1 00:00:01,120 --> 00:00:07,400 Speaker 1: Real, keep real. Celebrity joined the breakfast Yep, it's the 2 00:00:07,480 --> 00:00:09,719 Speaker 1: worldmost dangerous morning to show, The Breakfast Club. Now, we 3 00:00:09,800 --> 00:00:14,640 Speaker 1: got two special guests in the building. What's Jesse Jesse 4 00:00:14,720 --> 00:00:22,239 Speaker 1: tu and Mike Apps? Okay, Mike caps Breakfast Club. So 5 00:00:22,280 --> 00:00:25,119 Speaker 1: what's the world? We got Survival's Remorse going on. You 6 00:00:25,720 --> 00:00:28,360 Speaker 1: got a lot going on, Mike. Yeah. Man, I'm trying 7 00:00:28,360 --> 00:00:30,720 Speaker 1: to keep a lot going on. No, you got Richard 8 00:00:30,720 --> 00:00:35,400 Speaker 1: Pryde movie, Survival's Remorse Uncle Uncle Buck stand up coming 9 00:00:35,440 --> 00:00:38,680 Speaker 1: on Netflix. Yeah. Man, I'm trying to trying to make 10 00:00:38,680 --> 00:00:41,840 Speaker 1: it work, trying to make it happen. This ain't suposed 11 00:00:41,840 --> 00:00:43,479 Speaker 1: to happen for you now. You you know what you 12 00:00:43,560 --> 00:00:45,559 Speaker 1: like to say in Hollywood. You too old? Push him out? 13 00:00:45,600 --> 00:00:48,600 Speaker 1: You're going, yeah, you on right now. I know, man, 14 00:00:48,640 --> 00:00:50,479 Speaker 1: I've been I've been around, I've been in the business 15 00:00:50,479 --> 00:00:53,559 Speaker 1: for twenty years. I'm doing this show, Survivor's Remorse with 16 00:00:53,600 --> 00:00:56,319 Speaker 1: this young brother Jesse. Yeah, ushould right here. It's all 17 00:00:56,360 --> 00:01:00,240 Speaker 1: about the young comp You're Lebron Jesse on the show. Oh, 18 00:01:00,560 --> 00:01:06,880 Speaker 1: I mean, I'm not gonna say nay, Lebron, come on cam, callaway, Lebron. 19 00:01:06,920 --> 00:01:11,039 Speaker 1: I can't say I'm Lebron. Somebody like Lebron similarities there, 20 00:01:11,040 --> 00:01:12,600 Speaker 1: But nah, I don't really see you played ball in 21 00:01:12,640 --> 00:01:14,600 Speaker 1: the show at I've watched it. I know the new 22 00:01:14,640 --> 00:01:17,880 Speaker 1: seasons coming up soon, and obviously I know Mike Epps 23 00:01:17,959 --> 00:01:20,040 Speaker 1: is a crazy uncle. But where's the you know on 24 00:01:20,160 --> 00:01:22,319 Speaker 1: the court? You know what? They There was like a 25 00:01:22,319 --> 00:01:24,120 Speaker 1: lot of talk about that in the first season, and 26 00:01:24,200 --> 00:01:26,880 Speaker 1: I think what what came about was like the showrunners 27 00:01:26,880 --> 00:01:28,880 Speaker 1: and the producers was like, Okay, if we start doing 28 00:01:28,880 --> 00:01:30,640 Speaker 1: the basketball thing, that we got to feed that animal 29 00:01:30,680 --> 00:01:32,440 Speaker 1: a little more than we want to. You gotta be 30 00:01:32,520 --> 00:01:34,920 Speaker 1: Lebron exactly, you know what I mean. They're like, nah, 31 00:01:35,000 --> 00:01:36,280 Speaker 1: I mean I feel like if we go there and 32 00:01:36,319 --> 00:01:37,680 Speaker 1: we got to stay there, so they just want to 33 00:01:37,680 --> 00:01:39,600 Speaker 1: stay away and focus on you know what makes it. 34 00:01:39,440 --> 00:01:42,319 Speaker 1: But ain't the shoulder or reflection a Lebron's life. No, 35 00:01:42,440 --> 00:01:45,560 Speaker 1: never really, it seems like it because the dynamic between 36 00:01:45,640 --> 00:01:48,080 Speaker 1: like my character and the Reggie character is a lot 37 00:01:48,160 --> 00:01:50,880 Speaker 1: like Maverick and Lebron's you know, relationship, But it's not. 38 00:01:51,080 --> 00:01:53,560 Speaker 1: It's not about Lebron's life. Is anybody on that dating 39 00:01:53,600 --> 00:02:02,920 Speaker 1: your mom? Like a young man? Dat? Come on the 40 00:02:02,920 --> 00:02:04,880 Speaker 1: show now? You used to. I used to work with 41 00:02:04,920 --> 00:02:07,280 Speaker 1: Molly Cyrus too, right. I did an episode ahead of Montana. 42 00:02:07,520 --> 00:02:09,280 Speaker 1: Are you the episode? Okay? Did you know she was 43 00:02:09,360 --> 00:02:19,600 Speaker 1: getting Nah? None of that was none of that A 44 00:02:19,600 --> 00:02:21,680 Speaker 1: lot more innocent back then, at least I thought so. 45 00:02:21,800 --> 00:02:24,360 Speaker 1: I don't know right now, how did you end up 46 00:02:24,360 --> 00:02:26,200 Speaker 1: getting cast on the show? Because I remember first hearing 47 00:02:26,240 --> 00:02:28,200 Speaker 1: Lebron talked about it, he was executive producing on it. 48 00:02:28,240 --> 00:02:31,160 Speaker 1: I thought it was supposed to be like Entourage was 49 00:02:31,240 --> 00:02:34,920 Speaker 1: for Mark Wahlberg. This was like Lebron's kind of reflection 50 00:02:34,960 --> 00:02:38,560 Speaker 1: of his life and the people around him. In a sense, Yes, 51 00:02:38,960 --> 00:02:41,240 Speaker 1: but not really because he doesn't want it to be 52 00:02:41,520 --> 00:02:44,240 Speaker 1: about him more so just about you know, right, because 53 00:02:44,240 --> 00:02:46,079 Speaker 1: it is it is kind of funny. You don't want 54 00:02:46,080 --> 00:02:48,359 Speaker 1: to think that these things really happened. It was a 55 00:02:48,400 --> 00:02:50,000 Speaker 1: part where the guy had that the kid had to 56 00:02:50,080 --> 00:02:53,440 Speaker 1: dying wish. Yeah. I saw that Lebron wouldn't want those 57 00:02:53,480 --> 00:02:55,280 Speaker 1: kind of things to be, you know, looked upon him. 58 00:02:55,320 --> 00:02:58,560 Speaker 1: But this casting process was like out of this world. 