1
00:00:00,030 --> 00:00:01,890
Speaker 1: Paris, you go to London, nowhere to speak.

2
00:00:01,930 --> 00:00:03,270
Speaker 2: I got my ass kicked in Paris.

3
00:00:03,630 --> 00:00:04,090
Speaker 3: Damn.

4
00:00:04,700 --> 00:00:07,580
Speaker 2: Me and the bro, but it was by security, though. Like,

5
00:00:07,620 --> 00:00:09,860
Speaker 2: we was in the spot. Like, it was some funny

6
00:00:10,020 --> 00:00:11,580
Speaker 2: shit going on, whatever. Nigga, if I'm going to want

7
00:00:11,600 --> 00:00:14,560
Speaker 2: to security, this nigga go to his suite. Start packing us.

8
00:00:14,560 --> 00:00:16,480
Speaker 2: I'm going to keep it a block. I got my,

9
00:00:16,680 --> 00:00:18,930
Speaker 2: I got, I got my hits off. I ain't afraid.

10
00:00:18,950 --> 00:00:19,930
Speaker 3: I already knew it was over.

11
00:00:20,030 --> 00:00:21,209
Speaker 2: I was like, I got my hits off, and I

12
00:00:21,230 --> 00:00:22,630
Speaker 2: just said, all right, baby, I got it.

13
00:00:22,670 --> 00:00:23,290
Speaker 3: He didn't get stabbed.

14
00:00:23,329 --> 00:00:24,209
Speaker 1: Shut the fuck up.

15
00:00:25,200 --> 00:00:27,790
Speaker 3: Yeah, it's the Talk of New York, Tony Ayo. And

16
00:00:27,820 --> 00:00:33,209
Speaker 3: it's the Boy Uncle Murder, a.k.a. Lil' Jay Lenny. And

17
00:00:33,310 --> 00:00:37,330
Speaker 3: it's the Real Report Show. And right now, we have

18
00:00:37,409 --> 00:00:52,699
Speaker 3: one of the kings of Sexy drill, the slizzy. You

19
00:00:52,740 --> 00:00:53,440
Speaker 3: know what it is.

20
00:00:53,680 --> 00:00:56,180
Speaker 1: Make some noise for my man, Chow Lee.

21
00:00:56,420 --> 00:00:57,780
Speaker 3: Whoa. Whoa.

22
00:00:58,580 --> 00:01:00,940
Speaker 2: Whoa. That boy from that place doing things to be done.

23
00:01:00,960 --> 00:01:02,760
Speaker 3: Chow Lee in the building. Hello.

24
00:01:02,900 --> 00:01:05,600
Speaker 1: Chow Lee, first of all, I want to say I

25
00:01:05,640 --> 00:01:07,390
Speaker 1: like what you are doing.

26
00:01:07,890 --> 00:01:08,330
Speaker 3: Appreciate you.

27
00:01:08,390 --> 00:01:11,410
Speaker 1: Cash Cobain, Shelter Bay. I knew him as a kid.

28
00:01:11,450 --> 00:01:12,110
Speaker 3: Free as pop.

29
00:01:12,150 --> 00:01:17,210
Speaker 1: You know, Free Bay. King BMO. Talk about that. Because

30
00:01:17,230 --> 00:01:19,429
Speaker 1: when King BMO told me he came from that camp,

31
00:01:19,510 --> 00:01:22,420
Speaker 1: I'm like, Wow, all of these guys are making hits, man.

32
00:01:23,340 --> 00:01:26,640
Speaker 2: We were always just around, down for the cause type.

33
00:01:26,680 --> 00:01:31,640
Speaker 2: You know what I'm saying? Cash, he paved the way.

34
00:01:31,700 --> 00:01:32,820
Speaker 2: Me and Bro dropped.

35
00:01:32,620 --> 00:01:34,000
Speaker 3: The Too Slutty, Too Sexy.

36
00:01:34,920 --> 00:01:37,550
Speaker 2: So then I ain't gonna lie, we dropped that. We

37
00:01:37,580 --> 00:01:39,450
Speaker 2: was just dropping music because we just had mad music.

38
00:01:39,470 --> 00:01:42,330
Speaker 2: Bro just called me like, yo, we got mad songs.

39
00:01:42,350 --> 00:01:43,030
Speaker 2: Let's just drop it.

40
00:01:43,050 --> 00:01:45,910
Speaker 3: I'm like, you're fucking kidding me. We dropped that.

41
00:01:45,950 --> 00:01:46,790
Speaker 2: Bubbling in the city.

42
00:01:47,410 --> 00:01:48,309
Speaker 3: And then that.

43
00:01:48,610 --> 00:01:52,710
Speaker 2: Started the whole situation and then we was already slizzy already.

44
00:01:52,750 --> 00:01:54,350
Speaker 2: So then we just like, yo, we got to work

45
00:01:54,410 --> 00:01:55,710
Speaker 2: and just make this shit make sense.

46
00:01:55,730 --> 00:01:56,450
Speaker 3: Rob Markman, Jr.

47
00:01:56,650 --> 00:02:00,230
Speaker 1: Shout to Long Island, shout to Hempstead, but I know

48
00:02:00,860 --> 00:02:04,120
Speaker 1: Cash is from the Bronx originally, Bay is from Queens,

49
00:02:04,540 --> 00:02:06,780
Speaker 1: and you from Hempstead. Shout to Long Island. Don't play

50
00:02:06,800 --> 00:02:07,900
Speaker 1: in Long Island either.

51
00:02:07,920 --> 00:02:08,720
Speaker 3: Rob Markman, Jr.

52
00:02:08,780 --> 00:02:11,640
Speaker 4: I like the drama, right? I like drama. So I

53
00:02:11,680 --> 00:02:14,720
Speaker 4: noticed one of your first records was a diss record

54
00:02:14,740 --> 00:02:15,180
Speaker 4: that ever.

55
00:02:15,080 --> 00:02:16,720
Speaker 3: Dropped about one of your homies.

56
00:02:19,070 --> 00:02:20,090
Speaker 2: How did that happen?

57
00:02:21,080 --> 00:02:23,360
Speaker 4: The diss record with one of your homies, I guess

58
00:02:23,400 --> 00:02:25,760
Speaker 4: it was inspired by one of your homies or some shit.

59
00:02:26,180 --> 00:02:27,580
Speaker 3: It was like a diss track that said that was

60
00:02:27,639 --> 00:02:28,480
Speaker 3: your first record.

61
00:02:30,889 --> 00:02:33,930
Speaker 2: Oh, I was fucking around. It was really my man's though,

62
00:02:33,950 --> 00:02:36,919
Speaker 2: but that's where I started rapping. So I thought, see,

63
00:02:36,960 --> 00:02:38,859
Speaker 2: he did some Narwhal shit. I didn't even know he was.

64
00:02:39,040 --> 00:02:42,790
Speaker 3: Come on. You know, this the real report. I was like,

65
00:02:42,810 --> 00:02:45,889
Speaker 3: what the fuck? I was loose too. And he cut

66
00:02:45,910 --> 00:02:47,970
Speaker 3: me off, by the way. Pardon me, pardon me, my brother.

67
00:02:48,010 --> 00:02:49,970
Speaker 1: But you know, I like some drama.

68
00:02:50,010 --> 00:02:51,490
Speaker 3: I like some drama. I wanted to get a little

69
00:02:51,510 --> 00:02:51,889
Speaker 3: bit of drama.

70
00:02:51,910 --> 00:02:54,720
Speaker 1: Talk about the drama after you cut me off. Let

71
00:02:54,750 --> 00:02:55,460
Speaker 1: me speak first.

72
00:02:55,480 --> 00:02:57,920
Speaker 3: Matter of fact, fuck you. Go to the drama.

73
00:02:57,960 --> 00:02:59,140
Speaker 1: Matter of fact, fuck him.

74
00:02:59,160 --> 00:03:01,320
Speaker 3: What happened with the drama, though? Go ahead. What happened, man?

75
00:03:01,360 --> 00:03:03,540
Speaker 2: What happened? He did some bleep shit and then niggas

76
00:03:03,560 --> 00:03:05,600
Speaker 2: figured out how to use garage band or whatever. I'm like, yo,

77
00:03:05,639 --> 00:03:08,260
Speaker 2: fuck it. We feel the distance, nigga. This nigga's off that, man.

78
00:03:08,650 --> 00:03:09,970
Speaker 3: Fuck it. And I was like, yo.

79
00:03:09,970 --> 00:03:12,350
Speaker 2: This shit fake fun. And then I started actually making

80
00:03:12,389 --> 00:03:13,330
Speaker 2: real music type shit.

81
00:03:13,350 --> 00:03:13,810
Speaker 3: Got you. Got you.

82
00:03:13,830 --> 00:03:14,850
Speaker 2: So that's how I got into that.

83
00:03:14,889 --> 00:03:15,270
Speaker 3: Got you.

84
00:03:15,639 --> 00:03:17,680
Speaker 4: So he inspired you to do music at least.

85
00:03:17,720 --> 00:03:19,880
Speaker 3: At least we give him a lot of shout outs.

86
00:03:19,940 --> 00:03:22,540
Speaker 3: That inspired you to do music. All right, cool. Now

87
00:03:22,560 --> 00:03:24,639
Speaker 3: we can get to your question. Now we can get

88
00:03:24,660 --> 00:03:26,760
Speaker 3: to your fucking question. Fuck out of here.

89
00:03:26,800 --> 00:03:27,180
Speaker 2: Shut up.

90
00:03:27,300 --> 00:03:29,470
Speaker 3: Every time you cut me off, it's like $ 500, nigga.

91
00:03:29,500 --> 00:03:34,990
Speaker 1: We gonna have a penalty box here, nigga. We talking

92
00:03:35,010 --> 00:03:37,350
Speaker 1: about sexy drill, the bitches and all that.

93
00:03:37,490 --> 00:03:38,910
Speaker 3: You know I got to give up that drama, man.

94
00:03:39,030 --> 00:03:39,870
Speaker 1: I don't want to hear that.

95
00:03:39,890 --> 00:03:41,350
Speaker 3: You know I got to give up that drama, man.

96
00:03:41,390 --> 00:03:43,890
Speaker 3: Come on, man. I'm like, what nigga, man? His first

97
00:03:43,910 --> 00:03:45,970
Speaker 3: record was dissing one of the homies, man. I don't

98
00:03:45,990 --> 00:03:47,010
Speaker 3: know what happened with the homie.

99
00:03:47,070 --> 00:03:48,160
Speaker 1: I didn't know that.

100
00:03:48,190 --> 00:03:49,780
Speaker 3: You got to do your homework. You see, I know

101
00:03:49,800 --> 00:03:52,880
Speaker 3: about the homie getting dissed. I ain't even know about it.

102
00:03:52,940 --> 00:03:54,900
Speaker 3: And he said, shout out to the bitch ass nigga

103
00:03:54,920 --> 00:03:57,220
Speaker 3: for motivating him to do music, nigga. You know what

104
00:03:57,300 --> 00:04:00,540
Speaker 3: I'm saying? So look, we got something going on. I

105
00:04:00,560 --> 00:04:01,500
Speaker 3: feel like you didn't come here.

106
00:04:02,300 --> 00:04:03,820
Speaker 1: I didn't think y'all leave was going to come up

107
00:04:03,840 --> 00:04:08,310
Speaker 1: here and talk about no static. I'm talking about sexy shit.

108
00:04:08,330 --> 00:04:09,930
Speaker 2: Rob Markman I don't got no static.

109
00:04:09,990 --> 00:04:12,810
Speaker 1: Rob Markman No, but yo, I'm proud of you because

110
00:04:12,830 --> 00:04:15,730
Speaker 1: the older niggas, all the older niggas ain't hating. I

111
00:04:15,750 --> 00:04:19,320
Speaker 1: check for everybody. We have all the best. young artists

112
00:04:19,380 --> 00:04:21,720
Speaker 1: on here. We had BMO on here. And you know,

113
00:04:21,760 --> 00:04:24,140
Speaker 1: BMO's from Brooklyn. East New York, don't cut me off.

114
00:04:24,550 --> 00:04:25,950
Speaker 1: East New York, you gonna cut me off?

115
00:04:26,570 --> 00:04:31,850
Speaker 3: East New York! Let him cut me off. He happy

116
00:04:31,870 --> 00:04:34,200
Speaker 3: he got King BMO. He happy. You better believe it.

117
00:04:34,210 --> 00:04:35,110
Speaker 3: Let's go, Brooklyn.

118
00:04:35,130 --> 00:04:37,910
Speaker 1: So look, you got King BMO. You got Bay. We

119
00:04:37,950 --> 00:04:40,180
Speaker 1: happy we got Bay. Because Bay is doing his thing.

120
00:04:40,300 --> 00:04:43,560
Speaker 1: You got Cash Cobain. And we got Chow Lee from

121
00:04:43,600 --> 00:04:47,160
Speaker 1: Long Island. Now, how do you meet Cash Cobain and everybody?

122
00:04:47,180 --> 00:04:47,479
Speaker 3: How do you meet?

123
00:04:48,370 --> 00:04:51,190
Speaker 2: So I already knew about Cash because he was making

124
00:04:51,230 --> 00:04:55,120
Speaker 2: music already type shit. He dropped some shit in 2016.

125
00:04:55,120 --> 00:04:58,880
Speaker 2: It was called Hot Style. Baby White, so Hot Style.

126
00:04:58,920 --> 00:05:00,760
Speaker 2: You know I like my style. Well, you know you

127
00:05:00,779 --> 00:05:03,119
Speaker 2: like my style. So I'm like, oh, nice nigga fire.

128
00:05:03,140 --> 00:05:05,940
Speaker 2: So I already knew his name type shit. And then

129
00:05:06,589 --> 00:05:10,289
Speaker 2: my manager, my man type shit, Fiff, he right there,

130
00:05:10,670 --> 00:05:13,330
Speaker 2: he put me on to this nigga named Flea. And

131
00:05:13,350 --> 00:05:14,390
Speaker 2: they was making music together.

132
00:05:14,410 --> 00:05:14,890
Speaker 3: Right.

133
00:05:15,320 --> 00:05:16,820
Speaker 2: So I was like, oh yeah, I know Cash. I

134
00:05:16,880 --> 00:05:18,580
Speaker 2: was listening to this shit. So I tapped into them.

135
00:05:19,160 --> 00:05:21,680
Speaker 2: And then like, we got shut down. Clubhouse, you know,

136
00:05:21,700 --> 00:05:23,419
Speaker 2: niggas bullshitting on that shit. And they ain't got shit

137
00:05:23,460 --> 00:05:25,700
Speaker 2: to do. And then bro was on there. And then like,

138
00:05:26,140 --> 00:05:27,600
Speaker 2: he had not as me. We was in the same

139
00:05:27,660 --> 00:05:30,050
Speaker 2: chat or whatever. And then we was like, just locked in.

140
00:05:30,060 --> 00:05:32,050
Speaker 2: We was just on Clubhouse with the bros all day,

141
00:05:32,120 --> 00:05:34,410
Speaker 2: every day. And then we just linked up like while

142
00:05:34,450 --> 00:05:37,250
Speaker 2: niggas on lockdown and just shot a video. It wasn't

143
00:05:37,270 --> 00:05:38,930
Speaker 2: my video. He was shooting a video with the bros.

144
00:05:39,450 --> 00:05:42,770
Speaker 2: Shot the MHPG. And then we just started making music

145
00:05:42,830 --> 00:05:43,170
Speaker 2: after that.

146
00:05:43,210 --> 00:05:44,540
Speaker 3: And then Rob Markman, Jr.

147
00:05:44,540 --> 00:05:47,550
Speaker 1: How many of these Cash Cobain got, man? To me,

148
00:05:47,839 --> 00:05:50,000
Speaker 1: he's like your Kanye West, or like how Drake got

149
00:05:50,020 --> 00:05:50,160
Speaker 1: his 40.

150
00:05:50,140 --> 00:05:50,599
Speaker 3: Rob Markman, Jr.

151
00:05:50,620 --> 00:05:53,700
Speaker 2: That nigga literally come in the studio. At the time,

152
00:05:53,740 --> 00:05:55,240
Speaker 2: we was recording out the crib. We was recording out

153
00:05:55,260 --> 00:05:57,260
Speaker 2: my crib and shit. He'll come in the crib and

154
00:05:57,279 --> 00:06:00,120
Speaker 2: just make four beats real quick, and then we'll just

155
00:06:00,140 --> 00:06:02,339
Speaker 2: pick one, or just pick two, or he might pick

156
00:06:02,400 --> 00:06:04,920
Speaker 2: all four type shit. He do the shit like, I

157
00:06:04,940 --> 00:06:05,720
Speaker 2: don't know how he do it.

158
00:06:05,740 --> 00:06:07,640
Speaker 3: He's a genius. I don't know how he do it.

159
00:06:07,640 --> 00:06:09,060
Speaker 3: Rob Markman, Jr.: Definitely. Rob Markman, Jr.

160
00:06:09,060 --> 00:06:09,620
Speaker 2: But that's how I do it.

161
00:06:09,620 --> 00:06:11,870
Speaker 3: Rob Markman, Jr.: How you come up with the name

162
00:06:11,900 --> 00:06:12,610
Speaker 3: Tau Lee, man?

163
00:06:13,900 --> 00:06:15,480
Speaker 2: I was watching the Hangover movie.

164
00:06:15,860 --> 00:06:16,640
Speaker 3: So that nigga was wild.

165
00:06:16,660 --> 00:06:18,200
Speaker 2: The Chow nigga was wild and shit.

166
00:06:18,260 --> 00:06:19,500
Speaker 3: So I was like, I bet.

167
00:06:19,540 --> 00:06:22,340
Speaker 2: So my real name, Justin, everybody know this now. So

168
00:06:22,960 --> 00:06:25,870
Speaker 2: my name on Facebook at the time, it was before

169
00:06:25,880 --> 00:06:27,870
Speaker 2: I was even rapping, my name was Chow type shit.

170
00:06:28,010 --> 00:06:31,029
Speaker 2: So I changed my name to Justin Chow. So then

171
00:06:31,050 --> 00:06:33,250
Speaker 2: I started making music. I'm like, I don't know, Justin

172
00:06:33,270 --> 00:06:34,110
Speaker 2: Chow don't sound right.

173
00:06:34,130 --> 00:06:34,770
Speaker 3: I'm like, I.

174
00:06:34,710 --> 00:06:37,650
Speaker 2: Need another Asian last name. So I'm like, yo, Chow

175
00:06:37,670 --> 00:06:39,490
Speaker 2: Lee sound all right. So I just ran with that shit.

176
00:06:39,930 --> 00:06:41,969
Speaker 3: Nah, Chow Lee is it, man.

177
00:06:41,990 --> 00:06:43,690
Speaker 2: I ain't want to be, it was either Chow Lee,

178
00:06:43,710 --> 00:06:44,890
Speaker 2: Chow Ling, some shit like that.

179
00:06:44,910 --> 00:06:45,830
Speaker 3: Yeah, got you, got you, got you.

180
00:06:45,930 --> 00:06:47,970
Speaker 2: I ain't never got no backlash from the Asian people,

181
00:06:47,990 --> 00:06:49,690
Speaker 2: so shout out to my Asian niggas and all that.

182
00:06:49,730 --> 00:06:53,330
Speaker 3: You know what I'm saying? Shout out to the Asian community, man.

183
00:06:53,490 --> 00:06:55,870
Speaker 3: I fuck with Chow Lee, man. You know what I'm saying?

184
00:06:55,890 --> 00:06:57,670
Speaker 1: But what gives you the drive? Because, you know, there's

185
00:06:57,710 --> 00:07:00,479
Speaker 1: a million artists out there, you know, so when I

186
00:07:00,500 --> 00:07:02,559
Speaker 1: see you and, you know, the.

187
00:07:02,440 --> 00:07:05,520
Speaker 3: Slizzies, I'm saying it right? Yeah, hell yeah. When I

188
00:07:05,540 --> 00:07:06,020
Speaker 3: see you and.

189
00:07:05,960 --> 00:07:09,500
Speaker 1: The Slizzies making hit records like every fucking other day,

190
00:07:10,280 --> 00:07:12,260
Speaker 1: You know what I'm saying? Like a lot of rappers,

191
00:07:12,280 --> 00:07:13,720
Speaker 1: you know, they get caught up in the hype and

192
00:07:13,980 --> 00:07:16,000
Speaker 1: they just be like, fucking man, I ain't making no

193
00:07:16,020 --> 00:07:18,350
Speaker 1: money off this shit right now. I fucking quit.

194
00:07:18,470 --> 00:07:19,290
Speaker 3: Right, Murr? Thanks.

195
00:07:19,510 --> 00:07:21,710
Speaker 1: So what gives you your drive to make you keep

196
00:07:21,750 --> 00:07:22,710
Speaker 1: going to be successful?

197
00:07:23,510 --> 00:07:25,850
Speaker 2: I mean, at first, we didn't have no bread neither.

198
00:07:25,890 --> 00:07:27,670
Speaker 2: We was just like, it was like whatever you did

199
00:07:27,690 --> 00:07:29,390
Speaker 2: on the side to make your bread, like all we

200
00:07:29,410 --> 00:07:33,910
Speaker 2: really cared about was like, yeah, I bet. Nigga, Friday, Saturday, yo,

201
00:07:33,930 --> 00:07:36,100
Speaker 2: we going to Cavalli. Or we going somewhere in Queens

202
00:07:36,130 --> 00:07:36,780
Speaker 2: or some shit like that.

