WEBVTT - 222: White Hat's Back On w/ Joe Morton

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<v Speaker 1>This episode was recorded prior to the sag After strike.

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<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 2>partnership with Higheartradios and Katie Wos.

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<v Speaker 1>I wish they would have hot dogs at premieres. I'm

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<v Speaker 1>always like, oh, you know, hot dogs. It just have

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<v Speaker 1>popcorn and so or water.

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<v Speaker 3>Stak gass hot dog with everyone stresses and fancy ass clothes.

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<v Speaker 1>And you're like stuff in your mouth with popcorn.

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<v Speaker 3>Oh, I've never eaten so much popcorn in my entire life.

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<v Speaker 3>My mouth is so shrended today, and I'm so hungover

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<v Speaker 3>when I'm sick or hungover, and I have a regular

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<v Speaker 3>Coca Cola, like this is the most delicious thing the planet.

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<v Speaker 1>Especially like a Mexican coke.

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<v Speaker 3>Yes, yeah, my mouth is watering my kid sometimes if

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<v Speaker 3>it's special and like Mommy and Daddy having cocktails. I

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<v Speaker 3>make him like a mocktail. Oh yeah, and it's like specially.

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<v Speaker 3>I make him like ice water. I mean ice ginger ale,

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<v Speaker 3>some sprite and then it splash of grenadine and a cherry.

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<v Speaker 1>It's like Temple. Yeah, I used to love Shirley Temples.

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<v Speaker 3>What origin story of why a Shirley Temple is Temple?

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<v Speaker 1>Can we look this up right?

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<v Speaker 4>Idea?

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<v Speaker 3>Look, the drink was named after iconic child actress Shirley Temple.

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<v Speaker 3>Legend has it that when she was out to dinner

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<v Speaker 3>at a nice restaurant with her parents and other Hollywood

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<v Speaker 3>types who were all enjoying cocktails, the bartends and made

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<v Speaker 3>her a special alcoholic drink so she could feel fancy too,

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<v Speaker 3>which is what I do for my kids. Yeah, I

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<v Speaker 3>feel bad because it has soda in it, and I

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<v Speaker 3>really don't let my kids have soda. So it's like

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<v Speaker 3>once in a while.

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<v Speaker 1>Yeah, it's a little treat, a treat.

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<v Speaker 3>Yeah, it's a little it's a little treat. Well, today's exciting.

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<v Speaker 3>This is a very exciting episode for so many reasons,

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<v Speaker 3>you guys.

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<v Speaker 1>Like people have no idea, who the fuck is about

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<v Speaker 1>to come on?

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<v Speaker 3>Yeah? Who the fuck is about to come on?

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<v Speaker 1>A BOS?

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<v Speaker 3>But also it's like my favorite number. We're talking about

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<v Speaker 3>episode two two two.

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<v Speaker 1>Yeah, since the last episode of season.

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<v Speaker 3>Two, last episode of season two, and there was only

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<v Speaker 3>one person that we could even remotely like, it was

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<v Speaker 3>so clear who the guests should be for this episode.

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<v Speaker 3>It was it was not not a competition, it was

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<v Speaker 3>not not an argument like, there's only one person we

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<v Speaker 3>could bring our gladiators today, am I right?

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<v Speaker 4>Gie?

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<v Speaker 1>And we were lucky enough that he said yes, and

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<v Speaker 1>he's here.

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<v Speaker 3>He's here today, and you might know him for the

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<v Speaker 3>plethora of work of oh my god, of acting performances

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<v Speaker 3>that this person has delivered throughout that.

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<v Speaker 1>Can I just rattle off a few of his credits

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<v Speaker 1>right quick and see if people might guess? So he

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<v Speaker 1>made his Broadway debut and hair. He was nominated for

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<v Speaker 1>Tony in nineteen seventy four for Raisin in the Sun.

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<v Speaker 1>He was check these credits out, mash Sanford and Son,

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<v Speaker 1>what's happening? The brother from another Planet? Who's the boss?

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<v Speaker 1>Justice League? A different world? Speed one and two? And

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<v Speaker 1>most recently, God friended me, Oh my god, he is

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<v Speaker 1>and of course wait wait wait, but of course the

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<v Speaker 1>fucking Terminator to Judgment Date, which is one of the

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<v Speaker 1>best movies. It's better than the original ever.

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<v Speaker 3>I mean this actor. When he started coming around, we

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<v Speaker 3>were like, I mean, I think Kerry Washington gets starstruck

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<v Speaker 3>never and I'll never forget him coming to our first

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<v Speaker 3>scandal table read because she was full loor. Yeah, he

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<v Speaker 3>is the one and only people. He is. There is

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<v Speaker 3>no other. He is all scandal. He is our king,

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<v Speaker 3>He is the one. He is the only Opa Pope.

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<v Speaker 5>Y'all.

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<v Speaker 1>Joe, what hello, Joe Martin? How are you, good man?

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<v Speaker 1>How are you?

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<v Speaker 4>I'm doing great?

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<v Speaker 1>Jo Morton, Oh my god, thank you so so much

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<v Speaker 1>for doing this with us?

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<v Speaker 4>Are you kidd And I would have not What am

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<v Speaker 4>I gonna do?

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<v Speaker 3>We just did like the biggest drum roll and g

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<v Speaker 3>was talking through your credits.

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<v Speaker 1>First of all, Hi, Hello, we missed you man. It's

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<v Speaker 1>been forever.

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<v Speaker 4>It has been forever.

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<v Speaker 3>Listen to that voice. It is like voice. I mean,

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<v Speaker 3>if he could just break into a popa pope monologue

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<v Speaker 3>right now, I could the lines that have stuck in

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<v Speaker 3>my head of I am the hell and high Water.

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<v Speaker 1>Yes, I would veno you money right now if you

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<v Speaker 1>did that.

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<v Speaker 3>You couldn't afford it.

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<v Speaker 1>I couldn't afford it.

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<v Speaker 5>I know.

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<v Speaker 3>It's like three hundred and fifty bucks. Like strike, y'all, Yeah,

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<v Speaker 3>we're on strike. Joe has not aged ever, Like, what

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<v Speaker 3>in the actual hell is going on? I don't understand this.

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<v Speaker 4>I mean, well, I keep telling everybody I have this

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<v Speaker 4>painting in my.

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<v Speaker 3>As like when I wrote Scandal from ten years ago.

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<v Speaker 3>I you know, me and g look very different. You

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<v Speaker 3>look exactly the same every episode.

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<v Speaker 5>God, no, you have not changed. And the only thing

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<v Speaker 5>different about Yoma was the beard.

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<v Speaker 3>Yeah, it's very true, very very true. Wait, Joe, can

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<v Speaker 3>you tell us how in the heck this came to be?

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<v Speaker 3>Because I don't even think I really know this story.

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<v Speaker 3>I don't want either here how you got the part,

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<v Speaker 3>and also that you were acting with all of us

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<v Speaker 3>for months, I mean not me, I didn't realize need

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<v Speaker 3>to do in Gida neither. But and you knew who

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<v Speaker 3>your character was. We know. Tell us how the part happened?

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<v Speaker 4>All right?

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<v Speaker 5>So I came out to La. It was a pilot season,

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<v Speaker 5>so I was looking for a gig, and I went

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<v Speaker 5>out specifically looking for a very smart bad guy. Since

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<v Speaker 5>most of my career I purposely have been playing good guys.

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<v Speaker 5>So I get to California. I opened up my computer

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<v Speaker 5>and I had not yet seen Scandal. I knew about Carrie,

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<v Speaker 5>I knew about Scandal, I hadn't seen it. So I

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<v Speaker 5>turned it on, watched the first season and thought, oh

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<v Speaker 5>my god, this is a great show. So I thought

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<v Speaker 5>to call my agent and said listen, could you, you know,

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<v Speaker 5>let's get ahold of ABC. Let's see if we can

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<v Speaker 5>get like a you know, a six episode arc or whatever.

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<v Speaker 4>Before I made that call, O man, before I.

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<v Speaker 5>Made that call, my agents called me and said, ABC

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<v Speaker 5>wants to talk to you about Scandal. What I thought,

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<v Speaker 5>Oh my god. All right, so I forget which producer

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<v Speaker 5>was called me on the phone. We started talking about

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<v Speaker 5>the show, and he said, so, what's going to happen

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<v Speaker 5>is if you decide to take this gig, is that

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<v Speaker 5>the very last episode of season two will make it clear,

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<v Speaker 5>by the very last lines of that episode that you

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<v Speaker 5>are Carrie's dad. I said, you got, I'm in. He said,

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<v Speaker 5>but you cannot tell anybody. You can't tell anyone. You

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<v Speaker 5>can't tell anyone. So, I mean, after I got the gig,

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<v Speaker 5>I really thought I was going to just kind of

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<v Speaker 5>end that season. I actually I had actually made plans

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<v Speaker 5>to go back, come back to New York and do

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<v Speaker 5>Romeo and Juliet on Broke. I was supposed to play

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<v Speaker 5>Juliet's dad. So we start, you know, shooting the show,

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<v Speaker 5>and Carrie used to I'm up to it all the time,

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<v Speaker 5>and said, you know, I've never called I mean, I've

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<v Speaker 5>never called my parents and said, you know so and

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<v Speaker 5>so was on the show.

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<v Speaker 4>He said, You're the first person I've ever done that with.

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<v Speaker 4>She said, so, I just hope we have some scenes together.

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<v Speaker 1>Oh my god, that is Hilaierus cannot even Carrie knew

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<v Speaker 1>carried it no either, No.

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<v Speaker 4>Tom knew.

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<v Speaker 5>Obviously, Seanda and Betsy knew, but they were the only

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<v Speaker 5>ones who knew. And so at one point Scott and

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<v Speaker 5>I started to become really good friends. And I told

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<v Speaker 5>him about going to Broadway and said, so, when you're done,

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<v Speaker 5>you're going to go back to Broadway And said, well,

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<v Speaker 5>maybe not.

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<v Speaker 4>I think something.

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<v Speaker 5>More interesting has come up. And he said, I said,

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<v Speaker 5>but I can't tell you what it is. So and he,

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<v Speaker 5>you know, being Scott, didn't pursue you just left it alone.

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<v Speaker 4>And of course by the time we got there. But

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<v Speaker 4>the time we got to that last do you remember

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<v Speaker 4>the table?

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<v Speaker 1>Oh talk about it all the time.

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<v Speaker 3>Carrie doesn't know, and she says, Dad, in my head,

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<v Speaker 3>in my memory of it, And of course I don't know.

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<v Speaker 3>Did she like jump up and start running around the table,

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<v Speaker 3>like what happened? How did everyone errupt?

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<v Speaker 5>I remember all I remembers everybody started screaming. Everybody started screaming.

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<v Speaker 5>I don't know that she she may have run around

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<v Speaker 5>the table or maybe given me a hug or whatever.

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<v Speaker 5>I don't remember.

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<v Speaker 1>I really somebody has to have that on tape, right,

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<v Speaker 1>I'm sure I'm sure there were several people taping that table.

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<v Speaker 5>Read we got to get our hands on somebody. Yeah,

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<v Speaker 5>Betsy may may have something on tape. I mean, I'm

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<v Speaker 5>sure we have the footage of the fox read yes, yes, yes,

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<v Speaker 5>sag but but yeah, that's that's how that all happened.

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<v Speaker 3>Wow. And the first when we first see you all

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<v Speaker 3>of season two, like did you ever ask? Like who?

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<v Speaker 3>Because right now we've been recording all the episodes of

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<v Speaker 3>season two and it's always like Joe Morton as mysterious

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<v Speaker 3>man credit, like and did you know?

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<v Speaker 5>No? The credit was? I forget what they called me.

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<v Speaker 5>I think they oh, well, they probably used.

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<v Speaker 1>Out is it Albatros?

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<v Speaker 5>No?

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<v Speaker 4>Right?

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<v Speaker 1>Albatross was somebody else?

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<v Speaker 5>Because all I remember, really, all I did before we

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<v Speaker 5>got to the very end was sit on the bed

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<v Speaker 5>and hand Yeah. If older supposed to Jeff, go kill

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<v Speaker 5>this person, go kill And that's really all I did.

