WEBVTT - Dead or Alive

0:00:15.170 --> 0:00:23.850
<v Speaker 1>Pushkin. One night in April twenty nineteen, a group of

0:00:23.890 --> 0:00:27.930
<v Speaker 1>Israeli scientists were trying to land a spacecraft on the Moon.

0:00:31.210 --> 0:00:34.890
<v Speaker 1>The spacecraft was called the Bearasheet, which means in the

0:00:34.930 --> 0:00:38.370
<v Speaker 1>beginning in Hebrew, it's the first word of the Book

0:00:38.370 --> 0:00:42.730
<v Speaker 1>of Genesis. The unmanned Israeli craft was about five feet tall,

0:00:43.450 --> 0:00:46.610
<v Speaker 1>a little chamber with four extended legs and some solar

0:00:46.650 --> 0:00:50.770
<v Speaker 1>panels on top. The whole thing was coated in gold foil,

0:00:51.290 --> 0:00:56.530
<v Speaker 1>like an oligarch's sushi order chersh hamersh a bar. The

0:00:56.650 --> 0:01:00.890
<v Speaker 1>launch had gone smoothly. Berescheet's lander separated from the rocket

0:01:00.930 --> 0:01:04.810
<v Speaker 1>that had catapulted it into space. Then, for more than

0:01:04.850 --> 0:01:08.530
<v Speaker 1>a month, it traced an elliptical orbit around the Earth,

0:01:09.170 --> 0:01:12.850
<v Speaker 1>going further and further out until it could be captured

0:01:12.890 --> 0:01:18.690
<v Speaker 1>by the Moon's gravity. Now, finally, the Bearsheet was sinking

0:01:18.770 --> 0:01:22.170
<v Speaker 1>down toward an ancient volcanic field on the Moon, a

0:01:22.290 --> 0:01:27.490
<v Speaker 1>place known as the Sea of Serenity. All of Israel

0:01:27.610 --> 0:01:31.210
<v Speaker 1>was excited. The landing would be the culmination of years

0:01:31.290 --> 0:01:39.010
<v Speaker 1>of work. In Los Angeles, an entrepreneur called Nova Spevak

0:01:39.610 --> 0:01:42.690
<v Speaker 1>was watching the landing on a live stream. He wasn't

0:01:42.690 --> 0:01:45.570
<v Speaker 1>just a space fan. He had a lot at stake

0:01:45.650 --> 0:01:48.810
<v Speaker 1>in the Bearasheet mission. It was the culmination of years

0:01:48.810 --> 0:01:52.210
<v Speaker 1>of work for him too. He knew how it was

0:01:52.250 --> 0:01:54.810
<v Speaker 1>supposed to go down. But then they were doing the

0:01:55.130 --> 0:02:00.130
<v Speaker 1>landing maneuver, which basically involves rotating the spacecraft at high

0:02:00.170 --> 0:02:02.610
<v Speaker 1>speed while it's kind of speeding towards the Moon. That

0:02:02.730 --> 0:02:05.090
<v Speaker 1>maneuver is very precise and involves a lot of computer

0:02:05.170 --> 0:02:10.930
<v Speaker 1>controlled firings of different thrusters. Were the spacecraft try to

0:02:11.090 --> 0:02:15.330
<v Speaker 1>enable the engine. All of a sudden there was an

0:02:15.330 --> 0:02:18.490
<v Speaker 1>alert and things were flashing red on mission control in Israel,

0:02:18.570 --> 0:02:23.170
<v Speaker 1>and we're seeing and something's wrong. We have the main

0:02:23.210 --> 0:02:28.850
<v Speaker 1>engine back on. No, but it's not no, no I.

0:02:33.530 --> 0:02:36.890
<v Speaker 1>A sensor is reporting data that can't be right. So

0:02:36.930 --> 0:02:41.370
<v Speaker 1>either the sensors failed or the spacecraft is losing its orientation.

0:02:41.930 --> 0:02:43.690
<v Speaker 1>The main engine is back on, but we have lost

0:02:43.730 --> 0:02:48.650
<v Speaker 1>communication with a spacecraft. Nova's heart was in his mouth

0:02:49.330 --> 0:02:53.490
<v Speaker 1>because on board the Bearsheet was a library. You could

0:02:53.530 --> 0:02:57.210
<v Speaker 1>say it was the library of Nova's dreams, a message

0:02:57.210 --> 0:03:00.410
<v Speaker 1>in a bottle. The library was a backup of the

0:03:00.410 --> 0:03:04.650
<v Speaker 1>world's knowledge. It was designed to be stable and robust,

0:03:04.770 --> 0:03:07.850
<v Speaker 1>enough to last a billion years, a way of saying

0:03:07.890 --> 0:03:12.610
<v Speaker 1>to future civilization, we were here and perhaps away for

0:03:12.650 --> 0:03:17.170
<v Speaker 1>twenty first century humanity to cheat death. It was meant

0:03:17.210 --> 0:03:20.570
<v Speaker 1>to survive eternity on the moon, but had it made

0:03:20.570 --> 0:03:26.530
<v Speaker 1>it there, nova had no way of knowing. Chersh hammersh

0:03:27.250 --> 0:03:42.610
<v Speaker 1>ah bar. Two. This is Into the Zone, a podcast

0:03:42.650 --> 0:03:45.810
<v Speaker 1>about opposites and how borders are never as clear as

0:03:45.810 --> 0:03:50.370
<v Speaker 1>we think. I'm Harry Kunzru. We're at the last episode

0:03:50.370 --> 0:03:53.730
<v Speaker 1>of the season and finally dealing with the biggest binary

0:03:53.730 --> 0:03:57.610
<v Speaker 1>opposition of all. This is a story about knowledge and

0:03:57.730 --> 0:04:02.090
<v Speaker 1>tiny animals. It's about dark ages and the darkness of space.

0:04:02.730 --> 0:04:06.690
<v Speaker 1>It's about viruses and permafrost and the strange things that

0:04:06.730 --> 0:04:09.890
<v Speaker 1>can happen on the fuzzy border between life and its opposite.

0:04:10.930 --> 0:04:20.170
<v Speaker 1>Not death, necessarily call it non life. They say you

0:04:20.250 --> 0:04:23.290
<v Speaker 1>only die when the last person who remembers you is dead.

0:04:24.330 --> 0:04:27.090
<v Speaker 1>If we could send memories of ourselves to the far future,

0:04:27.810 --> 0:04:32.130
<v Speaker 1>wouldn't that be a little like making ourselves immortal. In

0:04:32.250 --> 0:04:35.810
<v Speaker 1>nineteen thirty nine, as part of the New York World's Fair,

0:04:36.490 --> 0:04:40.410
<v Speaker 1>the Westinghouse Electric and Manufacturing Company buried what it called

0:04:40.490 --> 0:04:44.850
<v Speaker 1>a time bomb under a Plaza in Queens. This rocket

0:04:44.850 --> 0:04:48.730
<v Speaker 1>shaped container held a variety of everyday objects, such as

0:04:48.730 --> 0:04:52.210
<v Speaker 1>a fountain pen, a set of alphabet blocks, and a

0:04:52.250 --> 0:04:56.330
<v Speaker 1>pack of cigarettes. It also housed glass fials of seeds

0:04:56.690 --> 0:05:00.170
<v Speaker 1>and a microfilm, a fancy new technology back then, with

0:05:00.290 --> 0:05:03.770
<v Speaker 1>about ten million words of text and a few thousand pictures.

0:05:04.730 --> 0:05:08.170
<v Speaker 1>Westinghouse later changed the name of the time bomb to

0:05:08.290 --> 0:05:11.930
<v Speaker 1>the much less fusing time capsule, And if you want

0:05:11.930 --> 0:05:13.690
<v Speaker 1>to find out about it, you might want to listen

0:05:13.730 --> 0:05:17.170
<v Speaker 1>to episode ten of My Fellow Pushkin Night Jill Lapaus show,

0:05:17.490 --> 0:05:24.490
<v Speaker 1>The Last Archive. There's something irresistible about addressing oneself to

0:05:24.570 --> 0:05:27.730
<v Speaker 1>the future. As a kid, I remember writing a message

0:05:27.730 --> 0:05:29.810
<v Speaker 1>for a time capsule that was going to be buried

0:05:29.850 --> 0:05:33.970
<v Speaker 1>outside the offices of a children's publisher. But time capsules

0:05:33.970 --> 0:05:38.170
<v Speaker 1>have always been a thing. Ancient Chinese emperors built armies

0:05:38.170 --> 0:05:41.730
<v Speaker 1>to escort them to the afterlife. In seventeen ninety five,

0:05:41.930 --> 0:05:47.010
<v Speaker 1>a bunch of freemasons, including former American revolutionaries Samuel Adams

0:05:47.010 --> 0:05:50.850
<v Speaker 1>and Paul Revere, put a brass box inside the cornerstone

0:05:50.890 --> 0:05:56.890
<v Speaker 1>of the new Massachusetts State House. Inside the box were newspapers, coins,

0:05:57.330 --> 0:06:00.650
<v Speaker 1>and a silver plate engraved by Paul Revere himself, who

0:06:00.730 --> 0:06:06.210
<v Speaker 1>was both a fast rider and a master silversmith, all

0:06:06.250 --> 0:06:11.370
<v Speaker 1>of us Chinese emperors. Paul Revere me, we're trying to

0:06:11.410 --> 0:06:15.290
<v Speaker 1>do the same thing. We were trying to time travel.

