1 00:00:02,080 --> 00:00:07,000 Speaker 1: This is a headgun podcast. I think it has every 2 00:00:07,160 --> 00:00:10,160 Speaker 1: ingredient that you want to remember, where drugs rock and roll, 3 00:00:10,720 --> 00:00:14,080 Speaker 1: like an interaction with every other celebrity of the time. Right, 4 00:00:14,080 --> 00:00:17,239 Speaker 1: you're getting a full history of Studio fifty four. You're 5 00:00:17,280 --> 00:00:19,919 Speaker 1: getting bb King, you know what I mean. You're getting music, 6 00:00:19,960 --> 00:00:24,040 Speaker 1: you're getting movies, You're getting talent. You're getting animals. You're 7 00:00:24,079 --> 00:00:28,800 Speaker 1: getting sharks, you're getting lions, all the famous animals. Honey, yeah, Clipper, 8 00:00:29,120 --> 00:00:34,880 Speaker 1: she fucked him too. Who's that knocking at the door. 9 00:00:35,080 --> 00:00:38,080 Speaker 1: It's all your friends, your filthy hor your husband's gone, 10 00:00:38,120 --> 00:00:40,560 Speaker 1: and we've got books on a bottle of wind to kill. 11 00:00:40,880 --> 00:00:50,040 Speaker 1: It's books, it's gossip. I'm shook, it's memoirs. Martini Club 12 00:00:50,800 --> 00:00:55,440 Speaker 1: can read it while it's hot. Celebritycook clubs, your secrets. 13 00:00:55,560 --> 00:01:07,160 Speaker 1: We won't talk books. No boys are out club buzz Man. 14 00:01:07,280 --> 00:01:11,560 Speaker 1: I brought the Queer Voe. I'm Steven and I'm Lily, 15 00:01:11,800 --> 00:01:17,080 Speaker 1: and this is Celebrity freaking book Club. Welcome to the table, 16 00:01:17,200 --> 00:01:20,760 Speaker 1: Ladies and gentlemen. Literally thrilled because we are going to 17 00:01:20,800 --> 00:01:23,240 Speaker 1: be talking about one of our joint favorite books that 18 00:01:23,319 --> 00:01:27,600 Speaker 1: we just reread. No Lifeguard on Duty by Jannas Dickinson 19 00:01:27,959 --> 00:01:31,760 Speaker 1: the world's first supermodel, um which is not quite true, 20 00:01:31,760 --> 00:01:34,319 Speaker 1: and we'll kind of get into that, but Jannas Dickinson, 21 00:01:34,440 --> 00:01:40,840 Speaker 1: of course the leggie, sassy, sassy tan almond shaped eyes, 22 00:01:40,920 --> 00:01:44,840 Speaker 1: which is something she really talks about, Almond shaped and 23 00:01:44,880 --> 00:01:48,040 Speaker 1: I'm just like, I mean, I guess, sure, big supermodel 24 00:01:48,120 --> 00:01:50,160 Speaker 1: from the seventies and eighties. And of course many of 25 00:01:50,200 --> 00:01:53,400 Speaker 1: you may know her as a panel judge on America's 26 00:01:53,520 --> 00:01:56,360 Speaker 1: Next Top Model cycles one through four, and of course 27 00:01:56,440 --> 00:01:58,680 Speaker 1: in Top Model World, we'd say cycle that season. As 28 00:01:58,800 --> 00:02:01,800 Speaker 1: we all know, we of course fell in love with 29 00:02:01,960 --> 00:02:05,559 Speaker 1: Jane and high school year is watching our Top Model. 30 00:02:05,600 --> 00:02:07,360 Speaker 1: We didn't know so much fashion history at that point, 31 00:02:07,360 --> 00:02:08,600 Speaker 1: so she was sort of a new character to us. 32 00:02:08,680 --> 00:02:11,000 Speaker 1: I would say, the Simon Cowell of the Simon Cowell 33 00:02:11,360 --> 00:02:14,840 Speaker 1: the you know, she kind of defined that bitchy sassy. 34 00:02:15,080 --> 00:02:17,600 Speaker 1: You know, you have Tyra hosting the show and keeping 35 00:02:17,600 --> 00:02:21,519 Speaker 1: a movie, and Tyra's the mother hen and Janice you 36 00:02:21,560 --> 00:02:23,959 Speaker 1: know what Janis was back up? Yeah, Janice was the 37 00:02:24,160 --> 00:02:27,200 Speaker 1: biting critique. She's you know, she's just saying, hey, you're 38 00:02:27,240 --> 00:02:29,640 Speaker 1: five to seven, that's too short, Like there's actually nothing 39 00:02:29,680 --> 00:02:31,639 Speaker 1: you can do about it. You're not a model. She 40 00:02:31,760 --> 00:02:34,200 Speaker 1: famously got into a huge fight with Tyra in one 41 00:02:34,280 --> 00:02:37,960 Speaker 1: season about a plus ice model, and then Tyra accused 42 00:02:37,960 --> 00:02:40,639 Speaker 1: her of being the reason that girls are bent over 43 00:02:40,800 --> 00:02:44,880 Speaker 1: toilets across America. Right, no, right, And it's like Janna 44 00:02:44,960 --> 00:02:49,440 Speaker 1: spent twenty years bent over She's been at that toilet. Yeah, 45 00:02:49,440 --> 00:02:51,799 Speaker 1: and I feel like that's Janis is old school. She's like, 46 00:02:51,960 --> 00:02:55,000 Speaker 1: I that's what it's about to be a model, right. 47 00:02:55,320 --> 00:02:57,800 Speaker 1: It's just like she suffered and it's to be beliemaic 48 00:02:57,840 --> 00:02:59,799 Speaker 1: and of course there's health their rays to say that. Yea. 49 00:03:00,040 --> 00:03:01,720 Speaker 1: It's interesting because she was always like doing a mix 50 00:03:01,800 --> 00:03:04,239 Speaker 1: of I think healthy and unhealthy, because she did like exercise. 51 00:03:04,600 --> 00:03:07,320 Speaker 1: Oh yeah, she will hurt. She did thirty mile bike rid, right, 52 00:03:07,440 --> 00:03:10,400 Speaker 1: I know portional control is not a bad thing. I 53 00:03:10,480 --> 00:03:14,000 Speaker 1: feel like she was actually throwing up more from alcohol 54 00:03:14,080 --> 00:03:16,600 Speaker 1: and coke ye and ludes less. I mean, also, I 55 00:03:16,639 --> 00:03:18,840 Speaker 1: don't think anect. She doesn't really talk about I would say, 56 00:03:18,840 --> 00:03:20,880 Speaker 1: have any eating disorder per se. I think that she's 57 00:03:20,919 --> 00:03:23,440 Speaker 1: more just like I think also though she's like it's 58 00:03:23,480 --> 00:03:27,560 Speaker 1: a given I had net. It's kind of just like, yeah, 59 00:03:28,200 --> 00:03:30,920 Speaker 1: she's like not even really considering it a problem. She's like, hello, 60 00:03:31,040 --> 00:03:33,640 Speaker 1: welcome to being a model. Yeah, but the way Jans 61 00:03:33,720 --> 00:03:35,480 Speaker 1: to consider is like, it's not just like, oh, you're 62 00:03:35,520 --> 00:03:38,120 Speaker 1: sassy and mean, It's like, you're hilarious. You have a 63 00:03:38,400 --> 00:03:41,560 Speaker 1: sharp tongue, a sharp tongue and a sharp eye. And 64 00:03:41,840 --> 00:03:44,040 Speaker 1: you know. One of the reasons that Tyra Banks asked 65 00:03:44,080 --> 00:03:47,000 Speaker 1: her to be a panelist on American Sex Models, which 66 00:03:47,040 --> 00:03:49,400 Speaker 1: she read this book which came out in two thousand 67 00:03:49,440 --> 00:03:52,680 Speaker 1: and two, and she was like, oh, Janice has such 68 00:03:52,720 --> 00:03:55,680 Speaker 1: an incisive eye and such a critical eye of the 69 00:03:55,760 --> 00:03:58,200 Speaker 1: modeling industry. She would probably give great critiques of the 70 00:03:58,280 --> 00:04:00,800 Speaker 1: girls on this new show I'm launching, because I think 71 00:04:00,880 --> 00:04:04,160 Speaker 1: you know, of course there's other veterans you know of 72 00:04:04,320 --> 00:04:07,560 Speaker 1: model history, but may not be able to also critique. 73 00:04:07,560 --> 00:04:09,840 Speaker 1: And as we learned this book, Janis also has a 74 00:04:09,880 --> 00:04:13,280 Speaker 1: passion for photography. She's a photographer as well, so she 75 00:04:13,440 --> 00:04:16,080 Speaker 1: knows girls pose and blah blah blah. She's been on 76 00:04:16,200 --> 00:04:18,800 Speaker 1: either side of the camera. Sway. He and she when 77 00:04:18,800 --> 00:04:21,400 Speaker 1: you're like Worlds for supermodol you're kind of like, oh, way, 78 00:04:21,560 --> 00:04:25,240 Speaker 1: like I thought Cidney Crawford was or something basically like 79 00:04:25,320 --> 00:04:29,080 Speaker 1: half of her Wikipedia is just like angry Wicki editors 80 00:04:29,160 --> 00:04:31,520 Speaker 1: like saying how she actually was not the world for supermodel, 81 00:04:31,520 --> 00:04:34,760 Speaker 1: and like there's like eighteen other instances like in the 82 00:04:34,920 --> 00:04:37,760 Speaker 1: like the New York Gazette to nineteen thirty two of 83 00:04:37,920 --> 00:04:41,600 Speaker 1: them calling just like, oh, like Jemima Castleworth was like 84 00:04:41,680 --> 00:04:44,880 Speaker 1: a supermodel, and then like I mean Twiggy obviously was 85 00:04:44,920 --> 00:04:47,320 Speaker 1: the sixties was the supermodel. And then also it's kind 86 00:04:47,320 --> 00:04:51,599 Speaker 1: of like people know Gia better because of the movie. 87 00:04:52,279 --> 00:04:55,080 Speaker 1: In the film, Gia is like she's like this heroin 88 00:04:55,160 --> 00:04:58,640 Speaker 1: addicted supermodel, and Janni says she paved the way for 89 00:04:58,760 --> 00:05:01,560 Speaker 1: her because it's like everyone was casting just these blonde 90 00:05:02,160 --> 00:05:06,600 Speaker 1: charalties all American apple pie and left, and yet no 91 00:05:06,760 --> 00:05:12,200 Speaker 1: one was kind of casting a dark haired, tan white person. Basically, 92 00:05:12,640 --> 00:05:16,880 Speaker 1: she's like, I paved the way for buns Um and 93 00:05:17,040 --> 00:05:19,880 Speaker 1: that's kind of huge of me. So right, Jia was 94 00:05:20,000 --> 00:05:25,520 Speaker 1: this dark Italian lesbian back to Janus, literally back to Jannis. 95 00:05:25,680 --> 00:05:28,560 Speaker 1: So she is like, Also the way she writes this 96 00:05:28,720 --> 00:05:32,479 Speaker 1: book is my favorite way like boomers can speak, where 97 00:05:32,520 --> 00:05:35,360 Speaker 1: they talk about the seventies and the sixties that it 98 00:05:35,480 --> 00:05:37,920 Speaker 1: was like the craziest time in Earth like it was 99 00:05:38,040 --> 00:05:41,200 Speaker 1: constant Coke the seventies. It was a Mick Jagger, was 100 00:05:41,279 --> 00:05:46,120 Speaker 1: Jack nicholsinas e Mon, it was ceties. Yeah, that were 101 00:05:46,120 --> 00:05:48,480 Speaker 1: in her room and she's just like Andy Wahall came 102 00:05:48,480 --> 00:05:50,720 Speaker 1: over to me, grabbed a cigarette from my hand, and 103 00:05:50,839 --> 00:05:54,200 Speaker 1: then Halston threw me against the wall and fucked me 104 00:05:54,320 --> 00:05:58,080 Speaker 1: while Steve Rebel poured out seven lines of slid Stallone 105 00:05:58,320 --> 00:06:01,520 Speaker 1: pulled out his big from his pants and I said, 106 00:06:01,760 --> 00:06:03,560 Speaker 1: what are you gonna do with that? And he said, 107 00:06:03,839 --> 00:06:06,560 Speaker 1: it's waiting for you, honey. Then we got into plane 108 00:06:06,880 --> 00:06:09,600 Speaker 1: and a famous actress put her pussy in my mouth, 109 00:06:09,839 --> 00:06:12,359 Speaker 1: and yeah, sure, I ate that I'm not a lesbian, 110 00:06:12,480 --> 00:06:15,040 Speaker 1: but why not? I don't know. I won't tell you 111 00:06:15,120 --> 00:06:20,680 Speaker 1: who it is. Okay, So let's sort of like, now 112 00:06:20,720 --> 00:06:23,720 Speaker 1: that we've sort of, I think, given the kind of 113 00:06:24,040 --> 00:06:26,400 Speaker 1: you know, set the context a little bit, which is 114 00:06:26,400 --> 00:06:30,400 Speaker 1: something absolutely obsessed with Joane of who John's Dickinson is 115 00:06:30,520 --> 00:06:32,280 Speaker 1: too many people today, let's sort of walk up back 116 00:06:32,279 --> 00:06:34,520 Speaker 1: and go through her totally and in a way these 117 00:06:34,560 --> 00:06:37,080 Speaker 1: are spoilers, but also not And this is a podcast 118 00:06:37,160 --> 00:06:39,880 Speaker 1: of spoilers. It's a podcast of spoilers. Spoiler. Yeah, I know, 119 00:06:40,040 --> 00:06:44,119 Speaker 1: like yeah, like definitely skippah. I just feel like everyone, 120 00:06:44,200 --> 00:06:48,520 Speaker 1: I'm just saying, read this book now trigger warning, spoilers. Um, 121 00:06:48,600 --> 00:06:51,039 Speaker 1: but we're not going to take away from the book 122 00:06:51,120 --> 00:06:54,960 Speaker 1: is so joyous to read. Yes, it's just every place 123 00:06:55,000 --> 00:06:56,440 Speaker 1: in the right now. We will be very honest with 124 00:06:56,520 --> 00:06:58,480 Speaker 1: on this podcast. Okay, if a book is not well 125 00:06:58,520 --> 00:07:01,080 Speaker 1: written or not fine, we will tell you, right, we 126 00:07:01,160 --> 00:07:03,120 Speaker 1: will be the first to tell you that this book sects. Yeah, 127 00:07:03,320 --> 00:07:06,640 Speaker 1: we're not working for her Percollins. Okay, we're not working 128 00:07:06,800 --> 00:07:10,840 Speaker 1: for Random House. Okay, there isn't a kickback in sight, sweetie, 129 00:07:10,880 --> 00:07:14,960 Speaker 1: all right, who paid for these books? We did. Here's 130 00:07:15,000 --> 00:07:16,880 Speaker 1: the reason why this book is incredible is just the 131 00:07:17,000 --> 00:07:21,080 Speaker 1: acknowledgements are acknowledgements before the book starts. This is on 132 00:07:21,200 --> 00:07:24,160 Speaker 1: literally page two of the book. The Beverly Glen Pharmacy, 133 00:07:24,320 --> 00:07:28,560 Speaker 1: especially Sue and Mark, the Beverly Glen Cleaners, the Beverly Glendeli, 134 00:07:28,800 --> 00:07:31,880 Speaker 1: especially Georgian Karen. Thanks for not spitting in the food. 135 00:07:32,440 --> 00:07:34,360 Speaker 1: It's just like, okay, so you're thinking every local business 136 00:07:34,400 --> 00:07:37,040 Speaker 1: in Beverly Hills. And then, if I may on the 137 00:07:37,160 --> 00:07:40,040 Speaker 1: last page of the acknowledgements, I want to salute every 138 00:07:40,200 --> 00:07:42,360 Speaker 1: gay man. Then I try to seduce. Thank you for 139 00:07:42,480 --> 00:07:46,120 Speaker 1: letting me down easy. I want to thank lesbians everywhere. 