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Speaker 1: So we have me, we have cy Young and cy Uh.

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Speaker 2: We're from Kingdom heroes, not gang them style. Yes, because

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Speaker 2: I was with him, so I was how are you

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Speaker 2: with Sia?

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Speaker 3: I wasn't there.

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Speaker 1: And we have all the old Indian corn from thancegiving

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Speaker 1: and putting on the microwave, trying to make exciting papacorn coppy. Yes,

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Speaker 1: and I and hopefully make up papacorn so big Cy

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Speaker 1: Young throw like a baseball triker. Oh no, imagine the

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Speaker 1: dips and dives of a big pap acorn.

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Speaker 3: Oh no.

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Speaker 1: So this is the plan going in. I'm just establishing

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Speaker 1: this is what we weren't trying.

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Speaker 3: Mask, and I don't want to derail the story.

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Speaker 2: Mask. What were you going to use for the bet? So?

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Speaker 3: What part of food? Part of what I was hoping? See?

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Speaker 3: This is the problem is that the the.

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Speaker 1: Corn is definitely gonna have to get bigger because these

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Speaker 1: corns are little corns just from the centerpiece. So to

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Speaker 1: make the big from the cornucopia, yes, So to make

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Speaker 1: the big the giant pop acorn, the corn itself would

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Speaker 1: have to enlarge as well. And this is where I'm

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Speaker 1: kind of looking at Sylar, being like, there must be

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Speaker 1: something you can do here.

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Speaker 3: One of us has powers and one of us just

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Speaker 3: but I'm not saying it.

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Speaker 1: I'm just hoping like when the time comes and be like, okay,

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Speaker 1: maybe we big in the like you know, we can

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Speaker 1: use some of our powers here, but like I don't

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Speaker 1: have powers that neither to sell young, but like maybe

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Speaker 1: some of us can use their powers and make these

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Speaker 1: things so big, and so maybe the corn as well.

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Speaker 3: Is a big bat.

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Speaker 2: You can see and it's very it's very clean, wow,

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Speaker 2: hitting the popcorn with itself, very poetic.

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Speaker 1: Yes, And so the whole it's just like very tight.

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Speaker 1: It's all wrapped up nicely and.

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Speaker 2: Cobs the bat, the kernel's the ball. Yes, incredible.

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Speaker 1: And so then I again, I only this set up

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Speaker 1: to say, this is the plan, this is what the

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Speaker 1: whole end of this is what we're going to have.

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Speaker 2: Big cornbat, big cornball. Amazing.

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Speaker 1: But I hit the button that says cook it no,

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Speaker 1: and it's I'm expecting the beep, and there is no

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Speaker 1: where this is going. Yeah, no, that's what I'm saying,

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Speaker 1: What is happening? What happened to the microwave? And then

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Speaker 1: I hear beep, but it's.

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Speaker 2: Behind me, and I turn around and it's Silar and he's.

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Speaker 1: Like, oh, oh, what, I didn't do anything. Yeah, he's

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Speaker 1: yeah you did. Actually you took the microwaves powers. Oh,

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Speaker 1: because this is what he does. He is stealing other

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Speaker 1: people's powers. Well, he's like rope and it does work

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Speaker 1: for machines. Well, he's like rope or like Sydney on Lesion.

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Speaker 2: I was I thought you were going to say when

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Speaker 2: I said I know where it was going, I thought

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Speaker 2: you were going to say it was all happening in

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Speaker 2: Legion's mind.

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Speaker 1: So it is confusing more and more confusing to me lately.

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Speaker 1: What is happening and what is in lesions mind?

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Speaker 4: Yeah.

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Speaker 2: No, I've had the same thing because, as you know,

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Speaker 2: I have a new hobby bow hunting. Yeah, I've taken

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Speaker 2: up bow hunting at the urging of Engineer Cody. Uh,

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Speaker 2: he said, let's get out in the woods. Me it's him,

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Speaker 2: it's bo Jackson. And you know the most dangerous game.

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Speaker 2: You're hunting Bo Jackson. M hmm. Well he could run

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Speaker 2: like a deer. So he goes he sets off running

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Speaker 2: like a deer and uh, and we'll fire these arrows

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Speaker 2: away and a lot of times I'll think, oh, no,

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Speaker 2: I hit bo Jackson and as I go to inspect

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Speaker 2: the wound, I'm sucked through the wound into just like

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Speaker 2: a jacuzzi or something. And then I go, Okay, that

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Speaker 2: was an they are great legion, way to go. So

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Speaker 2: it's frustrating. I've touched to say that welcome hallway ahead,

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Speaker 2: a guy to kick. But I've been.

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Speaker 1: We has been going online. Oh no, we have. We've

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Speaker 1: been looking at posts. Some of them are good, the

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Speaker 1: rest of them are very good. We love the posts online.

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Speaker 2: What you're doing out there, if you're one of these

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Speaker 2: online guys.

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Speaker 3: Me and Hayes our.

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Speaker 2: Love and what you got going on.

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Speaker 3: And so, but this is a thing.

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Speaker 1: There's a situation that we've been hearing about from some

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Speaker 1: of our online friends, a problem that they sometimes have.

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Speaker 1: And so this is a scenario. Okay, you're getting ready

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Speaker 1: to post online and you have an idea for a

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Speaker 1: post that is bad. It's a bad post idea, m M.

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Speaker 1: But you have to post it.

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Speaker 3: I'm getting there, I'm there.

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Speaker 1: The if not posting it as unacceptable. You have to post. Well,

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Speaker 1: you've had this idea, it's come to you.

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Speaker 2: It's maybe a rhyme, it's maybe some sort of word

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Speaker 2: that sounds like another word, but you're plugging it into

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Speaker 2: a word that it sounds like.

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Speaker 3: It's maybe.

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Speaker 2: Uh, you're going to say a word that people know,

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Speaker 2: and then you're going to say more like and then

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Speaker 2: you're going to say another word that people know. And

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Speaker 2: as you have this idea, you go, this has to

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Speaker 2: be out there, like, I can't keep it in my head.

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Speaker 1: I'll go insane, like legion did it has to be Yes,

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Speaker 1: it has to be posts. People say like, well, why

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Speaker 1: do you just not share this idea with people? No,

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Speaker 1: the idea has to be posted because you had it.

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Speaker 3: But how do you let people know that you know

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Speaker 3: it's not that good?

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Speaker 1: Yes, so this is the question. Now it is bad,

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Speaker 1: but you don't want to be punished for being bad,

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Speaker 1: so you have to let people know, like, I know

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Speaker 1: this is bad, Well I'm just posting you.

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Speaker 2: Yes. So what we've come up with here is a gambit,

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Speaker 2: and it sort of affects a double whammy where if

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Speaker 2: someone doesn't think this is bad, the thing you post

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Speaker 2: great to get to enjoy it. But if someone does

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Speaker 2: think it's bad, they actually think, oh, this guy's so

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Speaker 2: smart he knew it was bad. Because what you do is.

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Speaker 2: And we'll just come up with an example right now.

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Speaker 2: And I'm staring, of course, a glass of water, and

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Speaker 2: so I'll say a glass of water more like ass

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Speaker 2: of daughter.

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Speaker 1: And and then I think that is good. So let's

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Speaker 1: pretend that is bad. Yes, just for an example, pretend

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Speaker 1: that's a bad.

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Speaker 2: Very good sort of pedophile incest joke, you know, off

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Speaker 2: the top of my head. I don't know where this

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Speaker 2: stuff comes from, and it comes through my brain. But

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Speaker 2: so I pretend it was bad glass of water more

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Speaker 2: like ass of daughter? Can I just post that online?

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Speaker 2: You look at it? You No, I can't because some

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Speaker 2: people might think it's bad. So what if I do

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Speaker 2: glass of water more like ass of daughter? I'll show

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Speaker 2: myself out.

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Speaker 1: Or something like you are pretending like you think it's good,

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Speaker 1: like please rtie, or like a little joke like that,

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Speaker 1: like send the pulitzer to yes, yes, yeah, ye my stuff,

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Speaker 1: yes yes, or it's a very People don't do this

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Speaker 1: as much anymore, but like I'll be here all week,

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Speaker 1: tip your waitresses something like that, as.

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Speaker 2: If they're doing a stand up. And one other thing

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Speaker 2: you can do is go, hey, I know it's bad,

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Speaker 2: but who gives a fuck? None of this matters, so

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Speaker 2: you'll go like you go, like you know, uh, glass

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Speaker 2: of water more like gossip daughter, is anyone even reading

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Speaker 2: this thing anymore?

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Speaker 1: Or that exact thing, or like, by the way, we're

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Speaker 1: all dying, oh yes, perfect, Yeah, we're all gonna be

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Speaker 1: dead in twenty years.

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Speaker 2: The site's not important. Yes, that is really cool because

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Speaker 2: it's kind of an existential above it all knowing uh

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Speaker 2: wink at mortality. And it's also what might be a

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Speaker 2: pretty good joke, yes of a word that sounds like

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Speaker 2: another word. And the important thing is you posted. Yes,

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Speaker 2: you did it. You've got it, and if people like it, great.

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Speaker 2: If they don't like it, well neither do you. You

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Speaker 2: just said it in the thing, So so have.

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Speaker 3: It's just have a plan.

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Speaker 1: Have these tools in your toolkit so you can be

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Speaker 1: constantly posting, but you have these little exit strategies.

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Speaker 2: It's like a disaster prepared. I thought of another one. Yes, good,

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Speaker 2: I could see you think of it. I thought of

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Speaker 2: another one. You know, headphones more like bread phones. And

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Speaker 2: then you go I'm.

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Speaker 1: Sorry, yes, in parentheses, I'm sorry or something like that,

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Speaker 1: like I know it's sorry, I hate me too.

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Speaker 2: Yes, you know that's a post. Now you've posted, Now

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Speaker 2: you've primed. Really post a post that could come out later,

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Speaker 2: and if later you want to post again, you don't

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Speaker 2: have anything good. You got six or seven of these

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Speaker 2: things in the chamber.

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Speaker 3: You could just roll right through.

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Speaker 1: Yes, and by the time you get to the last one,

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Speaker 1: you can go back and do the original ones again.

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Speaker 2: Yeah, it's true, and so uh, this is just a

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Speaker 2: fail safe. I don't see enough people using this. Yes,

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Speaker 2: it's a great technique because sometimes you see people post

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Speaker 2: a bad post and you can tell they just didn't

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Speaker 2: know about this move. And I would say to extend

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Speaker 2: beyond just posting online. You can use a strategy like

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Speaker 2: this in your life or in your art as it were,

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Speaker 2: and never be held fully accountable for anything you say

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Speaker 2: being good or bad or funny or nice or mean

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Speaker 2: or cool or lame, because you just put a very

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Speaker 2: thin layer of character, paper thin of character over it

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Speaker 2: and go like, oh, I was being a character. I

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Speaker 2: was being sarcastic, and so you never stop.

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Speaker 1: Then if you say something that's bad and dumb, you say, oh,

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Speaker 1: that guy was saying it was that thing that was

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Speaker 1: so I.

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Speaker 2: Was doing an impression of someone I thought of something

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Speaker 2: bad on purpose I'll give you.

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Speaker 1: Or here's an unoriginal thought. Oh well, that's my character

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Speaker 1: is very unoorriginal. Yes, yes, Or here's a wrong opinion.

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Speaker 1: You'll know I was playing a character who had a

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Speaker 1: wrong opinion.

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Speaker 2: Yes, and then you can't get in trouble with the

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Speaker 2: person you were talking about. That's exactly right. So I'll

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Speaker 2: give you an example. Let's say you had a podcast.