0:06:16.530 --> 0:06:19.450
<v Speaker 1>We were burying parts of ourselves as a way of

0:06:19.490 --> 0:06:25.570
<v Speaker 1>reaching out into the future, transcending our normal lifespans. With

0:06:25.690 --> 0:06:29.410
<v Speaker 1>the arrival of space exploration, people stopped just thinking about

0:06:29.410 --> 0:06:32.530
<v Speaker 1>the future on Earth and began to wonder about how

0:06:32.610 --> 0:06:37.290
<v Speaker 1>humanity should present itself to other intelligent life forms. What

0:06:37.370 --> 0:06:40.650
<v Speaker 1>kind of cosmic dating profiles should we build to get

0:06:40.650 --> 0:06:45.450
<v Speaker 1>potential partners to swipe right? And after the invention of

0:06:45.490 --> 0:06:50.050
<v Speaker 1>atomic weapons and the growing consciousness of the environmental crisis,

0:06:50.850 --> 0:06:53.370
<v Speaker 1>we began to wonder seriously whether we'd be around to

0:06:53.370 --> 0:06:57.450
<v Speaker 1>witness the future at all. This was the world in

0:06:57.530 --> 0:07:02.770
<v Speaker 1>which Nova Spivak grew up. When I was about eight

0:07:02.850 --> 0:07:06.530
<v Speaker 1>years old, somebody gave me a big green book. It

0:07:06.650 --> 0:07:12.450
<v Speaker 1>was a blank, giant, eight hundred or a thousand page book,

0:07:13.010 --> 0:07:17.130
<v Speaker 1>sort of a hard bound dictionary or encyclopedia, but completely blank,

0:07:17.690 --> 0:07:19.970
<v Speaker 1>and I thought that was just the greatest present. I

0:07:20.010 --> 0:07:22.650
<v Speaker 1>was constantly thinking about what would I write in this book?

0:07:23.330 --> 0:07:27.210
<v Speaker 1>Growing up in Boston in the nineteen seventies, Little Nova

0:07:27.450 --> 0:07:31.690
<v Speaker 1>felt he had a special destiny. Not long after getting

0:07:31.690 --> 0:07:37.970
<v Speaker 1>that gift, I had this vivid dream I was an

0:07:38.010 --> 0:07:43.410
<v Speaker 1>adult during a time where some terrible environmental catastrophe took

0:07:43.450 --> 0:07:47.850
<v Speaker 1>place that caused the authorities around the world to come

0:07:47.890 --> 0:07:50.450
<v Speaker 1>to the conclusion that the air was not safe to breathe.

0:07:52.810 --> 0:07:55.610
<v Speaker 1>It's an epic science fiction novel of a dream in

0:07:55.650 --> 0:07:57.650
<v Speaker 1>which he's one of a small number of people who

0:07:57.730 --> 0:08:03.770
<v Speaker 1>survived the apocalypse and live in giant underground capsules. There

0:08:03.850 --> 0:08:07.050
<v Speaker 1>were these giant concrete cylinders, I mean huge. Each one

0:08:07.090 --> 0:08:10.290
<v Speaker 1>could have thousands of people living in many, many levels,

0:08:10.290 --> 0:08:13.450
<v Speaker 1>and they were kind of drilled into the ground. In

0:08:13.650 --> 0:08:18.090
<v Speaker 1>Nova's dream, which really earns this cosmic soundtrack, a long

0:08:18.130 --> 0:08:22.570
<v Speaker 1>time goes by. After a while, the giant cylinders begin

0:08:22.650 --> 0:08:25.690
<v Speaker 1>to sink into the ground and most people are suffocated.

0:08:26.610 --> 0:08:29.130
<v Speaker 1>Nova is one of a small group of survivors who

0:08:29.170 --> 0:08:32.650
<v Speaker 1>make it out. He realizes he's amongst the last people

0:08:32.690 --> 0:08:36.770
<v Speaker 1>alive who remember the world as it was before the disaster.

0:08:39.410 --> 0:08:43.810
<v Speaker 1>That world doesn't exist, so what of it should we

0:08:43.850 --> 0:08:49.810
<v Speaker 1>preserve and how and why? And so those discussions led

0:08:49.890 --> 0:08:56.690
<v Speaker 1>to a decision to create a book of knowledge of

0:08:56.810 --> 0:09:00.850
<v Speaker 1>every other history of everything we knew. And in order

0:09:00.890 --> 0:09:04.330
<v Speaker 1>to do that, you had to have a person whose

0:09:04.410 --> 0:09:06.850
<v Speaker 1>role was to sort of be in charge of that project,

0:09:07.610 --> 0:09:11.130
<v Speaker 1>and that person was me. That person was known as

0:09:11.250 --> 0:09:16.050
<v Speaker 1>the Keeper of the Book. Then in Nova's dream, he

0:09:16.130 --> 0:09:20.810
<v Speaker 1>dies and he gets reborn, and he dies and he's

0:09:20.850 --> 0:09:25.370
<v Speaker 1>reborn again. Like I said, it's an epic dream. And

0:09:25.410 --> 0:09:30.130
<v Speaker 1>then in my next life in the dream, um I

0:09:30.130 --> 0:09:33.490
<v Speaker 1>who I was the next Keeper of the Book. And

0:09:33.530 --> 0:09:38.010
<v Speaker 1>then it started speeding up, and then I saw life

0:09:38.010 --> 0:09:40.490
<v Speaker 1>after life flashing by it high speed, like maybe a

0:09:40.690 --> 0:09:45.210
<v Speaker 1>hundred of them, and I could see everything about that

0:09:45.250 --> 0:09:48.130
<v Speaker 1>whole life. But it was like that, And then I

0:09:48.210 --> 0:09:51.610
<v Speaker 1>just couldn't remember it would be, and I saw I

0:09:51.690 --> 0:09:54.650
<v Speaker 1>was like this lineage of Keepers of the Book going

0:09:54.690 --> 0:10:01.490
<v Speaker 1>off into the future. Finally, little Nova has a vision

0:10:01.570 --> 0:10:04.410
<v Speaker 1>of a guy with a long beard living in some

0:10:04.530 --> 0:10:08.650
<v Speaker 1>kind of hut cave. It's a far future version of himself,

0:10:09.210 --> 0:10:12.610
<v Speaker 1>Keeper of the Book, the last guardian of the knowledge

0:10:12.610 --> 0:10:24.290
<v Speaker 1>of civilization. By now you're probably getting a picture of Nova.

0:10:24.370 --> 0:10:29.850
<v Speaker 1>He's hyperactive, driven, talkative, the kind of guy who probably

0:10:29.890 --> 0:10:32.690
<v Speaker 1>gets his way in negotiations just by wearing the other

0:10:32.730 --> 0:10:37.450
<v Speaker 1>person out. His day job is tech entrepreneur, but he's

0:10:37.490 --> 0:10:41.770
<v Speaker 1>also a utopian, someone who finds other worlds more interesting

0:10:41.810 --> 0:10:45.250
<v Speaker 1>than this one, though this one has made him rich.

0:10:45.490 --> 0:10:48.410
<v Speaker 1>You know, I did a lot of work on open encyclopedias,

0:10:48.490 --> 0:10:52.650
<v Speaker 1>used the Wikipedia really intensely, worked on darkast Kalo project,

0:10:52.850 --> 0:10:56.290
<v Speaker 1>organized knowledge and build intelligent ages later became series built

0:10:56.370 --> 0:10:59.250
<v Speaker 1>data and analytics companies or natural language processing. Built all

0:10:59.290 --> 0:11:02.290
<v Speaker 1>these tools. Adult Nova got to thinking about what would

0:11:02.330 --> 0:11:06.250
<v Speaker 1>happen to all that knowledge if something went wrong. Now,

0:11:06.330 --> 0:11:09.170
<v Speaker 1>maybe he could do something about it. He could be

0:11:09.210 --> 0:11:12.090
<v Speaker 1>a real keeper of the book. We need to make

0:11:12.130 --> 0:11:15.050
<v Speaker 1>a long term copy of the Wikipedia that also can

0:11:15.090 --> 0:11:17.570
<v Speaker 1>never be destroyed and that will be found in the

0:11:17.610 --> 0:11:21.330
<v Speaker 1>distant future, like a backup copy. That got me thinking

0:11:21.330 --> 0:11:24.210
<v Speaker 1>about how to send the Wikipedia to the Moon. I realized, well,

0:11:24.210 --> 0:11:27.130
<v Speaker 1>why not put it on the moon? Backing up humanity

0:11:27.210 --> 0:11:30.770
<v Speaker 1>on the moon sounds like a wise idea. Particularly these days,

0:11:31.610 --> 0:11:35.570
<v Speaker 1>our systems and societies feel ever more fragile. If a

0:11:35.610 --> 0:11:39.930
<v Speaker 1>catastrophe does happen, maybe our knowledge can go into hibernation

0:11:40.610 --> 0:11:44.610
<v Speaker 1>and then be resurrected to help build a new civilization

0:11:44.690 --> 0:11:48.290
<v Speaker 1>in the future. Like how the classical texts copied and

0:11:48.410 --> 0:11:53.450
<v Speaker 1>preserved by dark age monks eventually kickstarted the Renaissance. No

0:11:53.650 --> 0:11:57.810
<v Speaker 1>Va Spivak calls the Lunar Library humanity's gift to the future.