140 00:07:46,560 --> 00:07:49,920 Speaker 1: May the Lap Lap five hundred club continue to rain 141 00:07:51,280 --> 00:07:55,320 Speaker 1: a joke? Is it like lesbian's association of like pussy 142 00:07:55,480 --> 00:07:59,000 Speaker 1: or something like that? Oh good, Yeah, because she's so pussy. 143 00:07:59,120 --> 00:08:01,800 Speaker 1: Definitely is that she eats pussy in this book. But 144 00:08:01,920 --> 00:08:04,320 Speaker 1: she's it's like very just like sure, I'll try it, 145 00:08:04,400 --> 00:08:08,120 Speaker 1: but I'd rather have the chicken, yeah, which is very 146 00:08:08,200 --> 00:08:10,920 Speaker 1: may West. And yes, and I would say she is 147 00:08:11,000 --> 00:08:14,640 Speaker 1: kind of her generations may West. Yeah, she's so vava boom. 148 00:08:14,720 --> 00:08:16,680 Speaker 1: She's always walking into a room and be like, you're 149 00:08:16,680 --> 00:08:18,960 Speaker 1: gonna have to buy me Jenni first, right, and just 150 00:08:19,120 --> 00:08:22,160 Speaker 1: being like, of course the men were staring at us dogs. 151 00:08:22,280 --> 00:08:27,120 Speaker 1: They all wanted us up. When she and Jia like 152 00:08:27,240 --> 00:08:29,600 Speaker 1: go to just like Sardis or something, and they're just like, 153 00:08:29,800 --> 00:08:32,080 Speaker 1: we were railing coke in the bathroom and were actually 154 00:08:32,240 --> 00:08:34,920 Speaker 1: blackout trunk and every man in the club wanted to 155 00:08:35,080 --> 00:08:38,079 Speaker 1: sink their teeth into our pussies, and it felt so 156 00:08:38,360 --> 00:08:41,360 Speaker 1: good to walk out and not let them. She's always 157 00:08:41,440 --> 00:08:46,600 Speaker 1: like making Jack Nicholson Warren Baby or Mick Jagger, like, wait, 158 00:08:47,120 --> 00:08:49,439 Speaker 1: she's being a little jo from girlfriends and being like 159 00:08:50,040 --> 00:08:52,319 Speaker 1: three days. Well, this actually is why she is so 160 00:08:52,440 --> 00:08:55,880 Speaker 1: joan from girlfriends, because she's like sometimes weirdly anti sex 161 00:08:56,400 --> 00:08:58,160 Speaker 1: or is like a little bit not anti sex, but 162 00:08:58,200 --> 00:09:01,559 Speaker 1: a little bit proud sex. She's always she's fucked to 163 00:09:01,600 --> 00:09:03,840 Speaker 1: everyone on Earth. But then she'll be like she was like, oh, 164 00:09:03,920 --> 00:09:06,400 Speaker 1: but actually, in my like first year as a model 165 00:09:06,440 --> 00:09:08,520 Speaker 1: in Paris, I did only sleep with one guy. And 166 00:09:08,600 --> 00:09:11,040 Speaker 1: then she's like and then like, there was one other 167 00:09:11,080 --> 00:09:12,679 Speaker 1: guy who went down on me, and then I did 168 00:09:12,800 --> 00:09:14,880 Speaker 1: like go down on one other guy after a night 169 00:09:14,920 --> 00:09:17,440 Speaker 1: of amazing coke. And she'll be like, so what, Yeah, 170 00:09:17,480 --> 00:09:19,160 Speaker 1: it was kind of a weird week where I did 171 00:09:19,200 --> 00:09:21,520 Speaker 1: fuck three guys. Well, I think she says that because 172 00:09:21,559 --> 00:09:24,920 Speaker 1: I think she dealt with a lot of tabloid um 173 00:09:25,280 --> 00:09:27,439 Speaker 1: stuff of people calling her like a slot yeah, and 174 00:09:27,559 --> 00:09:31,199 Speaker 1: every guy just just swimming that like stuff. Yeah. And 175 00:09:31,320 --> 00:09:33,960 Speaker 1: also just like John Belushi was just like you're gonna 176 00:09:33,960 --> 00:09:36,280 Speaker 1: fuck me tonight, right. Oh, And then she's in that 177 00:09:36,400 --> 00:09:39,920 Speaker 1: limo with Jack Nicholson and Angela Huson she's pretending like 178 00:09:39,960 --> 00:09:42,040 Speaker 1: they never fucked in it, so awkward, and of course 179 00:09:42,120 --> 00:09:44,960 Speaker 1: Jack Nilson is like completely disgusting, and after they fuck, 180 00:09:45,040 --> 00:09:48,400 Speaker 1: he tells her, don't tell anyone you have star come 181 00:09:48,520 --> 00:09:51,720 Speaker 1: inside you. And it's like you have to be so tracknical. 182 00:09:51,960 --> 00:09:56,959 Speaker 1: I mean, of course everyone is so exactly what you 183 00:09:57,040 --> 00:10:00,040 Speaker 1: think they're like every sbody she sleeps with, um, she 184 00:10:00,120 --> 00:10:02,560 Speaker 1: was a size salone is only speaking and like ham 185 00:10:02,640 --> 00:10:05,480 Speaker 1: bam lamp. He says ham bam lamb every time they 186 00:10:05,600 --> 00:10:08,559 Speaker 1: after they fuck, Yeah, she's always like it didn't take 187 00:10:08,640 --> 00:10:10,880 Speaker 1: that long, no, And he's such like a two second timmy. 188 00:10:11,040 --> 00:10:13,880 Speaker 1: I mean there's like a lot of like she tim 189 00:10:14,240 --> 00:10:15,520 Speaker 1: She's always just be like and then Mike and I 190 00:10:15,600 --> 00:10:19,959 Speaker 1: had breakup secks well also, which is why I think 191 00:10:20,320 --> 00:10:23,600 Speaker 1: maybe she does marry the more interesting looking guys, because 192 00:10:23,760 --> 00:10:26,840 Speaker 1: she says, like, guys that are too good looking aren't 193 00:10:26,840 --> 00:10:29,880 Speaker 1: good bed. Yeah, I mean, what's the classic model thing. 194 00:10:30,000 --> 00:10:32,800 Speaker 1: What's also interesting she doesn't talk about anyone's dick size, 195 00:10:32,840 --> 00:10:38,560 Speaker 1: except for Liam Neeson when she says, and every out 196 00:10:38,760 --> 00:10:42,839 Speaker 1: he was hung like a die. I remember reading that. 197 00:10:43,040 --> 00:10:45,880 Speaker 1: So when we actually read this book in high school, right, 198 00:10:46,000 --> 00:10:47,959 Speaker 1: we already revealed that. Okay, we read it when we 199 00:10:48,000 --> 00:10:50,160 Speaker 1: were sixteen, and we just did a reread, just did 200 00:10:50,200 --> 00:10:52,440 Speaker 1: a reread of it. Um, so it's super fresh even 201 00:10:52,520 --> 00:10:55,280 Speaker 1: though we were only sixteen two years ago. We're so young. 202 00:10:55,520 --> 00:10:59,320 Speaker 1: And I remember reading that line I had, let mind 203 00:10:59,400 --> 00:11:04,000 Speaker 1: you okay, virgin absolute virtune, I don't even know, really 204 00:11:04,120 --> 00:11:06,320 Speaker 1: just started drinking off. I just I literally just started 205 00:11:06,400 --> 00:11:08,240 Speaker 1: drinking off. I was like an insane, weird catholic it 206 00:11:08,280 --> 00:11:10,840 Speaker 1: and jerk off to like sophomore year, like what your 207 00:11:10,840 --> 00:11:14,760 Speaker 1: tomb raider poster? Lily too far? No? I remember actually 208 00:11:14,800 --> 00:11:17,280 Speaker 1: one time I ripped a Calvin clenad with a man 209 00:11:17,440 --> 00:11:21,719 Speaker 1: in it and taped it's so weird. I taped it 210 00:11:21,800 --> 00:11:24,240 Speaker 1: above the toilet and are in my bathroom that I 211 00:11:24,320 --> 00:11:29,959 Speaker 1: started with my brother and I absolutely didn't install, and 212 00:11:30,160 --> 00:11:33,520 Speaker 1: I jacked off into the toilet, like directly into it, 213 00:11:33,640 --> 00:11:36,200 Speaker 1: so it would just like everything would disappear. I mean 214 00:11:36,280 --> 00:11:38,679 Speaker 1: that's smart. Yeah. I was very like we could go 215 00:11:38,800 --> 00:11:43,280 Speaker 1: away right. Um. But I remember reading that line about her. 216 00:11:43,360 --> 00:11:45,679 Speaker 1: She's like shooting the amusing on a rock on a beach. 217 00:11:46,080 --> 00:11:49,000 Speaker 1: Her photography career also, can we talking so iconic and 218 00:11:49,080 --> 00:11:52,040 Speaker 1: she's always just like okay, you know what. It reminded 219 00:11:52,120 --> 00:11:55,280 Speaker 1: me of overdographer here is to talk about the L word. 220 00:11:55,320 --> 00:11:57,360 Speaker 1: One of our Vivorate shows. It feels her become a 221 00:11:57,400 --> 00:12:01,240 Speaker 1: photographer feels very when Tina gets back into producing, no 222 00:12:01,480 --> 00:12:03,840 Speaker 1: I know, and she's just like, I'm actually really focused 223 00:12:03,880 --> 00:12:06,679 Speaker 1: on documentary right now. And she's like, so I got 224 00:12:06,760 --> 00:12:10,040 Speaker 1: a new lens. And she's always like, hey, um, do 225 00:12:10,120 --> 00:12:12,720 Speaker 1: you mind if we stop in Malibu and bring Christie along. 226 00:12:12,960 --> 00:12:14,559 Speaker 1: I want to do some shots. I want to take 227 00:12:14,640 --> 00:12:17,319 Speaker 1: some really good shots. And we actually took some amazing 228 00:12:17,360 --> 00:12:21,800 Speaker 1: shots in natural lights, and then are these photos four? 229 00:12:22,080 --> 00:12:26,240 Speaker 1: Always saying like she uses her photographer geniusly as an excuse, 230 00:12:26,320 --> 00:12:28,400 Speaker 1: always like break up as a guy. But she's like, sorry, 231 00:12:28,440 --> 00:12:31,959 Speaker 1: I can't I have a chance to take photographs. And 232 00:12:32,040 --> 00:12:33,920 Speaker 1: then she was like yeah, and he was jealous of 233 00:12:34,000 --> 00:12:36,640 Speaker 1: my budding skills, which is true. No, I'm sure when 234 00:12:36,640 --> 00:12:39,880 Speaker 1: you date a photographer, the well like French photographer probably 235 00:12:40,000 --> 00:12:43,200 Speaker 1: was just like you know nothing about lights right, um, 236 00:12:43,480 --> 00:12:45,720 Speaker 1: and it's just like what's there right out by click 237 00:12:45,760 --> 00:12:48,320 Speaker 1: click click? Um. So anyway, she's shooting ly a Nissan 238 00:12:48,400 --> 00:12:50,600 Speaker 1: on this beach in Malibu and she's like he pulls 239 00:12:50,600 --> 00:12:52,599 Speaker 1: down his speedo and an Evion bottle fell out and 240 00:12:52,800 --> 00:12:56,720 Speaker 1: that line fucking reverberated through my head for the next 241 00:12:56,880 --> 00:13:00,959 Speaker 1: fifteen years, and I just I literally I just was 242 00:13:00,960 --> 00:13:02,719 Speaker 1: your root, one of your roots. No, it was a 243 00:13:02,840 --> 00:13:05,319 Speaker 1: huge root for me. And I was just like that 244 00:13:05,640 --> 00:13:07,760 Speaker 1: it like the fact that that's like possible, that that's 245 00:13:07,800 --> 00:13:10,160 Speaker 1: out there, Like it just was. It was a dream. 