WEBVTT - Beast of Burden

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 2>Some are solved and some are cold, very cold.

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<v Speaker 1>This is buried Bones.

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<v Speaker 2>Hey Paul, Hey Kate, how's it going.

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<v Speaker 1>It's going well. Normally we have lots of fun shit chat,

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<v Speaker 1>but I think we're just going to jump right into

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<v Speaker 1>this story. What do you think?

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<v Speaker 2>Okay, let's do it.

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<v Speaker 1>We are in late eighteen hundreds and we're going to

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<v Speaker 1>be in Iowa and I have never been to Iowa,

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<v Speaker 1>but I would love to go to Iowa. Have you

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<v Speaker 1>been to Iowa? Are their murderers in Iowa?

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<v Speaker 2>Yeah? I actually did a case in Iowa. Was Williamsburg

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<v Speaker 2>double homicide of a couple at a holiday inn. They

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<v Speaker 2>were hatcheted to death in their bed. Oh my gosh, horrible,

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<v Speaker 2>horrible case. And this was the very first episode of

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<v Speaker 2>my TV show, The DNA of Murder. And I'm confident

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<v Speaker 2>that two other cases, one in Illinois and one down

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<v Speaker 2>in Mississippi, or I think it's Mississippi where there are

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<v Speaker 2>two single men hatcheted to death in their hotel rooms.

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<v Speaker 2>I'm confident it's the same offender and pretty confident I

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<v Speaker 2>know who that offender is. Just haven't been able to

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<v Speaker 2>get the evidence to prove the case.

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<v Speaker 1>We talk about that all the time with you, where

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<v Speaker 1>you end up feeling like you have such a strong

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<v Speaker 1>feeling about it and then there's just not enough evidence.

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<v Speaker 1>We talked about that with the Golden State killer case too,

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<v Speaker 1>where you were, you know, you were leaning towards a suspect,

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<v Speaker 1>and then when the DNA comes back, it doesn't match.

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<v Speaker 1>So I know how frustrating that can be for you.

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<v Speaker 2>It is, but I better pull out a notepad here

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<v Speaker 2>and start taking notes as you as you tell me

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<v Speaker 2>about this eighteen hundreds case in Iowa.

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<v Speaker 1>Time to head to Iowa. Okay, let's go ahead and

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<v Speaker 1>set the scene. The center of this story is the

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<v Speaker 1>Elkins family and they are in Elk Township, which is

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<v Speaker 1>in northeast Iowa. And they are a farming family, very

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<v Speaker 1>typical farming family. We're in eighteen eighty nine, summertime, eighteen

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<v Speaker 1>eighty nine, very rural, and this is our stomping ground

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<v Speaker 1>eighteen Yes, can you believe you're I've I've been saying

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<v Speaker 1>this about you. Your stomping ground is eighteen hundreds, rural community.

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<v Speaker 1>This is where these are our bread and butter stories.

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<v Speaker 1>I feel like, don't you feel like we come to

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<v Speaker 1>these stories sometimes.

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<v Speaker 2>They do seem to come up quite a bit, you know.

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<v Speaker 2>And I think part of it though, is kind of

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<v Speaker 2>the lack of density with the residents. So, you know,

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<v Speaker 2>offenders recognize that they have space in order to commit

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<v Speaker 2>the crimes and relatively low risk for witnesses to see them.

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<v Speaker 1>I think that's true. And you know, we end up

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<v Speaker 1>with very few witnesses. We have some ear witnesses sometimes,

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<v Speaker 1>but these cases can be pretty frustrating. Okay, well let's

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<v Speaker 1>get into this one. So this is a very quiet

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<v Speaker 1>part of the Midwest, as we said before, and this

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<v Speaker 1>is the morning of Wednesday, July seventeenth, and something really

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<v Speaker 1>unsettling happens to a farmer who knows the Elkins family.

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<v Speaker 1>So that morning he sees it's a guy named John Porter,

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<v Speaker 1>and he sees an eleven year old local boy who

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<v Speaker 1>is one of the members of the Elkins family. His

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<v Speaker 1>name is John Wesley Elkins. His dad's name is John,

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<v Speaker 1>and he goes by Wesley. So he is driving his

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<v Speaker 1>family's horse drawn buggy and he's heading down a nearby

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<v Speaker 1>dirt road totally covered in blood. The driving the buggy

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<v Speaker 1>part is an alarming at first, I thought, you know,

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<v Speaker 1>knee jerky action is an eleven year old out there

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<v Speaker 1>driving on a country road. They absolutely would have known how,

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<v Speaker 1>of course, how to drive a horse and buggy. He's

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<v Speaker 1>down there driving this horse and buggy. He's covered in blood.

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<v Speaker 1>As Wesley gets closer to John Porter, the neighbor, John

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<v Speaker 1>can also see that Wesley has a companion. It's his

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<v Speaker 1>one year old half sister whose name is Nelly, and

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<v Speaker 1>she's lying on the seat beside him, so she seems

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<v Speaker 1>to be fine. He is covered in blood and really

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<v Speaker 1>having a difficult time. He slows down the horse and

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<v Speaker 1>buggy and John Porter says what's happening, and Wesley says

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<v Speaker 1>that somebody broke into the family's house and shot his

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<v Speaker 1>father John and pounded to death his stepmother Hattie. Okay,

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<v Speaker 1>so Wesley was on his way with his little sister

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<v Speaker 1>to his grandfather's house to get help. So there's a

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<v Speaker 1>lot to unpack here already. You don't have very much information,

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<v Speaker 1>I know, but just this scene must have been terrifying.

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<v Speaker 1>Of this little boy covered in blood. He's a small kid.

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<v Speaker 1>I'll show you a picture of him later. He survives

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<v Speaker 1>this attack along with his one year old, and he

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<v Speaker 1>has the presence of mind to take her, put her

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<v Speaker 1>in this horse and buggy and get to safety. So

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<v Speaker 1>that's where we are at this point.

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<v Speaker 2>And no other siblings inside the house. This is the

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<v Speaker 2>entirety of the family, the two kids and the parents. Okay, yep.

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<v Speaker 1>Eleven year old, a one year old, and then the parents.

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<v Speaker 1>So you know this is alarming of course, to John

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<v Speaker 1>Porter and an intruder. He's very specific, right, I mean,

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<v Speaker 1>he's saying he shot his dad and then he said

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<v Speaker 1>that the intruder pounded his stepmother to death. So this

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<v Speaker 1>is very upsetting, of course, and I think would have

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<v Speaker 1>been even more unusual than you would think in this

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<v Speaker 1>area of the Midwest. So you know, do you want

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<v Speaker 1>to continue or do you have any other thoughts on that?

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<v Speaker 2>Well, you know, this description of Wesley being covered in blood,

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<v Speaker 2>you know, that's the term that's often used. And of course,

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<v Speaker 2>from my vantage point is I want to see, you know,

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<v Speaker 2>how much blood, what kinds of patterns are present, you know,

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<v Speaker 2>under the circumstances as you've told him up to now

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<v Speaker 2>I'm wondering, well, why does Wesley have any blood on him?

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<v Speaker 2>It was he close to his step mom when she's

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<v Speaker 2>being bludgeoned. Absolutely, you know you can get blood spatter

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<v Speaker 2>coming up onto the kid. Can you imagine how traumatic

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<v Speaker 2>this would be for an eleven year old boy? You know,

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<v Speaker 2>of course you indicate that the dad, John Senior, is shot.

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<v Speaker 2>You know what is he shot with? If he's just shot,

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<v Speaker 2>let's say, with a handgun in the chest, that's really

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<v Speaker 2>not a very bloody scene at all, Versus was he

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<v Speaker 2>shot in the head with a shotgun? And then now

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<v Speaker 2>you can see where could have a lot of his

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<v Speaker 2>father's blood on him? Or after his parents are killed,

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<v Speaker 2>does Wesley go up and interact with their bodies? Mom?

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<v Speaker 2>Are you okay? Something like that? And now he's getting

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<v Speaker 2>blood on himself, and at this point in time, we

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<v Speaker 2>don't know if Wesley himself has any bleeding injuries. Obviously

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<v Speaker 2>I need more information, but right now I'm starting to

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<v Speaker 2>just kind of figure out the dynamic space on what

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<v Speaker 2>you've told me.

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<v Speaker 1>There's a lot more information to come. So John Porter,

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<v Speaker 1>the neighbor the farmer, gets his adult son and they

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<v Speaker 1>go to the Elkins home. So they make sure that

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<v Speaker 1>Wesley and his one year old sister are secured, and

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<v Speaker 1>they decide they're going to go to the house, which

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<v Speaker 1>seems like a scary idea to me, but you know what,

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<v Speaker 1>they need to go investigate. I guess they find Wesley's parents,

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<v Speaker 1>just as he said, they're dead in the bedroom. John

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<v Speaker 1>sends his son to go to the police, and this

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<v Speaker 1>is what the police eventually find and what John Porter finds.

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<v Speaker 1>There is John Wesley, Sr. Who is forty three. He

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<v Speaker 1>is lying on his bed with his head resting on

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<v Speaker 1>his pillow, and he has been shot once through the

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<v Speaker 1>left eye. It also looks right now that he's been

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<v Speaker 1>beaten with some sort of blunt instrument on the left

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<v Speaker 1>side of his head and on his forehead. Okay, so

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<v Speaker 1>we have a good source book that Marin used. It

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<v Speaker 1>was a woman named Patricia Bryan and her co author

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<v Speaker 1>Thomas Wolfe, wrote a book called The Plea. In the book,

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<v Speaker 1>they described his face as destroyed. So it sounds like

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<v Speaker 1>badly beaten, but right, I mean, we need to know

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<v Speaker 1>more about the gun to see gosh through his eye.

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<v Speaker 1>I mean that is just always so gruesome to me.

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<v Speaker 1>Is that someone who intentionally did that or missed or

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<v Speaker 1>when you see that kind of an injury, what does

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<v Speaker 1>that usually mean the person was the victim was moving around?

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<v Speaker 2>No, you know, there's the evaluation of the distance that

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<v Speaker 2>the gun was at the time of the shot. If

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<v Speaker 2>it is a more distant shot, did the sh shooter

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<v Speaker 2>truly intended to shoot through the eye or it's just

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<v Speaker 2>generally shooting at the at the head and it just

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<v Speaker 2>happed the bullet happened to pass through the eye. However,

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<v Speaker 2>if you have let's say a very close range shot,

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<v Speaker 2>now you've got let's say stippling from gunpowder, or you

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<v Speaker 2>have sooting or or even depending on the caliber of

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<v Speaker 2>the weapon, you can even get gases going into the

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<v Speaker 2>skull space the orbital space, and now you can get

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<v Speaker 2>rupture of the skin showing it's a contact wound. Now,

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<v Speaker 2>if that is what's going on, then yes, I would

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<v Speaker 2>say the offender, the shooter intentionally shot John through the eye.

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<v Speaker 2>So right now, absent that type of information, it's at

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<v Speaker 2>this point, it's just the shot went through his his

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<v Speaker 2>left eye. Of course, I'm very interested in the bludgeting

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<v Speaker 2>because you know what what weapon was used to bludgeon

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<v Speaker 2>John as he laid there. It sounds like he's asleep

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<v Speaker 2>and possibly never even realized that he was about to die.

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<v Speaker 1>Let me tell you about the other body, which would

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<v Speaker 1>be Hattie. So she was twenty three, twenty years younger

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<v Speaker 1>than her husband, his second wife. John's body is partially

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<v Speaker 1>covered by Hattie's body. So in this book the plea

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<v Speaker 1>she's described as this is an interesting description, bent backward

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<v Speaker 1>across the bed in an unnatural position with her face

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<v Speaker 1>toward the ceiling and her feet on the floor. She

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<v Speaker 1>had been beaten so violently with this blunt object that

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<v Speaker 1>her skull and her jawbone were broken, and the backs

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<v Speaker 1>of her legs are severely bruised. And then I have

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<v Speaker 1>information about blood throughout the room. But those are the

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<v Speaker 1>two things about the victims. So what do you think

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<v Speaker 1>about that she's kind of laying on top of him.

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<v Speaker 2>It sounds like well, the position of her body being

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<v Speaker 2>on top of her husband, John could suggest a sequence

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<v Speaker 2>in terms of who was attacked first. And of course,

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<v Speaker 2>an offender recognizing that there's a male likely is going

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<v Speaker 2>to go out after the biggest threat first. Patty's position

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<v Speaker 2>is she also asleep and as her husband is, there's

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<v Speaker 2>a gunshot. She wakes up. Her husband's getting beat by

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<v Speaker 2>this guy, and now she's trying to get off the bed,

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<v Speaker 2>and now the offender turns his attention onto her, and

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<v Speaker 2>then ultimately she collapses backwards onto John. I mean, I

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<v Speaker 2>think that's one possible scenario, but there's many possible scenarios.

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<v Speaker 2>At this point. This is where now the blood patterns,

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<v Speaker 2>her actual injuries. Taking a look at things within the

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<v Speaker 2>bedroom itself can help inform sort of the sequence of

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<v Speaker 2>how these victims were attacked. And I'm sure you're going

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<v Speaker 2>to give me more information coming up.

