1 00:00:00,160 --> 00:00:06,160 Speaker 1: M h. Welcome to episode two fifty three. I just 2 00:00:06,240 --> 00:00:09,880 Speaker 1: drove in. We drove six hours to get back here today, 3 00:00:10,240 --> 00:00:14,320 Speaker 1: so we're gonna start with the five pieces of music 4 00:00:14,400 --> 00:00:16,480 Speaker 1: you need to know. That's why we do this on Friday. 5 00:00:16,480 --> 00:00:18,599 Speaker 1: That's why I had to get back tonight. We drove 6 00:00:18,640 --> 00:00:20,840 Speaker 1: from Arkansas back to Nashville. What to look at it 7 00:00:20,880 --> 00:00:23,720 Speaker 1: a little cabin up there. I think we found one, 8 00:00:23,720 --> 00:00:27,400 Speaker 1: which is nice. Kind of in a part of the 9 00:00:27,880 --> 00:00:30,800 Speaker 1: of the state where I used to be a dishwasher, 10 00:00:30,840 --> 00:00:34,159 Speaker 1: so kind of full circle same like a mile from 11 00:00:34,159 --> 00:00:36,920 Speaker 1: where I used to wash dishes, one of my first jobs. 12 00:00:37,360 --> 00:00:40,319 Speaker 1: So we did that today. Um, listen to a bunch 13 00:00:40,360 --> 00:00:41,919 Speaker 1: of music on the way back. Listen to a lot 14 00:00:41,960 --> 00:00:44,560 Speaker 1: of podcasts. We kind of did the bear Brook You 15 00:00:44,680 --> 00:00:48,040 Speaker 1: hear that one bear Brook. The bear Brook podcast is 16 00:00:48,080 --> 00:00:50,720 Speaker 1: about a town called barrett Brook where there some bodies 17 00:00:50,760 --> 00:00:54,840 Speaker 1: found and some like barrels for and they didn't even 18 00:00:54,920 --> 00:00:56,560 Speaker 1: they couldn't find the killer because they didn't even know 19 00:00:56,600 --> 00:00:59,640 Speaker 1: who the bodies were. They just found four human bodies. 20 00:01:01,200 --> 00:01:04,120 Speaker 1: But eventually you kind of here and then it ends 21 00:01:04,160 --> 00:01:06,479 Speaker 1: all of a sudden. I thought it ended way too quick. 22 00:01:06,480 --> 00:01:09,280 Speaker 1: But they don't have a killer. I don't think I'm 23 00:01:09,280 --> 00:01:11,200 Speaker 1: spoiling it here. And then we've been catching up with 24 00:01:11,240 --> 00:01:14,840 Speaker 1: the updates, but they do have the killer. You'll have 25 00:01:14,920 --> 00:01:17,880 Speaker 1: to hear it, okay, but it's pretty interesting. I'm not 26 00:01:17,920 --> 00:01:19,800 Speaker 1: a big crime podcast guy, but if you're listening to this, 27 00:01:19,880 --> 00:01:22,560 Speaker 1: you obviously listen to podcasts. You know. Another one I'm 28 00:01:22,560 --> 00:01:24,560 Speaker 1: listening to before we get into the five pieces of 29 00:01:24,640 --> 00:01:28,880 Speaker 1: music you need to know is the Presidential Wants called 30 00:01:28,920 --> 00:01:31,720 Speaker 1: It is called Presidential and the woman who I think 31 00:01:31,720 --> 00:01:34,120 Speaker 1: she works with the Washington Post. She did this podcast 32 00:01:34,200 --> 00:01:37,119 Speaker 1: I think four years ago, but it doesn't really matter 33 00:01:37,160 --> 00:01:38,959 Speaker 1: because it doesn't mean our current it did. She starts 34 00:01:39,000 --> 00:01:43,000 Speaker 1: with President one, which is George Washington, and does anywhere 35 00:01:43,040 --> 00:01:46,479 Speaker 1: from thirty to fifty minutes on each president, and it's 36 00:01:46,480 --> 00:01:49,200 Speaker 1: how they grew up, what they wanted to do in office, 37 00:01:49,240 --> 00:01:50,960 Speaker 1: what did they do, what they do after office? You know, 38 00:01:51,000 --> 00:01:52,840 Speaker 1: one of the presidents went back and served in Congress 39 00:01:52,880 --> 00:01:55,680 Speaker 1: for sixteen years or eighteen years after he was the president. 40 00:01:56,640 --> 00:01:58,200 Speaker 1: So for me, I kind of nerd out about that. 41 00:01:58,200 --> 00:02:00,280 Speaker 1: But I tweeted her and said he enjoyed the podcast, 42 00:02:00,280 --> 00:02:02,960 Speaker 1: and she's like, oh, thanks, that's crazy. And then I said, 43 00:02:02,960 --> 00:02:04,800 Speaker 1: heyhe come on our podcast some point. We'll just talk 44 00:02:04,840 --> 00:02:07,720 Speaker 1: to you. And so maybe next week or the week 45 00:02:07,760 --> 00:02:10,320 Speaker 1: after that. Cool, we'll get her on. But she has 46 00:02:10,320 --> 00:02:13,079 Speaker 1: a people podcasts, but no, pretty pumped about that. I 47 00:02:13,200 --> 00:02:15,000 Speaker 1: listened to another one today in the car on the 48 00:02:15,000 --> 00:02:19,639 Speaker 1: long drive called conspiracy Theory. Now, there are a lot 49 00:02:19,680 --> 00:02:22,080 Speaker 1: of podcast called conspiracy theory, because I looked it up, 50 00:02:22,840 --> 00:02:27,280 Speaker 1: but the one it's the it's called Conspiracy Theories and 51 00:02:27,320 --> 00:02:29,639 Speaker 1: it's kind of got a yellow or orange just or 52 00:02:29,760 --> 00:02:32,200 Speaker 1: just I'm colored blind. What color is that yellow? Okay, 53 00:02:32,200 --> 00:02:35,960 Speaker 1: it's a yellow cover. It says conspiracy Theories. It's on 54 00:02:36,080 --> 00:02:40,240 Speaker 1: podcast Network. And the first they're all two pieces. The 55 00:02:40,280 --> 00:02:43,040 Speaker 1: first one it's kind of the history, like I listened 56 00:02:43,080 --> 00:02:47,959 Speaker 1: to one about Hitler and where he came from, how 57 00:02:47,960 --> 00:02:51,040 Speaker 1: he turned into the monster that he ended up being. 58 00:02:51,840 --> 00:02:55,000 Speaker 1: But then the second one they go through the conspiracies 59 00:02:55,120 --> 00:02:57,440 Speaker 1: like did he actually not die in the bonk or 60 00:02:57,520 --> 00:02:59,400 Speaker 1: like a lot of people think. And then they go 61 00:02:59,639 --> 00:03:03,440 Speaker 1: and they're a conspiracy theorists at all, So they take 62 00:03:03,480 --> 00:03:07,520 Speaker 1: the data and then they raised it. You know, we'd 63 00:03:07,560 --> 00:03:09,240 Speaker 1: to give this one a two out of ten or 64 00:03:09,240 --> 00:03:12,080 Speaker 1: a seven out of ten. Yeah, pretty wild, and so 65 00:03:12,160 --> 00:03:15,600 Speaker 1: there were some crazy ones about Hitler. One was aliens 66 00:03:16,280 --> 00:03:17,880 Speaker 1: one what you have to hear it if you want 67 00:03:17,880 --> 00:03:19,760 Speaker 1: to hear that one, that he was an alien, that 68 00:03:19,880 --> 00:03:22,519 Speaker 1: he had help. I don't want to spoil it. But 69 00:03:22,520 --> 00:03:23,840 Speaker 1: they didn't give it. They didn't get that one that 70 00:03:23,880 --> 00:03:28,040 Speaker 1: many stars. So there's that one. I listened to one 71 00:03:28,160 --> 00:03:33,640 Speaker 1: on the uh Shakespeare today where they don't think Shakespeare 72 00:03:33,680 --> 00:03:36,360 Speaker 1: wrote all of his plays because he was kind of 73 00:03:36,600 --> 00:03:40,280 Speaker 1: he didn't have a great education. They go through who 74 00:03:40,280 --> 00:03:42,320 Speaker 1: they think wrote them was that this guy was, that 75 00:03:42,360 --> 00:03:44,400 Speaker 1: this guy was a group of people, that he stole 76 00:03:44,440 --> 00:03:46,440 Speaker 1: it from them, or they just like it was common. 77 00:03:46,480 --> 00:03:50,000 Speaker 1: First of all, back then there were no copyright laws. 78 00:03:50,040 --> 00:03:52,320 Speaker 1: So even if it was let's let's even if it 79 00:03:52,400 --> 00:03:55,160 Speaker 1: was William Shakespeare, the guther we know it as people 80 00:03:55,160 --> 00:03:56,920 Speaker 1: did all the time. They took other people's work and 81 00:03:56,960 --> 00:03:58,600 Speaker 1: then just did a little stuff around it and changed it. 82 00:03:59,560 --> 00:04:02,040 Speaker 1: But are a couple of scenarios where they go, you know, 83 00:04:02,080 --> 00:04:03,880 Speaker 1: this person needed to fake his own death because he 84 00:04:03,880 --> 00:04:06,720 Speaker 1: got caught being a spy, and he may have used 85 00:04:06,760 --> 00:04:09,160 Speaker 1: someone's name who was an actor in William Shakespeare's We 86 00:04:09,160 --> 00:04:11,600 Speaker 1: Know Him, which just a dumb actor. They think. Now 87 00:04:11,640 --> 00:04:15,520 Speaker 1: we're talking about fifteen hundreds. So but it's interesting. I 88 00:04:15,520 --> 00:04:17,120 Speaker 1: don't want to tell you what they think. But I 89 00:04:17,160 --> 00:04:20,400 Speaker 1: listened to that one two parts, and I listened Abraham 90 00:04:20,440 --> 00:04:24,920 Speaker 1: Lincoln his assassination. And you know, by now we've heard 91 00:04:24,920 --> 00:04:27,440 Speaker 1: a lot of the Lincoln stories about how he got 92 00:04:27,440 --> 00:04:29,839 Speaker 1: into office. You know, his whole team was rivals and 93 00:04:29,839 --> 00:04:32,680 Speaker 1: they all hated each other. But you know, he put 94 00:04:32,720 --> 00:04:36,480 Speaker 1: together a team to win, like he ran and Republicans 95 00:04:36,560 --> 00:04:39,120 Speaker 1: then through Lincoln had a lot of the same sensibilities 96 00:04:39,120 --> 00:04:41,240 Speaker 1: as Democrats do. Now a lot of the parties have 97 00:04:41,360 --> 00:04:45,200 Speaker 1: changed around. But you know, um, but he but he 98 00:04:45,320 --> 00:04:47,440 Speaker 1: ran with a Democrat. He was a Republican who ran 99 00:04:47,440 --> 00:04:51,279 Speaker 1: with a Democrat. They ran on a unity ticket Andrew Johnson, 100 00:04:51,480 --> 00:04:55,320 Speaker 1: and they hated each other. But he was a very 101 00:04:55,360 --> 00:04:58,799 Speaker 1: pragmatic guy in that he was like, listen, let's represent 102 00:04:59,279 --> 00:05:03,560 Speaker 1: his first election. He barely won the first election. He 103 00:05:03,600 --> 00:05:06,159 Speaker 1: only won the vote before people ran at the same time, 104 00:05:07,200 --> 00:05:09,760 Speaker 1: and he had the most because so most people didn't 105 00:05:09,800 --> 00:05:12,520 Speaker 1: like him when he he was never popular. Even when 106 00:05:12,520 --> 00:05:14,159 Speaker 1: he died, he was never popular. It was only after 107 00:05:14,200 --> 00:05:18,080 Speaker 1: he died that he became popular and while this sounds crazy, 108 00:05:18,320 --> 00:05:20,359 Speaker 1: and then they figure out who they think was behind 109 00:05:21,120 --> 00:05:24,040 Speaker 1: Did Abraham Lincoln was Andrew Johnson who was vice president 110 00:05:24,040 --> 00:05:27,000 Speaker 1: and hated him? Was it his? So and so? Did 111 00:05:27,080 --> 00:05:30,920 Speaker 1: John Wilkes Booths fake his own death? Did John the 112 00:05:31,160 --> 00:05:34,440 Speaker 1: h This podcast is not on our network, have no 113 00:05:34,520 --> 00:05:37,320 Speaker 1: affiliation with him whatsoever. But I've been driving over the 114 00:05:37,360 --> 00:05:40,200 Speaker 1: past two days, I've drove, I've driven thirteen hours and 115 00:05:40,200 --> 00:05:42,600 Speaker 1: so I've had a lot of time to digest podcasts. 