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Speaker 1: Wake that ass up in the morning.

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Speaker 2: Breakfast Club. Morning.

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Speaker 3: Everybody is Steve, j Envy, Jesse Larry and Charlamage the guy.

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Speaker 1: We are the Breakfast Club. We got a special guest in.

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Speaker 2: The building who refuses to stop. Ladies and gentlemen, Kevin Hart,

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Speaker 2: Welcome back, brother. He just won't sit down.

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Speaker 1: How you yourself.

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Speaker 2: If nobody else.

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Speaker 1: Will give.

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Speaker 4: Life is great, no complaints man. Uh here to talk

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Speaker 4: about more ship, which means great ship is happening. Uh

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Speaker 4: still moving, still tracking, still working, still doing the same thing.

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Speaker 2: But bigger. When the last time you took a break?

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Speaker 1: Why? Why? Why take a break?

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Speaker 4: We talking about this all the time every Now you

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Speaker 4: can rest when you die. I enjoyed doing what I do,

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Speaker 4: So why why am I looking to rest? I have

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Speaker 4: a good time working.

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Speaker 1: I don't.

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Speaker 4: I don't like hate my job or my job doesn't

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Speaker 4: stress me out. I enjoyed the idea of work. I

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Speaker 4: enjoy the idea of doing something that I set out

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Speaker 4: to do. Like that's my happy space. Yeah, so I'm

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Speaker 4: not I'm not resting anytime soon.

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Speaker 3: Well, congratulations to your egles. Congratulations to your ego.

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Speaker 1: Yeah, congratulations, congratulations giant. I am a giants fan. That's

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Speaker 1: crazy you think me. I mean, I don't work in

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Speaker 1: the office.

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Speaker 4: I understand what your office did they Cin Barkley, how

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Speaker 4: about how about that?

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Speaker 1: Just a second, just a second to talk about that?

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Speaker 1: How how about that? Man?

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Speaker 4: Like, not a lot of officers can like sit and

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Speaker 4: be like we fucked up. There's not a lot that

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Speaker 4: can actually go you know what, man, we really fucked

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Speaker 4: up on this one.

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Speaker 1: We did like who's responsible? Like they got a point.

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Speaker 1: That's one of the few times where they got a

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Speaker 1: point in each other. Was did you guaranteed you? Who

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Speaker 1: didn't make the fucking deal?

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Speaker 4: It was been you know, I thought it was our

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Speaker 4: best interest, the biggest gift in forootball.

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Speaker 1: Man so stupid.

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Speaker 5: Wouldn't have season in New York. I'm happy he wouldn't

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Speaker 5: have that season in New York.

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Speaker 2: You don't know what he would have, that's true.

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Speaker 1: You don't know what.

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Speaker 2: They wouldn't want, no super.

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Speaker 1: Ball, I mean that's true, but you don't know the season.

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Speaker 2: That's true.

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Speaker 4: Coming back healthy, ready to play football. You know, it's

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Speaker 4: not like he just got good. He's been fucking good.

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Speaker 1: Healthy. Hundred was the face of the Giants.

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Speaker 4: I mean one hundred percent. Why do you give her

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Speaker 4: to say, I just don't understand it, but thank you.

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Speaker 4: I thank the giants for the gift, one of the

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Speaker 4: best gifts I've ever fucking like received as a fan

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Speaker 4: in say.

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Speaker 6: Talk to us about this new two part documentary you

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Speaker 6: got one to call She congratulations.

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Speaker 1: To Jamie fox Man.

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Speaker 4: This is a Jamie fox Like idea that he came

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Speaker 4: to me with at heartbeat. And you know, it was

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Speaker 4: a concept about being one of the call sheet and

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Speaker 4: the good and bad of it. Right, He's like, you

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Speaker 4: know a lot of people experience it, but it doesn't

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Speaker 4: do the same for everyone, you know, and whether it's

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Speaker 4: the ego, whether it's the money, whether it's the idea

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Speaker 4: of the money, whether it's the thought of my career

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Speaker 4: is now about to be, and it doesn't become like

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Speaker 4: there's so many different uh concepts attached to it. I

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Speaker 4: thought it was a great idea, man, you know, Fox

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Speaker 4: is a brilliant mind. And I said, to make it real,

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Speaker 4: like we got to go out and you know, of

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Speaker 4: course happened to all our relationships. So it started off

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Speaker 4: is just the idea for men, Like we were heavy

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Speaker 4: on the men's side, and then we were like, yo,

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Speaker 4: it's dope as fuck if you have it to where

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Speaker 4: you know there's a male version, and then we go

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Speaker 4: when we tap into a female version as well, and

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Speaker 4: really just expand the conversation of success or lack thereof.

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Speaker 4: And it's, uh, it's dope to hear all these people

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Speaker 4: talk about it. So I think people are gonna be

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Speaker 4: blown away by hearing the good and the bad. Like

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Speaker 4: everybody doesn't fuck with the concept of it. You know,

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Speaker 4: we'll be a number one on the cause everybody doesn't

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Speaker 4: fuck with it. When when did you become number one

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Speaker 4: on the cast sheet? And what does it mean to

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Speaker 4: be there?

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Speaker 1: I've been number one for a while. Like I love it.

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Speaker 1: I love it like I don't. I don't want to

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Speaker 1: make it very clear. I love it.

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Speaker 2: Think like a man the first time, No, I mean

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Speaker 2: the first one.

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Speaker 4: First one was probably, of course paper soldiers way back

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Speaker 4: in the day. Oh, but you know it's been it's

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Speaker 4: been a lot.

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Speaker 2: They will be happy to hear that. He'll be happy

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Speaker 2: to hit that you.

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Speaker 1: Paper soldiers shut out today.

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Speaker 4: I think I think for for me, it's more about

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Speaker 4: you know, it's about the the.

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Speaker 1: Idea of building the project.

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Speaker 4: So so you know, I'm more of the creative behind

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Speaker 4: the scene now, So to have the idea and the

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Speaker 4: idea come into like real life and you're like, oh shit,

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Speaker 4: we're doing this and it's happening. And then the number

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Speaker 4: one on the call sheet and you're like, following down,

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Speaker 4: that's great. But now, honestly, I don't really I don't

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Speaker 4: really give a fuck, Like I'm joking about the number one,

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Speaker 4: But I'm more about putting other people in place to

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Speaker 4: do ship and the producing or the development of projects

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Speaker 4: is what thrives, like, that's what drives me.

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Speaker 1: Now, you never left the road. Why is the road

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Speaker 1: so important to you? Because you control it, you own it. Uh,

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Speaker 1: there's small venues, you do big venues like nothing better

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Speaker 1: than stand up coming.

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Speaker 4: There's no job better than the job of live entertainment,

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Speaker 4: live audience. Your fans, your connection, your relationship. It doesn't

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Speaker 4: die right like you can you literally if you if

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Speaker 4: you treat it like a plant and you for ever

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Speaker 4: water it, the plan is never gonna die right like.

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Speaker 4: So if it can grow and you have good seasons,

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Speaker 4: bad seasons, it's always gonna be there. And those fans

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Speaker 4: are just gonna ride with you forever. So I'm very

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Speaker 4: I'm very adamant on staying true to stand up comedy.

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Speaker 4: Nothing takes the place in stand up coming. I don't

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Speaker 4: give fuck what I'm doing the level that I'm doing at.

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Speaker 4: I will go and do comedy clubs. I will come

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Speaker 4: to New York for months on a time and just

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Speaker 4: do a run of pop ups. Uh.

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Speaker 1: That's my muse, that's my stress reliever.

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Speaker 6: So do you have a specific process, like do you

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Speaker 6: ever still go back and visit family in Philly to

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Speaker 6: like get some get some light core material.

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Speaker 4: No, I mean, you know, I just I think when

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Speaker 4: you're when you're doing a lot in general, you're you're

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Speaker 4: always in the space of creative thinking, right like you

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Speaker 4: if you're NonStop, I'm not in the house like I'm

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Speaker 4: I'm traveling, I'm around people like you're. If you're constantly

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Speaker 4: around and you're constantly seeing things like that's where your

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Speaker 4: ideas are coming from. That's where the urge to talk

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Speaker 4: about more shit happens, whether young energy or old energy.

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Speaker 4: That's where my appetite to go, Oh fuck, that's funny,

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Speaker 4: let me let me go on stage. I'm gonna see

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Speaker 4: who this is or oh god, this is actually this

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Speaker 4: is a new fucking like this is a new bait

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Speaker 4: or possible like idea to get to the bait so

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Speaker 4: I can fucking get like some dope shit. Once I

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Speaker 4: get excited about it, then I'm I'm hitting around running.

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Speaker 1: But it's not.

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Speaker 4: It's not family generated, it's travel generated. Where am I

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Speaker 4: going with?

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Speaker 1: Am I experiencing? Who am I around? Did you have

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Speaker 1: Damon way and say that he would never do stand

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Speaker 1: up anymore because he was like people are too sensitive.

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Speaker 2: People are stupid.

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Speaker 3: Well, yeah, it's basically you know he says anything, people

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Speaker 3: get offended too fast, and it's like it's just not

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Speaker 3: worth the distress.

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Speaker 1: Uh, I understand, I mean I'm not. I don't. I

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Speaker 1: don't see it the same way because I don't.

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Speaker 4: I don't. I don't have that level of give a

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Speaker 4: fuck of I don't want to do the thing that

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Speaker 4: I love to do because I'm caring so much about

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Speaker 4: what everybody else is thinking about what I'm doing.

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Speaker 6: Like, I don't I think he meant that on you

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Speaker 6: know how the wayne is used to be like they

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Speaker 6: no limit, like you talk about anything, but now that

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Speaker 6: since the new trend is being offended and a lot

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Speaker 6: of people are just you know it is what.

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Speaker 4: It is though different communities. I mean, Dame is Dame,

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Speaker 4: Dame is a legend. Like if Dame wanted to go

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Speaker 4: on stage and fucking around, Dame can do what he

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Speaker 4: wants when he wants.

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Speaker 2: Uh.

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Speaker 4: You know the idea of people being upset or or

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Speaker 4: fucking triggered. If you're thinking about that, like, then you're

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Speaker 4: you're going down a crazy spiral.

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Speaker 1: I'm not.

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Speaker 4: I'm not doing comedy and thinking about the thought of

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Speaker 4: what you think about what I'm saying like I'm I

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Speaker 4: have the things I want to talk about. I know

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Speaker 4: the direction I want to go in. I'm not here

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Speaker 4: to offend. I'm not here to aggravate or his people

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Speaker 4: off I'm here to do my craft.

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Speaker 2: Do you can get away with anything if it's actually funny.

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Speaker 1: It's if it's funny and it's coming from a genuine.

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Speaker 4: Like I'm not being malicious like now, if you're if

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Speaker 4: your intent is to be malicious behind set thing and

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Speaker 4: there's no real humor attached to it, it's just an angry,

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Speaker 4: fucking suggestion, and that's different.

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Speaker 1: But I'm not in that space.

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Speaker 2: I'm not I'm not doing last time you've been angry.

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Speaker 1: Last I've been angry. It's been a minute.

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Speaker 4: Man, it's been a minute. I don't get what what

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Speaker 4: do you think? Like what are you angry about?

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Speaker 1: Like why? Why?

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Speaker 4: Why are you letting things drive you to the point

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Speaker 4: of a level of anger that prevents you from doing

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Speaker 4: something else?

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Speaker 1: Like it takes so much energy to be angry?

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Speaker 5: Or do you have something that when you even get

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Speaker 5: to that point, Like is it the gym?

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Speaker 2: Is it your kids? Is it the stage?

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Speaker 4: Like I don't I know this is gonna sound crazy.

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Speaker 4: There's nothing that pressing to make me angry.

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Speaker 1: You can have a moment, you.

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Speaker 4: Can frustrated for a moment, but then I'm a solution

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Speaker 4: oriented That's what I mean.

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Speaker 7: Like what was this?

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Speaker 1: Okay?

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Speaker 4: If something happened and it's upset, all right, well why

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Speaker 4: like why did it happen?

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Speaker 1: Like anything?

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Speaker 4: It's all office or business related, so like well why

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Speaker 4: all right? Well now that is the case, Like what

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Speaker 4: are we doing to basically get outside this box? How

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Speaker 4: can I help get outside the box? Like me being

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Speaker 4: upset at you doing your mistake doesn't change the mistake.

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Speaker 4: And by the way, if this is a mistake you

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Speaker 4: always make. All right, well, we got to remove you.

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Speaker 4: I'm sorry, but that's business. I'm not angry about the choice,

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Speaker 4: but it's a it's a professional solve. Have you apologized

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Speaker 4: yet to Delaware State University for what Sean Jackson said?

