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Speaker 1: No, no, let me see if I still got it.

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Speaker 1: Let me see. We have to confirm with everyone that

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Speaker 1: says let me see if I still got it, if

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Speaker 1: they ever had it, that is true, That is true.

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Speaker 1: Like I'm sick of let me see if I still

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Speaker 1: got Who said you had it? You never had You

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Speaker 1: probably never even had it. You never had a jumper.

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Speaker 1: Now I want to see I still had it.

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Speaker 2: Was close though, I mean, ray Rice confirmed that you

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Speaker 2: never had it. Ray Rice is a strong motherfucker. Let

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Speaker 2: me just stay that again for the record, I can't

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Speaker 2: believe he was involved in matchup fam.

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Speaker 1: That was crazy. That's hysterical. We'll say that for another day.

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Speaker 1: But I didn't want to bring something to your attention.

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Speaker 1: We'll feel like we need to use this this platform

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Speaker 1: responsibly and like bring awareness to to actual real issues dangerous.

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Speaker 1: It's a bit like the beef Notorious Pig used to

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Speaker 1: rap about when you said, beef is when your moms

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Speaker 1: ain't safe up in the streets at that beef is

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Speaker 1: when I see you, I'm looking at you, guaranteed to

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Speaker 1: be in I see you, I see you intensive care

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Speaker 1: when COVID sees you. When it does, you can't end

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Speaker 1: up in ic you maybe, but that's the point about risk.

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Speaker 1: You don't want to test these at all risk ending

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Speaker 1: up in the ICU. Of course. Not that's true, that's true.

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Speaker 1: I never thought about it like that.

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Speaker 2: No, I never really added, as well said, Alrid has

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Speaker 2: a way of breaking down like the news and making

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Speaker 2: it relate, relatable. And you know, I really never looked

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Speaker 2: at COVID that seriously until I thought about, like the

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Speaker 2: beefs that Big had been through. It makes me maybe

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Speaker 2: not at the same rapid pace, even though I really

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Speaker 2: feel like more people have died from COVID.

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Speaker 1: But I mean, I see what he was trying to say.

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Speaker 2: I was just trying to, you know, make it relatable

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Speaker 2: and and give it to us in a way where

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Speaker 2: we would respect it and fear it as we should.

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Speaker 1: But that's what already does, though he does that a lot.

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Speaker 1: That was like in a What's That movie where Jennifer

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Speaker 1: Garner whoever goes to the hood Freedom writers. It's like

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Speaker 1: when the Freedom writers when she can't get through them,

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Speaker 1: then she quotes Tupac and there like, oh.

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Speaker 2: My god, I never even thought about that exactly. Now

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Speaker 2: I get it now, I understand. I mean, listen, man,

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Speaker 2: I like ario. Imagine a bunch of gang members and

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Speaker 2: in a cool that don't want to hear Shakespeare. But

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Speaker 2: then you play keep your head up and you're like, yo,

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Speaker 2: I get it. I never even they.

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Speaker 1: Try to make it, but I like teachers that do that.

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Speaker 2: Though it's a little cheesy and little corny at times,

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Speaker 2: but I do respect that they try to make it

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Speaker 2: relatable and in a way where we can understand and

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Speaker 2: get it, because you know, how else are we gonna learn? Remember,

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Speaker 2: we can remember every album, but we can't remember yeah

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Speaker 2: because the album slap. That's true.

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Speaker 1: When Jennifer Gardner raps it to me, it doesn't slap. Yeah.

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Speaker 1: She she was a little It was a little cheat.

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Speaker 1: It's a lot of movies though it was.

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Speaker 2: It was a period in time where movies were very cheesy,

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Speaker 2: like the early two thousands. Yeah, I mean there was

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Speaker 2: a lot of cheesy, corny movies.

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Speaker 1: It depends which genre, but I feel like I go

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Speaker 1: back to all my favorite movie when I was a kid,

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Speaker 1: and they're pretty cheesy.

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Speaker 2: Robo cop is the worst movie ever. I'm gonna just

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Speaker 2: put that out there again. I know I said it before.

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Speaker 2: Love Robo Copp as a kid.

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Speaker 1: It was so bad looking back at Independence Day and

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Speaker 1: like how blown Like how blown away I was by

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Speaker 1: those graphics. Yeah, and then to find out that like

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Speaker 1: the Navy pilot that saves the world's wife was just

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Speaker 1: a stripper hanging with the first lady. It was just

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Speaker 1: a lot happened in that.

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Speaker 2: And all they had to do was give the aliens

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Speaker 2: to Anima. Just put it up, put the spaceship up there.

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Speaker 1: Just had to type some ship. Put it up there.

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Speaker 1: As I had to give them a porn of virus.

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Speaker 1: They're like, what the fuck is that?

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Speaker 3: Man?

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Speaker 1: A lot of cheesy movies. Yeah, and I feel like

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Speaker 1: all like the Hood classics were I think easy. He

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Speaker 1: kind of had a point with saying that Boys in

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Speaker 1: the Hood was after school special. Nah.

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Speaker 2: I don't know, like if you kind of go back

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Speaker 2: and watch it now, Boys and the Hood was good,

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Speaker 2: it was great. Yeah, it's really like, come on, man,

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Speaker 2: I get it. Especially if you grew up in La

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Speaker 2: around that time. It could kind of seem a little,

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Speaker 2: you know, cheesy, but it was like us the East

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Speaker 2: Coast is we loved Boys Andhood when it came out.

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Speaker 1: No, it's great, but it's kind of like that cat

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Speaker 1: Williams joke when people try to buy those chryslers that

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Speaker 1: looked like a Bentley, and then a Bentley pulled up

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Speaker 1: and it was like, oh, ok, you're not in a Bentley.

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Speaker 1: That was like when you watched Boys in the Hood

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Speaker 1: and then mena Society came out and it was like,

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Speaker 1: all right, ice Cube, yea, I get it. How was

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Speaker 1: how was your weekend? Man? Oh? It was pretty chue,

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Speaker 1: pretty cool.

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Speaker 2: I didn't do too much, hung out a little bit

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Speaker 2: once to dinner and shit, I'm going away this weekend.

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Speaker 2: I got to go out of town see the family

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Speaker 2: and stuff.

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Speaker 1: So it's always to see the family. Right, Well, this weekend?

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Speaker 1: When was your last wild weekend? When did things get

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Speaker 1: out of hand? When was it not just like haven't

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Speaker 1: had with at least friends and family and you made

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Speaker 1: up all the right choices and a wild weekend.

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Speaker 2: It has been a while every woman was respected. Yeah,

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Speaker 2: and it's been almost about two years. Well because we

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Speaker 2: lost a year, so we can't even count.

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Speaker 1: I don't count that.

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Speaker 2: Yeah, we can't acount it. No, you could get wild.

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Speaker 2: You could have got wild during COVID, Yeah you could have,

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Speaker 2: but it was like you would have to me like

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Speaker 2: trying to really like set up the wild I asked,

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Speaker 2: I asked.

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Speaker 1: People this week if they went on zoom dates that

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Speaker 1: during COVID, and they paused and said yes, And then

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Speaker 1: I realized, oh, you went on real dates. You linked? Yeah?

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Speaker 2: Absolutely, you all linked. Yeah, people, you were Lincoln. People

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Speaker 2: were linking during during COVID. I wasn't one of them,

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Speaker 2: but people were definitely Lincoln hanging out. People were traveling.

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Speaker 2: But you know, yeah, not having had a wild weekend,

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Speaker 2: I think I'm due for a wild weekend though. What's

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Speaker 2: a wild weekend at at this point?

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Speaker 1: Though? I've guessed unprotected sex with a stranger, pregnancy scares. Yeah,

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Speaker 1: we're not gonna go that wild. What's like right underneath that? Uh,

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Speaker 1: sex with a stranger with a condom? Pregnancy scares. Even

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Speaker 1: with a condom, you're still scared. Who this little piece

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Speaker 1: of rubber I'm gonna stop life? Fuck, I'm on Earth.

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Speaker 1: How much life is around me? I think it's rubber?

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Speaker 1: Is gonna stop it? Oh? Man?

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Speaker 2: Yeah no, I don't. I don't want to. I don't

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Speaker 2: want a pregnancy scared though, But.

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Speaker 1: Do you remember what the wild weekend with us? Two

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Speaker 1: two and three years ago?

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Speaker 2: There's a lot of weed, uh, shrooms. I didn't do

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Speaker 2: any though, a lot of naked nightpool. Yeah, I want

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Speaker 2: you to hang out with like me and my white friends.

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Speaker 1: I'm dying, but like you can't. You can't like be more.

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Speaker 1: Who do I have to be? You could be like Mike?

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Speaker 1: How about Mike? Who call you Mike? And you have

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Speaker 1: to act like the rest of us, and you can't

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Speaker 1: stop us from doing things that you may deem inappropriate. Okay,

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Speaker 1: I'm down for that. It will happen. I'm I'm definitely

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Speaker 1: down for that. I love partying with white people though.

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Speaker 1: I went to the Yankee game with my white friends,

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Speaker 1: well my white cousins, huh, like two or three days

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Speaker 1: ago once the Yankees Red Sox game and PC culture

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Speaker 1: has is now an arenas and stadiums. So I don't

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Speaker 1: know if you're familiar with the uh. Anytime someone I'm

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Speaker 1: a fan of the opposite team comes in, they do

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Speaker 1: the asshole chain absolutely, ask okay Yankee? Yes, So that

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Speaker 1: was happening obviously, and security came, like multiple security guards

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Speaker 1: and stopped them and said it was too voguer and

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Speaker 1: you can no longer do the asshole chant at Yankee

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Speaker 1: Stadium nowhere. Swear to God. Swear to God.

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Speaker 2: What's the next They're gonna stop me from doing a wave?

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Speaker 2: The ocean wouldn't appreciate that.

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Speaker 1: It's a little offensive to some of the less stronger

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Speaker 1: currents in the world.

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Speaker 2: The fuck is going on, man, like this ship is.

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Speaker 2: But That's what I'm saying. Shit is just is just

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Speaker 2: too out of control.

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Speaker 1: Man. Everything is offensive.

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Speaker 2: Everything is you know, insult It's like, fam come on, man,

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Speaker 2: who's insulted at being called an asshole? And then like

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Speaker 2: in a visiting stadiums is offended by that?

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Speaker 1: Mind you. The Red Sox fan was standing up in

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Speaker 1: like taking it all and loved it, the entire thing.

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Speaker 1: Then one of the female I don't know if that's correct,

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Speaker 1: one of the female security guards. You don't know if

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Speaker 1: it's correct to call her females one of the what

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Speaker 1: I deemed is gender, Yeah, because you don't know what

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Speaker 1: female security guard is securing the perimeter of stadium for

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Speaker 1: everyone's safety, suggested we shouldn't do that because there was

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Speaker 1: also children present, And I was like, well, how else

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Speaker 1: are you're setting this kid up for failure in life?

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Speaker 1: Like if the asshole chant at Yankee Stadium. It's too

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Speaker 1: much for him.

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Speaker 2: Come on, he's in trouble, absolutely, Like if you it's

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Speaker 2: gonna have a rough time out. You can't grow up

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Speaker 2: as a Yankee fan in the Bronx and be at

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Speaker 2: the Yankee versus Boston Red Sox of all teams night

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Speaker 2: game and not call Boston Red Sox assholes. Listen, like,

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Speaker 2: come on, you can't take that from us, like you

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Speaker 2: can take take the popcorn, take the crackerjack, leave the assholes.

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Speaker 1: Yeah, come on, man, enough is enough. I'm seeing that.

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Speaker 1: But this is what they're taking. They're taking everything from

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Speaker 1: us at this point. Well, they're selling bud Light Cherry

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Speaker 1: Seltzer's at home, so you know, kind of culture asshole,

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Speaker 1: But I could order a bud Light Seltzer. Yes, Cherry Seltzer.

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Speaker 1: Matter of fact, if you're holding a bud Light Cherry

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Speaker 1: Seltzer at Yankee Stadium, maybe not as so. Maybe Hey,

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Speaker 1: I think your team's probably just not as good as

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Speaker 1: ours should be. They don't think you guys are as

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Speaker 1: talented as we are. Your your talented subpar compared to

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Speaker 1: our franchise out here. Man, this is it's just too much.

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Speaker 2: Man, That's why I'm I don't like going out anymore

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Speaker 2: because you don't know what's offensive.

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Speaker 1: You don't know what to do. It's like you have

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Speaker 1: to learn the world all over again. Yeah, more or less.

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Speaker 1: I mean that's what Cuomo tried to say. It didn't

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Speaker 1: really work though, you had no idea. You couldn't grab

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Speaker 1: your titties like when I was growing when I was

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Speaker 1: growing up, it was just a way to say, hello,

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Speaker 1: haven't you watched mad Men? Like what the fuck? Weirdo? Anyways,

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Speaker 1: but yeah, that that was actually really weird to me.

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Speaker 1: The Yankees won. The Yankees did win. The Yankees been

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Speaker 1: on the roll seven seven innings. It was a doubleheader,

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Speaker 1: so the second game was only seven innings. Is there

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Speaker 1: like a new thing they're doing. I didn't want to

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Speaker 1: sound like the ignorant one at the game, but seventh

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Speaker 1: inning game and I was ready to stretch, and everyone's

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Speaker 1: ready to go.

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Speaker 2: It goes over seven innings. Yeah, well, I mean I

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Speaker 2: like that. I know they changed a few the rules

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Speaker 2: in baseball. You now get a runner on like second

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Speaker 2: base if you go to extra inage or some shit

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Speaker 2: like that. Try to speed up the game. I don't know.

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Speaker 1: You can't say asshole, no will.

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Speaker 2: But you can put a run on a second to

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Speaker 2: start the inning and the tenth end, and you can

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Speaker 2: put a run on a second like whatever.

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Speaker 1: They took steroids away and look where we are exactly.

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Speaker 2: Bring steroids back to baseball. Make baseball grade again. I

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Speaker 2: completely agree.

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Speaker 1: Make baseball grade. Let everyone take every performing enhancing drug.

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Speaker 1: Let's see how far we can take athletics.

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Speaker 2: If everybody, if it's not illegal, which means everybody could

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Speaker 2: take it, everybody's on the same playing field.

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Speaker 1: That's, in a sense, I'm the complete opposite of what

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Speaker 1: they were saying about Shakari. Let's Scari smoke weed and

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Speaker 1: give her horse tranquilizers, and let's see how fast you

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Speaker 1: can run. The fact, let's break every record we could

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Speaker 1: find that's still still the land speed record as a human.

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Speaker 2: Yeah, Like, that's still wild to me that they didn't

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Speaker 2: allow her to run because of marijuana.

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Speaker 1: I'm a big supporter, but come Saturday, when you guys

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Speaker 1: are hearing that she's racing against against all the three Jamaicans,

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Speaker 1: that that one one you already know. I like the

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Speaker 1: two guys. I love her. I'm supporting her. I want

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Speaker 1: to see her to though it's gonna be tough. It's

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Speaker 1: a little different over there. Yeah, it's gonna be anyways. Yeah,

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Speaker 1: with that said, I don't even know how we did

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Speaker 1: a deep dive into sports.

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Speaker 2: Well, they took assholes away from us at Yankee Stadium.

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Speaker 2: That's how I was on I G and I noticed

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Speaker 2: that if I wanted to, I can have Meek uh

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Speaker 2: add some decord to my uh to my place. I

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Speaker 2: thought about it, thought about hitting them up. Okay, letting

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Speaker 2: Meek design do some interior decorating. We have similar algorithms, Yeah,

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Speaker 2: we do.

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Speaker 1: Absolutely. I was mining my business, scrolling through my I

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Speaker 1: G at an hour that I don't really want to

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Speaker 1: see Meek's face. Yeah, no issue with Meek faced, but

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Speaker 1: past a certain time, I don't really need to see Meek. Yeah,

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Speaker 1: and I see Meek. I believe he had his legs

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Speaker 1: were crossed in khakis. No, his legs were cross I'm

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Speaker 1: not gonna let you do that. His legs were across,

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Speaker 1: His posture was fired. He was sitting on he was

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Speaker 1: sitting on the shoulder. Yeah, yeah, yeah he didn't. He

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Speaker 1: was sitting like a man. He was.

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Speaker 2: He was in one of those polos that like you

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Speaker 2: don't really know the brand. It's for people that a

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Speaker 2: T shirt on. He had a white T shirt on.

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Speaker 1: I screenshot. I know you did. He had a white

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Speaker 1: I think he had an all white T shirt. Man,

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Speaker 1: it wasn't La cost It wasn't with me. He had

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Speaker 1: one of those polo ships that how you put me

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Speaker 1: get some khakis with his legs crossed in a polo.

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Speaker 1: He just had some loafers on with it. No, he

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Speaker 1: just had some some uh some some I don't know

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Speaker 1: what type of pants. We had a T shirt on.

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Speaker 1: They tried to Okay, he has a slim, slim fit

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Speaker 1: T shirt but paired with this with this khaki combo

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Speaker 1: like he was trying to give you. He's giving you

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Speaker 1: grown you know. I'm I could still go to the

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Speaker 1: Milly like maybe downtown Phil. I can go to brunch

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Speaker 1: in Philly right now. Yeah. Absolutely. And it's some type

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Speaker 1: of background that appears to be like he was he

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Speaker 1: was apartment. He wasn't Manhattan. Yeah, he wasn't dead that.

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Speaker 1: They definitely added that to the photo and it says

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Speaker 1: Celebrity Interiors Meek Mill and then it has a link

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Speaker 1: under line where it says shop Meek you shop for

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Speaker 1: me I'm not shopping me, I'm not clicking to shop, but.

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Speaker 2: You don't want me to like help you with your

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Speaker 2: interior decorating. Meek looked like he could pick out some

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Speaker 2: fire palettes and ship like that.

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Speaker 1: Meet a lot of Leopard. I feel like Meek would

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Speaker 1: put in your house. Yeah, give you some good color,

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Speaker 1: good color.

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Speaker 2: He seemed like he'll give you a lot of Matt

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Speaker 2: black around the house, like he'll keep it like you

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Speaker 2: know that that dark, that manly bachelor vibe.

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Speaker 1: Meek would be like, Yo, this whole room, let's just

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Speaker 1: do what they did in Belly. Yeah, you know that's

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Speaker 1: what you would do. This is just a belly, absolutely

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Speaker 1: everything black and white, just ento hire room.

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Speaker 2: I just want to know how Meek partnered up and listen,

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Speaker 2: maybe his his eye and his palette is Yeah, that's

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Speaker 2: what I'm saying.

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Speaker 1: He might act. I don't know, That's what I'm saying.

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Speaker 1: I would like to know. I would like to know

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Speaker 1: if he's really.

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Speaker 2: Into the core like that, if he's really into like

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Speaker 2: interior decorating and shit like that, that would be like,

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Speaker 2: that's an interesting thing to learn about Meek, Like, oh shit,

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Speaker 2: you really into like interior decorating.

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Speaker 1: I didn't know that, and I didn't even see here

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Speaker 1: we could go on the inside the Manhattan home of

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Speaker 1: Grammy Award nominated artists making milk one. I didn't know

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Speaker 1: he lived in Manhattan. And y'all is snitching if I'm me,

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Speaker 1: just put like try state, yeah, like just give him

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Speaker 1: like a Manhattan is only sit like right here, and then.

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Speaker 2: Everybody's gonna look at that backdrop. And OK, I know

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Speaker 2: exactly what that building is. Listen, meek, I support it.

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Speaker 2: The hood Olympics have started on I g what theod Olympics.

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Speaker 2: The milk crate staircase. People all over the country are

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Speaker 2: trying to climb up a staircase of milk rate stacked

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Speaker 2: on top of each other to see who can make

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Speaker 2: it up and down.

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Speaker 1: I respect it.

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Speaker 2: I respect it too until you start to see people

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Speaker 2: breaking their arms in their legs because it's not easy

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Speaker 2: to stand on top of a milk rate by itself,

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Speaker 2: let alone stacking them on top of each other trying

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Speaker 2: to walk up the milk rates.

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Speaker 1: I mean, look, it looks like it takes critical thinking,

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Speaker 1: physical strength, mental fortitude. Yeah, this looks like this is

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Speaker 1: some real skill building shit. Yeah, I will say, though,

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Speaker 1: I'm actually kind of happy social media is getting back

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Speaker 1: to this because I do subscribe. Now, this could be pessimistic.

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Speaker 1: Ignorance is bliss. I missed when social media was just

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Speaker 1: planking and shit. Yeah, yeah, it was a fun time.

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Speaker 1: Yeah fun expert social media isn't really for me. Yeah,

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Speaker 1: let's all just go do dumb shit and feeling. Yeah,

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Speaker 1: let's have fun. Let's ignore all our problems.

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Speaker 2: Yeah, let's let's have fun. Everybody in the hood come together,

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Speaker 2: stack and milk rates on top of each other. There's

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Speaker 2: been some cash prizes, you know, help people pay some bills.

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Speaker 2: A little two hundred dollars here, three hundred dollars here.

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Speaker 1: You know, I think I can get to the third step,

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Speaker 1: fourth step, give me four step?

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Speaker 2: Yeah, I think around the third fourthst wig is shaky,

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Speaker 2: that's what because because milk crates, they're the exact same side.

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Speaker 2: So when you stack them, they're literally like you know

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Speaker 2: what I mean, there's no room to wiggle and give

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Speaker 2: It's like literally you have to you have to be

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Speaker 2: able to have walk like a ninja.

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Speaker 1: You have to take ninja.

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Speaker 2: Steps short, even just stretching before the Hood Olympics. You

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Speaker 2: gotta stretch before the Hood Olympics. You got to make sure.

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Speaker 2: You got to make sure your body is limbered. You

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Speaker 2: got to make sure your body is limbered. She maybe

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Speaker 2: she's preparing for the fall.

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Speaker 1: Has anyone made it successfully through who is like the

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Speaker 1: Carl Lewis.

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Speaker 2: I've seen one. I've seen one young lady make it

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Speaker 2: all the way across. She they say she kind of

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Speaker 2: sort of cheated because she like she like basically ran

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Speaker 2: down it, but she made it.

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Speaker 1: You know, do they drug test with this? Can you

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Speaker 1: smoke weed and participate? All drugs are?

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00:16:17,960 --> 00:16:21,400
Speaker 2: All drugs are accepted encouraged. Yeah, they encourage you to

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Speaker 2: be high when you try this. Preferably those are not

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Speaker 2: your milk rates. I hope you're not just using the

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Speaker 2: milk rakes from your home and going outside and stacking

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Speaker 2: them up.

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Speaker 1: As long as the regulation size. Yes, I think they

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Speaker 1: have people that check the check the crates, make sure

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Speaker 1: their regulation. Uh.

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Speaker 2: I think they have referees there to make sure that

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Speaker 2: you know you're wearing the right sneakers because they don't

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Speaker 2: want you in claks.

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Speaker 1: You know, cleats can go inside the milk rate holes

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Speaker 1: coming up with the milk crate.

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Speaker 2: Yeah, yeah, yeah, so you know, they make sure you

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Speaker 2: have the right footwear, the right equipment. I'm here Nike

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00:16:49,800 --> 00:16:52,320
Speaker 2: is great to get behind this. I'm hearing Puma is

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Speaker 2: at the table as well. So yeah, man, I love it.

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Speaker 2: I love the hood Olympics. Man, let's let's keep the

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Speaker 2: hoo Olympics going. Anything to keep the community coming together

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Speaker 2: and having a great time. All right, what actually important happened?

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Speaker 2: Sean is back in America as a diplomat.

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Speaker 1: I like that.

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Speaker 2: Shout shout out to Sean. Man, It's an amazing, amazing story.

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Speaker 2: Sean looks more like President Obama every time I see

390
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Speaker 2: him on Instagram.

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Speaker 1: I don't think all black people look like so I'm

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Speaker 1: not gonna agree. No, all black people don't look alike.

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Speaker 2: But he has the same low haircut, no beard, same

394
00:17:24,320 --> 00:17:28,200
Speaker 2: kind of complexion. He definitely has some grays coming in

395
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Speaker 2: there now.

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Speaker 1: I think he looks more like Kenny Anderson than President Obama.

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Speaker 2: But he looks like a little bit like Kenny Anderson.

398
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Speaker 2: But it's definitely I saw one picture and it was

399
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Speaker 2: like a quick take.

400
00:17:36,240 --> 00:17:37,960
Speaker 1: I was scrolling. I was like, oh no, that's Sean.

401
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Speaker 1: I thought it was President Obama.

402
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Speaker 2: But Sean is back in America for the first time

403
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Speaker 2: since being deported in two thousand and nine. He is

404
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Speaker 2: back on the as a diplomat and representative of Belize.

405
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Speaker 1: See where Yankee yankee fitted with the suit.

406
00:17:51,760 --> 00:17:53,360
Speaker 2: I want him to throw the fitted on one time.

407
00:17:54,560 --> 00:17:56,440
Speaker 2: He has to throw it fitted on one time for

408
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Speaker 2: the culture.

409
00:17:57,119 --> 00:17:58,600
Speaker 1: Man, he has to.

410
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Speaker 3: He has to.

411
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Speaker 2: This is like, this is like come on, this is

412
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Speaker 2: like full, this is a complete story. Now like the

413
00:18:04,800 --> 00:18:08,439
Speaker 2: last time we saw you, you're walking in courthouses fighting

414
00:18:08,680 --> 00:18:10,639
Speaker 2: for your freedom, you know, fighting the case with a

415
00:18:10,720 --> 00:18:14,119
Speaker 2: Yankee different different fittage on with your suits. And now

416
00:18:14,240 --> 00:18:17,159
Speaker 2: to come back to America as a diplomat and a

417
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Speaker 2: representative of believe, especially when when Dipset needs it the most,

418
00:18:20,800 --> 00:18:22,800
Speaker 2: Oh my god, to throw the fitted on that and

419
00:18:22,880 --> 00:18:24,520
Speaker 2: to meet with the Locks to like try to clear

420
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Speaker 2: this whole.

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Speaker 1: That would be great. Actually they needed fire.

422
00:18:27,960 --> 00:18:30,000
Speaker 2: That would be fired for like the locks and and

423
00:18:30,160 --> 00:18:32,240
Speaker 2: and the diplomatics and to sit down with a real

424
00:18:32,320 --> 00:18:34,680
Speaker 2: diplomat now like that would be that would be fired.

425
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Speaker 1: And it's shine. It's it's shine, Pa, Like are you

426
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Speaker 1: are they were label mates?

427
00:18:39,000 --> 00:18:41,680
Speaker 2: Yeah, Like that would be crazy, Like that's like that's

428
00:18:41,760 --> 00:18:44,840
Speaker 2: the culture of hip hop in a in a nutshell

429
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Speaker 2: right there.

430
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Speaker 1: That's like that photo would be like, this is what

431
00:18:47,680 --> 00:18:50,280
Speaker 1: hip hop. The first time was ever cursed out in

432
00:18:50,359 --> 00:18:56,399
Speaker 1: the music business was from Shine, Really, you soiled your pants? Well,

433
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Speaker 1: I didn't know who it was. It was over the phone,

434
00:18:58,320 --> 00:19:00,440
Speaker 1: and I didn't quite know who it was. First, he

435
00:19:00,480 --> 00:19:02,520
Speaker 1: had just gotten out of jail and he stilled a

436
00:19:02,520 --> 00:19:05,040
Speaker 1: contract with Deaf Jam and I was answering phones there

437
00:19:05,040 --> 00:19:08,520
Speaker 1: as an intern, and a gentleman with a raspy voice

438
00:19:09,320 --> 00:19:11,639
Speaker 1: was looking for Gabby. Shout out to Gabby, and I

439
00:19:11,720 --> 00:19:14,560
Speaker 1: was like, well, she's not available, and I think someone

440
00:19:14,880 --> 00:19:16,600
Speaker 1: you know, you think someone that just did ten years

441
00:19:16,680 --> 00:19:18,280
Speaker 1: might be a little bit more patient. Right. He was

442
00:19:18,359 --> 00:19:21,720
Speaker 1: not patient and didn't give a fuck who I was,

443
00:19:22,200 --> 00:19:25,840
Speaker 1: not that I was anybody, but go get gabbyah right now.

