WEBVTT - Practical Magic

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands?

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<v Speaker 1>What do they have? Individualism, the patriarchy, zef invest start

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<v Speaker 1>changing it with the beck Del Cast. Hello, and welcome

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<v Speaker 1>to the Bechdel Cast. My name is Caitlin Durante and

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<v Speaker 1>my name is Jamie Loftus, and this is our podcast

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<v Speaker 1>about the portrayal of women in movies, or as I

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<v Speaker 1>like to see the betrayal of women in movies sometimes,

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<v Speaker 1>don't you think? I agree. We have kind of an

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<v Speaker 1>unusual recording situation today, which is kind of nice. Yeah,

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<v Speaker 1>let's talk about it. And we're in your bed. We're

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<v Speaker 1>in my bed, which is where we usually record the

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<v Speaker 1>Matreon episodes if you're a member of our Patreon aka Matreon.

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<v Speaker 1>Yeah you know, but today we're doing a main feed

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<v Speaker 1>episode in the bed, which is weird because I'm used

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<v Speaker 1>to be in loose in the bed, but now I'm like,

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<v Speaker 1>no button up, not all button's about a couple of them.

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<v Speaker 1>I think this will be a nice sort of blend

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<v Speaker 1>of the silliness that we engage in a bit more

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<v Speaker 1>on the Matreon, but also perhaps a bit more structured

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<v Speaker 1>like a main feed episode. Life is so complicated. So

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<v Speaker 1>normally we have a guest. We don't have one this

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<v Speaker 1>time because we were about to record with our guests

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<v Speaker 1>and then something came up, but we weren't able to

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<v Speaker 1>reschedule with them because I'm about to go into surgery. Yes,

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<v Speaker 1>I'm about to have my sludge pouch removed. It's probably

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<v Speaker 1>it'll be gone. It's my gall bladder, but it's really

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<v Speaker 1>a sludge pouch. And if you need more information about

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<v Speaker 1>what I'm talking about, you'll just simply have to listen

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<v Speaker 1>to Sludge an American health care story, my podcast about

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<v Speaker 1>how the system here is very funked up and biased

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<v Speaker 1>and broken. So give that listen. But so, we weren't

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<v Speaker 1>able to reschedule with our guest before my surgery, so

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<v Speaker 1>it's just Jamie and I doing this. Bed keeping is

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<v Speaker 1>but not too loose. Yeah, And this is the last

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<v Speaker 1>sludgey episode of the Bechtel Cast, which I think we're

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<v Speaker 1>all very grateful for it. It's sludge free after this.

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<v Speaker 1>My mom sending you an edible arrangement. We're telling me

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<v Speaker 1>this earlier. I was like, well, I don't know, like

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<v Speaker 1>and she asked for your address. So maybe, but maybe

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<v Speaker 1>she's going to get him. She's just gonna show up.

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<v Speaker 1>She's gonna use her jet blue points. Oh good for Jill.

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<v Speaker 1>She loves her jet blue points. And I think all

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<v Speaker 1>of that past the Bechtel tests. Oh yes it did. Wow,

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<v Speaker 1>great structure. Um so we analyze. Actually, I think my

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<v Speaker 1>sludge identifies as a man because it's vengeful trying to

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<v Speaker 1>ruin your life and invading my body and space and

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<v Speaker 1>only a man. And it is nice too because it

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<v Speaker 1>just means that will inherently miss it less that's gone anyway.

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<v Speaker 1>Oh man, I want to make a cartoon of like

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<v Speaker 1>you're slow singing like, don't make me go do like

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<v Speaker 1>wait there, don't humanize my sludge the anthropomorphs like wait

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<v Speaker 1>before you behead me, doctor, I just want to plead

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<v Speaker 1>my case. Oh well, well, what if my sludge is

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<v Speaker 1>like a witch sort like and it's like being wrongfully

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<v Speaker 1>persecuted and really it's just it's suckers. Oh, today's gonna

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<v Speaker 1>be fun. Uh So we hadized movies using the Bechtel test,

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<v Speaker 1>which I think we will. We brought up the mail

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<v Speaker 1>identifying sledge. A lot of it passed. Yes, uh so

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<v Speaker 1>used the Bechtel Test sometimes called the Bechtel Wallace test,

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<v Speaker 1>as a jumping off point for discussion, and the Bechtel

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<v Speaker 1>test has has a couple of different requirements. Yeah, it

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<v Speaker 1>requires that there'll be two female identifying characters with names.

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<v Speaker 1>We'll talk to each other about something other than a

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<v Speaker 1>man or a male sledge, of course, for more than

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<v Speaker 1>two lines of dialogue. Incredible. It's almost like with all

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<v Speaker 1>those steps, it's almost like it's like a spell in

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<v Speaker 1>a spell book it's true, or a curse stories curse.

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<v Speaker 1>I wonder how many times it's been said in movies.

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<v Speaker 1>It has to be a lout there like it's a

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<v Speaker 1>spell or of course, I feel like there's like a

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<v Speaker 1>lot of Halloween time d cooms that probably used that.

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<v Speaker 1>While we're talking about Practical Magic today, it's been a

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<v Speaker 1>long request. Yeah, it's just the two of us today.

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<v Speaker 1>We're keeping it loose, so let's get into it. What's

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<v Speaker 1>your history with the film, Jamie So I first saw

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<v Speaker 1>Practical Magic in Lansing, Michigan last year as a part

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<v Speaker 1>of the Capital City Film Festival. Is a show called

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<v Speaker 1>Destroy All Cinema, and I was riffing live riffs. You'll

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<v Speaker 1>love to hear him on Practical Magic. What I try

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<v Speaker 1>hadn't seen with a comedy collective based out of Lansing

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<v Speaker 1>called Comedy Coven, So if you live in that area,

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<v Speaker 1>please check them out. So Coven of Witches perhaps exactly.

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<v Speaker 1>It consists of Tricia Chamberlain, Stephanie ander Chan, and Emily Surgett.

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<v Speaker 1>They're all great. But so I first saw it in

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<v Speaker 1>a live capacity, and it was kind of fun to

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<v Speaker 1>try to piece together this movie in real time and

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<v Speaker 1>try to be funny because I was just like, I

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<v Speaker 1>don't know what's happening. Um, And then I've seen a

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<v Speaker 1>couple of times to prep for this, but pretty short history. Okay,

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<v Speaker 1>what's your history with Practical Magic. This is one of

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<v Speaker 1>those movies that I wasn't very familiar with throughout most

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<v Speaker 1>of my life, but I knew that it was something

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<v Speaker 1>that we were getting requested all the time from listeners.

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<v Speaker 1>So I was like, oh, I should check this out

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<v Speaker 1>because eventually I'm sure we'll do an episode on it.

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<v Speaker 1>So I watched it probably for the first time, I

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<v Speaker 1>would say, like around a year ago. Also, and glad,

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<v Speaker 1>I did you know? It's a fun movie. It is

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<v Speaker 1>a weird movie. Weird it's structurally a bit confusing, but

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<v Speaker 1>I also do get why people love it, So yeah,

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<v Speaker 1>for sure. I think if I had um seen it

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<v Speaker 1>as a younger person, I would have like a much

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<v Speaker 1>stronger attachment to it and a pretty iconic cast as well.

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<v Speaker 1>Like it's quality regardless, getting to see Sandra bl Like

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<v Speaker 1>and Nicole Kidman as sisters, rules, Diane Weest is their

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<v Speaker 1>Stockard Channing is there, and a young Evan Rachel would

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<v Speaker 1>oh yeah, yeah, one of the daughters, So there is

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<v Speaker 1>I mean there. I get it's a very confusing movie,

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<v Speaker 1>but everyone is committed a hundred percent, and so we

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<v Speaker 1>simply have no choice but to stand. Um, yeah, should

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<v Speaker 1>we get into it? I mean, I don't know what

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<v Speaker 1>was your actually I am curious what was your interest

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<v Speaker 1>in witchy culture and stuff like that when you were younger?

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<v Speaker 1>Were you really interested in it? No? Not, not, I

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<v Speaker 1>would say at all. Um, I wasn't like I hate

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<v Speaker 1>it and I think it's stupid or anything like that.

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<v Speaker 1>It just isn't something that ever piqued my interest. Well,

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<v Speaker 1>what about you? I thought I was a witch until

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<v Speaker 1>I was about eleven years old, and not a Harry Potter,

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<v Speaker 1>which as all listeners at the podcast, will know I

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<v Speaker 1>was not a Harry Potter stand. As a child, I

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<v Speaker 1>thought I was like a practical magic kind of which

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<v Speaker 1>because I had I have two relatives who run a

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<v Speaker 1>new Age shop in Massachusetts, I was very steeped in

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<v Speaker 1>it's from a very young age, kind of like the

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<v Speaker 1>one that Sally runs in the movie. Yeah, yeah, except

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<v Speaker 1>like I mean even more so, but it was they

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<v Speaker 1>do not work there anymore, but yeah, like my my

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<v Speaker 1>aunt and uncle worked at a new Age shop and

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<v Speaker 1>would do readings and would do and you know, we're

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<v Speaker 1>very nurture. I think it's weird because I grew up

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<v Speaker 1>going to church, but I think that like new Age

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<v Speaker 1>stuff was what appealed to me more in terms of

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<v Speaker 1>like religion and like shaping my self identity. But I

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<v Speaker 1>really love it. And it's funny because I think that

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<v Speaker 1>this movie is kind of peak, like scratching the surface

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<v Speaker 1>of that culture in kind of a very basic way

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<v Speaker 1>that I think probably would have been appealing to me

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<v Speaker 1>had I seen it at the time. But yeah, I'm

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<v Speaker 1>always just any time that there's a movie with which

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<v Speaker 1>is I'm like, oh yes, because my mom fully was like,

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<v Speaker 1>you're a witch, you have powers? It was like, yes,

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<v Speaker 1>that's so cool. Yeah, it was cool. The growing I'm

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<v Speaker 1>thinking you're a witch. I can't recommend it enough. It

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<v Speaker 1>is very fun. My like family because I was effectively

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<v Speaker 1>raised as an atheist, Like it was a completely secular household,

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<v Speaker 1>so I had no religion growing up, and I think

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<v Speaker 1>because of that, I just nothing like supernatural or like

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<v Speaker 1>mystic or magical or anything like that really appealed to me.

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<v Speaker 1>Is something that I would want to, like embrace is

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<v Speaker 1>anything other than fiction, Like I love reading fiction about it.

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<v Speaker 1>But I wasn't like I was like this is going

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<v Speaker 1>to be a part of my lifestyle or anything like that.

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<v Speaker 1>Totally I would appealed about it to me as a kid, especially,

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<v Speaker 1>was like I didn't like going to tread like it

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<v Speaker 1>was weird. I think that like we just went because

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<v Speaker 1>my parents were like, we're supposed to do that. But

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<v Speaker 1>like I went to Catholic churches for a little while,

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<v Speaker 1>I went to like a Congregational church for a little while.

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<v Speaker 1>I mean my parents and my oun uncle called it paganism.

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<v Speaker 1>I don't know if this technically even falls under that umbrella,

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<v Speaker 1>but what appealed to me and what appealed to me

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<v Speaker 1>about witchy culture was that it was the only like

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<v Speaker 1>semi religious structure that empowered you a little bit and

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<v Speaker 1>gave you some control as opposed to the shame and

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<v Speaker 1>the constant asking for forgiveness that from the other religions

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<v Speaker 1>that I had experienced, where like this was like, Oh,

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<v Speaker 1>it's like, uh, you know, you're being empowered to you know,

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<v Speaker 1>whether you're casting spells or doing rituals or whatever. It

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<v Speaker 1>is like you have some ability to cause change and

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<v Speaker 1>make things happen. Interesting. So there's a whole discussion to

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<v Speaker 1>be had kind of about which is witchcraft the history

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<v Speaker 1>there in all that, Yeah, we can, We'll get there,

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<v Speaker 1>but for now, let's discuss the story it recap Okay,

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<v Speaker 1>So we begin learning that women in the Owens family

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<v Speaker 1>are witches and they have magical powers. The first of

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<v Speaker 1>them was their ancestor Maria from colonial Puritan times, Yes,

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<v Speaker 1>and she was banished on an island with her unborn

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<v Speaker 1>child for being a witch. And she stayed there waiting

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<v Speaker 1>for her lover to come rescue her, but he never came,

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<v Speaker 1>so she cast a spell that she would never again

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<v Speaker 1>feel the agony of love, which eventually turned into a

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<v Speaker 1>curse on any man who would love an Owens woman,

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<v Speaker 1>and that curse will kill them, and it will straight

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<v Speaker 1>up kill them. Then we meet to Owen's sisters as children,

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<v Speaker 1>Sally and Alien. Their father died because of this curse.

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<v Speaker 1>There's like this beetle that comes around and makes this

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<v Speaker 1>like chirping sound, and that's how you know the man

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<v Speaker 1>is going to die soon, right. I love that plot device.

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<v Speaker 1>I don't know, it's like a beetle or something. And

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<v Speaker 1>then their mom dies I guess shortly after that of

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<v Speaker 1>a broken heart. So the two sisters go to live

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<v Speaker 1>with their two aunts, Franny that's Stockard Channing's character, and

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<v Speaker 1>Jet Diane Weest and their aunts are also witches who

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<v Speaker 1>teach them magic. They live somewhere in New England. I

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<v Speaker 1>was guessing either they I think they live on an island.

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<v Speaker 1>I think that they might live like on Nantucket. Yeah,

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<v Speaker 1>that's what I was thinking. It gives it has given

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<v Speaker 1>me some Nantucket vibes. Yeah, I would say Nantucket or

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<v Speaker 1>Martha's vineyards. Yeah, surprise it didn't take place in like Salem,

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<v Speaker 1>but who knows you, I don't know. And everyone in

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<v Speaker 1>the town hates the whole family for being witches, which

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<v Speaker 1>which you're a bit. You're like, let's punch that up,

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<v Speaker 1>all right? There? Does it pass the back to test?

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<v Speaker 1>Though maybe it does, But I was just like, man,

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<v Speaker 1>there are three writers on this movie, and we couldn't

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<v Speaker 1>we can't do better than which, which you're a bit.