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<v Speaker 1>So this is the scene. The rest of the scene

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<v Speaker 1>in this bedroom, there is blood spatter on the walls

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<v Speaker 1>and the ceiling pool, blood in the bed sheets and

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<v Speaker 1>nearby on the floor, and there are small footprints we

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<v Speaker 1>find out later it's Wesley's footprints because he ran up

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<v Speaker 1>to see what was going on. He had beer feet

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<v Speaker 1>that led from the bodies to another bedroom in the house.

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<v Speaker 1>So the bed in the second bedroom is unmade, and

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<v Speaker 1>there are spots of blood in its sheets, and at

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<v Speaker 1>the foot of the bed there is a single barrel

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<v Speaker 1>rifle which is determined to be one of the murder weapons,

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<v Speaker 1>and it belongs to the family and it's usually stored

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<v Speaker 1>in a bedroom where it hangs on the wall. So

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<v Speaker 1>anybody who's been in this house would have seen this

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<v Speaker 1>gun there, or I suppose somebody there looking to rob

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<v Speaker 1>the house could have seen this gun inexplicably on the wall.

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<v Speaker 1>Using them as a weapon seems odd to me. But

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<v Speaker 1>what do you think about that?

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<v Speaker 2>I just I need to clarify. You have the second bedroom,

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<v Speaker 2>which it doesn't appear that anybody had slept in that.

0:12:42.520 --> 0:12:44.000
<v Speaker 1>Bed, right, I don't think so?

0:12:44.160 --> 0:12:48.800
<v Speaker 2>Yeah? And what kind of blood staining was seen? That?

0:12:49.240 --> 0:12:53.599
<v Speaker 2>Is it blood drips that was leading from the homicide

0:12:53.679 --> 0:12:55.400
<v Speaker 2>room into the second bedroom.

0:12:55.800 --> 0:12:59.240
<v Speaker 1>Yes, So there are the footprints that we are later

0:12:59.360 --> 0:13:03.440
<v Speaker 1>determining our belong to Wesley, that go from the bodies

0:13:03.440 --> 0:13:05.720
<v Speaker 1>to another bedroom in the house. Where we presume the

0:13:05.720 --> 0:13:08.280
<v Speaker 1>little girl was, so he was probably checking on her.

0:13:08.840 --> 0:13:12.280
<v Speaker 1>Then the bed in this second room is unmade, so

0:13:12.320 --> 0:13:14.560
<v Speaker 1>nobody's slept in there, and there are spots of blood

0:13:14.600 --> 0:13:17.120
<v Speaker 1>in its sheets, and at the foot of the bed

0:13:17.240 --> 0:13:20.360
<v Speaker 1>is the rifle. Okay, so no action in that second bedroom.

0:13:20.360 --> 0:13:21.720
<v Speaker 1>It sounds like a little bit of blood.

0:13:22.080 --> 0:13:26.520
<v Speaker 2>So there's also sequence information. You said the rifle is

0:13:26.640 --> 0:13:30.600
<v Speaker 2>the weapon used to shoot John. They confirmed this, probably

0:13:30.679 --> 0:13:34.800
<v Speaker 2>through some sort of ballistic analysis, I imagine for the

0:13:34.920 --> 0:13:40.439
<v Speaker 2>late eighteen hundreds. The blood drips, Now, this could be

0:13:40.880 --> 0:13:43.000
<v Speaker 2>the offender. I don't know what kind of weapon was

0:13:43.080 --> 0:13:46.160
<v Speaker 2>used to do the bludgeoning. Does the offender himself get

0:13:46.160 --> 0:13:50.240
<v Speaker 2>injured as a result of bludgeoning, because sometimes you're holding

0:13:50.280 --> 0:13:52.319
<v Speaker 2>on to a victim with your off hand and you're

0:13:52.400 --> 0:13:55.600
<v Speaker 2>using your other hand to beat that victim, and now

0:13:55.600 --> 0:13:58.280
<v Speaker 2>you're hitting your own hand, and now you have lacerations

0:13:58.280 --> 0:14:01.520
<v Speaker 2>that could cause bleeding. So when the offender moves to

0:14:01.600 --> 0:14:04.800
<v Speaker 2>the second bedroom and dumps the rifle there, you know,

0:14:05.480 --> 0:14:08.960
<v Speaker 2>might be the offender's dripped blood. Could it be Wesley,

0:14:09.120 --> 0:14:11.760
<v Speaker 2>You know, Wesley is at this point, I'm not going

0:14:11.800 --> 0:14:14.840
<v Speaker 2>to say I have any suspicions of Wesley at this point.

0:14:15.000 --> 0:14:17.440
<v Speaker 2>But you know, I just want to put that out there.

0:14:17.679 --> 0:14:19.800
<v Speaker 2>He's an eleven year old boy. You know, he can

0:14:19.840 --> 0:14:23.080
<v Speaker 2>shoot a rifle. But I have a hard time seeing

0:14:23.400 --> 0:14:27.720
<v Speaker 2>him beating his mother, you know, being able to physically

0:14:28.240 --> 0:14:31.680
<v Speaker 2>overpower her, unless he's a very robust eleven year old boy,

0:14:31.840 --> 0:14:36.280
<v Speaker 2>right if she's trying to fight back. But Wesley's movements

0:14:37.080 --> 0:14:40.880
<v Speaker 2>are a form of post offense crime scene contamination that

0:14:40.920 --> 0:14:43.960
<v Speaker 2>we have to take into account. And so is Wesley

0:14:44.120 --> 0:14:46.640
<v Speaker 2>bringing some blood into the second bedroom as he's moving

0:14:46.680 --> 0:14:50.760
<v Speaker 2>through the house. So but right now, that's kind of

0:14:50.760 --> 0:14:53.560
<v Speaker 2>it's interesting that the offenders going into the second bedroom

0:14:53.960 --> 0:14:58.800
<v Speaker 2>and is using the family's own rifle in the shooting

0:14:58.960 --> 0:14:59.800
<v Speaker 2>of the father.

0:15:00.240 --> 0:15:03.960
<v Speaker 1>And I can identify the weapon that was used to

0:15:04.000 --> 0:15:07.160
<v Speaker 1>bludgeon the parents to death. So I'm going to show

0:15:07.160 --> 0:15:08.720
<v Speaker 1>it to you because I've never heard of this before.

0:15:09.040 --> 0:15:11.840
<v Speaker 1>So the police are searching, they're trying to find this

0:15:11.880 --> 0:15:15.840
<v Speaker 1>blunt object. They think they found it. It's a wooden

0:15:16.080 --> 0:15:20.760
<v Speaker 1>German flail which is used to thresh grain and has

0:15:20.840 --> 0:15:23.680
<v Speaker 1>hairs and dry blood on it, so they think this

0:15:23.720 --> 0:15:25.560
<v Speaker 1>is the weapon. I have a photo of what it

0:15:25.680 --> 0:15:28.480
<v Speaker 1>probably looked like but let me just tell you. It's

0:15:28.480 --> 0:15:31.560
<v Speaker 1>about two feet long and about three inches wide. And

0:15:31.640 --> 0:15:35.480
<v Speaker 1>they found it hidden under grass about twenty feet from

0:15:35.800 --> 0:15:38.760
<v Speaker 1>the home's back entrance. So somebody hid it. So the

0:15:38.880 --> 0:15:43.120
<v Speaker 1>killer or killers didn't hide the rifle, but did hide

0:15:43.240 --> 0:15:45.280
<v Speaker 1>this object. And so I can I can you want

0:15:45.320 --> 0:15:46.880
<v Speaker 1>to show you that photo or what do you think?

0:15:47.000 --> 0:15:49.160
<v Speaker 2>Absolutely no, this is not a fool.

0:15:49.160 --> 0:15:51.240
<v Speaker 1>If this isn't good enough for you, Paul Holes, then

0:15:51.280 --> 0:15:54.680
<v Speaker 1>I will find a different photo, but it better be

0:15:54.720 --> 0:15:58.000
<v Speaker 1>good enough. Okay, there it is. Now that's not a

0:15:58.680 --> 0:16:01.040
<v Speaker 1>very it doesn't show the full thing, but I mean,

0:16:01.240 --> 0:16:02.440
<v Speaker 1>is that clear enough for you?

0:16:03.040 --> 0:16:06.240
<v Speaker 2>Okay, that's interesting. So in this photograph, yeah, this is

0:16:06.360 --> 0:16:09.920
<v Speaker 2>very different than what I was expecting. It appears that

0:16:10.240 --> 0:16:15.880
<v Speaker 2>there are two wooden I'm not sure i'd call them handles.

0:16:16.040 --> 0:16:18.440
<v Speaker 1>Like rods, right, we're right, Yeah.

0:16:18.240 --> 0:16:21.200
<v Speaker 2>I think rod is a good descriptor. So two wooden

0:16:21.280 --> 0:16:25.920
<v Speaker 2>rods that are joined together at one end with what

0:16:25.960 --> 0:16:31.120
<v Speaker 2>appears to be leather strapping that has been secured to

0:16:31.240 --> 0:16:34.120
<v Speaker 2>each of these rods. Now, I'm not sure how this

0:16:34.200 --> 0:16:37.520
<v Speaker 2>weapon is. I mean, in some ways, it's it almost

0:16:38.120 --> 0:16:41.480
<v Speaker 2>approximates you know, your your numb chucks for martial arts,

0:16:42.720 --> 0:16:45.200
<v Speaker 2>just like a very very old style. I don't know

0:16:45.240 --> 0:16:49.000
<v Speaker 2>how that's actually used in the threshing operation, but the

0:16:49.000 --> 0:16:51.080
<v Speaker 2>offender could use this a variety of ways. He could

0:16:51.120 --> 0:16:53.800
<v Speaker 2>be holding on to both rods at the same time

0:16:54.360 --> 0:16:57.760
<v Speaker 2>and it's now just a singular object in some ways

0:16:58.320 --> 0:17:01.720
<v Speaker 2>being used to bludgeon the parents. Or he could be

0:17:01.840 --> 0:17:04.639
<v Speaker 2>holding just one rod more like your numb chuck style,

0:17:04.720 --> 0:17:07.120
<v Speaker 2>and now whipping that second rod, which of course would

0:17:07.160 --> 0:17:11.760
<v Speaker 2>generate a tremendous amount of velocity. The injuries to the

0:17:12.280 --> 0:17:17.480
<v Speaker 2>you know, the parents would possibly be able to demonstrate

0:17:17.520 --> 0:17:20.760
<v Speaker 2>how the offender held this weapon, the fact that they're

0:17:20.800 --> 0:17:24.360
<v Speaker 2>finding blood and hair adhering to this. I mean, from

0:17:24.640 --> 0:17:27.639
<v Speaker 2>my perspective, there's no question that this was the bludgeting weapon.

0:17:27.920 --> 0:17:30.920
<v Speaker 1>Why would you use two different weapons? You've got one shot.

0:17:31.040 --> 0:17:34.200
<v Speaker 1>We're assuming whoever this is tried to take down John

0:17:34.280 --> 0:17:37.720
<v Speaker 1>first because he's the male. He shoots him through the eye,

0:17:38.119 --> 0:17:42.119
<v Speaker 1>so why then not shoot Hattie? Or is it this

0:17:42.640 --> 0:17:44.760
<v Speaker 1>is improvising? I mean, what would have happened here?

0:17:45.000 --> 0:17:48.240
<v Speaker 2>Well, first, right now we don't know based on the information.

0:17:48.720 --> 0:17:55.879
<v Speaker 2>The exact sequence was John initially beat unconscious, and possibly killed,

0:17:55.920 --> 0:17:58.119
<v Speaker 2>and then the offender found the rifle and decided I

0:17:58.160 --> 0:18:00.560
<v Speaker 2>needed to shoot him in order to finish him off.

0:18:00.720 --> 0:18:04.840
<v Speaker 2>But I think another possibility is the offender shoots John

0:18:05.280 --> 0:18:09.760
<v Speaker 2>and starts to beat him, and now Patty is either

0:18:09.800 --> 0:18:13.480
<v Speaker 2>trying to escape or is coming to her husband's rescue.

0:18:14.240 --> 0:18:19.880
<v Speaker 2>Now the offender a rifle is horrible for close quarters combat.

0:18:20.600 --> 0:18:22.760
<v Speaker 2>I mean you could see where Let's say the offender

0:18:23.040 --> 0:18:26.119
<v Speaker 2>shoots John, Patty wakes up and now she's grabbing the

0:18:26.200 --> 0:18:29.720
<v Speaker 2>rifle and she's now struggling with the offender over the rifle.

