WEBVTT - Mike Epps and Jesse T. Usher Interview

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<v Speaker 1>Real, keep real. Celebrity joined the breakfast Yep, it's the

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<v Speaker 1>worldmost dangerous morning to show, The Breakfast Club. Now, we

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<v Speaker 1>got two special guests in the building. What's Jesse Jesse

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<v Speaker 1>tu and Mike Apps? Okay, Mike caps Breakfast Club. So

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<v Speaker 1>what's the world? We got Survival's Remorse going on. You

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<v Speaker 1>got a lot going on, Mike. Yeah. Man, I'm trying

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<v Speaker 1>to keep a lot going on. No, you got Richard

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<v Speaker 1>Pryde movie, Survival's Remorse Uncle Uncle Buck stand up coming

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<v Speaker 1>on Netflix. Yeah. Man, I'm trying to trying to make

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<v Speaker 1>it work, trying to make it happen. This ain't suposed

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<v Speaker 1>to happen for you now. You you know what you

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<v Speaker 1>like to say in Hollywood. You too old? Push him out?

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<v Speaker 1>You're going, yeah, you on right now. I know, man,

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<v Speaker 1>I've been I've been around, I've been in the business

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<v Speaker 1>for twenty years. I'm doing this show, Survivor's Remorse with

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<v Speaker 1>this young brother Jesse. Yeah, ushould right here. It's all

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<v Speaker 1>about the young comp You're Lebron Jesse on the show. Oh,

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<v Speaker 1>I mean, I'm not gonna say nay, Lebron, come on cam, callaway, Lebron.

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<v Speaker 1>I can't say I'm Lebron. Somebody like Lebron similarities there,

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<v Speaker 1>But nah, I don't really see you played ball in

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<v Speaker 1>the show at I've watched it. I know the new

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<v Speaker 1>seasons coming up soon, and obviously I know Mike Epps

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<v Speaker 1>is a crazy uncle. But where's the you know on

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<v Speaker 1>the court? You know what? They There was like a

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<v Speaker 1>lot of talk about that in the first season, and

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<v Speaker 1>I think what what came about was like the showrunners

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<v Speaker 1>and the producers was like, Okay, if we start doing

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<v Speaker 1>the basketball thing, that we got to feed that animal

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<v Speaker 1>a little more than we want to. You gotta be

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<v Speaker 1>Lebron exactly, you know what I mean. They're like, nah,

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<v Speaker 1>I mean I feel like if we go there and

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<v Speaker 1>we got to stay there, so they just want to

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<v Speaker 1>stay away and focus on you know what makes it.

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<v Speaker 1>But ain't the shoulder or reflection a Lebron's life. No,

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<v Speaker 1>never really, it seems like it because the dynamic between

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<v Speaker 1>like my character and the Reggie character is a lot

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<v Speaker 1>like Maverick and Lebron's you know, relationship, But it's not.

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<v Speaker 1>It's not about Lebron's life. Is anybody on that dating

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<v Speaker 1>your mom? Like a young man? Dat? Come on the

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<v Speaker 1>show now? You used to. I used to work with

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<v Speaker 1>Molly Cyrus too, right. I did an episode ahead of Montana.

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<v Speaker 1>Are you the episode? Okay? Did you know she was

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<v Speaker 1>getting Nah? None of that was none of that A

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<v Speaker 1>lot more innocent back then, at least I thought so.

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<v Speaker 1>I don't know right now, how did you end up

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<v Speaker 1>getting cast on the show? Because I remember first hearing

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<v Speaker 1>Lebron talked about it, he was executive producing on it.

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<v Speaker 1>I thought it was supposed to be like Entourage was

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<v Speaker 1>for Mark Wahlberg. This was like Lebron's kind of reflection

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<v Speaker 1>of his life and the people around him. In a sense, Yes,

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<v Speaker 1>but not really because he doesn't want it to be

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<v Speaker 1>about him more so just about you know, right, because

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<v Speaker 1>it is it is kind of funny. You don't want

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<v Speaker 1>to think that these things really happened. It was a

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<v Speaker 1>part where the guy had that the kid had to

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<v Speaker 1>dying wish. Yeah. I saw that Lebron wouldn't want those

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<v Speaker 1>kind of things to be, you know, looked upon him.

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<v Speaker 1>But this casting process was like out of this world.

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<v Speaker 1>I mean, it was like four months long. I did

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<v Speaker 1>like five six camera tests with you know everybody, and

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<v Speaker 1>then I don't know, it was just drawing out for

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<v Speaker 1>no reason. You know, it finally came to an end.

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<v Speaker 1>They just tell you we want you and a few

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<v Speaker 1>years that was like my first big one. Do you

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<v Speaker 1>ever have to audition anymore? Mike Epps or did they

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<v Speaker 1>just say we have a role for you? About auditional

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<v Speaker 1>not no more? I really don't audition no more, but

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<v Speaker 1>I will for the right role. The right role is prior.

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<v Speaker 1>That's the one that audition for that though. Man it

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<v Speaker 1>every time I thought I had that movie. I'm walking

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<v Speaker 1>out the building, I see Marlon Wayne and I'm like

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<v Speaker 1>what I see Nick Cannon going in. I'm like, man,

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<v Speaker 1>I had worked for that was a battle because everybody

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<v Speaker 1>wanted that role. How did it finally come back to you?