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<v Speaker 1>The kids are like not smart enough to come up

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<v Speaker 1>with something more clever. Kids are geniuses. Sorry, there should

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<v Speaker 1>have been in Shakespearean pros there i ambic pentameter. Yes, okay,

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<v Speaker 1>So we get to know the two girls a little

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<v Speaker 1>bit better. Jilly can't wait to fall in love, but

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<v Speaker 1>Sally says she hopes she never falls in love because

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<v Speaker 1>she sees how much agony it causes people. So Sally

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<v Speaker 1>casts a spell, a love spell about a man who

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<v Speaker 1>she thinks will never exist, because if he doesn't exist,

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<v Speaker 1>she won't have to fall in love with him, and

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<v Speaker 1>then he won't die, um, and she won't have to

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<v Speaker 1>deal with a broken heart. Right. This imaginary man can

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<v Speaker 1>flip pancakes. His favorite shape is a star, and he

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<v Speaker 1>has one green eye and one blue eye, which is like,

0:13:06.559 --> 0:13:08.480
<v Speaker 1>I mean, I feel like there are people out there

0:13:08.520 --> 0:13:11.320
<v Speaker 1>like that, Like I think it's kind of a low yeah,

0:13:11.600 --> 0:13:13.400
<v Speaker 1>Like I mean, I guess that finding some with two

0:13:13.440 --> 0:13:16.160
<v Speaker 1>different colored eyes is a little more difficult. But I'm like,

0:13:16.400 --> 0:13:20.440
<v Speaker 1>pant likes pancakes and stars. That's like you're describing a

0:13:20.480 --> 0:13:25.160
<v Speaker 1>five year old like, but sure, yes. So then we

0:13:25.200 --> 0:13:28.680
<v Speaker 1>cut to the sisters as adults. Sally is Sandra Bullock,

0:13:29.400 --> 0:13:34.280
<v Speaker 1>Jilly is Nicole Kidman, and Jilly runs away with this

0:13:34.320 --> 0:13:37.120
<v Speaker 1>guy that she's in love with Nicole Kidmen. In terms

0:13:37.120 --> 0:13:41.560
<v Speaker 1>of having her Australian accent not out, it's so different

0:13:41.600 --> 0:13:43.920
<v Speaker 1>from movie to movie to the point where I'm like,

0:13:44.320 --> 0:13:46.520
<v Speaker 1>is it like it depends on how she's being directed,

0:13:46.600 --> 0:13:50.200
<v Speaker 1>But it's like it's like sort of at Bay. Really

0:13:50.240 --> 0:13:53.920
<v Speaker 1>I wasn't noticing that. But also there's certain I don't know.

0:13:54.000 --> 0:13:57.439
<v Speaker 1>I guess my Nicole Kidman meter is very sensitive because

0:13:57.480 --> 0:14:01.559
<v Speaker 1>sometimes I'm just like, how did you come on? There's

0:14:01.559 --> 0:14:03.199
<v Speaker 1>a few but whatever, I mean, you do watch a

0:14:03.280 --> 0:14:06.000
<v Speaker 1>lot of big little eyes, so that makes sense. Yeah,

0:14:06.120 --> 0:14:08.960
<v Speaker 1>And and she, you know, at the end of the

0:14:09.000 --> 0:14:11.960
<v Speaker 1>first season, for some reason, she's just like, I'm Australian,

0:14:12.120 --> 0:14:14.200
<v Speaker 1>and I was like, okay, we know, but you're not

0:14:14.240 --> 0:14:17.520
<v Speaker 1>supposed to be right now where we'll have a talk

0:14:17.559 --> 0:14:21.640
<v Speaker 1>about it. So Julie runs away with this guy, but

0:14:21.760 --> 0:14:24.280
<v Speaker 1>meanwhile Sally wants to have like kind of a more

0:14:24.480 --> 0:14:30.000
<v Speaker 1>like grounded quote normal life, like the nuclear family. Yes,

0:14:30.280 --> 0:14:34.440
<v Speaker 1>and then Sally spots this guy, Michael, and she and

0:14:34.520 --> 0:14:38.520
<v Speaker 1>him suddenly fall in love, almost as if a spell

0:14:38.640 --> 0:14:44.960
<v Speaker 1>were cast on as it we don't know. And then

0:14:45.000 --> 0:14:48.360
<v Speaker 1>they start kissing in the street. A Faith Hill song

0:14:48.520 --> 0:14:54.840
<v Speaker 1>is playing. Is it? It's this kiss? Yes, this kiss

0:14:55.120 --> 0:14:59.360
<v Speaker 1>one of the many moments this movie is totally all over.

0:14:59.480 --> 0:15:03.920
<v Speaker 1>It's just completely totally inconsistent to the where you're just

0:15:04.000 --> 0:15:08.840
<v Speaker 1>like constantly suffering from whiplash from the previous scene. Faith Hill,

0:15:08.880 --> 0:15:11.520
<v Speaker 1>I think, is one of the first, all best, second

0:15:11.520 --> 0:15:14.280
<v Speaker 1>of all, most jarring from all the South, Like this

0:15:14.360 --> 0:15:16.960
<v Speaker 1>is supposed to be like kind of like a you know,

0:15:17.000 --> 0:15:20.000
<v Speaker 1>like you kind of expected more Fiona Appoly song there,

0:15:20.080 --> 0:15:23.880
<v Speaker 1>like at least like an artist with some more mysterious

0:15:23.920 --> 0:15:27.400
<v Speaker 1>witchy vibes. Oh sure, I wouldn't describe faith Hill as

0:15:27.480 --> 0:15:31.600
<v Speaker 1>that artist. Well, especially because like if you hear country

0:15:31.680 --> 0:15:37.000
<v Speaker 1>music like that, it conjures up the South, you know,

0:15:37.040 --> 0:15:42.800
<v Speaker 1>the American South and not New England. So yeah, it

0:15:42.960 --> 0:15:46.960
<v Speaker 1>was it was choices were made. I don't I don't

0:15:47.000 --> 0:15:50.080
<v Speaker 1>think it's a bad choice, that it a weird choice,

0:15:50.120 --> 0:15:51.960
<v Speaker 1>but I do like it. As with most things in

0:15:52.000 --> 0:15:56.560
<v Speaker 1>this movie, you're like sure. So cut to a few

0:15:56.640 --> 0:16:00.560
<v Speaker 1>years later, Sally and Michael are married. They have two daughters, hers,

0:16:00.600 --> 0:16:05.760
<v Speaker 1>but that death beetle starts coming around and starts chirping

0:16:05.800 --> 0:16:14.240
<v Speaker 1>a little bit outside. Sorry, I don't effects. What if

0:16:14.480 --> 0:16:18.520
<v Speaker 1>beetle juice can turn into a beetle and then it's

0:16:18.560 --> 0:16:22.200
<v Speaker 1>the same. What if beetle juice in practical magic take

0:16:22.240 --> 0:16:24.720
<v Speaker 1>place in the same extended universe? I would buy it.

0:16:25.480 --> 0:16:27.480
<v Speaker 1>I would. I wish that the faith Hill song played

0:16:27.520 --> 0:16:32.040
<v Speaker 1>during beetle Juice? This what another faith Hill song? I

0:16:32.080 --> 0:16:35.400
<v Speaker 1>can't name a second one. I don't know nothing against her.

0:16:35.440 --> 0:16:39.080
<v Speaker 1>I just wasn't really there, sure you know, I just

0:16:39.160 --> 0:16:43.600
<v Speaker 1>know that one. Okay, So the beetles chirping, and Sally's

0:16:43.680 --> 0:16:47.160
<v Speaker 1>husband gets hit by a truck and dies in a

0:16:47.400 --> 0:16:51.800
<v Speaker 1>very dramatic the fruit flying in that scene because he's

0:16:51.840 --> 0:16:58.360
<v Speaker 1>a fruit salesman and slow mo fruit. And then we're like,

0:16:58.400 --> 0:17:02.040
<v Speaker 1>oh no, her love kill to him because women's emotions

0:17:02.200 --> 0:17:09.280
<v Speaker 1>are lethal. Ah God, Well, anyways, fruitgo's lion? Yes, bye

0:17:09.280 --> 0:17:13.200
<v Speaker 1>bye yep. So then Sally goes to her aunt's and

0:17:13.600 --> 0:17:16.679
<v Speaker 1>she's like, this curse is real and it's why my

0:17:16.760 --> 0:17:20.160
<v Speaker 1>husband died. And then they revealed that they had cast

0:17:20.200 --> 0:17:22.080
<v Speaker 1>a spell on the two of them to make them

0:17:22.119 --> 0:17:25.560
<v Speaker 1>fall in love, and she's like even more furious, and

0:17:25.640 --> 0:17:29.080
<v Speaker 1>she tells them to bring him back from the dead,

0:17:29.160 --> 0:17:32.760
<v Speaker 1>because their witches, they have the ability to do that,

0:17:32.960 --> 0:17:36.440
<v Speaker 1>but they refuse because if they do that, he'll come

0:17:36.440 --> 0:17:40.040
<v Speaker 1>back all dark and unnatural. So Sally just has to

0:17:40.119 --> 0:17:44.000
<v Speaker 1>accept what has happened, and she is grieving, and then

0:17:44.040 --> 0:17:49.240
<v Speaker 1>she decides to stop doing magic. Meanwhile, Jilly has been

0:17:49.600 --> 0:17:54.200
<v Speaker 1>traveling around. She's partying, she's meeting a bunch of people.

0:17:54.359 --> 0:17:58.560
<v Speaker 1>She's got a wig on and a classic kidman wig.

0:17:59.760 --> 0:18:01.760
<v Speaker 1>I've had a shout out I have. Well, I'll do

0:18:01.800 --> 0:18:03.960
<v Speaker 1>it in a second. But there was recently a power

0:18:04.040 --> 0:18:07.119
<v Speaker 1>ranking of all of Nicole Kimman's wigs. She was not

0:18:07.200 --> 0:18:09.960
<v Speaker 1>wearing a wig in a movie. May not know what

0:18:10.080 --> 0:18:12.480
<v Speaker 1>her hair is. I thought that was I just thought

0:18:12.600 --> 0:18:16.040
<v Speaker 1>that was her natural hair in this movie. I they're

0:18:16.080 --> 0:18:18.720
<v Speaker 1>on the wig ranking. I mean, and I'm just using this, Okay,

0:18:18.720 --> 0:18:23.080
<v Speaker 1>I've visited this a few days ago. Uh, this is

0:18:23.280 --> 0:18:28.720
<v Speaker 1>from ques dot com by Singia sing kurts Um, and

0:18:28.760 --> 0:18:30.800
<v Speaker 1>it's a ranking of all of her wigs. Based on

0:18:30.840 --> 0:18:34.200
<v Speaker 1>this list, it does seem like she is usually wearing

0:18:34.200 --> 0:18:36.320
<v Speaker 1>a wig, even when it seems like she's not, including

0:18:36.359 --> 0:18:39.000
<v Speaker 1>in Um, like I thought that was her natural hair

0:18:39.040 --> 0:18:41.760
<v Speaker 1>in Mulin Rouge. Apparently it is not. It is a wig.

0:18:42.520 --> 0:18:44.560
<v Speaker 1>So I just go off the assumption that Nicole Kimman

0:18:44.680 --> 0:18:48.120
<v Speaker 1>is always wearing a wig. What if she is bald underneath,

0:18:48.160 --> 0:18:50.399
<v Speaker 1>making her the baldest woman in charge? That would explain

0:18:50.440 --> 0:18:53.920
<v Speaker 1>so much, really, sure Wood, we can't. But anyways, she's

0:18:53.920 --> 0:18:56.840
<v Speaker 1>got she's got intense nineties banks and I love it

0:18:56.880 --> 0:19:00.280
<v Speaker 1>in this movie definitely, And I think right now she's

0:19:00.280 --> 0:19:06.400
<v Speaker 1>in Arizona with this guy, Jimmy Angel Love Sure, who

0:19:06.440 --> 0:19:09.880
<v Speaker 1>turns out to be abusive. So Sally goes to rescue

0:19:09.960 --> 0:19:13.000
<v Speaker 1>Jilly from him, but he kidnaps them both and holds

0:19:13.040 --> 0:19:17.480
<v Speaker 1>them hostage. So they drug him but accidentally overdose and

0:19:17.560 --> 0:19:20.040
<v Speaker 1>kill him, and they're like, oh my god, what are

0:19:20.080 --> 0:19:22.879
<v Speaker 1>we gonna do. We're going to go to jail. The

0:19:22.960 --> 0:19:26.959
<v Speaker 1>cops won't believe it's self defense, so Jilly has the

0:19:27.000 --> 0:19:30.720
<v Speaker 1>idea that they cast the spell on him to bring

0:19:30.800 --> 0:19:34.280
<v Speaker 1>him back to life, and since he's already dark and unnatural,

0:19:34.880 --> 0:19:38.800
<v Speaker 1>they figure it won't matter, right, so they go back

0:19:38.840 --> 0:19:41.160
<v Speaker 1>to the aunt's house. They do the spell, they put

0:19:41.200 --> 0:19:48.040
<v Speaker 1>the line in the coconut, etcetera. Sure that happens, right then? Yeah? Um?

0:19:48.080 --> 0:19:51.679
<v Speaker 1>And then he comes back, but he is aggressive and

0:19:51.680 --> 0:19:54.919
<v Speaker 1>he starts choking Jilly, so they knock him out and

0:19:54.960 --> 0:19:57.920
<v Speaker 1>then they bury him in the backyard. But they decide

0:19:58.000 --> 0:20:02.000
<v Speaker 1>not to tell the aunts, right, but Jimmy's spirit starts

0:20:02.040 --> 0:20:08.240
<v Speaker 1>haunting them and he ruins their midnight margarite a night. Rude, Rude.

0:20:08.720 --> 0:20:11.760
<v Speaker 1>They got one of the most the most iconic scene

0:20:11.760 --> 0:20:15.400
<v Speaker 1>of this movie and the most totally dissonant, I think,

0:20:15.480 --> 0:20:20.320
<v Speaker 1>because there are children upstairs and they are screaming, screaming,

0:20:20.880 --> 0:20:23.760
<v Speaker 1>and then they're immediately sober. And in one moment they're

0:20:23.800 --> 0:20:26.679
<v Speaker 1>like laughing and dancing and having a good time, and

0:20:26.720 --> 0:20:28.840
<v Speaker 1>then the next moment they're like calling each other like

0:20:28.920 --> 0:20:33.639
<v Speaker 1>sluts and witches. And then the next scene requires for

0:20:33.680 --> 0:20:35.639
<v Speaker 1>them to be stone cold sober, even though we just

0:20:35.680 --> 0:20:39.600
<v Speaker 1>saw them being fully blackout drunk. You know, it's just

0:20:39.720 --> 0:20:41.639
<v Speaker 1>it is what it is. We just have to we

0:20:41.720 --> 0:20:43.880
<v Speaker 1>just have to buy it their witches they can they

0:20:44.000 --> 0:20:50.200
<v Speaker 1>have to spell the sober or is it a curse? Oh?