203
00:07:36,820 --> 00:07:37,200
Speaker 3: We about to.

204
00:07:37,570 --> 00:07:39,510
Speaker 2: Making a movie or popping out, just have a hundred

205
00:07:39,530 --> 00:07:41,190
Speaker 2: dollars for this bottle or whatever, you know what I'm saying?

206
00:07:41,210 --> 00:07:41,770
Speaker 3: Put up on the bottle.

207
00:07:42,350 --> 00:07:44,370
Speaker 2: But I ain't gonna front you for me. At first

208
00:07:44,410 --> 00:07:46,370
Speaker 2: it was just like, we just coming outside a party.

209
00:07:46,170 --> 00:07:46,910
Speaker 3: With girls and shit.

210
00:07:47,590 --> 00:07:51,400
Speaker 2: And then like, shit, me and bro got a call

211
00:07:51,440 --> 00:07:53,480
Speaker 2: when we dropped to who's the sexy? Niggas was talking

212
00:07:53,500 --> 00:07:57,620
Speaker 2: about rolling out. Like, rolling out? I'm not even in town.

213
00:07:57,640 --> 00:07:59,180
Speaker 2: I'm in Tennessee doing some shit I'm not supposed to be.

214
00:07:59,160 --> 00:08:01,740
Speaker 3: Doing, some shit like that. I didn't even want to

215
00:08:01,760 --> 00:08:02,120
Speaker 3: do this no more.

216
00:08:02,160 --> 00:08:03,980
Speaker 2: I'm like, I'm gonna go back to the crib. Got

217
00:08:04,000 --> 00:08:05,800
Speaker 2: my shit back to the crib. I'm waiting for rolling out.

218
00:08:06,490 --> 00:08:08,390
Speaker 2: And they was like, yo, fuck it. Nigga, we can

219
00:08:08,410 --> 00:08:10,810
Speaker 2: make some bread. We can make some chump change off

220
00:08:10,830 --> 00:08:12,930
Speaker 2: this shit. But it's like, shit, we was at Rolling Loud.

221
00:08:12,970 --> 00:08:14,270
Speaker 2: I didn't give a fuck about getting paid. We would've

222
00:08:14,290 --> 00:08:15,130
Speaker 2: did that shit for free.

223
00:08:15,170 --> 00:08:15,890
Speaker 3: Got you, fast.

224
00:08:16,060 --> 00:08:19,700
Speaker 1: I watch your performance, and I'm like, I can't believe.

225
00:08:19,760 --> 00:08:21,320
Speaker 1: That was your first time performing at Rolling Loud?

226
00:08:21,640 --> 00:08:23,740
Speaker 2: Well, our first time doing that.

227
00:08:23,680 --> 00:08:24,360
Speaker 3: Shit was like 20.

228
00:08:24,360 --> 00:08:26,100
Speaker 1: I seen you by solo.

229
00:08:26,420 --> 00:08:26,760
Speaker 3: Oh, no, no.

230
00:08:26,780 --> 00:08:27,990
Speaker 2: My first time was with Bro.

231
00:08:28,000 --> 00:08:28,700
Speaker 3: It was like 2022. Okay. Okay.

232
00:08:29,570 --> 00:08:31,610
Speaker 2: So, that was our first song. We was on that shit.

233
00:08:31,630 --> 00:08:33,290
Speaker 2: Dumb Nervous, but once we got on the stage, we

234
00:08:33,309 --> 00:08:34,070
Speaker 2: got the groove of it.

235
00:08:34,530 --> 00:08:35,110
Speaker 3: Nigga, we on that shit.

236
00:08:35,130 --> 00:08:38,050
Speaker 1: Rob Markman, So, the second time, I must have watched you.

237
00:08:38,090 --> 00:08:39,270
Speaker 1: You had some shit on you.

238
00:08:39,550 --> 00:08:40,890
Speaker 3: Rob Markman, Oh, no.

239
00:08:40,910 --> 00:08:42,329
Speaker 2: I ain't going to lie. I did a bunch of

240
00:08:42,350 --> 00:08:45,050
Speaker 2: them shits. I did three with bro.

241
00:08:45,070 --> 00:08:49,610
Speaker 1: Rob Markman, I seen one by yourself. So, the one

242
00:08:49,650 --> 00:08:52,270
Speaker 1: I seen by yourself, I'm like, it's a big ass stage,

243
00:08:52,690 --> 00:08:55,510
Speaker 1: and I was surprised that a new artist kind of

244
00:08:55,610 --> 00:08:59,440
Speaker 1: had a stage presence. Because you ran from one side

245
00:08:59,460 --> 00:09:02,350
Speaker 1: to the other side and then you ran down the

246
00:09:02,370 --> 00:09:05,590
Speaker 1: middle and then you ran back and I was like,

247
00:09:05,710 --> 00:09:07,770
Speaker 1: oh shit, he kind of knows what he's doing.

248
00:09:08,170 --> 00:09:10,130
Speaker 2: Yeah, I ain't going to lie, I had a bunch

249
00:09:10,170 --> 00:09:12,120
Speaker 2: of practice before I did all that. That shit is

250
00:09:12,150 --> 00:09:14,260
Speaker 2: a lot too, by the way. I wasn't even ready

251
00:09:14,280 --> 00:09:15,980
Speaker 2: for that shit. I'm over the stage trying not to

252
00:09:16,020 --> 00:09:19,559
Speaker 2: pass out. But I ain't going to lie, niggas love

253
00:09:19,600 --> 00:09:20,839
Speaker 2: doing this shit. It's just like, you got to keep

254
00:09:20,860 --> 00:09:22,390
Speaker 2: doing it. You could get some bread out of it.

255
00:09:22,380 --> 00:09:24,130
Speaker 2: It's not even about the money, but it is about

256
00:09:24,170 --> 00:09:26,890
Speaker 2: the money at the same time. If we already foot

257
00:09:26,929 --> 00:09:28,330
Speaker 2: in the door, why not take it all the way

258
00:09:28,390 --> 00:09:28,870
Speaker 2: type shit?

259
00:09:28,910 --> 00:09:33,070
Speaker 4: How'd you get with Empire? Because Empire always got their

260
00:09:33,150 --> 00:09:34,750
Speaker 4: air to the streets. Shout out to Empire.

261
00:09:34,880 --> 00:09:37,800
Speaker 1: Shout out to my guy.

262
00:09:37,820 --> 00:09:39,760
Speaker 3: They always got their air to the streets.

263
00:09:39,860 --> 00:09:42,640
Speaker 1: Listen, let me cut you off, man.

264
00:09:42,660 --> 00:09:44,640
Speaker 3: I was trying to ask him how did he get

265
00:09:44,660 --> 00:09:46,319
Speaker 3: with Empire. You about to tell me how he got

266
00:09:46,340 --> 00:09:48,420
Speaker 3: with Empire? No, let me explain something to you. Go ahead,

267
00:09:48,440 --> 00:09:48,780
Speaker 3: tell me.

268
00:09:48,820 --> 00:09:52,050
Speaker 1: The thing is, what you don't know about them, of

269
00:09:52,130 --> 00:09:56,170
Speaker 1: Cash Cobain, Bay, King BMO, because I didn't know BMO

270
00:09:56,190 --> 00:09:58,730
Speaker 1: was even with them, Chow Lee. I just knew of

271
00:09:58,750 --> 00:09:59,579
Speaker 1: Cash Cobain, Bey.

272
00:09:59,620 --> 00:10:00,160
Speaker 3: And Chow Lee.

273
00:10:00,640 --> 00:10:03,200
Speaker 1: I didn't even know BMO was around them. And they

274
00:10:03,340 --> 00:10:06,429
Speaker 1: all have the wave right now. When you listen to drill,

275
00:10:07,150 --> 00:10:09,670
Speaker 1: regular drill is kill a nigga, kill a nigga, kill

276
00:10:09,730 --> 00:10:13,790
Speaker 1: a nigga. But they created a whole new wave with

277
00:10:13,870 --> 00:10:20,000
Speaker 1: sexy drill. Where they made drill cool because now you

278
00:10:20,040 --> 00:10:24,400
Speaker 1: got the females, you got hit records, radio's not scared

279
00:10:24,420 --> 00:10:27,980
Speaker 1: to play you, labels are loving these guys because they

280
00:10:28,000 --> 00:10:31,960
Speaker 1: took a negative, and I'm not going to Yeah, you

281
00:10:31,980 --> 00:10:34,320
Speaker 1: can say a negative because motherfuckers talking about breaking bones

282
00:10:34,360 --> 00:10:34,740
Speaker 1: and bullets.

283
00:10:34,760 --> 00:10:36,240
Speaker 3: Rob Markman, It's not negative. It's just what's happening. That's

284
00:10:36,260 --> 00:10:37,440
Speaker 3: what the Young Boys is doing. Rob Markman, Listen.

285
00:10:37,460 --> 00:10:38,959
Speaker 1: No, what I'm just saying is certain people, because a

286
00:10:39,000 --> 00:10:41,320
Speaker 1: label's going to look at it like this, child. Yo,

287
00:10:41,400 --> 00:10:42,960
Speaker 1: the first thing a label's going to say, is he

288
00:10:43,000 --> 00:10:43,480
Speaker 1: on drugs?

289
00:10:43,880 --> 00:10:44,579
Speaker 3: Is he in a gang?

290
00:10:45,080 --> 00:10:48,500
Speaker 1: Oh, is he a liability? But with Sexy Drill, it's like,

291
00:10:49,179 --> 00:10:52,360
Speaker 1: all right. The drill, it kind of only went to

292
00:10:52,400 --> 00:10:54,870
Speaker 1: a certain level. But Sexy Drill, you hear it on

293
00:10:54,890 --> 00:11:00,330
Speaker 1: the radio, podcasts, streamers. You see them blow up instantly

294
00:11:00,390 --> 00:11:02,870
Speaker 1: off Sexy Drill. And it was a whole new wave.

295
00:11:03,490 --> 00:11:04,819
Speaker 1: So that's what I was going to say. Of course,

296
00:11:04,940 --> 00:11:07,979
Speaker 1: Empire is going to pay attention because they did something

297
00:11:08,000 --> 00:11:10,500
Speaker 1: that was totally out the box. And that's what I

298
00:11:10,520 --> 00:11:11,100
Speaker 1: want to ask you.

299
00:11:11,360 --> 00:11:13,870
Speaker 3: I knew that already. Sexy Joe.

300
00:11:14,050 --> 00:11:15,730
Speaker 4: We already knew the Sexy Joe. So what I'm trying

301
00:11:15,750 --> 00:11:17,330
Speaker 4: to say is, how did you get with Empire?

302
00:11:17,550 --> 00:11:18,949
Speaker 3: They knew about Sexy Joe. I ain't going to lie.

303
00:11:19,010 --> 00:11:21,680
Speaker 2: Bobby Fisher, right? He was my A & R before

304
00:11:21,700 --> 00:11:22,780
Speaker 2: I was even signed to Empire.

305
00:11:23,140 --> 00:11:24,059
Speaker 3: Oh, okay.

306
00:11:24,100 --> 00:11:26,480
Speaker 4: Bobby always got his answer to the fucking street. He

307
00:11:26,520 --> 00:11:28,079
Speaker 4: really the editor of the street.

308
00:11:28,220 --> 00:11:32,680
Speaker 3: Okay, okay. Bobby was like, let the man talk. Let

309
00:11:32,720 --> 00:11:35,589
Speaker 3: the man talk, man. You cut me off. But now

310
00:11:35,610 --> 00:11:37,420
Speaker 3: you cutting Charlie off. I cut you off.

311
00:11:37,429 --> 00:11:40,309
Speaker 1: You just was cutting my man off for some circus interview.

312
00:11:40,330 --> 00:11:42,510
Speaker 3: Now go ahead, Charlie. Talk to us, man.

313
00:11:42,670 --> 00:11:45,270
Speaker 2: No, what I was saying was I got a partnership

314
00:11:45,290 --> 00:11:48,620
Speaker 2: with Tark. He's like one of the co-founders of Rolling Loud.

315
00:11:49,100 --> 00:11:50,820
Speaker 2: So like he has a good relationship with Gazi and

316
00:11:50,940 --> 00:11:54,260
Speaker 2: shit like that. So- Like that helped with that. And

317
00:11:54,280 --> 00:11:55,570
Speaker 2: then he got you like, fuck it.

318
00:11:55,580 --> 00:11:56,860
Speaker 3: Like, I'm saying.

319
00:11:56,980 --> 00:11:58,620
Speaker 2: And then that's how, that's how that happened.

320
00:11:58,740 --> 00:11:59,480
Speaker 3: Shout out to guys.

321
00:11:59,600 --> 00:12:02,939
Speaker 1: How do you feel about, you agree with what I said?

322
00:12:02,960 --> 00:12:05,140
Speaker 1: Like sexy drill was like a whole new wave.

323
00:12:05,230 --> 00:12:08,730
Speaker 3: Like y'all had the dance and shit. We was having

324
00:12:08,770 --> 00:12:09,190
Speaker 3: fun with it.

325
00:12:09,210 --> 00:12:11,090
Speaker 2: We never really talking about killing nobody. You know, niggas

326
00:12:11,110 --> 00:12:12,870
Speaker 2: might throw a little gumball in here.

327
00:12:12,890 --> 00:12:13,950
Speaker 3: You know what I'm saying?

328
00:12:13,970 --> 00:12:16,990
Speaker 2: Niggas talk about girls. No, we know y'all are gangsters.

329
00:12:22,470 --> 00:12:25,270
Speaker 1: Like, we know y'all outside, y'all in Aura, y'all in

330
00:12:25,350 --> 00:12:28,190
Speaker 1: all these clubs, Harbour, y'all in Starlets, y'all in the

331
00:12:28,230 --> 00:12:31,569
Speaker 1: strip club, Dream, Atlantis. We know y'all outside. Y'all fuck

332
00:12:31,630 --> 00:12:34,110
Speaker 1: up the club. You hear about it all the time.

333
00:12:34,190 --> 00:12:36,989
Speaker 1: You know, Charlie niggas was outside fucking up the club, right?

334
00:12:37,670 --> 00:12:40,319
Speaker 1: My thing to you is like, how do you feel

335
00:12:40,360 --> 00:12:43,020
Speaker 1: like creating something new with Cash Go Bang? Sexy drip.

336
00:12:44,240 --> 00:12:46,260
Speaker 2: That shit is a beautiful thing. I ain't gonna lie,

337
00:12:46,300 --> 00:12:48,980
Speaker 2: because at first when we came out with The shit,

338
00:12:49,059 --> 00:12:51,640
Speaker 2: we was just fucking around calling it that type of shit.

339
00:12:51,660 --> 00:12:52,640
Speaker 3: Rob Markman, What, Sexy Drip?

340
00:12:52,700 --> 00:12:53,500
Speaker 1: How y'all come up with that?

341
00:12:53,900 --> 00:12:56,970
Speaker 2: I'm literally in the crib with this nigga. Remember I

342
00:12:56,990 --> 00:12:58,610
Speaker 2: told you we recorded at the crib, so I'm with bro.

343
00:12:59,270 --> 00:13:01,870
Speaker 2: Nigga like, it was like drill drums, but it's like

344
00:13:02,370 --> 00:13:06,910
Speaker 2: a sexy sample in the background. So nigga like, drill drums,

345
00:13:06,950 --> 00:13:10,270
Speaker 2: nigga cash like, shit sexy, like this shit Sexy Drip.

346
00:13:10,650 --> 00:13:12,489
Speaker 2: I'm like, that's what we calling it, fuck it. So

347
00:13:12,530 --> 00:13:14,309
Speaker 2: then nigga, we started doing the interviews and they like, yo,

348
00:13:14,330 --> 00:13:15,710
Speaker 2: so what would y'all say y'all sound is?

349
00:13:15,770 --> 00:13:17,010
Speaker 3: Nigga just went with Sexy Drip.

350
00:13:17,070 --> 00:13:20,120
Speaker 2: So at first everybody like- What the fuck is sexy drill?

351
00:13:20,220 --> 00:13:22,219
Speaker 2: It was like a whole thing. And then that shit

352
00:13:22,240 --> 00:13:25,380
Speaker 2: blew over and then it actually became a sub drama

353
00:13:25,400 --> 00:13:27,220
Speaker 2: for real. That shit is fire.

354
00:13:27,240 --> 00:13:28,020
Speaker 3: I ain't gonna lie.

355
00:13:28,040 --> 00:13:29,420
Speaker 1: Rob Markman I love y'all guys. Y'all be in the

356
00:13:29,440 --> 00:13:30,600
Speaker 1: videos having fun.

357
00:13:30,700 --> 00:13:32,830
Speaker 3: I ain't gonna lie.

358
00:13:33,570 --> 00:13:34,520
Speaker 1: Miss Beautiful V.

359
00:13:34,800 --> 00:13:35,490
Speaker 3: Oh my God.

360
00:13:35,500 --> 00:13:39,350
Speaker 1: Talk about the process. That's a hit. I'm not glazing.

361
00:13:40,550 --> 00:13:44,270
Speaker 1: Shout out to Long Island. Y'all got one. And that's

362
00:13:44,350 --> 00:13:46,130
Speaker 1: a TikTok sensation, by the way, Murda.

363
00:13:46,150 --> 00:13:46,469
Speaker 3: It's like.

364
00:13:47,240 --> 00:13:48,250
Speaker 1: You know, talk about that.

365
00:13:48,290 --> 00:13:48,920
Speaker 3: It's the process.

366
00:13:48,940 --> 00:13:51,620
Speaker 2: It wasn't even really much process. At this point, I

367
00:13:51,640 --> 00:13:54,840
Speaker 2: moved to Miami, and I was just in the crib,

368
00:13:55,179 --> 00:13:59,280
Speaker 2: just making music. Niggas was like, yo, I made the songs.

369
00:13:59,360 --> 00:14:00,780
Speaker 2: Niggas was like, what song you want to drop? I'm like,

370
00:14:01,300 --> 00:14:04,600
Speaker 2: this one. That shit just went. Even with Swag It,

371
00:14:04,780 --> 00:14:08,420
Speaker 2: that shit, I was doing block work. I shot that

372
00:14:08,440 --> 00:14:11,469
Speaker 2: shit in Hempstead. I'm on the way to them, driving

373
00:14:11,490 --> 00:14:12,550
Speaker 2: over there. I'm like, I don't even know what song

374
00:14:12,570 --> 00:14:14,350
Speaker 2: I want to do. I just picked that one, and

375
00:14:14,510 --> 00:14:16,960
Speaker 2: that one went. I don't know, it's just what I

376
00:14:16,980 --> 00:14:19,060
Speaker 2: said on the shit type shit. I ain't picked them

377
00:14:19,100 --> 00:14:20,900
Speaker 2: shits on some shit like, I know these twos gonna

378
00:14:20,920 --> 00:14:22,870
Speaker 2: be the ones. It just was on some shit like,

379
00:14:24,040 --> 00:14:26,650
Speaker 2: it just happened type shit. They just caught a little

380
00:14:26,690 --> 00:14:28,970
Speaker 2: bar and TikTok did they thing, or the internet did

381
00:14:28,990 --> 00:14:29,210
Speaker 2: they thing.

382
00:14:29,230 --> 00:14:30,740
Speaker 3: Rob Markman I was hoping this shit was lit now.

383
00:14:30,750 --> 00:14:31,790
Speaker 3: What made you move to Miami?

384
00:14:32,770 --> 00:14:35,370
Speaker 2: My team was out there. They still out there, but

385
00:14:35,510 --> 00:14:36,550
Speaker 2: at the time I'm like, yo, fuck it, let me

386
00:14:36,570 --> 00:14:39,280
Speaker 2: try something new. I ain't never lived nowhere else. I

387
00:14:39,300 --> 00:14:41,660
Speaker 2: was still living in like Floral Park type shit, like

388
00:14:41,720 --> 00:14:43,060
Speaker 2: Bobby Queen, matter of fact.

389
00:14:43,080 --> 00:14:44,250
Speaker 3: So I'm like, fuck it.

390
00:14:44,260 --> 00:14:46,380
Speaker 2: Let me try something new. Maybe some new vibes out there.

391
00:14:46,900 --> 00:14:47,700
Speaker 2: Definitely got some new.

392
00:14:47,620 --> 00:14:49,590
Speaker 3: Vibes out there. Did that help you with the music?

393
00:14:49,610 --> 00:14:53,060
Speaker 3: Definitely had to. I mean, yeah. When you make Beautiful V,

394
00:14:53,050 --> 00:14:54,290
Speaker 3: because that is beautiful.

395
00:14:54,310 --> 00:14:55,350
Speaker 2: I made it out there, yeah.

396
00:14:55,410 --> 00:14:57,310
Speaker 3: See what I'm saying? It was definitely a.

397
00:14:57,410 --> 00:14:58,190
Speaker 1: Miami vibe.

398
00:14:58,390 --> 00:14:59,050
Speaker 2: It was a vibe out there.

399
00:14:59,070 --> 00:15:00,110
Speaker 1: You got some pussy that night, nigga.

400
00:15:01,110 --> 00:15:02,810
Speaker 3: Yeah, I did. Yeah, I did.

401
00:15:02,970 --> 00:15:05,070
Speaker 2: I ain't gonna lie. But, you know, moving to a

402
00:15:05,110 --> 00:15:06,310
Speaker 2: new city, now you got to go. Now I had

403
00:15:06,330 --> 00:15:08,690
Speaker 2: to really go dibble dabble outside and all that extra shit.

