WEBVTT - Questlove Supreme: Kim Fields

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Wait, we're

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<v Speaker 1>doing this garage Man.

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<v Speaker 2>Supreme Supreme Audition, Supreme So Supreme role called Supremo Supremo Role,

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<v Speaker 2>Suprema Supreme roll.

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<v Speaker 1>Call my feelings. Yeah, I can't control Yeah, because we're Finn.

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<v Speaker 1>Talk to ye, missmocas Soul.

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<v Speaker 3>Supremer Supreme Role came Suprema Supremo Role.

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<v Speaker 1>My name is Sugar, Yeah, and I don't care, Yeah,

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<v Speaker 1>because I just met two D Yeah, and we're friends

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<v Speaker 1>with Blair.

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<v Speaker 4>Supreme Supreme Supremo roll every Wednesday. Yeah, that's when we're on.

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<v Speaker 1>Yeah.

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<v Speaker 4>My name is Boss Bill and that's one to grow on.

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<v Speaker 3>SUPREMEA So Supprema roll came Subpremer Supremo roll.

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<v Speaker 5>Yeah with kim the Queen. Yeah, if you're sure, Yeah,

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<v Speaker 5>Reference Regime.

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<v Speaker 1>Supprimer Supremo roll called.

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<v Speaker 4>My name is Suprema.

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<v Speaker 6>My name is Kimmy.

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<v Speaker 1>Yeah.

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<v Speaker 6>I'm in the house. Yeah, I'm in New York. Yeah,

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<v Speaker 6>I saw a mouse.

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<v Speaker 3>Something Supremo role called Supreme Suprema roll called Suprema Son

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<v Speaker 3>Suprema roll call.

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<v Speaker 1>I'm so glad someone gets me. I'm currently as we speak,

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<v Speaker 1>I'm currently house shopping right now. And my second question

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<v Speaker 1>is any burn men. Yeah, I'm I'm I'm out. I've

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<v Speaker 1>given houses away because.

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<v Speaker 5>Oh you know what are you talking about there?

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<v Speaker 1>Yes? Yeah that house. I saw a few rats in there.

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<v Speaker 1>I was like, hey, merry Christmas.

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<v Speaker 5>Yes, that's what he did.

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<v Speaker 1>I gave my house my sister. All right, guys, of

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<v Speaker 1>course love here. You may have heard me. We got

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<v Speaker 1>a bill, we gotta lie here, we got Steve and

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<v Speaker 1>a family member is still out getting cigarettes. He said

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<v Speaker 1>that he comes home eventually. But I don't know. I'm

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<v Speaker 1>not being kurt, but there's really no time to waste,

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<v Speaker 1>and it's not every day a guy gets to interview

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<v Speaker 1>his uh childhood celebrity, which is anyway.

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<v Speaker 4>I don't want to that next tool.

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<v Speaker 1>I want to wait. I don't want to waste to act.

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<v Speaker 1>I want to waste a second on acting royalty. I

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<v Speaker 1>will say that our guest today, UH is pretty much

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<v Speaker 1>maybe the reason I sort of kind of talked to

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<v Speaker 1>UH bottles of syrup every uh pancakes Saturday? Wait in

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<v Speaker 1>Black Households is set? Is pancakes on a Saturday? Like

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<v Speaker 1>an event? Yes?

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<v Speaker 4>Yes, yeah, any day of regular.

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<v Speaker 1>No for Black Households like that was a treat.

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<v Speaker 7>That was a Saturday.

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<v Speaker 1>I survived off of like tasty cakes, quarter waters for Saturdays.

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<v Speaker 1>That's that's that's when we're rich. That's when the cat

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<v Speaker 1>you know, check our cash. The first black roller skater avenue. Uh,

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<v Speaker 1>the reason why I fell in love with any girl

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<v Speaker 1>who wore braces in my in my school. Oh yeah,

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<v Speaker 1>the only the only person whose character truly understands uh

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<v Speaker 1>what uh dejection from a Jackson means, especially when one

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<v Speaker 1>works works so hard to give them gifts that they

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<v Speaker 1>made with their own money anyway, and the fact that

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<v Speaker 1>most people don't know. Without this person, the the empire

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<v Speaker 1>known as Friends would have never existed. Yes, Like did

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<v Speaker 1>you know this? Yeah? Your your beloved Chandler, Joey, Monica

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<v Speaker 1>and I guess and Rachel you know, I'm just saying

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<v Speaker 1>Ad and Becky whoever else is on Friends, you miss

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<v Speaker 1>Joey with Without with our guest today, none of that

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<v Speaker 1>would have been possible. Uh yeah No, Seriously, Ladies and gentlemen,

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<v Speaker 1>acting royalty or quest Love Supreme today, welcome incomparable Madam

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<v Speaker 1>Kimberly Victoria Field. What's like supremes? Finally?

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<v Speaker 6>What an intro? Finally? Man we've been trying to do.

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<v Speaker 1>I know we've been doing five minutes intro.

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<v Speaker 6>Wow, thank you for that intro.

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<v Speaker 5>Get better little TV for real.

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<v Speaker 1>Yeah, seriously, no, seriously, we have so many questions that

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<v Speaker 1>asking so little time. So, Kim, where were you born Harlem?

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<v Speaker 6>Right here?

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<v Speaker 1>Really?

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<v Speaker 6>And I'm Kim. I was born Kim Victoria, not Kimberly.

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<v Speaker 1>Kim Victoria, Yes, just Kim is okay.

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<v Speaker 6>Yes, we will request love you can call me.

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<v Speaker 1>No, no, we were not to give the proper respect

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<v Speaker 1>respect due. What were your memories of Harlem? How long

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<v Speaker 1>did you live there?

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<v Speaker 6>Six years really from zero to six?

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<v Speaker 1>So what what what were your memories of Harlem growing up?

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<v Speaker 1>Is it anything close to the centerfied?

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<v Speaker 6>Well not the gingrified, right, No, but I mean like

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<v Speaker 6>my building is still there, My park is still there,

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<v Speaker 6>my beloved Saint Nicholas Park, the the whole grass lawn

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<v Speaker 6>that we used to slid down in you know, cardboard

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<v Speaker 6>boxes because who had or you get them old busted

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<v Speaker 6>up tires and you'd slide down the cracks on the

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<v Speaker 6>sidewalk in front of my grandmother's building, which was six

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<v Speaker 6>fifty four Saint Nick. So you know, it's nothing but

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<v Speaker 6>love the other dad one in front of my elementary

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<v Speaker 6>school ps. Ninety two. Really yep, still looks the same.

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<v Speaker 1>Any other notable peers of yours growing up in that.

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<v Speaker 6>Area or I don't remember where they lived, But Danielle

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<v Speaker 6>Spencer who played Deal on What's Happening, So basically my

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<v Speaker 6>mom and a whole bunch of other amazingly talented actors

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<v Speaker 6>would go to acting school in Saint Philip's Church. Alfan

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<v Speaker 6>used to hold his classes there, the Alphan Theatrical Ensemble,

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<v Speaker 6>And so basically all of like the dopest actors on

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<v Speaker 6>the planet were in New York and in that environment

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<v Speaker 6>in the early seventies, and so you know, some of

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<v Speaker 6>them who had kids, they couldn't afford babysitters like us,

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<v Speaker 6>And so we would be at the at the acting classes,

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<v Speaker 6>imitating what we saw our parents doing to keep ourselves entertained.

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<v Speaker 6>And so Danielle was there because her stepdad Tempell got

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<v Speaker 6>rest to saw he was there. And and your mother

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<v Speaker 6>was a part of this troop.

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<v Speaker 1>Yes, okay, so we would be remiss. Are you tired

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<v Speaker 1>of people coming up to you saying how much their

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<v Speaker 1>mom is Your mom has traumatized them all their lives

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<v Speaker 1>cackle right now, But I got I'm just saying I

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<v Speaker 1>thought about it and the Okay, yes, of course, now

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<v Speaker 1>that we're adults, we know what acting is. Yes, but

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<v Speaker 1>let's take it back like thirty years or whatever. How

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<v Speaker 1>many of your friends were traumatized at the side of

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<v Speaker 1>your mom.

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<v Speaker 4>For those that haven't seen good times, Oh god, yeah, yeah,

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<v Speaker 4>I'm just kidding. Kim's mother played uh, Penny, well, Penny.

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<v Speaker 4>But what was the character's name?

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<v Speaker 6>I can't remember, Missus Gordon.

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<v Speaker 4>Missus Gordon, Yes, her name was, Yeah, she was Plenty's mom.

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<v Speaker 4>Penny of course was was Janet Jackson and the Penny

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<v Speaker 4>was being abused by her mother.

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<v Speaker 5>And what iron I said.

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<v Speaker 4>Miss Missus chip Fields played the hell out of that,

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<v Speaker 4>Yes she did.

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<v Speaker 1>Yeah, yeah, that hit.

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<v Speaker 4>If I ever see in the street, you know, it's

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<v Speaker 4>a hat, tip of the hat and you know, what

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<v Speaker 4>do you need? What can I get for you?

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<v Speaker 1>So you're just saying that watching your mother and these

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<v Speaker 1>workshops prompted you to.

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<v Speaker 6>Also not No, that was just the intro and and

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<v Speaker 6>kind of the environment to just be exposed to it all.

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<v Speaker 6>It wasn't until I actually saw her and saw the environment. Uh,

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<v Speaker 6>when mom was doing Hello Dolly with Pearl Bailey on

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<v Speaker 6>Broadway and on tour that I really started getting a

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<v Speaker 6>sense of all that goes into this, you know, and

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<v Speaker 6>the people who were a part of the craft and

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<v Speaker 6>makeup and hair and wardrobe and sets and props and

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<v Speaker 6>all of that. And then when you see it all

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<v Speaker 6>come together as a little kid, you know, looking at

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<v Speaker 6>it on stage, and that's that's really what what got

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<v Speaker 6>me into it.

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<v Speaker 1>So was it commercials first? That?

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<v Speaker 8>Yes?

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<v Speaker 1>What was your very first commercials first? First? So with

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<v Speaker 1>technology not being as advanced as it was back then,

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<v Speaker 1>where you just speaking to.

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<v Speaker 6>A still bottle still? Okay, Yes, I was, you know, yeah,

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<v Speaker 6>it was just just a bottle that was just there.

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<v Speaker 1>Oh, another course left first. So I'll say that Baby

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<v Speaker 1>I'm Back was technically the first sitcom I was allowed

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<v Speaker 1>to watch. Okay, I wasn't allowed to watch TV much

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<v Speaker 1>back then. Yeah, because you guys came on right after

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<v Speaker 1>the Jacksons and in seventy six seventy seven the Jackson's.

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<v Speaker 6>Had Yes, they did the specials.

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<v Speaker 1>Yeah, Arriety show. So you were I think your character

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<v Speaker 1>was Angie, yes, uh, and Baby I'm Back with it

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<v Speaker 1>was Damon Wilson's Damon. Yeah, I never that's how he

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<v Speaker 1>pronounce his name, demon like he was a Shakespearean actor.

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<v Speaker 5>He may have been.

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<v Speaker 4>He was a preacher too, Yeah.

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<v Speaker 1>Jamond Wilson and the great What's Your Brother? On the show? Okay,

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<v Speaker 1>I don't know what became of him whatever, but yeah,

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<v Speaker 1>my mom loved Denise Nichols. I guess everybody was.

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<v Speaker 6>Everybody, yes, and everybody's uncle loved Oh. He was so

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<v Speaker 6>happy when I got that job.

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<v Speaker 5>Really, everyone until the heat of tonight, yeap.

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<v Speaker 7>Up until I mean, well that's when the last time

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<v Speaker 7>he really started to start seeing it.

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<v Speaker 1>Okay, I'm like, why are you starting? So that was

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<v Speaker 1>your very first sitcom? Yes, so how easy was it

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<v Speaker 1>for you to adjust to that environment?

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<v Speaker 6>It was definitely a learning experience, you know. For example,

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<v Speaker 6>I didn't know about continuity, and so we did a

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<v Speaker 6>scene and I was supposed to come into the kitchen

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<v Speaker 6>area from having been awakened, and so we did the take,

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<v Speaker 6>you know, one time, and then I thought I was

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<v Speaker 6>backstage and I thought, well, if I was asleep, my

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<v Speaker 6>hair should be a little messy, so I must my

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<v Speaker 6>hair and then it came out and they were like,

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<v Speaker 6>cut who touched her hair. So that was the first

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<v Speaker 6>time I learned about continuity. Yeah, absolutely, and things like,

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<v Speaker 6>you know, don't look in the camera and don't laugh

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<v Speaker 6>at your own jokes and don't laugh at other people's

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<v Speaker 6>jokes and you know, stuff like that, and so it

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<v Speaker 6>definitely was a lot of fun, you know, but it

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<v Speaker 6>was it was on the job training because I had

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<v Speaker 6>never done a series.

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<v Speaker 1>Before, and by that point you moved to Los Angeles. Yeah,

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<v Speaker 1>So what was that transition like because the seventies, I

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<v Speaker 1>mean a lot of people don't even realize that for

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<v Speaker 1>a lot of African Americans, like you know, we've only

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<v Speaker 1>known the current environment that we're in right now for

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<v Speaker 1>just fifty years. So I'll say for at least the

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<v Speaker 1>first ten years, I'm sure that it was a learning

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<v Speaker 1>curve for anyone in Hollywood in the seventies. Sure, kind

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<v Speaker 1>of trekking uncharted territory that wasn't previously available to them

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<v Speaker 1>any decades or time before. So what was it like

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<v Speaker 1>coming Like, where were your memories of moving to LA Like.

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<v Speaker 6>Well, I went to school back at PS ninety two.

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<v Speaker 6>I went to school that morning, and when I came

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<v Speaker 6>back to our apartment, the little few things that we had,

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<v Speaker 6>including like my little easy bake oven and you know

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<v Speaker 6>those like everything, my view Master. Everything was packed up.

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<v Speaker 6>It wasn't a whole lot. And my mom said, we're

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<v Speaker 6>moving to La tonight. I was like, without no, just

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<v Speaker 6>because we hadn't done I just went to school like

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<v Speaker 6>any other day.

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<v Speaker 5>So why did y'all end up moving to La So.

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<v Speaker 6>Mom had been there when she toured with Hello Dolly,

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<v Speaker 6>and she just felt like that area had more opportunities

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<v Speaker 6>work wise. Harlem in the early to mid seventies was

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<v Speaker 6>a lot different than it is now, and so Mom

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<v Speaker 6>just thought that that was going to be a better

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<v Speaker 6>look for us, and so she she, you know, packed

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<v Speaker 6>us up and we went out there. One of the

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<v Speaker 6>other guy persons who was a part of the acting

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<v Speaker 6>troupe that Alfan had was Laurence Hilton Jacobs, and him

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<v Speaker 6>and my mom were like brother and sister, and so

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<v Speaker 6>when we came out to La he was like, you know, Chip,

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<v Speaker 6>I got you and a guy Kimmi, and you know,

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<v Speaker 6>whatever you guys need. And so what you're talking about

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<v Speaker 6>right there, you know that there was really no blueprint

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<v Speaker 6>and everybody just kind of, you know, that village holding

0:13:46.240 --> 0:13:49.920
<v Speaker 6>it together and figuring it out. Yeah, exactly, exactly, Yeah,

0:13:49.960 --> 0:13:52.240
<v Speaker 6>because he had gone out there and booked Welcome Back,

0:13:52.240 --> 0:13:55.920
<v Speaker 6>caught her, and so he knew kind of the ropes.

0:13:56.600 --> 0:13:58.800
<v Speaker 6>But it was still different for you know, a female

0:13:59.280 --> 0:14:03.200
<v Speaker 6>and a female with a little kid. And so we

0:14:03.280 --> 0:14:06.439
<v Speaker 6>moved and got an apartment eventually in West Hollywood, and

0:14:06.480 --> 0:14:08.640
<v Speaker 6>then Mom started working. Then I started working.

0:14:09.400 --> 0:14:10.080
<v Speaker 5>How does that work?

0:14:10.120 --> 0:14:11.640
<v Speaker 7>That's what I was wondering, because I'm like, you guys

0:14:11.679 --> 0:14:15.000
<v Speaker 7>are both working actors. Of course her more than you, right, right,

0:14:15.120 --> 0:14:17.280
<v Speaker 7>But how does she do that? How is she mom

0:14:17.960 --> 0:14:20.560
<v Speaker 7>an agent manager in her own career? Right?