0:20:50.480 --> 0:20:55.560
<v Speaker 1>It keeps getting me. It's funny, Okay. So then this

0:20:55.600 --> 0:20:59.919
<v Speaker 1>guy Gary shows up. He is a detective investigating the

0:21:00.080 --> 0:21:05.240
<v Speaker 1>disappearance of Jimmy Angelo, and Sally gets flustered and accidentally

0:21:05.280 --> 0:21:09.040
<v Speaker 1>tells him that Jimmy kidnapped Jilly. But they got away

0:21:09.119 --> 0:21:11.840
<v Speaker 1>using his car because they like have his car, and

0:21:11.840 --> 0:21:14.320
<v Speaker 1>he's like, why is his car in your driveway? And

0:21:14.320 --> 0:21:17.000
<v Speaker 1>they're like, oh, yeah, sloop sees. But they're like, but

0:21:17.040 --> 0:21:20.240
<v Speaker 1>we don't know where he is. So Gary keeps hanging

0:21:20.280 --> 0:21:24.520
<v Speaker 1>around town. He's trying to gather information. And then Sally's

0:21:24.640 --> 0:21:30.960
<v Speaker 1>daughters find Sally's spell book or curse book, and they

0:21:30.960 --> 0:21:33.560
<v Speaker 1>find that the spell of the made up man that

0:21:33.680 --> 0:21:35.879
<v Speaker 1>she made when she was little, like the guy who

0:21:35.960 --> 0:21:39.960
<v Speaker 1>has the eyes and the pancakes and the stars, and

0:21:40.000 --> 0:21:43.520
<v Speaker 1>they start to realize that Gary has all of those

0:21:43.560 --> 0:21:50.000
<v Speaker 1>traits that she described in the spell curse. They're like, wait, Gary,

0:21:50.119 --> 0:21:54.360
<v Speaker 1>do you like pancakes? They're like, oh my god, it's

0:21:54.400 --> 0:21:57.640
<v Speaker 1>that he can flip them. You're right, he doesn't even

0:21:57.680 --> 0:22:01.720
<v Speaker 1>like them. We just can flip them. He knows him

0:22:01.720 --> 0:22:09.760
<v Speaker 1>away once he slipped Gary god honestly setting a pretty

0:22:09.800 --> 0:22:14.280
<v Speaker 1>low bar for for the dream man, but sure. And

0:22:14.320 --> 0:22:19.400
<v Speaker 1>then Gary finds Jimmy's ring because a frog barth sit up,

0:22:19.480 --> 0:22:24.399
<v Speaker 1>which he loved to see. Good practical effect, practical magic,

0:22:25.880 --> 0:22:30.320
<v Speaker 1>look at that little cinema knowledge. And then he's like,

0:22:30.440 --> 0:22:34.000
<v Speaker 1>you ladies are in big trouble. You better get a lawyer.

0:22:34.520 --> 0:22:38.560
<v Speaker 1>And then Sally decides to tell him the truth, which

0:22:38.720 --> 0:22:43.160
<v Speaker 1>she sort of does, except that she's like speaking in riddles,

0:22:43.240 --> 0:22:46.520
<v Speaker 1>and then they start kissing, and then she notices that

0:22:46.600 --> 0:22:48.800
<v Speaker 1>he has one green eye and one blue eye and

0:22:48.840 --> 0:22:53.159
<v Speaker 1>she's like, no, I can't. And then Jimmy's spirit shows

0:22:53.240 --> 0:22:57.720
<v Speaker 1>up and Gary is like, what the funk is happening?

0:22:58.240 --> 0:23:00.920
<v Speaker 1>And then the sisters kill the spirit, or at least

0:23:01.000 --> 0:23:10.719
<v Speaker 1>they think they do, and then Sally tells Gary that

0:23:10.760 --> 0:23:13.760
<v Speaker 1>she had cast this spell when she was a little girl,

0:23:13.880 --> 0:23:17.280
<v Speaker 1>and she's like, that's why you're here and we'll never

0:23:17.320 --> 0:23:19.280
<v Speaker 1>know if this is even true love or if it's

0:23:19.359 --> 0:23:22.160
<v Speaker 1>just this spell curse thing, and he's like, I don't

0:23:22.160 --> 0:23:24.959
<v Speaker 1>believe in curses. I wished for you too, and we're like,

0:23:26.080 --> 0:23:29.320
<v Speaker 1>oh my, goh, Mike. But then we find out that

0:23:29.400 --> 0:23:34.919
<v Speaker 1>Jimmy's spirit is still around and has possessed jillyhoo Sees.

0:23:35.040 --> 0:23:38.560
<v Speaker 1>So they need a coven of twelve women to banish

0:23:38.680 --> 0:23:44.760
<v Speaker 1>this spirit. So Sally, who has been made like the

0:23:44.800 --> 0:23:48.560
<v Speaker 1>top of the call tree at her daughter's school because

0:23:49.200 --> 0:23:54.280
<v Speaker 1>Jilly cast a spell to make her that, So she

0:23:54.600 --> 0:23:57.640
<v Speaker 1>called all the moms from her daughter's school to come

0:23:57.800 --> 0:24:00.560
<v Speaker 1>help and be a part of this coven. And together

0:24:00.680 --> 0:24:05.399
<v Speaker 1>they exercise Jilly and kill Jimmy's ghost and sweep his

0:24:05.520 --> 0:24:09.160
<v Speaker 1>dust out of the house because women be cleaning, be sweeping,

0:24:09.960 --> 0:24:15.919
<v Speaker 1>but also which imagery brooms. And then Sally and Gary

0:24:16.040 --> 0:24:20.640
<v Speaker 1>kiss because Gary comes back, and then Fun and then

0:24:20.640 --> 0:24:26.760
<v Speaker 1>they fly off the roof because it's Halloween. And that

0:24:27.160 --> 0:24:30.879
<v Speaker 1>is the story. So let's take a quick break and

0:24:30.920 --> 0:24:39.760
<v Speaker 1>then we'll come right back to discuss. And we're back.

0:24:39.800 --> 0:24:44.639
<v Speaker 1>Welcome back. Oh boy, there's there's a lot to discuss,

0:24:45.560 --> 0:24:49.919
<v Speaker 1>as per huge. So, I mean, something that I wanted

0:24:49.960 --> 0:24:53.159
<v Speaker 1>to just sort of get out there right at the

0:24:53.280 --> 0:24:57.840
<v Speaker 1>jump is the this movie is an extremely white movie,

0:24:58.080 --> 0:25:01.480
<v Speaker 1>as our most movies still, but particularly I mean in

0:25:01.520 --> 0:25:04.520
<v Speaker 1>the late nineties. This is very very typical. But I

0:25:04.560 --> 0:25:08.480
<v Speaker 1>think it is kind of especially glaring when you're tackling

0:25:09.000 --> 0:25:13.800
<v Speaker 1>the subject of witches and being kind of mothered for

0:25:13.800 --> 0:25:18.399
<v Speaker 1>for that, because just historically is worth mentioning that women

0:25:18.440 --> 0:25:22.919
<v Speaker 1>of color, and specifically black women have been mothered and

0:25:22.960 --> 0:25:27.760
<v Speaker 1>accused of being which is just as much as white women.

0:25:27.840 --> 0:25:31.840
<v Speaker 1>But as is normal with American history, the struggle of

0:25:31.840 --> 0:25:35.359
<v Speaker 1>women of color with the exact same issues compounded with race,

0:25:35.480 --> 0:25:38.359
<v Speaker 1>are kind of generally erased from the narrative. And I

0:25:38.400 --> 0:25:42.359
<v Speaker 1>think that we see that in virtually every story about

0:25:42.400 --> 0:25:44.840
<v Speaker 1>the Salem witch Trials too, Like, there were also black

0:25:44.880 --> 0:25:48.800
<v Speaker 1>women were killed and demonized during the witch trials, and

0:25:49.320 --> 0:25:51.280
<v Speaker 1>yet most of the narratives that we see you're focused

0:25:51.280 --> 0:25:55.399
<v Speaker 1>on white ladies. So um, so yeah, I just wanted

0:25:55.400 --> 0:25:58.760
<v Speaker 1>to mention that right at the jump of Like, I

0:25:58.840 --> 0:26:04.320
<v Speaker 1>love which representation, but it is just not extended to

0:26:05.040 --> 0:26:08.000
<v Speaker 1>women who are not white in American movies very often.

0:26:08.440 --> 0:26:10.800
<v Speaker 1>Even I mean, I think that our other main witchy

0:26:10.880 --> 0:26:13.760
<v Speaker 1>movie we've covered, The Craft, one of the witches in

0:26:13.800 --> 0:26:17.959
<v Speaker 1>that movie is black, but she's criminally underwritten and just

0:26:18.000 --> 0:26:20.000
<v Speaker 1>done a disservice by the movie as a whole, and

0:26:20.080 --> 0:26:23.320
<v Speaker 1>the focus is always on the white girls. I mean,

0:26:23.440 --> 0:26:28.400
<v Speaker 1>we've kind of revisited these late nineties classic mistakes over

0:26:28.440 --> 0:26:30.600
<v Speaker 1>and over, but this movie is certainly guilty of it

0:26:31.119 --> 0:26:34.159
<v Speaker 1>as well. Yeah, another thing, and this is less of

0:26:34.200 --> 0:26:37.879
<v Speaker 1>a kind of historical erasure thing and more of just

0:26:38.000 --> 0:26:43.600
<v Speaker 1>like I suppose, metaphorical or just sort of like a

0:26:44.200 --> 0:26:47.400
<v Speaker 1>thing that happens in the narrative. But so the Owens

0:26:47.440 --> 0:26:50.880
<v Speaker 1>women are, they're always mothered right by the community who

0:26:50.880 --> 0:26:55.040
<v Speaker 1>has cast them out and called them witches and bitches um.

0:26:55.119 --> 0:26:58.200
<v Speaker 1>And then there's a moment towards the end as Sally

0:26:58.400 --> 0:27:01.480
<v Speaker 1>is like calling the phone tree and she's like, hey,

0:27:01.520 --> 0:27:04.400
<v Speaker 1>you know that thing that everyone's been whispering about me

0:27:04.720 --> 0:27:08.159
<v Speaker 1>about how I'm a witch? Well it's true. So she

0:27:08.240 --> 0:27:12.160
<v Speaker 1>effectively comes out. And then a scene right after that

0:27:12.880 --> 0:27:17.159
<v Speaker 1>is like her colleague at like the like which shop

0:27:17.280 --> 0:27:20.879
<v Speaker 1>that she runs, Uh, that character is like did you

0:27:20.960 --> 0:27:25.359
<v Speaker 1>hear Sally just came out? Which of course is language

0:27:25.520 --> 0:27:31.520
<v Speaker 1>used for queer like that, And so it's like taking

0:27:32.240 --> 0:27:37.520
<v Speaker 1>the like borrowing or maybe even appropriating this experience that

0:27:37.680 --> 0:27:40.760
<v Speaker 1>we thrust upon queer people, a burden that we put

0:27:40.840 --> 0:27:45.840
<v Speaker 1>upon them because of how heteronormative society is. And it's like, well,

0:27:45.880 --> 0:27:48.639
<v Speaker 1>if you don't. If you are not hetero, then it

0:27:48.760 --> 0:27:51.639
<v Speaker 1>is your burden responsibility to come out. And then to

0:27:51.840 --> 0:27:57.479
<v Speaker 1>ascribe that to what Sally is doing I thought was

0:27:57.960 --> 0:28:04.240
<v Speaker 1>peculiar at it was just another bizarro misguided like what

0:28:04.320 --> 0:28:09.600
<v Speaker 1>was the objective of this scene? So yeah, that those

0:28:09.640 --> 0:28:12.880
<v Speaker 1>are a couple of things right off right at the top,

0:28:13.119 --> 0:28:18.160
<v Speaker 1>that we're not the best choices to be made. Yeah,

0:28:18.400 --> 0:28:23.280
<v Speaker 1>so there's yeah, there's definitely a lot of issues. What

0:28:23.440 --> 0:28:25.280
<v Speaker 1>is What did you like about this movie? What did

0:28:25.280 --> 0:28:28.200
<v Speaker 1>you feel this movie did well? Well, there's a fair

0:28:28.240 --> 0:28:33.679
<v Speaker 1>amount because it is a predominantly female cast. There it

0:28:33.840 --> 0:28:38.320
<v Speaker 1>is largely about women, at least of the characters that

0:28:38.360 --> 0:28:40.520
<v Speaker 1>we get to know the most supporting each other. They

0:28:40.520 --> 0:28:42.720
<v Speaker 1>do not have the support of their community until the

0:28:42.800 --> 0:28:45.800
<v Speaker 1>very end. But even that's nice when like the moms

0:28:45.800 --> 0:28:49.760
<v Speaker 1>who have been like you know, making snide comments and

0:28:50.120 --> 0:28:53.440
<v Speaker 1>casting them out of the community. Uh, they even come

0:28:53.520 --> 0:28:56.480
<v Speaker 1>to help a woman in need. So I like that

0:28:56.600 --> 0:29:01.800
<v Speaker 1>it's largely about like women supporting women, says the supporting sisters. Um,

0:29:01.840 --> 0:29:05.400
<v Speaker 1>there's three generations of sisters and which is cool. Cool,

0:29:05.440 --> 0:29:09.680
<v Speaker 1>they're all living together, they're all practicing, you know, witchcraft.

0:29:10.200 --> 0:29:13.840
<v Speaker 1>I like that they also make mistakes. It's not like

0:29:13.960 --> 0:29:16.840
<v Speaker 1>the like the perfect female friendships that we sort of

0:29:17.000 --> 0:29:20.400
<v Speaker 1>see in movies where they're like, you know, women can

0:29:20.440 --> 0:29:23.040
<v Speaker 1>only be friends and connected if they do it perfectly,

0:29:23.760 --> 0:29:26.080
<v Speaker 1>which is a trope that drives me insane. And I mean,

0:29:26.200 --> 0:29:29.880
<v Speaker 1>every every woman in this movie is human, right as

0:29:29.880 --> 0:29:33.480
<v Speaker 1>well as being a witch u and and makes mistakes

0:29:33.520 --> 0:29:36.440
<v Speaker 1>that the aunts make the well intentioned mistake of being like,

0:29:36.440 --> 0:29:38.560
<v Speaker 1>but we wanted you to have love in your life

0:29:38.560 --> 0:29:44.000
<v Speaker 1>and she's like, well, now my husband is dead, and

0:29:44.080 --> 0:29:47.800
<v Speaker 1>where where's this scene where Sandra Bullock is staring at

0:29:47.840 --> 0:29:52.120
<v Speaker 1>her husband's grave Because I miss you so fucking much.