0:18:30.400 --> 0:18:33.080
<v Speaker 2>And right now, I'm just going to assume single offender,

0:18:33.320 --> 0:18:36.600
<v Speaker 2>this offender has this bludgeoning weapon, this flail, that he

0:18:36.680 --> 0:18:39.639
<v Speaker 2>has to turn to to start beating Paddy off and

0:18:39.640 --> 0:18:42.359
<v Speaker 2>then ultimately killing her with the flail. So I think

0:18:42.440 --> 0:18:46.200
<v Speaker 2>that that's another possible scenario. Of course, now if we

0:18:46.560 --> 0:18:50.880
<v Speaker 2>add a second offender into the mix, then we have

0:18:51.280 --> 0:18:52.719
<v Speaker 2>different dynamics going on.

0:18:53.240 --> 0:18:56.719
<v Speaker 1>Well, let me tell you how this investigation goes. There

0:18:56.840 --> 0:19:00.920
<v Speaker 1>is a coroner's inquest, and Wesley's call up first because

0:19:00.920 --> 0:19:03.440
<v Speaker 1>he's the only witness. So I'll tell you. I'll lay

0:19:03.440 --> 0:19:06.479
<v Speaker 1>out what he says happened. He says that on Tuesday night,

0:19:06.560 --> 0:19:10.439
<v Speaker 1>so the night before, hours before John and Hattie were killed,

0:19:10.680 --> 0:19:14.480
<v Speaker 1>Wesley had eaten dinner and then his dad told him,

0:19:14.640 --> 0:19:16.680
<v Speaker 1>don't sleep in the house tonight. You need to sleep

0:19:16.680 --> 0:19:19.159
<v Speaker 1>in the barn. Wesley was actually happy to do it

0:19:19.200 --> 0:19:20.920
<v Speaker 1>because it was, you know, late July.

0:19:21.520 --> 0:19:23.720
<v Speaker 2>Was this a form of punishment or was this just

0:19:23.840 --> 0:19:26.120
<v Speaker 2>getting him out of the house for one reason or another? Right?

0:19:26.600 --> 0:19:28.719
<v Speaker 1>I think it was an eleven year old boy, you know,

0:19:29.359 --> 0:19:30.879
<v Speaker 1>let's get out of the house because you know they

0:19:30.880 --> 0:19:33.359
<v Speaker 1>have a one year old there who probably has trouble sleeping.

0:19:33.359 --> 0:19:35.840
<v Speaker 1>It didn't seem like a form of punishment, no, And

0:19:35.880 --> 0:19:37.720
<v Speaker 1>Wesley was happy to do it because he said the

0:19:37.760 --> 0:19:40.439
<v Speaker 1>barn was a lot cooler at night than being in

0:19:40.440 --> 0:19:43.240
<v Speaker 1>that house. This is not a massive house. So around

0:19:43.240 --> 0:19:45.399
<v Speaker 1>eight o'clock that night he heads out to the barn,

0:19:46.200 --> 0:19:49.399
<v Speaker 1>and the barn is about two hundred and fifty feet

0:19:49.760 --> 0:19:53.040
<v Speaker 1>from the house. Should Wesley be able to hear things

0:19:53.040 --> 0:19:55.520
<v Speaker 1>that are happening, like the sound of a rifle going

0:19:55.560 --> 0:19:58.200
<v Speaker 1>off or he says later on, he heard a scream?

0:19:58.440 --> 0:20:00.439
<v Speaker 1>But is this is this? Should can he be an

0:20:00.440 --> 0:20:02.080
<v Speaker 1>ear witness in this case? Do you think?

0:20:02.640 --> 0:20:05.639
<v Speaker 2>Well? I would say, you know, with the gunshot, you

0:20:05.640 --> 0:20:08.320
<v Speaker 2>know most certainly within two hundred and fifty feet, if

0:20:08.600 --> 0:20:10.359
<v Speaker 2>you know it's you don't have a storm going on,

0:20:10.480 --> 0:20:13.320
<v Speaker 2>or it's successively windy. I mean that that type of

0:20:13.640 --> 0:20:18.320
<v Speaker 2>sound carries a great distance. You know, I always having

0:20:18.359 --> 0:20:21.160
<v Speaker 2>played sports growing up, you know, when you start talking

0:20:21.160 --> 0:20:24.200
<v Speaker 2>about these these distances, I kind of relate these distances

0:20:24.240 --> 0:20:26.920
<v Speaker 2>to the various sporting activities I've been in. And of course,

0:20:26.920 --> 0:20:29.080
<v Speaker 2>two hundred and fifty feet, you know, that's close to

0:20:29.160 --> 0:20:32.120
<v Speaker 2>three hundred feet, which is the length of a football field. Okay,

0:20:32.240 --> 0:20:34.480
<v Speaker 2>so you know two hundred fifty feet. I mean it

0:20:34.560 --> 0:20:37.400
<v Speaker 2>is a good distance, but it's not you know, something

0:20:37.440 --> 0:20:40.080
<v Speaker 2>in which you know, if if a woman were to scream,

0:20:40.359 --> 0:20:43.400
<v Speaker 2>that scream would fall off before somebody that distance away

0:20:43.400 --> 0:20:46.880
<v Speaker 2>would would hear it. So you know, then we have

0:20:47.240 --> 0:20:50.480
<v Speaker 2>you know the structures, right, you have the house where

0:20:50.480 --> 0:20:54.359
<v Speaker 2>the homicide occurred. You've got Wesley who is in a barn.

0:20:54.720 --> 0:20:58.880
<v Speaker 2>You know that's going to impact the acoustics. So it's

0:20:58.880 --> 0:21:01.680
<v Speaker 2>hard to say if he sure would be an ear witness,

0:21:01.920 --> 0:21:04.880
<v Speaker 2>but yeah, you know, I mean he's I probably wouldn't

0:21:04.960 --> 0:21:07.080
<v Speaker 2>let my eleven year old son be sleeping out in

0:21:07.160 --> 0:21:09.919
<v Speaker 2>a barn, you know, two hundred fifty feet away from me,

0:21:10.000 --> 0:21:11.400
<v Speaker 2>but different time, different era.

0:21:14.760 --> 0:21:17.200
<v Speaker 1>So what Wesley says is that he went to sleep,

0:21:17.240 --> 0:21:19.200
<v Speaker 1>it was nice and cool. He woke up in the

0:21:19.200 --> 0:21:21.600
<v Speaker 1>middle of the night after hearing what he described as

0:21:21.600 --> 0:21:25.600
<v Speaker 1>a woman's scream, so this would be his stepmother Hattie.

0:21:25.920 --> 0:21:28.359
<v Speaker 1>He was petrified, as any eleven year old would be,

0:21:28.560 --> 0:21:31.320
<v Speaker 1>and he waited. He thought about thirty minutes before he

0:21:31.400 --> 0:21:33.600
<v Speaker 1>decided to go ahead and check in on the family.

0:21:34.119 --> 0:21:36.080
<v Speaker 1>He walks over to the house and that's when he

0:21:36.240 --> 0:21:39.880
<v Speaker 1>sees his parents dead, and that's why his footprints are

0:21:39.880 --> 0:21:43.639
<v Speaker 1>in the blood. He says that his little sister, Nelly

0:21:44.119 --> 0:21:48.480
<v Speaker 1>was in the bed with his parents, and he said

0:21:48.520 --> 0:21:51.119
<v Speaker 1>she was just wailing, crying as hard as she could,

0:21:51.480 --> 0:21:54.639
<v Speaker 1>covered in their blood, but that she was not He

0:21:54.760 --> 0:21:58.480
<v Speaker 1>checked and she was not physically harmed, and later on

0:21:58.520 --> 0:22:00.919
<v Speaker 1>the doctor said she wasn't harmed. He said that he

0:22:00.960 --> 0:22:02.439
<v Speaker 1>picked her up and he took her to the second

0:22:02.480 --> 0:22:06.000
<v Speaker 1>bedroom and he lit the lamp on the nearby chest,

0:22:06.160 --> 0:22:09.040
<v Speaker 1>and then he changed her into some clean clothes. I

0:22:09.080 --> 0:22:12.280
<v Speaker 1>don't know what kind of like, you know, caretaking mode

0:22:12.320 --> 0:22:15.600
<v Speaker 1>he locked into, but I think that's the explanation for

0:22:15.760 --> 0:22:18.760
<v Speaker 1>the bits of blood. And that's his bedroom, and that's

0:22:18.760 --> 0:22:20.600
<v Speaker 1>why the bed was unmade is because he was in

0:22:20.640 --> 0:22:23.280
<v Speaker 1>the barn. He never slept in that bed. So I'm

0:22:23.320 --> 0:22:24.600
<v Speaker 1>just trying to help you a little bit with the

0:22:25.040 --> 0:22:27.520
<v Speaker 1>sequence of why things seemed to be kind of laying

0:22:27.520 --> 0:22:30.440
<v Speaker 1>out the way they are. He said that he looked

0:22:30.440 --> 0:22:32.679
<v Speaker 1>at the clock and it was about three thirty and

0:22:32.720 --> 0:22:34.840
<v Speaker 1>that's when he decided to go ahead and take the

0:22:34.880 --> 0:22:37.560
<v Speaker 1>horse and buggy and go find help. And he drove

0:22:37.600 --> 0:22:40.040
<v Speaker 1>a long way and then he ran into John Porter,

0:22:40.240 --> 0:22:41.760
<v Speaker 1>and then we know the rest of the story.

0:22:42.040 --> 0:22:47.359
<v Speaker 2>Okay, So if Wesley is telling the truth, then what

0:22:47.440 --> 0:22:52.280
<v Speaker 2>I mentioned before this post offense crime scene contamination, his movements.

0:22:52.040 --> 0:22:57.520
<v Speaker 2>He's basically detailing movements that are accounting for this blood evidence.

0:22:58.600 --> 0:23:02.000
<v Speaker 2>It's interesting that did he make a statement that he

0:23:02.680 --> 0:23:05.240
<v Speaker 2>found the rifle in the homicide room and moved the

0:23:05.359 --> 0:23:07.040
<v Speaker 2>rifle into his bedroom.

0:23:07.400 --> 0:23:09.919
<v Speaker 1>He does not say anything about the rifle, and that

0:23:09.960 --> 0:23:12.280
<v Speaker 1>could have been just sort of like it got lost

0:23:12.280 --> 0:23:14.720
<v Speaker 1>in the notes, or he doesn't address it at all.

0:23:15.000 --> 0:23:16.439
<v Speaker 1>I think he was just so much more maybe he

0:23:16.440 --> 0:23:18.720
<v Speaker 1>didn't even notice it. He was so traumatized by seeing

0:23:18.720 --> 0:23:21.840
<v Speaker 1>this bloody scene and trying to deal with his little

0:23:22.040 --> 0:23:25.240
<v Speaker 1>sister who's screaming. You know, I don't know he didn't

0:23:25.280 --> 0:23:25.840
<v Speaker 1>notice it.

0:23:25.840 --> 0:23:31.480
<v Speaker 2>So him hearing Patty scream that at least tells me

0:23:31.680 --> 0:23:36.359
<v Speaker 2>that Patty became aware that there was an attack underway,

0:23:36.440 --> 0:23:39.119
<v Speaker 2>whether it was she screaming when she's being attacked or

0:23:39.200 --> 0:23:42.199
<v Speaker 2>she's screaming when she's seeing her husband being killed in

0:23:42.280 --> 0:23:45.440
<v Speaker 2>the bed. So there's a little bit of information there.

0:23:45.800 --> 0:23:51.160
<v Speaker 2>It appears that John is killed right away, He's taken out,

0:23:51.600 --> 0:23:55.280
<v Speaker 2>and then the offender and Patty are interacting. She screams.

0:23:55.520 --> 0:23:59.360
<v Speaker 2>Wesley hears that scream. You know, I just have concerns

0:23:59.359 --> 0:24:01.919
<v Speaker 2>about the location of the rifle in Wesley's bedroom. You

0:24:02.000 --> 0:24:04.040
<v Speaker 2>know that one is that's bugging me a little bit.

0:24:04.080 --> 0:24:06.720
<v Speaker 2>You know, why is the offender going in there. Let's

0:24:06.760 --> 0:24:10.200
<v Speaker 2>say this is an outside intruder is checking to see

0:24:10.280 --> 0:24:13.199
<v Speaker 2>is Wesley in his bed and then seeing where is

0:24:13.240 --> 0:24:16.919
<v Speaker 2>Wesley and then runs off you Wesley at the same time,

0:24:17.359 --> 0:24:21.720
<v Speaker 2>And again I'm struggling with Wesley's age to be capable

0:24:21.840 --> 0:24:26.880
<v Speaker 2>of committing this crime. But what he's his movement patterns,

0:24:26.880 --> 0:24:30.520
<v Speaker 2>he's putting himself inside the homicide room and he's going

0:24:30.600 --> 0:24:34.560
<v Speaker 2>into his bedroom. He's going to wear the murder One

0:24:34.600 --> 0:24:37.919
<v Speaker 2>of the murder weapons is left behind. And do we

0:24:38.040 --> 0:24:42.080
<v Speaker 2>know the flail was that from the family property as well?

