WEBVTT - Music and Lyrics: Quippy & Cactus

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio. Hi. I'm Sienna

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<v Speaker 1>Jacob and I'm Leana Holston and welcome to Tossed Popcorn,

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<v Speaker 1>the podcast where two idiots watched every film on the

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<v Speaker 1>AFI's one hundred Greatest American Movies of All Time, the

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<v Speaker 1>Very slightly Less Racist tenth Anniversary Edition, and are now

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<v Speaker 1>watching movies of our own and listeners choosing.

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<v Speaker 2>This podcast is a safe recording studio for people who

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<v Speaker 2>don't know anything about movies. Today we're watching music and lyrics.

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<v Speaker 1>I'm just here to cater to the plant, and you

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<v Speaker 1>are doing a fine job, if I may say so,

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<v Speaker 1>Although that one is plastic. Huh oh, it's a waste

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<v Speaker 1>of time. Warning there will be spoilers about this rab

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<v Speaker 1>calm old film. This is a rom calm.

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<v Speaker 2>There is ram and there is calm. Uh did you Jesus.

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<v Speaker 1>What it had to be? Because I had never heard

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<v Speaker 1>of this.

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<v Speaker 2>Twas I twas I who said to the house ablaze, fantastic.

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<v Speaker 1>Well, I guess this is a good time for our predictions.

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<v Speaker 1>Oh my god, I would love that. I would just

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<v Speaker 1>love that. I guess we'll start with mine because I

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<v Speaker 1>knew the film. Those those that who they who know

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<v Speaker 1>it first goes first.

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<v Speaker 2>Yes, if it is to be said, so it be,

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<v Speaker 2>so it is?

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<v Speaker 1>Okay, ready, yeah, good morning, Sienna, Good morning. I'm about

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<v Speaker 1>to watch music and lyrics. I predict there will be

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<v Speaker 1>music and if you can believe it, also lyrics. Okay,

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<v Speaker 1>I've seen this before. I think it's really cute t

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<v Speaker 1>be completely h so. I hope it's a good time

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<v Speaker 1>and doesn't make me want to eat myself into oblivion

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<v Speaker 1>due to romantic oh flaps love you by. I hope

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<v Speaker 1>this was so far from reality in every way that

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<v Speaker 1>it didn't feel that way. Yes, yes, true, as a

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<v Speaker 1>true rom com should completely completely removed from reality. Sianna.

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<v Speaker 1>Could I hear your prediction please? Yes, I'm just remembering

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<v Speaker 1>it now. And well, Hi Leanna, Sienna. Here, I'm about

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<v Speaker 1>to watch music and lyrics. A movie I have never

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<v Speaker 1>heard of, but somebody mentioned might be a rom com.

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<v Speaker 1>So perhaps it will be about a musician finding love.

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<v Speaker 1>Maybe one of them is a songwriter, one of them

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<v Speaker 1>is the composer. Maybe someone's trying to kime a pop star.

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<v Speaker 1>Maybe it's sort of an opera situation. I would love that.

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<v Speaker 1>I would love that. Well, we haven't had that many

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<v Speaker 1>opera movies, not since Citizen Kane. Hot take, Citizen Kane

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<v Speaker 1>is an opera movie. Yeah, okay, I'm gonna go watch

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<v Speaker 1>the movie now, I love you goodbye.

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<v Speaker 2>That's not a hot take. That's true. If we did

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<v Speaker 2>have that opera movie with the Three Guys to.

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<v Speaker 1>Morrow, oh my gosh, a Night at the Opera.

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<v Speaker 2>I almost said the Brother's grim. Oh that's what it

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<v Speaker 2>was called.

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<v Speaker 1>I forgot there was a movie about the opera called

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<v Speaker 1>A Night at the Opera. Well, I guess I got

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<v Speaker 1>it right. Some one person writes the lyrics. Oh yeah, yes, yeah, yeah,

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<v Speaker 1>Well Leanna, before we get into the movie, Hey girl,

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<v Speaker 1>hey girl, as you you know how you've been afflicted

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<v Speaker 1>all summer long by bug bites? Yes, well something you

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<v Speaker 1>sent him my way or you must have. Are you

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<v Speaker 1>still getting bit yes? Oh okay, Well then others have

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<v Speaker 1>a redin here across the pond, because I have five

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<v Speaker 1>bug bites on one hand. What the heck? Okay do

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<v Speaker 1>you wear bugs? One on my left ear and none

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<v Speaker 1>anywhere else? Did you spray like your legs?

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<v Speaker 2>Because I'm saying they just were nowhere and I don't

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<v Speaker 2>know where they came from.

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<v Speaker 1>This is not.

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<v Speaker 2>I mean, this is this how you felt. It's just

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<v Speaker 2>like I don't know what I've done or where I

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<v Speaker 2>went to cause this. I'm a little bit like because

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<v Speaker 2>I was in nature for a few days.

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<v Speaker 1>Sure, so a part of me is like, is it

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<v Speaker 1>lime disease? But I don't know. I don't think so.

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<v Speaker 1>I think you would probably not if you did, you know,

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<v Speaker 1>kind of of.

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<v Speaker 2>I mean, I'm very deeply alone in my life, so

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<v Speaker 2>it's only me checking.

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<v Speaker 1>But so far, the Royal we.

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<v Speaker 2>Have not found any. You're mainly at your neck, you know.

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<v Speaker 2>And I don't think I'm so scared of them. I

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<v Speaker 2>don't think they're around. I had a tick once when

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<v Speaker 2>I was a child. Now ever since, I'm very afraid

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<v Speaker 2>of the nape of my neck.

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<v Speaker 1>That is so scary. Yes, that's terrifying.

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<v Speaker 2>The nape is dark and full of horror. The nape

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<v Speaker 2>to wear, the nape, Beware the nape. Hey girl, Hey girl, gosh,

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<v Speaker 2>what to report? A couple funny things I think you'd enjoy.

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<v Speaker 2>I did another show the other night, the same show

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<v Speaker 2>that I did.

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<v Speaker 1>I was so so stressed all day. It was just

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<v Speaker 1>one of those days where it was like it hit

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<v Speaker 1>like three pm. And we realized how much that had

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<v Speaker 1>to be done. You know, you're all day you're like, okay, okay,

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<v Speaker 1>I have an event tonight. It's all good, and then yeah,

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<v Speaker 1>it hits that afternoon time and you're like, oh my god.

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<v Speaker 1>So I was very we still, we gave it our

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<v Speaker 1>all and people people really responded to it well, and

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<v Speaker 1>I was very happy. I'm just I'm happy that this

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<v Speaker 1>show is enjoyed by the people and touching to people.

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<v Speaker 1>But I got a couple a couple of comments after that.

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<v Speaker 1>It was like as if people were trying to comfort

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<v Speaker 1>me about my performance and contributions, even though I truly

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<v Speaker 1>wasn't being self deprecating, like yeah, I'm no longer sort

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<v Speaker 1>of like, oh that sucked so much. Afterward, I'm like,

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<v Speaker 1>oh yeah, I'm glad you enjoyed. But people were treating

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<v Speaker 1>me as if I was being very self deprecating, like,

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<v Speaker 1>for example, this one guy, So it's technically a puppet show,

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<v Speaker 1>even though it's basically like a sketch comedy show with

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<v Speaker 1>some big paper mache flair. Okay, but this guy came

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<v Speaker 1>who was like one of my friends dates, and I

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<v Speaker 1>think he just he wasn't he wasn't used to the

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<v Speaker 1>art form very understandably. But so afterward we were kind

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<v Speaker 1>of standing there and he was trying to I believe

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<v Speaker 1>what happened was that he was trying to connect and

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<v Speaker 1>he was like, okay, this weird puppet person, what should

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<v Speaker 1>I ask? So he was like, yeah, so who makes

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<v Speaker 1>the puppets? And I was like, oh, yeah, we all

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<v Speaker 1>sort of do, we all pitch in. We all, you know,

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<v Speaker 1>like one of my friends made all these ones, the

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<v Speaker 1>ones that you probably remember in this scene. It's very beautiful.

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<v Speaker 1>He made this and this person made this, and he goes, okay,

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<v Speaker 1>so and what did you make? And I go oh,

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<v Speaker 1>And I started thinking and I cannot think of anything.

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<v Speaker 1>First of all, I don't make very many puppets. I'm

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<v Speaker 1>more of a performer, writer director. But I did make

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<v Speaker 1>the I made like the Shadow puppets for this one.

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<v Speaker 1>But I completely forgot, and so I was like, yep. Again.

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<v Speaker 1>I wasn't self deprecating. I wasn't like, oh my god.

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<v Speaker 1>I was just like, oh, you know what, I can't

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<v Speaker 1>think of it right now. And he looked at me

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<v Speaker 1>with so much pity, like because for him, in his defense,

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<v Speaker 1>I can understand He's like, this is a puppet show.

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<v Speaker 1>All I can imagine is that the point is you're

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<v Speaker 1>supposed to make puppets because this thing was so weird

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<v Speaker 1>that these people must be like following their dreams and

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<v Speaker 1>building things they love, because why else would you make

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<v Speaker 1>this thing? And so he was like oh, and I

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<v Speaker 1>was like uh, and he kept like waiting for me

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<v Speaker 1>to say stuff, even though the answer of me being like,

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<v Speaker 1>I kind of helped on stuff, but I was mostly

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<v Speaker 1>a performer in this should have been fine, like I

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<v Speaker 1>was in a lot of scenes, but he wasn't impressed.

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<v Speaker 1>And so I was like, uh uh, you know what

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<v Speaker 1>I did the hair, I helped on the fairy puppet

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<v Speaker 1>that came down on a zipline. It was like I

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<v Speaker 1>helped on zipline. Again, It's like I helped on this

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<v Speaker 1>fairy puppet. And he goes, oh, yeah, that was a

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<v Speaker 1>significant moment. I was like, who told you I needed comforting? Ah?

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<v Speaker 1>I told you to treat me this way. Wow, it

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<v Speaker 1>was so funny. I was like, what vibe was I

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<v Speaker 1>giving off during the show that made you feel that

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<v Speaker 1>you need to like find something for me to feel

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<v Speaker 1>okay about? Oh God, it was so funny.

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<v Speaker 2>People who don't know what to say after a show

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<v Speaker 2>often end up saying the worst possible thing. After a

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<v Speaker 2>stand up gig, my friend brought a friend of theirs

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<v Speaker 2>who was visiting. After the gig, which went fine. My

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<v Speaker 2>friend's friend, the only thing that he said to me was,

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<v Speaker 2>how do you feel?

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<v Speaker 1>I hate that? I I hate it, so I'm still

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<v Speaker 1>mad about it. I'm still like, no, unacceptable, unacceptable thing

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<v Speaker 1>to say. I get that that's your go to. If

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<v Speaker 1>you don't have anything nice to say, all you have

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<v Speaker 1>to say is good job. That's all you have. It

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<v Speaker 1>you don't I don't need anyone's two cents. No, how

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<v Speaker 1>do you feel? Ah, it's the pity, it's the like, Yeah,

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<v Speaker 1>I can't believe it's so much pity. Also, can I

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<v Speaker 1>just say to everybody I did a good job. I

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<v Speaker 1>still don't feel bad about my performance? Yeah? Why is

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<v Speaker 1>everyone treating me this way? What's going on? SI enough? Yeah?

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<v Speaker 2>Could you please give us a synopsis of the film

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<v Speaker 2>music and lyrics.

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<v Speaker 1>I will do just that music and lyrics. He's quippy,

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<v Speaker 1>she's quirky. He's a washed up composer from the eighties

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<v Speaker 1>who could never get his head around lyrics, and she's

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<v Speaker 1>a goofy wordsmith who mutters beautiful things to herself while

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<v Speaker 1>spraying plants. He is hired to write a song for

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<v Speaker 1>a culturally appropriative sex symbol current it girl pop star,

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<v Speaker 1>and boy does he need help putting words to his tunes.

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<v Speaker 1>Most of the film is him trying to convince her

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<v Speaker 1>to work with him, and her saying I'm not a songwriter,

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<v Speaker 1>until eventually she agrees to slowly craft a hit with him,

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<v Speaker 1>line by line over the course of four days, they

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<v Speaker 1>fall in love. By the way, he's Hugh Grant and

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<v Speaker 1>she's Drew Barrymore. The ends yay, oh my god, Sienna,

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<v Speaker 1>what did you think of this movie? This was such

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<v Speaker 1>a rom com. It it started out and I was like, Okay,

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<v Speaker 1>this is really fun. I loved how it started with

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<v Speaker 1>the music video. It was super fun. It was super cute.