59 00:02:58,560 --> 00:03:01,040 Speaker 1: I mean, it was like four months long. I did 60 00:03:01,080 --> 00:03:04,800 Speaker 1: like five six camera tests with you know everybody, and 61 00:03:04,840 --> 00:03:07,120 Speaker 1: then I don't know, it was just drawing out for 62 00:03:07,120 --> 00:03:08,919 Speaker 1: no reason. You know, it finally came to an end. 63 00:03:09,400 --> 00:03:12,839 Speaker 1: They just tell you we want you and a few 64 00:03:12,880 --> 00:03:15,560 Speaker 1: years that was like my first big one. Do you 65 00:03:15,560 --> 00:03:19,000 Speaker 1: ever have to audition anymore? Mike Epps or did they 66 00:03:19,000 --> 00:03:21,120 Speaker 1: just say we have a role for you? About auditional 67 00:03:21,440 --> 00:03:23,560 Speaker 1: not no more? I really don't audition no more, but 68 00:03:23,680 --> 00:03:27,840 Speaker 1: I will for the right role. The right role is prior. 69 00:03:27,919 --> 00:03:32,359 Speaker 1: That's the one that audition for that though. Man it 70 00:03:33,280 --> 00:03:35,760 Speaker 1: every time I thought I had that movie. I'm walking 71 00:03:35,760 --> 00:03:38,240 Speaker 1: out the building, I see Marlon Wayne and I'm like 72 00:03:38,280 --> 00:03:42,720 Speaker 1: what I see Nick Cannon going in. I'm like, man, 73 00:03:43,160 --> 00:03:46,160 Speaker 1: I had worked for that was a battle because everybody 74 00:03:46,200 --> 00:03:50,120 Speaker 1: wanted that role. How did it finally come back to you? 75 00:03:50,120 --> 00:03:52,840 Speaker 1: You know what I think Lee Daniels is a type 76 00:03:52,880 --> 00:03:56,760 Speaker 1: of director. He'd make everybody audition and uh, I mean 77 00:03:56,800 --> 00:03:59,760 Speaker 1: it goes down in the audition room. Put it down 78 00:03:59,800 --> 00:04:03,360 Speaker 1: in audition room. You know that's where you really earned 79 00:04:03,360 --> 00:04:12,080 Speaker 1: it at I've seen him make an Oprah Winfrey your audition, Daniel. Look, 80 00:04:12,120 --> 00:04:15,080 Speaker 1: I come up in the audition place and I'll see 81 00:04:15,200 --> 00:04:18,039 Speaker 1: and you know you got the door right there leads 82 00:04:18,080 --> 00:04:21,240 Speaker 1: inside the room and I an Oprah sitting out there 83 00:04:21,320 --> 00:04:24,880 Speaker 1: reading the thing. I'm like, is that Oper sit there 84 00:04:24,920 --> 00:04:31,560 Speaker 1: reading the side? Did you know it was her? Yeah? Yeah, 85 00:04:31,680 --> 00:04:34,120 Speaker 1: so I've seen Lee Danee bring her in and make 86 00:04:34,160 --> 00:04:37,080 Speaker 1: her audition. I'm like, man, So he really liked to 87 00:04:37,080 --> 00:04:39,920 Speaker 1: see if people can make it happen before he harmed. 88 00:04:39,960 --> 00:04:42,359 Speaker 1: And you know, I really worked hard for Is it 89 00:04:42,360 --> 00:04:44,839 Speaker 1: a strong script? Man? It is. It's a It's a 90 00:04:44,920 --> 00:04:47,600 Speaker 1: real strong script. And I just hope that I represent 91 00:04:47,680 --> 00:04:50,600 Speaker 1: him as as well as I can because a lot 92 00:04:50,600 --> 00:04:53,960 Speaker 1: of people betting on this, dude, and it's, you know, 93 00:04:54,040 --> 00:04:58,640 Speaker 1: a highly anticipated movie. So you started shooting it. We 94 00:04:58,760 --> 00:05:01,640 Speaker 1: start prepping in January. Where he started shooting in March. 95 00:05:01,920 --> 00:05:06,000 Speaker 1: Is that ask me answering me one question? Oh? I 96 00:05:06,040 --> 00:05:10,440 Speaker 1: ain't on that one. He talks about it. No, I 97 00:05:10,440 --> 00:05:18,360 Speaker 1: don't know. I I just want to know slipping in 98 00:05:18,400 --> 00:05:23,920 Speaker 1: there on you go slip? I know how to say 99 00:05:24,000 --> 00:05:30,360 Speaker 1: no before you're crafting for the story. Yeah, well I 100 00:05:30,360 --> 00:05:34,080 Speaker 1: didn't walked off some sense before virus remorris being one 101 00:05:34,120 --> 00:05:40,080 Speaker 1: of them. Come on, young boys, slip the tongue. Slip 102 00:05:40,160 --> 00:05:43,200 Speaker 1: one time. What do you like out Mike walked off 103 00:05:43,200 --> 00:05:46,159 Speaker 1: to I wasn't even there, man, I just got about 104 00:05:46,200 --> 00:05:48,480 Speaker 1: ten phone calls before I get to set. There like yo, man, 105 00:05:48,520 --> 00:05:51,360 Speaker 1: Mike left. I'm like, what you mean? Mike left? They 106 00:05:51,480 --> 00:05:53,960 Speaker 1: was like, man, some stuff went dawn over about the 107 00:05:54,040 --> 00:05:57,000 Speaker 1: lunch they had. Mike left. They had they had a 108 00:05:57,120 --> 00:06:01,560 Speaker 1: shooting at a at a real slave plantation, you know 109 00:06:01,600 --> 00:06:03,599 Speaker 1: what I mean. And they had the scene was me 110 00:06:04,320 --> 00:06:07,440 Speaker 1: getting in the bed with a white girl and playing like, 111 00:06:07,560 --> 00:06:10,440 Speaker 1: you know, a coon type dude. So I told him 112 00:06:10,480 --> 00:06:12,640 Speaker 1: I was gonna do it. But when I got to 113 00:06:12,680 --> 00:06:15,479 Speaker 1: the set, man, it was it was so eerie. It 114 00:06:15,560 --> 00:06:19,400 Speaker 1: was like it just I just felt it. It was 115 00:06:19,440 --> 00:06:21,760 Speaker 1: it wasn't right. And I'm sitting there looking at all 116 00:06:21,760 --> 00:06:24,480 Speaker 1: the woods and stuff like that. I said, I this 117 00:06:24,520 --> 00:06:27,480 Speaker 1: ain't right. My ancestors wouldn't like this. No, I said, 118 00:06:27,480 --> 