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<v Speaker 5>But knowing what was coming. So when we finally got

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<v Speaker 5>to shoot that scene at the end of season two,

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<v Speaker 5>we shot it several different ways because neither Carrie or

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<v Speaker 5>I knew what our relationship was.

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<v Speaker 4>We didn't know.

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<v Speaker 5>Whether we were estranged, whether he had been in contact

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<v Speaker 5>with one another.

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<v Speaker 4>We had no idea what was going on.

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<v Speaker 5>And so Tom, who directed that episode, you know, we

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<v Speaker 5>shot different kinds of ways and obviously led it up

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<v Speaker 5>to Tom and Shonda and the editor to figure out

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<v Speaker 5>what this was all about.

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<v Speaker 3>That's right. I remember carry being like the one word dad,

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<v Speaker 3>Like how many different variations you can be? Like do

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<v Speaker 3>we love each other? Or am I pissed to see him?

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<v Speaker 3>Am I sad to see him?

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<v Speaker 1>How long has it been since I've seen him?

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<v Speaker 5>All?

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<v Speaker 4>Exactly?

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<v Speaker 3>Oh my god. So then we've talked about this, I

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<v Speaker 3>think a number of times on this podcast, but we

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<v Speaker 3>need to talk about it with you, so we I

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<v Speaker 3>don't know, was it the sag After? Where was this

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<v Speaker 3>huge public reading of this thing?

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<v Speaker 4>That was that sag after at that theater?

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<v Speaker 5>And it was the same day that episode was going

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<v Speaker 5>to play, because remember we all sat in the and

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<v Speaker 5>we watched it.

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<v Speaker 4>Play in New York.

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<v Speaker 5>That's great, and I don't know how they did it,

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<v Speaker 5>but they managed to keep I guess people were not

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<v Speaker 5>watching it on their phones whatever in the audience. And

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<v Speaker 5>so when we came out to do the phone reading

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<v Speaker 5>and that moment came up at the end of the script,

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<v Speaker 5>the audience did exactly what we all.

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<v Speaker 4>Did at The audience leaped to its feet, screamed and hollered.

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<v Speaker 5>And I remember who screamed and hollered the loudest.

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<v Speaker 4>Do you remember who that was?

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<v Speaker 1>I think I know was it was it DA or

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<v Speaker 1>the initials DA?

0:11:47.280 --> 0:11:51.400
<v Speaker 5>Absolutely, absolutely absolutely she screamed the lad.

0:11:54.720 --> 0:11:55.120
<v Speaker 3>She did.

0:11:55.200 --> 0:11:58.240
<v Speaker 1>I remember. I remember seeing staff members in the back

0:11:58.360 --> 0:12:02.720
<v Speaker 1>of the theater cheering and coming out to see the

0:12:02.800 --> 0:12:05.240
<v Speaker 1>last little bit of that table read, and they were

0:12:05.280 --> 0:12:07.880
<v Speaker 1>so excited too, and there were people that were working

0:12:07.920 --> 0:12:09.720
<v Speaker 1>there in the theater. It was mayhem.

0:12:10.160 --> 0:12:14.200
<v Speaker 3>It was just like collective goosebumps. Right now talking about it,

0:12:14.280 --> 0:12:19.760
<v Speaker 3>she says, Dad, the whole audience erupts into screams and

0:12:19.840 --> 0:12:23.640
<v Speaker 3>to their feet, and then we are like screaming back

0:12:23.679 --> 0:12:27.160
<v Speaker 3>at them. And I just remember, like it was just like, yeah,

0:12:27.600 --> 0:12:30.120
<v Speaker 3>two minutes, which is a very long time of just

0:12:30.160 --> 0:12:34.280
<v Speaker 3>like screaming and clapping and shock and it was just like,

0:12:34.600 --> 0:12:37.400
<v Speaker 3>I don't think anyone everyone I know who's even in

0:12:37.440 --> 0:12:40.400
<v Speaker 3>the audience that night, doesn't forget that moment. It was

0:12:40.600 --> 0:12:43.959
<v Speaker 3>so wild. Wait, have you'd worked with Debbie Allen a

0:12:44.000 --> 0:12:45.280
<v Speaker 3>million times before? Right?

0:12:45.960 --> 0:12:52.320
<v Speaker 4>Well we met well, gosh, nineteen seventy three. Well, when

0:12:52.320 --> 0:12:53.600
<v Speaker 4>we first met, she was in Raising.

0:12:53.760 --> 0:12:56.000
<v Speaker 5>Yeah, oh that's right, and she was in the chorus,

0:12:56.320 --> 0:12:58.720
<v Speaker 5>but she was the understudy for Beneath It. By the

0:12:58.720 --> 0:13:01.440
<v Speaker 5>time we got to New York, she was playing the

0:13:01.480 --> 0:13:05.160
<v Speaker 5>part of beneath It. So we go back that far

0:13:05.280 --> 0:13:06.120
<v Speaker 5>nineteen seventy three.

0:13:06.360 --> 0:13:09.480
<v Speaker 1>Oh my god, you were nominated for a Tony for

0:13:09.559 --> 0:13:10.439
<v Speaker 1>that play, right.

0:13:10.640 --> 0:13:14.280
<v Speaker 3>I was, yes, the one, the only Joe Morden. Okay,

0:13:14.320 --> 0:13:17.640
<v Speaker 3>so Joe, now we know you're her dad. And the

0:13:17.679 --> 0:13:22.320
<v Speaker 3>part develops how it developed, which is just I mean,

0:13:24.240 --> 0:13:30.040
<v Speaker 3>top five most amazing written. What a gift an actor

0:13:30.120 --> 0:13:33.119
<v Speaker 3>gets to play a part like this, I mean on television,

0:13:33.160 --> 0:13:33.760
<v Speaker 3>it's just so wild.

0:13:34.000 --> 0:13:34.120
<v Speaker 4>Oh.

0:13:34.120 --> 0:13:37.400
<v Speaker 3>Absolutely, When you look back at all the seasons, are

0:13:37.400 --> 0:13:39.920
<v Speaker 3>there things that stick out of like favorite scenes or

0:13:39.960 --> 0:13:43.400
<v Speaker 3>favorite lines that you just really looked around and were like,

0:13:43.480 --> 0:13:45.320
<v Speaker 3>this is this is a rare thing.

0:13:45.880 --> 0:13:48.160
<v Speaker 5>There were so many things, I mean, obviously that first

0:13:48.679 --> 0:13:53.040
<v Speaker 5>episode of season three, which I always call my audition

0:13:53.800 --> 0:13:55.760
<v Speaker 5>because if you remember now, they all at the end

0:13:55.760 --> 0:13:58.040
<v Speaker 5>of season two, all I did was, as I said,

0:13:58.080 --> 0:14:00.079
<v Speaker 5>sit on a bench, hand out folders and say go

0:14:00.200 --> 0:14:02.160
<v Speaker 5>kill this person that person. And then suddenly at the

0:14:02.240 --> 0:14:05.280
<v Speaker 5>end of season two she says, you know, I say hello,

0:14:05.559 --> 0:14:09.120
<v Speaker 5>and she says hi, Dad, everybody goes crazy. So the

0:14:09.200 --> 0:14:11.839
<v Speaker 5>first episode of season three, I have a two and

0:14:11.880 --> 0:14:15.760
<v Speaker 5>a half page monologue. Oh that's where that no, that's

0:14:15.800 --> 0:14:20.040
<v Speaker 5>where that hell and the high water comes from monologue,

0:14:20.040 --> 0:14:24.280
<v Speaker 5>because we continue on we're in the car. We're in

0:14:24.320 --> 0:14:26.560
<v Speaker 5>the car, and we drive to the airport, we get

0:14:26.560 --> 0:14:28.200
<v Speaker 5>out of the car, and that's when I do that

0:14:28.200 --> 0:14:28.880
<v Speaker 5>that speech.

0:14:29.400 --> 0:14:31.480
<v Speaker 4>So when I got that speech, first of all, I

0:14:31.600 --> 0:14:33.320
<v Speaker 4>was I can't tell you so.

0:14:34.800 --> 0:14:37.680
<v Speaker 5>Over the moon about the show and about what she

0:14:37.720 --> 0:14:40.160
<v Speaker 5>had written. I mean, I'd done a lot of television

0:14:40.240 --> 0:14:43.040
<v Speaker 5>by that point, and no one had ever written a.

0:14:43.040 --> 0:14:45.040
<v Speaker 4>Two and a half page monologue for me to do.

0:14:45.360 --> 0:14:49.280
<v Speaker 5>And then that whole thing we mapped out of walking

0:14:49.320 --> 0:14:51.600
<v Speaker 5>around her and then walking her to the airplane, and

0:14:51.760 --> 0:14:53.160
<v Speaker 5>the Helen high Water comes.

0:14:52.920 --> 0:14:55.920
<v Speaker 4>Out and blah blah blah blah blah. It was.

0:14:56.840 --> 0:14:59.000
<v Speaker 5>I think, of all the episodes that I did, I'll

0:14:59.040 --> 0:15:00.680
<v Speaker 5>never forget that particular.

0:15:01.640 --> 0:15:03.160
<v Speaker 4>It was amazing.

0:15:03.320 --> 0:15:05.640
<v Speaker 1>There's a point where you get down low, like, you

0:15:05.720 --> 0:15:09.200
<v Speaker 1>get like down under her like sort.

0:15:09.000 --> 0:15:12.280
<v Speaker 5>Of well she puts, she gets, she gets sheepish, right,

0:15:12.320 --> 0:15:14.640
<v Speaker 5>and and that's what I'm saying.

0:15:14.920 --> 0:15:15.720
<v Speaker 3>Don't look at me.

0:15:15.960 --> 0:15:19.160
<v Speaker 5>Yes, well, let's know it's it's I want to make

0:15:19.200 --> 0:15:21.480
<v Speaker 5>sure you understand exactly.

0:15:20.920 --> 0:15:21.480
<v Speaker 4>What I'm taking.

0:15:22.600 --> 0:15:22.840
<v Speaker 5>Guys.

0:15:22.840 --> 0:15:25.960
<v Speaker 3>We're getting an acting class right here, right now. Scandal

0:15:26.320 --> 0:15:30.560
<v Speaker 3>got down low, down low. What Joe Morton gets to do?

0:15:30.680 --> 0:15:34.080
<v Speaker 3>I don't know if I Oh my god, you never

0:15:34.080 --> 0:15:36.000
<v Speaker 3>saw the episode, so of course I did. I just don't.

0:15:36.040 --> 0:15:38.400
<v Speaker 3>We haven't done season three yet, so we just have

0:15:38.520 --> 0:15:40.360
<v Speaker 3>only rewatched seasons one and two.

0:15:40.760 --> 0:15:44.200
<v Speaker 1>The only reason I remembering my memory is because I

0:15:44.280 --> 0:15:46.600
<v Speaker 1>was watching the last episode again for like the fifth time,

0:15:46.640 --> 0:15:49.400
<v Speaker 1>and then episode the first episode of season three came

0:15:49.440 --> 0:15:51.960
<v Speaker 1>on and I got so into it I couldn't turn

0:15:52.000 --> 0:15:53.520
<v Speaker 1>it off. And then I saw that scene.

0:15:54.240 --> 0:15:57.440
<v Speaker 3>Brilliant this, like, I think, what was so cool about

0:15:57.480 --> 0:16:03.160
<v Speaker 3>Papa Pope? First of all, for everyone listening, monologues don't exist.

0:16:02.880 --> 0:16:04.840
<v Speaker 4>Very much on televigience right, No TV.

0:16:05.040 --> 0:16:08.200
<v Speaker 3>No, there's just I don't know, but it's not a thing.

0:16:08.280 --> 0:16:10.080
<v Speaker 3>And it was a thing on Scandal, but it was

0:16:10.400 --> 0:16:14.520
<v Speaker 3>really a thing for popa pope. But your cadence and

0:16:14.680 --> 0:16:18.880
<v Speaker 3>rhythm was so different than let's say mine, If I

0:16:18.880 --> 0:16:20.840
<v Speaker 3>got a monologue, it was like, let's just fly by

0:16:20.880 --> 0:16:22.920
<v Speaker 3>the seat of our pants and talk as fast as

0:16:22.920 --> 0:16:26.800
<v Speaker 3>you can, and you do Scandal pace for listeners who

0:16:26.880 --> 0:16:30.720
<v Speaker 3>speak really quickly, but you also had your own popu

0:16:30.800 --> 0:16:34.200
<v Speaker 3>pope thing, Like, how did you Was that intentional? Did

0:16:34.280 --> 0:16:34.800
<v Speaker 3>it just occur?