0:14:20.600 --> 0:14:26.680
<v Speaker 6>Well, she was never. No, she was she was mom

0:14:26.760 --> 0:14:29.880
<v Speaker 6>And it stopped right there. And one thing I always

0:14:30.080 --> 0:14:32.360
<v Speaker 6>to this day, I'm marvel at like like Mom had

0:14:32.360 --> 0:14:35.400
<v Speaker 6>me when she was eighteen and and and you know

0:14:35.440 --> 0:14:38.160
<v Speaker 6>it's like she's such a good parent, but she knew

0:14:38.200 --> 0:14:42.280
<v Speaker 6>nothing about parenting. She was a kid herself, and you know,

0:14:42.480 --> 0:14:44.920
<v Speaker 6>just just how did that? How did she know the

0:14:45.000 --> 0:14:48.080
<v Speaker 6>stuff to teach me and to pour into me and

0:14:48.720 --> 0:14:52.080
<v Speaker 6>to know things like, hey, she is not my competition,

0:14:52.240 --> 0:14:56.400
<v Speaker 6>She's my child, especially when we are you know, both

0:14:56.400 --> 0:14:59.400
<v Speaker 6>at you know, at some point we both began working

0:15:00.320 --> 0:15:02.960
<v Speaker 6>my Aunt Pat, my mother's sister, was an integral part

0:15:02.960 --> 0:15:05.080
<v Speaker 6>of all of this. Mom asked her to come out

0:15:05.120 --> 0:15:08.160
<v Speaker 6>and to move to LA And so my aunt Pat

0:15:08.200 --> 0:15:10.040
<v Speaker 6>was actually the one who was on my on set

0:15:10.080 --> 0:15:12.400
<v Speaker 6>with me all the time I was working up til

0:15:12.400 --> 0:15:14.160
<v Speaker 6>I was eighteen. She would travel with me to all

0:15:14.240 --> 0:15:15.920
<v Speaker 6>my appearances and everything.

0:15:17.040 --> 0:15:24.720
<v Speaker 1>Wow. Man, so it's I guess you can say that, Well,

0:15:24.720 --> 0:15:26.600
<v Speaker 1>that's weird because I always thought she was your manager.

0:15:26.800 --> 0:15:30.520
<v Speaker 1>So but that's that's good that she had the insight

0:15:30.640 --> 0:15:35.920
<v Speaker 1>at least to to put some distance, no distance, because

0:15:36.120 --> 0:15:38.920
<v Speaker 1>most parents don't do that, like they either live their

0:15:39.000 --> 0:15:41.000
<v Speaker 1>dreams through their kids or yeah.

0:15:41.120 --> 0:15:43.360
<v Speaker 6>And she and she was not that, you know. And

0:15:43.400 --> 0:15:46.960
<v Speaker 6>she also she never stopped parenting me even though she

0:15:47.040 --> 0:15:49.440
<v Speaker 6>was finding her way as a parent. You know, one

0:15:49.480 --> 0:15:51.880
<v Speaker 6>time I had said it was like maybe the second

0:15:51.960 --> 0:15:55.000
<v Speaker 6>or third season of Living Single, Facts of Life. And

0:15:56.120 --> 0:15:58.520
<v Speaker 6>she had raised me to be a really good kid,

0:15:58.680 --> 0:16:01.280
<v Speaker 6>like don't talk back, be very disrespectful. You know. I

0:16:01.720 --> 0:16:05.800
<v Speaker 6>had home training and she said to me one day,

0:16:06.160 --> 0:16:09.720
<v Speaker 6>can me clean up your room? And I promise, y'all,

0:16:09.960 --> 0:16:12.400
<v Speaker 6>I promise, y'all. I was not trying to be smart.

0:16:12.440 --> 0:16:16.320
<v Speaker 6>It was a genuine question when I said, isn't that

0:16:16.400 --> 0:16:25.640
<v Speaker 6>what we have a housekeeper? And I really was love

0:16:26.200 --> 0:16:28.400
<v Speaker 6>and then sure enough, before I could finish, I got

0:16:28.400 --> 0:16:29.080
<v Speaker 6>popped in my mouth.

0:16:29.160 --> 0:16:30.640
<v Speaker 5>That's my next question. I wanted to know if you

0:16:30.760 --> 0:16:31.560
<v Speaker 5>was a baby.

0:16:31.600 --> 0:16:34.000
<v Speaker 6>Okay, that wasn't a whooping baby, because I was a

0:16:34.000 --> 0:16:37.240
<v Speaker 6>good kid, but she caught me in my mouth.

0:16:37.880 --> 0:16:40.600
<v Speaker 4>In your book, you're talking about a situation when you

0:16:40.600 --> 0:16:42.000
<v Speaker 4>were on set and you had to talk back to

0:16:42.080 --> 0:16:43.720
<v Speaker 4>a parent and you weren't really sure how to do that.

0:16:44.080 --> 0:16:46.040
<v Speaker 6>Exactly. I had to talk back to missus Garrett and

0:16:46.280 --> 0:16:49.160
<v Speaker 6>Jermaine Jackson episode and my mom was like, no, no,

0:16:49.200 --> 0:16:51.400
<v Speaker 6>it's okay, you can do.

0:16:51.360 --> 0:16:52.320
<v Speaker 5>This now here.

0:16:52.440 --> 0:16:53.200
<v Speaker 6>This is fine.

0:16:53.360 --> 0:16:53.840
<v Speaker 5>But she knew.

0:16:53.920 --> 0:16:56.520
<v Speaker 6>I mean, you know, I wasn't talking back, but it

0:16:56.560 --> 0:16:59.400
<v Speaker 6>was just that sense of we're not You're not going

0:16:59.480 --> 0:17:02.120
<v Speaker 6>to be that child, you know, And then she called

0:17:02.120 --> 0:17:04.880
<v Speaker 6>Then the top it off girl, she called the studio

0:17:05.359 --> 0:17:07.560
<v Speaker 6>and talked to one of the producers and said, I'm sorry,

0:17:07.640 --> 0:17:10.840
<v Speaker 6>but Kim won't be returning as as two D any longer.

0:17:10.880 --> 0:17:15.160
<v Speaker 6>She doesn't know how to deal with this. And yeah, when.

0:17:16.760 --> 0:17:20.240
<v Speaker 4>Yeah, I love it, I love it, I love it.

0:17:20.600 --> 0:17:24.119
<v Speaker 6>That's something Yeah, absolutely, and of course him, being a parent,

0:17:24.680 --> 0:17:28.080
<v Speaker 6>was right there with her and said, okay, Chip, no problem,

0:17:28.119 --> 0:17:30.119
<v Speaker 6>we understand. Tell her thank you so much for her

0:17:30.480 --> 0:17:33.000
<v Speaker 6>time and everything. And of course they were dealing with

0:17:33.119 --> 0:17:36.760
<v Speaker 6>being They were parenting me to make sure that I

0:17:36.800 --> 0:17:40.520
<v Speaker 6>didn't start tripping at age you know, eleven or twelve

0:17:40.640 --> 0:17:43.760
<v Speaker 6>or whatever it was. And I was like, oh my bad,

0:17:43.920 --> 0:17:47.080
<v Speaker 6>I didn't know. No problem, I got it, my socks,

0:17:47.160 --> 0:17:49.960
<v Speaker 6>got it, my toys, put these away, you know, and

0:17:49.960 --> 0:17:50.439
<v Speaker 6>that sort of.

0:17:52.119 --> 0:17:55.880
<v Speaker 1>Absolutely I always wondered, like, what's the what's the power

0:17:56.000 --> 0:18:01.639
<v Speaker 1>dynamic where you're an established person at your job but

0:18:01.720 --> 0:18:04.560
<v Speaker 1>you still got to come home and take the garbage out?

0:18:04.680 --> 0:18:05.120
<v Speaker 5>That's right?

0:18:05.240 --> 0:18:07.280
<v Speaker 6>Yeah, well it keeps you grounded. I mean, think about

0:18:07.280 --> 0:18:09.880
<v Speaker 6>when the Obamas won and Michelle was like, but you're

0:18:09.880 --> 0:18:12.159
<v Speaker 6>still taking the babies to school in the I know,

0:18:12.200 --> 0:18:16.320
<v Speaker 6>you just became, but you take your babies to school.

0:18:16.680 --> 0:18:19.560
<v Speaker 6>I mean there's certain things that you know conceptually, no

0:18:19.600 --> 0:18:23.080
<v Speaker 6>matter if it's fame or or or whatever it is

0:18:23.520 --> 0:18:28.119
<v Speaker 6>being connected to, some form of groundedness has to be

0:18:28.160 --> 0:18:29.680
<v Speaker 6>in play. Otherwise you turned.

0:18:29.560 --> 0:18:33.560
<v Speaker 1>Up from chrisis when Randy Jackson was on the show.

0:18:33.480 --> 0:18:38.600
<v Speaker 6>Which one he not dog got it okay.

0:18:38.480 --> 0:18:41.040
<v Speaker 1>No, and he was saying that they had just did

0:18:41.480 --> 0:18:44.800
<v Speaker 1>four sold out out nights at the Forum and got

0:18:44.800 --> 0:18:50.000
<v Speaker 1>home back to Xino and you know, like, there it's

0:18:50.000 --> 0:18:53.119
<v Speaker 1>your turn that you didn't take the garbage out and

0:18:53.160 --> 0:18:56.119
<v Speaker 1>he's like, I just played sold out con to that,

0:18:56.240 --> 0:18:57.800
<v Speaker 1>and then Joe's like what you say? Okay?

0:18:57.800 --> 0:19:00.560
<v Speaker 6>So right?

0:19:00.720 --> 0:19:02.159
<v Speaker 1>What was what was the.

0:19:02.680 --> 0:19:05.320
<v Speaker 6>By the way, I mean, Randy Jackson was my that

0:19:05.440 --> 0:19:08.400
<v Speaker 6>was everything. He was everything to me. That was my crush. Yes,

0:19:08.560 --> 0:19:11.000
<v Speaker 6>oh my god. Listen when they let him sing on

0:19:11.040 --> 0:19:14.000
<v Speaker 6>can you feel it?

0:19:14.080 --> 0:19:14.600
<v Speaker 4>Right there?

0:19:19.320 --> 0:19:21.159
<v Speaker 6>I was the only one in the Forum screen.

0:19:27.760 --> 0:19:31.800
<v Speaker 1>As a working actor? What was the Hollywood shuffle process?

0:19:31.960 --> 0:19:32.080
<v Speaker 4>Like?

0:19:32.880 --> 0:19:34.640
<v Speaker 5>I love when you asked that question that way.

0:19:34.760 --> 0:19:35.119
<v Speaker 6>I love it.

0:19:35.200 --> 0:19:39.320
<v Speaker 1>No, no, dude, it's like, yeah, like what was the

0:19:39.359 --> 0:19:42.440
<v Speaker 1>process like, now, of course you were lucky enough to

0:19:42.520 --> 0:19:48.200
<v Speaker 1>land key memorable roles in your career, but or in

0:19:48.240 --> 0:19:51.200
<v Speaker 1>the average could you talk about the audition process? And

0:19:51.320 --> 0:19:55.000
<v Speaker 1>oh yeah, like even as an established act, like did you.

0:19:54.920 --> 0:19:58.080
<v Speaker 6>Still have to absolutely you still have to audition? And

0:19:58.119 --> 0:19:59.679
<v Speaker 6>it was there was a big part of it that

0:19:59.760 --> 0:20:02.359
<v Speaker 6>was on almost like family Reunion because you go in

0:20:02.400 --> 0:20:05.520
<v Speaker 6>Hey t Show, Hey Jada, Hey Vivoica you know, and

0:20:05.560 --> 0:20:07.840
<v Speaker 6>it's like kind of the yeah, you know, because at

0:20:07.840 --> 0:20:10.960
<v Speaker 6>that time it was, you know, just a handful of

0:20:11.040 --> 0:20:13.879
<v Speaker 6>roles and we were all going out for them, you know,

0:20:14.000 --> 0:20:16.440
<v Speaker 6>and some of them you knew, up, yep, this one's

0:20:16.480 --> 0:20:18.480
<v Speaker 6>got deh, yet this is gonna be yours and you

0:20:18.520 --> 0:20:19.360
<v Speaker 6>know that sort of thing.

0:20:19.400 --> 0:20:21.560
<v Speaker 1>Well, what was it like in your younger years, Like

0:20:21.640 --> 0:20:23.360
<v Speaker 1>were you still worn after commercials?

0:20:23.400 --> 0:20:27.800
<v Speaker 6>And sure, I'd still audition, but not as much. Number one,

0:20:27.840 --> 0:20:29.719
<v Speaker 6>when you're on a series, and see, you have to remember,

0:20:29.880 --> 0:20:32.919
<v Speaker 6>in that day and age of television so to speak,

0:20:33.400 --> 0:20:36.719
<v Speaker 6>a season was twenty four episodes, so you were busy

0:20:36.880 --> 0:20:40.359
<v Speaker 6>for a much longer period of time than you know nowadays,

0:20:40.359 --> 0:20:43.040
<v Speaker 6>where it's like, oh there's six episodes, there's eight episodes.

0:20:43.520 --> 0:20:47.080
<v Speaker 6>So you know, then you were doing TV movies, so

0:20:47.119 --> 0:20:48.840
<v Speaker 6>I would do like the ones I did with Gary

0:20:48.880 --> 0:20:51.280
<v Speaker 6>Coleman and that sort of thing. And at that point

0:20:51.320 --> 0:20:53.840
<v Speaker 6>I didn't have to audition, you know, Children of Divorce

0:20:53.960 --> 0:20:55.520
<v Speaker 6>or the ones with Gary Coleman. I didn't have to

0:20:55.560 --> 0:20:56.400
<v Speaker 6>audition for those.

0:20:56.680 --> 0:21:01.439
<v Speaker 1>Was there, ever, did you feel like a feeling of security, like, Okay,

0:21:01.720 --> 0:21:03.359
<v Speaker 1>we got through this year. Was there always like a

0:21:03.400 --> 0:21:06.360
<v Speaker 1>midpoint season where are you checking the Nielsen ratings every

0:21:06.359 --> 0:21:07.200
<v Speaker 1>twelve seconds?

0:21:07.359 --> 0:21:08.840
<v Speaker 6>Too young? I was, I was too young.

0:21:08.880 --> 0:21:09.119
<v Speaker 7>I was.

0:21:09.160 --> 0:21:12.000
<v Speaker 6>I was really just into again, make sure I had

0:21:12.000 --> 0:21:15.440
<v Speaker 6>good grades, make sure I was professional, make sure I

0:21:15.520 --> 0:21:18.159
<v Speaker 6>was a good kid. And so my priorities were not

0:21:18.720 --> 0:21:22.879
<v Speaker 6>about that part of the industry because I just I

0:21:22.960 --> 0:21:25.560
<v Speaker 6>was too young to really focus on that and the

0:21:25.560 --> 0:21:30.000
<v Speaker 6>things that I did that were important to me, aside

0:21:30.040 --> 0:21:33.520
<v Speaker 6>from the kids stuff. I really enjoyed being around the

0:21:33.560 --> 0:21:36.240
<v Speaker 6>crew and learning from them. You know, it's like it's

0:21:36.280 --> 0:21:39.359
<v Speaker 6>like a kid being around musicians and they love music.

0:21:39.600 --> 0:21:42.240
<v Speaker 6>You're just going to keep gravitating tourism every chance you get.

0:21:42.640 --> 0:21:45.720
<v Speaker 6>And so that was really, you know, my lane right there.

0:21:45.880 --> 0:21:48.199
<v Speaker 1>Here's a fact a lot of question I had. I

0:21:48.280 --> 0:21:53.600
<v Speaker 1>remember when it first came on the air, there was

0:21:54.040 --> 0:21:58.480
<v Speaker 1>a larger ensemble cast and then it was just whittled

0:21:58.480 --> 0:22:01.840
<v Speaker 1>down to the four of you. What was what was

0:22:01.880 --> 0:22:06.560
<v Speaker 1>the thought process or like what made that transition happen

0:22:06.600 --> 0:22:10.800
<v Speaker 1>because at one point, like Molly Ringwold was part of the.

0:22:09.920 --> 0:22:11.960
<v Speaker 5>The Cat bigger housemember.

0:22:11.480 --> 0:22:14.760
<v Speaker 1>Yeah, way bigger, but I never I mean now, it's

0:22:14.800 --> 0:22:16.760
<v Speaker 1>like when you watch television, you got to watch every

0:22:16.800 --> 0:22:19.960
<v Speaker 1>episode and binge watch every second of it, whereas back

0:22:19.960 --> 0:22:21.560
<v Speaker 1>then it's just like, oh, it's on its horn. But

0:22:22.119 --> 0:22:26.919
<v Speaker 1>I never understood what was what was the decision factor

0:22:26.960 --> 0:22:30.520
<v Speaker 1>behind turning a seven castle to pay?

0:22:33.280 --> 0:22:37.600
<v Speaker 6>Nothing was quite that. But basically, we had a half

0:22:37.640 --> 0:22:40.880
<v Speaker 6>hour show, and it's a lot of characters to service

0:22:41.000 --> 0:22:43.679
<v Speaker 6>in a half hour. And so after we did that

0:22:43.760 --> 0:22:47.760
<v Speaker 6>first season, they the network execs, evaluated it and felt

0:22:47.800 --> 0:22:50.359
<v Speaker 6>that there were just too many people to try to

0:22:50.400 --> 0:22:54.399
<v Speaker 6>focus on in twenty two minutes. And so then it

0:22:54.440 --> 0:22:57.280
<v Speaker 6>became okay, well, what if we changed some of the diet,

0:22:57.720 --> 0:23:01.320
<v Speaker 6>the dynamics, you know, changing the amount of people that

0:23:01.359 --> 0:23:03.959
<v Speaker 6>are there. You mentioned it being a bigger house, So

0:23:04.040 --> 0:23:08.199
<v Speaker 6>the that main set was more like the common area,

0:23:08.359 --> 0:23:10.400
<v Speaker 6>the commons or something like that, and so then they

0:23:10.480 --> 0:23:13.359
<v Speaker 6>shifted it to something that, you know, they had more

0:23:13.720 --> 0:23:16.160
<v Speaker 6>They felt they had more storyline ideas. So the idea

0:23:16.200 --> 0:23:19.679
<v Speaker 6>of the peace fill the yes yes, and so the

0:23:19.720 --> 0:23:22.360
<v Speaker 6>idea of like the cafeteria where you could still have

0:23:22.480 --> 0:23:26.600
<v Speaker 6>the all the kids coming and going, but it still

0:23:26.680 --> 0:23:30.159
<v Speaker 6>was more interesting than just having the common area and

0:23:30.320 --> 0:23:33.320
<v Speaker 6>us living above it. So that was that was the idea.