0:29:53.520 --> 0:29:57.840
<v Speaker 1>We should do another episode on the Rock. I feel

0:29:57.880 --> 0:30:00.480
<v Speaker 1>like with the benefit of you know, year and from like,

0:30:00.520 --> 0:30:03.440
<v Speaker 1>I think, I think there's more to say that I

0:30:03.560 --> 0:30:07.040
<v Speaker 1>missed you so much. But then it was like the

0:30:07.040 --> 0:30:11.480
<v Speaker 1>the inverse of um like these like perfect female friendships

0:30:11.480 --> 0:30:15.000
<v Speaker 1>and relationships is something else we see that's very troubling movies,

0:30:15.080 --> 0:30:18.600
<v Speaker 1>which is women hating each other for no real irrationally.

0:30:18.640 --> 0:30:20.880
<v Speaker 1>And neither of those things happened in this movie, right,

0:30:20.920 --> 0:30:23.080
<v Speaker 1>which is great, and I especially do I mean, and

0:30:23.120 --> 0:30:29.160
<v Speaker 1>there are problematique things that happen inside of this relationship.

0:30:29.200 --> 0:30:32.400
<v Speaker 1>But I do like the relationship between Sally and Julie.

0:30:32.480 --> 0:30:36.280
<v Speaker 1>I like that they're very different, but the I don't know,

0:30:36.400 --> 0:30:40.120
<v Speaker 1>just even like the little touch of like they can feel,

0:30:40.320 --> 0:30:43.120
<v Speaker 1>they can instinctively know when the other person is in trouble,

0:30:44.240 --> 0:30:47.400
<v Speaker 1>especially when Jilly, even though they have like their differences

0:30:47.400 --> 0:30:50.960
<v Speaker 1>in conflicts that um Sally is Julie's first call when

0:30:51.000 --> 0:30:55.360
<v Speaker 1>she is being abused was a moment that I was like, Oh,

0:30:55.400 --> 0:30:58.120
<v Speaker 1>that's like a real you know, like that was, Oh,

0:30:58.160 --> 0:31:01.479
<v Speaker 1>that that's like a beautiful sister thing that actually felt

0:31:01.840 --> 0:31:04.000
<v Speaker 1>in a movie that does not feel grounded in reality

0:31:04.040 --> 0:31:08.640
<v Speaker 1>at all, like a more grounded good moment. And and

0:31:09.000 --> 0:31:10.800
<v Speaker 1>I know that it's like, you know, we're not endorsing

0:31:10.880 --> 0:31:14.720
<v Speaker 1>murder here, but the fact that you know, their bond

0:31:14.800 --> 0:31:18.520
<v Speaker 1>is so strong and Sally generally, I mean, she believes

0:31:18.680 --> 0:31:22.560
<v Speaker 1>Julie like they it's Sally's annoyed that Jillie's in this predicament,

0:31:22.560 --> 0:31:25.520
<v Speaker 1>which I don't think it's necessarily fair, but she is

0:31:25.560 --> 0:31:28.200
<v Speaker 1>also like, I obviously believe you, and uh, if we

0:31:28.280 --> 0:31:29.960
<v Speaker 1>got to kill this guy, we gotta kill this guy,

0:31:30.040 --> 0:31:33.040
<v Speaker 1>you know, which you know that there's not a one

0:31:33.080 --> 0:31:35.239
<v Speaker 1>to one application in the real world. But I do

0:31:35.440 --> 0:31:39.880
<v Speaker 1>like that, like intense loyalty and trust and belief of

0:31:39.920 --> 0:31:42.840
<v Speaker 1>each other for sure, that they even make a pact

0:31:42.920 --> 0:31:45.479
<v Speaker 1>that like they must die at the same time, like

0:31:45.520 --> 0:31:48.120
<v Speaker 1>if one of them it's going to die, it's gonna die.

0:31:48.440 --> 0:31:53.000
<v Speaker 1>I love childhood pats and the people who take them seriously.

0:31:53.320 --> 0:31:57.120
<v Speaker 1>Like my me and my two cousins were so so

0:31:57.320 --> 0:31:59.200
<v Speaker 1>we all thought we were witches. This was like in

0:31:59.240 --> 0:32:02.320
<v Speaker 1>the same time, and we made a pact we were

0:32:02.400 --> 0:32:06.480
<v Speaker 1>like between ten and twelve where we were like, oh, well,

0:32:06.560 --> 0:32:09.880
<v Speaker 1>if we get married someday we have the other, we

0:32:09.920 --> 0:32:12.400
<v Speaker 1>won't choose a maid of honor. Both of you will

0:32:12.440 --> 0:32:15.560
<v Speaker 1>be my maids of honor. And then they're keeping that promise,

0:32:15.600 --> 0:32:18.760
<v Speaker 1>which I'm like, oh, that's so It's so nice and

0:32:18.800 --> 0:32:20.800
<v Speaker 1>it makes me cry to think about. But I'm also like,

0:32:20.880 --> 0:32:24.760
<v Speaker 1>we were stupid. Do whatever you want. And also being

0:32:24.800 --> 0:32:27.360
<v Speaker 1>a maid of honor is really hard. I don't want

0:32:27.360 --> 0:32:30.240
<v Speaker 1>to do it twice. But you know, here we are,

0:32:31.080 --> 0:32:34.720
<v Speaker 1>you know what I mean, Just the closeness that they show,

0:32:35.320 --> 0:32:39.240
<v Speaker 1>and I mean I was even getting some someon Louise

0:32:39.400 --> 0:32:43.440
<v Speaker 1>vibes from this movie. But it's it's like just because

0:32:43.440 --> 0:32:46.640
<v Speaker 1>it was our redhead and brunette with an inseparable blond. No,

0:32:46.800 --> 0:32:50.440
<v Speaker 1>because they kill a man, they oh, that's true, and

0:32:50.480 --> 0:32:53.720
<v Speaker 1>they have to They think about going to the police,

0:32:53.760 --> 0:32:58.400
<v Speaker 1>but they're like, the police won't believe us, because police

0:32:58.480 --> 0:33:01.479
<v Speaker 1>often do not believe women if they're being you know,

0:33:01.600 --> 0:33:06.800
<v Speaker 1>if they're victims of assault or anything like that. But

0:33:07.040 --> 0:33:10.720
<v Speaker 1>this movie is if Thelma and Louise were witches and

0:33:11.000 --> 0:33:14.120
<v Speaker 1>which Susan and Susan Sarandon falls in love with the

0:33:14.160 --> 0:33:19.480
<v Speaker 1>Harvey Kitel character, So I thought that was very true funny.

0:33:19.520 --> 0:33:22.719
<v Speaker 1>But yeah, I mean they kill they kill an abuser. Uh,

0:33:22.800 --> 0:33:26.120
<v Speaker 1>they contemplate going to the police, saying it was self defense.

0:33:26.160 --> 0:33:28.120
<v Speaker 1>They know they won't be believed, so they have to

0:33:28.160 --> 0:33:31.960
<v Speaker 1>take matters into their own hands. And that's pretty much

0:33:32.200 --> 0:33:35.640
<v Speaker 1>what Louise. That's true, and it's and you know, maybe

0:33:35.640 --> 0:33:38.200
<v Speaker 1>this movie is a little less gracefully written, but but

0:33:38.280 --> 0:33:40.760
<v Speaker 1>all the main points were there this movie. This is

0:33:40.800 --> 0:33:43.360
<v Speaker 1>also like kind of unrelated, but this movie is directed

0:33:43.360 --> 0:33:48.000
<v Speaker 1>by Joan Didion's nephew, So if not feminist icon, feminist

0:33:48.120 --> 0:33:52.000
<v Speaker 1>icon adjacent to be sure. Griffin done, Griffin done, yeah,

0:33:52.040 --> 0:33:57.360
<v Speaker 1>and it was written by let's see screenwriters were Robin's Swygert. Yes,

0:33:57.600 --> 0:34:01.040
<v Speaker 1>Robin Swygert is very cool. She has written a lot

0:34:01.040 --> 0:34:04.920
<v Speaker 1>of iconic movies including Little Women, which will be covering

0:34:04.920 --> 0:34:08.760
<v Speaker 1>on the cast soon, Matilda, The Jane Austen Book Club,

0:34:09.200 --> 0:34:11.759
<v Speaker 1>and she wrote she helped. She was one of the

0:34:11.800 --> 0:34:14.279
<v Speaker 1>credited writers on Memoirs of a Geisha and Curious Case

0:34:14.280 --> 0:34:16.840
<v Speaker 1>of Benjamin Button. She's written a lot interesting um. She

0:34:16.920 --> 0:34:20.640
<v Speaker 1>was one of the writers, as was Akiva Goldsman. I

0:34:20.760 --> 0:34:25.640
<v Speaker 1>don't really know her background. His background he wrote Batman

0:34:25.719 --> 0:34:28.680
<v Speaker 1>Forever Batman and Robin I Robot I am Legend Cinderella Man,

0:34:28.719 --> 0:34:30.520
<v Speaker 1>so this is kind of an outlier in his catalog.

0:34:31.239 --> 0:34:34.760
<v Speaker 1>And then the final writer was Adam Brooks. Adam Brooks

0:34:35.400 --> 0:34:41.359
<v Speaker 1>has credits including Wimbledon, Bridget Jones, The Edge of Reason, Okay,

0:34:41.560 --> 0:34:45.839
<v Speaker 1>go Off King. So it's written co written by two men,

0:34:46.040 --> 0:34:48.400
<v Speaker 1>one woman, but it's based on a novel by a woman,

0:34:48.480 --> 0:34:52.080
<v Speaker 1>Alice Hoffman, who is an icon in that she lives

0:34:52.200 --> 0:34:57.880
<v Speaker 1>in Boston. Yes, I saw a lot of signed. Alice

0:34:57.920 --> 0:35:02.960
<v Speaker 1>Hoffman's locally swish, but she's she's a She's written a

0:35:02.960 --> 0:35:05.120
<v Speaker 1>lot of popular books I don't. I don't really know.

0:35:05.200 --> 0:35:07.080
<v Speaker 1>I mean, I would be curious to see to know

0:35:07.480 --> 0:35:10.480
<v Speaker 1>how this strays from the from the book, but I'm

0:35:10.480 --> 0:35:12.920
<v Speaker 1>not sure. Yeah, I have not read, as per usual

0:35:14.000 --> 0:35:18.279
<v Speaker 1>book podcast, haven't read a book, so so sorry. But

0:35:18.320 --> 0:35:22.080
<v Speaker 1>if you do have insight, um, feel free to offer

0:35:22.120 --> 0:35:24.879
<v Speaker 1>it in the comments. Um. And if you've read a book,

0:35:24.960 --> 0:35:27.279
<v Speaker 1>feel free to just tweet at us and brag about it,

0:35:27.440 --> 0:35:32.480
<v Speaker 1>because it ain't easy. Who has the talks are long?

0:35:33.160 --> 0:35:38.800
<v Speaker 1>I fall asleep. So yeah, I mean, other things to

0:35:39.239 --> 0:35:43.520
<v Speaker 1>like about this movie I think are that. I mean, yeah,

0:35:43.520 --> 0:35:46.960
<v Speaker 1>it's just it's just largely a story about women supporting

0:35:46.960 --> 0:35:49.480
<v Speaker 1>each other. Because as you as you you know already

0:35:49.480 --> 0:35:53.840
<v Speaker 1>pointed out, it's Sally helping Jilly with her abusive boyfriend.

0:35:54.520 --> 0:35:57.560
<v Speaker 1>Like it's just no questions asked, She just like drops everything,

0:35:58.440 --> 0:36:01.399
<v Speaker 1>gets on the next flight and us to help her. Uh.

0:36:01.440 --> 0:36:05.320
<v Speaker 1>Then we see the scene where Jilly learns that Sally

0:36:05.400 --> 0:36:08.080
<v Speaker 1>has never picked at the top of the phone tree

0:36:08.160 --> 0:36:11.200
<v Speaker 1>chain thing at her daughter's school, and she goes and

0:36:11.560 --> 0:36:14.320
<v Speaker 1>cast that spell that so that she's at the top.

0:36:14.960 --> 0:36:19.400
<v Speaker 1>It's very very lovely, like the portrayal of motherhood I

0:36:19.400 --> 0:36:22.239
<v Speaker 1>thought was lovely and or you know, just female gradianship

0:36:22.239 --> 0:36:25.880
<v Speaker 1>in general, because we're talking about the aunts, um, the sisters.

0:36:26.280 --> 0:36:29.200
<v Speaker 1>The sisterhood is I love. I do love in in

0:36:29.320 --> 0:36:33.960
<v Speaker 1>movies when two women band together to kill a predator,

0:36:34.200 --> 0:36:37.960
<v Speaker 1>it is very cathartic and fun to watch, especially when

0:36:38.520 --> 0:36:44.600
<v Speaker 1>it's a frosty tipped loser like Jimmy Angel Love he

0:36:44.680 --> 0:36:51.319
<v Speaker 1>was full spiritually had frosty tips, though he definitely spiritually

0:36:51.360 --> 0:36:55.480
<v Speaker 1>had them. I also like that, Um, they were very different,

0:36:55.560 --> 0:36:58.360
<v Speaker 1>as you already said. Also like they had very different lifestyles,

0:36:58.440 --> 0:37:00.480
<v Speaker 1>like just it's all about like going on and fucking

0:37:00.480 --> 0:37:03.719
<v Speaker 1>a bunch of people, it seems, whereas Sally wanted the

0:37:03.760 --> 0:37:07.400
<v Speaker 1>more kind of traditional nuclear family unit lifestyle. But like

0:37:07.480 --> 0:37:10.640
<v Speaker 1>neither of them ever judged the other for the they wanted.