444
00:19:26,160 --> 00:19:28,879
Speaker 1: And I said, well, she's not available, Sarah, I'll have

445
00:19:28,960 --> 00:19:30,800
Speaker 1: to talk to you later. And I hung up, and

446
00:19:30,840 --> 00:19:32,680
Speaker 1: then he called it back, and then the louder he

447
00:19:32,720 --> 00:19:35,600
Speaker 1: got one I did, and then the louder he got

448
00:19:35,680 --> 00:19:39,680
Speaker 1: on the second call, I realized, I think this is Shine. No,

449
00:19:39,840 --> 00:19:42,879
Speaker 1: I think I'm in danger. Now. This sounds like a

450
00:19:43,000 --> 00:19:46,080
Speaker 1: lot like Sean. Yeah, yeah, yeah, and then I realized, oh,

451
00:19:46,119 --> 00:19:47,680
Speaker 1: he just got out of jail, and he said it

452
00:19:47,720 --> 00:19:49,399
Speaker 1: wasn't like a jail phone, it was a regular phone, right,

453
00:19:50,920 --> 00:19:54,240
Speaker 1: And I guess from my safety luckily he did not

454
00:19:54,359 --> 00:19:57,320
Speaker 1: come into the office. Good good, but I you know,

455
00:19:57,359 --> 00:20:01,640
Speaker 1: I would have found a nice little nook to man. Yeah, well, yeah,

456
00:20:01,640 --> 00:20:03,200
Speaker 1: I know. Sean was about I think I'll make a

457
00:20:03,240 --> 00:20:05,119
Speaker 1: great diplomat, because he certainly did not take my no

458
00:20:05,200 --> 00:20:07,399
Speaker 1: for an answer. To go find the person who's right.

459
00:20:07,440 --> 00:20:10,360
Speaker 1: He was very persistent, he didn't take no for an answer. Yeah,

460
00:20:10,400 --> 00:20:12,119
Speaker 1: I think it'd be a great Well, obviously he's doing

461
00:20:12,160 --> 00:20:13,920
Speaker 1: a great job. I believe he will be the next

462
00:20:14,000 --> 00:20:20,560
Speaker 1: prime minister of Belize. You followed Belize politics. I mean

463
00:20:20,800 --> 00:20:22,800
Speaker 1: he's well on his way. They love him.

464
00:20:22,880 --> 00:20:24,840
Speaker 2: He's a great representative of the country. His store, his

465
00:20:24,920 --> 00:20:28,280
Speaker 2: story is amazing, Like why not do you know a

466
00:20:28,320 --> 00:20:31,040
Speaker 2: lot about Belieze? I just I have a lot of

467
00:20:31,080 --> 00:20:32,879
Speaker 2: close runs from there. Yeah, okay, I have a lot

468
00:20:32,920 --> 00:20:34,800
Speaker 2: of They're really into like what Sean is doing.

469
00:20:35,160 --> 00:20:36,880
Speaker 1: They like it. Yeah, they like what he's representing.

470
00:20:37,119 --> 00:20:39,360
Speaker 2: He's representing you know that you can be a young

471
00:20:39,400 --> 00:20:41,480
Speaker 2: man and make mistakes and you can turn your life around.

472
00:20:41,480 --> 00:20:44,040
Speaker 2: You shouldn't be you know, outcasted forever from a mistake

473
00:20:44,080 --> 00:20:45,800
Speaker 2: you made when you were in your twine grade, you know.

474
00:20:45,800 --> 00:20:46,120
Speaker 1: What I mean.

475
00:20:46,160 --> 00:20:48,240
Speaker 2: So he's just representing that in ten years was harsh

476
00:20:48,280 --> 00:20:51,959
Speaker 2: to absolutely, So you know, I like that. He's an

477
00:20:52,040 --> 00:20:55,000
Speaker 2: example of what a second chance could do for somebody.

478
00:20:55,119 --> 00:20:58,200
Speaker 2: So I'm absolutely behind that. Shout out to Sean, shout

479
00:20:58,200 --> 00:21:00,439
Speaker 2: out to Belize, and shout out to because he had

480
00:21:00,440 --> 00:21:02,040
Speaker 2: a lot to do with I read he had a

481
00:21:02,080 --> 00:21:03,920
Speaker 2: lot to do with Sean being able to come back

482
00:21:04,000 --> 00:21:08,639
Speaker 2: and you know, represent, believe and get his diplomatic Did

483
00:21:08,680 --> 00:21:11,159
Speaker 2: he really That's what I read. Yeah, I read that.

484
00:21:11,520 --> 00:21:13,119
Speaker 2: I wasn't sure if it's true or not, but I

485
00:21:13,160 --> 00:21:15,120
Speaker 2: read it. So if it is true, shut out to Puff.

486
00:21:15,200 --> 00:21:17,160
Speaker 2: I wasn't sure where the Shane and and Puff relationship

487
00:21:17,280 --> 00:21:20,840
Speaker 2: stood at this point. Oh no, I think that's Sean

488
00:21:21,000 --> 00:21:23,560
Speaker 2: is he seems like he's passed all of that, like

489
00:21:23,680 --> 00:21:27,760
Speaker 2: whatever happened, then you know, he's pasted that, He's moved

490
00:21:27,800 --> 00:21:31,399
Speaker 2: on and you know now he's on representing his his

491
00:21:31,600 --> 00:21:34,600
Speaker 2: his his home, his homeland and I'm back in the

492
00:21:34,760 --> 00:21:37,920
Speaker 2: back in the States for the first time in twelve years.

493
00:21:38,200 --> 00:21:39,920
Speaker 1: Oh, I love to see that great story. I like

494
00:21:40,000 --> 00:21:42,919
Speaker 1: these types of redemption. Amazing story, good, amazing story. Well,

495
00:21:43,240 --> 00:21:45,879
Speaker 1: Shawn has kids too, I believe so good. Good to

496
00:21:45,920 --> 00:21:50,680
Speaker 1: see that that's happening. Yeah, I'm glad he wasn't. Uh forgot.

497
00:21:50,720 --> 00:21:53,080
Speaker 1: I was thinking over the weekend what happens, and this

498
00:21:53,240 --> 00:21:55,639
Speaker 1: kind of ties into this. I suppose what happened to

499
00:21:55,760 --> 00:21:58,119
Speaker 1: so many of the first ladies of each rap label.

500
00:21:58,520 --> 00:22:00,640
Speaker 1: I feel like every like sub rap label, we got

501
00:22:01,760 --> 00:22:03,919
Speaker 1: like three or four dudes would make it, and then

502
00:22:03,960 --> 00:22:07,320
Speaker 1: they'd be like, Yo, it's time we're introducing you to

503
00:22:07,440 --> 00:22:14,000
Speaker 1: the first lady of Rockefeller. Yeah, why are they forgotten

504
00:22:14,000 --> 00:22:17,680
Speaker 1: about so quick? I've had something that have made it. Yeah,

505
00:22:18,440 --> 00:22:20,040
Speaker 1: definitely had something that made it. But I feel like

506
00:22:20,600 --> 00:22:24,800
Speaker 1: at least the early two thousands, like they gave a

507
00:22:24,920 --> 00:22:28,119
Speaker 1: mill every just blaze beat that you could find, and

508
00:22:28,240 --> 00:22:30,520
Speaker 1: then we no longer saw a mill. I don't know

509
00:22:30,640 --> 00:22:34,000
Speaker 1: what happened with SHAWNA disturbing the piece. I don't know

510
00:22:34,640 --> 00:22:37,200
Speaker 1: what happened. Well, we saw what happened with Olivia and Junet.

511
00:22:37,400 --> 00:22:39,040
Speaker 1: She went on to have a good career with love

512
00:22:39,040 --> 00:22:42,240
Speaker 1: and hip hop and all that. Should dudes just not

513
00:22:42,480 --> 00:22:45,879
Speaker 1: run the women's side of labels anymore. I feel like

514
00:22:45,920 --> 00:22:47,760
Speaker 1: they just never make it. They're just gone immediately.

515
00:22:47,840 --> 00:22:50,720
Speaker 2: I think I think it definitely would help to have

516
00:22:50,960 --> 00:22:54,879
Speaker 2: more female representation at the labels.

517
00:22:55,960 --> 00:22:59,560
Speaker 1: Working with the female talent. I think that would help

518
00:23:00,040 --> 00:23:01,920
Speaker 1: because like with Olivia, it was like, all right, let's

519
00:23:01,960 --> 00:23:04,800
Speaker 1: introduce y'all, here's the first lady of Genuine and it's like, well,

520
00:23:04,880 --> 00:23:09,119
Speaker 1: she's just gonna sing the hooks to these violent records

521
00:23:09,160 --> 00:23:12,320
Speaker 1: cities and have a pretty face, and then we're gonna

522
00:23:12,320 --> 00:23:14,760
Speaker 1: try to put an R and B album out, yeah,

523
00:23:14,760 --> 00:23:16,000
Speaker 1: and see other fans like it.

524
00:23:16,280 --> 00:23:18,480
Speaker 2: It was again, it was it was a time in

525
00:23:18,640 --> 00:23:21,080
Speaker 2: music where that was like it was like the cookie

526
00:23:21,119 --> 00:23:24,600
Speaker 2: cutter thing. Every label had to have their first lady. Yeah,

527
00:23:25,359 --> 00:23:27,680
Speaker 2: But I think that approach was wrong. I think that,

528
00:23:27,880 --> 00:23:30,000
Speaker 2: you know, again, it was like you put on a hook,

529
00:23:30,600 --> 00:23:32,600
Speaker 2: she might have a record that pops and we didn't.

530
00:23:32,640 --> 00:23:34,760
Speaker 2: After you know, that catches some momentum, then we could

531
00:23:34,760 --> 00:23:37,920
Speaker 2: try to record an album. But again, I don't know

532
00:23:37,960 --> 00:23:41,520
Speaker 2: if it was because it wasn't enough female representation as

533
00:23:41,600 --> 00:23:44,200
Speaker 2: far as you know, like on the executive side behind

534
00:23:44,240 --> 00:23:47,240
Speaker 2: these women their careers. And I think that would help

535
00:23:47,240 --> 00:23:50,239
Speaker 2: because you know, women communicate with each other differently than

536
00:23:50,280 --> 00:23:54,520
Speaker 2: they would with men. Men being executive. Sometimes we just

537
00:23:54,560 --> 00:23:57,720
Speaker 2: don't get it. We don't understand the female artists because I.

538
00:23:57,760 --> 00:24:01,879
Speaker 1: Think, I mean, it worked with Murder Inc. But just

539
00:24:01,960 --> 00:24:06,119
Speaker 1: I think Murder Inc. Was making female inspired type of

540
00:24:06,200 --> 00:24:08,360
Speaker 1: music to begin with, so it's easier to put Ashanti

541
00:24:08,480 --> 00:24:12,119
Speaker 1: into that system. Everybody else, I feel like, just failed

542
00:24:12,240 --> 00:24:16,040
Speaker 1: miserably until maybe Cash Money and Nikki, which I guess

543
00:24:16,080 --> 00:24:18,000
Speaker 1: would be Young Money, the Cash Money ever have a

544
00:24:18,040 --> 00:24:21,119
Speaker 1: first lady, I'm not sure.

545
00:24:21,800 --> 00:24:24,800
Speaker 2: Well, no, before that, we gotta go by Eve Wo.

546
00:24:25,280 --> 00:24:28,400
Speaker 2: Even rougher iders certainly work. That definitely worked, but Eve

547
00:24:28,520 --> 00:24:31,359
Speaker 2: was definitely of that cloth, so it made a little

548
00:24:31,359 --> 00:24:33,399
Speaker 2: bit more sense. Like the way Eve was rapping and

549
00:24:33,440 --> 00:24:36,200
Speaker 2: type of music she was making. Yeah, I'm thinking like

550
00:24:36,320 --> 00:24:37,760
Speaker 2: more of the first lady R and B shit, even

551
00:24:37,760 --> 00:24:39,439
Speaker 2: though a Mill was rapping, she still kind of had

552
00:24:39,440 --> 00:24:40,280
Speaker 2: a melodic.

553
00:24:40,640 --> 00:24:42,320
Speaker 1: Oh so so much just strictly R and B.

554
00:24:43,080 --> 00:24:45,600
Speaker 2: Yeah, because I feel, well, it's tough because a lot

555
00:24:45,640 --> 00:24:48,560
Speaker 2: of those labels were known for just rap exactly, you

556
00:24:48,600 --> 00:24:50,920
Speaker 2: know what I mean. So it's like you're known for rap,

557
00:24:50,960 --> 00:24:52,800
Speaker 2: you're known for this sound. And then you want to

558
00:24:52,840 --> 00:24:55,040
Speaker 2: give us an R and B act It's kind of like,

559
00:24:55,280 --> 00:24:58,920
Speaker 2: it's not really what your algorithm is, you know what

560
00:24:58,960 --> 00:25:00,560
Speaker 2: I mean. Like back then and that probably was the

561
00:25:00,560 --> 00:25:03,520
Speaker 2: algorithm rap, gangster rap, gangster up gang. Now you want

562
00:25:03,600 --> 00:25:05,080
Speaker 2: R and B Like, nah, we're not really fucking with that.

563
00:25:05,320 --> 00:25:06,760
Speaker 1: What I mean. I do kind of miss the times

564
00:25:06,800 --> 00:25:10,399
Speaker 1: where it was you had to have your like R

565
00:25:10,480 --> 00:25:13,120
Speaker 1: and B hook rap song on every single album. Yeah,

566
00:25:13,119 --> 00:25:14,960
Speaker 1: I feel like that shit is going. Now, what's the

567
00:25:15,000 --> 00:25:19,479
Speaker 1: last time like that that exists? Sixteen Girl on the Hook? Sixteen? Well,

568
00:25:19,480 --> 00:25:21,920
Speaker 1: it's not even no more like that alone is not

569
00:25:22,000 --> 00:25:23,880
Speaker 1: even the thing any I think Drake from time, I'd

570
00:25:23,920 --> 00:25:25,240
Speaker 1: be the last record that was like.

571
00:25:25,280 --> 00:25:28,159
Speaker 2: That with sixteen in the hook, like that style of

572
00:25:28,720 --> 00:25:31,680
Speaker 2: we're gonna rap, put a girl on the hook, and

573
00:25:31,720 --> 00:25:33,640
Speaker 2: then we're gonna rap again and the girl on the hook,

574
00:25:33,720 --> 00:25:35,920
Speaker 2: and then it's over, Like you know, the R and

575
00:25:36,000 --> 00:25:37,600
Speaker 2: B record they went on every guys, that was the

576
00:25:37,640 --> 00:25:40,280
Speaker 2: twenty one question. Carm I like that, right, that was

577
00:25:40,320 --> 00:25:43,480
Speaker 2: a prototypical way of making wreck. Yeah, but you know what,

578
00:25:43,560 --> 00:25:46,800
Speaker 2: I'm happy that that changed though, because in a sense,

579
00:25:46,880 --> 00:25:48,080
Speaker 2: that's too repetitive.

580
00:25:48,080 --> 00:25:48,399
Speaker 1: It's too.

581
00:25:48,480 --> 00:25:50,600
Speaker 2: It's the same thing over and over and over. Like

582
00:25:50,640 --> 00:25:52,320
Speaker 2: I'm happy now with a lot of the ways that

583
00:25:52,440 --> 00:25:56,800
Speaker 2: these new artists they create their songs. It's like twenty bars,

584
00:25:57,000 --> 00:26:01,280
Speaker 2: twenty four bars a hook I do, and I hope

585
00:26:01,280 --> 00:26:03,960
Speaker 2: it might be first and then like nine bars like

586
00:26:04,720 --> 00:26:06,200
Speaker 2: usually the hook first. Yeah, you know what I mean,

587
00:26:06,240 --> 00:26:07,040
Speaker 2: Like I kind of like that.

588
00:26:07,280 --> 00:26:09,280
Speaker 1: I like that they switched it up like that, but

589
00:26:09,400 --> 00:26:11,959
Speaker 1: the way like they do the nostalgic shit, and I mean,

590
00:26:12,000 --> 00:26:14,360
Speaker 1: I guess all the shit like Berg makes is kind

591
00:26:14,359 --> 00:26:17,159
Speaker 1: of in that that realm a little bit as far

592
00:26:17,240 --> 00:26:19,600
Speaker 1: as like let's rap, then we'll do the hook. Well,

593
00:26:19,600 --> 00:26:22,119
Speaker 1: he comes from that. It's just I feel like other

594
00:26:22,160 --> 00:26:25,600
Speaker 1: people could start doing that nostalgia shit a little bit better,

595
00:26:25,640 --> 00:26:28,399
Speaker 1: because I did appreciate when we stopped doing such structured songs,

596
00:26:28,480 --> 00:26:30,680
Speaker 1: But now it's getting a bit out of hand where Yeah,

597
00:26:30,800 --> 00:26:33,159
Speaker 1: I don't even know, like I feel for DJs, like

598
00:26:33,160 --> 00:26:35,719
Speaker 1: where do I even start to get this record? How

599
00:26:35,760 --> 00:26:37,920
Speaker 1: do I transition into this record? This is insane?

600
00:26:38,040 --> 00:26:42,760
Speaker 2: Yeah, But you know again, I think it goes back

601
00:26:42,800 --> 00:26:45,040
Speaker 2: to just as an artist, you know, it's really you

602
00:26:45,040 --> 00:26:47,080
Speaker 2: don't really have any rules how you choose to create

603
00:26:47,359 --> 00:26:50,840
Speaker 2: Your art is how you choose to create it. I

604
00:26:50,960 --> 00:26:52,560
Speaker 2: just don't like the fact that all of these younger

605
00:26:52,600 --> 00:26:55,840
Speaker 2: acts kind of sound alike, like I can't differentiate, like

606
00:26:56,680 --> 00:26:58,040
Speaker 2: we talk voices and that's.

607
00:26:57,920 --> 00:27:01,920
Speaker 1: Our ear like to everyone nobody they could tell we can.

608
00:27:01,960 --> 00:27:04,159
Speaker 2: Well, yeah, they can't tell because they're entrenched in it,

609
00:27:04,280 --> 00:27:06,160
Speaker 2: so they can like you know, they know who's who,

610
00:27:06,240 --> 00:27:08,240
Speaker 2: and like what you know us, we just hear a record.

611
00:27:08,280 --> 00:27:10,400
Speaker 1: I don't. I can't tell the difference to anymore. I'm

612
00:27:10,440 --> 00:27:12,359
Speaker 1: sure they would say about our era. They probably couldn't

613
00:27:12,359 --> 00:27:16,520
Speaker 1: even tell NAS's voice. You can tell's voice like he can. Man,

614
00:27:16,960 --> 00:27:19,720
Speaker 1: these kids can't. Well, that's true. It's different type of ears.

615
00:27:19,840 --> 00:27:22,320
Speaker 1: Speaking of that shit though, Uh, not to get too

616
00:27:22,400 --> 00:27:24,320
Speaker 1: much in the current events, but that that Lizzo and

617
00:27:24,400 --> 00:27:28,000
Speaker 1: Cardi thing was interesting to watch these past few days.

618
00:27:28,119 --> 00:27:30,680
Speaker 1: What happened. I wasn't they put out a record and

619
00:27:31,080 --> 00:27:35,200
Speaker 1: you know, Cardi, anytime she's a feature, comes with a

620
00:27:35,280 --> 00:27:38,679
Speaker 1: video and the video tends to be little racy if

621
00:27:38,720 --> 00:27:41,879
Speaker 1: you will, you know, people will be naked for the

622
00:27:41,960 --> 00:27:46,280
Speaker 1: most part. And she did a record with Lizzo with

623
00:27:46,520 --> 00:27:49,359
Speaker 1: the same formula, but you know, different body type. If

624
00:27:49,400 --> 00:27:56,960
Speaker 1: you will, and naturally the Internet interneted, and I guess

625
00:27:57,040 --> 00:28:01,720
Speaker 1: I look at this in a different angle. This is

626
00:28:01,760 --> 00:28:05,200
Speaker 1: the response I felt like they were going for, though, like,

627
00:28:05,359 --> 00:28:14,280
Speaker 1: uh what everyone outraged, not outraged, the body shaming fat jokes,

628
00:28:14,480 --> 00:28:17,160
Speaker 1: as well as people feeling empowered from it. I feel

629
00:28:17,200 --> 00:28:18,720
Speaker 1: like this is what they were getting from because like

630
00:28:19,080 --> 00:28:22,919
Speaker 1: when they did the wop video with Meg and CARDI

631
00:28:23,600 --> 00:28:27,720
Speaker 1: got two reactions. People loved to see Meg and Carty

632
00:28:27,840 --> 00:28:31,080
Speaker 1: be themselves, body positive, all that type of stuff, and

633
00:28:31,119 --> 00:28:34,120
Speaker 1: then you got everyone else that was super outraged at

634
00:28:34,200 --> 00:28:37,440
Speaker 1: a specific topic, which was how could you ever say

635
00:28:37,520 --> 00:28:39,800
Speaker 1: wet ass pussy? What about the children? Oh my god,

636
00:28:39,920 --> 00:28:43,320
Speaker 1: this is terrible. With this one, you got body positive,

637
00:28:43,640 --> 00:28:46,640
Speaker 1: we like our bodies, and I'm sure plenty of people

638
00:28:46,720 --> 00:28:49,280
Speaker 1: that have these shaped bodies felt empowered by it. Was

639
00:28:49,280 --> 00:28:51,200
Speaker 1: great to see that, and then you got outrage people

640
00:28:51,200 --> 00:28:52,400
Speaker 1: they say, yo, I don't want to see that shit.

641
00:28:53,480 --> 00:28:56,760
Speaker 1: So what else are you trying to provoke from these videos?

642
00:28:57,160 --> 00:29:01,040
Speaker 1: It almost feels like you know exactly what is going

643
00:29:01,120 --> 00:29:04,000
Speaker 1: to happen from it, and then you know your outrage response.

644
00:29:04,040 --> 00:29:05,600
Speaker 1: How could you guys get mad at us for doing

645
00:29:05,640 --> 00:29:08,600
Speaker 1: this video? Like it's becoming a formula. It's just that

646
00:29:08,760 --> 00:29:11,880
Speaker 1: the little one is a different formula. Well, people are

647
00:29:11,920 --> 00:29:14,120
Speaker 1: going to react to everything. Now we know that, so

648
00:29:14,240 --> 00:29:17,680
Speaker 1: they knew a reaction was coming. But yeah, I can

649
00:29:17,720 --> 00:29:19,560
Speaker 1: see that being part of it. They knew, they knew

650
00:29:19,600 --> 00:29:20,920
Speaker 1: what was gonna come up.

651
00:29:20,960 --> 00:29:25,800
Speaker 2: This CARDI is obviously pregnant, and then you know, the

652
00:29:25,880 --> 00:29:29,160
Speaker 2: body type thing, but still being sexy, still being you know.

653
00:29:31,640 --> 00:29:31,920
Speaker 3: I just.

654
00:29:33,520 --> 00:29:36,400
Speaker 1: I feel like, now the whole marketing plan for everything,

655
00:29:36,760 --> 00:29:38,200
Speaker 1: and this is not just I'm not just saying this

656
00:29:38,320 --> 00:29:40,040
Speaker 1: from the little video. I say this was all the

657
00:29:40,120 --> 00:29:43,400
Speaker 1: ones before it as well. It's just to capitalize on

658
00:29:44,000 --> 00:29:46,600
Speaker 1: the split outrage opinion of what it is, and then

659
00:29:46,680 --> 00:29:50,760
Speaker 1: to be outright out outraged by the outrage. Now we're

660
00:29:50,760 --> 00:29:53,560
Speaker 1: sitting here like, oh my god, why are people saying

661
00:29:53,600 --> 00:29:56,880
Speaker 1: these mean things? That's gone, that was gonna happen, That's

662
00:29:56,880 --> 00:29:58,960
Speaker 1: gonna happen. I don't care. They also know that people

663
00:29:59,040 --> 00:30:01,320
Speaker 1: that have those body types actually feel empowered that they

664
00:30:01,360 --> 00:30:02,680
Speaker 1: are now in one of these videos.

665
00:30:02,520 --> 00:30:05,920
Speaker 2: Being represented exactly. It's great, but that's what they Everybody's

666
00:30:05,920 --> 00:30:08,080
Speaker 2: gonna have a reaction. Everybody's gonna feel some type of ways.

667
00:30:08,080 --> 00:30:09,640
Speaker 2: Some people are gonna be happy. Some people a gonna

668
00:30:09,640 --> 00:30:11,920
Speaker 2: be outraised. I think that these artists know that Lizo

669
00:30:12,000 --> 00:30:15,480
Speaker 2: obviously doesn't give a fuck people at anytime she says

670
00:30:15,520 --> 00:30:18,480
Speaker 2: anything or walks outside, somebody has something to say about it.

671
00:30:18,600 --> 00:30:20,520
Speaker 1: Well, she did an interview and said that she does

672
00:30:20,600 --> 00:30:24,000
Speaker 1: give a fuck. Oh really, she said, yeah, anytime, and

673
00:30:24,840 --> 00:30:27,880
Speaker 1: I'm paraphrasing anytime. She's because they had said, you know,

674
00:30:27,960 --> 00:30:29,560
Speaker 1: you always feel like your chin is always up, you

675
00:30:29,560 --> 00:30:31,560
Speaker 1: always look super positive all the time. She's like, yeah,

676
00:30:31,600 --> 00:30:33,600
Speaker 1: I look that way even when I'm really upset. Yeah.

677
00:30:33,640 --> 00:30:35,800
Speaker 1: She doesn't like the comments as well, which is understandable,

678
00:30:35,840 --> 00:30:39,880
Speaker 1: but I kind of feel like when you do, you

679
00:30:40,000 --> 00:30:42,240
Speaker 1: have to understand the world to some degree. When you

680
00:30:42,360 --> 00:30:44,560
Speaker 1: do a video like this, you know the type of

681
00:30:44,680 --> 00:30:48,760
Speaker 1: reaction that So it leaned into that. So if you

682
00:30:48,920 --> 00:30:51,160
Speaker 1: feel like, all right, I know this will affect a

683
00:30:51,200 --> 00:30:53,440
Speaker 1: lot of people positively too, because there will be so

684
00:30:53,480 --> 00:30:56,320
Speaker 1: many people. There's more people that are love it. Are

685
00:30:56,480 --> 00:30:58,720
Speaker 1: naturally shaped that way in the world, because that's just

686
00:30:58,760 --> 00:31:02,640
Speaker 1: how humans are shaped naturally exactly. Yeah, you know people

687
00:31:02,640 --> 00:31:04,520
Speaker 1: are going to appreciate that. So I don't know, just

688
00:31:04,840 --> 00:31:09,520
Speaker 1: leaning into the negative, I get it, but it felt

689
00:31:10,400 --> 00:31:12,440
Speaker 1: scripted to me the same way it did with wop too,

690
00:31:12,960 --> 00:31:15,280
Speaker 1: when they knew people be outraged about the kids thing,

691
00:31:15,360 --> 00:31:17,920
Speaker 1: and that's what they focused on. Yeah, let's go after that.

692
00:31:18,800 --> 00:31:20,640
Speaker 1: It's going back and forth with everyone else.