0:16:34.920 --> 0:16:37.120
<v Speaker 5>It's definitely intentional what I thought I was seeing, and

0:16:37.600 --> 0:16:39.840
<v Speaker 5>I believe I was seeing in those monologues, but very

0:16:39.880 --> 0:16:40.720
<v Speaker 5>specific rhythms.

0:16:41.160 --> 0:16:44.080
<v Speaker 4>She would write very specific rhythms in a very specific way.

0:16:44.520 --> 0:16:46.520
<v Speaker 4>So what I thought was, well, this is a lot

0:16:46.640 --> 0:16:49.240
<v Speaker 4>like doing Shakespeare. So that's what I decided to do.

0:16:49.480 --> 0:16:51.920
<v Speaker 5>I thought I'd do have a classical play whenever he

0:16:51.960 --> 0:16:53.040
<v Speaker 5>got into his monologues.

0:16:53.200 --> 0:16:54.640
<v Speaker 4>And it's something now I've had to.

0:16:58.240 --> 0:16:59.280
<v Speaker 1>Yeah, we talk about that.

0:16:59.320 --> 0:16:59.760
<v Speaker 4>All the time.

0:17:00.600 --> 0:17:03.680
<v Speaker 3>It's like everyone says to me on every job I've

0:17:03.720 --> 0:17:07.520
<v Speaker 3>booked since, like you can slow down.

0:17:07.760 --> 0:17:10.000
<v Speaker 5>No one can understand it, not even it's not even

0:17:10.040 --> 0:17:13.480
<v Speaker 5>the pace, it's it's that it's that kind of rhythm.

0:17:14.240 --> 0:17:18.600
<v Speaker 5>I did it on our kind of people. And who

0:17:18.720 --> 0:17:21.360
<v Speaker 5>was it that Mars Chestnut said to me said, why

0:17:21.400 --> 0:17:22.800
<v Speaker 5>do you Why do you do it that way?

0:17:22.800 --> 0:17:25.240
<v Speaker 4>I realized I'm doing I'm doing game.

0:17:27.560 --> 0:17:29.760
<v Speaker 3>We all had to kind of unlearn, like you have

0:17:29.880 --> 0:17:32.480
<v Speaker 3>to learn the Popa Pope. I had to unlearn the like,

0:17:33.040 --> 0:17:34.440
<v Speaker 3>oh my god, I talk really really fast and I

0:17:34.520 --> 0:17:36.199
<v Speaker 3>never ever ever pause and I don't ever let there

0:17:36.240 --> 0:17:38.320
<v Speaker 3>be a beat. And I feel like with hawk gear

0:17:39.520 --> 0:17:40.080
<v Speaker 3>that crazy.

0:17:40.800 --> 0:17:43.280
<v Speaker 1>I had a specific sort of cadence too, like a very.

0:17:43.440 --> 0:17:48.400
<v Speaker 3>Like you definitely speaking definitely did oh my gosh, wait,

0:17:48.960 --> 0:17:51.000
<v Speaker 3>what is popa Pope's whole name again?

0:17:52.160 --> 0:17:52.440
<v Speaker 2>Eli?

0:17:52.960 --> 0:17:53.760
<v Speaker 3>Oh my god?

0:17:55.280 --> 0:18:01.719
<v Speaker 1>Or command command Rowan God Rowan?

0:18:02.960 --> 0:18:07.399
<v Speaker 3>How about Maia Pope? We gotta talk to it and

0:18:07.480 --> 0:18:09.600
<v Speaker 3>you figured it out like this is gonna be your wife,

0:18:09.720 --> 0:18:12.879
<v Speaker 3>like that whole fucking relationship was unbelievable.

0:18:13.119 --> 0:18:15.240
<v Speaker 4>Well, Shanna said that she was gonna, you know, bring

0:18:15.359 --> 0:18:17.359
<v Speaker 4>his wife on. So then we talked a couple of

0:18:17.400 --> 0:18:18.080
<v Speaker 4>times about.

0:18:17.840 --> 0:18:20.920
<v Speaker 5>Who I mean, I wanted, you know, Flicia Rashad because

0:18:20.960 --> 0:18:22.960
<v Speaker 5>I'm thinking she's going to be the same kind of

0:18:23.000 --> 0:18:26.760
<v Speaker 5>crazy that that that Rowan is and then she brings

0:18:27.359 --> 0:18:29.920
<v Speaker 5>Candy on, who is a different kind of crazy altogether,

0:18:30.400 --> 0:18:33.320
<v Speaker 5>and it just works perfectly because she's so oppressed with

0:18:33.400 --> 0:18:36.000
<v Speaker 5>She's beautiful and she's wiry, and she's you know, she's

0:18:36.080 --> 0:18:38.200
<v Speaker 5>all that stuff, and it worked perfectly.

0:18:38.240 --> 0:18:42.080
<v Speaker 4>And then and then she wrote for us, I guess

0:18:42.160 --> 0:18:43.479
<v Speaker 4>I kidnap her.

0:18:43.600 --> 0:18:45.680
<v Speaker 5>I'm trying to, but I have her in like a

0:18:46.440 --> 0:18:50.280
<v Speaker 5>hospital situation undercapture, and you see us for a moment,

0:18:51.320 --> 0:18:51.959
<v Speaker 5>come together.

0:18:52.280 --> 0:18:53.879
<v Speaker 4>I think the episode after that, I put her back

0:18:53.920 --> 0:18:54.280
<v Speaker 4>in prison.

0:18:54.600 --> 0:18:57.680
<v Speaker 1>Right, you guys didn't, Yeah, you didn't have very many

0:18:57.720 --> 0:18:59.639
<v Speaker 1>scenes together together, right, we did not?

0:19:00.040 --> 0:19:00.240
<v Speaker 5>Yeah?

0:19:00.400 --> 0:19:04.440
<v Speaker 3>No, you know what, Germo and I I think maybe

0:19:04.520 --> 0:19:07.399
<v Speaker 3>we could be as good of actors as Joe Morton

0:19:07.560 --> 0:19:11.959
<v Speaker 3>if we We talk a lot on this podcast about

0:19:12.600 --> 0:19:15.399
<v Speaker 3>how much food and eating Garmo and I did at

0:19:15.400 --> 0:19:18.960
<v Speaker 3>the craft service table. And I always think about how

0:19:19.119 --> 0:19:20.560
<v Speaker 3>Joe is so disciplined.

0:19:21.480 --> 0:19:23.720
<v Speaker 1>Oh yeah, you've talked about it on the podcast.

0:19:23.359 --> 0:19:25.560
<v Speaker 3>Like you're so disciplined, And I think about you when

0:19:25.560 --> 0:19:27.800
<v Speaker 3>I'm on set, like I think about because one time

0:19:27.840 --> 0:19:29.359
<v Speaker 3>I said, well, what do you do? Like what's your

0:19:29.400 --> 0:19:31.240
<v Speaker 3>behavior on set? And we started having like a lot

0:19:31.280 --> 0:19:34.160
<v Speaker 3>of heavy scenes together in really long days. You would

0:19:34.160 --> 0:19:36.520
<v Speaker 3>say like, oh, you know, I'm really careful, Like you

0:19:36.560 --> 0:19:39.480
<v Speaker 3>would snack, but you wouldn't have huge meals because you're like,

0:19:40.080 --> 0:19:43.159
<v Speaker 3>I don't want all the my entered. You know how

0:19:43.200 --> 0:19:44.320
<v Speaker 3>sometimes you have a big meal and then you just

0:19:44.359 --> 0:19:46.160
<v Speaker 3>want to take a fucking nap, and yet you still

0:19:46.200 --> 0:19:49.399
<v Speaker 3>got to shoot for twelve hours, you know, yeah, slump.

0:19:49.720 --> 0:19:52.480
<v Speaker 3>And so you were so disciplined and great about like

0:19:52.640 --> 0:19:55.480
<v Speaker 3>keeping your energy up and like all of that, whereas

0:19:55.520 --> 0:19:57.200
<v Speaker 3>Gemo and I are just like, oh yeah, we're just

0:19:57.280 --> 0:19:59.960
<v Speaker 3>going to have like a full Thanksgiving.

0:20:01.720 --> 0:20:01.879
<v Speaker 1>You know.

0:20:02.040 --> 0:20:04.280
<v Speaker 4>But that's also that's also the difference between I mean,

0:20:04.359 --> 0:20:06.840
<v Speaker 4>how old was I when we were doing How long

0:20:06.920 --> 0:20:08.480
<v Speaker 4>ago were we all working together?

0:20:08.680 --> 0:20:15.160
<v Speaker 3>And in two eighteen was set. The last we shot

0:20:15.320 --> 0:20:18.320
<v Speaker 3>in March of twenty eighteen was when we went to DC,

0:20:19.680 --> 0:20:20.080
<v Speaker 3>so that was.

0:20:20.080 --> 0:20:23.200
<v Speaker 4>Five years ago. Yeah yeah, okay, so you have to

0:20:23.240 --> 0:20:27.400
<v Speaker 4>remember so for the for the what uh how old

0:20:27.440 --> 0:20:29.040
<v Speaker 4>were you guys? Oh my god?

0:20:29.200 --> 0:20:33.760
<v Speaker 3>I yes, I was like thirty seven. So you're saying

0:20:34.160 --> 0:20:37.439
<v Speaker 3>us youngins we could have a Thanksgiving feast, whereas like.

0:20:37.640 --> 0:20:41.320
<v Speaker 4>You could, I could not no, not no more.

0:20:41.760 --> 0:20:44.040
<v Speaker 5>I mean, but for me, you know, it's obviously it's

0:20:44.040 --> 0:20:46.359
<v Speaker 5>an individual thing. For me, it was if I ate

0:20:46.480 --> 0:20:49.359
<v Speaker 5>a large lunch, I was out for the cab for

0:20:49.440 --> 0:20:51.200
<v Speaker 5>the rest, for the rest of the day. So I

0:20:51.320 --> 0:20:53.119
<v Speaker 5>learned that and I thought, all right, so you know,

0:20:53.200 --> 0:20:54.520
<v Speaker 5>I can have a piece of fruit here, a piece

0:20:54.520 --> 0:20:57.399
<v Speaker 5>of fruit there, of small lunch and then and I

0:20:57.480 --> 0:20:59.359
<v Speaker 5>can I can go all day long. You know.

0:20:59.720 --> 0:21:02.879
<v Speaker 3>Well, well, I'm impressed and at Germo and I when

0:21:02.920 --> 0:21:05.879
<v Speaker 3>we're still doing this podcast in forty years and we

0:21:06.040 --> 0:21:09.240
<v Speaker 3>book a job, I'm gonna be like, still not as

0:21:09.320 --> 0:21:15.800
<v Speaker 3>good as Joe Morton. I'm still We will be back

0:21:15.880 --> 0:21:24.040
<v Speaker 3>with more after the break. Today we are talking about

0:21:25.000 --> 0:21:29.720
<v Speaker 3>episode two twenty two, called White Hats Back On, which

0:21:29.800 --> 0:21:33.919
<v Speaker 3>aired on May sixteenth in twenty thirteen, ten years.

0:21:33.720 --> 0:21:34.520
<v Speaker 4>Ago years ago.

0:21:34.760 --> 0:21:38.960
<v Speaker 1>Oh My Gosh was written by the Shonda Rhimes and

0:21:39.119 --> 0:21:41.000
<v Speaker 1>directed by Tom Verica.

0:21:41.320 --> 0:21:44.399
<v Speaker 3>And it was guest starring Scott Foley as Jake Ballard,

0:21:44.440 --> 0:21:47.480
<v Speaker 3>Matt Lesher as Billy Chambers, Dan Bukatinski is James Novak,

0:21:47.680 --> 0:21:52.159
<v Speaker 3>Joe Morton as Eli Pope. We've been reading you as

0:21:52.160 --> 0:21:54.959
<v Speaker 3>a mysterious man every episode, and then Tom and Mandy

0:21:55.080 --> 0:21:57.480
<v Speaker 3>is is Governor Samuel Restin, Kate.