0:23:33.440 --> 0:23:36.280
<v Speaker 6>Now that was one of the few times I remembered thinking,

0:23:37.800 --> 0:23:41.000
<v Speaker 6>I'm gonna probably get cut too, because I'm the black kid,

0:23:41.080 --> 0:23:43.960
<v Speaker 6>and black people always get cut first. That was like

0:23:44.040 --> 0:23:47.240
<v Speaker 6>one of the first times I've had a well, that

0:23:47.359 --> 0:23:49.520
<v Speaker 6>was a horror movie to me, that people's.

0:23:49.160 --> 0:23:54.119
<v Speaker 1>Getting you guys knew that the pendulum non pendulum, that

0:23:54.200 --> 0:23:57.080
<v Speaker 1>the guillotine button was about the depressed and somebody was leaving.

0:23:57.320 --> 0:23:58.400
<v Speaker 6>Not quite like that.

0:23:58.560 --> 0:23:58.800
<v Speaker 1>You know.

0:23:58.840 --> 0:24:00.639
<v Speaker 6>When we heard that there was a pick up, and

0:24:00.720 --> 0:24:03.440
<v Speaker 6>everybody was, you know, ecstatic, and then they said, yes,

0:24:03.560 --> 0:24:05.320
<v Speaker 6>the show has been picked up, but there's been some

0:24:05.480 --> 0:24:09.280
<v Speaker 6>changes that have been made. These girls are not coming

0:24:09.320 --> 0:24:12.640
<v Speaker 6>back to the show. You're gonna come back, This one's

0:24:12.680 --> 0:24:18.679
<v Speaker 6>coming back on the phone. On the phone. Yeah, so you're.

0:24:18.560 --> 0:24:20.520
<v Speaker 1>Waiting for a phone call and you didn't know.

0:24:21.200 --> 0:24:24.840
<v Speaker 4>Yeah, that's the facts of life for real.

0:24:28.760 --> 0:24:30.560
<v Speaker 5>You always knew you was the lone black girl in

0:24:30.600 --> 0:24:30.920
<v Speaker 5>the room.

0:24:31.400 --> 0:24:33.800
<v Speaker 6>No, not like that. That was one of the few times.

0:24:33.840 --> 0:24:34.960
<v Speaker 6>That's why I said, it was one of the few

0:24:34.960 --> 0:24:39.560
<v Speaker 6>times where I really registered the idea of being the

0:24:39.600 --> 0:24:43.760
<v Speaker 6>black girl, being the black person. And that was very

0:24:43.760 --> 0:24:47.080
<v Speaker 6>early on. But but for the most part, one I

0:24:47.160 --> 0:24:49.840
<v Speaker 6>wasn't taught to look through, you know, the lens with

0:24:50.000 --> 0:24:58.400
<v Speaker 6>color I everybody was just people, not fire, just not

0:24:58.480 --> 0:25:01.160
<v Speaker 6>invited exactly been there.

0:25:01.240 --> 0:25:08.800
<v Speaker 1>But in retrospect, yes, in retrospect though, or in hindsight

0:25:09.600 --> 0:25:14.119
<v Speaker 1>you being a first living a life of being a

0:25:14.160 --> 0:25:17.639
<v Speaker 1>first or whatever. What was the environment like on the set?

0:25:17.920 --> 0:25:22.080
<v Speaker 6>It was great? Really, it really was great. Everybody was

0:25:23.160 --> 0:25:26.960
<v Speaker 6>It was a level playing field, truly, truly, like even

0:25:27.040 --> 0:25:31.399
<v Speaker 6>as the youngest, I didn't feel like the baby, you know,

0:25:31.560 --> 0:25:34.359
<v Speaker 6>like Tuty felt that more than Kim did. Does that

0:25:34.400 --> 0:25:38.159
<v Speaker 6>make sense? Yeah, oh good, because I didn't have nothing else.

0:25:42.800 --> 0:25:44.280
<v Speaker 1>What was the average working like.

0:25:45.080 --> 0:25:47.040
<v Speaker 6>Well, as a minor, you can only work, you know,

0:25:47.080 --> 0:25:48.919
<v Speaker 6>a certain number of hours a day, and then you

0:25:48.960 --> 0:25:50.920
<v Speaker 6>also have to go to school. So we would go

0:25:51.000 --> 0:25:52.960
<v Speaker 6>to school in the morning. And by the second season,

0:25:53.000 --> 0:25:57.639
<v Speaker 6>when Nancy arrived, Nancy and I were in studio school together. Mindy,

0:25:58.119 --> 0:26:02.280
<v Speaker 6>her family wanted her to stay in her school environment,

0:26:02.320 --> 0:26:05.359
<v Speaker 6>and so she would come to work after Lisa was

0:26:05.400 --> 0:26:08.159
<v Speaker 6>already what do you call it, she had taken the

0:26:08.240 --> 0:26:10.720
<v Speaker 6>proficiency test or whatever, so she wasn't in school anymore

0:26:10.760 --> 0:26:13.960
<v Speaker 6>even though she was sixteen. Uh. And that's also really

0:26:14.000 --> 0:26:16.560
<v Speaker 6>a huge contributing factor to why Nancy and I are

0:26:16.600 --> 0:26:20.600
<v Speaker 6>so close and were so close, even though to DM

0:26:20.960 --> 0:26:24.399
<v Speaker 6>Joe were not Nancy and I are. I'm oh, my gosh.

0:26:24.520 --> 0:26:26.600
<v Speaker 7>I just thought it was in my mind, has always

0:26:26.600 --> 0:26:29.040
<v Speaker 7>been because that's because that show was.

0:26:29.359 --> 0:26:32.640
<v Speaker 6>But I spent actually more time, far more time than

0:26:33.280 --> 0:26:36.720
<v Speaker 6>any with anyone than with Nancy, because you're in studio

0:26:36.760 --> 0:26:39.960
<v Speaker 6>school and so you start roughly about two hours before

0:26:39.960 --> 0:26:42.680
<v Speaker 6>everybody even comes to work us school.

0:26:42.680 --> 0:26:45.520
<v Speaker 1>I always wanted to know what, Yeah.

0:26:45.359 --> 0:26:47.520
<v Speaker 6>So you're in, you know, like one of the rooms

0:26:47.520 --> 0:26:50.680
<v Speaker 6>in the production office. When we filmed for three seasons

0:26:50.680 --> 0:26:53.240
<v Speaker 6>at Universal Studios, we were in a row of trailers.

0:26:53.800 --> 0:26:57.000
<v Speaker 6>Uh so there was facts of life, different strokes, one

0:26:57.040 --> 0:26:59.159
<v Speaker 6>day at a time, silver spoons. We were all in this,

0:27:01.480 --> 0:27:03.399
<v Speaker 6>not together, but we were just in a row of

0:27:03.480 --> 0:27:05.919
<v Speaker 6>trailers that you know, were separated by a door. But

0:27:06.000 --> 0:27:12.440
<v Speaker 6>we were all right there.

0:27:12.600 --> 0:27:13.600
<v Speaker 4>I would have had so much fun.

0:27:13.880 --> 0:27:15.560
<v Speaker 6>It was great.

0:27:18.520 --> 0:27:18.720
<v Speaker 1>Show.

0:27:18.960 --> 0:27:22.479
<v Speaker 6>Each show has a different teacher, uh and so, and

0:27:22.880 --> 0:27:26.760
<v Speaker 6>depending on you know, if the grade levels of the kids,

0:27:26.800 --> 0:27:29.080
<v Speaker 6>if there are multiple kids on a show, you might

0:27:29.119 --> 0:27:32.159
<v Speaker 6>have different tutors to cover different ages. But Nance and

0:27:32.240 --> 0:27:35.960
<v Speaker 6>I had the same tutor, Margaret god Reshearsal. Margaret was

0:27:36.000 --> 0:27:39.240
<v Speaker 6>our tutor for the whole time. Uh, and so you know,

0:27:39.320 --> 0:27:41.600
<v Speaker 6>you you go and you you you have two hours

0:27:41.600 --> 0:27:45.040
<v Speaker 6>of school. Then when everybody comes to work, you literally

0:27:45.080 --> 0:27:49.200
<v Speaker 6>man are ping pong back and forth between school and

0:27:49.200 --> 0:27:52.920
<v Speaker 6>and rehearsal until you've done enough hours in the day

0:27:52.960 --> 0:27:55.080
<v Speaker 6>because you have to be in school for three hours

0:27:55.080 --> 0:27:58.080
<v Speaker 6>a day and then you can be in this rehearsal

0:27:58.119 --> 0:28:00.840
<v Speaker 6>hall or filming full time. Now what they end up

0:28:00.840 --> 0:28:03.480
<v Speaker 6>doing is like if you're on a hiatus week. Those

0:28:03.520 --> 0:28:06.840
<v Speaker 6>are tough because there's no outlet. You're there and you

0:28:06.880 --> 0:28:08.280
<v Speaker 6>go to school and then you have to what you

0:28:08.280 --> 0:28:11.800
<v Speaker 6>call bank time, so you might be there for like

0:28:12.000 --> 0:28:16.240
<v Speaker 6>five hours doing school because when you're in production on

0:28:16.280 --> 0:28:19.159
<v Speaker 6>your filming day, you might only get twenty minutes of

0:28:19.160 --> 0:28:21.240
<v Speaker 6>school and which is the minimum that you have to

0:28:21.320 --> 0:28:24.600
<v Speaker 6>be there, and then they pull from your hours in

0:28:24.680 --> 0:28:26.720
<v Speaker 6>the bank so that you still have your time.

0:28:27.200 --> 0:28:30.880
<v Speaker 1>Someone is there literally clocking like a union person like baby.

0:28:31.040 --> 0:28:34.159
<v Speaker 6>We used to have booth time and Margaret time. And

0:28:34.320 --> 0:28:36.639
<v Speaker 6>Margaret if it was booth time, was like in the

0:28:36.640 --> 0:28:39.800
<v Speaker 6>control room where the producers would go, Okay, we're gonna

0:28:39.840 --> 0:28:41.920
<v Speaker 6>lose Kim in five minutes. We have to get this

0:28:42.040 --> 0:28:44.600
<v Speaker 6>scene done or you know that sort of thing, and

0:28:44.800 --> 0:28:47.960
<v Speaker 6>Margaret time was, y'all have to finish now. I don't

0:28:48.000 --> 0:28:51.040
<v Speaker 6>know that that that that clock's not right. My clock

0:28:51.160 --> 0:28:54.200
<v Speaker 6>says it's nine o'clock now, and so you've got to

0:28:54.240 --> 0:28:54.880
<v Speaker 6>pull the plug.

0:28:55.200 --> 0:28:57.440
<v Speaker 1>Are they still doing that system today or is that.

0:28:58.960 --> 0:29:01.680
<v Speaker 6>Back then to a certain extent, you know, because the

0:29:02.920 --> 0:29:05.280
<v Speaker 6>labor laws they got such a bad rap from, you know,

0:29:05.360 --> 0:29:07.920
<v Speaker 6>earlier generation, so they tried to be better at it.

0:29:08.520 --> 0:29:10.520
<v Speaker 6>But when our son Quincy was in the Pride and

0:29:10.520 --> 0:29:13.760
<v Speaker 6>Prejudice movie for a Lifetime this past summer, he filmed

0:29:13.760 --> 0:29:16.120
<v Speaker 6>it at the end of last year and I was

0:29:16.400 --> 0:29:20.479
<v Speaker 6>set mom, and I was in the trailer and you know,

0:29:20.600 --> 0:29:23.720
<v Speaker 6>there was his tutor and all those things, and I

0:29:23.760 --> 0:29:26.240
<v Speaker 6>actually took video and showed it to Nancy. I was like, oh,

0:29:26.320 --> 0:29:28.880
<v Speaker 6>my god, your nephew's at studio school right now.

0:29:30.400 --> 0:29:31.600
<v Speaker 1>Are they all? Are? They?

0:29:31.600 --> 0:29:32.840
<v Speaker 5>Absolutely?

0:29:33.480 --> 0:29:34.240
<v Speaker 6>Absolutely?

0:29:35.040 --> 0:29:40.560
<v Speaker 1>I was asking because during like I just never understood

0:29:40.760 --> 0:29:43.160
<v Speaker 1>and always sort of frowned. And first of all, yes,

0:29:43.240 --> 0:29:46.920
<v Speaker 1>I commit that. You know, I'm very bad at punctuality

0:29:46.960 --> 0:29:50.920
<v Speaker 1>and time and all that stuff. I'm working all myself, boss, Bill,

0:29:51.080 --> 0:29:58.680
<v Speaker 1>you know this. So when working on Hamilton, I didn't

0:29:58.720 --> 0:30:02.280
<v Speaker 1>realize that they are also very antal retentive with time.

0:30:02.400 --> 0:30:05.800
<v Speaker 1>So like they there was always a on set person

0:30:05.840 --> 0:30:10.280
<v Speaker 1>with a stopwatch and say if like George Washington had

0:30:10.280 --> 0:30:12.200
<v Speaker 1>to re sing a part over again, it's like, okay,

0:30:12.200 --> 0:30:14.760
<v Speaker 1>well we have six minutes and thirty seconds, guys, until

0:30:15.040 --> 0:30:18.640
<v Speaker 1>up now it's five minutes and fifty seconds. And I'm

0:30:18.720 --> 0:30:21.120
<v Speaker 1>just like, look, this is working on cast album. Yeah,

0:30:21.200 --> 0:30:25.000
<v Speaker 1>because they're also anal and you know there's like actual

0:30:25.000 --> 0:30:27.320
<v Speaker 1>people whose jobs it is just to look at the

0:30:27.320 --> 0:30:32.320
<v Speaker 1>stopwatch absolutely and enforce rules of which as a black person.

0:30:32.040 --> 0:30:40.280
<v Speaker 6>I'm like, but the unions are to your point, really,

0:30:40.440 --> 0:30:43.360
<v Speaker 6>you know they're there to really protect the artists, is

0:30:43.400 --> 0:30:46.479
<v Speaker 6>what you know, the idea of the union is, and

0:30:46.560 --> 0:30:50.280
<v Speaker 6>so being able to protect, making sure that that you know,

0:30:50.320 --> 0:30:53.920
<v Speaker 6>you're not overworked and all of those things. So they

0:30:53.960 --> 0:30:54.719
<v Speaker 6>are sticklers.

0:30:54.800 --> 0:30:57.760
<v Speaker 1>So does that leave you enough time to actually study

0:30:57.800 --> 0:31:01.760
<v Speaker 1>your lines and or you guys just given sides and

0:31:01.840 --> 0:31:04.440
<v Speaker 1>you recap them for two seconds and right.

0:31:04.480 --> 0:31:06.640
<v Speaker 6>So when you're doing a movie, then you know you

0:31:06.720 --> 0:31:10.280
<v Speaker 6>shoot bits of it every day, but on a multi

0:31:10.320 --> 0:31:13.720
<v Speaker 6>camera comedy like that, then you you film just kind

0:31:13.760 --> 0:31:15.960
<v Speaker 6>of once or twice a week, so you have the

0:31:16.000 --> 0:31:19.280
<v Speaker 6>script and you rehearse the whole thing over and over

0:31:19.360 --> 0:31:19.760
<v Speaker 6>and over.

0:31:20.800 --> 0:31:24.360
<v Speaker 1>Okay, so as a teenager, let's let's push on in

0:31:24.400 --> 0:31:29.520
<v Speaker 1>the years. No, I'm trying to cover every every aspect

0:31:29.600 --> 0:31:36.560
<v Speaker 1>of your career. Was there a general fear of Hollywood

0:31:36.600 --> 0:31:41.920
<v Speaker 1>trappings that have sort of sort of grabbed everyone? You

0:31:41.960 --> 0:31:44.440
<v Speaker 1>seem to, at least in my eyes. You got out

0:31:44.480 --> 0:31:51.200
<v Speaker 1>of it unscathed and you know, without a scratch or

0:31:51.280 --> 0:31:55.360
<v Speaker 1>I don't know, but like, how hard was that to

0:31:55.440 --> 0:32:02.160
<v Speaker 1>avoid in such a decadent time period social media?

0:32:02.360 --> 0:32:07.320
<v Speaker 6>Yeah? Right, yeah, it was. It was. There was a

0:32:07.360 --> 0:32:09.920
<v Speaker 6>part of it that was really easy because I was scared,

0:32:10.640 --> 0:32:14.560
<v Speaker 6>meaning I was I was that kid that was like,

0:32:14.840 --> 0:32:16.680
<v Speaker 6>I don't even want to try weed because I'd be

0:32:16.720 --> 0:32:18.840
<v Speaker 6>that one person that they find out, oh my god,

0:32:18.880 --> 0:32:21.960
<v Speaker 6>it can't kill you if you puff. Once we didn't know,

0:32:22.040 --> 0:32:24.400
<v Speaker 6>and now God rest her soul, you know. So I

0:32:24.440 --> 0:32:30.120
<v Speaker 6>was like, so, you know, it's like, I'm not going

0:32:30.160 --> 0:32:32.680
<v Speaker 6>to try that, and certainly not anything stronger than that.