0:37:10.800 --> 0:37:13.440
<v Speaker 1>There were some like light teasing, which feels kind of

0:37:13.480 --> 0:37:16.520
<v Speaker 1>on par for how sisters treat each other, but like, yeah,

0:37:16.560 --> 0:37:19.560
<v Speaker 1>it did feel like there wasn't really a value judgment

0:37:19.560 --> 0:37:22.759
<v Speaker 1>placed on either of them, even by the movie on

0:37:23.320 --> 0:37:25.799
<v Speaker 1>like this is just how this character is chosen to live,

0:37:25.920 --> 0:37:28.960
<v Speaker 1>and both of them. And it's also like because I

0:37:29.280 --> 0:37:31.360
<v Speaker 1>you know, like a red flag that I would immediately

0:37:31.400 --> 0:37:34.279
<v Speaker 1>assume because they are kind of as I love that

0:37:34.280 --> 0:37:36.000
<v Speaker 1>they're different, but they're you know, they're written kind of

0:37:36.040 --> 0:37:38.880
<v Speaker 1>like trophy different, Like this is the fun one and

0:37:39.000 --> 0:37:42.080
<v Speaker 1>this is the one that wants the family, Like it's

0:37:42.120 --> 0:37:47.800
<v Speaker 1>basically like the Charlotte and the Samantha, right, which but

0:37:47.800 --> 0:37:50.399
<v Speaker 1>but but I feel like what would normally happen which

0:37:50.440 --> 0:37:53.160
<v Speaker 1>doesn't here? Which is great? Is that um, the fun

0:37:53.200 --> 0:37:56.680
<v Speaker 1>one quote unquote is either mocked or punished in some

0:37:56.760 --> 0:38:00.400
<v Speaker 1>way for being you know, like sexually active, which is

0:38:00.440 --> 0:38:04.080
<v Speaker 1>like such a you know, age old trope. But they both,

0:38:04.200 --> 0:38:07.040
<v Speaker 1>I mean, they both get into pretty deep ship and

0:38:07.200 --> 0:38:09.919
<v Speaker 1>like it. I don't think that necessarily one of them

0:38:09.960 --> 0:38:13.680
<v Speaker 1>is more screwed over than the other because you know,

0:38:13.800 --> 0:38:16.200
<v Speaker 1>Nicole Kidman, although it is she's the one that ends

0:38:16.239 --> 0:38:19.880
<v Speaker 1>up I think the only difference is the men that

0:38:19.960 --> 0:38:23.239
<v Speaker 1>they end up with, at least briefly. Um is that

0:38:23.400 --> 0:38:27.399
<v Speaker 1>Nicole Kidmen, the sexually active independent uh you know, left

0:38:27.400 --> 0:38:29.480
<v Speaker 1>her hometown one is the one that ends up in

0:38:29.520 --> 0:38:32.200
<v Speaker 1>a relationship with an abuser, whereas Sally, who wants the

0:38:32.280 --> 0:38:36.720
<v Speaker 1>nuclear family, ended up with a sweet pie who loved

0:38:36.719 --> 0:38:38.680
<v Speaker 1>her but then was hit by a truck because she

0:38:38.719 --> 0:38:41.719
<v Speaker 1>loved him too. Much right, But then also like because

0:38:42.520 --> 0:38:45.719
<v Speaker 1>Nicole Kidman's character ends up with this abuser who they

0:38:45.760 --> 0:38:50.200
<v Speaker 1>then kill and then she doesn't like get another guy

0:38:50.400 --> 0:38:52.839
<v Speaker 1>at the end, which is great, Yeah, but which is great,

0:38:52.880 --> 0:38:56.920
<v Speaker 1>But I feel like that's almost maybe like nineties narratives

0:38:57.000 --> 0:39:01.200
<v Speaker 1>kind of punishing her, maybe arguably for like you mess

0:39:01.320 --> 0:39:03.000
<v Speaker 1>you had a shot and you messed it up. But

0:39:03.080 --> 0:39:06.480
<v Speaker 1>this this nice lady, she had a husband and yes

0:39:06.520 --> 0:39:08.799
<v Speaker 1>he died because the Beatle was there. But also then

0:39:08.800 --> 0:39:11.319
<v Speaker 1>he gets she gets to fall she gets to fall

0:39:11.320 --> 0:39:14.080
<v Speaker 1>in love with this other guy. Yeah, that would say.

0:39:14.320 --> 0:39:17.120
<v Speaker 1>So that's like, yeah, I totally see what you're saying.

0:39:17.200 --> 0:39:20.680
<v Speaker 1>And the fact that Sandra Bullock gets to date two

0:39:20.719 --> 0:39:25.960
<v Speaker 1>great guys and Nicole Kipman gets one horrible abuser um

0:39:26.200 --> 0:39:28.719
<v Speaker 1>is kind of like and it's like to the point

0:39:28.800 --> 0:39:31.080
<v Speaker 1>where you're like, I don't even know that the writers

0:39:31.120 --> 0:39:34.680
<v Speaker 1>were consciously making that value judgment, but it does sort

0:39:34.719 --> 0:39:38.239
<v Speaker 1>of when you're in over analysis moment, you're like, the

0:39:38.320 --> 0:39:41.000
<v Speaker 1>optics aren't great, and of course, like you and I

0:39:41.120 --> 0:39:45.960
<v Speaker 1>don't see like a woman getting a relationship as a

0:39:46.080 --> 0:39:48.680
<v Speaker 1>reward the way that like a lot of narratives but

0:39:48.719 --> 0:39:51.840
<v Speaker 1>this but this narrative does see first as a reward.

0:39:51.960 --> 0:39:58.200
<v Speaker 1>Every movie considers hetero relationship between two boring people the best,

0:39:59.160 --> 0:40:01.359
<v Speaker 1>the best, the us that you can expect from life.

0:40:01.719 --> 0:40:03.759
<v Speaker 1>Um so yeah. And and it also you know, like

0:40:03.840 --> 0:40:07.600
<v Speaker 1>people in who desire a nuclear family, it's not like

0:40:07.840 --> 0:40:11.560
<v Speaker 1>they don't sometimes end up in abusive relationships, and you know,

0:40:11.600 --> 0:40:15.120
<v Speaker 1>reinforcing the idea that every nuclear family is impervious to

0:40:16.040 --> 0:40:20.279
<v Speaker 1>abuse and conflict. It's a dairy Hollywood narrative that you're fed.

0:40:21.080 --> 0:40:23.800
<v Speaker 1>Um so, yes, maybe we are over analyzing it a

0:40:23.880 --> 0:40:27.960
<v Speaker 1>little bit, but it's how we feel. That's our job. Okay,

0:40:28.000 --> 0:40:30.799
<v Speaker 1>that's our job. That's how that's why you pay zero

0:40:30.880 --> 0:40:33.480
<v Speaker 1>dollars to listen to this. Okay, we've gotta take a

0:40:33.560 --> 0:40:36.239
<v Speaker 1>quick break, but let's come back soon, shall we. Yeah,

0:40:36.320 --> 0:40:44.800
<v Speaker 1>let's great, and we're back. Well, I can't believe you

0:40:44.880 --> 0:40:50.080
<v Speaker 1>cast so many spells? Or were they curses? During that

0:40:50.080 --> 0:40:56.840
<v Speaker 1>that break? They were curses? I liked, all right, what

0:40:56.920 --> 0:41:00.120
<v Speaker 1>would you like to discuss next? Kind of continue? Do

0:41:00.200 --> 0:41:04.399
<v Speaker 1>me a little bit off of the romantic interests that

0:41:04.440 --> 0:41:10.000
<v Speaker 1>the movie has for the characters. I feel, and I

0:41:10.040 --> 0:41:13.440
<v Speaker 1>say this a lot, but here we go again. I

0:41:13.480 --> 0:41:19.080
<v Speaker 1>feel that the romantic storyline between Sandra Bullocks character Sally

0:41:19.400 --> 0:41:26.960
<v Speaker 1>and Aidan Quinn Gary is not necessary and probably didn't

0:41:26.960 --> 0:41:30.120
<v Speaker 1>need to be in the movie. My guess is this

0:41:30.160 --> 0:41:33.800
<v Speaker 1>is a studio notes relationship, or I feel I wouldn't

0:41:33.800 --> 0:41:36.720
<v Speaker 1>be surprised if it was in the original the novel

0:41:37.320 --> 0:41:40.520
<v Speaker 1>and it was just adapted that way. I hard to say.

0:41:40.600 --> 0:41:42.839
<v Speaker 1>We can't make that call at all, having not read,

0:41:44.280 --> 0:41:48.680
<v Speaker 1>but either way, I would have liked the story a

0:41:48.719 --> 0:41:53.720
<v Speaker 1>bit better if it had just been two women having

0:41:53.760 --> 0:42:00.280
<v Speaker 1>to deal with this abuser. They kill him accidentally. Again,

0:42:00.320 --> 0:42:03.560
<v Speaker 1>we don't endorse murder on the Bectel cast. Yeah, but

0:42:03.640 --> 0:42:05.720
<v Speaker 1>this is a it's a movie, but it's a movie,

0:42:05.880 --> 0:42:09.319
<v Speaker 1>and so killing in the movie, right, they have to

0:42:09.320 --> 0:42:11.759
<v Speaker 1>deal with the aftermath of that. I think that could

0:42:11.800 --> 0:42:17.239
<v Speaker 1>have been handled just as well and effectively had there

0:42:17.320 --> 0:42:22.920
<v Speaker 1>not been this romantic storyline wedged in, because that ends

0:42:23.000 --> 0:42:27.040
<v Speaker 1>up being a weird thing where he stops doing his

0:42:27.239 --> 0:42:32.560
<v Speaker 1>job as a criminal investigator because if this spell curse

0:42:32.680 --> 0:42:36.520
<v Speaker 1>that she's cast and he's like, yeah, we've ruled his

0:42:36.640 --> 0:42:39.520
<v Speaker 1>death as an accident, and we we don't know this

0:42:39.719 --> 0:42:43.080
<v Speaker 1>body is not anywhere. We never found the body. We

0:42:43.120 --> 0:42:47.520
<v Speaker 1>don't know what happened, but my job as a criminal investigator,

0:42:47.560 --> 0:42:49.600
<v Speaker 1>I'm just gonna put that on the back burner. Just

0:42:51.040 --> 0:42:53.200
<v Speaker 1>with this woman, it does feel like and like his

0:42:53.280 --> 0:42:57.160
<v Speaker 1>character Ultimately, it feels like an attempt at raising steaks

0:42:57.480 --> 0:42:59.680
<v Speaker 1>because he's brought in a like oh no, now there's

0:42:59.719 --> 0:43:01.520
<v Speaker 1>someone on their tail. But yeah, he's kind of like

0:43:01.560 --> 0:43:04.359
<v Speaker 1>the way his character is treated as like, oh, like,

0:43:04.719 --> 0:43:06.879
<v Speaker 1>you don't get the feeling that if he finds out,

0:43:06.960 --> 0:43:09.239
<v Speaker 1>he's going to be like, you're going to jail. Like

0:43:09.280 --> 0:43:11.879
<v Speaker 1>it doesn't really heighten the stakes that much. Is just

0:43:12.239 --> 0:43:14.560
<v Speaker 1>for me, it was like just a distraction of like

0:43:15.000 --> 0:43:17.759
<v Speaker 1>I guess aid and Quinn is here or whatever. I

0:43:17.800 --> 0:43:19.399
<v Speaker 1>don't know. I wasn't a big fan of that either.

0:43:19.440 --> 0:43:21.920
<v Speaker 1>I thought that, you know, I would have liked a

0:43:21.920 --> 0:43:25.040
<v Speaker 1>little more of maybe the daughters there was other use

0:43:25.080 --> 0:43:29.719
<v Speaker 1>of that real estate or that the aunts can do something. Yeah,

0:43:30.040 --> 0:43:33.520
<v Speaker 1>the fact him being there is an obstacle, fine, But

0:43:33.600 --> 0:43:36.600
<v Speaker 1>the fact that then he and Sally end up in

0:43:36.600 --> 0:43:40.680
<v Speaker 1>a relationship, uh didn't work for me. And he was

0:43:40.719 --> 0:43:43.640
<v Speaker 1>never even like a particularly like he just doesn't because

0:43:43.680 --> 0:43:46.880
<v Speaker 1>he's immediately like there's there's like chemistry between them you're like,

0:43:46.920 --> 0:43:51.040
<v Speaker 1>he doesn't seem like a particularly like difficult obstacle, Like

0:43:51.560 --> 0:43:56.680
<v Speaker 1>I don't know, right. Um. The fact also that one

0:43:56.719 --> 0:44:01.520
<v Speaker 1>of the huge vehicles that like drives this whole narrative

0:44:02.000 --> 0:44:05.040
<v Speaker 1>is the idea of like romantic love and it's like,

0:44:05.840 --> 0:44:08.319
<v Speaker 1>so it's in love with who, who's in a relationship?

0:44:08.360 --> 0:44:11.439
<v Speaker 1>How does that affect our lives? Like, so let's talk

0:44:11.480 --> 0:44:13.759
<v Speaker 1>about that too, because that was like one of the

0:44:13.880 --> 0:44:17.840
<v Speaker 1>things on on this rewatch where you're like, we really

0:44:18.000 --> 0:44:20.640
<v Speaker 1>only with some exceptions, like there's a little spell that

0:44:20.680 --> 0:44:23.720
<v Speaker 1>she does at the school. There's like small little plot

0:44:23.920 --> 0:44:26.319
<v Speaker 1>spells that we see that we're like, oh, that's she's

0:44:26.360 --> 0:44:31.480
<v Speaker 1>stirring her coffee with magic, like basic kind of stuff.

0:44:31.560 --> 0:44:33.719
<v Speaker 1>They You're like, Okay, they can move things with their minds,

0:44:33.800 --> 0:44:36.720
<v Speaker 1>that's cool, But you really only ever see their magic

0:44:36.800 --> 0:44:40.480
<v Speaker 1>in practice as it is related to men um and

0:44:40.520 --> 0:44:44.920
<v Speaker 1>as it is related to their like different relationships. And

0:44:44.960 --> 0:44:48.160
<v Speaker 1>I think that that is like another thing that you're

0:44:48.200 --> 0:44:51.000
<v Speaker 1>just like like there, you know, I would have liked

0:44:51.040 --> 0:44:54.240
<v Speaker 1>to see, like what can they actually do outside of

0:44:54.920 --> 0:44:58.839
<v Speaker 1>navigating around this curse that I think is also inherently

0:44:58.920 --> 0:45:02.719
<v Speaker 1>like there's something did in there too, where the concept

0:45:02.840 --> 0:45:05.520
<v Speaker 1>of the curses you know, any man or is it

0:45:05.560 --> 0:45:11.040
<v Speaker 1>a spell though it's a curse, it's always a curse.