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Speaker 2: You was sorry?

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Speaker 4: Sewn Jackson said, oh sorry, Oh he talking about when

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Speaker 4: I said, uh.

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Speaker 1: I forgot what he said.

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Speaker 2: That's not a college.

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Speaker 1: It's a real college.

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Speaker 2: A bunch of niggas, a bunch of it's.

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Speaker 1: A bunch of niggas on the camp.

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Speaker 4: I mean, first of all, it is all right, but

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Speaker 4: it's like smart people there too.

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Speaker 2: We're talking about.

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Speaker 1: I used to go to Delaware State all the time.

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Speaker 1: I performed there.

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Speaker 4: Several times from Philadelphias right up the street. Delaware State knows.

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Speaker 4: I have no ill will towards them. I love you guys,

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Speaker 4: but it was a funny bit.

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Speaker 6: A lot of niggas out there, you guys animated, show

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Speaker 6: out little Yes, talk about your life growing up?

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Speaker 2: Yes?

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Speaker 6: What made you want to do that animation style?

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Speaker 1: You know? Crazy? This has been a this is like,

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Speaker 1: this is a crazy development, man.

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Speaker 4: This is I want to say, like seven to eight

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Speaker 4: years in the making before we could actually do it properly.

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Speaker 4: Shouts out to to Scott Mills, over there at bt

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Speaker 4: Man for understanding like my world of want and allowing

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Speaker 4: me to do it the way I wanted to do it.

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Speaker 1: You know, it's an a doubt animation, uh.

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Speaker 4: And I wanted to like flip the story of the

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Speaker 4: conversation attached to the hood, right, Like everybody talks about

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Speaker 4: the hood from one point of view. You know, the

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Speaker 4: hood is the hood, and people like the hood is

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Speaker 4: fucked up.

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Speaker 2: It's so bad, but just you niggas neighborhood.

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Speaker 4: Yeah, Like, and I think that there's a there's a

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Speaker 4: positive side to it. You know, there's a there's a

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Speaker 4: role that everybody plays in the hood, especially when it

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Speaker 4: comes to kids, families, Like everybody's part of the village.

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Speaker 4: Everybody's raising everybody's child, everybody is aware, everybody's.

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Speaker 6: In the know.

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Speaker 4: Everybody's trying their best to service and need a good

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Speaker 4: and even bad shit is happening, you know, when people

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Speaker 4: find out, there is an energy attached to trying to

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Speaker 4: solve it and make it better. And this is a

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Speaker 4: way of just flipping the conversation on the hood upside down.

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Speaker 4: So it's about me, my upbringing, being in the hood,

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Speaker 4: but having such a high level of love for the

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Speaker 4: hood for my family and for all the people.

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Speaker 2: Around it, and just Larius is in it keeping her

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Speaker 2: away from breakfast club.

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Speaker 1: Come on, just don't listen to that.

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Speaker 2: I don't.

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Speaker 4: I don't listen when people say, like I want to

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Speaker 4: make something very clear, when people say like, yeah, thank

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Speaker 4: you for giving people a job people earn them, like,

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Speaker 4: I'm not giving thank you anything. I'm not out like,

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Speaker 4: hey here, just here's a fucking gift. Like that's just

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Speaker 4: that's her team, that's people working and saying, hey, this,

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Speaker 4: it's a good thing to possibly.

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Speaker 1: Put just up for process.

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Speaker 4: I mean, you could say no, but when people are

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Speaker 4: talented and earning things on their own, it's happening the

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Speaker 4: way it's supposed to be. I'm not I'm not in

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Speaker 4: the space of know of everything and I'm hand picking

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Speaker 4: people and doing like that's what that would mean that

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Speaker 4: I'm fucking I mean the time and the day to

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Speaker 4: do that and do it and do it and do it.

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Speaker 4: Then that means that the people around me aren't doing

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Speaker 4: what the fuck they're supposed to do. So it's your

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Speaker 4: job to like properly package and you know, put people

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Speaker 4: in places to make these projects good.

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Speaker 1: And it's my job to see it.

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Speaker 4: At the end stage, We're going, Wow, this is a

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Speaker 4: great cast, these are great personnel, great roles.

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Speaker 1: I like this.

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Speaker 4: I like this configuration. But justice earning it definitely giving anything,

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Speaker 4: and you know.

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Speaker 5: You do take the time to pour into the next generation.

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Speaker 5: You know, drewski was up here and Drewskie said that

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Speaker 5: you gave him and Kis and not a bunch of

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Speaker 5: movies to watch, yea, and told them to get you

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Speaker 5: stud whatever your stupid ass is doing right now, watch

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Speaker 5: these movies.

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Speaker 2: Yeah, and prepare for the next level.

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Speaker 4: That's uh, you know, I like, I like, I like

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Speaker 4: what the younger generation is doing. It's crazy, I'm saying

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Speaker 4: it like I'm I'm really am a part of like

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Speaker 4: a time of old forty five Well doesn't look it.

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Speaker 1: You know.

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Speaker 4: Uh that that that older generation of like how we

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Speaker 4: approach the business, how we approach the craft right like,

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Speaker 4: And I think it's dope as fuck to see this

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Speaker 4: new generation navigate differently, like like the comedians of today

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Speaker 4: did not go and you know.

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Speaker 1: Work at it the same way that we did.

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Speaker 4: Like they're they're breaking new ground, finding ways to be

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Speaker 4: the personalities first and then get to the stage after

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Speaker 4: and the way they're engaging with their.

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Speaker 1: Audience and the way the audience is responding to them.

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Speaker 4: I think it's dope as fuck, so, you know, and

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Speaker 4: being a fan of it, I feel like it's my

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Speaker 4: job now to figure out ways to like grab this

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Speaker 4: personnel when it where I can, and you know, try.

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Speaker 1: To push him forward with Kai and Drewski.

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Speaker 4: Kai is such a monster, man, Like I think people

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Speaker 4: realize how big Kai's audience is.

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Speaker 2: Yes, we do.

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Speaker 4: Kai's fan base is insane, Like you're talking about somebody

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Speaker 4: that's talking in front of a computer for hours on end,

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Speaker 4: and you know, he holds anywhere between three four hundred

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Speaker 4: thousand people the eight to twelve hour periods that don't move.

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Speaker 1: Like when we did those streams, you know, you're putting

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Speaker 1: up Super Bowl like numbers.

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Speaker 4: We had at one point, like nine hundred thousand people

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Speaker 4: in a fucking stream watching for hours on end. So

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Speaker 4: I told him, I said, look, man, I want to

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Speaker 4: show you guys ways to like give your audience more

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Speaker 4: and ways to do more. So I came up, like

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Speaker 4: with some dope ass ideas concepts for us to rock

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Speaker 4: in together, but stay true to the space of what

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Speaker 4: they're doing.

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Speaker 1: So Drewski.

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Speaker 4: I know he came and he was like, tell you

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Speaker 4: guys about the movie. I don't want to tell you'all

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Speaker 4: what it is, but it's a big, big idea that

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Speaker 4: we're working now. But I was like, to do it.

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Speaker 1: You guys got to educate yourself on things in this space.

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Speaker 1: So it wasn't homework.

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Speaker 4: I was like, understand production, Understand how movies are made,

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Speaker 4: Understand the look and feel, so that when we're talking

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Speaker 4: and ide eating, you know what I'm talking about, Like

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Speaker 4: I don't want to talk to you, and you got

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Speaker 4: to go backwards and track what we're talking about. So

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Speaker 4: the homework quote unquote, the homework was more about get

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Speaker 4: this concept and then like let's get to the table

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Speaker 4: and let's make the shit funny.

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Speaker 1: But I got them really like creating the shit.

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Speaker 4: And developing it and not because you know, it's a

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Speaker 4: chore a task. It's like, I want you to be

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Speaker 4: a part of the process so you can understand the process.

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Speaker 4: And after you do this with me, go do it yourself.

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Speaker 4: Go do it and figure out ways to you know,

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Speaker 4: do it with the other people that you're around. But

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Speaker 4: I think they're fucking talented. I think Jewickey is a start.

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Speaker 4: I think Juwickey's a funny fucking guy man. Naturally, I

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Speaker 4: think they're fucking like natural talents, and in this it's

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Speaker 4: like putting them in a position to be what they

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Speaker 4: are and be the first to come over the bridge

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Speaker 4: from that space of streaming whatever.

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Speaker 1: Like what mister Beasts is doing is dope.

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Speaker 4: This game show, big game show. He's taking everything and

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Speaker 4: the idea of game prize. He he redefined it, right, Like,

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Speaker 4: if you really watch it, what he's done.

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Speaker 1: He redefined the concept of game game show.

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Speaker 4: We've seen it for years on Who Wants to Be

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Speaker 4: a Millionaire and all these other.

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Speaker 1: Shows, but it was a traditional there was a traditional

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Speaker 1: win and here's your gift. He broke that model.

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Speaker 4: I'm gonna give him some cats, some regular people, man,

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Speaker 4: And he did a time at the time and time again,

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Speaker 4: and then he built the big ass series and hey, man,

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Speaker 4: fucking streaming platforms was like, hey, we gotta fuck with

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Speaker 4: this guy. We're gonna give him X, Y, and Z

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Speaker 4: to do it. We want you to do it with us.

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Speaker 1: But he controls it, he owns it.

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Speaker 4: So I'm showing them how to control, how to own

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Speaker 4: and do bigger things.

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Speaker 1: So it doesn't cap out at the stream.

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Speaker 3: Dreucy said, you actually set him up in that stream

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Speaker 3: with that, with that, with that little kid, he said,

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Speaker 3: he said, it was you.

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Speaker 1: Actually, this is what that's that's what you did.

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Speaker 2: You did start off, you started the follow your leader.

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Speaker 4: First of all, what you need to understand is where

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Speaker 4: the cameras are at all times. What I said, the

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00:17:12,600 --> 00:17:16,439
Speaker 4: juice key was in his ear. I said something in

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Speaker 4: his ear. Okay, nobody really knows what I said. He

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00:17:18,960 --> 00:17:21,360
Speaker 4: knows what I said. And then he took the liberty

404
00:17:21,359 --> 00:17:24,400
Speaker 4: of going and you know, saying very harsh things. By

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Speaker 4: the way, you know things it shouldn't.

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Speaker 1: Be walk right out like you.

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Speaker 4: I mean, I don't want to be around that. I've

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Speaker 4: seen a lot of people get in fights. I've seen

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Speaker 4: what it's about to happen. I go, I shouldn't be here,

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Speaker 4: right I shouldn't be here. They're about to start shooting.

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Speaker 4: By the way, he's got the gun.

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Speaker 1: I see it. I'm gonna leave right now.

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Speaker 4: So I just exited the room because I think I

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Speaker 4: think at the time, I had to go to the

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Speaker 4: vathroom actually, and then a lot of stuff from what

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Speaker 4: I was told opened, from what I was told the

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Speaker 4: kids started crying and stuff.

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Speaker 1: Like that, and I came back. I came back and

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Speaker 1: I was like, what's going on?

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Speaker 4: At that time, I'm the adult in the room trying

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Speaker 4: to calm ship down, right.

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Speaker 1: Man, what's happening?

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Speaker 4: And I think all the cameras caught me saying that,

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Speaker 4: which is good for me legally, so I was never attached.

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Speaker 5: Jukie said he felt like he could make those jokes

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Speaker 5: because he's fat and y'all were teasing him all day

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Speaker 5: about being fat or juy.

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Speaker 1: First of all, calling people fat is that's aggressive.

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Speaker 2: When you saw the big thinking of you, I.

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Speaker 1: Just want to I just want to know what I'm saying.

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Speaker 4: Juicy big a little bigger, right because he had problems

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Speaker 4: breathing when he walks up steps. Yeah, of course, but

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00:18:39,320 --> 00:18:41,960
Speaker 4: but you know that little kid. I think it was

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Speaker 4: on his way to a healthy lifestyle. You got to

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Speaker 4: support that, right, the little kid because he was talking.

436
00:18:46,080 --> 00:18:47,760
Speaker 4: I think the little kid was talking about exercising and.

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Speaker 1: Stuff, which is good. And I'm always glad to just

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Speaker 1: be on.

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00:18:50,520 --> 00:18:53,480
Speaker 4: The positive side of conversation. That's what I'm about. You know,

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Speaker 4: I'm a beacon of light.

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Speaker 6: Joy Kevin that at the level of success that you

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Speaker 6: are being an actor, do you still have to audition

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Speaker 6: for roles or absolutely not? Okay, what are you talking

444
00:19:05,600 --> 00:19:09,840
Speaker 6: about La Lawrence that he had said that he does mind.