0:32:34.240 --> 0:32:38.280
<v Speaker 6>But but basically I just felt like I didn't want

0:32:38.320 --> 0:32:42.800
<v Speaker 6>to be a has been At eighteen, I clearly remember

0:32:42.800 --> 0:32:45.280
<v Speaker 6>having that thought, you know, as you get fifteen and

0:32:45.360 --> 0:32:47.960
<v Speaker 6>sixteen and you you know, you're just becoming a young adult.

0:32:48.000 --> 0:32:49.680
<v Speaker 6>And I remember thinking, I'm not going to be a

0:32:49.760 --> 0:32:54.240
<v Speaker 6>has been at eighteen, and I'm not gonna let my

0:32:54.400 --> 0:32:58.840
<v Speaker 6>village suffer because I'm a statistic. My village has put

0:32:58.880 --> 0:33:00.680
<v Speaker 6>way too much in me for me to go out

0:33:00.680 --> 0:33:03.600
<v Speaker 6>like that. That's that's not an option. So that's how

0:33:03.680 --> 0:33:08.440
<v Speaker 6>I avoided. Now. I'm not unscratched, not not at all.

0:33:08.520 --> 0:33:16.320
<v Speaker 6>It's just I didn't have some of those monumental tragic incidents,

0:33:16.680 --> 0:33:19.400
<v Speaker 6>you know, that sort of thing. But I certainly had

0:33:19.480 --> 0:33:21.840
<v Speaker 6>struggles and challenges. That's why I start my book with

0:33:21.960 --> 0:33:24.160
<v Speaker 6>the piece from Langston Hughes. Well time, I'll tell you

0:33:24.280 --> 0:33:27.000
<v Speaker 6>life for me been no Crystal stare because people think

0:33:27.000 --> 0:33:28.360
<v Speaker 6>they look at me and they go, oh, she ain't

0:33:28.400 --> 0:33:29.040
<v Speaker 6>been through nothing.

0:33:30.280 --> 0:33:32.440
<v Speaker 5>You was the first. How could you not go through something.

0:33:35.280 --> 0:33:35.720
<v Speaker 6>Exactly?

0:33:36.000 --> 0:33:37.600
<v Speaker 5>The whole woman, the woman.

0:33:42.720 --> 0:33:44.600
<v Speaker 1>I think.

0:33:53.040 --> 0:34:06.120
<v Speaker 5>She been my friends, she just didn't know.

0:34:00.520 --> 0:34:03.520
<v Speaker 1>How well, not how important, but how hard was it

0:34:03.600 --> 0:34:06.320
<v Speaker 1>to shake the T word?

0:34:07.040 --> 0:34:08.080
<v Speaker 6>I love you for that man?

0:34:08.360 --> 0:34:13.240
<v Speaker 1>Once once the series ended, what eighty six.

0:34:13.719 --> 0:34:18.080
<v Speaker 6>Eight nine, eighty eight, eighty eight, seventy nine to eighty eight, Yeah, okay.

0:34:18.520 --> 0:34:21.160
<v Speaker 1>Yeah, by the way, first everybody remembers the first show

0:34:21.200 --> 0:34:24.960
<v Speaker 1>they ever recorded when they got a VCR. So I

0:34:24.960 --> 0:34:33.640
<v Speaker 1>got my box over writing in time for the Eldbarge episode. Well,

0:34:34.520 --> 0:34:36.680
<v Speaker 1>we talked about this when it was on our show,

0:34:37.239 --> 0:34:40.960
<v Speaker 1>that's right, yeah, yeah, so it was first. Like back

0:34:41.000 --> 0:34:42.960
<v Speaker 1>when you in the eighties, when you got a VCR,

0:34:43.120 --> 0:34:46.640
<v Speaker 1>you recorded any and everything because, like you know, you

0:34:46.640 --> 0:34:47.720
<v Speaker 1>didn't want to miss anything.

0:34:47.840 --> 0:34:52.120
<v Speaker 4>So we used to have like the mountains of EHS tapes,

0:34:52.440 --> 0:34:55.160
<v Speaker 4>like this is a Saturday lineup, pile, this isday lineup.

0:34:56.520 --> 0:34:59.719
<v Speaker 6>Wait, funny, Maxwell just sent me a text of a

0:34:59.800 --> 0:35:02.920
<v Speaker 6>PI make sure of like just piled like like piles

0:35:02.920 --> 0:35:05.799
<v Speaker 6>of VHS and and cassette and he's like, I got mine.

0:35:05.840 --> 0:35:09.879
<v Speaker 6>You know you got shorts. Oh my god.

0:35:10.360 --> 0:35:14.839
<v Speaker 1>If you think about it, we are like as a species,

0:35:15.560 --> 0:35:20.360
<v Speaker 1>we're the most documenting, never going back to watch people

0:35:21.640 --> 0:35:25.120
<v Speaker 1>like the amount. Oh wait, that's for Maxwell. Yeah, wait

0:35:25.160 --> 0:35:26.000
<v Speaker 1>with a floppy disc?

0:35:28.160 --> 0:35:47.320
<v Speaker 4>You have stuff In comments.

0:35:38.200 --> 0:35:41.520
<v Speaker 1>Kim just showed us her phone and Maxwell's center photo

0:35:41.560 --> 0:35:45.000
<v Speaker 1>of a bunch of VHS, a cassette and a floppy disc,

0:35:46.160 --> 0:35:51.040
<v Speaker 1>which reminds me of that to this day. To this day,

0:35:50.600 --> 0:35:54.160
<v Speaker 1>uh d'angela still creates his music on his A s

0:35:54.320 --> 0:36:01.439
<v Speaker 1>R ten and needs floppy discs bs.

0:36:01.880 --> 0:36:03.280
<v Speaker 5>Uh he just said again.

0:36:05.160 --> 0:36:09.640
<v Speaker 1>But my point being that, Uh, when when the series

0:36:09.719 --> 0:36:16.279
<v Speaker 1>was over, how hard was it to to shake the

0:36:16.400 --> 0:36:19.800
<v Speaker 1>character as far as figuring out what you're going to

0:36:19.880 --> 0:36:20.360
<v Speaker 1>do next?

0:36:20.600 --> 0:36:24.360
<v Speaker 6>Well, thankfully the character had grown up. So you know,

0:36:24.560 --> 0:36:28.200
<v Speaker 6>I wasn't like a Shirley Temple type of of of

0:36:28.200 --> 0:36:31.360
<v Speaker 6>of child start trapped in you know, being a child.

0:36:32.560 --> 0:36:36.640
<v Speaker 6>So so and I had gone to college, and you know,

0:36:36.680 --> 0:36:40.040
<v Speaker 6>I'd gotten my degree, so I stayed busy number one,

0:36:40.160 --> 0:36:43.160
<v Speaker 6>So my mind wasn't idol and I wasn't just kind

0:36:43.200 --> 0:36:45.320
<v Speaker 6>of trapped my own self.

0:36:45.400 --> 0:36:46.799
<v Speaker 1>What did you major in it, Pepperdine?

0:36:47.160 --> 0:36:50.239
<v Speaker 6>I double majored in broadcast journalism and TV and film

0:36:50.320 --> 0:36:52.040
<v Speaker 6>production and a minor in religion.

0:36:52.520 --> 0:36:54.680
<v Speaker 1>Wow, what whoa why did you use?

0:36:56.280 --> 0:36:58.040
<v Speaker 6>I wanted to go to San Diego State, but I

0:36:58.080 --> 0:36:59.920
<v Speaker 6>couldn't go out of state for school or out of

0:37:00.120 --> 0:37:02.520
<v Speaker 6>out of town for school because the facts life was still.

0:37:02.840 --> 0:37:03.920
<v Speaker 6>Did you wear that from me?

0:37:05.160 --> 0:37:07.160
<v Speaker 5>Oh you got on your head.

0:37:07.320 --> 0:37:08.560
<v Speaker 6>It's just facts.

0:37:09.280 --> 0:37:18.799
<v Speaker 1>Oh crash. Not even shout out to Dan Ricky h Now,

0:37:19.120 --> 0:37:20.960
<v Speaker 1>I did this weird thing when I meditated in the

0:37:20.960 --> 0:37:22.879
<v Speaker 1>morning and it was like the first word I saw,

0:37:23.000 --> 0:37:26.719
<v Speaker 1>so wow, okay, I did facts. And then when I like,

0:37:26.760 --> 0:37:29.359
<v Speaker 1>I grabbed a whole bunch of letters and whatever comes

0:37:29.360 --> 0:37:31.520
<v Speaker 1>out in my hand, I was just like, I'll use that.

0:37:31.640 --> 0:37:33.800
<v Speaker 5>I swear to God, that's next level of meditation.

0:37:34.000 --> 0:37:37.200
<v Speaker 1>Then again, like I didn't know crown.

0:37:37.120 --> 0:37:39.520
<v Speaker 6>Or what, but look how connected we are that I

0:37:39.600 --> 0:37:43.839
<v Speaker 6>permeated your meditation time see and and you and and

0:37:43.880 --> 0:37:45.120
<v Speaker 6>you had me on your mind.

0:37:45.400 --> 0:37:45.720
<v Speaker 1>Wow.

0:37:46.120 --> 0:37:47.200
<v Speaker 4>I don't think you ever left.

0:37:49.520 --> 0:37:51.440
<v Speaker 1>I don't even read the calendar in the morning. I

0:37:51.480 --> 0:37:54.359
<v Speaker 1>was like, oh, wait, I'm going to work right. Oh, oh, Kim,

0:37:54.640 --> 0:37:55.080
<v Speaker 1>I'm playing.

0:37:55.120 --> 0:37:57.000
<v Speaker 5>Although he's been asking me almost once a week, so

0:37:57.000 --> 0:38:03.720
<v Speaker 5>when's is cam? Did you get cam?

0:38:03.840 --> 0:38:04.040
<v Speaker 1>Yeah?

0:38:04.040 --> 0:38:05.280
<v Speaker 4>I think because it's true.

0:38:06.040 --> 0:38:08.560
<v Speaker 1>Yeah, I'm sadly true. How do you decide which crown

0:38:08.640 --> 0:38:09.760
<v Speaker 1>to wear each day?

0:38:09.960 --> 0:38:10.520
<v Speaker 5>Different ones?

0:38:10.560 --> 0:38:16.600
<v Speaker 1>Steve, Steve, Steve Anyway, No, I totally forgot I was

0:38:16.600 --> 0:38:18.240
<v Speaker 1>wearing a crown in my head.

0:38:17.560 --> 0:38:20.160
<v Speaker 6>I interrupted you. What were you saying no?

0:38:20.160 --> 0:38:21.160
<v Speaker 1>No about Pepperdine.

0:38:21.520 --> 0:38:21.800
<v Speaker 5>Yes.

0:38:22.080 --> 0:38:25.080
<v Speaker 6>So I wanted to go out of state and I

0:38:25.120 --> 0:38:26.839
<v Speaker 6>couldn't go out of state, And then I couldn't even

0:38:26.920 --> 0:38:29.160
<v Speaker 6>go out of town because Fact's life was still filming

0:38:29.520 --> 0:38:32.359
<v Speaker 6>when I started college, because I took seventh and eighth

0:38:32.440 --> 0:38:34.680
<v Speaker 6>grade together, so I got out of high school a

0:38:34.719 --> 0:38:36.759
<v Speaker 6>year early. So I was still done Facts Life when

0:38:36.760 --> 0:38:40.520
<v Speaker 6>I started college. And so we had done the Australian

0:38:40.560 --> 0:38:42.880
<v Speaker 6>movie and then I started school.

0:38:43.440 --> 0:38:45.560
<v Speaker 1>Well, this was fun. I remember the Paris one. I

0:38:45.600 --> 0:38:46.799
<v Speaker 1>was on punishment for the other one.

0:38:49.800 --> 0:38:51.920
<v Speaker 6>Man, weren't we older? How was you on punishment?

0:38:51.960 --> 0:38:58.080
<v Speaker 1>Then we don't want to Paris. I remember being in

0:38:58.080 --> 0:39:01.719
<v Speaker 1>trouble that Paris was like, wait, eighty Irish tried right.

0:39:01.840 --> 0:39:06.080
<v Speaker 1>I was two of those special Facts of Life trips

0:39:07.200 --> 0:39:08.280
<v Speaker 1>was on punishment.

0:39:07.920 --> 0:39:10.360
<v Speaker 6>For so okay, the other one I was. I was

0:39:10.440 --> 0:39:12.880
<v Speaker 6>seventeen eighteens. I don't even want to know.

0:39:12.920 --> 0:39:15.680
<v Speaker 1>Why you was. No, no, no, my bad. Y'all went

0:39:15.719 --> 0:39:16.360
<v Speaker 1>to Hawaii.

0:39:16.840 --> 0:39:18.000
<v Speaker 5>Everybody went to Hawaiian.

0:39:18.120 --> 0:39:22.640
<v Speaker 6>Yeah, Hawaii went to Hawaii and you saw they took

0:39:22.680 --> 0:39:24.160
<v Speaker 6>their hairdressers.

0:39:23.480 --> 0:39:34.239
<v Speaker 8>Because here's here's here's something weird.

0:39:35.200 --> 0:39:39.800
<v Speaker 1>Okay, so don't say we won't get we will in

0:39:39.880 --> 0:39:44.120
<v Speaker 1>a second, Okay, Okay, so APOLOONI and I have a

0:39:44.239 --> 0:39:48.040
<v Speaker 1>really good mutual friend in Chef Gordon, who lives in Mali.

0:39:48.840 --> 0:39:51.719
<v Speaker 1>And one of Apple's favorite thing is to uh what

0:39:51.840 --> 0:39:54.400
<v Speaker 1>do when you go I don't say thrifting when you

0:39:54.440 --> 0:39:59.880
<v Speaker 1>go to the thrift stories to antique, right, And somehow

0:40:01.719 --> 0:40:09.040
<v Speaker 1>and and somehow, Appollonia wound up with Roxy Wrokers polaroid,

0:40:09.400 --> 0:40:15.759
<v Speaker 1>uh scrap book of when the Jeffersons went to wh No,

0:40:16.040 --> 0:40:17.840
<v Speaker 1>she just like always had it and that's how I

0:40:17.960 --> 0:40:21.680
<v Speaker 1>introduced her to to Lenny and Zoey to get the

0:40:21.719 --> 0:40:22.239
<v Speaker 1>book back.

0:40:22.520 --> 0:40:26.160
<v Speaker 5>So she's had it for Miss Roxy's hair was straight

0:40:26.280 --> 0:40:27.239
<v Speaker 5>and white.

0:40:29.080 --> 0:40:32.239
<v Speaker 1>Yeah, so those on those special episodes, you guys were

0:40:32.239 --> 0:40:34.160
<v Speaker 1>allowed special amenities for your.

0:40:34.880 --> 0:40:35.719
<v Speaker 6>Well facts of life.

0:40:35.800 --> 0:40:36.239
<v Speaker 5>I wasn't.

0:40:36.320 --> 0:40:38.520
<v Speaker 6>And that's why when that wind blew to these bangs

0:40:38.560 --> 0:40:42.719
<v Speaker 6>looked like all to be damned and my mother was like,

0:40:42.840 --> 0:40:44.880
<v Speaker 6>oh never again. That's the one time she was kind

0:40:44.920 --> 0:40:47.680
<v Speaker 6>of managers and was like, my baby will not be

0:40:47.800 --> 0:40:49.879
<v Speaker 6>looking like that if you guys go anywhere else.

0:40:50.160 --> 0:40:51.400
<v Speaker 5>Did they have a hairdresser for you?

0:40:52.040 --> 0:40:56.160
<v Speaker 6>Yes, like joe Anne Stafford. Baby, that's who created the

0:40:56.280 --> 0:41:01.719
<v Speaker 6>sig zag part. That's right, Heat of the night, Right,

0:41:01.800 --> 0:41:02.640
<v Speaker 6>did you want that?

0:41:03.520 --> 0:41:03.680
<v Speaker 1>Wait?

0:41:03.760 --> 0:41:04.360
<v Speaker 5>How do you know that?

0:41:04.640 --> 0:41:06.480
<v Speaker 4>Read the book? And then I did google afterwards.

0:41:06.560 --> 0:41:10.759
<v Speaker 1>Okay, I don't just say because you pioneered for me

0:41:11.160 --> 0:41:15.000
<v Speaker 1>like the the even though people now are sort of

0:41:15.080 --> 0:41:19.400
<v Speaker 1>crediting like salt and pepper for the mushroom is Oh yeah, no,

0:41:19.520 --> 0:41:22.239
<v Speaker 1>she had no like I felt like you were the

0:41:22.320 --> 0:41:23.840
<v Speaker 1>pioneering what's that.

0:41:23.920 --> 0:41:28.240
<v Speaker 6>Called the page boy the page boy circle.

0:41:28.760 --> 0:41:31.040
<v Speaker 5>I thought that halle Berry cut was a page boy, right.

