1 00:00:00,120 --> 00:00:04,960 Speaker 1: Everybody, it's your crew from Alchemy. There. We have something 2 00:00:05,000 --> 00:00:09,000 Speaker 1: special to say, right, Yeah, tonight's big show. Yeah, because 3 00:00:09,000 --> 00:00:10,560 Speaker 1: we have a show, so it's show day. So we're 4 00:00:10,560 --> 00:00:16,040 Speaker 1: all in that kind of headspace. We're all juice right now. Yeah, Craig, 5 00:00:16,040 --> 00:00:20,840 Speaker 1: wan't you give him all the info? Tuesday seven, it's 6 00:00:20,920 --> 00:00:27,040 Speaker 1: today tonight Today in Los Angeles, Dynasty Typewriter. We're doing 7 00:00:27,080 --> 00:00:29,680 Speaker 1: a live show. So just come do it. We'll see 8 00:00:29,680 --> 00:00:34,199 Speaker 1: you soon. In perfect am. Welcome back to the episode 9 00:00:34,280 --> 00:00:39,040 Speaker 1: of Alchemy. This. I'm your host, Kevin Poll guest that Kevin, Yeah, yeah, 10 00:00:39,080 --> 00:00:42,720 Speaker 1: I am. If you don't mind, Okay, no, no, you 11 00:00:42,760 --> 00:00:45,440 Speaker 1: don't worry about it then, but I digress. I'm so 12 00:00:45,560 --> 00:00:48,680 Speaker 1: very happy to welcome you to yet another episode of Alchemy. There, 13 00:00:49,360 --> 00:00:51,839 Speaker 1: let's meet today's Alchemy. Shall we know particular order? Say, 14 00:00:51,880 --> 00:00:55,280 Speaker 1: look at Chris Alvarado. Switch Chris. When it comes to 15 00:00:55,360 --> 00:00:59,639 Speaker 1: ice cream flavors, chocolate, vanilla, and strawberry, share your fun, 16 00:00:59,760 --> 00:01:08,440 Speaker 1: Mary kill please chocolate, vanilla, strawberry. Um, I would marry strawberry. 17 00:01:09,560 --> 00:01:14,600 Speaker 1: I don't want to play this game. Well done, old man, 18 00:01:15,160 --> 00:01:19,000 Speaker 1: Well done. Howdy Host Joey Greer Greer, Mr President, please 19 00:01:19,040 --> 00:01:22,760 Speaker 1: go away. What would Jesus do if he met Santa Claus? 20 00:01:23,959 --> 00:01:27,560 Speaker 1: Probably make a wish? Oh nice, James Heeney with a 21 00:01:27,640 --> 00:01:29,759 Speaker 1: name like Hey, it's gotta be good. Do you think 22 00:01:29,800 --> 00:01:32,560 Speaker 1: anyone suspects you once killed a man for asking too 23 00:01:32,560 --> 00:01:35,840 Speaker 1: many questions? I am counting on them knowing I'm the 24 00:01:35,920 --> 00:01:38,080 Speaker 1: kind of guy that would kill someone that asks too 25 00:01:38,080 --> 00:01:40,920 Speaker 1: many questions. To put that out there, I mean, if 26 00:01:40,959 --> 00:01:43,399 Speaker 1: they haven't picked up on it, it's gonna catch soon. 27 00:01:43,520 --> 00:01:47,800 Speaker 1: They know that now, Vanessa ragling everybody, When your son 28 00:01:47,920 --> 00:01:50,680 Speaker 1: eventually shares that he wants to hurt Joey Greer, what 29 00:01:50,680 --> 00:02:00,200 Speaker 1: you're gonna say? Say, don't hurt him? Smart and us, 30 00:02:00,240 --> 00:02:03,280 Speaker 1: but madd on your face, your big disgrace singing we 31 00:02:03,320 --> 00:02:06,000 Speaker 1: will we will rock you. If you think him least 32 00:02:06,040 --> 00:02:10,559 Speaker 1: it's Greig Cocao. Do you believe in magic? Buck strawberry 33 00:02:13,200 --> 00:02:20,079 Speaker 1: Mary chocolate? Alright, let's get to our first team shower 34 00:02:20,160 --> 00:02:24,040 Speaker 1: all today's scene suggested Uh we're from gathered from listeners emails. 35 00:02:24,080 --> 00:02:26,440 Speaker 1: If you'd like to submit your scene suggestions, please write 36 00:02:26,440 --> 00:02:29,200 Speaker 1: to the podcast at your name here at alchemy this 37 00:02:29,280 --> 00:02:32,480 Speaker 1: dot com. That's your name here at alchemy this dot 38 00:02:32,520 --> 00:02:36,440 Speaker 1: com Our first team comes from Josh, who wrote, oh boy, 39 00:02:36,560 --> 00:02:39,840 Speaker 1: I have just recently started listening to Right to the 40 00:02:39,880 --> 00:02:44,320 Speaker 1: Alchemy be Friends. Alchemy doesn't like me. Oh he's playing 41 00:02:44,360 --> 00:02:50,600 Speaker 1: with our or as known in social circles, it's not fair. 42 00:02:50,639 --> 00:02:54,840 Speaker 1: Alchemy always gets the girls. The podcast has caused embarrassment 43 00:02:54,840 --> 00:02:57,480 Speaker 1: on multiple occasions. I try to turn my laughter into 44 00:02:57,520 --> 00:03:01,040 Speaker 1: pretend coughing to say public, save face in public, just 45 00:03:01,120 --> 00:03:04,000 Speaker 1: throwing it out an idea here hired assassins in a 46 00:03:04,080 --> 00:03:08,239 Speaker 1: blimp unknowingly after the same darket. Thanks as always, Josh, 47 00:03:08,320 --> 00:03:10,959 Speaker 1: just me, pardon me? Can I just get through this? Arenas? 48 00:03:11,000 --> 00:03:17,200 Speaker 1: Of course? Thank you? Take beautiful day out here. Thank you, 49 00:03:18,240 --> 00:03:23,400 Speaker 1: tecuts here you go, thank you ticket. I don't have 50 00:03:23,440 --> 00:03:27,280 Speaker 1: my tickets. Teakots. I don't have my tickets. Did you 51 00:03:27,320 --> 00:03:32,400 Speaker 1: put them somewhere? Yeah? My mom's not you two needs 52 00:03:32,400 --> 00:03:36,680 Speaker 1: a milk? Do you work here or you take it? 53 00:03:36,800 --> 00:03:42,440 Speaker 1: Just says oh, we're okay, here you tea kids? Sure, 54 00:03:42,560 --> 00:03:48,240 Speaker 1: here you go kids tea kids tickets. I gave you 55 00:03:48,280 --> 00:03:51,400 Speaker 1: a ticket just a minute ago. Okay, I don't have 56 00:03:51,440 --> 00:03:56,680 Speaker 1: a second ticket. You took mine second ticket. I bought 57 00:03:56,680 --> 00:03:58,960 Speaker 1: one ticket and I don't have another one. Excuse me, 58 00:03:59,120 --> 00:04:02,320 Speaker 1: is there a restaurant on the glim I'm becoming around 59 00:04:02,320 --> 00:04:08,240 Speaker 1: of food in a bit. Oh you are the restaurant tickets. Well, 60 00:04:08,240 --> 00:04:10,440 Speaker 1: the service is really going downhill in these blimps, haven't they. 61 00:04:10,600 --> 00:04:14,640 Speaker 1: I have a dad. I'm sorry, I have a dad. 62 00:04:15,720 --> 00:04:19,440 Speaker 1: She was making conversation. The service has gone down. I 63 00:04:19,440 --> 00:04:22,280 Speaker 1: remember when used to be riding a blimp felt like 64 00:04:22,400 --> 00:04:24,160 Speaker 1: I don't know, I was the queen of Shiva. Used 65 00:04:24,160 --> 00:04:25,680 Speaker 1: to be the height of elegant. It used to be 66 00:04:25,680 --> 00:04:27,719 Speaker 1: the height of elegance. That's right. They used to have 67 00:04:27,760 --> 00:04:34,200 Speaker 1: real silverware. Navy seal. My dad's a Navy seal. Where 68 00:04:34,200 --> 00:04:37,200 Speaker 1: where are you when this Brett young Man hit it? Well? 69 00:04:37,440 --> 00:04:41,039 Speaker 1: New York, New York. We're just out to see some 70 00:04:41,120 --> 00:04:47,600 Speaker 1: sites today. Ultimately new York. Where are you added? Well, 71 00:04:47,640 --> 00:04:49,680 Speaker 1: I'm going to stop in New York, but then head 72 00:04:49,680 --> 00:04:55,120 Speaker 1: on to Boston. Oh just during the full looks like 73 00:04:55,160 --> 00:04:58,200 Speaker 1: a real rules. It's a real roller. I can tell 74 00:04:58,240 --> 00:05:04,599 Speaker 1: the difference. I love your tweet jacket. Please forgive Eddie. 75 00:05:04,960 --> 00:05:07,719 Speaker 1: Do you want to feel it? I would love to. Oh, 76 00:05:08,080 --> 00:05:13,360 Speaker 1: just like I imagine little bumps. That's right. Look a cloud? 77 00:05:14,520 --> 00:05:20,240 Speaker 1: Oh food? Oh yes, food. I'll have food. I'll take 78 00:05:20,720 --> 00:05:25,240 Speaker 1: I'll take the ruffles. I guess ticket. Yeah, I showed 79 00:05:25,279 --> 00:05:29,279 Speaker 1: you my ticket. Do you have a ticket for food tickets? 80 00:05:29,640 --> 00:05:32,920 Speaker 1: Is it extra for food? Where do we get? Where 81 00:05:32,920 --> 00:05:34,840 Speaker 1: do we get food tickets? You should have got them 82 00:05:34,880 --> 00:05:37,680 Speaker 1: at the ticket booth at the ground level. Can I 83 00:05:37,720 --> 00:05:42,040 Speaker 1: purchase some here? Okay? I'll have how many tickets with 84 00:05:42,080 --> 00:05:45,839 Speaker 1: the pringles? Have to go get the food tickets? Blamp 85 00:05:45,960 --> 00:05:52,359 Speaker 1: travel has gone downhill? Somebody say, dirgeible, it's such a 86 00:05:52,360 --> 00:05:56,520 Speaker 1: great data fly and it beautiful day of courtious? Where 87 00:05:56,520 --> 00:05:58,360 Speaker 1: are you folks from Navy seals? My dad as a 88 00:05:58,400 --> 00:06:00,960 Speaker 1: Navy seal? Is your dad a Navy seal? Oh that's great. 89 00:06:01,120 --> 00:06:03,440 Speaker 1: When's the last time you saw him? And I haven't 90 00:06:03,440 --> 00:06:06,279 Speaker 1: met him yet. Right, he's been on a mission. Oh boy, 91 00:06:06,800 --> 00:06:09,000 Speaker 1: it's gotta be tough on the too. You we're doing 92 00:06:09,040 --> 00:06:12,640 Speaker 1: just fine, thank you very much. Here. I was happy 93 00:06:12,680 --> 00:06:15,400 Speaker 1: to be a single mother. We're not missing anything in 94 00:06:15,400 --> 00:06:19,120 Speaker 1: our life. Everything's fine. You're not saying we're not. She's 95 00:06:19,120 --> 00:06:20,920 Speaker 1: not a single mother. My dad's on a mission, right, 96 00:06:21,080 --> 00:06:23,160 Speaker 1: he's been on a mission for seventeen years. And when 97 00:06:23,160 --> 00:06:24,360 Speaker 1: he does come home to the two of you. Where 98 00:06:24,400 --> 00:06:27,520 Speaker 1: would that be? Oh uh, you want to know where 99 00:06:27,520 --> 00:06:31,480 Speaker 1: we live? I didn't an address, Just curious what four 100 00:06:31,600 --> 00:06:37,800 Speaker 1: three zero three venturable of our los ANGELETTI yes, all 101 00:06:37,839 --> 00:06:40,640 Speaker 1: the way from coast to coast on this plank. No, 102 00:06:40,800 --> 00:06:42,880 Speaker 1: that's why I said. Ultimately we are going to go 103 00:06:42,920 --> 00:06:45,640 Speaker 1: to New York. We're just sight seeing today. Okay, yeah, 104 00:06:45,720 --> 00:06:49,200 Speaker 1: listen up. So it's look, it's pretty simple and here. Okay, 105 00:06:49,240 --> 00:06:51,640 Speaker 1: you just pretty much just gotta make sure the pedals 106 00:06:51,640 --> 00:06:53,520 Speaker 1: are moving, and then the blimp will take care of yourself. 