WEBVTT - TechStuff's Favorite Tech Movies

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you get in touch with technologies with

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<v Speaker 1>tech Stuff from how stuff works dot com. Hello there, everybody,

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<v Speaker 1>and welcome to tech stuff. My name is Chris Polette,

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<v Speaker 1>and I am the tech editor here at how stuff

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<v Speaker 1>works dot Com. Sitting across from me as usual as

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<v Speaker 1>senior writer Jonathan Strickland turned down your lights, folks, I

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<v Speaker 1>guess that's your way of mentioning that that's going to

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<v Speaker 1>be the start of our movie episode. Yes, so this

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<v Speaker 1>episode comes to us courtesy of a little listener mail Missles.

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<v Speaker 1>Your mail comes from Richard, who says, would you guys

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<v Speaker 1>consider a podcast on your favorite and least favorite tech movies? Yes, Richard,

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<v Speaker 1>we would, We did consider it, and now we're doing it. Um.

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<v Speaker 1>We decided tech movies is kind of a hard thing

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<v Speaker 1>to quantify. We kind of decided to just go with

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<v Speaker 1>uh well, I mainly focus on science fiction films in

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<v Speaker 1>which the tech actually plays at least some role within

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<v Speaker 1>the story. It's not just a necessarily part of the background.

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<v Speaker 1>Although again fast and Loose were we didn't want to

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<v Speaker 1>hedge ourselves in too much, so Chris do you wanna

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<v Speaker 1>do you want to give it? Give us a start

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<v Speaker 1>here because your first pick and explain why you like it. Well,

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<v Speaker 1>my first pick, Jonathan, is one that we actually just

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<v Speaker 1>talked about. It was the first movie that came to

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<v Speaker 1>mind when I was thinking of movies with technology in

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<v Speaker 1>them that I really I thought was awesome and now

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<v Speaker 1>would be war games awesome. This shall we play a game?

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<v Speaker 1>And um, some of you younger listeners, we do have

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<v Speaker 1>quite a few of you, thanks for tuning in. Uh,

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<v Speaker 1>some of you longer, younger listeners may not be familiar

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<v Speaker 1>with this movie because it came out many years ago. Yes,

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<v Speaker 1>starring a young Matthew Broderick. The idea of being Um,

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<v Speaker 1>this was back when I think it's safe to say

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<v Speaker 1>that modems dialing in using your computer to to make

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<v Speaker 1>contact with another computer was sort of a novelty. Yeah.

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<v Speaker 1>I think that might have been like a three modem

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<v Speaker 1>that he was using. I mean, this was this was

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<v Speaker 1>a brand new I remember when I saw that movie.

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<v Speaker 1>I had never heard of using a computer to dial

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<v Speaker 1>into another computer at that point. But then again, also

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<v Speaker 1>I was quite young when this film came out. Of course,

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<v Speaker 1>in the movie, Matthew Broderick and Ali sheety, Uh, put

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<v Speaker 1>their take their phone off the hook, put it on

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<v Speaker 1>the modem phone cups. This was back when we used

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<v Speaker 1>to have to use well some of you, I I

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<v Speaker 1>doubt anyone listening to us as using a dialing modem

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<v Speaker 1>because we would take too long to download the episodes.

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<v Speaker 1>But yeah, we used to have to use phone lines

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<v Speaker 1>to connect to the internet. Actually before this is even

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<v Speaker 1>before the Internet. Yes, that's true, because they were dialing

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<v Speaker 1>directly into a machine and uh it was a government machine, right.

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<v Speaker 1>And in the beginning, you find out that he can

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<v Speaker 1>hack into the school computer and change things around there,

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<v Speaker 1>but it turns out he can hack into other things

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<v Speaker 1>as well. And he hears about this particular computer that

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<v Speaker 1>sounds like it has some incredible stuff on it, and

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<v Speaker 1>in true hacker fashion, he wants to know what that

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<v Speaker 1>stuff is. It's not that he wants to cause problems

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<v Speaker 1>or or be a pain in the butt. He's just

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<v Speaker 1>curious and he has to satisfy that curiosity. Yes, and

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<v Speaker 1>the computer asks him if he wants to play a game,

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<v Speaker 1>and uh, he's up for that, and so he starts

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<v Speaker 1>a game called Global Thermonuclear War. Uh. The problem being

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<v Speaker 1>that this computer happens to be owned by the federal

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<v Speaker 1>government and is used for war simulations. So of course

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<v Speaker 1>all the people at Norad and all the other folks

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<v Speaker 1>watching those boards with lots of blinking electronic planes on them,

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<v Speaker 1>U get very very nervous because it appears that there

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<v Speaker 1>is an actual attack being launched. Right, Yeah, so it

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<v Speaker 1>it the the computer with the simulation taps into essentially

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<v Speaker 1>the computer system as a whole for nora Ad, and

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<v Speaker 1>that's what kind of capitulates this into an awful, awful

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<v Speaker 1>problem where it looks like the world is on the

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<v Speaker 1>brink of actual thermonuclear war. And fortunately for us, Matthew

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<v Speaker 1>Broderick's character comes up with a solution at the very

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<v Speaker 1>end to try and teach the computer why this is

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<v Speaker 1>a bad idea. We shouldn't spoil it, I guess. Just

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<v Speaker 1>in case you haven't seen it, it is worth watching.

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<v Speaker 1>I mean, it's one of those movies where you're gonna

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<v Speaker 1>have to get over the dated references and everything. You know,

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<v Speaker 1>it's gonna seem kind of weird and cheesy to someone

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<v Speaker 1>who didn't who wasn't around in the early eighties or

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<v Speaker 1>you know, it was very young in the early eighties

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<v Speaker 1>and barely remembers it, but it is a legitimately good

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<v Speaker 1>tech movie. I'm glad you picked that one. Yeah, I

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<v Speaker 1>think we'll also give you an appreciation, especially for people

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<v Speaker 1>who weren't around back then, how far technology is come

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<v Speaker 1>in a very very short period of time. Really is

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<v Speaker 1>in the great scheme of things. Um. Also, I read

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<v Speaker 1>in Wired magazine a while ago, not too long ago,

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<v Speaker 1>but to apparently President Ronald Reagan had watched the movie

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<v Speaker 1>and it actually had clued him into the significance of

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<v Speaker 1>computer technology and the kinds of things that, uh it

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<v Speaker 1>could be used for, and apparently started the seeds of

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<v Speaker 1>a technology program in the government and you know what

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<v Speaker 1>needed to be protected. Which is funny because now just

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<v Speaker 1>today we had the as the day we're recording this,

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<v Speaker 1>we've had our cybersecurity coordinator named so kind of topical

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<v Speaker 1>today that that movie actually reminds me of one that

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<v Speaker 1>I didn't put on my list, but I probably should have,

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<v Speaker 1>because I do enjoy it quite a bit, which is

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<v Speaker 1>an older film but based on a similar topic, which

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<v Speaker 1>is Doctor Strangelove or How I Learned to Stop Worrying

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<v Speaker 1>and Love the Bomb. Yes, yes, the Kubrick film. Um.

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<v Speaker 1>Now in that movie, you have a uh, you have

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<v Speaker 1>several things all converging on one horrible, horrible event. The

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<v Speaker 1>first thing is you've got a crazy army base commander

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<v Speaker 1>who has decided that he wants to create a first

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<v Speaker 1>strike on the Russians because the Russians are up to

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<v Speaker 1>no good and will eventually attack, and they only answer

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<v Speaker 1>is to attack them first. So he uh, he's doing this.

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<v Speaker 1>On that he goes rogue essentially and and uh turns

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<v Speaker 1>against his own country in order to escalate a war

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<v Speaker 1>with Russia. Unfortunately, and unbeknownst to this commander, Russia has

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<v Speaker 1>developed a secret super weapon, a doomsday device, which will

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<v Speaker 1>essentially wipe out pretty much all life on earth. Um.