404
00:15:09,250 --> 00:15:09,810
Speaker 2: It was cool.

405
00:15:09,870 --> 00:15:10,690
Speaker 3: It was an experience.

406
00:15:10,750 --> 00:15:12,870
Speaker 2: But then I had to still come fly back to

407
00:15:12,910 --> 00:15:15,040
Speaker 2: New York. You know, niggas might book me out there.

408
00:15:15,080 --> 00:15:18,500
Speaker 2: I'm not really probably known in Miami yet. So it

409
00:15:18,540 --> 00:15:19,100
Speaker 2: was Bobby though.

410
00:15:19,220 --> 00:15:21,240
Speaker 1: Who the fuck thinks of the videos? Because when I

411
00:15:21,280 --> 00:15:25,640
Speaker 1: watch Miss Beautiful V, you know, that the video I

412
00:15:25,660 --> 00:15:26,870
Speaker 1: seen the girl had her legs up.

413
00:15:27,530 --> 00:15:27,790
Speaker 3: Right.

414
00:15:28,070 --> 00:15:29,550
Speaker 1: And the panties was in the air with the heel.

415
00:15:29,610 --> 00:15:30,330
Speaker 1: Do you think of that?

416
00:15:30,410 --> 00:15:31,170
Speaker 3: That shot? Like.

417
00:15:31,470 --> 00:15:34,700
Speaker 2: Me and FitFab, that's my manager. That's my manager right there.

418
00:15:34,720 --> 00:15:36,280
Speaker 1: That was like, oh, that's FitFab?

419
00:15:36,300 --> 00:15:37,600
Speaker 2: That's FitFab right there.

420
00:15:37,620 --> 00:15:38,700
Speaker 1: Well, shout out to FitFab.

421
00:15:38,740 --> 00:15:40,780
Speaker 4: Because to me, it's like- That's the only part of

422
00:15:40,800 --> 00:15:42,210
Speaker 4: the video you saw with the lights up?

423
00:15:42,240 --> 00:15:42,920
Speaker 2: No, it's not.

424
00:15:43,200 --> 00:15:44,920
Speaker 3: It's not. You see, you ain't- I ain't here. I'm

425
00:15:44,940 --> 00:15:45,800
Speaker 3: trying to hear the other part.

426
00:15:45,820 --> 00:15:46,580
Speaker 1: He hasn't watched the video.

427
00:15:46,600 --> 00:15:49,330
Speaker 3: Yeah, I'm trying to hear the other part. Who got him, man? No, no, no.

428
00:15:49,350 --> 00:15:52,210
Speaker 1: But what I'm saying is, it was so creative. It's like-

429
00:15:52,550 --> 00:15:54,170
Speaker 1: When you look at their videos, like back in the

430
00:15:54,210 --> 00:15:57,790
Speaker 1: days when you had Busta doing videos and Biggie and

431
00:15:57,830 --> 00:16:01,770
Speaker 1: Mase in them, it was fun. It was like, oh shit,

432
00:16:02,290 --> 00:16:05,790
Speaker 1: this shit is fun. Motherfuckers is dancing, having a good time.

433
00:16:05,850 --> 00:16:08,010
Speaker 1: So when I see a video and I see the

434
00:16:08,050 --> 00:16:10,610
Speaker 1: girl with her legs up, panties, then you got a scene.

435
00:16:11,050 --> 00:16:14,350
Speaker 1: I think it was probably 2C. 2C video was the

436
00:16:14,370 --> 00:16:14,850
Speaker 1: pillow fight?

437
00:16:15,770 --> 00:16:18,050
Speaker 2: Oh no, that was Agbad's one.

438
00:16:18,300 --> 00:16:20,820
Speaker 3: My bad, it wasn't 2C.

439
00:16:21,140 --> 00:16:24,590
Speaker 1: 2C was another dope video. It's like, that's another thing

440
00:16:24,630 --> 00:16:28,050
Speaker 1: that gets me too. It's not just the music, it's

441
00:16:28,110 --> 00:16:29,700
Speaker 1: the creativity of the videos.

442
00:16:30,060 --> 00:16:32,100
Speaker 2: Y'all ain't gonna lie, I watch a lot of movies.

443
00:16:32,160 --> 00:16:32,600
Speaker 3: That's why.

444
00:16:32,740 --> 00:16:35,820
Speaker 1: Like 2C was crazy. You came out the building, lit

445
00:16:35,840 --> 00:16:39,320
Speaker 1: a cigarette, and then everything just got fucking crazy.

446
00:16:40,520 --> 00:16:41,620
Speaker 3: Put that pussy on him.

447
00:16:42,110 --> 00:16:44,310
Speaker 2: I give you a thousand dollars.

448
00:16:44,670 --> 00:16:46,610
Speaker 3: How'd you get... I know Boosie fucking.

449
00:16:46,650 --> 00:16:48,690
Speaker 2: Yeah, I got that from Boosie, but I ain't gonna front.

450
00:16:48,730 --> 00:16:52,110
Speaker 2: I was in the studio just saying, bitch, put that pussy.

451
00:16:51,870 --> 00:16:52,320
Speaker 3: Lips on him.

452
00:16:52,330 --> 00:16:55,250
Speaker 2: I give you a thousand dollars. I wasn't that ass,

453
00:16:55,290 --> 00:16:55,790
Speaker 2: but word.

454
00:16:56,550 --> 00:16:58,490
Speaker 1: So you don't write, or you wanted to listen? Because

455
00:16:58,530 --> 00:17:00,910
Speaker 1: I know now in the studio... Back in the days,

456
00:17:00,930 --> 00:17:04,430
Speaker 1: we used to go in the booth. Now motherfuckers light candles,

457
00:17:04,950 --> 00:17:07,060
Speaker 1: get the bitches in the studio, because y'all always got

458
00:17:07,080 --> 00:17:09,280
Speaker 1: the girls in the video. That's another thing I love

459
00:17:09,320 --> 00:17:13,360
Speaker 1: about your videos, creative. And do you sit in the booth,

460
00:17:13,720 --> 00:17:16,439
Speaker 1: or do you sit by the engineer board, and do

461
00:17:16,480 --> 00:17:18,340
Speaker 1: you write, or you just freestyle?

462
00:17:18,560 --> 00:17:21,510
Speaker 2: See, usually I like to record them by myself, because

463
00:17:21,590 --> 00:17:23,910
Speaker 2: all that shit is a distraction for me. So I'll

464
00:17:23,930 --> 00:17:27,010
Speaker 2: fuck around, and Mike be in the studio, or we

465
00:17:27,050 --> 00:17:29,130
Speaker 2: all in the studio, and there's girls around, and I'm like,

466
00:17:29,630 --> 00:17:30,210
Speaker 2: All right.

467
00:17:30,230 --> 00:17:30,550
Speaker 3: Oh shit.

468
00:17:30,630 --> 00:17:32,150
Speaker 2: Like there's some shit over there. Y'all I'm waiting.

469
00:17:32,170 --> 00:17:32,450
Speaker 3: Let me.

470
00:17:32,780 --> 00:17:34,540
Speaker 2: And then now I'm just not even in the booth

471
00:17:34,560 --> 00:17:37,340
Speaker 2: no more. And so I record like by myself, but

472
00:17:37,460 --> 00:17:39,359
Speaker 2: I just use everything from what they call the shit,

473
00:17:39,380 --> 00:17:41,300
Speaker 2: the spank bank. So, you know what I'm saying? You

474
00:17:41,320 --> 00:17:43,600
Speaker 2: just got to think about what you did before. Cause

475
00:17:43,960 --> 00:17:45,909
Speaker 2: that's the only, that's the reason why a lot of

476
00:17:45,940 --> 00:17:48,669
Speaker 2: people can't do sexy drill because they saying like, not

477
00:17:48,690 --> 00:17:51,250
Speaker 2: saying they're repeating what we said, but they can't explain

478
00:17:51,290 --> 00:17:53,010
Speaker 2: it in the way we're explaining it because a lot

479
00:17:53,109 --> 00:17:54,230
Speaker 2: of the niggas don't fuck bitches.

480
00:17:55,510 --> 00:17:55,670
Speaker 3: So.

481
00:17:56,390 --> 00:17:58,240
Speaker 2: Or you probably didn't do what the fuck we talking about.

482
00:17:58,880 --> 00:18:01,400
Speaker 3: You know what I'm saying?

483
00:18:01,420 --> 00:18:03,679
Speaker 2: So it was like, when we explaining it this way,

484
00:18:03,700 --> 00:18:05,060
Speaker 2: and I was like, damn, how did he word it

485
00:18:05,119 --> 00:18:06,879
Speaker 2: that way? Like, you just gotta know how to rhyme it.

486
00:18:06,900 --> 00:18:07,620
Speaker 2: Fuck bitches for real.

487
00:18:08,220 --> 00:18:10,480
Speaker 1: So Fifth Ave hit you with a 2C video too?

488
00:18:10,700 --> 00:18:15,730
Speaker 2: Yeah, he shot it. Yo, keep this guy around, man. Nah,

489
00:18:15,890 --> 00:18:17,350
Speaker 2: he been shooting my, he went to school, he from

490
00:18:17,390 --> 00:18:18,550
Speaker 2: Hempstead too, he went to school with me.

491
00:18:18,550 --> 00:18:20,389
Speaker 3: Shout out to Hempstead, long hours. He been shooting my

492
00:18:20,410 --> 00:18:22,770
Speaker 3: videos since 2018. That's crazy. Talking about school, man, I

493
00:18:22,770 --> 00:18:24,449
Speaker 3: heard you was on some real football shit, man.

494
00:18:25,430 --> 00:18:28,590
Speaker 2: Big, I ain't gone far until like, what, I quit

495
00:18:28,609 --> 00:18:30,530
Speaker 2: 10th grade, because they wasn't trying to give me my helmet.

496
00:18:30,550 --> 00:18:31,810
Speaker 3: What you mean?

497
00:18:32,230 --> 00:18:36,800
Speaker 2: I was coming to practice late. Niggas after school, bitches outside,

498
00:18:36,820 --> 00:18:37,919
Speaker 2: niggas fighting. I want to see what's going on. I'm

499
00:18:37,940 --> 00:18:38,520
Speaker 2: trying to be loopy.

500
00:18:38,600 --> 00:18:39,080
Speaker 3: Got you.

501
00:18:39,180 --> 00:18:41,000
Speaker 2: Fuck am I doing that practice right now?

502
00:18:41,040 --> 00:18:43,199
Speaker 3: Got you, got you, got you. Niggas said practice.

503
00:18:43,540 --> 00:18:44,300
Speaker 1: Yeah, practice.

504
00:18:44,340 --> 00:18:46,180
Speaker 3: Yeah, like, come on. For real.

505
00:18:46,260 --> 00:18:49,100
Speaker 2: And then, like, the coach was on some bullshit, not

506
00:18:49,119 --> 00:18:50,480
Speaker 2: trying to give me my helmet to play. So I'm like,

507
00:18:50,640 --> 00:18:51,840
Speaker 2: fuck this shit. I'm not playing sports no more.

508
00:18:51,880 --> 00:18:52,850
Speaker 1: You was wide receivables?

509
00:18:53,800 --> 00:18:56,429
Speaker 2: Nah, actually I was defensive end, because I could get

510
00:18:56,450 --> 00:19:00,390
Speaker 2: through the line. So I just, mad skinny, I'm doing

511
00:19:00,430 --> 00:19:02,040
Speaker 2: shit like that. Niggas is getting hit, boo.

512
00:19:02,050 --> 00:19:03,950
Speaker 3: You're getting to the quarterback, all right, got it.

513
00:19:04,000 --> 00:19:06,050
Speaker 2: Yeah, like shit like that. I ain't gonna front, that's

514
00:19:06,090 --> 00:19:08,730
Speaker 2: just me. I pulled, like the niggas start getting bigger,

515
00:19:08,869 --> 00:19:11,220
Speaker 2: I'm skinny, that shit wasn't for me.

516
00:19:11,240 --> 00:19:13,620
Speaker 3: I was about to.

517
00:19:13,320 --> 00:19:14,880
Speaker 1: Say, I'm like, where you going?

518
00:19:15,040 --> 00:19:17,740
Speaker 2: I'm not scoring no touchdowns, I don't need my help

519
00:19:17,760 --> 00:19:18,000
Speaker 2: no more.

520
00:19:18,119 --> 00:19:20,460
Speaker 3: I know you ain't defensive line, nigga. Nah, I was

521
00:19:20,480 --> 00:19:23,119
Speaker 3: definitely not. That's crazy though, look at that though, okay.

522
00:19:23,140 --> 00:19:26,919
Speaker 2: Yeah, but other than that, little league baseball. I did

523
00:19:26,940 --> 00:19:29,570
Speaker 2: have my fans sharing sports, but that wasn't my calling.

524
00:19:29,850 --> 00:19:31,810
Speaker 2: I ain't going to the league. Rob Markman, Jr.

525
00:19:31,850 --> 00:19:34,530
Speaker 1: So when you started doing the music, you said, off the.

526
00:19:34,430 --> 00:19:35,389
Speaker 3: Disc record- Rob Markman, Jr.

527
00:19:35,410 --> 00:19:38,159
Speaker 2: Yeah, that was around like 10th grade type shit. I

528
00:19:38,180 --> 00:19:39,859
Speaker 2: started taking it serious, you know what I mean? The

529
00:19:39,900 --> 00:19:42,340
Speaker 2: bros put on like 20-20, go to the studio. We

530
00:19:42,380 --> 00:19:44,379
Speaker 2: know this nigga, shout out Scrap Da God. He was

531
00:19:44,410 --> 00:19:47,119
Speaker 2: giving us like studio time, like 40 hour. So we

532
00:19:47,140 --> 00:19:50,300
Speaker 2: put up like, everybody throw 2020. Now we fake like

533
00:19:50,340 --> 00:19:52,660
Speaker 2: just all of us on the song type shit. Everybody

534
00:19:52,680 --> 00:19:54,200
Speaker 2: get their verse together. We got to get the shit

535
00:19:54,220 --> 00:19:54,780
Speaker 2: done in an hour.

536
00:19:54,820 --> 00:19:56,020
Speaker 3: You know what I'm saying? Got you. Got you.

537
00:19:56,390 --> 00:19:58,290
Speaker 2: And then after a while, we tried to figure out

538
00:19:58,310 --> 00:20:00,990
Speaker 2: how to record ourselves. It just wasn't working. Then I

539
00:20:01,030 --> 00:20:04,650
Speaker 2: actually went to school in Florida at Full Sun Orlando.

540
00:20:05,210 --> 00:20:08,989
Speaker 2: for audio engineering because my mom's Jamaican. She don't play

541
00:20:09,030 --> 00:20:10,600
Speaker 2: that shit. I was not about to stay at the

542
00:20:10,630 --> 00:20:13,940
Speaker 2: crib after I graduated high school, so she forced me to.

543
00:20:13,920 --> 00:20:14,940
Speaker 3: Go to school.

544
00:20:14,960 --> 00:20:17,119
Speaker 2: Rob Markman, Jr.: Get your brass clad out. Yeah, she

545
00:20:17,140 --> 00:20:19,270
Speaker 2: was not playing that shit, so I'm like, I'm not

546
00:20:19,330 --> 00:20:21,630
Speaker 2: going to school to be no fucking doctor or some shit.

547
00:20:21,690 --> 00:20:23,390
Speaker 2: I'm going to go to school and do some shit

548
00:20:23,410 --> 00:20:25,600
Speaker 2: that I kind of want to do. So I went

549
00:20:25,640 --> 00:20:26,380
Speaker 2: to school for.

550
00:20:26,400 --> 00:20:28,520
Speaker 1: Why would Caribbean parents want you to be a doctor

551
00:20:28,540 --> 00:20:29,160
Speaker 1: or a lawyer? I'm patient.

552
00:20:29,180 --> 00:20:31,600
Speaker 3: They know there's money in there. Nah, she didn't.

553
00:20:31,140 --> 00:20:33,619
Speaker 2: Even want me to be a doctor. She was just like,

554
00:20:33,660 --> 00:20:35,159
Speaker 2: you got to go to school for something. And I

555
00:20:35,200 --> 00:20:36,310
Speaker 2: ain't know what the fuck I want to go to

556
00:20:36,350 --> 00:20:37,790
Speaker 2: school for. So I'm like, all right, let me figure

557
00:20:37,810 --> 00:20:40,330
Speaker 2: out where I could go. So I went to Orlando

558
00:20:40,369 --> 00:20:43,430
Speaker 2: for audio engineering. So I was doing that for a while,

559
00:20:43,450 --> 00:20:46,830
Speaker 2: probably like a year. And then I spoke to my

560
00:20:46,869 --> 00:20:50,210
Speaker 2: professor and he's a real engineer and shit. So he's like, yo,

561
00:20:50,869 --> 00:20:52,369
Speaker 2: you make music and shit? Because I'm telling him he

562
00:20:52,390 --> 00:20:53,750
Speaker 2: was chopping it with me and shit. And he's like, yo-

563
00:20:54,600 --> 00:20:58,109
Speaker 2: So what you want to do first? I'm like, I

564
00:20:58,140 --> 00:21:00,709
Speaker 2: want to be a rapper. I like making music. I'm

565
00:21:00,750 --> 00:21:02,490
Speaker 2: just doing this shit because I want to learn how

566
00:21:02,510 --> 00:21:03,150
Speaker 2: to mix my music.

567
00:21:03,190 --> 00:21:03,750
Speaker 3: You know what I'm saying?

568
00:21:03,770 --> 00:21:04,889
Speaker 2: So I don't got to pay nobody to do it

569
00:21:04,910 --> 00:21:05,790
Speaker 2: because I ain't have the bread.

570
00:21:05,650 --> 00:21:05,980
Speaker 3: To do it.

571
00:21:06,390 --> 00:21:11,430
Speaker 2: So he's like, so go be a rapper. So I said,

572
00:21:11,530 --> 00:21:11,830
Speaker 2: all right.

573
00:21:11,869 --> 00:21:12,210
Speaker 3: Say less.

574
00:21:12,270 --> 00:21:14,500
Speaker 2: After that, I did what my mom used to do.

575
00:21:14,560 --> 00:21:15,190
Speaker 3: I graduated.

576
00:21:15,359 --> 00:21:17,100
Speaker 2: Went to the crib. I got my little associates.

577
00:21:17,140 --> 00:21:17,800
Speaker 3: Got a part of there.

578
00:21:18,340 --> 00:21:21,080
Speaker 2: Came back to the crib. And then I started working

579
00:21:21,119 --> 00:21:23,280
Speaker 2: a job. I was working at a cemetery in Hempstead.

580
00:21:23,630 --> 00:21:25,450
Speaker 3: Damn, the cemetery? Yeah.

581
00:21:26,170 --> 00:21:28,330
Speaker 2: It was the only town job I could get. I'm like,

582
00:21:28,410 --> 00:21:31,610
Speaker 2: fuck it. Stacked my little bread or whatever, and then

583
00:21:31,770 --> 00:21:36,100
Speaker 2: just kept working, type shit. Figuring out where in here

584
00:21:36,140 --> 00:21:40,020
Speaker 2: I could fucking record at. And once I already had

585
00:21:40,040 --> 00:21:42,000
Speaker 2: the swag, I got some bread, and I got my

586
00:21:42,180 --> 00:21:45,380
Speaker 2: own little setup. Recorded myself at the crib after that.

587
00:21:46,000 --> 00:21:46,480
Speaker 3: That's crazy.

588
00:21:47,140 --> 00:21:51,460
Speaker 1: That's smart, because I feel like Kanye West's And like

589
00:21:51,480 --> 00:21:54,020
Speaker 1: the Swiss Beatz, dudes that could rap and produce, kind

590
00:21:54,040 --> 00:21:54,940
Speaker 1: of got an advantage.

591
00:21:55,940 --> 00:21:58,200
Speaker 3: He hear shit kind of different. Rob Markman Yeah, that's

592
00:21:58,220 --> 00:21:59,570
Speaker 3: why bro, niggas be looking at- Rob Markman The Dr.

593
00:21:59,570 --> 00:22:01,669
Speaker 2: Dre's. Rob Markman They be looking at Cash like, how

594
00:22:01,690 --> 00:22:02,930
Speaker 2: the fuck you made that?

595
00:22:02,950 --> 00:22:07,970
Speaker 1: Rob Markman Y'all got an advantage because that's why I

596
00:22:08,030 --> 00:22:10,210
Speaker 1: like what you said. Because I thought Cash was just

597
00:22:10,290 --> 00:22:12,450
Speaker 1: a producer. Now I know you produce too and do shit.

598
00:22:12,490 --> 00:22:14,939
Speaker 2: Rob Markman Nah, I'm just not an engineer and mix

599
00:22:14,960 --> 00:22:15,320
Speaker 2: my vocals and shit.

600
00:22:15,340 --> 00:22:17,180
Speaker 1: Rob Markman Well, that's great too though, because that's kind

601
00:22:17,200 --> 00:22:19,149
Speaker 1: of like producing too. Because you know how you want

602
00:22:19,170 --> 00:22:19,649
Speaker 1: to mix your fucking loop.

603
00:22:19,670 --> 00:22:21,090
Speaker 2: Even like when we was doing it, he'll make the beats,

604
00:22:21,750 --> 00:22:24,590
Speaker 2: and then niggas be like, yo, child, record this for me. Like,

605
00:22:24,650 --> 00:22:26,550
Speaker 2: niggas is using my, I made a whole template, and

606
00:22:26,590 --> 00:22:27,410
Speaker 2: all the niggas is using my template.