445
00:19:11,200 --> 00:19:12,840
Speaker 2: I think Martin said he had to he pitches, he

446
00:19:12,880 --> 00:19:13,399
Speaker 2: still got.

447
00:19:13,240 --> 00:19:17,080
Speaker 4: To pitch projects that, Yeah, that makes sense if he's

448
00:19:17,080 --> 00:19:21,280
Speaker 4: pitching things. I mean, am I am I really pitching things?

449
00:19:21,359 --> 00:19:25,840
Speaker 4: I think I'm pitching ideas to my team. I'm more

450
00:19:25,880 --> 00:19:28,600
Speaker 4: in the business of creating the things that I think

451
00:19:28,640 --> 00:19:33,320
Speaker 4: best service my want in my direction and the business

452
00:19:33,359 --> 00:19:36,400
Speaker 4: Like when you think about the dramas, you think about

453
00:19:36,440 --> 00:19:37,960
Speaker 4: all the things that I've done as serious like that's

454
00:19:38,000 --> 00:19:39,600
Speaker 4: been me so true story.

455
00:19:39,640 --> 00:19:41,520
Speaker 1: I was like, I want to I want to kill

456
00:19:41,520 --> 00:19:42,160
Speaker 1: somebody on camera.

457
00:19:42,200 --> 00:19:44,800
Speaker 4: I think it'll be dope, and I want to found

458
00:19:44,800 --> 00:19:47,399
Speaker 4: a guy that created Narcos and I was like, Yo,

459
00:19:47,400 --> 00:19:49,680
Speaker 4: it'll be dope as fuck if we can collab and talk.

460
00:19:49,880 --> 00:19:51,680
Speaker 4: But we developed it and then I was like, Okay,

461
00:19:51,680 --> 00:19:53,720
Speaker 4: this is great, Let's go and take this out Like

462
00:19:53,760 --> 00:19:57,440
Speaker 4: that's developing it and then going to sell it. Fight night,

463
00:19:57,600 --> 00:20:01,240
Speaker 4: you know that was me Will Packer will tell me

464
00:20:01,280 --> 00:20:02,840
Speaker 4: you had the right and not saying hey.

465
00:20:02,640 --> 00:20:03,080
Speaker 1: To do it.

466
00:20:03,359 --> 00:20:04,800
Speaker 4: This can be dope as fun, but let's do it

467
00:20:04,840 --> 00:20:07,239
Speaker 4: this way and put the right people in it. So

468
00:20:07,280 --> 00:20:10,920
Speaker 4: like the the creative side of from start to finish

469
00:20:11,560 --> 00:20:14,800
Speaker 4: is where I'm playing at now. But like auditioning, I'm

470
00:20:14,800 --> 00:20:17,159
Speaker 4: not really auditioning. I think people if they have a project,

471
00:20:17,200 --> 00:20:18,639
Speaker 4: they're like, oh, Kevin would be good for this, And

472
00:20:18,640 --> 00:20:20,560
Speaker 4: I'm getting those calls, hey, we want you to do

473
00:20:21,200 --> 00:20:23,080
Speaker 4: and then I got a decision of if I want.

474
00:20:22,960 --> 00:20:23,439
Speaker 1: To do it or not.

475
00:20:23,560 --> 00:20:25,520
Speaker 6: Like fans is the upside, That's still one of my

476
00:20:25,520 --> 00:20:26,200
Speaker 6: favorite movies.

477
00:20:26,359 --> 00:20:29,480
Speaker 1: You and Brian Kranston, they they already saw you for

478
00:20:29,560 --> 00:20:31,520
Speaker 1: that role. They said, we want to do the remake.

479
00:20:32,240 --> 00:20:35,639
Speaker 4: Uh, and we see you and Brian Cranston doing this,

480
00:20:35,680 --> 00:20:36,440
Speaker 4: are you interested?

481
00:20:36,480 --> 00:20:37,760
Speaker 1: And absolutely?

482
00:20:37,840 --> 00:20:40,720
Speaker 4: And Nicole Kipman I was like absolutely, hands down. But

483
00:20:40,760 --> 00:20:43,760
Speaker 4: it's it's it's coming out and having an ask not

484
00:20:43,800 --> 00:20:47,280
Speaker 4: to saying that I wouldn't audition you would.

485
00:20:47,000 --> 00:20:47,440
Speaker 1: He would.

486
00:20:49,160 --> 00:20:52,359
Speaker 4: Clean it up, trying to clean it up, anybody trying

487
00:20:52,359 --> 00:20:54,840
Speaker 4: to cameras there. I just wanted to look in and

488
00:20:54,840 --> 00:20:57,400
Speaker 4: make it just look like I'm willing to do right,

489
00:20:57,480 --> 00:20:57,720
Speaker 4: I'm not.

490
00:20:58,280 --> 00:21:00,600
Speaker 1: I just want to guys, if you understand what's what's

491
00:21:00,600 --> 00:21:02,679
Speaker 1: the last time you got booed?

492
00:21:02,720 --> 00:21:04,040
Speaker 3: And the reason I asked because you said you do

493
00:21:04,080 --> 00:21:09,280
Speaker 3: small shows.

494
00:21:10,119 --> 00:21:13,080
Speaker 1: I'm not getting booted nobody. I'm not getting booed at

495
00:21:13,080 --> 00:21:13,520
Speaker 1: this point.

496
00:21:13,600 --> 00:21:17,880
Speaker 4: Like if even if jokes aren't funny, you know, you're

497
00:21:17,920 --> 00:21:22,280
Speaker 4: you're getting the you're getting the credibility laughs at at

498
00:21:22,400 --> 00:21:23,199
Speaker 4: least you.

499
00:21:25,240 --> 00:21:25,400
Speaker 5: Try.

500
00:21:27,960 --> 00:21:29,840
Speaker 1: You're trying things out. You don't care. You don't want

501
00:21:29,840 --> 00:21:31,160
Speaker 1: a damn boo either, don't care.

502
00:21:31,800 --> 00:21:35,119
Speaker 4: Honestly, I have no there is no care for like

503
00:21:35,640 --> 00:21:37,920
Speaker 4: the level of laughter when I'm trying to figure ship

504
00:21:38,000 --> 00:21:39,800
Speaker 4: out now, but i think I've got it all done,

505
00:21:40,160 --> 00:21:42,800
Speaker 4: and I'm like, oh, this set is complete. I'm going

506
00:21:42,800 --> 00:21:43,640
Speaker 4: out and I'm struggling.

507
00:21:43,640 --> 00:21:46,720
Speaker 1: Okay, And that's that's a little self esteem bruising if

508
00:21:46,720 --> 00:21:48,639
Speaker 1: that's the case. But that's not.

509
00:21:49,119 --> 00:21:51,920
Speaker 4: That hasn't been the case ever. Like when you when

510
00:21:51,920 --> 00:21:53,399
Speaker 4: you work the ship and you done worked on the

511
00:21:53,440 --> 00:21:55,760
Speaker 4: craft and I'm like, Okay, I got it, I got

512
00:21:55,760 --> 00:21:56,200
Speaker 4: it down.

513
00:21:56,359 --> 00:21:59,240
Speaker 1: This is my set. No, you're not. You're not running

514
00:21:59,280 --> 00:22:00,080
Speaker 1: into them problems. Now.

515
00:22:00,160 --> 00:22:03,040
Speaker 4: Do you get an occasional person that you gotta deal

516
00:22:03,080 --> 00:22:05,760
Speaker 4: with in the crowd, Yeah, but that stuff isn't booing

517
00:22:05,840 --> 00:22:10,200
Speaker 4: that's like, you know, atmosphere that's heckling or somebody yelling

518
00:22:10,200 --> 00:22:11,880
Speaker 4: out and looking for a moment. Every once a while,

519
00:22:11,880 --> 00:22:14,040
Speaker 4: you got to show that you still got that and

520
00:22:14,280 --> 00:22:16,320
Speaker 4: you know, you put people in a place comedically and

521
00:22:16,320 --> 00:22:17,320
Speaker 4: then you move on with the set.

522
00:22:17,359 --> 00:22:17,879
Speaker 1: But booing.

523
00:22:17,960 --> 00:22:20,040
Speaker 2: Now, what about like social media?

524
00:22:20,080 --> 00:22:22,760
Speaker 5: Backlund because everybody, for whatever reason was highly upset when

525
00:22:22,760 --> 00:22:24,840
Speaker 5: you hosted a NBA All Star Weekend.

526
00:22:25,040 --> 00:22:27,600
Speaker 2: There was a a section of the Internet that was acting.

527
00:22:27,400 --> 00:22:30,639
Speaker 1: Like they were you know, you know, what what do

528
00:22:30,680 --> 00:22:31,199
Speaker 1: you what do you?

529
00:22:31,640 --> 00:22:35,040
Speaker 4: What energy do you give that I'm a partner to

530
00:22:35,119 --> 00:22:38,360
Speaker 4: the NBA, Like, understand what that means. I'm not I'm

531
00:22:38,400 --> 00:22:41,480
Speaker 4: not coming on to be Kevin Hart and have funny

532
00:22:41,480 --> 00:22:45,200
Speaker 4: moments to the NBA. The NBA has been a servicing

533
00:22:45,240 --> 00:22:49,159
Speaker 4: aid to my career for over fifteen years. Like you

534
00:22:49,240 --> 00:22:51,160
Speaker 4: go back and you'll look at how much I've been

535
00:22:51,200 --> 00:22:56,119
Speaker 4: on NBA T and T and All Star Weekend, celebrity weekends.

536
00:22:55,800 --> 00:22:57,879
Speaker 1: All these events like this you're not looking at.

537
00:22:57,920 --> 00:23:03,439
Speaker 4: It's it's almost host adjacent, right, Like the personalities that

538
00:23:03,480 --> 00:23:06,040
Speaker 4: we lean on because we're familiar with family and we

539
00:23:06,119 --> 00:23:06,880
Speaker 4: know how they work.

540
00:23:08,240 --> 00:23:09,080
Speaker 1: That's what that is.

541
00:23:09,160 --> 00:23:11,040
Speaker 4: So the All Star I'm not going to the All

542
00:23:11,040 --> 00:23:13,399
Speaker 4: Star Game to trying to create a big moment for me.

543
00:23:14,080 --> 00:23:16,320
Speaker 4: I'm there because the energy of the All Star Game

544
00:23:16,359 --> 00:23:20,080
Speaker 4: comes with Chuck, Ernie Kenney, myself, Shack like we've been

545
00:23:20,080 --> 00:23:23,040
Speaker 4: doing this for years, Like just talking and playing with

546
00:23:23,160 --> 00:23:25,680
Speaker 4: one another, bantering on camera. That's not an easy thing

547
00:23:25,720 --> 00:23:29,000
Speaker 4: to do. They make it look fucking easy. They make

548
00:23:29,040 --> 00:23:29,600
Speaker 4: it look great.

549
00:23:29,640 --> 00:23:30,600
Speaker 1: That's not an easy.

550
00:23:30,359 --> 00:23:33,560
Speaker 6: Thing between you and shit, yeah, that's very easy. It's

551
00:23:33,640 --> 00:23:35,960
Speaker 6: not fucking an easy thing to do. Like that chemistry,

552
00:23:36,000 --> 00:23:38,880
Speaker 6: that rapport. It comes from like having a real understanding

553
00:23:38,880 --> 00:23:41,720
Speaker 6: for how TV works, so you can't just throw new

554
00:23:41,800 --> 00:23:43,560
Speaker 6: things in there because it gets weird.

555
00:23:44,160 --> 00:23:45,440
Speaker 1: People don't understand the times.

556
00:23:45,440 --> 00:23:47,520
Speaker 4: Peoplen't understand the cuts, how much time you gotta go

557
00:23:47,560 --> 00:23:49,159
Speaker 4: cut back to the game. They're trying to do so

558
00:23:49,280 --> 00:23:51,359
Speaker 4: much new shit. They're trying to discover it. So why

559
00:23:51,359 --> 00:23:53,520
Speaker 4: they're trying to figure it out. Here's personality that we

560
00:23:53,560 --> 00:23:55,160
Speaker 4: can lean on, so at least we don't have dead

561
00:23:55,200 --> 00:23:57,160
Speaker 4: space or dull moments on camera.

562
00:23:57,359 --> 00:23:58,560
Speaker 1: That's that's what that is.

563
00:23:58,640 --> 00:24:00,960
Speaker 4: So when you understand the tech, the coality behind it,

564
00:24:01,000 --> 00:24:03,280
Speaker 4: then you you understand my involvement I don't. I don't

565
00:24:03,280 --> 00:24:06,359
Speaker 4: feed into the other ship, like I know why I'm there, partnership.