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<v Speaker 1>The whole idea being that by revealing the existence of

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<v Speaker 1>this weapon, no one would ever dare attack Russia because

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<v Speaker 1>it would automatically retaliate and there's no way to shut

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<v Speaker 1>it off. But Russia hasn't said anything about the device

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<v Speaker 1>because it was supposed to be a surprise. The President

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<v Speaker 1>wanted to reveal it on a certain day, and that

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<v Speaker 1>day had not yet arrived. And so you have this

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<v Speaker 1>whole group of people who are trying to figure out

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<v Speaker 1>how to get out of an impossible situation and doing

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<v Speaker 1>all they can to avert it. And um, I won't

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<v Speaker 1>spoil that one either, I'll just say that it uh,

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<v Speaker 1>it is a great movie. Peter Seller's plays half the

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<v Speaker 1>cast and he does a great job. Yes, and if

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<v Speaker 1>you if you have seen the movie, I would also recommend, Uh,

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<v Speaker 1>it's kind of a weird thing, but you should check

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<v Speaker 1>out the movie Failsafe because it will make you, especially

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<v Speaker 1>after having seen it. I had to watch it for

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<v Speaker 1>a class in college, and I suddenly went oh, because

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<v Speaker 1>Dr Strangelove actually makes a lot of references to that,

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<v Speaker 1>which is a very actual serious movie about the idea

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<v Speaker 1>that you know, Russian the Soviet Union in the United

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<v Speaker 1>States might go to all out nuclear war. Well, let

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<v Speaker 1>me do one that's actually on my list since that

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<v Speaker 1>one wasn't uh, keeping with kind of the young hacker theme,

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<v Speaker 1>Real Genius, Real Genius, starring a young Vel Kilmer. Uh.

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<v Speaker 1>And this is a movie about a college that uh,

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<v Speaker 1>that attracts really really smart people who especially are particularly

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<v Speaker 1>interested in things like physics, um, chemical engineering, that kind

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<v Speaker 1>of thing. And although their geniuses in every field essentially

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<v Speaker 1>at this this college, but the they actively recruit young

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<v Speaker 1>brilliant minds. And then it turns out that the professor

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<v Speaker 1>who is recruiting these young brilliant minds is doing so

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<v Speaker 1>in order to have them build a laser weapon device

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<v Speaker 1>that can be deployed from an airplane and pinpoint a

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<v Speaker 1>specific target on the ground from low orbit actually and

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<v Speaker 1>zap that target. And so essentially it's like the most

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<v Speaker 1>powerful sniper ever. And um, the professor has agreed to

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<v Speaker 1>a contract to that with the military to deliver this weapon.

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<v Speaker 1>But of course the professor himself is not developing any

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<v Speaker 1>of the technology because it's it's he's not smart enough

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<v Speaker 1>to do it. He has his students doing it unbeknownst

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<v Speaker 1>to them. They have no idea what it is that

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<v Speaker 1>they are, They don't know why they're developing the stuff

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<v Speaker 1>they're developing. They just think of it as a school project.

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<v Speaker 1>And uh, it's actually filled with wacky shenanigans. That description

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<v Speaker 1>of the plot makes it sound pretty serious, but it's

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<v Speaker 1>really a comedy and uh, and it's a pretty goofy one.

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<v Speaker 1>It Also, if you've only know Val Kilmer from his

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<v Speaker 1>later work, it'll it'll show him in a totally different

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<v Speaker 1>light to you. All Right, then your next favorite. Um,

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<v Speaker 1>I don't think this list would be complete without one

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<v Speaker 1>of us. And I bet, I'm willing to bet that

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<v Speaker 1>this may actually be somewhere on your list. Um, that

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<v Speaker 1>would be Blade Runner. You know what, not on my

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<v Speaker 1>list really well. Blade Runner is based on a book

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<v Speaker 1>by Philip K. Dick called Do Android's Dream of Electric Sheep.

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<v Speaker 1>And it's about it's about androids who walk among us, um,

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<v Speaker 1>some of whom have become very dangerous. Um and uh.

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<v Speaker 1>They're actually called replicants, both in the book and the movie. UM.

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<v Speaker 1>And it's uh, it's really dark and and it's kind

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<v Speaker 1>of scary because it gets into what it what it's

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<v Speaker 1>like to be human, what it means to be human,

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<v Speaker 1>and you know, there are questions about who is actually

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<v Speaker 1>human and who is actually a replicant. Um. So it's

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<v Speaker 1>because the main character is is his job is to

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<v Speaker 1>hunt down these replicants who have gotten out of hand

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<v Speaker 1>and are dangerous to human life. Um and uh, we'll

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<v Speaker 1>get into too much detail. That's interesting because it depends

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<v Speaker 1>it fully depends upon which version of the film you see. Yeah,

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<v Speaker 1>that's true because depending on the different version of the film,

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<v Speaker 1>some people turn out to be replicants and sometimes they don't. Yes,

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<v Speaker 1>And apparently part of that has to do with the

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<v Speaker 1>budget of the original movie and what they were able

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<v Speaker 1>to include and how long it was supposed to be

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<v Speaker 1>and all this other stuff. I have something. This is

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<v Speaker 1>not one of my favorites, actually one of my least favorite.

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<v Speaker 1>Are we gonna add some least favorites in with the favorite?

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<v Speaker 1>I'm just gonna sneak it in because it's related to

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<v Speaker 1>the one you said. So you talked about Blade Runner

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<v Speaker 1>and replicas in that what it means to be human.

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<v Speaker 1>I have a similar movie that tried to do that,

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<v Speaker 1>but I think was ultimately a failure. Aial Intelligence also

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<v Speaker 1>ties back into Dr Strangelove because it was originally a

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<v Speaker 1>Kubrick project. AI. The reason why I do not like

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<v Speaker 1>AI as well. There's several reasons. One, the movie should

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<v Speaker 1>have ended twenty minutes before it actually ended. Um, there

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<v Speaker 1>was a perfect tragic Kubrick ending. They could have finished

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<v Speaker 1>the film, and yes, it would have been sad, but

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<v Speaker 1>it was the right ending for that movie. Uh. And

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<v Speaker 1>instead it kept ongoing. Um. And it just there were

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<v Speaker 1>some really important, deep questions that it was asking, but

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<v Speaker 1>it wasn't. I don't think it gave the audience enough

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<v Speaker 1>to really make up you know, each each individual audience

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<v Speaker 1>member couldnot make up his or her own mind, because

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<v Speaker 1>the way Spielberg made that movie, the answer was already

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<v Speaker 1>made for you. The question I would say is, does

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<v Speaker 1>an artificially intelligent creature doesn't have the same sort of rights?

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<v Speaker 1>And uh, does it have rights like a human being

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<v Speaker 1>would have rights just because it is self aware? Um,

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<v Speaker 1>and has this ability to learn and possibly even feel.

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<v Speaker 1>That's another question is could an artificially intelligent construct actually

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<v Speaker 1>experience what we consider to be emotions? We don't know

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<v Speaker 1>that answer, but this movie managed to answer the question

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<v Speaker 1>for you. I think it's much more interesting to pose

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<v Speaker 1>that question to the audience and have that be a debate.

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<v Speaker 1>I mean, is it is it right to even create

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<v Speaker 1>an artificially intelligent construct if there is the potential for

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<v Speaker 1>it to develop not just self awareness but emotions? Um?

0:12:53.400 --> 0:12:55.360
<v Speaker 1>Is that the responsible thing to do? Because you have

0:12:55.440 --> 0:12:58.880
<v Speaker 1>essentially created a slave at that point, and that was

0:12:58.960 --> 0:13:00.960
<v Speaker 1>kind of the point of the movie. But again, like

0:13:01.000 --> 0:13:04.000
<v Speaker 1>I said, they answered the question for you without really

0:13:04.000 --> 0:13:09.160
<v Speaker 1>giving you the opportunity to ask it yourself. So did

0:13:09.200 --> 0:13:11.920
<v Speaker 1>you want to get back to one on your list. Sure,

0:13:13.280 --> 0:13:15.760
<v Speaker 1>I say a good one A movie I really enjoyed

0:13:16.040 --> 0:13:20.679
<v Speaker 1>Twelve Monkeys. Twelve Monkeys one of Terry Gilliams movies. I

0:13:20.880 --> 0:13:23.679
<v Speaker 1>Know I'm a I'm an enormous jelly Terry gilliam fan.