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Speaker 2: So you're doing a podcast with your friend and you

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Speaker 2: want to make fun of I don't know, a certain

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Speaker 2: style of tweet.

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Speaker 3: So what you'll do is you'll go into.

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Speaker 2: The podcast and you'll go like, hey, I'm hosting the podcast,

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Speaker 2: but it's very clear you're being like a fake guy.

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Speaker 2: And then you'll just say like, oh, I really like

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Speaker 2: this tweet or what you know. And then if you

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Speaker 2: know somebody who does these all the time and they

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Speaker 2: come to you and they go like, then you make

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Speaker 2: fun of my ship, and you go like, wow, dude,

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Speaker 2: I'm not serious on that show, Like I'm like doing

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Speaker 2: a fucking thing.

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Speaker 3: Yeah, and then like you should come off. Oh yeah,

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Speaker 3: instantly invite them on. You have to. They're not gonna come.

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Speaker 2: So uh that's uh, you know you're doing it wrong

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Speaker 2: hashtag post on Twitter. Uh, and that's the addition of that.

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Speaker 2: So it was a segment after all, we got to

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Speaker 2: do the guests now bye bye.

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Speaker 3: So you know, it's me.

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Speaker 2: And Dean Kane, uh and uh Herman Kane and uh

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Speaker 2: Howard Diana and Charisma Carpenter and we're squeezing this fire hydrant,

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Speaker 2: try to pop the top off of it, you know,

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Speaker 2: because yeah, well so hot. But also lipcom toasta is

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Speaker 2: gold is inside there? Yeah, and uh, you know it's

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Speaker 2: Hell's kitchen. We're thirteen, it's nineteen sixty five, and uh,

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Speaker 2: we could use a little extra scratch and also a

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Speaker 2: little extra cool not to beat the heat.

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Speaker 3: We gotta beat the heat.

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Speaker 2: And so we're squeezing it as hard as we can.

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Speaker 2: And at one point, Dean says, maybe we're going about

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Speaker 2: this all wrong, and I disagree. Yeah, sure, yeah, And

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Speaker 2: it's a stalemate, right, because what are we gonna do? Like,

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Speaker 2: obviously haw Dean takes my side. Obviously her mckayin is

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Speaker 2: going to side with his brother. So at that point

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Speaker 2: it's like, all right, Charisma's the tiebreaker. But was she

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Speaker 2: had you know, you remember she had that mouth surgery. Yes,

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Speaker 2: so she can't even vote, really, and there's no way

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Speaker 2: for her to. She was trying to draw it, she's squeezing.

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Speaker 2: She was trying to draw it with her back foot

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Speaker 2: in the dirt a little bit, but it wasn't conclusive.

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Speaker 1: Yeah, how is the squeezing work? Are you each are

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Speaker 1: you all squeezing at once? Or is someone squeezing and

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Speaker 1: then you're kind of squeezing them?

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Speaker 2: Uh No, we are stacked up on top of each other,

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Speaker 2: so we're all different, and I mean, ironically for Dean,

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Speaker 2: I guess in sort of a Superman post, we're totally

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Speaker 2: flat out on the ground like and then on each

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Speaker 2: other's back squeezing so that it's getting a squeeze all

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Speaker 2: the way up like a too. Yeah, and uh right,

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Speaker 2: when Deane's about to get so mad that he's going

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Speaker 2: to catch a big punch, put off comes the top

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Speaker 2: of the virgin fire Hyde. Right, Okay, now what no water,

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Speaker 2: no gold? You know it's inside oil.

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Speaker 1: Hey, welcome to Hollywood ambas a kicking byty dropping the

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Speaker 1: into the red carpet lineback hallways of this industry week

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Speaker 1: called Showbiz?

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Speaker 2: What up?

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Speaker 3: What up? Coolop is on the show?

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Speaker 1: You know we look Hey some people, yep, might want

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Speaker 1: to say, oh, you had wild horses last week, you

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Speaker 1: have cool Oup this week.

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Speaker 3: You're just getting people.

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Speaker 1: You're getting people that are about to record their own episode.

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Speaker 1: Oh right, right, right, Do not say this to your friends,

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Speaker 1: you do stop saying this.

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Speaker 3: Please don't spread that rumor that.

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Speaker 1: People are already in the studio to do their own thing,

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Speaker 1: so they're just coming by to do your show.

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Speaker 2: At the same time, it implies that the show has

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Speaker 2: reached a point that we just rely on someone to

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Speaker 2: be scheduled near us in order to have any guests whatsoever,

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Speaker 2: when actually these are the guests that we actually want

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Speaker 2: to have.

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Speaker 3: So please don't say that and stop saying this.

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Speaker 2: And I know Cody's the one who started that rumor,

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Speaker 2: and Cody speaking up an answer for your.

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Speaker 3: Own lives, it's either a mer r what were you

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Speaker 3: saying again?

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Speaker 2: Sorry? Uh not, I don't know.

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Speaker 3: I don't know cool op. Hi, Hello, oh thanks, welcome.

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Speaker 5: In case I I feel like you're trying to communicate

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Speaker 5: something to me.

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Speaker 1: We're saying if you were thinking of telling your friends,

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Speaker 1: yes that oh yeah, I'm going to do Hollywood hand

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Speaker 1: because I'm already going to be in the studio, or

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Speaker 1: if someone at home we're saying that to their friends

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Speaker 1: about us. Oh cool came in to do Hollywood had

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Speaker 1: boo because she was alreadynna be in the studio?

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Speaker 3: Do who charted?

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Speaker 1: People have to stop saying this is for their own sake? Yes, stop.

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Speaker 1: People have to freeze enough. Citizens are freeze you.

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Speaker 2: Yes, Frankie relax, Frankie relax, Franky relax.

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Speaker 3: Finally somebody gets it.

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Speaker 2: Guys.

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Speaker 6: You want me to be here though, right.

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Speaker 5: I just there's just a lot of gray that I'm

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Speaker 5: kind of sifting through, and I just want to make

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Speaker 5: sure that that that I am ideal guests.

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Speaker 2: As as Live sang on the prequel album to Throwing Copper,

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Speaker 2: their smash breakout hit.

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Speaker 3: Uh, there's a beauty.

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Speaker 2: In the color gray that had a song called the

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Speaker 2: Beauty of Gray. And when these sort of black and

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Speaker 2: white lines mix and we don't necessarily draw these hard

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Speaker 2: boundaries anymore, Trump, Yeah, we find that there's actually something

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Speaker 2: beautiful in living in this gray. So I wouldn't shy

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Speaker 2: away from sitting there through that. I do what Ed

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Speaker 2: told us to do, you know, and I would just

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Speaker 2: steer into the gray.

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Speaker 1: Wow, be in the fog Yeah, it's easy to be

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Speaker 1: scared of it, but it's also a cop out kind

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Speaker 1: of okay, right.

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Speaker 5: To be afraid of of what I can't see, to.

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Speaker 3: Be so scared.

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Speaker 2: Yeah, it's easy to be scared, but being brave is

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Speaker 2: actually very hard.

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Speaker 6: It's like being brave is brave.

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Speaker 3: Yeah, being brave as a kind of brave.

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Speaker 2: Something I actually came up with, because being brave is

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Speaker 2: not never feeling scared. Oh, it's feeling very scared of everything.

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Speaker 3: And doing it anyway.

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Speaker 2: Wow. And then what you're doing is listening to that

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Speaker 2: song Beauty of Gray.

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Speaker 1: Speaking of braveness, speaking of braveness, bajillion.

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Speaker 2: I.

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Speaker 5: Before you start on me, I just want to say

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Speaker 5: that I check your availabilities, both of you.

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Speaker 6: Both of your availabilities.

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Speaker 2: Seems like the kind of thing that would get.

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Speaker 1: Okay, Well, that's interesting. I was not gonna talk about this.

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Speaker 2: Wow.

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Speaker 3: So what she's bringing up is.

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Speaker 1: But since cool Oop seems to want to talk about it.

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Speaker 1: A lot of people have been on this show. Yes,

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Speaker 1: did you only know our properties.

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Speaker 2: Basically everyone I know from this town.

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Speaker 3: Yes, and a lot of people I did I don't.

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Speaker 2: Oh, yes, a lot of people I've never seen and

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Speaker 2: hope to never see again. I have been on bajillion

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Speaker 2: strangers to me, uh, freaks, freaks, total freaks. Oh, it

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Speaker 2: is a.

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Speaker 1: Bit of a parade of freaks your that's on purpose,

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Speaker 1: So it's like a freak parade.

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Speaker 3: You know.

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Speaker 6: I think it's brave.

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Speaker 3: That's brave. That's brave because I'm scared of freaks. But

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Speaker 3: I do it anyway.

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Speaker 5: Okay, So you don't want to be in my show,

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Speaker 5: and it's an insult that I even checked your availablity.

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Speaker 2: What is happening when my availability gets checked that it's

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Speaker 2: a secret from me?

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Speaker 3: Well, first, who'd you check?

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Speaker 2: Pay?

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Speaker 3: He doesn't want to help me.

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Speaker 5: First week, I wrote your names down on the white

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Speaker 5: where people let's look for things for them to do.

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Speaker 6: I had some ideas for you because your I don't.

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Speaker 5: No, you're Jenisiqua both your Jenna Sikua. I think fits

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Speaker 5: very much in the world that I've created.

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Speaker 3: Okay, and you guys freak wranglers.

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Speaker 2: Yes, yeah, I could see us with a big long

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Speaker 2: net like the dog catchers and those cartoons, and we're

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Speaker 2: running around, we're capturing freaks, throw them in the back

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Speaker 2: of the paddy wagon.

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Speaker 6: That's not quite what my show is. It's about like

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Speaker 6: real estate in Los Angeles.

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Speaker 2: Yeah, but it's about freaks doing it.

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Speaker 6: Well no, no, no, no, that's just sort of a

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Speaker 6: product of casting.

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Speaker 5: But that's not I just don't want people listening to

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Speaker 5: the show to think that that's what the show is,

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Speaker 5: which is freak wranglers.

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Speaker 2: Yeah on ciso mm hmm. But wouldn't that be interesting

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Speaker 2: for if there was another season to finally catch some

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Speaker 2: of these freaks and lock them up where they belong.

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Speaker 6: I mean, I think it's certainly a choice. I don't know.

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Speaker 6: I think it's you brought up Trump. I think it

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Speaker 6: gets a.

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Speaker 2: Little A freak is a choice? You don't think people

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Speaker 2: are born that way?

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Speaker 5: Well, I mean, if like you listen to another amazing

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Speaker 5: recording artists, Oh go go go.

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Speaker 3: Corn, that's what I'm doing to them.

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Speaker 2: Oh yeah, get them on that leash, throw them in

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Speaker 2: the patty wagon.

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Speaker 1: But since you bring this up, last time you came on,

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Speaker 1: we were talking about charts of charts, your chart maniac,

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Speaker 1: And every time I see you, it's like, hey, have

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Speaker 1: you seen the latest chart?

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Speaker 3: And like I've got all these charts with.

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Speaker 2: Me, will you read them with me? And I'm always

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Speaker 2: like I'm like sort of like in my car right

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Speaker 2: and I'm like, I'm the light just turned green.

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Speaker 3: I gotta go.

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Speaker 2: But you're on the corner trying to shove these charts

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Speaker 2: up against my windshield and star charts Yeah, yeah, yeah,

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Speaker 2: Well it's you know, charts.