107 00:06:54,320 --> 00:06:57,320 Speaker 1: Believe that I've got a pedal. This thing take such 108 00:06:57,320 --> 00:07:00,360 Speaker 1: your cake technology. It's a blimp. Man, What you want? 109 00:07:00,480 --> 00:07:03,960 Speaker 1: I don't know. I just thought I'm not in shape. 110 00:07:04,000 --> 00:07:07,240 Speaker 1: I can't probably keep pedaling. Get in shape by peddling. Man, 111 00:07:07,240 --> 00:07:09,440 Speaker 1: all right, this is harder than I thought it was. 112 00:07:09,800 --> 00:07:12,040 Speaker 1: The top part of my body is about two fifty pounds. 113 00:07:12,040 --> 00:07:14,120 Speaker 1: The bottom half of my body looks like a pro cyclist. 114 00:07:14,200 --> 00:07:17,280 Speaker 1: All right, It's just how it is. Geez. It sounded 115 00:07:17,320 --> 00:07:20,920 Speaker 1: like a much better job before I got up here. Jesus, man, 116 00:07:20,960 --> 00:07:23,040 Speaker 1: what do you want? I don't know. I thought maybe 117 00:07:23,040 --> 00:07:25,320 Speaker 1: it be easy. The blimp is just kind of floating. 118 00:07:25,640 --> 00:07:27,440 Speaker 1: How many jobs can I get you? And then you 119 00:07:27,520 --> 00:07:28,960 Speaker 1: just want to just quit while you're in the middle. 120 00:07:29,400 --> 00:07:31,720 Speaker 1: Just it's just this is hard work I'm looking for. 121 00:07:31,800 --> 00:07:35,880 Speaker 1: Like you know, guys, man, I can't get easier than this. 122 00:07:36,120 --> 00:07:40,080 Speaker 1: You can't too. I don't want pedal. Isn't there like no? No, 123 00:07:40,160 --> 00:07:44,080 Speaker 1: like an automatic? Come on, there's an automatic and ever there? Yeah, 124 00:07:44,080 --> 00:07:46,000 Speaker 1: there's not a magic. I mean they don't want us 125 00:07:46,000 --> 00:07:48,160 Speaker 1: to use it. They want us to pedal. Man, come 126 00:07:48,200 --> 00:07:50,560 Speaker 1: on and let me use to you at Ao Manning. 127 00:07:50,680 --> 00:07:54,040 Speaker 1: I'm tired. I'll get into shape later. You promise you're 128 00:07:54,040 --> 00:07:56,480 Speaker 1: gonna get into shape. I'm gonna be a pedal half 129 00:07:56,520 --> 00:07:59,480 Speaker 1: the time, and half the time I'll do on man alright, 130 00:07:59,480 --> 00:08:02,080 Speaker 1: because there was there was a whole Blimpenberg disaster and 131 00:08:02,280 --> 00:08:05,480 Speaker 1: just the whole thing ted. Man, you can trust me. 132 00:08:05,680 --> 00:08:09,040 Speaker 1: I don't I appreciate you hooking me up this JUHNP 133 00:08:09,360 --> 00:08:14,320 Speaker 1: captain doing anything up here? An get drink? Can we 134 00:08:14,360 --> 00:08:19,720 Speaker 1: get a couple of bourbon? Bourbon? What that's that dangerous? 135 00:08:21,840 --> 00:08:25,760 Speaker 1: On that three? But y'all are flying this thing. I 136 00:08:25,840 --> 00:08:28,160 Speaker 1: know we're gonna flip it on. Okay, I have to 137 00:08:28,160 --> 00:08:30,800 Speaker 1: admit it's a little traumatic for me to be on 138 00:08:30,840 --> 00:08:35,080 Speaker 1: this flight. My late wife was on the Blimpenberg. Oh no, 139 00:08:35,360 --> 00:08:39,400 Speaker 1: you're a widower the Bloomberg. What a tragedy. It was terrible. 140 00:08:41,000 --> 00:08:44,920 Speaker 1: Y Oh the humanity. Indeed, you're very brave to face 141 00:08:44,960 --> 00:08:47,800 Speaker 1: your fears like this. Is that a real scope you 142 00:08:47,840 --> 00:08:54,640 Speaker 1: have hang out of your jacket mouthwash? Oh? Yes, uh, 143 00:08:54,800 --> 00:08:57,520 Speaker 1: this this rifle scope, that's what you're referring to. Yeah? 144 00:08:57,679 --> 00:09:03,120 Speaker 1: That tickets? Yes? Yes? Can I just buy the food directly? 145 00:09:04,200 --> 00:09:09,199 Speaker 1: Food ticket first? To meet a ticket food ticket? Are 146 00:09:09,200 --> 00:09:12,400 Speaker 1: you selling the food tickets? Yes, I'll have enough food 147 00:09:12,400 --> 00:09:15,080 Speaker 1: tickets to buy pringles and what do you want Eddie 148 00:09:15,880 --> 00:09:19,760 Speaker 1: sour patch kids and um whatever, this gentleman, that's very 149 00:09:19,800 --> 00:09:25,360 Speaker 1: kind of you. Anyone, I'll take ruffles and uh, I'll 150 00:09:25,400 --> 00:09:35,679 Speaker 1: take it outrageous. Okay, that's gonna be fun. Can I 151 00:09:35,720 --> 00:09:39,920 Speaker 1: just give you a twenty and assume it's even because no? 152 00:09:42,120 --> 00:09:46,559 Speaker 1: Can I ask you? Is this a manual pedal blimp? Yeah? 153 00:09:47,360 --> 00:09:50,680 Speaker 1: This is a traditional pump, but it has GPS and 154 00:09:50,720 --> 00:09:56,000 Speaker 1: everything else. It's just the blimp itself was built nineteen 155 00:09:56,080 --> 00:09:59,120 Speaker 1: and then it's an updated over the past. How did 156 00:09:59,120 --> 00:10:01,840 Speaker 1: you get this job? Can I just ask what everyone's thinking. 157 00:10:01,960 --> 00:10:05,120 Speaker 1: How did you get this job? I applied right, and 158 00:10:05,160 --> 00:10:07,480 Speaker 1: then what happened? Was there some sort of interview process 159 00:10:07,760 --> 00:10:11,079 Speaker 1: where they saw your demeanor and your work ethic calmed down? 160 00:10:11,400 --> 00:10:14,360 Speaker 1: We didn't know each other before, we just met. Don't 161 00:10:14,360 --> 00:10:16,440 Speaker 1: want this to affect the food. I've been watching this 162 00:10:16,480 --> 00:10:22,199 Speaker 1: whole These people are hungry. You're trying to sell them here. 163 00:10:23,400 --> 00:10:25,920 Speaker 1: Oh my god, it's another winer. Listen to Are you 164 00:10:26,000 --> 00:10:28,559 Speaker 1: two brothers? Are you related? You must be. No one 165 00:10:28,600 --> 00:10:30,719 Speaker 1: wants tickets, they want food. This gentleman would like some 166 00:10:30,800 --> 00:10:36,199 Speaker 1: ruffles sour patch over here, pringles and take the woman's money. 167 00:10:36,320 --> 00:10:43,319 Speaker 1: Let's have it. Take to twenties. Is there a supervisor 168 00:10:43,400 --> 00:10:48,160 Speaker 1: we can talk to? Seces? Are you? Are you hard 169 00:10:48,160 --> 00:10:51,200 Speaker 1: of hearing? Why do you ask? Kid? Because you have 170 00:10:51,240 --> 00:10:54,560 Speaker 1: an earpiece in your ear? Is that a hearing aid? Yes, 171 00:10:54,679 --> 00:10:58,800 Speaker 1: that's right, my U. After my wife was killed in 172 00:10:58,840 --> 00:11:05,720 Speaker 1: the Blombenberg, I yelled so loud, I shuttered my left 173 00:11:04,360 --> 00:11:08,720 Speaker 1: and a little harder hearing. I got the food situation 174 00:11:08,800 --> 00:11:11,080 Speaker 1: sorted out, and I found some lifesavers in my purse. 175 00:11:11,160 --> 00:11:13,440 Speaker 1: So here he goes. Are you guys having some fun? 176 00:11:16,520 --> 00:11:21,920 Speaker 1: I'll take my nutrageous. Thank you, Michael. It was yes, 177 00:11:23,559 --> 00:11:29,480 Speaker 1: not Michael. Michael, got it, Eddie. My dad has at 178 00:11:29,559 --> 00:11:33,959 Speaker 1: least a hundred forty three confirmed kills. Don't twist my arm. 179 00:11:34,320 --> 00:11:36,440 Speaker 1: You haven't even met him. We don't know what he was. 180 00:11:36,960 --> 00:11:41,439 Speaker 1: I know he has a hunter confirmed better. Now should 181 00:11:41,440 --> 00:11:43,400 Speaker 1: be easy to get a clear shot on this blimp. 182 00:11:45,280 --> 00:11:46,920 Speaker 1: I mean a clear shot, you know, out the window 183 00:11:46,960 --> 00:11:50,839 Speaker 1: and look at the sky. I have a little PTSD 184 00:11:51,120 --> 00:11:55,199 Speaker 1: M my husband Navy seal. You know, I've been through 185 00:11:55,200 --> 00:11:57,240 Speaker 1: a lot and then through a lot of intense situations, 186 00:11:57,240 --> 00:11:59,480 Speaker 1: and I'm ready to just glide on a blimp. I'm 187 00:11:59,520 --> 00:12:03,520 Speaker 1: gonna go. Okay, you can just make as you think 188 00:12:03,559 --> 00:12:09,559 Speaker 1: that stewardess likes me. She was, she was smiling. You're 189 00:12:09,559 --> 00:12:12,920 Speaker 1: talking about workplace harassment, man, that's nuts. No, Ted, I 190 00:12:12,960 --> 00:12:17,199 Speaker 1: think she was. She was talking about the bourbondh it's dangerous. 191 00:12:17,240 --> 00:12:23,800 Speaker 1: She winked me selling. Oh shit, I'm a shot. Oh 192 00:12:23,960 --> 00:12:38,120 Speaker 1: my god, oh my god, oh my chest ketches. Take 193 00:12:38,200 --> 00:12:43,920 Speaker 1: it up, automatic, kept take it up. Okay, Okay, okay, 194 00:12:47,520 --> 00:12:51,199 Speaker 1: ladies and gentleman, we're gonna be a little bit bumby 195 00:12:51,360 --> 00:12:59,600 Speaker 1: or I hate hearing his voice. Everyone's gonna have to 196 00:12:59,640 --> 00:13:05,240 Speaker 1: put on their seatbelts. His voice is almost calmbing. But yeah, 197 00:13:05,520 --> 00:13:09,240 Speaker 1: he put the other one first. This is fine. What's 198 00:13:09,240 --> 00:13:16,640 Speaker 1: going on? Um, there is a problem with what you 199 00:13:16,679 --> 00:13:20,880 Speaker 1: just draw a picture here? Did I see the blimp? 