just hang out sowhere in New York, so no, 556 00:33:04,280 --> 00:33:06,360 Speaker 1: well I didn't get invited to that, but also in 557 00:33:07,400 --> 00:33:10,640 Speaker 1: at your home, really, yeah, when just a lot of 558 00:33:10,680 --> 00:33:17,240 Speaker 1: little taco Thursdays and get together. And I was thinking, 559 00:33:17,280 --> 00:33:19,920 Speaker 1: you know, if the roles were reversed here, if I 560 00:33:20,040 --> 00:33:23,920 Speaker 1: had a best friend who was over weekly at a 561 00:33:23,960 --> 00:33:26,920 Speaker 1: little hangout, how would that go? First of all, I 562 00:33:27,040 --> 00:33:30,120 Speaker 1: want you to know that you are always welcome over. 563 00:33:30,280 --> 00:33:37,400 Speaker 1: That's not true. It is true, you are always welcome. However, yes, 564 00:33:37,520 --> 00:33:39,680 Speaker 1: I do invite you a lot, and the yes is 565 00:33:40,280 --> 00:33:43,200 Speaker 1: are like one tenth of the nose. When have I 566 00:33:43,320 --> 00:33:46,920 Speaker 1: been invited in the three months? That's well, we haven't 567 00:33:46,920 --> 00:33:48,560 Speaker 1: had talk about Thursday in the minute. We just brought 568 00:33:48,560 --> 00:33:51,440 Speaker 1: it back last week. Well whatever not talk about Thursday? 569 00:33:51,560 --> 00:33:58,320 Speaker 1: But thay, yeah, I know it doesn't really like roll 570 00:33:58,360 --> 00:33:59,760 Speaker 1: off the tongue. We have to think that's not get 571 00:33:59,840 --> 00:34:03,880 Speaker 1: off track here, thank you. So anyways, you are always welcome. 572 00:34:03,920 --> 00:34:05,880 Speaker 1: The door is always open to you. However, how would 573 00:34:05,880 --> 00:34:08,399 Speaker 1: you know we were having talk with Thursday? How would 574 00:34:08,440 --> 00:34:12,239 Speaker 1: you know? Without an yeah, it's true, I am in 575 00:34:12,280 --> 00:34:15,560 Speaker 1: the wrong. Thank you so much. That's all I needed. Okay, 576 00:34:15,600 --> 00:34:17,160 Speaker 1: we're gonna take a break and we'll be right back 577 00:34:17,200 --> 00:34:22,440 Speaker 1: with emails. She was waiting for that one. He was 578 00:34:22,640 --> 00:34:25,640 Speaker 1: chomping at the bit for that one. Just something I've 579 00:34:25,680 --> 00:34:37,680 Speaker 1: been thinking about, pundering you had to rebuttal not a rebuttle, 580 00:34:37,719 --> 00:34:39,239 Speaker 1: but I always just feel like it's a schlet for 581 00:34:39,360 --> 00:34:41,600 Speaker 1: you to come over. We let me decide if I 582 00:34:41,640 --> 00:34:44,160 Speaker 1: want to make true true true, that is true. I 583 00:34:44,360 --> 00:34:45,920 Speaker 1: let you decide if you want to You know, I 584 00:34:46,000 --> 00:34:49,960 Speaker 1: did originally move to Studio City to be closer to you, 585 00:34:50,080 --> 00:34:53,160 Speaker 1: and that you've left me over to the west side. 586 00:34:53,719 --> 00:34:56,680 Speaker 1: Now she's moved to Studio City to be next to me. 587 00:34:57,120 --> 00:34:59,719 Speaker 1: That is what I have moved to Studio City. How 588 00:34:59,760 --> 00:35:02,800 Speaker 1: do you not moved there first? Oh, you mean initially 589 00:35:02,840 --> 00:35:05,680 Speaker 1: when we were before you buy your house. Yes it, yes, 590 00:35:06,600 --> 00:35:08,239 Speaker 1: Well you could not be in Brentwood if I was 591 00:35:08,320 --> 00:35:11,839 Speaker 1: in Studio City exactly. But then you can just leave 592 00:35:11,920 --> 00:35:14,320 Speaker 1: and galivate wherever you need to go around the city, 593 00:35:14,520 --> 00:35:19,239 Speaker 1: not in Brentwood. I'm closer than Brentwood anyways, and might 594 00:35:19,400 --> 00:35:23,040 Speaker 1: well yes for another time, another time, another time. I've 595 00:35:23,080 --> 00:35:25,120 Speaker 1: been I'm going to start looking for houses for y'all 596 00:35:25,200 --> 00:35:27,920 Speaker 1: near me. Just start something to say. I was gonna say, 597 00:35:27,960 --> 00:35:33,160 Speaker 1: I'm looking at houses on the other side of the hill. Well, 598 00:35:33,200 --> 00:35:35,640 Speaker 1: I can't wait to do talk toot Thursdays when when 599 00:35:35,680 --> 00:35:38,800 Speaker 1: you all are closer. See, I know I'm gonna invite 600 00:35:38,800 --> 00:35:41,400 Speaker 1: her and watch me invite backa to everything we do. 601 00:35:41,600 --> 00:35:43,359 Speaker 1: You've heard the quote like just because I don't want 602 00:35:43,360 --> 00:35:45,000 Speaker 1: to go doesn't mean I don't want to be invited. 