0:24:42.359 --> 0:24:44.960
<v Speaker 1>It sounds like it was, Yeah, it was. It was

0:24:45.040 --> 0:24:48.480
<v Speaker 1>not brought in, So yeah, these are found weapons. Having

0:24:48.520 --> 0:24:51.000
<v Speaker 1>it all loaded on the wall I thought was interesting too.

0:24:51.040 --> 0:24:54.600
<v Speaker 1>This gun, I mean unless the perpetrator found bullets somewhere.

0:24:54.800 --> 0:24:56.520
<v Speaker 1>I mean that this was a loaded gun on the wall,

0:24:56.560 --> 0:24:58.520
<v Speaker 1>which doesn't surprise me. For the eighteen hundreds.

0:24:58.560 --> 0:25:00.840
<v Speaker 2>Well, no, that's why you do that. Of course you

0:25:00.920 --> 0:25:04.240
<v Speaker 2>have display weapons, but also you want to have weapons

0:25:04.280 --> 0:25:07.760
<v Speaker 2>that are readily available, and if you have an urgent need,

0:25:08.320 --> 0:25:10.479
<v Speaker 2>you're not sitting there trying to get it loaded up.

0:25:10.520 --> 0:25:14.640
<v Speaker 2>You can just grab and go. But the flail, this

0:25:14.920 --> 0:25:17.119
<v Speaker 2>sounds like a tool that would be kept out in

0:25:17.200 --> 0:25:18.119
<v Speaker 2>something like the barn.

0:25:18.480 --> 0:25:19.120
<v Speaker 1>That's true.

0:25:19.320 --> 0:25:24.560
<v Speaker 2>Again, I'm struggling with Wesley's age, but I've got some

0:25:24.680 --> 0:25:29.160
<v Speaker 2>concerns about how the evidence is starting to stack.

0:25:28.960 --> 0:25:32.760
<v Speaker 1>Up because you're thinking who else would this have been

0:25:33.000 --> 0:25:35.760
<v Speaker 1>and the sequence of a where everything is available, you

0:25:35.800 --> 0:25:36.880
<v Speaker 1>are a suspicious man.

0:25:37.480 --> 0:25:40.920
<v Speaker 2>Well I have to be, you know, this is where

0:25:40.920 --> 0:25:45.200
<v Speaker 2>it's like, Okay, Wesley most certainly would know about the rifle.

0:25:45.640 --> 0:25:47.959
<v Speaker 2>You know, he's out in the barn where it seems

0:25:48.040 --> 0:25:50.679
<v Speaker 2>like that would be the logical location where the flail

0:25:50.720 --> 0:25:56.160
<v Speaker 2>would be found. He's putting himself into the homicide room,

0:25:57.200 --> 0:26:01.159
<v Speaker 2>and he's going into his bedroom where the other murder weapon,

0:26:01.200 --> 0:26:03.680
<v Speaker 2>the rifle, is found. You know, So there's just some

0:26:03.760 --> 0:26:07.359
<v Speaker 2>things there that you know, I'm just going, Okay, his

0:26:07.480 --> 0:26:12.960
<v Speaker 2>movements are interesting, These circumstances are interesting. Is he capable

0:26:13.200 --> 0:26:16.119
<v Speaker 2>He most certainly is capable of shooting his dad, you know,

0:26:16.160 --> 0:26:18.800
<v Speaker 2>with the rifle and once his dad has been shot

0:26:18.840 --> 0:26:20.760
<v Speaker 2>in the head, and then being able to use the

0:26:20.800 --> 0:26:25.359
<v Speaker 2>flail and do the bludgeoning. Now I'm very curious about,

0:26:25.760 --> 0:26:27.520
<v Speaker 2>you know, like if there were crime scene photos and

0:26:27.600 --> 0:26:30.959
<v Speaker 2>autopsy used to be able to evaluate the offender and

0:26:31.080 --> 0:26:36.159
<v Speaker 2>Patty's interactions, and is Wesley capable of doing that? And

0:26:36.200 --> 0:26:39.200
<v Speaker 2>then all the blood on Wesley, it sounds like it's

0:26:39.240 --> 0:26:43.200
<v Speaker 2>possible he's scooping up his one year old sister. She's bloody. Yeah,

0:26:43.280 --> 0:26:47.560
<v Speaker 2>he's transferring parents' blood onto him. But if he's got

0:26:48.320 --> 0:26:52.119
<v Speaker 2>spatter and he's got hair, you know, you know, this

0:26:52.280 --> 0:26:55.880
<v Speaker 2>crushed hair that will happen in a bludgeoning on him.

0:26:56.040 --> 0:26:59.120
<v Speaker 2>I would have to really evaluate that type of evidence

0:26:59.240 --> 0:27:02.919
<v Speaker 2>very closely to see is there an innocent explanation for

0:27:03.000 --> 0:27:07.320
<v Speaker 2>that or does it suggest that he is present at

0:27:07.320 --> 0:27:09.320
<v Speaker 2>the time his parents are being bludgeoned.

0:27:09.640 --> 0:27:11.960
<v Speaker 1>Well, before we get to, you know, any of that

0:27:12.040 --> 0:27:14.639
<v Speaker 1>kind of evidence and suspicions over Wesley, because you know,

0:27:14.720 --> 0:27:16.680
<v Speaker 1>I agree with you, you have to look at everybody.

0:27:16.840 --> 0:27:19.520
<v Speaker 1>Let's talk about other people who have been of interest.

0:27:19.960 --> 0:27:23.080
<v Speaker 1>If it is Wesley, we should at least figure out

0:27:23.119 --> 0:27:26.680
<v Speaker 1>what ended up happening, like why would anyone take out

0:27:26.680 --> 0:27:29.280
<v Speaker 1>this level of anger against someone? And by the way,

0:27:29.520 --> 0:27:32.119
<v Speaker 1>nothing stolen from the house, which probably doesn't surprise you

0:27:32.200 --> 0:27:34.399
<v Speaker 1>about guessing that the route you're going here.

0:27:34.960 --> 0:27:39.080
<v Speaker 2>Well, I think right now this is just one of

0:27:39.160 --> 0:27:43.160
<v Speaker 2>what would probably be many investigative paths to take down.

0:27:43.760 --> 0:27:46.280
<v Speaker 2>And I'm sure you're about to throw me a curveball.

0:27:46.600 --> 0:27:48.800
<v Speaker 1>Well, let's talk about the corners in quest a little

0:27:48.840 --> 0:27:52.520
<v Speaker 1>bit more. Ten of the neighbors testified, and this is

0:27:52.560 --> 0:27:54.639
<v Speaker 1>not you know, these aren't neighbors who witness the crime

0:27:55.200 --> 0:27:57.800
<v Speaker 1>or any of the direct aftermath of it, but they

0:27:57.840 --> 0:28:00.480
<v Speaker 1>do want to talk about the reputation of the Elkins

0:28:00.520 --> 0:28:06.520
<v Speaker 1>family in the community and the relationship between John and Okay,

0:28:06.560 --> 0:28:08.440
<v Speaker 1>so this is I think I was wrong here. John

0:28:08.560 --> 0:28:11.680
<v Speaker 1>was on his third marriage, so Hattie, the woman who

0:28:12.280 --> 0:28:16.160
<v Speaker 1>died next to him, was his third wife. So Wesley's

0:28:16.200 --> 0:28:19.560
<v Speaker 1>mother was a woman named Matilda, and this was John's

0:28:19.560 --> 0:28:23.840
<v Speaker 1>second wife. So the neighbors say that Matilda had an

0:28:23.840 --> 0:28:28.040
<v Speaker 1>affair that continued even when she became pregnant with Wesley

0:28:28.640 --> 0:28:32.520
<v Speaker 1>and hated her husband, hated hated John, and she plotted

0:28:32.560 --> 0:28:36.560
<v Speaker 1>his murder on more than one occasion. And the authors

0:28:36.600 --> 0:28:39.000
<v Speaker 1>of this book said that she wanted to poison him,

0:28:39.080 --> 0:28:42.880
<v Speaker 1>she wanted to shoot him, but ultimately she ends up

0:28:43.280 --> 0:28:47.560
<v Speaker 1>just divorcing him, and she runs off with her boyfriend

0:28:47.800 --> 0:28:50.840
<v Speaker 1>to Waterloo, Iowa, which is about seventy miles away from

0:28:50.960 --> 0:28:55.160
<v Speaker 1>the family farm, and she gives birth to Wesley. But

0:28:55.800 --> 0:28:59.239
<v Speaker 1>John gets custody. We don't really know why, but he

0:28:59.280 --> 0:29:02.560
<v Speaker 1>gets Wesley for the first four years of Wesley's life.

0:29:02.800 --> 0:29:05.800
<v Speaker 1>Then John married Hattie. You know, ultimately, I won't kind

0:29:05.800 --> 0:29:09.760
<v Speaker 1>of drag you through this. Matilda ends up dying before

0:29:10.360 --> 0:29:13.520
<v Speaker 1>John does. So Matilda is not a suspect in this.

0:29:13.680 --> 0:29:16.360
<v Speaker 1>His second wife. But I do want to explain a

0:29:16.360 --> 0:29:18.560
<v Speaker 1>little bit about Wesley and how he I think is

0:29:19.040 --> 0:29:21.680
<v Speaker 1>going to feel like he's been shifted around quite a bit.

0:29:22.320 --> 0:29:24.800
<v Speaker 1>But John sounds like this is you know, he's got

0:29:24.800 --> 0:29:28.680
<v Speaker 1>some enemies. He seems capable of having more enemies than

0:29:28.720 --> 0:29:31.680
<v Speaker 1>whoever just broke into this house and killed him.

0:29:32.080 --> 0:29:35.200
<v Speaker 2>Yeah, the second relationship with Matilda, I mean, the fact

0:29:35.240 --> 0:29:38.120
<v Speaker 2>that she hated John so much that she was plotting

0:29:38.160 --> 0:29:41.720
<v Speaker 2>to kill him on multiple occasions. This may provide some

0:29:41.880 --> 0:29:45.640
<v Speaker 2>victimology about John, you know, in terms of his personality.

0:29:46.040 --> 0:29:50.200
<v Speaker 2>You know, is there anything about Matilda's second husband because

0:29:50.200 --> 0:29:53.560
<v Speaker 2>she ended up this boyfriend, she ends up marrying him, yep?

0:29:53.600 --> 0:29:55.960
<v Speaker 2>Could Matilda's husband have had any type of motive to

0:29:56.000 --> 0:29:58.680
<v Speaker 2>go in and kill John and Hattie? You know? So

0:29:58.800 --> 0:30:02.719
<v Speaker 2>this is just a a little bit more about you know,

0:30:02.800 --> 0:30:05.400
<v Speaker 2>John's past and did it come back and haunt him.

0:30:05.640 --> 0:30:08.400
<v Speaker 2>I don't know if I have any more. You know,

0:30:08.680 --> 0:30:11.560
<v Speaker 2>it's really because it when when you start taking a

0:30:11.600 --> 0:30:14.880
<v Speaker 2>look at this double homicide. You know, of course you've

0:30:14.920 --> 0:30:19.360
<v Speaker 2>got John's past, You've got his work environment, Who are

0:30:19.640 --> 0:30:24.600
<v Speaker 2>in his social circles, what kinds of activities is he involved?

0:30:24.640 --> 0:30:27.680
<v Speaker 2>With that could potentially cause somebody to get upset with him.

0:30:28.200 --> 0:30:29.880
<v Speaker 2>Of course you have to take a look at Hattie

0:30:30.480 --> 0:30:33.480
<v Speaker 2>and you know, is there any reason for somebody to

0:30:33.480 --> 0:30:35.920
<v Speaker 2>have motive to kill her? You know, and John just

0:30:35.960 --> 0:30:41.360
<v Speaker 2>happens to be eliminated as in that process. So those

0:30:41.440 --> 0:30:44.200
<v Speaker 2>are all parts of the early part of the investigation

0:30:44.440 --> 0:30:47.920
<v Speaker 2>is fleshing out the victimology. So you could figure out, well,

0:30:47.920 --> 0:30:51.080
<v Speaker 2>where is this investigation going to go, and then there's

0:30:51.120 --> 0:30:52.040
<v Speaker 2>still Wesley.

0:30:52.600 --> 0:30:56.160
<v Speaker 1>Well there is still Wesley, and that is eventually where

0:30:56.200 --> 0:30:58.520
<v Speaker 1>we're going to head because you know, if we're looking

0:30:58.560 --> 0:31:01.320
<v Speaker 1>at suspects. So all this seems like a great one,

0:31:01.680 --> 0:31:05.480
<v Speaker 1>except she ended up dying. Wesley was about seven when

0:31:05.520 --> 0:31:10.880
<v Speaker 1>she died, so Wesley went from being born to being

0:31:10.920 --> 0:31:14.440
<v Speaker 1>sent to his dad for four years back to Matilda.

0:31:14.800 --> 0:31:20.080
<v Speaker 1>So Matilda and her husband had him for three years.