607
00:22:27,430 --> 00:22:28,330
Speaker 3: Niggas is using your template.

608
00:22:28,410 --> 00:22:30,229
Speaker 2: And then we all rapping, we probably, we still all

609
00:22:30,300 --> 00:22:31,929
Speaker 2: rapping on the same template probably right now.

610
00:22:32,020 --> 00:22:32,410
Speaker 3: Look at that.

611
00:22:32,470 --> 00:22:36,540
Speaker 1: Yeah, because you'll hear stuff that the average artist don't hear.

612
00:22:36,560 --> 00:22:37,620
Speaker 3: You know what I'm saying?

613
00:22:37,640 --> 00:22:40,260
Speaker 1: I always like, damn, I always thought, like, I'm like,

614
00:22:40,340 --> 00:22:42,100
Speaker 1: I wish I knew that shit.

615
00:22:42,500 --> 00:22:45,980
Speaker 2: I'll tell you, if my songs was probably not mixed

616
00:22:46,000 --> 00:22:48,310
Speaker 2: the way they were, you probably wouldn't like it.

617
00:22:49,590 --> 00:22:52,920
Speaker 4: I know how to make myself sound a certain way.

618
00:22:52,940 --> 00:22:55,260
Speaker 2: If it was mixed poorly, you probably be like, oh yeah,

619
00:22:55,300 --> 00:22:57,950
Speaker 2: but it's not like, it's like just the little things

620
00:22:57,970 --> 00:23:01,000
Speaker 2: that matter that you don't know that. that really matter

621
00:23:01,020 --> 00:23:02,760
Speaker 2: to you until it's like you don't hear it.

622
00:23:03,040 --> 00:23:05,379
Speaker 1: Football is back, folks. And you need to change the

623
00:23:05,420 --> 00:23:08,750
Speaker 1: way you invest in the NFL this season. It's finally

624
00:23:08,810 --> 00:23:12,910
Speaker 1: time to ditch your old sportsbook apps because Polymarket is here.

625
00:23:12,990 --> 00:23:16,800
Speaker 1: Polymarket is a legal prediction market now available in all

626
00:23:16,800 --> 00:23:20,840
Speaker 1: 50 states. And all them old sportsbooks, they're a relic

627
00:23:20,940 --> 00:23:24,320
Speaker 1: of the past. On Polymarket, you can trade on all

628
00:23:24,380 --> 00:23:27,820
Speaker 1: things NFL from the Sunday slate to who wins rookie

629
00:23:27,859 --> 00:23:30,480
Speaker 1: of the year to who performs on a halftime show.

630
00:23:30,500 --> 00:23:33,760
Speaker 1: We hear from listeners all the time about sportsbooks driving

631
00:23:33,780 --> 00:23:37,119
Speaker 1: them crazy. Trying to cash out live? They can block

632
00:23:37,160 --> 00:23:40,200
Speaker 1: you as often as they want, holding your money hostage.

633
00:23:40,260 --> 00:23:42,790
Speaker 4: Polymarket gives you the freedom to cash out instantly. If

634
00:23:42,830 --> 00:23:45,689
Speaker 4: the momentum swings, You sell off it in real time.

635
00:23:45,930 --> 00:23:47,989
Speaker 4: You are in control. No one can lock you out.

636
00:23:48,070 --> 00:23:50,609
Speaker 4: And you can also buy in anytime. So when the

637
00:23:50,650 --> 00:23:53,619
Speaker 4: market dips, like if a team starts slow and drops

638
00:23:53,660 --> 00:23:56,680
Speaker 4: to say 40%, that's not a loss. That's when you

639
00:23:56,700 --> 00:23:59,740
Speaker 4: buy in. At Polymarket, you can buy cheap and ride

640
00:23:59,760 --> 00:24:02,890
Speaker 4: the momentum back up. Polymarket is so confident, you'll never

641
00:24:02,930 --> 00:24:05,490
Speaker 4: go back to the old way. They're issuing a challenge.

642
00:24:05,630 --> 00:24:05,850
Speaker 3: Yeah.

643
00:24:05,990 --> 00:24:08,450
Speaker 4: They are giving you a $ 50 bonus when you deposit

644
00:24:08,470 --> 00:24:08,760
Speaker 4: just $ 10.

645
00:24:08,690 --> 00:24:09,230
Speaker 3: Yeah.

646
00:24:09,750 --> 00:24:14,290
Speaker 4: Sign up right now with the promo code REALREPORT. That's polymarket.us.

647
00:24:14,650 --> 00:24:16,869
Speaker 4: And use the promo code REALREPORT.

648
00:24:16,410 --> 00:24:18,630
Speaker 3: To get a $ 50.

649
00:24:17,350 --> 00:24:19,810
Speaker 4: Bonus when you deposit just $ 10.

650
00:24:19,710 --> 00:24:23,670
Speaker 3: Let's go. Whoa. Man, you got the new project coming out. Yeah,

651
00:24:23,730 --> 00:24:25,090
Speaker 3: hell yeah. What you got on there? What you got

652
00:24:25,109 --> 00:24:27,250
Speaker 3: on there? You got some features on there? Yeah, hell yeah.

653
00:24:27,330 --> 00:24:28,310
Speaker 3: What you got on there? I mean, we about to

654
00:24:28,350 --> 00:24:28,570
Speaker 3: drop it.

655
00:24:28,570 --> 00:24:32,440
Speaker 2: I can say it now, right? Shit, I got cash

656
00:24:32,500 --> 00:24:33,240
Speaker 2: on there for sure.

657
00:24:33,280 --> 00:24:33,460
Speaker 3: Mm-hmm.

658
00:24:34,170 --> 00:24:35,730
Speaker 2: I got a Honey Baby on there.

659
00:24:36,310 --> 00:24:37,190
Speaker 1: Shout out to Honey Baby.

660
00:24:37,270 --> 00:24:42,320
Speaker 2: I got Apollo Red. Wiz Khalifa. Oh, shit.

661
00:24:42,340 --> 00:24:44,500
Speaker 3: Shout out to Wiz Khalifa. Shout out to Wiz. Don't

662
00:24:44,520 --> 00:24:45,859
Speaker 3: go to Romania no more, Wiz.

663
00:24:46,260 --> 00:24:48,640
Speaker 2: Shout out to Wiz Khalifa.

664
00:24:48,660 --> 00:24:50,139
Speaker 3: Wiz, come smoke something on the show.

665
00:24:50,200 --> 00:24:52,400
Speaker 2: Nah, no funny shit. That nigga like, that's probably like

666
00:24:52,440 --> 00:24:55,840
Speaker 2: my biggest cosign in like the... Like in the industry,

667
00:24:55,880 --> 00:24:57,740
Speaker 2: like that nigga really showed me mad love. Like mad

668
00:24:57,760 --> 00:25:00,620
Speaker 2: nigga showed me love and shit. He actually like did

669
00:25:00,640 --> 00:25:02,060
Speaker 2: the song when I sent it to him though.

670
00:25:02,100 --> 00:25:02,860
Speaker 3: Like, you know what I'm saying?

671
00:25:02,880 --> 00:25:04,879
Speaker 4: I remember one time I tell you a quick Wiz

672
00:25:04,920 --> 00:25:08,010
Speaker 4: Khalifa story. I was in fucking Atlantic Records with my

673
00:25:08,050 --> 00:25:09,230
Speaker 4: guy Gene Nelson and them.

674
00:25:09,810 --> 00:25:12,949
Speaker 3: In there having a meeting, just chilling. We in there

675
00:25:13,030 --> 00:25:16,450
Speaker 3: talking and I'm starting to smell weed. I'm like, what

676
00:25:16,910 --> 00:25:17,199
Speaker 3: the fuck?

677
00:25:17,280 --> 00:25:18,620
Speaker 1: It smells like weed, right?

678
00:25:18,640 --> 00:25:21,460
Speaker 3: I'm like, damn. You see like a little cloud.

679
00:25:22,320 --> 00:25:22,520
Speaker 2: Yeah.

680
00:25:23,210 --> 00:25:27,940
Speaker 4: It's Wiz Khalifa walking by. He looking there. He go, oh, shit.

681
00:25:28,040 --> 00:25:28,680
Speaker 4: The homie.

682
00:25:29,580 --> 00:25:33,580
Speaker 3: Murder was good. Salute. What's happening? Y'all pardon me. Good shit,

683
00:25:33,619 --> 00:25:36,340
Speaker 3: my nigga. Just kept walking. I was like, yo, this

684
00:25:36,380 --> 00:25:40,340
Speaker 3: nigga smoke anywhere. Like, for real. Anywhere.

685
00:25:40,400 --> 00:25:43,850
Speaker 1: Fuck that. We seen that nigga smoke on Chelsea Handlers,

686
00:25:43,869 --> 00:25:45,170
Speaker 1: you know, bro. On the stage.

687
00:25:45,450 --> 00:25:45,850
Speaker 3: Look at that.

688
00:25:45,869 --> 00:25:47,290
Speaker 1: Him and Snoop smoke wherever they want.

689
00:25:47,330 --> 00:25:47,670
Speaker 3: I don't know.

690
00:25:47,810 --> 00:25:48,550
Speaker 2: I don't even smoke.

691
00:25:48,970 --> 00:25:51,090
Speaker 1: Just don't smoke in Romania, because that's where you smoke.

692
00:25:51,109 --> 00:25:54,139
Speaker 3: Smoke something, nigga. See what? Nah, I'm not even playing

693
00:25:54,160 --> 00:25:54,590
Speaker 3: with smoke. See?

694
00:25:54,640 --> 00:25:56,500
Speaker 2: I'm going to be over that shit talking about, huh,

695
00:25:56,560 --> 00:25:58,219
Speaker 2: what you saying, murder?

696
00:25:58,280 --> 00:25:59,500
Speaker 3: Murder, nah. Nah, when I hear.

697
00:25:59,460 --> 00:26:02,159
Speaker 1: Records like Red Flag and 2C, I thought you smoked.

698
00:26:03,030 --> 00:26:03,949
Speaker 3: Nah, nah, nah, nah, nah, nah.

699
00:26:03,970 --> 00:26:05,090
Speaker 2: I'm talking about drug, drugs.

700
00:26:05,630 --> 00:26:11,290
Speaker 4: I ain't talking about no motherfucking bug, nigga.

701
00:26:11,310 --> 00:26:14,510
Speaker 3: I'm talking about drugs, nigga. Don't do drugs, don't do drugs.

702
00:26:14,530 --> 00:26:17,119
Speaker 3: But don't do drugs, kids. Who else you got on

703
00:26:17,140 --> 00:26:17,720
Speaker 3: the album, man?

704
00:26:17,740 --> 00:26:19,800
Speaker 2: I ain't leaving nobody out, right?

705
00:26:20,420 --> 00:26:21,080
Speaker 3: Wiz Khalifa. Wiz Khalifa.

706
00:26:21,430 --> 00:26:24,750
Speaker 2: Oh, yeah, my man's Dollar. His name is Dollar, but

707
00:26:24,930 --> 00:26:27,830
Speaker 2: his Instagram is Swift Dollar. He make Afro beats, so he.

708
00:26:27,710 --> 00:26:30,490
Speaker 3: Mad as hell. Got you, got you, got you.

709
00:26:30,810 --> 00:26:32,910
Speaker 2: Yeah, I got some people on there. Hopefully, you know,

710
00:26:33,390 --> 00:26:35,189
Speaker 2: we do a deluxe, get some more people on there.

711
00:26:35,210 --> 00:26:38,230
Speaker 3: Of course, man, of course, of course. Oh, yeah, in Bay,

712
00:26:38,250 --> 00:26:38,590
Speaker 3: of course.

713
00:26:38,609 --> 00:26:40,950
Speaker 2: Yeah, I'm wildin'. Shit, we about to drop.

714
00:26:40,990 --> 00:26:43,550
Speaker 3: I'm shooting a video tomorrow, matter of fact. Okay, okay.

715
00:26:43,570 --> 00:26:46,230
Speaker 3: Some shit called Hill. Yeah, hell yeah. Okay.

716
00:26:46,560 --> 00:26:47,300
Speaker 2: I forget, man.

717
00:26:47,800 --> 00:26:48,260
Speaker 3: Hell yeah.

718
00:26:48,730 --> 00:26:50,290
Speaker 2: And then, yeah, that's it for right now.

719
00:26:50,310 --> 00:26:53,109
Speaker 1: Rob Markman, I mean, y'all don't miss, man. Y'all are

720
00:26:53,130 --> 00:26:56,100
Speaker 1: not missing. You got Bass Swag, you got Cash Cobain,

721
00:26:56,119 --> 00:27:00,300
Speaker 1: you got Chael Lee, you got King BMO. He was like, yeah,

722
00:27:00,619 --> 00:27:02,520
Speaker 1: we all came up. We all was in the studio.

723
00:27:02,780 --> 00:27:05,400
Speaker 1: Y'all got to live in the studio as much hits

724
00:27:05,460 --> 00:27:06,399
Speaker 1: as y'all putting out right now.

725
00:27:07,170 --> 00:27:08,570
Speaker 3: Nah, yeah. I ain't going to lie.

726
00:27:08,710 --> 00:27:12,190
Speaker 2: I really be in the studio just like perfecting shit. Like, yeah,

727
00:27:12,250 --> 00:27:14,679
Speaker 2: like do this right here and this. I just be

728
00:27:14,720 --> 00:27:16,810
Speaker 2: on some like, it just be like, I need a

729
00:27:16,850 --> 00:27:19,030
Speaker 2: delay right here. Like perfectionist type shit.

730
00:27:19,050 --> 00:27:20,350
Speaker 3: I ain't going to find peace.

731
00:27:20,369 --> 00:27:22,250
Speaker 2: Some certain people appreciate the shit and it's going to

732
00:27:22,270 --> 00:27:24,530
Speaker 2: be certain people that don't give a fuck. But I do.

733
00:27:24,570 --> 00:27:26,090
Speaker 2: And I know it's certain people that's going to do it.

734
00:27:26,109 --> 00:27:28,449
Speaker 2: So they're going to be like, yo, I like how

735
00:27:28,490 --> 00:27:29,770
Speaker 2: he did that right there.

736
00:27:29,850 --> 00:27:32,460
Speaker 3: And that just makes me like the song. Love the song.

737
00:27:32,680 --> 00:27:34,600
Speaker 3: You ain't got no babies. No, no, no. I don't

738
00:27:34,619 --> 00:27:36,100
Speaker 3: got no babies. I don't got no babies. I don't

739
00:27:36,140 --> 00:27:38,060
Speaker 3: got no babies. Oh, man. He's living his life.

740
00:27:38,080 --> 00:27:39,859
Speaker 4: Make sure you pick him right, man, because BMO was

741
00:27:39,920 --> 00:27:41,780
Speaker 4: up here telling us he going through child support and

742
00:27:41,800 --> 00:27:42,540
Speaker 4: all type of crazy shit.

743
00:27:42,560 --> 00:27:44,840
Speaker 3: Yeah, I heard. So make sure you pick him right, man.

744
00:27:44,859 --> 00:27:46,780
Speaker 3: Make sure you pick the right one when it's that time. Nah,

745
00:27:46,800 --> 00:27:47,600
Speaker 3: I will. I will.

746
00:27:47,640 --> 00:27:48,560
Speaker 2: I ain't going to lie.

747
00:27:48,640 --> 00:27:49,790
Speaker 3: I'm not in no rush, man.

748
00:27:50,030 --> 00:27:53,590
Speaker 1: My man, Chow Lee's a studio guy, man. He's in

749
00:27:53,609 --> 00:27:57,150
Speaker 1: the studio. You can tell him and Cash and Bantam,

750
00:27:57,170 --> 00:28:00,420
Speaker 1: they really got a love for the sport. But you know,

751
00:28:00,520 --> 00:28:02,220
Speaker 1: even though I know y'all go to all the clubs,

752
00:28:02,400 --> 00:28:03,340
Speaker 1: Aura and all that shit.

753
00:28:03,420 --> 00:28:04,220
Speaker 3: I'm tired of that shit.

754
00:28:04,240 --> 00:28:05,380
Speaker 1: But y'all go, you tired of that shit?

755
00:28:05,720 --> 00:28:06,180
Speaker 3: Already?

756
00:28:06,980 --> 00:28:07,420
Speaker 2: Damn.

757
00:28:07,460 --> 00:28:07,640
Speaker 1: Why?

758
00:28:07,660 --> 00:28:13,070
Speaker 3: I don't know, bro. This shit is tiring, bro. Clubs

759
00:28:13,090 --> 00:28:14,530
Speaker 3: ain't what it used to be. I can say that.

760
00:28:15,010 --> 00:28:15,510
Speaker 1: It's not that.

761
00:28:15,550 --> 00:28:16,170
Speaker 3: He want to work.

762
00:28:16,210 --> 00:28:19,030
Speaker 1: He got the love for the music. That's why I said,

763
00:28:19,050 --> 00:28:23,050
Speaker 1: when you engineer and produce, it's a different love for

764
00:28:23,070 --> 00:28:25,550
Speaker 1: the music. A rapper's going to go to the club,

765
00:28:25,570 --> 00:28:28,840
Speaker 1: y'all need inspiration. He go to the club, he might

766
00:28:28,859 --> 00:28:31,159
Speaker 1: get some inspiration, but he's thinking about the drums and

767
00:28:31,180 --> 00:28:33,280
Speaker 1: the fucking, and the song, you know what I mean?

768
00:28:33,300 --> 00:28:34,280
Speaker 1: They think, yo, you hear that?

769
00:28:34,340 --> 00:28:35,060
Speaker 3: You hear them snares?

770
00:28:35,080 --> 00:28:37,480
Speaker 2: I ain't even gonna lie, like with that, bro, it's

771
00:28:37,640 --> 00:28:41,210
Speaker 2: just too many niggas that got bookings that we fuck with. Like, hey,

772
00:28:41,270 --> 00:28:42,890
Speaker 2: this nigga got a booking one day, we got a

773
00:28:42,890 --> 00:28:44,590
Speaker 2: Philip over here, now we got a Philip over here.

774
00:28:45,310 --> 00:28:47,850
Speaker 2: It'd just be a lot. I'd be partied the fuck out.

775
00:28:48,290 --> 00:28:50,850
Speaker 2: Don't let me find one of them rich parties, though.

776
00:28:50,870 --> 00:28:53,080
Speaker 2: I'm in that motherfucker, for sure.

777
00:28:53,140 --> 00:28:55,160
Speaker 3: Gangsta. That's a different type of party, Paul's.

778
00:28:56,950 --> 00:28:59,980
Speaker 2: But look, I ain't gonna lie, the club shit's here,

779
00:29:00,120 --> 00:29:02,620
Speaker 2: but I'll do it every now and then. I'll just

780
00:29:02,960 --> 00:29:04,720
Speaker 2: be tired though, I ain't gonna lie. This rap shit

781
00:29:04,740 --> 00:29:06,140
Speaker 2: come with a lot. It's a lot of shit you

782
00:29:06,160 --> 00:29:08,190
Speaker 2: gotta keep up with. You gotta make your TikToks, you

783
00:29:08,210 --> 00:29:10,170
Speaker 2: gotta make sure you're in the studio. You gotta make

784
00:29:10,210 --> 00:29:12,210
Speaker 2: sure you got this shit ready for the studio and

785
00:29:12,250 --> 00:29:14,130
Speaker 2: got a song for the studio. You're not wasting these

786
00:29:14,150 --> 00:29:17,990
Speaker 2: people's time. You gotta be a fuckin' mogul, my nigga.

787
00:29:18,170 --> 00:29:19,930
Speaker 2: You gotta be that nigga every day.

788
00:29:20,110 --> 00:29:20,770
Speaker 3: That's hard.

789
00:29:22,520 --> 00:29:24,580
Speaker 2: But you gotta do it. That's what they, that's what

790
00:29:24,620 --> 00:29:25,000
Speaker 2: you hear from them.

791
00:29:25,020 --> 00:29:26,440
Speaker 1: I mean, it's better than working in a cemetery, my nigga.

792
00:29:27,140 --> 00:29:28,100
Speaker 3: Yeah, that is.

793
00:29:28,140 --> 00:29:30,640
Speaker 2: That's why, as soon as I act like I'm complaining,

794
00:29:30,760 --> 00:29:33,770
Speaker 2: they be like, you bugging. And I be like, yeah,

795
00:29:33,770 --> 00:29:34,700
Speaker 2: I'm bugging.

796
00:29:34,700 --> 00:29:37,420
Speaker 3: Facts, facts, facts. You got to do what you got

797
00:29:37,440 --> 00:29:37,740
Speaker 3: to do.

798
00:29:38,460 --> 00:29:40,340
Speaker 1: So what was life like in Hempstead, man? It was

799
00:29:40,360 --> 00:29:41,240
Speaker 1: a rough neighborhood, man.

800
00:29:42,180 --> 00:29:42,600
Speaker 3: Yeah.

801
00:29:42,880 --> 00:29:45,600
Speaker 2: But shit, I was just chilling with my homies. We

802
00:29:45,620 --> 00:29:47,510
Speaker 2: staying out of the way. You know, shit happening and

803
00:29:47,570 --> 00:29:51,190
Speaker 2: all that shit. We doing what the fuck we doing.

804
00:29:51,350 --> 00:29:52,030
Speaker 3: Mind your business.

805
00:29:52,050 --> 00:29:53,590
Speaker 2: Same shit about to happen to you, for real.