116 00:05:42,960 --> 00:05:45,159 Speaker 1: And then Caitlin has one that she loves called The 117 00:05:45,279 --> 00:05:48,600 Speaker 1: Morning Toast Take a Bite out of Your Morning or 118 00:05:48,640 --> 00:05:52,680 Speaker 1: something like that, and so podcast a game changers for 119 00:05:52,760 --> 00:05:57,640 Speaker 1: long drives. So that's what we've been doing driving and 120 00:05:57,720 --> 00:05:59,520 Speaker 1: I thought I'd recommend a few of those podcasts. What 121 00:06:00,000 --> 00:06:02,760 Speaker 1: You're doing today? I was just hanging out today listening 122 00:06:02,760 --> 00:06:06,240 Speaker 1: to some new music. Anything good on your list? Um 123 00:06:06,279 --> 00:06:08,040 Speaker 1: on my list? One of my favorite punk bands put 124 00:06:08,040 --> 00:06:09,600 Speaker 1: on a new album. They have put it out in 125 00:06:09,680 --> 00:06:12,240 Speaker 1: six years, and listening to that pretty much. What's their name? 126 00:06:12,440 --> 00:06:19,360 Speaker 1: Lawrence Arms? So a popular punk band like Lawrence's Arms, 127 00:06:19,520 --> 00:06:27,040 Speaker 1: Lauren's Arms, Lauren's Arms, Lawrence Lawrence Arms. How many Instagram 128 00:06:27,040 --> 00:06:29,800 Speaker 1: followers as a popular punk band like Laurence. I don't 129 00:06:29,880 --> 00:06:32,800 Speaker 1: know how many they have, maybe as many as, like 130 00:06:33,120 --> 00:06:34,960 Speaker 1: a little more than I would have. Let's see, how 131 00:06:34,960 --> 00:06:39,159 Speaker 1: do you spell it? L A Lawrence Laurence, the Lawrence 132 00:06:39,279 --> 00:06:44,520 Speaker 1: Arms they have. Okay, I just wonder about these punk 133 00:06:44,560 --> 00:06:47,400 Speaker 1: bands I've never heard of and the followings that they have. 134 00:06:47,560 --> 00:06:51,039 Speaker 1: Can they go to any major city and play a 135 00:06:51,080 --> 00:06:53,920 Speaker 1: decent sized club. Yeah, like here, they would probably play 136 00:06:54,400 --> 00:06:56,880 Speaker 1: a place called Marathon Music Works and sell that. They 137 00:06:56,920 --> 00:06:59,960 Speaker 1: could sell that out because Marathon hold over two thousands. 138 00:07:00,000 --> 00:07:02,760 Speaker 1: They could sell that place out. Play me some of this, 139 00:07:03,640 --> 00:07:05,960 Speaker 1: I'll pull it out I didn't put it, and then 140 00:07:05,960 --> 00:07:09,840 Speaker 1: I'll go through we'll look at you not being biased, 141 00:07:10,960 --> 00:07:14,200 Speaker 1: and then I'll go to the five pieces of new 142 00:07:14,280 --> 00:07:16,480 Speaker 1: music you need to know or something we're just don't 143 00:07:16,520 --> 00:07:18,800 Speaker 1: working on what this is about. We'll talk to Creed 144 00:07:18,840 --> 00:07:20,960 Speaker 1: Bratton from the office coming up in a second. Who 145 00:07:20,960 --> 00:07:24,920 Speaker 1: played Creed Bratton and a talk with keV Mo, who's 146 00:07:24,960 --> 00:07:27,680 Speaker 1: a really great blues artist. I thought it'd be cool 147 00:07:27,720 --> 00:07:29,600 Speaker 1: talk to him for a few minutes. Maybe give me 148 00:07:29,640 --> 00:07:31,240 Speaker 1: something you can check out if you haven't checked it out. 149 00:07:31,520 --> 00:07:39,400 Speaker 1: This is then, Okay, here's Lawrence Arms. It was ninth 150 00:07:39,400 --> 00:07:42,640 Speaker 1: grade and we went to class. We held hands, but 151 00:07:42,720 --> 00:07:48,520 Speaker 1: we went to Fast Sleep Slash The sad pretty good 152 00:07:50,080 --> 00:07:51,920 Speaker 1: and there's a bit of production. It sounds like they 153 00:07:52,000 --> 00:07:53,600 Speaker 1: got in a real studio. Yeah, they went out to 154 00:07:53,640 --> 00:07:56,520 Speaker 1: like some remote studio in Texas and recorded it, turned 155 00:07:56,520 --> 00:08:03,400 Speaker 1: it up a little more. Sometimes you'll bring in these 156 00:08:03,440 --> 00:08:07,080 Speaker 1: people or it sounds like they just went into a 157 00:08:07,160 --> 00:08:11,160 Speaker 1: shed there was being sold at low. This actually has 158 00:08:11,160 --> 00:08:14,000 Speaker 1: some really good production on it. Yeah, no, yeah, that 159 00:08:14,000 --> 00:08:17,120 Speaker 1: sounds good. All right, all right, um, we're just giving 160 00:08:17,120 --> 00:08:20,480 Speaker 1: a little plug here. Their name is Lawrence Arms. Arms. 161 00:08:20,720 --> 00:08:22,600 Speaker 1: What does that mean. It's like the name of the 162 00:08:22,800 --> 00:08:26,920 Speaker 1: apartment that lived in growing up, Lawrence Arms. All right, 163 00:08:27,000 --> 00:08:30,920 Speaker 1: let's do five songs and we'll do some music news 164 00:08:30,960 --> 00:08:33,680 Speaker 1: too before we get into these interviews. Number five Cam 165 00:08:33,760 --> 00:08:51,600 Speaker 1: has a new song called Classic Big Change for Cam, 166 00:08:51,679 --> 00:08:54,559 Speaker 1: she changed labels. I'm not sure what happened, And I 167 00:08:54,559 --> 00:08:56,640 Speaker 1: don't know if for other label dropped her or or 168 00:08:56,720 --> 00:08:58,840 Speaker 1: if she said, hey, can I get out of this? 169 00:08:58,880 --> 00:09:00,480 Speaker 1: I don't like the direction we're going wing and they 170 00:09:01,880 --> 00:09:04,240 Speaker 1: because if you do that, that's that's always tough to 171 00:09:04,240 --> 00:09:07,400 Speaker 1: get out. It usually costs a lot of money. You know, 172 00:09:07,440 --> 00:09:09,319 Speaker 1: we had to I say we. I had to get 173 00:09:09,320 --> 00:09:10,800 Speaker 1: out of my record deal when Eddie and I were 174 00:09:11,160 --> 00:09:19,120 Speaker 1: um at No Broken Bow, Black Black River. Yeah, because 175 00:09:19,280 --> 00:09:20,880 Speaker 1: I didn't want to put on albums. I wanted to 176 00:09:20,880 --> 00:09:23,000 Speaker 1: put out just comedy singles. And there's no money for 177 00:09:23,040 --> 00:09:25,360 Speaker 1: them to make with comedy singles because they're not selling anything. 178 00:09:25,360 --> 00:09:28,960 Speaker 1: They're streaming one song and and so I had to 179 00:09:29,000 --> 00:09:30,439 Speaker 1: go and I had to pay to get out of it, 180 00:09:30,520 --> 00:09:32,120 Speaker 1: and that would be nothing compared to if you're an 181 00:09:32,160 --> 00:09:34,680 Speaker 1: artist now. I say, now, it wasn't that long ago. 182 00:09:35,320 --> 00:09:37,120 Speaker 1: But I had to buy like three songs and get 183 00:09:37,120 --> 00:09:38,280 Speaker 1: out of it, and it cost me a little bit 184 00:09:38,280 --> 00:09:39,679 Speaker 1: of money. But I don't know what happened with camp. 185 00:09:39,720 --> 00:09:42,079 Speaker 1: I just know she's on a new label. So it's 186 00:09:42,080 --> 00:09:43,520 Speaker 1: been a while. So we've seen her, said a baby. 187 00:09:43,840 --> 00:09:45,680 Speaker 1: I've seen her a couple of times, but she hasn't 188 00:09:45,720 --> 00:09:47,959 Speaker 1: been around a whole lot. I don't know if she's 189 00:09:47,960 --> 00:09:51,440 Speaker 1: been in Nashville or in California. Are aware, but good 190 00:09:51,440 --> 00:09:54,959 Speaker 1: to see her back. Number four A thousand Horses has 191 00:09:55,040 --> 00:09:58,360 Speaker 1: a new song called a Song to Remember. I need 192 00:09:58,440 --> 00:10:20,240 Speaker 1: a song. He did a drink fall again. I'm all right, 193 00:10:21,360 --> 00:10:25,520 Speaker 1: I like those guys. We did Bobby Cast with Mike. Yeah, 194 00:10:25,520 --> 00:10:28,720 Speaker 1: I just look back a few episodes. Really good. He's 195 00:10:29,240 --> 00:10:30,959 Speaker 1: we won't say who won't make you go check it out. 196 00:10:31,000 --> 00:10:34,120 Speaker 1: But he's related to another famous lead singer in a 197 00:10:34,240 --> 00:10:37,240 Speaker 1: rock band, someone that I loved and I geeked out 198 00:10:37,240 --> 00:10:38,679 Speaker 1: when they came to the studio. I've only ever met 199 00:10:38,720 --> 00:10:40,080 Speaker 1: him once, but you can check that out on the 200 00:10:40,080 --> 00:10:43,480 Speaker 1: Michael Hobby Bobby Cast. At number three, the guys from 201 00:10:43,520 --> 00:10:46,080 Speaker 1: a Lanko. They have a new song out called Save Me. 202 00:10:55,080 --> 00:10:57,440 Speaker 1: I really like those guys too. There's a good one 203 00:10:57,440 --> 00:10:59,640 Speaker 1: of these. And now we're along with Brandon, the lead singer. 204 00:11:00,360 --> 00:11:02,319 Speaker 1: I think Brendon I had met a few times, but 205 00:11:02,760 --> 00:11:05,560 Speaker 1: then but we stayed after if you go back and 206 00:11:05,600 --> 00:11:08,920 Speaker 1: listen to a Brandon Lancaster, we stayed after, hung out 207 00:11:08,920 --> 00:11:10,520 Speaker 1: and then we kind of became buds to the point 208 00:11:10,520 --> 00:11:13,360 Speaker 1: where we did Charlie Worsham Show together because he does 209 00:11:13,400 --> 00:11:17,360 Speaker 1: something every Friday for a while during maybe fall, and 210 00:11:17,480 --> 00:11:19,280 Speaker 1: we did a nineties throwback where I think I went 211 00:11:19,320 --> 00:11:22,199 Speaker 1: into Alan Jackson, he did Travis Trip. We stayed hung 212 00:11:22,200 --> 00:11:24,480 Speaker 1: out there, he played, they played the Million Dollar Show. 213 00:11:24,480 --> 00:11:26,880 Speaker 1: He came out and played because I was gonna be 214 00:11:27,200 --> 00:11:30,960 Speaker 1: or forever and you were gonna be and so uh yeah, 215 00:11:31,120 --> 00:11:33,680 Speaker 1: good dude, good band. They have a song called save 216 00:11:33,800 --> 00:11:36,320 Speaker 1: Me At number two. The Chicks put out their new 217 00:11:36,360 --> 00:11:40,240 Speaker 1: album called gas Lighter. It's their fifth album, their first 218 00:11:40,280 --> 00:11:43,520 Speaker 1: and fourteen years. Here's a new song called sleep at Night, 219 00:11:43,920 --> 00:12:03,600 Speaker 1: how do You Sleep? And night? You know. I tweeted 220 00:12:03,640 --> 00:12:06,760 Speaker 1: about them yesterday. I said, for as much as people 221 00:12:06,800 --> 00:12:09,679 Speaker 1: complain about the Chicks not getting on the radio, and 222 00:12:09,760 --> 00:12:12,080 Speaker 1: invited them on the show multiple times, even recently through 223 00:12:12,120 --> 00:12:14,199 Speaker 1: the label through Twitter, I've played their new stuff. Just 224 00:12:14,240 --> 00:12:17,400 Speaker 1: apparently they don't want to. It's not me not offering 225 00:12:18,120 --> 00:12:20,240 Speaker 1: or it's not me not being a fan. I think 226 00:12:20,240 --> 00:12:22,559 Speaker 1: we've talked about her here on this too, played them 227 00:12:22,559 --> 00:12:23,800 Speaker 1: on the radio show, play the old stuff on the 228 00:12:23,880 --> 00:12:26,320 Speaker 1: radio show, the new stuff. I just like them. But 229 00:12:26,360 --> 00:12:28,440 Speaker 1: the weird thing is they will talk about how they're 230 00:12:28,440 --> 00:12:31,160 Speaker 1: not getting respect or they won't get play, and I'm like, 231 00:12:31,760 --> 00:12:35,720 Speaker 1: come on, come over. You're saying nobody wants to hang 232 00:12:35,720 --> 00:12:38,880 Speaker 1: out with you. This this must be how people in 233 00:12:38,960 --> 00:12:41,160 Speaker 1: my personal life with me for years. You're like, you're 234 00:12:41,160 --> 00:12:43,160 Speaker 1: saying your loan, but we're inviting you to come out, 235 00:12:43,200 --> 00:12:44,920 Speaker 1: and I would be like, I just want to go out, 236 00:12:44,920 --> 00:12:46,439 Speaker 1: and then the next to be like, who ever invites 237 00:12:46,480 --> 00:12:49,400 Speaker 1: me anywhere. That's me and the Nixy Chicks. Right now, 238 00:12:49,800 --> 00:12:52,920 Speaker 1: I literally have the biggest country music radio show in 239 00:12:52,960 --> 00:12:55,840 Speaker 1: the history of the format. I showed that as broken 240 00:12:55,920 --> 00:12:58,120 Speaker 1: artist careers, they don't need that. But my point is 241 00:12:58,440 --> 00:13:00,440 Speaker 1: we have a lot of people to listen, and I'm 242 00:13:00,480 --> 00:13:02,040 Speaker 1: not gonna be able to take a song that day 243 00:13:02,040 --> 00:13:03,640 Speaker 1: and take it to number one. But maybe some program 244 00:13:03,720 --> 00:13:06,080 Speaker 1: directors here, maybe the exhibited is the minutes. Maybe some 245 00:13:06,120 --> 00:13:10,000 Speaker 1: listeners who knows it doesn't hurt to have millions of 246 00:13:10,000 --> 00:13:12,280 Speaker 1: people here. You I'm just a fan. I was. I 247 00:13:12,320 --> 00:13:14,000 Speaker 1: haven't did some interviews about them, but the Wall Street 248 00:13:14,080 --> 00:13:16,640 Speaker 1: Journal was like, Hey, would you mind talking about the chicks? 249 00:13:16,840 --> 00:13:19,000 Speaker 1: At first it was the Dixie Chicks before their name changed. 