0:11:59.090 --> 0:12:02.410
<v Speaker 1>He thinks humanity can become bigger through the physical act

0:12:02.490 --> 0:12:05.810
<v Speaker 1>of flinging its knowledge into space. Like I was just

0:12:05.810 --> 0:12:08.170
<v Speaker 1>a sort of spack on a planet, but now my

0:12:08.290 --> 0:12:10.650
<v Speaker 1>footprint is as wide as the Solar System. It's a

0:12:10.650 --> 0:12:14.730
<v Speaker 1>different feeling, and I think everybody should have that feeling

0:12:15.850 --> 0:12:20.050
<v Speaker 1>because it changes our sense of self. You know, that's important.

0:12:20.090 --> 0:12:24.010
<v Speaker 1>If you really want to have a multiplanetary civilization, you've

0:12:24.050 --> 0:12:27.090
<v Speaker 1>got to make people feel like they're part of a

0:12:27.210 --> 0:12:34.890
<v Speaker 1>multiplanetary civilization. It's inspiring, isn't it. This intergalactic team building.

0:12:36.650 --> 0:12:40.650
<v Speaker 1>Nova's vision of transcending the limits of time and space

0:12:41.130 --> 0:12:43.570
<v Speaker 1>builds on some of the most famous projects of the

0:12:43.610 --> 0:12:48.570
<v Speaker 1>twentieth century. In nineteen seventy seven, around the time Young

0:12:48.650 --> 0:12:53.090
<v Speaker 1>Nova was dreaming his epic dream, the two Voyager spacecraft

0:12:53.170 --> 0:12:57.930
<v Speaker 1>were launched, each carrying a Golden record, essentially a very

0:12:58.010 --> 0:13:02.330
<v Speaker 1>durable version of a vinyl LP. They held messages of

0:13:02.370 --> 0:13:07.690
<v Speaker 1>greeting from humanity to the rest of the universe. We

0:13:07.730 --> 0:13:11.770
<v Speaker 1>step out of our Solar system into the universe, seeking

0:13:11.770 --> 0:13:15.530
<v Speaker 1>only peace and friendship, to teach if we are called

0:13:15.610 --> 0:13:21.010
<v Speaker 1>upon to be taught, if we are fortunate, this version

0:13:21.050 --> 0:13:25.210
<v Speaker 1>of us, the Voyager Record, has already traveled beyond the

0:13:25.290 --> 0:13:29.730
<v Speaker 1>Solar system. It's a penpal letter to the cosmos, a

0:13:29.770 --> 0:13:32.690
<v Speaker 1>few lines about who we are and what we care about.

0:13:33.570 --> 0:13:36.450
<v Speaker 1>But no Va. Spivak wanted to send out more than

0:13:36.490 --> 0:13:39.530
<v Speaker 1>a few lines. He wanted to send all of it,

0:13:40.010 --> 0:13:43.410
<v Speaker 1>all human knowledge, the whole thing preserved on the Moon.

0:13:45.130 --> 0:13:49.530
<v Speaker 1>But first he got involved in history's most ridiculous mission

0:13:49.530 --> 0:14:08.090
<v Speaker 1>to Mars Nova. Spivak wanted to build a lunar library

0:14:08.210 --> 0:14:11.850
<v Speaker 1>to back up the world's knowledge and give human civilization

0:14:12.050 --> 0:14:16.210
<v Speaker 1>a future among the stars. He set up a nonprofit

0:14:16.690 --> 0:14:20.850
<v Speaker 1>he called Arc Mission, a play on Arc and Archive.

0:14:21.690 --> 0:14:24.770
<v Speaker 1>Since nineteen seventy seven and the days of Voyager and

0:14:24.810 --> 0:14:28.930
<v Speaker 1>the Golden Record, the technology of data storage has improved

0:14:29.010 --> 0:14:32.450
<v Speaker 1>beyond all measure, but the basic questions are the same.

0:14:33.370 --> 0:14:36.010
<v Speaker 1>What do you send and how do you send it?

0:14:38.650 --> 0:14:42.570
<v Speaker 1>Digital storage is cheap and plentiful, but it has its limits.

0:14:43.290 --> 0:14:45.450
<v Speaker 1>How can you be sure that your hard drive won't

0:14:45.490 --> 0:14:49.570
<v Speaker 1>be corrupted by unshielded radiation and space. How can you

0:14:49.610 --> 0:14:53.130
<v Speaker 1>be sure that aliens or future humans will even understand

0:14:53.210 --> 0:14:57.690
<v Speaker 1>what you've created. You need something that will last. That

0:14:57.770 --> 0:15:03.130
<v Speaker 1>was the thinking behind Golden records, durable analog materials, preferably

0:15:03.130 --> 0:15:06.770
<v Speaker 1>made of something rare to signify value to an alien race.

0:15:09.730 --> 0:15:14.490
<v Speaker 1>Novaspivack hit on quartz glass. It's super hard. They use

0:15:14.570 --> 0:15:17.490
<v Speaker 1>it to make spacecraft windows, and he met a guy

0:15:17.530 --> 0:15:20.410
<v Speaker 1>who knew how to use a laser to etch unbelievably

0:15:20.450 --> 0:15:24.210
<v Speaker 1>tiny images into it. They estimated an etched ball of

0:15:24.290 --> 0:15:28.530
<v Speaker 1>quartz glass would last fourteen billion years, which seemed like

0:15:28.650 --> 0:15:33.210
<v Speaker 1>enough time even to them. The question was what should

0:15:33.210 --> 0:15:38.290
<v Speaker 1>they put on it. A science fiction saga, the three

0:15:38.410 --> 0:15:48.290
<v Speaker 1>volumes of Isaac Asimov's Foundation trilogy Etched in Glass. When

0:15:48.330 --> 0:15:51.290
<v Speaker 1>I was a kid, I was a big science fiction fan,

0:15:51.450 --> 0:15:55.370
<v Speaker 1>and I was into Asimov's Foundation trilogy partly because they

0:15:55.370 --> 0:15:58.130
<v Speaker 1>were the only books that had a lead character called Hurry.

0:15:59.130 --> 0:16:03.730
<v Speaker 1>In Foundation, Hurry Selden is a future super scientist who

0:16:03.730 --> 0:16:08.450
<v Speaker 1>invents a discipline called psychohistory, which is basically making models

0:16:08.530 --> 0:16:11.610
<v Speaker 1>or projects based on loads of data about the past.

0:16:12.330 --> 0:16:15.010
<v Speaker 1>You can see why he'd be appealing to tech guys.

0:16:17.530 --> 0:16:21.370
<v Speaker 1>In the novel, Harry Seldon lives in a time of decadence.

0:16:22.050 --> 0:16:28.290
<v Speaker 1>The Galactic Empire is collapsing. Using psychohistory, Harry Selden produces

0:16:28.330 --> 0:16:31.570
<v Speaker 1>what he calls the Seldon Plan and which I call

0:16:31.690 --> 0:16:35.410
<v Speaker 1>the hurry Seldon Plan, a project to determine the right

0:16:35.450 --> 0:16:38.570
<v Speaker 1>time and place to set up a new society. If

0:16:38.570 --> 0:16:41.490
<v Speaker 1>he gets it right, it will shorten the coming Galactic

0:16:41.610 --> 0:16:49.450
<v Speaker 1>dark Age by thousands of years. And it was through

0:16:49.570 --> 0:16:53.690
<v Speaker 1>the Foundation Novels that Nova Spivak made a connection with

0:16:53.850 --> 0:16:59.530
<v Speaker 1>another Asimov fan and god involved in the most springbreakish

0:16:59.530 --> 0:17:05.930
<v Speaker 1>mission in the history of spaceflight. One day, Nova was

0:17:05.970 --> 0:17:10.170
<v Speaker 1>scrolling through the Twitter feed of Elon Musk. Musk was

0:17:10.210 --> 0:17:13.090
<v Speaker 1>going to use his cherry red Tesla as a dummy

0:17:13.170 --> 0:17:17.330
<v Speaker 1>payload to test out his new Fulcan heavy rocket. His

0:17:17.490 --> 0:17:21.170
<v Speaker 1>plan was to slingshot his car so it crashed landed

0:17:21.250 --> 0:17:25.770
<v Speaker 1>on Mars. Here's Elon describing the first convertible to exit

0:17:25.850 --> 0:17:29.170
<v Speaker 1>our atmosphere. It just has the same seats that like

0:17:29.210 --> 0:17:31.650
<v Speaker 1>a normal car has. It's just literally a normal car

0:17:31.930 --> 0:17:34.770
<v Speaker 1>in space, which I kind of like the absurdity of that.