806
00:29:53,830 --> 00:29:54,200
Speaker 3: Got you.

807
00:29:54,780 --> 00:29:57,200
Speaker 2: Niggas just be doing stupid shit. That's everywhere though. I

808
00:29:57,220 --> 00:29:59,240
Speaker 2: be telling niggas all the time, niggas hood everywhere. Nigga

809
00:29:59,260 --> 00:30:03,340
Speaker 2: get left anywhere. He get left in Maine. Like, what

810
00:30:03,440 --> 00:30:07,370
Speaker 2: the fuck? Niggas be thinking upstate's sweet, upstate's not sweet.

811
00:30:07,530 --> 00:30:08,730
Speaker 3: Niggas will leave you over there too.

812
00:30:08,910 --> 00:30:11,150
Speaker 1: Niggas went to Paris, you go to London, nowhere's sweet.

813
00:30:11,170 --> 00:30:12,710
Speaker 2: Nigga, I got my ass kicked in Paris.

814
00:30:13,050 --> 00:30:14,730
Speaker 3: Damn. Me and a bro.

815
00:30:14,750 --> 00:30:17,410
Speaker 2: But it was by security though. Like, we was in

816
00:30:17,430 --> 00:30:19,790
Speaker 2: the spot. Like, it was some funny shit going on

817
00:30:19,810 --> 00:30:21,830
Speaker 2: or whatever. Niggas swung on one of the securities. Niggas

818
00:30:21,850 --> 00:30:24,080
Speaker 2: thought it was sweet. I'm going to start packing this.

819
00:30:24,100 --> 00:30:27,160
Speaker 2: I'm going to keep it a block. I got my

820
00:30:27,180 --> 00:30:29,360
Speaker 2: hits off. I ain't afraid. I already knew it was over.

821
00:30:29,440 --> 00:30:30,620
Speaker 2: I was like, I got my hits off. And I

822
00:30:30,640 --> 00:30:32,000
Speaker 2: just said, all right, baby, I got it.

823
00:30:32,020 --> 00:30:34,240
Speaker 1: I ain't got no guns. All them niggas do is train, nigga.

824
00:30:34,260 --> 00:30:36,630
Speaker 3: Yeah, I ain't going to front, but like, yeah.

825
00:30:36,710 --> 00:30:39,850
Speaker 1: And this is what I'm saying, man. And this is

826
00:30:39,890 --> 00:30:42,650
Speaker 1: what I like to hear, because a lot of rappers

827
00:30:42,690 --> 00:30:45,270
Speaker 1: don't make it past the Lincoln Tunnel. Their music doesn't

828
00:30:45,290 --> 00:30:48,030
Speaker 1: make it past the Lincoln Tunnel. It's not going that far.

829
00:30:48,450 --> 00:30:50,270
Speaker 1: How does it feel to have success.

830
00:30:49,910 --> 00:30:50,870
Speaker 3: Doing Rolling Loud?

831
00:30:51,420 --> 00:30:54,500
Speaker 1: Doing shows in London, Paris, you know what I'm saying?

832
00:30:54,520 --> 00:30:56,560
Speaker 1: And people playing your records. How does that feel?

833
00:30:56,620 --> 00:30:58,010
Speaker 3: Getting signed to Empire.

834
00:30:58,030 --> 00:31:02,070
Speaker 2: This shit is still surreal. It's a beautiful thing. I'm

835
00:31:02,090 --> 00:31:05,710
Speaker 2: just still glad that I'm able to keep doing this shit.

836
00:31:07,170 --> 00:31:09,390
Speaker 2: But I'm so hard on myself. I just know I

837
00:31:09,390 --> 00:31:11,730
Speaker 2: got so much more to do. So I just always

838
00:31:11,750 --> 00:31:15,050
Speaker 2: stay grounded. I don't even let shit make me hype

839
00:31:15,130 --> 00:31:17,870
Speaker 2: type shit. I just be on some shit like, yeah,

840
00:31:17,910 --> 00:31:19,600
Speaker 2: we did that, but what we doing next?

841
00:31:19,630 --> 00:31:20,390
Speaker 3: You know what I'm saying?

842
00:31:21,430 --> 00:31:23,080
Speaker 2: All right, I'm supposed to be doing this. That's how

843
00:31:23,180 --> 00:31:25,080
Speaker 2: I move with that shit. I'm supposed to be doing

844
00:31:25,100 --> 00:31:28,180
Speaker 2: this shit anyway. I'm not here for no reason. But

845
00:31:28,400 --> 00:31:30,400
Speaker 2: at the end of the day, sometimes I'd be like, oh, shit. Like,

846
00:31:30,800 --> 00:31:33,219
Speaker 2: what the fuck? Like, shit be getting me hyped.

847
00:31:33,240 --> 00:31:35,140
Speaker 3: Like, this shit really happened. Like, oh, shit, I'm really

848
00:31:35,160 --> 00:31:37,720
Speaker 3: doing this shit. Yeah, bro. Because I start reminiscing. Like, damn, bro.

849
00:31:37,740 --> 00:31:42,040
Speaker 2: Like, a couple years ago, niggas would be like, oh, yeah,

850
00:31:42,060 --> 00:31:42,620
Speaker 2: we did this.

851
00:31:42,740 --> 00:31:43,620
Speaker 3: Like, uh, like.

852
00:31:44,080 --> 00:31:45,960
Speaker 2: Start naming names and be like, yeah, get next to

853
00:31:45,980 --> 00:31:47,600
Speaker 2: that nigga right now. Like, you know what I'm saying? Like, nigga,

854
00:31:47,640 --> 00:31:49,700
Speaker 2: I got Wiz Khalifa in my eye, nigga. Fucking 2018

855
00:31:49,700 --> 00:31:52,380
Speaker 2: when I was doing that shit, Wiz Khalifa. I'm still

856
00:31:52,420 --> 00:31:54,240
Speaker 2: hype right now, but like, nigga, I would be like,

857
00:31:54,640 --> 00:31:55,990
Speaker 2: this nigga's about to change my life.

858
00:31:56,030 --> 00:31:56,970
Speaker 3: Like, where do I was?

859
00:31:56,990 --> 00:31:59,430
Speaker 2: Like, shit like that. Like, it would be so much

860
00:31:59,590 --> 00:32:02,350
Speaker 2: on a bigger scale, but like, I'm just like, now

861
00:32:02,370 --> 00:32:04,410
Speaker 2: I'm just trying to just be a better me type shit,

862
00:32:04,430 --> 00:32:07,010
Speaker 2: just be a better artist. And it's just like, nah,

863
00:32:07,050 --> 00:32:08,390
Speaker 2: I'm here and I just got to show niggas who

864
00:32:08,510 --> 00:32:09,090
Speaker 2: I am type shit.

865
00:32:09,170 --> 00:32:12,070
Speaker 3: Nah, definitely. That's dope, man. That's dope, man. Yeah. I

866
00:32:12,090 --> 00:32:13,650
Speaker 3: don't know why. That's what it is. It's to it.

867
00:32:14,460 --> 00:32:17,420
Speaker 3: When that album dropping? September 16th.

868
00:32:18,090 --> 00:32:21,690
Speaker 2: Finally. I ain't gonna front. I couldn't even drop a

869
00:32:21,730 --> 00:32:25,630
Speaker 2: post without niggas being like, yo, I'm having fun and shit,

870
00:32:25,670 --> 00:32:27,870
Speaker 2: making a little TikTok. Yeah, yeah, TikTok cool, but what

871
00:32:27,970 --> 00:32:28,410
Speaker 2: album at?

872
00:32:28,450 --> 00:32:29,490
Speaker 3: I'm like, all right, man.

873
00:32:29,530 --> 00:32:32,210
Speaker 2: Damn, I can't even live my life.

874
00:32:32,540 --> 00:32:35,140
Speaker 1: When you got records that are TikTok, see the difference

875
00:32:35,180 --> 00:32:38,220
Speaker 1: is now, before, of course, you still need radio, of course.

876
00:32:39,310 --> 00:32:41,910
Speaker 1: You know, we need Hot 97. We need 105. You

877
00:32:41,950 --> 00:32:45,070
Speaker 1: need every radio station. Summer Jams and all that. And

878
00:32:45,150 --> 00:32:47,930
Speaker 1: power shows. You need all that, right? But now you

879
00:32:47,950 --> 00:32:52,460
Speaker 1: got the power of fucking TikTok, Instagram. Facebook, I guess,

880
00:32:52,500 --> 00:32:53,320
Speaker 1: is for the old niggas.

881
00:32:53,900 --> 00:32:57,440
Speaker 2: Nah, I still be on Facebook for like hood shit. Like,

882
00:32:57,540 --> 00:32:59,140
Speaker 2: I still be like, just a little, see what's going

883
00:32:59,160 --> 00:33:01,100
Speaker 2: on in the hood real quick. All right, cool.

884
00:33:01,140 --> 00:33:02,940
Speaker 1: Shout out to Facebook. I fuck with Facebook.

885
00:33:02,960 --> 00:33:04,290
Speaker 3: Nah, I fuck with Facebook too.

886
00:33:04,310 --> 00:33:07,660
Speaker 1: But like, it's like now, like, Like, people will know about, like,

887
00:33:07,680 --> 00:33:10,680
Speaker 1: there's a restaurant I went to, Golden Diner, and people

888
00:33:10,720 --> 00:33:12,940
Speaker 1: know about it from TikTok. You know what I'm saying? Like,

889
00:33:13,000 --> 00:33:16,200
Speaker 1: music on TikTok now. Times have changed. How y'all feel

890
00:33:16,240 --> 00:33:18,900
Speaker 1: about that? Like, it's like, it's kind of easier for y'all.

891
00:33:18,920 --> 00:33:19,680
Speaker 3: You know what I'm saying?

892
00:33:19,700 --> 00:33:21,920
Speaker 2: Yeah, it's a cheat code. That's why I'm trying to, like,

893
00:33:21,940 --> 00:33:24,880
Speaker 2: I'm trying to get myself more into, like, taking advantage

894
00:33:24,920 --> 00:33:27,430
Speaker 2: of it. Because, like, I'll sometimes be like, I don't

895
00:33:27,470 --> 00:33:28,990
Speaker 2: feel like making this TikTok, but it should be like,

896
00:33:29,390 --> 00:33:32,150
Speaker 2: these art, these content creators, like, they take this shit

897
00:33:32,170 --> 00:33:35,430
Speaker 2: so serious, so it's just like, They everywhere with their shit. Like,

898
00:33:35,610 --> 00:33:36,410
Speaker 2: oh yeah, no, wait, let me.

899
00:33:36,390 --> 00:33:36,770
Speaker 3: Make this up.

900
00:33:36,970 --> 00:33:38,790
Speaker 2: I don't know how to do that shit yet. Like,

901
00:33:38,850 --> 00:33:41,790
Speaker 2: I'm starting to get into it, but like, it's just

902
00:33:41,870 --> 00:33:42,790
Speaker 2: hard because I be.

903
00:33:42,690 --> 00:33:44,730
Speaker 3: Living in real life. But that's the young people thing,

904
00:33:44,750 --> 00:33:47,230
Speaker 3: so I would think that's easy for you, man. Ain't

905
00:33:47,260 --> 00:33:47,630
Speaker 3: that young?

906
00:33:47,760 --> 00:33:50,680
Speaker 2: I mean, I'm young, but like, I guess, yeah. It's

907
00:33:50,700 --> 00:33:51,440
Speaker 2: probably just a me thing.

908
00:33:51,500 --> 00:33:54,800
Speaker 3: How old are you? I'm 27. You young, man. Yeah,

909
00:33:54,860 --> 00:33:57,480
Speaker 3: I know, but these niggas is crazy out here.

910
00:33:57,500 --> 00:33:58,440
Speaker 1: They call you Uncle at 28, though.

911
00:33:59,810 --> 00:34:00,890
Speaker 2: No, we young. We young.

912
00:34:01,390 --> 00:34:01,850
Speaker 3: That's crazy.

913
00:34:01,910 --> 00:34:03,090
Speaker 1: I know I'm past young.

914
00:34:03,150 --> 00:34:03,550
Speaker 3: We young.

915
00:34:03,690 --> 00:34:05,490
Speaker 2: But I'm starting to... I got to get back into the.

916
00:34:05,510 --> 00:34:06,280
Speaker 1: I don't understand that.

917
00:34:06,340 --> 00:34:06,690
Speaker 3: You know what?

918
00:34:06,730 --> 00:34:08,920
Speaker 4: It's right because we just had Cal Rich up here.

919
00:34:08,940 --> 00:34:12,200
Speaker 4: You know what's crazy? He called himself old and he's 23.

920
00:34:12,200 --> 00:34:13,680
Speaker 3: He said he was old and he's 23. Yeah, he

921
00:34:13,719 --> 00:34:16,240
Speaker 3: would have got me psyched. He would have got me psyched.

922
00:34:16,300 --> 00:34:16,950
Speaker 3: I'm turning 28 this year.

923
00:34:16,969 --> 00:34:19,450
Speaker 2: I'm like, what the fuck are you talking about?

924
00:34:19,469 --> 00:34:21,009
Speaker 3: I'm like, what? Nah, he would have got me psyched.

925
00:34:21,030 --> 00:34:21,710
Speaker 3: I ain't gonna....

926
00:34:23,130 --> 00:34:24,660
Speaker 2: I mean, at 28.

927
00:34:24,660 --> 00:34:26,950
Speaker 3: You good, man. You in a good position, young man.

928
00:34:26,989 --> 00:34:28,089
Speaker 3: You in a good position. Nah, yeah.

929
00:34:28,110 --> 00:34:29,850
Speaker 2: I'm just trying to learn how to do this content shit.

930
00:34:30,030 --> 00:34:31,410
Speaker 2: I just got to get better at that. That's my

931
00:34:31,450 --> 00:34:32,069
Speaker 2: little flaw right there.

932
00:34:32,090 --> 00:34:33,590
Speaker 1: I mean, because now it's like, okay.

933
00:34:33,650 --> 00:34:35,450
Speaker 3: My young boy Paul Dr. Hennessy, man. We got to

934
00:34:35,489 --> 00:34:36,989
Speaker 3: get you on that Branson wave, man. We're going to

935
00:34:37,010 --> 00:34:38,129
Speaker 3: get some Branson for you, man.

936
00:34:38,150 --> 00:34:39,549
Speaker 2: Man, I be at Taboo all the time.

937
00:34:39,570 --> 00:34:43,070
Speaker 3: You don't got to tell me about no Branson, brother. Definitely, definitely.

938
00:34:43,160 --> 00:34:46,540
Speaker 3: You know the vibes. That's my man. You know the vibes.

939
00:34:47,280 --> 00:34:49,180
Speaker 3: You see the vibes? You see the vibes?

940
00:34:49,200 --> 00:34:49,950
Speaker 2: I ain't going to fight you.

941
00:34:49,960 --> 00:34:52,360
Speaker 3: You know what I did? I came in out of respect.

942
00:34:52,440 --> 00:34:54,180
Speaker 2: I put this shit in a black bag for the

943
00:34:54,219 --> 00:34:56,410
Speaker 2: Branson gangsta. They was like, nah, you good with it?

944
00:34:56,469 --> 00:34:57,250
Speaker 3: I'm like, are you sure?

945
00:34:57,350 --> 00:35:01,990
Speaker 2: I'm like, all right, fuck it. Shout out to Branson though, man.

946
00:35:02,030 --> 00:35:02,870
Speaker 2: I need a pack, Branson.

947
00:35:02,890 --> 00:35:04,640
Speaker 3: We're going to get you some Branson. We're going to

948
00:35:04,660 --> 00:35:06,460
Speaker 3: make it happen for the young boy, man. You know

949
00:35:06,500 --> 00:35:12,810
Speaker 3: what I'm saying? Word. I got some, I'm still young.

950
00:35:12,950 --> 00:35:15,450
Speaker 1: You know how I looked at it? You know why

951
00:35:15,469 --> 00:35:17,710
Speaker 1: I like sexy drill so much? Because I'm like, all right,

952
00:35:18,469 --> 00:35:20,509
Speaker 1: it seems like the drill niggas are just killing each

953
00:35:20,550 --> 00:35:23,120
Speaker 1: other and going to jail. And sexy drill niggas are

954
00:35:23,140 --> 00:35:26,560
Speaker 1: just taking all the bitches, all the money and blowing up.

955
00:35:27,760 --> 00:35:31,680
Speaker 1: That's how it feel. I'm just keeping it real. Put

956
00:35:31,739 --> 00:35:35,130
Speaker 1: it like this. I love watching the videos. Like when

957
00:35:35,170 --> 00:35:37,350
Speaker 1: I know I see you, Bae, Cash Cobain.

958
00:35:37,370 --> 00:35:38,009
Speaker 3: Yeah.

959
00:35:38,340 --> 00:35:41,400
Speaker 1: Charlie, the video is going to be crazy. Niggas going

960
00:35:41,420 --> 00:35:44,360
Speaker 1: to have fun. You got bitches twerking on the bed. Well,

961
00:35:44,380 --> 00:35:47,100
Speaker 1: I'm going to say women. Let's stop. Women twerking on

962
00:35:47,120 --> 00:35:49,320
Speaker 1: the bed. Females twerking on the bed.

963
00:35:49,340 --> 00:35:50,430
Speaker 3: And you got the.

964
00:35:51,900 --> 00:35:55,760
Speaker 1: Pillow fight going on. That's the fun shit in hip hop, bro.

965
00:35:56,000 --> 00:35:59,410
Speaker 1: That's what the game was missing. Everybody serious. Because when

966
00:35:59,450 --> 00:36:03,170
Speaker 1: I go to Amsterdam, I'm not hearing shoot, stab, kill.

967
00:36:03,790 --> 00:36:06,870
Speaker 1: I'm hearing Sade, because it's kind of, y'all setting a

968
00:36:06,890 --> 00:36:08,049
Speaker 1: whole different mood for me.

969
00:36:08,090 --> 00:36:10,089
Speaker 3: Like, oh shit, I might dance to this shit.

970
00:36:11,219 --> 00:36:14,240
Speaker 1: I don't know all the words.

971
00:36:15,680 --> 00:36:17,799
Speaker 3: You know what I'm saying?

972
00:36:17,840 --> 00:36:18,359
Speaker 1: Shout to Bay.

973
00:36:18,550 --> 00:36:19,660
Speaker 3: Shout to Bay and Cash Go Bay.

974
00:36:19,950 --> 00:36:24,370
Speaker 2: See what I'm saying?

975
00:36:24,410 --> 00:36:26,550
Speaker 3: And look, it wasn't shoot, stab, kill on that.

976
00:36:26,690 --> 00:36:27,710
Speaker 1: It was kind of bringing.

977
00:36:33,610 --> 00:36:36,029
Speaker 1: The fun back to the game, but the young niggas

978
00:36:36,070 --> 00:36:36,719
Speaker 1: having fun.

979
00:36:36,760 --> 00:36:37,700
Speaker 3: Like, I haven't seen that.

980
00:36:37,719 --> 00:36:39,780
Speaker 2: Because like, when you cater to the ladies, the ladies

981
00:36:39,840 --> 00:36:40,720
Speaker 2: is buying the tickets.

982
00:36:41,580 --> 00:36:44,380
Speaker 3: I know that. Yeah, that's what we doing.

983
00:36:44,420 --> 00:36:46,600
Speaker 2: That's not why we doing it, because we actually love women,

984
00:36:46,620 --> 00:36:49,730
Speaker 2: but like, yeah, like, that also helps with the whole thing. Like,

985
00:36:50,170 --> 00:36:52,529
Speaker 2: it's going to be women, like, probably more women at

986
00:36:52,550 --> 00:36:56,069
Speaker 2: the shows than the guys sometimes. And then, like, that

987
00:36:56,090 --> 00:36:58,719
Speaker 2: shit is making it even more lit. Like, women's coming

988
00:36:58,800 --> 00:37:00,339
Speaker 2: on our shit, like, oh my God, I can't wait

989
00:37:00,360 --> 00:37:02,739
Speaker 2: till you join us. Now, they want to pull up

990
00:37:02,760 --> 00:37:04,340
Speaker 2: to the shoulder because they know there's going to be

991
00:37:04,360 --> 00:37:06,060
Speaker 2: girls there. Because, son, if you're not an ill nigga,

992
00:37:06,080 --> 00:37:07,420
Speaker 2: you don't know where the farm bitches at. I mean,

993
00:37:07,460 --> 00:37:10,300
Speaker 2: girls or females, par or something.

994
00:37:10,580 --> 00:37:13,799
Speaker 3: But shit like that. Win-win. Rob Markman Now, how you

995
00:37:13,840 --> 00:37:14,880
Speaker 3: deal with success, man?

996
00:37:14,900 --> 00:37:17,640
Speaker 4: Do you got homies around you that you feel like

997
00:37:17,680 --> 00:37:19,219
Speaker 4: is not happy for you and shit like that?

998
00:37:19,340 --> 00:37:20,460
Speaker 3: How you deal with this shit, man?

999
00:37:21,530 --> 00:37:25,110
Speaker 4: Do some relationships change after you got your deal and

1000
00:37:25,130 --> 00:37:26,410
Speaker 4: you start doing certain things?

1001
00:37:27,910 --> 00:37:34,720
Speaker 2: I mean, yeah. I wouldn't say it's on some hate

1002
00:37:34,780 --> 00:37:37,760
Speaker 2: and shit, but a couple niggas fucked up a situation.