0:21:57.400 --> 0:22:00.240
<v Speaker 1>Burton is Sally Langston, Greg Henry as Hollis Doyle, Georgian

0:22:00.280 --> 0:22:03.879
<v Speaker 1>Nuburn as Charlie, Charmila Davar is Lauren Wellman, and Christy

0:22:04.040 --> 0:22:06.320
<v Speaker 1>Myers as B six thirteen Female Operative.

0:22:07.040 --> 0:22:10.680
<v Speaker 3>And we're just gonna take you through a quick, quick synopsis,

0:22:10.920 --> 0:22:14.760
<v Speaker 3>like real quick about jog all y'all gladiator's memories of

0:22:14.880 --> 0:22:17.760
<v Speaker 3>what was going on in scandal pace Ready.

0:22:17.800 --> 0:22:18.680
<v Speaker 1>Gee Yeah.

0:22:18.880 --> 0:22:21.000
<v Speaker 3>With the news that Billy Chambers is the mole, the

0:22:21.080 --> 0:22:24.119
<v Speaker 3>Hollis Melly Olivia Cyrus brain Trust brings in its newest

0:22:24.160 --> 0:22:26.840
<v Speaker 3>member Fits as they try to finally put an end

0:22:26.840 --> 0:22:27.520
<v Speaker 3>to defiance.

0:22:27.800 --> 0:22:30.119
<v Speaker 1>Meanwhile, Fitz demands that he and Olivia be together as

0:22:30.160 --> 0:22:32.200
<v Speaker 1>he runs for second term, and Olivia comes up with

0:22:32.280 --> 0:22:34.679
<v Speaker 1>a brilliant way to fix the image for him. As

0:22:34.760 --> 0:22:35.760
<v Speaker 1>long as things work.

0:22:35.680 --> 0:22:38.919
<v Speaker 3>Out, Governor Resin reservices with blackmail against Fits to get

0:22:38.960 --> 0:22:41.080
<v Speaker 3>onto the VP ticket, and the OPA team, with a

0:22:41.119 --> 0:22:44.280
<v Speaker 3>focus on Hugg and Quinn track down Billy Chambers. Quinn

0:22:44.440 --> 0:22:47.320
<v Speaker 3>takes her first spin with torture, and Abby finally puts

0:22:47.359 --> 0:22:52.480
<v Speaker 3>it all together. David Rosen has the card just a

0:22:52.680 --> 0:22:57.679
<v Speaker 3>light little plot twists mind their hugely chalk filled episode,

0:22:58.480 --> 0:23:05.840
<v Speaker 3>like absolutely freaking massive. Gee, I mean obviously the scenes.

0:23:06.200 --> 0:23:08.400
<v Speaker 3>I mean, we're gonna talk a little bit, Joe about

0:23:08.440 --> 0:23:11.359
<v Speaker 3>the actual episode. This is the first episode that Quinn

0:23:11.960 --> 0:23:13.320
<v Speaker 3>really tortures somebody.

0:23:14.520 --> 0:23:15.920
<v Speaker 1>Oh man, that's right.

0:23:16.720 --> 0:23:19.600
<v Speaker 3>I barely even remember doing it. But do we get

0:23:19.680 --> 0:23:24.119
<v Speaker 3>Billy Chambers on the tarp and Huck can't do it? Right?

0:23:24.320 --> 0:23:28.560
<v Speaker 1>Huck, Yeah, a sort of has a mental and emotional

0:23:28.640 --> 0:23:31.120
<v Speaker 1>breakdown and he just can't do it with the drill

0:23:31.200 --> 0:23:34.399
<v Speaker 1>in his hand, and Quinn sort of, you know, tries

0:23:34.480 --> 0:23:36.359
<v Speaker 1>to console him, and she's like, it's okay, and then

0:23:36.400 --> 0:23:38.800
<v Speaker 1>she takes the drill from his hand and she looks

0:23:38.880 --> 0:23:41.560
<v Speaker 1>down and she's like, I'm gonna fucking torture this guy,

0:23:41.600 --> 0:23:44.000
<v Speaker 1>and she tortures him. You do it so brilliantly, and

0:23:44.040 --> 0:23:47.359
<v Speaker 1>then that blood spatter on your face. I still as you're.

0:23:48.880 --> 0:23:51.000
<v Speaker 3>Spatter on my face. It was so fun.

0:23:51.320 --> 0:23:51.520
<v Speaker 4>Joe.

0:23:51.600 --> 0:23:54.280
<v Speaker 1>Did you ever have to torture anyone on the show?

0:23:54.400 --> 0:23:57.320
<v Speaker 1>Did you ever torture anyone? And I don't remember I

0:23:58.359 --> 0:24:03.240
<v Speaker 1>torture anyone. I mean I remember, as Huck feeling tortured

0:24:03.280 --> 0:24:05.480
<v Speaker 1>whenever I had scenes with you, because I knew how

0:24:05.640 --> 0:24:06.879
<v Speaker 1>was you were command.

0:24:07.480 --> 0:24:11.520
<v Speaker 5>I think probably the closest I came to torturing anybody

0:24:11.760 --> 0:24:13.560
<v Speaker 5>was Scott was Scott's.

0:24:13.200 --> 0:24:18.320
<v Speaker 4>Character, right, Oh but that but that was more more mental.

0:24:18.520 --> 0:24:21.600
<v Speaker 5>It wasn't physical. I don't think I've ever I mean,

0:24:21.640 --> 0:24:24.000
<v Speaker 5>I think I always told, you know, go out and

0:24:24.040 --> 0:24:26.600
<v Speaker 5>do something. You're the one who kills everybody on the.

0:24:26.680 --> 0:24:30.879
<v Speaker 1>Bus, that's right. Oh my god, Joe, I forgot about that.

0:24:31.720 --> 0:24:34.520
<v Speaker 4>Yeah, so I did a lot of that. I think

0:24:34.600 --> 0:24:38.560
<v Speaker 4>the only I only killed two people myself.

0:24:39.080 --> 0:24:44.240
<v Speaker 3>That was my ex girlfriend and and U Joe girlfriend.

0:24:44.560 --> 0:24:47.400
<v Speaker 4>Remember she came on They were using her to get

0:24:47.480 --> 0:24:48.280
<v Speaker 4>information from me.

0:24:48.960 --> 0:24:52.000
<v Speaker 5>Uh and they said, you know she's so she becomes

0:24:52.080 --> 0:24:55.200
<v Speaker 5>like a vulnerability and in the middle of the scene,

0:24:55.240 --> 0:24:55.879
<v Speaker 5>I pull out a.

0:24:55.840 --> 0:24:56.960
<v Speaker 4>Gun and I just shoot her in the head.

0:24:57.119 --> 0:24:58.000
<v Speaker 1>Oh my god.

0:24:58.560 --> 0:25:00.920
<v Speaker 5>We had been lovers when we were much younger. We

0:25:01.119 --> 0:25:04.800
<v Speaker 5>went on digs together. That's after I get the giant dinosaur.

0:25:05.800 --> 0:25:06.560
<v Speaker 4>She comes in.

0:25:07.359 --> 0:25:10.440
<v Speaker 5>We are the flame is kind of restored, and there's

0:25:10.480 --> 0:25:14.480
<v Speaker 5>a moment which I literally seduce her into a closet

0:25:14.800 --> 0:25:18.919
<v Speaker 5>and pull out a gun, threaten threaten her.

0:25:19.160 --> 0:25:20.879
<v Speaker 4>Threaten her by saying, you know, you need to tell

0:25:20.920 --> 0:25:23.600
<v Speaker 4>me what's going on. Who hired you? Blah blah blah blah.

0:25:23.920 --> 0:25:25.960
<v Speaker 5>I find out remember that guy who was setting up

0:25:26.040 --> 0:25:28.720
<v Speaker 5>he was he was blowing things up all across the country.

0:25:28.760 --> 0:25:30.800
<v Speaker 1>Remember that character, right, Yes, yes.

0:25:30.680 --> 0:25:32.560
<v Speaker 4>It's that same guy. So he's the one who set

0:25:32.600 --> 0:25:33.600
<v Speaker 4>her up against me.

0:25:34.400 --> 0:25:36.280
<v Speaker 5>He then we the three of us haven't seen together,

0:25:36.359 --> 0:25:38.760
<v Speaker 5>and he makes it clear that she will always be

0:25:38.840 --> 0:25:40.800
<v Speaker 5>of vulnerability in my life for the rest.

0:25:40.680 --> 0:25:42.439
<v Speaker 4>Of my right. As soon as he says, I they

0:25:42.560 --> 0:25:43.639
<v Speaker 4>got my gun and shooter.

0:25:43.359 --> 0:25:44.359
<v Speaker 1>Hey, you did shoot her.

0:25:44.640 --> 0:25:46.440
<v Speaker 4>It was Tanya Pinkins who played the part.

0:25:46.600 --> 0:25:49.560
<v Speaker 1>Oh I was Oh my god, yes, from All My Children.

0:25:49.640 --> 0:25:51.400
<v Speaker 1>She used to be on All My Children, which, looking

0:25:51.440 --> 0:25:53.560
<v Speaker 1>at your credit, Joe, you did one episode of All

0:25:53.600 --> 0:25:54.440
<v Speaker 1>My Children, didn't you.

0:25:54.880 --> 0:25:58.000
<v Speaker 4>I did Another World, Yes, Another World World, And then

0:25:58.080 --> 0:25:58.560
<v Speaker 4>I did.

0:25:59.119 --> 0:26:02.760
<v Speaker 5>Because uh, Ruben Santiago had a character in one of

0:26:02.760 --> 0:26:04.399
<v Speaker 5>the other on one of the other soaps.

0:26:04.560 --> 0:26:05.680
<v Speaker 4>He had to go off to do something.

0:26:05.720 --> 0:26:07.560
<v Speaker 5>They asked me to take his place. That's the other

0:26:07.640 --> 0:26:10.280
<v Speaker 5>soap I worked on. I mean, this is we're talking about.

0:26:11.040 --> 0:26:14.159
<v Speaker 3>Yeah, sad soaps too. Gee, did you ever do soaps?

0:26:14.240 --> 0:26:14.280
<v Speaker 5>No?

0:26:14.600 --> 0:26:17.439
<v Speaker 1>I never did a soap. I auditioned for them all

0:26:17.480 --> 0:26:18.359
<v Speaker 1>the time, but I never did it.

0:26:18.440 --> 0:26:22.160
<v Speaker 3>Were so fun, like so fun crazy.

0:26:22.280 --> 0:26:24.399
<v Speaker 5>There was a time in which the first soape I did,

0:26:25.119 --> 0:26:27.639
<v Speaker 5>I was actually doing Raisin in Washington, d C. So

0:26:27.760 --> 0:26:30.000
<v Speaker 5>that meant I was doing the show at night.

0:26:32.000 --> 0:26:36.440
<v Speaker 3>Or are you hitting me?

0:26:36.800 --> 0:26:38.560
<v Speaker 4>I did that a lot. I did that kind of

0:26:38.640 --> 0:26:39.080
<v Speaker 4>thing a lot.

0:26:39.680 --> 0:26:44.840
<v Speaker 3>Wow, God, Joe, what is anyone's favorite scenes of this episode?

0:26:44.920 --> 0:26:47.399
<v Speaker 3>First of all, we finally get that Cyrus has had

0:26:47.440 --> 0:26:51.040
<v Speaker 3>a heart attack, because there is no way that this

0:26:51.280 --> 0:26:55.479
<v Speaker 3>character can exist at the level of steam coming out

0:26:55.520 --> 0:26:59.120
<v Speaker 3>of his ears for this many hours and not wind

0:26:59.200 --> 0:27:01.920
<v Speaker 3>up in an ambulance. Right, Oh my god.

0:27:01.960 --> 0:27:04.280
<v Speaker 1>And that's well, that brings us to one of my

0:27:04.320 --> 0:27:07.000
<v Speaker 1>favorite scenes is the scene when Cyrus is in the ambulance. Oh,

0:27:07.040 --> 0:27:11.159
<v Speaker 1>it's amazing, and he's being so like, he's just being crazy.