0:13:23.720 --> 0:13:26.760
<v Speaker 1>I could also easily put Brazil on here. Twelve Monkeys

0:13:26.760 --> 0:13:29.360
<v Speaker 1>in Brazil to me go hand in hand. Both of

0:13:29.400 --> 0:13:34.199
<v Speaker 1>them are about dystopian worlds. In twelve Monkeys, it might

0:13:34.240 --> 0:13:36.880
<v Speaker 1>even not be a real world. It's hard to say

0:13:36.960 --> 0:13:40.080
<v Speaker 1>because how much of that is actually supposed to be

0:13:40.120 --> 0:13:42.400
<v Speaker 1>happening and how much of it is within the mind

0:13:42.440 --> 0:13:45.480
<v Speaker 1>of the main character. Um. Now, twelve Monkeys, you've got

0:13:45.720 --> 0:13:48.360
<v Speaker 1>the story of a a guy who sent back in

0:13:48.480 --> 0:13:51.960
<v Speaker 1>time to change events and and sort of the the

0:13:52.880 --> 0:13:55.720
<v Speaker 1>series of circumstances that he encounters as he tries to

0:13:55.720 --> 0:13:59.000
<v Speaker 1>do this, and he misinterprets events and changes the wrong thing,

0:13:59.120 --> 0:14:02.440
<v Speaker 1>and uh, it kind of poses the question of is

0:14:02.559 --> 0:14:05.720
<v Speaker 1>time malleable or if you could travel through time, could

0:14:05.760 --> 0:14:07.880
<v Speaker 1>you actually make a difference or would you really just

0:14:07.920 --> 0:14:12.160
<v Speaker 1>be playing into the same events that that you noticed

0:14:12.200 --> 0:14:14.320
<v Speaker 1>in the future. Like if you went back in time

0:14:14.360 --> 0:14:16.360
<v Speaker 1>and try to change things, would it turn out that

0:14:16.400 --> 0:14:18.440
<v Speaker 1>the things you try to change actually lead to the

0:14:18.480 --> 0:14:22.000
<v Speaker 1>events being the way they were when you started. Um,

0:14:22.080 --> 0:14:23.880
<v Speaker 1>so I think that's it now. Now it's not really

0:14:23.920 --> 0:14:25.920
<v Speaker 1>all about the tech. In fact, that technology takes a

0:14:26.040 --> 0:14:29.800
<v Speaker 1>kind of a back seat in that one. But all

0:14:29.840 --> 0:14:32.880
<v Speaker 1>the visions of the dystopian future are really really disturbing

0:14:32.920 --> 0:14:36.520
<v Speaker 1>in that very visual gilliam style. So that's one that

0:14:36.560 --> 0:14:40.920
<v Speaker 1>sticks with me. Okay, then your turn. Um, speaking of

0:14:41.000 --> 0:14:43.640
<v Speaker 1>movies that involved tech, but they it sort of takes

0:14:43.640 --> 0:14:46.120
<v Speaker 1>a back seat. One of my favorites would probably be

0:14:46.560 --> 0:14:49.120
<v Speaker 1>Eternal Sunshine of the Spotless Mind, another one I haven't

0:14:49.120 --> 0:14:53.920
<v Speaker 1>seen really Yeah, oh well it's uh, you know, the

0:14:54.000 --> 0:14:57.680
<v Speaker 1>tech really sort of plays that well, it's a crucial

0:14:57.720 --> 0:14:59.680
<v Speaker 1>part in the movie, but it's not about the technology,

0:14:59.720 --> 0:15:04.240
<v Speaker 1>but um about the company that will let you erase

0:15:04.360 --> 0:15:07.920
<v Speaker 1>your memories. So essentially you're able to start over if

0:15:07.920 --> 0:15:09.800
<v Speaker 1>you have something that you just want to forget about.

0:15:10.440 --> 0:15:15.240
<v Speaker 1>And actually sees from Dollhouse just flashed through my mind.

0:15:15.240 --> 0:15:19.360
<v Speaker 1>But that's a TV show talking about erasing your memories. Um,

0:15:19.480 --> 0:15:23.040
<v Speaker 1>but it's it's really really enjoyable. Um, and I liked

0:15:23.080 --> 0:15:25.560
<v Speaker 1>it very much, but uh, you know, I won't get

0:15:25.560 --> 0:15:29.280
<v Speaker 1>into the details of the movie. But the characters, of

0:15:29.320 --> 0:15:32.880
<v Speaker 1>course um interact with one another, and you know, find

0:15:32.880 --> 0:15:36.080
<v Speaker 1>out when they get their access to their old memories

0:15:36.080 --> 0:15:39.800
<v Speaker 1>back some things that you know, they were a little

0:15:39.840 --> 0:15:43.400
<v Speaker 1>surprised to find out. So it's it's an ext onent movie.

0:15:43.480 --> 0:15:46.560
<v Speaker 1>It's weally, it's kind of weird, but you know it

0:15:46.560 --> 0:15:48.520
<v Speaker 1>would be because it's about memory. And everyone I know

0:15:48.520 --> 0:15:50.920
<v Speaker 1>who saw it really enjoyed it. That's just one. You know,

0:15:50.960 --> 0:15:52.800
<v Speaker 1>there's always those movies that get away from you that

0:15:52.800 --> 0:15:54.760
<v Speaker 1>you never got a chance to see and have lots

0:15:54.760 --> 0:16:00.520
<v Speaker 1>of um. I was gonna mention Gatica. You know, people

0:16:00.560 --> 0:16:02.840
<v Speaker 1>like that as a as a tech movie. There's something

0:16:03.160 --> 0:16:08.520
<v Speaker 1>about dystopian futures that I find really really fascinating. I like.

0:16:08.720 --> 0:16:12.680
<v Speaker 1>I like both in in novels and in films, and

0:16:12.720 --> 0:16:14.080
<v Speaker 1>I think part of the reason why I like it

0:16:14.120 --> 0:16:16.960
<v Speaker 1>is because I consider them warnings like this is a

0:16:16.960 --> 0:16:20.920
<v Speaker 1>warning of what can happen if you aren't careful, and

0:16:21.040 --> 0:16:23.840
<v Speaker 1>you know, just just think about the consequences of your

0:16:23.880 --> 0:16:26.840
<v Speaker 1>actions and the act not not your actions as in

0:16:26.880 --> 0:16:30.240
<v Speaker 1>you the individual, but actions kind of as a collective group,

0:16:30.960 --> 0:16:33.320
<v Speaker 1>and and the decisions we make and how that can

0:16:33.400 --> 0:16:37.440
<v Speaker 1>lead to a really terrible situation. Now in Gatica, you've

0:16:37.480 --> 0:16:42.360
<v Speaker 1>got a world where you've got these genetically hiss genetically

0:16:42.360 --> 0:16:45.320
<v Speaker 1>designed people who are you know, more or less as

0:16:45.400 --> 0:16:47.600
<v Speaker 1>as perfect as they possibly can be. Kind of a

0:16:47.600 --> 0:16:51.480
<v Speaker 1>brave new world situation. And uh, and they are given

0:16:51.520 --> 0:16:54.680
<v Speaker 1>preferential treatment because you will automatically know from a genetic

0:16:54.880 --> 0:16:57.800
<v Speaker 1>level these people are superior to the folks who are

0:16:58.400 --> 0:17:01.000
<v Speaker 1>born the good old fashioned way. And so why take

0:17:01.000 --> 0:17:05.159
<v Speaker 1>a risk on someone who wasn't designed when you know,

0:17:05.680 --> 0:17:08.080
<v Speaker 1>you know, genetically this person is perfect. Therefore they should

0:17:08.119 --> 0:17:10.480
<v Speaker 1>take the job. And uh, it's the story of a

0:17:10.760 --> 0:17:16.640
<v Speaker 1>guy who was not one of the designed, who uh nevertheless,

0:17:16.760 --> 0:17:20.720
<v Speaker 1>is determined to pursue his goal and as in order

0:17:20.760 --> 0:17:23.040
<v Speaker 1>to do so he must he must put upon the

0:17:23.080 --> 0:17:26.800
<v Speaker 1>appearance of being one of the perfect people. And the

0:17:27.119 --> 0:17:30.000
<v Speaker 1>it talks about the great lengths he goes to to

0:17:30.119 --> 0:17:33.919
<v Speaker 1>disguise his identity and try to slip under the radar

0:17:34.080 --> 0:17:37.520
<v Speaker 1>of a society that is not only incredibly advanced but

0:17:37.680 --> 0:17:42.960
<v Speaker 1>also incredibly paranoid. The the company he works for does

0:17:43.480 --> 0:17:47.680
<v Speaker 1>routine uh scans of things like even the keyboard. They'll

0:17:47.760 --> 0:17:50.680
<v Speaker 1>they'll vacuum up the skin particles that all between the

0:17:50.760 --> 0:17:53.359
<v Speaker 1>keys on a keyboard and analyze them to make sure

0:17:53.440 --> 0:17:55.520
<v Speaker 1>that the person who's sitting there is who they say

0:17:55.520 --> 0:17:59.119
<v Speaker 1>they are. So it's kind of interesting to show how

0:18:00.160 --> 0:18:04.040
<v Speaker 1>a person with a real drive and ambition will go

0:18:04.160 --> 0:18:09.160
<v Speaker 1>to incredible and dangerous lengths in order to achieve it. Um.