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<v Speaker 1>It felt like it was written in one day, Like

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<v Speaker 1>it was so just the archet, such an archetypal archetypical

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<v Speaker 1>archetypal rom com. I could not believe, like all his

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<v Speaker 1>little quips. I was like, well, so, anyway, I quite

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<v Speaker 1>enjoyed it. But a lot of the reason I enjoyed

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<v Speaker 1>it was because it was so dumb. I couldn't believe it. Yes, yeah,

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<v Speaker 1>but oh yeah, fun seeing these two actors together. Fun.

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<v Speaker 1>And loved watching Hugh Grant do a little dance. I

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<v Speaker 1>loved that at the beginning. Love when he does a

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<v Speaker 1>little dance, so funny.

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<v Speaker 2>We're so lucky that Hugh Grant is down to do

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<v Speaker 2>a little day.

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<v Speaker 1>We are That's exactly how I feel. When he doesn't,

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<v Speaker 1>I go, We're so lucky.

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<v Speaker 2>He does it in love. Actually he does it all

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<v Speaker 2>the time in this he does it in Paddington too.

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<v Speaker 2>Hugh Grant will do a little day.

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<v Speaker 1>He knows, he knows, he has the the moves. Leanna,

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<v Speaker 1>how did you feel about it this time? I so.

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<v Speaker 2>I first saw this movie when I was a kid

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<v Speaker 2>and we rented it from Blockbusters.

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<v Speaker 1>Oh my gosh, Hello Hello.

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<v Speaker 2>Throw back, and watched it as a family and we're all.

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<v Speaker 1>Like, oh cute. That was so fun. Yeah, that's really

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<v Speaker 1>cute that that was such a fun film.

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<v Speaker 2>So I remember it very fondly because of that. I

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<v Speaker 2>don't think i'd seen it since then, but I think

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<v Speaker 2>we as a family maybe quoted it often or something,

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<v Speaker 2>because I've remembered so many lines from it. Watching it

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<v Speaker 2>again today, they are so funny. I think everything you

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<v Speaker 2>said is correct. I also, looking back at my notes,

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<v Speaker 2>I pretty much only wrote down quotes from the film.

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<v Speaker 2>I didn't really have other thoughts, okay, And I think

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<v Speaker 2>that's the purpose of a movie like this Smooth Brain.

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<v Speaker 2>Just giggle and then it's over and it's so comforting. Yeah,

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<v Speaker 2>it's very a comfort watch.

0:13:18.920 --> 0:13:19.839
<v Speaker 1>Yeah.

0:13:19.960 --> 0:13:21.960
<v Speaker 2>I bet it's also the reason I now live in

0:13:22.000 --> 0:13:25.920
<v Speaker 2>the UK. I bet it could be traced back to

0:13:26.080 --> 0:13:28.480
<v Speaker 2>this being one of the founding like this Monty Python.

0:13:29.520 --> 0:13:32.120
<v Speaker 2>There's a lot of like just Hugh Grant being British

0:13:32.200 --> 0:13:33.479
<v Speaker 2>and yeah, little asides.

0:13:33.920 --> 0:13:36.800
<v Speaker 1>He is the king of that. I think that's very

0:13:37.000 --> 0:13:41.640
<v Speaker 1>he really knows his brand formative. All I wanna do

0:13:41.840 --> 0:13:46.680
<v Speaker 1>is find on ad break for three minutes. We'll be

0:13:46.760 --> 0:13:55.960
<v Speaker 1>right back. Rianna. Your first note, I don't remember this quote,

0:13:56.000 --> 0:13:58.640
<v Speaker 1>but I love it. Sure you said, I don't think anymore.

0:13:58.840 --> 0:14:02.440
<v Speaker 1>I just exist so true you said.

0:14:05.760 --> 0:14:08.840
<v Speaker 2>Nobody even said this out loud. It was there was

0:14:08.880 --> 0:14:13.840
<v Speaker 2>some like newspaper, ad or billboard or something for Cora

0:14:14.160 --> 0:14:15.720
<v Speaker 2>and it was an interview with her. Oh, I think

0:14:15.720 --> 0:14:17.480
<v Speaker 2>it was her on the cover of a magazine and

0:14:17.679 --> 0:14:20.520
<v Speaker 2>the pull quote was I don't think anymore.

0:14:20.560 --> 0:14:22.360
<v Speaker 1>I just exist. That's so funny.

0:14:23.560 --> 0:14:30.000
<v Speaker 2>What was your experience like seeing Cora, the character that

0:14:30.200 --> 0:14:32.640
<v Speaker 2>is the embodiment of appropriation?

0:14:32.960 --> 0:14:39.080
<v Speaker 1>Yeah, in some ways, I kind of I kind of

0:14:39.880 --> 0:14:43.800
<v Speaker 1>how do I put this? In some ways, I kind

0:14:43.800 --> 0:14:46.680
<v Speaker 1>of like what they did there in terms of, hey,

0:14:47.120 --> 0:14:49.240
<v Speaker 1>that is such I mean, I guess this was in

0:14:49.280 --> 0:14:52.520
<v Speaker 1>New York, right, Yeah, but it was such a Hollywood

0:14:52.560 --> 0:14:55.080
<v Speaker 1>accurate to Hollywood, Like this is the way that stars

0:14:55.120 --> 0:14:57.440
<v Speaker 1>are weird. Is it's not just them being like like

0:14:57.440 --> 0:14:59.360
<v Speaker 1>I think stars are often like shown as being like

0:15:00.960 --> 0:15:04.480
<v Speaker 1>really like needy and bougie and whatever, but like, truly,

0:15:04.560 --> 0:15:09.080
<v Speaker 1>people here are so weirdly spiritual, Like that's what makes

0:15:09.120 --> 0:15:11.120
<v Speaker 1>them weird. When people become celebrities for some reason, they

0:15:11.120 --> 0:15:13.160
<v Speaker 1>start buying a lot of crystals, No offense to people

0:15:13.160 --> 0:15:16.160
<v Speaker 1>who like crystals, but like it's just it's weird to

0:15:16.320 --> 0:15:18.040
<v Speaker 1>it's weird to see or like you'll hear from their

0:15:18.040 --> 0:15:20.520
<v Speaker 1>assistant that they really wanted like yeah, that they like

0:15:20.760 --> 0:15:23.640
<v Speaker 1>need to study their Buddhism for however long, Like they

0:15:23.680 --> 0:15:26.720
<v Speaker 1>just get really into that here. Yeah, so she felt

0:15:26.720 --> 0:15:31.040
<v Speaker 1>like that. I feel like that was an accurate embodiment

0:15:31.080 --> 0:15:36.280
<v Speaker 1>of celebrity. I also just kind of liked her. I know,

0:15:36.760 --> 0:15:39.160
<v Speaker 1>she's really like a really fun like she's a really

0:15:39.160 --> 0:15:41.200
<v Speaker 1>sweet character. I like that the end too, She's like,

0:15:41.280 --> 0:15:43.080
<v Speaker 1>I want you all to fall in love. Yeah, So

0:15:43.480 --> 0:15:45.280
<v Speaker 1>as far as it goes, I really wasn't doing that

0:15:45.360 --> 0:15:48.600
<v Speaker 1>much eye roll, even though, like the one thing that

0:15:48.640 --> 0:15:51.840
<v Speaker 1>I was critical of was that they were like implying

0:15:51.880 --> 0:15:54.920
<v Speaker 1>that she is the entire reason that they'd want her

0:15:54.960 --> 0:15:58.240
<v Speaker 1>to be that sexualized. I'm like, it's definitely the team

0:15:58.440 --> 0:16:01.720
<v Speaker 1>and the brand. Who's really for that in those kinds,

0:16:01.760 --> 0:16:04.600
<v Speaker 1>like you just kind of like when you're a female

0:16:04.600 --> 0:16:08.200
<v Speaker 1>pop star, you literally have to do that. It's the industry. Yeah,

0:16:08.240 --> 0:16:09.440
<v Speaker 1>So that was the one part where I was like,

0:16:09.720 --> 0:16:13.680
<v Speaker 1>don't say it's all women wanting to do this, right, Yeah,

0:16:13.720 --> 0:16:16.840
<v Speaker 1>this is part of the industry. Like she's a true businesswoman,

0:16:16.880 --> 0:16:19.240
<v Speaker 1>so she knows what it is. But I did. I

0:16:19.360 --> 0:16:23.320
<v Speaker 1>like that she just wanted to dance, So.

0:16:23.400 --> 0:16:26.600
<v Speaker 2>Yeah, Shakira is breathing down my neck, so I want

0:16:26.600 --> 0:16:27.080
<v Speaker 2>to dance.

0:16:27.440 --> 0:16:30.160
<v Speaker 1>And even though it was crazy what they did, like

0:16:30.440 --> 0:16:33.760
<v Speaker 1>so appropriate and like that was the point. That was

0:16:33.800 --> 0:16:36.320
<v Speaker 1>the point. But even later when they had this huge

0:16:36.320 --> 0:16:42.600
<v Speaker 1>Buddhist tattoo on the stage and even watching the people

0:16:42.640 --> 0:16:45.560
<v Speaker 1>in the audience watch that neutrallly, I was like, this

0:16:45.720 --> 0:16:52.080
<v Speaker 1>is so crazy. Yeah, but at the same time, they

0:16:52.160 --> 0:16:57.080
<v Speaker 1>really built her an aesthetic that was unique. I was like,

0:16:57.160 --> 0:17:00.440
<v Speaker 1>they really thought about this character, and for that it

0:17:00.560 --> 0:17:04.600
<v Speaker 1>is funny. But oh my god, this is so wrong,

0:17:04.800 --> 0:17:09.800
<v Speaker 1>Like this is so messed up. It's so it's so

0:17:09.880 --> 0:17:11.919
<v Speaker 1>two thousand and seven. Because they know that, they're like, ye,

0:17:12.000 --> 0:17:13.840
<v Speaker 1>they're starting to get it, they're starting to go this

0:17:14.040 --> 0:17:18.639
<v Speaker 1>is crazy. But also no character goes this is wrong.

0:17:19.240 --> 0:17:21.880
<v Speaker 1>At one point they said something about that she ruined

0:17:21.920 --> 0:17:26.320
<v Speaker 1>two music musical culture, and I was like, yes, yes,

0:17:26.600 --> 0:17:30.160
<v Speaker 1>follow that tread, follow that, pull that thread, that thread,

0:17:30.240 --> 0:17:32.520
<v Speaker 1>let's go for it, let's go down that road. But yeah,

0:17:32.520 --> 0:17:36.600
<v Speaker 1>middle further Cora was pretty funny. Leanna, you said something

0:17:37.000 --> 0:17:41.560
<v Speaker 1>very important, an important part of this movie. And we're

0:17:41.560 --> 0:17:44.240
<v Speaker 1>a little gonna get into a specific fan niche which,

0:17:44.240 --> 0:17:48.800
<v Speaker 1>as you said, oh no, it's mister Shoe Glee fans

0:17:48.840 --> 0:17:52.040
<v Speaker 1>in our audience gleeks. And by the way, I want

0:17:52.040 --> 0:17:54.080
<v Speaker 1>to know, go ahead and message us if you are.

0:17:54.119 --> 0:17:57.560
<v Speaker 1>I just love to know the overlap of our listenership

0:17:57.960 --> 0:18:03.880
<v Speaker 1>and any gleeks out there. Well, mister shoe, mister Matthew Morrison. Oh,

0:18:03.920 --> 0:18:06.560
<v Speaker 1>anybody who jump scare when you see him? I do.

0:18:06.600 --> 0:18:09.400
<v Speaker 1>And I don't really know why. No one knows why.

0:18:09.680 --> 0:18:15.920
<v Speaker 1>But he's an upsetting figure. And again we don't know why.

0:18:16.040 --> 0:18:18.000
<v Speaker 1>Science we know why.

0:18:19.800 --> 0:18:22.080
<v Speaker 2>I don't think he's like a monster, Like I don't

0:18:22.080 --> 0:18:23.960
<v Speaker 2>think he's a bad He also doesn't have.