1003
00:37:38,000 --> 00:37:39,940
Speaker 2: My last manager, he was on Lance. He fucked up

1004
00:37:40,000 --> 00:37:41,799
Speaker 2: a situation. I don't want to speak on it, but

1005
00:37:42,260 --> 00:37:45,570
Speaker 2: he fucked that shit up. Niggas just be doing bad.

1006
00:37:45,590 --> 00:37:49,009
Speaker 2: I wouldn't say it's because of success, but I wouldn't know.

1007
00:37:49,770 --> 00:37:51,810
Speaker 2: I'm just so tunnel vision. I just be worried about

1008
00:37:52,450 --> 00:37:54,230
Speaker 2: what I got to do. I got to keep being

1009
00:37:54,250 --> 00:37:56,310
Speaker 2: the breadwinner and make sure that we make it to

1010
00:37:56,330 --> 00:37:59,400
Speaker 2: where we need to go. I couldn't really tell you.

1011
00:38:00,140 --> 00:38:02,180
Speaker 2: But whoever fucked they shit up, they fucked they shit up.

1012
00:38:02,290 --> 00:38:04,350
Speaker 3: Got you. Got you. Type shit.

1013
00:38:04,469 --> 00:38:06,989
Speaker 2: But I mean, I'm just telling you, I show all

1014
00:38:07,010 --> 00:38:08,940
Speaker 2: my homies love and shit like that. Whatever I could do,

1015
00:38:08,980 --> 00:38:10,380
Speaker 2: I could do. If I can't, I'll let you know

1016
00:38:10,420 --> 00:38:12,649
Speaker 2: I can, but I got you whenever I can. And

1017
00:38:12,830 --> 00:38:15,790
Speaker 2: shit like that. Shit, I ain't motherfucking rich or nothing.

1018
00:38:15,810 --> 00:38:20,100
Speaker 2: I'm not 50 Cent. You know what I'm saying? I

1019
00:38:20,400 --> 00:38:22,739
Speaker 2: got 50 Cent money. I'm not as fucked up as

1020
00:38:22,800 --> 00:38:24,180
Speaker 2: I used to be, but I'm still trying to get

1021
00:38:24,200 --> 00:38:26,100
Speaker 2: to it. Yeah, I got a couple dollars, but I

1022
00:38:26,320 --> 00:38:27,100
Speaker 2: can't do everything.

1023
00:38:27,120 --> 00:38:27,819
Speaker 3: You know what I'm saying?

1024
00:38:27,840 --> 00:38:30,440
Speaker 2: Right now, we getting there. Y'all just trust the process.

1025
00:38:30,580 --> 00:38:32,890
Speaker 1: But the whole thing is the consistency and y'all love

1026
00:38:32,930 --> 00:38:35,610
Speaker 1: the game. See, y'all not doing it for the bitches

1027
00:38:35,650 --> 00:38:37,230
Speaker 1: and the money. Y'all didn't start off like that. Y'all

1028
00:38:37,250 --> 00:38:38,430
Speaker 1: did it for the love of the music.

1029
00:38:38,450 --> 00:38:41,050
Speaker 3: You know what I mean? He said they did it

1030
00:38:41,090 --> 00:38:42,110
Speaker 3: for the ladies.

1031
00:38:42,900 --> 00:38:45,520
Speaker 2: No, he said- No, we felt love in the music,

1032
00:38:45,560 --> 00:38:46,970
Speaker 2: but it was really just because we wanted to go out.

1033
00:38:46,980 --> 00:38:48,020
Speaker 2: I ain't going to lie, at that time, we just

1034
00:38:48,040 --> 00:38:50,080
Speaker 2: wanted to go outside, and we was just making music.

1035
00:38:50,239 --> 00:38:52,760
Speaker 2: I'm going to keep it a buck. But shit started

1036
00:38:52,780 --> 00:38:54,230
Speaker 2: getting serious, and we're like, we got to fix up.

1037
00:38:54,330 --> 00:38:55,629
Speaker 3: Got you. Got you.

1038
00:38:56,210 --> 00:39:00,630
Speaker 2: You know what I'm saying? It's literally everything, it's history

1039
00:39:00,650 --> 00:39:02,390
Speaker 2: repeats itself. They told us this was going to happen,

1040
00:39:02,430 --> 00:39:03,710
Speaker 2: so it was like, you got to be ready for it.

1041
00:39:03,710 --> 00:39:05,790
Speaker 1: So the Pussy Ray goes crazy with the Sexy Drew?

1042
00:39:05,810 --> 00:39:07,170
Speaker 1: Want to hang with the Sexy Drew rappers?

1043
00:39:08,469 --> 00:39:09,880
Speaker 3: Yeah. Yeah.

1044
00:39:12,969 --> 00:39:15,910
Speaker 1: Nah, because every video got like 30 women in it,

1045
00:39:15,910 --> 00:39:17,700
Speaker 1: 40 women, you know what I'm saying? They having a

1046
00:39:17,739 --> 00:39:18,240
Speaker 1: good time.

1047
00:39:18,260 --> 00:39:22,800
Speaker 2: It's a collaboration and a combination. You know what I'm saying?

1048
00:39:22,880 --> 00:39:25,110
Speaker 2: Everybody knows that everybody's going to link up. Know it's

1049
00:39:25,120 --> 00:39:25,990
Speaker 2: going to be a good time.

1050
00:39:26,230 --> 00:39:26,510
Speaker 3: Yeah.

1051
00:39:27,130 --> 00:39:29,469
Speaker 1: It reminds me of like, you know when I hear

1052
00:39:29,489 --> 00:39:33,210
Speaker 1: your records? when I hear a record like Miss Beautiful V,

1053
00:39:33,890 --> 00:39:37,850
Speaker 1: Red Flag, 2C, it make me feel like a Tribe

1054
00:39:37,890 --> 00:39:41,190
Speaker 1: Called Quest feeling. I remember when Tribe Called Quest, because

1055
00:39:41,969 --> 00:39:43,549
Speaker 1: back in the days, there was a lot of hardcore shit.

1056
00:39:43,570 --> 00:39:45,989
Speaker 1: You know what I'm saying? Shit was some crazy shit

1057
00:39:46,030 --> 00:39:46,370
Speaker 1: out there.

1058
00:39:46,390 --> 00:39:48,080
Speaker 3: You know what I mean? Rob Markman They came out

1059
00:39:48,140 --> 00:39:49,219
Speaker 3: of nowhere, Bonita Apple Bone.

1060
00:39:49,239 --> 00:39:52,020
Speaker 1: Rob Markman When that beat came, and it's the thing too,

1061
00:39:52,100 --> 00:39:55,259
Speaker 1: it's the beats for me. Y'all beats, it's incredible. The

1062
00:39:55,300 --> 00:39:58,169
Speaker 1: selection is crazy. So it's like, when that Bonita Apple

1063
00:39:58,190 --> 00:40:01,169
Speaker 1: Bone came on back in the days, Tribe Called Quest

1064
00:40:01,210 --> 00:40:03,110
Speaker 1: was like a breath of fresh air because it was

1065
00:40:03,150 --> 00:40:03,710
Speaker 1: something different.

1066
00:40:04,219 --> 00:40:04,680
Speaker 3: It was crazy.

1067
00:40:04,700 --> 00:40:07,180
Speaker 1: You had your Coogee raps. We had our Big Daddy Canes,

1068
00:40:07,620 --> 00:40:10,219
Speaker 1: Slick Rick's, Eric B and them. But like, that was

1069
00:40:10,260 --> 00:40:13,540
Speaker 1: like when Kanye came. That's how I be feeling. You

1070
00:40:14,280 --> 00:40:15,140
Speaker 1: know what I'm saying?

1071
00:40:15,239 --> 00:40:16,969
Speaker 2: I watched that shit with Kanye too and he was

1072
00:40:16,989 --> 00:40:19,549
Speaker 2: playing shit and shit and they wasn't dragging it. And

1073
00:40:19,570 --> 00:40:23,330
Speaker 2: then like, that shit, he became Kanye West. Like, that's

1074
00:40:23,350 --> 00:40:25,650
Speaker 2: how the fake started out with like, Sexy Drill obviously

1075
00:40:25,670 --> 00:40:27,410
Speaker 2: didn't like, go to the height as Kanye West. But like,

1076
00:40:27,969 --> 00:40:30,850
Speaker 2: at first, niggas was like, The fuck are y'all talking about?

1077
00:40:30,870 --> 00:40:31,549
Speaker 3: Whatever that is.

1078
00:40:31,790 --> 00:40:32,370
Speaker 2: Pushing niggas inside.

1079
00:40:32,390 --> 00:40:35,500
Speaker 3: Rob Markman, Jr.: Man, go spin the block, nigga. Rob Markman, Jr.:

1080
00:40:35,489 --> 00:40:36,009
Speaker 3: That was crazy.

1081
00:40:36,050 --> 00:40:38,680
Speaker 1: I always respect who's in the room, because I remember

1082
00:40:38,719 --> 00:40:42,500
Speaker 1: being in the studio with Dr. Dre, 50, and Kanye

1083
00:40:42,520 --> 00:40:46,239
Speaker 1: came in there. Nigga, nobody knew who he was. He's

1084
00:40:46,460 --> 00:40:48,299
Speaker 1: in 50 Air, kicking it with him. I guess he

1085
00:40:48,320 --> 00:40:50,779
Speaker 1: was trying to get on the album. Dre was like,

1086
00:40:50,800 --> 00:40:54,820
Speaker 1: the niggas wasn't paying no attention to the nigga. Fast forward,

1087
00:40:54,840 --> 00:40:58,609
Speaker 1: this nigga's Kanye West. So me, you never know who's

1088
00:40:58,650 --> 00:41:01,420
Speaker 1: going to take off. Rihanna, when I was locked up,

1089
00:41:01,460 --> 00:41:04,420
Speaker 1: Rihanna went on one of the first G-Unit tours. Chris

1090
00:41:04,440 --> 00:41:07,860
Speaker 1: Brown was in a G-Unit photo shoot. You get the pictures.

1091
00:41:07,960 --> 00:41:10,879
Speaker 1: It's Chris Brown. It's like some tug of war shit

1092
00:41:10,900 --> 00:41:13,020
Speaker 1: they was doing. Chris Brown was one of the little

1093
00:41:13,060 --> 00:41:15,990
Speaker 1: kids in the photo shoot. So I'd be looking back like, damn,

1094
00:41:16,050 --> 00:41:18,390
Speaker 1: I was locked up for that. But I remember Chris Brown,

1095
00:41:18,530 --> 00:41:21,290
Speaker 1: seeing the pictures of that. I was locked up for Rihanna.

1096
00:41:21,750 --> 00:41:25,790
Speaker 1: Rihanna was opening up for G-Unit at that time. And damn,

1097
00:41:25,830 --> 00:41:28,480
Speaker 1: I was in the studio with Kanye and I remember

1098
00:41:28,520 --> 00:41:30,739
Speaker 1: him talking to 50 and see where he at now.

1099
00:41:31,239 --> 00:41:35,040
Speaker 1: I remember fucking Ludacris doing radio. So for me, I

1100
00:41:35,080 --> 00:41:38,350
Speaker 1: got so much pieces of hip hop history in my life,

1101
00:41:38,390 --> 00:41:41,290
Speaker 1: in my brain, that I always respect anybody I'm in

1102
00:41:41,330 --> 00:41:44,830
Speaker 1: a room with. But when it comes to you, Cash, Bae,

1103
00:41:45,640 --> 00:41:48,460
Speaker 1: And BMO, I feel like I love what y'all doing.

1104
00:41:48,900 --> 00:41:52,149
Speaker 1: And it's like a whole drill is like, almost feel

1105
00:41:52,170 --> 00:41:55,510
Speaker 1: like a trap. Because you dissing a nigga that you killed. Like, yo,

1106
00:41:55,610 --> 00:41:57,950
Speaker 1: I killed your brother last week, nigga. Now you know

1107
00:41:57,969 --> 00:42:00,350
Speaker 1: this nigga going to spin because you just dissed his brother.

1108
00:42:00,670 --> 00:42:04,520
Speaker 1: He might have a family member, father, uncle. A grandfather might.

1109
00:42:04,390 --> 00:42:05,100
Speaker 2: Come out of the time.

1110
00:42:05,120 --> 00:42:06,600
Speaker 3: And they got hip hop police and you can't do

1111
00:42:06,620 --> 00:42:07,420
Speaker 3: no fucking show.

1112
00:42:07,500 --> 00:42:09,860
Speaker 1: But then with like Sexy Drill, like I said, it

1113
00:42:09,900 --> 00:42:12,860
Speaker 1: feel like a Kanye feeling or a Tribe Called Quest feeling.

1114
00:42:13,270 --> 00:42:17,810
Speaker 1: Because y'all having fun. The beats is crazy. It's playing

1115
00:42:17,870 --> 00:42:22,100
Speaker 1: on radio. Y'all streaming. The streamers love you. Broadcasters fuck

1116
00:42:22,120 --> 00:42:24,839
Speaker 1: with you. Everybody fuck with you. The labels love you.

1117
00:42:24,900 --> 00:42:28,320
Speaker 1: This guy's not a threat. Y'all niggas won't beat a

1118
00:42:28,360 --> 00:42:30,500
Speaker 1: nigga up or nothing. But they look at the music,

1119
00:42:30,560 --> 00:42:32,740
Speaker 1: it's like, yo, the music is really not a threat.

1120
00:42:33,380 --> 00:42:34,040
Speaker 3: The music.

1121
00:42:35,040 --> 00:42:36,700
Speaker 1: You know what I mean?

1122
00:42:36,860 --> 00:42:38,940
Speaker 3: You treat everybody with respect. That's how I was raised.

1123
00:42:39,000 --> 00:42:41,210
Speaker 3: I ain't gonna lie. Never know who anybody is.

1124
00:42:41,250 --> 00:42:43,930
Speaker 4: But how you feel about what they say about drill music, man? Because,

1125
00:42:44,390 --> 00:42:46,210
Speaker 4: you know, I'm a guy that talk crazy in music.

1126
00:42:46,250 --> 00:42:49,990
Speaker 4: And I grew up off of niggas just talking street

1127
00:42:50,170 --> 00:42:52,359
Speaker 4: type music, period. And I be feeling like they give

1128
00:42:52,420 --> 00:42:54,180
Speaker 4: drill like a bad name sometimes.

1129
00:42:54,600 --> 00:42:57,739
Speaker 3: I actually like drill music. Yeah, I love drill too.

1130
00:42:57,900 --> 00:42:59,500
Speaker 3: I just feel like they keep trying to put it

1131
00:42:59,540 --> 00:43:00,020
Speaker 3: in the box.

1132
00:43:00,040 --> 00:43:02,509
Speaker 4: Like, yo, they talking about this, that, and the third.

1133
00:43:02,530 --> 00:43:07,259
Speaker 4: But niggas been talking the same way in music. Nigga's

1134
00:43:07,280 --> 00:43:11,009
Speaker 4: been dissing niggas. Nigga's had opps on the west coast,

1135
00:43:11,320 --> 00:43:13,670
Speaker 4: on the east coast. Nigga's been dissing each other. If

1136
00:43:13,710 --> 00:43:15,830
Speaker 4: this rapper, then like this rapper. If this nigga, then

1137
00:43:15,850 --> 00:43:18,870
Speaker 4: like these niggas. Nigga's talk about niggas. But I feel

1138
00:43:18,890 --> 00:43:22,350
Speaker 4: like the drill niggas get so much slack behind that

1139
00:43:22,370 --> 00:43:24,090
Speaker 4: shit because I don't get it.

1140
00:43:24,130 --> 00:43:24,330
Speaker 3: Why?

1141
00:43:25,020 --> 00:43:27,200
Speaker 2: I think it's just the crime rate. I don't know

1142
00:43:27,219 --> 00:43:28,760
Speaker 2: what the crime rate was back then.

1143
00:43:29,180 --> 00:43:32,190
Speaker 3: The crime rate was worse back then. I don't know that.

1144
00:43:32,270 --> 00:43:32,870
Speaker 3: It was worse.

1145
00:43:32,950 --> 00:43:35,710
Speaker 4: If you go actually do the numbers, more motherfuckers was

1146
00:43:35,750 --> 00:43:39,029
Speaker 4: getting killed in the 80s, in the 90s, in the

1147
00:43:39,110 --> 00:43:43,250
Speaker 4: early 2000s than they are now. Only reason now you

1148
00:43:43,290 --> 00:43:46,450
Speaker 4: might think it's worse because you got social media. So

1149
00:43:46,590 --> 00:43:48,489
Speaker 4: you see a couple of things. So you see some

1150
00:43:48,530 --> 00:43:51,570
Speaker 4: things that you normally wouldn't see. But back in the days,

1151
00:43:51,710 --> 00:43:52,150
Speaker 4: it was.

1152
00:43:52,170 --> 00:43:55,839
Speaker 3: More shit happening. Bobby, you know that, Bobby. It was

1153
00:43:55,950 --> 00:43:57,049
Speaker 3: way more shit happening.

1154
00:43:57,340 --> 00:43:59,580
Speaker 4: It wasn't as much cameras and all that shit up

1155
00:43:59,660 --> 00:44:01,540
Speaker 4: on every corner and every block of how it is now.

1156
00:44:01,840 --> 00:44:05,180
Speaker 4: So it was way more murders and all that violence

1157
00:44:05,219 --> 00:44:06,200
Speaker 4: happening back then.

1158
00:44:06,219 --> 00:44:08,060
Speaker 2: Rob Markman I think it's because everybody can see it now.

1159
00:44:08,080 --> 00:44:13,120
Speaker 1: Rob Markman I think it's common sense. It's common sense.

1160
00:44:13,500 --> 00:44:15,660
Speaker 3: What you mean when you say that? Let me talk.

1161
00:44:15,840 --> 00:44:16,470
Speaker 1: It's common sense.

1162
00:44:16,489 --> 00:44:18,709
Speaker 3: Nobody's stopping you from talking. He loves saying, let me talk.

1163
00:44:18,910 --> 00:44:22,509
Speaker 3: Nobody's stopping you from talking. Common sense, right?

1164
00:44:23,000 --> 00:44:25,520
Speaker 1: If Chow Lee put up a flyer for a party,

1165
00:44:26,260 --> 00:44:28,359
Speaker 1: I know it's going to be bitches, bottles. It's going

1166
00:44:28,380 --> 00:44:31,060
Speaker 1: to be cool. Now, if D-Thing or one of them

1167
00:44:31,100 --> 00:44:33,339
Speaker 1: drill niggas put up a flyer, it's going to be

1168
00:44:33,400 --> 00:44:38,899
Speaker 1: Benjamin Buttons, bulletproof vests, shootouts, all kind of shit. Think

1169
00:44:38,920 --> 00:44:42,380
Speaker 1: about it. Common sense. Rest in peace to a Julio Fulio.

1170
00:44:42,739 --> 00:44:45,320
Speaker 1: Julio Fulio put up a flyer and got killed.

1171
00:44:46,480 --> 00:44:48,080
Speaker 3: But he wasn't considered a drill rapper.

1172
00:44:48,200 --> 00:44:48,920
Speaker 1: That's drill.

1173
00:44:49,000 --> 00:44:50,860
Speaker 3: It's sort of like drill niggas dissing the dead.

1174
00:44:50,900 --> 00:44:53,360
Speaker 1: You know how that shit. It's all in the same box.

1175
00:44:53,800 --> 00:44:56,790
Speaker 1: But what I'm saying is like, even drill rappers are hot. Like,

1176
00:44:57,070 --> 00:45:00,870
Speaker 1: they got hip hop police for niggas. D-Thing, free D-Thing.

1177
00:45:00,890 --> 00:45:03,310
Speaker 3: Hip hop police was around before drill rap. I know,

1178
00:45:03,350 --> 00:45:04,950
Speaker 3: but what I'm saying is they're still here now.

1179
00:45:04,969 --> 00:45:07,550
Speaker 1: They're just younger. So when you look at a D-Thing,

1180
00:45:07,570 --> 00:45:10,520
Speaker 1: he got locked up in Miami like three times, three

1181
00:45:10,540 --> 00:45:13,200
Speaker 1: gun charges. They got hip hop police in Miami. They

1182
00:45:13,239 --> 00:45:15,160
Speaker 1: had hip hop police in Miami when we was rapping.

1183
00:45:15,900 --> 00:45:19,839
Speaker 1: So what I'm saying is like, investment wise or like

1184
00:45:19,900 --> 00:45:22,500
Speaker 1: going to a party, I'd rather go to a slizzy

1185
00:45:22,540 --> 00:45:26,739
Speaker 1: party than rest in peace, like a Q50. I'm a

1186
00:45:26,760 --> 00:45:29,320
Speaker 1: bloodhound little Jeff, rest in peace. But like a Q50

1187
00:45:29,380 --> 00:45:30,950
Speaker 1: or one of them Chicago niggas party?

1188
00:45:31,360 --> 00:45:33,469
Speaker 3: Nah, I'm going to go over there because that shit

1189
00:45:33,510 --> 00:45:35,070
Speaker 3: going to be rocking. Chicks everywhere.

1190
00:45:36,050 --> 00:45:44,529
Speaker 1: You want to go to their parties, ice grills and...

1191
00:45:41,450 --> 00:45:44,250
Speaker 1: It's a difference. Like with drill, you know what you're

1192
00:45:44,270 --> 00:45:46,239
Speaker 1: going to get. You know what you're going to get

1193
00:45:46,260 --> 00:45:48,359
Speaker 1: with drill. Not saying I don't like it. You done

1194
00:45:48,380 --> 00:45:49,660
Speaker 1: hear me. Rest in peace.