693
00:31:20,720 --> 00:31:23,880
Speaker 2: People definitely market to outrage, for sure, Like we know

694
00:31:23,960 --> 00:31:26,520
Speaker 2: that that's not a secret, that's not that is part

695
00:31:26,600 --> 00:31:28,840
Speaker 2: of the marketing plan. Now, Like how do we get

696
00:31:28,880 --> 00:31:31,400
Speaker 2: people to be outraged and voice their pins and go

697
00:31:31,440 --> 00:31:33,760
Speaker 2: online and start all of these polls and these hashtags

698
00:31:33,800 --> 00:31:36,360
Speaker 2: and you know, that's that's all. It's all part of

699
00:31:36,400 --> 00:31:39,040
Speaker 2: the game. It's all part of just the numbers and

700
00:31:39,200 --> 00:31:41,880
Speaker 2: the algorithms and all this other shit that people play into.

701
00:31:42,520 --> 00:31:44,760
Speaker 2: But I didn't hear the record. More importantly, how was

702
00:31:44,800 --> 00:31:45,200
Speaker 2: the music.

703
00:31:45,840 --> 00:31:50,640
Speaker 1: It's cool. I mean, I'm I'm not the biggest Lizzo fan,

704
00:31:51,000 --> 00:31:53,880
Speaker 1: Like music wise has nothing to do with her at all. Yeah,

705
00:31:53,920 --> 00:31:56,840
Speaker 1: but she's not. She's definitely not targeting enough. Of course,

706
00:31:56,920 --> 00:31:59,200
Speaker 1: not do I understand why people love her music. Of

707
00:31:59,280 --> 00:32:02,360
Speaker 1: course she fucking music. She makes good music as far

708
00:32:02,600 --> 00:32:05,280
Speaker 1: as pop style that I know people are gonna like, right,

709
00:32:05,920 --> 00:32:07,960
Speaker 1: But I mean, it's a song I'm not going to

710
00:32:08,000 --> 00:32:10,560
Speaker 1: listen to. But then again, I didn't really like listen

711
00:32:10,600 --> 00:32:14,280
Speaker 1: to wop either they're not. They're definitely not targeting the

712
00:32:14,400 --> 00:32:16,720
Speaker 1: Normani song I love. I think it's a really good record.

713
00:32:16,760 --> 00:32:19,200
Speaker 1: I think the video is amazing. I don't go back

714
00:32:19,240 --> 00:32:22,040
Speaker 1: to the crib like in my house and let me

715
00:32:22,120 --> 00:32:24,040
Speaker 1: throw on this normal money had a rough day. I

716
00:32:24,280 --> 00:32:27,080
Speaker 1: just don't. So for me to comment on these types

717
00:32:27,080 --> 00:32:29,240
Speaker 1: of records, it's probably not theirs. It's not for us.

718
00:32:29,280 --> 00:32:32,000
Speaker 2: It's not they're not marketing towards us, they're not targeting us.

719
00:32:33,240 --> 00:32:35,400
Speaker 2: But you know, we can still listen and give our

720
00:32:35,440 --> 00:32:37,640
Speaker 2: opinion because that's what you do as a consumer. You

721
00:32:38,360 --> 00:32:40,400
Speaker 2: have the right to give your opinion on what you

722
00:32:40,520 --> 00:32:42,800
Speaker 2: purchased and you know, invested in.

723
00:32:42,920 --> 00:32:45,520
Speaker 1: So it is what it is. But uh, just some

724
00:32:45,600 --> 00:32:48,760
Speaker 1: of this marketing, it's just not working on me. Again,

725
00:32:48,800 --> 00:32:50,040
Speaker 1: it's not the marketing is not for me.

726
00:32:50,160 --> 00:32:52,960
Speaker 2: It's not for The overall outrage that you continue to

727
00:32:53,040 --> 00:32:56,320
Speaker 2: reply to has to do with the general public. And

728
00:32:56,440 --> 00:32:58,160
Speaker 2: I don't mind the outrage and all of that, as

729
00:32:58,240 --> 00:33:00,880
Speaker 2: long as the music is still of a certain quality,

730
00:33:00,920 --> 00:33:03,160
Speaker 2: as long as it's not just like you know, as

731
00:33:03,240 --> 00:33:04,920
Speaker 2: long as you can tell like, Okay, they really made

732
00:33:04,920 --> 00:33:06,840
Speaker 2: a record like this is a record, This is something

733
00:33:06,880 --> 00:33:09,200
Speaker 2: that's dope. But when you start to just see like

734
00:33:09,240 --> 00:33:11,880
Speaker 2: the record is trash and you can see the marketing,

735
00:33:11,960 --> 00:33:13,880
Speaker 2: that's when I'm like, oh, y'all, just playing to y'all,

736
00:33:13,960 --> 00:33:15,760
Speaker 2: just trying to just get the numbers to jump and

737
00:33:15,800 --> 00:33:17,680
Speaker 2: spike and all of that shit, Like, give us good music,

738
00:33:17,720 --> 00:33:19,480
Speaker 2: because at the end of the day, that's what counts, you.

739
00:33:19,480 --> 00:33:21,520
Speaker 1: Know what, you know, what's the brilliance of outrage marketing,

740
00:33:22,400 --> 00:33:26,560
Speaker 1: Like the sheer brilliance of it is it makes everyone

741
00:33:26,720 --> 00:33:32,320
Speaker 1: feel involved and important and feel like they're part of

742
00:33:32,560 --> 00:33:35,160
Speaker 1: whatever side of the cause you're on, Right, That's what

743
00:33:35,280 --> 00:33:39,360
Speaker 1: outrage marketing murders like you have now taken everyone that

744
00:33:39,440 --> 00:33:41,840
Speaker 1: would not listen to this song or care about this

745
00:33:41,960 --> 00:33:43,520
Speaker 1: song or this is going to listen to it now

746
00:33:43,600 --> 00:33:46,520
Speaker 1: we feel like we're part of it. Yeah, I'm part

747
00:33:46,520 --> 00:33:47,680
Speaker 1: of a conversation. Right.

748
00:33:47,760 --> 00:33:49,400
Speaker 2: And not only that, the people that didn't hear the record,

749
00:33:49,400 --> 00:33:51,480
Speaker 2: they're going to see all the outrage now. They want

750
00:33:51,480 --> 00:33:53,600
Speaker 2: to see what everybody's outraged about. Like, Okay, well let

751
00:33:53,640 --> 00:33:55,280
Speaker 2: me go listen to this record that everybody seems to

752
00:33:55,360 --> 00:33:58,240
Speaker 2: be either loving or upset about or whatever.

753
00:33:58,320 --> 00:33:59,960
Speaker 1: I need to just go see what people are talking.

754
00:34:00,400 --> 00:34:03,320
Speaker 1: And on top of that, I feel like I feel

755
00:34:03,360 --> 00:34:09,399
Speaker 1: like every label manager, Marketer et cetera kind of uses

756
00:34:09,480 --> 00:34:13,000
Speaker 1: the barbs as a blueprint when artists start to get

757
00:34:13,000 --> 00:34:17,239
Speaker 1: a core fan base anytime. Part of part of what

758
00:34:17,520 --> 00:34:21,040
Speaker 1: has made Nicki so amazing is her fan base. As

759
00:34:21,080 --> 00:34:24,760
Speaker 1: annoying as we say, they are a lot, they're brilliant,

760
00:34:24,800 --> 00:34:26,600
Speaker 1: but they're dedicated. I know you're a barber. I think

761
00:34:26,600 --> 00:34:34,800
Speaker 1: you're annoying, so of the brilliance of how much anything.

762
00:34:34,880 --> 00:34:40,680
Speaker 1: Anytime something negative happens for Nicki, it always comes out

763
00:34:40,680 --> 00:34:43,920
Speaker 1: as a positive because you have that fan base that

764
00:34:44,120 --> 00:34:46,719
Speaker 1: is going to drive that shit up. In that conversation,

765
00:34:46,840 --> 00:34:49,360
Speaker 1: like you would not fucking believe there'll be so much defending.

766
00:34:49,520 --> 00:34:51,920
Speaker 1: Like sometimes I feel like it's better for people to

767
00:34:52,000 --> 00:34:55,319
Speaker 1: be going against Nicki in certain cases because it gets

768
00:34:55,360 --> 00:34:57,959
Speaker 1: her fan base so roued up that they are gonna

769
00:34:57,960 --> 00:34:59,960
Speaker 1: make sure we are going to stream every fucking thing

770
00:35:00,160 --> 00:35:02,200
Speaker 1: that we can this we are now part of this

771
00:35:02,320 --> 00:35:05,759
Speaker 1: cost And that's how I feel like some of these

772
00:35:05,920 --> 00:35:09,680
Speaker 1: videos and narratives and interviews go Lizo, I know has

773
00:35:10,040 --> 00:35:12,120
Speaker 1: a core fan base, and I'm sure they want to

774
00:35:12,160 --> 00:35:15,000
Speaker 1: fight for what's the best way to fight for Let's

775
00:35:15,080 --> 00:35:18,960
Speaker 1: start a conversation about yo. I put this video out.

776
00:35:19,000 --> 00:35:21,239
Speaker 1: It's body positive. I feel great in it. People are

777
00:35:21,280 --> 00:35:21,960
Speaker 1: still shitting on me.

778
00:35:22,120 --> 00:35:24,359
Speaker 2: Everything is to get a reaction, Everything is to get

779
00:35:24,840 --> 00:35:27,359
Speaker 2: some type of momentum behind something. And you know, again,

780
00:35:27,440 --> 00:35:29,719
Speaker 2: like I said, if the music, all of that is fine,

781
00:35:29,760 --> 00:35:32,239
Speaker 2: because I know that's part of it now. But as

782
00:35:32,320 --> 00:35:35,080
Speaker 2: long as the music is still of a certain quality

783
00:35:35,160 --> 00:35:36,919
Speaker 2: and a certain level, I don't mind.

784
00:35:37,440 --> 00:35:39,120
Speaker 1: I'm talking like I care. I was just watching the

785
00:35:39,120 --> 00:35:42,520
Speaker 1: Ozzi Brothers on Tiny Desk. I cared about Tiny Desk

786
00:35:42,560 --> 00:35:44,880
Speaker 1: they did. Yeah, came out yesterday. Oh wow, Yeah, I

787
00:35:44,960 --> 00:35:46,360
Speaker 1: gotta check that. That's important to me.

788
00:35:46,480 --> 00:35:50,399
Speaker 2: You know, that's fuck everything else stopped what I was doing. Yeah, yeah,

789
00:35:50,719 --> 00:35:52,879
Speaker 2: it's amazing. It's amazing. Shout out to Tiny Desk.

790
00:35:53,280 --> 00:35:55,360
Speaker 1: I gotta watch that. I gotta watch it. They killed that.

791
00:35:56,000 --> 00:35:58,759
Speaker 2: I came across somebody else had a tiny desk that

792
00:35:58,800 --> 00:36:01,520
Speaker 2: I had know the dream the tiny Desk. Yeah, oh yeah,

793
00:36:01,560 --> 00:36:03,480
Speaker 2: for sure, I didn't know that. I had no idea

794
00:36:03,640 --> 00:36:06,319
Speaker 2: dream to the tiny Desk. Yeah, you'd be surprised at

795
00:36:06,360 --> 00:36:08,160
Speaker 2: the amount of acts that I got to watch. The

796
00:36:08,200 --> 00:36:11,080
Speaker 2: Osie Brothers one that's I can't even believe. I haven't

797
00:36:11,080 --> 00:36:11,520
Speaker 2: seen it yet.

798
00:36:11,560 --> 00:36:14,319
Speaker 1: It's it's phenomenal. Uh. Te Pain is a really good one.

799
00:36:14,360 --> 00:36:16,319
Speaker 1: That's I mean a couple of years old. Yeah, that one,

800
00:36:16,520 --> 00:36:20,360
Speaker 1: paint Body Mac Miller's is amazing. Yeah that one. No,

801
00:36:20,560 --> 00:36:23,560
Speaker 1: Tiny Desk is that ship. But uh, I guess now

802
00:36:23,640 --> 00:36:27,600
Speaker 1: that we're on music, uh's listening to Bo Jackson Alchemist

803
00:36:27,640 --> 00:36:34,120
Speaker 1: Bowldie James Project. Yeah, which thought about it. I mean

804
00:36:36,320 --> 00:36:39,040
Speaker 1: I thought about, you know, maybe hitting you up and

805
00:36:39,040 --> 00:36:41,759
Speaker 1: seeing if you had any connections of like I could start.

806
00:36:43,200 --> 00:36:45,000
Speaker 1: I can start small, I could start, I could start

807
00:36:45,080 --> 00:36:47,160
Speaker 1: yelling five O on then like you can start me

808
00:36:47,200 --> 00:36:54,040
Speaker 1: out at a young from Yeah, yeah, yeah, yeah, yeah, No,

809
00:36:54,160 --> 00:36:56,360
Speaker 1: it's it's a really really good project. I like Bowdie

810
00:36:56,400 --> 00:36:59,440
Speaker 1: James man like I like I like. I like Bowdie

811
00:36:59,480 --> 00:37:01,280
Speaker 1: James a lot, man like. I like his style.

812
00:37:01,400 --> 00:37:04,840
Speaker 2: I like the fact that you know, he's I respect

813
00:37:04,920 --> 00:37:07,399
Speaker 2: the artists that are just themselves and they're not trying

814
00:37:07,440 --> 00:37:09,400
Speaker 2: to sound like anybody else and not trying to look

815
00:37:09,480 --> 00:37:11,680
Speaker 2: like nobody else. They're not trying to like fit into

816
00:37:11,719 --> 00:37:15,160
Speaker 2: a certain you know, mold of what's going on. They're

817
00:37:15,200 --> 00:37:17,880
Speaker 2: not like I still respect because again, that's what you know.

818
00:37:17,920 --> 00:37:19,759
Speaker 1: I was raised on that. That's why how I came

819
00:37:19,840 --> 00:37:20,719
Speaker 1: up listening to the music.

820
00:37:20,800 --> 00:37:23,759
Speaker 2: I respected artists like that and BOLDI is A is

821
00:37:23,800 --> 00:37:26,439
Speaker 2: A is a representative of that type of artist where

822
00:37:26,440 --> 00:37:28,719
Speaker 2: it's just like I'm doing what I'm doing. I'm not

823
00:37:28,800 --> 00:37:31,440
Speaker 2: really paying attention to what's going on out here. I'm

824
00:37:31,520 --> 00:37:33,720
Speaker 2: only moving when I want to move and what feels

825
00:37:33,760 --> 00:37:35,560
Speaker 2: right to me, what sounds right to me, that's what

826
00:37:35,640 --> 00:37:36,040
Speaker 2: we're doing.

827
00:37:37,080 --> 00:37:42,840
Speaker 1: I respect that. Why isn't Griselda done a Soul Griselda tour.

828
00:37:43,680 --> 00:37:47,040
Speaker 2: Just Griselda, I don't know. I mean, I'm sure that

829
00:37:47,320 --> 00:37:50,640
Speaker 2: last year. Yeah, I'm sure they have it in the works.

830
00:37:50,640 --> 00:37:54,359
Speaker 2: I'm sure they've talked talked about it, and I'm sure

831
00:37:54,520 --> 00:37:56,480
Speaker 2: I'm sure it'll happened. I'm sure it happened. They have

832
00:37:56,600 --> 00:37:59,480
Speaker 2: the roster, yeah, you know what I mean, Like, they

833
00:37:59,480 --> 00:38:03,239
Speaker 2: definitely have the roster. You know, with west Side, you know,

834
00:38:03,360 --> 00:38:06,480
Speaker 2: his brain and his his curation and and just the

835
00:38:06,560 --> 00:38:08,880
Speaker 2: things that he's doing with art and everything like that,

836
00:38:09,040 --> 00:38:10,960
Speaker 2: I think it would be it's a it's a it's

837
00:38:10,960 --> 00:38:13,560
Speaker 2: a no brainer. I'm more than positive that that's coming

838
00:38:13,760 --> 00:38:18,560
Speaker 2: I'm sure that that's already being put together, but yeah,

839
00:38:18,600 --> 00:38:20,440
Speaker 2: I know it's coming because we start to look at

840
00:38:20,440 --> 00:38:24,359
Speaker 2: their roster, it's like whoa, Like they have some really

841
00:38:24,480 --> 00:38:28,040
Speaker 2: serious acts and the numbers that they're doing, you know,

842
00:38:28,440 --> 00:38:30,719
Speaker 2: with the music and with merch and shit like that,

843
00:38:31,680 --> 00:38:33,920
Speaker 2: and then you know how everything looks. Everything is like

844
00:38:34,120 --> 00:38:38,200
Speaker 2: it's like a collection of piece. So yeah, I'm more

845
00:38:38,200 --> 00:38:39,600
Speaker 2: than positive. Griselda Tour is.

846
00:38:39,560 --> 00:38:42,880
Speaker 1: Definitely yeah, or some type of just one off festival.

847
00:38:43,719 --> 00:38:46,960
Speaker 1: If it's in Buffalo, if it's in Atlanta. No, they're

848
00:38:46,960 --> 00:38:49,120
Speaker 1: definitely gonna go on. I think it's definitely Rosta. Now

849
00:38:49,160 --> 00:38:52,359
Speaker 1: that's so active as far as you know, fans will

850
00:38:52,719 --> 00:38:55,520
Speaker 1: actually come out. They have that type of core fan

851
00:38:55,600 --> 00:38:57,680
Speaker 1: base play. Yeah, just it was just random in there.

852
00:38:58,120 --> 00:39:03,080
Speaker 1: Did you see the little Wayne interview with a Manual

853
00:39:03,320 --> 00:39:06,600
Speaker 1: Ocho I believe is his name. If I mispronounced that,

854
00:39:06,600 --> 00:39:10,120
Speaker 1: I apologize. But he has a platform called Uncomfortable Conversations.

855
00:39:10,719 --> 00:39:16,719
Speaker 1: He talked about mental health with Wayne, and typically when

856
00:39:16,719 --> 00:39:21,120
Speaker 1: there's Wayne interviews as of recent outside of his podcast stuff,

857
00:39:21,320 --> 00:39:24,480
Speaker 1: they haven't been the greatest. I feel like people have

858
00:39:24,600 --> 00:39:27,799
Speaker 1: thrown a microphone in Wayne's face when it probably didn't

859
00:39:27,800 --> 00:39:29,680
Speaker 1: need to be there at the moment. I don't think

860
00:39:29,719 --> 00:39:31,759
Speaker 1: Wayne was in a place to even really have those

861
00:39:31,800 --> 00:39:35,279
Speaker 1: type of conversations. This was a complete opposite. Yea, this

862
00:39:35,520 --> 00:39:40,560
Speaker 1: was a really good conversation Wayne got into trying to

863
00:39:40,600 --> 00:39:46,759
Speaker 1: commit suicide his depression. I was kind of I was

864
00:39:46,960 --> 00:39:49,560
Speaker 1: a bit more shocked at the response of it, of

865
00:39:49,719 --> 00:39:53,120
Speaker 1: people feeling like Wayne, Like, damn, I never would have

866
00:39:53,160 --> 00:39:57,840
Speaker 1: thought that of Wayne. And I'm like, have y'all been listening,

867
00:39:59,200 --> 00:40:02,040
Speaker 1: I mean, one of my my favorite Wayne songs, I

868
00:40:02,120 --> 00:40:05,879
Speaker 1: feel like dying. Yeah, in no way would I say

869
00:40:05,960 --> 00:40:08,600
Speaker 1: he's one of the first artists to like get into

870
00:40:08,680 --> 00:40:11,080
Speaker 1: mental health stuff. But his whole career, I really felt

871
00:40:11,160 --> 00:40:14,680
Speaker 1: like Wayne has been crying for help like a lot. Yeah,

872
00:40:14,760 --> 00:40:17,720
Speaker 1: absolutely absolutely. I think we talked about that before.

873
00:40:17,840 --> 00:40:19,359
Speaker 2: I think we may have touched on that a little

874
00:40:19,400 --> 00:40:22,440
Speaker 2: bit paused, but you know, I mean, I'm glad he

875
00:40:22,520 --> 00:40:24,480
Speaker 2: Wayne is out of space where he could talk about it,

876
00:40:24,640 --> 00:40:28,080
Speaker 2: and you know, hopefully he's continuing to get the help

877
00:40:28,160 --> 00:40:31,439
Speaker 2: that he needs and the love and support that he needs,

878
00:40:31,560 --> 00:40:33,880
Speaker 2: because he is one of our treasures. He's again I

879
00:40:33,880 --> 00:40:36,680
Speaker 2: always say, like, to me, Wayne is one of the

880
00:40:36,800 --> 00:40:40,720
Speaker 2: most important pieces in hip hop. One of the reallest

881
00:40:40,719 --> 00:40:42,920
Speaker 2: pieces in hip hop because for him to, you know,

882
00:40:43,040 --> 00:40:44,640
Speaker 2: put his ego to the side and move out of

883
00:40:44,680 --> 00:40:46,400
Speaker 2: the way and allow Nicki and Drake to become the

884
00:40:46,440 --> 00:40:48,239
Speaker 2: stars that they became when he was at the height

885
00:40:48,320 --> 00:40:50,960
Speaker 2: of his career. I don't know any I don't know

886
00:40:51,000 --> 00:40:53,239
Speaker 2: if we've ever seen that happen before. We're an artist

887
00:40:53,280 --> 00:40:56,279
Speaker 2: as big as Wayne was, you know, stepped out of

888
00:40:56,360 --> 00:41:00,640
Speaker 2: the stepped to the side, and allowed his artists to

889
00:41:00,800 --> 00:41:02,640
Speaker 2: shine and become the superstars that they are.

890
00:41:03,120 --> 00:41:06,279
Speaker 1: And his only issue with that entire thing was why

891
00:41:06,320 --> 00:41:09,880
Speaker 1: did Drake fuck one of my side chicks while I

892
00:41:09,960 --> 00:41:10,480
Speaker 1: was in records?

893
00:41:11,000 --> 00:41:12,440
Speaker 2: Only time he kicked up some shit? You know what

894
00:41:12,440 --> 00:41:15,600
Speaker 2: I'm saying, Like that was the only the only risk. Yeah,

895
00:41:15,640 --> 00:41:17,120
Speaker 2: it's like, you know what I mean, But that's what

896
00:41:17,160 --> 00:41:18,839
Speaker 2: I'm saying. It's just like we don't we don't.

897
00:41:18,880 --> 00:41:19,040
Speaker 1: Really.

898
00:41:19,120 --> 00:41:21,279
Speaker 2: We got to really respect Wayne Man because that's not

899
00:41:21,440 --> 00:41:24,320
Speaker 2: something that a lot of people are willing and know

900
00:41:24,400 --> 00:41:26,200
Speaker 2: how to do with just put their ego to the side,

901
00:41:26,320 --> 00:41:29,759
Speaker 2: especially when you are as big of a star as

902
00:41:29,840 --> 00:41:33,440
Speaker 2: Wayne and you know, to just literally say, you know what,

903
00:41:33,960 --> 00:41:35,840
Speaker 2: I'm gonna put my shit on hold and let my

904
00:41:36,000 --> 00:41:38,719
Speaker 2: crew eat and let them shine, let them become megastars,

905
00:41:38,760 --> 00:41:41,480
Speaker 2: and let them change the culture and change the game.

906
00:41:41,600 --> 00:41:43,840
Speaker 1: And you know that that just does not happen. We

907
00:41:43,920 --> 00:41:44,480
Speaker 1: do not see that.

908
00:41:44,719 --> 00:41:47,359
Speaker 2: We usually see the superstar didn't have these younger acts

909
00:41:47,440 --> 00:41:49,680
Speaker 2: or these acts up under him, and hear them making

910
00:41:49,719 --> 00:41:52,200
Speaker 2: a record, and he takes the record for himself and

911
00:41:52,360 --> 00:41:54,680
Speaker 2: you know, keeps further in his career and his stardom.

912
00:41:55,239 --> 00:41:56,880
Speaker 2: That's what we're used to seeing. We're not used to

913
00:41:56,920 --> 00:41:59,320
Speaker 2: seeing the guy say, you know what, nah, hold on,

914
00:41:59,520 --> 00:42:00,960
Speaker 2: let me get out o the way, let them go,

915
00:42:01,360 --> 00:42:04,600
Speaker 2: let them so, you know, for me forever, Wayne is

916
00:42:04,680 --> 00:42:07,120
Speaker 2: you know, one of my favorite people. Just for that alone,

917
00:42:07,200 --> 00:42:11,080
Speaker 2: like that takes a lot of you know, it's a

918
00:42:11,160 --> 00:42:13,640
Speaker 2: certain type of person that will do something like that.

919
00:42:13,800 --> 00:42:15,600
Speaker 1: I mean, I was shocked that he was saying he

920
00:42:15,680 --> 00:42:17,400
Speaker 1: knew at a really, really young age that he did

921
00:42:17,520 --> 00:42:21,040
Speaker 1: have mental health problems, because you see with you know,

922
00:42:21,120 --> 00:42:25,560
Speaker 1: Wayne's not your typical child star, but he's a child star. Absolutely,

923
00:42:25,880 --> 00:42:27,759
Speaker 1: he's a child star, and he went through a lot

924
00:42:27,800 --> 00:42:31,000
Speaker 1: of trauma, and typically those child stars don't realize that

925
00:42:31,920 --> 00:42:34,320
Speaker 1: mental health problem to wait later on, and he was

926
00:42:34,360 --> 00:42:38,000
Speaker 1: talking about suicide at twelve years old. Yeah, and to

927
00:42:38,239 --> 00:42:43,560
Speaker 1: feel that way at twelve and then be a superstar.

928
00:42:44,000 --> 00:42:45,840
Speaker 1: Well let me not say superstar right away, but a

929
00:42:45,960 --> 00:42:51,160
Speaker 1: star from when you were fourteen to now and you

930
00:42:51,280 --> 00:42:55,880
Speaker 1: have not killed yourself is crazy and that's crazy and

931
00:42:56,000 --> 00:42:57,040
Speaker 1: I like it. I love that.

932
00:42:57,560 --> 00:42:59,040
Speaker 2: I want to make that no, absolutely, But I like

933
00:42:59,120 --> 00:43:01,160
Speaker 2: this for Wayne because I think that if anybody can

934
00:43:01,280 --> 00:43:05,080
Speaker 2: actually make you know, therapy and talking about mental health

935
00:43:05,239 --> 00:43:08,880
Speaker 2: cool and okay, would be somebody like Wayne, because he

936
00:43:08,920 --> 00:43:11,600
Speaker 2: doesn't really talk a lot. Yeah, he doesn't sit down,

937
00:43:11,800 --> 00:43:14,360
Speaker 2: so you know he's not doing this because you know

938
00:43:14,480 --> 00:43:16,600
Speaker 2: it's the wave right now and that's what everybody's doing.

939
00:43:17,280 --> 00:43:19,160
Speaker 1: You can tell is coming from a genuine place.