566
00:24:06,600 --> 00:24:09,159
Speaker 5: Do you ever tell Shack to like really back up

567
00:24:09,200 --> 00:24:11,080
Speaker 5: off you cauld he be kind of sexually assaulting you

568
00:24:11,119 --> 00:24:11,600
Speaker 5: in a little bit.

569
00:24:13,800 --> 00:24:17,280
Speaker 4: What only one time with Shack has done some crazy

570
00:24:17,320 --> 00:24:21,879
Speaker 4: ship where I was uncomfortable was Real Husbands when that

571
00:24:21,920 --> 00:24:24,879
Speaker 4: whole thing that's on the endnet that they that was

572
00:24:25,640 --> 00:24:28,560
Speaker 4: I wasn't scripted it. It was a moment, but honestly,

573
00:24:29,119 --> 00:24:32,800
Speaker 4: be real, I couldn't do nothing about it, Like, yeah,

574
00:24:33,240 --> 00:24:39,000
Speaker 4: they gotta cut this is you know just before before

575
00:24:39,040 --> 00:24:40,560
Speaker 4: I put a little size on not to say I

576
00:24:40,600 --> 00:24:41,960
Speaker 4: could do something to shock, but I didn't.

577
00:24:42,359 --> 00:24:44,040
Speaker 1: You know, it was a very frail version of me.

578
00:24:44,720 --> 00:24:46,719
Speaker 4: And you know it was this is when Shaq was

579
00:24:46,760 --> 00:24:49,480
Speaker 4: like when they were like just talking about Shaq being

580
00:24:49,480 --> 00:24:51,879
Speaker 4: a cop and he really was a cop. To be

581
00:24:51,920 --> 00:24:54,080
Speaker 4: funny as fuck, Shack pulled me over on Real Husbands

582
00:24:54,080 --> 00:24:56,719
Speaker 4: of Hollywood and you know, like Shaq is like basically

583
00:24:56,760 --> 00:25:00,800
Speaker 4: about the arrestment and he fucking you know, everybody can't

584
00:25:00,800 --> 00:25:07,760
Speaker 4: improv they want.

585
00:25:08,320 --> 00:25:10,080
Speaker 1: You don't even have to say this. We're not even to.

586
00:25:10,040 --> 00:25:12,119
Speaker 2: Discussing people who haven't seen it a great show. You

587
00:25:12,160 --> 00:25:14,200
Speaker 2: should it's a great show, but it's not online.

588
00:25:14,280 --> 00:25:16,160
Speaker 1: But we're not gonna do is make it seem like something.

589
00:25:17,040 --> 00:25:20,360
Speaker 4: So but what he did was he grabbed me when

590
00:25:20,359 --> 00:25:22,320
Speaker 4: I got out the car, and he just tried to get.

591
00:25:22,240 --> 00:25:24,720
Speaker 1: A little physical right. It was like you down. But

592
00:25:24,800 --> 00:25:25,440
Speaker 1: it's like like.

593
00:25:25,560 --> 00:25:28,920
Speaker 4: Everybody doesn't improve the same comedy.

594
00:25:28,920 --> 00:25:29,800
Speaker 1: Comedy is an art.

595
00:25:29,800 --> 00:25:32,480
Speaker 4: Like you ever see comedians when they try to like improvate,

596
00:25:32,560 --> 00:25:34,080
Speaker 4: some of them go too far or they don't know

597
00:25:34,119 --> 00:25:36,000
Speaker 4: when to stop, like, hey man, we got to end

598
00:25:36,000 --> 00:25:39,000
Speaker 4: the scene, like they can't go over there like oh yeah,

599
00:25:39,000 --> 00:25:41,400
Speaker 4: well your mama And you're like, well, you can't break

600
00:25:41,440 --> 00:25:42,960
Speaker 4: up moms because we don't know who our moms are

601
00:25:43,040 --> 00:25:43,560
Speaker 4: in the scene.

602
00:25:43,560 --> 00:25:46,760
Speaker 5: It's like I just googled it and it says hashtag

603
00:25:46,840 --> 00:25:49,840
Speaker 5: calls of the week. Hey yo, nah shock you strayed

604
00:25:49,880 --> 00:25:52,119
Speaker 5: by lady Kevin Hart. You literally took that man in

605
00:25:52,200 --> 00:25:53,480
Speaker 5: the Pound town.

606
00:25:53,640 --> 00:25:54,960
Speaker 1: This is this is what you're doing.

607
00:25:55,680 --> 00:25:59,240
Speaker 4: That's actually that's actually nuts, that's nuts.

608
00:25:59,320 --> 00:26:00,919
Speaker 1: That's what he He grabbed me.

609
00:26:01,240 --> 00:26:04,040
Speaker 4: He grabbed me, throws me over the over the carr

610
00:26:04,240 --> 00:26:05,360
Speaker 4: and he and he he.

611
00:26:05,280 --> 00:26:08,080
Speaker 1: Starts humbling me. So I'm like I remember.

612
00:26:08,800 --> 00:26:14,720
Speaker 5: Around face and you're gonna tell you how let me tell.

613
00:26:14,600 --> 00:26:16,480
Speaker 4: You what I can tell charlat Mayne, and Charla Mayne

614
00:26:16,880 --> 00:26:20,000
Speaker 4: is perfect like that is a nasty man like that

615
00:26:20,160 --> 00:26:22,359
Speaker 4: in this brief time, I just found out a lot

616
00:26:22,400 --> 00:26:25,359
Speaker 4: about him by the way he starts describing stuff, very graphic,

617
00:26:25,440 --> 00:26:26,000
Speaker 4: nasty man.

618
00:26:26,400 --> 00:26:29,280
Speaker 1: I just told you, just describing with you. He grabbed

619
00:26:29,320 --> 00:26:31,400
Speaker 1: me and he fucking like throws me over the car.

620
00:26:31,600 --> 00:26:34,080
Speaker 1: He's like, you don't know what. He starts humping me.

621
00:26:34,119 --> 00:26:37,119
Speaker 4: I remember Ralph that rest of the episode, right, I

622
00:26:37,160 --> 00:26:39,160
Speaker 4: remember Ralph was directed episode.

623
00:26:39,160 --> 00:26:41,359
Speaker 1: I remember I looked at Ralph. I'm like, hey, did

624
00:26:41,400 --> 00:26:43,320
Speaker 1: y'all did y'all? Is it pages?

625
00:26:44,920 --> 00:26:47,560
Speaker 4: Something happened and it was like, uh, they were like

626
00:26:47,560 --> 00:26:50,440
Speaker 4: all right, Uh nobody wanted to say ship to shack.

627
00:26:50,520 --> 00:26:55,080
Speaker 1: They're like, all right, we got it, so let's just

628
00:26:55,119 --> 00:26:59,879
Speaker 1: move on. We just we just moved on talking about that.

629
00:27:00,320 --> 00:27:04,960
Speaker 2: No, just trying to get you again off.

630
00:27:05,160 --> 00:27:06,199
Speaker 1: We just shut up.

631
00:27:07,240 --> 00:27:08,720
Speaker 2: Did you get triggered a little bit? I saw you.

632
00:27:08,760 --> 00:27:09,439
Speaker 2: He was creeping up.

633
00:27:10,560 --> 00:27:13,359
Speaker 4: That's a very I'm older and I'm in a much

634
00:27:13,400 --> 00:27:16,520
Speaker 4: more controlling state in my in my life, where you know,

635
00:27:16,560 --> 00:27:18,679
Speaker 4: I would say something to you know, don't do that.

636
00:27:20,720 --> 00:27:22,320
Speaker 1: You know he got to.

637
00:27:22,720 --> 00:27:26,399
Speaker 4: Stop it right, like a firm stop that right. But

638
00:27:26,600 --> 00:27:28,520
Speaker 4: in that moment, that was shock trying to be funny.

639
00:27:28,520 --> 00:27:32,000
Speaker 1: That's my that's my nigga. I have so much love.

640
00:27:32,160 --> 00:27:34,280
Speaker 5: Do people know the role or this generation? Do they

641
00:27:34,280 --> 00:27:36,440
Speaker 5: know the pivotal roll shock play in your career.

642
00:27:36,600 --> 00:27:38,960
Speaker 1: The pivotal road And I don't think people do know

643
00:27:39,080 --> 00:27:39,480
Speaker 1: the pivot?

644
00:27:39,800 --> 00:27:40,840
Speaker 2: What is the pivotal role?

645
00:27:41,359 --> 00:27:42,000
Speaker 1: Sounds crazy?

646
00:27:42,280 --> 00:27:43,080
Speaker 2: I'm being serious.

647
00:27:43,200 --> 00:27:44,720
Speaker 5: We don't know when he when he had the shock

648
00:27:44,800 --> 00:27:46,720
Speaker 5: comedy All Start Weekend, Yes.

649
00:27:46,600 --> 00:27:51,880
Speaker 4: Yes, and he's referring to like the special that actually launched.

650
00:27:52,440 --> 00:27:55,040
Speaker 4: I would say, like the the bigger side of success

651
00:27:55,040 --> 00:27:57,600
Speaker 4: to my comedy career, no bullshit is Shacks All Star

652
00:27:57,640 --> 00:28:00,359
Speaker 4: Comedy Jail. That was a phoenix, you know what crazy

653
00:28:00,400 --> 00:28:03,480
Speaker 4: thing I did as a favor. It was a favor

654
00:28:04,119 --> 00:28:05,080
Speaker 4: Like I was like, oh man.

655
00:28:04,920 --> 00:28:06,040
Speaker 1: I can't really do shit.

656
00:28:06,040 --> 00:28:08,120
Speaker 4: I'm about to drop my special, so I don't really

657
00:28:08,160 --> 00:28:10,720
Speaker 4: want to like go and do this. They was like, no, Kevin,

658
00:28:10,720 --> 00:28:13,000
Speaker 4: come on, like we need a headline that we want

659
00:28:13,000 --> 00:28:14,719
Speaker 4: you to come to be quick and it was like

660
00:28:14,880 --> 00:28:17,600
Speaker 4: just a gig. You're an All Star weekend, you know,

661
00:28:17,640 --> 00:28:18,480
Speaker 4: like we're on to tape it. And I was like,

662
00:28:18,520 --> 00:28:21,240
Speaker 4: all right, I'm gonna put like a different fifteen minutes

663
00:28:21,280 --> 00:28:22,880
Speaker 4: on this man. And I don't really you know, I'm

664
00:28:22,880 --> 00:28:24,840
Speaker 4: not really pressed to. I'm not really pressed about it

665
00:28:24,880 --> 00:28:26,919
Speaker 4: like that. So I'll give you all this fifteen and

666
00:28:26,960 --> 00:28:28,680
Speaker 4: I'll save the other shit for my special. So it's

667
00:28:28,720 --> 00:28:33,880
Speaker 4: like a toss away set, a toss away fifteen minutes set,

668
00:28:33,960 --> 00:28:35,800
Speaker 4: like a backlog set. I was like, I get all

669
00:28:35,840 --> 00:28:38,640
Speaker 4: this and shit ended up being the biggest. So shouts

670
00:28:38,680 --> 00:28:40,440
Speaker 4: out to the big dummy himself.

671
00:28:41,880 --> 00:28:42,960
Speaker 2: I want to go back to number one on the

672
00:28:43,000 --> 00:28:43,960
Speaker 2: call sheet because Sterling K.

673
00:28:44,080 --> 00:28:46,160
Speaker 5: Brown did an interview with He said that people wanted

674
00:28:46,160 --> 00:28:47,880
Speaker 5: to put him number one in the call sheets, but

675
00:28:47,920 --> 00:28:50,320
Speaker 5: he was superstitious about it because he'd been successful enough

676
00:28:50,440 --> 00:28:52,600
Speaker 5: not being number one, so he was okay with being

677
00:28:52,920 --> 00:28:53,440
Speaker 5: number two.

678
00:28:53,840 --> 00:28:54,600
Speaker 2: What do you think of that?

679
00:28:55,680 --> 00:28:57,680
Speaker 4: I don't I don't mind that, you know what I mean,

680
00:28:57,720 --> 00:29:00,840
Speaker 4: as somebody that's been there, When when you're there and

681
00:29:00,920 --> 00:29:04,640
Speaker 4: you've you've experienced whatever the conversation attached to it is,

682
00:29:04,960 --> 00:29:08,440
Speaker 4: it's not the same level of important, right, Like it's

683
00:29:08,480 --> 00:29:10,600
Speaker 4: it's not important like I was joking about earlier about

684
00:29:10,840 --> 00:29:12,120
Speaker 4: the idea of number one of culture.

685
00:29:12,200 --> 00:29:13,840
Speaker 1: But it's not that important to me. I don't. I

686
00:29:13,840 --> 00:29:15,680
Speaker 1: don't give a fuck. I don't. I don't care about

687
00:29:16,080 --> 00:29:18,320
Speaker 1: top billing. I don't need my name to be first.