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<v Speaker 1>You know what I think Lee Daniels is a type

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<v Speaker 1>of director. He'd make everybody audition and uh, I mean

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<v Speaker 1>it goes down in the audition room. Put it down

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<v Speaker 1>in audition room. You know that's where you really earned

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<v Speaker 1>it at I've seen him make an Oprah Winfrey your audition, Daniel. Look,

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<v Speaker 1>I come up in the audition place and I'll see

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<v Speaker 1>and you know you got the door right there leads

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<v Speaker 1>inside the room and I an Oprah sitting out there

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<v Speaker 1>reading the thing. I'm like, is that Oper sit there

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<v Speaker 1>reading the side? Did you know it was her? Yeah? Yeah,

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<v Speaker 1>so I've seen Lee Danee bring her in and make

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<v Speaker 1>her audition. I'm like, man, So he really liked to

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<v Speaker 1>see if people can make it happen before he harmed.

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<v Speaker 1>And you know, I really worked hard for Is it

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<v Speaker 1>a strong script? Man? It is. It's a It's a

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<v Speaker 1>real strong script. And I just hope that I represent

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<v Speaker 1>him as as well as I can because a lot

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<v Speaker 1>of people betting on this, dude, and it's, you know,

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<v Speaker 1>a highly anticipated movie. So you started shooting it. We

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<v Speaker 1>start prepping in January. Where he started shooting in March.

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<v Speaker 1>Is that ask me answering me one question? Oh? I

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<v Speaker 1>ain't on that one. He talks about it. No, I

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<v Speaker 1>don't know. I I just want to know slipping in

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<v Speaker 1>there on you go slip? I know how to say

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<v Speaker 1>no before you're crafting for the story. Yeah, well I

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<v Speaker 1>didn't walked off some sense before virus remorris being one

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<v Speaker 1>of them. Come on, young boys, slip the tongue. Slip

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<v Speaker 1>one time. What do you like out Mike walked off

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<v Speaker 1>to I wasn't even there, man, I just got about

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<v Speaker 1>ten phone calls before I get to set. There like yo, man,

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<v Speaker 1>Mike left. I'm like, what you mean? Mike left? They

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<v Speaker 1>was like, man, some stuff went dawn over about the

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<v Speaker 1>lunch they had. Mike left. They had they had a

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<v Speaker 1>shooting at a at a real slave plantation, you know

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<v Speaker 1>what I mean. And they had the scene was me

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<v Speaker 1>getting in the bed with a white girl and playing like,

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<v Speaker 1>you know, a coon type dude. So I told him

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<v Speaker 1>I was gonna do it. But when I got to

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<v Speaker 1>the set, man, it was it was so eerie. It

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<v Speaker 1>was like it just I just felt it. It was

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<v Speaker 1>it wasn't right. And I'm sitting there looking at all

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<v Speaker 1>the woods and stuff like that. I said, I this

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<v Speaker 1>ain't right. My ancestors wouldn't like this. No, I said,

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<v Speaker 1>I got to go. I got to get up. Michael. Really,

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<v Speaker 1>I took all my grandmother, she said, get on, white man, baby,

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<v Speaker 1>did you run like I saw you tell brook Open

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<v Speaker 1>to keep dating black guys. I guess you just wanted

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<v Speaker 1>to piss his daddy off. Yeah, well he said some

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<v Speaker 1>stuff he hadn't been the saying so as well, rubbing

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<v Speaker 1>in his face. You know what I'm but this is

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<v Speaker 1>a this is a good television show, and I'm really

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<v Speaker 1>excited for Jesse. That's your man. He's a young about it.

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<v Speaker 1>Coming up in the game. He's doing Independence Day. Tell

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<v Speaker 1>him about your new independence You had that profession, Elizabeth.

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<v Speaker 1>Mike Evs like, we here to talk about right back.

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<v Speaker 1>So you're doing to see what the Independence Day? Yeah,

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<v Speaker 1>I am doing the it's called Independence Day of Resurgence.

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<v Speaker 1>It's gonna come out next summer. He's not in it. Oh,

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<v Speaker 1>it's not in it. I'm playing his son though, and

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<v Speaker 1>or his stepson if you remember the first film, And yeah,

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<v Speaker 1>they're doing like an exact twenty year turnaround from when

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<v Speaker 1>the first one came out to now, why the hell

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<v Speaker 1>we're Laan in it? I wish I could tell you, man,

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<v Speaker 1>I'm trying to. I'm trying to get in touch with

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<v Speaker 1>him so I can find out myself, honestly coming out

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<v Speaker 1>in theaters. Yeah, it's gonna come out theaters worldwide. Okay, Now, Jesse,

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<v Speaker 1>you gotta watch yourself too. I saw you tell a girl.

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<v Speaker 1>A girl said something to you about um, she wanted

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<v Speaker 1>some money for him plans, and you was like, I

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<v Speaker 1>paid you not to get him. You know what that was?

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<v Speaker 1>That was like a conversation that was going around on

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<v Speaker 1>Twitter for for a while, you know what I mean

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<v Speaker 1>about girls in plastic surgery and all that kind of stuff.

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<v Speaker 1>And then she was saying, you know, she like made

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<v Speaker 1>a comment like a day later and she was like, yo,

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<v Speaker 1>I need to sugar daddy, somebody's gonna pay for implants.