00:06:29,920 Speaker 1: I got to go. I got to get up. Michael. Really, 119 00:06:33,360 --> 00:06:36,560 Speaker 1: I took all my grandmother, she said, get on, white man, baby, 120 00:06:40,640 --> 00:06:49,680 Speaker 1: did you run like I saw you tell brook Open 121 00:06:49,720 --> 00:06:52,440 Speaker 1: to keep dating black guys. I guess you just wanted 122 00:06:52,480 --> 00:06:55,560 Speaker 1: to piss his daddy off. Yeah, well he said some 123 00:06:55,560 --> 00:06:58,800 Speaker 1: stuff he hadn't been the saying so as well, rubbing 124 00:06:58,839 --> 00:07:01,400 Speaker 1: in his face. You know what I'm but this is 125 00:07:01,400 --> 00:07:03,840 Speaker 1: a this is a good television show, and I'm really 126 00:07:03,880 --> 00:07:06,720 Speaker 1: excited for Jesse. That's your man. He's a young about it. 127 00:07:06,760 --> 00:07:09,560 Speaker 1: Coming up in the game. He's doing Independence Day. Tell 128 00:07:09,600 --> 00:07:11,880 Speaker 1: him about your new independence You had that profession, Elizabeth. 129 00:07:11,920 --> 00:07:15,160 Speaker 1: Mike Evs like, we here to talk about right back. 130 00:07:17,080 --> 00:07:19,080 Speaker 1: So you're doing to see what the Independence Day? Yeah, 131 00:07:19,080 --> 00:07:21,360 Speaker 1: I am doing the it's called Independence Day of Resurgence. 132 00:07:21,360 --> 00:07:24,240 Speaker 1: It's gonna come out next summer. He's not in it. Oh, 133 00:07:24,720 --> 00:07:26,600 Speaker 1: it's not in it. I'm playing his son though, and 134 00:07:26,880 --> 00:07:29,480 Speaker 1: or his stepson if you remember the first film, And yeah, 135 00:07:29,520 --> 00:07:31,920 Speaker 1: they're doing like an exact twenty year turnaround from when 136 00:07:31,960 --> 00:07:33,600 Speaker 1: the first one came out to now, why the hell 137 00:07:33,640 --> 00:07:35,680 Speaker 1: we're Laan in it? I wish I could tell you, man, 138 00:07:35,720 --> 00:07:36,920 Speaker 1: I'm trying to. I'm trying to get in touch with 139 00:07:37,000 --> 00:07:39,440 Speaker 1: him so I can find out myself, honestly coming out 140 00:07:39,440 --> 00:07:42,400 Speaker 1: in theaters. Yeah, it's gonna come out theaters worldwide. Okay, Now, Jesse, 141 00:07:42,480 --> 00:07:44,280 Speaker 1: you gotta watch yourself too. I saw you tell a girl. 142 00:07:44,320 --> 00:07:46,679 Speaker 1: A girl said something to you about um, she wanted 143 00:07:46,680 --> 00:07:47,960 Speaker 1: some money for him plans, and you was like, I 144 00:07:48,080 --> 00:07:52,080 Speaker 1: paid you not to get him. You know what that was? 145 00:07:52,400 --> 00:07:54,960 Speaker 1: That was like a conversation that was going around on 146 00:07:55,000 --> 00:07:56,840 Speaker 1: Twitter for for a while, you know what I mean 147 00:07:56,880 --> 00:07:59,000 Speaker 1: about girls in plastic surgery and all that kind of stuff. 148 00:07:59,200 --> 00:08:01,120 Speaker 1: And then she was saying, you know, she like made 149 00:08:01,120 --> 00:08:03,800 Speaker 1: a comment like a day later and she was like, yo, 150 00:08:03,840 --> 00:08:05,920 Speaker 1: I need to sugar daddy, somebody's gonna pay for implants. 151 00:08:05,920 --> 00:08:08,240 Speaker 1: And then me, you know, taking a stand, I was like, nah, 152 00:08:08,280 --> 00:08:09,640 Speaker 1: you know, I would, I would pay. I would rather 153 00:08:09,640 --> 00:08:11,840 Speaker 1: pay for you not to get in plant. Yeah. No, 154 00:08:11,880 --> 00:08:14,920 Speaker 1: I know her how but I know her. She lives 155 00:08:14,920 --> 00:08:16,680 Speaker 1: in Atlanta. How much did you pay her not to 156 00:08:16,720 --> 00:08:23,080 Speaker 1: get him? I would? I don't know. Many take the 157 00:08:23,120 --> 00:08:27,680 Speaker 1: money and go get the booty job, especially living in Atlanta. Man, 158 00:08:27,720 --> 00:08:29,600 Speaker 1: you know how you don't want to get breathing plants. 159 00:08:29,600 --> 00:08:31,480 Speaker 1: You don't say nothing about the booty You're right, You're right. 160 00:08:31,520 --> 00:08:34,040 Speaker 1: I should have been more specific. Now have you been 161 00:08:34,080 --> 00:08:36,680 Speaker 1: watching this whole Meek mil versus Drake go down? You 162 00:08:36,679 --> 00:08:38,480 Speaker 1: know I just heard back to back when y'all played 163 00:08:38,480 --> 00:08:41,320 Speaker 1: it a second ago. So let me ask you, Jesse, 164 00:08:41,440 --> 00:08:43,200 Speaker 1: as a young man growing up in this what do 165 00:08:43,240 --> 00:08:45,160 Speaker 1: you think that Meek Mill should do next? What's the 166 00:08:45,200 --> 00:08:47,439 Speaker 1: next step? You know what I don't know what he 167 00:08:47,480 --> 00:08:49,319 Speaker 1: should do next. I just wish he didn't say nothing 168 00:08:49,320 --> 00:08:51,200 Speaker 1: in the first place. That was a mistake on I 169 00:08:51,240 --> 00:08:53,880 Speaker 1: think personally that wasn't starting to look like that. Yeah, 170 00:08:53,920 --> 00:08:55,240 Speaker 1: it was just starting to look like it was a 171 00:08:55,240 --> 00:08:57,440 Speaker 1: bad move. Honestly. You know what I would love to 172 00:08:57,480 --> 00:08:59,920 Speaker 1: do and I want to host and fight in it. 173 00:09:00,240 --> 00:09:02,280 Speaker 1: I want to get I want to do right over 174 00:09:02,320 --> 00:09:04,440 Speaker 1: there at Madison Square Garden. I want to get all 175 00:09:04,480 --> 00:09:08,080 Speaker 1: these rappers and actors and everybody over there and put 176 00:09:08,080 --> 00:09:10,800 