688
00:29:18,320 --> 00:29:20,560
Speaker 4: I don't need my name to be the biggest when

689
00:29:20,560 --> 00:29:22,960
Speaker 4: they first put the movie or the TV show out, Like,

690
00:29:23,000 --> 00:29:25,040
Speaker 4: if that's more important to you, I'm like, all right,

691
00:29:25,080 --> 00:29:25,600
Speaker 4: let them get it.

692
00:29:26,120 --> 00:29:27,880
Speaker 1: I don't. I don't really, I don't really give a fuck,

693
00:29:27,920 --> 00:29:29,360
Speaker 1: and not in a dismissive way.

694
00:29:29,400 --> 00:29:32,080
Speaker 4: But if that's what you need to make you feel better,

695
00:29:32,240 --> 00:29:34,800
Speaker 4: to make you feel like a valuable piece to the

696
00:29:34,800 --> 00:29:37,280
Speaker 4: puzzle of this projects, absolutely give it to them.

697
00:29:37,280 --> 00:29:37,720
Speaker 1: Like I can.

698
00:29:37,920 --> 00:29:41,400
Speaker 4: I can take those back steps because you've been there,

699
00:29:41,480 --> 00:29:43,440
Speaker 4: Like it's like the idea of stardom.

700
00:29:43,600 --> 00:29:43,880
Speaker 1: It's not.

701
00:29:44,840 --> 00:29:48,000
Speaker 4: It doesn't thrive or I'm not thriving in the space

702
00:29:48,040 --> 00:29:49,920
Speaker 4: of being a star, like you've you've been there. I

703
00:29:49,920 --> 00:29:51,959
Speaker 4: could give a fuck. Like you condemn the light as

704
00:29:52,040 --> 00:29:55,400
Speaker 4: much as you want, I don't. It doesn't matter. Yeah,

705
00:29:55,400 --> 00:29:56,360
Speaker 4: it's you don't.

706
00:29:56,760 --> 00:29:59,840
Speaker 1: It doesn't. It's not driving my reason to get up

707
00:29:59,840 --> 00:30:00,400
Speaker 1: in do so.

708
00:30:00,440 --> 00:30:03,480
Speaker 4: I think what Sterling is referring to it's saying like, look, man,

709
00:30:03,800 --> 00:30:04,840
Speaker 4: I don't really like that.

710
00:30:04,880 --> 00:30:06,719
Speaker 1: I've done it. It's better for me to do this.

711
00:30:06,800 --> 00:30:08,640
Speaker 4: Let somebody else deal with all the headache of bat.

712
00:30:09,040 --> 00:30:11,320
Speaker 4: That's what he's doing, and shouts out to him too. Man,

713
00:30:11,880 --> 00:30:13,640
Speaker 4: the show is incredible right now.

714
00:30:13,880 --> 00:30:16,800
Speaker 2: So when you in the rock do a movie, who's

715
00:30:16,840 --> 00:30:17,720
Speaker 2: number one on the coature?

716
00:30:17,960 --> 00:30:22,000
Speaker 1: I let him get it? But he's DJ's an asshole. Yeah,

717
00:30:22,040 --> 00:30:23,480
Speaker 1: he's an ass Let him get it.

718
00:30:23,720 --> 00:30:24,280
Speaker 2: I'm joking.

719
00:30:24,920 --> 00:30:27,560
Speaker 1: Yeah, No, DJ, By the way, he trumps me every time.

720
00:30:27,600 --> 00:30:29,800
Speaker 1: What do you mean, it's not even conversation. I don't

721
00:30:29,840 --> 00:30:33,320
Speaker 1: even bring it up. You number one on this right what?

722
00:30:33,840 --> 00:30:35,360
Speaker 2: Because the box office numbers, like, how do they?

723
00:30:36,320 --> 00:30:38,560
Speaker 4: I think he deserves to be number one when we

724
00:30:38,600 --> 00:30:43,200
Speaker 4: do the project. He's an international superstar. Not to say

725
00:30:43,200 --> 00:30:46,600
Speaker 4: that I don't have international success, but I don't think

726
00:30:46,640 --> 00:30:49,640
Speaker 4: that we're equal in that regard. I think that his

727
00:30:49,800 --> 00:30:53,800
Speaker 4: movies have performed and done crazy business internationally.

728
00:30:54,320 --> 00:30:54,480
Speaker 6: Uh.

729
00:30:54,960 --> 00:30:57,360
Speaker 4: And when we do the projects that we want to

730
00:30:57,440 --> 00:31:01,040
Speaker 4: appeal to the world, you should be first. I'm coming

731
00:31:01,040 --> 00:31:03,360
Speaker 4: in and I'm on that train with you. I'm adding

732
00:31:03,480 --> 00:31:06,040
Speaker 4: value to it, but I'm not bumped by you being first.

733
00:31:07,040 --> 00:31:09,040
Speaker 4: We put an amazing cast together to help us get

734
00:31:09,040 --> 00:31:10,240
Speaker 4: those audiences when we do.

735
00:31:10,720 --> 00:31:11,760
Speaker 1: But I don't.

736
00:31:12,240 --> 00:31:14,440
Speaker 4: I don't feel any type way about that. I think

737
00:31:14,440 --> 00:31:16,160
Speaker 4: he deserves it and he should have it.

738
00:31:17,520 --> 00:31:21,160
Speaker 5: Congratulations too, man, you got it was announced that you're

739
00:31:21,200 --> 00:31:22,200
Speaker 5: working with the Indiana Paces.

740
00:31:22,240 --> 00:31:23,920
Speaker 1: Now I'm beat working with the Pacers.

741
00:31:23,920 --> 00:31:26,920
Speaker 2: Heart Heartbeat entertainment, heartbeat. Is it working with the Paces? Yes,

742
00:31:26,960 --> 00:31:30,480
Speaker 2: heart beat it to be the official cultural curator.

743
00:31:30,040 --> 00:31:32,760
Speaker 5: To provide entertainment and live experiences for fans in the

744
00:31:32,840 --> 00:31:33,600
Speaker 5: Indianapolis CAUs.

745
00:31:33,680 --> 00:31:37,440
Speaker 1: Yes, yes, what is it? What does the seventy six

746
00:31:37,520 --> 00:31:37,960
Speaker 1: say about that?

747
00:31:38,280 --> 00:31:39,840
Speaker 2: We're speeding with the question. First of all, what does

748
00:31:39,880 --> 00:31:40,320
Speaker 2: that look like?

749
00:31:40,840 --> 00:31:44,280
Speaker 4: It's an opportunity for our company, right like you're Our

750
00:31:44,320 --> 00:31:49,080
Speaker 4: company is a creative engine for any resource that allows

751
00:31:49,200 --> 00:31:52,200
Speaker 4: us to be right like we are a business, So

752
00:31:52,280 --> 00:31:56,480
Speaker 4: our business thrives when we can implement ourselves in places

753
00:31:56,520 --> 00:32:01,120
Speaker 4: to create or elevate a brand, a company, an entity

754
00:32:01,880 --> 00:32:07,080
Speaker 4: and activation, whether it be live entertainment, storytelling, etc. Indiana

755
00:32:07,680 --> 00:32:11,000
Speaker 4: with the Pacers and the Fever have an attraction coming.

756
00:32:11,040 --> 00:32:13,320
Speaker 4: I think they have an all star coming up. But

757
00:32:13,360 --> 00:32:16,160
Speaker 4: it's more about they're like, look, we're looking for ways

758
00:32:16,640 --> 00:32:19,040
Speaker 4: to expand and elevate what we've done.

759
00:32:19,040 --> 00:32:20,880
Speaker 1: They spent a lot of money on a new facility.

760
00:32:20,960 --> 00:32:22,560
Speaker 1: They have a team.

761
00:32:22,360 --> 00:32:27,120
Speaker 4: That's thriving, a younger team the Fever or thriving with

762
00:32:27,280 --> 00:32:31,000
Speaker 4: star power, etc. So they're like, how do we elevate?

763
00:32:31,040 --> 00:32:33,760
Speaker 4: How can we better tell our story? And I'm like,

764
00:32:33,920 --> 00:32:36,680
Speaker 4: that's what we do, you know, and me having relationships

765
00:32:36,720 --> 00:32:40,840
Speaker 4: with you know, the owner of the team and presidents

766
00:32:40,880 --> 00:32:44,680
Speaker 4: of the teams or cmos that are a part of

767
00:32:44,680 --> 00:32:46,800
Speaker 4: those entities, It's like, look, that's what we do.

768
00:32:47,200 --> 00:32:48,960
Speaker 1: We tell stories very well.

769
00:32:49,040 --> 00:32:52,640
Speaker 4: So to market, promote and better define that for you,

770
00:32:52,800 --> 00:32:54,920
Speaker 4: that's our business. Let us show you how we can

771
00:32:54,960 --> 00:32:57,400
Speaker 4: make that business a service to you. And they gave

772
00:32:57,400 --> 00:32:59,240
Speaker 4: an opportunity and I was like, dope, let our company

773
00:32:59,280 --> 00:33:01,800
Speaker 4: do it. So it's not a Kevin Hart thing, like

774
00:33:02,120 --> 00:33:06,120
Speaker 4: everybody assumes that Kevin Hart is the driving factor.

775
00:33:05,880 --> 00:33:07,360
Speaker 1: Or the source. It's the entity.

776
00:33:07,400 --> 00:33:10,360
Speaker 4: The entity has to do things outside of me, our

777
00:33:10,560 --> 00:33:11,680
Speaker 4: entity to fucking thrive.

778
00:33:11,880 --> 00:33:13,000
Speaker 1: Like that's a fact.

779
00:33:13,400 --> 00:33:17,160
Speaker 4: So whether it's the fucking Pacers, I got business with

780
00:33:17,200 --> 00:33:19,840
Speaker 4: the Falcons, I got business with the Eagles, the Giants,

781
00:33:20,680 --> 00:33:22,280
Speaker 4: that's one that I don't know if I would touch

782
00:33:22,320 --> 00:33:27,240
Speaker 4: because they don't know good stuff. They may let me go,

783
00:33:28,120 --> 00:33:30,320
Speaker 4: but it's it's it's how many of those can I do?

784
00:33:30,360 --> 00:33:32,600
Speaker 1: Step and repeat? So the Pacers will use.

785
00:33:32,560 --> 00:33:35,680
Speaker 4: As an example once we do it well, and from

786
00:33:35,680 --> 00:33:39,280
Speaker 4: that example, I'll go to other fucking NBA teams or

787
00:33:39,440 --> 00:33:41,680
Speaker 4: the NBA in general. Like I'm looking to be a

788
00:33:41,720 --> 00:33:44,200
Speaker 4: better partner for the NBA. How do we better tell

789
00:33:44,280 --> 00:33:47,239
Speaker 4: stories for your brand? How do we better promote and

790
00:33:47,280 --> 00:33:51,120
Speaker 4: market you? How can we amplify or activate differently? Like

791
00:33:51,200 --> 00:33:54,680
Speaker 4: these are words in the business that companies desperately want

792
00:33:54,680 --> 00:33:56,000
Speaker 4: to hear from potential party.

793
00:33:56,200 --> 00:33:58,320
Speaker 2: That's an interesting question because what you about to say

794
00:33:58,320 --> 00:33:58,640
Speaker 2: about the.

795
00:33:58,600 --> 00:34:01,400
Speaker 3: Sixers would saying how did the seventy sixers feel like that?

796
00:34:01,400 --> 00:34:03,400
Speaker 3: Because you are such a seventy sixers fan, I feel

797
00:34:03,440 --> 00:34:05,120
Speaker 3: like they might look at it like why you over

798
00:34:05,120 --> 00:34:05,880
Speaker 3: there and mess with them?

799
00:34:06,000 --> 00:34:07,760
Speaker 2: You hear this is home because it's heart Beat the

800
00:34:07,760 --> 00:34:09,240
Speaker 2: company and Kevin Hart the individual.

801
00:34:09,800 --> 00:34:12,759
Speaker 4: I promise you that they wouldn't even blink an eye

802
00:34:12,760 --> 00:34:16,000
Speaker 4: because they understand business. Kevin Hard is still a seventy

803
00:34:16,000 --> 00:34:19,520
Speaker 4: six Ers fan. His company, Heartbeat, is doing a service

804
00:34:19,560 --> 00:34:22,040
Speaker 4: for another company. Hey, keV, you think you could do

805
00:34:22,040 --> 00:34:24,279
Speaker 4: this for us too. Would your company be interested in

806
00:34:24,320 --> 00:34:29,080
Speaker 4: doing this? Absolutely, guys, this is not anything Kevin is specific.