250 00:13:19,000 --> 00:13:20,760 Speaker 1: I was like, sure, I'd love to. I spend an 251 00:13:20,800 --> 00:13:25,200 Speaker 1: hour talking about the Dixie Chicks. They used three lines. 252 00:13:26,760 --> 00:13:29,480 Speaker 1: I talked to the girl that does the pr and 253 00:13:29,480 --> 00:13:31,960 Speaker 1: I was like, man, I did an hour and they 254 00:13:32,040 --> 00:13:38,280 Speaker 1: used three lines. She goes to just be like that sometimes. Uh, 255 00:13:38,320 --> 00:13:39,880 Speaker 1: but they have a record I haven't heard at all. 256 00:13:39,880 --> 00:13:41,720 Speaker 1: I shouldn't have listened to it during the road trip. 257 00:13:41,760 --> 00:13:45,199 Speaker 1: I really liked the Chicks. Number one is Keith Urban. 258 00:13:45,280 --> 00:13:48,320 Speaker 1: He dropped a new song. It's called Superman. It's his 259 00:13:48,400 --> 00:13:53,200 Speaker 1: eleventh studio album, The Speed of Now Part one. Except 260 00:13:53,280 --> 00:13:55,520 Speaker 1: for release this is September eighteen. Is that still true? 261 00:13:55,600 --> 00:13:59,240 Speaker 1: Is it August believe? I'll tell you why I say that. 262 00:13:59,320 --> 00:14:01,559 Speaker 1: I was just at a house, and I would only 263 00:14:01,559 --> 00:14:02,800 Speaker 1: say this on this show. I wouldn't say it on 264 00:14:02,800 --> 00:14:04,280 Speaker 1: the radio show because I don't people think I think 265 00:14:04,320 --> 00:14:06,840 Speaker 1: I'm cool. But in the music world, I'm a bit 266 00:14:06,880 --> 00:14:09,319 Speaker 1: of a nerd, so me and other music nerds bond 267 00:14:09,400 --> 00:14:11,880 Speaker 1: over that. And Keith Herb and I are friends a 268 00:14:11,880 --> 00:14:15,720 Speaker 1: bit outside of the country music world. So I just 269 00:14:15,720 --> 00:14:17,520 Speaker 1: went to his house two days ago. I'll tell you 270 00:14:17,520 --> 00:14:18,800 Speaker 1: that story in a second. But this is a song 271 00:14:18,840 --> 00:14:33,240 Speaker 1: called Superman. Go ahead. Number one. Superman was scar Shot 272 00:14:40,400 --> 00:14:46,960 Speaker 1: Sweet Stars song sing the video. I've seen a teaser 273 00:14:47,040 --> 00:14:49,840 Speaker 1: for it there. You know, you have to get creative 274 00:14:49,840 --> 00:14:51,320 Speaker 1: in Quarantine, and instead of just him doing something in 275 00:14:51,320 --> 00:14:53,280 Speaker 1: his house, they did a flip book of him playing. 276 00:14:53,280 --> 00:14:55,360 Speaker 1: It's pretty cool, colorful. Yeah. I don't know if the 277 00:14:55,440 --> 00:14:57,400 Speaker 1: videos out. Video videos out but I saw a clip 278 00:14:57,400 --> 00:15:01,080 Speaker 1: of it on Twitter. Yeah. Um, maybe the album's out 279 00:15:01,080 --> 00:15:02,720 Speaker 1: sece very teeth that there's another thing if his coming 280 00:15:02,760 --> 00:15:05,520 Speaker 1: out in August. Okay, yeah, album is September. He's hosting 281 00:15:05,600 --> 00:15:08,360 Speaker 1: the a c m S, which he's now he's hosting 282 00:15:08,360 --> 00:15:11,560 Speaker 1: with nobody there because they're not doing the A c 283 00:15:11,680 --> 00:15:14,400 Speaker 1: MS with people, but they're doing it, and I think 284 00:15:14,400 --> 00:15:16,880 Speaker 1: I'm gonna be involved from three different locations. They're gonna 285 00:15:16,920 --> 00:15:20,960 Speaker 1: do the Opery House, They're going to do the Rhyman, 286 00:15:21,160 --> 00:15:23,560 Speaker 1: and they're going to do the Blue Bird. I'm not 287 00:15:23,600 --> 00:15:24,720 Speaker 1: sure which one key is gonna be at, but I 288 00:15:24,760 --> 00:15:26,040 Speaker 1: think i'll I think I'm gonna be at one of 289 00:15:26,080 --> 00:15:28,200 Speaker 1: them unless for some reason they kicked me off the 290 00:15:28,200 --> 00:15:30,600 Speaker 1: show or now it's getting so close to the c 291 00:15:30,720 --> 00:15:33,840 Speaker 1: m A S because that's in November, and if you 292 00:15:33,880 --> 00:15:37,400 Speaker 1: do one in September October and then you don't want 293 00:15:37,400 --> 00:15:39,600 Speaker 1: to November. Sometimes they get awfully touchy about if you 294 00:15:39,600 --> 00:15:42,720 Speaker 1: do one show you can't not the artists, but the 295 00:15:42,760 --> 00:15:45,560 Speaker 1: folks that are on this show. Because I've been up, 296 00:15:45,600 --> 00:15:48,840 Speaker 1: I've been in discussions because I was gonna host c 297 00:15:49,000 --> 00:15:50,960 Speaker 1: m A Fest this year, my first year to host 298 00:15:51,000 --> 00:15:53,480 Speaker 1: one of these big shows and then Corona got it. 299 00:15:54,600 --> 00:15:57,360 Speaker 1: But they were like, if you do that, you don't 300 00:15:57,360 --> 00:15:59,320 Speaker 1: need to go on the A, C M, two different networks. 301 00:15:59,320 --> 00:16:01,520 Speaker 1: You know, that's my number one song, Keith, I'm gonna 302 00:16:01,560 --> 00:16:04,560 Speaker 1: ropping that new song. So I guess. Keith called me 303 00:16:04,600 --> 00:16:06,640 Speaker 1: a four or five days ago. I was like, Hey, 304 00:16:06,680 --> 00:16:09,280 Speaker 1: what's up. Are you taking Corona seriously? And I was like, 305 00:16:09,360 --> 00:16:12,920 Speaker 1: duh unless I have to see you, I don't see 306 00:16:12,920 --> 00:16:16,160 Speaker 1: you right now. And he's like, great, me too. He said, 307 00:16:16,160 --> 00:16:19,640 Speaker 1: I got new music, got the whole record done, Come over. 308 00:16:19,680 --> 00:16:21,160 Speaker 1: I want to play it for you now. I don't 309 00:16:21,160 --> 00:16:23,920 Speaker 1: like doing that, and I don't do that except with Keith, 310 00:16:24,080 --> 00:16:26,080 Speaker 1: who I think I've done it with three times at 311 00:16:26,080 --> 00:16:28,400 Speaker 1: this point. But here's what he does. The only reason 312 00:16:28,400 --> 00:16:30,160 Speaker 1: I do this is because he makes the environment comfortable 313 00:16:30,200 --> 00:16:33,000 Speaker 1: for me, because, first of all, Corona wise, he was like, hey, 314 00:16:33,040 --> 00:16:34,880 Speaker 1: I want you to touch you. Like I know where 315 00:16:34,880 --> 00:16:36,320 Speaker 1: to go to his house, so Drew, I know how 316 00:16:36,360 --> 00:16:37,560 Speaker 1: to get to his house, I know where to walk 317 00:16:37,560 --> 00:16:41,040 Speaker 1: to this to his place and we do the deal. Um, 318 00:16:41,080 --> 00:16:43,640 Speaker 1: but he said, like ten feet away a new door 319 00:16:43,680 --> 00:16:45,440 Speaker 1: to go in, and he had sanitizer by the door. 320 00:16:45,600 --> 00:16:48,480 Speaker 1: He's also a jarmaphobe like myself. And then he goes, 321 00:16:48,840 --> 00:16:50,280 Speaker 1: I know you want to sit anywhere close to this, 322 00:16:50,320 --> 00:16:51,920 Speaker 1: So he put a chair in the back of his 323 00:16:51,960 --> 00:16:54,720 Speaker 1: studio and I sat in the chair. He sat at 324 00:16:54,760 --> 00:16:57,520 Speaker 1: the big board, you know, you do the little flips 325 00:16:57,520 --> 00:16:59,920 Speaker 1: and knobs, and we listen to a bunch of song. 326 00:17:00,120 --> 00:17:01,920 Speaker 1: Now I don't like do I like to listen to songs, 327 00:17:01,960 --> 00:17:03,560 Speaker 1: but I don't listen to songs in front of people 328 00:17:03,680 --> 00:17:06,440 Speaker 1: because basically all they're doing is watching you nod your head, 329 00:17:06,920 --> 00:17:08,720 Speaker 1: and even if it sucks, you gotta be like, oh yeah, 330 00:17:09,040 --> 00:17:11,399 Speaker 1: it's just a weird thing to have someone watch you 331 00:17:11,520 --> 00:17:14,879 Speaker 1: listen to their song, Like that's awkward. It's awkward, like 332 00:17:14,880 --> 00:17:16,680 Speaker 1: when someone pulls off their phone goes watches YouTube video 333 00:17:16,680 --> 00:17:19,679 Speaker 1: it's hilarious. And then you watch and you're like, it's fine. 334 00:17:20,080 --> 00:17:22,400 Speaker 1: I know you didn't get it, you didn't laugh, think 335 00:17:22,440 --> 00:17:25,399 Speaker 1: it's okay, And maybe I would have liked it without 336 00:17:25,400 --> 00:17:29,120 Speaker 1: all the pressure being told it's great and then having 337 00:17:29,160 --> 00:17:32,040 Speaker 1: you watch me. Why it's that kind of feeling. But 338 00:17:32,119 --> 00:17:36,040 Speaker 1: what he does is he turns around and looks at 339 00:17:36,080 --> 00:17:38,480 Speaker 1: the board as I'm listening to it. So I don't 340 00:17:38,480 --> 00:17:40,520 Speaker 1: have to do anything with my head or face. So 341 00:17:40,560 --> 00:17:44,359 Speaker 1: I listened to it and some of them I'm like, 342 00:17:44,640 --> 00:17:47,480 Speaker 1: that's cool, who'd write that with? Who wrote that? There's 343 00:17:47,520 --> 00:17:49,480 Speaker 1: one song that he wrote with Jarren from CAD like 344 00:17:49,600 --> 00:17:52,240 Speaker 1: three who we just did one of these with, uh 345 00:17:52,560 --> 00:17:55,800 Speaker 1: freaking great. And so I text Jarren and I was like, dude, 346 00:17:55,800 --> 00:17:57,080 Speaker 1: this is the jam and He's like to Harman to 347 00:17:57,080 --> 00:18:00,760 Speaker 1: put down on the radio. So, but keeps a good guy. 348 00:18:00,800 --> 00:18:03,680 Speaker 1: Is you know why I like Keith is that he man. 349 00:18:03,720 --> 00:18:08,200 Speaker 1: He pushes the limits on fusion of different sounds and music. 350 00:18:08,280 --> 00:18:10,640 Speaker 1: I mean he is he can hear something and just rip, 351 00:18:10,720 --> 00:18:13,440 Speaker 1: just play it, play a play a plate. So pretty cool. 352 00:18:13,720 --> 00:18:15,240 Speaker 1: But that's my number one song. Check it out. Keith 353 00:18:15,280 --> 00:18:19,800 Speaker 1: Urban's got a new song called Superman and new music 354 00:18:19,800 --> 00:18:22,560 Speaker 1: out today, No clips from Tucker. Bethard got a new 355 00:18:22,560 --> 00:18:25,280 Speaker 1: song I called Faithful Rust and Kelly has a new 356 00:18:25,320 --> 00:18:28,960 Speaker 1: song called Pressure. Chris Tomlin has a new song featuring 357 00:18:28,960 --> 00:18:32,639 Speaker 1: Brett Young and Cassidy Pope called Be the Moon. Laura 358 00:18:32,680 --> 00:18:36,639 Speaker 1: McKenna Balladeer and Brent Cobb has a new song called 359 00:18:37,320 --> 00:18:40,920 Speaker 1: keep Them On They Toes. I wonder what that conversation 360 00:18:41,000 --> 00:18:44,200 Speaker 1: is like, all right, we spell it right, we put 361 00:18:44,320 --> 00:18:47,920 Speaker 1: keep it on their toes or day toes. So there 362 00:18:47,920 --> 00:18:49,240 Speaker 1: you go. Do we want to take a quick break 363 00:18:49,280 --> 00:18:51,200 Speaker 1: before we do music news or just do it now? Yeah? 364 00:18:51,240 --> 00:18:59,280 Speaker 1: I do a quick great, okay, al right a music news. 365 00:18:59,280 --> 00:19:02,360 Speaker 1: The Beatles and BTS are the only groups to sell 366 00:19:02,440 --> 00:19:05,439 Speaker 1: more than a million albums so far this year. Crazy 367 00:19:05,480 --> 00:19:09,199 Speaker 1: that it's the Beatles, though, right still, I get to BTS, folks. 368 00:19:09,440 --> 00:19:13,439 Speaker 1: They're the biggest thing freaking Korea and in the States 369 00:19:13,440 --> 00:19:15,919 Speaker 1: are big two. But when on Twitter, when that thing 370 00:19:15,920 --> 00:19:19,800 Speaker 1: gets ten thousand retweets, it's a lot of Korean South Korea. 