0:41:32.920 --> 0:41:34.640
<v Speaker 1>Single, I'm talking about her facts of life, That's what

0:41:34.680 --> 0:41:35.400
<v Speaker 1>I'm talking about.

0:41:35.320 --> 0:41:39.040
<v Speaker 6>The mush mushroom, right, yes, And I mean I had

0:41:39.200 --> 0:41:42.640
<v Speaker 6>bangs that big barrel on the curl curlin iron. So yeah,

0:41:42.719 --> 0:41:46.480
<v Speaker 6>but the zig zag part picked all of my styles,

0:41:46.600 --> 0:41:48.560
<v Speaker 6>was joining, but they didn't take joy in the Paris

0:41:49.080 --> 0:41:50.160
<v Speaker 6>and old Kim.

0:41:50.040 --> 0:41:55.200
<v Speaker 1>Say, it's good to know that. See when we go

0:41:55.360 --> 0:41:59.640
<v Speaker 1>in on location and I'm after big and fleet like

0:41:59.719 --> 0:42:04.319
<v Speaker 1>you afro, don't come let me. It's just as much

0:42:04.360 --> 0:42:06.120
<v Speaker 1>of the character on the show as I am.

0:42:06.320 --> 0:42:06.759
<v Speaker 8>That's right.

0:42:06.960 --> 0:42:10.560
<v Speaker 6>And then when we went to Australia, Kim was laid

0:42:10.640 --> 0:42:12.840
<v Speaker 6>though Kim Kim had her hair tight.

0:42:12.840 --> 0:42:13.319
<v Speaker 1>On that one.

0:42:13.360 --> 0:42:14.879
<v Speaker 6>But I took my hairstylist.

0:42:15.000 --> 0:42:15.480
<v Speaker 5>Was that a really?

0:42:15.600 --> 0:42:17.319
<v Speaker 7>Was you a relaxer or was that a blowout? I'm sorry,

0:42:17.320 --> 0:42:23.640
<v Speaker 7>I just always had that question. Press yes, okay, it

0:42:23.680 --> 0:42:25.400
<v Speaker 7>took a while. Does she ever, did you ever get

0:42:25.480 --> 0:42:27.000
<v Speaker 7>your hair chemical up?

0:42:27.560 --> 0:42:29.719
<v Speaker 6>I don't think so, I don't think my mom. I

0:42:29.800 --> 0:42:30.440
<v Speaker 6>have to ask my mom.

0:42:30.719 --> 0:42:31.520
<v Speaker 5>That was good to watch.

0:42:31.680 --> 0:42:34.759
<v Speaker 6>Yeah, yeah, that wooden spoon on my ear, that's what

0:42:34.880 --> 0:42:37.759
<v Speaker 6>I really remember. And the blue grease, No, because it's

0:42:37.800 --> 0:42:39.960
<v Speaker 6>thank And now back to.

0:42:42.360 --> 0:42:44.560
<v Speaker 1>Believe we are we are the rabbit Hole Kings on

0:42:44.640 --> 0:42:48.239
<v Speaker 1>the show good So, as I was mentioned earlier, and

0:42:48.800 --> 0:42:51.279
<v Speaker 1>you know, and I know that people seem to think, uh,

0:42:52.000 --> 0:42:54.520
<v Speaker 1>I'm talking out the side of my neck, but not

0:42:54.719 --> 0:42:59.279
<v Speaker 1>many people know that the reasons that Friends exist is

0:42:59.360 --> 0:43:04.479
<v Speaker 1>because the creators of Friends, my great pals at NBC

0:43:04.640 --> 0:43:07.960
<v Speaker 1>where I currently work to this day, what my job

0:43:08.480 --> 0:43:15.319
<v Speaker 1>and benefits. It's okay, No, well, you know, I thought

0:43:15.520 --> 0:43:20.320
<v Speaker 1>it was Brendan Tartakoff's last move. He had a chance

0:43:20.440 --> 0:43:27.120
<v Speaker 1>to have uh living single or an NBC. But they

0:43:27.160 --> 0:43:29.759
<v Speaker 1>were like, well, we have enough black shows already. We

0:43:29.800 --> 0:43:33.400
<v Speaker 1>already have Labelle's Up all Night, and we have the

0:43:33.400 --> 0:43:35.440
<v Speaker 1>Fresh Prince of bel Air, and we have L's in

0:43:35.480 --> 0:43:38.560
<v Speaker 1>the house, so maybe three is enough, you know, and

0:43:38.640 --> 0:43:41.600
<v Speaker 1>we still have Cosby in a different world. So that's

0:43:41.800 --> 0:43:44.040
<v Speaker 1>that's a lot of blackness. So we'll pass on this one,

0:43:44.800 --> 0:43:47.200
<v Speaker 1>and he was like, I don't know something about this

0:43:47.239 --> 0:43:50.160
<v Speaker 1>show and the chemistry they have, and I guess the

0:43:50.280 --> 0:43:54.240
<v Speaker 1>decision was, well, let's create the white version of living single,

0:43:54.840 --> 0:43:58.840
<v Speaker 1>and thus that's how Friends came to be.

0:43:59.400 --> 0:43:59.920
<v Speaker 4>Is that correct?

0:44:00.239 --> 0:44:02.759
<v Speaker 1>I did not know that, which it is is no, No,

0:44:03.440 --> 0:44:06.640
<v Speaker 1>I'm asked Brandon if she said no?

0:44:07.360 --> 0:44:08.520
<v Speaker 5>He said it. He admitted it.

0:44:09.000 --> 0:44:12.799
<v Speaker 6>Yeah, even jump in the grave and get him.

0:44:15.840 --> 0:44:22.080
<v Speaker 1>I don't know that, you know, Joe when Emmys and Taro.

0:44:22.600 --> 0:44:24.239
<v Speaker 4>I knew Joanne won the Emmy because I read the

0:44:24.280 --> 0:44:27.080
<v Speaker 4>book and then I did googlefter tartakov I actually remember

0:44:27.120 --> 0:44:29.279
<v Speaker 4>when he died. Yeah, I actually remember when he died.

0:44:29.320 --> 0:44:31.120
<v Speaker 4>I was like probably like eleven or twelve, but I

0:44:31.239 --> 0:44:32.279
<v Speaker 4>remember that shout out damn.

0:44:32.440 --> 0:44:35.120
<v Speaker 6>Yeah. Well that's uh, that's what I'm surprised to have

0:44:35.320 --> 0:44:36.840
<v Speaker 6>Tartakoff connected to Friends.

0:44:36.960 --> 0:44:42.960
<v Speaker 1>Well, even whoever whoever was the president of NBC in

0:44:45.560 --> 0:44:50.120
<v Speaker 1>ninety two ninety three admitted it on like one of

0:44:50.160 --> 0:44:54.040
<v Speaker 1>those like panel things. Yes, I'm getting and thus the

0:44:54.120 --> 0:44:58.239
<v Speaker 1>reason why jay Z made the Moonlight video with all

0:44:58.239 --> 0:44:59.480
<v Speaker 1>the Black Friends characters.

0:44:59.560 --> 0:45:03.680
<v Speaker 5>I didn't know is that. Okay, I didn't know. I

0:45:03.719 --> 0:45:05.960
<v Speaker 5>didn't say that. I just didn't know that he was

0:45:06.120 --> 0:45:08.279
<v Speaker 5>up on his pop culture trivia like.

0:45:08.320 --> 0:45:14.600
<v Speaker 1>That it's quasi common knowledge. But uh, were you aware

0:45:14.600 --> 0:45:15.440
<v Speaker 1>of those facts at all?

0:45:16.480 --> 0:45:19.240
<v Speaker 6>Not those particular facts from other facts.

0:45:20.320 --> 0:45:22.840
<v Speaker 5>What what I know, uh is that.

0:45:24.920 --> 0:45:28.040
<v Speaker 6>Uh Yvett created this this this brilliant show and Evett

0:45:28.120 --> 0:45:31.279
<v Speaker 6>had a deal with Fox to develop a show with

0:45:31.520 --> 0:45:35.680
<v Speaker 6>Dana and Kim Coles Lativa and Kim Coles. I don't

0:45:35.760 --> 0:45:40.680
<v Speaker 6>know what the preamble was prior to that. What was difficult,

0:45:41.040 --> 0:45:42.839
<v Speaker 6>you know, and a bit of a challenge to work

0:45:42.920 --> 0:45:46.880
<v Speaker 6>through sometimes was that both friends of Limit single was

0:45:46.960 --> 0:45:51.880
<v Speaker 6>Warner Brothers, and so, you know, oftentimes real talk, we

0:45:52.080 --> 0:45:53.080
<v Speaker 6>we kind of felt like that.

0:45:53.560 --> 0:46:00.359
<v Speaker 1>I'm sorry, Bill, looking up, I want you to you right,

0:46:00.480 --> 0:46:04.160
<v Speaker 1>I'm partly insulting as I'm listening to you, like, yeah, continue,

0:46:04.200 --> 0:46:11.280
<v Speaker 1>I'm like, I'm.

0:46:13.280 --> 0:46:16.680
<v Speaker 6>So sometimes we kind of felt like the redheaded stepchild

0:46:17.080 --> 0:46:23.640
<v Speaker 6>right right now, from from the standpoint of we were

0:46:24.280 --> 0:46:30.200
<v Speaker 6>you know, quote unquote first and you know, if you're

0:46:30.239 --> 0:46:32.920
<v Speaker 6>able to inspire people to create great content, great, what

0:46:33.040 --> 0:46:36.399
<v Speaker 6>do they say? You know something is the highest form

0:46:36.440 --> 0:46:42.080
<v Speaker 6>of flattery, imitation, That's it. He came with that quick

0:46:42.480 --> 0:46:51.359
<v Speaker 6>to google that, but being able to you know, when

0:46:51.400 --> 0:46:53.360
<v Speaker 6>my kids wake up from nightmares, the first thing I

0:46:53.440 --> 0:46:56.560
<v Speaker 6>say is what's your truth? Speak your truth, know your truth,

0:46:57.080 --> 0:46:59.839
<v Speaker 6>and we know our truth bottom line, So we don't

0:46:59.880 --> 0:47:03.000
<v Speaker 6>have to have anybody validated and do memes about it

0:47:03.120 --> 0:47:05.479
<v Speaker 6>and start a hashtag campaign and used.

0:47:05.400 --> 0:47:07.160
<v Speaker 5>To because we're just starting shitting people copying.

0:47:07.640 --> 0:47:11.319
<v Speaker 6>Well, there's that, there's that part, But at the end

0:47:11.360 --> 0:47:15.279
<v Speaker 6>of the day, that's the part that was the most frustrating,

0:47:15.400 --> 0:47:19.000
<v Speaker 6>you know, to be a part of the same production,

0:47:19.160 --> 0:47:22.719
<v Speaker 6>the same studio essentially, uh and to be treated so

0:47:22.960 --> 0:47:27.239
<v Speaker 6>grossly different in terms of pay, in terms of you know,

0:47:27.360 --> 0:47:30.880
<v Speaker 6>there's there's a this is a true story. One day

0:47:30.920 --> 0:47:32.560
<v Speaker 6>we came to work in the set. The sound stage

0:47:32.640 --> 0:47:34.880
<v Speaker 6>was freezing, and even things like, you know what the

0:47:34.920 --> 0:47:37.520
<v Speaker 6>big Warner Brothers is the main Warner Brothers lot, and

0:47:37.640 --> 0:47:40.840
<v Speaker 6>then they have the ranch. Who do you think filmed

0:47:40.920 --> 0:47:43.280
<v Speaker 6>at the main lot? And who do you think filmed

0:47:43.320 --> 0:47:43.880
<v Speaker 6>at the ranch?

0:47:45.160 --> 0:47:48.239
<v Speaker 1>The ranch was the better option and not the better option?

0:47:48.719 --> 0:47:51.680
<v Speaker 6>No, the ranch was you know kind of that that

0:47:51.920 --> 0:47:55.880
<v Speaker 6>out the way. The ranch is not the big studio,

0:47:57.200 --> 0:47:59.719
<v Speaker 6>that's right, that's right. So we came in there and

0:48:00.760 --> 0:48:04.359
<v Speaker 6>the sound stage was freezing and they said that they

0:48:04.400 --> 0:48:07.600
<v Speaker 6>weren't going to turn the lights on, and so we

0:48:07.719 --> 0:48:10.080
<v Speaker 6>had to rehearse in these big, big puffer coats and

0:48:10.120 --> 0:48:12.600
<v Speaker 6>stuff because they were saying that they didn't want to

0:48:12.640 --> 0:48:15.479
<v Speaker 6>spend the money to turn the lights on and or heat.

0:48:16.280 --> 0:48:18.520
<v Speaker 6>And that's when we actually that that was the one

0:48:18.560 --> 0:48:21.680
<v Speaker 6>and only time that we collectively said we're not coming

0:48:21.880 --> 0:48:25.279
<v Speaker 6>to work. We're not going to do that because at

0:48:25.320 --> 0:48:31.680
<v Speaker 6>this point, this is a safety hazard. Meanwhile, meanwhile the

0:48:31.800 --> 0:48:35.040
<v Speaker 6>other folks walk off to get a million per episodes

0:48:35.440 --> 0:48:38.920
<v Speaker 6>and it's like they want money, we want heat. If

0:48:39.000 --> 0:48:40.759
<v Speaker 6>that don't sound like an episode a good time.

0:48:43.400 --> 0:48:45.080
<v Speaker 7>So it was a whole black woman in that moment,

0:48:45.480 --> 0:48:49.160
<v Speaker 7>you know what I'm saying, Not even then the seventy six,

0:48:49.920 --> 0:48:52.440
<v Speaker 7>you know, and so so, so you.

0:48:52.560 --> 0:48:56.000
<v Speaker 6>Have those moments where it's like, never mind all the

0:48:56.560 --> 0:48:59.759
<v Speaker 6>other stuff that goes around the comparisons, those are the

0:48:59.800 --> 0:49:01.080
<v Speaker 6>moments where it's like that.

0:49:03.800 --> 0:49:05.160
<v Speaker 7>Can you ask them, I just real quick, I just

0:49:05.239 --> 0:49:07.160
<v Speaker 7>want to know since you knew this, right, My question

0:49:07.239 --> 0:49:09.400
<v Speaker 7>is because usually on the opposite side, the other people

0:49:09.640 --> 0:49:10.560
<v Speaker 7>have no idea.

0:49:10.440 --> 0:49:11.880
<v Speaker 5>What the other folks are going through. So was it

0:49:11.960 --> 0:49:12.440
<v Speaker 5>the same way?

0:49:12.600 --> 0:49:15.719
<v Speaker 6>I don't know. I never met that ran into that.

0:49:16.440 --> 0:49:18.759
<v Speaker 6>They probably we weren't. We weren't at the lotch so

0:49:19.160 --> 0:49:21.280
<v Speaker 6>we didn't. We didn't run into them in the comments.

0:49:21.440 --> 0:49:23.160
<v Speaker 5>So somebody told them, you know, your show is based

0:49:23.160 --> 0:49:24.640
<v Speaker 5>off the show called Living Single. They'd be like, what

0:49:24.760 --> 0:49:25.160
<v Speaker 5>the you know?

0:49:25.400 --> 0:49:32.000
<v Speaker 1>A well, okay, I know that there there have been

0:49:32.040 --> 0:49:35.359
<v Speaker 1>a few times on these episodes that you directed, Yes,

0:49:35.920 --> 0:49:40.120
<v Speaker 1>and often, like when I watched shitcoms, like a key

0:49:40.239 --> 0:49:45.040
<v Speaker 1>character will go away for a vacation, right, this week

0:49:45.280 --> 0:49:49.919
<v Speaker 1>she went on a convention and direct, right, how one?

0:49:50.680 --> 0:49:55.680
<v Speaker 1>How is that? How is that negotiated? And how hard

0:49:55.800 --> 0:49:59.640
<v Speaker 1>is it to direct? And or really the real question

0:49:59.760 --> 0:50:01.960
<v Speaker 1>is how welcome characters have to leave to go on

0:50:02.040 --> 0:50:04.440
<v Speaker 1>vacation to direct their own things? Like why can't you

0:50:04.680 --> 0:50:06.000
<v Speaker 1>also be there at the time?

0:50:06.160 --> 0:50:06.239
<v Speaker 5>Right?

0:50:06.320 --> 0:50:08.520
<v Speaker 6>You know what's funny is I remember when Anton Williams

0:50:08.560 --> 0:50:11.120
<v Speaker 6>and Ron Howard and those guys started directing like Happy Days,

0:50:11.160 --> 0:50:13.200
<v Speaker 6>and you'd see, like you just said, you know, Podgy's

0:50:13.200 --> 0:50:16.520
<v Speaker 6>going off to the right because he was directing Regime

0:50:16.560 --> 0:50:18.760
<v Speaker 6>didn't go anywhere Regime. But the first time I directed

0:50:18.800 --> 0:50:21.160
<v Speaker 6>an episode of eleven Single, I was the BT story.

0:50:20.920 --> 0:50:22.400
<v Speaker 5>And I was like, wait a minute, what happened to

0:50:22.480 --> 0:50:23.040
<v Speaker 5>the rules?