0:27:11.200 --> 0:27:12.840
<v Speaker 1>He's out of his mind. He even asked the one

0:27:12.840 --> 0:27:14.760
<v Speaker 1>guy give me your gun, I'll shoot him, Like he's

0:27:14.760 --> 0:27:16.520
<v Speaker 1>just flipping out. And he's on the phone with Fits

0:27:16.560 --> 0:27:17.520
<v Speaker 1>and Olivia.

0:27:18.680 --> 0:27:21.160
<v Speaker 3>You in an ambulance, yeah, and he's like yeah, whatever.

0:27:21.640 --> 0:27:26.080
<v Speaker 3>It's so so so funny. We also get the end

0:27:26.160 --> 0:27:30.560
<v Speaker 3>of like Jake and Olivia, you know, like that they

0:27:30.680 --> 0:27:33.800
<v Speaker 3>have a beautiful storyline where Olivia is saying goodbye to

0:27:33.920 --> 0:27:37.760
<v Speaker 3>Jake and that she's really choosing Fits, and but they

0:27:37.880 --> 0:27:40.680
<v Speaker 3>did have something, and Jake knows that he's going to

0:27:40.760 --> 0:27:43.359
<v Speaker 3>go be put in the frickin' hole. Oh my god,

0:27:44.359 --> 0:27:46.160
<v Speaker 3>it's awful and it's so good.

0:27:46.720 --> 0:27:50.119
<v Speaker 1>What else, g oh my god. Well, of course the

0:27:50.240 --> 0:27:53.800
<v Speaker 1>torture scene, when you torture. Oh well. And one of

0:27:53.880 --> 0:27:56.119
<v Speaker 1>my one of the scenes that's really stuck out is

0:27:56.400 --> 0:28:00.360
<v Speaker 1>the one where Fits and Melli have a scene together. Yes,

0:28:00.680 --> 0:28:03.159
<v Speaker 1>and she's like, come, let's go, honey, we're back together,

0:28:03.440 --> 0:28:05.520
<v Speaker 1>like you know this is going to work, and he's like, no,

0:28:05.720 --> 0:28:08.280
<v Speaker 1>it's not. And Olivia has has come up with a

0:28:08.400 --> 0:28:12.920
<v Speaker 1>brilliant plan for fixing an image. Yes, yes, yes, and

0:28:13.119 --> 0:28:16.840
<v Speaker 1>and and Tony Goldwin has this wonderful monologue and it's

0:28:16.960 --> 0:28:18.359
<v Speaker 1>just it's so great.

0:28:18.440 --> 0:28:19.000
<v Speaker 4>It's so good.

0:28:19.800 --> 0:28:22.840
<v Speaker 3>This is why this show was so great. It's never

0:28:23.320 --> 0:28:27.679
<v Speaker 3>ever what you expect. It is never what you expect.

0:28:27.720 --> 0:28:30.680
<v Speaker 3>I mean the end of this episode when we get

0:28:31.359 --> 0:28:34.760
<v Speaker 3>Fits going back to Mellie and laying his head.

0:28:34.680 --> 0:28:37.560
<v Speaker 1>On her map, because of my favorite moment, it is.

0:28:37.720 --> 0:28:41.200
<v Speaker 3>No man's land. I mean, he knows that Jake and

0:28:41.560 --> 0:28:45.800
<v Speaker 3>Olivia we're sleeping together, now he knows that his he

0:28:46.000 --> 0:28:48.800
<v Speaker 3>was never meant to be president of the United States.

0:28:49.040 --> 0:28:51.920
<v Speaker 3>He is a freakin' pawn. He's a pretty boy pawn

0:28:52.080 --> 0:28:55.160
<v Speaker 3>who is lost on an island with nobody, and so

0:28:55.320 --> 0:28:59.080
<v Speaker 3>he goes back to Melly and puts his sad sack

0:28:59.200 --> 0:29:02.400
<v Speaker 3>of a head like interlap, and it's just like Tony's

0:29:02.480 --> 0:29:07.000
<v Speaker 3>got the He's got that like one. He's so good

0:29:07.080 --> 0:29:08.920
<v Speaker 3>at it, like I don't think I've ever played that

0:29:09.080 --> 0:29:11.680
<v Speaker 3>sort of a color, and he's really good at it.

0:29:12.120 --> 0:29:14.040
<v Speaker 4>Is I think a lot of his career has been that.

0:29:14.160 --> 0:29:15.440
<v Speaker 5>I mean, you know, if you go all the way

0:29:15.520 --> 0:29:20.920
<v Speaker 5>back to the Whoopi Goldberg film, yeah, you know, he

0:29:21.000 --> 0:29:22.920
<v Speaker 5>plays the bad guy in that, but there there is

0:29:22.960 --> 0:29:25.000
<v Speaker 5>that moment of kind of oh, you know.

0:29:25.200 --> 0:29:29.280
<v Speaker 3>Yes, I don't he's great at it. My god, he's

0:29:29.520 --> 0:29:31.920
<v Speaker 3>really really great at it. Had you two ever worked

0:29:31.920 --> 0:29:33.480
<v Speaker 3>together before we did?

0:29:33.600 --> 0:29:36.120
<v Speaker 5>We did some small film in New York and that's

0:29:36.120 --> 0:29:38.520
<v Speaker 5>been I think that's the first time we met. It

0:29:38.640 --> 0:29:40.120
<v Speaker 5>was one of the first times, because I think we

0:29:40.200 --> 0:29:43.200
<v Speaker 5>met up at Williamstown once before. But in this little film,

0:29:43.400 --> 0:29:44.920
<v Speaker 5>we had a couple of little scenes together.

0:29:44.920 --> 0:29:46.560
<v Speaker 4>I don't really remember it, but but.

0:29:47.200 --> 0:29:49.240
<v Speaker 1>Yeah, Joe, do you remember that scene you had with

0:29:49.360 --> 0:29:51.720
<v Speaker 1>Tony I to remember what episode it was. Wasn't he

0:29:51.880 --> 0:29:55.240
<v Speaker 1>like in a chair and you like call him white boy?

0:29:55.720 --> 0:29:58.320
<v Speaker 4>Oh that's the that's the boys scene, the boy?

0:29:58.560 --> 0:30:02.040
<v Speaker 3>Yes, yes, what is that again?

0:30:02.320 --> 0:30:06.880
<v Speaker 5>That episode was called the door marked Exit, because that's

0:30:06.920 --> 0:30:09.320
<v Speaker 5>what that speech was about. Is that one of the

0:30:09.400 --> 0:30:11.520
<v Speaker 5>reason you're with her and the only reason you're trying

0:30:11.520 --> 0:30:13.800
<v Speaker 5>to push my buttons with her is because for you,

0:30:14.680 --> 0:30:16.920
<v Speaker 5>she is a door marked exit. You think that you

0:30:16.960 --> 0:30:19.240
<v Speaker 5>can just walk out anytime you feel like it. And

0:30:19.360 --> 0:30:23.520
<v Speaker 5>so that whole speech was, you know, your your daddy's

0:30:23.600 --> 0:30:25.840
<v Speaker 5>rich and the mom's good looking, because you are a

0:30:26.080 --> 0:30:30.840
<v Speaker 5>what was his last name, Fitzgerald Grant, You are a

0:30:30.960 --> 0:30:34.280
<v Speaker 5>grand But it's that whole speech was putting him down.

0:30:34.320 --> 0:30:38.760
<v Speaker 5>I mean talking about memorable moments for a block. I

0:30:38.960 --> 0:30:40.520
<v Speaker 5>was the one who was the one in the chair.

0:30:40.880 --> 0:30:43.120
<v Speaker 1>I was in you were in the chair.

0:30:43.320 --> 0:30:45.360
<v Speaker 5>I was in the chair. I was in my undershirt

0:30:45.440 --> 0:30:49.800
<v Speaker 5>and peopled to the chair. I'm and I'm you know,

0:30:50.240 --> 0:30:52.720
<v Speaker 5>just reading him up and down.

0:30:54.320 --> 0:30:57.480
<v Speaker 3>What a little nothing like a little rich boy, a

0:30:57.560 --> 0:31:00.920
<v Speaker 3>little rich baby boy that can't be a isn't a man?

0:31:01.000 --> 0:31:03.640
<v Speaker 5>And then that Christmas, I sent him a like a bag.

0:31:03.720 --> 0:31:05.800
<v Speaker 5>It looked like a bowling bag, but honor it, said,

0:31:06.320 --> 0:31:07.120
<v Speaker 5>I didn't write it.

0:31:07.240 --> 0:31:08.000
<v Speaker 4>This is how I found.

0:31:08.040 --> 0:31:09.800
<v Speaker 5>It was a bag, but that big a bowling bag,

0:31:09.960 --> 0:31:13.520
<v Speaker 5>said boy who for Christmas wrapped it up and sent

0:31:13.640 --> 0:31:13.959
<v Speaker 5>it to him.

0:31:14.240 --> 0:31:20.600
<v Speaker 3>Oh my god, that's freaking hilarous' amazing, that's so crazy

0:31:20.760 --> 0:31:23.360
<v Speaker 3>And also like what am I mean? Tony's not like

0:31:23.440 --> 0:31:26.200
<v Speaker 3>that at all, But like I always think it's really

0:31:26.400 --> 0:31:30.120
<v Speaker 3>wild that our president and vice president on this show

0:31:30.320 --> 0:31:33.880
<v Speaker 3>are Hollywood royalty. Like we had Betsy Beers on for

0:31:34.000 --> 0:31:38.000
<v Speaker 3>episode two twenty one and she was saying, like, you know,

0:31:38.560 --> 0:31:41.840
<v Speaker 3>talking about the old studios or whatever, and You're like, yeah,

0:31:41.920 --> 0:31:45.080
<v Speaker 3>remember Metro Goldwyn Mayor, I mean that is yeah, I

0:31:45.120 --> 0:31:48.280
<v Speaker 3>mean Goldwyn he is Hollywood Royalty. And then our voice president,

0:31:48.320 --> 0:31:51.000
<v Speaker 3>our vice president being played by Kate Burton, who's Richard

0:31:51.040 --> 0:31:53.480
<v Speaker 3>Burton's daughter, who was like, I mean, it was like

0:31:54.000 --> 0:31:58.040
<v Speaker 3>the two of them were totally you know, historical, just

0:31:58.120 --> 0:31:58.280
<v Speaker 3>like you.

0:31:59.320 --> 0:32:01.040
<v Speaker 4>I had a conversation because.

0:32:02.280 --> 0:32:05.480
<v Speaker 5>I was offered to direct a film that was a

0:32:05.640 --> 0:32:11.560
<v Speaker 5>black version of Eat, Drink Love, uh, and his father

0:32:11.800 --> 0:32:13.920
<v Speaker 5>would have been the producer, So I actually got a chance.

0:32:15.680 --> 0:32:17.880
<v Speaker 5>I brought it up to Tony said, do you remember

0:32:18.160 --> 0:32:20.560
<v Speaker 5>He said, I kind of remember my dad talking about

0:32:20.600 --> 0:32:25.320
<v Speaker 5>it because I figured there was another director was supposed

0:32:25.360 --> 0:32:26.520
<v Speaker 5>to do it, and he passed it on to me.

0:32:26.680 --> 0:32:29.760
<v Speaker 5>I met with Tony's dad, so yes, I can actually

0:32:29.760 --> 0:32:33.160
<v Speaker 5>say I had with mister Goldman.

0:32:34.480 --> 0:32:38.280
<v Speaker 3>That's unbelievable. One of my favorite all time memories of

0:32:38.880 --> 0:32:43.400
<v Speaker 3>my life. Of my life, I had my first baby.