246 00:13:10,240 --> 00:13:12,679 Speaker 1: It was. It was a crazy dream. And like I'm 247 00:13:12,679 --> 00:13:14,720 Speaker 1: not only saying it motivated me to like go around 248 00:13:14,760 --> 00:13:18,360 Speaker 1: finding the biggest cocks, because it's just like that's not well, 249 00:13:18,400 --> 00:13:22,640 Speaker 1: but it's glamor but also huge, you know, huge but 250 00:13:22,760 --> 00:13:27,200 Speaker 1: glam so true because you don't want a huge von 251 00:13:27,360 --> 00:13:29,880 Speaker 1: You're not gonna be like, oh, it's a coke ball. Yeah. No. 252 00:13:30,200 --> 00:13:32,560 Speaker 1: The fact that it was evy On because like it's thick, 253 00:13:32,880 --> 00:13:35,120 Speaker 1: it's thick, and you know, I've talked about evy On 254 00:13:35,400 --> 00:13:37,800 Speaker 1: water a lot and my career about Evyon water is 255 00:13:37,840 --> 00:13:39,640 Speaker 1: thick and buttery. And it's also French, and you know, 256 00:13:39,720 --> 00:13:41,559 Speaker 1: I have a love affair with France and I'm a 257 00:13:41,600 --> 00:13:44,599 Speaker 1: big Francophile, but you're Francophile and I'm like, what you 258 00:13:44,679 --> 00:13:49,640 Speaker 1: are Italian? I'm Italian, so I'm anna Italian file so well, 259 00:13:49,640 --> 00:13:51,520 Speaker 1: and then she's like in a week later. It's always like, 260 00:13:51,520 --> 00:13:53,199 Speaker 1: there's always some there's so many phone calls, which is 261 00:13:53,280 --> 00:13:55,800 Speaker 1: very like this book happened before texting me. It's always 262 00:13:55,840 --> 00:13:58,559 Speaker 1: like and then Liam called me and he said come over, 263 00:13:58,679 --> 00:14:00,800 Speaker 1: bab I said not now, and he called me three 264 00:14:00,880 --> 00:14:04,079 Speaker 1: more times. Yeah, everyone's always like calling someone off the 265 00:14:04,320 --> 00:14:07,439 Speaker 1: off the ring. What's the mean? Okay, that's going on 266 00:14:07,520 --> 00:14:13,760 Speaker 1: your list to failed euphemisms? Off the uh? What off? See? 267 00:14:13,800 --> 00:14:15,679 Speaker 1: I'm too addicted to the sofa. I don't even know 268 00:14:15,760 --> 00:14:19,280 Speaker 1: what the landline terminology is anymore. Oh, you and you 269 00:14:19,480 --> 00:14:21,440 Speaker 1: and me, honey, we used to be on the landlines 270 00:14:21,440 --> 00:14:26,080 Speaker 1: all the time. Sixty one seven say it fuck eight 271 00:14:26,440 --> 00:14:32,760 Speaker 1: no nine, Yes, you're confusing it with yours. Mine was 272 00:14:32,880 --> 00:14:38,400 Speaker 1: right six six one seven nine four one now okay, 273 00:14:39,080 --> 00:14:43,680 Speaker 1: I got it nine six five zero two four one 274 00:14:45,960 --> 00:14:51,160 Speaker 1: no two nine two right, yeah, yours was six one 275 00:14:51,200 --> 00:14:54,000 Speaker 1: seven six six one nine two nine yes, but damn 276 00:14:54,800 --> 00:14:57,680 Speaker 1: okay Noah also about phones in this book, and like 277 00:14:58,000 --> 00:15:01,000 Speaker 1: the seventies is so she has the like friend who 278 00:15:01,200 --> 00:15:03,560 Speaker 1: she used to do ludes and acid with when she 279 00:15:03,680 --> 00:15:07,080 Speaker 1: was fifteen page oh yeah, and she also like she's 280 00:15:07,080 --> 00:15:09,400 Speaker 1: like I reached from my vitamin c's, which is what 281 00:15:09,560 --> 00:15:11,520 Speaker 1: she calls ludes. No no, no, no no. This is 282 00:15:11,520 --> 00:15:16,840 Speaker 1: why she said that because sidentally, another model while they 283 00:15:16,880 --> 00:15:19,920 Speaker 1: were on this crazy flight for Tokyo for a Calvin 284 00:15:20,000 --> 00:15:24,560 Speaker 1: Klein show, accidentally put her no. On purpose, she concealed 285 00:15:24,600 --> 00:15:27,720 Speaker 1: her quayludes in a bottle of Vitamin C pills, so 286 00:15:28,000 --> 00:15:30,440 Speaker 1: like whatever security would think that they were vitamin C. 287 00:15:31,280 --> 00:15:34,960 Speaker 1: Classic hack. Gwenda Berg kind bring a Vitamin C. Followed that, 288 00:15:35,600 --> 00:15:38,000 Speaker 1: and then she like actually reached her and because she 289 00:15:38,040 --> 00:15:39,920 Speaker 1: was getting a cold. And then she was like I'm 290 00:15:39,920 --> 00:15:42,040 Speaker 1: about to go on the runway and I can't even walk. 291 00:15:42,160 --> 00:15:44,400 Speaker 1: And Calvin Klein was so mad. I mean he's never 292 00:15:44,520 --> 00:15:47,240 Speaker 1: forgiven her and he's like, Surety fucked up one time 293 00:15:47,320 --> 00:15:50,480 Speaker 1: to Calvi Clanchow where she got fucked by this model. 294 00:15:50,840 --> 00:15:54,200 Speaker 1: Wait wait die, So she gets fucked by this model 295 00:15:54,200 --> 00:15:56,160 Speaker 1: who was like, I actually have the past. Okay, read 296 00:15:56,160 --> 00:15:58,880 Speaker 1: it and then I'll tell you my little info. Here's 297 00:15:58,880 --> 00:16:02,440 Speaker 1: what happened. We're backstage before the show. Everyone is running 298 00:16:02,480 --> 00:16:05,880 Speaker 1: around like crazy, half naked, excited. You can hear the 299 00:16:05,920 --> 00:16:09,160 Speaker 1: audience starting to arrive and take their seats. Anybody who 300 00:16:09,280 --> 00:16:11,320 Speaker 1: means anything in the business is going to be out 301 00:16:11,400 --> 00:16:14,880 Speaker 1: there watching judging, and that only adds the nervous buzz. 302 00:16:15,280 --> 00:16:18,320 Speaker 1: So you're excited and half naked and hot and nervous 303 00:16:18,360 --> 00:16:20,320 Speaker 1: and surrounded by the most beautiful people in the world. 304 00:16:20,360 --> 00:16:23,320 Speaker 1: And suddenly you find yourself horsing around with a perfect 305 00:16:23,360 --> 00:16:25,360 Speaker 1: looking man who wants you. And what do you do. 306 00:16:25,840 --> 00:16:28,120 Speaker 1: You find a closet and you'll lift up your skirt 307 00:16:28,120 --> 00:16:30,560 Speaker 1: and you fuck them, and you fuck faster because the 308 00:16:30,640 --> 00:16:33,040 Speaker 1: show's about to start, the g rated show, and then 309 00:16:33,120 --> 00:16:35,920 Speaker 1: you come and he explodes inside you, and you barely 310 00:16:36,000 --> 00:16:38,960 Speaker 1: have time to catch your breath and boom, you're disengaged 311 00:16:39,160 --> 00:16:42,080 Speaker 1: and heading for the runway, and Calvin is screaming, where 312 00:16:42,120 --> 00:16:44,480 Speaker 1: the fuck have you, ben, I've been looking everywhere, and 313 00:16:44,600 --> 00:16:47,440 Speaker 1: the dressers are hovering around you, their hands flapping like 314 00:16:47,560 --> 00:16:50,280 Speaker 1: nervous birds, trying to undo the mess you've made. And 315 00:16:50,400 --> 00:16:52,760 Speaker 1: then you feel the come dripping down your leg and 316 00:16:52,840 --> 00:16:55,960 Speaker 1: you smile at Calvin and say, I was fucking Tony 317 00:16:56,000 --> 00:16:59,080 Speaker 1: Spinelli and it was great, thank you very much. And 318 00:16:59,240 --> 00:17:01,960 Speaker 1: then you're on the runway trying to keep your knees 319 00:17:02,120 --> 00:17:07,680 Speaker 1: from buckling. Oh, could there be a more iconic passage 320 00:17:08,760 --> 00:17:12,520 Speaker 1: walking down the counch and she's always like, Runway, that's 321 00:17:12,560 --> 00:17:15,080 Speaker 1: where you felt a lot. Yeah, no, you didn't make 322 00:17:15,119 --> 00:17:18,080 Speaker 1: the most money. Okay, cattle on paper, you sears, you 323 00:17:18,200 --> 00:17:22,680 Speaker 1: do Macy's, that's what paying the bells. But Runway, oh, sweetheart, 324 00:17:22,960 --> 00:17:26,679 Speaker 1: Oh that's where it all. So then he forgives her, 325 00:17:26,720 --> 00:17:29,440 Speaker 1: and then they have this other iconic haang post to 326 00:17:29,480 --> 00:17:32,480 Speaker 1: Studio fifty four where she literally comes up with the 327 00:17:32,600 --> 00:17:34,960 Speaker 1: idea for column Klan underwear. Okay, this is one of 328 00:17:34,960 --> 00:17:41,000 Speaker 1: those things you really you were you like, we're blacked 329 00:17:41,000 --> 00:17:43,560 Speaker 1: out every night in the seventies. And she's like, and 330 00:17:43,640 --> 00:17:45,840 Speaker 1: then he came out and I said you should put 331 00:17:45,920 --> 00:17:48,480 Speaker 1: your name on that underwear and he said, sure, I'll 332 00:17:48,520 --> 00:17:50,880 Speaker 1: give you ten percent. Honey, I never saw a dime. 333 00:17:50,960 --> 00:17:53,880 Speaker 1: And it's like, are you kind of saying that as 334 00:17:55,080 --> 00:17:57,680 Speaker 1: I'm just like, sure she did have that idea, show 335 00:17:57,760 --> 00:17:59,680 Speaker 1: but well she she implies that she came up with 336 00:17:59,680 --> 00:18:02,600 Speaker 1: the idea of putting the name on the designer on 337 00:18:02,640 --> 00:18:04,920 Speaker 1: the band of the Underworld, but I'm just like, I 338 00:18:05,160 --> 00:18:14,560 Speaker 1: can't be true. This episode is sponsored by Zoktok. You're 339 00:18:14,600 --> 00:18:18,760 Speaker 1: trying to find a cause for your symptoms a key back, headache, running, 340 00:18:18,840 --> 00:18:23,040 Speaker 1: nose itchy. I worked on my genitals, so let me 341 00:18:23,160 --> 00:18:26,080 Speaker 1: guess you stumble down a TikTok rabbit hole full of 342 00:18:26,200 --> 00:18:30,200 Speaker 1: questionable advice from so called experts. Suddenly I have cancer. No, 343 00:18:30,400 --> 00:18:34,440 Speaker 1: thank you. There are better ways to get the answers 344 00:18:34,520 --> 00:18:37,639 Speaker 1: you want and the care you deserve from trusted professionals 345 00:18:37,720 --> 00:18:41,399 Speaker 1: and not random people on the internet. Though randoms, I 346 00:18:41,520 --> 00:18:44,960 Speaker 1: love you and my TikTok connection. Yeah it stands, but 347 00:18:45,080 --> 00:18:48,159 Speaker 1: I'm sorry. You shouldn't be getting medical advice from some 348 00:18:48,400 --> 00:18:52,520 Speaker 1: groner grandmother's basement in Toronto. Zok doc helps you find 349 00:18:52,600 --> 00:18:55,960 Speaker 1: expert doctors and medical professionals that specialize in the care 350 00:18:56,160 --> 00:18:59,400 Speaker 1: you need and deliver the type of experience you want. 351 00:18:59,720 --> 00:19:03,680 Speaker 1: That's right, ditch the talk, get the doc. 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And what's so sad? 371 00:20:17,000 --> 00:20:18,640 Speaker 1: It is like, yeah, please bring it back to landlines. 372 00:20:18,880 --> 00:20:21,200 Speaker 1: She has this friend who write she did like acid 373 00:20:21,280 --> 00:20:23,960 Speaker 1: with as a teen, and then of course they lost touch, 374 00:20:24,000 --> 00:20:25,920 Speaker 1: and then she gets this letter from the friend that's 375 00:20:25,960 --> 00:20:29,399 Speaker 1: like scrawled and it's like I'm in trouble, I'm in Paris, 376 00:20:29,560 --> 00:20:33,159 Speaker 1: need money now, And she's like, okay, obviously she's like 377 00:20:33,160 --> 00:20:35,040 Speaker 1: a heroine out of because it's like the seventies. And 378 00:20:35,080 --> 00:20:37,040 Speaker 1: then it turns out that her friend is like was 379 00:20:37,080 --> 00:20:41,399 Speaker 1: actually needing money for like a rare cancer drug. And 380 00:20:41,440 --> 00:20:43,360 Speaker 1: it's just like it made me think of the Sex 381 00:20:43,400 --> 00:20:45,440 Speaker 1: and the City episode where no one shows up to 382 00:20:45,520 --> 00:20:50,640 Speaker 1: carry his birthday dinner. Ild cantons about say catch a door, 383 00:20:50,800 --> 00:20:55,560 Speaker 1: old Cantor, And it's just those moments they actually made 384 00:20:55,600 --> 00:20:58,720 Speaker 1: me so stressed. I'm always just like, can someone pick 385 00:20:58,800 --> 00:21:03,160 Speaker 1: up the goddamn phone? Wow? And it's like so easily avoidable. 