1 00:00:00,080 --> 00:00:03,000 Speaker 1: This is Mandy Be. Welcome to Selective Ignorance, a production 2 00:00:03,160 --> 00:00:06,640 Speaker 1: of the Blackpec podcast Network and iHeart Radio. Yeah yeah yeah, 3 00:00:06,680 --> 00:00:11,280 Speaker 1: yeah yeah yeah yeah yeah yeah yeah yeah. Welcome to 4 00:00:11,600 --> 00:00:14,360 Speaker 1: another episode with many Be. At this point it's just 5 00:00:14,480 --> 00:00:15,440 Speaker 1: giving with Manybee. 6 00:00:16,400 --> 00:00:17,400 Speaker 2: We're not really. 7 00:00:17,120 --> 00:00:20,439 Speaker 1: Talking much Ignorance today. We're getting into music for this 8 00:00:20,720 --> 00:00:24,960 Speaker 1: bonus dropped you. I am so excited if you guys 9 00:00:25,000 --> 00:00:30,720 Speaker 1: are watching the video. I decided to Dreamville my outfit 10 00:00:30,880 --> 00:00:34,600 Speaker 1: out today definitely, so I have all of my merch 11 00:00:34,680 --> 00:00:37,240 Speaker 1: that I got from I believe this is all the 12 00:00:37,280 --> 00:00:40,879 Speaker 1: same year. So I'm my twenty twenty four merch on 13 00:00:41,479 --> 00:00:44,320 Speaker 1: from Dreamville with my dream Bilt crocs with the hat 14 00:00:44,440 --> 00:00:45,040 Speaker 1: and the shirt. 15 00:00:45,120 --> 00:00:47,000 Speaker 2: Have you been to Dreamville every year? Every year? 16 00:00:47,520 --> 00:00:52,040 Speaker 1: Absolutely? And it's it's really sad because they sold it, 17 00:00:52,920 --> 00:00:57,280 Speaker 1: so it's now a live nation festival where I don't know. 18 00:00:58,160 --> 00:00:59,600 Speaker 2: That means no one will be able to have for it, 19 00:00:59,680 --> 00:01:00,880 Speaker 2: an I don't. 20 00:01:00,680 --> 00:01:05,280 Speaker 1: Know who attachment at all to it anymore. But apparently 21 00:01:05,319 --> 00:01:08,000 Speaker 1: it's just to keep a festival coming to Raleigh because 22 00:01:08,040 --> 00:01:12,240 Speaker 1: it brings hundreds of thousands of dollars every year. But yeah, 23 00:01:12,440 --> 00:01:13,560 Speaker 1: I've been to all of them. 24 00:01:13,640 --> 00:01:14,440 Speaker 2: Okay, all right. 25 00:01:14,520 --> 00:01:18,240 Speaker 1: I think he did a phenomenal job with the lineups. 26 00:01:18,520 --> 00:01:21,280 Speaker 1: I was really mad that we didn't get Chris Brown 27 00:01:21,400 --> 00:01:23,000 Speaker 1: the year that we were supposed to get Chris Brown. 28 00:01:23,200 --> 00:01:23,840 Speaker 2: It was actually this. 29 00:01:23,840 --> 00:01:27,080 Speaker 1: Year he was replaced with fifty cent Got You? He 30 00:01:27,120 --> 00:01:31,960 Speaker 1: was replaced with fifty cent And yeah, really really sad. 31 00:01:32,040 --> 00:01:34,160 Speaker 2: What was going on a year while Chris could be there? 32 00:01:34,319 --> 00:01:37,080 Speaker 1: I don't I think he did drop the album and 33 00:01:37,240 --> 00:01:41,680 Speaker 1: was touring. Okay, but yeah, this this episode of We're 34 00:01:41,720 --> 00:01:48,120 Speaker 1: Gonna Get into Dreamville, the rollout of the falloff, Birthday Blizzard, 35 00:01:48,440 --> 00:01:53,360 Speaker 1: Birthday Birthday Blizzard, and just everything, I'm really excited. We 36 00:01:53,400 --> 00:01:55,640 Speaker 1: haven't really had much time to talk much about it 37 00:01:55,680 --> 00:02:00,360 Speaker 1: on the regular pod because politics be politiicing, man, But yeah, 38 00:02:00,400 --> 00:02:04,960 Speaker 1: I'm really excited. When you guys hear this episode, the 39 00:02:05,000 --> 00:02:05,840 Speaker 1: album I think. 40 00:02:05,760 --> 00:02:09,320 Speaker 2: Comes out right, Yeah, it would be, Yes, it would 41 00:02:09,320 --> 00:02:09,840 Speaker 2: be you know. 42 00:02:09,880 --> 00:02:12,120 Speaker 3: I almost wish we could do like we gotta do 43 00:02:12,160 --> 00:02:15,440 Speaker 3: a part two, yeah shout, And I like that we're going. 44 00:02:15,440 --> 00:02:17,400 Speaker 1: To be able to live with the album for at 45 00:02:17,480 --> 00:02:20,080 Speaker 1: least a week before coming to talk about it something like, 46 00:02:20,200 --> 00:02:23,600 Speaker 1: I really I don't think we would have done it 47 00:02:23,960 --> 00:02:27,080 Speaker 1: any justice if we literally just came in and. 48 00:02:27,400 --> 00:02:28,000 Speaker 2: Potted about it. 49 00:02:28,040 --> 00:02:30,440 Speaker 3: I wish we could talk about it like the night 50 00:02:31,160 --> 00:02:34,040 Speaker 3: leading up to the night of release, like Thursday night. 51 00:02:34,720 --> 00:02:35,799 Speaker 1: I'm excited because. 52 00:02:35,600 --> 00:02:38,080 Speaker 2: It's a double disc. 53 00:02:38,160 --> 00:02:40,520 Speaker 1: It's a double disc, so the internet is saying that 54 00:02:40,560 --> 00:02:43,560 Speaker 1: the double disc even came about with what's happened in 55 00:02:43,600 --> 00:02:47,040 Speaker 1: the last year from the Beef. This is also an 56 00:02:47,040 --> 00:02:50,520 Speaker 1: album he's been working on for ten years, so I'm excited, 57 00:02:51,440 --> 00:02:55,080 Speaker 1: like like, hell, look, why are you looking like that? 58 00:02:55,200 --> 00:02:56,960 Speaker 2: No, I'm excited too, I'm ready. 59 00:02:57,200 --> 00:03:02,720 Speaker 1: I don't like that your voice got hot, like with 60 00:03:02,880 --> 00:03:05,320 Speaker 1: people's voices getting I don't know how to take an 61 00:03:05,360 --> 00:03:09,480 Speaker 1: a kig over there. Your take on everything already then 62 00:03:09,520 --> 00:03:10,160 Speaker 1: pissed me off. 63 00:03:10,360 --> 00:03:12,520 Speaker 2: Okay, y'all don't even know before the. 64 00:03:12,480 --> 00:03:17,040 Speaker 1: Cameras came on. Uh, this man was like, you know what, 65 00:03:17,040 --> 00:03:20,040 Speaker 1: what really got me excited? You know that my favorite 66 00:03:20,080 --> 00:03:25,280 Speaker 1: part of Birthday Blizzard it's DJ Clue because. 67 00:03:25,880 --> 00:03:28,880 Speaker 3: It was it was well, the fact that he the 68 00:03:28,960 --> 00:03:33,040 Speaker 3: fact that voice this week, yeah, well, the fact that 69 00:03:33,080 --> 00:03:36,800 Speaker 3: he reached that he had Clue participate in this. Even 70 00:03:37,280 --> 00:03:40,560 Speaker 3: as we've seen some artists has been using like djit 71 00:03:40,600 --> 00:03:44,080 Speaker 3: who kids drops as old in respect to that period 72 00:03:44,120 --> 00:03:48,760 Speaker 3: of time, the flooding of rap real rap ship. 73 00:03:48,880 --> 00:03:49,680 Speaker 2: So I think that that. 74 00:03:49,560 --> 00:03:55,080 Speaker 3: Was uh, not gate keepers, but like taste tast Maker 75 00:03:55,360 --> 00:03:58,760 Speaker 3: when taste makers were still really a thing, not like these. 76 00:03:59,080 --> 00:04:01,040 Speaker 2: And those drops meant DJ drama. 77 00:04:01,360 --> 00:04:04,600 Speaker 3: Those signatures mean, it means something. 78 00:04:04,920 --> 00:04:08,520 Speaker 1: I'm not gonna lie to dropping that, after dropping the teaser, 79 00:04:08,560 --> 00:04:12,680 Speaker 1: after dropping the video, after like, he's doing such an 80 00:04:12,680 --> 00:04:17,360 Speaker 1: incredible job with first off, having everybody talk about him now, 81 00:04:18,120 --> 00:04:20,720 Speaker 1: but it's been very quiet and there hasn't been much 82 00:04:20,760 --> 00:04:24,760 Speaker 1: good things spoken about him since he you know, left 83 00:04:24,800 --> 00:04:28,920 Speaker 1: the beef and then he just went quiet. He dropped, well, 84 00:04:28,960 --> 00:04:29,760 Speaker 1: he did drop. 85 00:04:33,320 --> 00:04:34,839 Speaker 2: His apology to the apology. 86 00:04:35,040 --> 00:04:38,440 Speaker 3: Yeah, yeah, I'm sorry, don't do that. 87 00:04:38,720 --> 00:04:44,120 Speaker 2: I never meant sorry, no more. So let's get into it. 88 00:04:45,680 --> 00:04:49,800 Speaker 3: Don't do this but tonight I'm cleaning out my okage. 89 00:04:51,160 --> 00:04:57,719 Speaker 3: I'm sorry for so, I guess let's get into it. 90 00:04:57,800 --> 00:05:05,159 Speaker 1: Because people are insinuating that there was shots thrown at Drake. 91 00:05:06,320 --> 00:05:09,280 Speaker 1: There's also been very okay, y'all know, I go down 92 00:05:09,320 --> 00:05:12,800 Speaker 1: the rabbit hole of everything. Did y'all also see allegedly 93 00:05:14,320 --> 00:05:19,160 Speaker 1: that he pulled out of the beef as sort of 94 00:05:19,440 --> 00:05:23,919 Speaker 1: a deal made with UMG for Dreamville. Did you have 95 00:05:24,000 --> 00:05:27,960 Speaker 1: you seen it? Okay, Okay, let's get into you. 96 00:05:27,960 --> 00:05:29,760 Speaker 2: Don't believe already. 97 00:05:29,839 --> 00:05:32,000 Speaker 3: I already don't believe it, but I want to like 98 00:05:32,040 --> 00:05:35,120 Speaker 3: what is the Okay? 99 00:05:35,240 --> 00:05:46,120 Speaker 1: Well, so, cause recently went on a cause not went 100 00:05:46,160 --> 00:05:50,120 Speaker 1: on a podcast. Also did was on Joe Butden pod 101 00:05:50,360 --> 00:05:54,040 Speaker 1: earlier this year, and they talked about pretty much Ja 102 00:05:54,120 --> 00:05:56,719 Speaker 1: Cole taking care of all of his artists after Dreamville 103 00:05:56,800 --> 00:05:59,000 Speaker 1: kind of dismantled her, he sold it, or whatever the case. 104 00:05:59,720 --> 00:06:04,360 Speaker 1: The timing of it, allegedly though, was that the money 105 00:06:04,400 --> 00:06:11,280 Speaker 1: came in from UMG and and basically they was like, hey, 106 00:06:11,320 --> 00:06:13,560 Speaker 1: we got this offer for you if you back out 107 00:06:13,760 --> 00:06:16,719 Speaker 1: because Drake is coming for us. Were going at Drake 108 00:06:16,760 --> 00:06:19,960 Speaker 1: and we just we got a way to make it. 109 00:06:20,279 --> 00:06:21,000 Speaker 2: What do you think? 