1 00:00:05,280 --> 00:00:09,400 Speaker 1: Previously on the Princess of South Beach, Luisa is attempting 2 00:00:09,440 --> 00:00:12,800 Speaker 1: to turn over a new leaf and be nicer to people, 3 00:00:13,080 --> 00:00:16,560 Speaker 1: which led her to have an awkwardly flirtatious interaction with 4 00:00:16,600 --> 00:00:21,160 Speaker 1: my ex fiance Raoul. Meanwhile, Estrea is on a vendetta 5 00:00:21,280 --> 00:00:24,000 Speaker 1: to find Gabby and followed a step onto a hotel 6 00:00:24,040 --> 00:00:26,520 Speaker 1: where she videotaped him in the throes of passion with 7 00:00:26,560 --> 00:00:30,240 Speaker 1: his campaign manager Nacho, who happens to be in deep, 8 00:00:30,280 --> 00:00:44,720 Speaker 1: deep debt with the mob. Can you hold uh? Look up? 9 00:00:44,760 --> 00:00:46,920 Speaker 1: The cat dragged in? Why are you standing in front 10 00:00:46,920 --> 00:00:52,200 Speaker 1: of me? We're lee smiling? When of these do you two? Karen? 11 00:00:53,040 --> 00:00:56,680 Speaker 1: I brought you a latte? Okay, what's going on? Why 12 00:00:56,680 --> 00:00:59,920 Speaker 1: are you being so nice? I think things are trending up. 13 00:01:00,320 --> 00:01:02,200 Speaker 1: I guess stay on. Speech went great and we just 14 00:01:02,240 --> 00:01:05,160 Speaker 1: got the poll numbers in Everything is going according to 15 00:01:05,240 --> 00:01:11,560 Speaker 1: plant ill animal milk. No, it's half and half. I'll 16 00:01:11,600 --> 00:01:20,440 Speaker 1: see you later. Is he in Buenos Dias? Estevan closed 17 00:01:20,440 --> 00:01:25,360 Speaker 1: the door. Did you see the poll numbers? Are you 18 00:01:25,440 --> 00:01:29,319 Speaker 1: trying to ruin me? What? What are you talking about? 19 00:01:29,440 --> 00:01:34,839 Speaker 1: I just got an email with this. Oh oh my god, 20 00:01:34,840 --> 00:01:39,800 Speaker 1: what what if it's is that? Uh, oh my god? 21 00:01:40,920 --> 00:01:43,679 Speaker 1: Who who sent you that? I was going to ask 22 00:01:43,720 --> 00:01:46,800 Speaker 1: you the same thing. You're the only one who knew 23 00:01:46,800 --> 00:01:49,280 Speaker 1: about our little hotel rendezvous. What are you playing? You 24 00:01:50,280 --> 00:01:53,360 Speaker 1: think I did this? Are you insane? This could ruin 25 00:01:53,680 --> 00:01:56,240 Speaker 1: both of us. This has to be the work of 26 00:01:56,280 --> 00:01:59,960 Speaker 1: that ferret Alicia Amendez. It has to be. And how 27 00:02:00,200 --> 00:02:02,880 Speaker 1: did they know where we were if you didn't tell them? 28 00:02:03,040 --> 00:02:06,600 Speaker 1: What have you been playing both sides? Is that it? Now? 29 00:02:06,600 --> 00:02:08,760 Speaker 1: You think you can blackmail me with this? Believe you 30 00:02:08,760 --> 00:02:12,600 Speaker 1: would think that after everything we've been through. It's about 31 00:02:12,600 --> 00:02:14,880 Speaker 1: the conversation we had the other night. I already apologize. 32 00:02:14,919 --> 00:02:17,920 Speaker 1: What more do you want from me? The money? Look 33 00:02:17,960 --> 00:02:20,440 Speaker 1: at who you're talking to. It's me. I would never 34 00:02:20,520 --> 00:02:24,320 Speaker 1: do anything to hurt you. It's me. What else does 35 00:02:24,360 --> 00:02:26,960 Speaker 1: that email say? What are the demands? It just says, 36 00:02:26,960 --> 00:02:31,079 Speaker 1: what did you do with Gabby? Who's Gabby? It's not important? 