Speaker 1: some boxing clubs on them and see if they really fight. Wow, 177 00:09:11,280 --> 00:09:16,600 Speaker 1: I would love to do it. Last one of them 178 00:09:16,600 --> 00:09:19,640 Speaker 1: getting that ring and if you get beat up, don't 179 00:09:19,800 --> 00:09:24,719 Speaker 1: do another this song again. But it is supposed to 180 00:09:24,760 --> 00:09:28,760 Speaker 1: be about not being able to necessarily. Yeah, but that's fun. 181 00:09:28,880 --> 00:09:32,719 Speaker 1: They did one years ago they had Millie Willie d 182 00:09:32,960 --> 00:09:36,439 Speaker 1: knocked Mellie Mel out for real. Yeah, you better look 183 00:09:36,480 --> 00:09:40,080 Speaker 1: on the internet. Will they differently get a boy? Yes, 184 00:09:40,679 --> 00:09:44,040 Speaker 1: they did. The last Mellie Mel they did they did 185 00:09:44,200 --> 00:09:48,200 Speaker 1: a celebrity boxing match at the at the Madison Square 186 00:09:48,240 --> 00:09:51,199 Speaker 1: Garden in the eighties. I don't know why these dudes 187 00:09:51,240 --> 00:09:54,400 Speaker 1: won't do that now. It'll be hilarious. You think you 188 00:09:54,440 --> 00:09:57,920 Speaker 1: think social media is saving people from getting killed, because 189 00:09:57,920 --> 00:10:01,200 Speaker 1: I feel like it's a buffer. I got a problem 190 00:10:01,240 --> 00:10:03,520 Speaker 1: with somebody, you go tweet it out, you try to 191 00:10:03,559 --> 00:10:05,680 Speaker 1: think about it, you know what. But it also it 192 00:10:05,679 --> 00:10:08,480 Speaker 1: also makes people get into unnecessary arguments because people go 193 00:10:08,480 --> 00:10:11,360 Speaker 1: on social media and start saying something they would never 194 00:10:11,400 --> 00:10:13,560 Speaker 1: say in person. But it's better than shooting each other 195 00:10:13,600 --> 00:10:15,880 Speaker 1: in person and fighting and shooting each other, That's what 196 00:10:16,000 --> 00:10:18,480 Speaker 1: I'm saying. A nice little boxing match. Just put some 197 00:10:18,520 --> 00:10:20,640 Speaker 1: little gloves on you. It ain't nothing about the fight. 198 00:10:21,120 --> 00:10:25,880 Speaker 1: Would you getting there with Kevin No Kevin Hard You 199 00:10:26,000 --> 00:10:28,480 Speaker 1: said some things about them like, man, I'm not fighting 200 00:10:28,520 --> 00:10:31,520 Speaker 1: no Kevin hard Man, Kevin in the gym now, Kevin Dago, 201 00:10:31,640 --> 00:10:36,920 Speaker 1: Mike Man please? You called the brother Kardashian no man, 202 00:10:37,480 --> 00:10:40,480 Speaker 1: and see we had to go there. Kevin Hard I 203 00:10:40,520 --> 00:10:42,480 Speaker 1: love you, brother. I thought that they try to get 204 00:10:42,480 --> 00:10:46,680 Speaker 1: as I love you a little brother. Jesse, Who would 205 00:10:46,679 --> 00:10:49,600 Speaker 1: you fight? I ain't fight nobody man. Only you look 206 00:10:49,600 --> 00:10:52,719 Speaker 1: like you might have to knock out Brandon Jackson. Look 207 00:10:52,760 --> 00:10:56,840 Speaker 1: like if you gotta get rid of heaven. I ain't 208 00:10:56,840 --> 00:10:59,640 Speaker 1: fighting nobody man. All that ain't necessary. More than enough 209 00:10:59,760 --> 00:11:02,880 Speaker 1: roles it's just fun. It's just fun. It's just fun. Yea, 210 00:11:02,960 --> 00:11:05,439 Speaker 1: all these little brothers out here, we all out here 211 00:11:05,480 --> 00:11:07,560 Speaker 1: trying to make it. Man, the police is killing us. 212 00:11:08,120 --> 00:11:10,120 Speaker 1: We don't have time to kill each other right now, 213 00:11:10,200 --> 00:11:11,920 Speaker 1: you know what I mean. We need to lock up 214 00:11:11,960 --> 00:11:14,400 Speaker 1: a hook up to make this money together. You know 215 00:11:14,440 --> 00:11:17,560 Speaker 1: what I mean. It's all about blackness right now. We 216 00:11:17,640 --> 00:11:20,199 Speaker 1: got to stick together, man, because the police is is 217 00:11:20,240 --> 00:11:22,640 Speaker 1: our enemies for real. Yes, you know what I mean. 218 00:11:22,640 --> 00:11:25,640 Speaker 1: We're supposed to be protective when they even when we 219 00:11:25,760 --> 00:11:28,040 Speaker 1: go into jail, we're supposed to still be protected. But 220 00:11:28,679 --> 00:11:30,439 Speaker 1: you can die on the way to the jail in 221 00:11:30,480 --> 00:11:31,960 Speaker 1: the bad But you don't know who the good police 222 00:11:31,960 --> 00:11:33,920 Speaker 1: are all the bad police. No, I know the bad 223 00:11:33,920 --> 00:11:44,760 Speaker 1: ones because they're my friends. Stand Up Special on Netflix, Yeah, 224 00:11:44,840 --> 00:11:48,559 Speaker 1: stand up Special on Netflix. It's called Don't Take It Personal, 225 00:11:49,240 --> 00:11:52,000 Speaker 1: you know, because I'm on the touch saying some stuff. 226 00:11:52,440 --> 00:11:54,360 Speaker 1: You know. That's what comments do, man, That's what I 227 00:11:54,400 --> 00:11:56,920 Speaker 1: get paid for. People's always shocked when we say something 228 00:11:56,920 --> 00:11:58,440 Speaker 1: we ain't got no been the same, And I'm like, 229 00:11:58,480 --> 00:12:01,120 Speaker 1: come on, man, I'm a comedian. That's what I'm supposed 230 00:12:01,160 --> 00:12:04,640 Speaker 1: to say. You know, everybody, they're talking about Bill Cosby. 