110 00:06:22,240 --> 00:06:27,680 Speaker 3: What is UMG's like, how do they benefit from him 111 00:06:27,720 --> 00:06:29,359 Speaker 3: not participating? 112 00:06:29,880 --> 00:06:31,560 Speaker 2: And that's why I don't believe it. That's why you 113 00:06:31,600 --> 00:06:32,120 Speaker 2: don't believe it. 114 00:06:32,200 --> 00:06:34,039 Speaker 3: Yeah, I don't understand when he had dropped it and 115 00:06:34,080 --> 00:06:36,760 Speaker 3: he was already in it. Yeah, he already put out 116 00:06:36,760 --> 00:06:37,680 Speaker 3: the song, and he put out the. 117 00:06:37,680 --> 00:06:39,919 Speaker 1: Song, but then he didn't put out anything else. 118 00:06:40,960 --> 00:06:42,560 Speaker 3: Yeah, but he put out the song, but then you 119 00:06:42,720 --> 00:06:45,880 Speaker 3: just Okay, so then apology if you go back to 120 00:06:45,920 --> 00:06:47,080 Speaker 3: the apology. 121 00:06:46,720 --> 00:06:50,000 Speaker 1: Because real quick, do y'all. Are y'all familiar that Drake appealed? 122 00:06:50,600 --> 00:06:57,240 Speaker 2: Yeah yeah, yeah, one hundred thousand gigs, forty five records, 123 00:06:57,960 --> 00:07:02,400 Speaker 2: the episode one, two, three, and whatever? You probably did 124 00:07:02,440 --> 00:07:03,400 Speaker 2: you ever watch that ship? 125 00:07:03,640 --> 00:07:07,760 Speaker 3: Watch what the three episodes he put out on on the. 126 00:07:08,120 --> 00:07:10,440 Speaker 1: He put it on the website, right yeah, yeah, right around? 127 00:07:11,320 --> 00:07:12,640 Speaker 1: Oh wait, no, no I did see that one. 128 00:07:12,720 --> 00:07:15,760 Speaker 2: Yeah, yeah, he did three episodes. All that content bullshit? 129 00:07:16,040 --> 00:07:19,040 Speaker 2: Is that the content was just more lawsuits, just suit 130 00:07:19,040 --> 00:07:20,040 Speaker 2: a niggas straight up? 131 00:07:20,480 --> 00:07:25,880 Speaker 3: Yeah, because he keeps saying, yo, no, you you participated. 132 00:07:26,240 --> 00:07:30,680 Speaker 3: You said his manager was the father of his kids. Yeah, 133 00:07:30,760 --> 00:07:31,600 Speaker 3: what else do you want? 134 00:07:31,720 --> 00:07:31,880 Speaker 2: Yeah? 135 00:07:32,000 --> 00:07:33,720 Speaker 3: You said more. But that was like the that was 136 00:07:33,760 --> 00:07:36,280 Speaker 3: the thing, a big part. So there's no reaction that 137 00:07:36,360 --> 00:07:39,760 Speaker 3: you don't control that. What happens after that, it's part 138 00:07:39,760 --> 00:07:39,880 Speaker 3: of it. 139 00:07:40,080 --> 00:07:44,680 Speaker 1: I will say. The way that it's lingered like that conversation, 140 00:07:45,360 --> 00:07:50,080 Speaker 1: I'm actually hoping we don't like that. This does like 141 00:07:50,160 --> 00:07:53,760 Speaker 1: this fall off doesn't become just an extension of that conversation. 142 00:07:54,080 --> 00:07:55,960 Speaker 2: Yeah, no, I'm really hoping. 143 00:07:56,440 --> 00:07:58,360 Speaker 3: Do you think the fall off? I don't think he's 144 00:07:58,400 --> 00:08:00,320 Speaker 3: not going to be rapping again. I just think this 145 00:08:00,320 --> 00:08:00,680 Speaker 3: this is it. 146 00:08:00,760 --> 00:08:01,800 Speaker 1: No, no, no, let's be very clear. 147 00:08:02,120 --> 00:08:04,560 Speaker 2: Everyone's like, oh my god, he's retiring. This is the 148 00:08:04,680 --> 00:08:07,480 Speaker 2: last album. How many times jay Z did that? Bro? 149 00:08:07,600 --> 00:08:09,320 Speaker 1: This is not a black album. 150 00:08:09,800 --> 00:08:11,840 Speaker 2: I don't think. I don't think it's Cold's last album. 151 00:08:11,880 --> 00:08:15,040 Speaker 3: But I don't think we're gonna hear Cole for a 152 00:08:15,080 --> 00:08:15,840 Speaker 3: while after this. 153 00:08:16,040 --> 00:08:18,520 Speaker 1: No, no, no, First off, he's going on tour, no but 154 00:08:18,600 --> 00:08:19,240 Speaker 1: album tour. 155 00:08:19,480 --> 00:08:19,640 Speaker 2: Yeah. 156 00:08:19,720 --> 00:08:21,800 Speaker 3: Yeah, But I'm talking about like after this cycle is over, 157 00:08:21,840 --> 00:08:24,200 Speaker 3: I don't think we're gonna hear another j Cole album 158 00:08:24,360 --> 00:08:27,240 Speaker 3: for a little bit of time. Like, I'm not saying 159 00:08:27,280 --> 00:08:29,360 Speaker 3: it'll be forever because jay Z went away for what 160 00:08:29,520 --> 00:08:30,040 Speaker 3: six years? 161 00:08:30,600 --> 00:08:32,440 Speaker 2: Yeah, when he when he quote unquote retired. 162 00:08:32,480 --> 00:08:34,199 Speaker 3: Like, I won't be surprised if we don't hear another 163 00:08:34,200 --> 00:08:36,280 Speaker 3: Cold album til twenty thirty, twenty thirty one. 164 00:08:37,000 --> 00:08:37,920 Speaker 2: That wouldn't shock now. 165 00:08:37,880 --> 00:08:38,360 Speaker 1: I hope not. 166 00:08:38,720 --> 00:08:41,199 Speaker 2: That'd be too long. That's too long and who though? 167 00:08:41,400 --> 00:08:42,800 Speaker 3: But you know what I think, I think they and 168 00:08:43,120 --> 00:08:46,559 Speaker 3: now everybody's independent now at this point, even the major rappers, 169 00:08:46,800 --> 00:08:49,120 Speaker 3: you know what I mean. So it's like, why would 170 00:08:49,120 --> 00:08:50,000 Speaker 3: you wait four years? 171 00:08:50,000 --> 00:08:51,600 Speaker 2: Now? At this point just drop music. 172 00:08:53,280 --> 00:08:58,400 Speaker 3: Well, I mean, for I, so, I always took Cole 173 00:08:58,760 --> 00:09:03,840 Speaker 3: as a sincere person. Same even when he is doing 174 00:09:03,880 --> 00:09:05,360 Speaker 3: some shit that I think is corny. 175 00:09:05,840 --> 00:09:07,880 Speaker 2: I believe him when he says what he says. 176 00:09:08,200 --> 00:09:09,880 Speaker 3: So I don't know if this is his last album, 177 00:09:09,880 --> 00:09:15,160 Speaker 3: but he's been talking for a while like he is satisfied. 178 00:09:14,520 --> 00:09:16,640 Speaker 2: With his career. There was things he wanted to do. 179 00:09:16,679 --> 00:09:17,959 Speaker 2: When he was going on the feature. 180 00:09:17,760 --> 00:09:20,560 Speaker 3: Run, his big talking point was like I was looking 181 00:09:20,600 --> 00:09:23,800 Speaker 3: at my career and I realized, oh shit, niggas fuck 182 00:09:23,840 --> 00:09:24,000 Speaker 3: with me. 183 00:09:24,080 --> 00:09:25,480 Speaker 2: I never went back to fuck with people. 184 00:09:25,640 --> 00:09:27,439 Speaker 3: So let me go give out some verses, let me 185 00:09:27,480 --> 00:09:29,040 Speaker 3: go get with some of these other artists, let me 186 00:09:29,080 --> 00:09:31,640 Speaker 3: go do this thing before I close the shot down. 187 00:09:31,920 --> 00:09:34,079 Speaker 2: Let me do the things. I don't regret things when 188 00:09:34,080 --> 00:09:34,440 Speaker 2: it's old. 189 00:09:34,480 --> 00:09:36,760 Speaker 1: I mean, he lined a lot of pockets with Dreamville 190 00:09:36,760 --> 00:09:37,520 Speaker 1: Fest for five. 191 00:09:37,480 --> 00:09:39,560 Speaker 3: Yeah, yeah, for five years, so he I felt like 192 00:09:39,600 --> 00:09:41,400 Speaker 3: he was doing things. And the fact that he's been 193 00:09:41,400 --> 00:09:44,440 Speaker 3: working on his album for almost a decade, almost a 194 00:09:44,480 --> 00:09:47,959 Speaker 3: decade like he saw. I think he had an endpoint 195 00:09:47,960 --> 00:09:49,959 Speaker 3: for his career at least for a period of time, 196 00:09:50,080 --> 00:09:53,040 Speaker 3: like Okay, I've accomplished these things. 197 00:09:54,040 --> 00:09:57,319 Speaker 1: When you're it's weird because the idea of going out 198 00:09:57,520 --> 00:10:00,080 Speaker 1: when you're so good at something like rap isn't a 199 00:10:00,120 --> 00:10:04,079 Speaker 1: career essentially that you have to retire from, correct, which 200 00:10:04,080 --> 00:10:05,520 Speaker 1: is why you know what I mean. And he's so 201 00:10:05,640 --> 00:10:08,400 Speaker 1: good at it. He doesn't do the podcast ship the 202 00:10:08,440 --> 00:10:11,560 Speaker 1: nigga don't sit and do long form talk carry like, 203 00:10:11,720 --> 00:10:13,280 Speaker 1: I'm so grateful. 204 00:10:12,920 --> 00:10:13,280 Speaker 2: He did it. 205 00:10:13,280 --> 00:10:17,240 Speaker 3: He did one for us though, Combat Jackson that did. 206 00:10:17,280 --> 00:10:19,040 Speaker 3: He dropped Forrest Forest Hills Drive. 207 00:10:19,120 --> 00:10:20,400 Speaker 2: So he's that with Combat show. 208 00:10:20,520 --> 00:10:23,760 Speaker 3: So J Cole's a big Dallas pen fan and Combat 209 00:10:24,960 --> 00:10:27,720 Speaker 3: and that year when he dropped that, he granted us 210 00:10:27,720 --> 00:10:30,200 Speaker 3: to interview and the only other woe outside that with 211 00:10:30,240 --> 00:10:31,400 Speaker 3: a Martinez on the radio. 212 00:10:31,800 --> 00:10:34,120 Speaker 1: Well, and I don't think it was for so it 213 00:10:34,200 --> 00:10:36,520 Speaker 1: might have been before Forrest Hills Drive. He did also 214 00:10:36,559 --> 00:10:38,160 Speaker 1: do the Crown series with Elliott Wilson. 