1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:31,080 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,120 --> 00:00:33,879 Speaker 1: a little thing we like to call the after Party. 6 00:00:34,159 --> 00:00:36,120 Speaker 1: This is the show after the show, the party after 7 00:00:36,120 --> 00:00:38,120 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,159 --> 00:00:41,520 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:41,600 --> 00:00:44,360 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:44,400 --> 00:00:48,040 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:48,080 --> 00:00:51,080 Speaker 1: we're discussing what the worst people in the world listen to, 12 00:00:51,320 --> 00:00:55,400 Speaker 1: from serial killers to war criminals to Jeffrey Epstein and 13 00:00:55,480 --> 00:00:57,920 Speaker 1: all the way back again. And somehow this is all 14 00:00:58,040 --> 00:01:01,120 Speaker 1: the subject of this week's episode, Towns van Zant's Fault. 15 00:01:01,280 --> 00:01:05,479 Speaker 1: We're previewing next week's episode on The Pretender's Chrissy Hin. Plus, 16 00:01:05,520 --> 00:01:08,920 Speaker 1: we get into your emails, comments, dms, and as always, 17 00:01:09,040 --> 00:01:11,960 Speaker 1: a whole lot of Rosie. This is the podcast for 18 00:01:12,040 --> 00:01:14,800 Speaker 1: the musically obsessed, the outsiders, the independent thinkers who know 19 00:01:14,800 --> 00:01:17,279 Speaker 1: that the best history is the history that gets buried. 20 00:01:17,280 --> 00:01:20,480 Speaker 1: Disgraceland is where I tell the stories they didn't want told, 21 00:01:20,720 --> 00:01:22,880 Speaker 1: the kind you'll end up telling someone else. All Right, 22 00:01:22,920 --> 00:01:36,880 Speaker 1: disc goes, Let's get into it. Towns van Zant is 23 00:01:37,120 --> 00:01:43,600 Speaker 1: the subject of this week's Disgraceland full episode, and we 24 00:01:44,040 --> 00:01:47,200 Speaker 1: just released that episode right before the bonus here, And 25 00:01:47,440 --> 00:01:50,800 Speaker 1: as you'll hear, one of the most interesting aspects of 26 00:01:51,080 --> 00:01:55,320 Speaker 1: Towns van Zant's life and career, it's the fact that 27 00:01:55,560 --> 00:02:00,840 Speaker 1: he modeled his life and career after Hank Willialliams. And 28 00:02:00,880 --> 00:02:05,760 Speaker 1: there are all these eerie coincidences, including the day that 29 00:02:05,800 --> 00:02:09,200 Speaker 1: he died and how he died, So that could be 30 00:02:09,200 --> 00:02:13,680 Speaker 1: thinking about eerie coincidences between musicians throughout music history, and 31 00:02:13,720 --> 00:02:16,160 Speaker 1: there are some pretty good ones. John Lennon and dine 32 00:02:16,200 --> 00:02:19,720 Speaker 1: Bag Daryll from Pantera were both shot and killed by 33 00:02:19,760 --> 00:02:22,840 Speaker 1: deranged fans on the same day. Years apart, of course, 34 00:02:23,280 --> 00:02:26,440 Speaker 1: Kurt Cobain and Alison chains Is Lane Staley both died 35 00:02:26,480 --> 00:02:29,560 Speaker 1: on the same day as well. Also years apart, Lincoln 36 00:02:29,560 --> 00:02:32,000 Speaker 1: Park had a drummer named Kennedy the Dead Kennedy's had 37 00:02:32,040 --> 00:02:35,480 Speaker 1: a drummer named Lincoln. Ryan Adams and Brian Adams share 38 00:02:35,520 --> 00:02:38,280 Speaker 1: the same birthdays. That sort of stuff, and also a 39 00:02:38,320 --> 00:02:40,000 Speaker 1: ton more about nine to eleven than I'm going to 40 00:02:40,040 --> 00:02:44,120 Speaker 1: say for another time. But anyways, this thinking led me 41 00:02:44,360 --> 00:02:49,480 Speaker 1: into a different, to me more interesting research wormhole, and 42 00:02:50,240 --> 00:02:53,520 Speaker 1: that's into the subject of the music that certain serial 43 00:02:53,600 --> 00:02:58,200 