371 00:19:21,200 --> 00:19:24,200 Speaker 1: The Korean pop group's new album, Map the Soul seven, 372 00:19:24,320 --> 00:19:27,399 Speaker 1: is the best selling physical album of the year and 373 00:19:27,440 --> 00:19:29,680 Speaker 1: the only one to sell over five dred thousand copies 374 00:19:29,680 --> 00:19:32,440 Speaker 1: in the United States, which is massive. You know, maybe 375 00:19:32,440 --> 00:19:34,159 Speaker 1: I'm not given enough of United States credit because they 376 00:19:34,200 --> 00:19:36,840 Speaker 1: are loved. They are loved and be loved, and I 377 00:19:36,880 --> 00:19:39,359 Speaker 1: don't know what they're saying. Sometimes I do. Sometimes I 378 00:19:39,400 --> 00:19:41,840 Speaker 1: hear something, but a little bit there's some catchiest crap 379 00:19:41,880 --> 00:19:48,719 Speaker 1: though sometimes well there's one of the y Yeah, just 380 00:19:48,760 --> 00:19:52,639 Speaker 1: a rapper. Yeah, more than doubling the sales of runner 381 00:19:52,720 --> 00:19:57,119 Speaker 1: up Kenny Chesney Map the Soul seven is the ninth 382 00:19:57,119 --> 00:20:01,080 Speaker 1: biggest overall album of the year. Uh ets a lot 383 00:20:01,119 --> 00:20:02,680 Speaker 1: of a lot of things, a lot of things. Only 384 00:20:02,720 --> 00:20:04,840 Speaker 1: one of the group's managed sell one million album units 385 00:20:04,840 --> 00:20:08,399 Speaker 1: in the United States, and it's the Beatles we're talking about. 386 00:20:08,640 --> 00:20:11,000 Speaker 1: Fifty years after their breakup. They're still the biggest rock 387 00:20:11,080 --> 00:20:14,720 Speaker 1: band of it, says shifting one point zero nine four 388 00:20:14,880 --> 00:20:17,840 Speaker 1: million album equivalent units through the first six months of 389 00:20:17,840 --> 00:20:20,359 Speaker 1: the year. You know what I was reading about. We 390 00:20:20,480 --> 00:20:23,080 Speaker 1: just talked about this a few weeks ago. They're gonna 391 00:20:23,240 --> 00:20:28,800 Speaker 1: stop counting album sales with bundles, ticket bundles, because like 392 00:20:28,920 --> 00:20:31,280 Speaker 1: Chesney did that, you said, you buy a concert ticket, 393 00:20:31,280 --> 00:20:33,080 Speaker 1: you get an album. They then they what they do 394 00:20:33,240 --> 00:20:35,840 Speaker 1: is they put a tour on sale the week of 395 00:20:35,920 --> 00:20:38,480 Speaker 1: the album comes out, and let's say they sell a 396 00:20:38,600 --> 00:20:41,200 Speaker 1: hundred thousand tickets. That's hundred thousand album full albums. Two. 397 00:20:41,240 --> 00:20:43,639 Speaker 1: People are really buying albums like you get it with 398 00:20:43,680 --> 00:20:49,240 Speaker 1: the ticket, and it was manipulating the reality of what 399 00:20:49,400 --> 00:20:52,240 Speaker 1: people were going to do. So they finally shut that down. 400 00:20:54,240 --> 00:20:56,879 Speaker 1: Let's see, remember trapped, you play me a little heads Strong? 401 00:20:59,160 --> 00:21:07,680 Speaker 1: You this sounds hard. It was a big pop song 402 00:21:08,520 --> 00:21:10,280 Speaker 1: as a as a rock song first, don't get me wrong, 403 00:21:10,280 --> 00:21:11,719 Speaker 1: but it gets so big and rock that cross over 404 00:21:11,760 --> 00:21:15,000 Speaker 1: to pop maybe the second or third hardest song that 405 00:21:15,080 --> 00:21:17,560 Speaker 1: crossed over. Papa Roach Last Resort was always to me 406 00:21:18,119 --> 00:21:19,760 Speaker 1: when it first went to pop, I was like, are 407 00:21:19,760 --> 00:21:23,919 Speaker 1: you kidding me? This thing is hard. But according to 408 00:21:24,040 --> 00:21:28,680 Speaker 1: Nielsen sound Scan, only six hundred copies of Traps album 409 00:21:28,760 --> 00:21:31,960 Speaker 1: were sold in its release. You know, how could they 410 00:21:31,960 --> 00:21:35,800 Speaker 1: sell so few? Well, it was all The rollout was 411 00:21:35,800 --> 00:21:37,679 Speaker 1: a mess. The album released was a mess, by the way. 412 00:21:37,680 --> 00:21:40,040 Speaker 1: They're claiming they sold four thousand, but we're looking at 413 00:21:40,080 --> 00:21:46,000 Speaker 1: the actual Nielsen here. No proper promotional cycle, so you know, 414 00:21:46,400 --> 00:21:49,080 Speaker 1: but that's for everybody right now. Yeah. I was talking 415 00:21:49,080 --> 00:21:52,240 Speaker 1: about Eldridge recently and he was like, man, I just 416 00:21:52,240 --> 00:21:54,959 Speaker 1: sat at home the whole time. Everybody feels like they 417 00:21:54,960 --> 00:21:56,440 Speaker 1: need to be back in Nashville to pro both the records. 418 00:21:56,440 --> 00:21:58,760 Speaker 1: But he's like, I couldn't do it anywhere because he 419 00:21:58,840 --> 00:22:00,119 Speaker 1: just said he lives in Nashville. But he's like, I 420 00:22:00,160 --> 00:22:02,640 Speaker 1: could have been anywhere and didn't done my album tour 421 00:22:03,320 --> 00:22:09,719 Speaker 1: um so and then July three date when they released it. 422 00:22:09,720 --> 00:22:13,320 Speaker 1: It was released on Spotify and Apple Music. Um, it 423 00:22:13,359 --> 00:22:15,320 Speaker 1: was a July three release date of the album, but 424 00:22:15,359 --> 00:22:17,919 Speaker 1: it came out in June ninth or whatever. They are 425 00:22:17,920 --> 00:22:20,320 Speaker 1: different dates the things came out. It was all just 426 00:22:20,359 --> 00:22:23,200 Speaker 1: messed up. Give him a break, Did you have another 427 00:22:23,240 --> 00:22:28,200 Speaker 1: good song about that? Maroon five basis Mickey Madden is 428 00:22:28,240 --> 00:22:31,200 Speaker 1: taken a leave of absence after being arrested for domestic violence. 429 00:22:32,680 --> 00:22:34,600 Speaker 1: Quota happen things I need to deal with an address 430 00:22:34,720 --> 00:22:36,760 Speaker 1: right now, So I've decided to take leave of absence 431 00:22:36,760 --> 00:22:40,120 Speaker 1: from roon five. You know, as long as Adam Levine 432 00:22:40,200 --> 00:22:42,480 Speaker 1: is in the band, you wouldn't know the difference. You 433 00:22:42,480 --> 00:22:46,359 Speaker 1: can't really name another member of Maroon five now, just 434 00:22:46,440 --> 00:22:53,119 Speaker 1: one Mickey Madden. But yeah, they have to be so 435 00:22:53,200 --> 00:22:55,720 Speaker 1: pumped that Adam Levine still wants to be in the band, 436 00:22:55,760 --> 00:23:02,720 Speaker 1: you know. Rapper Logic announces retirement and final album. I 437 00:23:02,760 --> 00:23:05,320 Speaker 1: was looking at him on Twitter Today's Oldest Baby maybe 438 00:23:05,320 --> 00:23:09,440 Speaker 1: and his wife and he's like, I'm out. Yesterday, the 439 00:23:09,520 --> 00:23:13,000 Speaker 1: rapper revealed they'd be retiring after the release of No Pressure, 440 00:23:13,000 --> 00:23:15,000 Speaker 1: saying it's been a great decade, it's not gonna be 441 00:23:15,040 --> 00:23:18,760 Speaker 1: a great father. His sixth and final studio album is 442 00:23:18,800 --> 00:23:23,840 Speaker 1: out next week. It's a listen. He's not retired. He 443 00:23:23,920 --> 00:23:28,159 Speaker 1: may quit for a bit, but he's not retired a 444 00:23:28,240 --> 00:23:30,520 Speaker 1: real retirement. Does it come right before an album comes out, 445 00:23:32,359 --> 00:23:36,399 Speaker 1: because that's great promotional fodder. We're talking about it. I 446 00:23:36,480 --> 00:23:39,760 Speaker 1: like Logic. Logic is married to fashion designer Brittany Noel. 447 00:23:40,480 --> 00:23:46,040 Speaker 1: They have a son. That was that song right titled online. 448 00:23:49,160 --> 00:23:50,760 Speaker 1: I like that guy. And anybody Eminem will do a 449 00:23:50,760 --> 00:23:55,239 Speaker 1: track with Eminem must think is good, and so Eminem 450 00:23:55,560 --> 00:24:01,440 Speaker 1: a song with him didn't. Yeah, I'm so cool. Atlantis 451 00:24:01,440 --> 00:24:06,560 Speaker 1: Morrisett didn't even want Ironic on Jagged Little Pill Man. 452 00:24:06,640 --> 00:24:09,640 Speaker 1: This song. I remember where I was for a year 453 00:24:09,920 --> 00:24:12,560 Speaker 1: for this song. This song was that. I don't know 454 00:24:12,600 --> 00:24:14,879 Speaker 1: if it was the biggest hit, like in everybody else's mind. 455 00:24:15,359 --> 00:24:18,040 Speaker 1: And I'll read you some stuff here about her and this, 456 00:24:18,119 --> 00:24:21,159 Speaker 1: but holy crap, was this song man? This whole album 457 00:24:21,240 --> 00:24:25,719 Speaker 1: was massive Ironic it's your biggest streaming Yeah, is it 458 00:24:28,040 --> 00:24:31,840 Speaker 1: really ironic? One of the biggest hits. But if it 459 00:24:31,920 --> 00:24:33,320 Speaker 1: were up to her, we may have never heard. It's 460 00:24:33,320 --> 00:24:34,920 Speaker 1: just quote. I didn't want to put it on the record, 461 00:24:35,560 --> 00:24:37,639 Speaker 1: and I remember a lot of people saying please, please please. 462 00:24:37,920 --> 00:24:40,600 Speaker 1: I said, Okay, it wasn't that precious about it, And 463 00:24:40,640 --> 00:24:42,639 Speaker 1: they came to realize later that perhaps I should have been. 464 00:24:43,600 --> 00:24:45,520 Speaker 1: By the way, they're not all actually ironic. And I'm 465 00:24:45,560 --> 00:24:47,000 Speaker 1: not the guy who hates on this because I think 466 00:24:47,040 --> 00:24:49,919 Speaker 1: it's great works for me. I'm not so smart. I 467 00:24:49,960 --> 00:24:52,600 Speaker 1: was like, that's not what the word ironic means, not literally. 468 00:24:52,600 --> 00:24:54,120 Speaker 1: If you wrote a song called literally and it wasn' 469 00:24:54,119 --> 00:24:57,840 Speaker 1: about literally, I'll probably get you with that. But they 470 00:24:57,880 --> 00:25:00,640 Speaker 1: point out that they're all not on it, they're just 471 00:25:01,000 --> 00:25:05,800 Speaker 1: what unfortunate? But isn't that ironic in itself that there's 472 00:25:05,800 --> 00:25:08,760 Speaker 1: a song called ironic not about irony that I've never heard. 473 00:25:10,280 --> 00:25:15,920 Speaker 1: Uh soundtrack of Hamilton jumps to number two thanks to Disney. Plus, 474 00:25:17,200 --> 00:25:20,040 Speaker 1: I was asking Mike, because you watch this. I saw 475 00:25:20,080 --> 00:25:22,359 Speaker 1: it live. The struggle for me was I didn't know 476 00:25:22,359 --> 00:25:24,400 Speaker 1: it was gonna be all rapping, so I was kept 477 00:25:24,400 --> 00:25:26,000 Speaker 1: waiting for them to talk and catch up on everything 478 00:25:26,000 --> 00:25:28,560 Speaker 1: I didn't understand. They never do. Once I kind of 479 00:25:28,720 --> 00:25:30,600 Speaker 1: figured out what was going on, I got in the most. 480 00:25:30,600 --> 00:25:34,200 Speaker 1: So just know they're wrapping the whole time. I think, 481 00:25:34,200 --> 00:25:36,080 Speaker 1: if I watch it like that now, I will enjoy 482 00:25:36,119 --> 00:25:38,320 Speaker 1: it more. I don't have Disney Plus, but this could 483 00:25:38,359 --> 00:25:39,680 Speaker 1: get me over to it if I do decide to 484 00:25:39,680 --> 00:25:41,720 Speaker 1: watch it. What's that cost a month? I think it's 485 00:25:41,760 --> 00:25:47,119 Speaker 1: like seven nine nine a month. Well, I watch anything 486 00:25:47,160 --> 00:25:49,560 Speaker 1: else over there, though I don't feel like, well there's 487 00:25:49,680 --> 00:25:54,840 Speaker 1: the NATO stuff is on there. True, you can watch yourself. Well, 488 00:25:55,560 --> 00:25:58,119 Speaker 1: maybe my show is supposed to start. We're supposed to 489 00:25:58,160 --> 00:26:02,720 Speaker 1: start taping next week. That got delayed first episode. Now 490 00:26:02,760 --> 00:26:05,560 Speaker 1: it's three weeks and I hope we still get to 491 00:26:05,560 --> 00:26:07,760 Speaker 1: do it because I'm gonna go and do some female wrestling. 