0:18:23.880 --> 0:18:26.040
<v Speaker 1>Like a super weird face. That's like, I just don't

0:18:26.080 --> 0:18:28.119
<v Speaker 1>trust that. I just like he just there's something.

0:18:28.960 --> 0:18:32.720
<v Speaker 2>Maybe he's one of those like handsome but uncanny valley. Yeah,

0:18:32.840 --> 0:18:35.600
<v Speaker 2>I don't know what it is, Sienna. You noted a

0:18:35.640 --> 0:18:40.000
<v Speaker 2>woman said to him plants make women feel comfortable? Yeah,

0:18:40.040 --> 0:18:41.080
<v Speaker 2>do you feel that way?

0:18:41.400 --> 0:18:43.359
<v Speaker 1>It was weird that someone He was like, yeah, I

0:18:46.920 --> 0:18:50.640
<v Speaker 1>have plants now because I had a lady friend over

0:18:50.720 --> 0:18:54.280
<v Speaker 1>once and yeah, she said that plants make women feel comfortable.

0:18:54.920 --> 0:19:00.399
<v Speaker 1>And you're like, no, she did not say that I

0:19:00.520 --> 0:19:03.159
<v Speaker 1>walk into a hookups house that I go, you know,

0:19:03.640 --> 0:19:06.640
<v Speaker 1>plants make women feel comfortable? Like, that's so creepy.

0:19:07.760 --> 0:19:10.560
<v Speaker 2>What would they I would say that if you walked

0:19:10.600 --> 0:19:12.760
<v Speaker 2>into a hookups house, what's the item that you'd see

0:19:12.760 --> 0:19:14.040
<v Speaker 2>that would make you comfortable?

0:19:16.680 --> 0:19:20.760
<v Speaker 1>That is a great question. What makes you feel comfortable

0:19:20.760 --> 0:19:23.879
<v Speaker 1>in I mean, to be honest, anybody's home that I

0:19:23.880 --> 0:19:28.520
<v Speaker 1>felt uncomfortable, And it's when it's like like just gross

0:19:28.560 --> 0:19:32.080
<v Speaker 1>Bachelor Town, USA. Like, first of all, if it smells

0:19:32.080 --> 0:19:33.840
<v Speaker 1>really weird, I feel fat.

0:19:34.920 --> 0:19:37.720
<v Speaker 2>Yeah, right, A good odor is comforting.

0:19:38.359 --> 0:19:42.960
<v Speaker 1>Yeah, probably just things being a little bit stylish and cozy.

0:19:43.000 --> 0:19:46.399
<v Speaker 1>I go, okay, you're one of us. This is a

0:19:46.400 --> 0:19:50.080
<v Speaker 1>safe space. This is a safe space, like a curtains

0:19:50.119 --> 0:19:50.399
<v Speaker 1>for me.

0:19:51.119 --> 0:19:54.200
<v Speaker 2>For me, it's a sectional couch. Oh yeah, if they

0:19:54.320 --> 0:19:56.720
<v Speaker 2>own a sectional couch specifically, huh.

0:19:57.400 --> 0:20:02.800
<v Speaker 1>I'm like, okay, totally. I loved that opening music music.

0:20:03.040 --> 0:20:07.000
<v Speaker 1>I thought you might. Yeah, it's so funny. It's really

0:20:07.040 --> 0:20:08.920
<v Speaker 1>really funny. And also that song is good.

0:20:09.640 --> 0:20:13.159
<v Speaker 2>It's a banger, Goes goes.

0:20:13.560 --> 0:20:21.080
<v Speaker 1>Huh. Yeah. Most of your notes are just my asking

0:20:21.119 --> 0:20:22.640
<v Speaker 1>a questions. She's being so weird.

0:20:25.480 --> 0:20:30.439
<v Speaker 2>At one point you said, does this song suck? Okay,

0:20:30.720 --> 0:20:32.080
<v Speaker 2>set the song they're writing we.

0:20:32.119 --> 0:20:34.399
<v Speaker 1>Have to talk about, because this is where this movie's

0:20:34.440 --> 0:20:38.840
<v Speaker 1>really cute. But where it was like, guys, this is

0:20:38.920 --> 0:20:43.960
<v Speaker 1>too dumb was when their writing process is insane. Now,

0:20:44.040 --> 0:20:46.080
<v Speaker 1>if this is what being a writer is, then maybe

0:20:46.160 --> 0:20:48.439
<v Speaker 1>I am a writer, which is over the course of

0:20:48.480 --> 0:20:52.120
<v Speaker 1>a week, they write like three lines and they think

0:20:52.200 --> 0:20:54.679
<v Speaker 1>way too hard about it instead of just like writing

0:20:54.680 --> 0:20:56.480
<v Speaker 1>stuff down and then editing it and being like, no,

0:20:56.680 --> 0:21:00.200
<v Speaker 1>let's do this, and they're like, let's think of another line,

0:21:02.359 --> 0:21:06.640
<v Speaker 1>maybe something about your heart. No, that doesn't feel right.

0:21:06.720 --> 0:21:12.679
<v Speaker 1>I have to go. That's like you guys have another

0:21:12.760 --> 0:21:15.679
<v Speaker 1>date of Like, this is not how it works. I

0:21:15.720 --> 0:21:17.879
<v Speaker 1>also loved how much they loved her lyrics. Her lyrics

0:21:17.880 --> 0:21:21.520
<v Speaker 1>were so stupid. I did like what they ended up creating,

0:21:21.560 --> 0:21:24.320
<v Speaker 1>but just like they'd be like, I can't think of anything.

0:21:24.640 --> 0:21:28.440
<v Speaker 1>Oh god, I don't even know. Like one time I

0:21:28.480 --> 0:21:31.040
<v Speaker 1>tried rhyming you and me with autopsy and she was like,

0:21:31.160 --> 0:21:35.280
<v Speaker 1>what about love autopsy? And they're like, oh my god,

0:21:35.480 --> 0:21:38.480
<v Speaker 1>she's amazing at this. It all felt like, you know

0:21:38.560 --> 0:21:43.760
<v Speaker 1>that meme of Demi Levado and uh in Camp Rock,

0:21:43.800 --> 0:21:48.400
<v Speaker 1>where she goes she's really good good. That's how everybody

0:21:48.440 --> 0:21:52.520
<v Speaker 1>was reacting to her. She's really good. Yeah.

0:21:53.359 --> 0:21:56.399
<v Speaker 2>Oh okay, so I know you wrote irl update. I

0:21:56.680 --> 0:22:01.520
<v Speaker 2>ate too much. Spawn Just now I thought you misspelled spinach.

0:22:02.600 --> 0:22:04.040
<v Speaker 2>What the hell is sponge?

0:22:04.200 --> 0:22:07.760
<v Speaker 1>Sponge is I think of it? It's usually like in

0:22:07.840 --> 0:22:12.600
<v Speaker 1>like the Mexican treats. It's by Marinella. That makes I

0:22:12.640 --> 0:22:15.600
<v Speaker 1>think mostly like it's like it's like Hostess cakes, but

0:22:15.640 --> 0:22:18.920
<v Speaker 1>they're usually Mexican ones. But apparently we were debating it

0:22:19.040 --> 0:22:22.119
<v Speaker 1>last night. Everybody's wants to fight me over sponge, but

0:22:22.320 --> 0:22:26.840
<v Speaker 1>I don't want to fight anymore. Absolutely spyers like ire.

0:22:27.320 --> 0:22:30.520
<v Speaker 1>That's I think what it is. Its awful, but that

0:22:31.040 --> 0:22:36.000
<v Speaker 1>and I've had it in Mexico and then also now

0:22:36.040 --> 0:22:38.200
<v Speaker 1>in La when there's like lots of like Mexican treats

0:22:38.200 --> 0:22:40.960
<v Speaker 1>around that's because I can't find it in Seattle. Like

0:22:41.040 --> 0:22:44.200
<v Speaker 1>I love sponge. Oh it's just like a little like Hostess.

0:22:44.240 --> 0:22:47.520
<v Speaker 1>It's it's like snowballs or something like it. It's like

0:22:48.600 --> 0:22:51.440
<v Speaker 1>a little shortbread cookie with marshmallow with coconut on it

0:22:51.480 --> 0:22:52.720
<v Speaker 1>and then just like a little bit of jam in

0:22:52.760 --> 0:22:55.080
<v Speaker 1>the middle. It's like, you know, just like a snack cake.

0:22:55.080 --> 0:22:58.840
<v Speaker 1>It's a snack cake. Yeah yeah, but it's sponge. It's

0:22:58.880 --> 0:23:03.160
<v Speaker 1>sponge and I love it. And I got a jumbo

0:23:03.320 --> 0:23:05.280
<v Speaker 1>pack when I was I saw one at the store

0:23:05.280 --> 0:23:06.800
<v Speaker 1>and they never come in jumbo packs, and I was like,

0:23:06.840 --> 0:23:09.280
<v Speaker 1>oh my gosh, and I got them and I had

0:23:09.280 --> 0:23:11.639
<v Speaker 1>one pack left last night, and I was trying to

0:23:11.640 --> 0:23:13.199
<v Speaker 1>get my roommates to try it, and they were all

0:23:13.320 --> 0:23:15.560
<v Speaker 1>roasting me about it, and so I sort of in

0:23:15.600 --> 0:23:20.040
<v Speaker 1>protest eight five in a row, and I was so

0:23:20.359 --> 0:23:27.320
<v Speaker 1>full of like sugar, red dye, puffy, yeah, fake marshmallow.

0:23:27.800 --> 0:23:29.800
<v Speaker 1>It was so good. But so by the end of

0:23:29.800 --> 0:23:33.399
<v Speaker 1>the film, I was like, oh man, it was one

0:23:33.400 --> 0:23:35.040
<v Speaker 1>of those nights where I really wanted a little treat

0:23:35.040 --> 0:23:36.480
<v Speaker 1>and I was trying to fill the void for so

0:23:36.680 --> 0:23:40.280
<v Speaker 1>long with things that were almost quite right. Yeah. Yeah,

0:23:40.400 --> 0:23:43.959
<v Speaker 1>an Spaune. Just a little update for everybody in the listeners.

0:23:43.960 --> 0:23:47.640
<v Speaker 1>Please let me know if you like Spounge. I think

0:23:47.680 --> 0:23:49.080
<v Speaker 1>this is one of those moments where you know, you

0:23:49.080 --> 0:23:51.800
<v Speaker 1>have moments where you look and everybody around you disagrees,

0:23:51.800 --> 0:23:53.359
<v Speaker 1>and you go, this is a way in which I

0:23:53.359 --> 0:23:56.879
<v Speaker 1>am different than mankind. And one way in which I

0:23:56.920 --> 0:23:59.040
<v Speaker 1>am different, and then I think my family is different.

0:23:59.119 --> 0:24:02.400
<v Speaker 1>Is that I saw the box that said Sponge. I went,

0:24:03.320 --> 0:24:07.160
<v Speaker 1>I'll be buying that. That looks fantastic. I'm interested where

0:24:07.160 --> 0:24:10.440
<v Speaker 1>I'm finding. Almost every one of my peers goes, mm mmm.

0:24:10.640 --> 0:24:12.840
<v Speaker 1>That sounds like some sort of science situation that you're

0:24:12.840 --> 0:24:16.000
<v Speaker 1>not supposed to put in your body and I go, yeah,

0:24:16.040 --> 0:24:16.720
<v Speaker 1>that's not a memo.

0:24:16.800 --> 0:24:20.479
<v Speaker 2>I forgot the letters in that order. Never had an

0:24:20.480 --> 0:24:21.320
<v Speaker 2>impact on you.

0:24:21.520 --> 0:24:27.080
<v Speaker 1>Only positive wow, Sponge, Sponge, and you were fine with that.

0:24:27.280 --> 0:24:31.680
<v Speaker 1>I feel great about it. Sponge's the end of you wrote.

0:24:31.720 --> 0:24:33.520
<v Speaker 1>I feel like if I had this dress it might

0:24:34.200 --> 0:24:38.359
<v Speaker 1>change my lege. That dress, the red dress. I loved

0:24:38.440 --> 0:24:43.680
<v Speaker 1>the cut of the dress. And I'm just like, I'm

0:24:43.720 --> 0:24:45.000
<v Speaker 1>at a point in life right now where I'm like,

0:24:45.080 --> 0:25:02.520
<v Speaker 1>will I ever look beautiful again? Like, oh my god,

0:25:02.600 --> 0:25:04.639
<v Speaker 1>will there ever be a reasonable no?