807
00:34:29,520 --> 00:34:31,880
Speaker 4: I'm still going to Sixers games. I still sit courtside

808
00:34:32,040 --> 00:34:32,600
Speaker 4: trash right now.

809
00:34:33,040 --> 00:34:35,200
Speaker 1: I mean right now, we're not We're not in.

810
00:34:35,160 --> 00:34:37,879
Speaker 4: The best position. But I'm still a fan. I'm I'm

811
00:34:37,880 --> 00:34:41,799
Speaker 4: an Eagles fan. But if there's business that can be

812
00:34:41,880 --> 00:34:45,000
Speaker 4: done for another NFL entity that wants to tell stories,

813
00:34:45,040 --> 00:34:46,760
Speaker 4: well we're gonna tell those stories.

814
00:34:46,560 --> 00:34:47,200
Speaker 1: For the entity.

815
00:34:47,239 --> 00:34:50,000
Speaker 4: That doesn't mean that our brand can't do that. It's

816
00:34:50,040 --> 00:34:51,239
Speaker 4: a company, you know.

817
00:34:51,320 --> 00:34:52,960
Speaker 1: I know that you guys were talking to Mic about it.

818
00:34:53,000 --> 00:34:55,479
Speaker 1: You're like, yo, is that crazy? Like this isn't Kevin Hart.

819
00:34:55,480 --> 00:34:55,719
Speaker 1: I'm not.

820
00:34:55,840 --> 00:34:58,960
Speaker 4: I'm not going to the to the Pacers and man,

821
00:34:59,000 --> 00:35:00,920
Speaker 4: it's time for me to check narrative.

822
00:35:01,520 --> 00:35:03,120
Speaker 1: Oh, this is what my company does.

823
00:35:03,800 --> 00:35:06,840
Speaker 7: Is that simple, well, heartbeat call Mike Epps to do

824
00:35:06,960 --> 00:35:09,799
Speaker 7: absolutely like we By the way, if you here's here's

825
00:35:09,800 --> 00:35:13,279
Speaker 7: an example, right if All Star weekend is coming up

826
00:35:13,280 --> 00:35:15,840
Speaker 7: there and we're like, okay, hey, we have ideas to

827
00:35:16,000 --> 00:35:20,680
Speaker 7: service a bigger like a bigger process that people can

828
00:35:20,719 --> 00:35:22,239
Speaker 7: probably gravitate.

829
00:35:21,800 --> 00:35:24,280
Speaker 1: Towards a little different from what they've done in the past.

830
00:35:24,400 --> 00:35:26,759
Speaker 4: Here's how we're gonna make the All Star weekend in

831
00:35:26,800 --> 00:35:30,440
Speaker 4: Indiana when the women are playing. Here's how we can

832
00:35:30,480 --> 00:35:33,040
Speaker 4: make it different. Here's what we can bring to the table,

833
00:35:33,280 --> 00:35:36,400
Speaker 4: women round tables, a women, cold as balls, et cetera.

834
00:35:36,719 --> 00:35:40,239
Speaker 4: Is there a comedy activation women forwarded? Does Mike want

835
00:35:40,239 --> 00:35:44,239
Speaker 4: to bring and be responsible for comedy from Indian Absolutely?

836
00:35:44,320 --> 00:35:46,719
Speaker 1: Like, that's when you tap in. All you are is

837
00:35:46,800 --> 00:35:49,600
Speaker 1: the servicing hub. We're the hub.

838
00:35:49,800 --> 00:35:51,719
Speaker 4: Now it's our job to go and grab everybody to

839
00:35:51,760 --> 00:35:54,759
Speaker 4: make this thing underneath the hub better. It's not you

840
00:35:55,719 --> 00:35:59,359
Speaker 4: desperately need that. So in this case, hell yeah, Mike,

841
00:35:59,400 --> 00:36:02,240
Speaker 4: Come on, Mike. By the way, this is your city.

842
00:36:02,440 --> 00:36:04,520
Speaker 4: What's dope about the city that we can do with you?

843
00:36:04,600 --> 00:36:07,120
Speaker 1: What do you want to do? How do we help you? Like,

844
00:36:07,200 --> 00:36:08,600
Speaker 1: that's that's partnership.

845
00:36:08,640 --> 00:36:13,239
Speaker 4: But if the thought triggers you at first, what this

846
00:36:13,360 --> 00:36:15,680
Speaker 4: is my saying, well, then you don't even you don't

847
00:36:15,680 --> 00:36:18,880
Speaker 4: even get to the next stage of opportunity. The opportunity

848
00:36:18,880 --> 00:36:22,759
Speaker 4: comes from understanding the idea, Oh oh do.

849
00:36:22,920 --> 00:36:24,839
Speaker 1: I can't I can do something? Oh bet?

850
00:36:24,880 --> 00:36:27,640
Speaker 4: And I want to do this too. Absolutely, Here here's

851
00:36:27,640 --> 00:36:30,919
Speaker 4: how we're gonna do it, Like that's that's business. That's

852
00:36:30,920 --> 00:36:33,160
Speaker 4: how business is done. That's how you get to the

853
00:36:33,160 --> 00:36:34,240
Speaker 4: place of success.

854
00:36:34,280 --> 00:36:37,440
Speaker 6: So there just hasn't been an opportunity for Heartbeat to

855
00:36:37,520 --> 00:36:39,080
Speaker 6: call Mike yet.

856
00:36:39,200 --> 00:36:41,840
Speaker 1: No, just we literally just have.

857
00:36:42,040 --> 00:36:43,360
Speaker 2: We just did the deal, gotcha.

858
00:36:43,440 --> 00:36:45,640
Speaker 4: And now that we are doing the deal, well, now

859
00:36:45,640 --> 00:36:48,040
Speaker 4: you got to tap in to the culture of the city.

860
00:36:48,080 --> 00:36:50,839
Speaker 4: You had to tap into popular names and faces from

861
00:36:50,920 --> 00:36:54,040
Speaker 4: the city. You gotta tap into the athletes that are

862
00:36:54,160 --> 00:36:57,320
Speaker 4: the stars in the city. Now you go and you say, guys,

863
00:36:57,320 --> 00:37:00,480
Speaker 4: here's what we're thinking of. Here's how we make this special.

864
00:37:00,840 --> 00:37:03,200
Speaker 4: But here's how we do it with you. Is this

865
00:37:03,200 --> 00:37:04,560
Speaker 4: a collaborative thing that makes sense for you?

866
00:37:04,880 --> 00:37:09,040
Speaker 1: Dope? Okay? If so, great, If not, well what does cool? Okay,

867
00:37:09,200 --> 00:37:11,320
Speaker 1: we like that. All right, let's bill, let's.

868
00:37:11,120 --> 00:37:14,480
Speaker 2: Expand he's gonna call you to do something.

869
00:37:14,520 --> 00:37:15,080
Speaker 1: Absolutely.

870
00:37:15,280 --> 00:37:20,800
Speaker 4: I mean, me and Mike's relationship now we're ten times.

871
00:37:20,840 --> 00:37:22,399
Speaker 4: But it took a long time to get to where

872
00:37:22,400 --> 00:37:27,399
Speaker 4: we are now. But I'm I'm happy at the road

873
00:37:27,800 --> 00:37:31,319
Speaker 4: of like dumb shit because it got us to a

874
00:37:31,320 --> 00:37:34,200
Speaker 4: place of real grown man shit. And you know it's

875
00:37:34,280 --> 00:37:37,360
Speaker 4: it's not We're not We're not doing the dumb like

876
00:37:37,760 --> 00:37:40,480
Speaker 4: tweets and shit, no more like Mike call me, I'm

877
00:37:40,520 --> 00:37:42,960
Speaker 4: calling you and we we talked, so you know when

878
00:37:42,960 --> 00:37:44,520
Speaker 4: that did. Mike was the first one we got on

879
00:37:44,560 --> 00:37:47,560
Speaker 4: the phone. We had a conversation, and me and Mike

880
00:37:47,640 --> 00:37:50,479
Speaker 4: are are very much on the same page. And I think,

881
00:37:50,719 --> 00:37:54,200
Speaker 4: you know, a lot of the disconnect's from assumption and

882
00:37:54,200 --> 00:37:57,160
Speaker 4: and that's what that's the realization that came about. But

883
00:37:57,239 --> 00:38:01,560
Speaker 4: I have no it will no be towards anybody, Damn sure,

884
00:38:01,600 --> 00:38:05,160
Speaker 4: not Mike. And you know, right now, the priority between

885
00:38:05,200 --> 00:38:07,160
Speaker 4: me and Mike are figuring out the thing that we're

886
00:38:07,200 --> 00:38:10,279
Speaker 4: going to do together. And you know, I told Mike

887
00:38:10,440 --> 00:38:13,720
Speaker 4: like it's a it's a real thing, Like we haven't

888
00:38:13,719 --> 00:38:16,319
Speaker 4: done it because of this disconnecting our relationship. We've never

889
00:38:16,320 --> 00:38:20,480
Speaker 4: been on screen together. We did Real Husbands together in

890
00:38:20,520 --> 00:38:24,200
Speaker 4: the beginning. Mike did an episode and that's the only

891
00:38:24,200 --> 00:38:27,200
Speaker 4: time when we've ever jousteded on camera. And I was like,

892
00:38:27,239 --> 00:38:30,120
Speaker 4: at this point in our career, like we're we're not

893
00:38:30,160 --> 00:38:32,640
Speaker 4: fucking nobody but ourselves, So you.

894
00:38:32,560 --> 00:38:34,399
Speaker 1: Know, how do we make it work? And He's like, yeah, keV,

895
00:38:34,520 --> 00:38:35,520
Speaker 1: Like how do we make it work?

896
00:38:35,520 --> 00:38:38,479
Speaker 4: And it's a it's a mutual understanding, and I think

897
00:38:38,520 --> 00:38:42,440
Speaker 4: now having that as a priority, his fans will be happy.

898
00:38:42,480 --> 00:38:44,440
Speaker 4: My fans, I think, will be happy, and I think

899
00:38:44,480 --> 00:38:45,880
Speaker 4: it'd be dope for the culture.

900
00:38:45,880 --> 00:38:46,520
Speaker 1: When we do it.

901
00:38:46,680 --> 00:38:49,200
Speaker 2: Yeah, where is that version of hallm Nights for this era?

902
00:38:49,360 --> 00:38:54,319
Speaker 4: It's hard, it's hard to happen because the idea of

903
00:38:54,360 --> 00:38:57,560
Speaker 4: it being just one is what people can't let go of,

904
00:38:58,080 --> 00:39:00,919
Speaker 4: which mean like that doesn't have to be this one star.

905
00:39:01,840 --> 00:39:03,400
Speaker 1: But Hall of Knights wasn't just one star. It was

906
00:39:03,440 --> 00:39:06,719
Speaker 1: That's why I worked, That's why I worked. Richard didn't

907
00:39:06,719 --> 00:39:07,520
Speaker 1: give a fuck about Eddie.

908
00:39:07,560 --> 00:39:10,840
Speaker 4: Eddie didn't give a fuck about Richard, right, like the

909
00:39:10,880 --> 00:39:15,279
Speaker 4: two biggest fucking comedians, you know, minus the bullshit. The

910
00:39:15,280 --> 00:39:17,480
Speaker 4: only person that was missing that should have been in that,

911
00:39:18,120 --> 00:39:22,759
Speaker 4: you know, Cosby in some degree right a showing of him.

912
00:39:22,760 --> 00:39:26,240
Speaker 1: But they had Red Fox, Robert fucking Harris.

913
00:39:26,239 --> 00:39:28,200
Speaker 4: Like if you go on you look at the names,

914
00:39:28,920 --> 00:39:31,839
Speaker 4: you know, fucking Dela Reges like you you look at

915
00:39:31,840 --> 00:39:34,600
Speaker 4: the names and the people in Harlem Knights, you looked

916
00:39:34,600 --> 00:39:39,080
Speaker 4: at a fucking conglomorate cast of hard hitting comics of color.

917
00:39:40,120 --> 00:39:43,000
Speaker 1: We don't have that todate the attempts.

918
00:39:42,640 --> 00:39:46,759
Speaker 4: To do it shouts out to Chris Rock Top five. Yeah,

919
00:39:46,800 --> 00:39:49,600
Speaker 4: putting comics in. Whether you are a fan of the

920
00:39:49,640 --> 00:39:51,960
Speaker 4: movie or not, the attempt was I want to see

921
00:39:52,320 --> 00:39:55,240
Speaker 4: I want to see comics of color share the screen together,

922
00:39:55,280 --> 00:39:58,920
Speaker 4: and I want to get down. Tracy Leslie like I

923
00:39:58,960 --> 00:40:01,239
Speaker 4: want to get down. Let's let's go back and forth.