0:50:23.160 --> 0:50:26.879
<v Speaker 6>What I'm I'm directing and I'm the best story wait,

0:50:27.400 --> 0:50:29.480
<v Speaker 6>And really they try to do that because it's a

0:50:29.560 --> 0:50:33.080
<v Speaker 6>lot to direct an episode, and then you've got to

0:50:33.120 --> 0:50:34.799
<v Speaker 6>put yourself in it, you know, and then you've got

0:50:34.920 --> 0:50:37.400
<v Speaker 6>to have your stand in to be you. And then

0:50:37.440 --> 0:50:39.239
<v Speaker 6>when you're in it, then you have to make sure

0:50:39.280 --> 0:50:42.239
<v Speaker 6>that the assistant director or stage manager is watching. So

0:50:42.360 --> 0:50:44.480
<v Speaker 6>it's just it's a lot instead of just being in

0:50:44.600 --> 0:50:46.759
<v Speaker 6>one scene and then you go away and then you

0:50:46.840 --> 0:50:49.520
<v Speaker 6>can really focus on that, you know. And for the

0:50:49.640 --> 0:50:53.200
<v Speaker 6>type of sitcom that we were doing, this was when

0:50:53.440 --> 0:50:56.600
<v Speaker 6>they would have a control room and so you'd actually

0:50:56.760 --> 0:50:59.360
<v Speaker 6>leave the sound stage go to another part of the

0:50:59.480 --> 0:51:04.320
<v Speaker 6>building to you know, where we're basically master control was

0:51:04.360 --> 0:51:07.760
<v Speaker 6>where you're talking to the cameras and all just everybody

0:51:07.800 --> 0:51:10.000
<v Speaker 6>and all the monitors are there and you're switching shots

0:51:10.040 --> 0:51:10.680
<v Speaker 6>and things like that.

0:51:11.120 --> 0:51:13.640
<v Speaker 1>She's determined that as well. Yeah, so it's a big

0:51:13.680 --> 0:51:14.440
<v Speaker 1>giant division of.

0:51:15.200 --> 0:51:17.759
<v Speaker 5>Absolutely which makes Tyler Perry look even more genius than

0:51:17.800 --> 0:51:23.080
<v Speaker 5>his way. I guess, yes, no, I know, but he does. Yes,

0:51:23.239 --> 0:51:24.000
<v Speaker 5>you can't take it away.

0:51:24.280 --> 0:51:26.080
<v Speaker 1>You don't have to defend it. I agree with you.

0:51:26.239 --> 0:51:32.439
<v Speaker 1>Oh sorry, Tyler, you know he's making power moves. Yes,

0:51:32.600 --> 0:51:44.720
<v Speaker 1>Steve clear in my throat. In the hindsight, what lessons

0:51:44.920 --> 0:51:51.560
<v Speaker 1>or valuable lessons have you learned in your career that

0:51:53.480 --> 0:51:56.600
<v Speaker 1>you wish you knew then at that at that particular

0:51:56.719 --> 0:52:02.640
<v Speaker 1>time period or you're fine with your outcome and yeah,

0:52:06.920 --> 0:52:09.840
<v Speaker 1>I feel like everything happens for a reason. Yeah, and

0:52:09.960 --> 0:52:13.359
<v Speaker 1>so even now, like I'll see someone that has done

0:52:13.400 --> 0:52:14.880
<v Speaker 1>better than me in my career or whatever, and like

0:52:15.880 --> 0:52:17.600
<v Speaker 1>maybe at that moment, I'll be like, oh man, I

0:52:17.640 --> 0:52:19.520
<v Speaker 1>wish I wrote that song or something like that. But

0:52:19.640 --> 0:52:23.400
<v Speaker 1>then I feel like I'm on the path I'm supposed.

0:52:23.000 --> 0:52:23.960
<v Speaker 6>To be on exactly.

0:52:24.280 --> 0:52:29.479
<v Speaker 1>But if there's something like, Okay, I wish I knew about, Like, Okay,

0:52:29.560 --> 0:52:33.680
<v Speaker 1>there's some real like it's about to I'm not. I've

0:52:33.719 --> 0:52:37.239
<v Speaker 1>known you for all my life, all right. I really

0:52:37.360 --> 0:52:42.120
<v Speaker 1>wish i'd gotten early in the game on like stocks

0:52:42.160 --> 0:52:46.960
<v Speaker 1>and investments, way earlier in my career. I'm on it now.

0:52:47.200 --> 0:52:48.360
<v Speaker 5>We all do a mirror shoot.

0:52:48.640 --> 0:52:51.719
<v Speaker 1>But you know, had I known then when I know now, yeah,

0:52:51.840 --> 0:52:53.640
<v Speaker 1>you know, I wouldn't left at askton Coat. You were like,

0:52:54.040 --> 0:52:56.320
<v Speaker 1>what's it? I mean, get out of here? Like that

0:52:56.480 --> 0:53:00.000
<v Speaker 1>sort of thing, but like, what things do you wh

0:53:00.120 --> 0:53:01.319
<v Speaker 1>she I.

0:53:01.360 --> 0:53:04.640
<v Speaker 6>Wish I hadn't worn braces so long because fucking over

0:53:04.760 --> 0:53:09.840
<v Speaker 6>bites are sexy. Now what the hell like Live Live Tyler?

0:53:10.120 --> 0:53:13.120
<v Speaker 6>I mean, you know, just like, isn't that like a thing?

0:53:13.200 --> 0:53:15.120
<v Speaker 5>But not her daddy, He's got one, but I didn't

0:53:15.120 --> 0:53:15.880
<v Speaker 5>bring him up right.

0:53:21.239 --> 0:53:22.960
<v Speaker 7>We talked about physical things. Can I ask you a

0:53:23.040 --> 0:53:25.000
<v Speaker 7>question that I read? And I'm so curious just as

0:53:25.040 --> 0:53:26.919
<v Speaker 7>a woman, a bountiful, plentiful woman.

0:53:27.120 --> 0:53:29.359
<v Speaker 5>Yes, why do you? Why did you have to get

0:53:29.440 --> 0:53:30.320
<v Speaker 5>two reductions?

0:53:30.320 --> 0:53:31.840
<v Speaker 7>And I know one of them was covered on the

0:53:31.920 --> 0:53:34.760
<v Speaker 7>Living single, but yes, I'm scared for myself.

0:53:35.520 --> 0:53:39.279
<v Speaker 6>Uh well, the first one was just physically. I was

0:53:39.360 --> 0:53:42.759
<v Speaker 6>five ft tall and and so just I'm still in

0:53:42.920 --> 0:53:44.960
<v Speaker 6>but my I had a lot of back issues with that.

0:53:45.719 --> 0:53:49.120
<v Speaker 6>Then yes, look at the pictures of us together, look

0:53:49.160 --> 0:53:56.280
<v Speaker 6>how like I mean like because she's and I always

0:53:56.360 --> 0:53:58.279
<v Speaker 6>wear heels when I'm on the show.

0:53:58.400 --> 0:54:02.120
<v Speaker 5>Speak exactly, Prince, You're big on It's just something big

0:54:02.160 --> 0:54:02.440
<v Speaker 5>about you.

0:54:03.040 --> 0:54:03.839
<v Speaker 1>I'm a guy, I'm dumb.

0:54:06.239 --> 0:54:08.400
<v Speaker 6>But the second one was for aesthetics. I just felt

0:54:08.480 --> 0:54:11.520
<v Speaker 6>like I'm just you know, being on camera so much

0:54:12.360 --> 0:54:15.440
<v Speaker 6>and I just wasn't wasn't wasn't pleased. But you know,

0:54:15.760 --> 0:54:18.600
<v Speaker 6>but I mean, the the procedures have come such a

0:54:18.680 --> 0:54:20.319
<v Speaker 6>long way. Don't be scared. If that's what you want

0:54:20.360 --> 0:54:22.480
<v Speaker 6>to do, go for No. Well yeah, but then what

0:54:22.560 --> 0:54:23.640
<v Speaker 6>do you want to do it? Then don't do it?

0:54:24.040 --> 0:54:24.920
<v Speaker 5>Yeah, I thought about it.

0:54:24.920 --> 0:54:26.600
<v Speaker 7>I mean, it's funny because guys go but why would

0:54:26.640 --> 0:54:28.360
<v Speaker 7>you do that? But we all know sometimes you just

0:54:28.400 --> 0:54:30.440
<v Speaker 7>want to wear one sports bra, or sometimes you just

0:54:30.520 --> 0:54:32.480
<v Speaker 7>want to run, or sometimes you just want to stand.

0:54:32.320 --> 0:54:34.919
<v Speaker 5>Straight and you know, have your shoulders down. It's hard.

0:54:36.120 --> 0:54:36.400
<v Speaker 4>Okay.

0:54:36.680 --> 0:54:38.560
<v Speaker 5>I was answering the questions because you know, because.

0:54:39.400 --> 0:54:47.719
<v Speaker 1>Yes, you were. Wait, it just hit me. You on

0:54:47.880 --> 0:54:50.000
<v Speaker 1>your Instagram. You put up a photo that kind of

0:54:50.040 --> 0:54:55.959
<v Speaker 1>blew up, blew my mind, and it's you at west

0:54:56.040 --> 0:55:02.760
<v Speaker 1>Lake Studios. Yes, casually, uh, visiting Michael Jackson while recording

0:55:02.840 --> 0:55:07.480
<v Speaker 1>Thriller during the p y T background vocal sessions. Yes,

0:55:07.960 --> 0:55:12.840
<v Speaker 1>was that just like just like a regular Tuesday, just

0:55:12.920 --> 0:55:16.839
<v Speaker 1>about Hey, what are you guys doing? That's nice?

0:55:19.200 --> 0:55:21.880
<v Speaker 6>So Janet, it was one of the times when she

0:55:22.080 --> 0:55:28.640
<v Speaker 6>was on different strokes and this was yeah, and she

0:55:29.400 --> 0:55:32.520
<v Speaker 6>had asked Mindy and I because again different strokes facts Life.

0:55:32.520 --> 0:55:34.360
<v Speaker 6>We all filmed in the same right there, in the

0:55:34.400 --> 0:55:36.839
<v Speaker 6>same areas, and so she asked us if we wanted

0:55:36.840 --> 0:55:38.640
<v Speaker 6>to hang out and go to the studio because Michael

0:55:38.760 --> 0:55:43.040
<v Speaker 6>was recording. Sure, So we show up and he was recording,

0:55:43.440 --> 0:55:46.080
<v Speaker 6>like you said, the backgrounds for p y T. And

0:55:46.239 --> 0:55:49.920
<v Speaker 6>James was there and mister Jones was there and uh

0:55:52.400 --> 0:55:59.640
<v Speaker 6>m hmmm, uh what LaToya was the toy Janet Bunny

0:56:00.200 --> 0:56:00.680
<v Speaker 6>Bunny Home.

0:56:00.800 --> 0:56:02.840
<v Speaker 1>Stephanie is Frill Sprill.

0:56:03.400 --> 0:56:06.319
<v Speaker 6>Yes, So they were all there and they were like, hey,

0:56:06.400 --> 0:56:08.239
<v Speaker 6>you know, we're at this part where we're doing the

0:56:08.280 --> 0:56:10.960
<v Speaker 6>column response and the p y T saying no, no, no,

0:56:11.080 --> 0:56:13.520
<v Speaker 6>want you guys all get in there. Okay, So we

0:56:13.719 --> 0:56:17.239
<v Speaker 6>all go in the studio and we do this yes

0:56:17.800 --> 0:56:20.359
<v Speaker 6>and we do the no no nos and mister Jones

0:56:20.480 --> 0:56:32.760
<v Speaker 6>is the but I hear an anchovy. I never forget

0:56:32.840 --> 0:56:35.960
<v Speaker 6>that he's a anchovy. And so we all was there

0:56:36.080 --> 0:56:37.799
<v Speaker 6>was like everybody, come on out, just come on out.

0:56:38.440 --> 0:56:40.560
<v Speaker 6>And then it became like you know, being picked for

0:56:40.880 --> 0:56:44.080
<v Speaker 6>the sport at school. Okay, you you you and you

0:56:44.200 --> 0:56:44.719
<v Speaker 6>go back in.

0:56:51.480 --> 0:56:52.759
<v Speaker 5>Outside looking in.

0:56:54.320 --> 0:57:00.480
<v Speaker 1>We'll take the girl. You guys take them mirror. Yeah,

0:57:02.640 --> 0:57:05.960
<v Speaker 1>manager man, that's funny.

0:57:06.000 --> 0:57:09.600
<v Speaker 6>I was team manager of our baseball team at Burbank High. Really, yeah,

0:57:09.840 --> 0:57:11.560
<v Speaker 6>but I'm sure it's not funny because of what you

0:57:11.640 --> 0:57:11.960
<v Speaker 6>were Just.

0:57:15.440 --> 0:57:15.880
<v Speaker 4>It's funny.

0:57:15.920 --> 0:57:19.080
<v Speaker 1>It's funny. I'm still here. Funny, I'm still here. Yeah,

0:57:19.240 --> 0:57:22.080
<v Speaker 1>you know, I'm sure Grant Woods could see me. Now

0:57:22.840 --> 0:57:27.080
<v Speaker 1>you regret, you regret all them out. I was a

0:57:27.120 --> 0:57:30.880
<v Speaker 1>good first baseman. I know the sports, right, Steve, I.

0:57:30.920 --> 0:57:34.440
<v Speaker 4>Understand we're calling out childhood bullies, all right, Shane.

0:57:36.360 --> 0:57:38.360
<v Speaker 5>Yeah, An.

0:57:39.960 --> 0:57:40.960
<v Speaker 6>I started that.

0:57:41.040 --> 0:57:43.880
<v Speaker 5>I'm sorry she was little, Dan me.

0:57:44.120 --> 0:57:49.600
<v Speaker 1>Any other casual flexes like that, No, yeah, we shall

0:57:49.600 --> 0:57:52.560
<v Speaker 1>all be scared of anyone smaller than us, bigger dudes.

0:57:52.560 --> 0:57:55.120
<v Speaker 1>I'm like whatever, but small people they have something to prove.

0:57:55.640 --> 0:57:58.120
<v Speaker 1>Any other casual flexes that you've had in your life

0:57:58.600 --> 0:58:02.840
<v Speaker 1>so far? Now, Red like, oh yeah, here's printing his cadillagers.

0:58:06.160 --> 0:58:08.120
<v Speaker 6>You know when Johnny Gill and I met, it was

0:58:08.160 --> 0:58:11.520
<v Speaker 6>in the Glendale Galleria and we've been friends ever since.

0:58:11.640 --> 0:58:14.360
<v Speaker 6>And I just did a promotional thing for my Christmas

0:58:14.480 --> 0:58:16.520
<v Speaker 6>movie there and they were like, you grew up in

0:58:16.560 --> 0:58:18.280
<v Speaker 6>this area, do any special memories? And I'm like, you

0:58:18.360 --> 0:58:20.360
<v Speaker 6>know what, I met Johnny Gill here and they were like,

0:58:20.480 --> 0:58:23.160
<v Speaker 6>oh my god. And then he and I text each

0:58:23.160 --> 0:58:24.000
<v Speaker 6>other and joked about it.

0:58:24.160 --> 0:58:26.680
<v Speaker 1>John is everywhere. Yes he's uncle Johnny.

0:58:26.800 --> 0:58:29.560
<v Speaker 5>Oh so this are and this time you are directing

0:58:29.640 --> 0:58:30.960
<v Speaker 5>and starring at the yea, this.

0:58:31.040 --> 0:58:31.840
<v Speaker 6>One I didn't direct.

0:58:31.880 --> 0:58:32.480
<v Speaker 5>I epeed it.

0:58:32.560 --> 0:58:35.200
<v Speaker 1>But yes, so what has this whole experience been like

0:58:35.480 --> 0:58:39.480
<v Speaker 1>doing the Christmas movie? And oh my goodness, and how

0:58:39.560 --> 0:58:43.320
<v Speaker 1>did you orchestrate this well with this one?

0:58:43.400 --> 0:58:45.400
<v Speaker 6>You light up my Christmas a lifetime And I've been

0:58:45.440 --> 0:58:47.760
<v Speaker 6>in development for a couple of projects for a while now.

0:58:47.960 --> 0:58:50.920
<v Speaker 6>And then they said, we really want you on the

0:58:50.960 --> 0:58:54.360
<v Speaker 6>air this year, just bottom line, and that that really

0:58:54.440 --> 0:58:56.560
<v Speaker 6>meant a lot to me to have a network executive

0:58:56.600 --> 0:58:59.720
<v Speaker 6>say that, after this many decades, you know, in the

0:59:00.680 --> 0:59:02.840
<v Speaker 6>top it off and we want you to be the

0:59:02.920 --> 0:59:06.120
<v Speaker 6>leading lady. You're the start and you know, you're not

0:59:06.240 --> 0:59:08.000
<v Speaker 6>the friend, you're not the boss, you're not the sister.

0:59:08.760 --> 0:59:12.360
<v Speaker 6>And so that just really just did something for me.

0:59:12.600 --> 0:59:15.880
<v Speaker 6>Of course it would. And so they said, we have

0:59:15.960 --> 0:59:17.760
<v Speaker 6>a script. We have this writer that we really like.