386 00:21:03,359 --> 00:21:04,960 Speaker 1: And then and then she goes to her friend. Her 387 00:21:05,000 --> 00:21:08,040 Speaker 1: friend's like dying in a coma. That's so interesting, you know, 388 00:21:08,119 --> 00:21:10,600 Speaker 1: I would love to really dig into why those get 389 00:21:10,720 --> 00:21:14,400 Speaker 1: at you so badly. You're like the because it's it's 390 00:21:14,440 --> 00:21:17,520 Speaker 1: that you like feel like someone could have been help. Yes, 391 00:21:17,800 --> 00:21:21,200 Speaker 1: that's right, and that's your sort of savior syndrome. Right. 392 00:21:21,359 --> 00:21:24,000 Speaker 1: Why why can't I just accept life, right, except life 393 00:21:24,000 --> 00:21:27,200 Speaker 1: and accept that you can't you can't fix everything and 394 00:21:27,400 --> 00:21:31,560 Speaker 1: be this mother dad. You can't be a mother. You 395 00:21:31,680 --> 00:21:34,240 Speaker 1: can't you know, you can't like save every oil covered 396 00:21:34,359 --> 00:21:36,760 Speaker 1: ductor you know what I mean. You can buy all 397 00:21:36,760 --> 00:21:38,639 Speaker 1: of the dawn in the world. It's just kind of 398 00:21:38,640 --> 00:21:40,040 Speaker 1: sad you do for the way because you're so not 399 00:21:40,200 --> 00:21:46,240 Speaker 1: like a volunteerer. Well, I'm so that because like, yeah, 400 00:21:46,400 --> 00:21:48,480 Speaker 1: I'm not a volunteers. You're more just like I feel 401 00:21:48,520 --> 00:21:50,320 Speaker 1: like you see like your mom having fallen outs with 402 00:21:50,359 --> 00:21:53,159 Speaker 1: her siblings and are very like okay, classic maybe just 403 00:21:53,280 --> 00:21:55,760 Speaker 1: like child Dice. I tell the birst you take on 404 00:21:55,840 --> 00:21:59,760 Speaker 1: the burdens of life and you're like makeups. Yeah, anyways, 405 00:21:59,880 --> 00:22:03,920 Speaker 1: that made me feel bad. I just see I to 406 00:22:04,080 --> 00:22:07,120 Speaker 1: me that passengers kind of just like like laterally sad 407 00:22:07,160 --> 00:22:08,960 Speaker 1: but life. But it's like they were they had already 408 00:22:09,000 --> 00:22:10,840 Speaker 1: last touch, they already moved on. It's it's not like 409 00:22:11,119 --> 00:22:13,840 Speaker 1: I think it would have been really disingenuous for her 410 00:22:13,920 --> 00:22:17,080 Speaker 1: to like suddenly have this like friendship with this person 411 00:22:17,160 --> 00:22:19,040 Speaker 1: that she clearly just like would feel bad for. It's 412 00:22:19,040 --> 00:22:22,000 Speaker 1: like I just like feel like feeling bad for someone, 413 00:22:22,480 --> 00:22:25,960 Speaker 1: and like having a guilt driven friendship to me is 414 00:22:26,040 --> 00:22:29,640 Speaker 1: like not doesn't actually make another person feel good. I'm 415 00:22:29,680 --> 00:22:31,280 Speaker 1: not talking about that. I'm just talking about paying for 416 00:22:31,320 --> 00:22:35,920 Speaker 1: the experimental drug. Okay, Well this goes back to you 417 00:22:36,200 --> 00:22:39,560 Speaker 1: just like always wanting to participate in the drug trial. Yeah, 418 00:22:39,560 --> 00:22:41,600 Speaker 1: and I'm always like no, It's like I'm trying to 419 00:22:41,760 --> 00:22:45,200 Speaker 1: like be in like an experimental vaccine. Right, this is 420 00:22:45,200 --> 00:22:48,480 Speaker 1: actually only twenty five percent effect. If I were like, oh, absolutely, 421 00:22:49,280 --> 00:22:52,160 Speaker 1: I'm done. How much is it eight hundred bucks? Ye? Yeah. 422 00:22:52,440 --> 00:22:54,800 Speaker 1: And it's just like sleep studies because I did all 423 00:22:54,840 --> 00:22:58,240 Speaker 1: those focus groups in high school, I mean college university. 424 00:22:58,800 --> 00:23:00,879 Speaker 1: I went to college and I'll go and to make 425 00:23:00,960 --> 00:23:04,080 Speaker 1: that extra cash. I did a ton of focus groups 426 00:23:04,119 --> 00:23:06,040 Speaker 1: in Chicago's Famasy Very Mad Men. There's a lot of 427 00:23:06,080 --> 00:23:09,040 Speaker 1: advertising there, so I got really into the focus group scene, 428 00:23:09,080 --> 00:23:11,479 Speaker 1: which was pretty easy to get into because they were 429 00:23:11,560 --> 00:23:14,359 Speaker 1: just like, do you chew gum? Okay, you're in and 430 00:23:14,520 --> 00:23:17,480 Speaker 1: it was like a chewing gum focus group in one 431 00:23:18,040 --> 00:23:21,040 Speaker 1: where it was like we had to discuss the chewing 432 00:23:21,080 --> 00:23:22,719 Speaker 1: gum packaging and it was like me and all these 433 00:23:22,760 --> 00:23:25,920 Speaker 1: girls just being like, yeah, extra gum. Their packaging was 434 00:23:26,000 --> 00:23:28,520 Speaker 1: for Grandma's and it makes you think of Grandma's. And 435 00:23:28,680 --> 00:23:31,480 Speaker 1: then the ad that they were promoting were like more 436 00:23:31,680 --> 00:23:34,960 Speaker 1: orbit style packages and it was like a piece of 437 00:23:35,119 --> 00:23:39,280 Speaker 1: gum sexily dancing and we were like, oh, yeah, extra's 438 00:23:39,560 --> 00:23:43,280 Speaker 1: sex scene. Now wait, do you remember when we went 439 00:23:43,440 --> 00:23:45,840 Speaker 1: to what we thought was that like preview of the 440 00:23:45,960 --> 00:23:49,320 Speaker 1: fall TV lineup in New Hampshire, But It was actually 441 00:23:49,359 --> 00:23:51,920 Speaker 1: an insane advertising focus group for Sharman and it was 442 00:23:51,960 --> 00:23:54,040 Speaker 1: like at a weird hotel. It was at a weird 443 00:23:54,119 --> 00:23:56,560 Speaker 1: like Ramada and Portsmith, and we like drove an hour 444 00:23:56,600 --> 00:23:58,720 Speaker 1: and forty five minutes in high school and and like 445 00:23:58,840 --> 00:24:00,840 Speaker 1: I was like, Lily, we're gonna get to see TV 446 00:24:00,960 --> 00:24:04,879 Speaker 1: shows before anyone in America. We went to this insane 447 00:24:04,920 --> 00:24:08,920 Speaker 1: it's like weird sad meeting hall and like they and 448 00:24:09,000 --> 00:24:11,679 Speaker 1: like they showed us like ten second clips of these 449 00:24:11,720 --> 00:24:13,760 Speaker 1: like shows that were clearly from like nineteen ninety two, 450 00:24:13,920 --> 00:24:16,399 Speaker 1: like on the Packs channel. They were like so Packs 451 00:24:16,440 --> 00:24:18,639 Speaker 1: and it was like some unknown actress just being like 452 00:24:18,720 --> 00:24:23,240 Speaker 1: eating work and we were like what is this like 453 00:24:23,320 --> 00:24:25,080 Speaker 1: show about a woman living in a city. And then 454 00:24:25,119 --> 00:24:27,080 Speaker 1: it would cut to commercial and you would see like 455 00:24:27,240 --> 00:24:29,720 Speaker 1: three commercials in a row for toilet paper. And then 456 00:24:29,920 --> 00:24:31,359 Speaker 1: we did like an hour of this and then they 457 00:24:31,400 --> 00:24:34,360 Speaker 1: gave this questionnaire and all the questions were about the ads. Yeah, 458 00:24:34,359 --> 00:24:36,240 Speaker 1: and they're giving us like this, Babe, we're all of 459 00:24:36,280 --> 00:24:39,399 Speaker 1: our pants or Ramada in pens, and they're like, so 460 00:24:39,760 --> 00:24:42,879 Speaker 1: would you say you're inclined to buy Sherman for you're 461 00:24:42,920 --> 00:24:46,720 Speaker 1: a household of three to four making under one hundred 462 00:24:46,720 --> 00:24:50,160 Speaker 1: and fifty thousand dollars a year. We're like million about 463 00:24:50,200 --> 00:24:52,320 Speaker 1: with the other like I don't know, we're sixteen. I 464 00:24:52,359 --> 00:24:54,800 Speaker 1: don't really buy everyone else who was there it was 465 00:24:54,840 --> 00:24:58,840 Speaker 1: like a weird like couple in their forties and our 466 00:24:58,920 --> 00:25:02,080 Speaker 1: future absolutely future, and like some woman was just like 467 00:25:02,240 --> 00:25:05,240 Speaker 1: I don't I think this was really just about the advertisers, 468 00:25:05,359 --> 00:25:08,040 Speaker 1: and we were like, oh, we're all like addicted to 469 00:25:08,200 --> 00:25:12,120 Speaker 1: television and like we've all been duped, we got scammed. Um, 470 00:25:12,880 --> 00:25:15,480 Speaker 1: I feel like there's something okay. So so my next question, So, 471 00:25:16,200 --> 00:25:18,560 Speaker 1: so Jana talks about this like floral dress that she 472 00:25:18,640 --> 00:25:20,760 Speaker 1: wears that first like scam modeling things she went to 473 00:25:21,119 --> 00:25:23,080 Speaker 1: that she also wears at the first photoshop that she 474 00:25:23,160 --> 00:25:25,359 Speaker 1: like accidentally showed up at and then like ended up 475 00:25:25,359 --> 00:25:27,920 Speaker 1: blunching her career, which is also I feel like such 476 00:25:27,960 --> 00:25:30,239 Speaker 1: a story in every book. It's always like I went 477 00:25:30,320 --> 00:25:33,320 Speaker 1: to a scam audition. Yeah, and then I like it 478 00:25:33,440 --> 00:25:35,440 Speaker 1: was in the right place at the wrong time and 479 00:25:35,800 --> 00:25:37,639 Speaker 1: the wrong place at the wrong time, and it was 480 00:25:37,680 --> 00:25:39,040 Speaker 1: like the floor dust and she was like I looked 481 00:25:39,119 --> 00:25:42,840 Speaker 1: kind of hispanic and and it's like it's like kind 482 00:25:42,880 --> 00:25:46,639 Speaker 1: of hugs or curves in this sexy way. It doesn't 483 00:25:46,680 --> 00:25:48,159 Speaker 1: kind of sound a little well, wasn't I feel like 484 00:25:48,160 --> 00:25:50,359 Speaker 1: it was like brown? It was more like such a 485 00:25:50,400 --> 00:25:52,160 Speaker 1: seventies print, is what it sounds like to me, those 486 00:25:52,200 --> 00:25:54,359 Speaker 1: like big flowers. That's like so like it was tight 487 00:25:54,520 --> 00:25:57,520 Speaker 1: and floral, but she obviously felt like sexy in it 488 00:25:57,600 --> 00:25:59,840 Speaker 1: and kind of just like brought out her kind of 489 00:26:00,000 --> 00:26:04,120 Speaker 1: innate power. And it made me think, what was your 490 00:26:04,280 --> 00:26:08,200 Speaker 1: first freakum dress? To use the Beyonce terminology, what was 491 00:26:08,280 --> 00:26:10,640 Speaker 1: the first thing that you really were like, Oh damn, 492 00:26:10,760 --> 00:26:13,840 Speaker 1: clothing can kind of like turn me into a rock star. 493 00:26:14,760 --> 00:26:18,040 Speaker 1: That is such a good question. I'll go first ye 494 00:26:19,000 --> 00:26:22,160 Speaker 1: thinking about and I need to think about well, I'm 495 00:26:22,200 --> 00:26:25,119 Speaker 1: talking so my I remember the very first halfware that 496 00:26:25,200 --> 00:26:27,960 Speaker 1: ever felt like and this truly is so fucking b 497 00:26:28,119 --> 00:26:33,480 Speaker 1: list of me, and I'm like, sure, really, Dens, I 498 00:26:33,640 --> 00:26:36,639 Speaker 1: was maybe about twelve and I went to Fi Leans 499 00:26:36,880 --> 00:26:39,840 Speaker 1: with my mom and that's where I shopped too, And 500 00:26:40,200 --> 00:26:44,280 Speaker 1: the outfit I got was this Liz Clayborne boys, Oh 501 00:26:44,480 --> 00:26:50,639 Speaker 1: my cream wafflenit long sleeve. Wait, this is insane. And 502 00:26:51,160 --> 00:26:55,840 Speaker 1: then these like olive green tight jeans like little like 503 00:26:56,119 --> 00:27:00,080 Speaker 1: tapered little like cropped genes. Are we talking for the 504 00:27:00,119 --> 00:27:02,399 Speaker 1: Santo Boston filings? And belmonts That's where I would do 505 00:27:02,440 --> 00:27:04,720 Speaker 1: all the shopping. This is so weird. It was filings 506 00:27:04,720 --> 00:27:07,000 Speaker 1: at Belmont And I never went to that filings because 507 00:27:07,000 --> 00:27:07,920 Speaker 1: it was like, why would have you go to the 508 00:27:07,960 --> 00:27:10,160 Speaker 1: one in Balmont? But it literally was at the filings 509 00:27:10,160 --> 00:27:12,920 Speaker 1: a Balmont. Wow. Yeah, this I could also like before 510 00:27:12,920 --> 00:27:15,520 Speaker 1: we knew each other, maybe we were passing each other 511 00:27:15,640 --> 00:27:18,040 Speaker 1: in the racks like China's when it Liz playburn Boys Blazers, 512 00:27:18,320 --> 00:27:20,600 Speaker 1: and I remember just being like, oh yeah, I'm like 513 00:27:20,680 --> 00:27:24,200 Speaker 1: this like cool like stylish young guy like stomping around. 