924
00:40:01,320 --> 00:40:06,280
Speaker 4: Let's do some ship Death of the Funeral. Chris attempted

925
00:40:06,320 --> 00:40:07,840
Speaker 4: to put comics together.

926
00:40:10,520 --> 00:40:13,160
Speaker 5: There's not a lot of exam I would say life

927
00:40:13,360 --> 00:40:14,480
Speaker 5: to a certain extent.

928
00:40:14,200 --> 00:40:17,120
Speaker 1: Life is dope. But you had Eddie and you.

929
00:40:17,200 --> 00:40:23,920
Speaker 4: Had Martine Guy Tory, and you know we didn't we

930
00:40:23,960 --> 00:40:28,879
Speaker 4: didn't have like a woman a woman figure in life.

931
00:40:28,920 --> 00:40:31,560
Speaker 4: But I think, like you've seen the attempt, but there

932
00:40:31,640 --> 00:40:36,600
Speaker 4: is no like, there is no initiative where it's like, Okay, look,

933
00:40:37,480 --> 00:40:41,600
Speaker 4: we're all gonna fucking share the same level of pay.

934
00:40:42,200 --> 00:40:43,440
Speaker 4: We're all going to play on the back end. This

935
00:40:43,440 --> 00:40:45,880
Speaker 4: is how I would approach it. Everybody's gonna win on

936
00:40:45,880 --> 00:40:49,080
Speaker 4: the back end. Okay, let's remove money from the idea.

937
00:40:49,200 --> 00:40:52,080
Speaker 4: This isn't about who's getting the money or who's doing what.

938
00:40:52,239 --> 00:40:54,839
Speaker 4: It's about the project. So we're gonna do our best

939
00:40:54,840 --> 00:40:58,080
Speaker 4: in this project to put people position to win. Winning

940
00:40:58,160 --> 00:41:02,600
Speaker 4: mean memorable moments, that's funny, et cetera. But to do

941
00:41:02,680 --> 00:41:05,520
Speaker 4: it right, everybody's not gonna be on the same page

942
00:41:05,560 --> 00:41:07,440
Speaker 4: like you kind of. You gotta have an understanding of

943
00:41:07,480 --> 00:41:09,960
Speaker 4: who has to carry the weight here for the people

944
00:41:10,000 --> 00:41:12,360
Speaker 4: here to fucking get in and get down. When you

945
00:41:12,400 --> 00:41:14,360
Speaker 4: can have that conversation and people are okay with it,

946
00:41:14,360 --> 00:41:17,279
Speaker 4: all right, it's great, but that conversation can never be

947
00:41:17,360 --> 00:41:20,439
Speaker 4: had because people are bumped out the gate. I ain't

948
00:41:20,440 --> 00:41:22,759
Speaker 4: work with him, I work with her. I ain't doing

949
00:41:22,840 --> 00:41:24,719
Speaker 4: mother fuck that they got me like, I ain't.

950
00:41:25,080 --> 00:41:25,600
Speaker 1: I ain't the funny.

951
00:41:25,920 --> 00:41:28,200
Speaker 4: I'm like you, you can't even get to the fucking

952
00:41:28,280 --> 00:41:28,960
Speaker 4: second page.

953
00:41:29,040 --> 00:41:31,359
Speaker 6: And even when it comes to like the younger comics, man,

954
00:41:31,880 --> 00:41:35,799
Speaker 6: it's been a few of uh like like DC young

955
00:41:35,840 --> 00:41:40,080
Speaker 6: Fly has countless scripts that he has and he's trying

956
00:41:40,120 --> 00:41:43,719
Speaker 6: to get all of us like in this generation, but

957
00:41:43,840 --> 00:41:46,560
Speaker 6: egos and and what's she gonna be getting and who's

958
00:41:46,560 --> 00:41:48,640
Speaker 6: gonna be the main character? I ain't working with her

959
00:41:48,800 --> 00:41:50,239
Speaker 6: or how he you know what I mean?

960
00:41:50,320 --> 00:41:53,560
Speaker 4: So the problem with the with the younger generation of comics, man,

961
00:41:54,239 --> 00:41:59,200
Speaker 4: I made money so fast, good money, yeah, like not

962
00:41:59,400 --> 00:42:00,680
Speaker 4: like not little money.

963
00:42:00,680 --> 00:42:01,600
Speaker 1: They made money so.

964
00:42:01,680 --> 00:42:05,200
Speaker 4: Fast, so it's definitely the idea of doing that for

965
00:42:05,239 --> 00:42:08,200
Speaker 4: that fuck that ide I'm over here againting it's like

966
00:42:09,000 --> 00:42:14,120
Speaker 4: the Ida come here. I mean, just just made money,

967
00:42:14,719 --> 00:42:18,440
Speaker 4: still making money, right, Like, just understands that road money.

968
00:42:18,480 --> 00:42:20,400
Speaker 1: That road money is a different type of money.

969
00:42:20,960 --> 00:42:24,360
Speaker 4: These comics or new comics influencers turn com I'm making

970
00:42:24,400 --> 00:42:27,640
Speaker 4: real money. So until you get to a point where

971
00:42:27,640 --> 00:42:32,320
Speaker 4: you understand the money isn't going to drive your next

972
00:42:32,320 --> 00:42:36,200
Speaker 4: stage of success. If your next stage of success or

973
00:42:36,239 --> 00:42:40,480
Speaker 4: want for success is attached to IP projects, whatever, you

974
00:42:40,560 --> 00:42:42,160
Speaker 4: cannot do it by yourself.

975
00:42:42,840 --> 00:42:45,200
Speaker 1: You need the helping aid of other talent. I don't

976
00:42:45,200 --> 00:42:46,759
Speaker 1: give a fuck who you are.

977
00:42:47,640 --> 00:42:51,600
Speaker 4: I'm saying this as a pounds a pound conglomerate in

978
00:42:51,640 --> 00:42:54,839
Speaker 4: the business, respectfully and humbly, a conglomerate.

979
00:42:55,520 --> 00:42:56,640
Speaker 1: I stacked the deck.

980
00:42:57,600 --> 00:43:00,680
Speaker 4: I'm not looking to fucking be on screen and be

981
00:43:00,760 --> 00:43:04,319
Speaker 4: the only personals. I stack the fucking deck winning where

982
00:43:04,360 --> 00:43:07,439
Speaker 4: I can. By the way, and I'm very I'm very

983
00:43:07,480 --> 00:43:10,919
Speaker 4: thankful to the other names that are willing to come

984
00:43:10,960 --> 00:43:13,080
Speaker 4: and work with me and do things with me.

985
00:43:14,320 --> 00:43:18,200
Speaker 1: I was excited. Samuel L. Jackson is doing Thank you God,

986
00:43:18,440 --> 00:43:20,240
Speaker 1: sam Don Cheatle.

987
00:43:20,320 --> 00:43:26,040
Speaker 4: Oh thank you, Taraji, Oh thank you, Terrence, thank you,

988
00:43:26,120 --> 00:43:32,440
Speaker 4: Like I'm I'm thankful. You cannot be the only one

989
00:43:32,560 --> 00:43:37,000
Speaker 4: into that younger generation. My message to so many funny

990
00:43:37,040 --> 00:43:40,960
Speaker 4: like I can go down the list DC young Fly,

991
00:43:41,120 --> 00:43:43,759
Speaker 4: he just mentioned Country, Wayne does he Banks, fucking Drew

992
00:43:44,160 --> 00:43:47,239
Speaker 4: Coss not just you got pretty v you gotta be

993
00:43:47,680 --> 00:43:51,759
Speaker 4: you got all of these fucking Carlos, Ryan Davis right

994
00:43:51,800 --> 00:43:54,399
Speaker 4: here eighty five thought all those guys, you got all

995
00:43:54,400 --> 00:44:00,239
Speaker 4: these fucking great new emerging pieces of talent. Want to

996
00:44:00,280 --> 00:44:04,520
Speaker 4: tell you right now, talent caps out where it is

997
00:44:05,320 --> 00:44:07,920
Speaker 4: when what you do is all you think you should do.

998
00:44:09,360 --> 00:44:12,160
Speaker 4: In other words, like if I'm just doing stand up

999
00:44:12,200 --> 00:44:15,080
Speaker 4: comedy and then doing stand up comedy, I do the

1000
00:44:15,080 --> 00:44:18,839
Speaker 4: theaters and the arenas. Okay, I can't do that every year,

1001
00:44:18,920 --> 00:44:20,560
Speaker 4: and that's it.

1002
00:44:20,560 --> 00:44:21,600
Speaker 1: It will flatline.

1003
00:44:21,640 --> 00:44:24,120
Speaker 4: It will die down at some point, maybe not today,

1004
00:44:24,160 --> 00:44:26,160
Speaker 4: maybe not tomorrow, but at some point it will digress.

1005
00:44:26,600 --> 00:44:28,920
Speaker 4: So if you don't offload, and you don't figure out

1006
00:44:29,520 --> 00:44:31,880
Speaker 4: I'm tapping into this and I'm tapping into this or

1007
00:44:31,960 --> 00:44:35,680
Speaker 4: tapping into that, this thing, there's one source of energy

1008
00:44:35,719 --> 00:44:38,600
Speaker 4: that you have, it'll get a little dim That light

1009
00:44:38,600 --> 00:44:41,120
Speaker 4: ain't gonna fucking flicker the same. So if they don't

1010
00:44:41,200 --> 00:44:44,560
Speaker 4: tap into each other and figure out the way to

1011
00:44:44,600 --> 00:44:48,359
Speaker 4: make each other a valuable resource and asset, it will

1012
00:44:48,400 --> 00:44:53,120
Speaker 4: tap out. We're assets to one another, like say what

1013
00:44:53,200 --> 00:44:55,480
Speaker 4: you want man, the rock or assets to one another?

1014
00:44:55,560 --> 00:44:57,960
Speaker 1: Man, Djin and I we will get on the phone.

1015
00:44:57,960 --> 00:44:59,520
Speaker 1: Were talking now. Hey man, it's harm for us to

1016
00:44:59,560 --> 00:45:02,520
Speaker 1: do something. You gotta figure out the next thing. What

1017
00:45:02,560 --> 00:45:03,000
Speaker 1: you're thinking.

1018
00:45:03,040 --> 00:45:04,839
Speaker 4: I don't know, is it jumiji three is another part

1019
00:45:04,880 --> 00:45:06,400
Speaker 4: what you're thinking. I don't know what you're thinking.

1020
00:45:06,560 --> 00:45:08,360
Speaker 1: Let's talk. Let's figure it out.

1021
00:45:08,600 --> 00:45:10,000
Speaker 4: Hey man, you know who I want to work with.

1022
00:45:10,040 --> 00:45:12,239
Speaker 4: Who I haven't worked with? Man, Men, interest, I gotta

1023
00:45:12,239 --> 00:45:14,440
Speaker 4: get down with I' yet to do something. I'm tapping

1024
00:45:14,440 --> 00:45:16,919
Speaker 4: into other energy. I don't want to be the only

1025
00:45:16,960 --> 00:45:20,720
Speaker 4: source of energy. That's the only way that you continue

1026
00:45:20,760 --> 00:45:24,920
Speaker 4: to move forward. Writers, producers, I want to work with you, man,

1027
00:45:24,960 --> 00:45:28,239
Speaker 4: you're doing amazing things. You're an amazing writer. How do

1028
00:45:28,320 --> 00:45:29,280
Speaker 4: I work with you?

1029
00:45:29,400 --> 00:45:29,640
Speaker 1: Ki?

1030
00:45:29,680 --> 00:45:31,759
Speaker 4: You're doing amazing shit in the streaming space? Man, I

1031
00:45:31,800 --> 00:45:33,640
Speaker 4: got some shit to show you. I'm gonna work with

1032
00:45:33,680 --> 00:45:37,520
Speaker 4: you like you. You gotta tap in. That's what people

1033
00:45:37,560 --> 00:45:39,640
Speaker 4: are afraid to do and they're afraid to do it,

1034
00:45:39,719 --> 00:45:42,640
Speaker 4: especially in our culture because we feel like there can only.

1035
00:45:42,440 --> 00:45:43,600
Speaker 1: Be one right.

1036
00:45:43,719 --> 00:45:45,520
Speaker 5: That's some good as advice too, though, because you know,

1037
00:45:45,600 --> 00:45:48,160
Speaker 5: that is the toughest thing trying to convince this this

1038
00:45:48,280 --> 00:45:51,800
Speaker 5: generation that there is another level and what you're doing

1039
00:45:51,880 --> 00:45:52,920
Speaker 5: does have an expiration date.