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Speaker 6: Of their home charts of their homes charts. Yeah, they're

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Speaker 6: they're box Office Mojo.

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Speaker 3: You know what I mean, top five starts, box Office Mojo.

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Speaker 3: Oh my goodness, who's baffle at the boh?

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Speaker 6: Is what I say to you as you speed away rudely.

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Speaker 2: Hey, that's just my brand. I can't let people see me.

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Speaker 2: Finally to you on the corner that I gotta be

404
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Speaker 2: friendly to have it.

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Speaker 1: And if I died going fast, don't cry for me

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Speaker 1: because I was happy. And Paul Walker actually said that

407
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Speaker 1: I saw it on a bumper sticker.

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Speaker 2: I did.

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Speaker 3: I said, don't be sad because he was happy.

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Speaker 2: This is gonna bum me out. He just said, don't

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Speaker 2: be sad. I mean, it makes me want to just

412
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Speaker 2: throw on some live That first album, the one before

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Speaker 2: Throwing Copper and just sort of Zone one. You know

414
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Speaker 2: what was that one? Was that one or something like

415
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Speaker 2: a beaver? Damn or something m and was something like.

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00:21:51,320 --> 00:21:54,159
Speaker 6: That, Yeah, are you guys excited for a Fate of

417
00:21:54,280 --> 00:21:54,800
Speaker 6: the Furious?

418
00:21:57,320 --> 00:21:58,120
Speaker 3: Am I excited?

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Speaker 2: No? I'm scared and I'm gonna do it anyway because

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Speaker 2: that's bravery, because.

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Speaker 3: I'm terrified of that movie.

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00:22:05,320 --> 00:22:06,119
Speaker 2: First of all, they're so.

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Speaker 6: Loud, louder than John Wick.

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Speaker 3: Okay, that was the loudest movie ever.

425
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Speaker 2: Yeah, that was according to Andrew from our forums. Andrew

426
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Speaker 2: I saw him and I saw him once and and

427
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Speaker 2: I said, what did you do? He was in la

428
00:22:23,520 --> 00:22:26,520
Speaker 2: from England and he said, oh, I went to see

429
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Speaker 2: John Wick. And I said, how how was it? He went,

430
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Speaker 2: bringing a pugs quite loud. I said, oh, this seems

431
00:22:35,560 --> 00:22:40,800
Speaker 2: like the wrong movie for you, Like your personality doesn't

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Speaker 2: match with even seeing this movie.

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Speaker 3: So chart we did last time, Yes, was five shows

434
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Speaker 3: that never even had a son them before.

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Speaker 2: Yes that chart, Yes, yes, chop shows that don't want

436
00:22:58,800 --> 00:23:00,560
Speaker 2: to have a song because there's scared and they're not

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Speaker 2: brave enough to do it anyway.

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Speaker 1: And some of those shows huh never not funny? Scarboroughs

439
00:23:08,680 --> 00:23:16,160
Speaker 1: what else? Oh spot Spa is off the list?

440
00:23:16,560 --> 00:23:22,240
Speaker 2: Wow, only Spunk All the others have remade on the list.

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00:23:22,400 --> 00:23:27,879
Speaker 3: Only Spunk had the fucking stone to bring on the

442
00:23:28,119 --> 00:23:29,600
Speaker 3: Bad Boys and it.

443
00:23:29,760 --> 00:23:33,119
Speaker 2: Was a huge episode for him, and his show's actually

444
00:23:33,200 --> 00:23:34,640
Speaker 2: doing really well now.

445
00:23:36,240 --> 00:23:43,120
Speaker 5: And this show, Yeah, that's strange because it's like, if

446
00:23:43,960 --> 00:23:46,240
Speaker 5: you get to be brave and you get a huge

447
00:23:46,320 --> 00:23:49,000
Speaker 5: Hollywood handbook bump, why wouldn't people A.

448
00:23:48,960 --> 00:23:51,840
Speaker 2: Lot of people are scared of success. What you realize

449
00:23:51,880 --> 00:23:54,000
Speaker 2: is you think, oh, this person is scared of feeling.

450
00:23:54,080 --> 00:23:58,000
Speaker 1: It's like, well, now people are paying attention, feeling can

451
00:23:58,040 --> 00:23:58,920
Speaker 1: be pretty comfortable.

452
00:23:59,400 --> 00:24:01,440
Speaker 6: Oh wow, they're worried about the evil eye.

453
00:24:02,040 --> 00:24:05,639
Speaker 2: For somebody like Pardo, that could be pretty comfortable for him,

454
00:24:06,359 --> 00:24:11,320
Speaker 2: you know what I mean, because it's it's familiar m

455
00:24:11,520 --> 00:24:15,119
Speaker 2: m and uh for somebody like Paul who wants to

456
00:24:15,160 --> 00:24:17,720
Speaker 2: really challenge himself and see what else is out there

457
00:24:17,840 --> 00:24:20,480
Speaker 2: on the moon, perhaps when he skyrockets a show there

458
00:24:20,560 --> 00:24:21,800
Speaker 2: by having the Bad Boys.

459
00:24:21,560 --> 00:24:25,080
Speaker 6: In, and that's that is what happened.

460
00:24:25,200 --> 00:24:26,080
Speaker 4: That is what happened.

461
00:24:26,320 --> 00:24:28,560
Speaker 3: What happened the show got on the moon. Yeah, basically

462
00:24:28,680 --> 00:24:32,040
Speaker 3: ask him, Yeah, ask him. If you can hear you,

463
00:24:34,000 --> 00:24:34,960
Speaker 3: if your show's on the moon.

464
00:24:34,920 --> 00:24:36,360
Speaker 6: You guys are making a statement.

465
00:24:36,720 --> 00:24:39,520
Speaker 5: And so I'm just following up to see if that's

466
00:24:39,800 --> 00:24:42,520
Speaker 5: just you know, conjecture or.

467
00:24:42,560 --> 00:24:45,040
Speaker 1: If that was within r well, that is what he

468
00:24:45,240 --> 00:24:48,480
Speaker 1: said to us right after he said well, welcome to

469
00:24:48,560 --> 00:24:48,880
Speaker 1: the moon.

470
00:24:49,359 --> 00:24:52,480
Speaker 2: Yeah. And and if you take a look at Scabor

471
00:24:53,080 --> 00:24:57,800
Speaker 2: looking yes, and those guys there's a whole campaign of

472
00:24:57,840 --> 00:25:00,359
Speaker 2: Burger king ads right now and they're only in one

473
00:25:00,440 --> 00:25:00,680
Speaker 2: of them.

474
00:25:02,600 --> 00:25:05,240
Speaker 3: And you gotta wonder if we have been on that

475
00:25:05,480 --> 00:25:07,719
Speaker 3: show once, would they have been on all of them?

476
00:25:07,720 --> 00:25:08,879
Speaker 3: Would they have been into or.

477
00:25:10,840 --> 00:25:11,800
Speaker 6: Fast and get out of here?

478
00:25:12,200 --> 00:25:15,000
Speaker 2: Yeah, so let's kick that guy to the curb, but at.

479
00:25:15,000 --> 00:25:18,399
Speaker 6: Least one square in that with the other guy that

480
00:25:18,520 --> 00:25:19,160
Speaker 6: looks like Todd.

481
00:25:19,320 --> 00:25:22,840
Speaker 2: Let's unfastened and they and they only get one burner

482
00:25:23,080 --> 00:25:27,040
Speaker 2: each in the ad that they are doing. Oh yeah,

483
00:25:27,400 --> 00:25:29,200
Speaker 2: and they can't tell which deal is better. One of

484
00:25:29,240 --> 00:25:31,400
Speaker 2: them has glasses and he still can't tell which deal

485
00:25:31,480 --> 00:25:33,760
Speaker 2: is Yeah, and then he offers the other one in classes,

486
00:25:33,800 --> 00:25:34,600
Speaker 2: which I don't.

487
00:25:34,920 --> 00:25:37,000
Speaker 6: I mean, it's I think it's brave of Burger Kaning

488
00:25:37,040 --> 00:25:38,840
Speaker 6: to do verite commercials.

489
00:25:39,200 --> 00:25:43,720
Speaker 2: Yeah, oh yeah, No, they're a pretty hit restaurant.

490
00:25:44,400 --> 00:25:46,720
Speaker 6: Oh you call it a restaurant. Yeah, I suppose you're right.

491
00:25:47,040 --> 00:25:47,440
Speaker 4: Mm hmm.

492
00:25:48,280 --> 00:25:51,240
Speaker 2: This is part of Sean's sort of theory of the world,

493
00:25:51,480 --> 00:25:56,119
Speaker 2: which is, if there's food in there, there must be

494
00:25:56,160 --> 00:26:00,680
Speaker 2: a restaurant. Not all restaurants are food. What is it?

495
00:26:01,440 --> 00:26:01,600
Speaker 5: Oh?

496
00:26:01,680 --> 00:26:07,320
Speaker 3: Yeah, yeah not Not every food is a restaurant. Every

497
00:26:07,440 --> 00:26:08,640
Speaker 3: restaurant is a food.

498
00:26:10,240 --> 00:26:11,560
Speaker 6: Every restaurant is a food.

499
00:26:11,800 --> 00:26:13,120
Speaker 3: But not every food is a restaurant.

500
00:26:13,359 --> 00:26:20,040
Speaker 1: Everytime grocery store yeah, okay, a farm, yes, it is

501
00:26:20,119 --> 00:26:21,760
Speaker 1: not a restaurant because of food.

502
00:26:21,840 --> 00:26:24,480
Speaker 3: Yeah, but but it is food is there? Yeah, food is,

503
00:26:25,160 --> 00:26:26,480
Speaker 3: but it's for a horse or something.

504
00:26:26,600 --> 00:26:28,880
Speaker 6: Okay, what about like seven eleven?

505
00:26:30,240 --> 00:26:31,960
Speaker 3: Wow, okay, that's a restaurant.

506
00:26:32,200 --> 00:26:32,480
Speaker 6: Okay.

507
00:26:33,400 --> 00:26:35,400
Speaker 3: Not every food is a restaurant. Every restaurant is food.

508
00:26:36,280 --> 00:26:39,240
Speaker 2: M hm. So it's it's interesting, you know, and you

509
00:26:39,320 --> 00:26:41,240
Speaker 2: can sort of use that rule and apply it.

510
00:26:42,000 --> 00:26:43,760
Speaker 3: But now we have to get to a chart because

511
00:26:43,760 --> 00:26:44,720
Speaker 3: I know you're going.

512
00:26:44,600 --> 00:26:46,919
Speaker 6: To lose my mind if I don't. That's the only

513
00:26:46,960 --> 00:26:49,240
Speaker 6: way I can grasp and you're looking for you are going.

514
00:26:49,200 --> 00:26:52,560
Speaker 1: To go keep you go dumb, go stupid. Yeah, if

515
00:26:52,920 --> 00:26:56,320
Speaker 1: we don't get into a chart right now, dumb dumb,

516
00:26:57,040 --> 00:26:59,720
Speaker 1: And the chart we are going to do is tell

517
00:26:59,760 --> 00:27:00,199
Speaker 1: me when go.

518
00:27:01,960 --> 00:27:03,240
Speaker 2: Five, Tell me when.

519
00:27:03,440 --> 00:27:07,800
Speaker 1: The main five CISO shows that don't want us to

520
00:27:07,880 --> 00:27:11,719
Speaker 1: be on their show and have it but invited us?

521
00:27:12,040 --> 00:27:12,080
Speaker 4: Go?

522
00:27:12,320 --> 00:27:15,240
Speaker 2: Done? But does it it?