514 00:27:24,480 --> 00:27:27,000 Speaker 1: And I remember so also like tracked from willing Grass View, 515 00:27:27,160 --> 00:27:29,680 Speaker 1: just like it's the most like just the most like 516 00:27:29,880 --> 00:27:33,200 Speaker 1: nerding not fabulous outfit ever. And then I remember my 517 00:27:33,400 --> 00:27:36,520 Speaker 1: fucking older brother being just like he saw me in 518 00:27:36,640 --> 00:27:38,639 Speaker 1: my like brand new clothes and he was like so 519 00:27:38,880 --> 00:27:41,200 Speaker 1: pissed and he was and he was just like what 520 00:27:41,359 --> 00:27:44,960 Speaker 1: the fuck is this Abercrombie oh, because he was like 521 00:27:45,040 --> 00:27:47,399 Speaker 1: so pop. Yeah, he was trying to think that. He 522 00:27:47,560 --> 00:27:50,160 Speaker 1: was like, oh, how like you're doing this fucking bullshit 523 00:27:50,280 --> 00:27:53,119 Speaker 1: like we thought it was so like rich girl to 524 00:27:53,240 --> 00:27:55,600 Speaker 1: get to wear like Abercrombie, and it was like such 525 00:27:55,680 --> 00:27:58,960 Speaker 1: bullshit only thing that like fucking like privileged rich kids, 526 00:27:59,040 --> 00:28:01,879 Speaker 1: and it's just like wake up, like our parents of 527 00:28:01,960 --> 00:28:05,480 Speaker 1: three houses, like what are you talking about? Hello? But 528 00:28:05,680 --> 00:28:07,600 Speaker 1: he was in high school at that point. He yeah, 529 00:28:07,640 --> 00:28:09,640 Speaker 1: he would have been in high school. He was really 530 00:28:09,680 --> 00:28:13,199 Speaker 1: coming to his own as an incredibly obnoxious high schooler 531 00:28:14,560 --> 00:28:17,000 Speaker 1: who was just like always screaming at my parents and 532 00:28:17,080 --> 00:28:19,600 Speaker 1: then just like burning incensence. So he was also like 533 00:28:19,960 --> 00:28:23,480 Speaker 1: height incense. Like no, he would he had probably discovered 534 00:28:23,560 --> 00:28:26,480 Speaker 1: like drifting by that. Literally, he had a list of 535 00:28:26,840 --> 00:28:29,560 Speaker 1: all the college radio stations in Boston, like on an 536 00:28:29,680 --> 00:28:32,080 Speaker 1: next card, like next was bad like Emerson, which I'm 537 00:28:32,080 --> 00:28:34,080 Speaker 1: sure you probably did too. Okay, I didn't have to 538 00:28:34,160 --> 00:28:38,800 Speaker 1: write it down. No, Actually I was so list. I 539 00:28:38,920 --> 00:28:41,680 Speaker 1: was always just writing down band names and writing down movies. 540 00:28:41,800 --> 00:28:44,360 Speaker 1: You're okay, you're like lists, but the list has no title, 541 00:28:44,480 --> 00:28:46,800 Speaker 1: and yeah, he's more just general list. It would just 542 00:28:46,840 --> 00:28:49,160 Speaker 1: be like really big Fish, my money, Boston's Frank Sinatra 543 00:28:49,240 --> 00:28:52,560 Speaker 1: and you're like, what is this list for? So kind 544 00:28:52,640 --> 00:28:55,760 Speaker 1: of funny? It's my first freak. Im I'm gonna kind 545 00:28:55,800 --> 00:29:00,720 Speaker 1: of give you actually three So I would say the 546 00:29:01,400 --> 00:29:05,880 Speaker 1: Belmont Filing Boys Department is like where I became a man, 547 00:29:06,320 --> 00:29:09,520 Speaker 1: Like that was the original my freakom. Like I remember 548 00:29:10,280 --> 00:29:16,720 Speaker 1: getting in there a full Phoenix Son's basketball jersey and shorts, 549 00:29:16,800 --> 00:29:20,200 Speaker 1: like the full basketball outfit you have any absolute zero 550 00:29:21,120 --> 00:29:25,040 Speaker 1: every day. But I think because Charles Barkeley was huge then, 551 00:29:25,320 --> 00:29:28,560 Speaker 1: and my dad was named Charles and it was my dad. 552 00:29:30,040 --> 00:29:34,120 Speaker 1: My dad once met Charles Berkeley on a plane. Yeah, 553 00:29:36,720 --> 00:29:38,760 Speaker 1: so I was kind of just into at the time 554 00:29:38,800 --> 00:29:41,880 Speaker 1: anyone who was like a famous basketball player. So Michael Jordan, 555 00:29:42,280 --> 00:29:44,960 Speaker 1: Charles Berkeley, Larry Bird. You know, as I feel like 556 00:29:44,960 --> 00:29:47,320 Speaker 1: people always say they meet celebrities on plane. I've never 557 00:29:47,400 --> 00:29:50,520 Speaker 1: seen a celebrity on plane. And well today I thought 558 00:29:50,560 --> 00:29:53,000 Speaker 1: I saw Yokona on the subway. I kind of do 559 00:29:53,320 --> 00:29:56,080 Speaker 1: I really think it was her? Again, it's so seventies 560 00:29:56,160 --> 00:29:58,080 Speaker 1: to go from the train to the bus. Yeah, and 561 00:29:58,200 --> 00:30:01,680 Speaker 1: you could gonna be like New York old school. And 562 00:30:01,800 --> 00:30:03,440 Speaker 1: she was wearing a hot that was similar to the 563 00:30:03,520 --> 00:30:06,040 Speaker 1: hat we saw her wearing. We saw her in p ten. Oh, 564 00:30:06,080 --> 00:30:08,440 Speaker 1: I don't remember seeing her. You may not have been now, okay, 565 00:30:08,480 --> 00:30:10,320 Speaker 1: but yeah, it was like little fedors. She was like 566 00:30:10,640 --> 00:30:16,480 Speaker 1: Jay High, huge glasses, Leopard mask um, celebrities on planes. Yeah, 567 00:30:16,520 --> 00:30:19,600 Speaker 1: I know it happens to some anyway. My other freakom 568 00:30:20,800 --> 00:30:24,240 Speaker 1: is when my sister like told me what Urban Outfitters 569 00:30:24,440 --> 00:30:33,400 Speaker 1: was and I started shopping there. Oh girls. It was 570 00:30:33,680 --> 00:30:41,400 Speaker 1: a men's section, obviously shiny red button down, long sleeve 571 00:30:42,000 --> 00:30:45,560 Speaker 1: and it was like thick and iridescent, Like what the fuck? 572 00:30:46,640 --> 00:30:49,320 Speaker 1: I don't know. No, he was like thick and more 573 00:30:49,360 --> 00:30:51,960 Speaker 1: like sparkly. And I had a red one and crete 574 00:30:52,080 --> 00:30:55,720 Speaker 1: one was it almost was it like a scratchy It 575 00:30:55,840 --> 00:30:58,440 Speaker 1: was like polyester. Yeah, but it was a little bit 576 00:30:58,560 --> 00:31:01,560 Speaker 1: stretchy too. Sounds like you're just having let may no, 577 00:31:01,640 --> 00:31:03,760 Speaker 1: because let me is smooth and this had a rigid 578 00:31:03,880 --> 00:31:07,000 Speaker 1: feel to it. Rich. It was like richer, a little 579 00:31:07,040 --> 00:31:12,680 Speaker 1: bit rough in like that like glitter was used or something. Yeah, okay, huh. 580 00:31:13,000 --> 00:31:15,920 Speaker 1: And I was like this because I really wanted really 581 00:31:15,960 --> 00:31:19,160 Speaker 1: like Studio fifty four, yeah, excepted the caller was like 582 00:31:19,440 --> 00:31:23,440 Speaker 1: more just like modern button down, and I think I 583 00:31:23,560 --> 00:31:25,000 Speaker 1: thought it was as close I was going to get 584 00:31:25,000 --> 00:31:26,880 Speaker 1: because I really wanted to buy the outfits that P 585 00:31:27,080 --> 00:31:30,080 Speaker 1: Diddy and Mace wore in the momenty more problems videos 586 00:31:30,200 --> 00:31:32,680 Speaker 1: interesting those like shiny jumpsuits, and I was like, this 587 00:31:32,960 --> 00:31:37,240 Speaker 1: is close enough. Yeah, so that's my freaking Oh when 588 00:31:37,320 --> 00:31:39,360 Speaker 1: you did also like want a Fuboo sweatshirt, that was 589 00:31:39,400 --> 00:31:42,920 Speaker 1: a big moment for you too, Chest I didn't know that. 590 00:31:43,000 --> 00:31:45,520 Speaker 1: It was like I was not like, shouldn't own a 591 00:31:45,560 --> 00:31:49,120 Speaker 1: Fooba sweatshirt and you really looked up to black male style. 592 00:31:49,280 --> 00:31:52,640 Speaker 1: I mean you always have, always have. Yeah, And this 593 00:31:52,880 --> 00:31:56,640 Speaker 1: is also it's like beyond my childhood. Analyst bought me 594 00:31:56,760 --> 00:31:59,720 Speaker 1: a Foobia sweatshirt for my tenth birthday that I still 595 00:31:59,800 --> 00:32:04,280 Speaker 1: have and I'm trying to sell any bit why it 596 00:32:04,400 --> 00:32:08,640 Speaker 1: was purple. I don't think I'm super nineties. Yeah, it's 597 00:32:08,680 --> 00:32:11,880 Speaker 1: like really treated like Barney nineties purple, A little bit 598 00:32:11,920 --> 00:32:14,920 Speaker 1: of darker. Yeah, it's Barney nineties like super thick crew 599 00:32:15,040 --> 00:32:19,480 Speaker 1: neck and then in terry towel material does the FP 600 00:32:19,720 --> 00:32:25,920 Speaker 1: fubou Yeah so um yeah, that's those are some iconic 601 00:32:26,120 --> 00:32:27,600 Speaker 1: So I guess that was a huge I mean to 602 00:32:27,680 --> 00:32:29,520 Speaker 1: have that piece of street where that's a huge freak. 603 00:32:29,760 --> 00:32:32,880 Speaker 1: I think I just thought of one other freaks like 604 00:32:33,040 --> 00:32:37,280 Speaker 1: coming to mind was my first pair of diesel jeans. Yeah, 605 00:32:37,440 --> 00:32:42,840 Speaker 1: and this sheer Armani exchange polo that had two buttons. 606 00:32:42,880 --> 00:32:45,360 Speaker 1: I don't know if you remember it change in little letters, right. 607 00:32:46,840 --> 00:32:49,360 Speaker 1: It was one of the gayest shirts has ever been made. 608 00:32:49,880 --> 00:32:53,040 Speaker 1: It was crazy and I was like a fourteen year 609 00:32:53,080 --> 00:32:55,440 Speaker 1: old twink where like this should have been illegal, Like 610 00:32:55,640 --> 00:32:59,560 Speaker 1: I was wearing a absolute sheer, like nipples so visible. 611 00:33:00,000 --> 00:33:01,880 Speaker 1: Who would let you? But I guess we were just 612 00:33:02,000 --> 00:33:04,840 Speaker 1: running free at the Coppley Mall. I actually now remember 613 00:33:05,120 --> 00:33:07,760 Speaker 1: this is like very Janus in Hollywood, Florida. Like one 614 00:33:07,920 --> 00:33:10,840 Speaker 1: time I was wearing that shirt and then these shiny 615 00:33:11,040 --> 00:33:14,200 Speaker 1: h and M dress pants. And I was traveling alone 616 00:33:14,440 --> 00:33:17,320 Speaker 1: at like age fourteen from Hyannis to Boston and I 617 00:33:17,520 --> 00:33:21,240 Speaker 1: was in the Hyannis bus depot and I kind of 618 00:33:21,400 --> 00:33:24,600 Speaker 1: was like, how did you not get scooped? Well, literally, 619 00:33:24,800 --> 00:33:27,680 Speaker 1: I actually almost did get scooped. And I was like 620 00:33:27,880 --> 00:33:29,960 Speaker 1: sitting on this chair and I was kind of like 621 00:33:30,080 --> 00:33:32,080 Speaker 1: sleeping a little bit, and I nick can. I had 622 00:33:32,120 --> 00:33:35,200 Speaker 1: seen this guy across the like like this like maybe 623 00:33:35,480 --> 00:33:41,520 Speaker 1: forty something, gray hair, motorcycle helmet guy, and I kind 624 00:33:41,600 --> 00:33:43,440 Speaker 1: of was like fall asleep. Came over while I was 625 00:33:43,520 --> 00:33:48,600 Speaker 1: like eyes closed dropped a note on my lap that 626 00:33:48,840 --> 00:33:52,160 Speaker 1: said I think, yeah, I remember, and that said like 627 00:33:52,720 --> 00:33:55,479 Speaker 1: high like cutie, like I've never seen someone like as 628 00:33:55,560 --> 00:33:57,440 Speaker 1: cute as you. Like if you ever are back in 629 00:33:57,680 --> 00:34:01,280 Speaker 1: Cape pot or something, here's my number, and I remember, 630 00:34:01,360 --> 00:34:07,760 Speaker 1: and now I'm remembering another memory. Is that memory? Okay, wait, 631 00:34:08,080 --> 00:34:10,399 Speaker 1: you don't still have a note? No, no, because here's 632 00:34:10,440 --> 00:34:13,160 Speaker 1: what I