0:32:45.080 --> 0:32:46.960
<v Speaker 3>I was coming back to work for the first time

0:32:47.320 --> 0:32:49.680
<v Speaker 3>in an episode that Kerrie Washington was directing Is. I

0:32:49.720 --> 0:32:53.080
<v Speaker 3>felt very supported shand the land carry directing. You know,

0:32:53.160 --> 0:32:56.480
<v Speaker 3>a mom and I've been kidnapped in Papa Pope's house

0:32:56.560 --> 0:32:59.560
<v Speaker 3>in the basement and were oddly and sort of beautifully

0:33:00.160 --> 0:33:07.480
<v Speaker 3>like raising this baby together. Yes, And we got to

0:33:07.760 --> 0:33:11.560
<v Speaker 3>dance to a Britney Spears song and they called in

0:33:11.720 --> 0:33:14.080
<v Speaker 3>Debbie Allen to do a favor and just do a

0:33:14.160 --> 0:33:18.400
<v Speaker 3>little choreography rehearsal with me and Joe and I'm holding

0:33:19.560 --> 0:33:21.480
<v Speaker 3>in the in the shot, I was going to be

0:33:21.560 --> 0:33:25.880
<v Speaker 3>holding Quinn's baby and doing this like hit me baby

0:33:26.080 --> 0:33:29.400
<v Speaker 3>one more time choreography with Joe and they and they

0:33:29.440 --> 0:33:31.400
<v Speaker 3>were and I was like, well, my son is here

0:33:31.440 --> 0:33:32.800
<v Speaker 3>and they were like, well, you can just bring him

0:33:32.840 --> 0:33:34.720
<v Speaker 3>and Debbie I was like, I can, that's allowed. Debbie

0:33:34.720 --> 0:33:36.520
<v Speaker 3>was like, yeah, bring him to the rehearsal, hold him

0:33:36.560 --> 0:33:38.880
<v Speaker 3>like you're going to be holding the real baby. And

0:33:39.000 --> 0:33:41.160
<v Speaker 3>I had such an out of body moment where I'm like,

0:33:42.120 --> 0:33:46.280
<v Speaker 3>I'm dancing to Britney Spears with my firstborn child on

0:33:46.360 --> 0:33:53.480
<v Speaker 3>a hit television show with Joe Morton, studying choreography with

0:33:53.800 --> 0:33:58.160
<v Speaker 3>Debbie Allen, and I have a videotape, Adam. I made

0:33:58.240 --> 0:34:00.520
<v Speaker 3>Adam like videotape it just so that I could have

0:34:00.680 --> 0:34:04.120
<v Speaker 3>it forever, because yes, nice when it comes out, it

0:34:04.240 --> 0:34:07.840
<v Speaker 3>is the most like I just was like, I am

0:34:07.960 --> 0:34:11.560
<v Speaker 3>the luckiest like to get to work with you, to

0:34:11.640 --> 0:34:14.520
<v Speaker 3>get to work with Debbie Allen in such a like absolute,

0:34:14.760 --> 0:34:17.800
<v Speaker 3>like obscure, an amazing thing holding my kid where I

0:34:17.920 --> 0:34:20.040
<v Speaker 3>was sort of transitioning into this like new identity of

0:34:20.080 --> 0:34:22.480
<v Speaker 3>being a mom while still being an actress. I just like,

0:34:23.120 --> 0:34:26.799
<v Speaker 3>it's one of those memories I'll take with me for forever. God,

0:34:26.880 --> 0:34:29.279
<v Speaker 3>we had some crazy shit to do. I have a

0:34:29.360 --> 0:34:31.520
<v Speaker 3>memory of like I had to throw a chain around

0:34:31.600 --> 0:34:34.040
<v Speaker 3>your neck. I think I don't even know well that

0:34:34.280 --> 0:34:35.040
<v Speaker 3>that whole episode.

0:34:35.120 --> 0:34:38.200
<v Speaker 5>Right, you're down the basement, and then I'd make I

0:34:38.400 --> 0:34:43.279
<v Speaker 5>make Kerry believe that I've killed you. Yes, yes, yes,

0:34:44.239 --> 0:34:46.120
<v Speaker 5>all that takes place in the basement. That was That

0:34:46.239 --> 0:34:47.040
<v Speaker 5>was a wild episode.

0:34:48.200 --> 0:34:51.040
<v Speaker 3>Seanda wrote it. It was so so so wild. Oh

0:34:51.040 --> 0:34:52.320
<v Speaker 3>my god, we're gonna have to have you back on

0:34:52.840 --> 0:34:53.600
<v Speaker 3>when we get there.

0:34:54.560 --> 0:34:56.040
<v Speaker 5>You know why. It's making me think about it, but

0:34:56.120 --> 0:34:58.680
<v Speaker 5>it makes me think of that episode that Gamo did.

0:34:58.719 --> 0:35:02.319
<v Speaker 4>What you girlfriend tries to drown.

0:35:02.080 --> 0:35:03.920
<v Speaker 1>You or yes, yes, yes, she puts me in the

0:35:03.960 --> 0:35:06.759
<v Speaker 1>trunk of a car and pushes it off a cliff. Yeah,

0:35:07.239 --> 0:35:10.399
<v Speaker 1>another crazy episode. One of the memories that sticks out

0:35:10.520 --> 0:35:13.160
<v Speaker 1>is Joe and I were in an episode together and

0:35:13.239 --> 0:35:15.920
<v Speaker 1>we were doing a lot of stuff together, hucking and rowan,

0:35:16.120 --> 0:35:18.560
<v Speaker 1>and we were, you know, in our chairs waiting for

0:35:18.640 --> 0:35:21.040
<v Speaker 1>them to set up the shot, and I was talking

0:35:21.080 --> 0:35:23.719
<v Speaker 1>about I had just bought my house or I hadn't

0:35:23.760 --> 0:35:24.880
<v Speaker 1>just buy a butt it like a year ago. But

0:35:24.960 --> 0:35:26.560
<v Speaker 1>we just put in a pool and I was like, Joe,

0:35:26.640 --> 0:35:29.320
<v Speaker 1>I have this pool in my house. But I feel

0:35:29.480 --> 0:35:33.760
<v Speaker 1>almost like I don't know, I can't. I feel guilty,

0:35:33.880 --> 0:35:35.400
<v Speaker 1>like I feel like I don't deserve it. So I

0:35:35.480 --> 0:35:36.160
<v Speaker 1>don't go in it.

0:35:36.719 --> 0:35:39.480
<v Speaker 3>In that pool for like a year. That's how mad

0:35:40.400 --> 0:35:40.880
<v Speaker 3>deserve it.

0:35:41.239 --> 0:35:43.560
<v Speaker 1>Joe was sitting at his chair reading his book. You know,

0:35:43.600 --> 0:35:45.120
<v Speaker 1>he had a close because he was listening to me

0:35:46.400 --> 0:35:49.080
<v Speaker 1>and he and I said, so, Joe, I just don't know, man,

0:35:49.200 --> 0:35:52.040
<v Speaker 1>I just I feel guilt. I don't know if I

0:35:52.120 --> 0:35:53.839
<v Speaker 1>deserve the pool. And he looked at me and see,

0:35:53.880 --> 0:35:55.680
<v Speaker 1>he said, did you pay for that pool? And I

0:35:55.719 --> 0:35:57.320
<v Speaker 1>said yeah, and he said get in the pool.

0:35:58.760 --> 0:35:59.320
<v Speaker 5>And that was it.

0:35:59.480 --> 0:36:02.520
<v Speaker 1>Do you remember? And I was like, you're right, you're right,

0:36:02.600 --> 0:36:03.960
<v Speaker 1>You're right, And now I get in the pool all

0:36:03.960 --> 0:36:04.239
<v Speaker 1>the time.

0:36:04.480 --> 0:36:07.000
<v Speaker 5>It's funny about stuff like that, how you know your

0:36:07.120 --> 0:36:10.600
<v Speaker 5>life changes and you think kind of like I don't deserve.

0:36:10.320 --> 0:36:13.120
<v Speaker 4>To have this. I don't deserve to be part of this. Yeah,

0:36:13.600 --> 0:36:15.600
<v Speaker 4>but you know you worked hard to get there.

0:36:15.680 --> 0:36:19.440
<v Speaker 5>Yeah, you know you're not there by mistake, by chance,

0:36:19.560 --> 0:36:21.680
<v Speaker 5>you know you when you you know, I mean, I

0:36:21.800 --> 0:36:25.279
<v Speaker 5>think one of my music partners we're talking about something

0:36:25.360 --> 0:36:28.840
<v Speaker 5>that you know, when I got nominated for an Emmitt,

0:36:29.239 --> 0:36:32.920
<v Speaker 5>you know, your tendency is to almost distance yourself from that, yes,

0:36:33.160 --> 0:36:35.480
<v Speaker 5>because it feels like it's too much. It's like, oh oh,

0:36:35.680 --> 0:36:38.080
<v Speaker 5>that's great. And I kept saying, but you know, having

0:36:38.080 --> 0:36:40.359
<v Speaker 5>a nomination was just enough. It was fine, blah blah blah.

0:36:41.280 --> 0:36:44.719
<v Speaker 5>So that when they announced my name at the it

0:36:44.880 --> 0:36:48.640
<v Speaker 5>was like took me a second. Jane Lynch because I

0:36:48.800 --> 0:36:51.320
<v Speaker 5>remember her face. She had no idea who I was,

0:36:51.719 --> 0:36:55.280
<v Speaker 5>she said, and Joe Morton like she was shocked.

0:36:55.880 --> 0:36:58.040
<v Speaker 4>I was shocked. But I think what happens is you

0:36:58.280 --> 0:37:02.080
<v Speaker 4>you you distance yourself so that if something goes.

0:37:02.000 --> 0:37:05.120
<v Speaker 5>Wrong, if something yes, you're not able to fulfill where

0:37:05.200 --> 0:37:06.960
<v Speaker 5>you are, You're not that disappointed.

0:37:07.239 --> 0:37:09.040
<v Speaker 4>So true, that's what happens.

0:37:09.600 --> 0:37:10.520
<v Speaker 3>Such a great point.

0:37:10.920 --> 0:37:12.000
<v Speaker 1>We'll be right back, guys.

0:37:16.560 --> 0:37:19.239
<v Speaker 3>Okay, back to this episode really quick. So we find

0:37:19.280 --> 0:37:22.799
<v Speaker 3>out what did David Rosen do with the Citron card.

0:37:22.960 --> 0:37:27.799
<v Speaker 3>The amount of shenanigans that this Citron card has has

0:37:28.440 --> 0:37:32.480
<v Speaker 3>has caused, and so I mean it is the only logistical,

0:37:32.640 --> 0:37:39.840
<v Speaker 3>concrete evidence that the freaking election election, but the Citron card.

0:37:40.640 --> 0:37:45.800
<v Speaker 3>We find out that David Rosen has neurotically put in

0:37:46.239 --> 0:37:51.680
<v Speaker 3>fifty thousand combinations of what the safe could be in

0:37:51.760 --> 0:37:56.759
<v Speaker 3>Olivia Pope's office to break in and get the card. Yes,

0:37:57.040 --> 0:37:59.759
<v Speaker 3>and he in turn gives it.

0:37:59.800 --> 0:38:03.200
<v Speaker 1>To Billy Chambers, who gives it to But.

0:38:03.239 --> 0:38:05.000
<v Speaker 3>Then finally at the end of the episode, it is

0:38:05.080 --> 0:38:10.040
<v Speaker 3>given to Cyrus, and Cyrus at his desk takes us

0:38:10.560 --> 0:38:15.840
<v Speaker 3>a paperweight of Lincoln and smashes it ship out of

0:38:15.880 --> 0:38:19.279
<v Speaker 3>this card and we can finally put any evidence that

0:38:19.360 --> 0:38:23.600
<v Speaker 3>the election was ever rigged down the drain right.

0:38:24.360 --> 0:38:26.719
<v Speaker 4>Yes, yes, in the real world, which they could do that.

0:38:26.960 --> 0:38:32.680
<v Speaker 3>I mean, isn't it weird? God, the Shonda Land the scandal,

0:38:33.480 --> 0:38:36.520
<v Speaker 3>like secretly kind of weirdly knowing what was going on

0:38:36.800 --> 0:38:37.480
<v Speaker 3>was very weird.

0:38:37.600 --> 0:38:39.000
<v Speaker 5>I mean that's you know, that's a question to you

0:38:39.080 --> 0:38:40.719
<v Speaker 5>guys get a lot as well as what did we

0:38:40.960 --> 0:38:44.800
<v Speaker 5>end when we did? And I always think it's because

0:38:44.960 --> 0:38:47.400
<v Speaker 5>of the actual election that Chanda thought, you know what,

0:38:48.040 --> 0:38:51.319
<v Speaker 5>I'm done. Yeah, that that Bellamy was supposed to take over,

0:38:51.800 --> 0:38:55.640
<v Speaker 5>was was going to become president once again, and then

0:38:55.680 --> 0:38:56.800
<v Speaker 5>that's where the show was going to go.