523
00:27:15,359 --> 00:27:15,600
Speaker 6: Okay?

524
00:27:15,680 --> 00:27:18,280
Speaker 2: Before? Wait, we have to do the theme song because

525
00:27:18,320 --> 00:27:22,040
Speaker 2: you got you You guys all have these themes. Yeah yeah, yeah,

526
00:27:22,160 --> 00:27:22,800
Speaker 2: so yes.

527
00:27:23,680 --> 00:27:24,640
Speaker 3: Go Do you have the theme song?

528
00:27:24,720 --> 00:27:25,159
Speaker 2: Schewed up?

529
00:27:25,280 --> 00:27:30,960
Speaker 3: Yeah? Yeah? Uh just can't buy me some time?

530
00:27:31,000 --> 00:27:32,880
Speaker 2: I just needed a front porss a little?

531
00:27:33,760 --> 00:27:35,800
Speaker 3: Okay, so a theme song?

532
00:27:36,000 --> 00:27:40,040
Speaker 2: What goes into creating a theme song and choosing the

533
00:27:40,160 --> 00:27:44,440
Speaker 2: right theme for your master work? Your chart?

534
00:27:45,480 --> 00:27:49,840
Speaker 3: For me, I always work according to the same simple rubric.

535
00:27:50,560 --> 00:27:51,160
Speaker 3: Does it rock?

536
00:27:51,400 --> 00:27:53,960
Speaker 2: Does it kick butt? And can I dance to it?

537
00:27:54,400 --> 00:27:56,320
Speaker 2: And if the answer to all those three questions is no,

538
00:27:57,040 --> 00:27:58,440
Speaker 2: well you got yourself a chart song.

539
00:27:58,800 --> 00:28:12,800
Speaker 3: Play that jam. In the beginning, there were some funny shows.

540
00:28:18,640 --> 00:28:25,960
Speaker 2: But in the end there was only one or something.

541
00:28:30,160 --> 00:28:30,480
Speaker 4: See so.

542
00:28:32,320 --> 00:28:35,720
Speaker 2: See so much comedy. Bet your eyes pop out of

543
00:28:35,760 --> 00:28:40,520
Speaker 2: your head. So few Sean's and hazes.

544
00:28:51,960 --> 00:28:53,000
Speaker 3: Begin the chart.

545
00:28:54,320 --> 00:28:59,200
Speaker 2: Starting now, And that part before where me and Hayes

546
00:28:59,200 --> 00:29:05,080
Speaker 2: talked over each other is part of the song. That's

547
00:29:05,120 --> 00:29:06,840
Speaker 2: what gets you ready for the chart, because we're gonna

548
00:29:06,880 --> 00:29:08,160
Speaker 2: do that sometimes during the chart too.

549
00:29:12,000 --> 00:29:25,920
Speaker 3: Still five shows, five cowards all in the end will fall.

550
00:29:27,400 --> 00:29:32,880
Speaker 2: All that will be left standing is spontaneou Nation on

551
00:29:33,040 --> 00:29:34,120
Speaker 2: the frigging Moon.

552
00:29:36,920 --> 00:29:41,160
Speaker 1: One by one, Sean and Hayes will defeat the shows.

553
00:29:43,400 --> 00:29:46,520
Speaker 2: Like chopping the head off a dragon. We'll chop the

554
00:29:46,920 --> 00:29:50,920
Speaker 2: internet wire from the CISO office.

555
00:29:52,680 --> 00:29:56,000
Speaker 3: We will destroy their equipment this.

556
00:29:56,120 --> 00:30:01,680
Speaker 2: Issy and we will do a better, funnier show with

557
00:30:01,880 --> 00:30:03,280
Speaker 2: Paula Tompkins.

558
00:30:07,200 --> 00:30:07,800
Speaker 3: Braveness.

559
00:30:08,080 --> 00:30:09,840
Speaker 6: Wait, so you're just gonna take over my show?

560
00:30:12,880 --> 00:30:14,520
Speaker 3: We will take over cool Op show.

561
00:30:15,000 --> 00:30:16,960
Speaker 6: This is not a theme song. You guys are just

562
00:30:17,080 --> 00:30:17,720
Speaker 6: coming up with this.

563
00:30:18,760 --> 00:30:23,600
Speaker 3: And then and then she will be like, why am

564
00:30:23,640 --> 00:30:25,600
Speaker 3: I not on your show? And I'll be like, oh,

565
00:30:25,680 --> 00:30:27,400
Speaker 3: I checked your oveil.

566
00:30:29,280 --> 00:30:31,840
Speaker 2: Go. Your name's on a whiteboard that no one could

567
00:30:31,880 --> 00:30:34,080
Speaker 2: confirm because whiteboards are erasable.

568
00:30:34,960 --> 00:30:40,200
Speaker 3: But you can't erase us killing everyone on your show.

569
00:30:43,200 --> 00:30:45,720
Speaker 2: And if the police hear this and someone on the

570
00:30:45,760 --> 00:30:49,160
Speaker 2: show does get hurt, We're just do just a song.

571
00:30:49,320 --> 00:30:50,480
Speaker 2: It's a theme song.

572
00:30:50,760 --> 00:30:54,840
Speaker 6: This theme song is the whiteboard of theme songs.

573
00:30:55,160 --> 00:30:59,040
Speaker 2: Yeah, and cool Ops in the theme song no, I'm yeah.

574
00:30:59,160 --> 00:31:01,080
Speaker 3: Now she likes it, so.

575
00:31:03,240 --> 00:31:06,360
Speaker 5: I guess hold up, understand that spontane Nation is not

576
00:31:06,560 --> 00:31:08,840
Speaker 5: on SEASO Okay, And.

577
00:31:09,000 --> 00:31:11,800
Speaker 6: If we're going by that not yet okay.

578
00:31:11,600 --> 00:31:13,320
Speaker 2: Yeah not yeah?

579
00:31:13,880 --> 00:31:17,080
Speaker 3: Well does they do really well?

580
00:31:17,120 --> 00:31:17,280
Speaker 2: There?

581
00:31:17,400 --> 00:31:20,600
Speaker 3: We reward the people that are good to us.

582
00:31:20,800 --> 00:31:22,480
Speaker 6: You were on my podcast this week.

583
00:31:23,240 --> 00:31:23,400
Speaker 5: Oh.

584
00:31:23,440 --> 00:31:26,800
Speaker 2: I wanted to mention, that's so nice that you had

585
00:31:26,840 --> 00:31:27,840
Speaker 2: Hayes podcast.

586
00:31:27,920 --> 00:31:28,840
Speaker 3: Why cool?

587
00:31:29,960 --> 00:31:34,080
Speaker 2: This seems like it all got the worst thing that

588
00:31:34,240 --> 00:31:36,120
Speaker 2: you could say, this weight away.

589
00:31:36,200 --> 00:31:37,200
Speaker 3: It's really great to have.

590
00:31:37,320 --> 00:31:40,760
Speaker 2: Hayes back on. That's good. I know he had been

591
00:31:40,840 --> 00:31:43,520
Speaker 2: on before, Yeah, the second time.

592
00:31:44,040 --> 00:31:47,080
Speaker 3: Now he's been on the.

593
00:31:49,600 --> 00:31:49,880
Speaker 1: Mail.

594
00:31:50,760 --> 00:31:52,720
Speaker 2: Did you check my avail for that podcast?

595
00:31:53,000 --> 00:31:57,040
Speaker 6: Now as I don't schedule our show.

596
00:31:58,800 --> 00:32:02,480
Speaker 3: Okay, little peak on the curtain. What's going on backstage?

597
00:32:04,080 --> 00:32:05,600
Speaker 3: And now I'm feeling good?

598
00:32:07,360 --> 00:32:09,640
Speaker 6: I mean, obviously I would have chosen you.

599
00:32:10,080 --> 00:32:14,280
Speaker 1: Here I am thinking, oh, like, at least I have

600
00:32:14,440 --> 00:32:16,240
Speaker 1: one fan, at least I'm good enough to be on

601
00:32:16,320 --> 00:32:20,120
Speaker 1: the podcast, if not the main check.

602
00:32:20,360 --> 00:32:22,560
Speaker 2: But look, who says you're even on the list, who

603
00:32:22,600 --> 00:32:23,120
Speaker 2: says you're.

604
00:32:23,040 --> 00:32:27,240
Speaker 3: Even on this chart? It's true. We haven't even gotten

605
00:32:27,240 --> 00:32:28,320
Speaker 3: a number five.

606
00:32:28,440 --> 00:32:30,240
Speaker 5: Only in the start, And I want to I want

607
00:32:30,280 --> 00:32:34,040
Speaker 5: to make another point is that you guys are constantly

608
00:32:34,080 --> 00:32:38,360
Speaker 5: writing on high profile shows, and that's what makes you unavail.

609
00:32:39,720 --> 00:32:43,800
Speaker 2: Look, if you want to I don't want You're.

610
00:32:43,600 --> 00:32:45,880
Speaker 6: Always in a high profile show. You're always on a

611
00:32:45,960 --> 00:32:46,880
Speaker 6: high profile show.

612
00:32:47,360 --> 00:32:48,640
Speaker 3: It's an Oprah impression.

613
00:32:49,680 --> 00:32:50,000
Speaker 2: I love.

614
00:32:53,680 --> 00:32:56,960
Speaker 3: Look, we have to do this chart. Let me just

615
00:32:57,040 --> 00:32:59,000
Speaker 3: do a timeline requ when did you wrap.

616
00:33:00,080 --> 00:33:04,400
Speaker 6: The December fifteenth?

617
00:33:05,280 --> 00:33:06,680
Speaker 2: And it worked since November?

618
00:33:10,520 --> 00:33:16,040
Speaker 1: Not one single day, A lot of a lot of

619
00:33:16,840 --> 00:33:19,880
Speaker 1: lines out there though. I mean, it's not like you

620
00:33:20,000 --> 00:33:21,880
Speaker 1: are not Oh I.

621
00:33:22,000 --> 00:33:26,600
Speaker 3: Was looking Yes, I was definitely looking looking at you.

622
00:33:26,680 --> 00:33:27,320
Speaker 2: Just about anything.

623
00:33:29,480 --> 00:33:33,719
Speaker 5: I'm Your body language towards me has changed so drastically.

624
00:33:34,000 --> 00:33:34,720
Speaker 5: It's alarming.

625
00:33:37,000 --> 00:33:41,880
Speaker 3: Big just a big extended fist outdoor at you.

626
00:33:42,520 --> 00:33:45,520
Speaker 2: Yeah, and it's like it's it's it's not doing anything

627
00:33:45,560 --> 00:33:46,680
Speaker 2: if you happen ton.

628
00:33:48,480 --> 00:33:52,400
Speaker 5: No, I wasn't saying that you No, I wasn't saying

629
00:33:52,480 --> 00:33:58,280
Speaker 5: that it was aggressive. It's very still, but it's noticeable

630
00:33:58,560 --> 00:34:00,240
Speaker 5: and you still haven't put it out.

631
00:34:00,520 --> 00:34:05,640
Speaker 2: Yeah, okay, yeah, we got to do this chart. Yeah,

632
00:34:05,760 --> 00:34:06,720
Speaker 2: we have to do chart.

633
00:34:06,840 --> 00:34:08,719
Speaker 3: And again we're not tuning in for the chart. You

634
00:34:08,840 --> 00:34:09,640
Speaker 3: know better than anyone.

635
00:34:09,880 --> 00:34:14,960
Speaker 1: And the idea that you're on the chart is almost no,

636
00:34:15,280 --> 00:34:17,799
Speaker 1: it's not necessary. We haven't even looked at the chart yet.