940
00:43:19,800 --> 00:43:23,200
Speaker 2: And you know he's just that type of figure where

941
00:43:23,239 --> 00:43:24,920
Speaker 2: if he's sitting down talking about it, and he's saying, like,

942
00:43:24,960 --> 00:43:27,200
Speaker 2: you know, you have to get therapy, even if you

943
00:43:27,200 --> 00:43:29,239
Speaker 2: feel like you don't, you should. You know, mental health

944
00:43:29,320 --> 00:43:31,719
Speaker 2: is part of physical health. It's just the way you

945
00:43:31,800 --> 00:43:33,200
Speaker 2: go to the gym. You need to go to therapy

946
00:43:33,280 --> 00:43:36,000
Speaker 2: and sit down and talk to somebody, and because they

947
00:43:36,040 --> 00:43:38,160
Speaker 2: can help you understand certain things, certain traumas that you

948
00:43:38,239 --> 00:43:41,480
Speaker 2: might be suppressing. Especially being a superstar like Wayne. You

949
00:43:41,600 --> 00:43:43,760
Speaker 2: have all of this money, which means you have access

950
00:43:43,840 --> 00:43:46,360
Speaker 2: to whatever you want. So if you want to abuse drugs,

951
00:43:46,400 --> 00:43:49,239
Speaker 2: it's dangerous because you have so much money that you

952
00:43:49,320 --> 00:43:52,000
Speaker 2: can supply your habit and end up in a position

953
00:43:52,080 --> 00:43:54,279
Speaker 2: where you know, you spire a lot of control and

954
00:43:54,360 --> 00:43:56,040
Speaker 2: want to kill yourself and all of these things. So

955
00:43:56,560 --> 00:43:58,560
Speaker 2: I like the fact that you know, if Wayne is

956
00:43:58,600 --> 00:44:00,440
Speaker 2: going to sit down and address this mental health thing

957
00:44:00,520 --> 00:44:02,960
Speaker 2: and talk about his issues and put him out there,

958
00:44:03,239 --> 00:44:05,160
Speaker 2: I think it hits more coming from Wayne because he

959
00:44:05,200 --> 00:44:06,920
Speaker 2: really doesn't sit down and talk to people, and he

960
00:44:06,960 --> 00:44:09,160
Speaker 2: doesn't Yeah, so you know he's not doing this just

961
00:44:09,239 --> 00:44:11,680
Speaker 2: to catch a moment, like, he's really doing this because

962
00:44:11,680 --> 00:44:14,000
Speaker 2: it's something that he cares about and it's something that

963
00:44:14,040 --> 00:44:15,520
Speaker 2: he wants to put out there to help other people

964
00:44:15,520 --> 00:44:16,520
Speaker 2: that are dealing with the same thing.

965
00:44:16,680 --> 00:44:20,000
Speaker 1: He'll slip in on a Salange record and say I

966
00:44:20,120 --> 00:44:21,880
Speaker 1: tried to kill myself and it didn't work. I was

967
00:44:21,920 --> 00:44:25,320
Speaker 1: so mad. But I had interesting and this is random

968
00:44:25,520 --> 00:44:28,640
Speaker 1: off topic, but not really at the Donna Show. I

969
00:44:28,680 --> 00:44:34,120
Speaker 1: had a halfway sarcastic but serious conversation with a gentleman.

970
00:44:34,360 --> 00:44:39,239
Speaker 1: I won't say his name, but certainly famous and has

971
00:44:39,280 --> 00:44:43,080
Speaker 1: been famous for a long time and has talked about

972
00:44:43,120 --> 00:44:47,719
Speaker 1: his grievances with fame and with mental health. And we

973
00:44:47,840 --> 00:44:51,000
Speaker 1: were watching The Kanye Show and I said to him, man,

974
00:44:51,080 --> 00:44:54,640
Speaker 1: it must be nice to find religion as a rich

975
00:44:54,719 --> 00:44:57,920
Speaker 1: person instead of a poor person. And his eyebrows went

976
00:44:58,000 --> 00:45:03,640
Speaker 1: up and he was like, I complete disagree. And I said, well,

977
00:45:03,800 --> 00:45:06,880
Speaker 1: when people are finding religion when they're poor, it's usually

978
00:45:07,520 --> 00:45:09,560
Speaker 1: because they have nothing and they're trying to find something

979
00:45:09,600 --> 00:45:14,279
Speaker 1: with hope and with actual faith to survive the day

980
00:45:14,360 --> 00:45:16,880
Speaker 1: because they don't have anything really material that can keep

981
00:45:16,920 --> 00:45:19,279
Speaker 1: them going. The only thing they have is hope, so

982
00:45:19,520 --> 00:45:22,040
Speaker 1: they need something to believe in and this will continue

983
00:45:22,160 --> 00:45:24,000
Speaker 1: to have them work every single day, even if it

984
00:45:24,000 --> 00:45:26,000
Speaker 1: looks like there's no light at the end. And he

985
00:45:26,160 --> 00:45:29,520
Speaker 1: was like, nah, man, as, when you're rich, trying to

986
00:45:29,560 --> 00:45:33,319
Speaker 1: find religion means you've attained every last thing you thought

987
00:45:33,360 --> 00:45:35,479
Speaker 1: you ever needed in your entire life, and you're still

988
00:45:35,520 --> 00:45:39,839
Speaker 1: empty and you still have nothing going on. Like we said,

989
00:45:40,360 --> 00:45:42,719
Speaker 1: poor people with religion like yeah, that's their way to go,

990
00:45:42,840 --> 00:45:46,120
Speaker 1: and they bring their family there. It's something that keeps

991
00:45:46,160 --> 00:45:49,279
Speaker 1: this family unit together and everything usually when rich and

992
00:45:49,360 --> 00:45:52,680
Speaker 1: famous people find it, it's because they have had They

993
00:45:52,960 --> 00:45:55,200
Speaker 1: have everything, and they thought that's all they ever needed,

994
00:45:55,360 --> 00:45:58,120
Speaker 1: and now they're just this empty vessel and they have

995
00:45:58,200 --> 00:46:00,239
Speaker 1: to go find it. So like we're watching the dom thing.

996
00:46:00,239 --> 00:46:01,680
Speaker 1: Not to say he was saying this about Kanye West

997
00:46:01,680 --> 00:46:03,160
Speaker 1: at all, right, right, but it was like, this is

998
00:46:03,480 --> 00:46:07,239
Speaker 1: an example of someone that has reached the highest successes

999
00:46:07,280 --> 00:46:11,520
Speaker 1: of success and still can't figure it out. Like you

1000
00:46:11,640 --> 00:46:13,440
Speaker 1: realize you could still be that person waiting for the

1001
00:46:13,480 --> 00:46:17,640
Speaker 1: bus and it's not going to matter what your God

1002
00:46:17,800 --> 00:46:21,040
Speaker 1: is if you're not happy yourself, Yeah, it's not. It's all.

1003
00:46:21,160 --> 00:46:23,680
Speaker 2: It's all within, It's all you know again, you can

1004
00:46:23,800 --> 00:46:26,239
Speaker 2: have all the money in the world, you can have

1005
00:46:26,320 --> 00:46:29,920
Speaker 2: all the success and fame and stardom, but if you're

1006
00:46:30,040 --> 00:46:34,040
Speaker 2: not you know, when you're alone in your home and

1007
00:46:34,200 --> 00:46:36,520
Speaker 2: you're in bed with your own thoughts and everything, that's

1008
00:46:37,560 --> 00:46:39,640
Speaker 2: who you are, you know what I mean, everything outside

1009
00:46:39,680 --> 00:46:41,320
Speaker 2: the home. And you know people love you for and

1010
00:46:41,440 --> 00:46:43,719
Speaker 2: what they recognize you for your talent and your God

1011
00:46:43,800 --> 00:46:44,600
Speaker 2: given abilities.

1012
00:46:45,280 --> 00:46:47,680
Speaker 1: You know that's that's good too.

1013
00:46:47,760 --> 00:46:49,759
Speaker 2: But if you don't have something inside of you where

1014
00:46:49,760 --> 00:46:51,560
Speaker 2: you're at peace with yourself and you have a certain

1015
00:46:51,640 --> 00:46:54,520
Speaker 2: understanding of who you really are, you know, I mean

1016
00:46:54,560 --> 00:46:57,360
Speaker 2: the minus to the lights and the and the cameras,

1017
00:46:57,560 --> 00:47:00,640
Speaker 2: who you are as a person. And if your mental

1018
00:47:00,680 --> 00:47:02,800
Speaker 2: health is not there and you have a lot of

1019
00:47:02,880 --> 00:47:05,239
Speaker 2: issues in your family, your household that you're dealing with,

1020
00:47:06,239 --> 00:47:08,200
Speaker 2: those are the things that make you who you are,

1021
00:47:08,360 --> 00:47:09,880
Speaker 2: you know what I mean. Everything else is just what

1022
00:47:10,000 --> 00:47:12,440
Speaker 2: God has given, and you know it brings people to you,

1023
00:47:12,560 --> 00:47:14,719
Speaker 2: and people show you love or you know what you

1024
00:47:14,960 --> 00:47:18,160
Speaker 2: what you deem to be love and appreciation. But if

1025
00:47:18,200 --> 00:47:20,360
Speaker 2: you're not right within, none of that shit matters, you

1026
00:47:20,400 --> 00:47:22,320
Speaker 2: know what I mean. That shit is like, you know,

1027
00:47:24,000 --> 00:47:27,120
Speaker 2: it's okay for the moment, but again, once the noise stops,

1028
00:47:27,120 --> 00:47:29,320
Speaker 2: and once the cheers stop, and once the arena is empty,

1029
00:47:30,120 --> 00:47:30,560
Speaker 2: who are you?

1030
00:47:30,840 --> 00:47:33,239
Speaker 1: You know what I mean? Yeah, and I agree with

1031
00:47:33,280 --> 00:47:36,239
Speaker 1: them some degree, but I also said, yeah, there's also

1032
00:47:36,360 --> 00:47:38,600
Speaker 1: people that are paying ten percent of their ties to

1033
00:47:38,680 --> 00:47:42,839
Speaker 1: their church and are making you know, three hundred dollars

1034
00:47:42,880 --> 00:47:45,800
Speaker 1: a week. This guy just rented out an arena to

1035
00:47:45,880 --> 00:47:46,880
Speaker 1: go through his episode.

1036
00:47:49,080 --> 00:47:51,160
Speaker 2: I mean, you go through your episodes. However you can't,

1037
00:47:51,160 --> 00:47:52,279
Speaker 2: you know what I mean? However, you can get your

1038
00:47:52,280 --> 00:47:55,600
Speaker 2: shit off and you know, and a little different therapy. Yeah,

1039
00:47:55,640 --> 00:47:58,440
Speaker 2: get your therapy shit off, like you know, it is

1040
00:47:58,480 --> 00:47:59,560
Speaker 2: what it is. But at the end of the day,

1041
00:47:59,560 --> 00:48:03,080
Speaker 2: if you're not right within like that, ship don't matter.

1042
00:48:03,600 --> 00:48:05,359
Speaker 2: So I was sitting home, man, I was thinking about

1043
00:48:05,400 --> 00:48:07,600
Speaker 2: a lot of things that I just hate, like things

1044
00:48:07,640 --> 00:48:10,360
Speaker 2: that annoy me, okay, And one of the things that

1045
00:48:10,719 --> 00:48:14,880
Speaker 2: really annoys me is when people screenshot who they're on

1046
00:48:15,040 --> 00:48:18,759
Speaker 2: FaceTime with and then posting on social media.

1047
00:48:20,000 --> 00:48:22,200
Speaker 1: That ship really bothers me. It's an invasion of prophecy.

1048
00:48:23,719 --> 00:48:27,799
Speaker 1: Why let me We just gonna ask simple questions, why why? Why? Why?

1049
00:48:27,880 --> 00:48:29,560
Speaker 1: Why do that they want us see who they're on

1050
00:48:29,600 --> 00:48:34,520
Speaker 1: FaceTime with. That's that's the easy one. That's right to it.

1051
00:48:34,920 --> 00:48:38,560
Speaker 1: Why they want us to look at this person? Because

1052
00:48:38,600 --> 00:48:40,600
Speaker 1: I don't. I'm really not that cool with this person.

1053
00:48:40,880 --> 00:48:42,440
Speaker 1: So I want the world to know that I'm cool

1054
00:48:42,440 --> 00:48:45,040
Speaker 1: with this person. If I was that cool with that person,

1055
00:48:45,080 --> 00:48:47,919
Speaker 1: I wouldn't do that. But I hate that. I'm gonna

1056
00:48:47,920 --> 00:48:49,920
Speaker 1: be honest, I don't that just it's just it's just.

1057
00:48:50,760 --> 00:48:53,640
Speaker 2: It's the lay of the land at this point, and

1058
00:48:53,920 --> 00:48:56,400
Speaker 2: you just never the lay of the land. I know

1059
00:48:57,440 --> 00:49:01,000
Speaker 2: I've laid on the land, laid a lot of this land.

1060
00:49:01,920 --> 00:49:04,400
Speaker 2: You have, you and your forefather. Yes, you stole a

1061
00:49:04,440 --> 00:49:07,000
Speaker 2: lot of it, stole a lot of this land. We're

1062
00:49:07,000 --> 00:49:09,520
Speaker 2: gonna talk about that. We prefer lay of the lamb Okay,

1063
00:49:09,600 --> 00:49:12,960
Speaker 2: I listen, Yeah, I get it. Man, so saw Native Americans.

1064
00:49:13,280 --> 00:49:14,839
Speaker 2: Let's lay on this, lay on this land right here

1065
00:49:14,840 --> 00:49:16,680
Speaker 2: that we brought some people over here and say, y'all

1066
00:49:16,760 --> 00:49:18,160
Speaker 2: lay on it for us exactly.

1067
00:49:18,520 --> 00:49:19,120
Speaker 1: Oh my god.

1068
00:49:19,239 --> 00:49:21,880
Speaker 2: I also hate when people like you know, when you

1069
00:49:21,960 --> 00:49:23,680
Speaker 2: have a text conversation and please don't do this. Worry

1070
00:49:23,719 --> 00:49:26,080
Speaker 2: if I pass away before you got for bid, but

1071
00:49:26,280 --> 00:49:29,800
Speaker 2: please don't post text messages between us, like when I

1072
00:49:29,880 --> 00:49:31,520
Speaker 2: gave you encouraging word. I don't even know if I've

1073
00:49:31,520 --> 00:49:34,840
Speaker 2: ever given you encouraging words to text, but if I have,

1074
00:49:35,520 --> 00:49:37,279
Speaker 2: don't ever be like yo, you know, I got to

1075
00:49:37,360 --> 00:49:39,000
Speaker 2: keep it going for them all, like, because you know

1076
00:49:39,080 --> 00:49:42,439
Speaker 2: this is my guy. Don't screenshot any of my text

1077
00:49:42,520 --> 00:49:43,600
Speaker 2: messages and post them.

1078
00:49:43,640 --> 00:49:45,280
Speaker 1: Please don't do it. Matter of fact, the most encouraging

1079
00:49:45,320 --> 00:49:48,480
Speaker 1: thing you've ever text me was, man, we're not going

1080
00:49:48,520 --> 00:49:54,319
Speaker 1: over there tomorrow. That's as far as it goes. It's

1081
00:49:54,320 --> 00:49:57,600
Speaker 1: the most encouraging thing I've ever heard my look. It

1082
00:49:57,680 --> 00:50:00,560
Speaker 1: worked out though, listen, man, fuck that, I encourage it,

1083
00:50:00,760 --> 00:50:02,719
Speaker 1: absolutely fuck that. We ain't going over there. No, that

1084
00:50:03,120 --> 00:50:04,239
Speaker 1: is always kind of weird to me.

1085
00:50:04,440 --> 00:50:07,200
Speaker 2: Yeah, I don't understand. It's like, bro, like I'm more

1086
00:50:07,280 --> 00:50:09,840
Speaker 2: than positive that person did not want that to be

1087
00:50:10,000 --> 00:50:13,480
Speaker 2: public information, Like, yeah.

1088
00:50:13,920 --> 00:50:16,000
Speaker 1: It's typically from the people that were never that close

1089
00:50:16,440 --> 00:50:17,480
Speaker 1: with you. I just don't.

1090
00:50:17,640 --> 00:50:20,000
Speaker 2: It's just certain shit about that just rubs me wrong.

1091
00:50:20,080 --> 00:50:22,440
Speaker 2: Like I still don't. I don't even know what to do.

1092
00:50:22,560 --> 00:50:25,840
Speaker 2: Like if somebody posts on their social media like someone

1093
00:50:25,920 --> 00:50:26,640
Speaker 2: that passed away?

1094
00:50:27,160 --> 00:50:28,680
Speaker 1: Do you like that picture? Like I don't like that

1095
00:50:28,800 --> 00:50:31,279
Speaker 1: this person passed away? I always get awkward that one too.

1096
00:50:31,400 --> 00:50:33,320
Speaker 1: I've accepted now that it's okay to like that, but

1097
00:50:33,400 --> 00:50:34,920
Speaker 1: it took me like three or four years to be like,

1098
00:50:34,920 --> 00:50:37,439
Speaker 1: all right, you're saying this person died. Yeah, I don't

1099
00:50:37,520 --> 00:50:38,440
Speaker 1: like Why would I like that?

1100
00:50:38,560 --> 00:50:41,680
Speaker 2: I don't like this picture? But you know, I'm prayers

1101
00:50:41,719 --> 00:50:44,480
Speaker 2: to the family and to you and your friend. But

1102
00:50:45,200 --> 00:50:47,439
Speaker 2: I don't know if I should like this picture.

1103
00:50:48,360 --> 00:50:49,960
Speaker 1: And I shouldn't laugh, But I laugh more at the

1104
00:50:50,000 --> 00:50:53,560
Speaker 1: people that post, like the text message convos that like

1105
00:50:53,680 --> 00:50:56,319
Speaker 1: are mad regular, Like I could see all right if

1106
00:50:56,320 --> 00:50:59,640
Speaker 1: there was some cool, like really long paragraph encouragement you

1107
00:50:59,680 --> 00:51:01,840
Speaker 1: gave me, Like I just want to show how positive

1108
00:51:01,880 --> 00:51:04,640
Speaker 1: this person was in my life, Like it really helped me, Like,

1109
00:51:04,760 --> 00:51:07,600
Speaker 1: let's keep this message going on. I've seen people like

1110
00:51:08,440 --> 00:51:12,520
Speaker 1: really post text message convos like where we at tonight. No,

1111
00:51:12,719 --> 00:51:16,279
Speaker 1: he was such an exciting person. He always always went out.

1112
00:51:17,080 --> 00:51:19,160
Speaker 1: He was so vibrant, Like no f he was asking

1113
00:51:19,200 --> 00:51:19,800
Speaker 1: what the move was.

1114
00:51:20,040 --> 00:51:22,880
Speaker 2: Who was it that posted a d M from somebody

1115
00:51:23,000 --> 00:51:24,839
Speaker 2: like a celebrity? Somebody that d it was a girl

1116
00:51:25,440 --> 00:51:27,600
Speaker 2: and she posted a DM from a celebrity somebody that

1117
00:51:27,640 --> 00:51:29,360
Speaker 2: passed away, and was like, damn, I should have answered

1118
00:51:29,360 --> 00:51:29,719
Speaker 2: this DM.

1119
00:51:30,000 --> 00:51:32,400
Speaker 1: Oh I remember that was forgot that. I do remember

1120
00:51:32,400 --> 00:51:32,640
Speaker 1: that though.

1121
00:51:32,680 --> 00:51:36,320
Speaker 2: That was the nastiest shit in history. I was like,

1122
00:51:36,400 --> 00:51:38,360
Speaker 2: there's no way she really did that. She did not

1123
00:51:38,480 --> 00:51:42,600
Speaker 2: post that. I also hate when people post like them

1124
00:51:42,680 --> 00:51:45,680
Speaker 2: holding like their grandmother of grandfather's hand, like while they're

1125
00:51:45,880 --> 00:51:47,200
Speaker 2: dying in the hospital bed.

1126
00:51:48,120 --> 00:51:50,560
Speaker 1: Yeah. I've been to a lot of dead hand my

1127
00:51:51,040 --> 00:51:53,760
Speaker 1: phone out, but people grieved the way they grieve.

1128
00:51:53,880 --> 00:51:57,000
Speaker 2: No, that shit is weird, bro, That shit is not

1129
00:51:57,160 --> 00:51:59,840
Speaker 2: for that's not for social media. I'm sorry, that's not

1130
00:52:00,840 --> 00:52:03,840
Speaker 2: that's an intimate family moment. That's something that you should

1131
00:52:04,320 --> 00:52:06,520
Speaker 2: cherish with your family and your loved ones. You should

1132
00:52:06,520 --> 00:52:08,560
Speaker 2: not be putting that on a social media platform.

1133
00:52:08,840 --> 00:52:09,319
Speaker 1: I'm sorry.

1134
00:52:09,560 --> 00:52:12,759
Speaker 2: You should not have be holding your grandparents dead hand

1135
00:52:14,120 --> 00:52:14,800
Speaker 2: and posting that.

1136
00:52:15,160 --> 00:52:18,399
Speaker 1: That's just not for social media. I'm sorry, Listen, It's

1137
00:52:18,440 --> 00:52:20,799
Speaker 1: not something I would do. If that's the way someone

1138
00:52:20,880 --> 00:52:22,680
Speaker 1: wants to grieve, that's fine with me. What's not fine

1139
00:52:22,719 --> 00:52:25,360
Speaker 1: with me is when you was kind of just like

1140
00:52:25,440 --> 00:52:27,960
Speaker 1: a pop to him and you try to post all

1141
00:52:28,000 --> 00:52:30,320
Speaker 1: these blurry photos that he was clearly trying to not

1142
00:52:30,480 --> 00:52:31,879
Speaker 1: be in with you. He's trying to move out the way.

1143
00:52:32,320 --> 00:52:35,600
Speaker 1: It's like they're all like weird sneaky photos, like he

1144
00:52:35,760 --> 00:52:38,960
Speaker 1: was in the booth. I hate the sneaky photo. The

1145
00:52:39,040 --> 00:52:42,160
Speaker 1: sneaky photo. Sneaky photo me when I'm dead, I don't

1146
00:52:42,160 --> 00:52:42,759
Speaker 1: even you know what.

1147
00:52:43,480 --> 00:52:46,239
Speaker 2: I'm just like, if I see somebody take a sneaky photo, now,

1148
00:52:47,160 --> 00:52:48,480
Speaker 2: I don't even say nothing about it.

1149
00:52:48,600 --> 00:52:49,120
Speaker 1: I just stopped.

1150
00:52:49,200 --> 00:52:51,359
Speaker 2: I just completely stop fucking with them, and they'll never

1151
00:52:51,440 --> 00:52:53,040
Speaker 2: know why. I don't even tell them why. Yeah, I

1152
00:52:53,080 --> 00:52:54,920
Speaker 2: don't even tell them why. I'm like, come, I saw

1153
00:52:54,960 --> 00:52:57,200
Speaker 2: that sneaky shit you did, Like, I'm not not fucking

1154
00:52:57,239 --> 00:52:57,400
Speaker 2: with you.

1155
00:52:57,760 --> 00:52:58,160
Speaker 1: How would you?

1156
00:52:58,200 --> 00:53:00,239
Speaker 2: I guess we'll try to flip this into the male

1157
00:53:00,360 --> 00:53:02,359
Speaker 2: gender thing, because I've only seen it the other way.

1158
00:53:02,400 --> 00:53:04,719
Speaker 1: I've always seen when people pass, a lot of women

1159
00:53:04,800 --> 00:53:07,360
Speaker 1: come out the woodworks and say we were dating and

1160
00:53:07,400 --> 00:53:10,520
Speaker 1: all that type of thing. Where would you be at

1161
00:53:10,640 --> 00:53:14,840
Speaker 1: if for some reason your girl passed away and like

1162
00:53:15,680 --> 00:53:20,759
Speaker 1: a lot of guys came with some posts. What are

1163
00:53:20,760 --> 00:53:23,439
Speaker 1: you asking me? I want to know what you're While

1164
00:53:23,480 --> 00:53:26,120
Speaker 1: you were grieving your girlfriend's loss, you then had to

1165
00:53:26,200 --> 00:53:31,800
Speaker 1: deal with these dudes just posting text message conversations, sneaky photos,

1166
00:53:32,520 --> 00:53:34,879
Speaker 1: other shit. Man.

1167
00:53:34,920 --> 00:53:38,120
Speaker 2: That's that's a tough position because it's almost like you're

1168
00:53:38,200 --> 00:53:42,439
Speaker 2: grieving obviously, but it's like now you like, I don't

1169
00:53:42,440 --> 00:53:44,200
Speaker 2: even know who I'm grieving over, Like who is this?

1170
00:53:44,360 --> 00:53:44,840
Speaker 1: Who was she?

1171
00:53:45,520 --> 00:53:45,719
Speaker 2: Yeah?

1172
00:53:46,000 --> 00:53:47,920
Speaker 1: She lived a whole separate life that I had no

1173
00:53:48,040 --> 00:53:52,080
Speaker 1: idea about. Oh, I thought you meant the other people. No, no, no,

1174
00:53:52,280 --> 00:53:53,200
Speaker 1: I'm talking about my girl.

1175
00:53:53,560 --> 00:53:56,520
Speaker 2: If a whole bunch of guys are posting text messages

1176
00:53:56,600 --> 00:53:58,960
Speaker 2: and pictures with my girl and I didn't know who

1177
00:53:59,000 --> 00:54:01,920
Speaker 2: they were, and not old photos like if this was

1178
00:54:01,960 --> 00:54:04,200
Speaker 2: before me I'm not tripping, like if you know for

1179
00:54:04,320 --> 00:54:06,880
Speaker 2: sure understand I'm talking about like, oh no, I know

1180
00:54:07,000 --> 00:54:08,680
Speaker 2: that outfit, Like I know where she went that day.

1181
00:54:08,680 --> 00:54:13,680
Speaker 1: I remember she told me she was going shopping that day.

1182
00:54:13,840 --> 00:54:15,120
Speaker 1: You know she shopping.

1183
00:54:16,120 --> 00:54:17,600
Speaker 2: She didn't tell me who she was going shopping with,

1184
00:54:17,800 --> 00:54:20,640
Speaker 2: ChRI she spent no money back bag. Yeah, it's like,

1185
00:54:20,719 --> 00:54:21,960
Speaker 2: oh no, ship like that.

1186
00:54:22,080 --> 00:54:25,479
Speaker 1: It's like damn, like I really didn't. I really didn't

1187
00:54:25,480 --> 00:54:25,920
Speaker 1: know her at all.

1188
00:54:26,040 --> 00:54:28,080
Speaker 2: But like, could you condemn the dad at that point

1189
00:54:28,520 --> 00:54:30,000
Speaker 2: or do you just kind of have to? You gotta

1190
00:54:30,000 --> 00:54:32,120
Speaker 2: you gotta take like think about your last memory. Yeah,

1191
00:54:32,160 --> 00:54:34,200
Speaker 2: you gotta take that's your girl. Yeah, you gotta take

1192
00:54:34,239 --> 00:54:36,320
Speaker 2: that on the chin and just and like still support

1193
00:54:36,360 --> 00:54:36,719
Speaker 2: her family.

1194
00:54:36,840 --> 00:54:39,000
Speaker 1: Absolutely. You have to because you want to ask.

1195
00:54:39,040 --> 00:54:42,040
Speaker 2: You want to be honorable, Like, no matter what you

1196
00:54:42,120 --> 00:54:44,919
Speaker 2: know happens, you still want to be honorable. You still

1197
00:54:44,960 --> 00:54:47,879
Speaker 2: want to, you know, carry yourself a certain way. It's

1198
00:54:47,920 --> 00:54:50,640
Speaker 2: gonna hurt, like you're gonna feel like, damn, my girl

1199
00:54:50,760 --> 00:54:54,080
Speaker 2: was out here just friends with everybody. But you gotta

1200
00:54:54,120 --> 00:54:56,840
Speaker 2: be honorable. You can't condemn your girlfriend because Okay.

1201
00:54:56,840 --> 00:54:59,200
Speaker 1: Now the other side of that coin, I know you

1202
00:54:59,200 --> 00:55:01,400
Speaker 1: would never do this, But let's say you would do

1203
00:55:01,480 --> 00:55:04,879
Speaker 1: that because we have no women on MIC right now.