1195
00:45:49,680 --> 00:45:52,000
Speaker 3: Listen to Bloodhound Lil Jeff, Q50. I be bumping it.

1196
00:45:52,100 --> 00:45:54,120
Speaker 2: You just got to know what come with that shit

1197
00:45:54,140 --> 00:45:55,360
Speaker 2: if you're going to go to that party.

1198
00:45:55,440 --> 00:45:57,640
Speaker 1: Now, go to your party, a drill rapper party with

1199
00:45:57,680 --> 00:45:59,080
Speaker 1: the flyer?

1200
00:45:59,200 --> 00:45:59,660
Speaker 3: I don't know.

1201
00:46:00,320 --> 00:46:02,380
Speaker 1: Sexy drill? Okay, they're going to have the ladies. They

1202
00:46:02,420 --> 00:46:05,400
Speaker 1: got the hits. They having fun. They making shit look fun.

1203
00:46:05,940 --> 00:46:08,440
Speaker 1: That's the difference to me. It's just common sense.

1204
00:46:10,300 --> 00:46:12,580
Speaker 3: Or you just got to know how they do half

1205
00:46:12,600 --> 00:46:15,520
Speaker 3: and half, maybe. We'll switch it up a little bit.

1206
00:46:15,620 --> 00:46:18,419
Speaker 3: Like how 41 be doing it. Got you. You know

1207
00:46:18,440 --> 00:46:20,739
Speaker 3: what I'm saying? He doing like half and half.

1208
00:46:20,739 --> 00:46:22,700
Speaker 1: 41 was here playing us nothing but hit records. Niggas

1209
00:46:22,719 --> 00:46:27,270
Speaker 1: from overseas, hits. They wasn't playing no murder, murder, kill, kill.

1210
00:46:27,290 --> 00:46:28,370
Speaker 4: Yeah, but I just don't like how they try to

1211
00:46:28,430 --> 00:46:31,910
Speaker 4: box it off like drill rap is bad, is dangerous,

1212
00:46:32,210 --> 00:46:35,670
Speaker 4: is dead. Nah, I feel like it's just music and

1213
00:46:35,710 --> 00:46:38,310
Speaker 4: niggas just speaking aggressively about what they're going through.

1214
00:46:38,330 --> 00:46:40,350
Speaker 3: They expressing themselves. And I feel like we all did

1215
00:46:40,390 --> 00:46:43,180
Speaker 3: that once upon a time, right?

1216
00:46:43,410 --> 00:46:45,859
Speaker 4: Whether they said it was gangster rap, they said this, that,

1217
00:46:45,880 --> 00:46:47,739
Speaker 4: and the third, they try to put it in some

1218
00:46:47,760 --> 00:46:49,719
Speaker 4: type of box and make it seem a certain way.

1219
00:46:49,840 --> 00:46:50,960
Speaker 3: You know what I'm saying? So I just be like.

1220
00:46:51,560 --> 00:46:53,160
Speaker 4: I don't be wanting to knock what the young boys

1221
00:46:53,200 --> 00:46:55,109
Speaker 4: is doing. I like the drill shit that they doing,

1222
00:46:55,430 --> 00:46:56,850
Speaker 4: but I just hate that they always get put in

1223
00:46:56,870 --> 00:47:00,950
Speaker 4: the box. Like drill rap need to be dead. Some

1224
00:47:01,130 --> 00:47:07,040
Speaker 4: niggas do talk too much. Like you can't incriminate yourself

1225
00:47:07,260 --> 00:47:07,779
Speaker 4: so much.

1226
00:47:08,160 --> 00:47:10,140
Speaker 3: I'm not saying do that shit. You know what I'm saying?

1227
00:47:10,160 --> 00:47:11,279
Speaker 3: Don't make yourself so hot.

1228
00:47:11,840 --> 00:47:15,649
Speaker 4: But that drill music come on, it got a bop too.

1229
00:47:15,730 --> 00:47:18,370
Speaker 3: It make you move on top of that. It make

1230
00:47:18,390 --> 00:47:18,970
Speaker 3: you move.

1231
00:47:19,489 --> 00:47:22,650
Speaker 4: So I just hate the backlash that it be getting

1232
00:47:22,730 --> 00:47:23,230
Speaker 4: so much.

1233
00:47:23,350 --> 00:47:23,910
Speaker 3: That's what I'm saying.

1234
00:47:23,930 --> 00:47:25,460
Speaker 1: Rob Markman No, you know what it is? To me,

1235
00:47:25,580 --> 00:47:28,080
Speaker 1: I think labels look at it as a liability. You'll

1236
00:47:28,100 --> 00:47:29,839
Speaker 1: go to a label and they'll be like, does this

1237
00:47:29,920 --> 00:47:32,899
Speaker 1: artist take drugs? Is this artist a gang member? They'll

1238
00:47:32,960 --> 00:47:35,030
Speaker 1: ask questions like that, if I'm wrong or right, maybe.

1239
00:47:35,489 --> 00:47:38,609
Speaker 3: I don't know. Well, we got Bobby Fish in here, right?

1240
00:47:38,730 --> 00:47:39,730
Speaker 3: From Empire, right?

1241
00:47:40,110 --> 00:47:43,170
Speaker 4: And Bobby, how do you feel about the drill music

1242
00:47:43,190 --> 00:47:45,690
Speaker 4: thing that people be trying to say when they say, oh,

1243
00:47:47,330 --> 00:47:50,440
Speaker 4: we tired of drill music or it's too much or this, that?

1244
00:47:50,480 --> 00:47:53,340
Speaker 3: How you feel about that shit, Bobby? Obviously, our guys,

1245
00:47:53,400 --> 00:47:56,239
Speaker 3: Chef G and Sleepy, right? Facts, free Chef G, facts.

1246
00:47:56,660 --> 00:47:57,880
Speaker 3: They're the bridge.

1247
00:47:59,400 --> 00:48:00,180
Speaker 1: They're the bridge.

1248
00:48:00,300 --> 00:48:03,300
Speaker 5: They're the success story if you do it right, right?

1249
00:48:04,030 --> 00:48:05,450
Speaker 1: And obviously, R.I.P.

1250
00:48:05,510 --> 00:48:10,589
Speaker 5: Pop, Like, you see that with success, where it could

1251
00:48:10,630 --> 00:48:14,180
Speaker 5: be one false mistake, which was no fault to him,

1252
00:48:14,980 --> 00:48:16,680
Speaker 5: but then when you see someone like a Chef G

1253
00:48:16,719 --> 00:48:19,819
Speaker 5: and the Sleepy, who, shout out to them, because they

1254
00:48:19,860 --> 00:48:23,319
Speaker 5: had Charlie, they bridged the gap between Chef and them

1255
00:48:23,380 --> 00:48:26,650
Speaker 5: embraced everybody and turned the page on drill. Where it

1256
00:48:26,670 --> 00:48:30,270
Speaker 5: was like, yo, it don't matter where you from, Chef really,

1257
00:48:30,670 --> 00:48:32,210
Speaker 5: shout out to Chef and Sleep, they was the ones

1258
00:48:32,250 --> 00:48:35,150
Speaker 5: who really embraced all the new generation. They're all the

1259
00:48:35,170 --> 00:48:38,549
Speaker 5: same generation, but they're, it's the next step under. And

1260
00:48:38,570 --> 00:48:41,290
Speaker 5: they was like, yo, we're all hip, we can do

1261
00:48:41,330 --> 00:48:44,450
Speaker 5: songs together. Chef and Sleep was on Child's Project.

1262
00:48:44,489 --> 00:48:46,440
Speaker 3: They was on Sex Drive. Yeah, they was on Sex Drive.

1263
00:48:46,460 --> 00:48:47,240
Speaker 3: Look at that, okay.

1264
00:48:47,260 --> 00:48:50,080
Speaker 5: So I think from an A & R perspective, I've

1265
00:48:50,100 --> 00:48:52,450
Speaker 5: seen A & Rs who don't care, and then you

1266
00:48:52,489 --> 00:48:55,109
Speaker 5: get the result when they in trouble. And you get

1267
00:48:55,150 --> 00:48:58,880
Speaker 5: someone like a Ghazi or other label guys who really care,

1268
00:48:58,900 --> 00:49:02,080
Speaker 5: who care for their artists because you can't judge somebody

1269
00:49:02,100 --> 00:49:04,759
Speaker 5: from their environment. Imagine if somebody judged 50 of them

1270
00:49:04,780 --> 00:49:07,160
Speaker 5: and they weren't able to be successful. If you give

1271
00:49:07,219 --> 00:49:11,259
Speaker 5: somebody the right palette, the right success, the right environment,

1272
00:49:12,190 --> 00:49:14,730
Speaker 5: that person is going to change. And the people who's

1273
00:49:14,790 --> 00:49:18,410
Speaker 5: judging them never been in bad predicaments. So when you

1274
00:49:18,450 --> 00:49:20,460
Speaker 5: in survival mode, how can you judge somebody when you

1275
00:49:20,480 --> 00:49:21,280
Speaker 5: in survival mode?

1276
00:49:21,320 --> 00:49:24,439
Speaker 1: So- I agree with both of y'all, but I feel

1277
00:49:24,460 --> 00:49:27,840
Speaker 1: like at the same time, like being down with G-Unit,

1278
00:49:27,900 --> 00:49:30,180
Speaker 1: there was a lot of disadvantages too, because we was

1279
00:49:30,239 --> 00:49:33,319
Speaker 1: banned from clubs. Niggas was like, you're not getting, you

1280
00:49:33,380 --> 00:49:36,339
Speaker 1: ain't getting booked here. Gang police is on you. It's

1281
00:49:36,360 --> 00:49:37,510
Speaker 1: the same thing as now.

1282
00:49:37,690 --> 00:49:42,390
Speaker 5: But even with us, even though it's sexy, it took

1283
00:49:42,410 --> 00:49:44,069
Speaker 5: them a while to catch on as far as the

1284
00:49:44,110 --> 00:49:49,140
Speaker 5: police per se. And then you understand the economics of it, right?

1285
00:49:49,800 --> 00:49:51,100
Speaker 2: And I'm not.

1286
00:49:51,680 --> 00:49:54,259
Speaker 5: Law enforcement is law enforcement, but they're really trying to

1287
00:49:54,280 --> 00:49:59,509
Speaker 5: diffuse them to... try to, like, they're not trying to disrupt, right?

1288
00:49:59,890 --> 00:50:04,130
Speaker 5: So when they started seeing drill rappers, traditional drill rappers,

1289
00:50:04,170 --> 00:50:07,430
Speaker 5: not Chef and Sleep, they're the difference maker, but other

1290
00:50:07,469 --> 00:50:09,830
Speaker 5: rappers were trying to transition and hang around the sexy

1291
00:50:09,850 --> 00:50:13,469
Speaker 5: drill guys, Hip Hop Police had to get involved and

1292
00:50:13,489 --> 00:50:16,270
Speaker 5: make sure, because the thing is, there's no violence at

1293
00:50:16,290 --> 00:50:19,910
Speaker 5: their events. There's no violence at Chef and Sleep's show either.

1294
00:50:19,930 --> 00:50:23,209
Speaker 5: So for them, like, for all they went through, there

1295
00:50:23,230 --> 00:50:26,890
Speaker 5: was never violence at none of their shows. There should

1296
00:50:26,910 --> 00:50:29,609
Speaker 5: be a place for fans to enjoy themselves and be

1297
00:50:29,630 --> 00:50:30,160
Speaker 5: a part of it.

1298
00:50:30,170 --> 00:50:33,510
Speaker 3: Without worrying about balance. And not worrying about violence.

1299
00:50:33,550 --> 00:50:34,340
Speaker 2: And I'm chasing it.

1300
00:50:34,450 --> 00:50:35,879
Speaker 3: Yeah.

1301
00:50:35,910 --> 00:50:38,540
Speaker 1: Because you can make drill, but make a hit record, too.

1302
00:50:38,640 --> 00:50:39,300
Speaker 3: Yeah, correct.

1303
00:50:39,340 --> 00:50:42,100
Speaker 1: So, Sheff and them went from no suburban dissing niggas

1304
00:50:42,480 --> 00:50:44,759
Speaker 1: to making fucking records that are hits.

1305
00:50:44,780 --> 00:50:46,759
Speaker 3: We're hitting money. They're not facts. They may hold up.

1306
00:50:46,780 --> 00:50:48,360
Speaker 3: You know what I'm saying?

1307
00:50:48,400 --> 00:50:49,480
Speaker 1: But we learned from y'all.

1308
00:50:49,600 --> 00:50:52,820
Speaker 5: Like, y'all, you guys would have... Both of you guys,

1309
00:50:52,900 --> 00:50:55,299
Speaker 5: and Phif, and everyone else who was part, like, you

1310
00:50:55,340 --> 00:51:00,759
Speaker 5: guys showed us there's, your environment shouldn't have to judge

1311
00:51:00,780 --> 00:51:03,670
Speaker 5: you forever. Because when you evolve, you're giving us a

1312
00:51:03,710 --> 00:51:06,630
Speaker 5: template of, yo, just because I grew up on the

1313
00:51:06,650 --> 00:51:09,150
Speaker 5: wrong side of the tracks, when you see yourself on

1314
00:51:09,170 --> 00:51:14,359
Speaker 5: the other side, you're giving people hope. It's thanks to y'all.

1315
00:51:14,760 --> 00:51:16,810
Speaker 5: And that's why it shows both sides of the spectrum.

1316
00:51:17,110 --> 00:51:20,109
Speaker 5: You could talk about women and be cool, but you

1317
00:51:20,130 --> 00:51:23,150
Speaker 5: could still speak your street shit, but we could all coexist.

1318
00:51:23,250 --> 00:51:27,450
Speaker 5: And I think Child's an example of what you can

1319
00:51:27,489 --> 00:51:30,880
Speaker 5: do in the Slizzies themselves of being from all different

1320
00:51:31,360 --> 00:51:34,339
Speaker 5: areas and come together together. And then you see what

1321
00:51:34,380 --> 00:51:37,380
Speaker 5: Chef and Sleep has done and how they evolve. And

1322
00:51:37,400 --> 00:51:39,440
Speaker 5: I think that's, it's because of you guys. I think

1323
00:51:39,960 --> 00:51:43,029
Speaker 5: if you give somebody the right opportunities and the support system,

1324
00:51:43,360 --> 00:51:44,719
Speaker 5: you can see the better side of it.

1325
00:51:44,840 --> 00:51:46,150
Speaker 3: You know what I mean? And it's hard, man.

1326
00:51:46,190 --> 00:51:46,910
Speaker 1: It's hard out here.

1327
00:51:47,270 --> 00:51:50,089
Speaker 2: It's hard because what the law is, it's prejudging you.

1328
00:51:50,430 --> 00:51:52,169
Speaker 3: It's like minority report. They already.

1329
00:51:53,380 --> 00:51:55,959
Speaker 5: they don't want you to be successful. So to see

1330
00:51:56,000 --> 00:51:57,940
Speaker 5: success stories is always a beautiful thing.

1331
00:51:58,340 --> 00:51:59,680
Speaker 1: And to see them get over it. I'm always for

1332
00:51:59,700 --> 00:52:02,370
Speaker 1: the clubs because it's like niggas be rhyming in they basement.

1333
00:52:02,390 --> 00:52:04,810
Speaker 1: You could kick all that hard shit and the nigga

1334
00:52:04,850 --> 00:52:07,330
Speaker 1: just come out with some crazy club banger.

1335
00:52:07,770 --> 00:52:10,710
Speaker 3: And you just be like, oh shit. Oh, yo.

1336
00:52:10,770 --> 00:52:13,660
Speaker 1: And that to me, like me going to the club

1337
00:52:13,800 --> 00:52:18,270
Speaker 1: and hearing seductive Like, oh shit, I need another one

1338
00:52:18,290 --> 00:52:20,190
Speaker 1: of these. You know what I'm saying? Niggas in the

1339
00:52:20,230 --> 00:52:23,330
Speaker 1: club dancing with these head and 50 doing in the club.

1340
00:52:23,390 --> 00:52:27,070
Speaker 1: Like we always knew we needed those banks. Like we

1341
00:52:27,170 --> 00:52:28,370
Speaker 1: needed those.

1342
00:52:28,090 --> 00:52:28,750
Speaker 3: Heads, bro.

1343
00:52:29,110 --> 00:52:32,260
Speaker 1: And just me going in the club, hearing my shit rocking.

1344
00:52:32,830 --> 00:52:35,169
Speaker 1: I'm like, oh shit. That's why I kind of like

1345
00:52:35,190 --> 00:52:35,770
Speaker 1: Sexy Drill.

1346
00:52:35,890 --> 00:52:36,930
Speaker 2: I'm trying to get some pop shit.

1347
00:52:36,950 --> 00:52:37,690
Speaker 3: I'm going to give it to Bobby.

1348
00:52:37,770 --> 00:52:41,469
Speaker 1: I'm with you too. That EDM shit?

1349
00:52:41,510 --> 00:52:44,870
Speaker 3: Yo, yeah. Bobby, keep signing the Drill rappers, man. Keep

1350
00:52:44,890 --> 00:52:48,390
Speaker 3: signing the Drill rappers. No, I'm not saying it.

1351
00:52:48,410 --> 00:52:50,510
Speaker 2: They make you an EDM remix?

1352
00:52:50,570 --> 00:52:53,270
Speaker 3: That's what I'm saying. Yo, forget about it, bro.

1353
00:52:53,910 --> 00:52:57,430
Speaker 2: That EDM remix is taking you there. I'm trying to

1354
00:52:57,450 --> 00:52:58,069
Speaker 2: do all that shit, though, bro.

1355
00:52:58,110 --> 00:52:58,410
Speaker 3: Rob Markman, Jr.

1356
00:52:58,410 --> 00:52:59,290
Speaker 1: Yo, bro, what do you mean if it was like

1357
00:52:59,310 --> 00:53:01,570
Speaker 1: DJ Rumpa, right? DJ Rumpa, they like, yo, this guy's

1358
00:53:01,610 --> 00:53:05,900
Speaker 1: getting like a million dollars to spend, bro. Deadmau5, you getting...

1359
00:53:06,020 --> 00:53:07,960
Speaker 1: Do you start doing that EDM? Do you even go

1360
00:53:08,000 --> 00:53:10,890
Speaker 1: to them EDM shows? DJ Snake, went to a DJ

1361
00:53:10,930 --> 00:53:16,090
Speaker 1: Snake show? Probably look like 80,000 people, fucking lights and everything.

1362
00:53:16,110 --> 00:53:17,360
Speaker 3: Rob Markman, Jr.: All of that shit. Rob Markman, Jr.

1363
00:53:17,370 --> 00:53:19,560
Speaker 1: When you start collabing with them, I like... Yeah, I

1364
00:53:19,600 --> 00:53:25,759
Speaker 1: love all that shit. I love overseas, bro. It's just

1365
00:53:25,840 --> 00:53:30,839
Speaker 1: a whole different vibe. I'm looking for the artists that,

1366
00:53:30,860 --> 00:53:33,240
Speaker 1: like you said, they don't have no violence at they shit,

1367
00:53:33,860 --> 00:53:35,810
Speaker 1: as well as Chef and Sleep, but they made them

1368
00:53:35,870 --> 00:53:40,850
Speaker 1: hit records. No Suburban to bigger records, bro.

1369
00:53:41,469 --> 00:53:42,970
Speaker 3: I just don't like when they just try to box

1370
00:53:43,010 --> 00:53:44,890
Speaker 3: the drill rappers off. That's what I was saying.

1371
00:53:45,170 --> 00:53:47,029
Speaker 4: And I like how Bobby broke it down as far

1372
00:53:47,050 --> 00:53:49,840
Speaker 4: as saying, if you get In a situation with a

1373
00:53:49,880 --> 00:53:52,819
Speaker 4: label that actually give a fuck about you, it can work.

1374
00:53:53,460 --> 00:53:55,520
Speaker 3: As long as you got some type of direction and

1375
00:53:55,660 --> 00:53:57,839
Speaker 3: some oversight. I ain't going to lie, boy.

1376
00:53:57,860 --> 00:53:59,169
Speaker 2: A couple of niggas got some looks.

1377
00:53:59,190 --> 00:54:02,569
Speaker 3: They just keep getting locked up, though. Yeah. That's the

1378
00:54:02,650 --> 00:54:06,510
Speaker 3: only thing. That's why. They was getting looks. Of course.

1379
00:54:06,670 --> 00:54:07,170
Speaker 3: Of course.

1380
00:54:07,350 --> 00:54:10,009
Speaker 2: They was just like, damn, this nigga just got locked up.

1381
00:54:10,590 --> 00:54:12,609
Speaker 3: Come out on the anthill. Of course. I get that.

1382
00:54:12,630 --> 00:54:13,100
Speaker 3: I get it.

1383
00:54:15,260 --> 00:54:16,900
Speaker 2: Now I ain't going for these niggas just straight trying

1384
00:54:16,960 --> 00:54:18,680
Speaker 2: to disrespect niggas. I don't even think they ain't even

1385
00:54:18,700 --> 00:54:20,410
Speaker 2: trying to make music for real. They just want to

1386
00:54:20,430 --> 00:54:21,750
Speaker 2: feel like, yeah, fuck it.

1387
00:54:21,770 --> 00:54:22,770
Speaker 3: They just want to ballet.

1388
00:54:22,830 --> 00:54:25,689
Speaker 2: Yeah, they just want to ballet.