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<v Speaker 1>And then me, you know, taking a stand, I was like, nah,

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<v Speaker 1>you know, I would, I would pay. I would rather

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<v Speaker 1>pay for you not to get in plant. Yeah. No,

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<v Speaker 1>I know her how but I know her. She lives

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<v Speaker 1>in Atlanta. How much did you pay her not to

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<v Speaker 1>get him? I would? I don't know. Many take the

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<v Speaker 1>money and go get the booty job, especially living in Atlanta. Man,

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<v Speaker 1>you know how you don't want to get breathing plants.

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<v Speaker 1>You don't say nothing about the booty You're right, You're right.

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<v Speaker 1>I should have been more specific. Now have you been

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<v Speaker 1>watching this whole Meek mil versus Drake go down? You

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<v Speaker 1>know I just heard back to back when y'all played

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<v Speaker 1>it a second ago. So let me ask you, Jesse,

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<v Speaker 1>as a young man growing up in this what do

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<v Speaker 1>you think that Meek Mill should do next? What's the

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<v Speaker 1>next step? You know what I don't know what he

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<v Speaker 1>should do next. I just wish he didn't say nothing

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<v Speaker 1>in the first place. That was a mistake on I

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<v Speaker 1>think personally that wasn't starting to look like that. Yeah,

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<v Speaker 1>it was just starting to look like it was a

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<v Speaker 1>bad move. Honestly. You know what I would love to

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<v Speaker 1>do and I want to host and fight in it.

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<v Speaker 1>I want to get I want to do right over

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<v Speaker 1>there at Madison Square Garden. I want to get all

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<v Speaker 1>these rappers and actors and everybody over there and put

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<v Speaker 1>some boxing clubs on them and see if they really fight. Wow,

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<v Speaker 1>I would love to do it. Last one of them

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<v Speaker 1>getting that ring and if you get beat up, don't

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<v Speaker 1>do another this song again. But it is supposed to

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<v Speaker 1>be about not being able to necessarily. Yeah, but that's fun.

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<v Speaker 1>They did one years ago they had Millie Willie d

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<v Speaker 1>knocked Mellie Mel out for real. Yeah, you better look

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<v Speaker 1>on the internet. Will they differently get a boy? Yes,

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<v Speaker 1>they did. The last Mellie Mel they did they did

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<v Speaker 1>a celebrity boxing match at the at the Madison Square

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<v Speaker 1>Garden in the eighties. I don't know why these dudes

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<v Speaker 1>won't do that now. It'll be hilarious. You think you

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<v Speaker 1>think social media is saving people from getting killed, because

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<v Speaker 1>I feel like it's a buffer. I got a problem

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<v Speaker 1>with somebody, you go tweet it out, you try to

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<v Speaker 1>think about it, you know what. But it also it

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<v Speaker 1>also makes people get into unnecessary arguments because people go

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<v Speaker 1>on social media and start saying something they would never

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<v Speaker 1>say in person. But it's better than shooting each other

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<v Speaker 1>in person and fighting and shooting each other, That's what

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<v Speaker 1>I'm saying. A nice little boxing match. Just put some

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<v Speaker 1>little gloves on you. It ain't nothing about the fight.

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<v Speaker 1>Would you getting there with Kevin No Kevin Hard You

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<v Speaker 1>said some things about them like, man, I'm not fighting

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<v Speaker 1>no Kevin hard Man, Kevin in the gym now, Kevin Dago,

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<v Speaker 1>Mike Man please? You called the brother Kardashian no man,

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<v Speaker 1>and see we had to go there. Kevin Hard I

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<v Speaker 1>love you, brother. I thought that they try to get

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<v Speaker 1>as I love you a little brother. Jesse, Who would

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<v Speaker 1>you fight? I ain't fight nobody man. Only you look

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<v Speaker 1>like you might have to knock out Brandon Jackson. Look

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<v Speaker 1>like if you gotta get rid of heaven. I ain't

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<v Speaker 1>fighting nobody man. All that ain't necessary. More than enough

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<v Speaker 1>roles it's just fun. It's just fun. It's just fun. Yea,

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<v Speaker 1>all these little brothers out here, we all out here

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<v Speaker 1>trying to make it. Man, the police is killing us.

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<v Speaker 1>We don't have time to kill each other right now,

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<v Speaker 1>you know what I mean. We need to lock up

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<v Speaker 1>a hook up to make this money together. You know

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<v Speaker 1>what I mean. It's all about blackness right now. We

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<v Speaker 1>got to stick together, man, because the police is is

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<v Speaker 1>our enemies for real. Yes, you know what I mean.

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<v Speaker 1>We're supposed to be protective when they even when we

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<v Speaker 1>go into jail, we're supposed to still be protected. But

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<v Speaker 1>you can die on the way to the jail in

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<v Speaker 1>the bad But you don't know who the good police

0:11:31.960 --> 0:11:33.920
<v Speaker 1>are all the bad police. No, I know the bad

0:11:33.920 --> 0:11:44.760
<v Speaker 1>ones because they're my friends. Stand Up Special on Netflix, Yeah,

0:11:44.840 --> 0:11:48.559
<v Speaker 1>stand up Special on Netflix. It's called Don't Take It Personal,

0:11:49.240 --> 0:11:52.000
<v Speaker 1>you know, because I'm on the touch saying some stuff.