1204
00:55:06,440 --> 00:55:09,080
Speaker 1: Do you think you owe to your partner that you

1205
00:55:09,239 --> 00:55:11,719
Speaker 1: may have didn't know if you were aside or didn't

1206
00:55:11,760 --> 00:55:14,880
Speaker 1: know if you were just one of many. Do you

1207
00:55:15,000 --> 00:55:16,759
Speaker 1: not owe it to him to still hold it down

1208
00:55:16,800 --> 00:55:21,560
Speaker 1: after death? Do you not owe it to Shorty? Like

1209
00:55:21,680 --> 00:55:25,719
Speaker 1: if you were the side, dude, you can grieve privately. Yeah,

1210
00:55:26,120 --> 00:55:28,919
Speaker 1: like if you held it down I was alive, shut

1211
00:55:28,960 --> 00:55:30,839
Speaker 1: the fuck up when I'm dead. But I see, I've

1212
00:55:30,840 --> 00:55:31,480
Speaker 1: actually seen that.

1213
00:55:31,600 --> 00:55:34,360
Speaker 2: Like I've been, you know, to some funerals for friends

1214
00:55:34,800 --> 00:55:38,160
Speaker 2: and they've had girlfriends, you know what I mean, And

1215
00:55:39,560 --> 00:55:42,879
Speaker 2: you can always tell who to side. It's like she's

1216
00:55:42,920 --> 00:55:47,320
Speaker 2: a little too distraught. Nobody really knows her, you know

1217
00:55:47,320 --> 00:55:49,239
Speaker 2: what I mean. It's kind of like you know why

1218
00:55:49,360 --> 00:55:50,200
Speaker 2: she crying that hard?

1219
00:55:51,040 --> 00:55:52,840
Speaker 1: Yeah, you know what I mean? Why that? Why that

1220
00:55:52,960 --> 00:55:57,080
Speaker 1: hurt somebody? I was saying it. But that's why you

1221
00:55:57,160 --> 00:55:59,160
Speaker 1: need your That's why you need your friends after death

1222
00:55:59,239 --> 00:56:00,960
Speaker 1: fun cover for Like she's just in a moment.

1223
00:56:01,000 --> 00:56:02,759
Speaker 2: I'm not gonna lie like we Yeah, like we've been,

1224
00:56:03,120 --> 00:56:05,120
Speaker 2: Me and the homies have been, you know, to unfortunately,

1225
00:56:05,239 --> 00:56:08,080
Speaker 2: to some friends funerals. And it's funny because when you

1226
00:56:08,160 --> 00:56:12,239
Speaker 2: spot the side and she going crazy and crying like

1227
00:56:12,360 --> 00:56:14,120
Speaker 2: I've had a moment. I said, this is a true

1228
00:56:14,160 --> 00:56:18,160
Speaker 2: story in the in the funeral home, and the side

1229
00:56:18,200 --> 00:56:23,239
Speaker 2: started going crazy. Yeah, but we knew her, we know

1230
00:56:23,239 --> 00:56:24,920
Speaker 2: because it's the home. He told us about it. She

1231
00:56:25,120 --> 00:56:27,279
Speaker 2: going crazy. So me and home, Me and my homie

1232
00:56:27,320 --> 00:56:29,160
Speaker 2: is sitting like it's like two people in between us

1233
00:56:29,200 --> 00:56:32,480
Speaker 2: in the row. And so I got my head down

1234
00:56:32,520 --> 00:56:34,560
Speaker 2: and I kind of just turned and looked at my

1235
00:56:34,640 --> 00:56:40,200
Speaker 2: whole boy. He started laughing, and I'm like, I'm like, fam,

1236
00:56:40,280 --> 00:56:41,879
Speaker 2: i gotta get out of here because I don't want

1237
00:56:41,920 --> 00:56:44,960
Speaker 2: to be seen laughing at a in this funeral home.

1238
00:56:45,040 --> 00:56:47,160
Speaker 2: But we knew what we were laughing at, like because

1239
00:56:47,200 --> 00:56:48,919
Speaker 2: we had to talk. We like, Yo, she's definitely gonna

1240
00:56:48,960 --> 00:56:52,040
Speaker 2: show up and she's definitely gonna go crazy. And you know,

1241
00:56:52,160 --> 00:56:54,080
Speaker 2: your man is probably laughing with y'all at that time too,

1242
00:56:54,239 --> 00:56:57,359
Speaker 2: of course she was or probably like yo, can y'all

1243
00:56:57,360 --> 00:57:00,920
Speaker 2: please get her to get her out of here? Like YO, Like, Yo,

1244
00:57:01,000 --> 00:57:02,680
Speaker 2: you're dead man, there's nothing that's gonna happen to you.

1245
00:57:02,800 --> 00:57:05,359
Speaker 1: But then does it matter more for you to hold

1246
00:57:05,360 --> 00:57:06,600
Speaker 1: it down and be like, yo, we don't even know

1247
00:57:06,680 --> 00:57:08,480
Speaker 1: that girl. I'm the street.

1248
00:57:08,560 --> 00:57:11,840
Speaker 2: I'm holding it all the way down here. Never but

1249
00:57:12,239 --> 00:57:14,279
Speaker 2: the girl know like she know which friends to ask,

1250
00:57:14,440 --> 00:57:16,560
Speaker 2: like we not. We are never telling it you like

1251
00:57:16,800 --> 00:57:18,520
Speaker 2: that was just sock. Never, that's never happening.

1252
00:57:18,560 --> 00:57:20,000
Speaker 1: We're not doing that. You got to hold it down

1253
00:57:20,000 --> 00:57:20,720
Speaker 1: for your homie father.

1254
00:57:21,360 --> 00:57:24,400
Speaker 2: Yeah, I feel like the grieving process is like really selfish.

1255
00:57:24,480 --> 00:57:27,400
Speaker 2: Sometimes it has to be depending on what your role

1256
00:57:27,440 --> 00:57:29,920
Speaker 2: in position was in a person's life. Absolutely it has

1257
00:57:29,960 --> 00:57:32,160
Speaker 2: to be like if you a side cheeck, yo, try

1258
00:57:32,200 --> 00:57:33,840
Speaker 2: to hold it down. I know it's a sad time

1259
00:57:33,920 --> 00:57:35,840
Speaker 2: and all that, but you knew what it was. You

1260
00:57:35,880 --> 00:57:38,080
Speaker 2: know this man was married or he got a girlfriend,

1261
00:57:38,200 --> 00:57:40,000
Speaker 2: and you know it's like you can't come to the

1262
00:57:40,040 --> 00:57:44,040
Speaker 2: funeral home crying, going hysterical, like play the cut, not

1263
00:57:44,120 --> 00:57:46,200
Speaker 2: saying you can't cry, but play the cut. Don't go

1264
00:57:46,320 --> 00:57:48,800
Speaker 2: up to the casket all laying on him and pulling.

1265
00:57:48,840 --> 00:57:51,560
Speaker 2: It's like, yo, right.

1266
00:57:51,480 --> 00:57:55,160
Speaker 1: Here, man, if I die, you have an extended contract. Absolutely,

1267
00:57:55,640 --> 00:57:59,040
Speaker 1: this side contract cannot end the day I die. No, No,

1268
00:57:59,280 --> 00:58:02,000
Speaker 1: it's still extended. Yeah, maybe like five six years. Yeah,

1269
00:58:02,200 --> 00:58:04,680
Speaker 1: when she gets over, she finds a way, she finds

1270
00:58:04,720 --> 00:58:07,560
Speaker 1: a new dude. But you got it, you got it. Breathe,

1271
00:58:07,760 --> 00:58:09,720
Speaker 1: You gotta hold it down, though, you gotta hold it down.

1272
00:58:09,880 --> 00:58:14,000
Speaker 2: How long after if you're married and you pass away,

1273
00:58:14,040 --> 00:58:17,000
Speaker 2: how long after you know, I mean you don't have

1274
00:58:17,080 --> 00:58:20,280
Speaker 2: no say you're not no longer on earth? But how

1275
00:58:20,320 --> 00:58:22,320
Speaker 2: long after would you be like happy in your after

1276
00:58:22,400 --> 00:58:24,320
Speaker 2: life for your girl to move on? And like they

1277
00:58:24,400 --> 00:58:26,880
Speaker 2: other people, like, what's a sufficient amount of time for

1278
00:58:26,920 --> 00:58:29,360
Speaker 2: her to grieve and then move on to fine?

1279
00:58:29,400 --> 00:58:32,960
Speaker 1: Move on? You know start? Are we saying just some dick?

1280
00:58:33,160 --> 00:58:36,920
Speaker 1: Are we saying, uh yeah, a dating relationship? Yeah? Like

1281
00:58:37,000 --> 00:58:38,720
Speaker 1: how long? Okay, how long after you die?

1282
00:58:38,840 --> 00:58:41,320
Speaker 2: Can you your girlfriend at the time of your death,

1283
00:58:41,360 --> 00:58:43,320
Speaker 2: how long after would it be okay for her to

1284
00:58:43,440 --> 00:58:48,640
Speaker 2: like suck dick, like without you and your graves start

1285
00:58:48,720 --> 00:58:52,520
Speaker 2: punching like the grave, like start kicking the grave?

1286
00:58:52,560 --> 00:58:56,200
Speaker 1: Like how long after? Like moving on? Dating relationship? Everything

1287
00:58:56,360 --> 00:58:57,520
Speaker 1: was just fine in my head, And I was going

1288
00:58:57,560 --> 00:58:59,200
Speaker 1: to answer that, like I was kind of cool with

1289
00:58:59,280 --> 00:59:01,480
Speaker 1: pretty early and till you said suck dick. Yeah, I

1290
00:59:01,560 --> 00:59:03,000
Speaker 1: was like you right, we.

1291
00:59:03,040 --> 00:59:04,680
Speaker 2: Don't get right to the pain. We're going straight to

1292
00:59:04,760 --> 00:59:07,200
Speaker 2: the pain because you know that shit hurt. Okay, can

1293
00:59:07,280 --> 00:59:08,680
Speaker 2: I add some stipulations into this?

1294
00:59:09,200 --> 00:59:11,240
Speaker 1: We can negotiate ahead. Am I allowed to haunt her?

1295
00:59:12,760 --> 00:59:17,640
Speaker 1: That's hating, Like how it's haunted? You hated?

1296
00:59:17,760 --> 00:59:20,160
Speaker 2: If you haunt your girl because she's sucking dick after

1297
00:59:20,200 --> 00:59:21,280
Speaker 2: you die, you hating.

1298
00:59:21,400 --> 00:59:23,000
Speaker 1: God makes the rules. I'll make the rules. If I'm

1299
00:59:23,000 --> 00:59:26,000
Speaker 1: allowed in the VIP section, that's hating. That's hating.

1300
00:59:26,080 --> 00:59:28,040
Speaker 2: Don't you can't haunt your girl for that. No, you

1301
00:59:28,080 --> 00:59:30,840
Speaker 2: can't haunt your girl for that, not for sucking dick.

1302
00:59:31,000 --> 00:59:33,640
Speaker 1: No, I mean I wouldn't want to be in the room,

1303
00:59:33,920 --> 00:59:35,600
Speaker 1: like when she went to the bathroom to wipe her mouth.

1304
00:59:35,840 --> 00:59:37,000
Speaker 1: You can see, and I want to pop up in

1305
00:59:37,040 --> 00:59:41,240
Speaker 1: the mirror because look like I don't want to watch.

1306
00:59:41,560 --> 00:59:43,800
Speaker 1: I don't want to haunt. But like if you I'm

1307
00:59:43,840 --> 00:59:46,200
Speaker 1: not really cast for the friendly ghost in that way.

1308
00:59:46,080 --> 00:59:47,960
Speaker 2: That's perfect. Say you can see it though, like you

1309
00:59:49,040 --> 00:59:51,600
Speaker 2: moved on to another realm and your spirit. You're in

1310
00:59:51,680 --> 00:59:53,480
Speaker 2: the spirit world now, right, we don't know what happens

1311
00:59:53,520 --> 00:59:54,880
Speaker 2: after that. Let's just say what you can see what

1312
00:59:54,960 --> 00:59:57,480
Speaker 2: you can't see? Yeah, Like would you want to be

1313
00:59:57,840 --> 01:00:01,760
Speaker 2: like they're like because the movie ghost, right, I know,

1314
01:00:02,240 --> 01:00:05,680
Speaker 2: would you want to be there and like see your

1315
01:00:05,760 --> 01:00:09,760
Speaker 2: girl like sucking her next dude off, and then like

1316
01:00:09,840 --> 01:00:12,440
Speaker 2: what if it's somebody you know and she told you like, oh,

1317
01:00:12,640 --> 01:00:15,160
Speaker 2: like he ain't you know what I mean? It was

1318
01:00:15,200 --> 01:00:17,280
Speaker 2: one of those like please, I don't even look at

1319
01:00:17,320 --> 01:00:17,680
Speaker 2: him like that.

1320
01:00:18,160 --> 01:00:20,880
Speaker 1: Here's my fear. She would come to heaven and then

1321
01:00:20,920 --> 01:00:24,120
Speaker 1: we'd reunite, and then I'd have to question, wait, a

1322
01:00:24,200 --> 01:00:28,000
Speaker 1: question that body count what you're doing, what you're doing

1323
01:00:28,040 --> 01:00:30,080
Speaker 1: for her to get to heaven? Because you said that too,

1324
01:00:30,240 --> 01:00:32,480
Speaker 1: like you're she gonna come to heaven? Like what you mean? Well,

1325
01:00:32,480 --> 01:00:34,680
Speaker 1: she could suck dick and still go to heaven. No, absolutely,

1326
01:00:36,040 --> 01:00:38,320
Speaker 1: I know she can. I'm just saying, like, how does

1327
01:00:38,360 --> 01:00:41,040
Speaker 1: she pass? What happens? Is this something like that you

1328
01:00:41,160 --> 01:00:44,760
Speaker 1: also given with the RoadHead She died in a car accident,

1329
01:00:45,080 --> 01:00:46,439
Speaker 1: giving done it some other dude?

1330
01:00:46,480 --> 01:00:49,000
Speaker 2: That's not funny, that's terrible, all right? So she comes

1331
01:00:49,040 --> 01:00:50,640
Speaker 2: to heaven and then what you arguing in heaven?

1332
01:00:50,680 --> 01:00:53,800
Speaker 1: Now, well if I didn't see what was going on? Yeah,

1333
01:00:53,840 --> 01:00:56,600
Speaker 1: like maybe I have to ask, like, you know, it's

1334
01:00:56,640 --> 01:00:59,280
Speaker 1: been fifty what if I pass really young and she

1335
01:00:59,360 --> 01:01:01,600
Speaker 1: lives her life and then all of a sudden, she

1336
01:01:01,680 --> 01:01:03,800
Speaker 1: got other kids. Now I got to raise them in eternity.

1337
01:01:04,080 --> 01:01:05,720
Speaker 1: Like I don't want to be a stepfather in eternity.

1338
01:01:06,080 --> 01:01:08,200
Speaker 1: I have questions. At least if I see and know

1339
01:01:08,280 --> 01:01:11,600
Speaker 1: what's going on, I can move on in the spiritual

1340
01:01:11,640 --> 01:01:15,120
Speaker 1: world and go find a nice young woman that hasn't

1341
01:01:15,120 --> 01:01:17,720
Speaker 1: an angel been tainted by life. An angel, you find

1342
01:01:17,720 --> 01:01:19,880
Speaker 1: an angel, I get it. I see where you're going

1343
01:01:19,920 --> 01:01:22,400
Speaker 1: with it. Listen, terrorists get what seventy five virgins when

1344
01:01:22,440 --> 01:01:24,280
Speaker 1: they murder people something like that. There's got to be

1345
01:01:24,320 --> 01:01:26,200
Speaker 1: some shit up there. Yeah, it's something for us for sure.

1346
01:01:26,320 --> 01:01:28,840
Speaker 2: I don't need her anymore. But you didn't answer the question,

1347
01:01:29,000 --> 01:01:31,240
Speaker 2: how long after can she suck dick?

1348
01:01:32,160 --> 01:01:38,920
Speaker 1: After you die? Tough? I know it hurts, even in

1349
01:01:38,960 --> 01:01:41,360
Speaker 1: the after life. It hurts. Here's the thing. I've been

1350
01:01:41,520 --> 01:01:45,560
Speaker 1: very sad before, and I've grieved before, and I've been

1351
01:01:45,600 --> 01:01:49,520
Speaker 1: pretty vulnerable and easy to fuck. I might have to

1352
01:01:49,600 --> 01:01:52,560
Speaker 1: let her, let her go on her journey pretty quickly,

1353
01:01:52,680 --> 01:02:00,200
Speaker 1: right into it. Lisa Man, Yeah, damn, okay, ive got

1354
01:02:00,280 --> 01:02:02,400
Speaker 1: I guess I gotta respect that. I guess I gotta

1355
01:02:02,440 --> 01:02:05,480
Speaker 1: respect I'm only saying that because what happens when she

1356
01:02:05,640 --> 01:02:07,800
Speaker 1: also gets up to Heaven and realize Heaven has been

1357
01:02:07,880 --> 01:02:10,600
Speaker 1: like this crazy orgy party, and she's like, well, you

1358
01:02:10,680 --> 01:02:12,760
Speaker 1: was up here doing this, and then we're in an

1359
01:02:12,840 --> 01:02:15,919
Speaker 1: argument that's definitely like the fucking up the orgy in heaven. Yeah,

1360
01:02:16,160 --> 01:02:18,400
Speaker 1: so okay, well apretaty quick for you.

1361
01:02:18,440 --> 01:02:21,520
Speaker 2: What you got like forty years somewhere give it take

1362
01:02:22,520 --> 01:02:25,640
Speaker 2: somewhere along the lines of you know, five ten years maybe.

1363
01:02:25,880 --> 01:02:30,320
Speaker 1: Yeah, for sure, she can have sex pretty quickly. And

1364
01:02:30,360 --> 01:02:33,800
Speaker 1: on my right, I feel like sucking dick takes effort. Yeah,

1365
01:02:34,000 --> 01:02:35,760
Speaker 1: like you've thought about it. Why does that always hurt more?

1366
01:02:36,200 --> 01:02:39,680
Speaker 1: It's it's the mouth. I don't know why sucking dick

1367
01:02:39,760 --> 01:02:43,760
Speaker 1: hurts way more. It hurts way more, way fucking more. Yeah,

1368
01:02:43,760 --> 01:02:46,160
Speaker 1: it's just like you really like you got you had

1369
01:02:46,200 --> 01:02:48,600
Speaker 1: to get in that position. I feel like anyone could

1370
01:02:48,680 --> 01:02:52,080
Speaker 1: lay there and get fucked, and like, even if it's consensual,

1371
01:02:52,160 --> 01:02:55,560
Speaker 1: you're still like, maybe I shouldn't. Yeah, men and women

1372
01:02:55,600 --> 01:02:57,760
Speaker 1: have both done that during consensual sex, Like I shouldn't

1373
01:02:57,760 --> 01:02:59,479
Speaker 1: be doing we shouldn't be we should not be fucking

1374
01:02:59,560 --> 01:03:02,000
Speaker 1: right now. This was a mistake I should not and

1375
01:03:02,200 --> 01:03:05,240
Speaker 1: still be fine afterwards. And it's the thing sucking dick though,

1376
01:03:06,280 --> 01:03:08,560
Speaker 1: Like that's work. Yeah. And if your girl is a

1377
01:03:08,640 --> 01:03:13,640
Speaker 1: head monster too, and she takes her craft seriously, your

1378
01:03:13,680 --> 01:03:17,760
Speaker 1: girl a head monster for the next one that hurt? Oh,

1379
01:03:17,840 --> 01:03:20,720
Speaker 1: because you know, and what if he's not even like supportive,

1380
01:03:24,800 --> 01:03:26,880
Speaker 1: what if he doesn't even walk her through the grieving process?

1381
01:03:27,480 --> 01:03:30,800
Speaker 1: Oh man, that's hilarious. We are some sick dudes. I

1382
01:03:30,920 --> 01:03:33,560
Speaker 1: just thought about that. No, death is inevitable. We should

1383
01:03:33,600 --> 01:03:36,040
Speaker 1: think about these things all the time, it is. But

1384
01:03:36,120 --> 01:03:37,000
Speaker 1: I always small talk.

1385
01:03:37,040 --> 01:03:39,000
Speaker 2: I hate the small talk right after sex two though,

1386
01:03:40,600 --> 01:03:43,960
Speaker 2: after you fuck your girls, husband just died, or just no, no, no,

1387
01:03:44,120 --> 01:03:46,840
Speaker 2: just in general, like just small talk after sex. Why

1388
01:03:48,240 --> 01:03:51,200
Speaker 2: because I'd rather just like eat some cereal and go

1389
01:03:51,320 --> 01:03:55,080
Speaker 2: to sleep, or just watch TV or something and pass out.

1390
01:03:55,240 --> 01:03:58,240
Speaker 1: I don't want to really talk. Well, not so much

1391
01:03:58,320 --> 01:04:01,120
Speaker 1: these days, but I used to be in secure sexually,

1392
01:04:01,320 --> 01:04:04,080
Speaker 1: so I used that small talk time to like figure

1393
01:04:04,080 --> 01:04:06,400
Speaker 1: out if like I did all right, Like I would

1394
01:04:06,400 --> 01:04:09,400
Speaker 1: try to find little cues you asked you, you'd be asking. No, No,

1395
01:04:09,520 --> 01:04:12,880
Speaker 1: I had too much pride to ask, and I was

1396
01:04:12,960 --> 01:04:15,040
Speaker 1: too incompetent to just know that I beat that up.

1397
01:04:15,280 --> 01:04:17,160
Speaker 1: So I would try to find like little, but you

1398
01:04:17,600 --> 01:04:18,800
Speaker 1: could tell, like if.

1399
01:04:18,800 --> 01:04:23,200
Speaker 2: She get up and start like, you know, fucking rearranging

1400
01:04:23,520 --> 01:04:25,880
Speaker 2: the living room and shit like that, like you really didn't.

1401
01:04:27,960 --> 01:04:29,720
Speaker 1: I used to think like when she want to like

1402
01:04:30,680 --> 01:04:32,640
Speaker 1: you know, kind of fake cuddle, like kind of snuggle

1403
01:04:32,680 --> 01:04:35,160
Speaker 1: into my shoulder real quick after we fucked. In my head,

1404
01:04:35,200 --> 01:04:37,440
Speaker 1: I was always like, oh nah, I beat that up.

1405
01:04:37,480 --> 01:04:39,160
Speaker 1: That's what I used to think. Then I started to

1406
01:04:39,400 --> 01:04:41,120
Speaker 1: Then I started to realize, like, oh no, she just

1407
01:04:41,200 --> 01:04:43,920
Speaker 1: thinks I'm a good person, like she wants. Maybe I'm

1408
01:04:43,960 --> 01:04:44,920
Speaker 1: boyfriend material.

1409
01:04:44,760 --> 01:04:46,320
Speaker 2: Or maybe she was like damn, like let me just

1410
01:04:46,360 --> 01:04:48,040
Speaker 2: console him because he really didn't do a good job.

1411
01:04:48,080 --> 01:04:50,160
Speaker 2: But I don't want him feel sad about human being. Yes,

1412
01:04:50,240 --> 01:04:51,880
Speaker 2: I don't wan him feel bad about himself. Let me

1413
01:04:52,000 --> 01:04:53,000
Speaker 2: just pat him a little bit.

1414
01:04:53,440 --> 01:04:55,520
Speaker 1: That male ego kind of kicks in when you realize

1415
01:04:55,520 --> 01:04:59,760
Speaker 1: that you're just boyfriend material and you're not like just

1416
01:04:59,840 --> 01:05:03,880
Speaker 1: not it out material, which what what would you rather be? Though?

1417
01:05:05,000 --> 01:05:08,160
Speaker 1: At this point in my life boyfriend material? But at

1418
01:05:08,400 --> 01:05:11,200
Speaker 1: when I was like really fucking around, m h, yeah,

1419
01:05:11,200 --> 01:05:13,520
Speaker 1: I kind of took offenses to like why you thought

1420
01:05:14,360 --> 01:05:16,760
Speaker 1: I was that, Like I'm not as supportive. I was

1421
01:05:16,840 --> 01:05:21,280
Speaker 1: lying I think. I don't know. For me, it depends

1422
01:05:21,360 --> 01:05:21,840
Speaker 1: on the woman.

1423
01:05:22,640 --> 01:05:24,680
Speaker 2: Like some women, it's like I don't care if she

1424
01:05:24,760 --> 01:05:27,520
Speaker 2: looks at me like boyfriend material or not, because I'm

1425
01:05:27,560 --> 01:05:29,960
Speaker 2: never going to be her boyfriend, so you know what

1426
01:05:30,000 --> 01:05:30,240
Speaker 2: I mean.

1427
01:05:30,360 --> 01:05:31,920
Speaker 1: Like we know that for a fact. Yeah, you know

1428
01:05:31,960 --> 01:05:33,640
Speaker 1: what I mean. So it's just kind of like, Okay,

1429
01:05:33,680 --> 01:05:35,240
Speaker 1: I don't care if she looks at me that way. No,

1430
01:05:35,400 --> 01:05:37,120
Speaker 1: that that actually just used to break my heart a lot,

1431
01:05:37,240 --> 01:05:38,840
Speaker 1: Like I really thought I was tearing it up and

1432
01:05:38,920 --> 01:05:40,560
Speaker 1: there was like, no, you just seem like you're a

1433
01:05:40,600 --> 01:05:43,240
Speaker 1: stable human being and you care about my feelings and

1434
01:05:43,320 --> 01:05:46,600
Speaker 1: that's why giving you this confidence to think that you

1435
01:05:46,720 --> 01:05:49,160
Speaker 1: just beat it up. It was a rough thing to

1436
01:05:49,640 --> 01:05:50,000
Speaker 1: uh to.

1437
01:05:50,040 --> 01:05:52,680
Speaker 2: Face me, except yeah, it's it's tough, especially when you

1438
01:05:52,760 --> 01:05:55,480
Speaker 2: thought you was putting in work, sweating and shit.

1439
01:05:55,520 --> 01:05:57,640
Speaker 1: And she's just like meanwhile, she's called me at four

1440
01:05:57,680 --> 01:05:59,280
Speaker 1: a m Like she know she wants to dick. No,

1441
01:05:59,440 --> 01:06:02,320
Speaker 1: she just wants to water feelings and in return, she's

1442
01:06:02,320 --> 01:06:05,400
Speaker 1: gonna give me some pussy. That's really all it is.

1443
01:06:06,120 --> 01:06:08,560
Speaker 1: Like I'm someone that she could confide into. She knows

1444
01:06:08,600 --> 01:06:12,440
Speaker 1: I'll understand. It'll be good conversation. Oh, and you know

1445
01:06:12,520 --> 01:06:14,440
Speaker 1: she'll give me some pussy in return. That's really how

1446
01:06:14,520 --> 01:06:15,360
Speaker 1: that transaction went.

1447
01:06:16,520 --> 01:06:19,480
Speaker 2: You know, how many how many sexual partners do you

1448
01:06:19,520 --> 01:06:23,160
Speaker 2: have that you absolutely regret, Like you see them now,

1449
01:06:23,320 --> 01:06:25,480
Speaker 2: like in public, and you're like, yo, why did I ever?

1450
01:06:27,840 --> 01:06:30,600
Speaker 1: I got a handful? Yeah, I'm saying I got a

1451
01:06:30,640 --> 01:06:32,520
Speaker 1: handful I saw, and that doesn't count the ones that

1452
01:06:32,560 --> 01:06:34,040
Speaker 1: I would take to the grave. That don't even count

1453
01:06:34,080 --> 01:06:36,560
Speaker 1: because they're in the grave. Oh, we all have those.