37 00:02:31,160 --> 00:02:33,960 Speaker 1: So clearly it is I need to know everything if 38 00:02:33,960 --> 00:02:37,360 Speaker 1: I'm going to protect you or text me. This is 39 00:02:37,360 --> 00:02:39,880 Speaker 1: your fault. I can't believe I trust you. If you 40 00:02:39,919 --> 00:02:42,880 Speaker 1: have one, I did not do this either. You're guilty 41 00:02:42,919 --> 00:02:44,760 Speaker 1: and you've been a spy this whole time, or you're 42 00:02:44,760 --> 00:02:48,079 Speaker 1: the dumbest, most useless campaign manager on earth. Either way, 43 00:02:48,120 --> 00:02:51,240 Speaker 1: this is no, no, no, no no. I can fix this. 44 00:02:51,680 --> 00:02:53,919 Speaker 1: I can prove that I had nothing to do with this. 45 00:02:54,040 --> 00:02:57,600 Speaker 1: I'm going to find who's responsible. I promise you. I 46 00:02:57,639 --> 00:02:59,639 Speaker 1: hope so, natchu, because if you don't, this will ruin 47 00:02:59,680 --> 00:03:10,080 Speaker 1: us both. Now get out. It looks like the good 48 00:03:10,120 --> 00:03:12,960 Speaker 1: mood didn't last long. And by the way, that was 49 00:03:13,040 --> 00:03:16,960 Speaker 1: disgusting that latta you brought me not nice. Look, this 50 00:03:17,040 --> 00:03:18,960 Speaker 1: is not a good time to talk. All right. There's 51 00:03:19,040 --> 00:03:22,000 Speaker 1: a thing happening right you know, you're very strapped, and 52 00:03:22,040 --> 00:03:24,079 Speaker 1: I didn't really want to tell you, but I'd rather 53 00:03:24,120 --> 00:03:26,640 Speaker 1: you heard it from me than from TFC. Oh god, 54 00:03:26,680 --> 00:03:41,560 Speaker 1: what now? Colodia, Clia say it good audio? Claudia broke up. No, no, 55 00:03:44,560 --> 00:03:47,440 Speaker 1: what happened. I don't I don't know what happened happened? 56 00:03:47,480 --> 00:03:50,080 Speaker 1: I don't know. We were in the middle of our 57 00:03:50,120 --> 00:03:53,680 Speaker 1: good proversary. No, don't wait, I'm getting another car above you. 58 00:03:53,720 --> 00:04:00,880 Speaker 1: What am I gonna do? You have one new voice message, Nacho. 59 00:04:02,480 --> 00:04:08,560 Speaker 1: We've given you plenty of time. Our patience is running thin. 60 00:04:10,080 --> 00:04:12,200 Speaker 1: We don't get our money by the end of the week, 61 00:04:15,000 --> 00:04:25,200 Speaker 1: you better start sleeping with your eyes open, my friend. Oh, 62 00:04:26,560 --> 00:04:30,720 Speaker 1: I haven't been this stressed since Uncut Gems. I'm sure 63 00:04:30,839 --> 00:04:33,559 Speaker 1: Estray and Maria del Garmin didn't realize that the person 64 00:04:33,600 --> 00:04:36,080 Speaker 1: who would end up being most affected by their blackmail 65 00:04:36,720 --> 00:04:40,200 Speaker 1: was Nacho. And when people are under a lot of pressure, 66 00:04:40,240 --> 00:04:45,239 Speaker 1: they tend to do dumb things, very dumb things. Speaking 67 00:04:45,279 --> 00:04:53,760 Speaker 1: of where is Maria del Garmin, it looks like it's 68 00:04:53,800 --> 00:04:57,120 Speaker 1: heartbreak central for the Princess of South Beach. Gloria called 69 00:04:57,120 --> 00:05:00,920 Speaker 1: around and her ex Bay fiancee Raoul