0:45:11.880 --> 0:45:15.000
<v Speaker 1>But the idea that you know, all men who ever

0:45:15.160 --> 0:45:17.839
<v Speaker 1>love these women will die just sort of you know,

0:45:17.920 --> 0:45:21.799
<v Speaker 1>like goes into that uh sort of nasty trope that

0:45:22.000 --> 0:45:27.160
<v Speaker 1>just means like women's emotions are somehow a dangerous thing

0:45:27.760 --> 0:45:31.359
<v Speaker 1>and that um, treating a woman kindly and and like

0:45:31.440 --> 0:45:35.520
<v Speaker 1>loving a woman properly is somehow dooming you like it

0:45:35.600 --> 0:45:37.800
<v Speaker 1>does sort of tie into and I feel like doesn't

0:45:37.800 --> 0:45:40.399
<v Speaker 1>isn't really examined by the movie that much of like

0:45:40.800 --> 0:45:43.759
<v Speaker 1>Reasons that which is people who are perceived to be

0:45:43.800 --> 0:45:46.680
<v Speaker 1>which is used to be executed, which was just like

0:45:46.800 --> 0:45:49.440
<v Speaker 1>women with too much power, It was a fear of

0:45:50.040 --> 0:45:52.160
<v Speaker 1>it was either like an excuse to get rid of

0:45:52.719 --> 0:45:56.799
<v Speaker 1>woman that the powers that be didn't like uh, were

0:45:56.840 --> 0:45:59.360
<v Speaker 1>stepped out of line in some way, or it was

0:45:59.360 --> 0:46:05.239
<v Speaker 1>a condemnation of women in stem and like womeners and yeah,

0:46:05.280 --> 0:46:08.960
<v Speaker 1>which is where usually considered thought to be witches when

0:46:08.960 --> 0:46:14.400
<v Speaker 1>they were stepping outside of societal norms and and disproportionately

0:46:14.520 --> 0:46:18.799
<v Speaker 1>women who were menopausal or post menopausal were so like

0:46:18.960 --> 0:46:21.880
<v Speaker 1>older or elderly women were often thought to be which

0:46:21.920 --> 0:46:28.640
<v Speaker 1>is more so um poor women, widowed women or never

0:46:28.680 --> 0:46:31.439
<v Speaker 1>married women were all like these types of women were

0:46:31.680 --> 0:46:35.319
<v Speaker 1>to be more likely to be persecuted for being witches. Right,

0:46:35.400 --> 0:46:39.440
<v Speaker 1>And so it's just like the entire culture surrounding the

0:46:39.560 --> 0:46:44.879
<v Speaker 1>persecution of people accused of being witches just ties into this,

0:46:45.000 --> 0:46:50.120
<v Speaker 1>like fear of women straying out of what is their

0:46:50.160 --> 0:46:53.680
<v Speaker 1>societally expected role. Right, It's just like stepping out of

0:46:53.719 --> 0:46:57.000
<v Speaker 1>line means you're more likely to literally get murdered for

0:46:57.000 --> 0:47:00.600
<v Speaker 1>no reason. And I think that this movie does some

0:47:00.680 --> 0:47:02.680
<v Speaker 1>things to challenge it, but it it is again a

0:47:02.760 --> 0:47:07.240
<v Speaker 1>very late nineties safe challenge because most of their magic

0:47:07.320 --> 0:47:13.480
<v Speaker 1>is in direct relation to hetero stuff and results, you know,

0:47:13.560 --> 0:47:17.200
<v Speaker 1>the result, like you were just talking about, is romantically

0:47:17.280 --> 0:47:22.759
<v Speaker 1>fulfilling hetero relationship for the character who is not more

0:47:22.840 --> 0:47:27.719
<v Speaker 1>sexually active, who more subscribed to the the idea of

0:47:27.760 --> 0:47:34.360
<v Speaker 1>the American woman role. Yes, but yeah, I mean just

0:47:34.400 --> 0:47:36.640
<v Speaker 1>in general, like just in terms of what I think

0:47:36.640 --> 0:47:38.359
<v Speaker 1>would have been more fun to watch, just to see,

0:47:38.480 --> 0:47:41.040
<v Speaker 1>you know, how they could use their magic in ways

0:47:41.080 --> 0:47:46.200
<v Speaker 1>that didn't directly relate to men, right for sure. Even so,

0:47:46.320 --> 0:47:50.840
<v Speaker 1>I think It is nice to see positive representation of

0:47:50.920 --> 0:47:56.320
<v Speaker 1>like witchy characters in media because media has usually done

0:47:56.400 --> 0:48:00.040
<v Speaker 1>what society has done in terms of its treatment of

0:48:00.080 --> 0:48:04.400
<v Speaker 1>people who were assumed to be witches, which is which

0:48:04.520 --> 0:48:11.160
<v Speaker 1>is too, which is wow words, um, which is to

0:48:11.920 --> 0:48:18.560
<v Speaker 1>paint them in very negative ways. Um, which characters in

0:48:19.480 --> 0:48:27.200
<v Speaker 1>movies are usually like the evil, the yeah, scary bad,

0:48:27.200 --> 0:48:30.000
<v Speaker 1>which is who are evil? And the farious and I

0:48:30.040 --> 0:48:35.200
<v Speaker 1>think normally jealous too is a defining quality of like

0:48:35.239 --> 0:48:38.920
<v Speaker 1>the traditional Hollywood which character is that the snow white

0:48:38.960 --> 0:48:41.840
<v Speaker 1>evil stepmother, which yeah, like envy is really tight in

0:48:41.960 --> 0:48:45.600
<v Speaker 1>and that has kind of nothing to do with the nineties,

0:48:45.680 --> 0:48:49.839
<v Speaker 1>which which is fun because I mean, which ha there,

0:48:50.080 --> 0:48:52.920
<v Speaker 1>and this is kind of where this is like coming

0:48:52.960 --> 0:48:54.680
<v Speaker 1>out in a moment where it's kind of like a

0:48:54.719 --> 0:48:59.960
<v Speaker 1>peak like cool trendy nineties, which because it's like at

0:49:00.040 --> 0:49:02.839
<v Speaker 1>this time we have the Craft I think comes out

0:49:02.920 --> 0:49:05.279
<v Speaker 1>shortly after this. We have a Craft was I think

0:49:05.320 --> 0:49:07.759
<v Speaker 1>a couple years before is it before? Okay, so we

0:49:07.840 --> 0:49:10.800
<v Speaker 1>have that, we have Sabrina the teenage, which Harry Potter

0:49:10.840 --> 0:49:13.600
<v Speaker 1>is about to come out in a cocus pocus like

0:49:13.640 --> 0:49:17.760
<v Speaker 1>the nineties is fully Halloween Halloween Town for crying outlet,

0:49:17.800 --> 0:49:23.120
<v Speaker 1>Like it's like this is a big moment for sympathizing

0:49:23.200 --> 0:49:28.040
<v Speaker 1>with witch characters. Also the Witches of Eastwick, which I

0:49:28.080 --> 0:49:30.840
<v Speaker 1>have not seen and don't know what the movie is about,

0:49:30.960 --> 0:49:33.920
<v Speaker 1>but if it might be an example as well, I

0:49:33.920 --> 0:49:38.640
<v Speaker 1>don't know. We don't know if someone has um every

0:49:38.640 --> 0:49:41.359
<v Speaker 1>time something like specifically this comes up and like, Hey,

0:49:41.440 --> 0:49:44.480
<v Speaker 1>if anyone's written their thesis paper on this, email me

0:49:44.520 --> 0:49:47.480
<v Speaker 1>a PDF, because I would be curious as to like,

0:49:47.640 --> 0:49:51.040
<v Speaker 1>because like the mid to late nineties is loaded, like

0:49:51.080 --> 0:49:55.839
<v Speaker 1>there's just this huge boost in which characters being portrayed

0:49:55.920 --> 0:49:59.040
<v Speaker 1>sympathetically and not just sympathetically, but being portrayed as like

0:49:59.239 --> 0:50:03.480
<v Speaker 1>cool and aspirational, and I wonder why that is. I wonder,

0:50:03.640 --> 0:50:06.759
<v Speaker 1>like societally, what was was what was going on that

0:50:06.800 --> 0:50:09.200
<v Speaker 1>made that made that cool. I'm glad it happened. I

0:50:09.200 --> 0:50:12.040
<v Speaker 1>would I wanted to come back because it was you know,

0:50:12.080 --> 0:50:15.600
<v Speaker 1>inclusive this time. Yeah, definitely. It was a good departure

0:50:15.680 --> 0:50:19.520
<v Speaker 1>from the way which has had previously been represented, which

0:50:19.560 --> 0:50:24.759
<v Speaker 1>is also not which is also not at all reflective

0:50:25.120 --> 0:50:29.080
<v Speaker 1>of the women who were actually condemned for being which

0:50:29.080 --> 0:50:32.120
<v Speaker 1>is throughout history. So it's just been so muddied and

0:50:32.400 --> 0:50:35.359
<v Speaker 1>it's weird. I mean, I I like the the all

0:50:35.520 --> 0:50:38.840
<v Speaker 1>cool reboot of which is I think it's fun and

0:50:38.840 --> 0:50:41.640
<v Speaker 1>and awesome and like it just was very influential on

0:50:41.719 --> 0:50:44.120
<v Speaker 1>me as a kid too. Like so I'm very biased

0:50:44.120 --> 0:50:45.360
<v Speaker 1>in saying it because I was just like, oh, this

0:50:45.440 --> 0:50:48.799
<v Speaker 1>is my ship, but it was very cool. Um, can

0:50:48.800 --> 0:50:53.960
<v Speaker 1>we talk a little bit about the Jimmy situation. Yes,

0:50:54.040 --> 0:50:57.600
<v Speaker 1>let's talk about him. So there is like the depiction

0:50:58.040 --> 0:51:01.239
<v Speaker 1>in some ways of an abusive relationship in this movie

0:51:01.280 --> 0:51:06.560
<v Speaker 1>between Jilly and Jimmy, And I will say, I know

0:51:06.880 --> 0:51:09.200
<v Speaker 1>this is like a polarizing topic and everyone's going to

0:51:09.239 --> 0:51:12.520
<v Speaker 1>have a different opinion. I was kind of pleasantly surprised

0:51:12.760 --> 0:51:16.719
<v Speaker 1>with how this movie handled it, partially because he gets killed,

0:51:16.719 --> 0:51:19.880
<v Speaker 1>which is great and cathartic, but I, I I mean, we

0:51:20.040 --> 0:51:22.280
<v Speaker 1>sort of talked about this already, But I really liked

0:51:22.360 --> 0:51:26.960
<v Speaker 1>that Jilly called her sister right away when the relationship

0:51:27.200 --> 0:51:31.520
<v Speaker 1>truly became volatile and saw support from her sister. I

0:51:31.520 --> 0:51:35.600
<v Speaker 1>thought that that was like a pretty realistic, strong move

0:51:35.840 --> 0:51:38.120
<v Speaker 1>on the part of that. Like, I was weirdly, like

0:51:38.200 --> 0:51:40.279
<v Speaker 1>very affected by it that every time I see that

0:51:40.400 --> 0:51:44.239
<v Speaker 1>scene and I don't know. I mean, I I it's

0:51:44.320 --> 0:51:48.200
<v Speaker 1>also implied in a way that was I think it's

0:51:48.200 --> 0:51:51.200
<v Speaker 1>just like that relationship because it did get so cartoony,

0:51:51.280 --> 0:51:54.480
<v Speaker 1>and I think Jimmy has maybe a little too cartoony

0:51:54.600 --> 0:52:00.399
<v Speaker 1>for an abuser, uh in in some ways where it's like,

0:52:00.680 --> 0:52:02.840
<v Speaker 1>you know, he's up and then bonk him on the

0:52:02.880 --> 0:52:04.960
<v Speaker 1>head and he's down, Like there is like a cartoony

0:52:05.040 --> 0:52:08.080
<v Speaker 1>nature of how they kill him. But another thing that

0:52:08.120 --> 0:52:10.600
<v Speaker 1>could have affected me and I was like, Oh, that's

0:52:10.600 --> 0:52:13.080
<v Speaker 1>like more nuanced than I would expect from this movie,

0:52:13.120 --> 0:52:16.560
<v Speaker 1>I guess, is that Julie makes it clear that she

0:52:16.640 --> 0:52:19.759
<v Speaker 1>really did, like have feelings for him and loved him

0:52:20.320 --> 0:52:23.560
<v Speaker 1>and didn't have guilt about that and was like honest

0:52:23.560 --> 0:52:26.560
<v Speaker 1>about that with her sister. And that was another thing

0:52:26.600 --> 0:52:28.440
<v Speaker 1>that I was like, Oh, that's more than I would

0:52:28.480 --> 0:52:32.480
<v Speaker 1>expect from a movie like this. And I also found

0:52:32.520 --> 0:52:34.239
<v Speaker 1>to be just I'm like, oh, I don't know how

0:52:34.360 --> 0:52:38.160
<v Speaker 1>often you see that, because you know, so often when

0:52:38.200 --> 0:52:41.000
<v Speaker 1>abusive relationships are portrayed, we see the characters in the

0:52:41.040 --> 0:52:42.759
<v Speaker 1>movie being like, well, why don't Julie, why don't you

0:52:43.560 --> 0:52:46.440
<v Speaker 1>like just all the kind of normal blaming stuff for

0:52:46.560 --> 0:52:49.399
<v Speaker 1>women that are in abusive relationships, but to hear her,

0:52:49.680 --> 0:52:53.000
<v Speaker 1>you know, say genuinely that she did love him and

0:52:53.080 --> 0:52:56.080
<v Speaker 1>she was afraid of him, and you know now she

0:52:56.400 --> 0:52:59.279
<v Speaker 1>we'd see the moment where she says, enough is enough.