637
00:34:18,960 --> 00:34:20,680
Speaker 2: No, I don't. I don't know what's on this chart?

638
00:34:21,680 --> 00:34:22,759
Speaker 2: Well do so?

639
00:34:23,160 --> 00:34:26,839
Speaker 3: Do we want to? So there's five items on the charge.

640
00:34:26,880 --> 00:34:28,879
Speaker 3: We want to play the theme song for the number five.

641
00:34:29,800 --> 00:34:34,880
Speaker 6: Yes, there's a different song, but play is that the

642
00:34:35,440 --> 00:34:36,440
Speaker 6: opening theme song?

643
00:34:36,600 --> 00:34:39,920
Speaker 3: No, it's this one, this one, this one was just

644
00:34:40,040 --> 00:34:42,480
Speaker 3: for this one's just for number five? Cody? Can we

645
00:34:42,560 --> 00:34:44,359
Speaker 3: get that one place? Sorry?

646
00:34:44,440 --> 00:34:45,120
Speaker 2: What did you need again?

647
00:34:45,400 --> 00:34:48,719
Speaker 3: We need the theme song for the number five? I

648
00:34:48,840 --> 00:34:51,200
Speaker 3: closed it? Oh?

649
00:34:51,640 --> 00:34:53,279
Speaker 2: Is this it? Yes?

650
00:34:55,960 --> 00:35:01,400
Speaker 3: Number five? Is it the worst show that didn't have

651
00:35:01,520 --> 00:35:07,279
Speaker 3: us on? Or the best one? It doesn't like? What

652
00:35:08,080 --> 00:35:10,080
Speaker 3: is the order that these are in?

653
00:35:10,520 --> 00:35:10,759
Speaker 4: Yes?

654
00:35:11,480 --> 00:35:15,200
Speaker 3: Should we have decided already or should we even ever?

655
00:35:15,360 --> 00:35:15,560
Speaker 2: Say?

656
00:35:17,120 --> 00:35:19,920
Speaker 3: It's the fifth one? But we're doing it first because

657
00:35:19,960 --> 00:35:22,400
Speaker 3: the chart goes down in numbers.

658
00:35:22,640 --> 00:35:25,839
Speaker 1: Yes, And ultimately it doesn't matter because they will all

659
00:35:25,920 --> 00:35:27,200
Speaker 1: be extinct.

660
00:35:30,080 --> 00:35:33,200
Speaker 5: So not only are you going to kill the show,

661
00:35:33,239 --> 00:35:37,560
Speaker 5: you're going to kill the actors involved, so that the

662
00:35:37,960 --> 00:35:40,200
Speaker 5: creators and showrunners have only themselves to blame.

663
00:35:40,520 --> 00:35:46,680
Speaker 3: If they give themselves up and kill themselves, or.

664
00:35:46,719 --> 00:35:49,560
Speaker 6: Creators kill themselves, then everyone else.

665
00:35:50,200 --> 00:35:52,000
Speaker 3: They can protect their families, open.

666
00:35:51,840 --> 00:35:56,279
Speaker 6: Offer the family that they found, not the family.

667
00:35:56,120 --> 00:35:59,000
Speaker 2: If they're brave enough to kill themselves, even though they're

668
00:35:59,000 --> 00:36:01,920
Speaker 2: scared to do it. That will protect their families. That's

669
00:36:01,920 --> 00:36:04,120
Speaker 2: the only way I can guarantee that their family stay.

670
00:36:03,960 --> 00:36:08,239
Speaker 5: Safe again, not their first family, the family that they

671
00:36:08,320 --> 00:36:11,239
Speaker 5: created within the project, not their like kids.

672
00:36:11,040 --> 00:36:12,200
Speaker 6: And stuff or their husbands.

673
00:36:12,320 --> 00:36:16,080
Speaker 2: Right, and we don't know who's hit whatever. This is

674
00:36:16,160 --> 00:36:19,959
Speaker 2: a very very important I don't know that freaks half family,

675
00:36:20,000 --> 00:36:24,200
Speaker 2: Oh my goodness, and the whole network's a freak.

676
00:36:24,040 --> 00:36:29,319
Speaker 3: Pride do your chart number five the UCB show.

677
00:36:39,960 --> 00:36:43,440
Speaker 6: This is their theme song, right, No, the actual.

678
00:36:43,840 --> 00:36:46,960
Speaker 3: The actual like like discussion part of the chart is

679
00:36:47,080 --> 00:36:50,520
Speaker 3: its own things, yes, as a theme.

680
00:36:50,800 --> 00:36:53,960
Speaker 2: So this is a show. This is a very sonic

681
00:36:54,160 --> 00:36:57,720
Speaker 2: show of many people on it because it's all different

682
00:36:57,800 --> 00:37:02,200
Speaker 2: stuff from the theater and from other walks of life. Yes,

683
00:37:02,280 --> 00:37:04,320
Speaker 2: and the ideas that the show can be listening to

684
00:37:04,440 --> 00:37:05,960
Speaker 2: this music as they're running away.

685
00:37:07,239 --> 00:37:08,040
Speaker 3: That's part of the.

686
00:37:08,200 --> 00:37:09,480
Speaker 6: Oh my god, that's terrifying.

687
00:37:09,600 --> 00:37:12,040
Speaker 1: That's part of the fun because like they don't see

688
00:37:12,080 --> 00:37:13,960
Speaker 1: you at first, they hear the song for me, can't

689
00:37:14,000 --> 00:37:14,399
Speaker 1: you see?

690
00:37:14,560 --> 00:37:18,600
Speaker 2: Like just like somebody ducking behind a tree, you know,

691
00:37:18,920 --> 00:37:21,120
Speaker 2: like a hal rudnick or something like ducking behind a

692
00:37:21,200 --> 00:37:22,640
Speaker 2: tree and peek out around the corner.

693
00:37:22,840 --> 00:37:23,359
Speaker 3: For this song.

694
00:37:23,560 --> 00:37:24,680
Speaker 2: Yes, yeah, I can see it.

695
00:37:24,880 --> 00:37:26,479
Speaker 3: Yeah, U see B show.

696
00:37:27,480 --> 00:37:30,560
Speaker 2: Yeah, I guess the uc B show should be called

697
00:37:30,600 --> 00:37:33,560
Speaker 2: the you Don't See Me Show because I ain't on

698
00:37:33,680 --> 00:37:34,080
Speaker 2: that show.

699
00:37:36,040 --> 00:37:36,800
Speaker 3: Number four.

700
00:37:40,920 --> 00:37:58,280
Speaker 2: Cody signature fleuvers here numberfore you were on the floor

701
00:37:58,320 --> 00:38:00,719
Speaker 2: and take it out the door. You know how we

702
00:38:01,000 --> 00:38:03,520
Speaker 2: do it after we're done with five. It's right on

703
00:38:03,760 --> 00:38:08,319
Speaker 2: down the chart. Keep the tires rolling and the uh

704
00:38:09,239 --> 00:38:16,360
Speaker 2: uh uh uh uh uh uh uh. The gas stolen.

705
00:38:16,480 --> 00:38:17,359
Speaker 2: It's siphon your gas.

706
00:38:17,440 --> 00:38:23,320
Speaker 3: We're stealing your gas. And that's like well like the

707
00:38:23,480 --> 00:38:24,520
Speaker 3: blood of the people.

708
00:38:24,920 --> 00:38:29,360
Speaker 5: Oh yes, yes, like my guess my gas is red?

709
00:38:29,800 --> 00:38:35,440
Speaker 3: Yeah, yes, yes, yes, and the show that yeah, And

710
00:38:35,560 --> 00:38:37,000
Speaker 3: so do you want to take a guess at one?

711
00:38:37,080 --> 00:38:39,560
Speaker 2: Number four? Because you don't know any other seasons show?

712
00:38:39,760 --> 00:38:40,759
Speaker 3: Come on, get at it.

713
00:38:41,160 --> 00:38:42,200
Speaker 2: What are you talking about it?

714
00:38:44,080 --> 00:38:45,680
Speaker 3: You want to take a quick guess?

715
00:38:47,000 --> 00:38:49,480
Speaker 6: Okay, okay, okay, okay, okay, okay, okay.

716
00:38:49,800 --> 00:38:50,239
Speaker 3: What do we got?

717
00:38:50,360 --> 00:38:51,000
Speaker 6: Take my wife?

718
00:38:51,160 --> 00:38:54,160
Speaker 3: Okay, yes, okay, okay, Yes, it's take my wife?

719
00:38:56,040 --> 00:38:59,920
Speaker 6: Yes, yeah, Well, I mean, where would you fit in

720
00:39:00,080 --> 00:39:00,840
Speaker 6: in that world?

721
00:39:01,880 --> 00:39:03,879
Speaker 3: Their backstage are about to go on to a show,

722
00:39:04,120 --> 00:39:05,080
Speaker 3: And then I'm back there and.

723
00:39:05,080 --> 00:39:06,440
Speaker 2: I'm like you want any want it or anything?

724
00:39:06,960 --> 00:39:09,680
Speaker 1: Yeah, Or I could play someone who like doesn't get it,

725
00:39:10,280 --> 00:39:13,960
Speaker 1: you know it was like like not nice to them

726
00:39:14,120 --> 00:39:14,480
Speaker 1: or something.

727
00:39:14,960 --> 00:39:15,480
Speaker 3: Yeah, I could go.

728
00:39:15,680 --> 00:39:19,000
Speaker 2: I would be very believable with somebody who's like you

729
00:39:19,040 --> 00:39:22,200
Speaker 2: have a wife, yes, right, but you're a what they

730
00:39:22,239 --> 00:39:23,600
Speaker 2: need someone to be doing that?

731
00:39:25,480 --> 00:39:28,600
Speaker 6: Isn't that just sort of the world that is doing that,

732
00:39:28,880 --> 00:39:30,799
Speaker 6: you know what I mean? And maybe in their own

733
00:39:30,880 --> 00:39:31,719
Speaker 6: show they didn't.

734
00:39:31,560 --> 00:39:33,279
Speaker 2: Want to do they don't want to have that, they

735
00:39:33,320 --> 00:39:34,080
Speaker 2: don't talk about that.

736
00:39:34,440 --> 00:39:37,960
Speaker 6: Yeah, you are such an agent of chaos.

737
00:39:38,760 --> 00:39:41,399
Speaker 2: My goodness, I will be a bad guy on this show.

738
00:39:41,440 --> 00:39:44,800
Speaker 2: I will get beat up on these shows. I'm fully

739
00:39:44,920 --> 00:39:49,120
Speaker 2: willing to be a nasty man villain. Yes, you know,

740
00:39:49,520 --> 00:39:52,840
Speaker 2: the freak catcher and then wait, hold on, this is

741
00:39:53,280 --> 00:39:53,759
Speaker 2: I just.

742
00:39:53,800 --> 00:39:57,960
Speaker 5: I'm concerned for you in this direction that you're you're

743
00:39:58,000 --> 00:39:59,879
Speaker 5: gonna I feel you're gonna plow right through.

744
00:40:01,000 --> 00:40:05,000
Speaker 6: But just maybe no with the freak with this show.

745
00:40:05,080 --> 00:40:06,600
Speaker 6: My show's okay, but maybe.

746
00:40:06,520 --> 00:40:08,160
Speaker 3: Uh huh, oh cool.

747
00:40:11,600 --> 00:40:16,120
Speaker 5: Concern coulaup okay, all of her hands are up, all

748
00:40:16,160 --> 00:40:17,160
Speaker 5: of her hands up things.