215 00:10:38,240 --> 00:10:39,600 Speaker 2: He did, Yeah, he did that. 216 00:10:40,080 --> 00:10:42,640 Speaker 3: Yeah, that was I think that was before he did 217 00:10:42,880 --> 00:10:44,840 Speaker 3: And he did the Ryan Coopler interview. 218 00:10:44,840 --> 00:10:47,679 Speaker 1: Which has been going back by And I was just saying, 219 00:10:47,880 --> 00:10:55,400 Speaker 1: to your point, Brog, so how's how's Mary? 220 00:10:55,480 --> 00:10:59,360 Speaker 2: That was that? But I'm just saying pointed out to 221 00:10:59,400 --> 00:11:05,319 Speaker 2: you he we can talk about five times he might 222 00:11:05,320 --> 00:11:09,720 Speaker 2: have did a nod war. I believe he did. That's 223 00:11:09,760 --> 00:11:10,240 Speaker 2: pretty much. 224 00:11:10,280 --> 00:11:12,079 Speaker 3: But again, the fact that we can name them all 225 00:11:12,400 --> 00:11:14,040 Speaker 3: is the evidence that he doesn't do this. 226 00:11:14,559 --> 00:11:16,240 Speaker 1: And so that's why I think we're going to continue 227 00:11:16,280 --> 00:11:17,880 Speaker 1: to get music from him, because. 228 00:11:18,640 --> 00:11:19,400 Speaker 2: Yeah, he don't. 229 00:11:19,440 --> 00:11:21,240 Speaker 1: He's not going to talk, but he always has. He's 230 00:11:21,240 --> 00:11:22,120 Speaker 1: gonna have something to say. 231 00:11:22,160 --> 00:11:24,920 Speaker 3: And after he studied Nas and Jay, like those guys, 232 00:11:24,960 --> 00:11:29,640 Speaker 3: you rarely see them talk to early on in their 233 00:11:29,640 --> 00:11:32,440 Speaker 3: career chatty, but as they go, as they got to 234 00:11:32,480 --> 00:11:34,400 Speaker 3: a certain point, it's like, you know, I'm not talking 235 00:11:34,400 --> 00:11:37,199 Speaker 3: to it as they're going to try to get the 236 00:11:37,200 --> 00:11:38,120 Speaker 3: relationship out of me. 237 00:11:38,280 --> 00:11:42,720 Speaker 1: So is there anything slatious? I always say to the 238 00:11:42,880 --> 00:11:47,880 Speaker 1: Dreamville crew, tight knit, there's and they're the sweetest guys. 239 00:11:48,200 --> 00:11:50,680 Speaker 1: They all got the wives. They don't even be having 240 00:11:50,960 --> 00:11:54,199 Speaker 1: groupies and holes around. It's just the most wholesome group 241 00:11:54,280 --> 00:11:55,440 Speaker 1: of goddamn guys. 242 00:11:55,920 --> 00:11:57,839 Speaker 2: Good guy, I guess. 243 00:11:57,920 --> 00:12:00,680 Speaker 1: I guess that's why we haven't seen him into trouble. 244 00:12:00,960 --> 00:12:03,360 Speaker 1: When we think of like rappers and the people that 245 00:12:03,360 --> 00:12:05,840 Speaker 1: they keep around them, like Cole has done such a 246 00:12:05,840 --> 00:12:09,720 Speaker 1: phenomenal job with keeping good people around it. Of course 247 00:12:09,840 --> 00:12:11,840 Speaker 1: Eve has looked out for his best interest. You got 248 00:12:11,840 --> 00:12:12,240 Speaker 1: mad like. 249 00:12:12,240 --> 00:12:13,800 Speaker 2: You have, and that's very important. 250 00:12:14,480 --> 00:12:17,480 Speaker 1: And I don't know do we see that with anyone else. 251 00:12:17,559 --> 00:12:21,880 Speaker 3: Yes, I think even even even oo right, they have 252 00:12:22,000 --> 00:12:25,360 Speaker 3: their element of whoever they deal with and E. 253 00:12:25,760 --> 00:12:27,120 Speaker 2: Kendrick, PG. Lane they have. 254 00:12:27,240 --> 00:12:30,440 Speaker 1: They very in a little trouble. 255 00:12:31,760 --> 00:12:35,760 Speaker 3: Well, I'm speaking specifically about k and and like they 256 00:12:35,920 --> 00:12:43,400 Speaker 3: in trouble over there. No, I'm saying I'm speaking specific 257 00:12:43,480 --> 00:12:45,839 Speaker 3: about day Free Kendrick, that whole thing, you know what 258 00:12:45,880 --> 00:12:50,360 Speaker 3: I mean. These are the blueprint j We've seen jay 259 00:12:50,440 --> 00:12:54,360 Speaker 3: em you know what I mean, Nah jungle. 260 00:12:54,600 --> 00:12:58,680 Speaker 2: You know, at some point Steve Stout and now Anthony 261 00:12:58,960 --> 00:13:01,640 Speaker 2: A right, So I think they study from that and 262 00:13:01,640 --> 00:13:02,920 Speaker 2: they're like, you know, let's keep it tight. 263 00:13:03,360 --> 00:13:05,720 Speaker 3: Yeah, there's no there's no reason to be going outside 264 00:13:05,800 --> 00:13:07,800 Speaker 3: of your element, especially when we're making a lot of money. 265 00:13:07,960 --> 00:13:11,800 Speaker 2: Yeah, and with yeah whoa, whoa know what I'm saying, 266 00:13:11,840 --> 00:13:14,320 Speaker 2: you don't have a bunch of lucy goo shit going on. 267 00:13:14,520 --> 00:13:16,880 Speaker 3: No, you made you got to a point where you're like, 268 00:13:16,920 --> 00:13:18,680 Speaker 3: you know what, I want to work with these people here, 269 00:13:18,760 --> 00:13:21,040 Speaker 3: these people here, and I want to keep it clean. Yeah, 270 00:13:23,080 --> 00:13:25,200 Speaker 3: I mean with Cole Cole is never trying like a 271 00:13:25,200 --> 00:13:27,840 Speaker 3: lot of people get in trouble, like in the process 272 00:13:27,920 --> 00:13:31,880 Speaker 3: of like being a star, trying to be a star, 273 00:13:32,040 --> 00:13:34,240 Speaker 3: being out of every club, being out of every function, 274 00:13:34,360 --> 00:13:36,040 Speaker 3: being out with a whole bunch of people, And it's 275 00:13:36,040 --> 00:13:38,840 Speaker 3: like that was never really his thing. So like you 276 00:13:38,920 --> 00:13:41,360 Speaker 3: keep your outside of beating up Diddy, you keep yourself 277 00:13:41,360 --> 00:13:43,040 Speaker 3: out of trouble with the spots. 278 00:13:43,120 --> 00:13:46,920 Speaker 1: That's how I don't understand how people even debate where 279 00:13:46,960 --> 00:13:49,400 Speaker 1: he lands in the top three. He's number one just 280 00:13:49,440 --> 00:13:52,920 Speaker 1: because he put hands on Ditty bro. Like literally he 281 00:13:53,080 --> 00:13:54,760 Speaker 1: is number one. I don't like both of y'all. 282 00:13:54,840 --> 00:13:57,800 Speaker 3: You know, you know, lasting alone tells the story recently 283 00:13:57,840 --> 00:13:59,960 Speaker 3: about why. 284 00:14:00,200 --> 00:14:04,400 Speaker 1: No, I'm not gonna hold you glove Glasses. Glasses was 285 00:14:04,400 --> 00:14:07,720 Speaker 1: about to get blocked. Did you not see Glasses talk 286 00:14:07,800 --> 00:14:08,640 Speaker 1: about Coles? 287 00:14:08,800 --> 00:14:10,760 Speaker 2: Uh the birthday. 288 00:14:12,440 --> 00:14:15,959 Speaker 1: You saw I saw that Nigga was this close to 289 00:14:16,000 --> 00:14:18,439 Speaker 1: get a block because so I guess that's the thing, 290 00:14:18,559 --> 00:14:26,760 Speaker 1: right like and crossed my legs because because Glasses was 291 00:14:26,840 --> 00:14:27,400 Speaker 1: on the good. 292 00:14:27,360 --> 00:14:30,520 Speaker 2: Side, now you he on the bad side. I don't know. 293 00:14:30,840 --> 00:14:35,280 Speaker 1: I think also when you it's hard to figure out 294 00:14:35,360 --> 00:14:37,600 Speaker 1: if niggas the same things to be clickbity or not. 295 00:14:38,360 --> 00:14:41,280 Speaker 1: And to me, he has been getting when I say he, 296 00:14:41,680 --> 00:14:44,960 Speaker 1: Cole has been getting rave reviews with not only the rollout, 297 00:14:45,320 --> 00:14:49,440 Speaker 1: but with these five records that he dropped mixed tape 298 00:14:49,680 --> 00:14:51,600 Speaker 1: style with your Man's. 299 00:14:51,360 --> 00:14:56,720 Speaker 2: Clue and remembers that's not. 300 00:14:59,440 --> 00:15:03,480 Speaker 1: Crazy that I just feel like Glasses just wanted to 301 00:15:03,560 --> 00:15:05,120 Speaker 1: be on the opposite side, just to be on the 302 00:15:05,160 --> 00:15:08,000 Speaker 1: opposite side. But I also just don't know now if 303 00:15:08,880 --> 00:15:14,720 Speaker 1: because there's this Drake Kendrick Cole, if two things can 304 00:15:14,800 --> 00:15:16,880 Speaker 1: be true with people now because they feel like they 305 00:15:16,960 --> 00:15:21,800 Speaker 1: have to be in such allegiance to picking one or none. 306 00:15:22,640 --> 00:15:24,920 Speaker 2: What I mean the thing is with Cole, like. 307 00:15:27,680 --> 00:15:29,600 Speaker 3: Like I tell my girl this right when she's trying 308 00:15:29,600 --> 00:15:31,520 Speaker 3: to make a decision about something and trying to figure 309 00:15:31,560 --> 00:15:35,360 Speaker 3: out like which route to go, Choosing one thing means 310 00:15:35,400 --> 00:15:35,720 Speaker 3: you're not. 311 00:15:35,840 --> 00:15:36,800 Speaker 2: Choosing the other thing. 312 00:15:37,920 --> 00:15:41,200 Speaker 3: When when you make a decision about something, you're saying, 313 00:15:41,320 --> 00:15:43,640 Speaker 3: I'm going to go this way and I'm not doing that, 314 00:15:43,800 --> 00:15:46,680 Speaker 3: So you don't get to whatever when you wayne pros 315 00:15:46,760 --> 00:15:49,120 Speaker 3: and cons, you don't get to get the benefits of 316 00:15:49,200 --> 00:15:50,400 Speaker 3: the thing that you didn't choose. 317 00:15:50,440 --> 00:15:52,960 Speaker 1: No, I don't like that example because it's like if 318 00:15:53,040 --> 00:15:55,000 Speaker 1: I say I like pancakes, it. 319 00:15:55,000 --> 00:15:57,520 Speaker 3: Doesn't mean I hate waffle, No, But it means that 320 00:15:57,600 --> 00:15:59,200 Speaker 3: you don't get to eat a waffle. It just means 321 00:15:59,200 --> 00:16:01,000 Speaker 3: you don't get to talk about how delicious this wild 322 00:16:01,160 --> 00:16:03,080 Speaker 3: because you just ate a pancake French. 