0:59:17.880 --> 0:59:20.720
<v Speaker 6>She's got the script. If you like it, let's put

0:59:20.760 --> 0:59:23.680
<v Speaker 6>you in pre production and go. And so I read

0:59:23.720 --> 0:59:26.480
<v Speaker 6>it and I loved it. We made some tweaks to it,

0:59:26.680 --> 0:59:29.080
<v Speaker 6>and they said, great, go up to Vancouver. Here you go,

0:59:29.520 --> 0:59:34.080
<v Speaker 6>and we had this amazing six weeks up there, fifteen

0:59:34.160 --> 0:59:37.439
<v Speaker 6>days in production and we have this beautiful, amazing movie

0:59:37.560 --> 0:59:38.960
<v Speaker 6>called You Light Up My Christmas.

0:59:39.400 --> 0:59:42.640
<v Speaker 1>Wait, fifteen days in production, but six weeks to edit

0:59:42.720 --> 0:59:43.720
<v Speaker 1>shoot or Yeah.

0:59:43.840 --> 0:59:46.280
<v Speaker 6>So there was pre production, you know, where you are

0:59:46.480 --> 0:59:51.160
<v Speaker 6>casting and location shooting and wardrobe and designing the characters

0:59:51.200 --> 0:59:55.120
<v Speaker 6>and all that. And then they by the time they

0:59:55.160 --> 0:59:57.800
<v Speaker 6>saw the dailies bits of you know, the things that

0:59:57.880 --> 1:00:00.680
<v Speaker 6>we had been filming, they said, oh, we love this.

1:00:00.880 --> 1:00:03.440
<v Speaker 6>We're moving your production. Your air date up two weeks,

1:00:04.040 --> 1:00:07.000
<v Speaker 6>okay to December first. So the Sunday after Thanksgiving?

1:00:07.360 --> 1:00:11.000
<v Speaker 1>How was it being back with your cohorts?

1:00:11.040 --> 1:00:13.520
<v Speaker 6>And it was fun. You know, it's not like we

1:00:13.600 --> 1:00:16.920
<v Speaker 6>haven't been together since, you know, eighty eight. I mean

1:00:17.000 --> 1:00:19.720
<v Speaker 6>we we certainly we're sisters and so we've seen each

1:00:19.720 --> 1:00:23.560
<v Speaker 6>other over the years. Our children know each other, you know. Again,

1:00:23.600 --> 1:00:26.560
<v Speaker 6>we're all you know there chat thread, Yes, there is,

1:00:26.680 --> 1:00:28.080
<v Speaker 6>but the living single one is better.

1:00:33.600 --> 1:00:35.200
<v Speaker 5>She's really been killing it. I just had to say

1:00:35.240 --> 1:00:39.120
<v Speaker 5>that while you were here. Yeah, I mean that she's

1:00:39.120 --> 1:00:40.320
<v Speaker 5>been doing a lot of dramatic roles.

1:00:40.880 --> 1:00:42.960
<v Speaker 6>Alexander has been my hero for a long time. And

1:00:43.000 --> 1:00:45.760
<v Speaker 6>then she's like, oh, Kim Fields, please be quiet. Let

1:00:45.840 --> 1:00:47.520
<v Speaker 6>you call me a little Fields because she's you know,

1:00:47.640 --> 1:00:48.320
<v Speaker 6>much taller than me.

1:00:48.440 --> 1:00:53.960
<v Speaker 4>But by the way, girl, my mind is blown. The

1:00:54.000 --> 1:00:56.360
<v Speaker 4>fact that there's a living single group chat right now.

1:00:56.840 --> 1:01:01.480
<v Speaker 1>I know we actually thought about it all that group chat,

1:01:01.880 --> 1:01:05.680
<v Speaker 1>I mean appropriate group chats, well you know ours.

1:01:05.800 --> 1:01:09.000
<v Speaker 7>Yes, I'm like, does big Les ever drop in? Because

1:01:09.080 --> 1:01:11.360
<v Speaker 7>I mean for nothing, but she she's a part.

1:01:11.680 --> 1:01:14.040
<v Speaker 5>She is, but no, okay, sorry, that's all right, that's

1:01:14.080 --> 1:01:14.400
<v Speaker 5>all right.

1:01:16.840 --> 1:01:19.480
<v Speaker 6>But it was great being an executive producer being able

1:01:19.520 --> 1:01:21.320
<v Speaker 6>to say to them, hey, guys, because I called each

1:01:21.400 --> 1:01:24.400
<v Speaker 6>one after I got the go ahead from from Lifetime,

1:01:24.440 --> 1:01:27.440
<v Speaker 6>because I said to Lifetime, I'd really love to, you know,

1:01:27.600 --> 1:01:29.720
<v Speaker 6>invite my sisters to be a part of this, because

1:01:29.960 --> 1:01:33.680
<v Speaker 6>you know, the holidays about family and nostalgia and memories,

1:01:33.760 --> 1:01:35.800
<v Speaker 6>and I think it'd be a really cool look. And

1:01:35.880 --> 1:01:38.600
<v Speaker 6>we'd had we'd had two scenes in this ice skating rink,

1:01:38.640 --> 1:01:40.440
<v Speaker 6>and I said, what if we, you know, kind of

1:01:40.520 --> 1:01:43.000
<v Speaker 6>have them there is like this is their ice skating

1:01:43.120 --> 1:01:45.640
<v Speaker 6>rink that they either own or manage and work there

1:01:46.120 --> 1:01:48.720
<v Speaker 6>and we call the ice rink Charlotte for Charlotte Rent

1:01:50.120 --> 1:01:52.160
<v Speaker 6>and so they were like, yes.

1:01:52.200 --> 1:01:55.720
<v Speaker 4>Go please ask and so I called, we're talking about.

1:01:59.120 --> 1:02:02.840
<v Speaker 6>Thank you and they said yes, and so we and

1:02:02.920 --> 1:02:04.880
<v Speaker 6>then I said to them what kind of character would

1:02:04.880 --> 1:02:09.120
<v Speaker 6>you like to play, you know, and here's our ideas

1:02:09.200 --> 1:02:12.080
<v Speaker 6>for its story. You know, what, what do you think?

1:02:13.000 --> 1:02:15.040
<v Speaker 6>And so it was really great to have them collaborate

1:02:15.240 --> 1:02:19.160
<v Speaker 6>about their special appearances and things like that. And like

1:02:19.400 --> 1:02:22.360
<v Speaker 6>Lisa's character in the movie, she's named after Nancy's daughter,

1:02:24.160 --> 1:02:26.840
<v Speaker 6>Mindy wanted to name her character Rose for her grandmother.

1:02:27.840 --> 1:02:31.800
<v Speaker 6>There's a food drive component in the movie because Nancy said,

1:02:32.520 --> 1:02:36.240
<v Speaker 6>I think that compassion and kindness are just something that

1:02:36.320 --> 1:02:38.520
<v Speaker 6>people miss nowadays. Is that something you can put in

1:02:38.600 --> 1:02:42.000
<v Speaker 6>your script? It was like, yeah, sure, you know. And

1:02:42.080 --> 1:02:44.680
<v Speaker 6>then we've got little fun inside jokes and things like

1:02:44.800 --> 1:02:48.240
<v Speaker 6>Lisa mentions, you know, having a delivery from Edna's edibles,

1:02:48.960 --> 1:02:50.640
<v Speaker 6>you know. So there's just a whole bunch of fun

1:02:50.720 --> 1:02:52.080
<v Speaker 6>little touches there.

1:02:52.520 --> 1:02:55.880
<v Speaker 1>In addition to Brilliant's going to be in trouble. I

1:02:55.960 --> 1:02:57.280
<v Speaker 1>was waiting for that, you know what.

1:02:57.560 --> 1:03:00.120
<v Speaker 6>We tried a couple and it was like, oh, that

1:03:00.160 --> 1:03:03.680
<v Speaker 6>one's too on the show if it didn't feel organic, Yeah, exactly,

1:03:03.720 --> 1:03:04.439
<v Speaker 6>but we did try.

1:03:04.800 --> 1:03:06.880
<v Speaker 1>Okay, yeah, see, so what.

1:03:07.400 --> 1:03:11.120
<v Speaker 4>What is before you go? You mentioned you asked I'm sorry,

1:03:11.160 --> 1:03:13.080
<v Speaker 4>I'm sorry, but I just want to get this let's

1:03:13.080 --> 1:03:15.439
<v Speaker 4>get right. I just want to ask this question before

1:03:15.440 --> 1:03:17.280
<v Speaker 4>I lose it. You said you asked everybody else what

1:03:17.440 --> 1:03:18.960
<v Speaker 4>kind of character they wanted to play? What kind of

1:03:19.040 --> 1:03:19.880
<v Speaker 4>character do you want to play?

1:03:20.400 --> 1:03:21.040
<v Speaker 1>Well? Thank you?

1:03:21.320 --> 1:03:23.520
<v Speaker 6>I played you mean in this movie.

1:03:23.440 --> 1:03:26.560
<v Speaker 1>In any movie or in general? Well, yeah, what's actually

1:03:26.600 --> 1:03:29.480
<v Speaker 1>that wasn't my question? Sorry, no bucket listing, Like, is

1:03:29.520 --> 1:03:32.040
<v Speaker 1>there anything that you haven't done that you wish to do?

1:03:32.360 --> 1:03:35.720
<v Speaker 6>Absolutely? The ironic thing about being in the industry for

1:03:35.800 --> 1:03:37.760
<v Speaker 6>over forty years is that there's still a lot of

1:03:37.840 --> 1:03:41.040
<v Speaker 6>characters that I have not played because I number one,

1:03:41.080 --> 1:03:42.680
<v Speaker 6>I started when I was a kid, So you only,

1:03:42.840 --> 1:03:44.520
<v Speaker 6>you know, for a certain period of time, you can

1:03:44.560 --> 1:03:48.680
<v Speaker 6>only play kid characters. Uh, And then being on long

1:03:48.800 --> 1:03:51.960
<v Speaker 6>running shows, I mean it's a blessing, but then you're

1:03:52.080 --> 1:03:55.160
<v Speaker 6>those characters. So there's a lot of characters that I

1:03:55.200 --> 1:03:58.000
<v Speaker 6>want to play. There's more genres that you know that

1:03:58.240 --> 1:04:01.000
<v Speaker 6>that are being unearthed and created that I want to

1:04:01.040 --> 1:04:03.880
<v Speaker 6>be a part of so, like the whole graphic novel world,

1:04:04.040 --> 1:04:07.040
<v Speaker 6>I can't wait. There's something that we're working on and there,

1:04:08.080 --> 1:04:10.800
<v Speaker 6>you know what, we love working together. And that's another

1:04:10.880 --> 1:04:13.000
<v Speaker 6>thing with the whole reason why I asked my Fax

1:04:13.120 --> 1:04:17.600
<v Speaker 6>Life sisters. I really have had a great track record

1:04:17.640 --> 1:04:19.600
<v Speaker 6>working with a lot of great people and so being

1:04:19.640 --> 1:04:21.880
<v Speaker 6>able to ask them, you know, to be a part

1:04:21.960 --> 1:04:24.880
<v Speaker 6>of something that I'm doing, now, that's that's that's a

1:04:25.000 --> 1:04:27.680
<v Speaker 6>great you know, feeling to be able to do it.

1:04:28.600 --> 1:04:31.680
<v Speaker 4>Don't well, I just remember another story from your book. Yes,

1:04:32.760 --> 1:04:34.600
<v Speaker 4>can you tell the story of when you were cast

1:04:34.640 --> 1:04:35.600
<v Speaker 4>a storm in x Men?

1:04:36.120 --> 1:04:36.280
<v Speaker 2>Oh?

1:04:36.560 --> 1:04:38.480
<v Speaker 6>You mean you were?

1:04:42.760 --> 1:04:43.600
<v Speaker 4>It's such a waful.

1:04:44.080 --> 1:04:47.280
<v Speaker 6>Sometimes I don't read all the detail and stuff. I'll

1:04:47.400 --> 1:04:49.520
<v Speaker 6>just gloss over it and be like, Okay, I got it.

1:04:49.640 --> 1:04:52.800
<v Speaker 6>It's a horrible thing. It's horrible, I know, horrible, horrible.

1:04:53.240 --> 1:04:57.000
<v Speaker 6>And so I got an audition that came and my

1:04:57.120 --> 1:05:00.960
<v Speaker 6>manager says, have an audition for x men. Uh, And

1:05:01.440 --> 1:05:03.600
<v Speaker 6>he sent me the information and I was so excited

1:05:03.600 --> 1:05:05.360
<v Speaker 6>and they said its storm and I was like, oh

1:05:05.440 --> 1:05:07.400
<v Speaker 6>my god, hell, he's not going to do this anymore.

1:05:07.400 --> 1:05:09.560
<v Speaker 6>What the hell's wrong with her? But oh, well, one

1:05:09.920 --> 1:05:12.120
<v Speaker 6>you know, one man's trash, another man's treasure. I mean,

1:05:12.160 --> 1:05:14.480
<v Speaker 6>I went through all the you know, little colloquialism. So

1:05:15.560 --> 1:05:18.000
<v Speaker 6>when I go into an audition, I really prep for it.

1:05:18.400 --> 1:05:21.560
<v Speaker 6>And so I had my boots and I had my outfit.

1:05:21.680 --> 1:05:24.720
<v Speaker 6>I mean, I was going in and then I went

1:05:24.840 --> 1:05:28.920
<v Speaker 6>to read where the location was for the for the audition.

1:05:29.600 --> 1:05:40.640
<v Speaker 6>Turned out it was for a voiceover for the animated series. Yeah,

1:05:40.760 --> 1:05:44.280
<v Speaker 6>she wasn't going nowhere. Storm was not available, and if

1:05:44.320 --> 1:05:46.320
<v Speaker 6>it was, they were not taking for your ass, king

1:05:46.400 --> 1:05:57.880
<v Speaker 6>for you. But yes, I love creating characters. I absolutely do.

1:05:58.160 --> 1:06:01.720
<v Speaker 6>And so even like tomorrow, I'm excited we're dropping on

1:06:02.280 --> 1:06:04.960
<v Speaker 6>Mylifetime dot com as well as on their YouTube channel.

1:06:05.080 --> 1:06:08.760
<v Speaker 6>We're dropping a short film called Designing Emma, and it's

1:06:08.840 --> 1:06:12.000
<v Speaker 6>all about how we created the character for the Christmas movie,

1:06:12.720 --> 1:06:17.360
<v Speaker 6>for hair, makeup, wardrobe, just everything designing Emma. Because that again,

1:06:17.520 --> 1:06:21.600
<v Speaker 6>I go back to our earlier conversation. I love creating characters.

1:06:21.720 --> 1:06:24.120
<v Speaker 6>That's what drew me into this when I saw other

1:06:24.160 --> 1:06:28.080
<v Speaker 6>people doing that as a kid. So any character I've

1:06:28.120 --> 1:06:32.840
<v Speaker 6>not yet played, I'm doing a new series at the

1:06:32.920 --> 1:06:34.600
<v Speaker 6>top of the year, I can't I can't tell you

1:06:34.720 --> 1:06:37.960
<v Speaker 6>what it is just yet. But it's really exciting. But

1:06:38.200 --> 1:06:41.280
<v Speaker 6>in a way, it's still kind of uncharted territory. Even

1:06:41.320 --> 1:06:44.000
<v Speaker 6>though it's a comedy. Even though it's you know, certain

1:06:44.040 --> 1:06:46.480
<v Speaker 6>things that I've done, there's still a great deal of

1:06:46.520 --> 1:06:48.960
<v Speaker 6>it I haven't done. If I haven't done it, you

1:06:49.040 --> 1:06:53.000
<v Speaker 6>can believe I'm probably gonna say yes because I just

1:06:53.160 --> 1:06:55.320
<v Speaker 6>I just love that, you know. And even with this

1:06:55.480 --> 1:07:00.280
<v Speaker 6>character in this lifetime movie, being able to place one

1:07:00.360 --> 1:07:06.520
<v Speaker 6>who is dealing with discovering, rediscovering, rekindling a romance, going

1:07:06.640 --> 1:07:10.640
<v Speaker 6>after the issues of family legacy, uh, and dealing with

1:07:10.760 --> 1:07:13.720
<v Speaker 6>your inner light, and you see everybody around you just

1:07:13.840 --> 1:07:16.920
<v Speaker 6>kind of like numb is the new joy and it's like, no,

1:07:17.200 --> 1:07:20.720
<v Speaker 6>that's not, no, we we have we have another level

1:07:20.880 --> 1:07:25.919
<v Speaker 6>of life and lifestyle and and laughter enjoy to tap into.

1:07:26.520 --> 1:07:28.280
<v Speaker 6>And so that's a lot of you know, what my

1:07:28.400 --> 1:07:31.320
<v Speaker 6>character in this movie is, but really just anything I

1:07:31.400 --> 1:07:33.520
<v Speaker 6>haven't done, I'm all in for.

1:07:34.520 --> 1:07:34.720
<v Speaker 4>Wow.

1:07:35.000 --> 1:07:40.920
<v Speaker 1>All right, inspirational words from Kim Fields. Kim Victoria Fields.

1:07:41.040 --> 1:07:43.200
<v Speaker 5>That's right, I see now, Kimberly, No.

1:07:43.840 --> 1:07:48.040
<v Speaker 1>Kim Victoria Fields. Wait real quick, well there's two minor questions. Yes,

1:07:49.080 --> 1:07:53.320
<v Speaker 1>now that Atlanta, which I assume is still your home

1:07:53.400 --> 1:07:55.000
<v Speaker 1>base for now kind of.