0:38:57.040 --> 0:39:01.680
<v Speaker 4>And then once mister t got yeah elected, I think

0:39:01.719 --> 0:39:03.560
<v Speaker 4>she was done. I mean that's yeah, that was my feeling.

0:39:03.719 --> 0:39:05.759
<v Speaker 1>What was crazier in real life than on our show,

0:39:06.000 --> 0:39:10.160
<v Speaker 1>Like shit became crazier in real life. It's nuts, absolutely, Yeah,

0:39:10.760 --> 0:39:13.319
<v Speaker 1>even now to watch to watch old episodes and they're

0:39:13.360 --> 0:39:17.040
<v Speaker 1>talking about scandals that happened to you know, senators or

0:39:17.080 --> 0:39:20.840
<v Speaker 1>whatever on our show, and I think that's nothing like

0:39:21.080 --> 0:39:23.880
<v Speaker 1>way worse is happening with politicians in our world right now,

0:39:24.000 --> 0:39:27.000
<v Speaker 1>and people are like, Okay, cool, yeah, let's make them president,

0:39:27.120 --> 0:39:29.919
<v Speaker 1>no worries. It's it's nuts. Yeah.

0:39:30.080 --> 0:39:32.200
<v Speaker 3>I feel the same way, Joe. I think there was

0:39:32.280 --> 0:39:35.239
<v Speaker 3>like some article about other political shows that were on

0:39:35.400 --> 0:39:37.880
<v Speaker 3>at the time, like Veep, like our show, and they

0:39:37.920 --> 0:39:40.120
<v Speaker 3>were all sort of saying, like, when the lights are

0:39:40.280 --> 0:39:45.839
<v Speaker 3>on in Washington, it's very wonderful to have a political show,

0:39:46.160 --> 0:39:48.320
<v Speaker 3>like you know, the years that West Wing was on,

0:39:48.760 --> 0:39:51.080
<v Speaker 3>and then as soon as the as soon as there's

0:39:51.080 --> 0:39:53.600
<v Speaker 3>sort of a darkness over DC and it's very very

0:39:54.920 --> 0:39:58.000
<v Speaker 3>you know, divisive, and times are tough. It's very hard

0:39:58.280 --> 0:40:02.680
<v Speaker 3>to keep writing a political show and making one. Oh wait,

0:40:02.760 --> 0:40:05.359
<v Speaker 3>I just read this fun facts talking about that safe.

0:40:05.440 --> 0:40:08.040
<v Speaker 3>Abby states that there are twenty thousand, seven hundred and

0:40:08.120 --> 0:40:11.880
<v Speaker 3>thirty six possible safe combinations. But later, when David is

0:40:11.920 --> 0:40:15.560
<v Speaker 3>shown accessing the safe, he is only able to enter

0:40:15.680 --> 0:40:18.760
<v Speaker 3>four digits zero to nine, which means that they're actually

0:40:18.960 --> 0:40:22.160
<v Speaker 3>only ten thousand combinations that he would have tried.

0:40:22.480 --> 0:40:24.880
<v Speaker 1>Who the hell thought, who the hell came up with

0:40:24.960 --> 0:40:25.719
<v Speaker 1>this fun fact?

0:40:25.840 --> 0:40:26.120
<v Speaker 5>That was?

0:40:26.719 --> 0:40:27.719
<v Speaker 1>That wasn't even fun?

0:40:27.920 --> 0:40:30.200
<v Speaker 3>No fun, it's the funnest the funds.

0:40:30.360 --> 0:40:30.920
<v Speaker 5>I love it.

0:40:31.280 --> 0:40:34.040
<v Speaker 3>This is the other fun fact. Given the broken chain

0:40:34.080 --> 0:40:36.560
<v Speaker 3>of custody and how easy the sytron card is to

0:40:36.719 --> 0:40:41.520
<v Speaker 3>hack it realistically, wouldn't have been proof of anything at all,

0:40:41.719 --> 0:40:48.840
<v Speaker 3>should it have? Actually time to light btw tweets of

0:40:48.960 --> 0:40:52.640
<v Speaker 3>the time and before we read some of these, Joe,

0:40:53.840 --> 0:40:58.880
<v Speaker 3>you definitely joined Twitter for this show, and you definitely

0:40:59.080 --> 0:41:01.840
<v Speaker 3>had quite the Twitter persona.

0:41:02.480 --> 0:41:04.600
<v Speaker 1>He did so great.

0:41:04.840 --> 0:41:05.759
<v Speaker 4>Yeah, no, that was fun.

0:41:05.800 --> 0:41:08.000
<v Speaker 5>I mean I hadn't done any social media before then,

0:41:08.120 --> 0:41:10.440
<v Speaker 5>and then when I joined the show, and then I

0:41:10.480 --> 0:41:11.880
<v Speaker 5>found out, you know, you don't have to do it,

0:41:11.920 --> 0:41:13.000
<v Speaker 5>but you could do it if it's fun.

0:41:13.239 --> 0:41:15.160
<v Speaker 4>So then Christina and I just decided that what we

0:41:15.200 --> 0:41:16.440
<v Speaker 4>would do for Sine is my partner.

0:41:16.480 --> 0:41:20.040
<v Speaker 3>For those of you who don't know, she's the best,

0:41:20.520 --> 0:41:21.239
<v Speaker 3>she is the best.

0:41:22.160 --> 0:41:24.879
<v Speaker 5>So we decided we would get go as far into

0:41:24.960 --> 0:41:27.279
<v Speaker 5>it as we could. Tony actually walked out to me

0:41:27.360 --> 0:41:29.440
<v Speaker 5>one day he said, so, all that stuff you say

0:41:29.600 --> 0:41:32.040
<v Speaker 5>about me and you just it's just fun.

0:41:32.160 --> 0:41:33.840
<v Speaker 4>I said, yeah, Tony, I like you, but I'm not.

0:41:35.520 --> 0:41:40.120
<v Speaker 3>Because everybody listening. It was kind of like like a

0:41:40.280 --> 0:41:43.120
<v Speaker 3>pop up hope. It's like you were tweeting as if

0:41:43.160 --> 0:41:44.240
<v Speaker 3>you were pop up hope.

0:41:45.160 --> 0:41:47.120
<v Speaker 4>A lot of the times I was tweeting in character.

0:41:47.520 --> 0:41:50.520
<v Speaker 3>It was awesome and I can't believe you could do that.

0:41:50.800 --> 0:41:51.279
<v Speaker 5>It was so.

0:41:53.160 --> 0:41:54.520
<v Speaker 4>Well, it made it more fun that way.

0:41:54.560 --> 0:42:00.520
<v Speaker 1>That way, yeah, you know exactly, the personally, this.

0:42:00.680 --> 0:42:03.040
<v Speaker 3>Is so amazing, Like some of these tweets are the

0:42:03.120 --> 0:42:06.560
<v Speaker 3>times absolutely kill me? We have at Sweet and Lovely

0:42:06.640 --> 0:42:13.279
<v Speaker 3>two two nine retweeted, what the fuck Billy Chambers is

0:42:13.360 --> 0:42:19.920
<v Speaker 3>the male and David is his male? Oh my fucking god, hashtag.

0:42:19.560 --> 0:42:25.120
<v Speaker 1>Scandal this dude's betto metro Dos tweeted if Scandal, if

0:42:25.160 --> 0:42:27.600
<v Speaker 1>the Scandal story arc was anywhere near to Olivia, Pope

0:42:27.600 --> 0:42:30.800
<v Speaker 1>would be dead in jail or on Fox News covering

0:42:30.880 --> 0:42:34.040
<v Speaker 1>the New Black Panthers. Oh shit, hashtag hardball.

0:42:35.200 --> 0:42:38.960
<v Speaker 4>Wow man, she would she would be the new Oprah.

0:42:39.120 --> 0:42:42.600
<v Speaker 3>She would right, yeah, hell yeah, I agree, she would

0:42:42.640 --> 0:42:47.799
<v Speaker 3>be the new Oprah. At Funkydneva, oh yeah, who used

0:42:47.800 --> 0:42:50.000
<v Speaker 3>to tweet all the time. I felt so bad for James.

0:42:50.080 --> 0:42:52.879
<v Speaker 3>I was distraught for a men after that scene. Miss

0:42:53.000 --> 0:42:56.399
<v Speaker 3>Cyrus is a beast hashtag scandal, which is true? How

0:42:56.560 --> 0:42:59.840
<v Speaker 3>James and Cyrus? How he ever stayed with him? Cyrus

0:42:59.920 --> 0:43:01.279
<v Speaker 3>was a terrible husband to him?

0:43:01.320 --> 0:43:07.279
<v Speaker 1>Absolutely right, okay. Miss Funky Daneva also tweeted Quinn needs

0:43:07.360 --> 0:43:10.839
<v Speaker 1>to step up her fashions next season, Hunty, I'm over her,

0:43:11.360 --> 0:43:13.919
<v Speaker 1>and this I'm over her and this Lauren Hill tax

0:43:13.960 --> 0:43:16.200
<v Speaker 1>evasion realness, she is serving.

0:43:16.719 --> 0:43:20.320
<v Speaker 3>It's so true. I agree with you, Miss funky Geneva,

0:43:20.360 --> 0:43:23.359
<v Speaker 3>who's also like rolling on these fucking amazing tweets at

0:43:23.400 --> 0:43:27.359
<v Speaker 3>Miss Funky Geneva also tweeted, Scandal writer season three, can

0:43:27.400 --> 0:43:29.360
<v Speaker 3>Harrison have a love interest so we can get some

0:43:29.520 --> 0:43:34.600
<v Speaker 3>shirtless scenes man or woman? Hine hashtag scandal and.

0:43:34.800 --> 0:43:38.879
<v Speaker 1>Then moful Chronicles tweeted, I volunteer to be Harrison's love

0:43:38.920 --> 0:43:40.080
<v Speaker 1>interest hashtag scandal.

0:43:40.360 --> 0:43:44.600
<v Speaker 3>That's so funny. Oh this is so cute at real.

0:43:44.719 --> 0:43:49.480
<v Speaker 3>Queen bees Hx tweeted, got my hashtag high mug from

0:43:49.520 --> 0:43:52.000
<v Speaker 3>at scandal obsessed on the perfect Day. I can't wait

0:43:52.040 --> 0:43:54.160
<v Speaker 3>to drink out of it tonight. That was so cute.

0:43:54.200 --> 0:43:57.800
<v Speaker 3>I remember that was a major because you know, Tony

0:43:57.920 --> 0:44:01.120
<v Speaker 3>and Carrie always had those scenes where they just said hi,

0:44:01.640 --> 0:44:02.239
<v Speaker 3>to each other.

0:44:02.520 --> 0:44:03.960
<v Speaker 1>Yeah, that's where the cup came from.

0:44:04.040 --> 0:44:07.480
<v Speaker 3>And so it became a hashtag because.

0:44:07.120 --> 0:44:08.800
<v Speaker 4>They would give themselves a minute, right.

0:44:09.120 --> 0:44:13.160
<v Speaker 1>Yes, yes, yes, yes, yes, okay at Drea E. Hall tweeted,

0:44:13.239 --> 0:44:17.560
<v Speaker 1>you can't trust anyone anymore hashtag scandle has me shook lol.

0:44:17.719 --> 0:44:20.839
<v Speaker 1>So true, so true, trust bodies so true.

0:44:20.920 --> 0:44:22.040
<v Speaker 3>These are so great.

0:44:22.640 --> 0:44:22.799
<v Speaker 5>Right.

0:44:22.920 --> 0:44:25.840
<v Speaker 1>I did want to ask you Joe about this amazing

0:44:25.960 --> 0:44:28.120
<v Speaker 1>show that Joe worked on. I'm not sure if you

0:44:28.160 --> 0:44:30.400
<v Speaker 1>guys are still doing it called Inside the Black Box.

0:44:30.719 --> 0:44:32.360
<v Speaker 4>Oh, we are still doing that absolutely.