749
00:40:17,320 --> 00:40:21,080
Speaker 2: Wow, not even something I would have even Oh, I

750
00:40:21,239 --> 00:40:23,719
Speaker 2: wasn't referring to this show with that.

751
00:40:24,239 --> 00:40:29,320
Speaker 5: Okay, geez all right, well wow, some might think that Sean,

752
00:40:29,440 --> 00:40:31,399
Speaker 5: I'm just saying here's my thing.

753
00:40:32,400 --> 00:40:33,520
Speaker 6: I'm not just saying it.

754
00:40:34,400 --> 00:40:36,560
Speaker 2: I'd like to be able to telling me I was

755
00:40:36,680 --> 00:40:40,440
Speaker 2: not just saying that. No, whatever, whatever my character is,

756
00:40:41,040 --> 00:40:44,279
Speaker 2: cool up, whatever my character is. Yeah, I think he

757
00:40:44,280 --> 00:40:47,480
Speaker 2: should be running through every show. I think he should

758
00:40:47,480 --> 00:40:50,080
Speaker 2: appear on every show, and then they should know me

759
00:40:50,360 --> 00:40:53,400
Speaker 2: from the other show when I and when I shop

760
00:40:53,520 --> 00:40:55,680
Speaker 2: up on the UC idea.

761
00:40:55,680 --> 00:40:57,879
Speaker 6: And that you thought that I knew that. I don't

762
00:40:57,920 --> 00:40:58,799
Speaker 6: think that's fair.

763
00:40:59,400 --> 00:40:59,880
Speaker 2: That's a bit.

764
00:41:00,280 --> 00:41:01,920
Speaker 3: I'm gonna play a different character on every show on

765
00:41:02,000 --> 00:41:02,400
Speaker 3: the network.

766
00:41:02,560 --> 00:41:04,680
Speaker 2: Okay. And when the show's not on, I sit on

767
00:41:04,719 --> 00:41:07,080
Speaker 2: the space bar. Have you ever heard of cross promotion?

768
00:41:08,080 --> 00:41:10,520
Speaker 5: I get to be on the space he gets okay,

769
00:41:10,719 --> 00:41:13,879
Speaker 5: but are you talking on the keyboard or there?

770
00:41:14,520 --> 00:41:16,120
Speaker 6: Okay, Star Wars.

771
00:41:16,960 --> 00:41:18,560
Speaker 2: He sits on the space bar, and then when he

772
00:41:18,640 --> 00:41:20,399
Speaker 2: gets off the space bar, you launch in our space.

773
00:41:20,400 --> 00:41:21,920
Speaker 3: You land on the moon because your show's doing well.

774
00:41:22,000 --> 00:41:24,239
Speaker 1: Now I understand, I'm sorry, I do want to clear

775
00:41:24,320 --> 00:41:27,000
Speaker 1: I understand the confusion. Yes, that's not the space bar

776
00:41:27,120 --> 00:41:27,360
Speaker 1: I was.

777
00:41:27,719 --> 00:41:28,720
Speaker 2: That's what I'm talking about.

778
00:41:29,040 --> 00:41:32,560
Speaker 1: That's not CISO doesn't have The Star Wars Canteen. That movie,

779
00:41:33,160 --> 00:41:34,240
Speaker 1: The Star Wars Cantina.

780
00:41:34,600 --> 00:41:37,200
Speaker 6: That's what I thought. Yeah, I understand, you know, you

781
00:41:37,239 --> 00:41:38,800
Speaker 6: know it's called The Star Wars Cantina.

782
00:41:39,000 --> 00:41:44,960
Speaker 4: Salacious crumb, right, And he's not there and there, but

783
00:41:46,440 --> 00:41:50,080
Speaker 4: in there, badge, if he were, please the elephant horn.

784
00:41:50,800 --> 00:41:53,359
Speaker 6: So could you just put your fist down? I mean

785
00:41:53,440 --> 00:41:56,440
Speaker 6: it looks it looks like the blood is draped.

786
00:41:57,880 --> 00:42:03,200
Speaker 2: Isometric contraction. It's the only way for me to keep

787
00:42:03,280 --> 00:42:08,800
Speaker 2: my arm healthy. Now imagine I pop up on the

788
00:42:08,920 --> 00:42:11,759
Speaker 2: UCB show You're loving what I'm doing, and one of

789
00:42:11,840 --> 00:42:14,440
Speaker 2: the characters turns and goes like, hey, I know you.

790
00:42:14,640 --> 00:42:18,279
Speaker 2: You're the guy from Bajillion. Now the viewer is gonna go,

791
00:42:18,760 --> 00:42:22,160
Speaker 2: this guy's on bajillion. Now he clicks over, He clicks

792
00:42:22,200 --> 00:42:24,480
Speaker 2: out of the UCB show, you know, having laughed to

793
00:42:24,719 --> 00:42:27,480
Speaker 2: freaking butt off some of that stuff. Then he goes over.

794
00:42:27,520 --> 00:42:29,800
Speaker 2: He goes like, bajillion, I never had heard of this before,

795
00:42:30,120 --> 00:42:33,000
Speaker 2: and he dives in there and he's looking around for me.

796
00:42:33,120 --> 00:42:34,640
Speaker 3: Then I pop up in there. I'm in bajillion.

797
00:42:34,680 --> 00:42:36,799
Speaker 2: They go like, hey, are you the same guy from

798
00:42:36,880 --> 00:42:41,880
Speaker 2: Take My Wife zings zoom, gabong, gabloom. Everybody's on the

799
00:42:41,960 --> 00:42:46,360
Speaker 2: moon now, we're working together. We all help each other energy. Yes,

800
00:42:47,960 --> 00:42:51,399
Speaker 2: And if you could see what he did with her hands, Yes,

801
00:42:52,000 --> 00:42:54,520
Speaker 2: she interlocked her fingers in this cool way.

802
00:42:54,840 --> 00:42:57,480
Speaker 3: It was like she was raving. She did like a

803
00:42:57,640 --> 00:42:59,800
Speaker 3: rave motion. Yes, like she was handling an or.

804
00:43:00,200 --> 00:43:03,239
Speaker 2: Yes, she had an invisible orb of energy that she

805
00:43:03,440 --> 00:43:05,720
Speaker 2: was moving around and it will just like going past

806
00:43:05,800 --> 00:43:08,160
Speaker 2: my face and it was cool energy.

807
00:43:08,440 --> 00:43:08,640
Speaker 1: Yeah.

808
00:43:08,640 --> 00:43:11,040
Speaker 2: And she just blew a vixed vapo rub like a

809
00:43:11,719 --> 00:43:18,680
Speaker 2: sort of tube into my face and it feels amazing.

810
00:43:18,840 --> 00:43:20,840
Speaker 3: And when I say, the Wifies are watching you on

811
00:43:21,480 --> 00:43:22,640
Speaker 3: their show, and then they.

812
00:43:23,000 --> 00:43:25,080
Speaker 6: Know if that's what they're fans, I mean, I think

813
00:43:25,120 --> 00:43:27,640
Speaker 6: that's a big one. I don't know if they're called

814
00:43:27,680 --> 00:43:28,680
Speaker 6: the Wifies what.

815
00:43:29,239 --> 00:43:29,759
Speaker 2: I don't know.

816
00:43:29,880 --> 00:43:32,960
Speaker 5: I'm just saying that you said it very strong, like

817
00:43:33,080 --> 00:43:35,040
Speaker 5: that was known that the fans.

818
00:43:34,800 --> 00:43:36,280
Speaker 6: Would take my wife for called Wifies.

819
00:43:37,120 --> 00:43:40,920
Speaker 1: I look, if I were you, I would be supportive

820
00:43:40,960 --> 00:43:43,280
Speaker 1: of other shows, okay, and try to at least figure

821
00:43:43,320 --> 00:43:46,560
Speaker 1: out what their fans call themselves. If since we are

822
00:43:46,760 --> 00:43:49,680
Speaker 1: again tried to help each other, trying to change, trying

823
00:43:49,719 --> 00:43:51,120
Speaker 1: to change the culture, of this network.

824
00:43:51,200 --> 00:43:53,279
Speaker 6: But I thought you said that your goal was to

825
00:43:53,480 --> 00:43:54,800
Speaker 6: kill everybody.

826
00:43:54,560 --> 00:43:59,320
Speaker 3: A better way to stay alive. Yeah, and to unite

827
00:43:59,320 --> 00:44:00,360
Speaker 3: the culture of these shows.

828
00:44:00,400 --> 00:44:04,440
Speaker 1: If you watch the show Heroes, that there was something

829
00:44:04,480 --> 00:44:06,479
Speaker 1: about how that's what they were trying to do all along,

830
00:44:06,600 --> 00:44:08,800
Speaker 1: is they created bad guys.

831
00:44:08,640 --> 00:44:13,000
Speaker 2: And yes, and maybe how everybody even met on all

832
00:44:13,040 --> 00:44:15,800
Speaker 2: these shows. Yea, they were like hanging out with me

833
00:44:15,880 --> 00:44:18,840
Speaker 2: and Hayes, right, and we were mean guys.

834
00:44:20,480 --> 00:44:23,600
Speaker 6: You know, you guys aren't like heroes. You guys aren't like.

835
00:44:24,120 --> 00:44:28,759
Speaker 3: We don't We will do what you want on this show.

836
00:44:29,040 --> 00:44:31,640
Speaker 1: If it's that people aren't having us on because they

837
00:44:31,680 --> 00:44:34,879
Speaker 1: think we have to be the heroes, no, we will

838
00:44:34,960 --> 00:44:37,800
Speaker 1: be uh stupid.

839
00:44:38,000 --> 00:44:39,560
Speaker 3: I'm only to be castast type.

840
00:44:40,000 --> 00:44:42,040
Speaker 2: Yes, I'm only to be cast against type because I

841
00:44:42,120 --> 00:44:43,640
Speaker 2: know you look at me, you go, this guy's a hero.

842
00:44:44,440 --> 00:44:45,640
Speaker 3: Yes, this guy's the hero. He's great.

843
00:44:45,640 --> 00:44:48,400
Speaker 2: Everybody's gonna like him on the show. What if there

844
00:44:48,480 --> 00:44:52,520
Speaker 2: was something insidious about me where I almost seem like

845
00:44:53,680 --> 00:44:56,400
Speaker 2: kind of a smarty piece of shit, you know, and

846
00:44:56,520 --> 00:44:58,360
Speaker 2: then it would be a surprise because I show up

847
00:44:58,400 --> 00:45:00,799
Speaker 2: on screen and they go like, wow, I like this guy.

848
00:45:01,080 --> 00:45:04,360
Speaker 2: Just naturally get a warm vibe. But then some of

849
00:45:04,440 --> 00:45:07,200
Speaker 2: what I'm saying and doing make people don't like my personality.

850
00:45:07,520 --> 00:45:09,279
Speaker 2: And then you go like, hey, get out of here.

851
00:45:09,280 --> 00:45:11,600
Speaker 2: Would you get over that uc B show already? And

852
00:45:11,640 --> 00:45:13,000
Speaker 2: then the first and watching goes like, well, I got

853
00:45:13,080 --> 00:45:13,959
Speaker 2: to see if they beat him.

854
00:45:13,880 --> 00:45:16,320
Speaker 6: Up on that, and they click over and they should

855
00:45:16,320 --> 00:45:18,800
Speaker 6: click on you, like you should be the hyperlink.