200 00:13:22,520 --> 00:13:24,520 Speaker 1: You have a very skilled hand. Why is that man 201 00:13:24,559 --> 00:13:27,520 Speaker 1: of red in his chest? Red in his chest? Red 202 00:13:27,520 --> 00:13:32,600 Speaker 1: in his chest? What could that be? Then? Something? Oh, 203 00:13:33,720 --> 00:13:39,800 Speaker 1: you're just scratching his face, scratching up. Oh, you can't 204 00:13:39,800 --> 00:13:44,400 Speaker 1: wake the pilot. Trying to wake the pilot. Wait, the 205 00:13:44,440 --> 00:13:52,840 Speaker 1: pilot is asleep. Who's flying the blimp? Michael? Come down? 206 00:13:53,000 --> 00:13:56,240 Speaker 1: I'm sorry. You think should be fine? You just take 207 00:13:56,320 --> 00:14:00,600 Speaker 1: your seats. Why don't you even get a pilot ticket? Huh? Seefing? 208 00:14:01,040 --> 00:14:02,920 Speaker 1: Run around the blimp and see if anyone's a pilot 209 00:14:02,960 --> 00:14:07,599 Speaker 1: comes down. I should have done better to get a 210 00:14:07,640 --> 00:14:15,400 Speaker 1: ticket for the Blimpenberg too. Where's the burbon? Who's got 211 00:14:15,559 --> 00:14:19,040 Speaker 1: the bourbon? Somebody come up here. It looks like one 212 00:14:19,120 --> 00:14:21,480 Speaker 1: of us has had two menutes. Come up here. Get 213 00:14:21,560 --> 00:14:24,600 Speaker 1: him out of the seats down next to me. What's happening? 214 00:14:25,200 --> 00:14:32,600 Speaker 1: His chest exploded? Just what happened? Lord? The helicopter? Good Lord, 215 00:14:32,880 --> 00:14:35,320 Speaker 1: I'm get as low as I can. Man, my son's 216 00:14:35,360 --> 00:14:37,320 Speaker 1: in there. Flip. Come on, you know that kid's not 217 00:14:37,400 --> 00:14:40,000 Speaker 1: in there. It's my son. I know it's I'm gonna 218 00:14:40,040 --> 00:14:43,640 Speaker 1: kill every motherfucker in there. Goddamn it. We're clear after this, Okay, 219 00:14:43,680 --> 00:14:48,920 Speaker 1: no more favors. You old me this one. I don't know, man. 220 00:14:48,960 --> 00:14:51,720 Speaker 1: All of a sudden, the hole disappeared in the windshield, 221 00:14:51,840 --> 00:14:55,520 Speaker 1: and then a whole bunch of the ticket boys just 222 00:14:55,600 --> 00:15:00,320 Speaker 1: drew me a picture and they had slighting. He's been 223 00:15:00,360 --> 00:15:04,240 Speaker 1: shutting the chest. Oh my god. Sorry, she came up 224 00:15:04,280 --> 00:15:09,400 Speaker 1: here quickly. Don't apologize about me. We have to fix this. 225 00:15:09,760 --> 00:15:13,280 Speaker 1: Do you know what you're doing? No, I can't pedal 226 00:15:13,400 --> 00:15:17,320 Speaker 1: that fast. We need take spin class. Move the body 227 00:15:17,320 --> 00:15:21,840 Speaker 1: with me. I'm sitting in I'm sitting in blood. Fine, 228 00:15:22,200 --> 00:15:25,160 Speaker 1: it's fine. Tower to blamp, Tower to blamp. We see 229 00:15:25,160 --> 00:15:28,280 Speaker 1: you very off course. You know what, Maybe you should 230 00:15:28,280 --> 00:15:33,200 Speaker 1: answer and people here, Hello, this is the blimp. I'm 231 00:15:33,200 --> 00:15:35,160 Speaker 1: a lady that was on the blimp. My name is Melinda. 232 00:15:35,720 --> 00:15:37,520 Speaker 1: I don't know what I'm doing, but there was a 233 00:15:37,560 --> 00:15:41,520 Speaker 1: dead man and I'm trying to pedal. Melinda, are the 234 00:15:41,520 --> 00:15:44,000 Speaker 1: pedals in front of you? The pedals are under my feet. 235 00:15:44,000 --> 00:15:46,880 Speaker 1: I have the pedals in petal position. How big are 236 00:15:46,920 --> 00:15:50,880 Speaker 1: your feet? My size seven and a half in men's No, 237 00:15:51,040 --> 00:15:54,520 Speaker 1: that's women's and men's. Oh, I don't know what that is? 238 00:15:54,640 --> 00:15:59,640 Speaker 1: At three at three, at three, Well, it's a beautiful 239 00:15:59,680 --> 00:16:01,920 Speaker 1: day at Dodgers Stadium as the Dodgers take on the 240 00:16:01,960 --> 00:16:06,280 Speaker 1: San Diego Padres. And oh, what's this? We have a 241 00:16:06,360 --> 00:16:10,920 Speaker 1: visitor in the sky, the beautiful Blippenberg too, flying over 242 00:16:10,960 --> 00:16:13,800 Speaker 1: the stadium. And oh, looks like a playing full of 243 00:16:13,880 --> 00:16:18,280 Speaker 1: Navy seals is trying to board it. Oh, get closer, 244 00:16:18,360 --> 00:16:23,040 Speaker 1: kick closer, can man, you owe me this one? No 245 00:16:23,080 --> 00:16:26,239 Speaker 1: more favors? Man? Oh shit, I got eyes on somebody. 246 00:16:26,720 --> 00:16:29,000 Speaker 1: It looks like Michale's in there. What the hell? The 247 00:16:29,320 --> 00:16:34,240 Speaker 1: assassin mckel the assass says Chris das Como. Can ask 248 00:16:34,280 --> 00:16:36,800 Speaker 1: you a favorite one more? All right? Get me close 249 00:16:36,880 --> 00:16:38,840 Speaker 1: enough so I can board this. But it's really close 250 00:16:39,440 --> 00:16:43,160 Speaker 1: to be able to get out of there. I'm I'm 251 00:16:43,240 --> 00:16:47,680 Speaker 1: terribly sorry. By the way, don't apologize. I'm terribly sorry 252 00:16:47,680 --> 00:16:52,320 Speaker 1: that I have to take your son. I can't stop peddling. 253 00:16:53,400 --> 00:16:58,680 Speaker 1: Let me, I'm thecale of the spy. Oh no, I've 254 00:16:58,680 --> 00:17:06,400 Speaker 1: heard about you wiggle away. It's not working. Oh my god, 255 00:17:06,440 --> 00:17:11,880 Speaker 1: are you a nave seal, a naval sailing? Oh my god, 256 00:17:11,920 --> 00:17:20,200 Speaker 1: you just came bloom. I can't control that. I owe 257 00:17:20,200 --> 00:17:23,520 Speaker 1: you one now to make my way to the back 258 00:17:23,560 --> 00:17:28,000 Speaker 1: of this blame business. I'm sorry, hold on, you can't 259 00:17:28,560 --> 00:17:35,680 Speaker 1: hold on. You you need a ticket, alright, I got cash. 260 00:17:35,920 --> 00:17:41,440 Speaker 1: I'm sorry. You're gonna have to get the ticket. You're 261 00:17:41,440 --> 00:17:48,240 Speaker 1: gonna have michail. Oh wow, look away, have here? I 262 00:17:48,280 --> 00:17:52,760 Speaker 1: got afraid, nutrageous out of your wife. Let go of 263 00:17:52,840 --> 00:17:59,040 Speaker 1: my son. He's hooked up to my fake rollands. I 264 00:17:59,119 --> 00:18:02,000 Speaker 1: knew you'd come back. I knew you'd come back. I 265 00:18:02,040 --> 00:18:06,920 Speaker 1: love you, boy. I've been waiting seventeen years to hear that. 266 00:18:07,560 --> 00:18:10,199 Speaker 1: You don't have to wait a day longer, like father? Like? 267 00:18:10,400 --> 00:18:13,520 Speaker 1: So is it true you have a hundred forty three 268 00:18:14,000 --> 00:18:23,840 Speaker 1: kills making a hundred forty six? What wait? I love 269 00:18:23,880 --> 00:18:28,119 Speaker 1: you boy. Where's your mom? He's gonna kill you three? 270 00:18:29,080 --> 00:18:34,920 Speaker 1: I don't know. I think she's flying the blimp. She would. Well, 271 00:18:35,000 --> 00:18:37,640 Speaker 1: we got a real bond burter. Here is the padres 272 00:18:37,680 --> 00:18:42,840 Speaker 1: take a one nothing leading to the thing father and 273 00:18:42,960 --> 00:18:48,320 Speaker 1: son that here at the ballpark. Oh, the blimbers itself. 274 00:18:48,440 --> 00:18:51,880 Speaker 1: Looks like the Blimberg two is catching on fire. All 275 00:18:52,080 --> 00:18:58,120 Speaker 1: the humanity going down like a led Zeppelin. Oh man, 276 00:18:58,200 --> 00:19:00,960 Speaker 1: that got dark, and thank you for killing those two 277 00:19:01,000 --> 00:19:10,840 Speaker 1: winey motherfuckers. I thank that voices alone. Oh Man for snappers, 278 00:19:11,520 --> 00:19:16,400 Speaker 1: They got snappers. Gabe from Toronto. I recently got into alchemy. 279 00:19:16,480 --> 00:19:20,080 Speaker 1: This that's absolutely delight listened to in between classes. I 280 00:19:20,160 --> 00:19:23,320 Speaker 1: especially love the public library scene because I work in one. 281 00:19:23,359 --> 00:19:25,280 Speaker 1: The other day, in fact, I saw an old man 282 00:19:25,359 --> 00:19:28,879 Speaker 1: watching pornography during my shift and thought of you guys. 283 00:19:30,240 --> 00:19:34,560 Speaker 1: That actually happens. I studied theater at York University and 284 00:19:34,600 --> 00:19:36,840 Speaker 1: I would absolutely love to hear a bit about you 285 00:19:36,880 --> 00:19:41,520 Speaker 1: guys getting ready for auditions as student actors. I hope 286 00:19:41,560 --> 00:19:51,240 Speaker 1: you guys are having a great day. Gabe from Toronto. Okay, students, students, 287 00:19:51,640 --> 00:19:53,879 Speaker 1: we are going to be opening the doors in minutes. 288 00:19:58,920 --> 00:20:01,000 Speaker 1: Should we be in a single file now, we'll call 289 00:20:01,080 --> 00:20:03,480 Speaker 1: the names as they are written on the list. Just 290 00:20:03,960 --> 00:20:09,840 Speaker 1: see Tight and then him. Okay, So enjoy, have fun, 291 00:20:09,880 --> 00:20:13,200 Speaker 1: and remember you do this for the love of the theater, 292 00:20:13,440 --> 00:20:17,159 Speaker 1: not because you want to be famous make money. It 293 00:20:17,320 --> 00:20:21,920 Speaker 1: is for the love of the theater. How many rules 294 00:20:21,920 --> 00:20:27,720 Speaker 1: are being cast today? None? I love the theater? How many? 295 00:20:27,800 --> 00:20:31,560 Speaker 1: How many rules are being kist Answers will be questioned 296 00:20:31,720 --> 00:20:34,400 Speaker 1: in the room. Excuse me? What is our time? Down? 297 00:20:34,400 --> 00:20:38,000 Speaker 1: To you now? Still twenty minutes? Thank you, thank thank 298 00:20:38,080 --> 00:20:40,760 Speaker 1: thank you. What are you guys doing for your too 299 00:20:40,760 --> 00:20:42,960 Speaker 1: contrasting monologue? Okay, we're not. We don't have to share 300 00:20:42,960 --> 00:20:45,199 Speaker 1: that information with you. You don't have to share it, 301 00:20:45,240 --> 00:20:46,920 Speaker 1: but I'm happy to share mine. Why, Okay, how do 302 00:20:47,119 --> 00:20:50,560 Speaker 1: you I'll find I'll go first, go ahead, I'm doing 303 00:20:50,840 --> 00:20:55,800 Speaker 1: um Suburbia Bible goes in, followed by a monologue so 304 00:20:55,960 --> 00:20:59,639 Speaker 1: predictable for classic I'm doing shy Walk from Merchant of 305 00:20:59,720 --> 00:21:04,080 Speaker 1: Venice from I'm doing Teach from American Buffalo, also obvious. 