0:44:32.760 --> 0:44:34.040
<v Speaker 1>Can you talk a little bit about that?

0:44:34.640 --> 0:44:35.120
<v Speaker 4>Absolutely?

0:44:35.160 --> 0:44:39.360
<v Speaker 5>Inside the Black Box it's basically a show that brings

0:44:39.440 --> 0:44:41.680
<v Speaker 5>on a list of black actors to talk about what

0:44:41.760 --> 0:44:45.720
<v Speaker 5>he means to be an actor of color, an artist

0:44:45.880 --> 0:44:50.520
<v Speaker 5>of color. And we have We've had Felicia m We've

0:44:50.520 --> 0:44:52.520
<v Speaker 5>had Debbie on yes right on the show.

0:44:52.600 --> 0:44:56.200
<v Speaker 4>We've had just a whole bunch of people.

0:44:56.239 --> 0:44:56.960
<v Speaker 1>It's so good.

0:44:57.000 --> 0:45:03.120
<v Speaker 5>Forty to sixty actors who are on camera. So what

0:45:03.239 --> 0:45:06.200
<v Speaker 5>we do is we then do either theater games or

0:45:06.280 --> 0:45:09.200
<v Speaker 5>improvs or whatever. Yes, it gives them a chance to

0:45:09.239 --> 0:45:14.319
<v Speaker 5>showcase their talents and to that to that effect, four

0:45:14.440 --> 0:45:17.240
<v Speaker 5>or five of them have now agents have gotten jobs

0:45:17.320 --> 0:45:20.680
<v Speaker 5>and how yeah, we are beginning to become a destination

0:45:21.080 --> 0:45:23.680
<v Speaker 5>for casting agents looking for young black actors.

0:45:23.760 --> 0:45:25.920
<v Speaker 3>This is like inside the studio.

0:45:26.800 --> 0:45:28.680
<v Speaker 4>It's it's it's it's the same idea.

0:45:28.760 --> 0:45:30.600
<v Speaker 5>The difference is we are not in a prosceni and

0:45:30.680 --> 0:45:34.160
<v Speaker 5>we actually are in a black box and we are

0:45:34.200 --> 0:45:34.880
<v Speaker 5>more or less.

0:45:34.680 --> 0:45:36.160
<v Speaker 4>Surrounded by these actors.

0:45:36.200 --> 0:45:38.560
<v Speaker 5>And as I say again, different from the actors studio,

0:45:38.719 --> 0:45:41.320
<v Speaker 5>we actually give them a chance to show fast their talents,

0:45:41.320 --> 0:45:43.480
<v Speaker 5>which is kind of key to our show.

0:45:43.560 --> 0:45:45.200
<v Speaker 4>We want to you know, you know they talk.

0:45:45.040 --> 0:45:47.600
<v Speaker 5>About Disney actors all the time. One day in the

0:45:47.640 --> 0:45:49.160
<v Speaker 5>future they'll be talking about it tv B.

0:45:49.800 --> 0:45:52.279
<v Speaker 1>Hell yeah, I saw clip Joe and there you guys.

0:45:52.400 --> 0:45:56.440
<v Speaker 1>They're interviewing this lovely actor, this this awesome dude, and

0:45:56.520 --> 0:45:58.759
<v Speaker 1>he's like, forget the actors studio, man, I'm here with

0:45:58.880 --> 0:46:02.080
<v Speaker 1>you guys. And I thought, hell yeah, this is so groundbreaking.

0:46:02.160 --> 0:46:06.680
<v Speaker 3>I want to letters it BB it t BB inside

0:46:06.760 --> 0:46:09.080
<v Speaker 3>the black Box. That is awesome.

0:46:09.719 --> 0:46:11.400
<v Speaker 4>And here's another just a fact about it inside the

0:46:11.400 --> 0:46:11.839
<v Speaker 4>black Box.

0:46:11.880 --> 0:46:14.160
<v Speaker 5>So at the end of season one, which I think

0:46:14.400 --> 0:46:17.680
<v Speaker 5>happened around my birthday, we finished the show. We finished

0:46:17.680 --> 0:46:21.120
<v Speaker 5>our last episode. We only shoot ten a year and

0:46:21.320 --> 0:46:26.600
<v Speaker 5>suddenly our students breakout and song. That song became our

0:46:27.000 --> 0:46:30.759
<v Speaker 5>theme song for the show. Way they started singing the song,

0:46:31.080 --> 0:46:32.719
<v Speaker 5>I ran back to the producers and I said, wait

0:46:32.840 --> 0:46:35.880
<v Speaker 5>to record it. So my partners and I, you know,

0:46:36.000 --> 0:46:38.719
<v Speaker 5>put our studio together, brought them out to New Jersey.

0:46:39.600 --> 0:46:41.839
<v Speaker 4>He created what happened in the studio that day.

0:46:42.120 --> 0:46:44.279
<v Speaker 5>And so when you go on to the show, that

0:46:44.520 --> 0:46:47.719
<v Speaker 5>theme song that you hear is sung by me, my partners,

0:46:47.760 --> 0:46:49.440
<v Speaker 5>and a couple of the students. That it was written

0:46:49.520 --> 0:46:50.279
<v Speaker 5>by four of them.

0:46:51.960 --> 0:46:53.080
<v Speaker 1>That's such a great story.

0:46:53.239 --> 0:46:53.359
<v Speaker 3>YO.

0:46:53.480 --> 0:46:54.919
<v Speaker 1>For those of you who don't know, Joe is also

0:46:54.960 --> 0:46:58.680
<v Speaker 1>an amazing musician. Yes, he's right. Talk about that a

0:46:58.680 --> 0:47:01.600
<v Speaker 1>little bit, Joe, Like, what have you been doing for years?

0:47:01.719 --> 0:47:03.759
<v Speaker 4>Years and years? I've you know, been playing or whatever.

0:47:03.840 --> 0:47:06.600
<v Speaker 5>And so during all that crazy time when mister T

0:47:06.840 --> 0:47:09.120
<v Speaker 5>was in the White House, my partner Kenny Leman and

0:47:09.160 --> 0:47:11.320
<v Speaker 5>I wrote a piece called Wake Up America.

0:47:10.960 --> 0:47:13.680
<v Speaker 1>Which is basically I remember that, yeah, it's.

0:47:13.560 --> 0:47:16.120
<v Speaker 5>Not Republican, it's not democratic, but it basically is talking

0:47:16.120 --> 0:47:19.120
<v Speaker 5>about the importance of unity and that it's you know,

0:47:19.200 --> 0:47:21.680
<v Speaker 5>it's it's it's not us, or then it's us.

0:47:22.719 --> 0:47:27.920
<v Speaker 4>The United States, so you can find that on YouTube.

0:47:29.080 --> 0:47:32.920
<v Speaker 3>Come on, Joe Morton. He is a legend, He is

0:47:33.040 --> 0:47:36.560
<v Speaker 3>the goat, he is the greatest of all time. He

0:47:36.719 --> 0:47:40.440
<v Speaker 3>is a friend, He is wonderful, and he is forever

0:47:40.840 --> 0:47:44.839
<v Speaker 3>and ever and will be our Papa Pope, yes and only.

0:47:45.360 --> 0:47:47.760
<v Speaker 5>And just to put this out there, there is something

0:47:47.800 --> 0:47:49.719
<v Speaker 5>else that Katie and I are kind of working on.

0:47:49.840 --> 0:47:50.920
<v Speaker 5>We can't really talk about it.

0:47:52.360 --> 0:47:54.840
<v Speaker 4>Working on that. We hope will will happen in fuy.

0:47:54.880 --> 0:48:01.560
<v Speaker 3>We hope working together very closely on something that would

0:48:01.600 --> 0:48:03.759
<v Speaker 3>make everyone very happy, mostly me.

0:48:04.920 --> 0:48:07.320
<v Speaker 1>This so much more, guys, Guys.

0:48:07.239 --> 0:48:12.879
<v Speaker 3>Next up episode three oh one, It's handled. We will

0:48:13.000 --> 0:48:16.759
<v Speaker 3>finally get to see this amazing hell or high water

0:48:17.040 --> 0:48:20.959
<v Speaker 3>getting down from the one and only pop U Pope

0:48:21.000 --> 0:48:24.480
<v Speaker 3>and so much more coming up next. Thank you Gladiators

0:48:24.600 --> 0:48:29.160
<v Speaker 3>so much for an incredible first season of Unpacking the Toolbox.

0:48:29.360 --> 0:48:32.879
<v Speaker 1>Thank you, guys. We're so happy. Was having so much

0:48:32.880 --> 0:48:33.400
<v Speaker 1>fun doing this.

0:48:33.800 --> 0:48:36.840
<v Speaker 3>Oh my god, Joe, thank you for wrapping up episode

0:48:36.880 --> 0:48:39.839
<v Speaker 3>two two two and the season finale of season two

0:48:39.960 --> 0:48:42.799
<v Speaker 3>with the most iconic dad moment that might go down

0:48:42.840 --> 0:48:46.040
<v Speaker 3>in history, is the most iconic and scandal all of

0:48:46.120 --> 0:48:54.000
<v Speaker 3>the episodes, any more still to uncover. Thank you for

0:48:54.120 --> 0:48:55.520
<v Speaker 3>being on g Thank you man.

0:48:55.640 --> 0:49:00.800
<v Speaker 1>I love you, guys, you guys, thank you, thank you,

0:49:01.040 --> 0:49:01.320
<v Speaker 1>thank you.

0:49:01.440 --> 0:49:01.720
<v Speaker 4>Guys.

0:49:01.840 --> 0:49:04.320
<v Speaker 1>Come back and listen to the next season, y'all.

0:49:04.360 --> 0:49:06.120
<v Speaker 3>Yeah, come back. We love you. We couldn't do this

0:49:06.239 --> 0:49:08.160
<v Speaker 3>without you. Having a fucking blast.

0:49:08.239 --> 0:49:09.440
<v Speaker 1>We're having such a good time.

0:49:16.600 --> 0:49:19.479
<v Speaker 3>For another season so that I can learn better.

0:49:19.520 --> 0:49:21.239
<v Speaker 1>We're gonna learn how to say it in Spanish. I

0:49:21.280 --> 0:49:23.040
<v Speaker 1>bet Joe can probably say you don't you speak a

0:49:23.040 --> 0:49:23.760
<v Speaker 1>little bit of Spanish?

0:49:23.840 --> 0:49:29.640
<v Speaker 3>Joe, Adam, I mean, I'll be I mean, what's your name, Germo?

0:49:29.800 --> 0:49:32.880
<v Speaker 3>If you could joice memo my mom.

0:49:33.239 --> 0:49:36.560
<v Speaker 1>Raido, Manny Girmo, like she says all her kids names.

0:49:36.719 --> 0:49:38.480
<v Speaker 3>Memo me how to say it so I can. I

0:49:38.560 --> 0:49:41.600
<v Speaker 3>will than absolutely absolutely is not my fault.

0:49:43.280 --> 0:49:44.919
<v Speaker 1>Unpacking the Toolbox, y'all.

0:49:45.840 --> 0:49:48.280
<v Speaker 3>We love you. Joe Morton, Thank you, Glad.

0:49:48.200 --> 0:49:53.120
<v Speaker 1>Thanks Joe, love you, Joe. Thank you guys for joining

0:49:53.200 --> 0:49:56.560
<v Speaker 1>us on Unpacking the Toolbox. If you enjoyed the show,

0:49:56.600 --> 0:49:59.719
<v Speaker 1>please subscribe, share with your friends, rate, or leave us.

0:49:59.719 --> 0:50:03.200
<v Speaker 3>A Room Scandal is executive produced by Sandy Bailey, Alex Alcea,

0:50:03.560 --> 0:50:07.840
<v Speaker 3>Lauren Homan, Tyler Klang, and Gabrielle Collins. Our producer and

0:50:07.960 --> 0:50:11.200
<v Speaker 3>editor is Vince de Johnny, with music by Chad Fisher.

0:50:11.560 --> 0:50:13.920
<v Speaker 3>Unpacking the Toolbox is a production of Shondaland Audio in

0:50:14.040 --> 0:50:18.319
<v Speaker 3>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:50:18.360 --> 0:50:21.520
<v Speaker 3>the iHeartRadio app or anywhere you subscribe to your favorite shows.