0:17:35.090 --> 0:17:36.930
<v Speaker 1>I just happened to be there watching when it happened,

0:17:36.930 --> 0:17:38.890
<v Speaker 1>and I tweeted back to him and threw a bunch

0:17:38.930 --> 0:17:41.890
<v Speaker 1>of friends as well. Dear Elon, you know you can

0:17:41.890 --> 0:17:45.090
<v Speaker 1>find the tweet. I did find the tweet, Nova says,

0:17:45.570 --> 0:17:48.730
<v Speaker 1>dear Elon, we made you a data crystal that lasts

0:17:48.730 --> 0:17:53.250
<v Speaker 1>fourteen billion years, containing Asimov's Foundation trilogy wait less than

0:17:53.290 --> 0:17:55.810
<v Speaker 1>five grams, and we sent it along on the ride

0:17:55.810 --> 0:18:01.810
<v Speaker 1>to Mars, and Musk replies, Asimov's Foundation books should definitely

0:18:01.850 --> 0:18:06.010
<v Speaker 1>be part of the mission. They're amazing. We then had

0:18:06.050 --> 0:18:08.730
<v Speaker 1>to get to his officer trying to make that really happen.

0:18:09.690 --> 0:18:12.970
<v Speaker 1>For months, Nova and his team couldn't even get Musk's

0:18:12.970 --> 0:18:17.210
<v Speaker 1>people to respond to his messages. Finally, they made contact

0:18:17.210 --> 0:18:19.930
<v Speaker 1>through a random friend of a friend, and Musk agreed

0:18:19.970 --> 0:18:29.090
<v Speaker 1>to meet. It was the most important pitch of Nova's life. Eventually,

0:18:29.130 --> 0:18:31.410
<v Speaker 1>he looks up. His assistant is sitting there. She's kind

0:18:31.450 --> 0:18:33.930
<v Speaker 1>of breathlessly with us, and he looks up. He says,

0:18:33.970 --> 0:18:35.530
<v Speaker 1>who are you? What is this? What is this about?

0:18:35.570 --> 0:18:38.690
<v Speaker 1>I've got real work to do. Get out. At that moment,

0:18:39.130 --> 0:18:42.410
<v Speaker 1>Nova knew that if he didn't get Musk's attention right

0:18:42.450 --> 0:18:46.570
<v Speaker 1>there and then it was all over. So forget the presentation.

0:18:46.650 --> 0:18:49.330
<v Speaker 1>Forget the fancy pedestal. I just whipped the thing out,

0:18:49.610 --> 0:18:52.090
<v Speaker 1>dropped the crystal in his desk, and I say, that

0:18:52.530 --> 0:18:56.130
<v Speaker 1>is the Foundation Trilogy. He's like, that's the Foundation Trilogy. Yeah.

0:18:56.170 --> 0:18:59.010
<v Speaker 1>That He's like, what is its crystal? It's quarts crystal.

0:18:59.490 --> 0:19:01.970
<v Speaker 1>You know, we wrote the Foundation Trilogy into it with

0:19:02.050 --> 0:19:04.610
<v Speaker 1>a femto second laser and you agreed to take it

0:19:04.650 --> 0:19:08.970
<v Speaker 1>to Mars on Twitter and then a spark of recognition

0:19:09.370 --> 0:19:14.050
<v Speaker 1>appeared to light in Elon Musk's brain. Maybe he did

0:19:14.130 --> 0:19:16.810
<v Speaker 1>remember something about that, you know. He thinks it's like

0:19:16.810 --> 0:19:22.130
<v Speaker 1>a gift and we're like, no, that's like a million dollars. Okay, sorry,

0:19:22.370 --> 0:19:25.370
<v Speaker 1>but no. So I like grabbing it back from him

0:19:25.490 --> 0:19:27.770
<v Speaker 1>and he's like grabbing He's like, no, it's mine. I'm

0:19:27.810 --> 0:19:29.930
<v Speaker 1>keeping it. I'm like, no, you're taking it to Mars.

0:19:29.970 --> 0:19:32.090
<v Speaker 1>He's like, no, I'm putting it in my personal library.

0:19:33.250 --> 0:19:36.090
<v Speaker 1>I have a collection of stuff. And I realized, okay,

0:19:36.130 --> 0:19:38.130
<v Speaker 1>fuck it, and I pull out one of the other

0:19:38.130 --> 0:19:41.050
<v Speaker 1>ones from my pocket and I say, look, fine, it's

0:19:41.050 --> 0:19:43.930
<v Speaker 1>a deal. If you take this one to Mars, I'll

0:19:43.930 --> 0:19:46.970
<v Speaker 1>give you another one for your library. And he's like deal.

0:19:50.050 --> 0:19:53.730
<v Speaker 1>When the Falcon Heavy launched elon Musk's Tesla into space.

0:19:54.370 --> 0:19:57.610
<v Speaker 1>In the driver's seat was a mannequin dressed in a spacesuit.

0:19:58.010 --> 0:20:01.730
<v Speaker 1>It was called Starman after the David Bowie song, and

0:20:01.890 --> 0:20:05.850
<v Speaker 1>in the car's glove compartment was a ball of quartz glass.

0:20:06.570 --> 0:20:11.130
<v Speaker 1>Novas Bevac's first prototype ARC was one of those great

0:20:11.170 --> 0:20:15.730
<v Speaker 1>moments in life. The plan was to crash land the

0:20:15.770 --> 0:20:20.490
<v Speaker 1>Tesla onto the surface of Mars, but they missed, sending

0:20:20.490 --> 0:20:24.170
<v Speaker 1>the car into a thirty million year orbit around the Sun.

0:20:27.210 --> 0:20:32.730
<v Speaker 1>Bottom line is by missing Mars. Ultimately, it became the

0:20:32.890 --> 0:20:38.090
<v Speaker 1>longest lasting library in human history and the first in space.

0:20:39.090 --> 0:20:42.050
<v Speaker 1>Because three bucks is a library small, but it is

0:20:42.050 --> 0:20:48.530
<v Speaker 1>a library. It is a library, a library in a

0:20:48.610 --> 0:20:51.450
<v Speaker 1>car that has now exceeded its thirty six thousand mile

0:20:51.530 --> 0:20:55.290
<v Speaker 1>warranty thirty two thousand and four and twenty eight times

0:20:55.330 --> 0:20:59.290
<v Speaker 1>while driving around the Sun. The ARC that Nova Spivak

0:20:59.370 --> 0:21:01.770
<v Speaker 1>would send up to the Moon on the Bearacheet mission

0:21:02.090 --> 0:21:05.890
<v Speaker 1>was much more ambitious. The ARC mission had found a

0:21:05.930 --> 0:21:10.090
<v Speaker 1>way to etch tiny photographic images onto nickel readable by

0:21:10.090 --> 0:21:14.770
<v Speaker 1>an ordinary optical microscope. Using this technology, they made a

0:21:14.770 --> 0:21:18.490
<v Speaker 1>sort of sandwich with twenty five very thin nickel sheets.

0:21:19.090 --> 0:21:22.610
<v Speaker 1>The first four were fully analoged and contained many thousands

0:21:22.610 --> 0:21:27.210
<v Speaker 1>of pages of text and photographs. They also contained instructions

0:21:27.250 --> 0:21:29.890
<v Speaker 1>on how to read the other twenty one, which were

0:21:29.970 --> 0:21:34.250
<v Speaker 1>DVD masters etched using the same technology. It's a very

0:21:34.250 --> 0:21:38.410
<v Speaker 1>clever design. Each layer gets more complex and teaches you

0:21:38.450 --> 0:21:42.250
<v Speaker 1>how to read the next. So what did they put

0:21:42.290 --> 0:21:47.730
<v Speaker 1>on it? Wikipedia? Sure, but more than Wikipedia. When you're

0:21:47.770 --> 0:21:51.090
<v Speaker 1>in the business of backing up all human knowledge, you

0:21:51.170 --> 0:21:55.330
<v Speaker 1>have to ask what knowledge is worth while. This problem

0:21:55.370 --> 0:21:59.050
<v Speaker 1>came up on the Voyage Emission too. When it was

0:21:59.170 --> 0:22:03.530
<v Speaker 1>launched carrying the Golden Records, there were some disagreements about

0:22:03.530 --> 0:22:07.650
<v Speaker 1>what to include. A panel was convened to decide, headed

0:22:07.690 --> 0:22:12.490
<v Speaker 1>by the famous astronomer Carl Sagan. The record included some

0:22:12.530 --> 0:22:16.370
<v Speaker 1>pictures encoded in the same way as digital information can

0:22:16.370 --> 0:22:19.090
<v Speaker 1>be sent over a phone line using an analog modem.