think. I think. I was so terrified of 633 00:34:13,640 --> 00:34:16,799 Speaker 1: my sexuality that I, well, y'all do your fourteen it's 634 00:34:17,000 --> 00:34:20,279 Speaker 1: thirty year old. I was in your bedroom and I 635 00:34:21,120 --> 00:34:24,560 Speaker 1: I hid the note in one of your jewel cases 636 00:34:24,800 --> 00:34:28,160 Speaker 1: for a CD. Oh my god. And I was like, 637 00:34:28,280 --> 00:34:30,280 Speaker 1: I can't ever find this, Like it was the fucking 638 00:34:30,640 --> 00:34:32,800 Speaker 1: I don't know tell Moudic stone. And I was just like, 639 00:34:32,840 --> 00:34:34,560 Speaker 1: get rid of this. Oh my god. You know, it's 640 00:34:34,840 --> 00:34:37,520 Speaker 1: so crazy. It's like, we can't find that now. But 641 00:34:37,640 --> 00:34:39,480 Speaker 1: I just threw out when I was like having to 642 00:34:39,560 --> 00:34:42,000 Speaker 1: move out of my dad's there was all this stuff 643 00:34:42,000 --> 00:34:44,000 Speaker 1: in the basement and there was a bunch of jewel 644 00:34:44,080 --> 00:34:45,880 Speaker 1: case was still left. I wonder if I threw out 645 00:34:45,920 --> 00:34:48,920 Speaker 1: the note. Wow, yeah, on iconic note, and now we 646 00:34:48,920 --> 00:34:52,520 Speaker 1: could find the guest phone number and cancel. How dare 647 00:34:52,640 --> 00:35:03,520 Speaker 1: you go up to a fourteen year old man? Okay, 648 00:35:03,760 --> 00:35:06,440 Speaker 1: As a person of sister experience, I want to talk 649 00:35:06,480 --> 00:35:10,920 Speaker 1: about Janis's relationship with her sisters. Um so her sister, 650 00:35:11,160 --> 00:35:14,600 Speaker 1: the older one who was deeply abused. It's so sad 651 00:35:14,719 --> 00:35:18,520 Speaker 1: in seventies. I feel like Is was just in like 652 00:35:18,640 --> 00:35:21,799 Speaker 1: so many cults and like self helps and just feel 653 00:35:21,880 --> 00:35:25,880 Speaker 1: so nice. Yeah, she's the vow She's that other one 654 00:35:25,920 --> 00:35:29,520 Speaker 1: where they all wore red stuff. Yeah, and then the 655 00:35:29,640 --> 00:35:32,080 Speaker 1: little sister I like couldn't keep up with all the 656 00:35:32,120 --> 00:35:35,000 Speaker 1: insane Saudi princes, like she was like married. Well, it 657 00:35:35,080 --> 00:35:37,160 Speaker 1: sounds like she was not doing them more like the 658 00:35:37,360 --> 00:35:40,200 Speaker 1: slightly less successful model thing, which is like where you're 659 00:35:40,280 --> 00:35:42,520 Speaker 1: half a model, but like half just kind of like 660 00:35:42,680 --> 00:35:46,280 Speaker 1: marrying rich Saudis and like getting having so much caviarre 661 00:35:46,320 --> 00:35:49,200 Speaker 1: and they're bathing in Cologne and you're like going clubs, right, 662 00:35:49,239 --> 00:35:51,120 Speaker 1: because it was kind of weird in the beginning of 663 00:35:51,200 --> 00:35:53,320 Speaker 1: the Genus book, I feel like she was just like 664 00:35:53,520 --> 00:35:55,759 Speaker 1: new but she was like, oh, all the girls I 665 00:35:55,840 --> 00:35:58,120 Speaker 1: stayed at in the apartment in Paris were like such 666 00:35:58,200 --> 00:36:00,320 Speaker 1: bitches and all they talked about was like okay, and 667 00:36:00,400 --> 00:36:02,120 Speaker 1: the guys they fucked, and I'm like, well, that's literally 668 00:36:02,120 --> 00:36:03,960 Speaker 1: what your book is about. I know. That's why it's 669 00:36:04,000 --> 00:36:05,640 Speaker 1: like she has this kind of push pull between like 670 00:36:05,680 --> 00:36:08,080 Speaker 1: pretending she's a prude and then just being I think 671 00:36:08,080 --> 00:36:09,440 Speaker 1: it was just because she wasn't in the scene and 672 00:36:09,520 --> 00:36:11,399 Speaker 1: that's and they think they weren't asking her like who 673 00:36:11,520 --> 00:36:15,279 Speaker 1: she fucked, but I do, yeah, because then it's also like, 674 00:36:15,360 --> 00:36:17,120 Speaker 1: but I think that she actually has a kind of 675 00:36:17,239 --> 00:36:22,600 Speaker 1: accurate like distinction between like a slightly just like grosser, 676 00:36:22,760 --> 00:36:26,360 Speaker 1: sleazier like girl who goes out to club's vibe and 677 00:36:26,520 --> 00:36:29,359 Speaker 1: then just like a slightly more fun version that's like yeah, 678 00:36:29,400 --> 00:36:32,960 Speaker 1: there's fifty four and there's like more just like you're 679 00:36:32,960 --> 00:36:36,680 Speaker 1: sly being with like photographers as like, because like when 680 00:36:36,760 --> 00:36:38,480 Speaker 1: she gets into that phase of her life, she does 681 00:36:38,520 --> 00:36:40,120 Speaker 1: like sleep with that club owner guy who is so 682 00:36:40,239 --> 00:36:43,080 Speaker 1: sleazy and marries him Albert Gerson built right, and he's 683 00:36:43,080 --> 00:36:45,960 Speaker 1: like so discussing he almost kills her in a car crash. Hey, PSA, 684 00:36:46,160 --> 00:36:49,320 Speaker 1: don't drunk drive, no litter. Really there's so much shrunk 685 00:36:49,360 --> 00:36:51,560 Speaker 1: dri meaning that. But I have to say, like I don't. 686 00:36:52,000 --> 00:36:55,520 Speaker 1: I think everyone in La just still But it's like 687 00:36:55,600 --> 00:36:58,600 Speaker 1: she was so wasted. I'm like, okay, so my favorite 688 00:36:58,680 --> 00:37:01,279 Speaker 1: moment laid in the book when she's DUI the like 689 00:37:01,760 --> 00:37:05,239 Speaker 1: clearly lesbian cob polls are over and she's like the 690 00:37:05,480 --> 00:37:10,080 Speaker 1: things she could do with that baton, And then so 691 00:37:10,320 --> 00:37:13,520 Speaker 1: fad when she talks about Beverly Hills jail, She's just like, oh, 692 00:37:13,760 --> 00:37:16,320 Speaker 1: go there, croissants and she was like, literally the blanket 693 00:37:16,400 --> 00:37:21,399 Speaker 1: the game was cash. Yeah, it's very like Nordic jail vibes. Um, Okay, 694 00:37:21,440 --> 00:37:23,000 Speaker 1: other question I want to ask you. She does a 695 00:37:23,040 --> 00:37:27,160 Speaker 1: lot of iconic photoshoots with animals, sharks, lions, alligators. What's 696 00:37:27,200 --> 00:37:29,440 Speaker 1: your dream animal to do a photo shoot with? It's 697 00:37:29,480 --> 00:37:32,440 Speaker 1: so interesting. Obviously my mind goes to cat because like, right, 698 00:37:32,640 --> 00:37:36,640 Speaker 1: more sexy cat person anyone. Um, And she like has 699 00:37:36,680 --> 00:37:38,279 Speaker 1: that photoshop with a cheetah and she's just like, look 700 00:37:38,320 --> 00:37:41,880 Speaker 1: in my face is pure terror, which does sound really terrifying, 701 00:37:41,920 --> 00:37:44,799 Speaker 1: like that's too scary. But then I'm also like, maybe 702 00:37:44,840 --> 00:37:46,640 Speaker 1: it's about doing it with like an elephant, because like 703 00:37:46,680 --> 00:37:51,080 Speaker 1: you'll look so like in comparison. But then I'm like, actually, 704 00:37:51,280 --> 00:37:54,200 Speaker 1: people kind of see things by generalization, not by comparison, 705 00:37:54,280 --> 00:37:58,080 Speaker 1: So maybe like being with really thick a deer, a flamingo. 706 00:37:58,200 --> 00:38:00,560 Speaker 1: I was like, oh, I can see you in a 707 00:38:01,040 --> 00:38:04,359 Speaker 1: full sea of flamingos. You know, DearS are funny because 708 00:38:04,760 --> 00:38:07,960 Speaker 1: I will say, are very scrawny. Some are like big 709 00:38:08,080 --> 00:38:10,320 Speaker 1: like the fire Island. Ears are like covered in like 710 00:38:10,480 --> 00:38:12,920 Speaker 1: so much. They're so like cancer as and they have 711 00:38:12,960 --> 00:38:15,760 Speaker 1: all those like cysts. They're gross. Well, it's so funny. 712 00:38:15,920 --> 00:38:17,640 Speaker 1: One of my favorite characters in the book is her 713 00:38:17,680 --> 00:38:21,759 Speaker 1: favorite booker, Monique Pillard. Oh yeah, and like they talk 714 00:38:21,760 --> 00:38:24,080 Speaker 1: about this booking room in the old model agencies and 715 00:38:24,160 --> 00:38:27,560 Speaker 1: it sounds so funny, and everyon's on the horn and 716 00:38:27,640 --> 00:38:31,200 Speaker 1: everyone has dates of these cards and she overhears were 717 00:38:31,239 --> 00:38:33,759 Speaker 1: and being like, no, no lions for her this week. 718 00:38:33,840 --> 00:38:37,000 Speaker 1: She's on her period. Yeah, they'll smell the blood in 719 00:38:37,040 --> 00:38:40,719 Speaker 1: the water. I do love Monique. And she's like this, 720 00:38:40,840 --> 00:38:44,440 Speaker 1: like she's this kind of like I was smoking a 721 00:38:44,520 --> 00:38:47,279 Speaker 1: cigarette and being like, honey and just like I don't 722 00:38:47,280 --> 00:38:49,520 Speaker 1: care how drunk you are, like be there on time, right, 723 00:38:49,560 --> 00:38:51,480 Speaker 1: and just being like you can't pull the stuff like 724 00:38:51,600 --> 00:38:54,120 Speaker 1: you've been doing. Because there's a point where you know, 725 00:38:54,239 --> 00:38:56,719 Speaker 1: she starts acting like Gia Rain. She gets and she's like, 726 00:38:56,800 --> 00:38:59,000 Speaker 1: you're literally turning into Gia. You're getting like so drug 727 00:38:59,040 --> 00:39:00,480 Speaker 1: out of that insane and like too much of a 728 00:39:00,520 --> 00:39:02,680 Speaker 1: diva and like not showing up to shoots. The part 729 00:39:02,719 --> 00:39:05,600 Speaker 1: where Gia also like roovies her with heroin on a 730 00:39:05,680 --> 00:39:07,719 Speaker 1: set is like the most eightiest thing I've ever heard 731 00:39:07,760 --> 00:39:10,279 Speaker 1: of my entire life. She thinks it's coke and then 732 00:39:10,360 --> 00:39:12,879 Speaker 1: it's heroine. She passes out and Gia's just like, yeah, 733 00:39:13,040 --> 00:39:15,200 Speaker 1: fuck you count where you know what? That reminded me 734 00:39:15,280 --> 00:39:18,879 Speaker 1: of the time I did met by accident. Oh yeah, 735 00:39:18,920 --> 00:39:20,920 Speaker 1: and you're up like and I was literate, And I 736 00:39:21,080 --> 00:39:24,520 Speaker 1: was in the bathroom at UM Eastern Block before it 737 00:39:24,560 --> 00:39:28,760 Speaker 1: became Club Coming and wait, yeah, how do I forget 738 00:39:28,880 --> 00:39:31,840 Speaker 1: the Club Coming was Eastern Block? I don't know, because 739 00:39:32,239 --> 00:39:35,640 Speaker 1: well that's actually erasure and you need to remember your 740 00:39:35,680 --> 00:39:38,560 Speaker 1: her history because it used to be Eastern Block. I'm 741 00:39:38,640 --> 00:39:41,680 Speaker 1: just the exact same narrow gay bar yea. And I 742 00:39:41,800 --> 00:39:43,239 Speaker 1: was in a bathroom with this drag queen and like 743 00:39:43,320 --> 00:39:45,080 Speaker 1: some of the person this drag queen like pulled out 744 00:39:45,160 --> 00:39:47,000 Speaker 1: what I thought was coke and she was just like, 745 00:39:47,160 --> 00:39:49,600 Speaker 1: do you want to line? And I just and I 746 00:39:49,680 --> 00:39:52,000 Speaker 1: didn't ask, and I was like, oh, sure, I didn't. 747 00:39:52,040 --> 00:39:53,920 Speaker 1: I didn't clarify what the drug was. And I did 748 00:39:53,960 --> 00:39:57,200 Speaker 1: this line and it was so like it was it 749 00:39:57,280 --> 00:40:00,680 Speaker 1: was so sharp and like acidic and like rocky, and 750 00:40:00,760 --> 00:40:03,000 Speaker 1: I was like whoa, Like that's a really rocky coke. 751 00:40:03,520 --> 00:40:05,600 Speaker 1: And then she was like, oh, honey, that's not coke. 752 00:40:05,800 --> 00:40:09,320 Speaker 1: It's Tina Oh. And that's like the beginning of the 753 00:40:09,400 --> 00:40:12,240 Speaker 1: movie and Welcome to New York. It was so Welcome 754 00:40:12,280 --> 00:40:14,800 Speaker 1: to New York in twenty thirteen. And I was just 755 00:40:15,000 --> 00:40:18,680 Speaker 1: like and I at first I felt like high, like 756 00:40:18,760 --> 00:40:20,279 Speaker 1: a kind of a normal coke. I was like yay, 757 00:40:20,440 --> 00:40:22,359 Speaker 1: and then it was like cut to two hours later, 758 00:40:22,520 --> 00:40:26,359 Speaker 1: and I'm violently horny, and I'm fucking a close friend 759 00:40:26,400 --> 00:40:29,799 Speaker 1: who will rename nameless. And we did have a which 760 00:40:29,840 --> 00:40:33,640 Speaker 1: is funny because that same close friend I did accidental 761 00:40:33,760 --> 00:40:39,480 Speaker 1: myth with also because of another former close friend. And 762 00:40:39,520 --> 00:40:41,799 Speaker 1: when you say for me, you don't mean dead, no, yea, 763 00:40:43,000 --> 00:40:45,880 Speaker 1: because that's kind of how it sounded. And so I 764 00:40:45,960 --> 00:40:47,400 Speaker 1: was bad. I was up for a leader entire day 765 00:40:47,440 --> 00:40:51,960 Speaker 1: off of one line. And then our other friend, who 766 00:40:52,080 --> 00:40:59,759 Speaker 1: was sort of a rap pus um, sort of a 767 00:41:00,040 --> 00:41:03,839 Speaker 1: rapper extraordinaria. Yeah, you're saying rapper in a weird way. 768 00:41:04,680 --> 00:41:07,200 Speaker 1: I was saying this with a feminine form. Oh pose 769 00:41:08,960 --> 00:41:15,120 Speaker 1: like a masseuse. Who's your favorite? And I called him 770 00:41:15,160 --> 00:41:17,120 Speaker 1: and I was like, I just in math because I 771 00:41:17,160 --> 00:41:18,920 Speaker 1: knew that he had had some experience, and he was 772 00:41:19,000 --> 00:41:22,000 Speaker 1: just like he was like, oh, Chica, um, just go 773 00:41:22,200 --> 00:41:24,440 Speaker 1: for a run and you'll get it out of your system. 