0:25:08.160 --> 0:25:08.840
<v Speaker 3>You know what I mean?

0:25:08.920 --> 0:25:12.399
<v Speaker 1>Like I feel like I'm just working all the time

0:25:12.720 --> 0:25:15.760
<v Speaker 1>in these stupid ways, and which is stupid because my

0:25:15.800 --> 0:25:19.080
<v Speaker 1>life also has no sort of employment stability, so I

0:25:19.119 --> 0:25:20.800
<v Speaker 1>could be doing the leisure thing. But I feel like

0:25:20.800 --> 0:25:24.840
<v Speaker 1>I'm always just like sweating and paint clothes, and I

0:25:25.000 --> 0:25:28.639
<v Speaker 1>just like, I I wonder if I'll ever be like

0:25:29.400 --> 0:25:31.359
<v Speaker 1>and I've gone to weddings now and I'm like, I

0:25:31.520 --> 0:25:33.639
<v Speaker 1>kind of looked okay for them, but like that was

0:25:33.720 --> 0:25:38.120
<v Speaker 1>the one thing I'll like dress up for. Hmm, Well,

0:25:38.160 --> 0:25:41.360
<v Speaker 1>I ever, I get that I truly look gorgeous and

0:25:41.400 --> 0:25:44.439
<v Speaker 1>glamorous and well beautiful.

0:25:44.000 --> 0:25:47.000
<v Speaker 2>You know again, it's really hard. We're in an era

0:25:47.080 --> 0:25:50.119
<v Speaker 2>where we have to like bully our friends into a

0:25:51.119 --> 0:25:53.400
<v Speaker 2>dress code so that we can look beautiful.

0:25:53.480 --> 0:25:53.720
<v Speaker 1>Yeah.

0:25:54.400 --> 0:25:56.359
<v Speaker 2>Yeah, like because otherwise there's no reason.

0:25:56.520 --> 0:25:58.200
<v Speaker 1>High school makes you think that there's gonna be a

0:25:58.240 --> 0:26:01.080
<v Speaker 1>lot more formal occasions than that really are. And I

0:26:01.119 --> 0:26:02.679
<v Speaker 1>think that we've gotten away from having a lot of

0:26:02.680 --> 0:26:06.280
<v Speaker 1>formal occasions, which I think is in some ways cool,

0:26:06.320 --> 0:26:08.000
<v Speaker 1>Like it's nice that we get to dress more casually

0:26:08.080 --> 0:26:10.520
<v Speaker 1>at work and like that people are all together more comfortable.

0:26:10.640 --> 0:26:11.840
<v Speaker 1>I was thinking the other day, like is it the

0:26:11.880 --> 0:26:13.840
<v Speaker 1>pandemic that made us all just kind of go, I

0:26:13.880 --> 0:26:15.600
<v Speaker 1>need to be more comfortable more of the time. I

0:26:15.640 --> 0:26:17.600
<v Speaker 1>do like that, like a lot of comfort clothing is

0:26:17.640 --> 0:26:21.320
<v Speaker 1>in But like, when would I ever wear that dress?

0:26:21.320 --> 0:26:22.919
<v Speaker 1>If I were to wear that dress, everyone in my

0:26:23.000 --> 0:26:25.600
<v Speaker 1>life would go, what the hell, We've never seen you

0:26:25.680 --> 0:26:27.399
<v Speaker 1>look like this? And when I was growing up, I

0:26:27.440 --> 0:26:30.720
<v Speaker 1>feel like I thought that I would be like in

0:26:30.840 --> 0:26:33.800
<v Speaker 1>dresses more, or I did wear dresses more because a

0:26:33.960 --> 0:26:36.040
<v Speaker 1>that was the style maybe like two thousand and seven

0:26:36.160 --> 0:26:40.640
<v Speaker 1>for example, and then also just you have more occasions

0:26:40.640 --> 0:26:42.360
<v Speaker 1>to sort of wear a little dress, where now I'm

0:26:42.440 --> 0:26:44.240
<v Speaker 1>like I never do that, and when I do, I

0:26:44.240 --> 0:26:47.720
<v Speaker 1>feel almost it feels strange to walk out and beware. Yeah,

0:26:47.760 --> 0:26:52.200
<v Speaker 1>because everyone's like people he stuff, people have comments, Yeah, yeah,

0:26:52.320 --> 0:26:56.040
<v Speaker 1>they say the wrong stuff, like men after a performance. Yeah,

0:26:56.280 --> 0:27:01.159
<v Speaker 1>they just don't react right anyway. I guess that's so

0:27:01.560 --> 0:27:04.240
<v Speaker 1>genuinely how I feel. Uh huh.

0:27:04.359 --> 0:27:07.800
<v Speaker 2>You wrote, oh, and then we'll get to your earlier question,

0:27:07.880 --> 0:27:09.960
<v Speaker 2>because I do want to discuss that. But you wrote

0:27:10.200 --> 0:27:12.440
<v Speaker 2>tragic to learn I grew up to be one of

0:27:12.480 --> 0:27:16.840
<v Speaker 2>the people in the white morph suits. Do you mean

0:27:16.880 --> 0:27:18.800
<v Speaker 2>like assisting at an event?

0:27:19.000 --> 0:27:22.960
<v Speaker 1>At the party, there's all these glamorous and interesting people,

0:27:23.160 --> 0:27:26.080
<v Speaker 1>and then there's the people who were hired to perform,

0:27:26.200 --> 0:27:28.680
<v Speaker 1>and they're on the stairs in these white morph suits.

0:27:28.680 --> 0:27:30.080
<v Speaker 1>And when I was growing up, I would have gone,

0:27:30.240 --> 0:27:33.760
<v Speaker 1>who the hell are those? But like, that's what I'm

0:27:33.800 --> 0:27:36.760
<v Speaker 1>doing a lot in la Is. We're like hired to

0:27:36.880 --> 0:27:41.840
<v Speaker 1>wear weird masks at parties what not. Always like yeah,

0:27:41.880 --> 0:27:44.840
<v Speaker 1>I've been I didn't know this. We're like, I just

0:27:44.960 --> 0:27:46.800
<v Speaker 1>I feel like that's the kind of gig I would

0:27:46.800 --> 0:27:49.959
<v Speaker 1>be hired for. You are the white morph suit? Like

0:27:50.040 --> 0:27:51.800
<v Speaker 1>of all the things I can relate to the most

0:27:51.960 --> 0:27:55.480
<v Speaker 1>at this point in my life and not incredibly disappointing,

0:27:55.600 --> 0:27:59.680
<v Speaker 1>like my life is. I'm very grateful for my life

0:27:59.760 --> 0:28:04.800
<v Speaker 1>right now. Sure, many interesting things, but also like many

0:28:04.840 --> 0:28:07.200
<v Speaker 1>things that are interest now that I'm like, actually, I'm

0:28:07.200 --> 0:28:08.840
<v Speaker 1>an adult now. I'm looking around the I'm like, who

0:28:08.840 --> 0:28:10.439
<v Speaker 1>do I relate to in this room? And it is

0:28:10.520 --> 0:28:13.600
<v Speaker 1>the white morph suit entertainers who no one speaks to

0:28:13.680 --> 0:28:16.280
<v Speaker 1>and they're getting paid to be there. That would be

0:28:16.320 --> 0:28:18.960
<v Speaker 1>what I'm doing. Oh well.

0:28:19.280 --> 0:28:21.240
<v Speaker 2>The person that I related most to in this movie

0:28:21.320 --> 0:28:23.639
<v Speaker 2>was the manager in the scene where he's driving the

0:28:23.640 --> 0:28:27.000
<v Speaker 2>car and she's like, Alex, wait, can you come with

0:28:27.680 --> 0:28:30.639
<v Speaker 2>Now's like, yeah, sure, and the manager just goes, I

0:28:30.680 --> 0:28:31.240
<v Speaker 2>can't come.

0:28:31.560 --> 0:28:37.120
<v Speaker 1>That made me laugh so much. Yay, that was one

0:28:37.119 --> 0:28:39.840
<v Speaker 1>of those moments of like, that was one of the

0:28:39.840 --> 0:28:43.240
<v Speaker 1>funniest things I've seen in a movie. I can't come.

0:28:46.320 --> 0:28:52.760
<v Speaker 2>I was like, Yes, that's that's where I'm at so often. Thanks,

0:28:53.280 --> 0:28:54.280
<v Speaker 2>I can't make it.

0:28:54.360 --> 0:28:58.320
<v Speaker 1>I'm super busy, I can't be there with my stuff.

0:28:59.880 --> 0:29:02.640
<v Speaker 1>I can't come.

0:29:03.760 --> 0:29:07.440
<v Speaker 2>And then yes, Sienna asked, have you ever sat on

0:29:07.480 --> 0:29:11.080
<v Speaker 2>a waterbed? Him having a waterbed is one of.

0:29:11.040 --> 0:29:14.320
<v Speaker 1>The funniest ye that they don't even acknowledge it's not

0:29:14.400 --> 0:29:17.960
<v Speaker 1>commented on. It's just so funny. Someone will sit down and.

0:29:17.880 --> 0:29:23.640
<v Speaker 2>Be like, yeah, I think I sat on a waterbed once.

0:29:23.800 --> 0:29:26.520
<v Speaker 2>And it was in like the first grade because my

0:29:26.520 --> 0:29:28.040
<v Speaker 2>friend's mom owned a waterbed.

0:29:28.160 --> 0:29:28.360
<v Speaker 1>Yeah.

0:29:28.360 --> 0:29:29.920
<v Speaker 2>All of us were like, oh my god, that's so cool.

0:29:30.640 --> 0:29:33.440
<v Speaker 2>But my friend was so stressed that it was gonna leak.

0:29:34.200 --> 0:29:36.080
<v Speaker 2>She kept being like, guys, I think I feel a leak.

0:29:36.160 --> 0:29:38.640
<v Speaker 2>We have to get out, and it sucked.

0:29:38.840 --> 0:29:42.320
<v Speaker 1>I'm sure that her parents were like, do not play

0:29:42.360 --> 0:29:46.040
<v Speaker 1>with the waterbed. I guess have you sat on a waterbed?

0:29:46.040 --> 0:29:48.680
<v Speaker 1>I don't think I have. If we were talking about one,

0:29:48.760 --> 0:29:50.520
<v Speaker 1>we're talking about what they were four, because I wonder

0:29:50.520 --> 0:29:52.280
<v Speaker 1>if they're actually comfortable, Like I feel like lying on

0:29:52.320 --> 0:29:55.880
<v Speaker 1>your side wouldn't be comfortable. I don't know would actually

0:29:55.880 --> 0:29:57.920
<v Speaker 1>be comfortable. I think there's enough water that it would

0:29:57.960 --> 0:30:00.400
<v Speaker 1>be because does it feel like your float? Is that

0:30:00.440 --> 0:30:00.880
<v Speaker 1>the idea?

0:30:02.200 --> 0:30:04.120
<v Speaker 2>I don't know, because we weren't allowed to lie down.

0:30:04.320 --> 0:30:06.760
<v Speaker 1>You want to know. I do want to anybody own

0:30:06.760 --> 0:30:12.440
<v Speaker 1>a waterbed. I haven't seen a waterbed in but god,

0:30:12.480 --> 0:30:15.040
<v Speaker 1>I want to lie on. Also, I feel like it's

0:30:15.040 --> 0:30:20.000
<v Speaker 1>often associated yeah with like ooh sexy, but doesn't it

0:30:20.040 --> 0:30:21.920
<v Speaker 1>feel like it would be a difficult thing to be

0:30:22.000 --> 0:30:23.200
<v Speaker 1>sort of hosting.

0:30:23.680 --> 0:30:26.240
<v Speaker 2>Thought that during this movie. I mean, it makes sense

0:30:26.240 --> 0:30:28.320
<v Speaker 2>that they bang under the piano instead of.

0:30:30.240 --> 0:30:33.440
<v Speaker 1>You can't get like try to sit up like you'd

0:30:33.520 --> 0:30:38.560
<v Speaker 1>be like flopping around. Yeah, yeah, and leverage stay in

0:30:41.280 --> 0:30:48.720
<v Speaker 1>too fluid. I really had an episode of a podcast

0:30:48.880 --> 0:30:54.680
<v Speaker 1>and then pop went in and we'll be right back.