0:18:09.200 --> 0:18:11.919
<v Speaker 1>And also, I mean the audience is supposed to side

0:18:11.920 --> 0:18:13.800
<v Speaker 1>with the main character. You're supposed to say, Okay, well

0:18:13.800 --> 0:18:16.080
<v Speaker 1>this guy is right and this is a society that's wrong,

0:18:16.560 --> 0:18:19.000
<v Speaker 1>and uh, the movie makes that very easy. But it's

0:18:19.560 --> 0:18:22.919
<v Speaker 1>it's very well done. Great style to that movie. UM,

0:18:23.119 --> 0:18:26.080
<v Speaker 1>highly recommended. It's a little there's some disturbing moments in it,

0:18:26.280 --> 0:18:30.360
<v Speaker 1>I won't lie, but it's uh, I enjoyed it. All right. Well,

0:18:30.359 --> 0:18:32.960
<v Speaker 1>I've got a question for you. We both mentioned some

0:18:33.000 --> 0:18:34.800
<v Speaker 1>of the movies that we really like. Do we want

0:18:34.800 --> 0:18:36.120
<v Speaker 1>to get onto some of the ones that we really

0:18:36.160 --> 0:18:37.960
<v Speaker 1>don't because we're not gonna have a lot of time

0:18:38.000 --> 0:18:39.679
<v Speaker 1>if we go through all of our likes. All right,

0:18:39.720 --> 0:18:41.680
<v Speaker 1>let's go. If you want to mention your other likes

0:18:41.680 --> 0:18:45.879
<v Speaker 1>without getting into them, Wally, Oh yeah, definitely, Wally. Okay,

0:18:45.920 --> 0:18:48.280
<v Speaker 1>there we go. All right. So, also, Wally a little

0:18:48.280 --> 0:18:50.920
<v Speaker 1>bit of dystopian feature there. Yeah, let's go into the

0:18:51.440 --> 0:18:54.520
<v Speaker 1>ones that we either we call them least favorite, because

0:18:54.520 --> 0:18:57.200
<v Speaker 1>that's what Richard said, I like to call these hatred

0:18:57.320 --> 0:19:01.359
<v Speaker 1>with the passion of a thousand exploding on movies. Are

0:19:01.359 --> 0:19:03.600
<v Speaker 1>the Star Wars prequels on here? Then? No, I didn't

0:19:03.640 --> 0:19:06.200
<v Speaker 1>count Star Wars because those are fantasy films, not science fiction.

0:19:07.640 --> 0:19:11.800
<v Speaker 1>But they are about never go ahead. Um, but yes,

0:19:11.920 --> 0:19:17.399
<v Speaker 1>the prequels are terrible. Okay, so my my top disliked heavily,

0:19:17.560 --> 0:19:21.080
<v Speaker 1>leaning on tech film Independence Day. Oh that's on my list.

0:19:21.119 --> 0:19:24.840
<v Speaker 1>Do score big, you know. And what's crazy is the

0:19:24.920 --> 0:19:26.920
<v Speaker 1>very first time I saw it, I enjoyed that movie.

0:19:27.040 --> 0:19:29.480
<v Speaker 1>It was on subsequent viewings that I realized how stupid

0:19:29.520 --> 0:19:31.919
<v Speaker 1>that film is. Yeah, that's that's the annoying part of it.

0:19:31.960 --> 0:19:34.200
<v Speaker 1>I mean, the story itself is kind of fun, but

0:19:34.240 --> 0:19:38.160
<v Speaker 1>then the whole premise of bringing down an alien intelligence

0:19:38.240 --> 0:19:43.160
<v Speaker 1>with um a virus. Yes that was from my Mac

0:19:43.280 --> 0:19:48.560
<v Speaker 1>No less a virus. Mac computer known for the virus, Right,

0:19:48.560 --> 0:19:51.440
<v Speaker 1>how would you design a computer virus for an alien

0:19:51.520 --> 0:19:56.199
<v Speaker 1>technology that you have never encountered before? You don't know

0:19:56.240 --> 0:19:58.280
<v Speaker 1>what the operating systems like how why would it even

0:19:58.320 --> 0:20:04.600
<v Speaker 1>be based on binary? I am yeah, no that that movie,

0:20:04.760 --> 0:20:07.840
<v Speaker 1>just that premise alone drives me crazy. But there's plenty

0:20:07.840 --> 0:20:10.200
<v Speaker 1>in that film too. And of course that that started

0:20:10.200 --> 0:20:12.960
<v Speaker 1>the whole disaster porn thing that the guy started. You

0:20:12.960 --> 0:20:15.040
<v Speaker 1>know that he also did The Day After Tomorrow and

0:20:15.080 --> 0:20:18.920
<v Speaker 1>he did two thousand twelve, and so yeah, he needs

0:20:18.920 --> 0:20:21.360
<v Speaker 1>to be stopped. Um. I mean he makes stuff blow

0:20:21.400 --> 0:20:23.280
<v Speaker 1>up real good, don't get me wrong. And you're a

0:20:23.320 --> 0:20:26.600
<v Speaker 1>McKinsey brother, you like that stuff. But yeah, I'm not

0:20:26.680 --> 0:20:30.240
<v Speaker 1>a I'm not a fan of that. Um that movie.

0:20:30.760 --> 0:20:33.359
<v Speaker 1>So here's one of mine. Okay, this is like the

0:20:33.440 --> 0:20:36.359
<v Speaker 1>movie that I will never forgive my parents for taking

0:20:36.359 --> 0:20:38.399
<v Speaker 1>me to when I was a kid. So it was

0:20:38.600 --> 0:20:43.720
<v Speaker 1>a fantasy slash science fiction film. You're the Hunter from

0:20:43.720 --> 0:20:47.840
<v Speaker 1>the Future. Did you ever see this? But I've not

0:20:47.960 --> 0:20:50.080
<v Speaker 1>seen it, but I know it exists. It is so

0:20:50.400 --> 0:20:52.680
<v Speaker 1>terrible people, all right now, I am I'm telling you.

0:20:52.800 --> 0:20:56.080
<v Speaker 1>I'm telling you text stuff listeners, you know the how

0:20:56.119 --> 0:20:58.600
<v Speaker 1>they say that, oh that movie is so bad. It's good. Okay,

0:20:58.640 --> 0:21:01.840
<v Speaker 1>this movie is so bad, gut riching, lee awful. Do

0:21:02.000 --> 0:21:05.480
<v Speaker 1>not watch this movie. It is just it is boring.

0:21:05.760 --> 0:21:10.119
<v Speaker 1>It makes no sense. Uh the there are none of

0:21:10.160 --> 0:21:13.320
<v Speaker 1>the characters have any sort of charisma or acting ability.

0:21:13.800 --> 0:21:17.439
<v Speaker 1>Um it is. It is just a total mess of

0:21:17.440 --> 0:21:22.199
<v Speaker 1>a movie. It has prehistoric sections where where there's a

0:21:22.200 --> 0:21:25.640
<v Speaker 1>guy fighting dinosaurs and there's stuff on a spaceship and

0:21:25.720 --> 0:21:28.120
<v Speaker 1>there's no real explanation how this all works, and it's

0:21:28.200 --> 0:21:32.320
<v Speaker 1>just dumb. And I will never forgive my I can.

0:21:32.400 --> 0:21:35.600
<v Speaker 1>I can vividly remember my dad teasing me before we

0:21:35.640 --> 0:21:37.240
<v Speaker 1>go see this movie as why are we gonna go

0:21:37.240 --> 0:21:42.199
<v Speaker 1>see your movie? My movie? Not your movie? Your movie?