1:07:55.280 --> 1:07:58.240
<v Speaker 6>Because we still you know, have a place here. Harlem

1:07:58.400 --> 1:08:00.720
<v Speaker 6>is home. Harlem is where you know in my heels.

1:08:00.760 --> 1:08:05.400
<v Speaker 1>But go ahead, okay, Well, now that Atlanta has uped

1:08:05.400 --> 1:08:09.120
<v Speaker 1>its game and be sort of the industry factor with this,

1:08:09.320 --> 1:08:16.120
<v Speaker 1>with this giant studio system in its backyard, do you

1:08:16.160 --> 1:08:21.360
<v Speaker 1>think that will change at all for opportunities and as

1:08:21.400 --> 1:08:25.920
<v Speaker 1>far as work is concerned with actors and production.

1:08:25.800 --> 1:08:28.760
<v Speaker 6>And well, a lot of cities have stepped up the game.

1:08:28.840 --> 1:08:31.640
<v Speaker 6>I mean, just being in Vancouver for as long as

1:08:31.680 --> 1:08:34.000
<v Speaker 6>we were there and just all the work that's there,

1:08:34.040 --> 1:08:36.439
<v Speaker 6>I'm like, oh, I'll be right back. I'm gonna just

1:08:36.520 --> 1:08:41.120
<v Speaker 6>go get my kids in my bed. Oh my gosh.

1:08:41.160 --> 1:08:43.080
<v Speaker 6>I can't wait to do more stuff there and get

1:08:43.120 --> 1:08:45.080
<v Speaker 6>a place there. I mean, it was, it was phenomenal.

1:08:45.160 --> 1:08:49.080
<v Speaker 6>I loved it. And Tyler's had other studios there, so

1:08:49.320 --> 1:08:51.920
<v Speaker 6>this is not his first go round with this, and

1:08:52.439 --> 1:08:56.000
<v Speaker 6>Marvel has you know, set up there, and there's.

1:08:55.840 --> 1:08:57.160
<v Speaker 1>A lot set up in Atlanta.

1:08:57.439 --> 1:08:57.599
<v Speaker 8>Yeah.

1:08:58.240 --> 1:09:00.800
<v Speaker 6>Yeah, there's a lot of production. I think that's that's

1:09:00.920 --> 1:09:04.599
<v Speaker 6>out there, okay, and smaller companies who do a lot

1:09:04.720 --> 1:09:06.880
<v Speaker 6>of movies swirl films they do about I don't know,

1:09:07.040 --> 1:09:10.439
<v Speaker 6>Jesus twenty movies a year or something, so a lot

1:09:10.520 --> 1:09:13.639
<v Speaker 6>of production has been there. But you know, an actor's life,

1:09:13.680 --> 1:09:16.680
<v Speaker 6>for the most part is really the gypsy life. You know,

1:09:16.800 --> 1:09:18.559
<v Speaker 6>you go where the work is. There's so much work

1:09:18.640 --> 1:09:22.519
<v Speaker 6>in Spain, there's work in Florida. I mean, it really

1:09:22.680 --> 1:09:25.160
<v Speaker 6>is just if you're able to have the lifestyle to

1:09:25.200 --> 1:09:28.519
<v Speaker 6>commit to it. And our kids are great because they're like, yeah,

1:09:28.680 --> 1:09:30.840
<v Speaker 6>we got a tutor, We're good where we're going.

1:09:32.400 --> 1:09:35.200
<v Speaker 1>All right, my last this is my last random question

1:09:35.240 --> 1:09:36.080
<v Speaker 1>unless you have another one.

1:09:36.520 --> 1:09:39.320
<v Speaker 4>I mean, is this question about dear Michael and he

1:09:39.360 --> 1:09:40.519
<v Speaker 4>loves me? He loves me not at all.

1:09:41.040 --> 1:09:43.080
<v Speaker 1>Sort of but go ahead, you can go go ahead.

1:09:43.200 --> 1:09:43.960
<v Speaker 1>No you first.

1:09:45.520 --> 1:09:52.559
<v Speaker 4>Question, well, I mean, okay, yeah, you put out these

1:09:52.640 --> 1:09:54.880
<v Speaker 4>two singles and was it one single or two? I

1:09:54.920 --> 1:09:57.600
<v Speaker 4>can't remember two? Well, I wasn't sure if it was

1:09:57.640 --> 1:10:01.200
<v Speaker 4>two releases or right, and yeah, he loves me and

1:10:01.240 --> 1:10:03.679
<v Speaker 4>he loves me not And dear Michael, can you explain

1:10:03.760 --> 1:10:05.880
<v Speaker 4>how that all came about in nineteen eighty Yeah?

1:10:06.080 --> 1:10:09.919
<v Speaker 6>Sure, It's so funny because just yesterday I was telling Adrian,

1:10:10.160 --> 1:10:13.960
<v Speaker 6>my leading man in Uh you Light up my Christmas.

1:10:14.479 --> 1:10:16.920
<v Speaker 6>Uh that the gentleman who wrote got to be there

1:10:17.960 --> 1:10:19.520
<v Speaker 6>wrote Dear Michael.

1:10:19.400 --> 1:10:20.280
<v Speaker 1>How David and.

1:10:21.920 --> 1:10:25.720
<v Speaker 6>Yes, Elliot Wilensky, but Hal Davis also produced both of

1:10:25.800 --> 1:10:29.680
<v Speaker 6>them and the stuff with me. Uh And so you

1:10:29.760 --> 1:10:32.400
<v Speaker 6>know it's it's the eighties. It was a time where

1:10:32.400 --> 1:10:34.479
<v Speaker 6>everybody if you were a teenager on TV, then you

1:10:34.600 --> 1:10:36.760
<v Speaker 6>were making a record. I mean it's just that the

1:10:36.880 --> 1:10:40.880
<v Speaker 6>seventies and eighties, just all the kids. Ralph Carter had one.

1:10:41.000 --> 1:10:47.599
<v Speaker 1>I mean, yes, you don't remember that, you lie, somebody

1:10:47.680 --> 1:10:50.840
<v Speaker 1>swindled the cowboy guy. You don't remember that rat that Gary?

1:10:52.080 --> 1:10:54.559
<v Speaker 1>I brought that twelve and I found it in Portland.

1:10:54.720 --> 1:10:56.920
<v Speaker 4>I remember our Founds of Weberos breakdance record.

1:10:57.080 --> 1:11:00.240
<v Speaker 1>Nah, Gary Coleman, did he spent the last of his

1:11:00.360 --> 1:11:03.400
<v Speaker 1>money on this rap record? Well, he was like a

1:11:03.439 --> 1:11:03.920
<v Speaker 1>wrapping cow.

1:11:04.240 --> 1:11:05.320
<v Speaker 5>Sorry for that rat hole.

1:11:06.120 --> 1:11:09.280
<v Speaker 6>I wanted you to not bring that up. And because

1:11:09.320 --> 1:11:12.200
<v Speaker 6>we were talking about when we were kids, so everybody

1:11:12.360 --> 1:11:14.400
<v Speaker 6>you know was doing that. And this was also when

1:11:15.840 --> 1:11:20.439
<v Speaker 6>um Thriller was popping out, and so you know he

1:11:20.560 --> 1:11:22.240
<v Speaker 6>was about to win all the awards and everything. So

1:11:22.400 --> 1:11:23.880
<v Speaker 6>the people at Motown was like, oh, you know what

1:11:24.280 --> 1:11:29.280
<v Speaker 6>we should redo dear Michael and get somebody to sing it,

1:11:29.320 --> 1:11:32.479
<v Speaker 6>because remember Michael did it first, and it was as

1:11:32.520 --> 1:11:35.080
<v Speaker 6>if he was reading a fan letter. So they had

1:11:35.120 --> 1:11:37.479
<v Speaker 6>the brilliant idea of what if we have someone that

1:11:37.720 --> 1:11:41.320
<v Speaker 6>it's actually them and their fan letter. And at that

1:11:41.520 --> 1:11:45.480
<v Speaker 6>time I was just about the only black girl available

1:11:45.600 --> 1:11:54.080
<v Speaker 6>around that was on TV whatever. They was like, you uh,

1:11:54.360 --> 1:11:57.439
<v Speaker 6>and so they asked me to do it, and I did,

1:11:57.560 --> 1:12:00.360
<v Speaker 6>and then that did so well beyond just kind of

1:12:00.439 --> 1:12:04.160
<v Speaker 6>the gimmick of he's winning, you know, all these awards

1:12:04.200 --> 1:12:06.680
<v Speaker 6>and this is you know, a big deal, and and

1:12:07.000 --> 1:12:09.559
<v Speaker 6>I could carry a tune. So they said, well, let'st

1:12:09.680 --> 1:12:11.720
<v Speaker 6>follow up single, and then that one blew up on

1:12:11.880 --> 1:12:15.680
<v Speaker 6>the dance charts and then it was like wow, I

1:12:15.840 --> 1:12:18.080
<v Speaker 6>was performing at the trump a cannon.

1:12:17.760 --> 1:12:21.120
<v Speaker 4>So that what was there any any thought of doing

1:12:21.200 --> 1:12:22.640
<v Speaker 4>more music or no, no.

1:12:23.240 --> 1:12:23.760
<v Speaker 6>It was I was.

1:12:23.880 --> 1:12:24.560
<v Speaker 1>I was good on it.

1:12:24.960 --> 1:12:28.280
<v Speaker 6>Yeah, until I did my my smooth jas spoken word,

1:12:28.320 --> 1:12:32.679
<v Speaker 6>which is still want to just for me as an artist,

1:12:32.880 --> 1:12:34.439
<v Speaker 6>truly one of the greatest things I've ever.

1:12:34.360 --> 1:12:38.479
<v Speaker 4>Done, and impossible to find, by the way, it is,

1:12:38.600 --> 1:12:39.840
<v Speaker 4>you know what will.

1:12:39.720 --> 1:12:41.640
<v Speaker 6>I will just send you the tracks I can I

1:12:41.720 --> 1:12:44.000
<v Speaker 6>can do that. Yes, yes, so.

1:12:47.680 --> 1:12:48.000
<v Speaker 1>Stop it.

1:12:52.600 --> 1:12:59.719
<v Speaker 6>Yes, yes, there is only one link.

1:13:02.320 --> 1:13:07.439
<v Speaker 1>I want to seriously, this is what I'm obsessed with

1:13:07.560 --> 1:13:12.200
<v Speaker 1>finding out. Do you have a copy of that Jermaine

1:13:12.320 --> 1:13:13.839
<v Speaker 1>Jackson paper and shape bust.

1:13:14.040 --> 1:13:15.120
<v Speaker 6>You are Jesus.

1:13:16.880 --> 1:13:17.479
<v Speaker 4>No I do not.

1:13:18.360 --> 1:13:20.320
<v Speaker 1>You didn't take it home, I said anything.

1:13:20.439 --> 1:13:23.400
<v Speaker 6>No, Nor do I have any of regime's wigs. Next,

1:13:23.840 --> 1:13:24.400
<v Speaker 6>did you keep.

1:13:24.320 --> 1:13:27.840
<v Speaker 4>Anything from those sets, either either Living Single or Class No?

1:13:28.680 --> 1:13:30.639
<v Speaker 1>None, okay, not even a sharene doll.

1:13:33.880 --> 1:13:35.680
<v Speaker 4>No, you know what.

1:13:35.960 --> 1:13:37.559
<v Speaker 6>No from Living Single?

1:13:38.120 --> 1:13:38.160
<v Speaker 2>No?

1:13:38.479 --> 1:13:41.240
<v Speaker 6>Wow, I been master, Reggie. That is so funny.

1:13:41.479 --> 1:13:42.519
<v Speaker 5>You are in baby.

1:13:42.640 --> 1:13:42.680
<v Speaker 1>No.

1:13:43.520 --> 1:13:43.560
<v Speaker 2>No.

1:13:43.760 --> 1:13:46.240
<v Speaker 6>But when I did my when I did my final

1:13:46.320 --> 1:13:49.479
<v Speaker 6>episode of Living Single, uh, the prop guys gave me

1:13:49.760 --> 1:13:54.120
<v Speaker 6>the large mug and saucer that regime I would always.

1:13:54.160 --> 1:13:56.479
<v Speaker 6>I love drinking hot cocoa and tea and stuff, and

1:13:56.560 --> 1:13:58.639
<v Speaker 6>so any chance I could in a scene, I would.

1:13:59.040 --> 1:14:01.960
<v Speaker 6>And so they gave me that. And it says yes,

1:14:02.160 --> 1:14:04.560
<v Speaker 6>and it says we'll miss you very much, we love you.

1:14:04.680 --> 1:14:05.360
<v Speaker 6>So I do have that.

1:14:06.160 --> 1:14:08.439
<v Speaker 1>Okay, so you're properly given a send off.

1:14:08.680 --> 1:14:09.040
<v Speaker 8>Yes, not.

1:14:09.200 --> 1:14:11.000
<v Speaker 1>Just came in to work and saw the cake one day.

1:14:11.040 --> 1:14:14.080
<v Speaker 6>I was like, yeah, no, no, that was planned. Yes,

1:14:14.320 --> 1:14:15.720
<v Speaker 6>that's another episode of.

1:14:16.560 --> 1:14:19.800
<v Speaker 1>Well miss Fields, I appreciate you coming here.

1:14:19.920 --> 1:14:26.280
<v Speaker 7>Finally, finally, can I thank him? Can you pass this

1:14:26.400 --> 1:14:29.320
<v Speaker 7>on to your mom, to your sister. Thank you guys

1:14:29.439 --> 1:14:31.400
<v Speaker 7>for your time and your energy with us on these

1:14:31.439 --> 1:14:33.760
<v Speaker 7>te because even people forget, but Alexis, we were watching.

1:14:34.720 --> 1:14:36.600
<v Speaker 5>So I just want to thank you for that.

1:14:36.760 --> 1:14:37.320
<v Speaker 6>I will share.

1:14:37.520 --> 1:14:38.120
<v Speaker 5>It takes a lot.

1:14:38.280 --> 1:14:39.640
<v Speaker 6>I will tell her, thank you.

1:14:40.320 --> 1:14:43.719
<v Speaker 1>Thank you on behalf of the QL S fan Sugar Steve,

1:14:44.680 --> 1:14:54.040
<v Speaker 1>that's name. Do you want to know Steve? Steve has

1:14:54.080 --> 1:14:56.360
<v Speaker 1>been engineering hold on the Burger King.

1:14:56.680 --> 1:15:02.040
<v Speaker 4>I'll tell the story. I have diabetes, that's all, and

1:15:02.080 --> 1:15:03.240
<v Speaker 4>we have to and we have to rap.

1:15:05.120 --> 1:15:05.519
<v Speaker 1>I love you.

1:15:06.200 --> 1:15:09.000
<v Speaker 4>That's that's a longer story.

1:15:09.160 --> 1:15:12.719
<v Speaker 1>He became my engineer and there gave him. Perhaps perhaps

1:15:13.400 --> 1:15:15.880
<v Speaker 1>it wasn't as savory as it is right now. And

1:15:16.600 --> 1:15:20.479
<v Speaker 1>after three months of work with each other, Steve has

1:15:20.560 --> 1:15:22.880
<v Speaker 1>to start getting this sold. The shots. Look, there was the.

1:15:25.160 --> 1:15:27.679
<v Speaker 8>Never seen I never seen the spit take.

1:15:30.040 --> 1:15:32.400
<v Speaker 5>I don't want to laugh, I swear don't. But as

1:15:32.439 --> 1:15:33.840
<v Speaker 5>you said, he's drinking sugar now.

1:15:35.680 --> 1:15:39.599
<v Speaker 1>He was my engineer for doing like the Common records

1:15:39.640 --> 1:15:43.320
<v Speaker 1>and the D'Angelo Voodoo records. And once he became my

1:15:43.400 --> 1:15:46.320
<v Speaker 1>full time engineer. He sort of after my diet and

1:15:46.439 --> 1:15:48.080
<v Speaker 1>we used to go to the best old food spots

1:15:48.120 --> 1:15:50.960
<v Speaker 1>in Philly. And then three months and that did you

1:15:51.000 --> 1:15:51.639
<v Speaker 1>get struggle?

1:15:52.360 --> 1:15:55.600
<v Speaker 7>Yes, everything to take time to apologize to Michelle and

1:15:55.640 --> 1:15:57.320
<v Speaker 7>everybody is getting built right.

1:15:57.240 --> 1:16:02.280
<v Speaker 1>Now on behalf of Sugar Steve, Boss, Bill and Faith

1:16:02.360 --> 1:16:05.360
<v Speaker 1>Bill uh fan take. I hope you're doing lit cigarettes,

1:16:05.400 --> 1:16:09.320
<v Speaker 1>Brother and light Kim. Thank you so much for coming

1:16:09.360 --> 1:16:09.800
<v Speaker 1>on the show.

1:16:10.160 --> 1:16:13.000
<v Speaker 6>Thank you for having me. This is fantastic, of course.

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<v Speaker 1>Love signing off. We will see you next time on

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<v Speaker 1>the next go round, of course, Love Supreme. For more

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<v Speaker 1>podcasts from iHeart Radio, visit the iHeartRadio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.