0:11:52.440 --> 0:11:54.360
<v Speaker 1>You know. That's what comments do, man, That's what I

0:11:54.400 --> 0:11:56.920
<v Speaker 1>get paid for. People's always shocked when we say something

0:11:56.920 --> 0:11:58.440
<v Speaker 1>we ain't got no been the same, And I'm like,

0:11:58.480 --> 0:12:01.120
<v Speaker 1>come on, man, I'm a comedian. That's what I'm supposed

0:12:01.160 --> 0:12:04.640
<v Speaker 1>to say. You know, everybody, they're talking about Bill Cosby.

0:12:04.679 --> 0:12:06.800
<v Speaker 1>They talking about all these people and the way they're

0:12:06.800 --> 0:12:13.000
<v Speaker 1>doing Bill Cosby. I'm not hiding nothing now, putting it all. Yeah,

0:12:13.080 --> 0:12:15.559
<v Speaker 1>I think Bill Cosby should just die. At this point,

0:12:16.360 --> 0:12:18.160
<v Speaker 1>he think so, yeah, man, you should just passed away

0:12:18.200 --> 0:12:20.120
<v Speaker 1>because can you know why, because the slander will turn

0:12:20.120 --> 0:12:22.960
<v Speaker 1>to sympathy where everybody's getting at him now. As soon

0:12:23.040 --> 0:12:25.360
<v Speaker 1>as he passed, he'd be like, oh, Bill, we've missed you.

0:12:25.520 --> 0:12:27.680
<v Speaker 1>You did so much. Right now, he's trying to discredit

0:12:27.720 --> 0:12:30.720
<v Speaker 1>all his work, discredit everything he's done. Yes, the brother

0:12:30.760 --> 0:12:32.840
<v Speaker 1>made some mistakes, but don't take his art off the table.

0:12:32.960 --> 0:12:34.920
<v Speaker 1>That art helped a lot of people. Well, I think

0:12:34.960 --> 0:12:37.360
<v Speaker 1>Bill should have did his dirt on the tap top

0:12:37.400 --> 0:12:40.320
<v Speaker 1>of the table. That's why I don't do no dirt

0:12:40.400 --> 0:12:43.040
<v Speaker 1>under the table. I put all my dirt on the

0:12:43.040 --> 0:12:46.280
<v Speaker 1>table right here. So if you can't expose something that

0:12:46.320 --> 0:12:48.720
<v Speaker 1>had already been exposed, true, you know what I mean,

0:12:48.760 --> 0:12:50.600
<v Speaker 1>how are you gonna You can't make me look bad

0:12:50.600 --> 0:12:52.200
<v Speaker 1>if I'm putting it on the table. But don't you

0:12:52.200 --> 0:12:53.640
<v Speaker 1>think it's kind of his fault too, though, because he

0:12:53.679 --> 0:12:55.680
<v Speaker 1>was out there like I'm pulling your pants up and

0:12:55.679 --> 0:12:58.720
<v Speaker 1>you should live like this and you should hurt him. Yeah. Yeah,

0:12:58.720 --> 0:13:00.720
<v Speaker 1>that's what hurt him right there, is that it looked

0:13:00.720 --> 0:13:03.079
<v Speaker 1>it looked at hypocritical, you know what I'm saying. But

0:13:03.200 --> 0:13:05.160
<v Speaker 1>I mean, like you said, man, ain't none of us

0:13:05.240 --> 0:13:09.440
<v Speaker 1>perfect out here? And if they put all these, all

0:13:09.440 --> 0:13:12.440
<v Speaker 1>the ugly women that I've been within my life on

0:13:12.559 --> 0:13:15.760
<v Speaker 1>the front of a newspaper, it's gonna be bad. Man.

0:13:15.760 --> 0:13:18.880
<v Speaker 1>It's gonna look like to stay fair on that didn't

0:13:18.920 --> 0:13:22.800
<v Speaker 1>drug them? And then you know, well, well, come on,

0:13:23.400 --> 0:13:26.120
<v Speaker 1>a little marijuana is the same thing. Here hit this

0:13:26.280 --> 0:13:32.320
<v Speaker 1>joint right here. My grandmother met Bill Cosby years ago. No, man,

0:13:32.360 --> 0:13:37.760
<v Speaker 1>what happened? It sounds like something crazy happened. You don't

0:13:37.840 --> 0:13:48.200
<v Speaker 1>remember put that jellou You think that was just the

0:13:48.320 --> 0:13:50.440
<v Speaker 1>thing back then? Don't give you know the queludes and

0:13:50.480 --> 0:13:53.439
<v Speaker 1>all that. Man. You know, My thing is, guess what

0:13:53.840 --> 0:13:55.520
<v Speaker 1>I would like to get all them women if I

0:13:55.559 --> 0:13:58.000
<v Speaker 1>was Bill Cosby, I do an interview with with with

0:13:58.160 --> 0:14:01.400
<v Speaker 1>Oprah and have all the women sit up there and

0:14:01.440 --> 0:14:04.240
<v Speaker 1>I will say to them, what was your interest in me?

0:14:05.320 --> 0:14:07.199
<v Speaker 1>What was you doing up in the room with me?

0:14:07.360 --> 0:14:09.959
<v Speaker 1>That's what I That's what I don't understand. You noticed

0:14:10.000 --> 0:14:12.160
<v Speaker 1>the two black women that's on there. They said. They

0:14:12.320 --> 0:14:15.000
<v Speaker 1>straight up said, we know Bill like that. We left.

0:14:15.160 --> 0:14:17.840
<v Speaker 1>I said, Bill, put me in a cab, I gotta go. Yeah.