Santana has to 70 00:05:01,000 --> 00:05:06,599 Speaker 1: check out this footage from their boozy breakup. I'm sorry 71 00:05:07,680 --> 00:05:11,160 Speaker 1: Estray from that off. I'm sorry. It's just said. When 72 00:05:11,200 --> 00:05:13,440 Speaker 1: I told you to try a little liquid courage, I 73 00:05:13,480 --> 00:05:15,840 Speaker 1: didn't think you would drink the whole bar. Well, you 74 00:05:15,880 --> 00:05:20,640 Speaker 1: didn't specify how much liquid courage. Well, Gloria, now you're 75 00:05:20,680 --> 00:05:25,840 Speaker 1: free to okay, looks like you don't waste any time. 76 00:05:26,520 --> 00:05:31,279 Speaker 1: Are all those texas from Andres? No? He won't stop 77 00:05:31,360 --> 00:05:35,400 Speaker 1: sendings lyrics and I don't think Andres is ever gonna 78 00:05:35,440 --> 00:05:38,040 Speaker 1: text me again. I may or may not have called 79 00:05:38,120 --> 00:05:42,120 Speaker 1: him courageously. I mean drunk after I broke up. I 80 00:05:42,160 --> 00:05:43,839 Speaker 1: don't remember what I said other than that I was 81 00:05:43,960 --> 00:05:48,480 Speaker 1: falling in love with him. Pause. Stop, how you told 82 00:05:48,600 --> 00:05:52,839 Speaker 1: him that you are in love with him? Yeah, Mariya, 83 00:05:53,320 --> 00:05:57,360 Speaker 1: what and you feel good about that? No? I'm not psycho. 84 00:05:57,640 --> 00:05:59,640 Speaker 1: Well you kind of came off as a psycho. It 85 00:05:59,720 --> 00:06:02,080 Speaker 1: was just my first time getting drunk. Are you lucky? 86 00:06:02,120 --> 00:06:04,839 Speaker 1: You so hot? Because that would scare away anyone, even 87 00:06:04,920 --> 00:06:08,560 Speaker 1: an asthmatic reporter. Okay, let's just stop talking about my 88 00:06:08,640 --> 00:06:11,480 Speaker 1: love life. It's giving me hives. You're right, You're right. 89 00:06:11,520 --> 00:06:14,719 Speaker 1: There's much bigger fresh to fry here. I sent the 90 00:06:14,760 --> 00:06:17,280 Speaker 1: blackmail video to a Stevan's email, but I still haven't 91 00:06:17,279 --> 00:06:19,200 Speaker 1: gotten a response. How long do we have to wait? 92 00:06:19,400 --> 00:06:21,160 Speaker 1: I don't know. This is my first time blackmail is 93 00:06:21,279 --> 00:06:24,400 Speaker 1: someone it's weighed seven to dim business day. Oh okay, 94 00:06:24,720 --> 00:06:26,719 Speaker 1: so then what do we do now? I guess we 95 00:06:26,839 --> 00:06:29,440 Speaker 1: just wait? I mean, he must be freaking out right 96 00:06:29,440 --> 00:06:32,600 Speaker 1: now we sent him a sex tape. I'd be freaking out, 97 00:06:32,960 --> 00:06:35,000 Speaker 1: especially if they shot me from my left side, because 98 00:06:35,040 --> 00:06:36,919 Speaker 1: my good side is my right side, you know, and 99 00:06:36,960 --> 00:06:41,240 Speaker 1: I'm not even in the closet. Are you listening? Oh? 100 00:06:41,279 --> 00:06:45,000 Speaker 1: My gosh. I guess I didn't scare him off. He said, 101 00:06:45,080 --> 00:06:49,040 Speaker 1: your drunk voice is cute heart emoji, smiley emoji, Russian 102 00:06:49,160 --> 00:06:52,520 Speaker 1: flag emoji. What does that means? We're not talking about 103 00:06:52,520 --> 00:06:55,600 Speaker 1: the black mail anymore? Sorry? Sorry, sorry, It's just it's exciting. 