323 00:16:06,800 --> 00:16:07,240 Speaker 1: What I'm saying. 324 00:16:07,360 --> 00:16:09,160 Speaker 3: What I'm saying in relation to Cole though, is that 325 00:16:09,320 --> 00:16:13,040 Speaker 3: like he chose to bow out of the battle and apologize, 326 00:16:13,080 --> 00:16:14,760 Speaker 3: that felt good to him as a human being, That 327 00:16:14,840 --> 00:16:16,640 Speaker 3: felt good to his spirit and his heart. 328 00:16:16,960 --> 00:16:17,520 Speaker 2: He chose that. 329 00:16:17,920 --> 00:16:23,200 Speaker 3: I'm happy for him, But in doing that, you don't 330 00:16:23,280 --> 00:16:26,080 Speaker 3: also get to play, like to be a victim of 331 00:16:26,160 --> 00:16:28,440 Speaker 3: what people are saying about you and how they feel 332 00:16:28,480 --> 00:16:32,160 Speaker 3: about you doing that. No, but he's trying to explain 333 00:16:32,240 --> 00:16:34,080 Speaker 3: it to us. He's trying, and I don't to your 334 00:16:34,120 --> 00:16:36,400 Speaker 3: point about I don't want this album to be about that. 335 00:16:36,600 --> 00:16:39,880 Speaker 3: I don't either. I don't like what he did, but 336 00:16:40,080 --> 00:16:43,920 Speaker 3: I don't want to hear any more explanations are talking 337 00:16:44,040 --> 00:16:45,080 Speaker 3: around what happened. 338 00:16:45,080 --> 00:16:48,920 Speaker 2: I don't we already know what happened over doing that. 339 00:16:49,720 --> 00:16:52,160 Speaker 1: What is the subject matter of this album? Do we 340 00:16:52,240 --> 00:16:52,840 Speaker 1: think it's going to be? 341 00:16:53,000 --> 00:16:54,800 Speaker 3: I want to hear about rap about life, the things 342 00:16:54,840 --> 00:16:56,720 Speaker 3: that I like J Cole for when I first heard 343 00:16:56,840 --> 00:16:58,479 Speaker 3: J Cole, like when I heard. 344 00:17:00,360 --> 00:17:04,280 Speaker 1: He Got Us, I don't folding close And that album 345 00:17:04,440 --> 00:17:06,399 Speaker 1: was my for Your Eyes Only was my least favorite, 346 00:17:06,400 --> 00:17:08,560 Speaker 1: and it was you're talking about fatherhood, Like. 347 00:17:08,600 --> 00:17:13,000 Speaker 2: So I wasn't that a tribute to his homeboys? 348 00:17:15,000 --> 00:17:18,200 Speaker 1: But that album in general is that's the neighbors think 349 00:17:18,200 --> 00:17:18,880 Speaker 1: I'm selling dough. 350 00:17:19,280 --> 00:17:20,440 Speaker 2: That's the only song I liked on them. 351 00:17:20,720 --> 00:17:23,000 Speaker 1: But it's a lot is about him being a father 352 00:17:23,400 --> 00:17:26,119 Speaker 1: him like it was life And I don't know if 353 00:17:26,160 --> 00:17:28,920 Speaker 1: I want because he's so safe and he just rides 354 00:17:28,960 --> 00:17:31,639 Speaker 1: around New York on a bike, like I'm trying to 355 00:17:31,720 --> 00:17:34,320 Speaker 1: think of what I really like, what I want. 356 00:17:34,240 --> 00:17:35,119 Speaker 2: From him in this album. 357 00:17:35,200 --> 00:17:40,120 Speaker 3: See yes, MC is a competitive sport. Okay, he's going 358 00:17:40,240 --> 00:17:44,680 Speaker 3: to try to prove that he belongs. The problem but 359 00:17:44,800 --> 00:17:45,400 Speaker 3: this is rap. 360 00:17:45,560 --> 00:17:50,240 Speaker 2: This The problem is you can't say you the opportunity 361 00:17:50,400 --> 00:17:53,840 Speaker 2: was there to prove that you're number one, and you 362 00:17:54,000 --> 00:17:56,879 Speaker 2: bow down and and I go back to the Kato 363 00:17:57,000 --> 00:17:57,440 Speaker 2: ship Kate. 364 00:17:57,480 --> 00:17:59,159 Speaker 3: I was willing to go after both of them at 365 00:17:59,160 --> 00:18:01,480 Speaker 3: the same time. And the one issue I had with 366 00:18:01,600 --> 00:18:04,119 Speaker 3: Cole and I love that dude, man, I really do. 367 00:18:04,880 --> 00:18:07,920 Speaker 3: I remember when he first when he when his album 368 00:18:08,000 --> 00:18:12,479 Speaker 3: came out. First album was after the the mixtape? Right, 369 00:18:13,240 --> 00:18:17,920 Speaker 3: what did the show? Friday Night show A s obs 370 00:18:18,119 --> 00:18:20,440 Speaker 3: And I remember I got there, but you know where 371 00:18:20,440 --> 00:18:22,640 Speaker 3: I stood at. You've been to SB before, right. 372 00:18:24,040 --> 00:18:27,359 Speaker 2: Door? Oh the door, Like literally I had to peep 373 00:18:27,400 --> 00:18:31,479 Speaker 2: through the shout out to Junior the bouncing. He let 374 00:18:31,520 --> 00:18:34,159 Speaker 2: me watch, dude, and I'm like, Yo, this is fucking amazing. Right. 375 00:18:35,280 --> 00:18:38,240 Speaker 2: But you imagine if NAS said, Yo, I'm not doing 376 00:18:38,359 --> 00:18:40,239 Speaker 2: I'm not doing this battle with Jay, the proved who 377 00:18:40,320 --> 00:18:41,200 Speaker 2: I am. Yeah. 378 00:18:41,680 --> 00:18:43,760 Speaker 3: I think it's just so he had the opportunity to 379 00:18:43,880 --> 00:18:47,159 Speaker 3: do that. He didn't come out. So now if you 380 00:18:47,440 --> 00:18:50,480 Speaker 3: do this, even with the mixtape, my only issue is 381 00:18:50,520 --> 00:18:52,280 Speaker 3: go back. My only issue is he didn't put a 382 00:18:52,400 --> 00:18:55,040 Speaker 3: name to nothing. You got to say it with your chest. 383 00:18:55,160 --> 00:18:58,280 Speaker 1: Well, apparently Simba thinks he put a name to him. 384 00:18:58,480 --> 00:19:02,040 Speaker 2: He does now that y'all got to school. I heard 385 00:19:02,080 --> 00:19:06,560 Speaker 2: it and I love you. Tell me, there's no way. 386 00:19:08,040 --> 00:19:12,480 Speaker 2: There's no way, guy, did he Froggy. There's no way. 387 00:19:12,520 --> 00:19:13,560 Speaker 2: With all the things that have. 388 00:19:13,600 --> 00:19:16,399 Speaker 1: Been done and said in hip hop and what he 389 00:19:16,480 --> 00:19:17,280 Speaker 1: has to respond to. 390 00:19:17,600 --> 00:19:19,679 Speaker 2: He went back. This nigga brought up Simba. 391 00:19:20,160 --> 00:19:22,639 Speaker 3: Timber's issue is Simber don't have enough music to justify 392 00:19:22,840 --> 00:19:25,960 Speaker 3: him even responding responding like, no, no, you had some 393 00:19:26,080 --> 00:19:29,000 Speaker 3: catalog that we could different things and remind you. 394 00:19:29,160 --> 00:19:33,720 Speaker 1: Yes, when he bout out, Simba did release a song, 395 00:19:34,640 --> 00:19:37,880 Speaker 1: a freestyle talking about being disappointed that he bout out. 396 00:19:38,840 --> 00:19:42,680 Speaker 1: I do not think at what Cole has been since 397 00:19:42,800 --> 00:19:47,440 Speaker 1: what nine, That's what I'm saying, seventeen year career. That 398 00:19:47,640 --> 00:19:51,879 Speaker 1: he's responding to symbol. And if you've been listening to 399 00:19:52,040 --> 00:19:57,080 Speaker 1: Cole young, he's young Simba. Yeah, he refers to himself 400 00:19:57,200 --> 00:19:57,800 Speaker 1: as Simba. 401 00:19:58,000 --> 00:20:01,320 Speaker 3: Remember when Jay z Uh when he went at it's 402 00:20:01,359 --> 00:20:04,920 Speaker 3: a guy named me and no meno your fat ass 403 00:20:04,960 --> 00:20:07,320 Speaker 3: out of cannon because he because he was hearing all 404 00:20:07,359 --> 00:20:09,240 Speaker 3: that mixtape chattering and he said, I'm gonna just send 405 00:20:09,280 --> 00:20:11,520 Speaker 3: that one line and we never heard from that dude again. 406 00:20:11,840 --> 00:20:14,480 Speaker 1: So I think that this fellow, I hope that doesn't 407 00:20:14,480 --> 00:20:16,040 Speaker 1: happen because that's my boy. 408 00:20:16,440 --> 00:20:19,440 Speaker 2: That's my boy. But but that's what j Cole position is. 409 00:20:19,520 --> 00:20:23,960 Speaker 1: I don't like it reminds me of who was it 410 00:20:24,200 --> 00:20:27,200 Speaker 1: was it a SAP who was trying to get get 411 00:20:27,280 --> 00:20:30,640 Speaker 1: into the beef and Joey bad Joey. 412 00:20:30,480 --> 00:20:32,760 Speaker 2: Joey jo Joey was he wants Kendrick he wants he 413 00:20:33,400 --> 00:20:35,960 Speaker 2: tried to. I think he was reasserting himself because he 414 00:20:35,960 --> 00:20:36,639 Speaker 2: had a project too. 415 00:20:36,760 --> 00:20:39,840 Speaker 1: He was like, yeah, but like that's how I feel 416 00:20:39,920 --> 00:20:42,080 Speaker 1: right now about symbol, Like what are you doing? 417 00:20:42,119 --> 00:20:44,000 Speaker 3: He always felt that way about Joey. People were I 418 00:20:44,040 --> 00:20:45,520 Speaker 3: don't think joe should have Cole. 419 00:20:45,440 --> 00:20:47,640 Speaker 2: Said some I think he sent it astray at Joey 420 00:20:47,720 --> 00:20:48,159 Speaker 2: on there too. 421 00:20:48,560 --> 00:20:52,280 Speaker 1: Wait, we're saying what there was something he look here. 422 00:20:52,200 --> 00:20:53,960 Speaker 2: But that's saying he don't put no names and nothing, 423 00:20:54,040 --> 00:20:55,840 Speaker 2: so it's just leads the theater. I don't think. 424 00:20:56,119 --> 00:20:58,960 Speaker 3: I don't for me personally, like at this point to me, 425 00:20:59,440 --> 00:21:03,760 Speaker 3: you said that you're never gonna do put a name 426 00:21:03,800 --> 00:21:07,120 Speaker 3: on anything. Because the problem with me is that Kendrick 427 00:21:07,320 --> 00:21:10,200 Speaker 3: did say, like both of y'all, it can be both 428 00:21:10,240 --> 00:21:11,600 Speaker 3: of you if you wanted to be both of you. 429 00:21:11,800 --> 00:21:15,399 Speaker 3: But the difference is that he knows Cole, and I 430 00:21:15,480 --> 00:21:17,720 Speaker 3: feel like him and Cole have a good relationship, and 431 00:21:17,880 --> 00:21:20,600 Speaker 3: so with him and Cole, it could have just been rapid. 