0:22:19.890 --> 0:22:22.770
<v Speaker 1>The Voyager pictures show all sorts of things and all

0:22:22.810 --> 0:22:26.610
<v Speaker 1>sorts of people. The music is pretty great, probably because

0:22:26.650 --> 0:22:29.210
<v Speaker 1>one of the people choosing it was Alan Lomax, the

0:22:29.250 --> 0:22:34.290
<v Speaker 1>famous sound recordist and preserver of folk culture. But there

0:22:34.290 --> 0:22:41.210
<v Speaker 1>were problems. Sagan and his committee wanted to include a

0:22:41.290 --> 0:22:46.050
<v Speaker 1>photograph of a naked man and woman, but seventies America

0:22:46.170 --> 0:22:49.090
<v Speaker 1>couldn't handle it, and the photo had to be replaced

0:22:49.130 --> 0:22:53.890
<v Speaker 1>by a line drawing. Somehow, the drawing, which was intended

0:22:53.930 --> 0:22:59.010
<v Speaker 1>to be racially ambiguous, got Caucasianized, and even the drawing

0:22:59.050 --> 0:23:01.770
<v Speaker 1>was too much for some old NASA bureaucrat who insisted

0:23:01.810 --> 0:23:05.570
<v Speaker 1>that a small vertical line be removed so that the

0:23:05.610 --> 0:23:10.810
<v Speaker 1>woman would not appear to have genitals. A bean was fine, apparently,

0:23:11.090 --> 0:23:15.250
<v Speaker 1>but not Evolver. As a result, this wonderful example of

0:23:15.330 --> 0:23:21.370
<v Speaker 1>misogyny has recently exited the Solar system. Nova Spivak has

0:23:21.490 --> 0:23:25.690
<v Speaker 1>thought a lot about how to avoid misinforming aliens about sex.

0:23:26.690 --> 0:23:28.410
<v Speaker 1>To us, it might have been an artwork, but to

0:23:28.530 --> 0:23:32.530
<v Speaker 1>them they form an entire scientific theory about life on Earth,

0:23:32.650 --> 0:23:39.090
<v Speaker 1>which reproduces a sexually. In his space library, Nova included

0:23:39.170 --> 0:23:43.130
<v Speaker 1>crowdsourced material and a copy of something called the Rosetta Disc,

0:23:43.490 --> 0:23:48.970
<v Speaker 1>an archive of one thousand, five hundred World languages. Archmission

0:23:49.050 --> 0:23:53.210
<v Speaker 1>is a private organization, so they had to attract sponsors.

0:23:53.250 --> 0:23:56.010
<v Speaker 1>Some space on the tiny Nickel Library was allocated to

0:23:56.090 --> 0:23:59.370
<v Speaker 1>private archives and to a time capsule for the Israeli

0:23:59.410 --> 0:24:06.850
<v Speaker 1>Space Agency. Nova also approached his friend, the fantastic, the formidable,

0:24:07.250 --> 0:24:13.130
<v Speaker 1>the entirely flat, a guesting mister David Copperfield, and he

0:24:13.450 --> 0:24:15.730
<v Speaker 1>created a library of the secrets to all of his magic,

0:24:16.010 --> 0:24:23.370
<v Speaker 1>the magic of David Copperfield, starting David Cornfield. I'm somehow

0:24:23.410 --> 0:24:26.930
<v Speaker 1>not surprised that Nova as friends with David Copperfield. These

0:24:26.970 --> 0:24:30.290
<v Speaker 1>tricks of his, they're not just tricks, they're engineering achievements,

0:24:30.850 --> 0:24:32.850
<v Speaker 1>and there's a lot of science and technology behind it.

0:24:32.930 --> 0:24:37.610
<v Speaker 1>All of that is in one of our vaults. Some

0:24:37.730 --> 0:24:42.970
<v Speaker 1>of the space library, including Copperfield's magic, tell all his secret,

0:24:43.810 --> 0:24:47.210
<v Speaker 1>but Nova promises none of it's naughty. He did not

0:24:47.370 --> 0:24:50.730
<v Speaker 1>send pawn into space. But there is physical stuff in

0:24:50.730 --> 0:24:54.250
<v Speaker 1>the library. We got some artifacts that were from sacred

0:24:54.290 --> 0:24:59.050
<v Speaker 1>caves or at special religious monuments, or even from the

0:24:59.050 --> 0:25:01.370
<v Speaker 1>bones of some saints, and a little piece of the

0:25:01.370 --> 0:25:03.610
<v Speaker 1>body tree and it might just be a piece of

0:25:03.650 --> 0:25:08.490
<v Speaker 1>sand from a shrine or another place of religious significance.

0:25:09.290 --> 0:25:11.730
<v Speaker 1>They were at it, they thought they'd attached some actual

0:25:11.890 --> 0:25:22.850
<v Speaker 1>living things. Tardi grades are microscopic eight legged creatures that

0:25:22.970 --> 0:25:26.970
<v Speaker 1>were first seen by an eighteenth century German biologist. He

0:25:27.050 --> 0:25:29.850
<v Speaker 1>thought they looked like little bears, and sometimes they're still

0:25:29.890 --> 0:25:34.330
<v Speaker 1>cooled water bears. They're puffy and have tiny claws and

0:25:34.410 --> 0:25:38.410
<v Speaker 1>are weirdly cute, which is unusual. Most micro animals tend

0:25:38.410 --> 0:25:41.650
<v Speaker 1>to look like they've come out of a horror movie.

0:25:42.970 --> 0:25:46.810
<v Speaker 1>Tardi grades have been around almost six hundred million years.

0:25:47.730 --> 0:25:50.970
<v Speaker 1>When times are tough, like a sudden drop in temperature,

0:25:51.650 --> 0:25:54.090
<v Speaker 1>they shared ninety five percent of the water in Their

0:25:54.090 --> 0:25:57.890
<v Speaker 1>fat little bodies then go into a state called cryptobiosis,

0:25:58.090 --> 0:26:02.410
<v Speaker 1>which literally means hidden life. In this state, they're almost

0:26:02.450 --> 0:26:07.890
<v Speaker 1>impossible to kill. Nova Spivak's team encased some dehydrated Tardi

0:26:07.970 --> 0:26:11.690
<v Speaker 1>grades in resin and attached them to the package. The

0:26:11.770 --> 0:26:21.250
<v Speaker 1>Tarte grades and the library were shot into space, or

0:26:21.290 --> 0:26:24.730
<v Speaker 1>at least that's what I read. Almost every article written

0:26:24.770 --> 0:26:28.210
<v Speaker 1>about the mission mentions the Tardi grades living creatures on

0:26:28.250 --> 0:26:31.410
<v Speaker 1>the Moon. It was the big story. But when I

0:26:31.450 --> 0:26:35.290
<v Speaker 1>asked Nova about it, what Tarte grades? You're denying that

0:26:35.610 --> 0:26:39.810
<v Speaker 1>widespread reports that Tartar grades were part of the library.

0:26:39.930 --> 0:26:43.570
<v Speaker 1>I can neither confirm nor deny that there are Tartar grades.

0:26:43.890 --> 0:26:48.250
<v Speaker 1>I believe there are, but actually the way we did it,

0:26:49.130 --> 0:26:51.650
<v Speaker 1>it was like flipping a coin where one side is

0:26:51.730 --> 0:26:54.010
<v Speaker 1>put Tartar grades, or maybe put Tartar grades, and the

0:26:54.090 --> 0:26:56.970
<v Speaker 1>other side is I have no idea. At this point,

0:26:57.130 --> 0:27:00.610
<v Speaker 1>I'm finding the conversation very weird. When I say the

0:27:00.650 --> 0:27:03.970
<v Speaker 1>story about the Tarte grades was everywhere, I mean everywhere.

0:27:04.330 --> 0:27:06.450
<v Speaker 1>It was the first thing I heard about Nova or

0:27:06.490 --> 0:27:10.250
<v Speaker 1>the art mission. So was noa just ballshitting me? Why

0:27:10.370 --> 0:27:14.370
<v Speaker 1>was he being so kg Well? Perhaps because of what happened.

0:27:14.450 --> 0:27:18.450
<v Speaker 1>As the Bearasheet was descending towards the Moon, the scientists

0:27:18.450 --> 0:27:21.490
<v Speaker 1>in Israel that were conducting the mission realized that one

0:27:21.530 --> 0:27:24.610
<v Speaker 1>of the engines had stopped firing. They only had a

0:27:24.610 --> 0:27:28.570
<v Speaker 1>few seconds to think. They decided to reboot the engine.

0:27:29.410 --> 0:27:34.050
<v Speaker 1>That that caused the whole system to reboot. We seem

0:27:34.090 --> 0:27:38.250
<v Speaker 1>to have a problem with our main engine. We are

0:27:38.290 --> 0:27:46.770
<v Speaker 1>resetting the spacecraft. Try to enable the engine. We have

0:27:46.850 --> 0:27:49.770
<v Speaker 1>the main engine back on it. No, but it snug No. No,

0:27:53.050 --> 0:28:00.410
<v Speaker 1>The basheet lander crashed, crashed on the Moon. Then the

0:28:00.490 --> 0:28:05.530
<v Speaker 1>Israelis sent a blurry, low resolution picture which showed a

0:28:05.690 --> 0:28:10.210
<v Speaker 1>new crater on the Sea of Serenity. The lander or

0:28:10.250 --> 0:28:17.010
<v Speaker 1>its wreckage was too small to see. The thing is

0:28:17.410 --> 0:28:20.410
<v Speaker 1>if the library had been broken open, then it was

0:28:20.490 --> 0:28:23.650
<v Speaker 1>possible that Tardi grades had been scattered on the surface

0:28:23.690 --> 0:28:27.890
<v Speaker 1>of the Moon. I'm pretty sure that wasn't supposed to happen.