231 00:12:04,679 --> 00:12:06,800 Speaker 1: They talking about all these people and the way they're 232 00:12:06,800 --> 00:12:13,000 Speaker 1: doing Bill Cosby. I'm not hiding nothing now, putting it all. Yeah, 233 00:12:13,080 --> 00:12:15,559 Speaker 1: I think Bill Cosby should just die. At this point, 234 00:12:16,360 --> 00:12:18,160 Speaker 1: he think so, yeah, man, you should just passed away 235 00:12:18,200 --> 00:12:20,120 Speaker 1: because can you know why, because the slander will turn 236 00:12:20,120 --> 00:12:22,960 Speaker 1: to sympathy where everybody's getting at him now. As soon 237 00:12:23,040 --> 00:12:25,360 Speaker 1: as he passed, he'd be like, oh, Bill, we've missed you. 238 00:12:25,520 --> 00:12:27,680 Speaker 1: You did so much. Right now, he's trying to discredit 239 00:12:27,720 --> 00:12:30,720 Speaker 1: all his work, discredit everything he's done. Yes, the brother 240 00:12:30,760 --> 00:12:32,840 Speaker 1: made some mistakes, but don't take his art off the table. 241 00:12:32,960 --> 00:12:34,920 Speaker 1: That art helped a lot of people. Well, I think 242 00:12:34,960 --> 00:12:37,360 Speaker 1: Bill should have did his dirt on the tap top 243 00:12:37,400 --> 00:12:40,320 Speaker 1: of the table. That's why I don't do no dirt 244 00:12:40,400 --> 00:12:43,040 Speaker 1: under the table. I put all my dirt on the 245 00:12:43,040 --> 00:12:46,280 Speaker 1: table right here. So if you can't expose something that 246 00:12:46,320 --> 00:12:48,720 Speaker 1: had already been exposed, true, you know what I mean, 247 00:12:48,760 --> 00:12:50,600 Speaker 1: how are you gonna You can't make me look bad 248 00:12:50,600 --> 00:12:52,200 Speaker 1: if I'm putting it on the table. But don't you 249 00:12:52,200 --> 00:12:53,640 Speaker 1: think it's kind of his fault too, though, because he 250 00:12:53,679 --> 00:12:55,680 Speaker 1: was out there like I'm pulling your pants up and 251 00:12:55,679 --> 00:12:58,720 Speaker 1: you should live like this and you should hurt him. Yeah. Yeah, 252 00:12:58,720 --> 00:13:00,720 Speaker 1: that's what hurt him right there, is that it looked 253 00:13:00,720 --> 00:13:03,079 Speaker 1: it looked at hypocritical, you know what I'm saying. But 254 00:13:03,200 --> 00:13:05,160 Speaker 1: I mean, like you said, man, ain't none of us 255 00:13:05,240 --> 00:13:09,440 Speaker 1: perfect out here? And if they put all these, all 256 00:13:09,440 --> 00:13:12,440 Speaker 1: the ugly women that I've been within my life on 257 00:13:12,559 --> 00:13:15,760 Speaker 1: the front of a newspaper, it's gonna be bad. Man. 258 00:13:15,760 --> 00:13:18,880 Speaker 1: It's gonna look like to stay fair on that didn't 259 00:13:18,920 --> 00:13:22,800 Speaker 1: drug them? And then you know, well, well, come on, 260 00:13:23,400 --> 00:13:26,120 Speaker 1: a little marijuana is the same thing. Here hit this 261 00:13:26,280 --> 00:13:32,320 Speaker 1: joint right here. My grandmother met Bill Cosby years ago. No, man, 262 00:13:32,360 --> 00:13:37,760 Speaker 1: what happened? It sounds like something crazy happened. You don't 263 00:13:37,840 --> 00:13:48,200 Speaker 1: remember put that jellou You think that was just the 264 00:13:48,320 --> 00:13:50,440 Speaker 1: thing back then? Don't give you know the queludes and 265 00:13:50,480 --> 00:13:53,439 Speaker 1: all that. Man. You know, My thing is, guess what 266 00:13:53,840 --> 00:13:55,520 Speaker 1: I would like to get all them women if I 267 00:13:55,559 --> 00:13:58,000 Speaker 1: was Bill Cosby, I do an interview with with with 268 00:13:58,160 --> 00:14:01,400 Speaker 1: Oprah and have all the women sit up there and 269 00:14:01,440 --> 00:14:04,240 Speaker 1: I will say to them, what was your interest in me? 270 00:14:05,320 --> 00:14:07,199 Speaker 1: What was you doing up in the room with me? 271 00:14:07,360 --> 00:14:09,959 Speaker 1: That's what I That's what I don't understand. You noticed 272 00:14:10,000 --> 00:14:12,160 Speaker 1: the two black women that's on there. They said. They 273 00:14:12,320 --> 00:14:15,000 Speaker 1: straight up said, we know Bill like that. We left. 274 00:14:15,160 --> 00:14:17,840 Speaker 1: I said, Bill, put me in a cab, I gotta go. Yeah. 275 00:14:17,880 --> 00:14:20,160 Speaker 1: One was Beverley Johnson. I forgot that, That's what I'm saying. 276 00:14:20,280 --> 00:14:23,520 Speaker 1: But the other, the other little fire Marshall Bill looking 277 00:14:23,560 --> 00:14:26,240 Speaker 1: as girt. Women in there with the one lady had 278 00:14:26,240 --> 00:14:28,640 Speaker 1: a little weir well when women said that he was 279 00:14:28,920 --> 00:14:32,520 Speaker 1: suffering to mentor her and you know, somebody her family 280 00:14:32,600 --> 00:14:35,280 Speaker 1: died from cancer. He was sympathetic toward her and she 281 00:14:35,360 --> 00:14:39,400 Speaker 1: believed him. Yeah, and you can't start on the ninety 282 00:14:39,440 --> 00:14:43,240 Speaker 1: something years old, now, I know. But how cow you 283 00:14:43,280 --> 00:14:46,720 Speaker 1: gonna come out later on like that? I mean, like 284 00:14:47,160 --> 00:14:49,520 Speaker 1: somebody should have said something then in my right, some 285 00:14:49,560 --> 00:14:51,200 Speaker 1: people do say stuff then there. And there was a 286 00:14:51,280 --> 00:14:55,760 Speaker 1: lot of settlements that happened, okay, And that's what I 287 00:14:55,760 --> 00:14:58,000 Speaker 1: would do. I would take all of them chairs that 288 00:14:58,080 --> 00:15:00,480 Speaker 1: the women is sitting on, and I would make my 289 00:15:00,520 --> 00:15:04,280 Speaker 1: own magazine and I will put all them checks on 290 00:15:04,800 --> 00:15:08,720 Speaker 1: a chair that I wrote. But you know, some people 291 00:15:08,800 --> 00:15:10,560 Speaker 1: feel like it's hard to go up against a celebrity. 