0:21:42.840 --> 0:21:45.200
<v Speaker 1>Ha ha ha, Dad, Well, not a lapse on you,

0:21:45.320 --> 0:21:49.280
<v Speaker 1>because I'm gonna bill you for the psychological damage that

0:21:49.359 --> 0:21:52.840
<v Speaker 1>film caused me over the last thirty years. Actually it's

0:21:52.880 --> 0:21:57.000
<v Speaker 1>not that long, but anyway, go ahead. This one is

0:21:57.000 --> 0:22:01.600
<v Speaker 1>is another one that's sort of peripheral. Arman, you know what.

0:22:01.840 --> 0:22:05.040
<v Speaker 1>I have not watched that I but I have seen

0:22:05.040 --> 0:22:09.400
<v Speaker 1>Phil Plate the Bad Astronomer, do a shot for shot

0:22:09.680 --> 0:22:13.840
<v Speaker 1>criticism of one I think two minutes section of that movie,

0:22:14.480 --> 0:22:18.440
<v Speaker 1>and it was so funny. I mean, if you want

0:22:18.520 --> 0:22:22.960
<v Speaker 1>to you know, land two space shuttles on an asteroid

0:22:23.200 --> 0:22:27.159
<v Speaker 1>that has headed for Earth, you know, then it's the

0:22:27.200 --> 0:22:29.400
<v Speaker 1>movie to watch if you actually believe that that's possible,

0:22:29.640 --> 0:22:33.320
<v Speaker 1>I have doubts. He talked about Plate talked about what

0:22:33.359 --> 0:22:35.320
<v Speaker 1>you would actually want to do in order to get

0:22:35.400 --> 0:22:37.840
<v Speaker 1>rid of uh, an asteroid that size. He said that

0:22:37.840 --> 0:22:39.639
<v Speaker 1>blowing it up is the last thing you want to

0:22:39.640 --> 0:22:42.960
<v Speaker 1>do because it just makes lots of asteroids heading towards

0:22:42.960 --> 0:22:46.199
<v Speaker 1>It's that that makes sense. But he talked about, you know,

0:22:46.240 --> 0:22:47.640
<v Speaker 1>what you would really want to do? This is kind

0:22:47.640 --> 0:22:50.600
<v Speaker 1>of just interesting from a science perspective. Phil Plate said,

0:22:51.160 --> 0:22:52.679
<v Speaker 1>what you might want to do is you want to

0:22:52.680 --> 0:22:54.399
<v Speaker 1>move the asteroid out of the way so it's no

0:22:54.440 --> 0:22:57.639
<v Speaker 1>longer moving within the path of the planet. So you

0:22:57.680 --> 0:23:01.040
<v Speaker 1>would do something like perhaps send a rocket up there

0:23:01.080 --> 0:23:04.800
<v Speaker 1>that could deploy a second rocket it would actually attached

0:23:04.880 --> 0:23:07.959
<v Speaker 1>to the asteroid and then propel the asteroid just a

0:23:08.000 --> 0:23:11.960
<v Speaker 1>few thousand miles off course, and that would allow it

0:23:12.040 --> 0:23:15.959
<v Speaker 1>to miss the planet. And it was interesting to me

0:23:16.000 --> 0:23:18.120
<v Speaker 1>that he could both deconstruct a film and show how

0:23:18.160 --> 0:23:21.359
<v Speaker 1>it could actually work. And also, uh, no one needs

0:23:21.400 --> 0:23:27.520
<v Speaker 1>to die or sing leaving on a jet plane. Um

0:23:27.720 --> 0:23:31.159
<v Speaker 1>lawnmower Man. Okay, the reason long Moro Man is just

0:23:31.200 --> 0:23:33.320
<v Speaker 1>a bad movie all around. But the really the reason

0:23:33.359 --> 0:23:35.359
<v Speaker 1>it made this list is not just because it's a

0:23:35.400 --> 0:23:37.960
<v Speaker 1>bad movie, but it's one of those films that gave

0:23:37.960 --> 0:23:40.639
<v Speaker 1>people the wrong idea of what virtual reality can and

0:23:40.720 --> 0:23:45.080
<v Speaker 1>can't do. You know. It gave people the unrealistic expectation

0:23:45.160 --> 0:23:48.240
<v Speaker 1>of what virtual reality is capable of doing. And I

0:23:48.280 --> 0:23:50.680
<v Speaker 1>think that is one of those movies that helped kill

0:23:50.840 --> 0:23:55.000
<v Speaker 1>the term virtual reality because once people realize that VR

0:23:55.200 --> 0:23:58.320
<v Speaker 1>wasn't anywhere near where the movies said it was, they

0:23:58.359 --> 0:24:01.359
<v Speaker 1>lost interest and therefore the our projects lost funding and

0:24:01.400 --> 0:24:05.080
<v Speaker 1>then set them back by like five years. So bad movie,

0:24:05.160 --> 0:24:09.119
<v Speaker 1>lawnmore Man, Bad movie. How many more bad movies do

0:24:09.160 --> 0:24:13.119
<v Speaker 1>you have? A few? Well, I've already done AI, So

0:24:13.119 --> 0:24:17.040
<v Speaker 1>that's off. I've got two more. Okay, because uh, I

0:24:17.080 --> 0:24:19.960
<v Speaker 1>was going to mention The black Hole, which you know,

0:24:20.000 --> 0:24:22.280
<v Speaker 1>it's got lasers, it's got robots, it's got a ship

0:24:22.359 --> 0:24:24.399
<v Speaker 1>that's going to be plunging into a black hole. What

0:24:24.440 --> 0:24:28.480
<v Speaker 1>could possibly be more boring than that movie? Oh my god? Yeah.

0:24:28.520 --> 0:24:31.840
<v Speaker 1>I you know what, if you have insomnia, here's what

0:24:31.920 --> 0:24:34.439
<v Speaker 1>you do. Just curl up in bed, put on the

0:24:34.480 --> 0:24:38.120
<v Speaker 1>black Hole, and prepare for the deep embrace of the

0:24:38.119 --> 0:24:41.959
<v Speaker 1>best sleep you've ever had in your life. And you know,

0:24:42.040 --> 0:24:45.080
<v Speaker 1>as a kid, though, I enjoyed it, but I didn't realize.

0:24:45.480 --> 0:24:48.400
<v Speaker 1>You know, it's surprising I should have been bored to tea. Yes,

0:24:48.480 --> 0:24:50.920
<v Speaker 1>the black hole, that's what has turned Chris Palette into

0:24:50.960 --> 0:24:56.320
<v Speaker 1>the dynamo he is today. Go ahead, okay, back to

0:24:56.359 --> 0:25:00.800
<v Speaker 1>the Future too. Back to the Future to only exists

0:25:00.960 --> 0:25:03.840
<v Speaker 1>as a link between the first and third movie. That's

0:25:03.880 --> 0:25:06.240
<v Speaker 1>the only reason for Back to the Future Too to exist.

0:25:06.359 --> 0:25:10.000
<v Speaker 1>And all the stupid futuristic tech they came up with

0:25:10.400 --> 0:25:15.000
<v Speaker 1>was dumb, cartoony, had no basis in reality. And we're

0:25:15.440 --> 0:25:17.760
<v Speaker 1>rapidly closing in on the year two thousand fifteen, that

0:25:17.880 --> 0:25:21.720
<v Speaker 1>is when they traveled to Have you seen anything flying cars? Huh?

0:25:21.800 --> 0:25:24.920
<v Speaker 1>Flying cars? It's funny that you would say that, because

0:25:24.920 --> 0:25:27.359
<v Speaker 1>I put Back to the Future three on. This is

0:25:27.400 --> 0:25:32.520
<v Speaker 1>a freaking awesome movie. Space Train. No, that's like steam punk, Man,

0:25:32.640 --> 0:25:37.200
<v Speaker 1>steam Punk is awesome. Okay. I would like to apologize

0:25:37.200 --> 0:25:39.439
<v Speaker 1>to all our listeners out there, who, along with me,

0:25:39.520 --> 0:25:41.720
<v Speaker 1>are screaming at Poulette saying, but Back to the Future

0:25:41.760 --> 0:25:43.919
<v Speaker 1>three it was a good movie. I have my defenders,

0:25:44.520 --> 0:25:48.359
<v Speaker 1>all right. The two people who wrote in agreed to

0:25:48.440 --> 0:25:51.359
<v Speaker 1>me that the Western aspect of Back to the Future.