0:14:17.880 --> 0:14:20.160
<v Speaker 1>One was Beverley Johnson. I forgot that, That's what I'm saying.

0:14:20.280 --> 0:14:23.520
<v Speaker 1>But the other, the other little fire Marshall Bill looking

0:14:23.560 --> 0:14:26.240
<v Speaker 1>as girt. Women in there with the one lady had

0:14:26.240 --> 0:14:28.640
<v Speaker 1>a little weir well when women said that he was

0:14:28.920 --> 0:14:32.520
<v Speaker 1>suffering to mentor her and you know, somebody her family

0:14:32.600 --> 0:14:35.280
<v Speaker 1>died from cancer. He was sympathetic toward her and she

0:14:35.360 --> 0:14:39.400
<v Speaker 1>believed him. Yeah, and you can't start on the ninety

0:14:39.440 --> 0:14:43.240
<v Speaker 1>something years old, now, I know. But how cow you

0:14:43.280 --> 0:14:46.720
<v Speaker 1>gonna come out later on like that? I mean, like

0:14:47.160 --> 0:14:49.520
<v Speaker 1>somebody should have said something then in my right, some

0:14:49.560 --> 0:14:51.200
<v Speaker 1>people do say stuff then there. And there was a

0:14:51.280 --> 0:14:55.760
<v Speaker 1>lot of settlements that happened, okay, And that's what I

0:14:55.760 --> 0:14:58.000
<v Speaker 1>would do. I would take all of them chairs that

0:14:58.080 --> 0:15:00.480
<v Speaker 1>the women is sitting on, and I would make my

0:15:00.520 --> 0:15:04.280
<v Speaker 1>own magazine and I will put all them checks on

0:15:04.800 --> 0:15:08.720
<v Speaker 1>a chair that I wrote. But you know, some people

0:15:08.800 --> 0:15:10.560
<v Speaker 1>feel like it's hard to go up against a celebrity.

0:15:10.600 --> 0:15:15.480
<v Speaker 1>No one's gonna believe me. They're sixties. The black man

0:15:15.720 --> 0:15:18.280
<v Speaker 1>oh yeah, maybe then. But now, boy, if somebody say

0:15:18.320 --> 0:15:20.400
<v Speaker 1>something about you now that everybody believes it, even if

0:15:20.400 --> 0:15:23.840
<v Speaker 1>it's not true automatically, that's right. I mean, I do

0:15:23.920 --> 0:15:25.880
<v Speaker 1>believe Bill Cock did something, but it's hard for me

0:15:25.880 --> 0:15:28.480
<v Speaker 1>to believe that you gotta raping a white woman in

0:15:28.480 --> 0:15:31.520
<v Speaker 1>the sixties. White womanould have spoke out about that immediately,

0:15:31.520 --> 0:15:33.560
<v Speaker 1>because if you wake up, if you're getting drunk with

0:15:33.560 --> 0:15:35.080
<v Speaker 1>a white girl and you wake up in the morning

0:15:35.120 --> 0:15:39.240
<v Speaker 1>and she crying, you go in the prison. I think

0:15:39.240 --> 0:15:40.920
<v Speaker 1>for some women, they feel like it's their fault, like

0:15:40.920 --> 0:15:43.080
<v Speaker 1>how did I put myself in this position? And you

0:15:43.160 --> 0:15:45.320
<v Speaker 1>kind of blame yourself, like I shouldn't have been here,

0:15:45.360 --> 0:15:46.520
<v Speaker 1>and now people are gonna look at me like, well,

0:15:46.520 --> 0:15:48.880
<v Speaker 1>what's she doing in here anyway? And you put yourself

0:15:48.880 --> 0:15:51.240
<v Speaker 1>in a position because people feel like that. Yeah, So

0:15:51.520 --> 0:15:54.120
<v Speaker 1>I'm sure it's difficult. I can't speak. I feel sorry

0:15:54.120 --> 0:15:58.280
<v Speaker 1>for the women that guy violated and I and I

0:15:58.320 --> 0:16:01.680
<v Speaker 1>can't say that I feel sorry for Bill Cosm because

0:16:01.680 --> 0:16:05.360
<v Speaker 1>the man got eighty million dollars, he had a great life,

0:16:05.360 --> 0:16:07.120
<v Speaker 1>and he pointed to finger a lot of people. Yeah,

0:16:07.120 --> 0:16:10.280
<v Speaker 1>and he tried to talk about young black Irvan kids

0:16:10.400 --> 0:16:13.520
<v Speaker 1>like that didn't have the same opportunities that he had

0:16:13.800 --> 0:16:15.960
<v Speaker 1>when he should have been helping him and coming down

0:16:16.000 --> 0:16:18.800
<v Speaker 1>in the neighborhood setting up some programs for him. If

0:16:18.800 --> 0:16:21.760
<v Speaker 1>he had to did that, the whole black race would

0:16:21.760 --> 0:16:23.880
<v Speaker 1>have been behind the road for Bill. Yeah, I wanted

0:16:23.920 --> 0:16:26.000
<v Speaker 1>to role for him. You learn it from this, Jesse.