0:31:20.280 --> 0:31:26.120
<v Speaker 1>When Matilda died, not surprisingly, the stepfather ships Wesley back

0:31:26.320 --> 0:31:29.840
<v Speaker 1>over to John and now his new wife Hattie. So

0:31:30.040 --> 0:31:32.600
<v Speaker 1>they didn't want him. They did not want Wesley. He

0:31:32.720 --> 0:31:36.160
<v Speaker 1>was sent to live with John's parents. So Wesley was

0:31:36.160 --> 0:31:41.240
<v Speaker 1>sent with his grandparents. Two years later, when Wesley is nine,

0:31:41.800 --> 0:31:44.640
<v Speaker 1>the grandparents said, you guys, need to take him back.

0:31:44.680 --> 0:31:48.080
<v Speaker 1>So John and Hattie get him back. And at this point,

0:31:48.320 --> 0:31:50.960
<v Speaker 1>you know, he had been enrolled in school. His teachers

0:31:51.000 --> 0:31:55.040
<v Speaker 1>said he was incredibly intelligent. But when John and Hattie

0:31:55.040 --> 0:31:57.880
<v Speaker 1>took him back, he had to stop his education and

0:31:57.960 --> 0:32:01.640
<v Speaker 1>he was put to work at us sawmill, a nine

0:32:01.720 --> 0:32:05.360
<v Speaker 1>year old at a sawmill that his dad owned. So

0:32:05.960 --> 0:32:08.320
<v Speaker 1>this sounds like a bad household, to be honest, It

0:32:08.360 --> 0:32:11.480
<v Speaker 1>sounds abusive. It sounds like John and Hattie, our victims,

0:32:11.560 --> 0:32:14.720
<v Speaker 1>were not very nice to this kid, and I'm not

0:32:14.760 --> 0:32:17.560
<v Speaker 1>going to sugarcoat that. They sound like they were pretty cruel.

0:32:17.800 --> 0:32:22.120
<v Speaker 1>And so that's what we're setting up here, is investigators

0:32:22.160 --> 0:32:25.479
<v Speaker 1>start to think that, based on everything and the evidence

0:32:25.480 --> 0:32:29.200
<v Speaker 1>that you're talking about, that they have on their hands

0:32:29.440 --> 0:32:33.760
<v Speaker 1>an eleven year old who is capable of shooting his

0:32:33.880 --> 0:32:37.520
<v Speaker 1>father and beating both his father and his stepmother to death,

0:32:37.720 --> 0:32:39.600
<v Speaker 1>which is incredible. I can't even believe I'm saying that

0:32:39.640 --> 0:32:40.800
<v Speaker 1>an eleven year old.

0:32:40.920 --> 0:32:43.640
<v Speaker 2>You know the details of Wesley's upbringing, you could see

0:32:43.640 --> 0:32:46.959
<v Speaker 2>where Wesley is constantly being rejected.

0:32:46.600 --> 0:32:50.120
<v Speaker 1>By everybody, his grandparents, everybody, sure.

0:32:50.080 --> 0:32:54.640
<v Speaker 2>And the night that Tuesday night, Wesley is told to

0:32:54.680 --> 0:32:57.640
<v Speaker 2>go sleep in the barn. Does he perceive that as

0:32:58.200 --> 0:33:03.680
<v Speaker 2>just another reject the one year old you know, who's

0:33:03.840 --> 0:33:06.520
<v Speaker 2>his half sister, I guess, you know, she comes into

0:33:06.600 --> 0:33:10.920
<v Speaker 2>his life and he sees John and Hattie care for

0:33:10.960 --> 0:33:14.400
<v Speaker 2>this one year old, and he's having to labor at

0:33:14.400 --> 0:33:17.920
<v Speaker 2>a sawmill. So now I can see where there could

0:33:17.960 --> 0:33:22.760
<v Speaker 2>be some hostility within Wesley. He goes out to the barn,

0:33:23.000 --> 0:33:26.800
<v Speaker 2>the flail is out there. He is mad, and he

0:33:26.880 --> 0:33:28.520
<v Speaker 2>goes into the house in the middle of the night,

0:33:28.960 --> 0:33:32.640
<v Speaker 2>grabs the rifle, has the flail, shoots Dad, and then

0:33:32.760 --> 0:33:35.720
<v Speaker 2>ends up beating Dad and Mom. You know, this is

0:33:35.720 --> 0:33:41.760
<v Speaker 2>where it's you know, what is Wesley's physical capabilities relative

0:33:41.840 --> 0:33:45.080
<v Speaker 2>to Mom? Because Mom's positioning the way I'm envisioning it,

0:33:45.360 --> 0:33:48.640
<v Speaker 2>she at least gets up out of the bed. Maybe,

0:33:48.760 --> 0:33:50.360
<v Speaker 2>you know, i'd have to, I'd really want to be

0:33:50.360 --> 0:33:53.880
<v Speaker 2>able to evaluate that is Wesley capable with the flail

0:33:54.040 --> 0:33:57.520
<v Speaker 2>of overpowering and ultimately killing Hattie. You know, I think

0:33:57.520 --> 0:33:59.880
<v Speaker 2>it's an eleven year old boy. I mean, he's doing

0:34:00.080 --> 0:34:04.720
<v Speaker 2>hard labor. In essence, he's probably very physically fit and

0:34:04.880 --> 0:34:09.319
<v Speaker 2>strong for his age. So right now, you know, I

0:34:09.320 --> 0:34:12.520
<v Speaker 2>think things are pointing pretty dramatically at Wesley.

0:34:12.880 --> 0:34:14.759
<v Speaker 1>So listen, I'm going to show you some photos and

0:34:14.800 --> 0:34:17.640
<v Speaker 1>I normally would not do this this early. I want

0:34:17.640 --> 0:34:22.319
<v Speaker 1>to show you photo of Wesley. It's undated Wesley as

0:34:22.320 --> 0:34:25.279
<v Speaker 1>a young boy, and then there is a photo of

0:34:25.400 --> 0:34:29.520
<v Speaker 1>him when he's a little bit older. I will say

0:34:29.600 --> 0:34:33.680
<v Speaker 1>that this does not look like a big kid to me.

0:34:34.040 --> 0:34:36.600
<v Speaker 1>I know he has functional strength, but this is him

0:34:36.640 --> 0:34:39.319
<v Speaker 1>as a boy. Photo of Wesley Elkins as a young boy,

0:34:39.360 --> 0:34:41.440
<v Speaker 1>published in the newspapers at the time of the crime.

0:34:42.040 --> 0:34:43.920
<v Speaker 1>I don't know how old he is here. Maybe what

0:34:43.960 --> 0:34:45.759
<v Speaker 1>do you think, like six or seven? It's hard to tell.

0:34:45.920 --> 0:34:46.960
<v Speaker 1>Maybe older. I don't know.

0:34:47.400 --> 0:34:49.920
<v Speaker 2>Yeah, you know this is a I mean I can't

0:34:49.960 --> 0:34:53.000
<v Speaker 2>really because all I'm seeing really is his face, and

0:34:53.200 --> 0:34:55.880
<v Speaker 2>he does look like a young boy here, right. I

0:34:55.920 --> 0:34:58.360
<v Speaker 2>don't you know whether he's six or he's ten in

0:34:58.400 --> 0:35:03.640
<v Speaker 2>this photograph. Can't tell. I mean, he's got some sort

0:35:03.680 --> 0:35:07.600
<v Speaker 2>of coat on, and it's hard to get to really assess,

0:35:08.280 --> 0:35:11.920
<v Speaker 2>you know, what his physique is. You know how mature

0:35:11.920 --> 0:35:16.080
<v Speaker 2>his physique is at this point in time, because I'm

0:35:16.160 --> 0:35:18.480
<v Speaker 2>imagining the eleven year old boy who is doing some

0:35:18.520 --> 0:35:22.040
<v Speaker 2>hard labor. You can see some of these kids, you know,

0:35:22.320 --> 0:35:24.400
<v Speaker 2>with the boys, you can see them at that age

0:35:24.440 --> 0:35:29.240
<v Speaker 2>developing some upper body muscles and they're starting to you know, grow,

0:35:29.640 --> 0:35:32.680
<v Speaker 2>whereas other boys at age still look like they're you know,

0:35:32.840 --> 0:35:36.640
<v Speaker 2>five or six years old from a physical physique standpoint.

0:35:37.520 --> 0:35:39.799
<v Speaker 2>So that's where you know, I keep going back and

0:35:39.840 --> 0:35:43.640
<v Speaker 2>forth about Wesley's age and his physical capability. It's just

0:35:43.760 --> 0:35:46.839
<v Speaker 2>everything right now, you know, seems to point that he

0:35:46.920 --> 0:35:50.520
<v Speaker 2>possibly is responsible. And if he is, and he obviously

0:35:50.560 --> 0:35:54.200
<v Speaker 2>was physically capable of being able to kill his parents.

0:35:55.040 --> 0:35:56.840
<v Speaker 1>Let me show you this. This is when he is

0:35:56.880 --> 0:36:00.440
<v Speaker 1>probably about thirty, could be in his twenties. I know

0:36:00.520 --> 0:36:03.919
<v Speaker 1>this is not a good representation. This is a chair

0:36:04.120 --> 0:36:06.640
<v Speaker 1>he's sitting. I mean, you know, he does not look

0:36:06.680 --> 0:36:07.400
<v Speaker 1>like a big person.

0:36:07.440 --> 0:36:07.640
<v Speaker 2>To me.

0:36:07.680 --> 0:36:09.279
<v Speaker 1>He looks like and I know what you're gonna say,

0:36:09.520 --> 0:36:12.640
<v Speaker 1>doesn't matter, especially when you've got a drilline and you're

0:36:12.840 --> 0:36:15.440
<v Speaker 1>you know, a farm boy throwing hal over the place.

0:36:15.480 --> 0:36:18.000
<v Speaker 1>But this looks to me like a slight guy, a

0:36:18.040 --> 0:36:20.400
<v Speaker 1>guy who is not particularly big. He's no Paul Holes.

0:36:20.480 --> 0:36:22.600
<v Speaker 2>Let's say that I am not a big guy.

0:36:23.360 --> 0:36:25.799
<v Speaker 1>Through a compliment in the middle of a murder case

0:36:25.840 --> 0:36:27.120
<v Speaker 1>for eighteen hundredth.

0:36:27.160 --> 0:36:30.440
<v Speaker 2>Oh good guy. No, you know, he he looks like

0:36:30.840 --> 0:36:36.080
<v Speaker 2>I mean, yeah, he's relatively kind of slight to frame.

0:36:36.719 --> 0:36:40.160
<v Speaker 2>He's not a huge man at all, you know, but

0:36:40.560 --> 0:36:42.920
<v Speaker 2>it's so hard to say from a photo of him

0:36:42.920 --> 0:36:46.120
<v Speaker 2>and as an adult, you know, backtracking to him as

0:36:46.120 --> 0:36:48.080
<v Speaker 2>an eleven year old boy, you know, what is his

0:36:48.120 --> 0:36:51.960
<v Speaker 2>physical capabilities? And you know part of this is you've

0:36:52.000 --> 0:36:58.200
<v Speaker 2>got the flail as a as a bludgeoning weapon that

0:36:58.280 --> 0:37:02.319
<v Speaker 2>an eleven year old boy can inflict fatal injuries with

0:37:02.440 --> 0:37:06.080
<v Speaker 2>that type of weapon. It's just now, what are the dynamics?

0:37:06.120 --> 0:37:10.000
<v Speaker 2>How does he do that to Hattie, who appears to

0:37:10.040 --> 0:37:13.799
<v Speaker 2>at least start to engage with him. Yeah, so you know,

0:37:14.040 --> 0:37:16.480
<v Speaker 2>it could just be a lucky blow. You know, she

0:37:17.120 --> 0:37:20.879
<v Speaker 2>pulls the rifle away and gets into you know, maybe

0:37:21.000 --> 0:37:25.080
<v Speaker 2>hand to hand combat with her her son, and Wesley

0:37:25.239 --> 0:37:26.880
<v Speaker 2>is able to just hit her on the head with

0:37:26.920 --> 0:37:29.759
<v Speaker 2>the flail and she ends up falling backwards and now

0:37:29.760 --> 0:37:33.040
<v Speaker 2>he's on top of her beating her. You know, it's possible.

0:37:33.200 --> 0:37:34.640
<v Speaker 1>Well, let me tell you a little bit more, just

0:37:34.640 --> 0:37:37.360
<v Speaker 1>sort of a general overtone about the family. You know,

0:37:37.360 --> 0:37:40.680
<v Speaker 1>all the neighbors basically said Hattie can be incredibly overbearing

0:37:40.840 --> 0:37:43.120
<v Speaker 1>when she wanted him around. Of course, we know that

0:37:43.160 --> 0:37:44.920
<v Speaker 1>they yanked him out of school and put him in

0:37:44.960 --> 0:37:47.680
<v Speaker 1>a sawmill, which is I'm sure, I mean, such a

0:37:47.680 --> 0:37:51.080
<v Speaker 1>disappointment for him. And they also said that John is

0:37:51.320 --> 0:37:55.200
<v Speaker 1>very strict, very quick tempered, that Wesley was treated harshly.