432 00:21:20,960 --> 00:21:24,359 Speaker 1: The last time I saw outside, Cole just went on 433 00:21:24,520 --> 00:21:28,520 Speaker 1: tour with Drake like they want, Like I also like 434 00:21:28,680 --> 00:21:32,200 Speaker 1: all the Internet saying that he believes that, or the 435 00:21:32,280 --> 00:21:34,920 Speaker 1: Internet believing that Cole is throwing shots at Drake. 436 00:21:35,480 --> 00:21:36,200 Speaker 2: I don't think. 437 00:21:36,880 --> 00:21:38,679 Speaker 1: I don't even think those are for Drake. And basically, 438 00:21:38,800 --> 00:21:40,920 Speaker 1: what is the bars talking about canceling a tour? 439 00:21:43,600 --> 00:21:48,320 Speaker 3: The Lucian Grange thing is for sure if the shoe 440 00:21:48,400 --> 00:21:56,520 Speaker 3: fits blind and yeah, I don't think the stream yeah yeah, yeah, yeah, yeah, 441 00:21:56,760 --> 00:21:57,240 Speaker 3: I don't think that. 442 00:21:57,680 --> 00:22:02,080 Speaker 2: That's what makes me. It's not about oh what what 443 00:22:02,680 --> 00:22:03,000 Speaker 2: is it in? 444 00:22:03,560 --> 00:22:03,679 Speaker 3: Uh? 445 00:22:05,920 --> 00:22:06,879 Speaker 2: Is pretty little fears? 446 00:22:07,960 --> 00:22:10,880 Speaker 1: No, he has, he has a where he talks about 447 00:22:10,960 --> 00:22:13,800 Speaker 1: he's talked about bots before, he's talked about niggas paying for. 448 00:22:13,880 --> 00:22:16,400 Speaker 2: Straight Yeah, yeah, he said that before. That's what I'm saying. 449 00:22:16,520 --> 00:22:18,480 Speaker 1: Like the fact that this has been said prior to 450 00:22:18,560 --> 00:22:19,080 Speaker 1: the beef. 451 00:22:18,960 --> 00:22:21,280 Speaker 3: Before, well, you know, there's a new lens that you 452 00:22:21,400 --> 00:22:23,560 Speaker 3: have to look that the people are looking at everything 453 00:22:24,280 --> 00:22:26,680 Speaker 3: between Cole Drake and you know they're going to dig 454 00:22:26,720 --> 00:22:28,440 Speaker 3: through all of it, which to me is fine because 455 00:22:28,480 --> 00:22:29,879 Speaker 3: at least people are looking at lyrics. 456 00:22:30,200 --> 00:22:32,160 Speaker 2: But I don't think it has I don't think it's 457 00:22:32,720 --> 00:22:33,720 Speaker 2: it's the song. 458 00:22:33,640 --> 00:22:36,119 Speaker 1: With I Went Black, It's the song with twenty one 459 00:22:36,960 --> 00:22:39,399 Speaker 1: the one that won the Grammy where he talked about. 460 00:22:39,520 --> 00:22:40,840 Speaker 2: Stream a lot. 461 00:22:41,000 --> 00:22:43,760 Speaker 1: Yeah, yeah, a lot of niggas taking the streams, you. 462 00:22:43,760 --> 00:22:45,679 Speaker 2: Know what I mean. So it's a it's a common 463 00:22:45,760 --> 00:22:48,480 Speaker 2: thing to just when you say it and. 464 00:22:49,040 --> 00:22:51,920 Speaker 1: There's no beef, so no one thinks anything. So again 465 00:22:52,000 --> 00:22:53,879 Speaker 1: to bring the line back to bots now instead of 466 00:22:53,920 --> 00:22:55,480 Speaker 1: faking stream yeah, same ship. 467 00:22:55,640 --> 00:22:55,840 Speaker 2: Yeah. 468 00:22:56,119 --> 00:22:58,480 Speaker 1: Now that that's why I don't know. I don't know. 469 00:22:58,560 --> 00:23:00,440 Speaker 1: I don't think that he would come after Dre. I'm 470 00:23:00,440 --> 00:23:04,240 Speaker 1: actually hoping that Drake is on the fall off. I'm 471 00:23:04,320 --> 00:23:06,719 Speaker 1: hoping heavily the both of them. 472 00:23:07,880 --> 00:23:08,480 Speaker 2: They dropped a. 473 00:23:08,480 --> 00:23:11,720 Speaker 1: Picture of him and Kendrick in the studio recently, or 474 00:23:12,440 --> 00:23:14,520 Speaker 1: maybe it's old, maybe it's a I don't know, because 475 00:23:14,560 --> 00:23:15,679 Speaker 1: AI be getting A. 476 00:23:17,920 --> 00:23:19,680 Speaker 2: Don't but everybody getting me. 477 00:23:19,680 --> 00:23:23,520 Speaker 1: I'm not gonna hold you Ai. AI is getting me 478 00:23:24,280 --> 00:23:26,080 Speaker 1: and now I don't like it and I ain't gonna 479 00:23:26,080 --> 00:23:29,359 Speaker 1: hold you. Grock not catching it all like normally, Grock, 480 00:23:30,000 --> 00:23:32,200 Speaker 1: that's my side Nigga. By the way, No, no, Brock 481 00:23:32,280 --> 00:23:34,200 Speaker 1: is actually my gay home boy. Vid i Q is 482 00:23:34,280 --> 00:23:41,280 Speaker 1: now my side nigga and topsive you know, but Grock 483 00:23:41,320 --> 00:23:43,440 Speaker 1: don't even be telling me when she is Ai anymore. 484 00:23:43,840 --> 00:23:46,720 Speaker 1: And he used to actually be like, uh, this is. 485 00:23:46,760 --> 00:23:51,119 Speaker 2: Actual get programmed. Your man's that owns that. I was like, 486 00:23:51,800 --> 00:23:53,879 Speaker 2: Elon is not my man. I'm just saying the. 487 00:23:53,880 --> 00:23:58,040 Speaker 1: People you know me and Bezel's gotta talk because you 488 00:23:58,080 --> 00:24:00,160 Speaker 1: can't be laying laying off sixteen thousand. 489 00:24:00,240 --> 00:24:03,000 Speaker 2: Bure Like, Bro, you can't. 490 00:24:02,760 --> 00:24:05,360 Speaker 1: Be laying off that many people after you just did 491 00:24:05,480 --> 00:24:09,600 Speaker 1: layoffs last at the end of last year. Yes, bezos, 492 00:24:10,480 --> 00:24:13,120 Speaker 1: Now you got presents in my house daily. Now calm down, 493 00:24:13,920 --> 00:24:16,120 Speaker 1: or I can't even find nothing else. That's a monopoli. 494 00:24:17,680 --> 00:24:22,800 Speaker 1: Let's get into just quick thoughts on on birthday Blizzard 495 00:24:23,440 --> 00:24:26,159 Speaker 1: that was released on his birthday. By the way, not 496 00:24:26,320 --> 00:24:29,320 Speaker 1: my best friend. My best friend is so clueless. She 497 00:24:29,520 --> 00:24:34,280 Speaker 1: thought I was posting a man like. She thought I 498 00:24:34,440 --> 00:24:38,280 Speaker 1: was soft launching a boyfriend because I posted a picture 499 00:24:38,359 --> 00:24:41,440 Speaker 1: of Jake Cole on his birth like a birthday. 500 00:24:41,160 --> 00:24:42,960 Speaker 2: Picture, and I was like, girl, is Jay Cole? 501 00:24:43,840 --> 00:24:45,800 Speaker 1: She was like, how am I supposed to know? He 502 00:24:45,920 --> 00:24:50,240 Speaker 1: looked like one of your niggas would look like, because bro, 503 00:24:50,400 --> 00:24:52,400 Speaker 1: look at you was shaking her. Bro. She literally thought 504 00:24:52,440 --> 00:24:54,320 Speaker 1: I was soft launching a man. I said, girl, it 505 00:24:54,359 --> 00:24:56,399 Speaker 1: is January twenty eighth. Do you know what that day is? 506 00:24:57,000 --> 00:24:58,680 Speaker 1: I said, it is Jaco's birthday. 507 00:24:59,160 --> 00:25:01,040 Speaker 2: He looked like one of the nigg who you wasn't 508 00:25:01,200 --> 00:25:01,960 Speaker 2: to have plenty of house. 509 00:25:02,920 --> 00:25:06,399 Speaker 1: But anyways, thoughts on it again, I don't think he 510 00:25:06,560 --> 00:25:09,920 Speaker 1: was throwing shots. I loved hearing it. It was giving 511 00:25:10,040 --> 00:25:13,359 Speaker 1: me Friday night lights. It was giving me back like. 512 00:25:13,520 --> 00:25:15,159 Speaker 2: It was giving it. 513 00:25:15,600 --> 00:25:16,120 Speaker 1: It was cool. 514 00:25:17,280 --> 00:25:17,760 Speaker 2: I don't like this. 515 00:25:17,960 --> 00:25:18,560 Speaker 3: It was cool. 516 00:25:18,800 --> 00:25:19,280 Speaker 1: You didn't like it? 517 00:25:19,760 --> 00:25:21,399 Speaker 2: No, I did not like it. I just didn't. 518 00:25:22,320 --> 00:25:24,400 Speaker 3: I didn't need it, like I didn't need a mixtape 519 00:25:24,400 --> 00:25:26,399 Speaker 3: before this album. It's not even a whole mixtape, but 520 00:25:26,480 --> 00:25:29,200 Speaker 3: just some freestyle. I mean, I like hearing good rapping. 521 00:25:29,280 --> 00:25:31,720 Speaker 3: But I'm just saying like it didn't to me, it's 522 00:25:31,760 --> 00:25:33,480 Speaker 3: like if you put out a mixtape. It's almost like 523 00:25:33,560 --> 00:25:35,560 Speaker 3: when you put out a movie trailer. The point is 524 00:25:35,680 --> 00:25:38,720 Speaker 3: to get people more excited for the movie. 525 00:25:39,200 --> 00:25:42,560 Speaker 1: Okay, And so you're mad that it wasn't another single 526 00:25:42,640 --> 00:25:43,680 Speaker 1: from Yeah. 527 00:25:43,680 --> 00:25:46,200 Speaker 3: I would have much rather have a real single, like 528 00:25:46,200 --> 00:25:50,439 Speaker 3: because the talk of the reverse that's not really a single. 529 00:25:50,840 --> 00:25:52,720 Speaker 3: Like if you're saying this is I just don't understand 530 00:25:52,760 --> 00:25:55,320 Speaker 3: the rollout right now, because to me, if you're saying, 531 00:25:55,400 --> 00:25:58,200 Speaker 3: this is the fall off quote unquote your last album 532 00:25:58,280 --> 00:26:01,520 Speaker 3: that you haven't exactly called your last I just expected 533 00:26:01,640 --> 00:26:04,680 Speaker 3: something more, not that it had to be like over 534 00:26:04,760 --> 00:26:07,399 Speaker 3: the top, but a little bigger, a little more celebratory, 535 00:26:07,440 --> 00:26:09,600 Speaker 3: a little bit more like when jay Z did a 536 00:26:09,640 --> 00:26:11,960 Speaker 3: black album, this was a big deal, like this is 537 00:26:12,240 --> 00:26:16,320 Speaker 3: this is the jay Z Grand Finale allegedly, And I'm like, okay, 538 00:26:16,440 --> 00:26:18,160 Speaker 3: give us that, you don't. We don't have a real 539 00:26:18,240 --> 00:26:20,399 Speaker 3: single that we can like play over and over again. 