774 00:41:25,000 --> 00:41:27,520 Speaker 1: So I weirdly took his advice, which was absolutely horrible, 775 00:41:27,800 --> 00:41:29,680 Speaker 1: and I went for I ran like from like the 776 00:41:30,200 --> 00:41:32,759 Speaker 1: cobsop to like the Morgan stop, and I truly thought 777 00:41:32,760 --> 00:41:34,360 Speaker 1: I was going to have a heart attack. And it 778 00:41:34,520 --> 00:41:37,040 Speaker 1: was just like actually getting your heart right up while 779 00:41:37,040 --> 00:41:39,480 Speaker 1: your own math is like not a great idea, sounds horrible. 780 00:41:39,600 --> 00:41:41,560 Speaker 1: It was horrifying. Um. And then I finally fell see 781 00:41:41,560 --> 00:41:43,640 Speaker 1: about like six pm the next day, after truly thinking 782 00:41:43,680 --> 00:41:45,000 Speaker 1: I would stay alive for the rest of my life. 783 00:41:45,040 --> 00:41:47,400 Speaker 1: And after that, like Jannis, was that kind of the 784 00:41:47,520 --> 00:41:53,239 Speaker 1: reckoning and when you got sober well from math, I 785 00:41:53,440 --> 00:41:55,080 Speaker 1: have not done meth since. I was very just like 786 00:41:55,120 --> 00:41:57,279 Speaker 1: I don't under sorry like no shape, but I don't. 787 00:41:57,320 --> 00:42:00,640 Speaker 1: I mean, obviously it just sounds horrible, like I guess 788 00:42:00,760 --> 00:42:02,360 Speaker 1: it means you can like fuck for longer and it 789 00:42:02,440 --> 00:42:04,479 Speaker 1: makes you guys do it, it makes you super horny 790 00:42:04,480 --> 00:42:05,719 Speaker 1: and that's why guy guys do it. But I was 791 00:42:05,800 --> 00:42:08,080 Speaker 1: just like this feeling of not thinking you'll a versely 792 00:42:08,120 --> 00:42:10,759 Speaker 1: begin it's so fucking stressful. I absolutely never want his 793 00:42:10,840 --> 00:42:14,360 Speaker 1: parents aid again. Yeah. The time I did something, I 794 00:42:14,480 --> 00:42:16,040 Speaker 1: was like, I feel like this is meth. I don't 795 00:42:16,040 --> 00:42:17,279 Speaker 1: know what it was, but I was like, I just 796 00:42:17,360 --> 00:42:22,040 Speaker 1: feel jittery and horrible for hours. Anyway, drugs. Drugs are crazy, 797 00:42:22,160 --> 00:42:25,960 Speaker 1: like use moderation and seriously, you know who I remember? Okay, 798 00:42:26,000 --> 00:42:28,040 Speaker 1: I feel like my sister's biggest than I was always 799 00:42:28,040 --> 00:42:29,960 Speaker 1: like took that heart. It was like, know who you're 800 00:42:30,040 --> 00:42:33,640 Speaker 1: getting it from, and it's like, well, I don't know 801 00:42:33,680 --> 00:42:38,080 Speaker 1: if I've ever know one knows only in high school 802 00:42:38,080 --> 00:42:39,839 Speaker 1: when I'm just like buying weed from like the weird 803 00:42:39,920 --> 00:42:42,839 Speaker 1: redheaded guy, like you don't know where he's getting man, 804 00:42:42,920 --> 00:42:46,480 Speaker 1: it's just like and I'm not like I really trust him. Yeah, 805 00:42:46,560 --> 00:42:49,279 Speaker 1: I really trust Kelty. I mean that is okay, but 806 00:42:49,360 --> 00:42:51,920 Speaker 1: I feel like that's also so like Queer Festival where 807 00:42:51,960 --> 00:42:55,040 Speaker 1: it's like it's like queer Festival I went to last 808 00:42:55,080 --> 00:42:57,080 Speaker 1: summer and it was just like you could bring your 809 00:42:57,160 --> 00:42:59,560 Speaker 1: like drugs to like test them, and they'd be like this, 810 00:43:00,040 --> 00:43:04,120 Speaker 1: like whoa like a consent drug play consent? Like lesbian 811 00:43:04,160 --> 00:43:06,359 Speaker 1: would be under a tent and just like test her 812 00:43:06,440 --> 00:43:08,320 Speaker 1: drugs to see whether or not. It was like we 813 00:43:08,440 --> 00:43:21,680 Speaker 1: need to get her on the pond. Yeah, segment vibes Okay, 814 00:43:22,040 --> 00:43:26,200 Speaker 1: So how does what does she eat? What she wear? Um? 815 00:43:26,680 --> 00:43:29,879 Speaker 1: How does she live? Okay? So I so I saw 816 00:43:30,000 --> 00:43:32,960 Speaker 1: this celebrity where she was on Oh I saw a 817 00:43:33,000 --> 00:43:36,239 Speaker 1: weird celebrity like realization. Yeah, that's it seems so fake 818 00:43:36,280 --> 00:43:37,960 Speaker 1: And she doesn't mind any of the houses and it's 819 00:43:38,000 --> 00:43:40,600 Speaker 1: just she's so like classical a where it's some like 820 00:43:41,040 --> 00:43:45,840 Speaker 1: huge white leather couch pool well big island. Because she 821 00:43:45,960 --> 00:43:48,160 Speaker 1: doesn't have that much money from her modeling days because 822 00:43:48,360 --> 00:43:51,120 Speaker 1: she she blew it all, honey, it all went up 823 00:43:51,120 --> 00:43:53,759 Speaker 1: her nose. She didn't like save money. And like she 824 00:43:53,840 --> 00:43:56,200 Speaker 1: talks about one time she saw Cindy Crawford like at 825 00:43:56,239 --> 00:43:58,000 Speaker 1: the Forward office and she was like, oh this bitch 826 00:43:58,120 --> 00:44:01,080 Speaker 1: was like new now like kind of control her career. Well, 827 00:44:01,160 --> 00:44:04,080 Speaker 1: she says, right, those next supermodels are like business woman 828 00:44:04,120 --> 00:44:06,520 Speaker 1: and she was like all right, like Ria, what so 829 00:44:06,680 --> 00:44:08,319 Speaker 1: like she's had to kind of hustle and do every 830 00:44:08,360 --> 00:44:10,320 Speaker 1: fucking reality showing to the sun after top Model, and 831 00:44:10,320 --> 00:44:11,880 Speaker 1: I don't think she has the man twenty so she 832 00:44:12,040 --> 00:44:15,040 Speaker 1: probably has the most. Just like it's a little condo 833 00:44:15,120 --> 00:44:18,680 Speaker 1: ass you know, maybe she's not even owning right now. Yeah, 834 00:44:18,800 --> 00:44:21,359 Speaker 1: Like it's like renting and she's like a word debate 835 00:44:21,440 --> 00:44:23,080 Speaker 1: sense if she had bought earlier. But it's like she's 836 00:44:23,160 --> 00:44:26,040 Speaker 1: renting and it's five thousand, six hundred a month. It's 837 00:44:26,080 --> 00:44:28,520 Speaker 1: so that and she's like throwing burning all her money 838 00:44:28,560 --> 00:44:30,520 Speaker 1: on rent on this just like not that can maybe 839 00:44:30,560 --> 00:44:33,320 Speaker 1: it comes again with a white leather cow, which she 840 00:44:33,560 --> 00:44:35,680 Speaker 1: absolutely came with the white leather guard, and like but 841 00:44:35,840 --> 00:44:37,640 Speaker 1: then it's I feel like it's this weird mix, okay, 842 00:44:37,680 --> 00:44:39,640 Speaker 1: because here's one thing that interpeted. I kind of don't 843 00:44:39,640 --> 00:44:42,120 Speaker 1: think she has like her own style or like good style. 844 00:44:42,200 --> 00:44:44,920 Speaker 1: Really it's a glam and just like I feel like 845 00:44:44,960 --> 00:44:47,680 Speaker 1: it's cheesy hotels, cheesy hotel, like the baby store in 846 00:44:47,719 --> 00:44:51,120 Speaker 1: the lobby of the hotel. And so she's just like 847 00:44:51,480 --> 00:44:54,719 Speaker 1: like maybe the last coffee table, it's like the condo's 848 00:44:54,760 --> 00:44:56,759 Speaker 1: weird and like all white marble modern. But then like 849 00:44:56,800 --> 00:44:59,400 Speaker 1: the bed is mahogany, and it's just like it's like 850 00:44:59,480 --> 00:45:02,600 Speaker 1: a big high bed for some reason, hi bed and 851 00:45:02,800 --> 00:45:06,920 Speaker 1: like clothing racks. I don't think. I think she's like 852 00:45:07,120 --> 00:45:10,480 Speaker 1: closet being like minalabloos No, But isn't she so randomly 853 00:45:10,520 --> 00:45:12,960 Speaker 1: when like celebrities have just like not a fab closet 854 00:45:13,040 --> 00:45:14,840 Speaker 1: And there was just like so many shoes still on 855 00:45:14,840 --> 00:45:17,560 Speaker 1: the pasta crap everywhere. I mean, I could see like 856 00:45:17,640 --> 00:45:23,320 Speaker 1: things are overflowing. Yeah, I think it's very overflowing shoes looking. 857 00:45:23,760 --> 00:45:25,759 Speaker 1: I feel like her kids are grown. But she was 858 00:45:25,840 --> 00:45:29,600 Speaker 1: like I want rooms for them, right, But I don't think. 859 00:45:29,640 --> 00:45:31,719 Speaker 1: I think it's hotel lobby and like a little bit cheap. 860 00:45:31,800 --> 00:45:34,880 Speaker 1: Maybe leather isn't real. Yes, okay, what does she eat? Nothing? 861 00:45:35,000 --> 00:45:38,040 Speaker 1: But I mean and when she does well, I remember 862 00:45:38,440 --> 00:45:40,600 Speaker 1: so in her second book, which I've also read, but 863 00:45:40,640 --> 00:45:42,360 Speaker 1: it's been a long time, and I remember when she 864 00:45:42,400 --> 00:45:45,319 Speaker 1: talks more about the top model years. Um. She talks 865 00:45:45,320 --> 00:45:49,800 Speaker 1: about like seeing some other model like or like I 866 00:45:49,880 --> 00:45:52,880 Speaker 1: don't know, Claudia Schiff or something like at some restaurant 867 00:45:52,880 --> 00:45:54,680 Speaker 1: in the nineties and she's eating a pizza and she 868 00:45:54,840 --> 00:45:57,520 Speaker 1: was like and she just fucking ate the whole slice 869 00:45:57,600 --> 00:45:59,840 Speaker 1: and then ate another one. And she was like shocked 870 00:46:00,120 --> 00:46:02,400 Speaker 1: because at one point in the book she goes to 871 00:46:02,520 --> 00:46:04,920 Speaker 1: CEPK with your kids, Well, she goes to speak with 872 00:46:04,960 --> 00:46:06,719 Speaker 1: her kids. But I was also saying in her model days, 873 00:46:06,760 --> 00:46:09,719 Speaker 1: her diet was the diet of thirds. You just only 874 00:46:09,800 --> 00:46:11,680 Speaker 1: eat a third of every meal I need to do, 875 00:46:11,800 --> 00:46:13,680 Speaker 1: which is actually a genius, and you just always leave 876 00:46:13,719 --> 00:46:15,480 Speaker 1: two thirds in your plate. But it's like seems very 877 00:46:15,560 --> 00:46:18,279 Speaker 1: dependent on the portions because you could go to viny 878 00:46:18,320 --> 00:46:22,840 Speaker 1: testas and a third a family style that's totally different, 879 00:46:22,880 --> 00:46:24,759 Speaker 1: but I mean like she's glam Obviously, she was so 880 00:46:24,880 --> 00:46:27,920 Speaker 1: like lobster caviar, lobster caviar. And then I feel like 881 00:46:27,960 --> 00:46:30,320 Speaker 1: it's so single mom to take your kids to SEEPK 882 00:46:31,120 --> 00:46:33,920 Speaker 1: and they're getting like a chicken buffalo a rugula pizza 883 00:46:33,960 --> 00:46:35,879 Speaker 1: and she's like, I'm gonna have a slice kids. Well, 884 00:46:35,920 --> 00:46:37,239 Speaker 1: the thing that's because I feel like it's also the 885 00:46:37,239 --> 00:46:38,680 Speaker 1: second one, because it's like you just want to do 886 00:46:38,760 --> 00:46:40,719 Speaker 1: the things that you know are gonna make your kids happy. 