0:16:26.080 --> 0:16:28.720
<v Speaker 1>I'm learning right. You got to get you some non

0:16:28.760 --> 0:16:31.640
<v Speaker 1>disclosure for him and bring these girls back. Man, I

0:16:31.760 --> 0:16:33.760
<v Speaker 1>see you retwet a lot of ladies. You you being

0:16:33.840 --> 0:16:39.120
<v Speaker 1>some DMS. Now you gotta be Jesse. Jesse's mama and

0:16:39.200 --> 0:16:42.680
<v Speaker 1>his grandmother's right. Oh, I'm so sorry. You give me

0:16:42.760 --> 0:16:49.040
<v Speaker 1>a school base. He gonna do what you do that now, Jesse,

0:16:49.160 --> 0:16:51.720
<v Speaker 1>let me ask you this. Doing a show like Survirus Remorris,

0:16:51.920 --> 0:16:53.840
<v Speaker 1>do you learn a lot from what happens on the show,

0:16:53.840 --> 0:16:55.720
<v Speaker 1>on the plot and people are trying to take advantage

0:16:55.720 --> 0:16:57.760
<v Speaker 1>of you and things like that. Do you apply any

0:16:57.800 --> 0:16:59.920
<v Speaker 1>of that to your real life? Oh? Yeah? Sometimes I

0:17:00.080 --> 0:17:02.000
<v Speaker 1>feel like the stuff that Michael Mallley be putting on

0:17:02.040 --> 0:17:04.760
<v Speaker 1>that page is like, you know, speaking directly to me,

0:17:04.960 --> 0:17:06.680
<v Speaker 1>you know what I mean? And I mean it's maybe

0:17:06.720 --> 0:17:10.560
<v Speaker 1>because a lot of it is so relatable anyways. Yeah,

0:17:10.600 --> 0:17:12.520
<v Speaker 1>like we'd be reading stuff and then you know, we

0:17:12.720 --> 0:17:14.679
<v Speaker 1>sit back and go with day. Maybe you know I

0:17:14.680 --> 0:17:16.560
<v Speaker 1>should watch I should watch out for that kind of

0:17:16.560 --> 0:17:19.440
<v Speaker 1>stuff because it might be writing some some like real things.

0:17:19.440 --> 0:17:21.600
<v Speaker 1>And then and of course being on a show such

0:17:21.880 --> 0:17:24.120
<v Speaker 1>and such our profile like Survivors Remorse, of course you're

0:17:24.119 --> 0:17:26.080
<v Speaker 1>gonna get that kind of attention, the same attention that

0:17:26.080 --> 0:17:28.280
<v Speaker 1>the characters are getting. So has anything happened to you

0:17:28.359 --> 0:17:32.239
<v Speaker 1>in real life that was on the show? Um sort of,

0:17:32.800 --> 0:17:34.920
<v Speaker 1>you know, like Kim getting bushed all that kind of stuff.

0:17:34.960 --> 0:17:36.959
<v Speaker 1>I got poured out a VIP section one time at

0:17:36.960 --> 0:17:39.960
<v Speaker 1>the club my back turn no Lie by two little

0:17:40.000 --> 0:17:42.160
<v Speaker 1>short girls, like we all three of us almost back

0:17:42.160 --> 0:17:44.080
<v Speaker 1>because it was up high and they like reached stuff

0:17:44.080 --> 0:17:46.480
<v Speaker 1>and it's like, oh and pulling me down. It was tipsy.

0:17:46.600 --> 0:17:54.880
<v Speaker 1>And you know how that girls out there the compound

0:17:54.920 --> 0:18:00.320
<v Speaker 1>in Atlanta, that's the fan. I always want that, you

0:18:01.080 --> 0:18:05.440
<v Speaker 1>know what I'm saying, right, he said, at least I

0:18:05.520 --> 0:18:07.520
<v Speaker 1>always that one one that got the face of Toy right,

0:18:07.600 --> 0:18:11.240
<v Speaker 1>remember Toy right, imagine a little with that face. And

0:18:11.320 --> 0:18:15.640
<v Speaker 1>they got two little they got two little on Instagram

0:18:16.119 --> 0:18:20.560
<v Speaker 1>and I called them Taylor thoughts and they seen that,

0:18:20.680 --> 0:18:23.080
<v Speaker 1>and boy, they hear you up and reply back and say,

0:18:23.119 --> 0:18:29.840
<v Speaker 1>if we ever catch you, we're bringing right. Hey, man,

0:18:29.880 --> 0:18:31.680
<v Speaker 1>I'm gonna try to I'm gonna try to pick one

0:18:31.680 --> 0:18:34.680
<v Speaker 1>of them up. You know it's gonna be heavy. Negested.

0:18:34.760 --> 0:18:36.639
<v Speaker 1>You're soaking up game from the oldgs now because you

0:18:36.640 --> 0:18:38.440
<v Speaker 1>know it's nothing new out here. Ain't know. I know

0:18:38.520 --> 0:18:40.280
<v Speaker 1>it's original, nothing new on the sun. All you gotta

0:18:40.400 --> 0:18:42.000
<v Speaker 1>talk to the people that came before you and you

0:18:42.040 --> 0:18:43.879
<v Speaker 1>can avoid a lot of mistakes. Oh yeah, man, I

0:18:43.920 --> 0:18:45.840
<v Speaker 1>sit back and watch Mike twenty four seven. You know

0:18:46.080 --> 0:18:51.560
<v Speaker 1>most about I'm saying yesterday I was telling him yesterday,

0:18:51.640 --> 0:18:53.439
<v Speaker 1>you know, I watched him and like how he just

0:18:53.520 --> 0:18:55.480
<v Speaker 1>deals with people for the most part, you know what

0:18:55.520 --> 0:18:57.680
<v Speaker 1>I mean. I'm learning a lot from that. But we'll see.