856
00:45:18,880 --> 00:45:21,320
Speaker 2: There's a little icona of my face, Yeah, that you

857
00:45:21,400 --> 00:45:23,279
Speaker 2: can click to go check out take my wife. You

858
00:45:23,320 --> 00:45:25,759
Speaker 2: should be show Jillian anything else on the chart.

859
00:45:25,920 --> 00:45:26,120
Speaker 5: Yeah.

860
00:45:26,200 --> 00:45:29,360
Speaker 6: And then when you put the cursor on your face,

861
00:45:29,440 --> 00:45:31,359
Speaker 6: it's actually not the cursor. It's actually like a little

862
00:45:31,400 --> 00:45:37,320
Speaker 6: fist cursor. Walk me through this, the cursor, the cursor,

863
00:45:37,680 --> 00:45:39,200
Speaker 6: the cur like the arrow.

864
00:45:39,239 --> 00:45:42,799
Speaker 2: When you like Andrew Dice Clay number three, you go.

865
00:45:46,400 --> 00:45:46,880
Speaker 3: The shows.

866
00:45:46,920 --> 00:45:48,839
Speaker 2: We will steal their money as well.

867
00:45:49,840 --> 00:45:52,319
Speaker 6: All the money that you get from CISA.

868
00:45:52,360 --> 00:45:55,439
Speaker 3: We're taking it. And when you do combine the money

869
00:45:55,520 --> 00:45:58,600
Speaker 3: from all the shows, it must be something.

870
00:45:58,360 --> 00:46:01,359
Speaker 6: Your salary and your net. We're comedies, you two.

871
00:46:02,040 --> 00:46:05,239
Speaker 2: We're taking it. Having work since November, all right, and.

872
00:46:05,280 --> 00:46:08,759
Speaker 3: We're spending it, spending it on more weapons.

873
00:46:11,120 --> 00:46:13,880
Speaker 6: All right. I wonder what SISO show you guys are

874
00:46:13,960 --> 00:46:14,840
Speaker 6: gonna call.

875
00:46:14,760 --> 00:46:17,399
Speaker 2: Out negs mm hmm, yeah, I'm curious as well.

876
00:46:19,480 --> 00:46:21,799
Speaker 3: Number three Saturday Night Live.

877
00:46:22,960 --> 00:46:24,279
Speaker 6: No only originals.

878
00:46:24,440 --> 00:46:27,799
Speaker 1: It is on there original I suggest you watch your

879
00:46:27,880 --> 00:46:30,680
Speaker 1: own network. It's on there all the time.

880
00:46:30,680 --> 00:46:34,200
Speaker 2: There's a new show on SESO called Saturday Night Live,

881
00:46:34,440 --> 00:46:38,840
Speaker 2: and some of the stuff they're doing is incendiary. And

882
00:46:39,000 --> 00:46:40,880
Speaker 2: this is a part of the show where we discuss

883
00:46:41,080 --> 00:46:43,719
Speaker 2: Saturday Night Live. The freaks on this.

884
00:46:43,960 --> 00:46:52,640
Speaker 3: Thing bable dress as bees. I mean, that's what I've seen.

885
00:46:54,640 --> 00:47:02,080
Speaker 2: A lamb shark. That's pretty scary. But I'm doing it anyway. Brave,

886
00:47:02,560 --> 00:47:04,680
Speaker 2: but that's pretty definition of bravery.

887
00:47:08,320 --> 00:47:08,879
Speaker 3: Number two.

888
00:47:09,760 --> 00:47:11,840
Speaker 6: That's all you guys have to say about.

889
00:47:12,640 --> 00:47:14,320
Speaker 3: Oh no, okay, say your fig No.

890
00:47:14,680 --> 00:47:17,440
Speaker 5: I just thought, since you're going that's a by the way,

891
00:47:17,520 --> 00:47:21,240
Speaker 5: a lot of people to kill. I just do have time, Okay,

892
00:47:21,560 --> 00:47:23,400
Speaker 5: think about that? Is this is the best use of

893
00:47:23,480 --> 00:47:23,839
Speaker 5: your time?

894
00:47:24,280 --> 00:47:30,279
Speaker 3: Number two show number two.

895
00:47:32,160 --> 00:47:35,239
Speaker 1: Unfortunately, we already defeated this show. It's not that I

896
00:47:35,320 --> 00:47:39,360
Speaker 1: can't think of any more CISO originals other than Vigilia,

897
00:47:39,360 --> 00:47:39,919
Speaker 1: which is going.

898
00:47:39,840 --> 00:47:40,480
Speaker 3: To be number one.

899
00:47:40,840 --> 00:47:43,160
Speaker 6: Oh, I think you're thinking of the Love Makers that

900
00:47:43,320 --> 00:47:43,880
Speaker 6: was canceled.

901
00:47:44,280 --> 00:47:47,480
Speaker 3: Yes, we defeated the Love Yes sucks.

902
00:47:49,960 --> 00:47:53,400
Speaker 2: Dave, Yeah, yes. And we liked those guys, yeah, and

903
00:47:53,520 --> 00:47:55,480
Speaker 2: we didn't want to have to kill them, so we

904
00:47:55,760 --> 00:47:57,799
Speaker 2: just were like, get your show off before it gets

905
00:47:57,880 --> 00:47:58,600
Speaker 2: really dangerous.

906
00:47:58,840 --> 00:47:59,520
Speaker 3: That's what happened.

907
00:47:59,560 --> 00:48:01,640
Speaker 6: So they actually weren't canceled. You just killed them.

908
00:48:01,640 --> 00:48:02,680
Speaker 3: And we smashed the computer.

909
00:48:02,960 --> 00:48:06,600
Speaker 6: Yeah, the computer that holds all of the SISO shows. Well,

910
00:48:06,760 --> 00:48:09,480
Speaker 6: just that one, just that specific match, just.

911
00:48:10,000 --> 00:48:14,800
Speaker 2: One computer with the love makers. Yeah, we smashed it

912
00:48:14,960 --> 00:48:17,480
Speaker 2: and we poured juice on it, and we were the.

913
00:48:18,000 --> 00:48:20,680
Speaker 6: That is excessive. It was already busted red.

914
00:48:20,600 --> 00:48:22,320
Speaker 2: Juice computer breakers.

915
00:48:22,800 --> 00:48:23,320
Speaker 6: Is it blood?

916
00:48:25,239 --> 00:48:27,120
Speaker 3: No, in this case, it is just red juice. But

917
00:48:27,280 --> 00:48:28,840
Speaker 3: a lot of people have made that connection.

918
00:48:29,960 --> 00:48:32,359
Speaker 6: It's not a it's not like a specific fruit. It's

919
00:48:32,440 --> 00:48:32,919
Speaker 6: just the color.

920
00:48:33,040 --> 00:48:34,600
Speaker 3: So we don't have to do number two because we

921
00:48:34,719 --> 00:48:35,719
Speaker 3: did already defeat them.

922
00:48:35,800 --> 00:48:38,439
Speaker 6: Well, okay, I guess that's it. Then we've done our show.

923
00:48:38,560 --> 00:48:40,439
Speaker 6: We've done the looks like we got number one.

924
00:48:40,560 --> 00:48:42,920
Speaker 3: It's like number one is coming up right.

925
00:48:42,840 --> 00:48:50,439
Speaker 1: Now, number one, but jillion dollar properties you I see

926
00:48:50,640 --> 00:48:54,800
Speaker 1: you said that. But the surprise, we will let this

927
00:48:54,960 --> 00:48:58,239
Speaker 1: show live and we will agree to do the show.

928
00:49:01,600 --> 00:49:06,000
Speaker 3: That's right. A sneak preview. What an amazing announcement.

929
00:49:06,480 --> 00:49:11,240
Speaker 2: It turns out that season five or something of Bajillions.

930
00:49:11,880 --> 00:49:15,200
Speaker 2: Season five of the hit show Bajillion Dollar Properties is

931
00:49:15,280 --> 00:49:20,840
Speaker 2: going to feature huge guest appearances from your favorite sweeties,

932
00:49:21,120 --> 00:49:24,920
Speaker 2: the freak Catchers? Do they have to be?

933
00:49:25,160 --> 00:49:27,120
Speaker 6: Do your characters have to be free catchers?

934
00:49:27,200 --> 00:49:28,759
Speaker 2: Can't I be doing?

935
00:49:29,200 --> 00:49:32,200
Speaker 3: Who else? You got to catch up? You're doing a

936
00:49:32,239 --> 00:49:35,120
Speaker 3: pretty bad job. Yeah, you seem to be letting them loose.

937
00:49:35,239 --> 00:49:36,440
Speaker 3: They're running amok.

938
00:49:36,600 --> 00:49:39,520
Speaker 6: What if you were to just join the tribe and

939
00:49:39,680 --> 00:49:41,480
Speaker 6: be freaking yes?

940
00:49:42,160 --> 00:49:44,320
Speaker 3: What about this freak like me needs company?

941
00:49:44,960 --> 00:49:48,000
Speaker 6: Mm hmm or a freak like me? Adina Howard Coney?

942
00:49:48,040 --> 00:49:49,840
Speaker 2: Can you tell me what album that last song was

943
00:49:49,880 --> 00:49:52,160
Speaker 2: off of? That was Live Beauty of Gray? But what

944
00:49:52,400 --> 00:49:53,360
Speaker 2: was the album for it?

945
00:49:55,200 --> 00:49:56,160
Speaker 3: MTV Unplugged?

946
00:49:57,280 --> 00:49:58,560
Speaker 2: I know what I was thinking.

947
00:50:00,239 --> 00:50:00,920
Speaker 5: But back to.

948
00:50:03,840 --> 00:50:09,319
Speaker 2: A big enough holy ship, your numbers, Welcome to the moon?

949
00:50:10,400 --> 00:50:11,600
Speaker 2: What your oxygen mask?

950
00:50:11,880 --> 00:50:15,080
Speaker 3: What a swing? What a swing from being destroyed?

951
00:50:15,760 --> 00:50:15,920
Speaker 4: Yeah?

952
00:50:15,960 --> 00:50:17,280
Speaker 6: I guess I should be grateful.

953
00:50:18,560 --> 00:50:23,160
Speaker 3: And now instead of being from nobody, you've been safe again,

954
00:50:23,239 --> 00:50:24,000
Speaker 3: you said.

955
00:50:23,840 --> 00:50:24,279
Speaker 2: To the moon.

956
00:50:25,360 --> 00:50:27,239
Speaker 6: Okay, guys, I just want to make the point is

957
00:50:27,320 --> 00:50:28,600
Speaker 6: that I'm a huge.

958
00:50:28,360 --> 00:50:30,839
Speaker 2: Fan of both of you. I want you on my show,

959
00:50:31,880 --> 00:50:33,759
Speaker 2: and so well, you don't get to this.

960
00:50:33,960 --> 00:50:34,520
Speaker 3: We're a the one.

961
00:50:34,520 --> 00:50:36,239
Speaker 1: If they were saying we will be on it now,

962
00:50:36,320 --> 00:50:38,640
Speaker 1: you don't get to be like now you get now

963
00:50:38,760 --> 00:50:42,360
Speaker 1: you can be. We are we are going to be

964
00:50:42,440 --> 00:50:43,000
Speaker 1: because you you.

965
00:50:44,840 --> 00:50:49,160
Speaker 3: We rulled through. Yes it's on the chart. Well you're

966
00:50:49,160 --> 00:50:50,280
Speaker 3: saying your charts are fake.

967
00:50:50,960 --> 00:50:54,160
Speaker 6: Wait a minute, they're real charts.