0:25:51.400 --> 0:25:54.120
<v Speaker 1>Three alone makes it better than Part two. Part two

0:25:54.200 --> 0:25:57.080
<v Speaker 1>was terrible. Man, I mean, there's no defending Part two.

0:25:58.000 --> 0:26:00.400
<v Speaker 1>It is not. Here's here's the one reason why Part

0:26:00.400 --> 0:26:04.720
<v Speaker 1>two falls apart all by itself. It cannot stand alone

0:26:04.760 --> 0:26:07.440
<v Speaker 1>as its own movie because it all it is is

0:26:07.480 --> 0:26:10.280
<v Speaker 1>a transition between one and three. No, I will give

0:26:10.320 --> 0:26:14.080
<v Speaker 1>you that, but anyway, actually, three in a way can't

0:26:14.080 --> 0:26:16.639
<v Speaker 1>stand on its own either, because it depends upon the

0:26:16.760 --> 0:26:18.840
<v Speaker 1>ending of part two in order for it to make sense.

0:26:18.840 --> 0:26:21.439
<v Speaker 1>But that's the whole thing, because it reminds me of

0:26:21.440 --> 0:26:26.080
<v Speaker 1>another set of trilogy or another trilogy that was really dependent.

0:26:26.119 --> 0:26:28.200
<v Speaker 1>Oh my god, you better not be talking about that.

0:26:28.320 --> 0:26:30.320
<v Speaker 1>There's only one movie in the trilogy you're about to

0:26:30.320 --> 0:26:33.679
<v Speaker 1>talk about. Well, there's certainly one that stands on its own, Yes,

0:26:33.760 --> 0:26:37.479
<v Speaker 1>the Matrix. Yeah, because the sequels were about again, they

0:26:37.480 --> 0:26:40.240
<v Speaker 1>were about blowing stuff up. This is this. This part

0:26:40.240 --> 0:26:42.960
<v Speaker 1>of the podcast is called wind up Jonathan until his

0:26:43.000 --> 0:26:45.240
<v Speaker 1>head explodes again. And no, no, it's not worth that

0:26:45.280 --> 0:26:47.960
<v Speaker 1>because we're running out of time. But there's there's not

0:26:48.040 --> 0:26:50.159
<v Speaker 1>exactly a lot of plots. Okay, so the Matrix, the

0:26:50.160 --> 0:26:53.800
<v Speaker 1>first Matrix film was really really stylistic and cool and awesome,

0:26:53.800 --> 0:26:56.119
<v Speaker 1>and I loved it. And yeah, granted, the more you

0:26:56.160 --> 0:26:58.439
<v Speaker 1>started to think about things, the more it kind of

0:26:58.440 --> 0:27:01.320
<v Speaker 1>fell apart, but it still was really neat. The problem

0:27:01.320 --> 0:27:04.560
<v Speaker 1>was that Matrix two did not capitalize on the first

0:27:04.720 --> 0:27:07.359
<v Speaker 1>Matrix film, and not only that, but it kind of

0:27:07.400 --> 0:27:09.199
<v Speaker 1>ignored a lot of the stuff that were that was

0:27:09.240 --> 0:27:12.000
<v Speaker 1>set up in the first movie. Like the impression I got.

0:27:12.000 --> 0:27:13.520
<v Speaker 1>I don't know about you, but the impression I got

0:27:13.520 --> 0:27:15.639
<v Speaker 1>after watching the first Matrix film was that what these

0:27:15.720 --> 0:27:18.320
<v Speaker 1>characters were going to do next would be trying to

0:27:18.359 --> 0:27:21.159
<v Speaker 1>find a way to overthrow the robots and save the

0:27:21.240 --> 0:27:24.360
<v Speaker 1>human race. But then in parts two and three, essentially

0:27:24.400 --> 0:27:26.240
<v Speaker 1>the story was not, oh, no, that part of the

0:27:26.280 --> 0:27:28.680
<v Speaker 1>human race is pretty much done for. We're just gonna

0:27:28.720 --> 0:27:30.879
<v Speaker 1>save the ones that are left in the center of

0:27:30.920 --> 0:27:34.679
<v Speaker 1>the planet, you know, floating around and there, those are

0:27:34.680 --> 0:27:37.040
<v Speaker 1>the only ones we really want to save. That's pretty much.

0:27:37.040 --> 0:27:42.040
<v Speaker 1>It drew me nuts. Hated it. Hated it. Also, the Architect,

0:27:42.240 --> 0:27:46.359
<v Speaker 1>if you read that stupid, stupid speech he has and

0:27:46.400 --> 0:27:48.520
<v Speaker 1>you boil it down to what he's actually saying, he's

0:27:48.560 --> 0:27:51.720
<v Speaker 1>not saying a damn thing. OK, He's just using a

0:27:51.760 --> 0:27:54.160
<v Speaker 1>lot of twenty five dollar words to say nothing at all.

0:27:54.920 --> 0:27:57.600
<v Speaker 1>I can say nothing at all for cheap, That's all

0:27:57.640 --> 0:28:02.479
<v Speaker 1>I'm saying. Um a minority report that was actually on

0:28:02.480 --> 0:28:04.600
<v Speaker 1>my list of good but not at the top of

0:28:04.600 --> 0:28:08.159
<v Speaker 1>my life. See I I like the tech, but I

0:28:08.240 --> 0:28:12.240
<v Speaker 1>can't get past the basic premise, which is, how can

0:28:12.280 --> 0:28:16.760
<v Speaker 1>he be framed for a premeditated murder when he doesn't

0:28:16.760 --> 0:28:19.520
<v Speaker 1>even know the identity of the person he's supposed to kill?

0:28:19.680 --> 0:28:23.639
<v Speaker 1>How can he premeditate a murder for someone he doesn't know?

0:28:23.800 --> 0:28:25.520
<v Speaker 1>He can't And that's the point. Well, I know, but

0:28:25.720 --> 0:28:28.400
<v Speaker 1>how does the ball pop up? Then? Because the precods

0:28:28.400 --> 0:28:30.720
<v Speaker 1>are only seeing flashes of what's going on? But see

0:28:30.720 --> 0:28:33.800
<v Speaker 1>the no, the whole basis of it, like for the

0:28:33.880 --> 0:28:36.439
<v Speaker 1>murder too, for the murder to actually have to happen,

0:28:36.760 --> 0:28:39.320
<v Speaker 1>the ball has to pop up. It's a it's a

0:28:39.360 --> 0:28:43.240
<v Speaker 1>self fulfilling prophecy. There's no initial act for that ball

0:28:43.280 --> 0:28:45.840
<v Speaker 1>to pop up in the first place. That's my problem.

0:28:45.840 --> 0:28:47.480
<v Speaker 1>This, this this is my problem with a lot of Phillip

0:28:47.560 --> 0:28:51.440
<v Speaker 1>Kate Dick's stuff and also UH Highland stuff. UM a

0:28:51.480 --> 0:28:55.360
<v Speaker 1>lot they a lot of their their premises are based

0:28:55.480 --> 0:28:58.440
<v Speaker 1>upon things that have already that they're They're like a

0:28:58.480 --> 0:29:01.680
<v Speaker 1>closed loop system, right, There's no way to start it,

0:29:01.720 --> 0:29:04.360
<v Speaker 1>there's no way to finish it. It's just that you

0:29:04.520 --> 0:29:08.040
<v Speaker 1>experienced the loop. And I hate those because how does

0:29:08.080 --> 0:29:13.960
<v Speaker 1>that loop exist on? It's okay, Calm, I have a

0:29:14.000 --> 0:29:16.920
<v Speaker 1>movie that fits in both categories, one that I both

0:29:17.000 --> 0:29:22.840
<v Speaker 1>love and hate. Tron. Yeah, Tron was some of the

0:29:22.880 --> 0:29:26.200
<v Speaker 1>coolest effects I had ever seen at that point. I

0:29:26.200 --> 0:29:28.720
<v Speaker 1>mean it was, especially when you consider that most of

0:29:28.720 --> 0:29:31.560
<v Speaker 1>that stuff was hand drawn. It wasn't actually computer animation.

0:29:32.240 --> 0:29:34.080
<v Speaker 1>A lot and a lot of it was computer animation,

0:29:34.080 --> 0:29:37.280
<v Speaker 1>but not all of it. Um it was a really

0:29:37.280 --> 0:29:42.240
<v Speaker 1>cool concept. It was really really cool set design. Horrible script.