492 00:26:09,440 --> 00:26:13,760 Speaker 1: There's a a girl who I'm wrestling with. Her name 493 00:26:13,800 --> 00:26:15,479 Speaker 1: is Fraud. And then the whole let me set this up. 494 00:26:15,480 --> 00:26:17,520 Speaker 1: The whole idea of the show that we came up 495 00:26:17,520 --> 00:26:20,040 Speaker 1: with was about people that come from backgrounds like mine, 496 00:26:20,080 --> 00:26:21,720 Speaker 1: that also have interesting jobs like me, and then I 497 00:26:21,760 --> 00:26:23,080 Speaker 1: go and do their job with them a little bit. 498 00:26:23,600 --> 00:26:25,520 Speaker 1: And she's a female wrestler. And right now we're in 499 00:26:25,560 --> 00:26:28,359 Speaker 1: wrestling wardrobe. We're doing wardrobe, and they called. They were like, hey, 500 00:26:28,359 --> 00:26:29,480 Speaker 1: we need you to be a villain. You're gonna be 501 00:26:29,520 --> 00:26:33,919 Speaker 1: your taxiing partner. Her name is Frost. It's okay, and 502 00:26:33,960 --> 00:26:38,520 Speaker 1: I thought, well, we can do brain Freeze. I'll be 503 00:26:38,560 --> 00:26:42,119 Speaker 1: the Brain, Bobby the Brain. But there's Bobby the Brain heenan, 504 00:26:42,240 --> 00:26:44,040 Speaker 1: But I thought brain would be a funny tag team 505 00:26:44,520 --> 00:26:46,800 Speaker 1: good And then I was like, well, how about frost Bite? 506 00:26:47,280 --> 00:26:51,639 Speaker 1: And so now I'm Bobby the Biter. So apparently I 507 00:26:51,680 --> 00:26:53,560 Speaker 1: just gonna bite people. But I have to go. I'm 508 00:26:53,560 --> 00:26:55,600 Speaker 1: going to California to to do this. But our goal 509 00:26:55,720 --> 00:26:59,639 Speaker 1: is to have the show on by January, which is quick, 510 00:27:00,680 --> 00:27:02,320 Speaker 1: and I don't think we're gonna be done shooting it 511 00:27:02,359 --> 00:27:04,040 Speaker 1: when it goes on. But now they're in kind of 512 00:27:04,040 --> 00:27:07,720 Speaker 1: a speed uh speed hustle because they gotta get some 513 00:27:07,800 --> 00:27:11,159 Speaker 1: content on because nobody's been shooting anything. But yeah, if 514 00:27:11,200 --> 00:27:12,960 Speaker 1: not Geo's on Disney Plus on for sure, we're probably 515 00:27:13,040 --> 00:27:18,359 Speaker 1: to get that. But Hamilton's number two now, the original 516 00:27:18,400 --> 00:27:22,520 Speaker 1: Broadway cast recording of Hamilton's An American Musical surges to 517 00:27:22,560 --> 00:27:25,119 Speaker 1: a new peak of number two on Billboard. The album 518 00:27:25,200 --> 00:27:27,800 Speaker 1: is basking in the glow of the July three, third 519 00:27:27,920 --> 00:27:32,160 Speaker 1: Disney streaming premiere. What was number one? It was another 520 00:27:32,240 --> 00:27:35,840 Speaker 1: rapper m a little baby one of the babies or 521 00:27:35,840 --> 00:27:40,760 Speaker 1: the small baby, A little baby, baby, Baby, Baby Baby. Hey, 522 00:27:40,920 --> 00:27:42,920 Speaker 1: but you liked Hamilton. I thought it was really good. 523 00:27:43,080 --> 00:27:46,320 Speaker 1: You let me rephrase you liked it watching it on 524 00:27:46,320 --> 00:27:48,639 Speaker 1: Disney Plus. Yeah, it was still. I just wondered how 525 00:27:48,720 --> 00:27:50,879 Speaker 1: much translate? You know? Yeah, I mean it feels like 526 00:27:50,920 --> 00:27:53,600 Speaker 1: watching a movie you can kind of follow along pretty well. 527 00:27:53,720 --> 00:27:55,440 Speaker 1: I kind of wish I would have put the subtitles 528 00:27:55,440 --> 00:27:57,280 Speaker 1: on so I could have caught everything. Yeah, that's what 529 00:27:57,280 --> 00:27:59,400 Speaker 1: I was gonna mention earlier. I may rewatch it again 530 00:27:59,440 --> 00:28:01,480 Speaker 1: with the subtitle over two hours. You know, I hate 531 00:28:01,520 --> 00:28:05,760 Speaker 1: two hour movie like two Have you talked on your 532 00:28:05,800 --> 00:28:09,879 Speaker 1: podcast about the Charlie's Throng movie? I haven't yet. Are 533 00:28:09,920 --> 00:28:12,159 Speaker 1: you gonna watch it? I've already watched you so on 534 00:28:12,240 --> 00:28:13,639 Speaker 1: my Netflix that pops up. But I was like, you 535 00:28:13,640 --> 00:28:16,240 Speaker 1: gotta watch this. It's pretty If you like action movies, 536 00:28:16,280 --> 00:28:18,760 Speaker 1: you like that. Is it good for a Netflix movie 537 00:28:18,800 --> 00:28:21,280 Speaker 1: or a good movie? There's a difference. It's a really 538 00:28:21,280 --> 00:28:24,040 Speaker 1: good Netflix movie. If it was in theaters, I would 539 00:28:24,040 --> 00:28:26,240 Speaker 1: have thought it was okay, because we're closing the gap though, 540 00:28:26,280 --> 00:28:29,159 Speaker 1: Netflix is getting closer. I'd say this is as close 541 00:28:29,200 --> 00:28:32,680 Speaker 1: as they've got in a while. What's the best Netflix movie? Period? 542 00:28:32,720 --> 00:28:35,560 Speaker 1: It's a bird box box. Yeah, that's the best one. 543 00:28:35,680 --> 00:28:38,960 Speaker 1: Did you watch the Will Smith one with the Aliens? Right? Yeah? Yeah, 544 00:28:39,000 --> 00:28:41,000 Speaker 1: that was terrible. Yeah, and that was like the first 545 00:28:41,000 --> 00:28:43,120 Speaker 1: one they spent like a lot of money on. And 546 00:28:43,160 --> 00:28:45,160 Speaker 1: I think they're gonna make a part too, but yeah, 547 00:28:45,240 --> 00:28:47,720 Speaker 1: that was very good. Did you watch the David Spade 548 00:28:47,720 --> 00:28:51,080 Speaker 1: one That's Doing Well Wrong? Miss Yeah? Yeah, that's pretty funny. 549 00:28:51,120 --> 00:28:53,680 Speaker 1: I mean it's very dumb. It's like kind of Adam 550 00:28:53,760 --> 00:28:57,480 Speaker 1: Sandler esque, but for a comedy on Netflix, pretty good. 551 00:28:58,040 --> 00:29:01,880 Speaker 1: I watched The Last American Crime, the Last Great American Crime, 552 00:29:02,520 --> 00:29:04,760 Speaker 1: because it was rated the worst movie on Netflix period, 553 00:29:04,800 --> 00:29:06,920 Speaker 1: which is why we did a stupid bed on the show. 554 00:29:07,320 --> 00:29:09,960 Speaker 1: The movie is two hours and forty minutes long, and 555 00:29:10,000 --> 00:29:12,280 Speaker 1: I watched it, and you know what, it got zero 556 00:29:12,280 --> 00:29:13,760 Speaker 1: percent for a long time. But I actually kind of 557 00:29:13,800 --> 00:29:15,800 Speaker 1: enjoyed it. I split it up in two parts. I 558 00:29:15,840 --> 00:29:19,680 Speaker 1: think maybe because my expectations were so low, you found 559 00:29:19,760 --> 00:29:21,760 Speaker 1: things inside and I just enjoyed it. But I really 560 00:29:21,800 --> 00:29:24,120 Speaker 1: love the concept, meaning at this certain time, the government 561 00:29:24,200 --> 00:29:26,320 Speaker 1: they're shutting off crime because everybody's got some a little 562 00:29:26,360 --> 00:29:28,760 Speaker 1: chip and planet in them, and so what they're trying 563 00:29:28,760 --> 00:29:30,880 Speaker 1: to do is commit a crime real quick before the government, 564 00:29:30,920 --> 00:29:33,120 Speaker 1: because but I like that the government's got control of us. 565 00:29:33,440 --> 00:29:35,240 Speaker 1: I like that stuff. I like the end of the world. 566 00:29:35,320 --> 00:29:37,640 Speaker 1: I like, you know, what would you do if the 567 00:29:37,640 --> 00:29:40,760 Speaker 1: world ended? How would you survive? So if our world 568 00:29:40,840 --> 00:29:42,800 Speaker 1: ended up going to my cabin, we just found if 569 00:29:42,840 --> 00:29:45,680 Speaker 1: I get it, go back, I'm out going back. What's 570 00:29:45,800 --> 00:29:48,000 Speaker 1: what's on your podcast this week? This week I have 571 00:29:48,160 --> 00:29:51,040 Speaker 1: underrated Disney songs, and then next week I have an 572 00:29:51,080 --> 00:29:55,760 Speaker 1: interview with the actor from the movie Twister, who Sean Whalen. 573 00:29:56,400 --> 00:29:58,160 Speaker 1: Is he one of your favorite actors? He's one of 574 00:29:58,200 --> 00:30:00,000 Speaker 1: my favorite movies and he's been on a lot of stuff. 575 00:30:00,040 --> 00:30:01,560 Speaker 1: So I talked to him about all the big movies 576 00:30:01,560 --> 00:30:04,200 Speaker 1: he was in the nineties, like a guy like Sean Whalen, 577 00:30:04,280 --> 00:30:05,920 Speaker 1: who I don't know who either? Sure? What if I 578 00:30:05,960 --> 00:30:08,400 Speaker 1: saw his face? Yeah, you wouldn't recognize his face? Is 579 00:30:08,400 --> 00:30:10,840 Speaker 1: he easy to get as a guest? Pretty easy? Yeah? 580 00:30:10,880 --> 00:30:14,240 Speaker 1: I just messaged him on Instagram? Yeah, that's cool Instagram 581 00:30:14,280 --> 00:30:15,920 Speaker 1: and I was like, hey, I got a podcast, Um, 582 00:30:15,960 --> 00:30:17,240 Speaker 1: I love your movie. You want to be on it? 583 00:30:17,280 --> 00:30:19,680 Speaker 1: He's like yeah, sure? Was he cold talk to It 584 00:30:19,760 --> 00:30:21,640 Speaker 1: was really cool to talk to, like all the behind 585 00:30:21,680 --> 00:30:23,920 Speaker 1: the scenes stuff with that movie, and he like told 586 00:30:23,960 --> 00:30:26,240 Speaker 1: me about the stuff in the nineties. But like Tom Hanks, 587 00:30:26,280 --> 00:30:29,000 Speaker 1: he wasn't in that thing you do, was he one 588 00:30:29,000 --> 00:30:30,600 Speaker 1: of the one of the guys had a small part 589 00:30:30,640 --> 00:30:32,960 Speaker 1: in it, but he got to like audition in front 590 00:30:32,960 --> 00:30:37,200 Speaker 1: of Tom Hanks. I'll say this in my final music piece. 591 00:30:37,240 --> 00:30:40,080 Speaker 1: I because I don't care, I'll drop names of my 592 00:30:40,160 --> 00:30:41,680 Speaker 1: friends on this show. I don't worry. But people are 593 00:30:41,720 --> 00:30:43,920 Speaker 1: judging me on this show, this podcast, more than I 594 00:30:43,920 --> 00:30:46,480 Speaker 1: did the radio show. Because if you're here, you'd like music. 595 00:30:47,080 --> 00:30:50,320 Speaker 1: But Dan from Danna Shay, him and Abby came over 596 00:30:50,560 --> 00:30:52,920 Speaker 1: and we had dinner a week or so ago. We 597 00:30:52,960 --> 00:30:54,840 Speaker 1: did it outside, so because they were like us, we 598 00:30:54,880 --> 00:30:56,320 Speaker 1: don't get close to anybody, but you can have an 599 00:30:56,320 --> 00:31:00,640 Speaker 1: outside dinner and not right we ordered food in no 600 00:31:00,800 --> 00:31:03,280 Speaker 1: Corona dinner and then he was like, going to hear 601 00:31:03,320 --> 00:31:04,520 Speaker 1: the new song. I'm not gonna say the name of 602 00:31:04,520 --> 00:31:07,920 Speaker 1: the song or anything. Is really good. Yeah, it was 603 00:31:07,960 --> 00:31:10,040 Speaker 1: so good that I texted him. I was like, wow, 604 00:31:10,160 --> 00:31:11,680 Speaker 1: I hate but i' let's say you did' maybe listened 605 00:31:11,680 --> 00:31:13,959 Speaker 1: in front of him because I wouldn't have. But they 606 00:31:14,000 --> 00:31:18,239 Speaker 1: have a new song. Soon. That's really good. But all 607 00:31:18,240 --> 00:31:20,480 Speaker 1: their craps good now, Dann, she didn't put out a 608 00:31:20,520 --> 00:31:22,480 Speaker 1: song down that's not monster, but it's yeah, it's like 609 00:31:22,480 --> 00:31:24,000 Speaker 1: the next level good. What reminded me was that just 610 00:31:24,000 --> 00:31:28,880 Speaker 1: gonna message from m um. But that's a that's it. 611 00:31:29,320 --> 00:31:31,400 Speaker 1: I can't wait for this Creed interview. I loved it. 612 00:31:32,160 --> 00:31:34,000 Speaker 1: I was glad he had music projects we could put 613 00:31:34,040 --> 00:31:36,320 Speaker 1: him in this podcast. We were the last one of 614 00:31:36,400 --> 00:31:38,080 Speaker 1: he was doing interviews that day, but we were the 615 00:31:38,160 --> 00:31:39,560 Speaker 1: last once we got talked to him a little longer 616 00:31:39,600 --> 00:31:42,720 Speaker 1: than everybody else did. But that's pretty cool. Check out 617 00:31:43,400 --> 00:31:49,000 Speaker 1: mm hmm, Who's podcast? Check out Velvet's Edge podcast. I 618 00:31:49,040 --> 00:31:51,360 Speaker 1: thought it'd be a good one for you. I think 619 00:31:51,480 --> 00:31:54,120 Speaker 1: right now I was seeing she was talking about is 620 00:31:54,120 --> 00:31:55,880 Speaker 1: it okay to be in your thirties and not be married? 