306 00:21:05,240 --> 00:21:10,399 Speaker 1: I'm doing two original pieces I did ye? Are they contrasting? 307 00:21:10,600 --> 00:21:17,480 Speaker 1: They are contrasting. One is super sad and one is absurd. 308 00:21:17,640 --> 00:21:21,200 Speaker 1: It's sort of moment? Are they both emotional? Extremely? Yeah, 309 00:21:21,920 --> 00:21:24,159 Speaker 1: you're going to get this, Miranda, Oh my gosh, No, 310 00:21:24,400 --> 00:21:29,280 Speaker 1: you're gonna get this. I'm gonna do uh, I'm gonna 311 00:21:29,359 --> 00:21:32,160 Speaker 1: do a thing for my classical piece. I'll probably do 312 00:21:32,359 --> 00:21:35,440 Speaker 1: some early you have to know already early de Niro 313 00:21:35,640 --> 00:21:37,840 Speaker 1: or something. You're like a grad student, right are you? 314 00:21:40,720 --> 00:21:45,119 Speaker 1: I'm undergrad? H So you have prepared your monologue. You 315 00:21:45,160 --> 00:21:47,320 Speaker 1: probably should just wait for the next round of auditions. 316 00:21:47,800 --> 00:21:51,000 Speaker 1: He's super serious about preparation. Yeah. Well, I mean we 317 00:21:51,040 --> 00:21:53,480 Speaker 1: all have our process, you know. Whoops, Oh, not a 318 00:21:53,480 --> 00:21:56,320 Speaker 1: big deal. Sorry, it's got an email on my phone. 319 00:21:56,480 --> 00:22:00,320 Speaker 1: So it's from backstage and they want to do a 320 00:22:00,400 --> 00:22:04,399 Speaker 1: Q and A with me someone backstage. It's a periodical 321 00:22:05,280 --> 00:22:07,440 Speaker 1: Oh so once in a while I try. I don't 322 00:22:07,440 --> 00:22:09,399 Speaker 1: even bring my phone to auditions. I just want to 323 00:22:09,440 --> 00:22:10,960 Speaker 1: be I usually don't either, but I was waiting for 324 00:22:11,000 --> 00:22:13,280 Speaker 1: this important What's the Q and A about dropping out 325 00:22:13,280 --> 00:22:21,320 Speaker 1: of college theater programs? Yeah? I love theater. Is that 326 00:22:21,359 --> 00:22:24,840 Speaker 1: really what it's about? Is it? Yeah? If you dropped 327 00:22:24,840 --> 00:22:27,560 Speaker 1: out that, how are you a today? You can't. This 328 00:22:27,560 --> 00:22:29,639 Speaker 1: doesn't make or break for me. Most people know it. 329 00:22:29,800 --> 00:22:34,639 Speaker 1: I had that explosion during um the other play we 330 00:22:34,680 --> 00:22:38,280 Speaker 1: did you poop your pants? Just say it? Okay? Oh 331 00:22:38,359 --> 00:22:42,800 Speaker 1: your ship pants boy? Yeah. During the Pirates of pen Dance, 332 00:22:43,320 --> 00:22:53,560 Speaker 1: I had parents. I mean they say, you know all good, 333 00:22:53,800 --> 00:22:57,720 Speaker 1: all you know what they say that? What's the saying? So? Well, 334 00:22:57,840 --> 00:23:01,159 Speaker 1: the point is I made national news, so I went viral? 335 00:23:01,240 --> 00:23:04,480 Speaker 1: He did, I went viral hel and so now they're 336 00:23:04,480 --> 00:23:05,880 Speaker 1: going to question me about it. And if I make 337 00:23:05,920 --> 00:23:08,399 Speaker 1: this play, I'm back in the school. Tasson has his 338 00:23:08,440 --> 00:23:10,640 Speaker 1: own YouTube channel and it gets more views than most 339 00:23:10,640 --> 00:23:13,720 Speaker 1: model like but YouTube YouTube is like a lower lower 340 00:23:13,760 --> 00:23:16,439 Speaker 1: class of entertainment. But Tasson is doing good work on 341 00:23:16,480 --> 00:23:23,520 Speaker 1: their Chris O'Donnell, Chris O'Donnell. Please, that's me, come in please, Hey, 342 00:23:23,640 --> 00:23:29,560 Speaker 1: you'll be called Kay, thank you. That's my stage name, 343 00:23:29,600 --> 00:23:34,200 Speaker 1: by the way, right, Chris please whenever you already. It's 344 00:23:34,200 --> 00:23:37,200 Speaker 1: not my real name. I just stage name. I understand. 345 00:23:37,800 --> 00:23:39,720 Speaker 1: So if I do get cast, we just have to 346 00:23:39,760 --> 00:23:42,720 Speaker 1: reconcile that with my student records. I just wanted a 347 00:23:42,760 --> 00:23:46,040 Speaker 1: sort of like more asexual name. That's fine, whatever name. 348 00:23:46,760 --> 00:23:49,200 Speaker 1: We don't. But I just realized when you said it. 349 00:23:49,240 --> 00:23:54,199 Speaker 1: When whenever you're ready, which would you like? First? I 350 00:23:54,240 --> 00:23:57,120 Speaker 1: have prepared two original pieces. Would you like my more 351 00:23:57,560 --> 00:24:00,960 Speaker 1: classical one or my more absurd modern want? Let's do 352 00:24:01,119 --> 00:24:06,919 Speaker 1: something from man begins? Oh um, I don't have a 353 00:24:06,920 --> 00:24:13,920 Speaker 1: piece from Batman begain, just do it from memory? Um? Okay, absolutely, 354 00:24:13,920 --> 00:24:24,480 Speaker 1: Professor Um Poison Ivy, get out of um. The jokers 355 00:24:24,600 --> 00:24:30,080 Speaker 1: at it again. Oh man, he's driving me so crazy 356 00:24:30,160 --> 00:24:40,480 Speaker 1: lately with um um Batman, Batman, damn you. I loved you, Batman. 357 00:24:41,440 --> 00:24:45,040 Speaker 1: I loved you so goddamn much. She's doing great in there, 358 00:24:45,080 --> 00:24:48,880 Speaker 1: she's doing great. And yet there you are in your 359 00:24:48,960 --> 00:24:52,920 Speaker 1: cave again with your bats. And here I am, all 360 00:24:53,040 --> 00:24:56,760 Speaker 1: dressed up on a rooftop in the middle of Gotham 361 00:24:56,880 --> 00:25:08,400 Speaker 1: City alone. Oh Batman, I wish you would show up. God, 362 00:25:08,480 --> 00:25:12,520 Speaker 1: she's crying. She's so real, she can cry. Chris O'Donnell 363 00:25:12,600 --> 00:25:15,320 Speaker 1: was the best actor in the hold. I wouldn't say that. 364 00:25:15,359 --> 00:25:18,680 Speaker 1: I'd say she's good. I can cry anytime I try. 365 00:25:18,720 --> 00:25:21,240 Speaker 1: I'm really good. I just pinched myself really hard in 366 00:25:21,320 --> 00:25:23,720 Speaker 1: my pocket. Looks like I'm gonna have to take this 367 00:25:23,800 --> 00:25:26,160 Speaker 1: matter in my own hands. I'm gonna have to save 368 00:25:26,160 --> 00:25:29,359 Speaker 1: Gotham myself, and I'm going to have to put on 369 00:25:29,400 --> 00:25:32,240 Speaker 1: a costume to do it. But more than that, I'm 370 00:25:32,240 --> 00:25:36,280 Speaker 1: going to have to be vulnerable and strong and Donald, 371 00:25:36,280 --> 00:25:38,040 Speaker 1: if I can stop you just for a moment, please 372 00:25:38,080 --> 00:25:40,320 Speaker 1: on the back. I notice under your special skills says 373 00:25:40,359 --> 00:25:46,520 Speaker 1: horseback riding correct and accents where you study mine. I 374 00:25:46,560 --> 00:25:52,520 Speaker 1: studied mime at the Mime Institute of Chicago, Nick. I 375 00:25:52,600 --> 00:25:55,400 Speaker 1: was there for three months. Three of those amazing life 376 00:25:55,440 --> 00:25:57,959 Speaker 1: changing months. I met so many amazing people. I got 377 00:25:58,040 --> 00:26:02,439 Speaker 1: to work with some real luminaries. Did you work I 378 00:26:02,520 --> 00:26:06,480 Speaker 1: did not work with John, but I actually worked with 379 00:26:06,680 --> 00:26:11,639 Speaker 1: his apprentice mar that's correct. Yes, we had an affair. 380 00:26:11,880 --> 00:26:15,439 Speaker 1: And which accents can just as accents, I can do 381 00:26:15,480 --> 00:26:19,840 Speaker 1: all of them at once. Please give me a phrase. 382 00:26:20,520 --> 00:26:22,879 Speaker 1: Come inside of there's fruits for everyone they have, but 383 00:26:22,920 --> 00:26:25,120 Speaker 1: none of the children. If you wanted to have more 384 00:26:28,040 --> 00:26:31,280 Speaker 1: com inside the frying frame, and maybe you won't have 385 00:26:31,400 --> 00:26:38,120 Speaker 1: the children. And she's doing all over accents, It doesn't matter. 386 00:26:38,200 --> 00:26:40,760 Speaker 1: You know what, um You ever heard of the words 387 00:26:41,080 --> 00:26:46,119 Speaker 1: black box experimental theater. Yeah, well that's where I think 388 00:26:46,119 --> 00:26:48,960 Speaker 1: I'm going. So there's no accents needed, there's no singing needed, 389 00:26:48,960 --> 00:26:51,480 Speaker 1: there's no crying. I did a two month run where 390 00:26:51,520 --> 00:26:53,720 Speaker 1: a homeless woman would take a dump on my chest 391 00:26:54,119 --> 00:26:56,439 Speaker 1: and then I have a children as acquired cry in 392 00:26:56,440 --> 00:26:59,640 Speaker 1: the background. Long story short found out that that wasn't 393 00:26:59,680 --> 00:27:03,679 Speaker 1: actually you play. It was just so. It was just 394 00:27:03,720 --> 00:27:07,640 Speaker 1: a squatting camp that happened to stumble upon man war 395 00:27:07,720 --> 00:27:10,720 Speaker 1: and you have done some living Yeah? Yeah? Is that 396 00:27:10,760 --> 00:27:14,359 Speaker 1: guerrilla theater? I'm not sure what it was called? What 397 00:27:14,400 --> 00:27:17,800 Speaker 1: I remember? We used to be a taco bail. Have 398 00:27:17,840 --> 00:27:19,960 Speaker 1: you've written any of this down? These are amazing starts? 