0:30:55.960 --> 0:30:58.400
<v Speaker 1>What were you about to do? Whatever you just did?

0:30:58.760 --> 0:31:09.640
<v Speaker 1>But worse, Leonna, Shall we move on to badges and trages? Yes,

0:31:10.160 --> 0:31:11.000
<v Speaker 1>this is where it gives.

0:31:10.880 --> 0:31:14.600
<v Speaker 2>Back to everyone, to badges and trages. Where we award

0:31:14.640 --> 0:31:19.880
<v Speaker 2>badges for battles of the eighties has beens and trages

0:31:19.920 --> 0:31:21.720
<v Speaker 2>for tight tight pants.

0:31:21.880 --> 0:31:26.360
<v Speaker 1>Ha aw aw, you go ahead.

0:31:27.080 --> 0:31:29.440
<v Speaker 2>I have badges for so many of the lines that

0:31:29.480 --> 0:31:33.240
<v Speaker 2>made me giggle and I just rally through them. I

0:31:33.280 --> 0:31:35.560
<v Speaker 2>love when they were doing pros and cons and the

0:31:35.640 --> 0:31:38.280
<v Speaker 2>pro was, no matter what you do, in forty years,

0:31:38.320 --> 0:31:39.080
<v Speaker 2>we'll both be dead.

0:31:40.840 --> 0:31:41.400
<v Speaker 1>I love that.

0:31:41.480 --> 0:31:43.800
<v Speaker 2>I love when her sister's trying to get a photo

0:31:43.840 --> 0:31:46.320
<v Speaker 2>with him, and he and her sister and his manager

0:31:46.840 --> 0:31:48.960
<v Speaker 2>are he and her and his manager are all just

0:31:49.040 --> 0:31:51.760
<v Speaker 2>talking instead of having the photo taken. Her sister gets

0:31:51.760 --> 0:31:54.200
<v Speaker 2>so fed up and she says, someone could have sculpted

0:31:54.320 --> 0:31:55.120
<v Speaker 2>us in this time.

0:31:57.440 --> 0:31:57.960
<v Speaker 1>That's great.

0:31:59.120 --> 0:32:01.560
<v Speaker 2>I love thee and where he like winces a bit

0:32:01.560 --> 0:32:03.000
<v Speaker 2>while he's walking and she's like are you okay and

0:32:03.040 --> 0:32:08.520
<v Speaker 2>he's like, yeah, it's just my pop hip. When Cora says,

0:32:08.680 --> 0:32:11.040
<v Speaker 2>I want to show you the roof it's upstairs.

0:32:11.120 --> 0:32:12.440
<v Speaker 1>Yeah. I loved core.

0:32:13.720 --> 0:32:15.520
<v Speaker 2>And then the last one and this I have thought

0:32:15.520 --> 0:32:17.239
<v Speaker 2>about since I first saw the movie and I think

0:32:17.240 --> 0:32:19.920
<v Speaker 2>about it all the time. With him saying and although

0:32:19.920 --> 0:32:22.920
<v Speaker 2>she thought the dahalay Lama was incredibly a llama.

0:32:23.280 --> 0:32:27.840
<v Speaker 1>She's actually quite the romantic. I was quoting that to

0:32:27.880 --> 0:32:33.920
<v Speaker 1>myself last time. Is absolutely how you speak. It's incredibly

0:32:34.040 --> 0:32:35.440
<v Speaker 1>a lama a llama.

0:32:35.920 --> 0:32:39.920
<v Speaker 2>I think that's it. I think the intonation. There's something

0:32:39.960 --> 0:32:43.600
<v Speaker 2>about the way that you totally no, you're a little quippy.

0:32:43.680 --> 0:32:47.000
<v Speaker 2>You're quippy, and as thank you you're quippy, I'm quirky.

0:32:48.200 --> 0:32:52.160
<v Speaker 1>I think I just wanted you to say that you're

0:32:52.200 --> 0:33:00.560
<v Speaker 1>incredibly quippy. Of course. Oh when people ask why you're

0:33:00.560 --> 0:33:03.120
<v Speaker 1>in London, I'm like, hey, she loves it. She loves nature.

0:33:03.160 --> 0:33:05.000
<v Speaker 1>It's totally her. But also she just speaks like a

0:33:05.040 --> 0:33:12.440
<v Speaker 1>British person she's supposed to be there. Her comedy is British.

0:33:12.840 --> 0:33:15.120
<v Speaker 2>When people here ask me, they're like, but isn't American

0:33:15.120 --> 0:33:17.680
<v Speaker 2>comedy very different from British? Like why are you doing

0:33:17.720 --> 0:33:20.000
<v Speaker 2>stand up over here? I haven't been able to explain it,

0:33:20.040 --> 0:33:23.200
<v Speaker 2>and thank you that is I'll just say that, Yeah,

0:33:23.320 --> 0:33:24.160
<v Speaker 2>I talk British.

0:33:24.200 --> 0:33:26.280
<v Speaker 1>I don't. Yeah, you do. You have the they're they're

0:33:26.360 --> 0:33:28.960
<v Speaker 1>like they do. They have a certain way of Alama,

0:33:29.000 --> 0:33:31.080
<v Speaker 1>they're they're they're comedy. We all know it. That's why

0:33:31.080 --> 0:33:33.880
<v Speaker 1>we all are obsessed with it. Mama, you got it?

0:33:33.960 --> 0:33:37.120
<v Speaker 2>Yeah, thanks mama.

0:33:37.760 --> 0:33:41.200
<v Speaker 1>My favorite line in this movie, ye was but his

0:33:41.320 --> 0:33:45.479
<v Speaker 1>managers like they're talking about the shows he has lined up,

0:33:46.600 --> 0:33:49.000
<v Speaker 1>and he's like, yeah, well the nut's very farm one.

0:33:49.000 --> 0:33:51.600
<v Speaker 1>That's not gonna happen. It canceled. And he looks at

0:33:51.640 --> 0:34:01.719
<v Speaker 1>him and he goes, not very canceled, so earnest, Yeah,

0:34:01.920 --> 0:34:11.520
<v Speaker 1>not spury canceled, just like the lowest moment. I feel

0:34:11.560 --> 0:34:13.799
<v Speaker 1>this way so much of the time, Like when I

0:34:13.800 --> 0:34:17.680
<v Speaker 1>applied to be when I applied to be like a

0:34:17.880 --> 0:34:23.640
<v Speaker 1>children's to like take care of like the kids at

0:34:23.680 --> 0:34:28.800
<v Speaker 1>an American history museum, and I was like, I teach

0:34:28.960 --> 0:34:34.480
<v Speaker 1>puppets to kids and I'm American, this America, American study

0:34:34.560 --> 0:34:38.520
<v Speaker 1>in American studies, and they rejected me. And I was like,

0:34:39.040 --> 0:34:40.799
<v Speaker 1>not Spury canceled.

0:34:45.719 --> 0:34:49.279
<v Speaker 2>Yes, Now, anytime a role comes up that you're perfect for,

0:34:49.960 --> 0:34:50.440
<v Speaker 2>it's no.

0:34:51.360 --> 0:34:55.279
<v Speaker 1>Not Spary canceled. That can't be. How can that be?

0:34:56.520 --> 0:35:00.560
<v Speaker 2>I applied to write the historical context for the programs

0:35:00.760 --> 0:35:04.319
<v Speaker 2>for shows at the National Theater in London and I

0:35:04.360 --> 0:35:08.160
<v Speaker 2>didn't even get an interview. And I knew somebody who

0:35:08.239 --> 0:35:10.520
<v Speaker 2>works there or a friend of a friend know someone

0:35:10.520 --> 0:35:12.000
<v Speaker 2>who was able to pass my resume.

0:35:12.760 --> 0:35:21.080
<v Speaker 1>No, not Spury canceled. I didn't even get an email back,

0:35:21.200 --> 0:35:26.200
<v Speaker 1>Like I go to a personal it's so messed up,

0:35:27.760 --> 0:35:35.960
<v Speaker 1>so messed up by can cancer not Spury? I love

0:35:36.080 --> 0:35:38.640
<v Speaker 1>that bonding question of the perfect fit for one did

0:35:38.640 --> 0:35:43.240
<v Speaker 1>not Spury cancel? Yeah, one did not Spury cancel. Oh okay,

0:35:43.280 --> 0:35:44.480
<v Speaker 1>Leanna more badges.

0:35:45.120 --> 0:35:48.799
<v Speaker 2>Oh a badge for Hugh Grant's silly goofy asides. Yeah,

0:35:48.840 --> 0:35:51.320
<v Speaker 2>I just love I love his delivery style.

0:35:51.400 --> 0:35:55.719
<v Speaker 1>I really love it. Badge for the opening music video.

0:35:55.760 --> 0:36:00.920
<v Speaker 1>Dancing starting a movie with a music video is so cute. Yeah, yeah,

0:36:01.040 --> 0:36:02.880
<v Speaker 1>And it was the whole music video, which I love

0:36:03.000 --> 0:36:06.880
<v Speaker 1>it goes mad. There's a moment in it where there's

0:36:06.920 --> 0:36:10.640
<v Speaker 1>he's just had his like heart event, his cardiac event

0:36:11.160 --> 0:36:13.440
<v Speaker 1>in the hallway and he and the other guy are

0:36:13.480 --> 0:36:15.319
<v Speaker 1>looking into the camera and singing, pop goes my heart

0:36:15.360 --> 0:36:17.320
<v Speaker 1>and you can tell that Hugh Grant is laughing.

0:36:19.360 --> 0:36:21.640
<v Speaker 2>That's so cute, and I'm like, I love that they know.

0:36:22.880 --> 0:36:26.440
<v Speaker 1>I'm sorry. I've figured out this is very binary, and

0:36:26.480 --> 0:36:28.480
<v Speaker 1>I'm so sorry. But in the society we live in

0:36:28.520 --> 0:36:30.600
<v Speaker 1>when they are portrayed, when we portray men and women

0:36:30.640 --> 0:36:34.960
<v Speaker 1>on the screen, I love when women are freakish and

0:36:35.000 --> 0:36:40.360
<v Speaker 1>men are silly, two things I will forever, forever love.

0:36:40.760 --> 0:36:44.200
<v Speaker 2>The two genders, freakish and silly. Oh a badge for

0:36:44.239 --> 0:36:48.320
<v Speaker 2>the running piano bit where Drew Barrymore is always putting

0:36:48.320 --> 0:36:50.480
<v Speaker 2>something on his piano and he's always taking it off.

0:36:50.520 --> 0:36:53.640
<v Speaker 1>That sian. That's very unfortunately. I don't mean to be

0:36:53.680 --> 0:36:56.960
<v Speaker 1>a but like when quirky girls are just like bad

0:36:57.120 --> 0:37:01.800
<v Speaker 1>like that's that's me. Like when they're doing things wrong,

0:37:02.120 --> 0:37:06.840
<v Speaker 1>when they're doing things wrong every day wake up and

0:37:06.840 --> 0:37:08.680
<v Speaker 1>I assume I'm doing like so many things wrong, and

0:37:08.719 --> 0:37:12.520
<v Speaker 1>I usually am, oh god, it's your turn. Oh, badge

0:37:12.520 --> 0:37:18.640
<v Speaker 1>for badge for wow, I did not write good badges.

0:37:18.800 --> 0:37:21.399
<v Speaker 1>This is terrible badge for the two thousand and seven

0:37:21.480 --> 0:37:25.120
<v Speaker 1>fashion throwback. And also there was something quite quaint about it.

0:37:25.120 --> 0:37:32.000
<v Speaker 1>The scarves, the scar the far side, the headbands. This

0:37:32.160 --> 0:37:36.719
<v Speaker 1>was like middle school huge necklace and yeah, long necklaces.

0:37:36.880 --> 0:37:37.319
<v Speaker 1>Loved it.