1454
01:06:37,240 --> 01:06:39,800
Speaker 2: I would never Yeah, it's something that I'm telling you

1455
01:06:39,920 --> 01:06:41,320
Speaker 2: right now, you would never even know.

1456
01:06:42,840 --> 01:06:46,040
Speaker 1: Never, I would never expose that information anybody. My regret

1457
01:06:46,440 --> 01:06:49,000
Speaker 1: rarely comes from the sex. It comes from what happened after,

1458
01:06:50,640 --> 01:06:53,600
Speaker 1: what happened after No, just like who I found out

1459
01:06:53,640 --> 01:06:55,960
Speaker 1: who they were as people, Like that's where my regret

1460
01:06:56,080 --> 01:06:58,560
Speaker 1: comes at this point in my life. Okay, I regret

1461
01:06:58,680 --> 01:07:01,040
Speaker 1: fucking you because I I do think I had no

1462
01:07:01,200 --> 01:07:03,960
Speaker 1: business sleeping with, not even to get on some deep shit,

1463
01:07:04,000 --> 01:07:09,880
Speaker 1: but I do think like sex, energy is sexually transmitted

1464
01:07:10,080 --> 01:07:13,520
Speaker 1: for sure, like I really feel amongst others I've got, well, yes,

1465
01:07:13,600 --> 01:07:16,240
Speaker 1: of course those I don't regret because they told me

1466
01:07:16,560 --> 01:07:21,280
Speaker 1: a lesson in penicillin. But No, I've regretted like literally

1467
01:07:21,480 --> 01:07:24,560
Speaker 1: confining and sharing sexual experiences with people and realizing they

1468
01:07:24,600 --> 01:07:30,320
Speaker 1: were fucking dirt bag insane women. That's where my regrets

1469
01:07:30,360 --> 01:07:32,960
Speaker 1: come from. I've had bad sexual experiences with people, but

1470
01:07:33,160 --> 01:07:34,960
Speaker 1: I didn't regret it, like it just happened that way.

1471
01:07:35,080 --> 01:07:37,800
Speaker 1: But nah, it only came out to who you were

1472
01:07:37,840 --> 01:07:40,480
Speaker 1: as a human after Like why would I stick my dicks?

1473
01:07:41,000 --> 01:07:44,080
Speaker 1: Just like bumming, thiss is sexually transmitted. For sure, you

1474
01:07:44,200 --> 01:07:46,200
Speaker 1: took all your bummingus and now I have part of

1475
01:07:46,280 --> 01:07:47,040
Speaker 1: that on me, Like.

1476
01:07:47,040 --> 01:07:49,480
Speaker 2: I definitely understand when women find out, like some of

1477
01:07:49,560 --> 01:07:52,960
Speaker 2: the the women that I've slept with, and they'd be like,

1478
01:07:54,160 --> 01:07:56,320
Speaker 2: I get it because they knew like the type of

1479
01:07:56,360 --> 01:07:59,240
Speaker 2: woman that was, like Yo, okay, maybe she's pretty, like man,

1480
01:07:59,320 --> 01:08:03,040
Speaker 2: you know whatever, but she's trash though, like you understand

1481
01:08:03,040 --> 01:08:04,560
Speaker 2: what I'm saying. And we don't as men, we don't

1482
01:08:04,600 --> 01:08:06,680
Speaker 2: understand that. We just thinking like, oh, yeah, you hate it,

1483
01:08:07,120 --> 01:08:09,400
Speaker 2: but it's like, no, they know something about that woman

1484
01:08:09,440 --> 01:08:12,160
Speaker 2: on a deeper level. Yeah, like yo, you should never

1485
01:08:12,680 --> 01:08:15,400
Speaker 2: be like laying down with this woman.

1486
01:08:15,680 --> 01:08:20,120
Speaker 1: I'm gonna ask a question to our new reoccurring guests

1487
01:08:20,160 --> 01:08:24,360
Speaker 1: in the corner yeah, I'm looking at you. So what

1488
01:08:24,600 --> 01:08:29,400
Speaker 1: age should a man really start respecting his dick? Like

1489
01:08:29,479 --> 01:08:32,320
Speaker 1: you should stop fucking them type of chicks just need

1490
01:08:32,400 --> 01:08:37,599
Speaker 1: a number. Curious where you'd give some levers, Like, all right,

1491
01:08:37,640 --> 01:08:39,680
Speaker 1: you was twenty four, It's okay that you were still

1492
01:08:39,720 --> 01:08:44,559
Speaker 1: fucking them. I think it's different for h Man.

1493
01:08:45,000 --> 01:08:47,320
Speaker 3: Probably around the timmy starts getting money and can afford

1494
01:08:47,360 --> 01:08:47,840
Speaker 3: to fuck better.

1495
01:08:48,040 --> 01:08:51,240
Speaker 1: So twenty seven. Wait, we just uncovered something. So when

1496
01:08:51,320 --> 01:08:53,560
Speaker 1: niggas get money, they fuck better. I was about to

1497
01:08:53,600 --> 01:08:57,120
Speaker 1: say that was the stupidest thing. If you couldn't hear her,

1498
01:08:57,200 --> 01:08:58,840
Speaker 1: she said, as soon as they start getting money, and

1499
01:08:58,880 --> 01:09:03,519
Speaker 1: then through in twenty seven, but what's his name? To

1500
01:09:03,640 --> 01:09:04,320
Speaker 1: tell us about him?

1501
01:09:04,600 --> 01:09:09,800
Speaker 3: Yeah, when men should start trying to aim to fuck

1502
01:09:09,840 --> 01:09:12,000
Speaker 3: better women and caring about who they fuck, and that

1503
01:09:12,080 --> 01:09:15,160
Speaker 3: should be when they start getting more money, they should.

1504
01:09:14,880 --> 01:09:16,280
Speaker 1: Start car carrying about.

1505
01:09:17,840 --> 01:09:19,679
Speaker 2: I think when you're a bum ass nigga, you could

1506
01:09:19,680 --> 01:09:24,120
Speaker 2: just be fucking bump bitches. Okay, wait, first of all, no,

1507
01:09:24,760 --> 01:09:27,479
Speaker 2: I completely fucked some nice ones when I was Yeah,

1508
01:09:28,200 --> 01:09:29,720
Speaker 2: some of the best pluses I got was when I

1509
01:09:29,800 --> 01:09:31,640
Speaker 2: was broke and then I had some money and do

1510
01:09:31,800 --> 01:09:32,439
Speaker 2: some dumb shit.

1511
01:09:32,560 --> 01:09:35,439
Speaker 1: Like, oh, you're the bottom of a barrel. Yeah. Yeah,

1512
01:09:36,120 --> 01:09:38,679
Speaker 1: but there should be some type of age I feel

1513
01:09:38,720 --> 01:09:41,160
Speaker 1: like with people in general, and I know age is

1514
01:09:41,200 --> 01:09:42,240
Speaker 1: subjective maturity.

1515
01:09:42,280 --> 01:09:44,240
Speaker 2: So you gotta go through that phase of you know,

1516
01:09:44,479 --> 01:09:46,800
Speaker 2: you young and you just having fun and it's gonna

1517
01:09:46,800 --> 01:09:49,240
Speaker 2: be some casualties that you're gonna be like what was

1518
01:09:49,280 --> 01:09:52,600
Speaker 2: I thinking? But I agree as you get older you

1519
01:09:52,640 --> 01:09:56,479
Speaker 2: should definitely like there's certain things you should just not

1520
01:09:56,600 --> 01:09:57,360
Speaker 2: fall for anymore.

1521
01:09:57,439 --> 01:10:00,400
Speaker 1: She brought up when you start getting money is when

1522
01:10:00,479 --> 01:10:03,800
Speaker 1: maybe that should happen. I think if you stop doing that,

1523
01:10:03,920 --> 01:10:06,479
Speaker 1: you'd get to the money quicker. If you stop fucking,

1524
01:10:06,840 --> 01:10:11,920
Speaker 1: if you no, stop fucking bum people like back to

1525
01:10:12,000 --> 01:10:15,040
Speaker 1: that energy being it's not like and it's not just fucking,

1526
01:10:15,160 --> 01:10:18,960
Speaker 1: but that changing your entire uh thinking in that type

1527
01:10:19,000 --> 01:10:21,120
Speaker 1: of way. I agree, we'll get you the money quicker.

1528
01:10:21,200 --> 01:10:24,360
Speaker 1: It definitely all correlates for sure. But sometimes when you

1529
01:10:24,439 --> 01:10:26,479
Speaker 1: have money and she's a bum like, you know, it

1530
01:10:26,600 --> 01:10:28,639
Speaker 1: makes you feel better like you're really helping the community.

1531
01:10:29,439 --> 01:10:31,200
Speaker 1: You got to give back, you got to get back

1532
01:10:31,240 --> 01:10:33,240
Speaker 1: to the needy man. There's nothing wrong with that. I

1533
01:10:33,320 --> 01:10:38,000
Speaker 1: respect it. That was a random tangent, completely but necessary

1534
01:10:38,760 --> 01:10:40,760
Speaker 1: very necessary. Only Fans.

1535
01:10:43,680 --> 01:10:48,719
Speaker 2: Has announced that they will be blocking sexually explicit content

1536
01:10:48,840 --> 01:10:53,360
Speaker 2: starting October first. This is the end of an error

1537
01:10:53,360 --> 01:10:53,559
Speaker 2: as we.

1538
01:10:53,600 --> 01:10:55,639
Speaker 1: Know it, Rory. No, it's the end of a company

1539
01:10:55,680 --> 01:10:58,519
Speaker 1: as we know it, but an error as well. Who

1540
01:10:58,680 --> 01:11:01,360
Speaker 1: is the CEO of Only Fans. I have no idea.

1541
01:11:01,840 --> 01:11:03,840
Speaker 1: That's the dumbest shit I've ever seen in my entire life,

1542
01:11:03,960 --> 01:11:05,639
Speaker 1: But it might be the best thing that ever happened

1543
01:11:05,680 --> 01:11:07,960
Speaker 1: to us. That's like the CEO of Google saying, Yo,

1544
01:11:08,040 --> 01:11:11,559
Speaker 1: stop searching shit on my website. Yeah, no more searching.

1545
01:11:11,600 --> 01:11:13,560
Speaker 1: I don't want no one searching or typing in on

1546
01:11:13,640 --> 01:11:14,120
Speaker 1: my website.

1547
01:11:14,200 --> 01:11:16,080
Speaker 2: But the only reason why this is a little different

1548
01:11:16,160 --> 01:11:20,040
Speaker 2: is because, you know, it came a time where you know,

1549
01:11:20,120 --> 01:11:24,960
Speaker 2: Only Fans took off and you know, the the sexually

1550
01:11:25,000 --> 01:11:30,040
Speaker 2: explicit creators, which are creators, Yeah, they're creators. They felt like,

1551
01:11:30,960 --> 01:11:32,559
Speaker 2: you know, they started to walk with a little bravad,

1552
01:11:32,560 --> 01:11:34,840
Speaker 2: a little ego. They felt like they didn't need us.

1553
01:11:35,000 --> 01:11:37,120
Speaker 2: They felt like, you know, they were better than us.

1554
01:11:37,600 --> 01:11:39,519
Speaker 1: You're speaking from Only Fans or you think they don't

1555
01:11:39,520 --> 01:11:42,200
Speaker 1: need us, because I'll show you my subscription Only Fans

1556
01:11:42,200 --> 01:11:42,640
Speaker 1: they need me?

1557
01:11:42,800 --> 01:11:44,880
Speaker 2: Oh, you know, they definitely, but they didn't feel like

1558
01:11:44,880 --> 01:11:46,720
Speaker 2: they did. My overhead is crazy on only fans, so

1559
01:11:47,200 --> 01:11:49,880
Speaker 2: why do you have an oldhead on OnlyFans. But now

1560
01:11:50,000 --> 01:11:54,680
Speaker 2: that this platform is blocking sexually explicit content, oh, we

1561
01:11:54,760 --> 01:11:56,599
Speaker 2: might start to get those good morning techs again.

1562
01:11:58,600 --> 01:12:00,120
Speaker 1: You know, we might think we'll be back in to

1563
01:12:00,200 --> 01:12:03,160
Speaker 1: mix the frame for sure. Nah. They about to run

1564
01:12:03,200 --> 01:12:08,559
Speaker 1: Patreon up crazy. That's nasty, is it. I don't think

1565
01:12:08,560 --> 01:12:13,840
Speaker 1: it's nasty going to Patreon to get naked. It's crazy. Listen,

1566
01:12:14,320 --> 01:12:16,320
Speaker 1: here's the thing. Well, give him a guitar, like if

1567
01:12:16,320 --> 01:12:19,160
Speaker 1: you naked playing the guitar. I think it works on Patreon.

1568
01:12:19,280 --> 01:12:21,439
Speaker 1: I'm sure that the CEO of Only Fans, whoever it is,

1569
01:12:21,600 --> 01:12:23,560
Speaker 1: is smarter than me and better at business than me.

1570
01:12:23,680 --> 01:12:28,760
Speaker 2: His name is Tim Stokely, I believe yes, Oh, Kim Stokely. Uh,

1571
01:12:29,640 --> 01:12:31,360
Speaker 2: he's the Only Fans founder. I don't know if he's

1572
01:12:31,400 --> 01:12:32,439
Speaker 2: the CEO, he's the founder.

1573
01:12:32,920 --> 01:12:35,639
Speaker 1: Cool. I'm sure he's smarter than me. But as someone

1574
01:12:35,760 --> 01:12:39,880
Speaker 1: that is a consumer of his product, which is only fans,

1575
01:12:41,880 --> 01:12:45,280
Speaker 1: sometimes you may create a product or create a platform

1576
01:12:45,479 --> 01:12:46,960
Speaker 1: with an idea of what you want out of it,

1577
01:12:48,000 --> 01:12:51,240
Speaker 1: and then a whole wave of consumers come in for

1578
01:12:51,320 --> 01:12:54,120
Speaker 1: a specific thing, and sometimes you have to hit him

1579
01:12:54,120 --> 01:12:56,960
Speaker 1: with a little audible. You have to omaha at the

1580
01:12:57,080 --> 01:13:00,160
Speaker 1: line and go, we're only gonna throw this pass for

1581
01:13:00,200 --> 01:13:03,080
Speaker 1: the rest of the game if you don't lean into that.

1582
01:13:04,200 --> 01:13:06,280
Speaker 1: Pornography is what you call it because a lot of

1583
01:13:06,320 --> 01:13:09,120
Speaker 1: only fans, it's just chicks and the same shit there

1584
01:13:09,280 --> 01:13:12,120
Speaker 1: on an Instagram. But why is he not leaning into

1585
01:13:12,200 --> 01:13:14,800
Speaker 1: the pornography? Shit? Just become that, Like, what's wrong with that?

1586
01:13:15,080 --> 01:13:18,840
Speaker 1: Pornography is a billion dollar business. Absolutely, just become that shit.

1587
01:13:19,120 --> 01:13:22,240
Speaker 1: Patreon's already doing everybody else with paywalls, Vimeo as a paywall.

1588
01:13:22,640 --> 01:13:26,519
Speaker 1: Mad people at paywalls, just be the porno paywall. Let's

1589
01:13:26,600 --> 01:13:27,680
Speaker 1: read something from Daily News.

1590
01:13:27,720 --> 01:13:30,519
Speaker 2: It says only fans will ban will ban sexually explicit

1591
01:13:30,640 --> 01:13:32,920
Speaker 2: content starting in the fall, and an effort to comply

1592
01:13:33,120 --> 01:13:37,040
Speaker 2: with its financial partners. On October first, the London headquartered

1593
01:13:37,080 --> 01:13:41,240
Speaker 2: company will start prohibiting the posting of any content containing

1594
01:13:41,400 --> 01:13:45,519
Speaker 2: sexually explicit conduct Only Fans, said in a statement Thursday.

1595
01:13:45,600 --> 01:13:50,120
Speaker 2: According to Variety, Yeah.

1596
01:13:50,280 --> 01:13:55,240
Speaker 1: So well, I'm sure some other creator if you will

1597
01:13:55,920 --> 01:13:59,120
Speaker 1: read that headline and already has the platform that it

1598
01:13:59,160 --> 01:14:01,639
Speaker 1: will be strictly dedicated to that. And if you don't

1599
01:14:01,680 --> 01:14:04,360
Speaker 1: think the women that do that type of content aren't

1600
01:14:04,360 --> 01:14:05,599
Speaker 1: the ones that know how to get to the bag

1601
01:14:05,640 --> 01:14:10,000
Speaker 1: and are smart enough to move the fuck on. Oh

1602
01:14:10,120 --> 01:14:12,040
Speaker 1: we about to make it. We're about to make another billionaire.

1603
01:14:12,120 --> 01:14:15,639
Speaker 2: Absolutely Only Fans was around before it became the sexually

1604
01:14:15,840 --> 01:14:21,000
Speaker 2: you know, explicit type of content, but that absolutely blew

1605
01:14:21,160 --> 01:14:23,760
Speaker 2: OnlyFans into what it is now and for.

1606
01:14:23,800 --> 01:14:28,200
Speaker 1: The women that are porn stars. Two, I thought it

1607
01:14:28,280 --> 01:14:30,200
Speaker 1: was such a great platform because I know we always

1608
01:14:30,240 --> 01:14:34,519
Speaker 1: sit here and always talk about musicians, our everyone that

1609
01:14:34,600 --> 01:14:38,719
Speaker 1: gets robbed by labels and bootlegging and you know everything

1610
01:14:38,760 --> 01:14:42,120
Speaker 1: that we know artists have went through from getting their

1611
01:14:42,360 --> 01:14:44,920
Speaker 1: music stolen and not gotten paid for it. Right, porn

1612
01:14:44,960 --> 01:14:48,200
Speaker 1: is probably the most bootleg thing on earth. Absolutely. So Finally,

1613
01:14:48,280 --> 01:14:50,479
Speaker 1: as a porn star where I get paid one fee

1614
01:14:50,960 --> 01:14:54,080
Speaker 1: to some website and then that shit gets pirated throughout

1615
01:14:54,120 --> 01:14:56,800
Speaker 1: the entire world forever, I don't really see a dollar

1616
01:14:56,880 --> 01:14:59,400
Speaker 1: outside of me doing one scene for a fee, I

1617
01:14:59,439 --> 01:15:01,400
Speaker 1: could finally get just to paywall shit. And I don't

1618
01:15:01,439 --> 01:15:03,840
Speaker 1: know what Only Fans is. I assume it's ten to

1619
01:15:03,920 --> 01:15:06,040
Speaker 1: twenty percent something that they take off of it. I

1620
01:15:06,120 --> 01:15:09,040
Speaker 1: could finally just do this shit here. Yeah, it was beautiful,

1621
01:15:09,479 --> 01:15:13,160
Speaker 1: Like we need to give these sex workers the same

1622
01:15:14,040 --> 01:15:20,000
Speaker 1: bravado and anger and respect that we do to artists

1623
01:15:20,040 --> 01:15:21,920
Speaker 1: that get robbed. Because they get robbed too.

1624
01:15:22,040 --> 01:15:24,960
Speaker 2: I agree they get bootlegged as well. Hell aye, many

1625
01:15:25,040 --> 01:15:27,800
Speaker 2: girls on only fans and I've never been on only fans. Yeah,

1626
01:15:28,120 --> 01:15:30,479
Speaker 2: oh yeah, I understand they get bootlegged crazy, but you know,

1627
01:15:30,640 --> 01:15:31,920
Speaker 2: you know what they say, streets gotta eat.

1628
01:15:32,760 --> 01:15:34,560
Speaker 1: Oh well, she's a bull legg is.

1629
01:15:34,560 --> 01:15:36,720
Speaker 2: If they picked the wrong community to fuck with them,

1630
01:15:36,840 --> 01:15:39,160
Speaker 2: chicks is gonna find Yeah, because they they're not showing

1631
01:15:39,200 --> 01:15:39,960
Speaker 2: tits and ask no more.

1632
01:15:40,000 --> 01:15:42,559
Speaker 1: I gotta be honest. Only fans, I'm gonna be upset. Oh,

1633
01:15:42,840 --> 01:15:45,479
Speaker 1: I like, we want to be on your website.

1634
01:15:45,479 --> 01:15:47,400
Speaker 2: We want to see tits and ass forever. Whatever you

1635
01:15:47,479 --> 01:15:50,080
Speaker 2: need to do to make the sex workers happy, do it,

1636
01:15:50,720 --> 01:15:53,160
Speaker 2: because if not, I can promise you I will not

1637
01:15:53,240 --> 01:15:55,240
Speaker 2: be on only fans to see somebody playing the piano.

1638
01:15:57,479 --> 01:16:02,240
Speaker 2: So yeah, unless she's naked, Unless she's naked naked piano.

1639
01:16:05,479 --> 01:16:09,760
Speaker 2: All right, Well let's uh, we're probably close to wrapping up.

1640
01:16:10,160 --> 01:16:13,160
Speaker 2: Get some some quick quick hits shipp near. I just

1641
01:16:13,160 --> 01:16:15,080
Speaker 2: found out what a LinkedIn influencer is.

1642
01:16:15,920 --> 01:16:21,519
Speaker 1: What is that? It's basically the same U, the same guy.

1643
01:16:21,600 --> 01:16:25,080
Speaker 1: What was that college that had the guy in the

1644
01:16:25,120 --> 01:16:27,360
Speaker 1: parking lot screaming? What's she doing? Man? What's you on

1645
01:16:27,400 --> 01:16:32,519
Speaker 1: your couch for? Come on, come over here? Omega Evers

1646
01:16:33,280 --> 01:16:35,799
Speaker 1: University of Phoenix. No, no, No, that was Saint Peter's

1647
01:16:35,800 --> 01:16:40,000
Speaker 1: College where I went, one of them colleges. No, that

1648
01:16:40,200 --> 01:16:47,479
Speaker 1: was not important anyway. Was it the University of Albany?

1649
01:16:47,640 --> 01:16:49,880
Speaker 1: I feel like it was. It was big, you're not

1650
01:16:49,960 --> 01:16:51,880
Speaker 1: doing nothing, get up off the couch. Call. I feel

1651
01:16:51,880 --> 01:16:54,800
Speaker 1: like that was maybe it was. I feel like we

1652
01:16:54,840 --> 01:16:58,360
Speaker 1: should all know that. I think that I was gonna say,

1653
01:16:58,400 --> 01:17:00,400
Speaker 1: cut this, but keep it us trying to figure out

1654
01:17:00,400 --> 01:17:02,960
Speaker 1: what college is the worst? Is a hysterical It is

1655
01:17:03,439 --> 01:17:08,240
Speaker 1: it Everage Evers College? Everage College? All right? Yeah, Ever's College? Though,

1656
01:17:08,439 --> 01:17:10,680
Speaker 1: So they now have people on LinkedIn that are that

1657
01:17:10,800 --> 01:17:14,560
Speaker 1: are LinkedIn influencers that more or less just have like

1658
01:17:14,640 --> 01:17:16,920
Speaker 1: these resumes that we don't even know if you did

1659
01:17:17,000 --> 01:17:19,720
Speaker 1: anything like you just have crazy resumes. It's like, come on, man,

1660
01:17:19,880 --> 01:17:21,559
Speaker 1: you want to get a job, look at my resume.

1661
01:17:21,680 --> 01:17:23,800
Speaker 1: I'll put you in the right position. Follow me, I'll

1662
01:17:23,800 --> 01:17:26,840
Speaker 1: give you all the gigs I've just had enough with

1663
01:17:26,920 --> 01:17:29,360
Speaker 1: so I thought LinkedIn at least was going to keep

1664
01:17:29,479 --> 01:17:32,320
Speaker 1: us grounded to some degree. This is where we can

1665
01:17:32,400 --> 01:17:35,960
Speaker 1: post a job. There'll be no crazy fluff behind it.

1666
01:17:36,120 --> 01:17:37,720
Speaker 1: I apply, If I get the job, I get it.

1667
01:17:37,720 --> 01:17:40,120
Speaker 1: If I don't, that's it. Now I got to deal

1668
01:17:40,200 --> 01:17:43,280
Speaker 1: with somebody screaming at me about me being a bum

1669
01:17:44,360 --> 01:17:47,519
Speaker 1: to get a job? Is LinkedIn and like link Tree,

1670
01:17:47,520 --> 01:17:51,200
Speaker 1: are those like cousins? Maybe? I mean I'd have to

1671
01:17:51,200 --> 01:17:52,559
Speaker 1: figure out who their grandparents are, but.

1672
01:17:52,760 --> 01:17:54,599
Speaker 2: Yeah, I feel like they will be related. I feel

1673
01:17:54,640 --> 01:17:57,360
Speaker 2: like link LinkedIn and link link tree are like cousins

1674
01:17:57,479 --> 01:17:59,720
Speaker 2: or something like that. I feel like it's all the

1675
01:17:59,760 --> 01:18:01,880
Speaker 2: same shit is just different variations of it.

1676
01:18:02,320 --> 01:18:05,719
Speaker 1: But polease do not follow LinkedIn influencers. No, I wouldn't

1677
01:18:05,720 --> 01:18:07,960
Speaker 1: recommend that. I don't know why you would even do

1678
01:18:08,040 --> 01:18:10,200
Speaker 1: that in the first place. But okay, And I feel

1679
01:18:10,240 --> 01:18:13,840
Speaker 1: like if a job or a company needed a LinkedIn

1680
01:18:13,960 --> 01:18:16,479
Speaker 1: influencer to get me to apply and get the job,

1681
01:18:16,640 --> 01:18:19,000
Speaker 1: I shouldn't be at that company. No, that's just my

1682
01:18:19,360 --> 01:18:21,320
Speaker 1: how I think I'm with you on it. Absolutely not.

1683
01:18:21,439 --> 01:18:23,040
Speaker 1: I don't need to be there, like come on, man,

1684
01:18:23,200 --> 01:18:25,559
Speaker 1: you're a bum. You should be you should be an

1685
01:18:25,560 --> 01:18:28,160
Speaker 1: assisted on at this point. Man, you're depressed or you

1686
01:18:28,240 --> 01:18:31,800
Speaker 1: do smoke all day? You ever thought about filing ship

1687
01:18:31,880 --> 01:18:36,120
Speaker 1: over here? Right? And I think everyone should leave me alone.

1688
01:18:36,160 --> 01:18:40,440
Speaker 1: That I like that Rachel Dozeo is officially on OnlyFans.

1689
01:18:41,240 --> 01:18:43,599
Speaker 2: Is she the reason why there's no more sexually explicit content?

1690
01:18:43,840 --> 01:18:46,439
Speaker 2: We don't take back my like if she's not over

1691
01:18:46,439 --> 01:18:48,920
Speaker 2: there popping pussy. If she's popping pussy, actually my like,

1692
01:18:49,040 --> 01:18:51,120
Speaker 2: but you can't pop the pussy right now, that's what

1693
01:18:51,200 --> 01:18:51,559
Speaker 2: they're saying.

1694
01:18:51,560 --> 01:18:53,280
Speaker 1: What if she's trying to do it before October first,

1695
01:18:53,360 --> 01:18:56,720
Speaker 1: like she's trying to get quick and then I'm trying

1696
01:18:56,720 --> 01:19:01,680
Speaker 1: to go she's a square that's worth fifteen ninety nine

1697
01:19:01,720 --> 01:19:04,960
Speaker 1: a month. Listen, man, that's the ginger bed. Man, I

1698
01:19:05,080 --> 01:19:06,720
Speaker 1: take my life back. If she's not doing that, though

1699
01:19:07,720 --> 01:19:10,760
Speaker 1: she was, you know approved.

1700
01:19:13,120 --> 01:19:17,760
Speaker 2: That's rightly, maw, that's Rory, I'm maul, that's Rachel Dozle's

1701
01:19:18,120 --> 01:19:21,559
Speaker 2: only fans. Oh, foot picks and squats, I could respect it. Wait,

1702
01:19:21,680 --> 01:19:25,120
Speaker 2: that's what she's Wait, she's posting footpicks and squats.