399 00:27:20,000 --> 00:27:22,119 Speaker 1: Oh no, those are just my life. Wait? Is this 400 00:27:22,160 --> 00:27:23,800 Speaker 1: your monologue that you're going to go in there? Are 401 00:27:23,840 --> 00:27:28,600 Speaker 1: you auditioning passing it off its conversation? Oh? No? Are you? 402 00:27:28,720 --> 00:27:32,440 Speaker 1: That is so not cool? Are you also auditioning? Yes? Oh? 403 00:27:33,040 --> 00:27:34,760 Speaker 1: I just I thought I saw you walking there earlier, 404 00:27:34,800 --> 00:27:37,479 Speaker 1: but I guess I've just been watching and waiting. Okay, 405 00:27:37,680 --> 00:27:39,919 Speaker 1: I don't want any problems with anybody here. Remember we 406 00:27:39,960 --> 00:27:45,560 Speaker 1: were here because it's about Swinton killed us. Swinton, thank 407 00:27:45,600 --> 00:27:48,520 Speaker 1: you again for seeing me. It was an honor. That 408 00:27:49,080 --> 00:27:54,200 Speaker 1: was awesome. It was awesome. What happened? You're like, no, not, you'relowing. Honestly, 409 00:27:55,800 --> 00:27:59,720 Speaker 1: this Winton is mees please coming inside? Thank you? I 410 00:27:59,720 --> 00:28:07,720 Speaker 1: love you fantastic. What do you have prepare? If you'll 411 00:28:07,760 --> 00:28:14,880 Speaker 1: prick us? Do we not blade? Fucking Ruthie fucking Ruthie, 412 00:28:14,880 --> 00:28:21,200 Speaker 1: fucking Ruthie, fucking Ruthie, fucking Ruthie, fucking Ruthie. When have 413 00:28:21,320 --> 00:28:29,760 Speaker 1: you already that was it. It certainly was Shylock for 414 00:28:29,800 --> 00:28:34,480 Speaker 1: the Merchant of Venice were painfully aware both pieces. At 415 00:28:34,480 --> 00:28:39,200 Speaker 1: this point, can you tell me about your special skills? Yes, 416 00:28:39,360 --> 00:28:41,720 Speaker 1: I have none. On there you have? They just have 417 00:28:41,880 --> 00:28:45,200 Speaker 1: escape room. That's all you've written down. I design escape rooms, 418 00:28:45,240 --> 00:28:47,960 Speaker 1: you do so you could if we needed someone like 419 00:28:48,000 --> 00:28:51,400 Speaker 1: set designing. Uh, if you were to make the show 420 00:28:51,440 --> 00:28:55,560 Speaker 1: as a crew member and be in the show. No, 421 00:28:55,760 --> 00:28:57,680 Speaker 1: they can't have them. I don't think both. We don't 422 00:28:57,680 --> 00:29:01,080 Speaker 1: want someone behind the scene in the scene, right. Look, 423 00:29:01,560 --> 00:29:03,680 Speaker 1: if I don't get cast, I'm I want to be 424 00:29:03,720 --> 00:29:07,720 Speaker 1: involved in some way in any way. Yes, I'll design 425 00:29:07,800 --> 00:29:10,400 Speaker 1: the sets. Give me a couple of bars of if 426 00:29:10,400 --> 00:29:16,040 Speaker 1: I had a hammer, a couple of bars um, if 427 00:29:16,080 --> 00:29:23,400 Speaker 1: I had a hammer in the morning, he's killing evening. 428 00:29:25,880 --> 00:29:29,800 Speaker 1: Thank you very much. I'm I'm a baritone. You certainly 429 00:29:29,800 --> 00:29:33,400 Speaker 1: are all right. Well listen, if you'd wait in the 430 00:29:33,400 --> 00:29:36,040 Speaker 1: outer room, I think we'll think we'll be able. We'll 431 00:29:36,040 --> 00:29:43,200 Speaker 1: want to see you again. A hammer. They pent me 432 00:29:43,240 --> 00:29:49,760 Speaker 1: into it. But I sing that song all the time. 433 00:29:50,080 --> 00:29:53,720 Speaker 1: That wasn't that great. It was okay. You didn't go flat, 434 00:29:53,840 --> 00:29:56,920 Speaker 1: you didn't go sharp, You hit the notes you're mean. 435 00:29:57,200 --> 00:29:59,520 Speaker 1: I'm not mean. It's just tough when you're competing and 436 00:29:59,600 --> 00:30:02,040 Speaker 1: you have to here the person. We're not competing against 437 00:30:02,120 --> 00:30:04,360 Speaker 1: each other, that's true. Are you kidding? No, it's true. 438 00:30:04,440 --> 00:30:06,880 Speaker 1: Joking yourself. Do you think we're all going to get cast? 439 00:30:06,920 --> 00:30:10,239 Speaker 1: Haven't you listened to his last lecture? I listened to it, 440 00:30:10,280 --> 00:30:12,520 Speaker 1: But I feel like he was trying to anybody who 441 00:30:12,600 --> 00:30:15,120 Speaker 1: wasn't going for the gold. He was trying to send 442 00:30:15,120 --> 00:30:18,720 Speaker 1: home play be supportive of each other. Than what is 443 00:30:18,760 --> 00:30:21,000 Speaker 1: the matter with you? Are you? You're you're auditioning. You're 444 00:30:21,040 --> 00:30:25,600 Speaker 1: not in the room waiting to get into the room. Okay, 445 00:30:25,720 --> 00:30:28,040 Speaker 1: So like you like ask for special skills, you guys 446 00:30:28,080 --> 00:30:30,320 Speaker 1: know they're basic, the basic A lot of the audition 447 00:30:30,360 --> 00:30:36,120 Speaker 1: and his special skills and not very much. That's me. 448 00:30:37,480 --> 00:30:40,360 Speaker 1: I mean one, I'm just riding him, just finishing up 449 00:30:40,360 --> 00:30:43,080 Speaker 1: to my special skills section. And there you are. Let's 450 00:30:43,080 --> 00:30:47,160 Speaker 1: get that. I can drive a stick shift. You can 451 00:30:47,240 --> 00:30:49,959 Speaker 1: ride a horse too, can ride a horse? I can 452 00:30:51,080 --> 00:30:54,760 Speaker 1: what what style of horse riding? Were you trained? Intermediate? Okay? 453 00:30:56,320 --> 00:31:00,680 Speaker 1: Do you have a monologue? Prepare? Yes? Like me speaking 454 00:31:00,720 --> 00:31:04,320 Speaker 1: with my classical or my my let's do let's do 455 00:31:04,440 --> 00:31:10,160 Speaker 1: something from from aliens, just because I have Bogosian's Um 456 00:31:10,200 --> 00:31:15,080 Speaker 1: Suberbia prepared and Molier School for Husbands. Let's do something 457 00:31:15,200 --> 00:31:19,880 Speaker 1: when Ripley meets the little girl. Yes, let's do that. 458 00:31:23,600 --> 00:31:26,720 Speaker 1: My stomachs hurting. Sorry, just give me one second. Aliens 459 00:31:26,840 --> 00:31:28,920 Speaker 1: the first, that's the second one. I just meant, like 460 00:31:28,920 --> 00:31:36,120 Speaker 1: my actual stomach hurting. Right, Okay, there you are, there 461 00:31:36,160 --> 00:31:39,560 Speaker 1: you are. Oh, it's not going well. And it's not 462 00:31:39,640 --> 00:31:44,040 Speaker 1: going well. It sounds like he's bombing. I think his 463 00:31:44,160 --> 00:31:46,640 Speaker 1: voice sounds the same way it sounded right before he 464 00:31:46,680 --> 00:31:49,400 Speaker 1: shot himself Pirates. I'll tell you one thing. He wouldn't 465 00:31:49,440 --> 00:31:51,840 Speaker 1: be in there bombing right now if you didn't already 466 00:31:51,880 --> 00:31:54,120 Speaker 1: have himself set up for a dropping out of college. 467 00:31:54,200 --> 00:31:58,160 Speaker 1: Q and A. I mean talk about throwing yourself under 468 00:31:58,160 --> 00:31:59,840 Speaker 1: the boy. Yeah, I mean I finally agree with you 469 00:31:59,880 --> 00:32:07,800 Speaker 1: on something. Right. Yeah, we don't need the cat. We 470 00:32:07,840 --> 00:32:10,520 Speaker 1: don't need the cat. We just I thought that was beautiful. 471 00:32:10,880 --> 00:32:14,720 Speaker 1: Thank you for that. Thank you. What's that smell? Can 472 00:32:14,760 --> 00:32:21,560 Speaker 1: I get that pants? I can smell? Yes? Yes, question, 473 00:32:21,920 --> 00:32:29,640 Speaker 1: were you a chef? He's okay? No again again, I'm 474 00:32:29,640 --> 00:32:33,000 Speaker 1: sure it's the air conditioning. Let's just get through fecal 475 00:32:33,080 --> 00:32:35,040 Speaker 1: matta and the a C should can get someone think 476 00:32:35,080 --> 00:32:38,400 Speaker 1: there is rat file matter? Would you mind stepping outside? Phone? 477 00:32:38,480 --> 00:32:40,400 Speaker 1: Can you get it just a second? I think you 478 00:32:40,400 --> 00:32:46,400 Speaker 1: should have hap yourself again. Oh we weren't even taping 479 00:32:46,400 --> 00:32:51,200 Speaker 1: it to mem it. Man, It's all right, brother, happens 480 00:32:51,200 --> 00:32:52,479 Speaker 1: to me all the time. What would be a good 481 00:32:52,560 --> 00:32:55,480 Speaker 1: nick name for this one, like an audition ship, Let's see, 482 00:32:55,480 --> 00:33:05,280 Speaker 1: it'd probably be uh shitch. Yeah, well you can do 483 00:33:05,360 --> 00:33:14,080 Speaker 1: your backstage thing. Yeah, yeah, I guess that's true. Best 484 00:33:14,080 --> 00:33:16,040 Speaker 1: of luck. Up. Do you mind stepping out? You did 485 00:33:16,040 --> 00:33:19,520 Speaker 1: shoot yourself like this extended goodbye? This is kind of 486 00:33:19,600 --> 00:33:25,240 Speaker 1: part of the experience, is it not? Fellow actors real life? 487 00:33:25,760 --> 00:33:30,880 Speaker 1: As if use it right? That's uh, that's a Meisner thing, 488 00:33:31,120 --> 00:33:34,400 Speaker 1: as if it was actually happening to you. And don't 489 00:33:34,440 --> 00:33:37,720 Speaker 1: give me that. Oh yeah, we know Jimmy, Yeah, we 490 00:33:37,760 --> 00:33:42,000 Speaker 1: know Meisner. Carl we know Meisner. Yeah, we know, yeah, 491 00:33:42,040 --> 00:33:48,880 Speaker 1: we yeah, we know all right, you know him personally, right, Warren? 492 00:33:49,040 --> 00:33:51,440 Speaker 1: I did. Yeah. I shared a double wide with him 493 00:33:51,440 --> 00:33:52,720 Speaker 1: for a while. He said something to you on his 494 00:33:52,800 --> 00:33:56,000 Speaker 1: death best he said, only lenin that's what he should 495 00:33:58,440 --> 00:34:03,480 Speaker 1: only linen. What else? What else you want? Only repeat 496 00:34:03,600 --> 00:34:08,640 Speaker 1: my fucking words? I see, I know mine? I got you? Man? 497 00:34:08,840 --> 00:34:15,800 Speaker 1: What else do you need? What else you like? You 498 00:34:15,960 --> 00:34:18,759 Speaker 1: don't like this? You don't don't you don't die like this? 499 00:34:18,800 --> 00:34:25,200 Speaker 1: Don't you die like like you? You? What a master? Yeah? 500 00:34:25,400 --> 00:34:30,680 Speaker 1: He died in his own filth. Yeah, I feel like 501 00:34:31,440 --> 00:34:33,759 Speaker 1: you should do a monologue. You should do it in 502 00:34:33,800 --> 00:34:37,919 Speaker 1: original monologue. That's a good story. I usually I'm trying. 