104 00:06:56,320 --> 00:06:59,560 Speaker 1: I think I really like him. Well, according to drunk you, 105 00:06:59,560 --> 00:07:01,760 Speaker 1: you are in love with him. I'm not in love 106 00:07:01,800 --> 00:07:05,920 Speaker 1: with him, but I could see myself potentially one day 107 00:07:06,120 --> 00:07:09,120 Speaker 1: being on the path towards that. You know what I think. 108 00:07:09,560 --> 00:07:12,720 Speaker 1: I just think you need to get late yesterday. Yeah, 109 00:07:13,000 --> 00:07:15,520 Speaker 1: I wouldn't do that. I grew up in a convent. 110 00:07:15,920 --> 00:07:17,920 Speaker 1: I don't know if you remember. Oh my god, how 111 00:07:17,920 --> 00:07:20,760 Speaker 1: could I forget? You told me fifty eleven times? The 112 00:07:20,840 --> 00:07:22,960 Speaker 1: sexiest thing in there was the Joseph they put up 113 00:07:22,960 --> 00:07:26,240 Speaker 1: in the Nativity scene. He was jacked. What are you 114 00:07:26,440 --> 00:07:29,320 Speaker 1: saying right now? Well, just when the little kissed me 115 00:07:29,360 --> 00:07:31,680 Speaker 1: when I got here, that was my first kiss, and 116 00:07:31,800 --> 00:07:34,440 Speaker 1: that this was my second. So I'm definitely not ready 117 00:07:34,480 --> 00:07:38,240 Speaker 1: to be getting laid. Okay, Well, as long as this 118 00:07:38,320 --> 00:07:41,040 Speaker 1: school girl romance doesn't distract you from our plan to 119 00:07:41,240 --> 00:07:45,360 Speaker 1: you know, avenge your dead mother and find my missing girlfriend. 120 00:07:46,440 --> 00:07:48,920 Speaker 1: Oh he says the Russian flag emoji was a typho. 121 00:08:02,680 --> 00:08:08,240 Speaker 1: Katie lovers, It's me Tatiana. Obviously. Did you catch tea 122 00:08:08,320 --> 00:08:12,560 Speaker 1: with Tatiana this week? No? Will you miss some juicy 123 00:08:12,800 --> 00:08:22,320 Speaker 1: updates on our favorite family, the Calderons. I cannot get 124 00:08:22,360 --> 00:08:26,480 Speaker 1: over the wedding getting canceled, you guys, but you know 125 00:08:27,360 --> 00:08:31,160 Speaker 1: life goes on. That's a great lesson we learned this 126 00:08:31,200 --> 00:08:35,760 Speaker 1: week with one of Raoul's ex girlfriends. Just a great girl. 127 00:08:36,000 --> 00:08:39,560 Speaker 1: I'm a fan. Now I'm hoping I can have my 128 00:08:39,640 --> 00:08:43,400 Speaker 1: own deep conversation with a loved one inside a Lincoln 129 00:08:43,440 --> 00:08:51,400 Speaker 1: Aviator GT someday, hopefully sooner rather than later. All Right, 130 00:08:51,640 --> 00:08:53,960 Speaker 1: that's it for now, but be sure to tune in 131 00:08:54,040 --> 00:08:58,160 Speaker 1: next time for more scandalous rumors about the Calderones. On 132 00:08:58,280 --> 00:09:18,040 Speaker 1: the next tea with Antianna. What about the U turn 133 00:09:18,080 --> 00:09:22,160 Speaker 1: the radio up. We need to stop the partisan politics 134 00:09:22,360 --> 00:09:24,800 Speaker 1: that have pitted us against one another in this country. 