968
00:50:54,800 --> 00:50:57,239
Speaker 2: If I find out, oh god, that the charts on

969
00:50:57,280 --> 00:51:03,080
Speaker 2: who charts are fake, You're so emotional and it's a

970
00:51:03,160 --> 00:51:03,799
Speaker 2: lot to take.

971
00:51:03,960 --> 00:51:06,560
Speaker 5: Okay, as a guest, Hayes, I'm sorry, Please shut up.

972
00:51:06,800 --> 00:51:09,040
Speaker 5: It's a lot to take. Sitting so close to you

973
00:51:09,640 --> 00:51:13,279
Speaker 5: this like this ebb and flow of just anger and

974
00:51:13,640 --> 00:51:19,040
Speaker 5: ecstasy and sadness and delight. Okay, I just I want

975
00:51:19,120 --> 00:51:20,560
Speaker 5: I have to speak my truth right now.

976
00:51:21,719 --> 00:51:25,120
Speaker 6: I'm sorry and just yeah, I have had.

977
00:51:25,040 --> 00:51:25,680
Speaker 3: This problem too.

978
00:51:25,920 --> 00:51:29,800
Speaker 1: Just when you're like enjoying the ecstasy, it does transition

979
00:51:29,960 --> 00:51:34,040
Speaker 1: into sadness because the highs are so high and that's

980
00:51:34,080 --> 00:51:34,640
Speaker 1: what makes.

981
00:51:34,480 --> 00:51:36,160
Speaker 3: The lows all the lower.

982
00:51:37,040 --> 00:51:38,200
Speaker 6: I missed the euphoria.

983
00:51:38,520 --> 00:51:41,600
Speaker 3: And by the way, I like this. I'm not good

984
00:51:41,640 --> 00:51:42,360
Speaker 3: blating about this.

985
00:51:42,719 --> 00:51:43,239
Speaker 4: I like it.

986
00:51:43,480 --> 00:51:47,520
Speaker 2: That's part of what makes me me as an artist

987
00:51:49,560 --> 00:51:50,520
Speaker 2: normal and like you.

988
00:51:50,520 --> 00:51:52,239
Speaker 1: Can see it in the fist, because sometimes it is

989
00:51:52,280 --> 00:51:53,880
Speaker 1: a fist that's about to punch you, but then it

990
00:51:54,000 --> 00:51:56,200
Speaker 1: is turning into a finger that is beckoning you.

991
00:51:57,120 --> 00:51:59,799
Speaker 5: It's a middle finger haze you can't but it's being

992
00:51:59,880 --> 00:52:04,200
Speaker 5: like the come hither middle was being like get over here.

993
00:52:05,080 --> 00:52:08,400
Speaker 3: Yeah, artists were almost a different.

994
00:52:08,400 --> 00:52:11,200
Speaker 2: Species than other people. And Peter Holmes talks about this

995
00:52:11,239 --> 00:52:16,560
Speaker 2: a little bit. But you know those highs and lows.

996
00:52:16,800 --> 00:52:20,200
Speaker 2: You have to embrace that, right, because that's part of

997
00:52:20,280 --> 00:52:23,640
Speaker 2: what makes me so creative. I mean, my output's insane.

998
00:52:24,000 --> 00:52:25,920
Speaker 2: You know the amount of things that I've done that

999
00:52:26,040 --> 00:52:26,719
Speaker 2: you can point to.

1000
00:52:28,800 --> 00:52:30,400
Speaker 6: I mean, you do have a lot of content.

1001
00:52:31,080 --> 00:52:34,880
Speaker 2: Yeah, there's so much. Just trying to think of an

1002
00:52:34,920 --> 00:52:39,400
Speaker 2: example in this podcast, uh Snapple.

1003
00:52:39,040 --> 00:52:39,880
Speaker 3: Cap Facts.

1004
00:52:41,120 --> 00:52:45,439
Speaker 1: This video called Snapple Cat Facts YouTube video. It wasn't

1005
00:52:45,480 --> 00:52:52,440
Speaker 1: the main guy in it, no, no, but he's very visible.

1006
00:52:53,000 --> 00:52:55,759
Speaker 2: M I'd say I'm the third main guy.

1007
00:52:56,840 --> 00:52:58,640
Speaker 6: Do you at that point say main guy?

1008
00:52:59,000 --> 00:53:01,440
Speaker 5: Just maybe it's one of the main guys, you know,

1009
00:53:01,480 --> 00:53:04,200
Speaker 5: because you don't say, like the fourth lead guitar, you.

1010
00:53:04,280 --> 00:53:05,640
Speaker 3: Say he's one of the main guys.

1011
00:53:05,680 --> 00:53:07,840
Speaker 4: Perhaps like a session of guitar at that point, but

1012
00:53:07,960 --> 00:53:10,120
Speaker 4: you do say the fourth lead, And honestly, I suggest

1013
00:53:10,160 --> 00:53:12,239
Speaker 4: you watched the video before you start mouthing off.

1014
00:53:12,800 --> 00:53:12,960
Speaker 2: You know.

1015
00:53:14,560 --> 00:53:15,719
Speaker 3: You have come at me.

1016
00:53:16,040 --> 00:53:19,840
Speaker 2: I said, oh strong, okay, it's like you want me

1017
00:53:19,960 --> 00:53:20,160
Speaker 2: to be.

1018
00:53:20,680 --> 00:53:22,919
Speaker 5: You want to be that, you want to be down,

1019
00:53:23,120 --> 00:53:27,560
Speaker 5: Lamb Chop, stand up me and like operate me like

1020
00:53:27,680 --> 00:53:28,960
Speaker 5: a fluffy little lamb.

1021
00:53:29,000 --> 00:53:32,840
Speaker 1: And I say, Lamb Chop and Cherry Lewis were friends.

1022
00:53:33,480 --> 00:53:36,800
Speaker 1: And second of all, okay, so you'd like me to

1023
00:53:37,000 --> 00:53:41,440
Speaker 1: just let you back off the different shows and just

1024
00:53:41,560 --> 00:53:42,399
Speaker 1: let people at.

1025
00:53:42,320 --> 00:53:46,480
Speaker 3: Home seen it? Yeah, different shows, Yes, talking about all

1026
00:53:46,560 --> 00:53:48,080
Speaker 3: these se sociows.

1027
00:53:49,800 --> 00:53:57,000
Speaker 7: All the white Okay, I am being gas lit, guess

1028
00:53:57,120 --> 00:53:57,839
Speaker 7: litch right now?

1029
00:53:57,960 --> 00:54:00,640
Speaker 3: Oh yeah, well your gas is your blood. Yeah, oh right,

1030
00:54:01,400 --> 00:54:03,560
Speaker 3: and we will set the blood up. We will set

1031
00:54:03,600 --> 00:54:04,600
Speaker 3: people's blood on fire.

1032
00:54:04,880 --> 00:54:06,040
Speaker 6: Am I being transfused?

1033
00:54:06,200 --> 00:54:08,080
Speaker 2: Gosh, it's going to be so hard to edit that

1034
00:54:08,200 --> 00:54:10,279
Speaker 2: part where I couldn't think of a word that rhymed

1035
00:54:10,360 --> 00:54:12,840
Speaker 2: with rolling because the music of the music.

1036
00:54:13,120 --> 00:54:14,840
Speaker 3: It's going to be a hard cut in the music.

1037
00:54:15,680 --> 00:54:18,919
Speaker 3: But worth it to save a little bit of face.

1038
00:54:19,000 --> 00:54:22,800
Speaker 3: Will you save this part when I'm talking about it?

1039
00:54:23,000 --> 00:54:23,359
Speaker 2: Yeah? Right?

1040
00:54:23,440 --> 00:54:24,440
Speaker 6: Now will this remain?

1041
00:54:24,520 --> 00:54:25,240
Speaker 2: Are we recording?

1042
00:54:26,280 --> 00:54:28,640
Speaker 3: When can we watch ourselves?

1043
00:54:28,920 --> 00:54:29,120
Speaker 2: Yes?

1044
00:54:29,239 --> 00:54:30,440
Speaker 3: When am I going to see me.

1045
00:54:34,560 --> 00:54:37,200
Speaker 6: Season five? When season five happens? Obviously?

1046
00:54:37,560 --> 00:54:38,360
Speaker 3: Okay, when is that?

1047
00:54:38,800 --> 00:54:41,040
Speaker 6: I don't know. They haven't picked it up yet. I

1048
00:54:41,200 --> 00:54:42,319
Speaker 6: have to finish season four.

1049
00:54:42,800 --> 00:54:44,680
Speaker 3: But you're hit well.

1050
00:54:45,280 --> 00:54:48,120
Speaker 6: I mean, okay, you only knew three shows, and one

1051
00:54:48,200 --> 00:54:49,320
Speaker 6: of them I had to help you with.

1052
00:54:50,160 --> 00:54:51,040
Speaker 3: When is season four?

1053
00:54:52,400 --> 00:54:57,200
Speaker 6: Season three is June one? Season four is in twenty eighteen.

1054
00:54:58,239 --> 00:55:00,720
Speaker 3: Busy not avail?

1055
00:55:00,920 --> 00:55:02,600
Speaker 6: So you're giving me your avail?

1056
00:55:02,920 --> 00:55:03,720
Speaker 3: Has avail?

1057
00:55:03,960 --> 00:55:04,000
Speaker 2: Is?

1058
00:55:04,760 --> 00:55:07,239
Speaker 3: I have to be busy that you guys are a duo?

1059
00:55:07,560 --> 00:55:07,719
Speaker 5: Right?

1060
00:55:08,040 --> 00:55:08,800
Speaker 2: Like? That's it.

1061
00:55:08,920 --> 00:55:10,680
Speaker 6: I can't have one or the other?

1062
00:55:11,440 --> 00:55:11,600
Speaker 5: Right?

1063
00:55:12,239 --> 00:55:12,439
Speaker 1: Oh?

1064
00:55:14,680 --> 00:55:14,799
Speaker 4: Uh?

1065
00:55:15,160 --> 00:55:16,480
Speaker 2: What would what do I say?

1066
00:55:16,719 --> 00:55:18,960
Speaker 6: I mean you're like the Twins and baskets.

1067
00:55:19,040 --> 00:55:23,000
Speaker 2: I mean we've found out when you did who Charted

1068
00:55:23,080 --> 00:55:25,920
Speaker 2: last week that that's not necessarily true because you had

1069
00:55:26,239 --> 00:55:28,919
Speaker 2: just Haze. So it seems like you can have one

1070
00:55:29,000 --> 00:55:31,919
Speaker 2: without the other, but you don't want the other one

1071
00:55:32,040 --> 00:55:32,879
Speaker 2: without the other.

1072
00:55:36,120 --> 00:55:41,600
Speaker 6: I mean that's your words said in this time and

1073
00:55:41,719 --> 00:55:42,440
Speaker 6: in the space.

1074
00:55:43,480 --> 00:55:46,080
Speaker 2: Mm hmmm, does look like the microphones of my beard?

1075
00:55:46,400 --> 00:55:46,680
Speaker 1: Bye?

1076
00:55:51,239 --> 00:55:52,680
Speaker 6: I'm a horny girl wolf.

1077
00:55:53,080 --> 00:55:56,800
Speaker 5: This has been an earwolf production, executive produced by Scott Ackerman,

1078
00:55:56,920 --> 00:55:58,760
Speaker 5: Colin Anderson, and Chris Bannon.

1079
00:55:58,920 --> 00:56:01,719
Speaker 6: For more information and to visit earwolf dot com.

1080
00:56:02,560 --> 00:56:05,680
Speaker 5: Oh m hmm,