1703
01:19:25,560 --> 01:19:27,240
Speaker 1: I'm not gonna pay for it. I like it though,

1704
01:19:27,880 --> 01:19:30,439
Speaker 1: if she doing like a five dollars tier for foot picks,

1705
01:19:30,560 --> 01:19:31,479
Speaker 1: like she might be all.

1706
01:19:31,400 --> 01:19:33,519
Speaker 2: Right, I mean, just looking at her, I don't know

1707
01:19:33,560 --> 01:19:35,439
Speaker 2: if I want to see her feet? What are her

1708
01:19:35,479 --> 01:19:36,320
Speaker 2: feet identify as?

1709
01:19:37,439 --> 01:19:40,679
Speaker 1: Are they feed? They could be hands? They could be hands?

1710
01:19:41,520 --> 01:19:46,200
Speaker 1: What could they could be Asian hands? Respect what she

1711
01:19:46,280 --> 01:19:49,000
Speaker 1: identifies as. You're absolutely right, I see where you're going

1712
01:19:49,040 --> 01:19:50,400
Speaker 1: with it. You're so problematic.

1713
01:19:50,560 --> 01:19:52,760
Speaker 2: Are you an early bird subscription because she says this

1714
01:19:52,920 --> 01:19:55,080
Speaker 2: content launching of September first, So I don't know if

1715
01:19:55,120 --> 01:19:57,960
Speaker 2: you want to be an early bird subscriber to Rachel

1716
01:19:58,040 --> 01:20:00,720
Speaker 2: Doles pre saved. Yeah, you gotta get the pre order.

1717
01:20:02,360 --> 01:20:04,640
Speaker 2: Does she have merch No? But look at her Oh no,

1718
01:20:04,840 --> 01:20:07,080
Speaker 2: she look at her bio and inside look at my art.

1719
01:20:07,240 --> 01:20:11,400
Speaker 2: Hair and Fitness journey with exclusive weekly posts as follows

1720
01:20:11,960 --> 01:20:15,519
Speaker 2: Monday Motivation. There would be Jim fitness squads and other stuff.

1721
01:20:18,960 --> 01:20:21,519
Speaker 1: Yeah. I'm here for the other stuff, all right, I'm

1722
01:20:21,560 --> 01:20:21,840
Speaker 1: locked in.

1723
01:20:22,120 --> 01:20:25,840
Speaker 2: Yeah, the Wednesday workday, it's just hair and chair conversations

1724
01:20:25,880 --> 01:20:27,520
Speaker 2: with her clients and hair tutorials.

1725
01:20:27,560 --> 01:20:27,920
Speaker 1: You know, just.

1726
01:20:29,840 --> 01:20:32,240
Speaker 2: Fridays is wishy unwindes. Though, this is where I bring

1727
01:20:32,360 --> 01:20:34,800
Speaker 2: the art. You bring the wine and drinks. Watch me

1728
01:20:35,320 --> 01:20:39,360
Speaker 2: discuss my art. I know what happens when I bring wine.

1729
01:20:40,880 --> 01:20:44,120
Speaker 1: Listen, I got some Charlotte. Yeah, let them let her create.

1730
01:20:44,600 --> 01:20:47,960
Speaker 2: And she's doing other random things like footpicks, posts of

1731
01:20:48,040 --> 01:20:52,240
Speaker 2: her using stuff people buy from me. Amazon, wishless, what's

1732
01:20:52,280 --> 01:20:54,320
Speaker 2: the whistless? Yeah, you know, we don't know what she

1733
01:20:54,360 --> 01:20:57,080
Speaker 2: has on her wish list. Oh there's a whistle. She

1734
01:20:57,120 --> 01:21:00,960
Speaker 2: has candles, she has uh sneakers, she has sho has

1735
01:21:01,040 --> 01:21:02,360
Speaker 2: more candles, she has.

1736
01:21:02,720 --> 01:21:05,680
Speaker 1: Vibrators, she don't. I didn't see where's the good stuff? Race?

1737
01:21:05,960 --> 01:21:09,479
Speaker 2: He scrolled past to water bottles, mac book, baby, oh baby, okay.

1738
01:21:09,479 --> 01:21:11,000
Speaker 2: And if we see some wipes, that means we're getting

1739
01:21:11,000 --> 01:21:17,880
Speaker 2: somewhere baby wipes okay, braid gel okay. Books that her

1740
01:21:18,360 --> 01:21:21,400
Speaker 2: SEMs like some type of a streaming podcast microphone.

1741
01:21:21,680 --> 01:21:24,760
Speaker 1: No, I don't want to see that, Rachel. I mean,

1742
01:21:24,880 --> 01:21:26,080
Speaker 1: it could be some rachy.

1743
01:21:26,080 --> 01:21:28,599
Speaker 2: And where's the wisdom? You got to get to this ship, Rachel?

1744
01:21:28,640 --> 01:21:31,880
Speaker 2: Where's the vibrator? They sent me a vibrator, but she

1745
01:21:31,960 --> 01:21:34,040
Speaker 2: doesn't want one. What the fuck is going on it?

1746
01:21:34,720 --> 01:21:38,120
Speaker 2: This is crazy. They sent me a vibrator, but Rachel

1747
01:21:38,160 --> 01:21:40,040
Speaker 2: doesn't want one from on her Amazon wish list.

1748
01:21:40,160 --> 01:21:43,639
Speaker 1: She doing some ASMR whatever that's called. Yeah, but come on, Rachel,

1749
01:21:43,680 --> 01:21:47,200
Speaker 1: get a vibrator. Something with the vibrator. I'm saying, she

1750
01:21:47,320 --> 01:21:49,840
Speaker 1: can do something with the vibrant. Yeah, I want to

1751
01:21:50,160 --> 01:21:53,080
Speaker 1: called AMR. Yeah, AMR. She gets right in there with

1752
01:21:53,120 --> 01:21:55,360
Speaker 1: the vibrator. She doesn't have one on her wishless though

1753
01:21:55,560 --> 01:21:57,439
Speaker 1: she has like workout pains. Do we know that wasn't

1754
01:21:57,680 --> 01:21:59,639
Speaker 1: copped already? H she has one already?

1755
01:21:59,760 --> 01:22:01,680
Speaker 2: Okay, Yeah, maybe they hopped on it early with the

1756
01:22:01,680 --> 01:22:03,640
Speaker 2: pre sage. Maybe that will follow that falls under the

1757
01:22:03,720 --> 01:22:05,599
Speaker 2: other stuff. Maybe, Yeah, you don't know where that's okay,

1758
01:22:05,960 --> 01:22:08,599
Speaker 2: So yeah, I mean listen, go give Rachel a shot,

1759
01:22:08,760 --> 01:22:10,960
Speaker 2: you know, subscribe if you want to be an early bird,

1760
01:22:11,000 --> 01:22:12,760
Speaker 2: and you're going to see the Conscious September first, and

1761
01:22:12,840 --> 01:22:13,960
Speaker 2: she's going to show your feet.

1762
01:22:14,040 --> 01:22:17,040
Speaker 1: And Monday's her hair journey going from white hair to

1763
01:22:17,120 --> 01:22:19,640
Speaker 1: black hair. Give you a whole tutorial. Listen, man, it

1764
01:22:19,720 --> 01:22:22,120
Speaker 1: might be some shit on there. You never know. Wednesdays

1765
01:22:22,160 --> 01:22:25,280
Speaker 1: she'll stay with the NAACP and talk about how she

1766
01:22:25,560 --> 01:22:28,439
Speaker 1: scammed money from there. Mm hmm. Yeah, this is actually

1767
01:22:28,560 --> 01:22:30,519
Speaker 1: this might be a quality only fans. It might be,

1768
01:22:30,800 --> 01:22:33,880
Speaker 1: this might have this might be what you know, made

1769
01:22:33,920 --> 01:22:36,479
Speaker 1: them want to change their content and go to Rachel

1770
01:22:36,520 --> 01:22:38,080
Speaker 1: came in. Yeah, yes, it was like listen, let's clean

1771
01:22:38,160 --> 01:22:40,360
Speaker 1: this LinkedIn influencers Onlyfansen.

1772
01:22:40,439 --> 01:22:41,880
Speaker 2: Yeah, like, let's clean this thing up a little bit.

1773
01:22:41,960 --> 01:22:43,719
Speaker 2: Let's get to the real ship. Let's get to braiding

1774
01:22:43,800 --> 01:22:46,560
Speaker 2: hair and squatting. Yeah, so I'm I'm here for it

1775
01:22:46,640 --> 01:22:49,479
Speaker 2: and yeah, and the other stuff that's only on on

1776
01:22:49,560 --> 01:22:50,120
Speaker 2: Mondays though.

1777
01:22:50,200 --> 01:22:51,920
Speaker 1: Yeah, anytime I got a text, yea, I'll come over

1778
01:22:51,960 --> 01:22:53,519
Speaker 1: and we can hang out and just do other stuff.

1779
01:22:53,560 --> 01:22:54,840
Speaker 1: I know what time it was. You know what other

1780
01:22:54,880 --> 01:22:57,719
Speaker 1: stuff is. Man, we ain't got to say anohing. Yeah. Anyways,

1781
01:22:57,760 --> 01:23:00,360
Speaker 1: back to quick hit shit Summer Man is eleven Saint

1782
01:23:00,400 --> 01:23:03,960
Speaker 1: Houston this year. Murder Mook, Redollars, Kate Seawan versus Hollow,

1783
01:23:04,280 --> 01:23:10,639
Speaker 1: Calikov vers Keechy Gotti, Murder Mook and Redollars versus somebody

1784
01:23:10,720 --> 01:23:12,400
Speaker 1: or they battling, No, they battling each other. Oh no,

1785
01:23:12,439 --> 01:23:17,040
Speaker 1: none of that double team ship. Pause. Uh yeah, Murder Verse, Redollars,

1786
01:23:17,600 --> 01:23:21,840
Speaker 1: Kate Seawan Versalid Kalikover skech Gotti, sur first John John.

1787
01:23:22,720 --> 01:23:25,000
Speaker 1: I'm sure there's probably some undercards after that, But that's

1788
01:23:25,040 --> 01:23:29,000
Speaker 1: what they announced. Summer Madness is I've always loved, so

1789
01:23:30,200 --> 01:23:33,120
Speaker 1: I'm excited. Yeah, I always liked some of Madness. I

1790
01:23:33,160 --> 01:23:35,760
Speaker 1: don't this lineup is not really what I thought it

1791
01:23:35,800 --> 01:23:38,840
Speaker 1: would be, though, What would you think what happened? Because

1792
01:23:38,880 --> 01:23:40,360
Speaker 1: I thought the same thing. Then I started to think

1793
01:23:40,400 --> 01:23:42,879
Speaker 1: of matchups and I was like, that wouldn't happen regardless.

1794
01:23:42,960 --> 01:23:45,639
Speaker 1: So Move versus Redollars kind of threw me off.

1795
01:23:45,720 --> 01:23:48,800
Speaker 2: But well, I think this might be an old this

1796
01:23:49,000 --> 01:23:52,400
Speaker 2: is something that I think, you know, this is some

1797
01:23:52,640 --> 01:23:54,439
Speaker 2: history behind this one, of course. Yeah, I think this

1798
01:23:54,560 --> 01:23:56,599
Speaker 2: is just one of those one of those battles where

1799
01:23:56,680 --> 01:23:59,920
Speaker 2: these two have kind of going at and had words,

1800
01:24:00,120 --> 01:24:02,479
Speaker 2: and you know, they may have even battled before.

1801
01:24:02,520 --> 01:24:04,880
Speaker 1: I don't think is this the first time they battle

1802
01:24:05,280 --> 01:24:06,599
Speaker 1: to minus oh no move? Yes?

1803
01:24:06,680 --> 01:24:09,680
Speaker 2: Yes, yes, yes, I'm thinking was the t Rex that

1804
01:24:09,720 --> 01:24:11,840
Speaker 2: already battle read? I think probably, I don't know, I'm

1805
01:24:11,840 --> 01:24:13,840
Speaker 2: not sure, but move versus, look at us, look at

1806
01:24:13,880 --> 01:24:16,919
Speaker 2: us knowing RL no move Verse battle fans are so understanding.

1807
01:24:16,920 --> 01:24:20,200
Speaker 2: I'm sure you'll yeah, move versus. That's definitely, It's definitely

1808
01:24:20,200 --> 01:24:23,040
Speaker 2: a lot of history behind that, for sure, for sure.

1809
01:24:23,360 --> 01:24:26,400
Speaker 1: Yeah, I'm just saying they haven't battle, but yeah, i'd

1810
01:24:26,439 --> 01:24:28,439
Speaker 1: like to see that, kayseean I haven't seen in a minute.

1811
01:24:30,040 --> 01:24:32,000
Speaker 1: So yeah, i' actually I'm not mad at this surfers

1812
01:24:32,080 --> 01:24:33,840
Speaker 1: John John. I think it's gonna be good too. Yeah,

1813
01:24:33,920 --> 01:24:34,479
Speaker 1: that'll be good.

1814
01:24:34,640 --> 01:24:38,320
Speaker 2: Those are two, uh, two of the better performers in

1815
01:24:38,439 --> 01:24:40,120
Speaker 2: uh in the battle battle rap.

1816
01:24:41,479 --> 01:24:44,680
Speaker 1: Yeah, i'd like to see that. Uh, Cassidy versus Tory

1817
01:24:44,760 --> 01:24:45,799
Speaker 1: Lanez have even following.

1818
01:24:47,400 --> 01:24:51,280
Speaker 2: You know what, I listened to Cassidy's I don't know

1819
01:24:51,400 --> 01:24:55,200
Speaker 2: why I popped up on my YouTube algorithm, but Cassidy's

1820
01:24:55,760 --> 01:25:00,720
Speaker 2: response popped up and I listened to it. It was

1821
01:25:00,720 --> 01:25:03,720
Speaker 2: almost like seven minutes. I think he's done two back

1822
01:25:03,760 --> 01:25:05,400
Speaker 2: to back at this point. Oh so I don't even

1823
01:25:05,439 --> 01:25:06,760
Speaker 2: know which one. I don't know if that was the

1824
01:25:06,800 --> 01:25:10,120
Speaker 2: first or the second one. They're both around seven minutes. Okay,

1825
01:25:10,200 --> 01:25:12,360
Speaker 2: so then yeah, I don't know it was Yeah, this

1826
01:25:12,479 --> 01:25:14,720
Speaker 2: one plagiarism. That's the one that's the most recent. There

1827
01:25:14,800 --> 01:25:16,360
Speaker 2: was there was one before that. Okay, I didn't hear

1828
01:25:16,360 --> 01:25:21,120
Speaker 2: the one before that. I mean it is a tainting, man,

1829
01:25:21,520 --> 01:25:25,400
Speaker 2: I mean, is it. I didn't it, I didn't, I

1830
01:25:25,439 --> 01:25:27,679
Speaker 2: don't know, I didn't I didn't hear Torri's I didn't hear.

1831
01:25:27,720 --> 01:25:31,360
Speaker 1: Uh, toy all right, Tory didn't do anything except for freestyle,

1832
01:25:31,400 --> 01:25:33,719
Speaker 1: which I guess he took some bars and Cassidy or style.

1833
01:25:34,360 --> 01:25:37,120
Speaker 2: This one of the star say that Tory. He said

1834
01:25:37,160 --> 01:25:38,840
Speaker 2: Tory took some of his bars when he was at

1835
01:25:39,640 --> 01:25:40,160
Speaker 2: was it flex?

1836
01:25:40,720 --> 01:25:44,840
Speaker 1: Yeah? Does anyone care about Tory Lanes versus? I don't

1837
01:25:44,840 --> 01:25:46,800
Speaker 1: think so. I don't think people care about that. Does

1838
01:25:46,880 --> 01:25:49,559
Speaker 1: Cassidy and Tory Lanez care about Cassidy and Tory Lanez?

1839
01:25:50,160 --> 01:25:52,280
Speaker 1: I don't think so. I don't think they're giving us.

1840
01:25:52,840 --> 01:25:54,560
Speaker 1: I only brought this up to say, like, yo, some

1841
01:25:54,680 --> 01:25:56,080
Speaker 1: things we should just like we don't need to do.

1842
01:25:56,240 --> 01:25:58,120
Speaker 2: Yeah, it's just like you good, all right maam, Like

1843
01:25:58,640 --> 01:26:01,000
Speaker 2: we don't have to up in the ring like it's okay,

1844
01:26:01,160 --> 01:26:04,280
Speaker 2: it's all right. Yeah, you feel some sight way about me, Okay, fine,

1845
01:26:04,280 --> 01:26:05,559
Speaker 2: it's all good if you.

1846
01:26:05,560 --> 01:26:08,320
Speaker 1: Want to throw it in the sixteen that he took

1847
01:26:08,400 --> 01:26:08,800
Speaker 1: your style.

1848
01:26:08,960 --> 01:26:12,439
Speaker 2: So yeah, seven minutes a seven minute, a seven minute

1849
01:26:12,520 --> 01:26:15,679
Speaker 2: dis record is is a little aggressive. It's a little

1850
01:26:15,680 --> 01:26:17,840
Speaker 2: too a little too much. I don't think anybody has

1851
01:26:17,880 --> 01:26:20,479
Speaker 2: the attention span to sit down and listen to seven

1852
01:26:20,560 --> 01:26:23,840
Speaker 2: minutes of a dish track that's just a little too

1853
01:26:24,160 --> 01:26:25,120
Speaker 2: aggressive these days.

1854
01:26:25,600 --> 01:26:29,120
Speaker 1: Did our uh our conversation about Royce and Lupe get

1855
01:26:29,200 --> 01:26:34,120
Speaker 1: cut out of our lost episode? Yeah? I did. Yeah,

1856
01:26:35,960 --> 01:26:38,920
Speaker 1: is it something we want to talk about? I mean

1857
01:26:39,400 --> 01:26:42,000
Speaker 1: we can. Why not I don't talk about because I

1858
01:26:42,000 --> 01:26:44,400
Speaker 1: feel like people killed us by not bringing it up,

1859
01:26:44,479 --> 01:26:46,920
Speaker 1: and we brought it up the week had happened in

1860
01:26:47,000 --> 01:26:49,439
Speaker 1: that lost episode. I just don't think the footage made

1861
01:26:49,479 --> 01:26:52,000
Speaker 1: it because a lot of that footage was and this

1862
01:26:52,120 --> 01:26:54,000
Speaker 1: is honestly not an excuse, a lot of that footage

1863
01:26:54,080 --> 01:26:56,599
Speaker 1: was corrupted and the audio didn't work, so we tried

1864
01:26:56,640 --> 01:26:59,920
Speaker 1: to salvage what we had left. The Royce and Lupe

1865
01:27:00,080 --> 01:27:04,920
Speaker 1: ship was interesting to me. Uh, Royce, ie is my guy.

1866
01:27:05,800 --> 01:27:07,600
Speaker 1: I would have liked to see him a response in

1867
01:27:07,640 --> 01:27:09,559
Speaker 1: on a fan. I would have liked to see response

1868
01:27:09,640 --> 01:27:13,560
Speaker 1: as a hip hop fan. Yeah, I'm not him, So

1869
01:27:13,600 --> 01:27:16,200
Speaker 1: I don't know what he took so personal in that record.

1870
01:27:16,600 --> 01:27:18,840
Speaker 1: And again I'm not him, let's make that clear.

1871
01:27:21,280 --> 01:27:21,559
Speaker 2: Lope.

1872
01:27:21,800 --> 01:27:24,719
Speaker 1: This was great to me. Oh, I thought it was fire.

1873
01:27:25,160 --> 01:27:27,040
Speaker 1: I thought it was really, really, really good, and I

1874
01:27:27,080 --> 01:27:30,519
Speaker 1: would have loved to see Royce come back. And because

1875
01:27:30,520 --> 01:27:33,680
Speaker 1: I know Royce's caliber. I what else I mean? And

1876
01:27:33,760 --> 01:27:35,760
Speaker 1: no way do I hear because a lot of people

1877
01:27:35,880 --> 01:27:38,320
Speaker 1: know Lupe is an alien, but I've never thought Lupe

1878
01:27:39,160 --> 01:27:41,920
Speaker 1: Royce could never. No, No, that's what I'm saying. That's

1879
01:27:41,960 --> 01:27:42,759
Speaker 1: the perfect opponent.

1880
01:27:42,960 --> 01:27:46,280
Speaker 2: These are two of the aliens that you know. This

1881
01:27:46,400 --> 01:27:47,760
Speaker 2: is what they do, this is what they built for,

1882
01:27:47,920 --> 01:27:49,920
Speaker 2: this is what you know they come from. They come

1883
01:27:49,960 --> 01:27:52,720
Speaker 2: from this type of competitive rap. But I think that's

1884
01:27:52,800 --> 01:27:58,200
Speaker 2: somewhere along the line it got it went left. Yes

1885
01:27:58,240 --> 01:27:59,720
Speaker 2: I didn't because even when I you know, it was

1886
01:28:00,200 --> 01:28:02,880
Speaker 2: happening and I saw the like little remnant of the

1887
01:28:02,960 --> 01:28:05,760
Speaker 2: back and forth, I'm like, this is Royce and Loupe.

1888
01:28:05,840 --> 01:28:08,240
Speaker 1: They they cool, they fuck with each other. Yeah, I

1889
01:28:08,240 --> 01:28:10,160
Speaker 1: didn't enjoy it. I didn't know what. Yeah, I didn't.

1890
01:28:10,160 --> 01:28:11,840
Speaker 1: I didn't. I don't know where it went left.

1891
01:28:13,000 --> 01:28:15,200
Speaker 2: And then you know, I know Royce was calling, you know,

1892
01:28:15,320 --> 01:28:17,640
Speaker 2: telling him to rap, and you know, and I think

1893
01:28:17,720 --> 01:28:20,080
Speaker 2: Loupe was saying Royce had said some things like basically

1894
01:28:20,160 --> 01:28:23,360
Speaker 2: alluding to Lupe wasn't on his level and that he

1895
01:28:23,400 --> 01:28:26,600
Speaker 2: should never try to like throw stones at him, And

1896
01:28:26,720 --> 01:28:28,600
Speaker 2: of course Lupa felt like, who the fuck are you

1897
01:28:28,800 --> 01:28:30,840
Speaker 2: like what you mean, I shouldn't throw stones at you, like, yeah,

1898
01:28:31,040 --> 01:28:32,600
Speaker 2: so I think that's where things kind of got a

1899
01:28:32,640 --> 01:28:35,479
Speaker 2: little chippy and you know, win a little left. But

1900
01:28:36,840 --> 01:28:40,880
Speaker 2: I would love to see Royce, you know, entertain this

1901
01:28:41,080 --> 01:28:43,280
Speaker 2: and and go back and forth, or you know, at

1902
01:28:43,320 --> 01:28:45,040
Speaker 2: least put something out because this is this is what

1903
01:28:45,200 --> 01:28:47,760
Speaker 2: Royce does. This is what yeah, he's been doing most

1904
01:28:47,800 --> 01:28:49,679
Speaker 2: of his career. I know now he's in a different

1905
01:28:50,280 --> 01:28:52,680
Speaker 2: you know space as far as you know mentally, and

1906
01:28:52,960 --> 01:28:55,840
Speaker 2: you know, you're grown and you have kids, so there's

1907
01:28:55,880 --> 01:28:57,800
Speaker 2: certain things you don't want to entertain because certain energy

1908
01:28:57,840 --> 01:29:00,679
Speaker 2: you just don't want to attract and bring to yourself.

1909
01:29:00,800 --> 01:29:02,560
Speaker 2: I can understand that, but this is to me, this

1910
01:29:02,680 --> 01:29:05,320
Speaker 2: is the sport. This is this is part of hip hop.

1911
01:29:05,360 --> 01:29:07,840
Speaker 2: This is part of especially when it's somebody that's a

1912
01:29:07,960 --> 01:29:10,400
Speaker 2: worthy opponent. Of course, you know, if it wasn't, if

1913
01:29:10,439 --> 01:29:13,040
Speaker 2: it was somebody less than loop A, I could totally understand,

1914
01:29:13,080 --> 01:29:15,639
Speaker 2: like I'm not responding to that, but this is Loope.

1915
01:29:15,800 --> 01:29:19,240
Speaker 2: This is somebody that can really rap, is it? Somebody

1916
01:29:19,320 --> 01:29:21,720
Speaker 2: that can talk slick? This is somebody that you know,

1917
01:29:21,880 --> 01:29:25,160
Speaker 2: has success, put out some really good albums and records

1918
01:29:25,240 --> 01:29:27,760
Speaker 2: and has all of these you know, accolades or whatever

1919
01:29:27,800 --> 01:29:30,160
Speaker 2: you want to call it. But more importantly, he's somebody

1920
01:29:30,200 --> 01:29:33,760
Speaker 2: who's fit for lyrical battle. And so I mean, I

1921
01:29:33,760 --> 01:29:36,600
Speaker 2: would love to see Royce go back and forth or

1922
01:29:36,840 --> 01:29:39,800
Speaker 2: you know, respond to Loope at some point, you know,

1923
01:29:40,000 --> 01:29:43,000
Speaker 2: just because that's two of the aliens.

1924
01:29:42,680 --> 01:29:45,439
Speaker 1: That we have in our culture. Yeah, and again I

1925
01:29:45,520 --> 01:29:48,559
Speaker 1: didn't follow it like day to day, but I remember

1926
01:29:48,680 --> 01:29:53,559
Speaker 1: when Royce, Loope and Mickey Fax were all posting shit

1927
01:29:53,600 --> 01:29:56,400
Speaker 1: on ig of their previous music, like, man, this is

1928
01:29:56,479 --> 01:29:58,600
Speaker 1: what I do, which I loved. I thought that was

1929
01:29:58,640 --> 01:30:02,040
Speaker 1: great too, Yeah, show people your back catalog of how

1930
01:30:02,040 --> 01:30:03,479
Speaker 1: you could really rap. I thought it was a good

1931
01:30:03,520 --> 01:30:07,560
Speaker 1: way to, you know, get into the lyrical part of

1932
01:30:08,560 --> 01:30:10,800
Speaker 1: social media of Instagram, like, hey, we could still do

1933
01:30:10,880 --> 01:30:13,120
Speaker 1: this type of thing. And then it turned to this,

1934
01:30:13,320 --> 01:30:15,080
Speaker 1: and then I got excited because I thought they was

1935
01:30:15,120 --> 01:30:19,559
Speaker 1: really gonna battle, and Mickey's ship was great, Loupe shit

1936
01:30:19,680 --> 01:30:22,519
Speaker 1: was great. And I haven't spoken to Royce, so I

1937
01:30:22,560 --> 01:30:22,880
Speaker 1: don't know.

1938
01:30:22,920 --> 01:30:24,400
Speaker 2: What I haven't spoke to me that I was gonna

1939
01:30:24,439 --> 01:30:26,000
Speaker 2: call him and just kind of figure it out, because

1940
01:30:26,000 --> 01:30:28,920
Speaker 2: I did see Royce call loup A a bitch on

1941
01:30:29,320 --> 01:30:31,760
Speaker 2: I think they was on ig Loope called him one

1942
01:30:32,000 --> 01:30:34,600
Speaker 2: in the this a couple of times, but no, I

1943
01:30:34,680 --> 01:30:37,160
Speaker 2: mean before this, before acord this even happened like they

1944
01:30:37,200 --> 01:30:39,519
Speaker 2: were on like Instagram live. It was like three or

1945
01:30:39,560 --> 01:30:41,400
Speaker 2: four of them, you know they do the live now

1946
01:30:41,479 --> 01:30:45,320
Speaker 2: with multiple people, and the conversation just went left. And

1947
01:30:45,479 --> 01:30:47,599
Speaker 2: Royce said, and I think you might say do something

1948
01:30:47,600 --> 01:30:50,200
Speaker 2: about it, bitch or do or who you think you

1949
01:30:50,280 --> 01:30:50,640
Speaker 2: talked them to?