Speaker 1: killers were fans of, and in some cases the music 44 00:02:58,280 --> 00:03:01,919 Speaker 1: that they listened to while they were doing the nasty 45 00:03:02,000 --> 00:03:07,000 Speaker 1: shit that they were up to. Now Ozzy Osbourne RIP 46 00:03:07,160 --> 00:03:10,959 Speaker 1: Ozzy recently passed away. Ozzie was a Christian. Ozzie was 47 00:03:11,000 --> 00:03:14,519 Speaker 1: an overall good guy, I believe, so he would hate 48 00:03:15,000 --> 00:03:17,040 Speaker 1: this factoid that I'm going to lay on you, but 49 00:03:17,040 --> 00:03:21,400 Speaker 1: I'm gonna mention it anyway. Jeffrey Dahmer loved Black Sabbath. 50 00:03:21,760 --> 00:03:29,200 Speaker 1: Apparently he would listen to Sabbath while dismembering bodies. Songs 51 00:03:29,480 --> 00:03:33,680 Speaker 1: iron Man and Paranoid were two of his favorites, which 52 00:03:33,720 --> 00:03:37,560 Speaker 1: means the Milwaukee Cannibal had pretty basic taste when it 53 00:03:37,560 --> 00:03:40,160 Speaker 1: comes to Black Sabbath. It's a matter Jeffrey, you never 54 00:03:40,200 --> 00:03:44,080 Speaker 1: heard yourself from Junior's eyes. Check that out, all right. Anyways, 55 00:03:44,680 --> 00:03:48,360 Speaker 1: Beyond Jeffrey Dahmer, I didn't know that about Jeffrey Dahmer 56 00:03:48,480 --> 00:03:50,560 Speaker 1: until this morning, but we all know about the Knight 57 00:03:50,640 --> 00:03:54,600 Speaker 1: stalker Richard Ramirez's obsession with acdcne about Charles Manson's supposed 58 00:03:54,680 --> 00:03:57,720 Speaker 1: obsession with the Beatles. What I didn't know about was 59 00:03:57,960 --> 00:04:02,240 Speaker 1: Aileen Wrenos's love for ten thousand Maniacs in the song Carnival, 60 00:04:02,320 --> 00:04:06,560 Speaker 1: which she apparently requested to be played at her wake. This, 61 00:04:06,720 --> 00:04:10,240 Speaker 1: for whatever reason, is beyond creepy to me. I think 62 00:04:10,240 --> 00:04:12,520 Speaker 1: I know the reason because it's it's counterpoint. I never 63 00:04:12,520 --> 00:04:14,120 Speaker 1: thought of this before, But I guess what I'm saying 64 00:04:14,200 --> 00:04:15,800 Speaker 1: is that if you told me the Natalie Merchant had 65 00:04:15,840 --> 00:04:19,320 Speaker 1: some deep, dark secrets, I guess I wouldn't be surprised. Now, 66 00:04:19,960 --> 00:04:22,880 Speaker 1: we're all big New York City nineteen seventy seven scholars 67 00:04:22,880 --> 00:04:25,080 Speaker 1: here in Disgrace Saints. So if you're like me, then 68 00:04:25,200 --> 00:04:28,680 Speaker 1: I assume you connect the son of Sam David Berkowitz 69 00:04:29,360 --> 00:04:32,080 Speaker 1: to the Talking Heads because of their tune cycle Killer. 70 00:04:32,080 --> 00:04:36,200 Speaker 1: But that song was actually released on Talking Heads seventy seven. 71 00:04:36,240 --> 00:04:39,600 Speaker 1: They're excellent record that was released cycle Killer on that 72 00:04:39,640 --> 00:04:45,919 Speaker 1: record about a month after Berkowitz was arrested. So this 73 00:04:46,040 --> 00:04:49,159 Speaker 1: serial killer wasn't listening to any keskersse. This cycle Killer, 74 00:04:49,240 --> 00:04:52,080 Speaker 1: I should say, wasn't listening to any Keuskersse, but he 75 00:04:52,320 --> 00:04:56,440 Speaker 1: was listening to halland Oates say it ain't so Sammy. 