0:18:57.680 --> 0:18:59.800
<v Speaker 1>Mike's a little different because Mike don earned his scripes.

0:18:59.840 --> 0:19:02.159
<v Speaker 1>The right, of course, I can walk off said you

0:19:02.200 --> 0:19:05.280
<v Speaker 1>can't walk off though, at one time, and it was

0:19:05.680 --> 0:19:08.520
<v Speaker 1>you know, it was it was I know how the

0:19:08.520 --> 0:19:12.520
<v Speaker 1>pressure is of being young and having things coming towards you.

0:19:12.520 --> 0:19:14.679
<v Speaker 1>You know, you're living a good life, you're getting money,

0:19:15.000 --> 0:19:17.080
<v Speaker 1>and you're a target, you know, what I mean, And

0:19:17.480 --> 0:19:19.760
<v Speaker 1>it's a blessing. And I and I say this to

0:19:19.840 --> 0:19:21.680
<v Speaker 1>him all the time. It's a blessing that he got

0:19:21.680 --> 0:19:24.760
<v Speaker 1>his family with him, you know what I mean, because

0:19:24.800 --> 0:19:27.320
<v Speaker 1>I ain't had no family. I was. I moved out

0:19:27.320 --> 0:19:29.840
<v Speaker 1>here to New York with nobody, had fifteen hundred dollars.

0:19:29.840 --> 0:19:33.119
<v Speaker 1>I ain't know nobody, and I wish my mother and

0:19:33.920 --> 0:19:37.200
<v Speaker 1>people would have been with me. You know, it's remorse

0:19:37.240 --> 0:19:38.800
<v Speaker 1>for you. You got your mom and too, you got

0:19:38.960 --> 0:19:44.560
<v Speaker 1>yea to What about Uncle Buck Man? That's the show

0:19:44.560 --> 0:19:47.399
<v Speaker 1>with Nia long Will Packers producing that right, yeah, Uncle

0:19:47.400 --> 0:19:50.159
<v Speaker 1>Buck ABC. Make sure y'all check it out. This is

0:19:50.200 --> 0:19:53.960
<v Speaker 1>my first opportunity I had being on a television show,

0:19:54.040 --> 0:19:58.240
<v Speaker 1>on a national television show. Survivor's Remorse was my first

0:19:58.280 --> 0:20:00.880
<v Speaker 1>TV show. That's why I when it did, I said,

0:20:00.880 --> 0:20:03.600
<v Speaker 1>you know what, this is a good cast and this

0:20:03.640 --> 0:20:06.520
<v Speaker 1>is the first time that I've been on television. I'm

0:20:06.520 --> 0:20:08.399
<v Speaker 1>gonna go do this show. I don't have to be

0:20:08.480 --> 0:20:11.840
<v Speaker 1>the lead. Jesse Usher is the league. He's a good lead.

0:20:12.080 --> 0:20:14.760
<v Speaker 1>I'll play the aunt. Thinking and then I turned around

0:20:14.800 --> 0:20:19.320
<v Speaker 1>and got blessed and got the Uncle Buck another uncle yeah,

0:20:20.080 --> 0:20:23.159
<v Speaker 1>uncle right, now you don't even did you even know?

0:20:23.200 --> 0:20:25.679
<v Speaker 1>Stars is gonna end up popping like it because at first,

0:20:25.720 --> 0:20:29.520
<v Speaker 1>you know, Survivans and Morris and power came because people

0:20:29.600 --> 0:20:33.920
<v Speaker 1>basically we got power, man, we made it happen. Yeah,

0:20:34.040 --> 0:20:36.440
<v Speaker 1>this is a this is a beautiful time for to

0:20:36.440 --> 0:20:40.679
<v Speaker 1>be black in Hollywood, because in Hollywood, that door closes.

0:20:41.000 --> 0:20:43.840
<v Speaker 1>They only get you know, they punish us. If one

0:20:43.920 --> 0:20:48.680
<v Speaker 1>black movie do bad, the whole Black Hollywood do bad.

0:20:48.720 --> 0:20:50.440
<v Speaker 1>They blame all of us. When you walk in the

0:20:50.520 --> 0:20:52.800
<v Speaker 1>room after a black movie bombed in the weekend, go

0:20:52.960 --> 0:20:55.399
<v Speaker 1>have a meeting on Monday, they're gonna say, you, guys,

0:20:55.400 --> 0:21:01.480
<v Speaker 1>didn't do two hours this weekend. Guys where your cousin was?