0:37:55.520 --> 0:37:58.000
<v Speaker 1>So there was a twenty one year old that John had.

0:37:58.040 --> 0:38:01.160
<v Speaker 1>A guy named Mark was his son. He moved out

0:38:01.200 --> 0:38:03.480
<v Speaker 1>of the house and this was I think earlier in

0:38:03.520 --> 0:38:06.960
<v Speaker 1>the year because he didn't like his parents either. He

0:38:07.080 --> 0:38:10.040
<v Speaker 1>had had enough. They were really working him too hard.

0:38:10.040 --> 0:38:13.360
<v Speaker 1>They weren't pleasant to be around. Mark is investigated. He

0:38:13.360 --> 0:38:16.840
<v Speaker 1>has a solid alibi, Okay, so it's clear that Wesley

0:38:16.880 --> 0:38:21.360
<v Speaker 1>has been incredibly unhappy. He ran away a couple of

0:38:21.360 --> 0:38:24.160
<v Speaker 1>weeks before the murders. He went to a neighbor's house

0:38:24.239 --> 0:38:27.239
<v Speaker 1>and he said, please take me to Waterloo, Iowa, which

0:38:27.280 --> 0:38:30.040
<v Speaker 1>is where the stepfather had been. Please just let me go.

0:38:30.080 --> 0:38:32.120
<v Speaker 1>I've got to get out of here. And his dad

0:38:32.160 --> 0:38:37.000
<v Speaker 1>shows up and was incredibly angry and dragged him back

0:38:37.040 --> 0:38:40.560
<v Speaker 1>to the farm. So this is a very bleak picture,

0:38:40.640 --> 0:38:44.000
<v Speaker 1>Paul of this kid's home life. But the result was

0:38:44.040 --> 0:38:46.279
<v Speaker 1>that the Corners in quest still couldn't come up with

0:38:46.480 --> 0:38:49.560
<v Speaker 1>a suspect, even though we are talking about Wesley. You know,

0:38:49.600 --> 0:38:53.040
<v Speaker 1>the sheriff hires a Pinkerton detective. They put up a

0:38:53.120 --> 0:38:55.640
<v Speaker 1>huge reward five hundred dollars, which was massive. In this

0:38:55.760 --> 0:38:59.720
<v Speaker 1>time period, things are not becoming more clear to anyone.

0:39:00.080 --> 0:39:02.160
<v Speaker 1>And certainly no one thinks an eleven year old is

0:39:02.160 --> 0:39:05.040
<v Speaker 1>capable of this. Nobody in this community thinks he's capable

0:39:05.040 --> 0:39:08.080
<v Speaker 1>of this. This is like a beaten dog, essentially, is

0:39:08.080 --> 0:39:09.279
<v Speaker 1>the way people look at this kid.

0:39:09.400 --> 0:39:12.360
<v Speaker 2>Sure, you know, at this point in the case, I

0:39:12.400 --> 0:39:16.680
<v Speaker 2>would say Wesley is a suspect. And I bet if

0:39:17.040 --> 0:39:19.440
<v Speaker 2>you know, we had all the you know, the evidence,

0:39:19.600 --> 0:39:25.160
<v Speaker 2>all the photographs that possibly could illuminate whether Wesley is

0:39:25.160 --> 0:39:28.040
<v Speaker 2>the actual killer or not. But I do think it's

0:39:28.200 --> 0:39:33.799
<v Speaker 2>it's it's responsible of those original investigators to continue to

0:39:33.840 --> 0:39:37.880
<v Speaker 2>pursue other potential suspects, you know. And and part of

0:39:37.880 --> 0:39:41.760
<v Speaker 2>this is, you know, interviewing an eleven year old boy

0:39:42.239 --> 0:39:45.160
<v Speaker 2>in this day and age, we know that that has

0:39:45.239 --> 0:39:47.920
<v Speaker 2>to be done in a certain way in order to

0:39:48.360 --> 0:39:54.239
<v Speaker 2>not influence Wesley, because you know, younger children are very

0:39:54.280 --> 0:40:00.000
<v Speaker 2>susceptible to being swayed with their statements, and so there's people,

0:40:00.000 --> 0:40:04.520
<v Speaker 2>you know, professionals that are trained to actually interview children.

0:40:04.800 --> 0:40:08.120
<v Speaker 2>Wesley's right in that range where, yeah, maybe the primary

0:40:08.160 --> 0:40:11.600
<v Speaker 2>homicide investigator you know, could sit down with him and

0:40:11.640 --> 0:40:17.000
<v Speaker 2>get truthful statements. But also it's possible that a proper

0:40:17.120 --> 0:40:21.040
<v Speaker 2>forensic interview of an eleven year old may have elicited

0:40:21.440 --> 0:40:27.040
<v Speaker 2>more information, such as let's say Wesley's inner hostility towards

0:40:27.239 --> 0:40:30.800
<v Speaker 2>his parents, potentially providing well, here's a motive.

0:40:31.040 --> 0:40:34.560
<v Speaker 1>Well, people start to really become suspicious of Wesley, they

0:40:34.600 --> 0:40:39.440
<v Speaker 1>say after the funerals, because a neighbor said that he

0:40:39.600 --> 0:40:42.719
<v Speaker 1>seemed to be strange. He was unaffected, indifferent, he had

0:40:42.760 --> 0:40:46.319
<v Speaker 1>no sorrow, no emotion. I mean, you know, if you're

0:40:46.360 --> 0:40:49.640
<v Speaker 1>treated like total shit by your parents, and you know,

0:40:49.680 --> 0:40:52.600
<v Speaker 1>then they're taken out of the picture, don't I don't

0:40:52.600 --> 0:40:54.319
<v Speaker 1>know if I would be crying. It sounded like they

0:40:54.320 --> 0:40:56.640
<v Speaker 1>were not great parents. And you and I have talked

0:40:56.640 --> 0:41:00.120
<v Speaker 1>about you cannot look at somebody's you know, assume somebody's

0:41:00.120 --> 0:41:03.200
<v Speaker 1>guilty just based on the reaction they're having. That might

0:41:03.239 --> 0:41:04.839
<v Speaker 1>not have been the reaction you would have.

0:41:05.040 --> 0:41:07.359
<v Speaker 2>You know, no, for sure, you know, and I think

0:41:07.400 --> 0:41:11.400
<v Speaker 2>you know Wesley's upbringing, as horrible as it sounds, you know,

0:41:11.600 --> 0:41:15.279
<v Speaker 2>of course this from an investigative assessment. You know, this

0:41:15.360 --> 0:41:19.160
<v Speaker 2>is where okay, here's here's a kid that potentially has

0:41:19.239 --> 0:41:23.120
<v Speaker 2>animosity towards his parents. But it's not something where you

0:41:23.239 --> 0:41:26.799
<v Speaker 2>can make a case on that, right, you still have

0:41:26.880 --> 0:41:30.440
<v Speaker 2>to prove the crime occurred. I would say something like

0:41:30.480 --> 0:41:33.319
<v Speaker 2>Wesley's upbringing, I mean his age. Of course, in the

0:41:33.440 --> 0:41:36.080
<v Speaker 2>justice system, he's going to be treated so differently if

0:41:36.080 --> 0:41:39.200
<v Speaker 2>he were an adult, his upbringing would be something that

0:41:39.239 --> 0:41:43.600
<v Speaker 2>would be put into you know, the court during sentencing, right,

0:41:44.080 --> 0:41:47.600
<v Speaker 2>try to get leniency for people feel sorry for that

0:41:48.120 --> 0:41:50.160
<v Speaker 2>as an eleven year old boy. If he ends up

0:41:50.160 --> 0:41:53.080
<v Speaker 2>being the killer. I don't know what they were doing

0:41:53.120 --> 0:41:57.840
<v Speaker 2>back in the eighteen hundreds with what juveniles, but you know, fundamentally,

0:41:58.239 --> 0:42:00.840
<v Speaker 2>you know he would in this day and age, he

0:42:00.840 --> 0:42:04.560
<v Speaker 2>would be in custody at juvenile hall, but probably released

0:42:04.600 --> 0:42:07.560
<v Speaker 2>at age twenty five, you know, for a double homicide.

0:42:07.560 --> 0:42:08.720
<v Speaker 2>But that's just the way it goes.

0:42:09.120 --> 0:42:11.560
<v Speaker 1>So let me go through a little bit. Essentially, he's

0:42:11.600 --> 0:42:15.200
<v Speaker 1>acting strange after these funerals, which I don't think is

0:42:15.200 --> 0:42:18.879
<v Speaker 1>actually strange considering what's happening number one and number two.

0:42:18.880 --> 0:42:21.920
<v Speaker 1>I'm sure that he's grown up to be stoic about everything.

0:42:22.120 --> 0:42:24.200
<v Speaker 1>I mean, that would be the kind of farm wife

0:42:24.400 --> 0:42:27.000
<v Speaker 1>in this time period. And also he is described as

0:42:27.040 --> 0:42:31.560
<v Speaker 1>really small, just as small kid. People said, Okay, if

0:42:31.920 --> 0:42:36.080
<v Speaker 1>this was Wesley, then an adult helped him. There's just

0:42:36.160 --> 0:42:39.000
<v Speaker 1>no way, you know that physically he would be able

0:42:39.040 --> 0:42:41.799
<v Speaker 1>to unleash this sort of rage on his parents. We

0:42:41.880 --> 0:42:45.360
<v Speaker 1>know differently there, but he had been staying with a

0:42:45.480 --> 0:42:48.520
<v Speaker 1>relative for a while, but the relative didn't want to

0:42:48.640 --> 0:42:51.040
<v Speaker 1>either have him any longer, or you know, he wanted

0:42:51.040 --> 0:42:53.759
<v Speaker 1>to leave something. So the sheriff takes him. And that's

0:42:53.800 --> 0:42:57.480
<v Speaker 1>a guy named JJ Kahn, and the sheriff says, come

0:42:57.480 --> 0:43:01.319
<v Speaker 1>and stay with my family. Sheriff seems nice, and he

0:43:01.400 --> 0:43:04.279
<v Speaker 1>spends time with Wesley and probably shows quite a bit

0:43:04.320 --> 0:43:09.960
<v Speaker 1>of care. And Wesley confesses. Oh, Wesley confesses, And the

0:43:10.080 --> 0:43:13.480
<v Speaker 1>sheriff says, who worked with you on this? What adult

0:43:13.560 --> 0:43:16.160
<v Speaker 1>was it? And he said it wasn't anybody. I've been

0:43:16.160 --> 0:43:19.080
<v Speaker 1>planning this. I did it myself. I'll tell you all

0:43:19.160 --> 0:43:22.640
<v Speaker 1>the details. Tired of hiding it. No adult, I did

0:43:22.680 --> 0:43:23.560
<v Speaker 1>it all by myself.

0:43:23.840 --> 0:43:27.960
<v Speaker 2>Wow. Okay, so now I want to hear what Wesley

0:43:28.160 --> 0:43:28.840
<v Speaker 2>said happened.

0:43:29.360 --> 0:43:32.800
<v Speaker 1>Okay, so he said, like I said, he planned everything.

0:43:33.280 --> 0:43:36.280
<v Speaker 1>He even knew where he was going to put the weapon,

0:43:36.440 --> 0:43:39.080
<v Speaker 1>the bludgeting weapon that you know he hit it so

0:43:39.080 --> 0:43:41.600
<v Speaker 1>that he knew he could have access to it, right,

0:43:41.680 --> 0:43:43.759
<v Speaker 1>and then he hit it after he used it. He

0:43:43.960 --> 0:43:46.759
<v Speaker 1>said that he had planned the murders a few days beforehand.

0:43:46.840 --> 0:43:49.040
<v Speaker 1>On the night of the murders, he waited for his

0:43:49.120 --> 0:43:53.000
<v Speaker 1>parents to fall asleep, and then he gets the family's rifle,

0:43:53.040 --> 0:43:55.000
<v Speaker 1>which we know was hanging on the wall in the

0:43:55.000 --> 0:43:58.840
<v Speaker 1>second bedroom. He shoots his dad at close range. We

0:43:58.920 --> 0:44:02.440
<v Speaker 1>know that hits him in the eye. This wakes up Hattie,

0:44:02.520 --> 0:44:07.000
<v Speaker 1>his stepmother, so he panics. This is a It sounds

0:44:07.000 --> 0:44:09.400
<v Speaker 1>like a single shot rifle, which means what you have

0:44:09.440 --> 0:44:11.920
<v Speaker 1>to put a bullet This is a stupid question, but

0:44:12.960 --> 0:44:15.440
<v Speaker 1>one shot, single shot, one shot. So he has to

0:44:15.440 --> 0:44:17.479
<v Speaker 1>put a bullet in, right, I mean, this doesn't seem

0:44:17.480 --> 0:44:19.759
<v Speaker 1>like the smartest weapon. When you've got two victims, right,

0:44:19.800 --> 0:44:21.880
<v Speaker 1>two intended victims, you have to reload.