0:52:59.360 --> 0:53:01.200
<v Speaker 1>I need to seek out help to get out of

0:53:01.200 --> 0:53:04.960
<v Speaker 1>this situation. I thought was was kind of well done

0:53:05.200 --> 0:53:09.160
<v Speaker 1>and right. I was again just be I think mostly

0:53:09.200 --> 0:53:12.800
<v Speaker 1>because it came out where it's like, you know, everything

0:53:12.920 --> 0:53:15.200
<v Speaker 1>is blamey and weird. I was. I was like very

0:53:15.239 --> 0:53:18.520
<v Speaker 1>impressed with like the way that that played out, and

0:53:18.680 --> 0:53:22.040
<v Speaker 1>like we've discussed before that Sally doesn't um at any

0:53:22.080 --> 0:53:25.960
<v Speaker 1>point not believe her sister UM. And then you know,

0:53:26.080 --> 0:53:28.239
<v Speaker 1>however cartoonish I think. I mean, it would have been

0:53:28.280 --> 0:53:30.040
<v Speaker 1>a little weird if they didn't kill him in a weird,

0:53:30.080 --> 0:53:32.680
<v Speaker 1>cartoony way, I guess, just because of the tone of

0:53:32.719 --> 0:53:35.960
<v Speaker 1>the movie, but in a very cathartic way. I think

0:53:36.000 --> 0:53:38.319
<v Speaker 1>for women who have been in abusive relationships, it is

0:53:38.360 --> 0:53:40.520
<v Speaker 1>always very fun for us to be like and then

0:53:40.520 --> 0:53:44.000
<v Speaker 1>he gets killed and no one gets in trouble because

0:53:44.040 --> 0:53:47.279
<v Speaker 1>that's just like a fun fantasy. UM. But yeah, I

0:53:47.280 --> 0:53:49.959
<v Speaker 1>don't know. I was generally impressed with how this movie

0:53:49.960 --> 0:53:54.880
<v Speaker 1>handled it. Right, because all relationships are complicated, including ones

0:53:55.360 --> 0:54:00.160
<v Speaker 1>with abusers. So but movies often failed to explore or

0:54:00.200 --> 0:54:03.719
<v Speaker 1>any of the complexities of those relationships and usually just

0:54:03.760 --> 0:54:08.200
<v Speaker 1>paint the abuser as being just like extremely cartoony and

0:54:08.360 --> 0:54:12.640
<v Speaker 1>he is, especially after he killed Sillier and Sillier but

0:54:12.760 --> 0:54:15.680
<v Speaker 1>up till that, but before that, Yeah, yeah, I agree.

0:54:15.680 --> 0:54:19.399
<v Speaker 1>I think the movie handled that fairly responsibly. It was nice.

0:54:19.520 --> 0:54:21.680
<v Speaker 1>Yeah and there And I think we've discussed this, I

0:54:21.680 --> 0:54:24.360
<v Speaker 1>think more on the main trion weirdly than on the

0:54:24.400 --> 0:54:28.560
<v Speaker 1>main feed. But the idea that I mean just statistically,

0:54:28.600 --> 0:54:31.080
<v Speaker 1>women are more commonly abused and assaulted by men that

0:54:31.120 --> 0:54:33.719
<v Speaker 1>they already know as opposed And that's not to say

0:54:33.719 --> 0:54:35.879
<v Speaker 1>I mean it does happen with strangers, but I think

0:54:35.880 --> 0:54:38.839
<v Speaker 1>that there is this disproportionate representation in movies of it

0:54:38.920 --> 0:54:44.880
<v Speaker 1>happening from a stranger um and less often from characters

0:54:44.920 --> 0:54:48.399
<v Speaker 1>that the female character already knows. And I'm sure that

0:54:48.400 --> 0:54:53.560
<v Speaker 1>that has something to do with the discomfort with male

0:54:53.600 --> 0:54:57.279
<v Speaker 1>audience members seeing themselves or qualities of themselves in an

0:54:57.280 --> 0:55:00.120
<v Speaker 1>abusive character. And that's something I think it was. Was

0:55:00.160 --> 0:55:02.040
<v Speaker 1>it the Girl with the Dragon Tattoo episode where we

0:55:02.040 --> 0:55:05.920
<v Speaker 1>had like a conversation about that. And I'm not saying

0:55:05.960 --> 0:55:08.279
<v Speaker 1>that Jimmy is like a character that men will really

0:55:08.320 --> 0:55:10.760
<v Speaker 1>see themselves in because he is like a late nineties

0:55:10.840 --> 0:55:15.719
<v Speaker 1>goth Um, which is not super common any longer, but

0:55:15.840 --> 0:55:18.680
<v Speaker 1>it is, I don't know, just like setting the groundwork.

0:55:18.760 --> 0:55:22.800
<v Speaker 1>I think for what is a more common abusive relationship

0:55:22.960 --> 0:55:26.560
<v Speaker 1>than what we see in movies? A lot was uh

0:55:26.719 --> 0:55:30.880
<v Speaker 1>you know, points for sure, points you hinted at the

0:55:31.080 --> 0:55:38.279
<v Speaker 1>bonking of the head, the sacred bonking of the head. Uh. Well,

0:55:38.400 --> 0:55:40.319
<v Speaker 1>I'm glad you brought it up, because this is one

0:55:40.360 --> 0:55:43.480
<v Speaker 1>of many examples we see in a movie of a

0:55:43.520 --> 0:55:48.680
<v Speaker 1>woman using specifically a frying pan as a weapon. Um

0:55:48.920 --> 0:55:52.280
<v Speaker 1>it is, which is it is like a cartoon example. Yeah,

0:55:52.520 --> 0:55:55.839
<v Speaker 1>So right after they bring Jimmy back to life after

0:55:55.880 --> 0:55:59.680
<v Speaker 1>they've killed him the first time with poison, Um they

0:55:59.680 --> 0:56:04.040
<v Speaker 1>bring a back to life, he starts choking and attacking Jilly,

0:56:04.160 --> 0:56:09.920
<v Speaker 1>so Sally bonks him on the head with a skillet. Um.

0:56:09.960 --> 0:56:12.800
<v Speaker 1>You know, because women be using domestic items as weapons,

0:56:13.000 --> 0:56:15.600
<v Speaker 1>they never get their own weapons. But I was like you,

0:56:15.920 --> 0:56:19.080
<v Speaker 1>but you know, magic, like surely there's conjure up like

0:56:19.160 --> 0:56:22.319
<v Speaker 1>a thing to like make him go to sleep again

0:56:22.400 --> 0:56:24.239
<v Speaker 1>or something. I don't know, but um, I know you're

0:56:24.320 --> 0:56:30.120
<v Speaker 1>totally right, Like is like that's another confusing use of

0:56:30.160 --> 0:56:33.560
<v Speaker 1>like it's implied that they can do infinity magic, but

0:56:33.640 --> 0:56:37.359
<v Speaker 1>they only do like heater real relationship magic, which is like,

0:56:37.760 --> 0:56:40.440
<v Speaker 1>come on, show me something else. Um. But I've been

0:56:40.480 --> 0:56:44.240
<v Speaker 1>I've been keeping a little tally of all the movies

0:56:44.280 --> 0:56:47.279
<v Speaker 1>that we see this very specific thing happening of a

0:56:47.320 --> 0:56:51.719
<v Speaker 1>woman bonking a man with a frying pan, Raiders of

0:56:51.800 --> 0:56:56.040
<v Speaker 1>the Last Art shuck a lot, um, yep, that happens.

0:56:56.040 --> 0:57:00.920
<v Speaker 1>I forgot about that. Who framed Roger Rabbit? Those are

0:57:00.920 --> 0:57:02.439
<v Speaker 1>the only ones I could think of off the top

0:57:02.480 --> 0:57:04.440
<v Speaker 1>of my head, But I know there are more, because

0:57:04.440 --> 0:57:07.960
<v Speaker 1>I know we've talked about others. But yeah, it's um,

0:57:08.000 --> 0:57:11.200
<v Speaker 1>it's a trope that this movie did choose to subscribe to,

0:57:11.320 --> 0:57:14.480
<v Speaker 1>although they probably weren't even aware of that they were

0:57:14.480 --> 0:57:20.200
<v Speaker 1>doing it as they were writing it. But also, how

0:57:20.240 --> 0:57:24.560
<v Speaker 1>about that midnight Margarita scene? So much fun, iconic and

0:57:24.640 --> 0:57:28.080
<v Speaker 1>weird and every way it's so bizarre because it's sandwich

0:57:28.160 --> 0:57:35.840
<v Speaker 1>between two heavy scene. Yes, totally yes, weird and incongruous.

0:57:36.840 --> 0:57:40.000
<v Speaker 1>I don't we're alert sure that was a word even

0:57:40.160 --> 0:57:45.440
<v Speaker 1>that was it was adjacent to a word that was

0:57:45.520 --> 0:57:47.400
<v Speaker 1>like I could. I'm like, man, if you were like

0:57:47.440 --> 0:57:49.360
<v Speaker 1>the director of that movie, that'd be so hard because

0:57:49.400 --> 0:57:51.840
<v Speaker 1>you're like, hm, it doesn't fit. But I like it

0:57:51.960 --> 0:57:56.080
<v Speaker 1>so much. I guess just put it in wherever. I

0:57:56.200 --> 0:57:59.280
<v Speaker 1>just I love to see women having fun in a

0:57:59.360 --> 0:58:01.760
<v Speaker 1>movie because you don't see it that much. You don't

0:58:01.880 --> 0:58:06.080
<v Speaker 1>see women get to have fun, fun together. Yeah, so

0:58:06.480 --> 0:58:09.240
<v Speaker 1>it was really nice. But then they are being like,

0:58:09.280 --> 0:58:12.560
<v Speaker 1>you're a whitch, you're a slut. But then they do

0:58:12.640 --> 0:58:15.480
<v Speaker 1>you He's like when since when is being been a

0:58:15.520 --> 0:58:18.760
<v Speaker 1>crime in this family's right? Coming to the defense of

0:58:18.800 --> 0:58:24.200
<v Speaker 1>her sisters, like I'm we claiming the term, They're like alright,

0:58:25.040 --> 0:58:29.560
<v Speaker 1>uh yeah, no at this movie, uh, you know, unfortunately,

0:58:29.680 --> 0:58:31.560
<v Speaker 1>and in some ways I can understand it was not

0:58:31.800 --> 0:58:37.160
<v Speaker 1>very successful. Um, it did not make back its budget unfortunately,

0:58:37.440 --> 0:58:39.400
<v Speaker 1>which is you know, I mean, and and these are

0:58:39.440 --> 0:58:41.160
<v Speaker 1>big stars at this time, so I think it was

0:58:41.200 --> 0:58:43.439
<v Speaker 1>probably surprising that this movie didn't make its money back.

0:58:44.120 --> 0:58:46.560
<v Speaker 1>And a lot of the criticism around it at the

0:58:46.640 --> 0:58:51.240
<v Speaker 1>time was based around the tonal issues, which you know,

0:58:51.520 --> 0:58:55.760
<v Speaker 1>we can't deny them. So there wasn't even I mean

0:58:56.400 --> 0:59:00.520
<v Speaker 1>on the on the cursory check I did, because you know,

0:59:00.560 --> 0:59:02.840
<v Speaker 1>we like to go back and see how movies were

0:59:02.840 --> 0:59:05.320
<v Speaker 1>reviewed because there's a lot of the especially the further

0:59:05.320 --> 0:59:08.160
<v Speaker 1>bike you go. Most film critics are white guys, and

0:59:08.200 --> 0:59:10.640
<v Speaker 1>so when movies come out for anyone that isn't them,

0:59:10.720 --> 0:59:14.000
<v Speaker 1>they're like, hey, did it there? Or even just like

0:59:14.080 --> 0:59:18.360
<v Speaker 1>I liked it, but what I liked it, but like

0:59:18.440 --> 0:59:20.560
<v Speaker 1>I don't think it was written for me, and and

0:59:20.600 --> 0:59:22.640
<v Speaker 1>then be like I'm talking in a star it wasn't

0:59:22.640 --> 0:59:25.320
<v Speaker 1>made for me. Um, we're not as much of it.

0:59:25.320 --> 0:59:27.760
<v Speaker 1>They're most of the criticism around this movie surrounded the

0:59:28.240 --> 0:59:31.720
<v Speaker 1>tonal issues, which is a valid criticism, and they're like,

0:59:31.880 --> 0:59:34.280
<v Speaker 1>but Nicole Kidman and Sandra Book are great, would love

0:59:34.280 --> 0:59:38.600
<v Speaker 1>to see them in more movies, which I also agree with. Yeah, um,

0:59:38.640 --> 0:59:41.680
<v Speaker 1>just a couple of last things from me one other

0:59:41.920 --> 0:59:46.680
<v Speaker 1>film and Louise parallel both movies, and with either the

0:59:46.720 --> 0:59:52.720
<v Speaker 1>two women jumping off or driving off of a surface, Yeah,

0:59:53.120 --> 0:59:59.720
<v Speaker 1>one goes far better than the other. Yep, So that's

1:00:00.080 --> 1:00:07.480
<v Speaker 1>still little keeping much. And then finally, there is a

1:00:07.520 --> 1:00:10.760
<v Speaker 1>black cat that keeps popping up in the movie Do

1:00:10.800 --> 1:00:14.560
<v Speaker 1>You Talk about it. Well, it's just that cats have

1:00:14.680 --> 1:00:16.960
<v Speaker 1>eight nipples, and that's cat facts with Caitlin, but also

1:00:17.080 --> 1:00:21.200
<v Speaker 1>black cats there's still superstition around them. Black cats are

1:00:21.280 --> 1:00:25.720
<v Speaker 1>much harder to get adopted in like places like the

1:00:25.800 --> 1:00:28.000
<v Speaker 1>SPCA and stuff like that, because people still have a

1:00:28.000 --> 1:00:31.840
<v Speaker 1>superstition around black cats. Can I tell you something? Yes? Please?

1:00:32.080 --> 1:00:34.440
<v Speaker 1>Two years after this movie was released, when I was

1:00:34.440 --> 1:00:37.960
<v Speaker 1>seven years old, I adopted a black cat and he

1:00:38.080 --> 1:00:41.280
<v Speaker 1>lived for fifteen years and he was really mean, always mean.

1:00:42.040 --> 1:00:45.480
<v Speaker 1>He loves me, probably had a curse on him. He

1:00:45.640 --> 1:00:48.680
<v Speaker 1>was no he was taught much like my current pet.

1:00:48.720 --> 1:00:54.800
<v Speaker 1>He was very into toxically performing his gender. But you know,

1:00:55.000 --> 1:00:57.360
<v Speaker 1>r I p the cat. We tried to give him

1:00:57.400 --> 1:01:01.120
<v Speaker 1>a name, but he was just here the cat. My

1:01:01.240 --> 1:01:06.440
<v Speaker 1>roommate has a black cat right now. So positive representation

1:01:06.760 --> 1:01:08.880
<v Speaker 1>of black cats and movies, and this movie does it.