292 00:15:10,600 --> 00:15:15,480 Speaker 1: No one's gonna believe me. They're sixties. The black man 293 00:15:15,720 --> 00:15:18,280 Speaker 1: oh yeah, maybe then. But now, boy, if somebody say 294 00:15:18,320 --> 00:15:20,400 Speaker 1: something about you now that everybody believes it, even if 295 00:15:20,400 --> 00:15:23,840 Speaker 1: it's not true automatically, that's right. I mean, I do 296 00:15:23,920 --> 00:15:25,880 Speaker 1: believe Bill Cock did something, but it's hard for me 297 00:15:25,880 --> 00:15:28,480 Speaker 1: to believe that you gotta raping a white woman in 298 00:15:28,480 --> 00:15:31,520 Speaker 1: the sixties. White womanould have spoke out about that immediately, 299 00:15:31,520 --> 00:15:33,560 Speaker 1: because if you wake up, if you're getting drunk with 300 00:15:33,560 --> 00:15:35,080 Speaker 1: a white girl and you wake up in the morning 301 00:15:35,120 --> 00:15:39,240 Speaker 1: and she crying, you go in the prison. I think 302 00:15:39,240 --> 00:15:40,920 Speaker 1: for some women, they feel like it's their fault, like 303 00:15:40,920 --> 00:15:43,080 Speaker 1: how did I put myself in this position? And you 304 00:15:43,160 --> 00:15:45,320 Speaker 1: kind of blame yourself, like I shouldn't have been here, 305 00:15:45,360 --> 00:15:46,520 Speaker 1: and now people are gonna look at me like, well, 306 00:15:46,520 --> 00:15:48,880 Speaker 1: what's she doing in here anyway? And you put yourself 307 00:15:48,880 --> 00:15:51,240 Speaker 1: in a position because people feel like that. Yeah, So 308 00:15:51,520 --> 00:15:54,120 Speaker 1: I'm sure it's difficult. I can't speak. I feel sorry 309 00:15:54,120 --> 00:15:58,280 Speaker 1: for the women that guy violated and I and I 310 00:15:58,320 --> 00:16:01,680 Speaker 1: can't say that I feel sorry for Bill Cosm because 311 00:16:01,680 --> 00:16:05,360 Speaker 1: the man got eighty million dollars, he had a great life, 312 00:16:05,360 --> 00:16:07,120 Speaker 1: and he pointed to finger a lot of people. Yeah, 313 00:16:07,120 --> 00:16:10,280 Speaker 1: and he tried to talk about young black Irvan kids 314 00:16:10,400 --> 00:16:13,520 Speaker 1: like that didn't have the same opportunities that he had 315 00:16:13,800 --> 00:16:15,960 Speaker 1: when he should have been helping him and coming down 316 00:16:16,000 --> 00:16:18,800 Speaker 1: in the neighborhood setting up some programs for him. If 317 00:16:18,800 --> 00:16:21,760 Speaker 1: he had to did that, the whole black race would 318 00:16:21,760 --> 00:16:23,880 Speaker 1: have been behind the road for Bill. Yeah, I wanted 319 00:16:23,920 --> 00:16:26,000 Speaker 1: to role for him. You learn it from this, Jesse. 320 00:16:26,080 --> 00:16:28,720 Speaker 1: I'm learning right. You got to get you some non 321 00:16:28,760 --> 00:16:31,640 Speaker 1: disclosure for him and bring these girls back. Man, I 322 00:16:31,760 --> 00:16:33,760 Speaker 1: see you retwet a lot of ladies. You you being 323 00:16:33,840 --> 00:16:39,120 Speaker 1: some DMS. Now you gotta be Jesse. Jesse's mama and 324 00:16:39,200 --> 00:16:42,680 Speaker 1: his grandmother's right. Oh, I'm so sorry. You give me 325 00:16:42,760 --> 00:16:49,040 Speaker 1: a school base. He gonna do what you do that now, Jesse, 326 00:16:49,160 --> 00:16:51,720 Speaker 1: let me ask you this. Doing a show like Survirus Remorris, 327 00:16:51,920 --> 00:16:53,840 Speaker 1: do you learn a lot from what happens on the show, 328 00:16:53,840 --> 00:16:55,720 Speaker 1: on the plot and people are trying to take advantage 329 00:16:55,720 --> 00:16:57,760 Speaker 1: of you and things like that. Do you apply any 330 00:16:57,800 --> 00:16:59,920 Speaker 1: of that to your real life? Oh? Yeah? Sometimes I 331 00:17:00,080 --> 00:17:02,000 Speaker 1: feel like the stuff that Michael Mallley be putting on 332 00:17:02,040 --> 00:17:04,760 Speaker 1: that page is like, you know, speaking directly to me, 333 00:17:04,960 --> 00:17:06,680 Speaker 1: you know what I mean? And I mean it's maybe 334 00:17:06,720 --> 00:17:10,560 Speaker 1: because a lot of it is so relatable anyways. Yeah, 335 00:17:10,600 --> 00:17:12,520 Speaker 1: like we'd be reading stuff and then you know, we 336 00:17:12,720 --> 00:17:14,679 Speaker 1: sit back and go with day. Maybe you know I 337 00:17:14,680 --> 00:17:16,560 Speaker 1: should watch I should watch out for that kind of 338 00:17:16,560 --> 00:17:19,440 Speaker 1: stuff because it might be writing some some like real things. 339 00:17:19,440 --> 00:17:21,600 Speaker 1: And then and of course being on a show such 340 00:17:21,880 --> 00:17:24,120 Speaker 1: and such our profile like Survivors Remorse, of course you're 341 00:17:24,119 --> 00:17:26,080 Speaker 1: gonna get that kind of attention, the same attention that 342 00:17:26,080 --> 00:17:28,280 Speaker 1: the characters are getting. So has anything happened to you 343 00:17:28,359 --> 00:17:32,239 Speaker 1: in real life that was on the show? Um sort of, 344 00:17:32,800 --> 00:17:34,920 Speaker 1: you know, like Kim getting bushed all that kind of stuff. 345 00:17:34,960 --> 00:17:36,959 Speaker 1: I got poured out a VIP section one time at 346 00:17:36,960 --> 00:17:39,960 Speaker 1: the club my back turn no Lie by two little 347 00:17:40,000 --> 00:17:42,160 Speaker 1: short girls, like we all three of us almost back 348 00:17:42,160 --> 00:17:44,080 Speaker 1: because it was up high and they like reached stuff 349 00:17:44,080 --> 00:17:46,480 Speaker 1: and it's like, oh and pulling me down. It was tipsy. 