887 00:46:40,760 --> 00:46:44,359 Speaker 1: And like, obviously because they can get whatever pizza they want, 888 00:46:44,360 --> 00:46:47,000 Speaker 1: but I feel she can get a salad. Absolutely, she 889 00:46:47,080 --> 00:46:50,560 Speaker 1: absolutely is Caesar vibes, full Caesar vibes, but also like 890 00:46:51,239 --> 00:46:54,439 Speaker 1: she's old cheese. Yeah, and she's ordering like a ton 891 00:46:54,480 --> 00:46:57,480 Speaker 1: of sushi. Oh yeah, he's larning a big sushi plat 892 00:46:57,560 --> 00:46:59,680 Speaker 1: or eating halfen Whenbvily she goes out to dinner all 893 00:46:59,680 --> 00:47:01,560 Speaker 1: the time, she's going to the ivy because everyone's always like, 894 00:47:01,600 --> 00:47:05,000 Speaker 1: I want to grab dinner. She doesn't cook yeah, um oh. 895 00:47:05,000 --> 00:47:06,600 Speaker 1: And then one time she's just like she's like, I 896 00:47:06,719 --> 00:47:08,200 Speaker 1: was a bad cook and that was my thing, and 897 00:47:08,239 --> 00:47:10,960 Speaker 1: I'm making mac and cheese. Um. I guess what does 898 00:47:11,000 --> 00:47:13,200 Speaker 1: she wear? We kind of reference us a bit, but yeah, 899 00:47:13,200 --> 00:47:14,719 Speaker 1: I think she's wearing just like it's still just like 900 00:47:15,000 --> 00:47:18,839 Speaker 1: tight vava vood I remember one said she said, like, honey, 901 00:47:18,880 --> 00:47:21,880 Speaker 1: don't dress for women, dress for men. She's very like 902 00:47:22,000 --> 00:47:24,160 Speaker 1: the opposite I think of like current style trends of 903 00:47:24,200 --> 00:47:27,440 Speaker 1: like man Repeller, like, oh, she's not in like Lions 904 00:47:28,680 --> 00:47:31,319 Speaker 1: to the opposite of Jenna Lions. She's always showing up 905 00:47:31,360 --> 00:47:36,120 Speaker 1: her fake huge yeah. Um okay, who are you in 906 00:47:36,239 --> 00:47:43,560 Speaker 1: the book? Biggest question the entire like celebrities of the 907 00:47:43,640 --> 00:47:49,000 Speaker 1: eighties and the nineties and today, Donna Summer, Jennifer Lopez, Okay, 908 00:47:51,920 --> 00:47:55,640 Speaker 1: tick fucking talk here. I'm really like, I mean, yeah, 909 00:47:55,760 --> 00:47:59,000 Speaker 1: you have shades of Jennis, but then it's like you're 910 00:47:59,040 --> 00:48:00,960 Speaker 1: not like a full jet. That's because she is completely 911 00:48:01,000 --> 00:48:03,640 Speaker 1: insane and no one is Janis except well, no one 912 00:48:03,760 --> 00:48:05,759 Speaker 1: is Janis and that's what's so fab about her. Yeah, 913 00:48:05,920 --> 00:48:08,120 Speaker 1: Like you can't just be like I'm the Janis. Like 914 00:48:08,600 --> 00:48:10,520 Speaker 1: to some extent, I think I like want to be 915 00:48:10,680 --> 00:48:12,759 Speaker 1: Jannis in a lot of ways. I feel like you're 916 00:48:12,800 --> 00:48:16,120 Speaker 1: aspirational Jane. I wish that I were having more insane 917 00:48:16,239 --> 00:48:19,040 Speaker 1: torrid affairs. And it's just like sure, like you want 918 00:48:19,040 --> 00:48:21,960 Speaker 1: to fly and did I get my But it's like 919 00:48:22,040 --> 00:48:24,480 Speaker 1: instead of stealing a Ferrari, it's like I'm getting my 920 00:48:24,719 --> 00:48:27,000 Speaker 1: phone stolen while I'm blowing a guy on the beach, 921 00:48:27,200 --> 00:48:33,280 Speaker 1: Like okay, not to carry. But I think I'm any Warhol. Okay, 922 00:48:33,360 --> 00:48:35,879 Speaker 1: I really don't think you're Andy Warhole like in any 923 00:48:35,960 --> 00:48:39,200 Speaker 1: way like I'm They're like he listened, and I'm just 924 00:48:39,280 --> 00:48:41,720 Speaker 1: so like, are you pulling like a straight girl aside 925 00:48:41,760 --> 00:48:44,160 Speaker 1: of the club and just being like no, because the 926 00:48:44,280 --> 00:48:45,960 Speaker 1: one see with any Warhol, he pulls her aside and 927 00:48:45,960 --> 00:48:48,279 Speaker 1: he's like you, like you tell me everything, Like, I 928 00:48:48,360 --> 00:48:50,160 Speaker 1: don't really see you doing that with straight girls all 929 00:48:50,160 --> 00:48:53,840 Speaker 1: the time. I guess not straight girls. By you're talking 930 00:48:55,640 --> 00:48:58,640 Speaker 1: all right, so you blah blah blah, screaming at the club, 931 00:48:58,760 --> 00:49:03,359 Speaker 1: spilling your drink on I'm straight girls a daycolatage us. 932 00:49:03,560 --> 00:49:05,759 Speaker 1: Just like both desperately wanted to be everyone in this 933 00:49:05,880 --> 00:49:09,360 Speaker 1: book everyone, And it's like, yeah, I want to be 934 00:49:09,520 --> 00:49:12,160 Speaker 1: sly and be so like ham bam lamb. You can't 935 00:49:12,239 --> 00:49:15,640 Speaker 1: take this, Hogia, but like so it's like I want 936 00:49:15,640 --> 00:49:18,960 Speaker 1: to be sly. But like also, just like, are you Simon, 937 00:49:19,000 --> 00:49:20,840 Speaker 1: You're actually a good father at the end of my 938 00:49:20,960 --> 00:49:25,480 Speaker 1: Michael Byrnebaum, the father of Savannah, the nice producer of bandits, 939 00:49:27,360 --> 00:49:29,800 Speaker 1: the most boring character in the pod, who she doesn't 940 00:49:29,800 --> 00:49:32,040 Speaker 1: tell as the father of her daughter in to seven years. 941 00:49:32,920 --> 00:49:35,480 Speaker 1: I mean, I also feel like I'm a little casting Ribs. 942 00:49:35,560 --> 00:49:39,440 Speaker 1: Maybe I'm a little Monique Pillard. Yes, I would absolutely 943 00:49:39,440 --> 00:49:45,800 Speaker 1: cast you as Manilard. You're smoking, smoking the horn, gossiping 944 00:49:45,880 --> 00:49:48,680 Speaker 1: with all the girls. Well, Gia's CONFI oh yeah, it's 945 00:49:48,719 --> 00:49:54,239 Speaker 1: more Gia's confiding in me rather so nikes me being warhole. Um, 946 00:49:54,560 --> 00:49:56,920 Speaker 1: you're a Monique Pillard and I'm this like gaggle of 947 00:49:57,040 --> 00:50:02,239 Speaker 1: like desperate hose like Kane, random Saddi millionaires and like 948 00:50:02,440 --> 00:50:06,000 Speaker 1: not really getting a modeling career off the ground. Wow. Wow, 949 00:50:06,120 --> 00:50:08,840 Speaker 1: what a journey. What a journey. And it's always that 950 00:50:08,920 --> 00:50:10,879 Speaker 1: thing where I feel like we didn't even get into 951 00:50:10,920 --> 00:50:12,799 Speaker 1: the book. But honestly, I didn't want to give away 952 00:50:12,800 --> 00:50:14,120 Speaker 1: too much because I want I want to go and 953 00:50:14,120 --> 00:50:15,600 Speaker 1: read this. Do you want you to go read this book? 954 00:50:15,640 --> 00:50:17,239 Speaker 1: This is not okay, well we'll tell you off the 955 00:50:17,239 --> 00:50:18,960 Speaker 1: bast but if it's a skipper, it's a read. Honey, 956 00:50:19,040 --> 00:50:20,680 Speaker 1: this is a read. This is a read. Given it 957 00:50:20,800 --> 00:50:23,400 Speaker 1: ten meat balls, run don't walk all right? No, I 958 00:50:23,480 --> 00:50:30,120 Speaker 1: give this ten dom peris out of ten. Hell to 959 00:50:30,239 --> 00:50:32,319 Speaker 1: the Yes, I give it turnouts of coke. These are 960 00:50:32,600 --> 00:50:36,360 Speaker 1: front Row good kinds, straight from Colombia, Front Row Rolling 961 00:50:36,560 --> 00:50:46,240 Speaker 1: Stone tickets, Nick Jagger, sticky thing. It's a Rolling Stones 962 00:50:46,280 --> 00:50:52,359 Speaker 1: album rock. I'm like more TV less music. Okay, yeah, 963 00:50:52,600 --> 00:50:54,920 Speaker 1: please read this, Please read this. Um this was a 964 00:50:54,960 --> 00:50:56,920 Speaker 1: super fun journey to going with you as my podcast 965 00:50:57,200 --> 00:50:59,800 Speaker 1: partner co host, and to revisit I feel like we 966 00:50:59,880 --> 00:51:02,719 Speaker 1: were reconnected. Um No, this is a great book. Thank 967 00:51:02,719 --> 00:51:05,359 Speaker 1: you so much for listening to this episode, Like, please 968 00:51:05,440 --> 00:51:09,640 Speaker 1: tune in every week to single week celebrity book claub 969 00:51:09,719 --> 00:51:12,040 Speaker 1: do this podcast that you are currently listening to. Um, 970 00:51:12,400 --> 00:51:15,520 Speaker 1: next week, we have a huge surprise in store. Yeah, 971 00:51:15,760 --> 00:51:23,360 Speaker 1: a little man named Chasten named chastinum, and we are 972 00:51:23,440 --> 00:51:27,319 Speaker 1: going to do his memoir. I have something to tell you. Um, 973 00:51:27,520 --> 00:51:30,080 Speaker 1: that's the name of his memoir. I have a feeling 974 00:51:30,120 --> 00:51:32,640 Speaker 1: it might be not to kind of be a psychic 975 00:51:32,719 --> 00:51:34,960 Speaker 1: here the opposite of the Jane's book. I'm Gonay's gonna 976 00:51:34,960 --> 00:51:37,000 Speaker 1: be opposite the Jets book in every way. Um. But 977 00:51:37,239 --> 00:51:40,319 Speaker 1: so yeah, if you literally loved this episode or even 978 00:51:40,600 --> 00:51:46,200 Speaker 1: liked it, please rate and subscribe. Subscribe although if you would, 979 00:51:46,200 --> 00:51:47,759 Speaker 1: if you actually, if you're in your mind, you're like 980 00:51:48,040 --> 00:51:50,520 Speaker 1: that was three, Like maybe don't write four and five 981 00:51:50,719 --> 00:51:54,239 Speaker 1: we'll take okay in terms of stars, right, actually do 982 00:51:54,440 --> 00:51:57,040 Speaker 1: you no way to do you? I take that back. Sorry, 983 00:51:57,200 --> 00:52:00,160 Speaker 1: I'm being super crazy and controlling like I do on 984 00:52:00,239 --> 00:52:03,440 Speaker 1: its feedback. Okay, one and half start if the audio 985 00:52:03,560 --> 00:52:08,880 Speaker 1: is weird, like, okay, super honest. Um, do follow us 986 00:52:08,960 --> 00:52:13,719 Speaker 1: on Twitter at at CBC the Pod. That's at CBC 987 00:52:14,200 --> 00:52:18,000 Speaker 1: the Pod, and again, tune in next week for Chase 988 00:52:18,400 --> 00:52:23,160 Speaker 1: for Chaston, justin for Chaston. Yeah, Tomato, Tomato, We'll find out. 989 00:52:23,680 --> 00:52:26,800 Speaker 1: I will discuss the pronunciation in death for the for 990 00:52:26,880 --> 00:52:31,600 Speaker 1: an hour. Yeah. Uh so okay, love you guys, Bye 991 00:52:31,600 --> 00:52:43,719 Speaker 1: bye Chow. Sorry, Stephen, you need to cry outside while 992 00:52:43,719 --> 00:52:45,480 Speaker 1: I read these credits? Are you gonna be okay? Oh? 993 00:52:45,600 --> 00:52:54,000 Speaker 1: Shut the front door. I've modeled for Abbadon for Retsin Doll. 994 00:52:54,120 --> 00:52:58,000 Speaker 1: Celebrity Book Club is presented by Prolonged Projects and Headgum. 995 00:52:58,360 --> 00:53:01,640 Speaker 1: The show is produced by Megma Name, with editorial support 996 00:53:02,000 --> 00:53:06,000 Speaker 1: from This Hot Guy, Andrew Parsons and This Smoking Man 997 00:53:06,520 --> 00:53:11,319 Speaker 1: Leon Nayfowk. Engineered by Ferris Monchy. Original theme song by 998 00:53:11,400 --> 00:53:15,160 Speaker 1: Stephen Phillips, Horse you Know Him, sixty eight Woodstock All 999 00:53:15,160 --> 00:53:18,480 Speaker 1: I Work by Teddy Blanks. I Fucked him at chips NY. 1000 00:53:18,880 --> 00:53:22,320 Speaker 1: Follow us on Twitter at CBC the Pod, subscribe on 1001 00:53:22,520 --> 00:53:26,360 Speaker 1: your favorite podcast, appen, leave us a review, hell, and 1002 00:53:26,480 --> 00:53:29,799 Speaker 1: don't forget to tell your friends or your enemies about us. 1003 00:53:32,280 --> 00:53:33,640 Speaker 1: That was a head Gun podcast.