503 00:34:38,280 --> 00:34:40,760 Speaker 1: They didn't want to even hear my prepared piece. Honestly, 504 00:34:40,800 --> 00:34:42,360 Speaker 1: They're going to put you on the spot anyway, so 505 00:34:42,440 --> 00:34:44,600 Speaker 1: you might as well come in there with like some dynamite. 506 00:34:45,320 --> 00:34:49,360 Speaker 1: I'll do my best, but you know, welcome man. What 507 00:34:49,520 --> 00:34:54,000 Speaker 1: is your name? Place? George Cloney? And Mr Quinny? What 508 00:34:54,160 --> 00:34:57,720 Speaker 1: if you prepared first? Well? Uh, I got a little something, 509 00:34:57,920 --> 00:35:01,400 Speaker 1: says he you new? Yeah, good buddy, my my roommate 510 00:35:01,440 --> 00:35:05,719 Speaker 1: for a while. Okay, he died in the in the 511 00:35:05,760 --> 00:35:08,360 Speaker 1: double while we were staying and and uh pete and 512 00:35:08,400 --> 00:35:11,720 Speaker 1: pood on himself and sweat out every Mr Clooney, everyone 513 00:35:11,719 --> 00:35:14,440 Speaker 1: knows how he died. All right, we'll uh do you 514 00:35:14,480 --> 00:35:18,160 Speaker 1: know what. Let's just begin when you're ready. All right, 515 00:35:21,440 --> 00:35:25,240 Speaker 1: your father was captain of a starship for fifteen minutes. 516 00:35:26,000 --> 00:35:30,680 Speaker 1: He saved ten thousand lives. I dare you to do better. 517 00:35:31,560 --> 00:35:35,920 Speaker 1: That's from the star Trek when they rebooted it. Um, 518 00:35:36,440 --> 00:35:42,480 Speaker 1: she's doing the GM start trek up so natural than 519 00:35:42,520 --> 00:35:45,439 Speaker 1: any of us. Yeah, he's really done some living. Where 520 00:35:45,440 --> 00:35:51,480 Speaker 1: are you from? Uh? Birth unknown? But I did grow 521 00:35:51,600 --> 00:35:55,080 Speaker 1: up in the Great Plains area, Tornado Country? And when 522 00:35:55,080 --> 00:35:56,960 Speaker 1: did you just when did you realize you had to 523 00:35:57,000 --> 00:35:59,799 Speaker 1: be an actor? I realized I had to be an 524 00:36:00,200 --> 00:36:04,200 Speaker 1: or when honestly want to hit a rock top uh? 525 00:36:04,239 --> 00:36:06,520 Speaker 1: And things for things weren't going the way that I 526 00:36:06,560 --> 00:36:09,040 Speaker 1: wanted to go financially, but you felt that was rock 527 00:36:09,160 --> 00:36:15,440 Speaker 1: top yuh And uh I actually got after Meisner had passed. Um, 528 00:36:16,040 --> 00:36:20,399 Speaker 1: I started following this circus around and uh I pick 529 00:36:20,480 --> 00:36:23,480 Speaker 1: up their trash and slowly integrate into their social community. 530 00:36:23,520 --> 00:36:26,239 Speaker 1: Did you learn any skills there? I did? I learned 531 00:36:26,239 --> 00:36:30,120 Speaker 1: how to pitch tense. I learned that human faces has 532 00:36:30,160 --> 00:36:34,719 Speaker 1: many many uh uses. It's not just for fuel. Uh. Well, 533 00:36:34,760 --> 00:36:37,439 Speaker 1: you can use it to make brick. If you dry 534 00:36:37,480 --> 00:36:39,480 Speaker 1: it out and you use certain pieces of meat, it 535 00:36:39,480 --> 00:36:41,480 Speaker 1: actually becomes like a fabric and you can use this 536 00:36:41,600 --> 00:36:45,840 Speaker 1: close to and uh. Not only is it used for sores, 537 00:36:45,920 --> 00:36:50,680 Speaker 1: bed or otherwise, but ingested through the angus again actually 538 00:36:50,760 --> 00:36:53,480 Speaker 1: makes like a breadlight consistency which can be shared. Can 539 00:36:53,480 --> 00:36:56,400 Speaker 1: you start? Don't even tell if he's acting. It's so naturalistic, 540 00:36:57,880 --> 00:37:02,160 Speaker 1: it's amazing, you know what. I have a crush on Warren, 541 00:37:02,600 --> 00:37:08,279 Speaker 1: but he's like Warren, he's a genius. You know, the 542 00:37:08,320 --> 00:37:12,520 Speaker 1: last man I hadn't fair with. We know so what 543 00:37:13,040 --> 00:37:15,040 Speaker 1: you can't stop telling us about it? Oh my god, 544 00:37:15,040 --> 00:37:23,480 Speaker 1: I think I booked it. I thank you. Wow, this 545 00:37:23,600 --> 00:37:25,239 Speaker 1: is crazy. I can't even get to work with all 546 00:37:25,280 --> 00:37:28,279 Speaker 1: young people. Oh, you're so relaxed already. Yeah, I've been 547 00:37:28,280 --> 00:37:29,920 Speaker 1: doing enough things, like I have you to take the 548 00:37:29,920 --> 00:37:33,040 Speaker 1: good stuff? Are you still here in the I don't 549 00:37:33,040 --> 00:37:35,080 Speaker 1: think you should count in your chickens before they've hatched, 550 00:37:35,080 --> 00:37:40,480 Speaker 1: because I haven't auditioned yet. You're going to audition. I've 551 00:37:40,520 --> 00:37:44,080 Speaker 1: been waiting here to audition. I'm that's all the time 552 00:37:44,120 --> 00:37:46,880 Speaker 1: we'll have for the rest of you. Please sign up 553 00:37:46,880 --> 00:37:49,960 Speaker 1: again tomorrow if you're interested. But I've I've been sorry. 554 00:37:50,000 --> 00:37:51,799 Speaker 1: What was that I've been here for? You had something 555 00:37:51,840 --> 00:37:57,880 Speaker 1: to say to your monolucke? Now? Oh, I shall not pass. 556 00:37:58,680 --> 00:38:03,239 Speaker 1: There are time when Hobbits want to cross bridges, and 557 00:38:03,360 --> 00:38:07,239 Speaker 1: there are times when hobbits should stay. You understand, I'm 558 00:38:07,239 --> 00:38:10,960 Speaker 1: gonna get the tune of fish. Fine, fantastic, Just give 559 00:38:11,000 --> 00:38:13,279 Speaker 1: me one more try. I'll do the contemporary. Peace have 560 00:38:13,400 --> 00:38:20,040 Speaker 1: mine with that bread you sid struck down upon we 561 00:38:20,280 --> 00:38:24,000 Speaker 1: guys come back, or and you taste like tobacco. Yeah, 562 00:38:24,040 --> 00:38:27,880 Speaker 1: I rub it on my body to distress. You know, 563 00:38:27,960 --> 00:38:32,560 Speaker 1: my first two wives they worked on tobacco farms. Yeah. 564 00:38:33,320 --> 00:38:35,319 Speaker 1: I had an affair with him mine, So I guess 565 00:38:35,320 --> 00:38:39,400 Speaker 1: I'm pretty interesting. He couldn't see, really could but he 566 00:38:39,600 --> 00:38:44,680 Speaker 1: made other people say you know. Yeah, alright, well, ladies 567 00:38:44,680 --> 00:38:49,440 Speaker 1: and gentlemen, welcome to opening night of It's a darn shame. 568 00:38:52,760 --> 00:38:59,719 Speaker 1: It's a darn shame. Shut up, I am saying. No, 569 00:39:00,040 --> 00:39:06,439 Speaker 1: you've built. I know I just built. The day will come. 570 00:39:06,600 --> 00:39:12,160 Speaker 1: Please stop, my god. Everybody use your special skills, the 571 00:39:12,640 --> 00:39:16,319 Speaker 1: cruel worl We have special skills too, No we don't. 572 00:39:16,320 --> 00:39:19,919 Speaker 1: Only you can see us. Doesn't matter. We're nothing. We're nothing. 573 00:39:20,200 --> 00:39:22,520 Speaker 1: Is the true or nothing? They don't want to say 574 00:39:22,560 --> 00:39:25,600 Speaker 1: it's true, but it feels right. Look before you open 575 00:39:25,680 --> 00:39:28,040 Speaker 1: this curtain You're gonna have to solve this clue. What 576 00:39:28,280 --> 00:39:37,520 Speaker 1: is it? Oh? The worst and the best sexually? At 577 00:39:37,560 --> 00:39:41,799 Speaker 1: seventy three. Our last scene today comes from an anonymous 578 00:39:41,840 --> 00:39:47,160 Speaker 1: listener who suggests that greetings can miss as I have 579 00:39:47,320 --> 00:39:50,800 Speaker 1: enjoyed the alchemy chaos. I was driving by a local 580 00:39:50,960 --> 00:39:56,640 Speaker 1: doggy daycare, thus inspiration set scene a midsize city dog 581 00:39:56,800 --> 00:40:01,960 Speaker 1: daycare counter attendant the heat enter, big city, wealthy woman 582 00:40:02,200 --> 00:40:06,200 Speaker 1: with an exotic animals such as an emu, insisting that 583 00:40:06,640 --> 00:40:09,760 Speaker 1: where she is from they accept all breeds of creature. 584 00:40:10,040 --> 00:40:14,200 Speaker 1: Following her are other people from say reality shows with animals, 585 00:40:14,200 --> 00:40:16,719 Speaker 1: such as a bayou swamper with an alligator know it 586 00:40:16,880 --> 00:40:21,680 Speaker 1: and with the duck no it? Yes? I could continue, 587 00:40:21,719 --> 00:40:25,640 Speaker 1: but you get the okay? Alchemist, Yes and not signed. 588 00:40:27,040 --> 00:40:30,600 Speaker 1: It's a bird. This is a dark kennel. If this 589 00:40:30,719 --> 00:40:33,120 Speaker 1: is a bird, it's not going to last a day 590 00:40:33,160 --> 00:40:37,280 Speaker 1: in this kennel. It will last several days. He's a fighter, 591 00:40:37,600 --> 00:40:41,000 Speaker 1: aren't you our truth? Oh? Come here, give him mommy 592 00:40:41,040 --> 00:40:44,880 Speaker 1: a tongue. Okay, Well, here's the thing is, I'm not prepared. 593 00:40:45,200 --> 00:40:47,360 Speaker 1: What's your name? Where's your name? Tag? Why don't you 594 00:40:47,360 --> 00:40:52,200 Speaker 1: have a name? The hean it's my last name. The 595 00:40:52,360 --> 00:40:57,000 Speaker 1: last name is the her hein. I mean it's you 596 00:40:57,040 --> 00:40:58,680 Speaker 1: don't have to insult me. I'm going to be taking 597 00:40:58,680 --> 00:41:01,000 Speaker 1: care of your precious bird. Do you want you for 598 00:41:01,239 --> 00:41:05,600 Speaker 1: admitting it? Allegra Dunburrow. I've already made the reservation. I 599 00:41:05,680 --> 00:41:07,400 Speaker 1: just didn't realize when it was filled out that it 600 00:41:07,440 --> 00:41:08,760 Speaker 1: was a bird. I'm gonna have to get a special 601 00:41:08,800 --> 00:41:10,160 Speaker 1: kind of I don't know how to feed a bird. 602 00:41:10,200 --> 00:41:13,120 Speaker 1: I don't know how. This attitude is not serving anyone. 