0:21:03.400 --> 0:21:06.720
<v Speaker 1>So everybody's opened up a lot of doors. Then, Yeah, Empire,

0:21:06.800 --> 0:21:10.640
<v Speaker 1>man is incredible. Man that I any time I talked

0:21:10.640 --> 0:21:13.320
<v Speaker 1>to Lee Daniels, I'll tell him, I say, man, that

0:21:13.520 --> 0:21:16.480
<v Speaker 1>was a blessing. That was incredible. And the reason why

0:21:16.480 --> 0:21:19.239
<v Speaker 1>I touched is touching people so much is because they

0:21:19.400 --> 0:21:23.760
<v Speaker 1>bringing reality to TV. They bringing the real stories that

0:21:23.960 --> 0:21:26.480
<v Speaker 1>they've been hiding from us all this time. They're bringing

0:21:26.520 --> 0:21:29.760
<v Speaker 1>it to television. Everybody want to be in music, Everybody

0:21:29.800 --> 0:21:34.280
<v Speaker 1>want to uh wrap you got all these uh, all

0:21:34.320 --> 0:21:38.040
<v Speaker 1>the gay people, everybody. Everybody need a voice, everybody needs

0:21:38.080 --> 0:21:41.600
<v Speaker 1>a platform to see themselves and see what they want

0:21:41.600 --> 0:21:44.400
<v Speaker 1>to do through these TV shows. And that's that's that's

0:21:44.480 --> 0:21:46.480
<v Speaker 1>one reason I like the fact that Lee Daniels is

0:21:46.480 --> 0:21:48.280
<v Speaker 1>the director because he could get to do stuff like that,

0:21:48.600 --> 0:21:50.760
<v Speaker 1>stuff Lee daniel can do, especially with the gay community,

0:21:50.840 --> 0:21:56.359
<v Speaker 1>that a straight director probably couldn't do. Yeah, that's a

0:21:56.400 --> 0:21:58.440
<v Speaker 1>good point. So you know, it is what it is.

0:21:58.960 --> 0:22:01.000
<v Speaker 1>Can we expect from season to a Survivorge and Morris

0:22:01.040 --> 0:22:03.080
<v Speaker 1>give us I've been seeing the ads all the time,

0:22:03.160 --> 0:22:05.800
<v Speaker 1>so give us a couple of man. I think Uncle

0:22:05.880 --> 0:22:09.080
<v Speaker 1>Jay goes him in season two. Man, he he kind

0:22:09.080 --> 0:22:11.320
<v Speaker 1>of let him off his leash quite a bit out there,

0:22:11.359 --> 0:22:13.119
<v Speaker 1>you know, because in the first season it was like

0:22:13.160 --> 0:22:14.960
<v Speaker 1>a lot about the family being together and making the

0:22:15.040 --> 0:22:17.360
<v Speaker 1>move and trying to figure out what's gonna happen. Now

0:22:17.400 --> 0:22:19.159
<v Speaker 1>it's like, Okay, we settled in the new city and

0:22:19.160 --> 0:22:21.119
<v Speaker 1>everybody got to find their own think, you know what

0:22:21.160 --> 0:22:23.000
<v Speaker 1>I mean. Like Cam is in the middle of a season,

0:22:23.040 --> 0:22:25.199
<v Speaker 1>so he's like practicing playing basketball that kind of thing.

0:22:25.240 --> 0:22:29.320
<v Speaker 1>He's always doing postgame interviews and stuff. That's your endorsement dealing. Right,

0:22:29.359 --> 0:22:31.240
<v Speaker 1>the endorsement deal is set. You know, we're looking for

0:22:31.280 --> 0:22:33.560
<v Speaker 1>other ways to get some money now. But other than that,

0:22:33.760 --> 0:22:35.880
<v Speaker 1>you know, everybody else is kind of just like, okay,

0:22:35.880 --> 0:22:38.120
<v Speaker 1>so what do I do it? Yeah, ron Rico lead

0:22:38.240 --> 0:22:44.359
<v Speaker 1>to a good cash, yeah man, Michael Malley wrote it

0:22:44.600 --> 0:22:50.760
<v Speaker 1>good uh Maverick Carter Warner, the money of Tom Warner.

0:22:50.880 --> 0:22:53.199
<v Speaker 1>It's it's it's a whole good fit. And people like

0:22:53.440 --> 0:22:55.320
<v Speaker 1>the show. You know, when I'm walking down the street,

0:22:55.359 --> 0:22:59.040
<v Speaker 1>people like man, when Survivors and More's coming back, I'm like, Wow,

0:22:59.080 --> 0:23:01.600
<v Speaker 1>they really enjoy of this show. Yeah. Man, you work

0:23:01.640 --> 0:23:04.200
<v Speaker 1>with a couple of women that brothers fantasized over for years.

0:23:04.240 --> 0:23:10.159
<v Speaker 1>Many and damn Neil long Man love you, blessed man.

0:23:10.960 --> 0:23:14.119
<v Speaker 1>Yeah I am. But you know what, after working with

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<v Speaker 1>them and understanding what type of people that they are,

0:23:17.000 --> 0:23:21.359
<v Speaker 1>they professionals. You know, I never I never ever offered

0:23:21.400 --> 0:23:24.919
<v Speaker 1>none of them, no putting, neither one. You make it

0:23:24.920 --> 0:23:35.639
<v Speaker 1>sound like they got a little smell to him put putting.

0:23:36.200 --> 0:23:44.120
<v Speaker 1>You talking about I didn't know what you put my man.

0:23:44.240 --> 0:23:48.359
<v Speaker 1>Mike caps Jesse Survivors More Starts Again went on Stars

0:23:48.560 --> 0:23:51.280
<v Speaker 1>August twenty second August twenty second. Check it out. Boy.

0:23:51.320 --> 0:23:54.560
<v Speaker 1>We love y'all, We love I love watching this show. Man, y'all,

0:23:55.720 --> 0:23:58.119
<v Speaker 1>thank you man. We appreciate that. Thank y'all for coming. Man,

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<v Speaker 1>It's the Breakfast Club.