0:29:42.960 --> 0:29:45.360
<v Speaker 1>Horrible script. I didn't realize how horrible script it was

0:29:45.440 --> 0:29:49.560
<v Speaker 1>until I attended a staged reading of the screenplay of Tron.

0:29:50.040 --> 0:29:52.479
<v Speaker 1>It was done as a joke. All the actors were

0:29:52.520 --> 0:29:55.680
<v Speaker 1>dressed up in stage blacks with they Some of them

0:29:55.680 --> 0:29:58.120
<v Speaker 1>had glow tape on them so that when the UV

0:29:58.320 --> 0:30:00.719
<v Speaker 1>lights shined on them, they would actually glow lively characters

0:30:00.720 --> 0:30:03.640
<v Speaker 1>in Tron, And they treated it like it was Shakespeare.

0:30:03.640 --> 0:30:05.680
<v Speaker 1>And it was the funniest thing I've ever seen. And

0:30:05.720 --> 0:30:08.280
<v Speaker 1>I also realized at the same time how terrible that

0:30:08.360 --> 0:30:12.959
<v Speaker 1>screenplay was still looking forward to the sequel because I'm

0:30:13.000 --> 0:30:17.600
<v Speaker 1>a glutton for punishment. Yeah yeah, And uh, then I

0:30:17.640 --> 0:30:21.920
<v Speaker 1>have some honorable mentions. Honorable mentions go to Ghostbusters, which

0:30:22.000 --> 0:30:26.320
<v Speaker 1>is hands down a phenomenal movie, one of the funniest

0:30:26.360 --> 0:30:30.240
<v Speaker 1>comedies ever. But the reason it's an honorable mention is

0:30:30.240 --> 0:30:34.360
<v Speaker 1>because the tech is really really good tertiary. It's cool tech,

0:30:34.480 --> 0:30:38.640
<v Speaker 1>it's fun stuff. Um. But it also spawned an entire

0:30:38.720 --> 0:30:40.680
<v Speaker 1>industry that I kind of looked down on, which the

0:30:40.720 --> 0:30:46.000
<v Speaker 1>whole ghost hunting thing. But anyway, the Truman Show, which

0:30:46.360 --> 0:30:50.000
<v Speaker 1>was almost good but it was it was interesting because

0:30:50.000 --> 0:30:52.200
<v Speaker 1>it was really that that was kind of it's sort

0:30:52.240 --> 0:30:57.400
<v Speaker 1>of um predicted the whole live streaming thing, Like the

0:30:57.440 --> 0:31:01.040
<v Speaker 1>Truman Show was really looking ahead in a way because

0:31:01.040 --> 0:31:03.880
<v Speaker 1>there weren't a lot of uh, there wasn't a lot

0:31:03.920 --> 0:31:07.200
<v Speaker 1>of examples of live streaming at that point. Uh. The

0:31:07.280 --> 0:31:11.600
<v Speaker 1>Iron Giant, which is guys, if you have not seen

0:31:11.640 --> 0:31:14.640
<v Speaker 1>The Iron Giant by Brad Bird, do yourself a favor

0:31:14.720 --> 0:31:18.120
<v Speaker 1>and watch it. Have a box of Kleenex handy is

0:31:18.160 --> 0:31:21.240
<v Speaker 1>a is a phenomenal movie. I mean, he's got tons

0:31:21.240 --> 0:31:23.880
<v Speaker 1>and tons of heart. The main you know, one of

0:31:23.920 --> 0:31:28.000
<v Speaker 1>the main characters is this gigantic robot, and so that's

0:31:28.000 --> 0:31:30.440
<v Speaker 1>why it kind of fits in tech. But again it's

0:31:30.480 --> 0:31:33.840
<v Speaker 1>more of a it's more like a childhood friendship story,

0:31:33.960 --> 0:31:36.560
<v Speaker 1>very much like et ET would probably be the one

0:31:36.600 --> 0:31:39.239
<v Speaker 1>that I would link it to the most strongly. If

0:31:39.280 --> 0:31:42.680
<v Speaker 1>you have not seen Iron Giant, please rent that movie.

0:31:42.720 --> 0:31:46.480
<v Speaker 1>It is a phenomenal cartoon. It is uh and and

0:31:46.520 --> 0:31:48.320
<v Speaker 1>Brad Bird the guy who did it. He's also the

0:31:48.320 --> 0:31:51.280
<v Speaker 1>guy behind The Incredibles, so I mean, the guy knows

0:31:51.280 --> 0:31:53.320
<v Speaker 1>how to tell a good story. And my last one

0:31:53.400 --> 0:31:58.040
<v Speaker 1>is The Signal, which is a locally produced film and

0:31:58.160 --> 0:32:01.720
<v Speaker 1>actually did see receive wide distribution for like a day

0:32:01.720 --> 0:32:04.760
<v Speaker 1>and a half. But the story behind that is a

0:32:04.760 --> 0:32:08.720
<v Speaker 1>mysterious signal goes out over cell phones, television's radios, and

0:32:08.760 --> 0:32:14.040
<v Speaker 1>it turns on this kind of primitive um base nature

0:32:14.200 --> 0:32:17.400
<v Speaker 1>within people. People either get really violent or really paranoid,

0:32:17.440 --> 0:32:20.400
<v Speaker 1>really scared, whatever, and they start reacting to it in

0:32:20.560 --> 0:32:22.920
<v Speaker 1>very crazy ways. Only a few people seemed to be

0:32:23.040 --> 0:32:26.280
<v Speaker 1>resistant to it. Uh, No, one's really sure why. It's

0:32:26.280 --> 0:32:27.920
<v Speaker 1>told from the point of view of characters who are

0:32:27.920 --> 0:32:30.280
<v Speaker 1>in the middle of this experience, so they don't have

0:32:30.320 --> 0:32:33.960
<v Speaker 1>any expertise whatsoever. They don't know why things are happening.

0:32:33.960 --> 0:32:37.600
<v Speaker 1>They're just trying to survive. So um uh, it was

0:32:37.640 --> 0:32:40.680
<v Speaker 1>filmed in Atlanta. Actually, if you look very carefully in

0:32:40.760 --> 0:32:42.400
<v Speaker 1>one section, you will see the back of my head

0:32:43.320 --> 0:32:46.560
<v Speaker 1>because I was in a big, gigantic meleey scene in

0:32:46.600 --> 0:32:49.600
<v Speaker 1>that movie. Um And a lot of people might be saying, hey,

0:32:49.600 --> 0:32:52.120
<v Speaker 1>this sounds a lot like Stephen King's The Cell. Well,

0:32:52.160 --> 0:32:54.000
<v Speaker 1>when the movie was being made, it was actually being

0:32:54.040 --> 0:32:56.320
<v Speaker 1>made before The Cell was published, So this was not

0:32:57.080 --> 0:32:58.880
<v Speaker 1>This was not in reaction to The Cell. It was

0:32:58.920 --> 0:33:03.560
<v Speaker 1>being made concurrently with The Cell. Uh. It's a horror

0:33:03.560 --> 0:33:06.880
<v Speaker 1>movie in three parts. Three different directors directed it. One

0:33:06.920 --> 0:33:10.560
<v Speaker 1>did each part. The three parts are not the same

0:33:10.640 --> 0:33:13.760
<v Speaker 1>in tone, and it's was done on purpose, and each

0:33:13.840 --> 0:33:17.160
<v Speaker 1>part kind of concentrates on a different character within the story.

0:33:17.800 --> 0:33:22.280
<v Speaker 1>Um It it still works. Uh. It's probably not the

0:33:22.320 --> 0:33:25.760
<v Speaker 1>smoothest film you'll ever see, but it's it's ah an

0:33:25.800 --> 0:33:29.320
<v Speaker 1>interesting take and again the technology, they're sort of taking

0:33:29.320 --> 0:33:32.440
<v Speaker 1>a background to the story and you never really know

0:33:32.600 --> 0:33:36.240
<v Speaker 1>why it happened in the first place. That's all mine

0:33:36.520 --> 0:33:38.720
<v Speaker 1>very cool. Do you have any more you wanted to

0:33:38.720 --> 0:33:43.320
<v Speaker 1>add before we sign off. No show for the last

0:33:43.320 --> 0:33:45.280
<v Speaker 1>six minutes. I'm sorry, no, no, no. I you know

0:33:45.320 --> 0:33:48.760
<v Speaker 1>I had some others that that I've considered mentioning. Maybe

0:33:48.840 --> 0:33:50.760
<v Speaker 1>we'll do one of these in the year. Oh yeah,

0:33:50.800 --> 0:33:53.960
<v Speaker 1>iron Man stuff, I forget about that. Yeah, that's a

0:33:53.960 --> 0:33:55.560
<v Speaker 1>good one. And I mean we made it through without

0:33:55.680 --> 0:33:59.200
<v Speaker 1>mentioning the time machine right there. There's tons of tons

0:33:59.200 --> 0:34:01.840
<v Speaker 1>of stuff we do JO in a year from now.