603 00:35:46,320 --> 00:35:52,680 Speaker 1: But also what's the quote about rejection? And sometimes projection 604 00:35:52,840 --> 00:35:56,680 Speaker 1: is God's protection. God's protecting me from making an extra 605 00:35:57,719 --> 00:36:03,960 Speaker 1: shrimp on the bobby. Although those shrim bars so good, 606 00:36:04,160 --> 00:36:07,600 Speaker 1: so good talks about I know, I will say having 607 00:36:07,680 --> 00:36:09,759 Speaker 1: a boyfriend that's good on the grill is truly a 608 00:36:09,840 --> 00:36:12,640 Speaker 1: blessing because I can do all the outside stuff. I 609 00:36:12,640 --> 00:36:16,799 Speaker 1: can make the saladcy of Coudremont, the whatever a Coudremont. 610 00:36:17,120 --> 00:36:20,080 Speaker 1: And he can handle the meat stuff. Yeah, like chicken, 611 00:36:20,200 --> 00:36:22,480 Speaker 1: throw it on the barbecue. Fish, throw it on the barbecue. 612 00:36:22,560 --> 00:36:25,520 Speaker 1: Steak so scared of chicken, me too, He could just 613 00:36:25,560 --> 00:36:29,520 Speaker 1: throw it on the barbecue. Yeah, skewers on the barbecue, 614 00:36:31,840 --> 00:36:35,360 Speaker 1: mushrooms throwing on the barbecue. He's got it all. Burgers 615 00:36:35,800 --> 00:36:44,640 Speaker 1: on the barbecue, on the barbecue, barbecue. This is anonymous. 616 00:36:44,719 --> 00:36:46,320 Speaker 1: She says, I'm hoping to get invited from Tanya and 617 00:36:46,360 --> 00:36:48,879 Speaker 1: Becca as best friends and market Easton as married men. 618 00:36:49,400 --> 00:36:52,040 Speaker 1: I recently got engaged, and I'm so excited. I immediately 619 00:36:52,120 --> 00:36:54,319 Speaker 1: told those clothes to me, including my best friend, who 620 00:36:54,320 --> 00:36:55,959 Speaker 1: I plan to ask to be my maid of honor 621 00:36:56,400 --> 00:36:58,480 Speaker 1: for contact. We've been best friends since we were ten 622 00:36:58,640 --> 00:37:00,960 Speaker 1: were twenty eight now. We grew up going on each 623 00:37:00,960 --> 00:37:04,280 Speaker 1: other's family vacations. It's like we're part of each other's families. Recently, 624 00:37:04,320 --> 00:37:07,000 Speaker 1: her mom commented on on social media congratulating me on 625 00:37:07,080 --> 00:37:09,759 Speaker 1: my engagement and revealed that my best friend, her daughter, 626 00:37:10,480 --> 00:37:13,680 Speaker 1: was also engaged. She didn't even tell me. I was 627 00:37:13,760 --> 00:37:16,440 Speaker 1: so confused and hurt. I messaged her asking about it. 628 00:37:16,520 --> 00:37:19,280 Speaker 1: She said, yes, I am. I'm slow to tell people 629 00:37:19,320 --> 00:37:21,120 Speaker 1: because I'm not sure I'm ready for it, and I'm 630 00:37:21,160 --> 00:37:24,080 Speaker 1: just very overwhelmed right now. She didn't apologize for not 631 00:37:24,160 --> 00:37:25,960 Speaker 1: telling me or having me find out this way. She 632 00:37:26,040 --> 00:37:28,240 Speaker 1: also said she didn't want to take away from my engagement, 633 00:37:28,320 --> 00:37:31,359 Speaker 1: which I get that. I realized there's a lot going 634 00:37:31,400 --> 00:37:33,240 Speaker 1: on for her, But am I wrong to feel upset? 