135 00:09:25,280 --> 00:09:29,600 Speaker 1: I refuse at fear mongering. What we need in this 136 00:09:29,679 --> 00:09:33,000 Speaker 1: country is unification. We need a clean, new deal that 137 00:09:33,080 --> 00:09:39,080 Speaker 1: has sites for the future. Another strong stam hear Miami 138 00:09:39,120 --> 00:09:45,920 Speaker 1: against conservative candidate Turn that off. I can't even stand 139 00:09:45,920 --> 00:09:49,160 Speaker 1: hearing her voice that refused to giving to hatred, You say, Abart, 140 00:09:49,880 --> 00:09:52,280 Speaker 1: those liberals act if there's some moral and righteous but 141 00:09:52,320 --> 00:09:53,920 Speaker 1: given the chance, they will do whatever it takes, just 142 00:09:54,000 --> 00:09:57,440 Speaker 1: like the rest of us. You wouldn't believe never mind it. 143 00:09:58,280 --> 00:10:02,600 Speaker 1: What is this? Oh great Alicia is on the cover 144 00:10:02,720 --> 00:10:10,840 Speaker 1: of Vanity, fair fair face with the God's everywhere? Who 145 00:10:10,880 --> 00:10:12,440 Speaker 1: does she have to sleep with to get at them? 146 00:10:12,440 --> 00:10:15,200 Speaker 1: And what is this garbage doing here anyway? What her 147 00:10:15,280 --> 00:10:17,160 Speaker 1: be though? Who was the last person to use the car? 148 00:10:17,440 --> 00:10:20,880 Speaker 1: Where is my Wolf Street journal? Make sure you throw 149 00:10:20,920 --> 00:10:22,560 Speaker 1: all this garbage out before I use the car again? 150 00:10:22,559 --> 00:10:25,080 Speaker 1: You understand, Stop the car, Stop, stop the car. I 151 00:10:25,240 --> 00:10:45,320 Speaker 1: need some air. I need to get Oh looks like 152 00:10:45,480 --> 00:10:47,560 Speaker 1: Nacho isn't the only one on the verge of a 153 00:10:47,600 --> 00:10:51,120 Speaker 1: nervous breakdown. Will the race destroy him before Maria del 154 00:10:51,200 --> 00:11:00,920 Speaker 1: Carmen Estraia get their answers. If you're enjoying of South Beach, 155 00:11:01,120 --> 00:11:04,840 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 156 00:11:05,720 --> 00:11:08,080 Speaker 1: The Princess of South Beach is a production of Ihearts, 157 00:11:08,120 --> 00:11:11,880 Speaker 1: Michael Tura Podcast Network, and Sonoro, created and directed by 158 00:11:11,960 --> 00:11:15,800 Speaker 1: Jasmine Romero, Written by Jasmine Romero and Joanna Houseman, with 159 00:11:15,840 --> 00:11:20,280 Speaker 1: help from Daniel Serkis, Monisa Hendrix and Christian Jadar. Produced 160 00:11:20,280 --> 00:11:24,280 Speaker 1: by Luis arro Castillo. Executive produced by Connal Byrne and Gazelle. 161 00:11:24,320 --> 00:11:28,040 Speaker 1: Bances for iHeart by Joanna Housman, and by Jasmine Romero 162 00:11:28,120 --> 00:11:32,200 Speaker 1: and Joshua Weinstein for Sonaro. Performances in this episode by 163 00:11:32,640 --> 00:11:37,720 Speaker 1: Rachel Zegler, Raulas Barza, Danny Pino, Andy Bustillos, x, Mayo 164 00:11:38,080 --> 00:11:43,880 Speaker 1: Carino Ortiz and Jasmine Romero. Our production manager is Geinsachitis. 165 00:11:44,280 --> 00:11:48,080 Speaker 1: Recording and engineering by Emiliano Quintanar, with sound designed by 166 00:11:48,200 --> 00:11:54,040 Speaker 1: Eduin Irigoyen, Cassandra Tinajiro, Andres Bayena, Diego Medina and Andres Coronaldo. 167 00:11:54,280 --> 00:11:58,160 Speaker 1: Assistant sound designed by Eric Sintheno. Casting and coordination by 168 00:11:58,200 --> 00:12:02,640 Speaker 1: Andres Chaitis Folly by Samantha Gonzalez. Song our theme song 169 00:12:02,720 --> 00:12:06,439 Speaker 1: and original music by Rodrigo Garcia Roles and Charlie Hernandez.