0:34:04.120 --> 0:34:06.520
<v Speaker 1>Give us a chance to see some more movies. So

0:34:06.920 --> 0:34:09.319
<v Speaker 1>let's wrap this up with a little bit more listener mail.

0:34:12.800 --> 0:34:16.200
<v Speaker 1>This comes from Skyler, who says, so, there's been a

0:34:16.239 --> 0:34:17.800
<v Speaker 1>lot of love for three D lately and I was

0:34:17.840 --> 0:34:20.440
<v Speaker 1>wondering when we will have holograms to watch movies on,

0:34:20.560 --> 0:34:22.560
<v Speaker 1>maybe make a cool show. But answer back, so I

0:34:22.600 --> 0:34:25.600
<v Speaker 1>know I have the right email. Adjust Thanks Skylar. I

0:34:25.640 --> 0:34:28.279
<v Speaker 1>haven't answered him yet, so but I will. Hopefully he'll

0:34:28.320 --> 0:34:30.960
<v Speaker 1>get my email before he hears this, Skyler, it will

0:34:31.000 --> 0:34:36.120
<v Speaker 1>be a very very long time. Holograms are tricky, uh.

0:34:36.200 --> 0:34:39.600
<v Speaker 1>One of our colleagues, Tracy Wilson, wrote an article about holograms,

0:34:39.640 --> 0:34:44.719
<v Speaker 1>and I remember her, uh specifically having massive headaches while

0:34:44.719 --> 0:34:47.880
<v Speaker 1>she was working on this because it's a very difficult

0:34:48.120 --> 0:34:51.880
<v Speaker 1>concept to understand and explain, much less get it to

0:34:51.920 --> 0:34:55.480
<v Speaker 1>work correctly. Yeah, and they as Jonathan and I were

0:34:55.520 --> 0:34:58.680
<v Speaker 1>getting ready to do the podcast, I mentioned the technology

0:34:58.719 --> 0:35:02.040
<v Speaker 1>that CNN was using during the political season. Um, and

0:35:02.080 --> 0:35:05.800
<v Speaker 1>they had holograms of people They're in three D walking

0:35:05.960 --> 0:35:08.520
<v Speaker 1>in the studio delivering their reports. What it's not really

0:35:09.080 --> 0:35:14.320
<v Speaker 1>a true hologram. Um. Now, something like that might be possible,

0:35:14.360 --> 0:35:16.600
<v Speaker 1>but it would probably be I mean as expensive as

0:35:16.640 --> 0:35:19.160
<v Speaker 1>three D TVs are now that you could have to

0:35:19.160 --> 0:35:21.320
<v Speaker 1>have a lot more equipment and have to be bigger

0:35:21.880 --> 0:35:23.960
<v Speaker 1>to deliver that kind of experience in your home. You

0:35:23.960 --> 0:35:28.680
<v Speaker 1>could get like a lenticular display television or you know whatever,

0:35:28.760 --> 0:35:30.640
<v Speaker 1>and be able to see three D images like that.

0:35:30.680 --> 0:35:32.680
<v Speaker 1>But again, you would have to be looking at the screen.

0:35:32.719 --> 0:35:35.640
<v Speaker 1>If you were if you were looking uh from the

0:35:35.760 --> 0:35:38.160
<v Speaker 1>point of view of the set, like if you were

0:35:38.160 --> 0:35:41.160
<v Speaker 1>on the if the television set were immediately to your right,

0:35:41.360 --> 0:35:43.440
<v Speaker 1>let's say, and you're both you're looking into the room,

0:35:43.440 --> 0:35:45.480
<v Speaker 1>you wouldn't see an image. Even if a friend of

0:35:45.480 --> 0:35:48.320
<v Speaker 1>yours was standing opposite you and looking at the screen,

0:35:48.320 --> 0:35:50.440
<v Speaker 1>they might see a three dimensional image that appears to

0:35:50.440 --> 0:35:52.359
<v Speaker 1>be hanging in mid air, but you wouldn't see anything

0:35:52.360 --> 0:35:55.479
<v Speaker 1>because you're not looking at the lenticular display. And that's

0:35:55.600 --> 0:35:57.920
<v Speaker 1>that's sort of when when we got this email, I

0:35:57.960 --> 0:36:01.680
<v Speaker 1>was thinking, um that he might be imagining sitting around

0:36:02.120 --> 0:36:04.920
<v Speaker 1>the movie watching, you know, like all him and all

0:36:04.920 --> 0:36:07.600
<v Speaker 1>his friends watching the movie. I think of being able

0:36:07.600 --> 0:36:10.240
<v Speaker 1>to stand up and move around and see the same

0:36:10.280 --> 0:36:12.960
<v Speaker 1>scene from a totally different perspective and you know, the

0:36:13.000 --> 0:36:15.279
<v Speaker 1>camera angle is not changing, You're the one changing. Yes,

0:36:15.320 --> 0:36:17.000
<v Speaker 1>but you'd have to have you'd have to shoot that

0:36:17.080 --> 0:36:22.400
<v Speaker 1>in a very very yeah, dogmatic way. You could do it,

0:36:22.719 --> 0:36:25.520
<v Speaker 1>You could probably do it, and well you can dome expense,

0:36:25.560 --> 0:36:28.240
<v Speaker 1>you could do a computer graphics version, you could build

0:36:28.280 --> 0:36:31.239
<v Speaker 1>three D modeled things. But yeah, but doing it in person, Yeah, no,

0:36:31.280 --> 0:36:33.879
<v Speaker 1>I can't. I can't imagine. Yeah, it's gonna be that's

0:36:33.880 --> 0:36:37.239
<v Speaker 1>gonna be a while. Yeah, Unfortunately, let's way for the singularity.

0:36:37.320 --> 0:36:40.120
<v Speaker 1>It will come then, Thanks a lot, Skyler. Well, if

0:36:40.120 --> 0:36:43.200
<v Speaker 1>any of you have any questions or suggestions, comments, anything

0:36:43.200 --> 0:36:45.720
<v Speaker 1>like that, write us. Our email address is tech stuff

0:36:45.719 --> 0:36:48.920
<v Speaker 1>at how stuff works dot com. And remember visit our

0:36:48.960 --> 0:36:53.000
<v Speaker 1>website for articles on everything from lenticular displays to why

0:36:53.040 --> 0:36:55.600
<v Speaker 1>I hate Back to the Future too. Actually, we don't

0:36:55.640 --> 0:36:57.520
<v Speaker 1>have an article on that, but we have plenty of

0:36:57.520 --> 0:37:01.200
<v Speaker 1>other ones. Yeah, I could go on for days. Um

0:37:01.280 --> 0:37:03.839
<v Speaker 1>and remember we have a live show every Tuesday one

0:37:03.880 --> 0:37:06.720
<v Speaker 1>pm Eastern. You can find links to that on our blogs.

0:37:06.800 --> 0:37:09.239
<v Speaker 1>Just go to the house Supports dot com. Look on

0:37:09.280 --> 0:37:11.120
<v Speaker 1>the right side. You'll see links to the blogs there

0:37:11.560 --> 0:37:14.000
<v Speaker 1>and Chris and I will talk to you again really soon.

0:37:16.600 --> 0:37:19.120
<v Speaker 1>For more on this and thousands of other topics, visit

0:37:19.160 --> 0:37:21.600
<v Speaker 1>how stuff Works dot com and be sure to check

0:37:21.600 --> 0:37:23.640
<v Speaker 1>out the new tech stuff blog now on the House

0:37:23.640 --> 0:37:31.080
<v Speaker 1>Stuff Works homepage, brought to you by the reinvented two

0:37:31.120 --> 0:37:33.680
<v Speaker 1>thousand twelve camera. It's ready, are you