350 00:17:46,600 --> 00:17:54,880 Speaker 1: And you know how that girls out there the compound 351 00:17:54,920 --> 00:18:00,320 Speaker 1: in Atlanta, that's the fan. I always want that, you 352 00:18:01,080 --> 00:18:05,440 Speaker 1: know what I'm saying, right, he said, at least I 353 00:18:05,520 --> 00:18:07,520 Speaker 1: always that one one that got the face of Toy right, 354 00:18:07,600 --> 00:18:11,240 Speaker 1: remember Toy right, imagine a little with that face. And 355 00:18:11,320 --> 00:18:15,640 Speaker 1: they got two little they got two little on Instagram 356 00:18:16,119 --> 00:18:20,560 Speaker 1: and I called them Taylor thoughts and they seen that, 357 00:18:20,680 --> 00:18:23,080 Speaker 1: and boy, they hear you up and reply back and say, 358 00:18:23,119 --> 00:18:29,840 Speaker 1: if we ever catch you, we're bringing right. Hey, man, 359 00:18:29,880 --> 00:18:31,680 Speaker 1: I'm gonna try to I'm gonna try to pick one 360 00:18:31,680 --> 00:18:34,680 Speaker 1: of them up. You know it's gonna be heavy. Negested. 361 00:18:34,760 --> 00:18:36,639 Speaker 1: You're soaking up game from the oldgs now because you 362 00:18:36,640 --> 00:18:38,440 Speaker 1: know it's nothing new out here. Ain't know. I know 363 00:18:38,520 --> 00:18:40,280 Speaker 1: it's original, nothing new on the sun. All you gotta 364 00:18:40,400 --> 00:18:42,000 Speaker 1: talk to the people that came before you and you 365 00:18:42,040 --> 00:18:43,879 Speaker 1: can avoid a lot of mistakes. Oh yeah, man, I 366 00:18:43,920 --> 00:18:45,840 Speaker 1: sit back and watch Mike twenty four seven. You know 367 00:18:46,080 --> 00:18:51,560 Speaker 1: most about I'm saying yesterday I was telling him yesterday, 368 00:18:51,640 --> 00:18:53,439 Speaker 1: you know, I watched him and like how he just 369 00:18:53,520 --> 00:18:55,480 Speaker 1: deals with people for the most part, you know what 370 00:18:55,520 --> 00:18:57,680 Speaker 1: I mean. I'm learning a lot from that. But we'll see. 371 00:18:57,680 --> 00:18:59,800 Speaker 1: Mike's a little different because Mike don earned his scripes. 372 00:18:59,840 --> 00:19:02,159 Speaker 1: The right, of course, I can walk off said you 373 00:19:02,200 --> 00:19:05,280 Speaker 1: can't walk off though, at one time, and it was 374 00:19:05,680 --> 00:19:08,520 Speaker 1: you know, it was it was I know how the 375 00:19:08,520 --> 00:19:12,520 Speaker 1: pressure is of being young and having things coming towards you. 376 00:19:12,520 --> 00:19:14,679 Speaker 1: You know, you're living a good life, you're getting money, 377 00:19:15,000 --> 00:19:17,080 Speaker 1: and you're a target, you know, what I mean, And 378 00:19:17,480 --> 00:19:19,760 Speaker 1: it's a blessing. And I and I say this to 379 00:19:19,840 --> 00:19:21,680 Speaker 1: him all the time. It's a blessing that he got 380 00:19:21,680 --> 00:19:24,760 Speaker 1: his family with him, you know what I mean, because 381 00:19:24,800 --> 00:19:27,320 Speaker 1: I ain't had no family. I was. I moved out 382 00:19:27,320 --> 00:19:29,840 Speaker 1: here to New York with nobody, had fifteen hundred dollars. 383 00:19:29,840 --> 00:19:33,119 Speaker 1: I ain't know nobody, and I wish my mother and 384 00:19:33,920 --> 00:19:37,200 Speaker 1: people would have been with me. You know, it's remorse 385 00:19:37,240 --> 00:19:38,800 Speaker 1: for you. You got your mom and too, you got 386 00:19:38,960 --> 00:19:44,560 Speaker 1: yea to What about Uncle Buck Man? That's the show 387 00:19:44,560 --> 00:19:47,399 Speaker 1: with Nia long Will Packers producing that right, yeah, Uncle 388 00:19:47,400 --> 00:19:50,159 Speaker 1: Buck ABC. Make sure y'all check it out. This is 389 00:19:50,200 --> 00:19:53,960 Speaker 1: my first opportunity I had being on a television show, 390 00:19:54,040 --> 00:19:58,240 Speaker 1: on a national television show. Survivor's Remorse was my first 391 00:19:58,280 --> 00:20:00,880 Speaker 1: TV show. That's why I when it did, I said, 392 00:20:00,880 --> 00:20:03,600 Speaker 1: you know what, this is a good cast and this 393 00:20:03,640 --> 00:20:06,520 Speaker 1: is the first time that I've been on television. I'm 394 00:20:06,520 --> 00:20:08,399 Speaker 1: gonna go do this show. I don't have to be 395 00:20:08,480 --> 00:20:11,840 Speaker 1: the lead. Jesse Usher is the league. He's a good lead. 396 00:20:12,080 --> 00:20:14,760 Speaker 1: I'll play the aunt. Thinking and then I turned around 397 00:20:14,800 --> 00:20:19,320 Speaker 1: and got blessed and got the Uncle Buck another uncle yeah, 398 00:20:20,080 --> 00:20:23,159 Speaker 1: uncle right, now you don't even did you even know? 399 00:20:23,200 --> 00:20:25,679 Speaker 1: Stars is gonna end up popping like it because at first, 400 00:20:25,720 --> 00:20:29,520 Speaker 1: you know, Survivans and Morris and power came because people 401 00:20:29,600 --> 00:20:33,920 Speaker 1: basically we got power, man, we made it happen. Yeah, 402 00:20:34,040 --> 00:20:36,440 Speaker 1: this is a this is a beautiful time for to 403 00:20:36,440 --> 00:20:40,679 Speaker 1: be black in Hollywood, because in Hollywood, that door closes. 