0:28:29.730 --> 0:28:32.730
<v Speaker 1>The Tardi grades were supposed to be enclosed in resin

0:28:33.370 --> 0:28:37.370
<v Speaker 1>sleeping soundly as part of a reference library, not just

0:28:37.810 --> 0:28:44.130
<v Speaker 1>hanging out in the sea of serenity. Were they alive,

0:28:44.850 --> 0:28:47.570
<v Speaker 1>could they come out of their suspended state and revive.

0:28:48.450 --> 0:28:51.610
<v Speaker 1>There's no water on the Moon, so it's highly unlikely.

0:28:52.330 --> 0:28:54.890
<v Speaker 1>But if you look at it a certain way, because

0:28:54.890 --> 0:28:58.810
<v Speaker 1>of the ARC mission, there is probably now life on

0:28:58.850 --> 0:29:04.050
<v Speaker 1>the Moon. Life on the Moon. It's like the beginning

0:29:04.090 --> 0:29:08.930
<v Speaker 1>of a Golden Age science fiction story. Nova knows very well,

0:29:09.090 --> 0:29:11.370
<v Speaker 1>and a myth is what his project needs to get

0:29:11.410 --> 0:29:15.810
<v Speaker 1>another chance. So yes, let's say the Art mission has

0:29:15.850 --> 0:29:20.410
<v Speaker 1>put life on the Moon, but not everyone thinks that

0:29:20.570 --> 0:29:26.130
<v Speaker 1>was Nova's decision to make. The reason Nova' Spevak is

0:29:26.210 --> 0:29:29.250
<v Speaker 1>being so post truth about whether the tar degrades are

0:29:29.290 --> 0:29:32.090
<v Speaker 1>on the Moon is because they got him into trouble.

0:29:32.810 --> 0:29:35.610
<v Speaker 1>It turns out that he didn't tell anyone they were

0:29:35.650 --> 0:29:40.250
<v Speaker 1>on board. If they were in fact on board, certainly

0:29:40.410 --> 0:29:45.970
<v Speaker 1>he didn't tell the Israeli government. While there's no actual

0:29:46.130 --> 0:29:50.370
<v Speaker 1>law prohibiting biological material being landed on the Moon, the

0:29:50.410 --> 0:29:53.770
<v Speaker 1>fact that Nova did it without seeking governmental approval has

0:29:53.850 --> 0:29:58.050
<v Speaker 1>some people worried. Even if the tar degrades aren't going

0:29:58.050 --> 0:30:01.090
<v Speaker 1>to come alive and colonize the Moon, shouldn't there be

0:30:01.250 --> 0:30:04.290
<v Speaker 1>some kind of official record of what we've put into space?

0:30:05.450 --> 0:30:08.210
<v Speaker 1>Of course, if you think that all sorts of weird

0:30:08.250 --> 0:30:12.290
<v Speaker 1>and dangerous hasn't been put into space with governmental approval,

0:30:12.370 --> 0:30:15.610
<v Speaker 1>and then I have an unshielded nuclear reactor to sell you,

0:30:16.570 --> 0:30:36.290
<v Speaker 1>or a cherry red tesla orbiting the Sun, you ask

0:30:36.370 --> 0:30:39.650
<v Speaker 1>a simple question like is there now life on the Moon,

0:30:40.410 --> 0:30:44.050
<v Speaker 1>and instead of an answer, you get back some microscopic

0:30:44.090 --> 0:30:47.330
<v Speaker 1>creatures that may or may not be there in a

0:30:47.450 --> 0:30:51.930
<v Speaker 1>state that may or may not be called life. When

0:30:51.970 --> 0:30:55.890
<v Speaker 1>I started thinking about Nova, Spivak's crash landed library and

0:30:55.970 --> 0:30:59.370
<v Speaker 1>the tardigrades on the Moon, the first thing I thought was,

0:31:00.050 --> 0:31:02.290
<v Speaker 1>this sounds like the sort of thing Sophia is into.

0:31:02.690 --> 0:31:05.570
<v Speaker 1>My name is Sophia Roost, and I'm a historian and

0:31:05.650 --> 0:31:09.290
<v Speaker 1>anthropologist of the modern life sciences. I met Sophia when

0:31:09.290 --> 0:31:12.410
<v Speaker 1>we were both fellows at the American Academy in Berlin.

0:31:13.410 --> 0:31:16.730
<v Speaker 1>I was working on my novel read Pill. Sophia was

0:31:16.770 --> 0:31:20.770
<v Speaker 1>doing something mysterious involving dead things and the Arctic Circle.

0:31:21.570 --> 0:31:24.250
<v Speaker 1>We had to eat dinner with our fellow fellows every night,

0:31:24.410 --> 0:31:27.050
<v Speaker 1>and over several months I got to know her pretty well.

0:31:27.650 --> 0:31:30.450
<v Speaker 1>She has a dry sense of humor and a very

0:31:30.490 --> 0:31:36.450
<v Speaker 1>particular set of intellectual interests. Sophia likes to watch scientists

0:31:36.690 --> 0:31:41.170
<v Speaker 1>doing stuff. She's interested in how they understand the concepts

0:31:41.210 --> 0:31:46.410
<v Speaker 1>they use, such as the concept of life. We will

0:31:46.490 --> 0:31:50.010
<v Speaker 1>think we know what life is. It's the opposite of death,

0:31:50.770 --> 0:31:54.130
<v Speaker 1>but beyond that, it turns out to be very difficult

0:31:54.170 --> 0:31:58.330
<v Speaker 1>to define. When I went looking for the scientifically accepted

0:31:58.370 --> 0:32:03.330
<v Speaker 1>definition of life, I found not one or two, but

0:32:03.410 --> 0:32:09.810
<v Speaker 1>one hundred and twenty three different definitions. More than it

0:32:09.930 --> 0:32:12.330
<v Speaker 1>being a difficult thing to define it, I would say

0:32:12.410 --> 0:32:16.650
<v Speaker 1>that the question of what is life is a really

0:32:16.730 --> 0:32:19.490
<v Speaker 1>generative question, and has been for quite a long time.

0:32:20.210 --> 0:32:24.570
<v Speaker 1>That's a very Sophiaish answer. She's basically telling me not

0:32:24.650 --> 0:32:27.370
<v Speaker 1>to fall into a hole. She and her colleagues have

0:32:27.530 --> 0:32:31.330
<v Speaker 1>already been down there and reported back. What we've found

0:32:31.410 --> 0:32:35.930
<v Speaker 1>is that life tends to be defined according to certain

0:32:36.170 --> 0:32:38.450
<v Speaker 1>kinds of things that people find value, but at a

0:32:38.450 --> 0:32:41.730
<v Speaker 1>specific moment in time. So when you look at the

0:32:41.810 --> 0:32:45.010
<v Speaker 1>way people have understood what life is. It actually says

0:32:45.010 --> 0:32:48.090
<v Speaker 1>a lot about what we think about, what we value,

0:32:48.130 --> 0:32:52.530
<v Speaker 1>what we care about, instead of defining life. Sofia tells

0:32:52.530 --> 0:32:57.090
<v Speaker 1>me a story. It takes place in seventeen eighty five

0:32:57.730 --> 0:33:01.970
<v Speaker 1>in the Duke of Tuscany's famous Cabinet of Curiosities, where

0:33:02.010 --> 0:33:06.450
<v Speaker 1>the ruler keeps his collection of natural wonders. The cabinet

0:33:06.450 --> 0:33:08.650
<v Speaker 1>has all the stuff you'd expect to find in such

0:33:08.650 --> 0:33:14.370
<v Speaker 1>a place, skeletons, trays of bugs and butterflies, wax models

0:33:14.370 --> 0:33:21.050
<v Speaker 1>of anatomical curiosities, strange things, and jars. The court physician,

0:33:21.730 --> 0:33:26.170
<v Speaker 1>a man named Felici Fontana, is doing some secret experiments

0:33:26.290 --> 0:33:32.010
<v Speaker 1>with a visiting French philosoph called Charles Dupati. So the

0:33:32.130 --> 0:33:36.210
<v Speaker 1>question that was trying to be answered in this experiment

0:33:36.330 --> 0:33:40.890
<v Speaker 1>was where does wheatlight come from? Tusk and farmers would

0:33:40.890 --> 0:33:44.210
<v Speaker 1>save wheat from one season to the next, even though

0:33:44.210 --> 0:33:47.450
<v Speaker 1>it all looked the same, some crops would get blint

0:33:47.730 --> 0:33:52.330
<v Speaker 1>and some wouldn't. What was causing it? What Fontana had

0:33:52.370 --> 0:33:56.490
<v Speaker 1>found and was that you could take a little drop

0:33:56.530 --> 0:33:58.770
<v Speaker 1>of water and put it on the tip of a

0:33:58.890 --> 0:34:02.930
<v Speaker 1>needle and bring it close to the grain of wheat,

0:34:03.410 --> 0:34:07.610
<v Speaker 1>and if there were eelworms in the grain of wheat,

0:34:07.650 --> 0:34:11.370
<v Speaker 1>even if they were desiccated, dry, seemingly dead, they would

0:34:11.410 --> 0:34:14.930
<v Speaker 1>be revived by the freshness of the water and would