0:37:38.800 --> 0:37:41.760
<v Speaker 2>A badge for her hair looks good from the front

0:37:41.960 --> 0:37:45.120
<v Speaker 2>but not the back, and I loved that that was

0:37:45.200 --> 0:37:49.560
<v Speaker 2>very humanizing. They're seated at lunch or breakfast or something,

0:37:49.560 --> 0:37:53.280
<v Speaker 2>and she's got the classic like rom Com soft wave

0:37:53.960 --> 0:37:59.960
<v Speaker 2>curl beach waves. Yeah, I guess I actually don't know

0:38:00.080 --> 0:38:04.400
<v Speaker 2>a beach wave looks like, but it's that like very smooth, yeah,

0:38:04.400 --> 0:38:08.280
<v Speaker 2>but soft curl, and it's very voluminous at the front.

0:38:08.440 --> 0:38:10.120
<v Speaker 2>And then there's a shot of her from the back

0:38:10.160 --> 0:38:11.560
<v Speaker 2>and you can tell that they've kind of taken all

0:38:11.560 --> 0:38:13.319
<v Speaker 2>of her hair and put it in front of her

0:38:13.320 --> 0:38:16.879
<v Speaker 2>shoulders so that her hair looks super voluminous yeah, from

0:38:17.000 --> 0:38:19.520
<v Speaker 2>the front, and then it's like a straight little strip

0:38:19.520 --> 0:38:21.879
<v Speaker 2>of hair at the back. And I was like, yes,

0:38:21.920 --> 0:38:26.440
<v Speaker 2>this is cinema. This is this is womanhood. To be

0:38:26.520 --> 0:38:30.240
<v Speaker 2>a woman is to perform ha this is the realist

0:38:30.360 --> 0:38:34.520
<v Speaker 2>moment in a film. One little that I've seen in months.

0:38:35.120 --> 0:38:36.600
<v Speaker 1>Yeah, a little rat tail in the back.

0:38:36.920 --> 0:38:40.040
<v Speaker 2>I just we need to admit that we look best

0:38:40.040 --> 0:38:41.880
<v Speaker 2>with all of our hair shoved to the front of

0:38:41.880 --> 0:38:44.640
<v Speaker 2>our body, and no one should look at us from the.

0:38:44.600 --> 0:38:46.560
<v Speaker 1>Badge should look at the back. Yeah, I'm too terrified

0:38:46.560 --> 0:38:50.080
<v Speaker 1>to see that. Most of the time. I wrote badge

0:38:50.080 --> 0:38:54.759
<v Speaker 1>for Matthew Morrison. Lol, just hilarious to see him.

0:38:56.080 --> 0:38:58.600
<v Speaker 2>My final badge I loved so many quotes. My final

0:38:58.640 --> 0:39:01.759
<v Speaker 2>badge beside all the quotes that I loved is a

0:39:01.800 --> 0:39:05.520
<v Speaker 2>badge for her shirt and necklace combo that she wears

0:39:05.560 --> 0:39:09.640
<v Speaker 2>to the concert. It's this very gorgeous, like silk dark

0:39:09.800 --> 0:39:14.920
<v Speaker 2>green shirt that's a really nice cut and has a long,

0:39:15.320 --> 0:39:18.080
<v Speaker 2>tasteful necklace huh with it, And I was like, I

0:39:18.080 --> 0:39:19.359
<v Speaker 2>would absolutely wear that.

0:39:19.920 --> 0:39:23.600
<v Speaker 1>I love that my final badge. For the end credits,

0:39:23.600 --> 0:39:27.560
<v Speaker 1>those were so cute. I really enjoyed the final little

0:39:27.600 --> 0:39:29.920
<v Speaker 1>like blurbs that they were doing with the music video.

0:39:30.000 --> 0:39:33.040
<v Speaker 1>I thought that was hilarious. That was really fun, very clever.

0:39:33.800 --> 0:39:37.239
<v Speaker 1>Yay trages. Trag is.

0:39:38.719 --> 0:39:42.480
<v Speaker 2>A trage for it's annoying how hesitant she is this

0:39:42.600 --> 0:39:46.880
<v Speaker 2>job it's really annoying even with her like trauma, yeah,

0:39:46.920 --> 0:39:49.080
<v Speaker 2>her writer's block, trauma.

0:39:49.160 --> 0:39:51.520
<v Speaker 1>I'm sorry, rejecting a job that fell out of the sky.

0:39:51.680 --> 0:39:57.000
<v Speaker 1>I'm sorry. Absolutely not trage for you're like cole Porter

0:39:57.080 --> 0:40:01.719
<v Speaker 1>and panties that sucked. I hate that. I was like,

0:40:01.760 --> 0:40:04.799
<v Speaker 1>love this, love this. Oh, don't talk about my underwear.

0:40:05.120 --> 0:40:10.839
<v Speaker 1>And also that's just not something you should say.

0:40:12.000 --> 0:40:15.239
<v Speaker 2>Trage for they didn't eat their breakfast when she's like,

0:40:15.280 --> 0:40:17.399
<v Speaker 2>I want to go get breakfast, and then that's where

0:40:17.400 --> 0:40:18.880
<v Speaker 2>she dumps about her trauma.

0:40:18.960 --> 0:40:21.520
<v Speaker 1>Hate. They leave without having eaten the breakfast. I hate

0:40:21.719 --> 0:40:25.040
<v Speaker 1>on TV when they don't eat the food. Let her eat.

0:40:27.400 --> 0:40:33.759
<v Speaker 1>Trag for the weight loss through line. It could. I

0:40:33.760 --> 0:40:38.360
<v Speaker 1>will say it didn't come up that much, but for yeah,

0:40:38.440 --> 0:40:41.360
<v Speaker 1>she works at this weight loss place. And then just

0:40:41.400 --> 0:40:43.200
<v Speaker 1>a couple of times he says something about like I

0:40:43.320 --> 0:40:44.600
<v Speaker 1>have aformed at a fat farm.

0:40:44.640 --> 0:40:54.279
<v Speaker 3>Once you're just like, oh, yeah, I similarly have a

0:40:54.320 --> 0:40:56.759
<v Speaker 3>trage for a society's approach to fatness.

0:40:56.880 --> 0:41:01.400
<v Speaker 1>Ye generally yeah, especially at this the fat phobia undertones

0:41:03.719 --> 0:41:08.360
<v Speaker 1>trage for all the appropriation. Again, we discussed it a

0:41:08.360 --> 0:41:10.520
<v Speaker 1>bit earlier, but it's like, this is a perfect example

0:41:10.520 --> 0:41:13.320
<v Speaker 1>of what appropriation is, which is what they're making fun of.

0:41:13.320 --> 0:41:14.920
<v Speaker 1>I don't think they had quite words for it at

0:41:14.920 --> 0:41:19.680
<v Speaker 1>the time. It felt very of its time, sort of tragic,

0:41:19.880 --> 0:41:26.400
<v Speaker 1>like not sure we're actually working on making progress with this. Yes, yeah,

0:41:26.719 --> 0:41:30.040
<v Speaker 1>a trage for Okay, a badge because I think as

0:41:30.040 --> 0:41:33.279
<v Speaker 1>if Manvia is so funny in this as the person

0:41:33.320 --> 0:41:35.319
<v Speaker 1>who works in the lobby of their building, but a

0:41:35.360 --> 0:41:40.560
<v Speaker 1>trag for they make him do like a very stereotypical accent. Yeah,

0:41:40.600 --> 0:41:46.960
<v Speaker 1>and that was really too bad. Trag for. This is

0:41:47.000 --> 0:41:50.120
<v Speaker 1>actually unforgivable what he's saying to her when they had

0:41:50.120 --> 0:41:52.239
<v Speaker 1>that fight. Yeah, he was like, you're exactly like what

0:41:52.280 --> 0:41:54.319
<v Speaker 1>that guy said about you in the book. Yeah, that

0:41:54.360 --> 0:41:57.040
<v Speaker 1>would be like, yeah, can we just say, anybody listening

0:41:57.080 --> 0:41:58.880
<v Speaker 1>to this who might be in a relationship with that

0:41:58.920 --> 0:42:00.719
<v Speaker 1>kind of thing might have been said to you at

0:42:00.719 --> 0:42:04.080
<v Speaker 1>any point, anything that hurtful going for the jugular. That

0:42:04.200 --> 0:42:06.000
<v Speaker 1>is such an unloving thing to do. You have to

0:42:06.080 --> 0:42:09.400
<v Speaker 1>question that person's character to the very core, because damn

0:42:09.560 --> 0:42:12.399
<v Speaker 1>what who I can't believe he said that to her,

0:42:13.160 --> 0:42:16.360
<v Speaker 1>and obviously he took it back later, but like, absolutely not.

0:42:17.480 --> 0:42:19.319
<v Speaker 2>Something is so wrong with me because I'm like oh,

0:42:19.440 --> 0:42:21.120
<v Speaker 2>I get it. I would have said that too, Like

0:42:21.520 --> 0:42:23.960
<v Speaker 2>she spent so like half the days that they had

0:42:24.040 --> 0:42:26.600
<v Speaker 2>to work on this, like hemming and hawing. Yeah, and

0:42:26.640 --> 0:42:28.759
<v Speaker 2>now she's backing out at the last second and he

0:42:28.880 --> 0:42:29.880
<v Speaker 2>needs this so badly.

0:42:30.000 --> 0:42:32.960
<v Speaker 1>Don't get me wrong, it did. It was hurtful and hateful.

0:42:33.120 --> 0:42:36.319
<v Speaker 1>It was I will say it was so unprofessional. Just

0:42:36.760 --> 0:42:40.200
<v Speaker 1>suck it up her. Yeah, her behavior. Yeah, I definitely

0:42:40.239 --> 0:42:42.440
<v Speaker 1>hated that. But going for what she said, She's like,

0:42:42.440 --> 0:42:44.840
<v Speaker 1>by the way, the one thing I'm really really, really

0:42:44.880 --> 0:42:48.000
<v Speaker 1>really hurt by is a specific thing and he's like, hmm,

0:42:48.800 --> 0:42:51.200
<v Speaker 1>guess what you're hurting me. So I'm gonna say that

0:42:51.200 --> 0:42:53.680
<v Speaker 1>one thing that's unforgivable and she's like, please don't and

0:42:53.680 --> 0:42:57.640
<v Speaker 1>he's like, no, I'm saying yeah, yeah, that was that

0:42:57.719 --> 0:42:58.120
<v Speaker 1>was bad.

0:42:59.760 --> 0:43:02.120
<v Speaker 2>My final trage is I googled it and there is

0:43:02.160 --> 0:43:04.840
<v Speaker 2>a fourteen year age difference between these actors.

0:43:04.960 --> 0:43:07.360
<v Speaker 1>Yeah that was. How old was she in this?

0:43:09.440 --> 0:43:12.560
<v Speaker 2>I don't know. He's sixty three now and she's forty nine.

0:43:12.680 --> 0:43:17.160
<v Speaker 2>So the maths of whatever that makes them in two

0:43:17.200 --> 0:43:17.840
<v Speaker 2>thousand and seven.

0:43:18.280 --> 0:43:21.239
<v Speaker 1>Why, oh okay, I just thought another trage trage for

0:43:21.320 --> 0:43:26.160
<v Speaker 1>when when she goes the sister goes, I'm your older sister,

0:43:26.360 --> 0:43:28.840
<v Speaker 1>and then she goes seven years old years older.

0:43:29.080 --> 0:43:31.600
<v Speaker 2>Yeah, what it was two thousand and seven being an

0:43:31.600 --> 0:43:35.680
<v Speaker 2>old woman, being an old woman, being a woman over

0:43:35.880 --> 0:43:39.600
<v Speaker 2>thirty at all was insane and it was a real

0:43:39.640 --> 0:43:42.359
<v Speaker 2>weapon to remind us of anybody of that.

0:43:43.520 --> 0:43:45.319
<v Speaker 1>But why would you even I just didn't understand why

0:43:45.320 --> 0:43:45.880
<v Speaker 1>it was relevant.

0:43:47.000 --> 0:43:48.839
<v Speaker 2>It's not relevant. I think it's just one of those

0:43:48.840 --> 0:43:51.400
<v Speaker 2>things that siblings do where they know it'll annoy the

0:43:51.440 --> 0:43:52.560
<v Speaker 2>other person, so they just.

