1 00:00:00,120 --> 00:00:12,800 Speaker 1: This Day in a History classic production of My Heart Radio. Hello, 2 00:00:12,960 --> 00:00:16,080 Speaker 1: and welcome to This Day in History Class, a show 3 00:00:16,160 --> 00:00:18,520 Speaker 1: that gives a quick look. It's something that happened a 4 00:00:18,640 --> 00:00:23,800 Speaker 1: long time ago. Today I'm Gabe Lousier and in this episode, 5 00:00:24,040 --> 00:00:27,800 Speaker 1: we're talking about a monumental moment in TV history, the 6 00:00:27,920 --> 00:00:38,080 Speaker 1: launch of the world's first all day music channel. The 7 00:00:38,200 --> 00:00:44,080 Speaker 1: day was August one. MTV went on the air for 8 00:00:44,159 --> 00:00:47,600 Speaker 1: the first time at twelve oh one am. It was 9 00:00:47,640 --> 00:00:51,720 Speaker 1: the first cable channel devoted entirely to music videos, which 10 00:00:51,760 --> 00:00:56,880 Speaker 1: had aired around the clock seven. That programming concept had 11 00:00:56,880 --> 00:01:00,600 Speaker 1: been developed through a joint venture between Warner Commune, Occasions, 12 00:01:00,800 --> 00:01:04,960 Speaker 1: and American Express. The idea was to copy the format 13 00:01:05,000 --> 00:01:08,920 Speaker 1: of Top forty radio stations by having on air hosts 14 00:01:09,120 --> 00:01:13,960 Speaker 1: here known as video jockeys or VJs, introduced music videos 15 00:01:14,160 --> 00:01:17,600 Speaker 1: and then banter about music related topics in between the clips. 16 00:01:18,560 --> 00:01:21,600 Speaker 1: Not many people saw the channel when it first launched, 17 00:01:21,720 --> 00:01:25,279 Speaker 1: as it was originally available only to households in certain 18 00:01:25,360 --> 00:01:28,320 Speaker 1: parts of New Jersey. The channel was picked up by 19 00:01:28,360 --> 00:01:32,240 Speaker 1: cable operators in Kansas City shortly after its debut, but 20 00:01:32,400 --> 00:01:35,959 Speaker 1: larger markets like New York City and Los Angeles didn't 21 00:01:35,959 --> 00:01:40,679 Speaker 1: carry the channel until considerably later. Despite that slow start, 22 00:01:41,240 --> 00:01:45,240 Speaker 1: MTV or Music Television went on to shake up the 23 00:01:45,440 --> 00:01:49,800 Speaker 1: entire music industry, driving record sales and creating new ways 24 00:01:49,920 --> 00:01:53,600 Speaker 1: for audiences to find and fall in love with music. 25 00:01:54,360 --> 00:01:58,520 Speaker 1: It's a little surprising, then, that MTVS broadcast began now 26 00:01:58,560 --> 00:02:01,880 Speaker 1: with a music video, but with a countdown played over 27 00:02:01,960 --> 00:02:05,000 Speaker 1: footage from a Space Shuttle launch and the Moon Lady. 28 00:02:05,720 --> 00:02:09,040 Speaker 1: As the footage played and the rockets began to blast off, 29 00:02:09,400 --> 00:02:14,040 Speaker 1: a voice announced the channel's arrival, saying, quote, Ladies and gentlemen, 30 00:02:14,680 --> 00:02:18,480 Speaker 1: rock and roll. At that point, the now iconic MTV 31 00:02:18,639 --> 00:02:22,080 Speaker 1: logo filled the screen and the network's original theme song, 32 00:02:22,240 --> 00:02:25,840 Speaker 1: called Man on the Moon began to play. A moment later, 33 00:02:26,200 --> 00:02:29,560 Speaker 1: viewers were introduced to Mark Goodman, one of the networks 34 00:02:29,560 --> 00:02:33,680 Speaker 1: first VJs, against the background of a studio made up 35 00:02:33,720 --> 00:02:37,320 Speaker 1: to look like a cozy loft style apartment. Goodman gave 36 00:02:37,360 --> 00:02:40,359 Speaker 1: a brief description of the channel's concept and what had 37 00:02:40,360 --> 00:02:46,000 Speaker 1: hoped to achieve. Take a listen, this is it. Welcome 38 00:02:46,040 --> 00:02:50,400 Speaker 1: to MTV Music Television, the world's first twenty four hour 39 00:02:50,600 --> 00:02:54,680 Speaker 1: stereo video music channel. Just moments ago, all of the 40 00:02:54,760 --> 00:02:57,760 Speaker 1: VJs and the crew here at MTV collectively hit our 41 00:02:57,800 --> 00:03:01,120 Speaker 1: executive producer su Steinberg over the head the bottle of champagne, 42 00:03:01,160 --> 00:03:04,519 Speaker 1: and behold, a new concept is born. The best of 43 00:03:04,600 --> 00:03:08,720 Speaker 1: TV combined with the best of radio. Starting right now, 44 00:03:09,080 --> 00:03:12,040 Speaker 1: You'll never look at music the same way again. We'll 45 00:03:12,040 --> 00:03:14,200 Speaker 1: be right back to introduce the other VJs and the 46 00:03:14,200 --> 00:03:16,280 Speaker 1: other folks who are gonna be with us on MTV. 47 00:03:17,600 --> 00:03:22,040 Speaker 1: After a short commercial break, the other four VJs introduced themselves. 48 00:03:22,760 --> 00:03:26,639 Speaker 1: Nina Blackwood and j J. Jackson both had backgrounds in radio, 49 00:03:26,919 --> 00:03:30,960 Speaker 1: as did Mark Goodman. The other two VJs were Alan Hunter, 50 00:03:31,240 --> 00:03:35,080 Speaker 1: a struggling actor and waiter, and Martha Quinn, a recent 51 00:03:35,120 --> 00:03:37,560 Speaker 1: graduate of n y U who had worked at the 52 00:03:37,560 --> 00:03:41,400 Speaker 1: campus radio station. All the VJs hoped the gig at 53 00:03:41,520 --> 00:03:44,320 Speaker 1: MTV would be their big break, but some of them 54 00:03:44,400 --> 00:03:46,560 Speaker 1: knew it was a long shot and kept their day 55 00:03:46,640 --> 00:03:50,080 Speaker 1: jobs for several months just in case the network fell apart. 56 00:03:50,880 --> 00:03:54,320 Speaker 1: That seemed like a plausible outcome, as the channel's success 57 00:03:54,480 --> 00:03:58,520 Speaker 1: was hardly a sure thing. According to MTV studio producer 58 00:03:58,640 --> 00:04:01,880 Speaker 1: Robert Morton, part of the problem was that many people 59 00:04:02,000 --> 00:04:06,360 Speaker 1: didn't even know what a music video was, including potential investors. 60 00:04:06,400 --> 00:04:10,960 Speaker 1: And advertisers. Music videos had existed in some form for 61 00:04:11,000 --> 00:04:14,040 Speaker 1: more than four decades, but they weren't a top priority 62 00:04:14,080 --> 00:04:17,280 Speaker 1: for artists or record companies, as there was no reliable 63 00:04:17,320 --> 00:04:20,720 Speaker 1: way to distribute them. That started to change in the 64 00:04:20,800 --> 00:04:24,919 Speaker 1: late nineteen seventies has more established cable channels like HBO 65 00:04:25,080 --> 00:04:28,920 Speaker 1: and USA began to dedicate single programs to the airing 66 00:04:29,000 --> 00:04:33,160 Speaker 1: of music videos. However, a channel that played nothing but 67 00:04:33,480 --> 00:04:37,120 Speaker 1: music videos was a completely different story, and it was 68 00:04:37,200 --> 00:04:40,080 Speaker 1: tough to get people on board with the concept, but 69 00:04:40,160 --> 00:04:44,360 Speaker 1: the creators of MTV had faith in their medium. In fact, 70 00:04:44,520 --> 00:04:47,719 Speaker 1: the first music video ever played on the channel was 71 00:04:47,800 --> 00:04:51,920 Speaker 1: for the Buggles song video Killed the Radio Star. The 72 00:04:51,960 --> 00:04:54,599 Speaker 1: track was already two years old at the time, but 73 00:04:54,680 --> 00:04:57,440 Speaker 1: it was a fitting introduction to a channel bold enough 74 00:04:57,480 --> 00:05:00,680 Speaker 1: to believe that video really was the of the future. 