540 00:26:21,359 --> 00:26:23,800 Speaker 3: I'm not talking about like a pop radio single. It 541 00:26:24,080 --> 00:26:25,920 Speaker 3: could just it could be some hardcore wraps, it could 542 00:26:25,920 --> 00:26:27,639 Speaker 3: be a rap anthem. But I'm just saying, give us 543 00:26:27,720 --> 00:26:31,080 Speaker 3: something that we can really attach ourselves to. And like, 544 00:26:31,280 --> 00:26:33,560 Speaker 3: that single song doesn't really do it for me like that, 545 00:26:34,040 --> 00:26:36,480 Speaker 3: And his mixtape was just like okay, cool, you put 546 00:26:36,480 --> 00:26:38,800 Speaker 3: out a little mixtape. I appreciate the clue thing, but 547 00:26:39,240 --> 00:26:41,320 Speaker 3: this didn't make me more excited for the album. I'm 548 00:26:41,400 --> 00:26:44,399 Speaker 3: still ready for the actual album. What are you actually 549 00:26:44,440 --> 00:26:46,399 Speaker 3: going to talk about? Will you actually what is this 550 00:26:46,520 --> 00:26:49,399 Speaker 3: project actually about? And right now it just seems like 551 00:26:49,600 --> 00:26:51,840 Speaker 3: a secret that he wants to keep to himself until 552 00:26:51,960 --> 00:26:54,200 Speaker 3: we actually hear it, which I'm I will. 553 00:26:54,040 --> 00:26:56,280 Speaker 1: Say, I'm hoping I get a new version of Lost 554 00:26:56,320 --> 00:26:59,919 Speaker 1: Ones that would be with with with what's been happening 555 00:27:00,600 --> 00:27:02,520 Speaker 1: in the world. 556 00:27:03,440 --> 00:27:03,920 Speaker 2: BLM. 557 00:27:04,040 --> 00:27:05,960 Speaker 1: I don't know if you could take something that's been 558 00:27:07,119 --> 00:27:11,000 Speaker 1: a conversation globally about the death, like I don't know, 559 00:27:11,119 --> 00:27:14,080 Speaker 1: maybe maybe doing a tray Von Martin version of Lost 560 00:27:14,119 --> 00:27:17,000 Speaker 1: Ones where you're wrapping from all the different perspectives, like 561 00:27:17,400 --> 00:27:20,240 Speaker 1: that's the that's the ship, that's that's some ship he 562 00:27:20,280 --> 00:27:23,840 Speaker 1: would do. I'm hoping to get that. I don't need 563 00:27:23,880 --> 00:27:27,040 Speaker 1: a whole album of him bragging about how he's a 564 00:27:27,080 --> 00:27:32,200 Speaker 1: better lyricist than everyone else, or or how the people 565 00:27:32,240 --> 00:27:34,920 Speaker 1: who he grew up idolizing are ain't shit now, Like 566 00:27:35,160 --> 00:27:37,800 Speaker 1: I don't know I want, I don't know. I don't 567 00:27:37,840 --> 00:27:39,480 Speaker 1: know what I want from him. I do know with 568 00:27:39,560 --> 00:27:42,280 Speaker 1: a double disc though, we are probably gonna get a 569 00:27:42,320 --> 00:27:46,280 Speaker 1: lot of features which normally we don't, which normally we don't. 570 00:27:46,119 --> 00:27:46,760 Speaker 2: Know we don't. 571 00:27:46,800 --> 00:27:48,280 Speaker 3: But I hope that he does a little bit of 572 00:27:48,359 --> 00:27:52,560 Speaker 3: something now. I don't need everybody, but like, who. 573 00:27:52,480 --> 00:27:53,919 Speaker 1: Do you want on album? 574 00:27:54,440 --> 00:27:56,960 Speaker 2: Honestly, I would like to have Drake and Kendrick on 575 00:27:57,119 --> 00:27:57,680 Speaker 2: separate song. 576 00:27:57,800 --> 00:27:58,960 Speaker 1: Would I want them both on. 577 00:28:00,160 --> 00:28:01,000 Speaker 2: I would want him to. 578 00:28:01,160 --> 00:28:02,399 Speaker 1: We're definitely gonna get twenty one. 579 00:28:02,920 --> 00:28:04,920 Speaker 3: They'd probably get twenty one. I would like to see 580 00:28:05,000 --> 00:28:08,440 Speaker 3: him do maybe a posse cut. We've never really seen 581 00:28:08,520 --> 00:28:09,520 Speaker 3: Cole on a posse cut. 582 00:28:09,600 --> 00:28:11,440 Speaker 1: I was no, he had no he did, he did 583 00:28:11,480 --> 00:28:13,600 Speaker 1: the he had a whole album. He had us on 584 00:28:13,640 --> 00:28:15,359 Speaker 1: a dream the Dream No. 585 00:28:15,359 --> 00:28:17,720 Speaker 2: No, no, but I mean a posse cut like hat 586 00:28:17,840 --> 00:28:20,479 Speaker 2: like j Cole and six other niggas. 587 00:28:21,080 --> 00:28:23,960 Speaker 1: No, he's done that the Dreamers, like all of the 588 00:28:24,080 --> 00:28:25,560 Speaker 1: songs where he had. 589 00:28:26,960 --> 00:28:30,280 Speaker 3: I'm talking, I'm talking about like it was Dreamville. I mean, 590 00:28:30,440 --> 00:28:32,320 Speaker 3: like I want to hear, like, get a song that 591 00:28:32,440 --> 00:28:38,240 Speaker 3: has Cole Benny the Butcher. Well we have they yeah, yeah, 592 00:28:38,320 --> 00:28:43,240 Speaker 3: thirty Marco plus Marco plus Chris Patrick whoever he wants 593 00:28:43,240 --> 00:28:46,640 Speaker 3: to pust from North Carolina, Ruben Vincent, Ruben Vincent, like, 594 00:28:46,920 --> 00:28:49,440 Speaker 3: bring in some some some vets, bring in some new 595 00:28:49,520 --> 00:28:50,760 Speaker 3: guys so you respect, like. 596 00:28:50,880 --> 00:28:55,960 Speaker 2: You think we get a whole No, but I hope 597 00:28:56,000 --> 00:29:01,080 Speaker 2: that's watch all the songs a nice Watch. Yes, I 598 00:29:01,200 --> 00:29:02,600 Speaker 2: think all they song together suck. 599 00:29:03,320 --> 00:29:06,120 Speaker 3: It's like they're they're terrible, right, mister nice Watch and 600 00:29:06,960 --> 00:29:07,640 Speaker 3: stars Born. 601 00:29:07,760 --> 00:29:10,600 Speaker 2: I hate them both. I think we haven't heard of 602 00:29:10,720 --> 00:29:12,240 Speaker 2: jay verse, but can we get a go? 603 00:29:12,680 --> 00:29:14,920 Speaker 1: So you think you think the third time ain't gonna 604 00:29:14,920 --> 00:29:15,280 Speaker 1: be the charge? 605 00:29:15,280 --> 00:29:16,520 Speaker 2: I hope. So that's what I'm saying. 606 00:29:16,680 --> 00:29:17,920 Speaker 1: You don't think we get one though? 607 00:29:18,000 --> 00:29:20,080 Speaker 3: No, yeah, no, I don't think we get one, but 608 00:29:20,120 --> 00:29:21,520 Speaker 3: I hope we do. I don't think we get one. 609 00:29:21,760 --> 00:29:25,160 Speaker 3: I do think this is gonna be Cold's biggest best work. 610 00:29:25,880 --> 00:29:27,160 Speaker 3: Oh for sure, that's best work. 611 00:29:27,520 --> 00:29:29,800 Speaker 2: I think the reason why we get the mixtape is 612 00:29:29,840 --> 00:29:32,239 Speaker 2: because of what happened at the when he bowed out 613 00:29:32,280 --> 00:29:35,200 Speaker 2: the battle he wanted to make He wanted to make sure. 614 00:29:36,080 --> 00:29:39,520 Speaker 2: Hey guys, all right, yes, I like that. I'm still 615 00:29:39,640 --> 00:29:41,960 Speaker 2: that guy. So I'm gonna let you what. 616 00:29:42,320 --> 00:29:43,880 Speaker 1: Is your favorite Cold project? 617 00:29:43,920 --> 00:29:44,080 Speaker 2: Now? 618 00:29:44,200 --> 00:29:45,680 Speaker 1: And do you think it tops your. 619 00:29:47,200 --> 00:29:48,640 Speaker 2: Your face? Sorry? Twenty fourteen? 620 00:29:49,000 --> 00:29:54,239 Speaker 3: I'm not, of course, that's yeah, that's the end, right, 621 00:29:54,440 --> 00:29:57,640 Speaker 3: But that's still well, it was supposed to be his album, right, 622 00:29:57,880 --> 00:30:00,680 Speaker 3: so he lead him So then. 623 00:30:02,600 --> 00:30:06,440 Speaker 2: Born Center twenty fourteen, Kod Born Center, And that's the 624 00:30:06,560 --> 00:30:07,000 Speaker 2: order for me. 625 00:30:07,280 --> 00:30:07,560 Speaker 1: Really. 626 00:30:08,080 --> 00:30:15,280 Speaker 2: I know people frown upon Kod, but I'm not gonna lie. 627 00:30:15,280 --> 00:30:17,000 Speaker 2: That was my second favorite project. I liked it. 628 00:30:17,320 --> 00:30:20,400 Speaker 3: I don't I liked kod But I do think the 629 00:30:20,480 --> 00:30:21,040 Speaker 3: production was. 630 00:30:21,080 --> 00:30:24,040 Speaker 2: So different like he was. It was, it was, it 631 00:30:24,200 --> 00:30:25,400 Speaker 2: was quirky. 632 00:30:25,680 --> 00:30:28,160 Speaker 1: It was an album that I felt like had a 633 00:30:28,280 --> 00:30:29,160 Speaker 1: theme it did. 634 00:30:30,400 --> 00:30:32,360 Speaker 3: I love that sh and I fall Off is going 635 00:30:32,400 --> 00:30:34,320 Speaker 3: to have a theme. I think, oh for sure. But 636 00:30:34,440 --> 00:30:35,080 Speaker 3: that's what I'm saying. 637 00:30:35,520 --> 00:30:37,400 Speaker 1: That's right, That's where I'm thinking, what is the theme? 638 00:30:38,080 --> 00:30:39,760 Speaker 3: But that's what I'm saying, Like that you're calling it 639 00:30:39,840 --> 00:30:43,560 Speaker 3: the fall Off, You're saying it is. I guess it's 640 00:30:43,640 --> 00:30:48,480 Speaker 3: maybe an autobiographical, metaphorical representation of his own career in 641 00:30:48,560 --> 00:30:50,160 Speaker 3: a in a creative project. 