635 00:37:33,560 --> 00:37:35,480 Speaker 1: Where do I go from here? With her? I don't 636 00:37:35,520 --> 00:37:37,440 Speaker 1: feel like this is worth throwing a friendship over, but 637 00:37:37,520 --> 00:37:39,640 Speaker 1: it feels like she should have trusted me to talk 638 00:37:39,760 --> 00:37:42,160 Speaker 1: this through with me. Do I just go let it 639 00:37:42,239 --> 00:37:43,840 Speaker 1: go and wait for her to come to me to 640 00:37:43,880 --> 00:37:45,480 Speaker 1: talk about it, and the advice would be helped. I 641 00:37:45,520 --> 00:37:47,719 Speaker 1: don't know what to do. I think you should taking 642 00:37:47,760 --> 00:37:50,080 Speaker 1: yourself out of it. I think there's a major problem 643 00:37:50,200 --> 00:37:53,800 Speaker 1: if she's engaged and hiding it for some reason, So 644 00:37:53,960 --> 00:37:56,879 Speaker 1: I would approach her not in a combat way at all, 645 00:37:57,320 --> 00:37:59,640 Speaker 1: and then more like a are you sure you want 646 00:37:59,680 --> 00:38:04,480 Speaker 1: to be it's not correct. So I feel sad for 647 00:38:04,600 --> 00:38:06,480 Speaker 1: your friend, and I feel like you should help you. 648 00:38:07,000 --> 00:38:09,560 Speaker 1: I think I would. I know it's easy to take 649 00:38:09,600 --> 00:38:12,000 Speaker 1: offense to it because you're like, wait, we're best friends. 650 00:38:12,000 --> 00:38:13,600 Speaker 1: I told you're supposed to be a maid of honor. 651 00:38:13,680 --> 00:38:16,360 Speaker 1: But I think Tanya's right, like take yourself out of 652 00:38:16,440 --> 00:38:19,440 Speaker 1: it and make this feels like it's definitely about her 653 00:38:19,520 --> 00:38:22,759 Speaker 1: and her fiance. But also, why didn't you then go 654 00:38:22,840 --> 00:38:25,080 Speaker 1: to her best friend and say, oh my god, Doug 655 00:38:25,239 --> 00:38:27,719 Speaker 1: proposed and I'm so not ready for that. I don't 656 00:38:27,719 --> 00:38:30,920 Speaker 1: know what to do here because that's embarrassing. He's like 657 00:38:31,000 --> 00:38:33,200 Speaker 1: embarrassed and doesn't want to like say it out loud, 658 00:38:33,719 --> 00:38:36,240 Speaker 1: saying I guess to something and then like being uncertain 659 00:38:36,280 --> 00:38:40,520 Speaker 1: about it. Is I can imagine very overwhelming to process. 660 00:38:40,600 --> 00:38:42,520 Speaker 1: So she's probably trying to figure it out on her own, 661 00:38:42,600 --> 00:38:45,040 Speaker 1: in her own head before she even involves anyone else. 662 00:38:45,640 --> 00:38:48,160 Speaker 1: I would definitely not think that has anything to do 663 00:38:48,280 --> 00:38:51,200 Speaker 1: with you. I think she's navigating something. So just try 664 00:38:51,239 --> 00:38:53,200 Speaker 1: and be there as a friend and be like, hey, yeah, 665 00:38:53,800 --> 00:38:55,719 Speaker 1: I'm not upset with you. I just want to make 666 00:38:55,719 --> 00:39:00,560 Speaker 1: sure you're okay. Yeah, because like I can't wait to 667 00:39:00,600 --> 00:39:04,239 Speaker 1: tell you about my engagement, Like, don't you even think 668 00:39:04,280 --> 00:39:08,640 Speaker 1: about it? Joking, like I can't wait, it's can't wait. 669 00:39:09,800 --> 00:39:12,719 Speaker 1: I can't feel bad. I just feel sad for well. 670 00:39:12,800 --> 00:39:19,040 Speaker 1: I hope that helps. Yeah, tough, tough, tough to navigate relationships, friendships. 671 00:39:19,200 --> 00:39:22,640 Speaker 1: I'll be above. It's a lot. Sometimes you're sometimes you're 672 00:39:22,640 --> 00:39:27,840 Speaker 1: not invited, but you're always welcome. You know. Wow, Sometimes 673 00:39:27,880 --> 00:39:31,520 Speaker 1: you're not invited, but you're always welcome. You know that's 674 00:39:31,560 --> 00:39:34,799 Speaker 1: really good. Actually, we hope you all have a wonderful 675 00:39:35,600 --> 00:39:38,440 Speaker 1: week and we'll be back Thursday. Yeah. Happy Galantine's Day, 676 00:39:38,480 --> 00:39:41,759 Speaker 1: Happy Valentine's Day. Celebrate If you're not in a relationship 677 00:39:41,880 --> 00:39:46,040 Speaker 1: or you don't have anyone to celebrate the holiday, say 678 00:39:46,120 --> 00:39:49,160 Speaker 1: something nice for yourself. Treat yourself and also know that 679 00:39:49,320 --> 00:39:53,200 Speaker 1: it is a fun holiday, but you're gonna be okay. 680 00:39:53,960 --> 00:39:56,400 Speaker 1: Have a little fun, have a little fun, get yourself, 681 00:40:00,320 --> 00:40:03,040 Speaker 1: take some photos and thirst chraps. Whatever you want. Yeah, 682 00:40:03,040 --> 00:40:05,000 Speaker 1: whatever you want to do. I love you all.