1950
01:30:50,720 --> 01:30:50,880
Speaker 1: Bitch?

1951
01:30:50,920 --> 01:30:52,599
Speaker 2: And I was like whoa, Like you know you call

1952
01:30:52,720 --> 01:30:55,679
Speaker 2: another grown man bitch. It's like, wait, what just happened?

1953
01:30:55,760 --> 01:30:58,000
Speaker 2: Like That's so I didn't know leading up to that.

1954
01:30:58,040 --> 01:31:00,800
Speaker 2: I don't know what happened before that, but I know

1955
01:31:00,880 --> 01:31:02,680
Speaker 2: at that point that's when it went left, because I

1956
01:31:02,680 --> 01:31:04,559
Speaker 2: think even after that Loop A, I think hung up

1957
01:31:05,400 --> 01:31:07,479
Speaker 2: on the live. I think he like just hung it up.

1958
01:31:07,520 --> 01:31:09,640
Speaker 2: And I think the next day or two days after

1959
01:31:09,680 --> 01:31:11,000
Speaker 2: that's when we got the loop A record.

1960
01:31:12,240 --> 01:31:15,519
Speaker 1: Yeah, because I enjoyed Royce's It was like seven to

1961
01:31:15,640 --> 01:31:17,320
Speaker 1: eight minutes of him wrapping and there was a few

1962
01:31:17,360 --> 01:31:19,240
Speaker 1: shots in there here and there, but it wasn't like

1963
01:31:19,439 --> 01:31:23,479
Speaker 1: what Loupe did. Yeah, I would just love for Royce again.

1964
01:31:23,479 --> 01:31:25,639
Speaker 1: I don't know what he's really.

1965
01:31:25,520 --> 01:31:29,000
Speaker 2: Thinking and not super personal. Me neither, But like you know,

1966
01:31:29,280 --> 01:31:31,000
Speaker 2: I just would like this. That would be just like

1967
01:31:31,080 --> 01:31:33,320
Speaker 2: as a fan necessary, But what do I know? Yeah,

1968
01:31:34,760 --> 01:31:38,320
Speaker 2: I'm trying to think of other quick case. It just

1969
01:31:38,400 --> 01:31:38,960
Speaker 2: mark all this.

1970
01:31:42,720 --> 01:31:48,160
Speaker 1: U Alia is coming. I saw the billboard, what do

1971
01:31:48,240 --> 01:31:51,280
Speaker 1: you mean? Explained, I was driving down Canal Street. It

1972
01:31:51,360 --> 01:31:54,160
Speaker 1: said there was a billboard right on Canal and sixth

1973
01:31:54,200 --> 01:31:57,479
Speaker 1: Avenue and it said Aliyah is coming dot com and

1974
01:31:57,600 --> 01:32:00,320
Speaker 1: I went to it as a countdown. I do that

1975
01:32:00,360 --> 01:32:02,920
Speaker 1: has something to do with her streaming, because you can't

1976
01:32:02,920 --> 01:32:08,240
Speaker 1: get Aliyah on Apple, Spotify, Title anything Amazon. So I'd

1977
01:32:08,280 --> 01:32:12,320
Speaker 1: imagine maybe they're starting and Aliyah streaming site where we

1978
01:32:12,439 --> 01:32:14,719
Speaker 1: go to Alea dot com and hear her whole catalog.

1979
01:32:14,840 --> 01:32:17,280
Speaker 1: Because I know her uncle or whoever's running her state

1980
01:32:17,360 --> 01:32:21,240
Speaker 1: now has been very against her being sampled, her being

1981
01:32:22,000 --> 01:32:24,519
Speaker 1: on any type of streaming sites, which to some degree

1982
01:32:24,560 --> 01:32:27,680
Speaker 1: I get. Of course, her fans would love to hear

1983
01:32:27,680 --> 01:32:30,920
Speaker 1: her music, and especially if you look at all the

1984
01:32:31,880 --> 01:32:35,599
Speaker 1: current R and B, it's a family tree of a Leah.

1985
01:32:36,080 --> 01:32:37,840
Speaker 2: So what that makes sense because all the things we're

1986
01:32:37,880 --> 01:32:39,679
Speaker 2: coming up on twenty years since her passing.

1987
01:32:40,040 --> 01:32:42,240
Speaker 1: Yeah, well, I just even that style of music and

1988
01:32:42,280 --> 01:32:46,360
Speaker 1: how she sings and that writing is Celia is what's

1989
01:32:46,439 --> 01:32:47,880
Speaker 1: right now. So it would be nice to have her

1990
01:32:47,880 --> 01:32:49,880
Speaker 1: on streaming, just for all the newer fans to kind

1991
01:32:49,920 --> 01:32:52,360
Speaker 1: of tap into that catalog and go back to it

1992
01:32:53,520 --> 01:32:56,080
Speaker 1: so they know the genius of a Leah. Yeah. So

1993
01:32:57,320 --> 01:32:59,320
Speaker 1: I don't know. Again, I don't know if Aliah's coming

1994
01:32:59,560 --> 01:33:01,640
Speaker 1: is go to be strictly on that website or a

1995
01:33:01,680 --> 01:33:05,800
Speaker 1: Leah is coming to streaming. I'm just a person that

1996
01:33:05,920 --> 01:33:07,960
Speaker 1: was driving on Canal Street and Sixth Avenue.

1997
01:33:08,439 --> 01:33:10,439
Speaker 2: Well, it says Aaliah is coming to streaming, but her

1998
01:33:10,560 --> 01:33:15,639
Speaker 2: state isn't happy about it. Here's where her state isn't

1999
01:33:15,640 --> 01:33:20,519
Speaker 2: happy about it. Alah fans have been clamoring for her

2000
01:33:20,600 --> 01:33:23,040
Speaker 2: catalog to be available for streaming for years. It appears

2001
01:33:23,080 --> 01:33:25,639
Speaker 2: their weight will soon be over. Nearly twenty years after

2002
01:33:25,720 --> 01:33:28,000
Speaker 2: her tragic death, the Princess of R and B's catalog

2003
01:33:28,040 --> 01:33:31,679
Speaker 2: will be available on streaming starting August twentieth. Barry Hankerson,

2004
01:33:31,720 --> 01:33:34,320
Speaker 2: her uncle and founder of label Blackground Records, announced in

2005
01:33:34,360 --> 01:33:37,599
Speaker 2: a Billboard review published Thursday, Alia's music will be rolling

2006
01:33:37,640 --> 01:33:40,360
Speaker 2: out in near chronological orders starting with the release of

2007
01:33:40,400 --> 01:33:43,120
Speaker 2: her platinum selling album One in a Million. According to

2008
01:33:43,160 --> 01:33:46,680
Speaker 2: a press release, albums Aliyah and I Care for You

2009
01:33:46,800 --> 01:33:50,320
Speaker 2: will follow on September tenth and October eighth, respectively.

2010
01:33:50,880 --> 01:33:51,920
Speaker 1: So what took so long?

2011
01:33:52,160 --> 01:33:56,080
Speaker 2: The delay, according to Hankerson, stemmed from disagreements with Elia's estate,

2012
01:33:56,200 --> 01:33:59,040
Speaker 2: which he said had previously expressed a desire to take

2013
01:33:59,080 --> 01:34:02,360
Speaker 2: a catalog off the market. There was a conversation we

2014
01:34:02,479 --> 01:34:07,200
Speaker 2: had that Diane Harton, Aliah's mother didn't want the music out,

2015
01:34:07,920 --> 01:34:10,080
Speaker 2: and whatever my sister told me, I tried to do

2016
01:34:10,240 --> 01:34:12,439
Speaker 2: what she wanted me to do, Hankerson said during the

2017
01:34:12,479 --> 01:34:18,240
Speaker 2: Billboard interview. As a parent, he goes want to say

2018
01:34:18,280 --> 01:34:21,599
Speaker 2: as a parent, I would understand scroll up a little

2019
01:34:21,600 --> 01:34:25,800
Speaker 2: bit as a parent the other way pause. As a parent,

2020
01:34:25,880 --> 01:34:28,080
Speaker 2: I would understand if she did not want the music out,

2021
01:34:28,200 --> 01:34:30,439
Speaker 2: because who wants to hear the voice of your daughter

2022
01:34:30,479 --> 01:34:33,360
Speaker 2: who's gone. So when she said that to me, I said, Okay,

2023
01:34:33,800 --> 01:34:36,720
Speaker 2: we're not putting out. I don't know when, but one

2024
01:34:36,800 --> 01:34:40,080
Speaker 2: day we will born. Aliah Harden, the singer, died in

2025
01:34:40,160 --> 01:34:41,880
Speaker 2: the plane crash in the Muhamas in two thousand and

2026
01:34:41,880 --> 01:34:44,040
Speaker 2: one at the age of twenty two. This month marks

2027
01:34:44,080 --> 01:34:49,000
Speaker 2: the twentieth anniversary of her death. Aliah's estate responded to

2028
01:34:49,120 --> 01:34:52,760
Speaker 2: the deal in a statement through attorney Paul Lacalsi and

2029
01:34:52,920 --> 01:34:56,920
Speaker 2: said it was not made aware of the streaming release

2030
01:34:56,960 --> 01:34:59,439
Speaker 2: of the Late Singers catalog. For almost twenty years, Blackground

2031
01:34:59,439 --> 01:35:01,840
Speaker 2: has failed to a count to the estate with any

2032
01:35:01,920 --> 01:35:06,479
Speaker 2: regularity in accordance with her recording contracts. In addition, the

2033
01:35:06,640 --> 01:35:10,880
Speaker 2: estate was not made aware of the impending release of

2034
01:35:10,960 --> 01:35:13,519
Speaker 2: the catalog until after the deal was complete and plans

2035
01:35:13,560 --> 01:35:14,120
Speaker 2: were in place.

2036
01:35:15,840 --> 01:35:16,680
Speaker 1: Scroll up a little bit.

2037
01:35:17,439 --> 01:35:20,360
Speaker 2: The state has demanded the terms of its new deal

2038
01:35:20,920 --> 01:35:24,760
Speaker 2: to distribute Alliah's long embargoed music. The statement reads, and

2039
01:35:24,880 --> 01:35:27,800
Speaker 2: a separate released and a separate statement released on Twitter.

2040
01:35:27,840 --> 01:35:30,559
Speaker 2: The state condemned actions to leach off Aliah's life work.

2041
01:35:33,160 --> 01:35:35,160
Speaker 2: Well you know again, I mean continue to rest in

2042
01:35:35,200 --> 01:35:41,080
Speaker 2: peace Aliyah prayers to her family. So it seems like,

2043
01:35:41,120 --> 01:35:44,240
Speaker 2: you know, Aliah fans will be able to hear some

2044
01:35:44,360 --> 01:35:50,400
Speaker 2: of her music stream it whatever. You know, that's inventory

2045
01:35:50,479 --> 01:35:52,559
Speaker 2: behind the passing coming up on twenty years.

2046
01:35:53,080 --> 01:35:55,640
Speaker 1: That's it's conflicting because if the mother doesn't want to

2047
01:35:55,680 --> 01:35:59,240
Speaker 1: hear her daughter's voice, then it makes it a little different.

2048
01:36:00,000 --> 01:36:03,920
Speaker 1: As far as my opinion on it. Yeah, But I

2049
01:36:04,040 --> 01:36:06,840
Speaker 1: initially thought and there had been rumors about her uncle

2050
01:36:08,240 --> 01:36:10,519
Speaker 1: with money and things of that nature and why it

2051
01:36:10,680 --> 01:36:13,639
Speaker 1: never made streaming because of that, and I always thought

2052
01:36:13,640 --> 01:36:16,240
Speaker 1: it was a little selfish. I'm like, all right, man,

2053
01:36:16,280 --> 01:36:18,160
Speaker 1: I mean, you're only going to make so much money

2054
01:36:18,200 --> 01:36:21,360
Speaker 1: on streaming to begin with. If you really care about

2055
01:36:21,439 --> 01:36:25,720
Speaker 1: money and her legacy, you would just create a place

2056
01:36:25,760 --> 01:36:29,639
Speaker 1: where people could just buy Allah's music digitally or streaming digitally.

2057
01:36:31,040 --> 01:36:35,439
Speaker 1: So if you're just fighting with the streaming service or

2058
01:36:35,520 --> 01:36:38,320
Speaker 1: her mother's wishes, like, I get that, but I also

2059
01:36:38,439 --> 01:36:41,120
Speaker 1: get if it's not money, her fans might want to

2060
01:36:41,160 --> 01:36:44,240
Speaker 1: listen to that shit, like it's a good way to

2061
01:36:44,320 --> 01:36:47,360
Speaker 1: keep that legacy going. I've never lost a child, so

2062
01:36:47,360 --> 01:36:49,640
Speaker 1: I'll never speak on that. But I don't know if

2063
01:36:49,680 --> 01:36:56,080
Speaker 1: there's anything left outside of prayers for Haiti, prayers for

2064
01:36:56,400 --> 01:37:00,759
Speaker 1: everyone affected by the Taliban will definitely put some links

2065
01:37:01,280 --> 01:37:02,040
Speaker 1: in the Bible.

2066
01:37:02,120 --> 01:37:04,719
Speaker 2: I read something that's saying that if you have sky miles,

2067
01:37:04,760 --> 01:37:08,160
Speaker 2: you can donate your sky miles to uh some of

2068
01:37:08,240 --> 01:37:13,240
Speaker 2: the people in Afghanistan. Afghanistan. That's great, you know, So

2069
01:37:13,439 --> 01:37:15,160
Speaker 2: that might be something that people want to look into.

2070
01:37:15,400 --> 01:37:17,479
Speaker 2: They want to donate some miles some people. There's a

2071
01:37:18,800 --> 01:37:20,880
Speaker 2: site that allow people to do that.

2072
01:37:21,240 --> 01:37:23,360
Speaker 1: Will be nice if the airlines did that too.

2073
01:37:23,920 --> 01:37:26,840
Speaker 2: I mean it's not like they can't afford it. Yeah,

2074
01:37:27,240 --> 01:37:29,120
Speaker 2: but you know, so if you want to donate in

2075
01:37:29,200 --> 01:37:32,479
Speaker 2: any way possible to help people and you know going

2076
01:37:32,520 --> 01:37:36,240
Speaker 2: through that unfortunate circumstance in Afghanistan, please do so.

2077
01:37:37,000 --> 01:37:39,880
Speaker 1: Yeah, and we'll put some links in the description here

2078
01:37:40,320 --> 01:37:43,560
Speaker 1: for Haiti relief as well as what you can do

2079
01:37:43,600 --> 01:37:46,639
Speaker 1: with the Taliban. What you can do with the Taliban,

2080
01:37:46,800 --> 01:37:52,320
Speaker 1: like what you can do to help a long day? Now,

2081
01:37:52,360 --> 01:37:54,840
Speaker 1: what you can do with the Taliban. No, I'm not

2082
01:37:54,920 --> 01:37:57,479
Speaker 1: telling you the link with Italies and get shit done. No,

2083
01:37:57,880 --> 01:37:59,880
Speaker 1: how you can help in Afghanistan. Have a link of

2084
01:38:00,160 --> 01:38:01,760
Speaker 1: what you could do with the Taliban. That's why it

2085
01:38:01,880 --> 01:38:07,800
Speaker 1: continues on fuck is running the internet? Oh man? But yeah,

2086
01:38:07,800 --> 01:38:08,920
Speaker 1: I don't know if there's much. I don't know if

2087
01:38:08,920 --> 01:38:09,559
Speaker 1: you have anything else?

2088
01:38:12,600 --> 01:38:18,639
Speaker 2: Listen man again, Press is Dennis Schroeder, you know, turned

2089
01:38:18,640 --> 01:38:21,599
Speaker 2: down eighty four million to live in la and now

2090
01:38:21,640 --> 01:38:24,240
Speaker 2: he's making six millions to live in cold ass Boston.

2091
01:38:26,400 --> 01:38:29,400
Speaker 2: I think he needs to fire his agent because I

2092
01:38:29,520 --> 01:38:34,920
Speaker 2: read earlier that Terry Roseer has agreed to a four year,

2093
01:38:35,080 --> 01:38:38,360
Speaker 2: ninety seven million dollar contract with the Charlotte Hornets.

2094
01:38:39,800 --> 01:38:42,280
Speaker 1: I like Charlotte a few days after.

2095
01:38:43,600 --> 01:38:46,040
Speaker 2: Dennis Schroder agreed to a six million dollar contract for

2096
01:38:46,120 --> 01:38:50,000
Speaker 2: one year with the Boston Celtics after he turned down

2097
01:38:50,200 --> 01:38:54,960
Speaker 2: eighty four million with the Lakers. So yeah, President the Schroeder,

2098
01:38:55,080 --> 01:38:58,479
Speaker 2: fire your agent. I'm sure you can get in touch

2099
01:38:58,479 --> 01:39:01,880
Speaker 2: with Rich Paul, you know, call Rich. He can try

2100
01:39:01,920 --> 01:39:03,840
Speaker 2: to help out as best as can't as best as

2101
01:39:03,880 --> 01:39:04,160
Speaker 2: he can.

2102
01:39:05,200 --> 01:39:06,720
Speaker 1: But uh, yeah, this is uh.

2103
01:39:07,320 --> 01:39:10,040
Speaker 2: Another the saga continues in the story of Dennis Schroeder

2104
01:39:10,120 --> 01:39:12,080
Speaker 2: turning down eighty four million dollars like when.

2105
01:39:12,000 --> 01:39:14,719
Speaker 1: Master p was Ricky Williams agent.

2106
01:39:15,920 --> 01:39:20,200
Speaker 2: No, well, yeah, somewhere along those lines. Yeah, I don't

2107
01:39:20,920 --> 01:39:24,160
Speaker 2: again man, and listen Dennis Schroeder like I maybe better

2108
01:39:24,160 --> 01:39:26,200
Speaker 2: on yourself. Maybe this is what he's going with this year,

2109
01:39:26,360 --> 01:39:32,160
Speaker 2: but Ricky did. But yeah, this is uh, this is

2110
01:39:32,280 --> 01:39:34,639
Speaker 2: this is tough. I mean, I know, seeing Dennis Schroulders,

2111
01:39:34,720 --> 01:39:36,840
Speaker 2: I mean, Terry rose has signed for ninety seven million

2112
01:39:37,600 --> 01:39:39,640
Speaker 2: after you know, you turned down eighty four and then

2113
01:39:39,720 --> 01:39:42,479
Speaker 2: had to take six from Boston. His uh has to hurt.

2114
01:39:42,560 --> 01:39:46,679
Speaker 2: It has to hurt a little bit. So yeah, President

2115
01:39:46,800 --> 01:39:49,759
Speaker 2: the Schroeder, that's all I got with sports.

2116
01:39:50,120 --> 01:39:52,679
Speaker 1: Go Yankees. The Yankees have been on the tail. Yeah

2117
01:39:53,040 --> 01:39:55,599
Speaker 1: three in a row? Three in a row or four

2118
01:39:55,640 --> 01:39:58,800
Speaker 1: in a row? Is it four? Please? So yeah?

2119
01:39:59,400 --> 01:40:02,519
Speaker 2: Right on time as the playoffs is, you know it's

2120
01:40:02,560 --> 01:40:05,840
Speaker 2: coming down to the wire. So it was looking shaky

2121
01:40:05,880 --> 01:40:07,920
Speaker 2: for the Yankees a few weeks ago. I ain't gonna lie.

2122
01:40:07,960 --> 01:40:08,200
Speaker 1: I thought.

2123
01:40:08,240 --> 01:40:09,879
Speaker 2: I was like, listen, if they don't make the playoffs

2124
01:40:09,880 --> 01:40:12,560
Speaker 2: this year, it's gonna be time to clean house a

2125
01:40:12,600 --> 01:40:15,439
Speaker 2: little bit, like payroll is too hot not to make

2126
01:40:15,439 --> 01:40:15,920
Speaker 2: the playoffs.

2127
01:40:16,600 --> 01:40:19,719
Speaker 1: Well, that's always it's come on stomping her family, that's gonnappen.

2128
01:40:19,920 --> 01:40:21,839
Speaker 1: But you got to make it. Suddenly knows one strategy

2129
01:40:22,200 --> 01:40:25,880
Speaker 1: what his father did. But I like the young team.

2130
01:40:26,640 --> 01:40:27,439
Speaker 1: I can't be mad at it.

2131
01:40:27,600 --> 01:40:30,960
Speaker 2: No, listen, A Yankee fan for life, shout out to

2132
01:40:30,960 --> 01:40:35,760
Speaker 2: the Knicks again. Kimball Walker officially announced Evan Fognier. Can

2133
01:40:35,800 --> 01:40:38,600
Speaker 2: we can we get Kimball on here? I'm sure we

2134
01:40:38,680 --> 01:40:40,200
Speaker 2: can hit a basketball guy. Yeah, I'm sure we can

2135
01:40:40,280 --> 01:40:42,040
Speaker 2: get Kimball on here. I definitely want to get I

2136
01:40:42,080 --> 01:40:44,160
Speaker 2: would love to get him and juliets on here. Actually,

2137
01:40:45,000 --> 01:40:46,760
Speaker 2: I love to sit and talk with them and she

2138
01:40:46,840 --> 01:40:49,840
Speaker 2: would see what they what the energy is right now

2139
01:40:50,439 --> 01:40:51,040
Speaker 2: with that team.

2140
01:40:51,439 --> 01:40:54,599
Speaker 1: It's the Knicks are looking good, man. I'm not gonna lie.

2141
01:40:54,600 --> 01:40:56,560
Speaker 1: The Nicks are looking really, really good. I'm trying to

2142
01:40:56,640 --> 01:40:57,120
Speaker 1: join us now.

2143
01:40:57,439 --> 01:40:59,080
Speaker 2: No, no, no, I'm still a Lakers fan forever, but

2144
01:40:59,600 --> 01:41:01,360
Speaker 2: the Nixt are looking good and I think that, you know,

2145
01:41:01,400 --> 01:41:04,080
Speaker 2: it's important that the Knicks are a playoff team. They

2146
01:41:04,120 --> 01:41:06,439
Speaker 2: need to be a playoff team now. They just need

2147
01:41:06,479 --> 01:41:09,200
Speaker 2: to get out of the first round and then anything

2148
01:41:09,240 --> 01:41:11,320
Speaker 2: could happen after that. So shout out to the Knicks.

2149
01:41:11,400 --> 01:41:13,240
Speaker 2: Should be an interesting season, should be a great season

2150
01:41:13,240 --> 01:41:17,439
Speaker 2: for Knicks fans, long overdue. And the city is starting

2151
01:41:17,479 --> 01:41:20,800
Speaker 2: to feel like, you know, the old playoff Knicks. Now

2152
01:41:21,320 --> 01:41:23,640
Speaker 2: now it's starting to you know, the barber shops.

2153
01:41:23,400 --> 01:41:25,280
Speaker 1: Is a little I only experienced so much of that

2154
01:41:25,320 --> 01:41:28,080
Speaker 1: in my life. But yeah, you you haven't experienced much

2155
01:41:28,120 --> 01:41:29,400
Speaker 1: of that. I've experienced enough of it.

2156
01:41:29,840 --> 01:41:32,000
Speaker 2: The barbershops are buzzing a little more now, you know,

2157
01:41:32,160 --> 01:41:34,599
Speaker 2: like the clippers are cutting off more in the shop.

2158
01:41:34,680 --> 01:41:36,320
Speaker 1: Everybody talking, they shit, you know what I mean, Like

2159
01:41:36,360 --> 01:41:39,439
Speaker 1: you could just you feel it more showing their jump shit,

2160
01:41:39,600 --> 01:41:40,240
Speaker 1: you feel it more.

2161
01:41:40,280 --> 01:41:42,439
Speaker 2: You feel it, like, Okay, anybody feeling like the Knicks

2162
01:41:42,520 --> 01:41:45,719
Speaker 2: up back to a respect a respectable level of basketball.

2163
01:41:45,800 --> 01:41:48,680
Speaker 1: So any new music coming out this weekend, probably that

2164
01:41:48,800 --> 01:41:52,000
Speaker 1: we don't know about. I'm sure. I was listening to

2165
01:41:52,040 --> 01:41:54,400
Speaker 1: the Tinks album. She has a really good album. I

2166
01:41:54,479 --> 01:41:55,880
Speaker 1: think I told you that. Yeah, we talked to her

2167
01:41:55,960 --> 01:41:57,639
Speaker 1: last episode. Yeah, she has a really good album.

2168
01:41:58,240 --> 01:42:00,240
Speaker 2: Brie Steves. I was listening to Brie Steves out. She

2169
01:42:00,320 --> 01:42:06,120
Speaker 2: put out a good project. We spoke about Boldie's album. Yeah,

2170
01:42:06,200 --> 01:42:09,000
Speaker 2: some good, some good, some good music out there. I

2171
01:42:09,040 --> 01:42:11,000
Speaker 2: don't know who's coming out this weekend, but we know

2172
01:42:11,080 --> 01:42:12,240
Speaker 2: who's not coming out this weekend.

2173
01:42:12,240 --> 01:42:14,599
Speaker 1: But that's a whole other story, exactly. Know. It's quiet

2174
01:42:14,640 --> 01:42:17,760
Speaker 1: right now because everyone's terrified of when Kanye and Drake

2175
01:42:17,840 --> 01:42:20,479
Speaker 1: might drop. That's why there's not much to talk about

2176
01:42:20,520 --> 01:42:23,519
Speaker 1: right now as far as music goes. Everyone's terrified. We're

2177
01:42:23,520 --> 01:42:25,800
Speaker 1: gonna sit in wait. So so he's going to State

2178
01:42:25,840 --> 01:42:28,479
Speaker 1: Farm Theater, now he's going to Chicago. Drake sitting there

2179
01:42:28,560 --> 01:42:32,160
Speaker 1: posting every picture saying, hey I'm just waiting. Yeah, I

2180
01:42:32,280 --> 01:42:35,920
Speaker 1: dare you. That's all it's double Dutch to send it

2181
01:42:36,000 --> 01:42:40,640
Speaker 1: over to Apple Music. Yeah, I did whatever. Who I'm

2182
01:42:40,680 --> 01:42:43,519
Speaker 1: an artist. I'm sitting and waiting until they're done too.

2183
01:42:44,000 --> 01:42:46,080
Speaker 2: I did see that Summer Walker was finished with her album.

2184
01:42:47,160 --> 01:42:50,000
Speaker 2: I did see that, so I'm I'm happy. I know

2185
01:42:50,160 --> 01:42:52,760
Speaker 2: she did not, but I am happy to see that

2186
01:42:52,880 --> 01:42:56,360
Speaker 2: she is done with her project and definitely looking forward

2187
01:42:56,400 --> 01:42:56,560
Speaker 2: to that.

2188
01:42:58,439 --> 01:43:01,719
Speaker 1: But yeah, man, definitely just are getting a little Toronto,

2189
01:43:01,800 --> 01:43:02,680
Speaker 1: even if she's not even there.

2190
01:43:02,920 --> 01:43:04,640
Speaker 2: Uh no, she has to be there, she has to

2191
01:43:04,680 --> 01:43:08,559
Speaker 2: be performing. Yeah, So yeah, have a great week. We'll

2192
01:43:08,600 --> 01:43:11,080
Speaker 2: talk to y'all soon. Be safe, peace

2193
01:43:14,720 --> 01:43:16,320
Speaker 1: No Willian Nound