642 00:30:50,200 --> 00:30:52,160 Speaker 2: But I just don't feel like I'm wrapped into that 643 00:30:52,320 --> 00:30:52,920 Speaker 2: world yet. 644 00:30:53,080 --> 00:30:55,719 Speaker 3: And that's what I'm saying about the mixtape, Like so far, 645 00:30:55,800 --> 00:30:57,240 Speaker 3: if you're saying it's the fall Off, this is a 646 00:30:57,360 --> 00:31:02,120 Speaker 3: concept album of some kind about his ascension and now, uh, 647 00:31:02,440 --> 00:31:05,400 Speaker 3: you know, maybe stepping back from the microphone for a 648 00:31:05,440 --> 00:31:07,720 Speaker 3: little bit, Okay, you wrap that one song in reverse 649 00:31:07,760 --> 00:31:08,400 Speaker 3: about your life. 650 00:31:08,560 --> 00:31:10,200 Speaker 2: I get that part of it, but I don't. 651 00:31:10,240 --> 00:31:12,200 Speaker 1: But I wonder if knowing that it took the ten years, 652 00:31:12,200 --> 00:31:15,240 Speaker 1: I wonder if that is the project, Like even knowing 653 00:31:15,320 --> 00:31:18,680 Speaker 1: that it's a boy is like, which is him now? 654 00:31:18,760 --> 00:31:20,880 Speaker 1: We know from the reverse, like that's him being born 655 00:31:20,920 --> 00:31:23,200 Speaker 1: and he's talking about himself. So I do wonder if 656 00:31:23,240 --> 00:31:26,760 Speaker 1: we go back to his childhood grow like and if 657 00:31:27,040 --> 00:31:29,560 Speaker 1: everyone talked about him always talking about going to college, 658 00:31:29,840 --> 00:31:32,800 Speaker 1: how that was rough graduating college? Like, I wonder if 659 00:31:32,840 --> 00:31:34,640 Speaker 1: we actually do just go back to getting more of 660 00:31:34,720 --> 00:31:36,680 Speaker 1: that instead of the I'm up here. 661 00:31:36,800 --> 00:31:40,480 Speaker 3: Well, I think the fall off is also him contextualizing 662 00:31:40,600 --> 00:31:42,920 Speaker 3: how rap superstars what happens to them. 663 00:31:43,040 --> 00:31:44,360 Speaker 2: Yes, for sure. 664 00:31:44,440 --> 00:31:47,000 Speaker 3: So he's just saying, hey, well, let me put the 665 00:31:47,360 --> 00:31:50,680 Speaker 3: mirror up on the culture and how we view artists 666 00:31:50,720 --> 00:31:52,840 Speaker 3: as a you know, ay get to a certain right 667 00:31:53,000 --> 00:31:54,720 Speaker 3: or get to a certain point in there in there 668 00:31:54,800 --> 00:31:57,120 Speaker 3: in their success. So he's like, hey, I'm gonna just 669 00:31:57,160 --> 00:31:58,880 Speaker 3: nip that in the buve before y'all try to paint 670 00:31:58,880 --> 00:31:59,360 Speaker 3: me put. 671 00:31:59,160 --> 00:32:00,840 Speaker 1: Me in I mean, I think it's interesting right now 672 00:32:00,960 --> 00:32:04,000 Speaker 1: those thing and and he already talked about false prophets. 673 00:32:04,080 --> 00:32:08,239 Speaker 1: But yes, when we look at what we're seeing right 674 00:32:08,280 --> 00:32:12,040 Speaker 1: now in hip hop and music, is Nigga's literally tarnishing 675 00:32:12,080 --> 00:32:16,520 Speaker 1: their legacy with Kanye, with Nikki, with even Wayne with 676 00:32:16,920 --> 00:32:19,240 Speaker 1: with I mean and you know what I mean, Like 677 00:32:19,400 --> 00:32:23,440 Speaker 1: we're seeing it and then we're also visibly seeing Drake, 678 00:32:23,640 --> 00:32:25,480 Speaker 1: who I don't think anyone would have thought we would 679 00:32:25,520 --> 00:32:28,600 Speaker 1: have seen the fall from Grace happening everyone, And so 680 00:32:28,760 --> 00:32:31,920 Speaker 1: I wonder too if there's fear of that happening with 681 00:32:32,160 --> 00:32:35,400 Speaker 1: like that whole thing. We've seen Jay just become a 682 00:32:35,480 --> 00:32:40,080 Speaker 1: fucking billionaire, but getting into business like whatever the trajectory 683 00:32:40,160 --> 00:32:43,200 Speaker 1: looks like for rappers is it's weird right now because 684 00:32:43,360 --> 00:32:45,280 Speaker 1: also at fifty plus you can be rappid. 685 00:32:45,360 --> 00:32:46,720 Speaker 2: But we won, We want we win. 686 00:32:47,480 --> 00:32:51,680 Speaker 3: We get the album right, yeah, and then we get 687 00:32:51,720 --> 00:32:57,400 Speaker 3: the Grammys that got all these lyrical lyric Lyricists are 688 00:32:57,480 --> 00:32:59,880 Speaker 3: not supposed to be highlighted in the same vein. 689 00:33:00,120 --> 00:33:03,520 Speaker 1: My last year, didn't he for his album? 690 00:33:03,880 --> 00:33:04,080 Speaker 2: Yeah? 691 00:33:04,120 --> 00:33:07,040 Speaker 3: Yeah, but lyricists aren't supposed to be highlighted like this 692 00:33:08,080 --> 00:33:11,160 Speaker 3: to that capacity of a of a kado as a 693 00:33:11,240 --> 00:33:11,719 Speaker 3: cold right. 694 00:33:11,960 --> 00:33:14,320 Speaker 2: But we're getting at this, We are getting it right. 695 00:33:14,400 --> 00:33:16,760 Speaker 2: Oh yeah, we're getting that on ten, you know what 696 00:33:16,800 --> 00:33:17,160 Speaker 2: I'm saying. 697 00:33:17,240 --> 00:33:21,000 Speaker 3: So we win, regardless of what happened with these lawsuits whatever, 698 00:33:21,280 --> 00:33:27,360 Speaker 3: when Drake finally comes around and just kills the ego, 699 00:33:27,480 --> 00:33:28,800 Speaker 3: we're gonna get, We're gonna we're gonna win. 700 00:33:28,880 --> 00:33:32,080 Speaker 1: Again, I will say as a double disc, I don't 701 00:33:32,120 --> 00:33:35,840 Speaker 1: want throwaways. I like to listen, and so I'm hoping 702 00:33:35,920 --> 00:33:39,240 Speaker 1: that it's not to twenty so like to twenty pieces, 703 00:33:39,880 --> 00:33:43,680 Speaker 1: Like you think he might be an album, She might 704 00:33:43,720 --> 00:33:45,960 Speaker 1: be an album. We might even get a Summer Walker, like, yeah, 705 00:33:46,640 --> 00:33:49,000 Speaker 1: Ji gonna be on an album. Like to me though, 706 00:33:49,160 --> 00:33:52,880 Speaker 1: like when I even think of Chris Brown albums, forty 707 00:33:53,040 --> 00:33:53,760 Speaker 1: just become too much. 708 00:33:54,280 --> 00:33:56,520 Speaker 2: Yeah that was crazy. Yeah, forty just becomes too much. 709 00:33:56,600 --> 00:33:58,720 Speaker 1: And I want to be able to get into a 710 00:33:58,800 --> 00:34:02,080 Speaker 1: mood where I'm just like, Okay, this side, this side 711 00:34:02,120 --> 00:34:03,000 Speaker 1: is that, now, let me go to this. 712 00:34:03,320 --> 00:34:03,480 Speaker 2: Yeah. 713 00:34:03,480 --> 00:34:05,600 Speaker 3: I feel like with an album and nothing, because that's 714 00:34:05,600 --> 00:34:06,960 Speaker 3: how I felt about was it Scorpion was. 715 00:34:06,960 --> 00:34:07,560 Speaker 1: A double this too? 716 00:34:07,640 --> 00:34:07,720 Speaker 4: Right? 717 00:34:07,840 --> 00:34:09,879 Speaker 2: Yeah, it's just it's fat one. 718 00:34:10,080 --> 00:34:10,600 Speaker 1: It was fat. 719 00:34:10,719 --> 00:34:11,960 Speaker 2: It was fat, and it was just like and it 720 00:34:12,040 --> 00:34:14,279 Speaker 2: was like, let's cut off some of this fat. I don't. 721 00:34:14,280 --> 00:34:16,719 Speaker 2: I'm hoping that it's not that. I think Cole has 722 00:34:16,760 --> 00:34:18,480 Speaker 2: been pretty good since. 723 00:34:19,719 --> 00:34:22,680 Speaker 3: Since Born Center, everything after Born Center, going from twenty 724 00:34:22,719 --> 00:34:27,120 Speaker 3: fourteen kod even even for Your Eyes Only. I feel 725 00:34:27,160 --> 00:34:29,000 Speaker 3: like whether he liked the songs or not as one thing, 726 00:34:29,080 --> 00:34:31,520 Speaker 3: but I feel like he's been good at not having 727 00:34:31,800 --> 00:34:35,920 Speaker 3: fat that. I feel like he doesn't just make the 728 00:34:36,000 --> 00:34:38,520 Speaker 3: songs that make the album lean. It's pretty lean. The 729 00:34:38,640 --> 00:34:41,600 Speaker 3: songs that are there means something, It's about something. It's 730 00:34:41,680 --> 00:34:44,759 Speaker 3: not just a song because I have a song. I 731 00:34:44,800 --> 00:34:47,200 Speaker 3: feel like I need him talking. 732 00:34:47,840 --> 00:34:49,279 Speaker 2: I want stories like I want that. 733 00:34:49,440 --> 00:34:53,080 Speaker 1: I miss interludes, I miss like albums taking you on 734 00:34:53,120 --> 00:34:53,799 Speaker 1: a journey. 735 00:34:53,680 --> 00:34:54,080 Speaker 2: Journey soon. 736 00:34:54,440 --> 00:34:56,319 Speaker 3: But that's what again, That's why I keep coming back 737 00:34:56,320 --> 00:34:58,160 Speaker 3: to that. Right now, I feel like we're not on 738 00:34:58,280 --> 00:35:00,719 Speaker 3: a journey, and I just don't understand why. 739 00:35:00,800 --> 00:35:02,440 Speaker 2: Now. Maybe we'll be on one when the album comes out. 740 00:35:02,440 --> 00:35:05,000 Speaker 2: With the rollout, I'm I'm supposed. 741 00:35:05,160 --> 00:35:07,640 Speaker 3: I feel like I'm supposed to be invested in a 742 00:35:07,760 --> 00:35:09,879 Speaker 3: world if you think about it, though, and I don't 743 00:35:09,920 --> 00:35:10,759 Speaker 3: know what I'm investing in. 744 00:35:10,960 --> 00:35:13,760 Speaker 2: Well, he releases the song. 745 00:35:13,680 --> 00:35:16,799 Speaker 1: In reverse and like he takes it back to where 746 00:35:16,840 --> 00:35:19,440 Speaker 1: he started with the mixtape, like I actually feel like 747 00:35:19,560 --> 00:35:21,799 Speaker 1: he's dropping it like a journey. I also want to say, hey, 748 00:35:21,920 --> 00:35:25,160 Speaker 1: dream Belle, get it together, low Cole, that nigga be 749 00:35:25,520 --> 00:35:28,640 Speaker 1: texting me two days late. I don't see they got 750 00:35:28,680 --> 00:35:31,160 Speaker 1: the are y'all look, I'm probably. 751 00:35:32,680 --> 00:35:36,680 Speaker 3: Yeah, yeah, yeah, I getta came out. 752 00:35:36,960 --> 00:35:40,719 Speaker 1: All that's coming latest pot Yeah you got the text 753 00:35:40,800 --> 00:35:41,560 Speaker 1: two days after that. 754 00:35:43,520 --> 00:35:46,000 Speaker 2: Came out, but don't feel like you are fans. 755 00:35:46,080 --> 00:35:47,800 Speaker 1: Yeah, but I should be getting that before the internet. 