1040
00:45:52,920 --> 00:45:54,920
Speaker 2: If you don't diversify your portfolio.

1041
00:45:55,920 --> 00:46:00,360
Speaker 4: It's building correctly. And by the way, don't have to

1042
00:46:00,400 --> 00:46:01,479
Speaker 4: do it all in one day.

1043
00:46:01,560 --> 00:46:01,920
Speaker 1: Man.

1044
00:46:02,560 --> 00:46:05,480
Speaker 4: You know, I'm almost thirty years strong in this fucking business.

1045
00:46:05,600 --> 00:46:08,279
Speaker 4: Don't You don't have to do it all in one day.

1046
00:46:08,400 --> 00:46:11,239
Speaker 4: The discovery is exciting when you start to figure it

1047
00:46:11,280 --> 00:46:13,080
Speaker 4: out and you start to see the things that you're

1048
00:46:13,160 --> 00:46:16,400
Speaker 4: changing or things that you're driving towards work. That's the

1049
00:46:16,440 --> 00:46:18,960
Speaker 4: exciting part. And the exciting part is that you're like,

1050
00:46:19,000 --> 00:46:20,600
Speaker 4: oh shit, I actually can't do the shit that I'm

1051
00:46:20,600 --> 00:46:24,560
Speaker 4: thinking about, Like oh fuck damn. I started off doing

1052
00:46:24,600 --> 00:46:26,840
Speaker 4: these videos and now the videos have turned into a business,

1053
00:46:26,880 --> 00:46:28,799
Speaker 4: but now the business has turned into a touring job.

1054
00:46:28,920 --> 00:46:32,160
Speaker 4: Now my radio job fucking all sets promotes the fucking touring.

1055
00:46:32,360 --> 00:46:35,960
Speaker 4: By the way, my businesses are connecting, the dots are connecting.

1056
00:46:37,160 --> 00:46:39,640
Speaker 4: Say what you want. You can hate me or you

1057
00:46:39,640 --> 00:46:42,960
Speaker 4: can love me. I connect dots. I connect dots very well.

1058
00:46:44,000 --> 00:46:48,120
Speaker 4: Every piece of this machine somehow connects in some way,

1059
00:46:48,239 --> 00:46:50,400
Speaker 4: in some shape, in some form. So at the end

1060
00:46:50,440 --> 00:46:53,359
Speaker 4: of the day, if this piece dies, well you can't

1061
00:46:53,440 --> 00:46:56,759
Speaker 4: kill this one. If this one dies and this one dies, well,

1062
00:46:56,840 --> 00:46:59,560
Speaker 4: I got this one. If these three die, well, they

1063
00:46:59,560 --> 00:47:03,080
Speaker 4: don't know I got these. The dots are important, man,

1064
00:47:03,719 --> 00:47:07,160
Speaker 4: and that younger mindset in this business today is a

1065
00:47:07,200 --> 00:47:09,000
Speaker 4: cash driven mind.

1066
00:47:09,600 --> 00:47:13,000
Speaker 1: The money will come. I'm telling you, the money will come.

1067
00:47:13,719 --> 00:47:19,040
Speaker 1: The ideas don't have relationships, and partnerships don't. That's the difference.

1068
00:47:20,160 --> 00:47:26,279
Speaker 1: Gotta go to guys, man, appreciate I do. Got one

1069
00:47:26,320 --> 00:47:27,000
Speaker 1: last QUESTIONPT.

1070
00:47:27,000 --> 00:47:29,200
Speaker 3: Do you have a sign like you know because people

1071
00:47:29,239 --> 00:47:31,239
Speaker 3: interview you all the time, right, and it gotta get

1072
00:47:31,239 --> 00:47:32,560
Speaker 3: to a point where you be like, I'm tired, I

1073
00:47:32,560 --> 00:47:32,880
Speaker 3: gotta go.

1074
00:47:32,880 --> 00:47:33,200
Speaker 2: Do you have.

1075
00:47:35,640 --> 00:47:37,880
Speaker 3: Scratch your head twice and you pick and I just

1076
00:47:37,880 --> 00:47:40,920
Speaker 3: be like, that's it, wrapping up.

1077
00:47:41,560 --> 00:47:41,960
Speaker 2: We've been here.

1078
00:47:42,000 --> 00:47:42,520
Speaker 1: I think we did.

1079
00:47:43,400 --> 00:47:47,359
Speaker 4: We got everything, we touched everything. Little keV dropping. I'm

1080
00:47:47,400 --> 00:47:50,799
Speaker 4: excited about it. Adult Animation BT plus ones getting shots

1081
00:47:50,800 --> 00:47:53,600
Speaker 4: out to BT shouts out to my amazing team and

1082
00:47:53,760 --> 00:47:57,960
Speaker 4: heartbeat Man. Shouts out to Mike Stein, Tiffany Brown who

1083
00:47:58,040 --> 00:48:01,880
Speaker 4: works so hard. Shout out to Malcolm. Oh god, I

1084
00:48:01,920 --> 00:48:03,640
Speaker 4: just dropped the name of my other right, I'm so sorry.

1085
00:48:04,400 --> 00:48:07,120
Speaker 4: On our development side, who helped get this. Shout out

1086
00:48:07,160 --> 00:48:13,759
Speaker 4: to Wanda, Uh, Dione Cole, Uh, so many other names, Yes, so.

1087
00:48:14,080 --> 00:48:17,400
Speaker 1: Many of your names, Johnson increased more neighbors.

1088
00:48:17,480 --> 00:48:19,840
Speaker 4: Yes, there's so many people, uh that are part of

1089
00:48:19,840 --> 00:48:22,440
Speaker 4: this project that have made it what it is today.

1090
00:48:22,719 --> 00:48:24,799
Speaker 1: And once again, this is a passion project. Man.

1091
00:48:24,960 --> 00:48:26,920
Speaker 4: This is uh, this is a piece of I p

1092
00:48:27,080 --> 00:48:29,480
Speaker 4: that I worked on for a long time and to

1093
00:48:29,600 --> 00:48:31,560
Speaker 4: have it finally come to light as dope as fuck,

1094
00:48:31,840 --> 00:48:35,799
Speaker 4: as funny as fuck. Uh, it's raw, it's edgy, you know,

1095
00:48:35,880 --> 00:48:37,960
Speaker 4: and it's a it's a it's a true testament to

1096
00:48:38,000 --> 00:48:39,759
Speaker 4: my mom and dad who aren't here. So r I

1097
00:48:39,840 --> 00:48:43,200
Speaker 4: p to the hearts upstairs and maybe down you know

1098
00:48:43,200 --> 00:48:43,520
Speaker 4: my dad.

1099
00:48:43,520 --> 00:48:45,640
Speaker 1: They say he could be I don't know.

1100
00:48:46,040 --> 00:48:48,080
Speaker 4: I don't know, so uh, you know, just in the

1101
00:48:48,120 --> 00:48:54,160
Speaker 4: middle my dad. Shout out to Pops wherever you are. Yeah,

1102
00:48:54,160 --> 00:48:57,480
Speaker 4: I don't know what side Uh this is. You don't

1103
00:48:57,480 --> 00:48:59,359
Speaker 4: want to feel I don't want to assume I don't

1104
00:48:59,400 --> 00:49:02,120
Speaker 4: want assume. I don't say if if God ever closed

1105
00:49:02,120 --> 00:49:04,719
Speaker 4: the door, my dad might have been on the outside.

1106
00:49:05,600 --> 00:49:05,880
Speaker 2: Uh.

1107
00:49:05,920 --> 00:49:07,360
Speaker 4: But it's a testament to them, so I can't with

1108
00:49:07,480 --> 00:49:10,080
Speaker 4: you guys. Enjoy BT plus watch It, Lock it Inner,

1109
00:49:10,080 --> 00:49:12,000
Speaker 4: one of them call sheep, shout out the Fox, lock

1110
00:49:12,040 --> 00:49:12,239
Speaker 4: it in.

1111
00:49:12,640 --> 00:49:15,600
Speaker 8: Uh, and you're at Radio City Music all weekend, Tonight, Friday,

1112
00:49:15,800 --> 00:49:21,359
Speaker 8: and Sundayday and last for not least, Man, I want

1113
00:49:21,360 --> 00:49:24,239
Speaker 8: to give a big shout out to my guys before

1114
00:49:24,280 --> 00:49:24,480
Speaker 8: I go.

1115
00:49:24,560 --> 00:49:26,960
Speaker 4: You know, I've talked about the younger generation. I've talked

1116
00:49:26,960 --> 00:49:29,719
Speaker 4: about you know, energy and servicing energy. I want to

1117
00:49:29,719 --> 00:49:32,400
Speaker 4: talk about my energy source for the reason and or

1118
00:49:32,440 --> 00:49:33,719
Speaker 4: just for quick moment, plastic coup boys.

1119
00:49:33,760 --> 00:49:33,840
Speaker 1: Man.

1120
00:49:33,840 --> 00:49:36,279
Speaker 4: Shout out to Naim, Shout out to Spank, Shout out

1121
00:49:36,320 --> 00:49:37,040
Speaker 4: to Joey Wells.

1122
00:49:37,480 --> 00:49:37,760
Speaker 1: Uh.

1123
00:49:38,000 --> 00:49:41,520
Speaker 4: You know, I'm excited about comedy still because my guys

1124
00:49:41,880 --> 00:49:45,280
Speaker 4: still make me work. Uh, Naim, pound for pound, Nameland,

1125
00:49:45,719 --> 00:49:48,920
Speaker 4: the funniest motherfucker's on the planet. Uh, constantly creating, constant

1126
00:49:49,000 --> 00:49:51,279
Speaker 4: developing new materials. Spank one of the funniest people in

1127
00:49:51,280 --> 00:49:53,520
Speaker 4: the planet. Joey, Uh build me for years. When of

1128
00:49:53,520 --> 00:49:55,359
Speaker 4: the funniest people on the planet. Shouts out to those

1129
00:49:55,400 --> 00:49:57,919
Speaker 4: guys for making me stay as sharp as I am

1130
00:49:58,080 --> 00:49:59,160
Speaker 4: by being as sharp as they are.

1131
00:49:59,200 --> 00:50:00,720
Speaker 2: Now anybody here is iron Governors.

1132
00:50:00,719 --> 00:50:03,239
Speaker 5: Governor Gretchen with My Loved Name wrote about Naim in

1133
00:50:03,480 --> 00:50:05,960
Speaker 5: her book Man talks about how when she gives speeches,

1134
00:50:06,000 --> 00:50:08,720
Speaker 5: she quotes nimesh shop week, motherfucker.

1135
00:50:09,520 --> 00:50:11,200
Speaker 4: You know listen, let me tell you some about name.

1136
00:50:11,760 --> 00:50:15,239
Speaker 4: Name is the most emotional comic. So we talked about

1137
00:50:15,239 --> 00:50:17,120
Speaker 4: like comments and like that Name used to go to

1138
00:50:17,200 --> 00:50:20,319
Speaker 4: Ticketmaster and he would read like the comments, like he

1139
00:50:20,360 --> 00:50:21,200
Speaker 4: would read them all.

1140
00:50:21,520 --> 00:50:24,040
Speaker 1: So he'd come in like the dressing room after the show.

1141
00:50:24,040 --> 00:50:25,680
Speaker 1: He'd be like, did you see what they said about me?

1142
00:50:27,440 --> 00:50:27,880
Speaker 2: No?

1143
00:50:28,880 --> 00:50:34,600
Speaker 1: What they say this is bullshit? Like now, why are

1144
00:50:34,600 --> 00:50:36,440
Speaker 1: you reading that? I just go on it. But it's

1145
00:50:36,719 --> 00:50:37,799
Speaker 1: once you win it, you win it.

1146
00:50:37,960 --> 00:50:40,279
Speaker 4: Like he would really like he would go back and

1147
00:50:40,280 --> 00:50:41,160
Speaker 4: forth with people, like what then you.

1148
00:50:41,160 --> 00:50:43,080
Speaker 1: Talk about obviously you got there late, Like he was like,

1149
00:50:43,760 --> 00:50:45,680
Speaker 1: he would go back and forth with people.

1150
00:50:47,400 --> 00:50:49,200
Speaker 4: Yes, we'll take a baster. He would go to people

1151
00:50:49,400 --> 00:50:52,960
Speaker 4: that had like bad things to say, I love him.

1152
00:50:54,000 --> 00:50:57,239
Speaker 1: That's it. I'm done. It's the breakfast Club, it's Kevin

1153
00:50:58,400 --> 00:51:00,480
Speaker 1: Wake that ass up in the morning.

1154
00:51:00,560 --> 00:51:01,640
Speaker 2: The Breakfast Club

1155
00:51:05,560 --> 00:51:05,600
Speaker 8: M