75 00:05:01,360 --> 00:05:04,159 Speaker 1: If you've never heard the song before, here's a taste 76 00:05:19,839 --> 00:05:28,200 Speaker 1: wine We've gone to. After its flashy debut, MTV struggled 77 00:05:28,200 --> 00:05:31,520 Speaker 1: to find an audience for its first few years. One 78 00:05:31,560 --> 00:05:35,200 Speaker 1: major hurdle was a lack of fresh content. The videos 79 00:05:35,240 --> 00:05:38,200 Speaker 1: that played had been supplied for free by savvy record 80 00:05:38,240 --> 00:05:42,520 Speaker 1: companies who had already invested in the medium. However, many 81 00:05:42,600 --> 00:05:46,400 Speaker 1: executives were wary of producing new videos for the network 82 00:05:46,640 --> 00:05:50,440 Speaker 1: since it was still an unproven model. That left MTV 83 00:05:50,680 --> 00:05:53,839 Speaker 1: with only a small library of videos to pull from, 84 00:05:53,880 --> 00:05:57,919 Speaker 1: reportedly just two hundred and fifty or so. Almost half 85 00:05:57,960 --> 00:06:00,599 Speaker 1: of that collection was shown on the channel's very first 86 00:06:00,680 --> 00:06:03,240 Speaker 1: day on the air, with many of the videos being 87 00:06:03,240 --> 00:06:07,880 Speaker 1: played multiple times. For example, April Windes Just Between You 88 00:06:07,960 --> 00:06:11,320 Speaker 1: and Me, The Who's You Better You Bet? And Phil 89 00:06:11,360 --> 00:06:15,080 Speaker 1: Collins in the Air Tonight, where each played five times 90 00:06:15,200 --> 00:06:19,320 Speaker 1: during the first twenty four hours. Luckily for music fans 91 00:06:19,600 --> 00:06:23,760 Speaker 1: and for employees of MTV, record companies eventually came around 92 00:06:23,760 --> 00:06:26,400 Speaker 1: to the idea of producing new music videos to be 93 00:06:26,440 --> 00:06:29,719 Speaker 1: played on the channel. This change of heart was due 94 00:06:29,720 --> 00:06:32,719 Speaker 1: to an increase in album sales for artists who weren't 95 00:06:32,760 --> 00:06:36,280 Speaker 1: being played on the radio but did air videos on MTV. 96 00:06:37,120 --> 00:06:41,560 Speaker 1: As the industry began to realize MTVS potential, music promoters 97 00:06:41,600 --> 00:06:45,840 Speaker 1: invested in the creation of increasingly creative and elaborate videos 98 00:06:45,920 --> 00:06:48,960 Speaker 1: to showcase their acts. One of the first to make 99 00:06:49,000 --> 00:06:52,520 Speaker 1: a big splash with the public was the three video 100 00:06:52,680 --> 00:06:56,880 Speaker 1: for Michael Jackson's hit song Thriller Clocking in at nearly 101 00:06:57,000 --> 00:07:02,200 Speaker 1: fourteen minutes. The epic horror themed video boasted detailed costumes 102 00:07:02,240 --> 00:07:06,800 Speaker 1: and special effects, and demonstrated the medium storytelling potential. It 103 00:07:06,880 --> 00:07:10,400 Speaker 1: also added some much needed diversity to the channels otherwise 104 00:07:10,480 --> 00:07:15,640 Speaker 1: mostly white line up. The promotion of artists like Jackson, Madonna, Duran, 105 00:07:15,760 --> 00:07:19,920 Speaker 1: Duran and Prince helped keep MTV afloat during its early 106 00:07:20,040 --> 00:07:23,120 Speaker 1: years and also gave the singers a nice career boost 107 00:07:23,120 --> 00:07:26,840 Speaker 1: in the process. Another turning point for the network was 108 00:07:26,880 --> 00:07:30,440 Speaker 1: the introduction of its famous slogan, I Want my MTV. 109 00:07:31,320 --> 00:07:34,600 Speaker 1: It was first featured in a nine two ad campaign 110 00:07:34,880 --> 00:07:37,320 Speaker 1: and was meant to get kids and teens to demand 111 00:07:37,400 --> 00:07:41,680 Speaker 1: their cable providers start carrying the channel. The popular commercials 112 00:07:41,720 --> 00:07:45,600 Speaker 1: featured rock stars