756 00:35:48,040 --> 00:35:50,160 Speaker 1: If I'm text messages. 757 00:35:51,360 --> 00:35:54,720 Speaker 2: Guys, it's so dope that this. We gotta be fans 758 00:35:54,840 --> 00:35:55,640 Speaker 2: of niggas again. 759 00:35:56,080 --> 00:35:58,360 Speaker 1: Oh, I'm right, And that's what we don't have and 760 00:35:58,440 --> 00:35:58,719 Speaker 1: he don't. 761 00:35:58,760 --> 00:36:00,920 Speaker 3: We gotta we have to be fans of these niggas, 762 00:36:00,960 --> 00:36:04,120 Speaker 3: regardless of what we yes, this history, what we're what 763 00:36:04,200 --> 00:36:04,800 Speaker 3: we're witnessing. 764 00:36:04,920 --> 00:36:09,040 Speaker 2: Right in ten twenty years from now, we get to say, yo, colon, right, 765 00:36:09,800 --> 00:36:11,920 Speaker 2: let's be fans again. Let's listen to this, let's dissect 766 00:36:11,960 --> 00:36:12,680 Speaker 2: the ship, let's listen. 767 00:36:13,440 --> 00:36:16,839 Speaker 1: I think that that's my problem right now. People are 768 00:36:17,000 --> 00:36:20,040 Speaker 1: only listening to critique. They're listening to have an opinion. 769 00:36:20,120 --> 00:36:23,600 Speaker 1: They're not listening to take in or to just be 770 00:36:23,719 --> 00:36:25,640 Speaker 1: a fan or see what the artist is doing as 771 00:36:25,680 --> 00:36:29,200 Speaker 1: a fucking artist. Look y'all can't see him here. How 772 00:36:29,280 --> 00:36:33,920 Speaker 1: much of these missive this is actually expensive? 773 00:36:34,040 --> 00:36:37,080 Speaker 3: Listen, you get a thousand dollar tacks refund. I guarantee 774 00:36:37,080 --> 00:36:40,040 Speaker 3: you somebody buying them, somebody buying some programs. 775 00:36:40,120 --> 00:36:44,520 Speaker 1: Yeah, I'm really hoping that when this project releases, let's 776 00:36:44,560 --> 00:36:47,319 Speaker 1: go by the time y'all are listening to this album's out. 777 00:36:47,760 --> 00:36:49,800 Speaker 1: I don't want people to rush to the goddamn internet 778 00:36:49,840 --> 00:36:50,799 Speaker 1: with their goddamn. 779 00:36:53,239 --> 00:36:56,080 Speaker 2: You know it's going to hate it. The reaction. You 780 00:36:56,120 --> 00:36:58,800 Speaker 2: should do it. Let's still a reaction live. Oh you 781 00:36:58,840 --> 00:37:01,200 Speaker 2: want to stream it? Let's let's yeah. Yeah, that's what 782 00:37:01,200 --> 00:37:04,000 Speaker 2: I was saying, like I was love only on Patreon. 783 00:37:04,760 --> 00:37:09,560 Speaker 3: Y'all want to do that a thousand percent? Yeah, Friday night, 784 00:37:10,960 --> 00:37:13,880 Speaker 3: every about to say I'm leaving no hold on. 785 00:37:16,840 --> 00:37:20,399 Speaker 2: What's yeah? Yeah, I leave, I leave leave right after. 786 00:37:22,080 --> 00:37:24,759 Speaker 2: I wish we could do it. Actually, well, I was 787 00:37:24,840 --> 00:37:25,520 Speaker 2: gonna say we could. 788 00:37:25,560 --> 00:37:27,279 Speaker 1: Maybe I phone into because I'll go on. I'll go 789 00:37:27,360 --> 00:37:29,160 Speaker 1: on Twitch. It's with man to be on Twitch. 790 00:37:30,160 --> 00:37:30,359 Speaker 2: Yeah. 791 00:37:30,520 --> 00:37:33,440 Speaker 1: And no, no, no, no, no, I'm lying Patreon, Nigga, 792 00:37:33,480 --> 00:37:38,319 Speaker 1: what am I doing? Patreon? All right, so patreon dot 793 00:37:38,400 --> 00:37:41,399 Speaker 1: com backslash with many Bee will go live. It does 794 00:37:41,520 --> 00:37:44,120 Speaker 1: get recorded, so y'all could see live reaction. 795 00:37:44,920 --> 00:37:46,040 Speaker 2: Uh to the songs. 796 00:37:46,440 --> 00:37:48,759 Speaker 1: It's gonna be long because it's a double disc, but 797 00:37:49,000 --> 00:37:51,400 Speaker 1: we're gonna talk about it. I don't know about well, 798 00:37:51,520 --> 00:37:52,839 Speaker 1: maybe we'll all phone a friend. 799 00:37:53,239 --> 00:37:54,799 Speaker 2: Yeah, we'll get job. 800 00:37:56,640 --> 00:37:57,799 Speaker 1: We're gonna come You're gonna come over. 801 00:37:58,160 --> 00:38:00,120 Speaker 3: It can come to I will say, Thursday night we 802 00:38:00,160 --> 00:38:02,239 Speaker 3: get we get job in flight because it's gonna come out. 803 00:38:02,719 --> 00:38:03,960 Speaker 1: You think it's gonna be up at one o'clock in 804 00:38:04,000 --> 00:38:04,319 Speaker 1: the morning. 805 00:38:04,560 --> 00:38:09,239 Speaker 2: Yeah, I mean you have a whole dreamville. Yes I 806 00:38:09,600 --> 00:38:15,880 Speaker 2: say that as yeah, right, but you could do that, 807 00:38:16,600 --> 00:38:23,960 Speaker 2: but you know, drink Martini, espresso and motherfucking we had 808 00:38:24,000 --> 00:38:25,760 Speaker 2: to have some macha going yeah. 809 00:38:26,080 --> 00:38:28,560 Speaker 1: Okay, we'll do it. So everybody pulling up to the crip, 810 00:38:28,880 --> 00:38:29,320 Speaker 1: let's get it. 811 00:38:29,640 --> 00:38:30,399 Speaker 2: I think it'd be dope. 812 00:38:30,719 --> 00:38:34,000 Speaker 1: So yeah, boom, all right, y'all, so check it out. 813 00:38:35,280 --> 00:38:40,240 Speaker 1: It's gonna reaction, live reactor. We're gonna live react. Actually 814 00:38:40,280 --> 00:38:41,760 Speaker 1: this comes out after the live react. 815 00:38:42,920 --> 00:38:43,799 Speaker 2: This is a Friday drive. 816 00:38:45,040 --> 00:38:45,920 Speaker 1: Look at us whatever. 817 00:38:46,520 --> 00:38:48,680 Speaker 2: We'll still get there, still time. 818 00:38:50,400 --> 00:38:54,520 Speaker 1: Okay, okay, well we could drop this Wednesday, y'all getting. 819 00:38:55,800 --> 00:38:57,360 Speaker 2: I'm just laughing that we went from I hope your 820 00:38:57,440 --> 00:39:02,439 Speaker 2: niggas don't USh the internet with your taps to that's 821 00:39:09,440 --> 00:39:12,480 Speaker 2: I don't want to hear your face. I want you 822 00:39:12,520 --> 00:39:17,360 Speaker 2: to listen to my boy. Valid though we valid, valid, Valid, we. 823 00:39:17,440 --> 00:39:21,120 Speaker 1: Are crazy, Okay, Anyways, guys excited about The fall Off, 824 00:39:21,320 --> 00:39:25,440 Speaker 1: make sure you purchase it, not just stream it because 825 00:39:25,480 --> 00:39:27,880 Speaker 1: those count mores, so he'll be getting my it's probably 826 00:39:27,880 --> 00:39:31,520 Speaker 1: gonna be fourteen that this one's probably gonna come a 827 00:39:31,520 --> 00:39:34,320 Speaker 1: couple of Make sure you buy it The fall Off Again, 828 00:39:34,760 --> 00:39:38,880 Speaker 1: y'all already know I am a part of dream Bill's 829 00:39:38,920 --> 00:39:42,640 Speaker 1: fan club for life. Locle really excited. I've been waiting 830 00:39:42,680 --> 00:39:44,640 Speaker 1: for this album for a very very very very very 831 00:39:44,760 --> 00:39:47,480 Speaker 1: very very very long time. All right, well this is 832 00:39:47,600 --> 00:39:49,279 Speaker 1: this wraps this up. God damn, we went a little 833 00:39:49,280 --> 00:39:51,040 Speaker 1: bit over because I want to hear your goddamn top 834 00:39:51,320 --> 00:39:51,719 Speaker 1: top ten. 835 00:39:52,520 --> 00:39:53,440 Speaker 2: Yeah, so make sure you. 836 00:39:53,520 --> 00:39:56,120 Speaker 1: Listen to next week's bonus where we give y'all our 837 00:39:56,239 --> 00:39:59,480 Speaker 1: top ten no skip albums. I don't think that me 838 00:39:59,520 --> 00:40:01,680 Speaker 1: and Hamrick can I have any albums alike. Well, make 839 00:40:01,680 --> 00:40:03,239 Speaker 1: sure y'all check that out, and again, make sure you 840 00:40:03,320 --> 00:40:07,640 Speaker 1: subscribe to the Patreon that'spatreon dot com. Backslash with Mandy B. 841 00:40:08,600 --> 00:40:09,080 Speaker 4: We are. 842 00:40:11,640 --> 00:40:14,920 Speaker 1: Selective Ignorance, a production of the Black Effect podcast Network. 843 00:40:15,160 --> 00:40:19,719 Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 844 00:40:20,000 --> 00:40:21,920 Speaker 1: or wherever you listen to your favorite shows. 845 00:40:22,080 --> 00:40:24,360 Speaker 4: Thanks for tuning in the Selective Ignorance of Mandy B. 846 00:40:24,520 --> 00:40:27,480 Speaker 4: Selective Ignorance. It's executive produced to Buy Mandy B. And 847 00:40:27,560 --> 00:40:30,920 Speaker 4: it's a Full Court Media studio production with lead producers 848 00:40:31,040 --> 00:40:32,040 Speaker 4: Jason Mondriguez. 849 00:40:32,160 --> 00:40:33,520 Speaker 2: That's me and Aaron A. 850 00:40:33,719 --> 00:40:34,280 Speaker 3: King Howard. 851 00:40:34,360 --> 00:40:37,320 Speaker 4: Now, do us a favor and rate, subscribe, comment and 852 00:40:37,440 --> 00:40:40,520 Speaker 4: share wherever you get your favorite podcasts, and be sure 853 00:40:40,560 --> 00:40:45,240 Speaker 4: to follow Selective Ignorance on Instagram at selective Underscore Ignorance. 854 00:40:45,280 --> 00:40:47,600 Speaker 4: And of course, if you're not following our hosts Mandy B, 855 00:40:47,960 --> 00:40:50,080 Speaker 4: make sure you're following her at full Court Pumps. 856 00:40:50,120 --> 00:40:50,200 Speaker 1: Now. 857 00:40:50,239 --> 00:40:53,040 Speaker 4: If you want the full video experience of Selective Ignorance, 858 00:40:53,200 --> 00:40:56,080 Speaker 4: make sure you subscribe to the Patreon. It's patreon dot 859 00:40:56,200 --> 00:41:16,320 Speaker 4: com backslash Selective Ignorance h