621 00:31:55,880 --> 00:31:57,920 Speaker 1: Because she's not thinks she was having a little breakdown, 622 00:31:59,080 --> 00:32:02,640 Speaker 1: like the little emotional But if that's your jam, check 623 00:32:02,680 --> 00:32:06,800 Speaker 1: it out. It's called Velvet's Edge with Kelly Henderson. Lovely podcast. 624 00:32:07,000 --> 00:32:11,280 Speaker 1: All right, anything else that I need to promote? Anything Rocket, 625 00:32:11,400 --> 00:32:14,680 Speaker 1: I've been driving forever. I'm a little lupie. We're a 626 00:32:14,720 --> 00:32:17,320 Speaker 1: little late putting this up. But enjoy. We'll take a 627 00:32:17,360 --> 00:32:27,000 Speaker 1: little break, come back with Creed from the office. Creed, alright, 628 00:32:27,160 --> 00:32:34,680 Speaker 1: how are you man, I've got take it, take a minute, 629 00:32:34,880 --> 00:32:38,560 Speaker 1: chew it up. Yeah, we're on. Well, but we're recording 630 00:32:38,560 --> 00:32:41,960 Speaker 1: this for Friday when the record comes out. Yeah yeah, 631 00:32:42,040 --> 00:32:45,320 Speaker 1: So listen. I've done many of these long press tours 632 00:32:45,880 --> 00:32:48,000 Speaker 1: as the interviewees. So each your almonds will We're happy 633 00:32:48,040 --> 00:32:50,080 Speaker 1: to wait for a second. Oh no, no, I would 634 00:32:50,320 --> 00:32:53,960 Speaker 1: just starving and heavy. Get here. I'm ready for you, Bobby. 635 00:32:54,080 --> 00:33:00,400 Speaker 1: Is this the last one of the day for you? Well, 636 00:33:00,480 --> 00:33:02,360 Speaker 1: let me say first off, I'm a I'm a huge fan. 637 00:33:02,480 --> 00:33:05,400 Speaker 1: I uh, you know, obviously watched The Office from from 638 00:33:05,480 --> 00:33:08,720 Speaker 1: the beginning to end, and the very final song, which 639 00:33:08,760 --> 00:33:11,000 Speaker 1: I don't think a lot of people realize that that 640 00:33:11,040 --> 00:33:13,560 Speaker 1: has played on the entire series, is your song. I'm 641 00:33:13,560 --> 00:33:15,360 Speaker 1: gonna actually play some of this real quick before we 642 00:33:15,400 --> 00:33:22,320 Speaker 1: get to the new record. You know that they have that, 643 00:33:23,040 --> 00:33:24,880 Speaker 1: So you're you're sitting in the office, you're playing that. 644 00:33:24,960 --> 00:33:26,920 Speaker 1: How do you get them to play an original Creed 645 00:33:26,960 --> 00:33:31,880 Speaker 1: Bratton song on the finale of the show. Was that? 646 00:33:31,960 --> 00:33:35,240 Speaker 1: Was that my version? It was your version? It was 647 00:33:35,600 --> 00:33:37,560 Speaker 1: that version? There was from you playing an acoustic like 648 00:33:37,600 --> 00:33:40,400 Speaker 1: on YouTube more than it was. But that's the song. Yeah, 649 00:33:40,840 --> 00:33:45,800 Speaker 1: that's that's um well, um. We were in the in 650 00:33:45,840 --> 00:33:52,120 Speaker 1: the finale the uh the ninth reason, Um, Dave, I 651 00:33:52,120 --> 00:33:54,200 Speaker 1: think I've been doing talking about my brooch. Dave, who 652 00:33:54,320 --> 00:33:57,520 Speaker 1: like Greg Daniels, invited me to the office and he 653 00:33:58,240 --> 00:34:01,560 Speaker 1: talked to all the actors saying, how do you think 654 00:34:01,600 --> 00:34:04,800 Speaker 1: you're your characters would leave the leave the show, and 655 00:34:04,880 --> 00:34:06,560 Speaker 1: I told him that I had written a song right 656 00:34:06,600 --> 00:34:08,960 Speaker 1: after I left the grass Mus called All the Faces. 657 00:34:09,160 --> 00:34:10,560 Speaker 1: I told him I thought it was one of my 658 00:34:11,000 --> 00:34:15,319 Speaker 1: firstal most spiritual songs about meeting people that you've you've 659 00:34:15,440 --> 00:34:18,719 Speaker 1: known in other lives, that their kindred spirits and you 660 00:34:18,800 --> 00:34:21,960 Speaker 1: recognize them right away, you steel comfortable with them, and 661 00:34:22,000 --> 00:34:26,280 Speaker 1: that's what the song is about, and I should be it. Uh, 662 00:34:26,400 --> 00:34:29,240 Speaker 1: what's the what's the name of the bar and tramp 663 00:34:29,360 --> 00:34:31,239 Speaker 1: that we always have on their own just matter, it 664 00:34:31,360 --> 00:34:34,320 Speaker 1: doesn't matter anyway. It was the bar that we'd always 665 00:34:34,360 --> 00:34:37,360 Speaker 1: go to after the show on the show, on the show, 666 00:34:37,640 --> 00:34:41,320 Speaker 1: and the cast would walk through in the bar singing 667 00:34:41,360 --> 00:34:44,840 Speaker 1: this song and we see their faces, all the faces. 668 00:34:45,000 --> 00:34:48,319 Speaker 1: So he gave me the opportunity. So he great dand 669 00:34:48,400 --> 00:34:51,319 Speaker 1: those arts of songs, enjoyed it and decided to put 670 00:34:51,480 --> 00:34:55,040 Speaker 1: have me sing it in the finale. And that I mean, 671 00:34:55,160 --> 00:34:58,560 Speaker 1: my guy, Bobby. That just opened up my my musical 672 00:34:58,640 --> 00:35:01,839 Speaker 1: career big time a it It allows me to be here, 673 00:35:02,120 --> 00:35:04,560 Speaker 1: allows me to still cut albums and to have a 674 00:35:04,560 --> 00:35:07,440 Speaker 1: fan base, not just because the office, but because of 675 00:35:07,760 --> 00:35:11,160 Speaker 1: the music. So it was win win in every aspect. 676 00:35:11,320 --> 00:35:13,840 Speaker 1: And that's how I knew that you were also a 677 00:35:13,840 --> 00:35:16,600 Speaker 1: professional musician. And that's how I tried back the grassroots stuff. 678 00:35:16,640 --> 00:35:18,719 Speaker 1: And you know, when you were playing with the grassroots, 679 00:35:19,000 --> 00:35:21,279 Speaker 1: you were singing, you were playing, you were writing, and 680 00:35:21,320 --> 00:35:23,080 Speaker 1: that was back in the sixties. And so I was thinking, 681 00:35:23,400 --> 00:35:25,759 Speaker 1: like when you started off your career, was it, Hey, 682 00:35:25,800 --> 00:35:27,200 Speaker 1: I want to be a musician, or hey, I want 683 00:35:27,200 --> 00:35:29,440 Speaker 1: to be an actor in comedy? What was it? What 684 00:35:29,520 --> 00:35:31,680 Speaker 1: was like sixteen year old Creed Bratton wanted to do 685 00:35:33,760 --> 00:35:37,239 Speaker 1: Crea bat had always played music. I remember I played 686 00:35:37,239 --> 00:35:41,080 Speaker 1: trumpets for years and years. By thirteen, I started learning guitar. 687 00:35:41,560 --> 00:35:45,000 Speaker 1: My grand parents had a semi professional band called the 688 00:35:45,040 --> 00:35:49,080 Speaker 1: Happy Timers. My mother played mandolin. I didn't know my dad, 689 00:35:49,160 --> 00:35:51,400 Speaker 1: but my stepdad played the drums, so we had we 690 00:35:51,440 --> 00:35:55,319 Speaker 1: had a family band. I played. I'm seventy seven, so 691 00:35:55,560 --> 00:35:59,840 Speaker 1: sixty years ago, around seventeen, I started working professionally but 692 00:36:00,000 --> 00:36:03,319 Speaker 1: a place called Bash late in the band Coktor Case. 693 00:36:04,120 --> 00:36:08,920 Speaker 1: So I've been doing this obviously for a long long time. Uh, 694 00:36:09,280 --> 00:36:11,680 Speaker 1: I know, dude, I never thought that it was something 695 00:36:11,719 --> 00:36:14,759 Speaker 1: that I could take a living at. I just love 696 00:36:15,080 --> 00:36:18,840 Speaker 1: playing music. When I started acting, it was because I 697 00:36:18,920 --> 00:36:22,800 Speaker 1: just thought I gravitated toward it. I loved being on stage. 698 00:36:22,840 --> 00:36:27,200 Speaker 1: I love the fear conquering, the fear that the strength 699 00:36:27,239 --> 00:36:30,719 Speaker 1: of you get from uh being good at something didn't 700 00:36:30,719 --> 00:36:33,400 Speaker 1: be able to deliver it, uh, because it's a lot 701 00:36:33,440 --> 00:36:36,680 Speaker 1: there's a lot of pressure on stage, and when you 702 00:36:36,800 --> 00:36:39,880 Speaker 1: learn to get comfortable that you you can handle a 703 00:36:39,920 --> 00:36:42,480 Speaker 1: lot of stuff in a lot of situations. And that's 704 00:36:42,560 --> 00:36:45,879 Speaker 1: that's been a good growth mechanism for me. And we'll 705 00:36:45,920 --> 00:36:47,400 Speaker 1: get back to some of the office stuff later. But 706 00:36:47,400 --> 00:36:49,160 Speaker 1: I was listening to some of the new stuff here, 707 00:36:49,560 --> 00:36:52,280 Speaker 1: the new album which this airs it will be out today, 708 00:36:52,640 --> 00:36:55,759 Speaker 1: So is out today. It is your ninth record. I'm 709 00:36:55,760 --> 00:36:57,520 Speaker 1: gonna play some of the first single here. This is 710 00:36:57,680 --> 00:37:03,000 Speaker 1: chance you Toad, Here you go all right, can you 711 00:37:03,000 --> 00:37:05,960 Speaker 1: hear that? Created? Yeah, okay, let's play a little more 712 00:37:06,080 --> 00:37:19,880 Speaker 1: right to what what's a chance you? Toad creed d 713 00:37:20,360 --> 00:37:25,600 Speaker 1: joad is a statue people put in the in their homes. 714 00:37:26,120 --> 00:37:31,640 Speaker 1: Chinese in origin, the three legged toad, red eyes. It 715 00:37:31,719 --> 00:37:35,000 Speaker 1: has a constellation and the big dipper down its back. 716 00:37:35,760 --> 00:37:38,320 Speaker 1: It has a coin in its mouth and it's there 717 00:37:39,120 --> 00:37:43,120 Speaker 1: two Uh protect your money from leaving the house and 718 00:37:43,200 --> 00:37:49,160 Speaker 1: also to draw money into your homes. Based upon a god, 719 00:37:50,040 --> 00:37:54,920 Speaker 1: god of immortality. His wife feels his a lecture of immortality, 720 00:37:55,360 --> 00:37:59,080 Speaker 1: and for her punishment, she's thrown down into a well. 721 00:37:59,680 --> 00:38:02,239 Speaker 1: And when Sohn He finds her, he releases her and 722 00:38:02,239 --> 00:38:05,120 Speaker 1: then she comes out. And then my song he used 723 00:38:05,120 --> 00:38:09,040 Speaker 1: the beautiful Oriental woman and I'm dating, but she's still 724 00:38:09,280 --> 00:38:12,480 Speaker 1: she's still a frog. Maybe she's a frank oriotal if 725 00:38:12,560 --> 00:38:15,320 Speaker 1: I'm not sure about that. But it's creat it's creat 726 00:38:15,520 --> 00:38:18,200 Speaker 1: Go figure what he's talked about. Here is another song 727 00:38:18,239 --> 00:38:34,040 Speaker 1: called the Ride. Check us out. This song is a 728 00:38:34,040 --> 00:38:36,080 Speaker 1: little one of my vibe, Like I can actually understand 729 00:38:36,080 --> 00:38:37,319 Speaker 1: this when I feel this one a little bit. Tell 730 00:38:37,360 --> 00:38:41,319 Speaker 1: me about this one. This is uh, this is one 731 00:38:41,400 --> 00:38:45,879 Speaker 1: I did with uh. The actors in the Canyon band 732 00:38:46,680 --> 00:38:51,399 Speaker 1: I had played. I had written lyrics for the office theme, 733 00:38:51,960 --> 00:38:55,200 Speaker 1: which I did in All My Lives goes to Michael 734 00:38:55,239 --> 00:38:58,640 Speaker 1: Scott played by Steve Carell and Ray Wilson, and he 735 00:38:58,680 --> 00:39:02,320 Speaker 1: played shrewd blah blah blah. So I recorded fans love this. 736 00:39:02,480 --> 00:39:05,680 Speaker 1: It's on the YouTube version of that. Uh, I went, 737 00:39:05,880 --> 00:39:10,360 Speaker 1: I recorded with Dave Way and Dylan O'Brien and Uh. 738 00:39:10,640 --> 00:39:13,439 Speaker 1: Then NBC says, no, we don't want you to do this, 739 00:39:13,640 --> 00:39:15,399 Speaker 1: and then there was they have their reasons because there's 740 00:39:15,440 --> 00:39:17,760 Speaker 1: everybody in the world has mentioned on that. We probably 741 00:39:17,800 --> 00:39:20,800 Speaker 1: have to give permission from everybody. So I tried the 742 00:39:20,960 --> 00:39:24,359 Speaker 1: right new lyrics to the track. That didn't work out, 743 00:39:24,520 --> 00:39:26,960 Speaker 1: but the new lyrics threw me into said, oh you 744 00:39:26,960 --> 00:39:30,319 Speaker 1: know