0:43:52.480 --> 0:43:56.680
<v Speaker 1>Like do it. That's so weird. I hated that, And

0:43:56.800 --> 0:44:01.440
<v Speaker 1>my final trage is just the singer being super sexed

0:44:01.520 --> 0:44:04.120
<v Speaker 1>up because it's her idea. If they really wanted to

0:44:04.120 --> 0:44:07.839
<v Speaker 1>be critical of the industry, it would have been fun

0:44:07.920 --> 0:44:10.080
<v Speaker 1>if they're like, well, we have to sell stuff, so

0:44:10.120 --> 0:44:13.080
<v Speaker 1>she's gonna do her dance thing, you know, like, well,

0:44:13.120 --> 0:44:15.200
<v Speaker 1>if you want to really sell, then we should have

0:44:15.239 --> 0:44:17.520
<v Speaker 1>her do a little dance, right right, you know right,

0:44:17.560 --> 0:44:18.319
<v Speaker 1>Which is like.

0:44:20.040 --> 0:44:22.759
<v Speaker 2>If they were trying to like empower her and be like, no,

0:44:22.840 --> 0:44:24.520
<v Speaker 2>it's not it's too dark. If we have it be

0:44:24.560 --> 0:44:27.200
<v Speaker 2>the industry forcing her to that's the thing.

0:44:26.800 --> 0:44:29.200
<v Speaker 1>To want to dance, and I don't want to say, like,

0:44:29.320 --> 0:44:33.880
<v Speaker 1>plenty of performers obviously own their sexuality, and like this

0:44:33.960 --> 0:44:35.880
<v Speaker 1>totally she wants to dance and this could be like

0:44:35.920 --> 0:44:39.880
<v Speaker 1>her aesthetic, but yeah, just like it's just so. I

0:44:39.880 --> 0:44:42.120
<v Speaker 1>guess in the last few years, I've become so aware

0:44:42.120 --> 0:44:43.480
<v Speaker 1>of the way that them because I used to be

0:44:43.520 --> 0:44:45.080
<v Speaker 1>like not know anything about the music industry. And I

0:44:45.080 --> 0:44:48.480
<v Speaker 1>remember somebody saying something about, like female artists have to

0:44:48.520 --> 0:44:51.200
<v Speaker 1>do ten times as much as like a male artist.

0:44:51.200 --> 0:44:53.040
<v Speaker 1>Like a male artist can get on stage and literally

0:44:53.080 --> 0:44:55.239
<v Speaker 1>just sing, and female artists have like put their legs

0:44:55.280 --> 0:44:57.560
<v Speaker 1>behind their head and like do a flip and like

0:44:57.719 --> 0:45:00.600
<v Speaker 1>do aerial silks and wear a super sparky health to

0:45:00.760 --> 0:45:03.600
<v Speaker 1>just sing their little song and then also have an

0:45:03.640 --> 0:45:06.439
<v Speaker 1>amazing voice. And that's just what we expect from them.

0:45:06.520 --> 0:45:08.400
<v Speaker 1>And I was like, oh my god, you're right, and

0:45:08.400 --> 0:45:09.360
<v Speaker 1>now I can't unsee it.

0:45:09.840 --> 0:45:14.680
<v Speaker 2>And one of my favorite tiktoks is a guy talking

0:45:14.719 --> 0:45:19.600
<v Speaker 2>about Pink and like her crazy aerial performances that she does,

0:45:19.680 --> 0:45:22.239
<v Speaker 2>and he's Scottish and he goes, I don't like to

0:45:22.280 --> 0:45:34.399
<v Speaker 2>be overly critical of performers, but Pink, get done, get done,

0:45:34.760 --> 0:45:35.520
<v Speaker 2>get done.

0:45:36.080 --> 0:45:41.280
<v Speaker 1>She is She's just flying around get done. That's so funny,

0:45:41.600 --> 0:45:45.200
<v Speaker 1>don't anyway anyway, Yes, she could be as an artist

0:45:45.280 --> 0:45:47.200
<v Speaker 1>wanting to own her sexuality and this is her aesthetic

0:45:47.239 --> 0:45:49.640
<v Speaker 1>and everything. But I feel like these are the little

0:45:49.640 --> 0:45:53.359
<v Speaker 1>things where it becomes a bit where like the parodying

0:45:53.400 --> 0:45:57.960
<v Speaker 1>of stuff and like like like the essence of parody,

0:45:58.000 --> 0:46:00.600
<v Speaker 1>like the South Parks and everything they'll make fun of,

0:46:00.680 --> 0:46:05.319
<v Speaker 1>like the artists themselves, where it's like this isn't an

0:46:05.360 --> 0:46:08.720
<v Speaker 1>individual's chore, like this is the industry, Like don't blame

0:46:08.760 --> 0:46:10.520
<v Speaker 1>the women. I just I could just feel the like

0:46:10.560 --> 0:46:13.040
<v Speaker 1>blaming of women for so long of the like total well,

0:46:13.040 --> 0:46:14.920
<v Speaker 1>she's a sex symber, like you know how Britney Spears

0:46:14.920 --> 0:46:16.640
<v Speaker 1>wanted to because that's like what it's making fun of, right,

0:46:16.640 --> 0:46:19.840
<v Speaker 1>It's like Britney Spears like wanted to take her boobs

0:46:19.920 --> 0:46:21.800
<v Speaker 1>out and it's like absolutely not. It was all the

0:46:21.840 --> 0:46:23.560
<v Speaker 1>men around her, like she likes doing her things and

0:46:23.640 --> 0:46:28.120
<v Speaker 1>she loves to dance, but like, yeah, everybody's society being

0:46:28.160 --> 0:46:29.600
<v Speaker 1>weird about it.

0:46:29.600 --> 0:46:32.120
<v Speaker 2>It very much shows that we were still decades away

0:46:32.160 --> 0:46:34.839
<v Speaker 2>from the reckoning that we did about what we did

0:46:34.920 --> 0:46:35.480
<v Speaker 2>to Brittany.

0:46:35.760 --> 0:46:38.680
<v Speaker 1>Yes exactly. So I just felt a societal traged that

0:46:38.719 --> 0:46:42.160
<v Speaker 1>we weren't like obviously talking about that, but all that said,

0:46:42.200 --> 0:46:46.759
<v Speaker 1>Core was very hilarious. Yes, well, Leana Shell and move

0:46:46.800 --> 0:46:48.239
<v Speaker 1>on to her next segment, which is, of course, how

0:46:48.239 --> 0:46:52.560
<v Speaker 1>to pretend you've seen this film? Do we have to? Yeah?

0:46:52.800 --> 0:46:54.799
<v Speaker 1>I think we literally do. I'm just gonna look up

0:46:54.800 --> 0:46:55.960
<v Speaker 1>some trivia on this movie.

0:46:56.239 --> 0:47:01.319
<v Speaker 2>This is for Uh, you are at a concert, you

0:47:01.400 --> 0:47:10.200
<v Speaker 2>are seeing Doja Cat? Huh and Matthew Matthew woreris and

0:47:10.239 --> 0:47:15.760
<v Speaker 2>he says, hey you go ah.

0:47:13.960 --> 0:47:16.560
<v Speaker 1>He goes, hey, sorry, I've noticing that you're enjoying this music.

0:47:16.640 --> 0:47:22.480
<v Speaker 1>I've actually been in a lot of musicals and musical media,

0:47:22.600 --> 0:47:24.719
<v Speaker 1>but there's one that actually had a concertant that you

0:47:24.760 --> 0:47:26.000
<v Speaker 1>may have seen it. I don't know if you liked

0:47:26.000 --> 0:47:26.279
<v Speaker 1>me in it.

0:47:27.400 --> 0:47:27.520
<v Speaker 3>Uh.

0:47:28.200 --> 0:47:30.319
<v Speaker 1>It's called Music and Lyrics? Did you? I don't know.

0:47:30.360 --> 0:47:31.279
<v Speaker 1>Are you familiar with it?

0:47:32.440 --> 0:47:37.040
<v Speaker 2>And in order to make Matthew take his final bow,

0:47:37.880 --> 0:47:39.640
<v Speaker 2>we're going to give you a few sentences you can

0:47:39.680 --> 0:47:45.920
<v Speaker 2>say to pretend you've seen the film Music and Lyrics. Yes, Matthew,

0:47:46.000 --> 0:47:49.120
<v Speaker 2>I've seen Music and Lyrics? Oh what Doja Cat's coming on?

0:47:49.280 --> 0:47:51.520
<v Speaker 1>Now? Gary, I'm going out?

0:47:53.920 --> 0:47:56.360
<v Speaker 2>And her sister says that at the very beginning, because

0:47:56.400 --> 0:47:58.879
<v Speaker 2>she's like, oh, Alex Fletcher invited me to see him performing.

0:47:58.520 --> 0:48:04.520
<v Speaker 1>It, Gary, Gary, I'm going out. I loved her sister

0:48:04.560 --> 0:48:07.920
<v Speaker 1>in this. Yeah, me too. I love her too. I

0:48:08.040 --> 0:48:12.000
<v Speaker 1>could have sculpted us by now. Yes, Matthew Morrison, I've

0:48:12.000 --> 0:48:16.920
<v Speaker 1>seen music and lyrics. Fun fact. Fun fact. Hugh Grant

0:48:16.920 --> 0:48:20.000
<v Speaker 1>at first didn't want to sing, but then he trained

0:48:20.160 --> 0:48:22.319
<v Speaker 1>got really into it and was like this is so

0:48:22.440 --> 0:48:25.920
<v Speaker 1>fun and decided to perform the big concert scene live,

0:48:27.080 --> 0:48:29.200
<v Speaker 1>and then when they played it back, he was like, Okay,

0:48:29.239 --> 0:48:34.120
<v Speaker 1>this sounds horrible, and so they did a pre recorded version.

0:48:35.920 --> 0:48:37.960
<v Speaker 1>But it seems like he was very amused by it all.

0:48:38.040 --> 0:48:40.759
<v Speaker 1>So I love that for him. That's really funny.

0:48:41.040 --> 0:48:42.520
<v Speaker 3>Ah.

0:48:43.400 --> 0:48:45.799
<v Speaker 2>Matthew Morrison is still talking away, but I see that

0:48:46.200 --> 0:48:50.000
<v Speaker 2>Dojakat is coming towards us, and I asked for a

0:48:50.000 --> 0:48:52.000
<v Speaker 2>photo and she says, only if you're single, and I say, well,

0:48:52.040 --> 0:48:54.719
<v Speaker 2>I've been married sixteen years. But nothing's written in the show, right.

0:48:56.160 --> 0:48:59.840
<v Speaker 1>I love that. I love when she's like take them in,

0:49:00.200 --> 0:49:02.120
<v Speaker 1>take the kids inside, and he's like, but should love you,

0:49:02.400 --> 0:49:04.759
<v Speaker 1>and she's like, good man, take them inside, but you're

0:49:04.760 --> 0:49:07.040
<v Speaker 1>a good man. I love you? How hard is it?

0:49:07.120 --> 0:49:10.760
<v Speaker 1>You go? You said she was so awesome.

0:49:11.160 --> 0:49:14.800
<v Speaker 2>You go, you walk, you sit. I liked their dynamic,

0:49:14.880 --> 0:49:15.720
<v Speaker 2>her and her husband.

0:49:15.840 --> 0:49:23.040
<v Speaker 1>Yeah, what the heck? Yes, Matthew Morrison, I've seen uh

0:49:23.360 --> 0:49:26.800
<v Speaker 1>music and lyrics. Fun fact, as a child, Hugh Grant

0:49:26.840 --> 0:49:34.640
<v Speaker 1>took piano lessons from Andrew Lloyd Webber's mother. Oh that's

0:49:34.680 --> 0:49:36.840
<v Speaker 1>so funny. But he forgot to play piano later, so

0:49:36.880 --> 0:49:38.480
<v Speaker 1>he couldn't play it in this. He had to like

0:49:38.800 --> 0:49:45.799
<v Speaker 1>pretend Andreloid webba so ando web I guess he was

0:49:45.880 --> 0:49:49.719
<v Speaker 1>just a community member. That's so funny. Wait, so did

0:49:49.719 --> 0:49:52.600
<v Speaker 1>he like hung out around like angrelaid Webber's house. I

0:49:52.680 --> 0:49:54.240
<v Speaker 1>wonder how old she was Weber?

0:49:54.440 --> 0:49:56.399
<v Speaker 2>Yeah, I wonder hold Androloid Webber is as well.

0:49:56.600 --> 0:49:59.680
<v Speaker 1>I think he's so old, isn't he like so old?