0:44:22.280 --> 0:44:25.160
<v Speaker 2>Yes, So it sounds like I mean, this could be

0:44:25.200 --> 0:44:28.600
<v Speaker 2>like a bolt action rifle that doesn't have a you know,

0:44:28.680 --> 0:44:32.480
<v Speaker 2>a built in magazine. So, yeah, you see this like

0:44:32.640 --> 0:44:36.439
<v Speaker 2>with sniper rifles where you see them put one round in,

0:44:36.800 --> 0:44:39.759
<v Speaker 2>lock the bolt, shoot, and then now they have to,

0:44:40.640 --> 0:44:43.680
<v Speaker 2>you know, extract the cartridge case and put another round

0:44:43.719 --> 0:44:46.520
<v Speaker 2>in because it's not intended to be a like a

0:44:46.560 --> 0:44:48.959
<v Speaker 2>semi auto where you're just pulling the trigger and getting

0:44:49.040 --> 0:44:52.160
<v Speaker 2>multiple shots. Now, there's so many different makes and models

0:44:52.200 --> 0:44:55.880
<v Speaker 2>and designs of rifles out there, doesn't surprise me at

0:44:55.920 --> 0:45:00.399
<v Speaker 2>all that they have some a rifle like this. Think

0:45:00.440 --> 0:45:03.319
<v Speaker 2>for home defense on a farm, you probably would want

0:45:03.360 --> 0:45:07.000
<v Speaker 2>to have something that you know has greater capacity without

0:45:07.160 --> 0:45:09.480
<v Speaker 2>having to reload it. But it is what it is.

0:45:09.800 --> 0:45:13.000
<v Speaker 2>And I want to hear more about about Wesley than

0:45:13.080 --> 0:45:13.680
<v Speaker 2>what he's saying.

0:45:13.960 --> 0:45:16.239
<v Speaker 1>So, like I said, the shot wakes up his stepmother.

0:45:16.600 --> 0:45:19.360
<v Speaker 1>He runs to the second bedroom and tosses the gun

0:45:19.440 --> 0:45:22.000
<v Speaker 1>on the bed, which we know. He picks up the

0:45:22.000 --> 0:45:25.839
<v Speaker 1>wooden flail, which he had hidden there so he thought

0:45:25.880 --> 0:45:27.880
<v Speaker 1>he might need a second weapon. I guess he assumed

0:45:27.920 --> 0:45:29.520
<v Speaker 1>he was not going to be able to get in

0:45:29.600 --> 0:45:33.160
<v Speaker 1>a second shot. He picks up this flail. He says,

0:45:33.200 --> 0:45:35.080
<v Speaker 1>this is what he says, word for word. I struck

0:45:35.120 --> 0:45:38.560
<v Speaker 1>her Hattie, I struck her several times more until I

0:45:38.640 --> 0:45:42.400
<v Speaker 1>was sure she was dead, and then father kind of groaned,

0:45:42.800 --> 0:45:44.960
<v Speaker 1>so I struck him once or twice to be sure

0:45:45.000 --> 0:45:47.759
<v Speaker 1>that he was dead. Cold. I mean, that's cold the

0:45:47.800 --> 0:45:49.719
<v Speaker 1>way he's saying this. He said, I had wanted to

0:45:49.800 --> 0:45:52.319
<v Speaker 1>leave home and be at Liberty to do so for

0:45:52.400 --> 0:45:56.200
<v Speaker 1>myself for a long time. Sheriff said, what about Nelly?

0:45:56.280 --> 0:45:59.359
<v Speaker 1>Why didn't you take her out? And he said, I

0:45:59.480 --> 0:46:01.520
<v Speaker 1>liked her? Okay, I didn't want to hurt her. Why

0:46:01.520 --> 0:46:03.360
<v Speaker 1>would I hurt her? She didn't do anything wrong to me.

0:46:03.800 --> 0:46:04.319
<v Speaker 1>There you go.

0:46:04.880 --> 0:46:07.200
<v Speaker 2>So yet you know the debate, You know, could an

0:46:07.239 --> 0:46:11.560
<v Speaker 2>eleven year old boy commit this homicide? Well that's settled.

0:46:11.760 --> 0:46:15.719
<v Speaker 2>He did. He doesn't provide any details about maybe a

0:46:16.120 --> 0:46:18.920
<v Speaker 2>struggle between him and Hattie at all, because I'm kind

0:46:18.960 --> 0:46:22.320
<v Speaker 2>of curious to see how he overcame her and maybe

0:46:22.440 --> 0:46:25.600
<v Speaker 2>what I speculated before. You know, he got in a

0:46:25.840 --> 0:46:28.360
<v Speaker 2>pretty good shot on her with the flail, and now

0:46:28.400 --> 0:46:31.000
<v Speaker 2>she's incapacitated to some extent.

0:46:32.600 --> 0:46:35.759
<v Speaker 1>And also the theory was because I just kept thinking, well,

0:46:35.840 --> 0:46:37.560
<v Speaker 1>how would he even have time to run into the

0:46:37.560 --> 0:46:39.960
<v Speaker 1>second bedroom, drop the gun, pick up the flail, and

0:46:40.000 --> 0:46:44.319
<v Speaker 1>come back if Hattie's already getting up. But there's the

0:46:44.320 --> 0:46:46.279
<v Speaker 1>theory that she was trying to lie a light. I mean,

0:46:46.280 --> 0:46:48.360
<v Speaker 1>we're in the middle of the night and there's no

0:46:48.520 --> 0:46:51.000
<v Speaker 1>like flick a switch. You have to light the lantern.

0:46:51.120 --> 0:46:54.239
<v Speaker 1>She was, I'm sure, completely discombobulated and stunned by all

0:46:54.280 --> 0:46:57.360
<v Speaker 1>of this. So he definitely had the upper hand here.

0:46:57.840 --> 0:47:00.640
<v Speaker 1>It's hard to believe that the little sister was laying

0:47:00.680 --> 0:47:02.439
<v Speaker 1>in between the two of them when all of this

0:47:02.480 --> 0:47:05.040
<v Speaker 1>is happening, and she didn't get hurt with all of

0:47:05.080 --> 0:47:07.520
<v Speaker 1>the beating in the dark and everything, because I don't

0:47:07.560 --> 0:47:10.719
<v Speaker 1>think she got the light turned on. But that's what

0:47:10.800 --> 0:47:13.279
<v Speaker 1>he says, that she was there, you know, but I

0:47:13.280 --> 0:47:15.480
<v Speaker 1>don't know. Everybody's covered in blood at this point.

0:47:15.960 --> 0:47:20.520
<v Speaker 2>Well, John is shot and he's incapacitated. It sounds like

0:47:20.920 --> 0:47:23.120
<v Speaker 2>you get shot through the left eye. That bullet's in

0:47:23.200 --> 0:47:27.640
<v Speaker 2>all likelihood going through some pretty significant brain structures. He's gone,

0:47:27.960 --> 0:47:32.800
<v Speaker 2>even though Wesley hears him. Grown father's incapacitated, laying still.

0:47:33.120 --> 0:47:36.239
<v Speaker 2>The timing of Wesley having to go and get the

0:47:36.280 --> 0:47:39.960
<v Speaker 2>flail out of the second bedroom. You imagine you're sleeping,

0:47:40.120 --> 0:47:44.040
<v Speaker 2>you hear a gunshot, you wake up. The shooter possibly

0:47:44.160 --> 0:47:47.040
<v Speaker 2>is already out of the room, and I can see

0:47:47.080 --> 0:47:50.200
<v Speaker 2>where Hattie is, you know, shaking her husband, going hey,

0:47:50.560 --> 0:47:54.640
<v Speaker 2>and he's not responding. And next thing, Hattie knows, now

0:47:54.680 --> 0:47:56.920
<v Speaker 2>Wesley's in there with the flail, you know, and that

0:47:56.960 --> 0:47:59.520
<v Speaker 2>would be happening. I mean we're talking on the order

0:47:59.520 --> 0:48:03.080
<v Speaker 2>of ten seconds. I mean, unless this bedroom is all

0:48:03.080 --> 0:48:06.240
<v Speaker 2>the way across a large house. Sounds like the bedroom

0:48:06.320 --> 0:48:08.680
<v Speaker 2>is right next door. In essence, he could go in.

0:48:08.760 --> 0:48:11.080
<v Speaker 2>He knows exactly where that flails in and he's going

0:48:11.160 --> 0:48:13.880
<v Speaker 2>right into that bedroom. And now Hattie's up and he's

0:48:13.960 --> 0:48:16.040
<v Speaker 2>just right on top of her, and she's like, what

0:48:16.280 --> 0:48:18.640
<v Speaker 2>is going on? You know, she may not have even

0:48:18.680 --> 0:48:22.239
<v Speaker 2>recognized that he had the flail, and you know, he

0:48:22.360 --> 0:48:25.279
<v Speaker 2>runs into this dark room and just strikes Hattie and

0:48:25.320 --> 0:48:29.040
<v Speaker 2>now she is incapacitated, falls backward on the bed, and

0:48:29.080 --> 0:48:31.360
<v Speaker 2>he climbs on top and makes sure she's dead and

0:48:31.400 --> 0:48:33.680
<v Speaker 2>then finishes john Off.

0:48:34.320 --> 0:48:38.040
<v Speaker 1>Yeah, well, it's awful what he's describing. He says, Nobody

0:48:38.040 --> 0:48:40.360
<v Speaker 1>helped me. I knew exactly what I was doing. I

0:48:40.400 --> 0:48:44.319
<v Speaker 1>wanted to leave. I had had enough. The community, first

0:48:44.360 --> 0:48:46.520
<v Speaker 1>of all, doesn't believe it. Nobody else is involved. But

0:48:46.960 --> 0:48:49.759
<v Speaker 1>then eventually he says, okay, well he was abused. But

0:48:50.640 --> 0:48:52.839
<v Speaker 1>they feel like this is a I mean, they would

0:48:52.840 --> 0:48:56.080
<v Speaker 1>not say mental illness, but they said an unnatural disposition

0:48:56.200 --> 0:49:02.319
<v Speaker 1>inherited from his depraved mother, who was who died, so

0:49:02.640 --> 0:49:08.919
<v Speaker 1>basically she was crazy. The prosecutor says that Wesley is irredeemable,

0:49:09.160 --> 0:49:12.800
<v Speaker 1>he's a threat, he must go away. And the criminal

0:49:12.840 --> 0:49:17.520
<v Speaker 1>defense attorney that represented Wesley did not say, you're eleven,

0:49:17.760 --> 0:49:21.680
<v Speaker 1>let's argue that your brain hasn't been developed enough. He instead,

0:49:21.719 --> 0:49:24.000
<v Speaker 1>he said you need to plead guilty. So they picked

0:49:24.440 --> 0:49:28.440
<v Speaker 1>the murder of John and in January of eighteen ninety, Wesley,

0:49:28.800 --> 0:49:31.600
<v Speaker 1>you know, has plugged guilty and he sentenced to life

0:49:31.640 --> 0:49:36.919
<v Speaker 1>in prison. At twelve, he enters the state penitentiary at Anamosa.

0:49:37.320 --> 0:49:40.280
<v Speaker 1>So there's a twelve year old in a state penitentiary

0:49:40.400 --> 0:49:43.040
<v Speaker 1>at this point. Can you believe that? I mean, that's unreal,

0:49:43.480 --> 0:49:45.879
<v Speaker 1>but better than an insane asylum. I can tell you.

0:49:45.840 --> 0:49:49.839
<v Speaker 2>That relatively speaking. But you know, a twelve year old

0:49:49.920 --> 0:49:53.120
<v Speaker 2>boy in a penitentiary, You've got all these men that

0:49:53.200 --> 0:49:56.880
<v Speaker 2>are probably going to sectually abuse him. You know, it

0:49:57.000 --> 0:50:01.400
<v Speaker 2>is an ugly, ugly situation and this is where it

0:50:01.440 --> 0:50:05.360
<v Speaker 2>gets tough because obviously, I mean, this is a horrific crime.

0:50:05.560 --> 0:50:08.839
<v Speaker 2>Two people are dead, and yet there's almost a level

0:50:08.880 --> 0:50:12.280
<v Speaker 2>of sympathy for the killer under this this set of circumstances.

0:50:12.640 --> 0:50:16.799
<v Speaker 2>And I can think of one case in which a

0:50:16.880 --> 0:50:19.840
<v Speaker 2>son came up and shot his sleeping dad in the

0:50:19.840 --> 0:50:22.360
<v Speaker 2>back of the head because he had been abusing his mom.

0:50:23.080 --> 0:50:27.600
<v Speaker 2>You know, the entire relationship, the family dynamics are real.

0:50:28.160 --> 0:50:32.799
<v Speaker 2>You know, there's a lot of emotions. And with Wesley, obviously,

0:50:32.920 --> 0:50:38.560
<v Speaker 2>that lifetime of rejection sounds like possibly most early verbal

0:50:38.600 --> 0:50:42.520
<v Speaker 2>abuse and possibly physical abuse by Hattie and John, you know,

0:50:42.880 --> 0:50:47.200
<v Speaker 2>is also going to increase that level of animosity. And

0:50:47.320 --> 0:50:50.359
<v Speaker 2>he just ultimately, you know, kind of said I'm done,

0:50:50.480 --> 0:50:51.160
<v Speaker 2>I've had enough.