like David Bowie, Cindy Lauper, Mick Jagger, 113 00:07:45,640 --> 00:07:52,360 Speaker 1: and the Police joining in the plea for MTV I 114 00:07:52,600 --> 00:07:56,880 Speaker 1: want my TV, I want my MTV, I want my 115 00:07:57,080 --> 00:08:04,520 Speaker 1: MTV on compa. The ads worked well to get the 116 00:08:04,560 --> 00:08:07,960 Speaker 1: word out, an MTV star continued to rise throughout the 117 00:08:08,000 --> 00:08:11,840 Speaker 1: early nineteen eighties. In fact, it grew so successful that 118 00:08:11,880 --> 00:08:16,520 Speaker 1: in the network was purchased by Viacom, expanding its reach 119 00:08:16,600 --> 00:08:20,240 Speaker 1: to even more markets. This change in ownership led to 120 00:08:20,280 --> 00:08:23,520 Speaker 1: a shift in content as well. Instead of airing a 121 00:08:23,560 --> 00:08:27,040 Speaker 1: grab bag of videos from all different genres, the network 122 00:08:27,120 --> 00:08:31,560 Speaker 1: started packaging videos into single genre blocks like alternative rock, 123 00:08:31,760 --> 00:08:35,240 Speaker 1: heavy metal, and hip hop. By the late nineteen eighties, 124 00:08:35,440 --> 00:08:39,680 Speaker 1: the network had even expanded into non video programming, including 125 00:08:39,720 --> 00:08:44,360 Speaker 1: game shows, animated cartoons, award shows, news, and of course, 126 00:08:44,679 --> 00:08:49,360 Speaker 1: reality shows. As the years went by, MTV realized that 127 00:08:49,400 --> 00:08:53,800 Speaker 1: it's narrative programming, whether scripted or not, earned better ratings 128 00:08:53,800 --> 00:08:57,640 Speaker 1: than its music videos. In response, it continued to broaden 129 00:08:57,679 --> 00:09:01,319 Speaker 1: its focus from popular music to you targeted pop culture 130 00:09:01,440 --> 00:09:05,520 Speaker 1: in general. By the early twenty one century, this transition 131 00:09:05,640 --> 00:09:08,680 Speaker 1: was all but complete, and viewers were hard pressed to 132 00:09:08,720 --> 00:09:13,240 Speaker 1: find any videos in the network's lineup. MTV may have 133 00:09:13,280 --> 00:09:16,320 Speaker 1: strayed from its original mission, but it's continued to have 134 00:09:16,440 --> 00:09:19,600 Speaker 1: a profound effect on the cultural landscape, both in the 135 00:09:19,720 --> 00:09:23,800 Speaker 1: US and abroad. In that sense, the network has grown 136 00:09:23,840 --> 00:09:28,880 Speaker 1: beyond its original branding as music Television. Just don't expect 137 00:09:28,880 --> 00:09:33,160 Speaker 1: the name change anytime soon. Without the M It's just TV. 138 00:09:35,440 --> 00:09:39,000 Speaker 1: I'm gay, Bluesier, and hopefully you now know a little 139 00:09:39,000 --> 00:09:43,040 Speaker 1: more about history today than you did yesterday. You can 140 00:09:43,120 --> 00:09:46,880 Speaker 1: learn even more about history by following us on Twitter, Facebook, 141 00:09:46,920 --> 00:09:51,080 Speaker 1: and Instagram at t d I HC Show, and if 142 00:09:51,120 --> 00:09:53,800 Speaker 1: you have any comments or suggestions, feel free to send 143 00:09:53,840 --> 00:09:57,920 Speaker 1: them my way at this Day at iHeart media dot com. 144 00:09:57,920 --> 00:10:00,800 Speaker 1: Thanks to Chandler Mays for producing the show, and thanks 145 00:10:00,800 --> 00:10:03,439 Speaker 1: to you for listening. I'll see you back here again 146 00:10:03,520 --> 00:10:19,319 Speaker 1: tomorrow for another day in History class. I'm I want 147 00:10:19,440 --> 00:10:30,840 Speaker 1: my MTV al right, I want. I won't I MTV 148 00:10:31,040 --> 00:10:35,240 Speaker 1: Wow twenty five hours a date on cable TV. I 149 00:10:35,520 --> 00:10:39,520 Speaker 1: wont md MTB. Yeah. Too much is never enough