0:50:00.239 --> 0:50:03.480
<v Speaker 1>I think he's maybe in his seventy Oh that's not

0:50:03.520 --> 0:50:07.000
<v Speaker 1>that old. He's seventy six. Wow, I thought he. I

0:50:07.000 --> 0:50:08.760
<v Speaker 1>thought he had to be like one hundred and five.

0:50:10.920 --> 0:50:15.040
<v Speaker 1>But I guess I'm thinking of his mother. She's probably

0:50:15.080 --> 0:50:16.000
<v Speaker 1>around one hundred and five.

0:50:16.239 --> 0:50:24.400
<v Speaker 2>Yeah, yes, Matthew Morrison, I've seen music and lyrics, and

0:50:24.440 --> 0:50:26.399
<v Speaker 2>I've also seen Glee, and I think you just need

0:50:26.440 --> 0:50:30.319
<v Speaker 2>to leave people alone for a little bit. I know

0:50:30.560 --> 0:50:33.439
<v Speaker 2>I have amazing insight. I would use it on myself only.

0:50:33.440 --> 0:50:35.200
<v Speaker 2>I don't have any problem.

0:50:35.719 --> 0:50:41.320
<v Speaker 1>Yes, Matthew Morrison, I've seen music and lyrics as we presumed.

0:50:41.560 --> 0:50:47.839
<v Speaker 1>Cora Coorman is based on Britney Spears and Christina Aguilera. Yeah,

0:50:47.840 --> 0:50:49.839
<v Speaker 1>I'm glad they made Kora. I'm glad they made Kora

0:50:49.920 --> 0:50:54.520
<v Speaker 1>likable and not just like yeah totally, you know, yeah, yeah.

0:50:54.600 --> 0:50:56.680
<v Speaker 1>I love that she was never like a villain character

0:50:56.800 --> 0:50:59.319
<v Speaker 1>or anything like that, because people hate women like that.

0:50:59.320 --> 0:51:09.560
<v Speaker 1>Could have really that could have really been bad, dangerous territory. Well, Leanna,

0:51:09.600 --> 0:51:11.400
<v Speaker 1>shall we move on to our next segment, which is,

0:51:11.440 --> 0:51:13.359
<v Speaker 1>of course should you watch this or where we tell

0:51:13.360 --> 0:51:14.920
<v Speaker 1>you I should watch this film, or if you should

0:51:14.920 --> 0:51:16.839
<v Speaker 1>spend your time doing something else? What do you think?

0:51:18.440 --> 0:51:21.839
<v Speaker 2>Look, I think this movie is fun and silly, and

0:51:21.880 --> 0:51:23.560
<v Speaker 2>I think a lot of the lines in it are

0:51:23.760 --> 0:51:28.239
<v Speaker 2>very funny and I was laughing out loud. It's not

0:51:28.360 --> 0:51:34.560
<v Speaker 2>perfect and oh do you know what? Okay, if you

0:51:34.719 --> 0:51:38.560
<v Speaker 2>need a different rom com that's more Madrin and feels

0:51:38.600 --> 0:51:42.600
<v Speaker 2>like a refreshing oh yeah, but still follows comfortingly a formula.

0:51:43.160 --> 0:51:46.720
<v Speaker 2>You could watch Starstruck. I'm sure I've recommended it before.

0:51:46.840 --> 0:51:54.040
<v Speaker 2>It literally show Starstruck on HBO. Oh, it's such a

0:51:54.080 --> 0:51:58.000
<v Speaker 2>cute show, very cute show, very rom com vibes, British

0:51:58.880 --> 0:52:02.000
<v Speaker 2>talking about celebrity, celebrity.

0:52:03.160 --> 0:52:04.279
<v Speaker 3>Yes, I love that.

0:52:04.560 --> 0:52:09.000
<v Speaker 1>Wow, it really is a very similar comparison. Nice, so good, Seanna,

0:52:09.000 --> 0:52:12.279
<v Speaker 1>what would you say? I have some recommendations for what

0:52:12.360 --> 0:52:14.800
<v Speaker 1>you could watch of a similar vibe. I think this

0:52:14.920 --> 0:52:19.919
<v Speaker 1>movie was really funny and cute, But if you wanted

0:52:19.960 --> 0:52:23.800
<v Speaker 1>to watch some other things, if you want to do

0:52:23.880 --> 0:52:28.080
<v Speaker 1>the opposite of cultural appropriation of South Asian cultures. I

0:52:28.320 --> 0:52:31.400
<v Speaker 1>really liked the documentary The Problem with a Poo. And

0:52:31.480 --> 0:52:34.080
<v Speaker 1>if you're like, oh, I want to learn more about

0:52:34.160 --> 0:52:36.080
<v Speaker 1>like why this feels kind of messed up? Is it

0:52:36.160 --> 0:52:38.879
<v Speaker 1>really that big of a deal talking about like sort

0:52:38.880 --> 0:52:46.360
<v Speaker 1>of the like South Asian representation in Hollywood. M hm h,

0:52:47.960 --> 0:52:50.320
<v Speaker 1>then you can watch You can watch that documentary is

0:52:50.320 --> 0:52:55.080
<v Speaker 1>really entertaining. Also, if you want to watch something about

0:52:55.280 --> 0:52:57.759
<v Speaker 1>celebrity that's making fun of celebrity, you could watch the

0:52:57.800 --> 0:53:01.480
<v Speaker 1>show The Other Two that was so funny. I was

0:53:01.480 --> 0:53:03.480
<v Speaker 1>thinking about it when they were doing it. When they

0:53:03.520 --> 0:53:05.879
<v Speaker 1>were doing like buddhast Delight and stuff like, or when

0:53:05.880 --> 0:53:08.480
<v Speaker 1>I was thinking about how I wish they talked about

0:53:08.520 --> 0:53:13.319
<v Speaker 1>her being sexualized, like who cares about sex selling? Mm

0:53:13.400 --> 0:53:15.960
<v Speaker 1>hmmmm hmmm. And the final show you could watch if

0:53:15.960 --> 0:53:18.520
<v Speaker 1>you want more Matthew Morrison is the show Glee. No,

0:53:19.800 --> 0:53:22.040
<v Speaker 1>but that one is probably the most problematic of them

0:53:22.040 --> 0:53:27.560
<v Speaker 1>all anyway, Cursed. If you want a problematic watch, how

0:53:27.600 --> 0:53:30.160
<v Speaker 1>would you rate to the film music and lyrics? I

0:53:30.239 --> 0:53:34.960
<v Speaker 1>would give music and lyrics three point five mashed potatoes

0:53:35.080 --> 0:53:39.880
<v Speaker 1>out of five. It was so dumb. I like there

0:53:39.920 --> 0:53:43.480
<v Speaker 1>were times where I was watching it where I felt embarrassed, wow,

0:53:44.400 --> 0:53:47.880
<v Speaker 1>because I was like, this is just so it's like

0:53:48.120 --> 0:53:52.279
<v Speaker 1>cringey in like a fun rom com way. But on

0:53:52.440 --> 0:53:55.239
<v Speaker 1>top of that, I will say, it's also really clever

0:53:55.400 --> 0:53:57.560
<v Speaker 1>and cute and like there's it's more than just like

0:53:58.000 --> 0:54:00.879
<v Speaker 1>like we're talking about like an AI rom com. It's

0:54:00.960 --> 0:54:02.960
<v Speaker 1>like a step above that in a really fun way. Yeah,

0:54:02.960 --> 0:54:04.359
<v Speaker 1>it seems like a perfect thing to watch with your

0:54:04.400 --> 0:54:09.640
<v Speaker 1>family type of vibe. Yeah, it was cute, Yes, Leonna,

0:54:09.680 --> 0:54:10.320
<v Speaker 1>what about yourself?

0:54:11.360 --> 0:54:14.560
<v Speaker 2>I would give music and lyrics four tight pants out

0:54:14.640 --> 0:54:18.359
<v Speaker 2>of five. Uh, it's so fun to watch you Grant

0:54:18.440 --> 0:54:22.480
<v Speaker 2>do a little day. Yeah, gosh, there's kind of nothing

0:54:22.680 --> 0:54:27.360
<v Speaker 2>like it. Yeah, I love watching that. A lot of

0:54:27.520 --> 0:54:30.040
<v Speaker 2>the lines, the little quips I love. Oh, I love

0:54:30.080 --> 0:54:32.800
<v Speaker 2>a little quip so much, And there were one thousand

0:54:33.080 --> 0:54:35.879
<v Speaker 2>in this. It was mostly little quips. Yeah, it really

0:54:36.040 --> 0:54:38.200
<v Speaker 2>was a little quip than it is human interaction. And

0:54:38.280 --> 0:54:39.080
<v Speaker 2>that's fine by me.

0:54:39.440 --> 0:54:42.040
<v Speaker 1>I don't really need much in the way of conversation.

0:54:43.440 --> 0:54:45.680
<v Speaker 1>And I think to your point about like AI rom

0:54:45.719 --> 0:54:49.479
<v Speaker 1>coms versus this one, the leads in this at least

0:54:49.640 --> 0:54:52.320
<v Speaker 1>felt like it was fun to watch them interact with

0:54:52.400 --> 0:54:54.600
<v Speaker 1>each other, and there was some sort of like spark

0:54:54.719 --> 0:54:57.040
<v Speaker 1>between the two of them and fun to watch them

0:54:57.080 --> 0:54:59.920
<v Speaker 1>bounce off each other energetically, which you do not get

0:55:00.160 --> 0:55:03.160
<v Speaker 1>I think in most modern rom coms. Yeah, it's just like,

0:55:03.560 --> 0:55:06.040
<v Speaker 1>who are the hottest and most famous people right now?

0:55:06.360 --> 0:55:08.600
<v Speaker 1>We'll just put them in a film together. Yeah, that's

0:55:08.640 --> 0:55:12.560
<v Speaker 1>not really, that's not working. Yeah, we don't have a

0:55:12.640 --> 0:55:21.960
<v Speaker 1>Hugh Grant right now, like just a quippy man British man. Well,

0:55:22.080 --> 0:55:27.240
<v Speaker 1>my gosh, we have reviewed music and lyrics an American

0:55:27.320 --> 0:55:30.600
<v Speaker 1>rom com. Thank you so much everybody for listening. We've

0:55:30.640 --> 0:55:33.160
<v Speaker 1>been Toss Popcorn. You can follow us at toss Popcorn

0:55:33.200 --> 0:55:37.840
<v Speaker 1>on Instagram, we post cute memes. Check it out and

0:55:38.239 --> 0:55:40.640
<v Speaker 1>also that follows on Patreon at patreon dot com slash

0:55:40.680 --> 0:55:45.880
<v Speaker 1>toss Popcorn. We just recently posted our August our August

0:55:47.160 --> 0:55:50.399
<v Speaker 1>Monthly Toss and you can tune in for Septembers where

0:55:50.840 --> 0:55:52.680
<v Speaker 1>you get to see our faces as we review movies

0:55:53.680 --> 0:55:57.279
<v Speaker 1>from today modern movies, and join us next week when

0:55:57.280 --> 0:56:06.800
<v Speaker 1>we will be watching Juno Slay Slay, Thank you, we

0:56:06.960 --> 0:56:14.760
<v Speaker 1>love you, Bye bye. You can find us on Instagram

0:56:14.880 --> 0:56:18.200
<v Speaker 1>as at Sienna Jaco and at Leanna Holsten. Please check

0:56:18.239 --> 0:56:20.640
<v Speaker 1>the description for the spelling of our dumb names. We

0:56:20.719 --> 0:56:23.360
<v Speaker 1>put on episodes every Tuesday, so make sure to subscribe

0:56:23.400 --> 0:56:26.000
<v Speaker 1>so that you don't miss an episode. See you next

0:56:26.040 --> 0:56:29.839
<v Speaker 1>week on Tossed Popcorn. For more podcasts from iHeartRadio, check

0:56:29.880 --> 0:56:31.000
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0:56:35.040 --> 0:56:38.000
<v Speaker 2>Do you remember when he's in the weight last place

0:56:38.200 --> 0:56:39.960
<v Speaker 2>and he talks to the woman behind the desk and

0:56:40.040 --> 0:56:45.200
<v Speaker 2>he goes, so how much do you weigh? She says,

0:56:45.280 --> 0:56:50.439
<v Speaker 2>I fluctuate, so good