0:34:14.970 --> 0:34:18.530
<v Speaker 1>begin to move around again. So this solved the mystery

0:34:18.570 --> 0:34:23.130
<v Speaker 1>of wheat blight. Tiny worms, But how is it possible

0:34:23.210 --> 0:34:26.530
<v Speaker 1>for them to come alive in this way? This seemed

0:34:26.810 --> 0:34:31.450
<v Speaker 1>to Dupatian to Fontana as well, to be not just

0:34:31.650 --> 0:34:35.210
<v Speaker 1>a sign that the eelworms had been paused right, that

0:34:35.250 --> 0:34:39.690
<v Speaker 1>they were hibernating to use a modern term, and were revived,

0:34:39.770 --> 0:34:43.370
<v Speaker 1>but that they were actually resurrected. They had been dead

0:34:43.810 --> 0:34:48.570
<v Speaker 1>and were now alive again. And Dupati asked Fontana why

0:34:48.610 --> 0:34:51.290
<v Speaker 1>he hadn't reported this, and Fontana, who was practicing Catholic

0:34:51.330 --> 0:34:53.250
<v Speaker 1>as many people were at the time, said that he

0:34:53.330 --> 0:34:55.690
<v Speaker 1>was worried that he would be excommunicated by the Church,

0:34:55.770 --> 0:35:04.090
<v Speaker 1>because Christ can be resurrected, but eelworms cannot resurrection, a

0:35:04.210 --> 0:35:10.810
<v Speaker 1>power that for a religious Catholic belongs to God, not man. Cryptobiosis,

0:35:10.810 --> 0:35:14.050
<v Speaker 1>the state of suspended animation that Tarte grades go into,

0:35:14.730 --> 0:35:17.330
<v Speaker 1>may not be resurrection in the way a Catholic would

0:35:17.410 --> 0:35:21.530
<v Speaker 1>understand it, but it's a state that raises profound questions

0:35:21.530 --> 0:35:26.530
<v Speaker 1>about the definition of life. If an organism isn't doing

0:35:26.570 --> 0:35:32.210
<v Speaker 1>any of the things we associate with life, moving around, eating, growing,

0:35:32.850 --> 0:35:36.410
<v Speaker 1>can we really say it's alive? If a dead thing

0:35:36.490 --> 0:35:40.570
<v Speaker 1>can come back to life, was it ever really dead?

0:35:41.250 --> 0:35:44.130
<v Speaker 1>This isn't the first time that Tarte grades have been

0:35:44.170 --> 0:35:47.970
<v Speaker 1>sent into space. I've written about some work that was

0:35:48.010 --> 0:35:51.450
<v Speaker 1>done by the Italian Space Agency. They took some Tartar

0:35:51.490 --> 0:35:56.010
<v Speaker 1>grades from leaf litter in Modna and put those into

0:35:56.090 --> 0:36:00.450
<v Speaker 1>low Earth orbit for about two weeks, and while they

0:36:00.490 --> 0:36:04.250
<v Speaker 1>were in orbit, they were able to lay eggs. Those

0:36:04.250 --> 0:36:09.330
<v Speaker 1>eggs hatched and more Tarte grades came out, so in

0:36:09.370 --> 0:36:13.890
<v Speaker 1>that sense that they're already extraterrestrials. There were also tartegrades

0:36:13.930 --> 0:36:17.690
<v Speaker 1>that were left outside where they were exposed to radiation

0:36:18.090 --> 0:36:22.810
<v Speaker 1>and extreme temperatures and vacuum of space, and those were

0:36:22.850 --> 0:36:26.170
<v Speaker 1>also resurrected. Brought that to all out, and as I said,

0:36:26.210 --> 0:36:30.570
<v Speaker 1>resurrected instead of revived, I promised to fear I'd cut

0:36:30.650 --> 0:36:34.290
<v Speaker 1>that out the slip into religious language, but it's a

0:36:34.330 --> 0:36:37.210
<v Speaker 1>perfect example of how tricky it is to think about

0:36:37.210 --> 0:36:42.570
<v Speaker 1>the border between life and death, or life a non life.

0:36:43.370 --> 0:36:48.490
<v Speaker 1>Imagine your Fellychif Fontana and Chel du Petit working in

0:36:48.610 --> 0:36:53.570
<v Speaker 1>secret in the Duke of Tuscany's personal museum. Imagine knowing

0:36:53.610 --> 0:36:57.090
<v Speaker 1>what the experiment is telling you, that dead creatures come

0:36:57.090 --> 0:37:00.450
<v Speaker 1>to life again. Imagine knowing that you can't publish your

0:37:00.450 --> 0:37:05.090
<v Speaker 1>findings because it shows you casually exercising God's greatest power,

0:37:05.970 --> 0:37:09.650
<v Speaker 1>the power to animate dead matter, to give it an

0:37:09.650 --> 0:37:14.730
<v Speaker 1>anima Latin for soul. It's our own new parlor tek right,

0:37:14.850 --> 0:37:17.730
<v Speaker 1>sent tartegots into space and see how they do when

0:37:17.730 --> 0:37:20.370
<v Speaker 1>they get back. It has that same kind of factor

0:37:21.010 --> 0:37:23.890
<v Speaker 1>of wonder. But I mean, what does that tell us

0:37:23.970 --> 0:37:29.010
<v Speaker 1>about the nature of life. There's this expectation of linearity, right,

0:37:29.010 --> 0:37:33.050
<v Speaker 1>that life begins and it proceeds along one trajectory and

0:37:33.090 --> 0:37:36.090
<v Speaker 1>then it ends, and once it ends, it stays ended.

0:37:37.810 --> 0:37:42.090
<v Speaker 1>What if life isn't one half of an opposition, but

0:37:42.170 --> 0:37:45.370
<v Speaker 1>a word for something that just increases in intensity, like

0:37:45.530 --> 0:37:49.090
<v Speaker 1>turning a dial. And what if it turns out that

0:37:49.170 --> 0:37:52.530
<v Speaker 1>the line of life can be dotted rather than continuous.

0:37:54.930 --> 0:37:58.410
<v Speaker 1>The next time I speak with Sophia, she tells me

0:37:58.490 --> 0:38:01.450
<v Speaker 1>about the time she went to the far North, to

0:38:01.530 --> 0:38:05.450
<v Speaker 1>an Arctic land called Spalbud, and it's only town long

0:38:05.570 --> 0:38:09.250
<v Speaker 1>year Bien outside of lanyere Bien. You need to have

0:38:09.330 --> 0:38:13.770
<v Speaker 1>a gun license because of polar bearers. Polar bears do

0:38:13.930 --> 0:38:17.730
<v Speaker 1>come into the town regularly, and a lot of people

0:38:17.850 --> 0:38:22.250
<v Speaker 1>in land Urbean carry a rifle, but everyone who leaves

0:38:22.450 --> 0:38:26.090
<v Speaker 1>the perimeter of the town needs to have one with them.

0:38:26.410 --> 0:38:29.970
<v Speaker 1>So in that sounds, I guess slightly more exotic than

0:38:30.170 --> 0:38:35.130
<v Speaker 1>other places. Sophia was there to visit the Spalbird Global

0:38:35.250 --> 0:38:41.130
<v Speaker 1>Seed volt the world's largest archive of agricultural crops. Swalbud

0:38:41.170 --> 0:38:45.530
<v Speaker 1>is the work of Carrie Fowler, the conservationist from Memphis, Tennessee,

0:38:45.610 --> 0:38:49.090
<v Speaker 1>who was active in the Civil rights movement as a

0:38:49.170 --> 0:38:52.650
<v Speaker 1>young man. He was present for Martin Luther King's last speech,

0:38:53.090 --> 0:38:57.370
<v Speaker 1>I've Been to the Mountaintop. Fowler has many of the

0:38:57.450 --> 0:39:03.410
<v Speaker 1>same preoccupations as Nova Spivak, that mix of utopian pragmatism.

0:39:03.490 --> 0:39:07.130
<v Speaker 1>He's another keeper of the book. The knowledge he cares

0:39:07.170 --> 0:39:10.450
<v Speaker 1>about is stored in the crops we plant, the work

0:39:10.530 --> 0:39:15.770
<v Speaker 1>of generations and generations of farmers. He determined that actually

0:39:15.810 --> 0:39:18.090
<v Speaker 1>most of the world seed banks were in places that

0:39:18.130 --> 0:39:21.930
<v Speaker 1>were quite dangerous either for geopolitical reasons, or climentological ones,

0:39:22.570 --> 0:39:28.690
<v Speaker 1>and proposed putting a vault buried deep within the permafrost

0:39:29.690 --> 0:39:33.930
<v Speaker 1>below this mountain that I mentioned, Platyburget Mountain, that would

0:39:33.930 --> 0:39:37.410
<v Speaker 1>be able to maintain an ambient temperature that would keep

0:39:37.450 --> 0:39:42.010
<v Speaker 1>the seeds frozen for centuries even if the power has

0:39:42.050 --> 0:39:48.250
<v Speaker 1>gone out on civilization. I suppose I should mention that

0:39:48.290 --> 0:39:51.570
<v Speaker 1>I've been talking to Sophia during the early days of COVID.