what, let's just cut another complete other track, and 745 00:39:30,480 --> 00:39:33,080 Speaker 1: so then I started this is This's been a year 746 00:39:33,840 --> 00:39:37,520 Speaker 1: over a year recording this album. Uh. When I got tour, 747 00:39:37,719 --> 00:39:42,560 Speaker 1: I played the song live whistically the audience of Bobby 748 00:39:42,719 --> 00:39:46,480 Speaker 1: with instantly goes side by the whole you know, it 749 00:39:46,560 --> 00:39:50,000 Speaker 1: was like I was a big hit already. They they 750 00:39:50,000 --> 00:39:52,440 Speaker 1: were singing along and they loved the song. So I 751 00:39:52,920 --> 00:39:54,840 Speaker 1: called Dave from the road and said, you know what, 752 00:39:55,239 --> 00:39:58,279 Speaker 1: the ride it's so catchy. The people really picked up 753 00:39:58,280 --> 00:40:01,279 Speaker 1: on it's so hooking they get it away. So there 754 00:40:01,400 --> 00:40:04,440 Speaker 1: there's story behind that, and I'm really the way it 755 00:40:04,520 --> 00:40:08,680 Speaker 1: turned out. New records out today, everybody check it out. 756 00:40:08,719 --> 00:40:11,600 Speaker 1: It's for three originals that we've played here. And you 757 00:40:11,640 --> 00:40:13,040 Speaker 1: may not have known that the final song in the 758 00:40:13,080 --> 00:40:15,960 Speaker 1: office was actually an original Creed Bratton song. You know 759 00:40:16,120 --> 00:40:19,880 Speaker 1: when that show when it ended, were you more famous 760 00:40:19,920 --> 00:40:21,959 Speaker 1: as far as people seeing you on the streets then 761 00:40:22,280 --> 00:40:28,399 Speaker 1: or now because of the streaming success of the show now? Now? 762 00:40:28,560 --> 00:40:31,919 Speaker 1: It was popular then, but it seems like everybody now 763 00:40:32,360 --> 00:40:35,279 Speaker 1: it's still the most stream show. It's it's unprecedented, right 764 00:40:35,719 --> 00:40:39,640 Speaker 1: that show still be the most stream show on television. 765 00:40:40,239 --> 00:40:46,240 Speaker 1: It's ridiculous. But generations what the show then? They're younger 766 00:40:46,400 --> 00:40:50,719 Speaker 1: are sympicly now recognized me. So it's not only we 767 00:40:50,719 --> 00:40:52,799 Speaker 1: were popular then. We still have. The younger kids are 768 00:40:52,840 --> 00:40:56,880 Speaker 1: still and I've got a very young I do. They're like, 769 00:40:57,040 --> 00:40:59,759 Speaker 1: they're all in there. It's just big young audience. I 770 00:40:59,760 --> 00:41:02,760 Speaker 1: don't I can't get a date from my from my people. 771 00:41:02,800 --> 00:41:07,719 Speaker 1: I told him on stage, bring your grandmothers. They think 772 00:41:07,719 --> 00:41:11,760 Speaker 1: I'm joking, I'm not very serious. Was there a reason 773 00:41:11,840 --> 00:41:13,759 Speaker 1: that you went or got to use your real name 774 00:41:13,760 --> 00:41:16,279 Speaker 1: on the show instead of being given a even a 775 00:41:16,440 --> 00:41:23,399 Speaker 1: last name character name. Yeah. Greg Daniels was incorporated by 776 00:41:23,920 --> 00:41:26,480 Speaker 1: career as graft He wanted me, he wanted a rock star. 777 00:41:26,600 --> 00:41:29,760 Speaker 1: He wanted me there as as who I was Grafts 778 00:41:30,360 --> 00:41:34,160 Speaker 1: and uh, there's a deleted scene from the Boutish cruise 779 00:41:34,719 --> 00:41:38,000 Speaker 1: where I played guitar and showed grassroots. And they're scene 780 00:41:38,000 --> 00:41:41,440 Speaker 1: where a reporter like take my own guests recognized the 781 00:41:41,640 --> 00:41:45,080 Speaker 1: pred the grassroots. But those are deleted scenes, so they 782 00:41:45,080 --> 00:41:49,399 Speaker 1: were they weren't on the prime time easy until the 783 00:41:49,440 --> 00:41:53,960 Speaker 1: finale that they finally uh went public with that I 784 00:41:54,120 --> 00:41:57,600 Speaker 1: was uh in the grassroots. There there was a reason. 785 00:41:57,600 --> 00:42:00,719 Speaker 1: That was all planned at the beginning. That's great Daniel's plan. 786 00:42:01,320 --> 00:42:03,080 Speaker 1: Is there any evidence that you could have been the 787 00:42:03,080 --> 00:42:07,640 Speaker 1: Scranton strangler, Bobby, God damn, I listen. If I was 788 00:42:07,680 --> 00:42:10,279 Speaker 1: in the studio right now, I would strangle you. I 789 00:42:10,600 --> 00:42:15,160 Speaker 1: care you. Uh well, I let's think about let's think 790 00:42:15,160 --> 00:42:19,080 Speaker 1: about this way. Uh, I had blood all when when 791 00:42:19,160 --> 00:42:22,239 Speaker 1: people were nervous about me. If I had been the 792 00:42:22,239 --> 00:42:26,560 Speaker 1: scramping Stapfer. Sure I could see that, but the strangle 793 00:42:26,600 --> 00:42:28,400 Speaker 1: doesn't leave a lot of blood, So I don't know, 794 00:42:29,320 --> 00:42:30,960 Speaker 1: not that there has been people that I wanted to 795 00:42:31,000 --> 00:42:35,520 Speaker 1: strangle asking character. Um, but I can't see anybody else 796 00:42:35,560 --> 00:42:38,879 Speaker 1: being beside him, can you really? Because he was a dark, 797 00:42:39,000 --> 00:42:43,880 Speaker 1: defarious guy for sure. Yeah. Him, Gabe, I can see Gabe. 798 00:42:44,320 --> 00:42:48,359 Speaker 1: He was always Gabe, not around Yeah, no, he could 799 00:42:48,400 --> 00:42:51,600 Speaker 1: have done that Anthony Berkin's face and it strangles, so 800 00:42:51,880 --> 00:42:57,040 Speaker 1: absolutely yeah, I actually think that Zack, which could strangler? 801 00:42:57,880 --> 00:43:01,480 Speaker 1: Who won that show? And well and strangling strangling people 802 00:43:01,520 --> 00:43:04,960 Speaker 1: beause I'm sorry, I'm sorry. It doesn't give me any pleasure, 803 00:43:04,960 --> 00:43:07,640 Speaker 1: and there's life put out of it. Well maybe a little, 804 00:43:07,719 --> 00:43:11,640 Speaker 1: a little bit of pleasure, not much stuff. It feels 805 00:43:11,680 --> 00:43:15,120 Speaker 1: good that that cast, you know, it seems like you 806 00:43:15,120 --> 00:43:17,279 Speaker 1: guys are still relatively closely some of you. Who is 807 00:43:17,280 --> 00:43:22,160 Speaker 1: your your your closest friend in the cast. Oh it's 808 00:43:22,200 --> 00:43:27,600 Speaker 1: still Anzo kids. Uh, we're just you though, we're just 809 00:43:27,680 --> 00:43:31,280 Speaker 1: grew just very close. Um. I get along obviously well 810 00:43:31,400 --> 00:43:34,719 Speaker 1: with everybody. There's nobody that I don't get along with. 811 00:43:35,320 --> 00:43:38,200 Speaker 1: It's probably because we lived close to each other. But uh, 812 00:43:38,600 --> 00:43:43,640 Speaker 1: I talked to Oscar. I talked to Oscar, I talked 813 00:43:43,680 --> 00:43:46,440 Speaker 1: to Rain, and I see Steve Carell and we live 814 00:43:46,480 --> 00:43:49,000 Speaker 1: in the same area. I see him around it and 815 00:43:49,239 --> 00:43:54,440 Speaker 1: parties and stuff and a gracious, gracious, talented guy. That 816 00:43:54,600 --> 00:43:58,399 Speaker 1: was just an amazing past. Look what everybody did, It's 817 00:43:58,480 --> 00:44:02,080 Speaker 1: just astonishing. And that was lightning in a bottle of 818 00:44:02,200 --> 00:44:05,040 Speaker 1: that joke for sure. All right, Creed Bratton is here 819 00:44:05,080 --> 00:44:07,480 Speaker 1: with us now. The new album is slightly altered. It's 820 00:44:07,520 --> 00:44:10,440 Speaker 1: out today. We played you some tracks chopped on the 821 00:44:10,480 --> 00:44:13,439 Speaker 1: seven Team. Uh. Now we're airing this today. Don't forget. 822 00:44:13,680 --> 00:44:18,920 Speaker 1: We're saving this to air the day it's out. Yes see, Creedy, 823 00:44:18,960 --> 00:44:21,360 Speaker 1: that's right, I'm doing you a solid. We're holding it 824 00:44:21,400 --> 00:44:23,640 Speaker 1: till the day so people can hear this and immediately 825 00:44:23,719 --> 00:44:27,360 Speaker 1: go right over and start streaming the new Creed Bratton album. 826 00:44:27,480 --> 00:44:32,840 Speaker 1: See just just added out that, Hey, let me let 827 00:44:32,920 --> 00:44:35,360 Speaker 1: me end with this. Is it? Is it true? And 828 00:44:35,360 --> 00:44:36,920 Speaker 1: I'm gonna ask the whole question because it may be 829 00:44:36,920 --> 00:44:39,279 Speaker 1: a dumb question that you almost got let go on 830 00:44:39,360 --> 00:44:42,120 Speaker 1: season two of the Office for real, because what I 831 00:44:42,200 --> 00:44:45,120 Speaker 1: read was between you and another background character, but that 832 00:44:45,160 --> 00:44:47,000 Speaker 1: guy bowed out because he had just booked a play 833 00:44:47,000 --> 00:44:50,680 Speaker 1: in New York. Any truth to that? Yes, yes, and 834 00:44:50,880 --> 00:44:54,759 Speaker 1: uh obviously shot that all that that fix to have 835 00:44:54,800 --> 00:44:57,360 Speaker 1: page we've seen would be to give me the shot. 836 00:44:57,719 --> 00:45:02,400 Speaker 1: But he hadn't seen two and uh so they weren't 837 00:45:02,400 --> 00:45:05,920 Speaker 1: really sure. Uh but luckily I I made the cut 838 00:45:06,560 --> 00:45:10,239 Speaker 1: and thank god for that. It was wonderful way it 839 00:45:10,320 --> 00:45:13,319 Speaker 1: turned out. But that was that was that was the uh, 840 00:45:13,800 --> 00:45:16,560 Speaker 1: the rubicon that I had to cross that scene with 841 00:45:16,640 --> 00:45:20,120 Speaker 1: Keith Grill to prove my my my chop, my comedic chops. 842 00:45:20,840 --> 00:45:25,359 Speaker 1: And luckily I got through the audition six s as 843 00:45:26,000 --> 00:45:28,720 Speaker 1: as we let you go, My friend, what's the line 844 00:45:28,760 --> 00:45:31,239 Speaker 1: you're known most for? What's your favorite line of the 845 00:45:31,280 --> 00:45:32,719 Speaker 1: line that people quote back to you that you said 846 00:45:32,800 --> 00:45:37,120 Speaker 1: during the show. They screamed from the audience, especially when 847 00:45:37,120 --> 00:45:41,040 Speaker 1: I'm singing all the faces, all the space, I'm singing 848 00:45:41,040 --> 00:45:42,759 Speaker 1: this ship. You can hear a pin drop and the 849 00:45:42,760 --> 00:45:49,400 Speaker 1: back guy O party, Oh what hard feel like you 850 00:45:49,480 --> 00:45:54,400 Speaker 1: do a fucking start, willness, I'm singing this song, you 851 00:45:54,480 --> 00:45:58,719 Speaker 1: know well, Craive, thank you for the time. Congratulations on 852 00:45:58,760 --> 00:46:02,280 Speaker 1: another record. I'm big fan and I'll check it out today. 