1389
00:54:25,870 --> 00:54:26,910
Speaker 3: You know the vibes.

1390
00:54:26,950 --> 00:54:29,590
Speaker 2: That's it. You know the vibes. I ain't going to lie.

1391
00:54:29,670 --> 00:54:33,120
Speaker 2: I see everything that's going on. I don't even, I'm

1392
00:54:33,140 --> 00:54:35,319
Speaker 2: not judging nobody. I'm listening to all that shit. Sirens

1393
00:54:35,340 --> 00:54:38,480
Speaker 2: should be fire. I ain't going to lie. The niggas

1394
00:54:38,500 --> 00:54:40,620
Speaker 2: that was getting looks got bumped type shit.

1395
00:54:40,780 --> 00:54:42,130
Speaker 3: So I was like, damn. Got you.

1396
00:54:43,100 --> 00:54:45,509
Speaker 1: I'm thinking like, yo, you want a song that's going

1397
00:54:45,530 --> 00:54:48,170
Speaker 1: to play at the World Cup. You know what I'm saying?

1398
00:54:48,190 --> 00:54:50,850
Speaker 2: I ain't going to lie, but they probably could get there.

1399
00:54:50,870 --> 00:54:51,589
Speaker 2: They probably just got.

1400
00:54:51,489 --> 00:54:52,609
Speaker 3: To learn this. You could get there.

1401
00:54:52,630 --> 00:54:55,569
Speaker 2: Nah, I was talking about the drill. I know I'm

1402
00:54:55,630 --> 00:54:56,930
Speaker 2: going to get there. I'm figuring it out.

1403
00:54:56,989 --> 00:54:58,710
Speaker 3: Oh, I know I'm going to get there. I'm going

1404
00:54:58,730 --> 00:55:00,029
Speaker 3: to figure it out. I'm going to figure it out.

1405
00:55:00,070 --> 00:55:00,819
Speaker 3: I got to get there.

1406
00:55:00,880 --> 00:55:01,540
Speaker 2: I got to get there.

1407
00:55:01,700 --> 00:55:05,020
Speaker 1: Yeah, because it's like, listen, I love drill music, but

1408
00:55:05,260 --> 00:55:08,740
Speaker 1: it's just getting banned from the shows, ticket sales, police

1409
00:55:08,780 --> 00:55:11,160
Speaker 1: pulling up. Nah, we don't want these guys.

1410
00:55:11,200 --> 00:55:11,900
Speaker 3: I don't know.

1411
00:55:13,130 --> 00:55:17,569
Speaker 1: Talk about killing a nigga, that's a nigga. It's just rough.

1412
00:55:18,210 --> 00:55:20,170
Speaker 1: That's it. I went through it, bro. I've been the

1413
00:55:20,210 --> 00:55:22,660
Speaker 1: same nigga banned from MTV, red carpet. Yo, we don't

1414
00:55:22,680 --> 00:55:26,900
Speaker 1: want it. They ain't on the red carpet. Fuck him. Yo,

1415
00:55:26,940 --> 00:55:28,779
Speaker 1: niggas hit me in the back. Chris Light in 50.

1416
00:55:28,760 --> 00:55:30,140
Speaker 1: Let him hide in the back room, man.

1417
00:55:30,700 --> 00:55:32,020
Speaker 3: That ass.

1418
00:55:32,060 --> 00:55:34,840
Speaker 1: We was banned from mad shit. And we had records

1419
00:55:34,880 --> 00:55:37,320
Speaker 1: and it stopped a lot of money. It stopped a

1420
00:55:37,360 --> 00:55:39,980
Speaker 1: lot of fun. It was like, yo, niggas ain't never outside.

1421
00:55:40,020 --> 00:55:40,660
Speaker 3: Never outside.

1422
00:55:41,060 --> 00:55:44,220
Speaker 1: We was never outside because hip-hop police wouldn't allow us outside.

1423
00:55:45,100 --> 00:55:48,210
Speaker 1: So we had to go to Connecticut and party at

1424
00:55:48,210 --> 00:55:51,750
Speaker 1: 50 Crib. Every club we was being from. Curly Top

1425
00:55:51,790 --> 00:55:56,330
Speaker 1: to Curly. We knew every hip-hop police dude. And it's like,

1426
00:55:56,450 --> 00:55:59,430
Speaker 1: I be feeling like New York is cursed sometimes because

1427
00:55:59,489 --> 00:56:03,590
Speaker 1: of the Ricohs. Because it was a point where you

1428
00:56:03,630 --> 00:56:08,229
Speaker 1: had 6ix9ine. But that fucked up. Rest in peace, Pop Smoke.

1429
00:56:08,270 --> 00:56:10,930
Speaker 1: We had Pop Smoke. Like, shit was on the come up.

1430
00:56:10,969 --> 00:56:11,710
Speaker 3: You had Fetty.

1431
00:56:12,150 --> 00:56:14,410
Speaker 1: It's like, it's always, we always on the come up

1432
00:56:14,930 --> 00:56:17,890
Speaker 1: with some crazy shit. Like he said, it happened. With

1433
00:56:17,930 --> 00:56:18,720
Speaker 1: Sexy Drill.

1434
00:56:18,739 --> 00:56:20,900
Speaker 3: That K-Flock about to turn up too. Free K-Flock.

1435
00:56:20,960 --> 00:56:23,719
Speaker 1: Yeah, K-Flock. Dude, that shit, that was the king. That's

1436
00:56:23,760 --> 00:56:25,299
Speaker 1: the king of drill right there.

1437
00:56:25,620 --> 00:56:29,700
Speaker 3: Yeah. You know what I'm saying?

1438
00:56:30,550 --> 00:56:31,299
Speaker 2: Facts. 30 years.

1439
00:56:31,950 --> 00:56:36,000
Speaker 1: You think we didn't want K-Flock to take off? And

1440
00:56:36,040 --> 00:56:38,420
Speaker 1: it's not only just New York. Look at King Von.

1441
00:56:38,660 --> 00:56:41,910
Speaker 1: I fuck with King Von music, bro. I still bump

1442
00:56:41,930 --> 00:56:46,910
Speaker 1: King Von albums. Bloodhound Lil Jeff. I fuck with his music.

1443
00:56:47,410 --> 00:56:49,379
Speaker 1: I love his song with G Herbo. So I'm not

1444
00:56:49,410 --> 00:56:53,300
Speaker 1: saying I don't love the drill. It's just like, I

1445
00:56:53,320 --> 00:56:57,300
Speaker 1: don't know. It just don't last long. Rico come or death.

1446
00:56:59,930 --> 00:57:02,870
Speaker 1: Sexy drill, niggas dancing. Like I said, feel like Kanye

1447
00:57:02,910 --> 00:57:06,710
Speaker 1: West and back Tribe Called Quest back fun. Girls got

1448
00:57:06,750 --> 00:57:07,510
Speaker 1: the pillow fighting.

1449
00:57:08,290 --> 00:57:08,770
Speaker 3: You know what I mean?

1450
00:57:08,790 --> 00:57:10,009
Speaker 2: Yeah, that's what we trying to do. You don't have

1451
00:57:10,030 --> 00:57:10,969
Speaker 2: a good time type shit.

1452
00:57:11,350 --> 00:57:12,589
Speaker 1: When we dropping this album, man?

1453
00:57:12,610 --> 00:57:13,110
Speaker 3: You excited?

1454
00:57:13,310 --> 00:57:14,470
Speaker 2: Hell yeah, I'm super excited.

1455
00:57:14,550 --> 00:57:15,830
Speaker 3: September 16th, baby.

1456
00:57:15,870 --> 00:57:17,050
Speaker 2: September 16th, man.

1457
00:57:17,270 --> 00:57:19,850
Speaker 3: Please Behave. Please Behave, man. What's the name of it,

1458
00:57:19,870 --> 00:57:22,450
Speaker 3: Please Behave? Yeah, let me show you the cover real quick, man.

1459
00:57:22,470 --> 00:57:23,370
Speaker 3: We got exclusive.

1460
00:57:23,410 --> 00:57:24,450
Speaker 1: We got exclusive for the cover.

1461
00:57:24,470 --> 00:57:25,350
Speaker 3: Let's go, Empire.

1462
00:57:25,370 --> 00:57:26,270
Speaker 1: You're going to show us.

1463
00:57:26,670 --> 00:57:28,030
Speaker 3: Shout to Empire, baby.

1464
00:57:30,640 --> 00:57:32,580
Speaker 1: I know you went artistic on that motherfucker.

1465
00:57:32,640 --> 00:57:34,460
Speaker 3: Oh, I like that. That's definitely artistic right there.

1466
00:57:34,500 --> 00:57:36,640
Speaker 1: You ain't doing nothing normal. That's one thing. Y'all are

1467
00:57:36,660 --> 00:57:37,910
Speaker 1: some creative motherfuckers, man.

1468
00:57:37,920 --> 00:57:42,180
Speaker 3: The pool in the crib. I like that. Scarface right there.

1469
00:57:42,220 --> 00:57:44,900
Speaker 3: You see that? The Scarface with the pool in the crib.

1470
00:57:45,320 --> 00:57:50,880
Speaker 3: The whole Scarface background. Crazy. My son suited and booted. Now,

1471
00:57:50,900 --> 00:57:52,060
Speaker 3: that's fire right there.

1472
00:57:52,080 --> 00:57:56,700
Speaker 2: For me, the last cover for Sex Drive, I had

1473
00:57:56,760 --> 00:57:58,490
Speaker 2: to try to up it for that one.

1474
00:57:58,920 --> 00:58:00,680
Speaker 3: It wasn't going to let me live for that one

1475
00:58:00,740 --> 00:58:01,420
Speaker 3: if I ain't do it.

1476
00:58:01,420 --> 00:58:03,400
Speaker 2: I ain't going to lie.

1477
00:58:04,360 --> 00:58:05,240
Speaker 3: Yeah, I ain't going to lie.

1478
00:58:05,260 --> 00:58:06,460
Speaker 2: But I ain't going to find, like I said, I

1479
00:58:06,500 --> 00:58:07,000
Speaker 2: watch a lot.

1480
00:58:06,920 --> 00:58:09,060
Speaker 3: Of movies and shit. I'm very artistic and shit.

1481
00:58:10,020 --> 00:58:11,880
Speaker 2: Like back in the day, niggas just ain't have enough

1482
00:58:11,920 --> 00:58:13,040
Speaker 2: breadie to make everything.

1483
00:58:13,200 --> 00:58:15,710
Speaker 3: Got you. But now we got a couple of dollars.

1484
00:58:15,730 --> 00:58:17,030
Speaker 3: Rob Markman Of course.

1485
00:58:17,070 --> 00:58:19,410
Speaker 4: I know Empire always makes sure our people good. They

1486
00:58:19,430 --> 00:58:20,730
Speaker 4: make sure we're in good positions.

1487
00:58:20,750 --> 00:58:23,490
Speaker 2: Shout out to Empire for that check.

1488
00:58:23,730 --> 00:58:27,610
Speaker 3: Shout out to my guy, Gaji. Shout out to Nima.

1489
00:58:27,640 --> 00:58:30,580
Speaker 3: Shout out to Bobby. I love Empire. Shout out to

1490
00:58:30,600 --> 00:58:34,000
Speaker 3: my guy's family over there. Shout out to Kuss too.

1491
00:58:34,040 --> 00:58:34,780
Speaker 3: My guy, Kuss.

1492
00:58:34,840 --> 00:58:37,580
Speaker 4: Shout out to my guy, Kuss. That's the secret weapon

1493
00:58:37,640 --> 00:58:39,620
Speaker 4: over there. Rob Markman So how did you feel.

1494
00:58:39,600 --> 00:58:41,380
Speaker 1: When you saw the deal? Yeah, I'll do another one.

1495
00:58:43,330 --> 00:58:44,400
Speaker 2: I'm going to go over and drink that Don.

1496
00:58:44,470 --> 00:58:45,650
Speaker 3: Yeah, man. Do that.

1497
00:58:45,990 --> 00:58:49,690
Speaker 1: I'll usually drink Branson. 50, don't get mad.

1498
00:58:49,730 --> 00:58:51,250
Speaker 3: I'm going to drink some Henny.

1499
00:58:51,370 --> 00:58:53,260
Speaker 4: I ain't drinking that fucking Hennessy, but I'm going to

1500
00:58:53,280 --> 00:58:54,400
Speaker 4: take a shot with the Don.

1501
00:58:54,480 --> 00:58:55,800
Speaker 3: I'm not drinking this Hennessy.

1502
00:58:55,820 --> 00:58:56,420
Speaker 2: This is Branson.

1503
00:58:56,440 --> 00:58:58,860
Speaker 3: I'll just put it in a Henny bottle. That's right. Yo,

1504
00:58:59,460 --> 00:59:01,080
Speaker 3: this young boy is good.

1505
00:59:01,120 --> 00:59:06,890
Speaker 1: This young boy is good. Yo, because you know what

1506
00:59:06,910 --> 00:59:09,590
Speaker 1: it is? Even the rappers, you see what I like

1507
00:59:09,630 --> 00:59:13,220
Speaker 1: about you? The young rappers don't be seeming happy, man.

1508
00:59:14,360 --> 00:59:19,380
Speaker 1: Niggas come in, they be... Niggas got $ 50, 000 chain on,

1509
00:59:19,380 --> 00:59:20,320
Speaker 1: $ 50, 000 watch, all the money in.

1510
00:59:20,280 --> 00:59:25,200
Speaker 3: The world, niggas. Chad look a little happy though.

1511
00:59:25,220 --> 00:59:26,280
Speaker 1: That's what I like about him.

1512
00:59:26,300 --> 00:59:26,730
Speaker 3: I ain't gonna lie.

1513
00:59:26,740 --> 00:59:28,220
Speaker 2: I'm just happy to be here, man.

1514
00:59:28,260 --> 00:59:29,479
Speaker 3: Thank you.

1515
00:59:29,760 --> 00:59:30,840
Speaker 2: I'm just living life, bro.

1516
00:59:30,860 --> 00:59:32,200
Speaker 3: He be trying to get on my young boy. He be.

1517
00:59:32,670 --> 00:59:34,630
Speaker 4: He be feelin' like my nigga Sleepy. Shout out to

1518
00:59:34,670 --> 00:59:37,090
Speaker 4: Sleepy Hallow. He be feelin' like, he hear, he say.

1519
00:59:36,930 --> 00:59:40,190
Speaker 3: Sleepy ain't never happy. Shut the fuck outta here. My

1520
00:59:40,210 --> 00:59:43,229
Speaker 3: nigga Sleepy happy. He livin' life. He livin' life.

1521
00:59:43,250 --> 00:59:44,950
Speaker 2: Nah, Sleepy boys, that be shit. You gotta see him

1522
00:59:44,970 --> 00:59:49,060
Speaker 2: on social media, bro. That nigga mad funny. Sleepy mad funny, bro.

1523
00:59:49,160 --> 00:59:49,920
Speaker 3: I don't know.

1524
00:59:49,940 --> 00:59:52,660
Speaker 1: I seen Sleepy on a video game. That's the happiest

1525
00:59:52,720 --> 00:59:57,200
Speaker 1: I ever seen him. When I'm around Sleepy, straight ice grip.

1526
00:59:57,580 --> 00:59:59,360
Speaker 2: Nah, you gotta see that nigga on Instagram. That nigga

1527
00:59:59,380 --> 01:00:00,540
Speaker 2: a personality, for real.

1528
01:00:00,620 --> 01:00:02,060
Speaker 3: Shout out to Sleepy Hallow.

1529
01:00:02,880 --> 01:00:04,840
Speaker 1: I think everybody in New York just be on time.

1530
01:00:04,900 --> 01:00:08,590
Speaker 3: I ain't gonna front, bro. I'm just happy to be here.

1531
01:00:08,610 --> 01:00:11,120
Speaker 2: I'm just taking advantage of my opportunities, my nigga.

1532
01:00:11,220 --> 01:00:12,670
Speaker 3: I love this shit.

1533
01:00:12,690 --> 01:00:16,150
Speaker 1: Well, Long Island got another legend, man. I said Long

1534
01:00:16,230 --> 01:00:17,570
Speaker 1: Island got another legend, man.

1535
01:00:17,590 --> 01:00:18,890
Speaker 3: Hell yeah, man. I hope there's more coming. Shout out

1536
01:00:18,910 --> 01:00:20,710
Speaker 3: to Hempstead, man. Shout out to Hempstead. You know what

1537
01:00:20,730 --> 01:00:21,030
Speaker 3: I'm saying?

1538
01:00:21,050 --> 01:00:22,510
Speaker 2: Niggas be acting like I don't be out here trying

1539
01:00:22,530 --> 01:00:24,250
Speaker 2: to jack them up. Shit, niggas be blowing my mind.

1540
01:00:24,310 --> 01:00:25,930
Speaker 3: I mean, you done moved to Miami to good life.

1541
01:00:25,950 --> 01:00:28,130
Speaker 3: Empire gave you that money. You moved to Miami. They're like, yo,

1542
01:00:28,150 --> 01:00:29,730
Speaker 3: we can't even find this nigga no more.

1543
01:00:29,790 --> 01:00:30,510
Speaker 2: I'm back out here.

1544
01:00:30,530 --> 01:00:31,810
Speaker 3: Niggas ain't supposed to find.

1545
01:00:31,570 --> 01:00:31,710
Speaker 5: Me, man.

1546
01:00:33,570 --> 01:00:40,370
Speaker 1: That nigga Miami on the penthouse watching all that shit.

1547
01:00:40,390 --> 01:00:43,950
Speaker 3: He ain't think about being in front of the board.

1548
01:00:44,090 --> 01:00:46,540
Speaker 2: I'm hearing it uptown.

1549
01:00:46,620 --> 01:00:47,180
Speaker 3: He back.

1550
01:00:47,220 --> 01:00:49,180
Speaker 4: He on the boat with some ladies, man. He trying

1551
01:00:49,200 --> 01:00:50,540
Speaker 4: to run it up so he can get the whole

1552
01:00:50,600 --> 01:00:52,360
Speaker 4: gang lit in a minute, man. I saw he running

1553
01:00:52,380 --> 01:00:52,680
Speaker 4: it up.

1554
01:00:52,740 --> 01:00:55,860
Speaker 1: Oh, the gang is already lit. It's just more success, man.

1555
01:00:55,880 --> 01:00:58,900
Speaker 1: We appreciate you. Talk about the album, what? September 12th?

1556
01:00:59,500 --> 01:01:00,120
Speaker 2: September 16th.

1557
01:01:00,260 --> 01:01:01,700
Speaker 3: I'm going to send y'all the album right now.

1558
01:01:01,720 --> 01:01:04,670
Speaker 2: You know what I'm saying? The album coming out September 16th.

1559
01:01:04,670 --> 01:01:05,910
Speaker 3: Please behave. You know what I'm saying?

1560
01:01:11,080 --> 01:01:11,700
Speaker 2: Long time coming.

1561
01:01:11,720 --> 01:01:14,980
Speaker 1: Numbers is going up. He's being cool right here. Numbers

1562
01:01:15,040 --> 01:01:15,520
Speaker 1: is going up.

1563
01:01:15,560 --> 01:01:19,860
Speaker 3: Ladies, please behave. My boy dropping September 16th. Shout out

1564
01:01:19,880 --> 01:01:20,500
Speaker 3: to Charlie.

1565
01:01:20,840 --> 01:01:24,220
Speaker 1: Shout out to Cash Cobain. Shout out to Bay. Shout

1566
01:01:24,580 --> 01:01:25,760
Speaker 1: out to King BMO.

1567
01:01:25,820 --> 01:01:26,110
Speaker 2: Brooklyn.

1568
01:01:26,120 --> 01:01:28,070
Speaker 1: Shout out to anybody else we missing, man, in the

1569
01:01:28,090 --> 01:01:28,650
Speaker 1: Slizzy gang?

1570
01:01:28,730 --> 01:01:30,669
Speaker 2: Man, just Slizzy and T, man. We outside.

1571
01:01:30,690 --> 01:01:32,880
Speaker 3: Shout out to the whole Slizzy and T, man. September 16th.

1572
01:01:32,950 --> 01:01:34,970
Speaker 2: And shout out to my man, Dollar, and everybody that's

1573
01:01:35,050 --> 01:01:35,790
Speaker 2: on the tape, man.

1574
01:01:36,290 --> 01:01:38,490
Speaker 3: Definitely, man. Shout out to Wiz Khalifa. Shout out to.

1575
01:01:38,840 --> 01:01:39,550
Speaker 2: Honey Baby.

1576
01:01:39,620 --> 01:01:39,930
Speaker 3: Yes.

1577
01:01:40,270 --> 01:01:42,710
Speaker 2: Shout out to, we already named the other guys, you

1578
01:01:42,730 --> 01:01:43,770
Speaker 2: know what I'm saying?

1579
01:01:43,810 --> 01:01:46,790
Speaker 3: He got a number of hits on the fucking album, man. Definitely, man.

1580
01:01:47,090 --> 01:01:49,210
Speaker 4: And shout out to Empire for making this shit happen.

1581
01:01:49,230 --> 01:01:50,669
Speaker 2: Yo, and shout out to fucking Empire, man.

1582
01:01:50,750 --> 01:01:50,950
Speaker 3: Whoa!

1583
01:01:51,090 --> 01:01:51,310
Speaker 4: Whoa!

1584
01:01:51,670 --> 01:01:51,990
Speaker 3: Whoa!

1585
01:01:52,210 --> 01:01:52,350
Speaker 2: Whoa!