0:39:52.130 --> 0:39:55.410
<v Speaker 1>We're both working from home. You'd probably hear our children

0:39:55.450 --> 0:39:59.810
<v Speaker 1>in the background. It's a scary time, and every conversation

0:39:59.970 --> 0:40:02.810
<v Speaker 1>makes its way back to one thing. Well, Viruses in

0:40:02.850 --> 0:40:05.490
<v Speaker 1>general are funny things. For as long as we've known

0:40:05.490 --> 0:40:10.490
<v Speaker 1>about viruses, they've been these limits all objects more than

0:40:10.530 --> 0:40:14.810
<v Speaker 1>anything else, I would say, the thing that straddles the

0:40:15.090 --> 0:40:18.730
<v Speaker 1>division between life and death, or life and non life.

0:40:19.210 --> 0:40:22.210
<v Speaker 1>My favorite definition of virus comes from this guy named

0:40:22.250 --> 0:40:27.290
<v Speaker 1>Peter Medawar, who sort of mid twentieth century biologists who

0:40:27.330 --> 0:40:30.170
<v Speaker 1>did a lot of work on graph versus host disease,

0:40:30.730 --> 0:40:34.130
<v Speaker 1>but he was also a really prolific science writer, and

0:40:34.170 --> 0:40:37.770
<v Speaker 1>he said that a virus is a piece of bad

0:40:37.850 --> 0:40:43.450
<v Speaker 1>news wrapped up in protein, which is timely right. Viruses

0:40:43.570 --> 0:40:47.370
<v Speaker 1>depend on the host cells they infect to reproduce themselves.

0:40:48.170 --> 0:40:52.130
<v Speaker 1>They hijack that cell's metabolism and use it to make copies,

0:40:52.690 --> 0:40:56.610
<v Speaker 1>and a number of scientists realized that there were probably

0:40:57.370 --> 0:41:00.850
<v Speaker 1>bodies beneath perma frost and various parts of the Arctic

0:41:00.850 --> 0:41:04.010
<v Speaker 1>Circle or slightly below the Arctic Circle that would still

0:41:04.170 --> 0:41:09.930
<v Speaker 1>have extant nineteen eighteen flu in them. They sampled brain tissue,

0:41:10.010 --> 0:41:15.290
<v Speaker 1>lung tissue, liver, and brought all of those samples back

0:41:15.290 --> 0:41:19.610
<v Speaker 1>to the laboratory, and what they found was that there

0:41:19.730 --> 0:41:24.970
<v Speaker 1>was still significant pieces of nineteen eighteen flu rna that

0:41:25.090 --> 0:41:29.330
<v Speaker 1>could be sequenced and pieced back together, and in the

0:41:29.410 --> 0:41:33.930
<v Speaker 1>lung tissue when it was warmed back to ambient temperature

0:41:34.050 --> 0:41:38.210
<v Speaker 1>body temperature in the laboratory, the same bacteria that were

0:41:38.250 --> 0:41:43.570
<v Speaker 1>in the lungs came back to life. On her trip

0:41:43.610 --> 0:41:47.290
<v Speaker 1>to the Arctic Circle, Sophia went to visit the cemetery

0:41:47.290 --> 0:41:50.930
<v Speaker 1>where scientists had exsumed the bodies of seven miners who

0:41:51.010 --> 0:41:54.330
<v Speaker 1>died of the flu. She wandered the mountainside until she

0:41:54.370 --> 0:41:58.930
<v Speaker 1>found the graves, seven white crosses, almost invisible against the snow.

0:41:59.810 --> 0:42:02.690
<v Speaker 1>At the time, she was looking for traces of the past.

0:42:03.770 --> 0:42:06.970
<v Speaker 1>Little did she know she was getting a glimpse of

0:42:07.010 --> 0:42:11.850
<v Speaker 1>the future. The nineteen eighteen strain of the flu in

0:42:11.890 --> 0:42:14.050
<v Speaker 1>all likelihood is something that, as we know it is

0:42:14.090 --> 0:42:17.730
<v Speaker 1>incredibly virulent. It's something that now people are comparing COVID

0:42:17.770 --> 0:42:19.730
<v Speaker 1>to write is it more virulent? Is it more deadly?

0:42:19.810 --> 0:42:26.170
<v Speaker 1>How contagious is it? Right now, viruses are on our minds,

0:42:26.930 --> 0:42:30.210
<v Speaker 1>but there are other things lurking in the permafrost, and

0:42:30.290 --> 0:42:33.210
<v Speaker 1>with global warming, the idea that they might come back

0:42:33.210 --> 0:42:38.210
<v Speaker 1>to haunt us is no longer hypothetical. There's smallpox virus

0:42:38.210 --> 0:42:42.650
<v Speaker 1>from the eighteenth and nineteenth centuries that is still around

0:42:42.890 --> 0:42:46.170
<v Speaker 1>in the permafrost. And then there are also a lot

0:42:46.210 --> 0:42:49.850
<v Speaker 1>of diseases that we don't know about because they were

0:42:49.890 --> 0:42:54.690
<v Speaker 1>around before we were. Recently, a frozen wooly mammoth which

0:42:54.730 --> 0:42:58.890
<v Speaker 1>was about twenty thousand years old was thought and the

0:42:58.930 --> 0:43:05.650
<v Speaker 1>bacteria that had killed it we're still alive in the

0:43:05.690 --> 0:43:15.250
<v Speaker 1>mammoth tissue. Of all the borders I've explored in this season,

0:43:15.930 --> 0:43:20.210
<v Speaker 1>between natives and migrants east and west, the real and

0:43:20.250 --> 0:43:25.010
<v Speaker 1>the virtual, none is as fundamental as the boundary between

0:43:25.050 --> 0:43:31.370
<v Speaker 1>life and death, and none is as ambiguous. Life isn't

0:43:31.410 --> 0:43:35.130
<v Speaker 1>one half of an opposition, but an intensity that's dialed

0:43:35.210 --> 0:43:38.570
<v Speaker 1>up and down, moving through a gray zone that we

0:43:38.610 --> 0:43:43.170
<v Speaker 1>don't know how to name. Things can be alive than dead,

0:43:43.890 --> 0:43:48.250
<v Speaker 1>than alive again, millions of seeds under an Arctic mountain,

0:43:49.370 --> 0:43:53.850
<v Speaker 1>dormant viruses in the permafrost, a library on the moon.

0:43:56.970 --> 0:44:01.730
<v Speaker 1>Maybe one day we'll understand or just accept that gray zone,

0:44:02.290 --> 0:44:05.530
<v Speaker 1>and with that understanding, we'll be able to extend humanity's

0:44:05.570 --> 0:44:09.850
<v Speaker 1>future in time and space, to send ourselves orbiting around

0:44:09.890 --> 0:44:13.330
<v Speaker 1>the Sun with all human knowledge and a little crystal ball.

0:44:14.530 --> 0:44:19.050
<v Speaker 1>What then, who would we be? What would we be?

0:44:20.210 --> 0:44:24.890
<v Speaker 1>In thinking these thoughts, sometimes we feel like experimenters in

0:44:24.930 --> 0:44:29.050
<v Speaker 1>a grand Duke's cabinet of curiosities, holding a drop of

0:44:29.090 --> 0:44:51.730
<v Speaker 1>water on a pin, whispering forbidden words like resurrection. Into

0:44:51.770 --> 0:44:56.130
<v Speaker 1>the Zone is produced by Rider Also and Hunter Braithway.

0:44:56.410 --> 0:44:59.930
<v Speaker 1>Our editor is Julia Barton. Mer La Belle is our

0:45:00.010 --> 0:45:05.210
<v Speaker 1>executive producer. Martin Gonzalez is our engineer. Music for this

0:45:05.250 --> 0:45:09.050
<v Speaker 1>episode composed by Issy or Campo, also known as Student.

0:45:11.450 --> 0:45:15.290
<v Speaker 1>Our theme song is composed by Sarah K. Petinatti, also

0:45:15.370 --> 0:45:19.970
<v Speaker 1>known as Lipp Talk Special. Thanks to Jacob Weisberg, head

0:45:19.970 --> 0:45:25.850
<v Speaker 1>of Fine John Schnaz, Maya Kanig, Kylie mcgliori, Eric Sandler,

0:45:26.450 --> 0:45:30.370
<v Speaker 1>Emily Rostick, and Maggie Taylor. Into the Zone is a

0:45:30.370 --> 0:45:34.210
<v Speaker 1>production of Pushkin Industries. If you enjoyed this episode, please

0:45:34.250 --> 0:45:37.250
<v Speaker 1>consider letting others know. The best way to do this

0:45:37.570 --> 0:45:40.770
<v Speaker 1>is by rating us on Apple Podcasts. You could even

0:45:40.770 --> 0:45:45.090
<v Speaker 1>write a review and for a Spotify playlist of songs

0:45:45.130 --> 0:45:48.530
<v Speaker 1>that inspired this episode. You can find me on Twitter

0:45:48.930 --> 0:45:56.210
<v Speaker 1>at at Harry Kunzru. I'm fantastic, the formidable, the entirely flabbergast.

0:45:56.570 --> 0:45:58.650
<v Speaker 1>Hurry Kunzrum, See you next time.