853 00:46:02,400 --> 00:46:05,160 Speaker 1: Remember today t O D A Y. The record comes 854 00:46:05,160 --> 00:46:08,080 Speaker 1: out even though we're taping this earlier. Uh it's called 855 00:46:08,080 --> 00:46:10,440 Speaker 1: slightly Alter from Creed bed and Hey, Creed, good to 856 00:46:10,480 --> 00:46:12,279 Speaker 1: talk to you. I hope you have a ton of 857 00:46:12,320 --> 00:46:14,360 Speaker 1: success and hopefully I'll see a live around Nashville or 858 00:46:14,680 --> 00:46:17,600 Speaker 1: some other place. I hope. So, Bobby, Hey, thanks for 859 00:46:17,640 --> 00:46:20,840 Speaker 1: having me. I appreciate it, buddy. All right, By Creed, Bye, 860 00:46:21,080 --> 00:46:27,200 Speaker 1: take care Bobby. By guys, how are you man? I'm 861 00:46:27,200 --> 00:46:30,240 Speaker 1: doing good man. Yeah, I missed you at the Opry. 862 00:46:30,280 --> 00:46:31,839 Speaker 1: I you know, I had to leave. Is the one 863 00:46:31,840 --> 00:46:33,360 Speaker 1: show I really want to I mean a lot of 864 00:46:33,360 --> 00:46:35,319 Speaker 1: those shows I want to see, but a lot of 865 00:46:35,320 --> 00:46:36,799 Speaker 1: those folks are my friends and I get to see 866 00:46:36,840 --> 00:46:39,040 Speaker 1: them all the time. But when you and Brad were playing, 867 00:46:39,160 --> 00:46:41,960 Speaker 1: I had to leave town and I was so disappointed 868 00:46:42,000 --> 00:46:43,440 Speaker 1: that I missed you. What was that like for you 869 00:46:43,480 --> 00:46:46,439 Speaker 1: playing an empty Opry room? Well, you know, we've gotten 870 00:46:46,480 --> 00:46:48,879 Speaker 1: the gun you used to play in earty places now, 871 00:46:49,640 --> 00:46:53,719 Speaker 1: so it's kind of normal. Isn't that weird? That's a 872 00:46:53,760 --> 00:47:00,200 Speaker 1: normality of Brobbly freak out. I'm gonna play up of 873 00:47:00,239 --> 00:47:02,279 Speaker 1: clips here. By the way, Kemo was on with us 874 00:47:02,320 --> 00:47:06,760 Speaker 1: five time Grammy Award winner First One Back in the 875 00:47:06,800 --> 00:47:10,319 Speaker 1: most recent Grammy Best American Album for Oklahoma'm gonna play 876 00:47:10,320 --> 00:47:12,440 Speaker 1: a song, uh this is Oklahoma right here, so you 877 00:47:12,440 --> 00:47:27,840 Speaker 1: can hear that with sunsheping through the phase Jesus stay away. 878 00:47:30,080 --> 00:47:32,920 Speaker 1: I'll ask you about winning a Grammy, like is it 879 00:47:33,000 --> 00:47:35,200 Speaker 1: cooler the first time you win it or the last 880 00:47:35,320 --> 00:47:37,880 Speaker 1: time you win it? The first time the first time 881 00:47:38,600 --> 00:47:43,840 Speaker 1: I won one, it was kind of like wow, you know, 882 00:47:44,840 --> 00:47:48,879 Speaker 1: you know, But the fifth one it was like, really, 883 00:47:48,960 --> 00:47:53,000 Speaker 1: holy crap. I was. I wouldn't expect him to get 884 00:47:53,040 --> 00:47:57,480 Speaker 1: that one at all. I meant one of you sit there, 885 00:47:57,600 --> 00:47:59,920 Speaker 1: you want it, but you can't expect it because you 886 00:48:00,160 --> 00:48:04,000 Speaker 1: get your feelings when they do the nominations. Are you 887 00:48:04,040 --> 00:48:05,680 Speaker 1: just chilling at the house and you get a call 888 00:48:05,719 --> 00:48:07,640 Speaker 1: and go, hey, cab, you were nominated for a Grammy? 889 00:48:07,719 --> 00:48:10,160 Speaker 1: Is that how you get You're told that no, no, 890 00:48:10,239 --> 00:48:13,839 Speaker 1: I go no, we suit up. No for nominations. No no, 891 00:48:13,880 --> 00:48:16,720 Speaker 1: not for the show. Yeah, like when whenever they announced 892 00:48:16,760 --> 00:48:20,040 Speaker 1: the nominations because the recent category was Best American Album 893 00:48:20,080 --> 00:48:21,640 Speaker 1: and they listened to all the albums, Like, how do 894 00:48:21,680 --> 00:48:23,760 Speaker 1: you find out you were actually nominated for a Grammy? 895 00:48:23,920 --> 00:48:28,759 Speaker 1: My wife killed me? How does she even know? Is 896 00:48:28,760 --> 00:48:30,840 Speaker 1: that is that on Twitter? Like they just throw it 897 00:48:30,880 --> 00:48:32,680 Speaker 1: up there or is there some secret call you get 898 00:48:33,040 --> 00:48:37,120 Speaker 1: between between my manager and her and I have. I 899 00:48:37,160 --> 00:48:39,560 Speaker 1: have a hard times a hard time with that. So 900 00:48:39,880 --> 00:48:41,520 Speaker 1: because I'm always working at the moment, my mom is 901 00:48:41,520 --> 00:48:44,240 Speaker 1: trying to come up be good enough to be a musician. 902 00:48:44,280 --> 00:48:46,040 Speaker 1: So at every time I need like, oh can you 903 00:48:46,120 --> 00:48:51,520 Speaker 1: blew it again? Man? Wow, I'm gonna play this song here. 904 00:48:51,560 --> 00:48:53,560 Speaker 1: This is one of my favorites. This is called this 905 00:48:53,600 --> 00:49:15,120 Speaker 1: is My Home. Tell me about this song, Kevin. That's 906 00:49:15,120 --> 00:49:19,160 Speaker 1: a song about immigrants, because we're all immigrants in this 907 00:49:20,480 --> 00:49:26,319 Speaker 1: It's about acceptance and it's about people's personal stories and 908 00:49:26,480 --> 00:49:30,040 Speaker 1: uh and just um, just tell a story that need 909 00:49:30,080 --> 00:49:31,680 Speaker 1: to take what you can take it, like the warning. 910 00:49:32,120 --> 00:49:35,160 Speaker 1: I was watching some of your Instagram stuff and it 911 00:49:35,200 --> 00:49:36,560 Speaker 1: just seems like there's a lot of guitar and a 912 00:49:36,600 --> 00:49:40,319 Speaker 1: lot of different guitars everywhere. I look like, oh, yeah, yeah, 913 00:49:40,960 --> 00:49:43,160 Speaker 1: how do you even keep track? How many guitars do 914 00:49:43,200 --> 00:49:45,279 Speaker 1: you have? Do you even if would you recognize your 915 00:49:45,280 --> 00:49:47,520 Speaker 1: own if someone put a few in front of you, Like, 916 00:49:47,560 --> 00:49:50,200 Speaker 1: how in the world do you keep all those going gus? 917 00:49:50,640 --> 00:49:54,560 Speaker 1: And so um um? But I just I use them all. 918 00:49:54,680 --> 00:49:57,640 Speaker 1: You know that the tools. It's like having a lot 919 00:49:57,640 --> 00:50:00,320 Speaker 1: of scoot drivers a lot of hammers. They're different to 920 00:50:00,719 --> 00:50:03,880 Speaker 1: do different things. But but you, man, I mean you, 921 00:50:04,040 --> 00:50:06,400 Speaker 1: you know what you know. I saw you on the 922 00:50:06,520 --> 00:50:09,520 Speaker 1: dance with the Start your dance with my my fa 923 00:50:09,840 --> 00:50:13,319 Speaker 1: Milo Milo. Man. I know Milo, Yeah, he should have 924 00:50:13,360 --> 00:50:15,359 Speaker 1: beat me. He been in second I know Milo, Well, 925 00:50:15,440 --> 00:50:21,160 Speaker 1: good kid, man, I know, dude born Yeah because with 926 00:50:21,320 --> 00:50:23,840 Speaker 1: the mom Yeah, I got to spend time with Cameron 927 00:50:23,880 --> 00:50:26,520 Speaker 1: too up there. And you know, there are some nice 928 00:50:26,560 --> 00:50:29,839 Speaker 1: people and what a cool folks to man. I gotta 929 00:50:29,840 --> 00:50:32,040 Speaker 1: say that you got some swagger. That's all I'm gonna say. 930 00:50:32,120 --> 00:50:34,000 Speaker 1: Did you vote against me? Did you vote for Milo? 931 00:50:34,840 --> 00:50:38,920 Speaker 1: I alright, alright, I like the outcome. No, no, I 932 00:50:39,080 --> 00:50:41,759 Speaker 1: like the outcome. I like to watch the outcome what 933 00:50:41,880 --> 00:50:46,000 Speaker 1: actually happened. And I'm going you know, my thought was 934 00:50:46,320 --> 00:50:52,279 Speaker 1: realised with you, like you know, you brought it something there. 935 00:50:52,360 --> 00:50:57,439 Speaker 1: You taught Milo a lesson, you know about bringing it. Well, 936 00:50:57,680 --> 00:51:00,920 Speaker 1: he was a much little better dancer. Great, he's a 937 00:51:00,920 --> 00:51:08,120 Speaker 1: great dancer. But but this is there's a certain little thing. 938 00:51:08,960 --> 00:51:11,960 Speaker 1: There's a lot of piano players, but some people in life. 939 00:51:12,880 --> 00:51:15,880 Speaker 1: I have this thing I call the thing you know, 940 00:51:16,520 --> 00:51:18,520 Speaker 1: you call it just swagger. You know, it's just a 941 00:51:18,560 --> 00:51:23,080 Speaker 1: certain a certain kind of gifts of communication of passion 942 00:51:23,920 --> 00:51:28,640 Speaker 1: that makes them rise above you know, not being good. 943 00:51:28,640 --> 00:51:31,880 Speaker 1: It's not enough. And that was the lesson that you 944 00:51:31,960 --> 00:51:35,520 Speaker 1: taught everybody. A enough about me. I appreciate that. Enough 945 00:51:35,560 --> 00:51:38,680 Speaker 1: about me, I got a lot. I'm not like I 946 00:51:38,760 --> 00:51:40,520 Speaker 1: told you, I'm done with me. I'm so over me. 947 00:51:40,640 --> 00:51:41,920 Speaker 1: Let me ask you this, Let me ask you this. 948 00:51:43,120 --> 00:51:46,160 Speaker 1: I was watching some clips on YouTube. It was probably 949 00:51:46,600 --> 00:51:49,399 Speaker 1: like two thousand twelve. You guys are all to White 950 00:51:49,440 --> 00:51:52,200 Speaker 1: House and it was it was a PBS special. I 951 00:51:52,200 --> 00:51:53,920 Speaker 1: was watching clips and I just wonder if you're like 952 00:51:54,000 --> 00:51:55,920 Speaker 1: the music star and you're performing, because it was you 953 00:51:56,040 --> 00:51:58,880 Speaker 1: bb King, Buddy Guy and Warren Haynes, You're all performing. Like, 954 00:51:58,960 --> 00:52:01,640 Speaker 1: what is secure any like for superstars when they go 955 00:52:01,680 --> 00:52:03,120 Speaker 1: into the White House? Is it the same as like 956 00:52:03,160 --> 00:52:06,200 Speaker 1: normal folks security? The superstar nobody cares about you. They 957 00:52:06,239 --> 00:52:08,080 Speaker 1: only care about the president. So you go through the 958 00:52:08,080 --> 00:52:12,120 Speaker 1: same everything, metal detectors, frisks. It's like going to the 959 00:52:12,160 --> 00:52:19,200 Speaker 1: airport with the background check. What was that like playing 960 00:52:19,200 --> 00:52:20,800 Speaker 1: in the White House? That was that pretty cool? It 961 00:52:20,920 --> 00:52:23,799 Speaker 1: was awesome. It's awesome because in the White House and 962 00:52:23,920 --> 00:52:28,000 Speaker 1: plan for the President first Lady and the Tigertarians being 963 00:52:28,080 --> 00:52:31,640 Speaker 1: in what they called the People's House. It's something I 964 00:52:31,680 --> 00:52:33,600 Speaker 1: didn't know about you because because I am a fan by, 965 00:52:33,640 --> 00:52:36,040 Speaker 1: something I didn't know is that you're the Mike and 966 00:52:36,080 --> 00:52:40,400 Speaker 1: Molly theme song. Guy. I had no idea. Yeah, that's 967 00:52:40,640 --> 00:52:44,200 Speaker 1: that's myself and Josh Kelly. I mean you had to 968 00:52:44,200 --> 00:52:47,360 Speaker 1: make some money off that, right, getting a big TV 969 00:52:47,480 --> 00:52:51,480 Speaker 1: show like that show made some serious like multiple seasons, 970 00:52:51,520 --> 00:52:54,040 Speaker 1: it's you every episode, like come come on, you get 971 00:52:54,040 --> 00:52:59,120 Speaker 1: the house on Mike, Michael Molly, Right, it's my my 972 00:52:59,280 --> 00:53:04,560 Speaker 1: guitar had Yeah, well listen, I hope everybody goes and 973 00:53:04,560 --> 00:53:07,680 Speaker 1: and if they don't know you yet, you know that 974 00:53:07,800 --> 00:53:09,799 Speaker 1: this was a reason for them to check it out. 975 00:53:09,920 --> 00:53:11,040 Speaker 1: Let me ask you this too, because I know you 976 00:53:11,080 --> 00:53:12,640 Speaker 1: run name is Kevin. The people call you Cab or 977 00:53:12,719 --> 00:53:17,000 Speaker 1: Kevin like you're close friends. But I've come to realize 978 00:53:17,000 --> 00:53:22,239 Speaker 1: that my real name is Cab ho Um because you know, 979 00:53:23,120 --> 00:53:25,960 Speaker 1: actually like you know, not to not to be I'm 980 00:53:26,040 --> 00:53:28,239 Speaker 1: accused of being too political. I'm not political. I'm just 981 00:53:28,400 --> 00:53:32,799 Speaker 1: very historical. And since you know that since you know, 982 00:53:32,880 --> 00:53:35,919 Speaker 1: Kevin Moore is not my name. That was the name 983 00:53:36,040 --> 00:53:38,920 Speaker 1: boy was given to me by slave owner, and so 984 00:53:39,800 --> 00:53:42,439 Speaker 1: that's not my name. Well, Kevin, I appreciate your time. 985 00:53:42,520 --> 00:53:47,960 Speaker 1: I'm a big fan. Hope everybody checks out the new stuff. Okay, 986 00:53:48,120 --> 00:53:52,200 Speaker 1: you're bad, I tell you. I saw you. Stop it, 987 00:53:52,400 --> 00:53:56,439 Speaker 1: stop it, enoughing enoughing you man. Kevin'm sorry I didn't 988 00:53:56,440 --> 00:53:58,600 Speaker 1: get to see you in person. Big fan, and now 989 00:53:58,640 --> 00:54:00,919 Speaker 1: hopefully I see around soon. Be safe. All right, thank 990 00:54:00,960 --> 00:54:02,960 Speaker 1: you for thank you for them. Thank you so much. 991 00:54:02,960 --> 00:54:10,000 Speaker 1: All right, yeat see man. H