603 00:41:13,320 --> 00:41:17,720 Speaker 1: This is problematic. I have to go. I am needed places. Wait, 604 00:41:19,000 --> 00:41:20,600 Speaker 1: can you feed it after midnight? Or is it going 605 00:41:20,640 --> 00:41:24,319 Speaker 1: to turn into It's not a gremlin, Miss Dunburrows are 606 00:41:24,320 --> 00:41:26,399 Speaker 1: a problem. There is a problem. Thank you for coming 607 00:41:26,400 --> 00:41:31,840 Speaker 1: back again, Thank you for existing. Oh is that the hean? 608 00:41:32,520 --> 00:41:41,239 Speaker 1: The he Oh this isn't Charlie. Charlie pass yes, brought 609 00:41:41,239 --> 00:41:44,680 Speaker 1: the talking one. This is a new friend. Beauty, beauty, beauty. 610 00:41:45,880 --> 00:41:48,959 Speaker 1: She's gorgeous. Thank you, and I am having a little 611 00:41:49,000 --> 00:41:53,480 Speaker 1: trouble with the hean. I'm sure you'll alleviate the problems. Well, 612 00:41:54,280 --> 00:41:56,440 Speaker 1: I guess I until now, I've never seen us take 613 00:41:56,480 --> 00:41:59,719 Speaker 1: anything except dogs, because we take everything, really all of 614 00:41:59,800 --> 00:42:04,000 Speaker 1: god creatures. All of God's creatures were religious. Well, me 615 00:42:04,080 --> 00:42:06,680 Speaker 1: and my bird, then we will take this bird. And 616 00:42:07,480 --> 00:42:11,120 Speaker 1: what their name? Again? Well? He has many names? Which 617 00:42:11,160 --> 00:42:16,080 Speaker 1: one should we write down? Corpet? Corpett, corpet. I'll let 618 00:42:16,120 --> 00:42:19,839 Speaker 1: him choose. Come on, Kyle, Hi, what do I sign in? Um? 619 00:42:20,040 --> 00:42:22,680 Speaker 1: You can sign it with me, terrific. I don't want 620 00:42:22,680 --> 00:42:25,080 Speaker 1: to stay here, he's I'm leaving my side. Can There's 621 00:42:25,120 --> 00:42:27,600 Speaker 1: no way we can take a child. We're a kennel. 622 00:42:27,760 --> 00:42:32,000 Speaker 1: I'm sorry, I just I'm sorry. You have a business trip. 623 00:42:32,920 --> 00:42:36,319 Speaker 1: You probably don't know much about business, but I do. Well, 624 00:42:36,680 --> 00:42:41,160 Speaker 1: it's just like, honestly, the supervision. Can't I stay with dad? 625 00:42:41,200 --> 00:42:43,960 Speaker 1: Do you like doggies? They're fine? Do you like birdies? 626 00:42:44,440 --> 00:42:47,120 Speaker 1: I don't know. Okay, it's gonna be fine. How old 627 00:42:47,160 --> 00:42:50,600 Speaker 1: is Kyle, Kyle? How old are you? No? I can't 628 00:42:50,640 --> 00:42:53,200 Speaker 1: see that. Like there's it needs constant supervisions. Where the 629 00:42:53,239 --> 00:42:57,320 Speaker 1: human being needs constant supervision, needs constant supervision. He doesn't. 630 00:42:57,320 --> 00:43:00,400 Speaker 1: He's fine. I'm fine being referred to as it. I 631 00:43:00,880 --> 00:43:04,239 Speaker 1: really like, I really don't think it's appropriate. Showed me 632 00:43:04,280 --> 00:43:06,880 Speaker 1: back back. He has pop tarts in there. That's a 633 00:43:06,960 --> 00:43:10,239 Speaker 1: nice backpack with all of ours, thank and h Cantigo 634 00:43:10,640 --> 00:43:15,800 Speaker 1: container of coffee. Well with you. I see you're probably 635 00:43:15,800 --> 00:43:17,960 Speaker 1: too young to drink coffee. I'm gonna have to just 636 00:43:18,200 --> 00:43:24,800 Speaker 1: got a problem. Yes, we got the dog kennels. Okay, 637 00:43:25,840 --> 00:43:29,400 Speaker 1: hold on, hold on, girl, girl, we got we have 638 00:43:29,400 --> 00:43:33,799 Speaker 1: a new person, new Kyle. Great. I'm leaving him here 639 00:43:33,840 --> 00:43:43,640 Speaker 1: with okay, um, I don't know when I'll be back. 640 00:43:44,200 --> 00:43:49,040 Speaker 1: Here's my cell phone number. Here's seven hundred dollars in cash. Okay, 641 00:43:49,080 --> 00:43:52,320 Speaker 1: I'm sorry, I'm sorry. Hold on one second, give me 642 00:43:52,360 --> 00:44:01,399 Speaker 1: a kiss. Okay, I'm fine. Just okay, he's embarrassed. Can 643 00:44:01,440 --> 00:44:05,480 Speaker 1: you take Kyle with you and wrangle these dogs with me? 644 00:44:06,080 --> 00:44:13,759 Speaker 1: Going on with what's going on? Well? There on each other? 645 00:44:15,280 --> 00:44:18,200 Speaker 1: That's not good. The big ones are winning, as you 646 00:44:18,239 --> 00:44:23,120 Speaker 1: would guess. That's the most You're not supposed to have 647 00:44:23,160 --> 00:44:25,240 Speaker 1: the big ones and the little ones together. I didn't 648 00:44:25,640 --> 00:44:28,960 Speaker 1: I didn't do it. You didn't do it. Okay, Well, 649 00:44:28,960 --> 00:44:33,920 Speaker 1: you're in charge of the locks and the keys. Can uh, Kyle, 650 00:44:34,000 --> 00:44:36,479 Speaker 1: please get off of that move that is that bird? 651 00:44:36,520 --> 00:44:42,399 Speaker 1: Cannot you can't be That's not a bearing way et 652 00:44:42,840 --> 00:44:45,080 Speaker 1: ll I focus on what's going on with the dogs. 653 00:44:45,800 --> 00:44:49,760 Speaker 1: This is not my fault. I am front. The dogs 654 00:44:49,800 --> 00:44:55,000 Speaker 1: are killing in each other. Okay, I see that. I 655 00:44:55,040 --> 00:44:57,359 Speaker 1: can't get in between those dogs fighting. I'm gonna get 656 00:44:57,400 --> 00:45:00,400 Speaker 1: torn to shreds. Hey the yes, k how do you 657 00:45:00,400 --> 00:45:03,640 Speaker 1: get your own nicknames? Started like that? It's not a nickname. 658 00:45:03,719 --> 00:45:05,520 Speaker 1: He just had a Brandon all his name died. All 659 00:45:05,560 --> 00:45:08,000 Speaker 1: of us put our room names on there is he 660 00:45:08,239 --> 00:45:13,799 Speaker 1: requested Dan. It's my last nickname. Everybody knows that. Thank you. 661 00:45:13,880 --> 00:45:18,960 Speaker 1: What's your name? Ethn? Kyle look likely to me. I 662 00:45:19,000 --> 00:45:24,279 Speaker 1: wouldn't mind being called Ethan on your knime nickname the 663 00:45:24,600 --> 00:45:29,160 Speaker 1: name Taxa for employees only. There Now, Kyle is eleven 664 00:45:29,200 --> 00:45:33,480 Speaker 1: years old? Girl, how are we go say sixteen? Well, 665 00:45:34,040 --> 00:45:37,839 Speaker 1: we just got a new heart. Alright, Well, then you 666 00:45:37,880 --> 00:45:39,920 Speaker 1: get to show him around the place where that while 667 00:45:39,960 --> 00:45:43,000 Speaker 1: you're sopping up dog blood and the kennel. All right, 668 00:45:43,200 --> 00:45:44,960 Speaker 1: I guess I'll have to do what I have to do. 669 00:45:45,320 --> 00:45:48,200 Speaker 1: Come on, Nathan, let me show you how the faith 670 00:45:48,320 --> 00:45:52,000 Speaker 1: that a little berk cool on the roof room for 671 00:45:52,080 --> 00:45:55,040 Speaker 1: one place? Um, excuse me out of the check in, 672 00:45:55,760 --> 00:45:59,160 Speaker 1: you're you're this is I'm sorry, this is a dog kennel. 673 00:45:59,520 --> 00:46:04,279 Speaker 1: Very well, it's a donkey hotel. Hotel, it is nonetheless, 674 00:46:04,600 --> 00:46:06,600 Speaker 1: it's a it's high end. I would like to live 675 00:46:06,640 --> 00:46:11,800 Speaker 1: here for one week's time. Here's a briefcase. Money's inside 676 00:46:12,960 --> 00:46:15,640 Speaker 1: my husband. He's being dramatic. You call a man a 677 00:46:15,719 --> 00:46:19,720 Speaker 1: dog and he acts like a dog wolf. Well, here's 678 00:46:19,719 --> 00:46:21,560 Speaker 1: the thing is, if I take you and put you 679 00:46:21,600 --> 00:46:24,160 Speaker 1: into these cannels, you're going to be sleeping with dogs. 680 00:46:25,000 --> 00:46:28,960 Speaker 1: I told you it would never work. Um, that is 681 00:46:29,000 --> 00:46:32,120 Speaker 1: what we want to happen. And my wife happens to 682 00:46:32,120 --> 00:46:36,520 Speaker 1: sleep with a dog every night. Stop. We're playing a 683 00:46:36,520 --> 00:46:40,600 Speaker 1: little game, and in this chapter, my darling needs to 684 00:46:40,600 --> 00:46:45,440 Speaker 1: sleep with the dogs. In chapter two, we were shoving 685 00:46:45,480 --> 00:46:49,799 Speaker 1: heroin up our. He doesn't want to be bored with 686 00:46:49,840 --> 00:46:56,520 Speaker 1: the details, my hand reaching into his tight, tight assholere 687 00:46:57,040 --> 00:47:02,080 Speaker 1: sure you are making very disgusting were very well around. 688 00:47:02,480 --> 00:47:04,319 Speaker 1: Kick him up in a week and in that week, 689 00:47:04,400 --> 00:47:09,279 Speaker 1: I hope you've gotten him into submission for Oh, he 690 00:47:09,440 --> 00:47:14,839 Speaker 1: bait me. You have to kick this dog. I kick him, 691 00:47:15,680 --> 00:47:20,080 Speaker 1: kave me. I can't kick kick the kick alright, alright, 692 00:47:20,120 --> 00:47:29,279 Speaker 1: I'll kick him okay, So sorry, hello, oh hi hi, 693 00:47:29,719 --> 00:47:32,440 Speaker 1: I am almost wondering if I could get an animal 694 00:47:32,600 --> 00:47:36,160 Speaker 1: take home. No, we only take animals from other people 695 00:47:36,320 --> 00:47:41,200 Speaker 1: and of the Excuse me, I'm happy to see what 696 00:47:41,280 --> 00:47:43,400 Speaker 1: this journey takes me. I'm for so I want to 697 00:47:43,440 --> 00:47:47,839 Speaker 1: cut up an animal, I'm going to pay Wait wait, wait, wait, 698 00:47:47,800 --> 00:47:49,440 Speaker 1: I want to kick an animal. Want to point it 699 00:47:49,520 --> 00:47:53,239 Speaker 1: up and see what the insides are. Um, I'm gonna 700 00:47:53,239 --> 00:47:56,919 Speaker 1: go to the canal, Garl. That's not appropriate. Well those 701 00:47:56,960 --> 00:47:59,799 Speaker 1: in appropriate. Since I am all, I can show you 702 00:47:59,800 --> 00:48:03,480 Speaker 1: what's it's. It's a wawa right now, come with me. 703 00:48:03,800 --> 00:48:09,520 Speaker 1: Where's your name? Even? You're gonna love your new brother Raven. 