1:01:09.080 --> 1:01:12.520
<v Speaker 1>So I would say it's pretty neutral that the cat

1:01:12.640 --> 1:01:15.320
<v Speaker 1>isn't as much of a character as it should be.

1:01:16.040 --> 1:01:19.720
<v Speaker 1>It doesn't speak like Salem, And that was actually a

1:01:19.760 --> 1:01:22.920
<v Speaker 1>really stupid creative decision. Why wasn't the cat a puppet?

1:01:23.680 --> 1:01:26.959
<v Speaker 1>Wasn't the frog a puppet? Erasure? Alfred will init should

1:01:26.960 --> 1:01:32.040
<v Speaker 1>have played the frog. It was just a grown man

1:01:32.120 --> 1:01:36.160
<v Speaker 1>in a frog suit. Like but I just found out

1:01:36.160 --> 1:01:40.880
<v Speaker 1>today that Paddington on ice. I'm very excited for you

1:01:41.480 --> 1:01:45.160
<v Speaker 1>in London. Go back. I can't afford that. You know,

1:01:45.400 --> 1:01:50.200
<v Speaker 1>you have sledge costs. They're Anastasia is happening near us

1:01:50.280 --> 1:01:52.480
<v Speaker 1>for the next couple of weeks. Ice are just regular

1:01:52.640 --> 1:01:55.960
<v Speaker 1>wish on ice, just on regular but still pretty cool.

1:01:57.000 --> 1:01:59.320
<v Speaker 1>Talk to me when it's on a slippery surface. I

1:01:59.360 --> 1:02:01.960
<v Speaker 1>saw Anna's Asia on ice as a kid. I remember

1:02:02.320 --> 1:02:08.120
<v Speaker 1>the wig, the raspute and Beard kept flying. Oh it

1:02:08.280 --> 1:02:13.240
<v Speaker 1>was great. I love ice shows. Okay, let's do Anitania again.

1:02:16.120 --> 1:02:22.400
<v Speaker 1>Well that's practical magic everyone. Yes, this was so fun. Yeah.

1:02:22.560 --> 1:02:25.720
<v Speaker 1>So if you like the style of this episode, you'll

1:02:25.760 --> 1:02:30.400
<v Speaker 1>love our matreon. Yeah this is literally the matreon is horizontal,

1:02:31.200 --> 1:02:33.640
<v Speaker 1>the main feet is vertical, and that's just kind of

1:02:33.640 --> 1:02:37.560
<v Speaker 1>the difference exactly. Um yeah, thank you so much for

1:02:37.800 --> 1:02:40.360
<v Speaker 1>uh for a wait, we have to do a bunch

1:02:40.360 --> 1:02:42.120
<v Speaker 1>of stuff. I forgot how our show. I was literally

1:02:42.120 --> 1:02:45.880
<v Speaker 1>looking at prices for tickets on Anasthesia rate a sec.

1:02:50.240 --> 1:02:53.400
<v Speaker 1>Does this movie pass the Bechdel tests? Yes, it does,

1:02:53.600 --> 1:02:56.400
<v Speaker 1>it does. It does pretty handling a lot between a

1:02:56.400 --> 1:03:00.520
<v Speaker 1>lot of different characters. Yeah, there's sometimes like again, like

1:03:00.560 --> 1:03:02.760
<v Speaker 1>we are always sort of like a movie to movie

1:03:02.760 --> 1:03:05.920
<v Speaker 1>in terms of cont the subcontext being about a man,

1:03:05.960 --> 1:03:07.440
<v Speaker 1>because a lot of times they're talking about how to

1:03:07.760 --> 1:03:10.440
<v Speaker 1>cover up a murder, but of a man. But I

1:03:10.480 --> 1:03:13.840
<v Speaker 1>found like the murder of a man who passes right

1:03:14.640 --> 1:03:18.080
<v Speaker 1>inherently yes, yes, but even so there I mean before

1:03:18.200 --> 1:03:21.320
<v Speaker 1>the man enters the picture. But also like it's like, yeah,

1:03:21.320 --> 1:03:23.840
<v Speaker 1>we did cast that spell on you so that you'd

1:03:23.880 --> 1:03:28.000
<v Speaker 1>fall in love with the fruit vendor. I just don't. Yeah,

1:03:28.080 --> 1:03:31.040
<v Speaker 1>but there's still there are there are lots of conversations

1:03:31.080 --> 1:03:33.840
<v Speaker 1>that pass. In fact, um, I don't know if two

1:03:33.920 --> 1:03:36.480
<v Speaker 1>men talk to each other in this entire movie. Oh

1:03:36.560 --> 1:03:38.959
<v Speaker 1>that's a good question. I don't. I don't. I can't

1:03:39.040 --> 1:03:42.040
<v Speaker 1>think of an example of it happening. And if so,

1:03:42.160 --> 1:03:44.880
<v Speaker 1>it's how we normally see the movie pass the backtel test,

1:03:44.880 --> 1:03:48.240
<v Speaker 1>where it's very kind of inconsequential and in passing for sure.

1:03:48.680 --> 1:03:53.640
<v Speaker 1>So there you goddamn go. So we've got our nipple

1:03:53.680 --> 1:03:56.280
<v Speaker 1>scale of course, zero to five nipples. Based on its

1:03:56.320 --> 1:04:02.360
<v Speaker 1>representation of women. I feel like this one probably gets

1:04:04.240 --> 1:04:09.320
<v Speaker 1>I'm tempted to give it a three, maybe even a

1:04:09.480 --> 1:04:13.360
<v Speaker 1>three and a half. Obviously it gets some nipples docked

1:04:13.400 --> 1:04:20.440
<v Speaker 1>for it being guilty of only featuring cis hit white women. Yes, yes,

1:04:20.720 --> 1:04:24.920
<v Speaker 1>so there's that issue that it's which is the issue

1:04:24.920 --> 1:04:28.040
<v Speaker 1>of this era into today. But this movie is like,

1:04:28.400 --> 1:04:32.520
<v Speaker 1>especially given the subject matter, um, and the tendency of

1:04:32.560 --> 1:04:37.280
<v Speaker 1>this genre to completely exclude anyone that isn't a straight

1:04:37.440 --> 1:04:43.040
<v Speaker 1>hot white lady. Right. Um. I do enjoy a lot

1:04:43.080 --> 1:04:46.000
<v Speaker 1>of things about the movie though, again that it is

1:04:46.280 --> 1:04:50.680
<v Speaker 1>largely about women supporting women. Um. They they do have

1:04:50.760 --> 1:04:55.160
<v Speaker 1>to support each other about things relating to men. But

1:04:55.560 --> 1:04:57.200
<v Speaker 1>that I mean that the scene at the end with

1:04:57.240 --> 1:05:00.000
<v Speaker 1>the coven coming together all the women who had preview

1:05:00.000 --> 1:05:02.040
<v Speaker 1>to sleep in like, which, which, you're a bitch, and

1:05:02.080 --> 1:05:04.160
<v Speaker 1>they're like, actually, I wanted to see the inside of

1:05:04.200 --> 1:05:07.360
<v Speaker 1>your really cool house, so I'll come over and help

1:05:07.720 --> 1:05:12.640
<v Speaker 1>help you sweep out the dust of this shitty man. Um.

1:05:12.720 --> 1:05:16.320
<v Speaker 1>So yeah, maybe I'll give it. I'll split the diff

1:05:16.400 --> 1:05:21.320
<v Speaker 1>I'll give it a three point to five that thank you,

1:05:22.280 --> 1:05:29.560
<v Speaker 1>and I'll give one nip to Sandy Bee, I'll give

1:05:29.840 --> 1:05:37.640
<v Speaker 1>one nip to Nikki Kay and my other one point

1:05:37.840 --> 1:05:43.880
<v Speaker 1>to five nips I will give to the little Black

1:05:44.080 --> 1:05:46.840
<v Speaker 1>Katy who we see first as a kitten and then

1:05:46.880 --> 1:05:48.840
<v Speaker 1>we see you as an adult cat. And I don't

1:05:48.840 --> 1:05:53.280
<v Speaker 1>know if we ever learned its name, but it's super cute.

1:05:54.800 --> 1:05:59.240
<v Speaker 1>So I'm I'm gonna go. I think it is the

1:05:59.280 --> 1:06:01.040
<v Speaker 1>same thing with three feels to allow. Three by five

1:06:01.080 --> 1:06:05.200
<v Speaker 1>feels too high. I'm gonna follow your lead, my sister,

1:06:05.320 --> 1:06:09.480
<v Speaker 1>which um and go three point to five. I think

1:06:09.520 --> 1:06:12.680
<v Speaker 1>four it's time. It gets kind of a surprising amount, right.

1:06:12.720 --> 1:06:17.080
<v Speaker 1>I like the relationships between women in this movie. I

1:06:17.200 --> 1:06:23.520
<v Speaker 1>like the trust and support even when it comes to murder. Um. Yeah,

1:06:23.720 --> 1:06:26.640
<v Speaker 1>And and that you see, even though we've discussed in

1:06:26.760 --> 1:06:29.840
<v Speaker 1>terms of Hollywood, we don't see a lot of different

1:06:29.840 --> 1:06:33.920
<v Speaker 1>types of women physically, but but personality wise, there is

1:06:34.280 --> 1:06:37.440
<v Speaker 1>a lot of different approaches to life, and no one

1:06:37.480 --> 1:06:41.440
<v Speaker 1>has really except with the kind of subtle things towards

1:06:41.520 --> 1:06:44.880
<v Speaker 1>Nicole Kidman's character. Um, they're generally treated with respect even

1:06:44.920 --> 1:06:48.400
<v Speaker 1>though they're making very different life and lifestyle choices, which

1:06:48.440 --> 1:06:51.600
<v Speaker 1>is really fun. I again think that the stuff with

1:06:51.720 --> 1:06:54.880
<v Speaker 1>the abusive relationship was done more right than you would

1:06:54.960 --> 1:07:00.040
<v Speaker 1>expect kind of campy movie to do, and it's a

1:07:00.080 --> 1:07:04.120
<v Speaker 1>fun watch. The line in the coconut scene. I say,

1:07:04.320 --> 1:07:07.480
<v Speaker 1>cut Aidan Quinn and put the line in the coconut

1:07:07.480 --> 1:07:11.640
<v Speaker 1>scene in it twice. Um. Yeah, it's a fun movie

1:07:11.800 --> 1:07:14.760
<v Speaker 1>and I you know, everyone should watch it if they

1:07:14.760 --> 1:07:18.760
<v Speaker 1>haven't seen it. I'll do three point to five and

1:07:18.880 --> 1:07:23.880
<v Speaker 1>I'll give one to Sandy, one to Nikki, one to

1:07:24.040 --> 1:07:27.760
<v Speaker 1>Evan rachel Wood, and uh point to five to the

1:07:27.800 --> 1:07:31.360
<v Speaker 1>Froggy who should have been all for Millina, who should

1:07:31.360 --> 1:07:34.560
<v Speaker 1>have been out for Billina. But Alfred was called and

1:07:34.680 --> 1:07:37.080
<v Speaker 1>he was like, I don't want to take apart from

1:07:37.080 --> 1:07:39.720
<v Speaker 1>a frog. And we're like, he's a here, what was

1:07:39.760 --> 1:07:42.480
<v Speaker 1>he doing? I thank you for I was like it

1:07:42.520 --> 1:07:45.600
<v Speaker 1>would be too much, thank you for carrying up. I

1:07:46.320 --> 1:07:49.720
<v Speaker 1>don't know, let's see, let's say it alf b. He's

1:07:49.800 --> 1:07:51.360
<v Speaker 1>right now. He's probably like, how am I going to

1:07:51.400 --> 1:07:57.320
<v Speaker 1>promote Frozen two? He's coming off of that boogie Night's heat.

1:07:57.520 --> 1:08:01.080
<v Speaker 1>He could have been filming for either Agnolia or Deadly

1:08:01.160 --> 1:08:06.800
<v Speaker 1>Do right to totally identical movies. Anyways. Yeah, that's the

1:08:06.880 --> 1:08:10.480
<v Speaker 1>episode on Practical Magic. Everyone, damn right it is. Thanks

1:08:10.520 --> 1:08:13.360
<v Speaker 1>for listening. We'll just go straight to our plugs, which

1:08:13.520 --> 1:08:19.559
<v Speaker 1>are again, Uh you liked the the loose, silly style

1:08:19.720 --> 1:08:23.560
<v Speaker 1>of this episode, then you'll love our Matreon, so subscribe.

1:08:23.600 --> 1:08:26.599
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1:08:26.960 --> 1:08:29.280
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1:08:29.280 --> 1:08:32.920
<v Speaker 1>com slash pectel Cast and we're gonna be doing another

1:08:33.360 --> 1:08:35.280
<v Speaker 1>just the two of us episodes seemed to celebrate our

1:08:35.640 --> 1:08:41.240
<v Speaker 1>three year anniversary as a goddamn show. It's coming on up,

1:08:41.800 --> 1:08:44.240
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1:08:44.360 --> 1:08:47.519
<v Speaker 1>we and if you want a merch, we've got merch

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<v Speaker 1>at our Tea public store, te public dot com, slash

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<v Speaker 1>b backdel Cast, Holidays coming up, et cetera, and check

1:08:55.200 --> 1:08:56.920
<v Speaker 1>us out on all the social media's. We love you,

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<v Speaker 1>and we're gonna be in Denver. Oh yes, we're gonna

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<v Speaker 1>be done. So if you live in Denver, come to

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<v Speaker 1>our co headlining stand up shows that Jamie and I

1:09:05.760 --> 1:09:11.679
<v Speaker 1>are doing on November six at Bar Max. We also

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<v Speaker 1>have a live Becktel Cash show on the seventeen, covering

1:09:16.120 --> 1:09:19.759
<v Speaker 1>the Santa Claus which is Brave of Us, extremely brave,

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<v Speaker 1>and our special guest for that is Grace Thomas um So.

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<v Speaker 1>All the tickets for all of those shows are on

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<v Speaker 1>our website becktel cast dot com. Click on the live

1:09:30.600 --> 1:09:33.559
<v Speaker 1>tab and all the links will be there. So if

1:09:33.560 --> 1:09:36.479
<v Speaker 1>you live in Denver or you live close by, come

1:09:36.520 --> 1:09:38.880
<v Speaker 1>see us. So we'll see you soon and we'll talk

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<v Speaker 1>to you soon. Happy Halloween, which you bit by