0:50:51.560 --> 0:50:54.719
<v Speaker 1>Yeah. Well, he ends up in prison. He is there,

0:50:55.080 --> 0:50:58.800
<v Speaker 1>and when he's eighteen, he starts really pushing to be released.

0:50:59.480 --> 0:51:02.720
<v Speaker 1>He writes a letter to a local journalist and says,

0:51:02.719 --> 0:51:05.279
<v Speaker 1>you've got to tell my story. And he does. And

0:51:05.480 --> 0:51:09.200
<v Speaker 1>Wesley is ahead of his time. He says, I was abused.

0:51:09.560 --> 0:51:12.840
<v Speaker 1>I act impulsively. My brain was still developing. I was

0:51:12.840 --> 0:51:16.200
<v Speaker 1>eleven years old, and now you put me in a penitentiary.

0:51:16.680 --> 0:51:19.160
<v Speaker 1>I mean I can be reformed. And these, of course

0:51:19.160 --> 0:51:21.439
<v Speaker 1>are the arguments that we talk about today, the brain

0:51:21.520 --> 0:51:25.040
<v Speaker 1>development as someone that age, and can they really understand

0:51:25.080 --> 0:51:28.600
<v Speaker 1>the decisions that they're making. He wrote with this journalist

0:51:28.640 --> 0:51:31.600
<v Speaker 1>and the journalist's publishing parts in the newspaper, and it

0:51:31.640 --> 0:51:34.160
<v Speaker 1>really impresses the community. This is around nineteen oh one,

0:51:34.239 --> 0:51:37.200
<v Speaker 1>nineteen oh two. He says, I'm not much given to

0:51:37.239 --> 0:51:40.160
<v Speaker 1>heart outpourings. I see myself that as a boy who

0:51:40.200 --> 0:51:42.480
<v Speaker 1>had not reached an age of reason. I feel like

0:51:42.560 --> 0:51:45.399
<v Speaker 1>my crime, terrible as it was, has been punished as

0:51:45.400 --> 0:51:48.759
<v Speaker 1>far as necessary for the benefit of good morals. My

0:51:48.840 --> 0:51:51.160
<v Speaker 1>position here is a strange one. I'm practically alone in

0:51:51.200 --> 0:51:55.440
<v Speaker 1>my sympathies and hopes. I've cultivated self reliance, and somebody

0:51:55.520 --> 0:51:58.440
<v Speaker 1>might deem me cold, but my distant demeanor is the

0:51:58.480 --> 0:52:01.919
<v Speaker 1>result of necessity, which I mean, I think essentially means

0:52:01.920 --> 0:52:05.919
<v Speaker 1>he was in self preservation mode. He says this whole time, right,

0:52:06.000 --> 0:52:08.319
<v Speaker 1>he has a great reputation in prison, and I think

0:52:08.400 --> 0:52:11.160
<v Speaker 1>you can see where we're heading in nineteen oh two.

0:52:11.239 --> 0:52:15.319
<v Speaker 1>Eventually he is paroled. So he hasn't been pardoned, but

0:52:15.360 --> 0:52:18.400
<v Speaker 1>he's been paroled, and eventually he gets a full pardon.

0:52:18.520 --> 0:52:22.920
<v Speaker 1>So he's out in his twenties or so, and by

0:52:22.960 --> 0:52:26.400
<v Speaker 1>all accounts, he led a great life. He got his education,

0:52:26.920 --> 0:52:30.279
<v Speaker 1>he left Iowa, never went back. He finds work at

0:52:30.280 --> 0:52:33.640
<v Speaker 1>the railroad, He gets married, he ends up settling down.

0:52:33.760 --> 0:52:36.239
<v Speaker 1>He has a small chicken farm until he dies. And

0:52:36.440 --> 0:52:39.120
<v Speaker 1>nineteen sixty one, at the age of eighty three, we

0:52:39.200 --> 0:52:42.520
<v Speaker 1>don't know. He doesn't sound like he's ever committed another murder.

0:52:42.600 --> 0:52:45.799
<v Speaker 1>These are confusing stories for me. You know, this is

0:52:45.840 --> 0:52:47.279
<v Speaker 1>someone who went on to do a lot of good.

0:52:47.360 --> 0:52:49.680
<v Speaker 1>It sounds like he led a great life that we

0:52:49.840 --> 0:52:54.520
<v Speaker 1>know of, but he did a terrible thing. And would

0:52:54.600 --> 0:52:58.800
<v Speaker 1>the argument, Paul, for any prosecutor when you were killing

0:52:58.800 --> 0:53:01.440
<v Speaker 1>two people who are in bed and asleep at the time,

0:53:02.160 --> 0:53:04.640
<v Speaker 1>is this is not self defense. They are not doing

0:53:04.680 --> 0:53:07.800
<v Speaker 1>anything to you right now. Isn't that what that argument

0:53:07.840 --> 0:53:08.319
<v Speaker 1>would be.

0:53:08.480 --> 0:53:11.000
<v Speaker 2>Well, that's part of it, that's all, you know, sort

0:53:11.040 --> 0:53:14.319
<v Speaker 2>of the evaluation of, well, what crime has actually been committed, right,

0:53:14.360 --> 0:53:16.560
<v Speaker 2>you know, And that's there's a reason why you have

0:53:16.640 --> 0:53:19.680
<v Speaker 2>different degrees of murder. You also have manslaughter. That's the

0:53:19.800 --> 0:53:23.680
<v Speaker 2>role of the you know, the prosecutor evaluating the crimes

0:53:23.719 --> 0:53:26.600
<v Speaker 2>as to well what am I dealing with here? And

0:53:26.719 --> 0:53:29.560
<v Speaker 2>one of the first things is is there a reason

0:53:29.840 --> 0:53:34.319
<v Speaker 2>for the suspect or now the you know, the arrestee,

0:53:34.719 --> 0:53:38.560
<v Speaker 2>to have have used lethal force for self preservation, your

0:53:38.600 --> 0:53:41.520
<v Speaker 2>self defense thing, you know, And of course prosecutors do

0:53:41.640 --> 0:53:45.279
<v Speaker 2>look for that, and that often is the defense. You know,

0:53:45.320 --> 0:53:47.600
<v Speaker 2>if the prosecutor says, hey, I've got I've got murder,

0:53:47.880 --> 0:53:52.080
<v Speaker 2>you know, whether it be second degree, first degree murder, oftentimes,

0:53:52.160 --> 0:53:57.000
<v Speaker 2>you know, the defense attorneys will try to show that no,

0:53:57.160 --> 0:54:00.400
<v Speaker 2>they acted, the defendant acted in self defense, try to

0:54:00.520 --> 0:54:06.280
<v Speaker 2>mitigate that murder charge. With Wesley, part of the evaluation

0:54:06.640 --> 0:54:11.040
<v Speaker 2>of what of the crime he committed, he admits to

0:54:11.160 --> 0:54:16.880
<v Speaker 2>planning ahead of time. He's positioning the flail in his bedroom.

0:54:17.080 --> 0:54:20.160
<v Speaker 2>He's waiting for his parents to fall asleep. You know.

0:54:20.239 --> 0:54:22.920
<v Speaker 2>So now you've got this, you've got the pre planning,

0:54:23.120 --> 0:54:26.440
<v Speaker 2>You've got this what's called malice, a forethought. It's not

0:54:26.800 --> 0:54:31.400
<v Speaker 2>in a heat of the moment type of scenario, you know,

0:54:31.480 --> 0:54:34.920
<v Speaker 2>where Dad is verbally lashing at him and things are

0:54:34.920 --> 0:54:37.840
<v Speaker 2>getting heated, and now Wesley grabs a gun and shoots

0:54:37.880 --> 0:54:41.239
<v Speaker 2>him in a spontaneous act. This was something that he

0:54:41.440 --> 0:54:45.400
<v Speaker 2>planned and so that now elevates this to a first

0:54:45.480 --> 0:54:49.960
<v Speaker 2>degree murder at least the way you know, I'm understanding

0:54:50.000 --> 0:54:53.800
<v Speaker 2>things about this crime and how the murder is defined

0:54:53.840 --> 0:54:57.880
<v Speaker 2>in California. You know, so this is a very serious offense.

0:54:58.160 --> 0:55:02.480
<v Speaker 2>But he's eleven years old, Yeah, right, you know, and

0:55:02.840 --> 0:55:06.040
<v Speaker 2>this is where you know, you start talking about, you know,

0:55:06.120 --> 0:55:09.160
<v Speaker 2>the debate of you know, criminals that commit to this

0:55:09.239 --> 0:55:12.080
<v Speaker 2>level of violent crime, can they be reformed or not?

0:55:12.719 --> 0:55:14.880
<v Speaker 2>What depends on the type of crime. It depends on,

0:55:15.600 --> 0:55:19.080
<v Speaker 2>you know, in Wessey's case, his age, you know, and

0:55:19.160 --> 0:55:21.319
<v Speaker 2>what he was being subjected to. I think there's a

0:55:21.400 --> 0:55:25.120
<v Speaker 2>lot of factors that go into play and assessing you know,

0:55:25.400 --> 0:55:30.120
<v Speaker 2>this particular offender. Yeah, and you know there's a reason why,

0:55:30.320 --> 0:55:34.439
<v Speaker 2>you know, typically nowadays, you know, juveniles, you know, from

0:55:34.520 --> 0:55:38.680
<v Speaker 2>a criminal standpoint, are treated in a different justice process

0:55:39.400 --> 0:55:42.960
<v Speaker 2>than adults, and usually that age is eighteen here in

0:55:42.960 --> 0:55:43.800
<v Speaker 2>the United States.

0:55:45.840 --> 0:55:47.960
<v Speaker 1>Well, what a story. When I read it, I couldn't

0:55:47.960 --> 0:55:50.880
<v Speaker 1>believe in an eleven year old doing this. A more

0:55:51.200 --> 0:55:54.399
<v Speaker 1>small kid too, But you know, as always, we learned

0:55:54.440 --> 0:55:58.480
<v Speaker 1>something from these stories. Thank you, Paul, telling me an

0:55:58.480 --> 0:56:01.560
<v Speaker 1>eleven year old is capable of doing this awful by gosh.

0:56:01.680 --> 0:56:03.880
<v Speaker 2>Well even I was struggling with his age for this

0:56:04.000 --> 0:56:07.759
<v Speaker 2>type of crime. Yeah, you know, but rage, that's a

0:56:07.760 --> 0:56:08.239
<v Speaker 2>real thing.

0:56:08.760 --> 0:56:09.120
<v Speaker 1>It is.

0:56:09.360 --> 0:56:09.680
<v Speaker 2>It is.

0:56:10.400 --> 0:56:15.000
<v Speaker 1>Well, next week we'll have a very different story, I promise. Okay, okay, Well,

0:56:15.000 --> 0:56:16.040
<v Speaker 1>I'll see you next week.

0:56:16.239 --> 0:56:17.480
<v Speaker 2>All right, looking forward to it, Kate.

0:56:21.840 --> 0:56:24.520
<v Speaker 1>This has been an exactly right production for.

0:56:24.520 --> 0:56:27.920
<v Speaker 2>Our sources and show notes go to exactlyrightmedia dot com

0:56:27.960 --> 0:56:29.759
<v Speaker 2>slash Buried Bones sources.

0:56:29.960 --> 0:56:32.319
<v Speaker 1>Our senior producer is Alexis Emosi.

0:56:32.640 --> 0:56:36.840
<v Speaker 2>Research by Maren mcclashan, Ali Elkin, and Kate Winkler Dawson.

0:56:37.120 --> 0:56:39.400
<v Speaker 1>Our mixing engineer is Ben Tolliday.

0:56:39.680 --> 0:56:41.960
<v Speaker 2>Our theme song is by Tom Bryfogel.

0:56:42.239 --> 0:56:44.280
<v Speaker 1>Our artwork is by Vanessa Lilac.

0:56:44.520 --> 0:56:48.680
<v Speaker 2>Executive produced by Karen Kilgarriff, Georgia hard Stark and Danielle Kramer.

0:56:48.920 --> 0:56:52.319
<v Speaker 1>You can follow Buried Bones on Instagram and Facebook at

0:56:52.400 --> 0:56:53.560
<v Speaker 1>Barry Bones Pod.

0:56:54.000 --> 0:56:56.560
<v Speaker 2>Kate's most recent book, All That Is Wicked, a Gilded

0:56:56.600 --> 0:56:58.600
<v Speaker 2>Age story of murder and the race to decode the

0:56:58.600 --> 0:57:00.359
<v Speaker 2>criminal mind, is available now

0:57:00.719 --> 0:57:05.000
<v Speaker 1>And Paul's best selling memoir Unmasked, My life Solving America's

0:57:05.000 --> 0:57:07.040
<v Speaker 1>Cold Cases is also available now.