704 00:48:11,800 --> 00:48:15,439 Speaker 1: Excuse me, I need to canel for tonight. Wait, there's 705 00:48:15,440 --> 00:48:17,240 Speaker 1: gonna be a full moon. I don't want to kill again. 706 00:48:18,040 --> 00:48:20,960 Speaker 1: My god, are you wearable? God? I don't want to 707 00:48:21,040 --> 00:48:24,080 Speaker 1: kill again. Listen, we have an actual special kennel for 708 00:48:24,160 --> 00:48:27,120 Speaker 1: people just like you, for liking thropes. For liking thropes. 709 00:48:27,920 --> 00:48:31,240 Speaker 1: I'm gonna have the accommodations. I mean, it's just bars, 710 00:48:31,239 --> 00:48:34,439 Speaker 1: and we change you neck first. You want to change me? Good? Well, 711 00:48:34,480 --> 00:48:37,000 Speaker 1: we were finding real strong. I can break out anywhere. 712 00:48:37,400 --> 00:48:41,719 Speaker 1: Trust me, Garl knows how to lock you up. So 713 00:48:42,320 --> 00:48:45,120 Speaker 1: affright of lock and throw from from the looks of it. 714 00:48:45,120 --> 00:48:46,880 Speaker 1: We probably got about an hour and a half before 715 00:48:46,920 --> 00:48:51,600 Speaker 1: he full bursts. Yeah, well that's enough time. The locks 716 00:48:52,320 --> 00:48:55,680 Speaker 1: I know. I'm just saying, let's put it there. Just 717 00:48:55,800 --> 00:48:58,000 Speaker 1: lock him in. God is gonna be a full moon 718 00:48:58,000 --> 00:48:59,920 Speaker 1: and night. Yeah, it's gonna be a full moon. But 719 00:49:00,080 --> 00:49:02,000 Speaker 1: that an hour and a half and you are not. 720 00:49:04,320 --> 00:49:07,160 Speaker 1: This is a dog kennel. That's a dog, the dog 721 00:49:07,200 --> 00:49:10,560 Speaker 1: that won the big death war. There was a death 722 00:49:10,600 --> 00:49:14,480 Speaker 1: war and the camel. Most of the dogs really go 723 00:49:14,520 --> 00:49:18,239 Speaker 1: at it. Little dogs lost this one part of me. 724 00:49:18,239 --> 00:49:21,959 Speaker 1: Who do I ring for room service? Uh? Well there's 725 00:49:22,000 --> 00:49:24,680 Speaker 1: no rings. There's no room service. You checked into a 726 00:49:24,719 --> 00:49:28,160 Speaker 1: dog kennel. Okay, I will have my supper in an 727 00:49:28,160 --> 00:49:31,040 Speaker 1: hour and a half at the full moon. Please, you're 728 00:49:31,080 --> 00:49:33,319 Speaker 1: gonna be getting a big pile of dog food in 729 00:49:33,360 --> 00:49:37,959 Speaker 1: a bowl. The speaking of yummy. Who's this young man? Well, 730 00:49:38,600 --> 00:49:41,120 Speaker 1: get him away from me. You should really step back. 731 00:49:42,800 --> 00:49:45,000 Speaker 1: Anytime someone tells me to step back, I take two 732 00:49:45,040 --> 00:49:49,399 Speaker 1: steps closer. Oh God, I know I'm gonna kill this guy. 733 00:49:48,640 --> 00:49:54,560 Speaker 1: We got minutes before. For God's sake, fancy a game 734 00:49:54,600 --> 00:49:57,359 Speaker 1: of chess? I do like chess. Great, let's go play 735 00:49:57,400 --> 00:49:59,680 Speaker 1: all right? Ex curiously, man, I don't mean to bother you, 736 00:49:59,719 --> 00:50:02,600 Speaker 1: but I believe my master checked into this place earlier 737 00:50:02,600 --> 00:50:05,319 Speaker 1: and I was looking for him. Please. Oh wow, we've 738 00:50:05,320 --> 00:50:08,200 Speaker 1: got an extensive list your master could he claims to 739 00:50:08,200 --> 00:50:10,800 Speaker 1: be aware of but of course he isn't because it's absurd. 740 00:50:12,520 --> 00:50:14,440 Speaker 1: I don't know what. I just need a couple of 741 00:50:14,440 --> 00:50:19,040 Speaker 1: words with him. Please. I know he's fly a chest 742 00:50:19,120 --> 00:50:22,719 Speaker 1: with the freak. Please take me to the chessboard. I 743 00:50:22,800 --> 00:50:25,760 Speaker 1: think they're just during a sort of makeshift chessboard because 744 00:50:25,800 --> 00:50:27,839 Speaker 1: as far as oh no, we don't have a chess 745 00:50:27,840 --> 00:50:32,560 Speaker 1: board the checkers board, and they can don't have the horse. Well, 746 00:50:33,960 --> 00:50:37,200 Speaker 1: I brought the horse. I have two horses in my bay. Okay, 747 00:50:37,200 --> 00:50:39,720 Speaker 1: I'll go to the rooftop where the pagans are about. 748 00:50:39,760 --> 00:50:41,680 Speaker 1: That's where they're doing a chest. Please show me to 749 00:50:41,719 --> 00:50:50,840 Speaker 1: be there's the stairs. I should go there myself. What 750 00:50:50,960 --> 00:50:56,120 Speaker 1: an interesting place? Three more steps? Count on because I 751 00:50:56,200 --> 00:51:00,040 Speaker 1: scare me when I'm going on, very well? Why and 752 00:51:01,560 --> 00:51:05,000 Speaker 1: thank you very much? And which way to find my master? I' 753 00:51:05,200 --> 00:51:08,799 Speaker 1: just look around for him. Oh my god, why are 754 00:51:08,800 --> 00:51:11,759 Speaker 1: you castling so quickly? It's my prerogative. I could do 755 00:51:11,760 --> 00:51:13,680 Speaker 1: whatever I wish. Yes, you can. But it's not a 756 00:51:13,719 --> 00:51:19,160 Speaker 1: good move. That's that's that's that's my strategy. Oh god, 757 00:51:19,200 --> 00:51:21,839 Speaker 1: what is that? Well, we are in a dog. I'm 758 00:51:21,840 --> 00:51:28,920 Speaker 1: assuming it's a dog. Who's that? Master? There you are. 759 00:51:28,960 --> 00:51:30,680 Speaker 1: I looked all over for you. I knew you must 760 00:51:30,719 --> 00:51:33,719 Speaker 1: have come to this place. Carl, Please come, Carl, what 761 00:51:33,760 --> 00:51:35,960 Speaker 1: are you doing? Please come with me right away. I've 762 00:51:35,960 --> 00:51:37,640 Speaker 1: got it. You gotta lock me up. I don't want 763 00:51:37,640 --> 00:51:39,840 Speaker 1: to kill again. Look at the time, it's an early 764 00:51:39,880 --> 00:51:45,919 Speaker 1: moon tonights. Carl, my live's Carl. How do you Carl? 765 00:51:46,000 --> 00:51:50,000 Speaker 1: But withzard three car No, no, no, they are on 766 00:51:50,040 --> 00:51:58,359 Speaker 1: the front. Get carlos them. It's officially a full move. 767 00:51:59,200 --> 00:52:10,480 Speaker 1: We have to get your everyone. It's wrong, big, big, 768 00:52:13,160 --> 00:52:19,879 Speaker 1: as much longer than normal. Yeah. So I just pretty 769 00:52:19,960 --> 00:52:22,640 Speaker 1: much just want to just drop off the cats for 770 00:52:22,640 --> 00:52:26,480 Speaker 1: a little bit. And this is the worst idea. I cannot. 771 00:52:26,800 --> 00:52:32,080 Speaker 1: I have accepted children, human beings, but for me to 772 00:52:32,160 --> 00:52:37,120 Speaker 1: bring this cat into this place right now, it's beyond it. Okay, 773 00:52:37,440 --> 00:52:41,440 Speaker 1: I don't care my light on the roof, CARLD. This 774 00:52:41,480 --> 00:52:49,200 Speaker 1: guy wants to bring cats that the creatures, the creatures, 775 00:52:49,480 --> 00:52:52,719 Speaker 1: there's crazy. The guy just turned into a werewolf and 776 00:52:52,760 --> 00:52:58,480 Speaker 1: knocked the chessboard over. True, he was mad. Then are 777 00:52:58,520 --> 00:53:01,200 Speaker 1: you eleven? Yeah, I'm staying here for the weekend. I 778 00:53:01,400 --> 00:53:06,080 Speaker 1: told you our child checked in. Okay, I'll guess I'll 779 00:53:06,120 --> 00:53:08,360 Speaker 1: just leave my cats up my mom's I guess. I 780 00:53:08,920 --> 00:53:11,080 Speaker 1: don't care what you do with your cats, but you 781 00:53:11,160 --> 00:53:25,880 Speaker 1: better care. Yeah, that's right, that's exactly right. It was perfect, 782 00:53:26,080 --> 00:53:29,439 Speaker 1: there were We've just broke into the reception area. Oh 783 00:53:29,520 --> 00:53:33,479 Speaker 1: and end of the madness. Let's thank our engineer Doug 784 00:53:33,520 --> 00:53:41,880 Speaker 1: Baine please, and our post sound engineer and design Raphael Britto, 785 00:53:43,520 --> 00:53:46,839 Speaker 1: our producer Sophie Lichtman. And lastly, I heart media. Of course, 786 00:53:46,840 --> 00:53:48,760 Speaker 1: I encourage you all to write a review, tell everyone 787 00:53:48,760 --> 00:53:50,759 Speaker 1: you've ever met, and write to us at your name 788 00:53:50,800 --> 00:53:52,879 Speaker 1: here at alchemy this dot com. Two episodes a week, 789 00:53:52,880 --> 00:53:55,520 Speaker 1: Tuesdays and Thursdays. We'd love to hear from you. Let's 790 00:53:55,520 --> 00:53:57,239 Speaker 1: go around and say thank you to everyone. But that's 791 00:53:57,239 --> 00:54:00,080 Speaker 1: a ragland Venis, thank you so much, thank you, but 792 00:54:00,160 --> 00:54:04,240 Speaker 1: n it's always the joy, oh man, Craig Atkowski, Hey, 793 00:54:04,560 --> 00:54:08,799 Speaker 1: that what a pleasure. Couldn't here the heat? That's me 794 00:54:08,920 --> 00:54:12,040 Speaker 1: I got like plugged into that last scene. That's almost advertisement. 795 00:54:14,080 --> 00:54:16,080 Speaker 1: We've heard enough from the game. Well, I mean you 796 00:54:16,120 --> 00:54:21,799 Speaker 1: could get more at brief Perfect Christopher Rodo Brief News 797 00:54:21,840 --> 00:54:27,000 Speaker 1: brief dot com. Nice pleasure, pleasure, pleasure, pleasure always. All Right, 798 00:54:27,080 --> 00:55:00,120 Speaker 1: that's it for today, Until next time, U