404 00:20:41,000 --> 00:20:43,840 Speaker 1: They only get you know, they punish us. If one 405 00:20:43,920 --> 00:20:48,680 Speaker 1: black movie do bad, the whole Black Hollywood do bad. 406 00:20:48,720 --> 00:20:50,440 Speaker 1: They blame all of us. When you walk in the 407 00:20:50,520 --> 00:20:52,800 Speaker 1: room after a black movie bombed in the weekend, go 408 00:20:52,960 --> 00:20:55,399 Speaker 1: have a meeting on Monday, they're gonna say, you, guys, 409 00:20:55,400 --> 00:21:01,480 Speaker 1: didn't do two hours this weekend. Guys where your cousin was? 410 00:21:03,400 --> 00:21:06,720 Speaker 1: So everybody's opened up a lot of doors. Then, Yeah, Empire, 411 00:21:06,800 --> 00:21:10,640 Speaker 1: man is incredible. Man that I any time I talked 412 00:21:10,640 --> 00:21:13,320 Speaker 1: to Lee Daniels, I'll tell him, I say, man, that 413 00:21:13,520 --> 00:21:16,480 Speaker 1: was a blessing. That was incredible. And the reason why 414 00:21:16,480 --> 00:21:19,239 Speaker 1: I touched is touching people so much is because they 415 00:21:19,400 --> 00:21:23,760 Speaker 1: bringing reality to TV. They bringing the real stories that 416 00:21:23,960 --> 00:21:26,480 Speaker 1: they've been hiding from us all this time. They're bringing 417 00:21:26,520 --> 00:21:29,760 Speaker 1: it to television. Everybody want to be in music, Everybody 418 00:21:29,800 --> 00:21:34,280 Speaker 1: want to uh wrap you got all these uh, all 419 00:21:34,320 --> 00:21:38,040 Speaker 1: the gay people, everybody. Everybody need a voice, everybody needs 420 00:21:38,080 --> 00:21:41,600 Speaker 1: a platform to see themselves and see what they want 421 00:21:41,600 --> 00:21:44,400 Speaker 1: to do through these TV shows. And that's that's that's 422 00:21:44,480 --> 00:21:46,480 Speaker 1: one reason I like the fact that Lee Daniels is 423 00:21:46,480 --> 00:21:48,280 Speaker 1: the director because he could get to do stuff like that, 424 00:21:48,600 --> 00:21:50,760 Speaker 1: stuff Lee daniel can do, especially with the gay community, 425 00:21:50,840 --> 00:21:56,359 Speaker 1: that a straight director probably couldn't do. Yeah, that's a 426 00:21:56,400 --> 00:21:58,440 Speaker 1: good point. So you know, it is what it is. 427 00:21:58,960 --> 00:22:01,000 Speaker 1: Can we expect from season to a Survivorge and Morris 428 00:22:01,040 --> 00:22:03,080 Speaker 1: give us I've been seeing the ads all the time, 429 00:22:03,160 --> 00:22:05,800 Speaker 1: so give us a couple of man. I think Uncle 430 00:22:05,880 --> 00:22:09,080 Speaker 1: Jay goes him in season two. Man, he he kind 431 00:22:09,080 --> 00:22:11,320 Speaker 1: of let him off his leash quite a bit out there, 432 00:22:11,359 --> 00:22:13,119 Speaker 1: you know, because in the first season it was like 433 00:22:13,160 --> 00:22:14,960 Speaker 1: a lot about the family being together and making the 434 00:22:15,040 --> 00:22:17,360 Speaker 1: move and trying to figure out what's gonna happen. Now 435 00:22:17,400 --> 00:22:19,159 Speaker 1: it's like, Okay, we settled in the new city and 436 00:22:19,160 --> 00:22:21,119 Speaker 1: everybody got to find their own think, you know what 437 00:22:21,160 --> 00:22:23,000 Speaker 1: I mean. Like Cam is in the middle of a season, 438 00:22:23,040 --> 00:22:25,199 Speaker 1: so he's like practicing playing basketball that kind of thing. 439 00:22:25,240 --> 00:22:29,320 Speaker 1: He's always doing postgame interviews and stuff. That's your endorsement dealing. Right, 440 00:22:29,359 --> 00:22:31,240 Speaker 1: the endorsement deal is set. You know, we're looking for 441 00:22:31,280 --> 00:22:33,560 Speaker 1: other ways to get some money now. But other than that, 442 00:22:33,760 --> 00:22:35,880 Speaker 1: you know, everybody else is kind of just like, okay, 443 00:22:35,880 --> 00:22:38,120 Speaker 1: so what do I do it? Yeah, ron Rico lead 444 00:22:38,240 --> 00:22:44,359 Speaker 1: to a good cash, yeah man, Michael Malley wrote it 445 00:22:44,600 --> 00:22:50,760 Speaker 1: good uh Maverick Carter Warner, the money of Tom Warner. 446 00:22:50,880 --> 00:22:53,199 Speaker 1: It's it's it's a whole good fit. And people like 447 00:22:53,440 --> 00:22:55,320 Speaker 1: the show. You know, when I'm walking down the street, 448 00:22:55,359 --> 00:22:59,040 Speaker 1: people like man, when Survivors and More's coming back, I'm like, Wow, 449 00:22:59,080 --> 00:23:01,600 Speaker 1: they really enjoy of this show. Yeah. Man, you work 450 00:23:01,640 --> 00:23:04,200 Speaker 1: with a couple of women that brothers fantasized over for years. 451 00:23:04,240 --> 00:23:10,159 Speaker 1: Many and damn Neil long Man love you, blessed man. 452 00:23:10,960 --> 00:23:14,119 Speaker 1: Yeah I am. But you know what, after working with 453 00:23:14,200 --> 00:23:17,000 Speaker 1: them and understanding what type of people that they are, 454 00:23:17,000 --> 00:23:21,359 Speaker 1: they professionals. You know, I never I never ever offered 455 00:23:21,400 --> 00:23:24,919 Speaker 1: none of them, no putting, neither one. You make it 456 00:23:24,920 --> 00:23:35,639 Speaker 1: sound like they got a little smell to him put putting. 457 00:23:36,200 --> 00:23:44,120 Speaker 1: You talking about I didn't know what you put my man. 458 00:23:44,240 --> 00:23:48,359 Speaker 1: Mike caps Jesse Survivors More Starts Again went on Stars 459 00:23:48,560 --> 00:23:51,280 Speaker 1: August twenty second August twenty second. Check it out. Boy. 460 00:23:51,320 --> 00:23:54,560 Speaker 1: We love y'all, We love I love watching this show. Man, y'all, 461 00:23:55,720 --> 00:23:58,119 Speaker 1: thank you man. We appreciate that. Thank y'all for coming. Man, 462 00:23:58,160 --> 00:23:59,000 Speaker 1: It's the Breakfast Club.