76 00:04:56,680 --> 00:04:59,360 Speaker 1: I find this to be super creepy as well, because 77 00:05:00,000 --> 00:05:03,920 Speaker 1: Hello Oates pre nineteen seventy eight output is dope, by 78 00:05:03,960 --> 00:05:08,560 Speaker 1: which I mean it's pretty sophisticated stuff, which means that 79 00:05:08,600 --> 00:05:11,240 Speaker 1: the son of Sam psychle killer that he was had 80 00:05:11,279 --> 00:05:14,919 Speaker 1: pretty great taste. This is pre man Eater hallo Oates, 81 00:05:14,960 --> 00:05:18,920 Speaker 1: This is rich Girl Hallooaates, This is Sarah Smile hall 82 00:05:18,960 --> 00:05:21,480 Speaker 1: of Oates. Honestly, I'm a little shocked by this one 83 00:05:21,560 --> 00:05:23,440 Speaker 1: because I kind of think of David Bergerwitz as like 84 00:05:23,480 --> 00:05:26,960 Speaker 1: a a drooling idiot who is afraid of barking dogs. 85 00:05:26,960 --> 00:05:30,880 Speaker 1: But whatever, whatever good musical taste. I guess John Wayne Gacy, 86 00:05:31,520 --> 00:05:35,400 Speaker 1: the so called killer Clown, listened to Ario Speedwagon. I guess. 87 00:05:35,520 --> 00:05:38,359 Speaker 1: I don't know. Feels like maybe investigators just found a 88 00:05:38,440 --> 00:05:40,400 Speaker 1: random a track in his basement and this is how 89 00:05:40,400 --> 00:05:42,839 Speaker 1: the myth got started. But I couldn't find much on 90 00:05:42,880 --> 00:05:45,480 Speaker 1: Gaysey's music taste, and honestly, I just pictureed John Wayne 91 00:05:45,480 --> 00:05:47,520 Speaker 1: Gacy running around his house and his clown get up 92 00:05:47,560 --> 00:05:58,000 Speaker 1: soundtrack to the Benny Hill Show theme music. Another weird one, 93 00:05:58,240 --> 00:06:01,279 Speaker 1: is Arthur Shawcross? Okay, is not how you say the 94 00:06:01,320 --> 00:06:07,240 Speaker 1: serial killer's name. Arthur Shawcross, a sick, sick individual who 95 00:06:07,320 --> 00:06:11,480 Speaker 1: murdered two children and eleven adults. Shawcross. If you look 96 00:06:11,520 --> 00:06:12,960 Speaker 1: at this guy, if you look at a picture of him, 97 00:06:12,960 --> 00:06:16,479 Speaker 1: he's older, gray hair, kind of portly, looks like a 98 00:06:16,520 --> 00:06:18,680 Speaker 1: dude you wouldn't want to pitch two in your softball 99 00:06:18,680 --> 00:06:21,760 Speaker 1: beer league. Kind of normy, kind of normal, but kind 100 00:06:21,760 --> 00:06:24,039 Speaker 1: of wrong at the same time. Anyway, this dude was 101 00:06:24,080 --> 00:06:29,039 Speaker 1: a gig Allen fan. Haw How you look at this 102 00:06:29,080 --> 00:06:29,920 Speaker 1: guy's at photo? 103 00:06:30,000 --> 00:06:30,160 Speaker 2: How? 104 00:06:30,279 --> 00:06:32,120 Speaker 1: How how did you get into gg Allen? That's what 105 00:06:32,120 --> 00:06:35,200 Speaker 1: I want to know now. According to my admittedly very 106 00:06:35,240 --> 00:06:40,040 Speaker 1: limited research on this, Ted Bundy did not listen to music. 107 00:06:40,680 --> 00:06:43,479 Speaker 1: He only listened to AM talk radio, which kind of 108 00:06:43,520 --> 00:06:45,680 Speaker 1: makes all the sense in the world if you think 109 00:06:45,720 --> 00:06:49,880 Speaker 1: about it. Now. He's not a serial killer or a 110 00:06:49,960 --> 00:06:52,400 Speaker 1: killer as far as we know, but it's been in 111 00:06:52,440 --> 00:06:55,159 Speaker 1: the news lately, so I have to hit upon what 112 00:06:55,360 --> 00:06:57,960 Speaker 1: Jeffrey Epstein was listening to while he was up to 113 00:06:58,080 --> 00:07:00,640 Speaker 1: his particular brand of no good, which, depending on who 114 00:07:00,720 --> 00:07:04,080 Speaker 1: you ask these days, means everything from sexually abusing minors 115 00:07:04,080 --> 00:07:08,839 Speaker 1: to plotting global pandemics to satanic ritual cannibalism aka pizza 116 00:07:08,920 --> 00:07:12,480 Speaker 1: and grape soda. Anyway, apparently Jeffrey Epstein had some pretty 117 00:07:12,520 --> 00:07:16,920 Speaker 1: on brand taste. Rolling Stone Magazine dug into his Spotify 118 00:07:17,080 --> 00:07:19,800 Speaker 1: Rapped from twenty sixteen. They dug that out of the 119 00:07:19,800 --> 00:07:23,720 Speaker 1: Epstein files, and I'm Coming Out by Diana Ross was 120 00:07:23,720 --> 00:07:27,000 Speaker 1: Epstein's most listened to song of that year. Do what 121 00:07:27,040 --> 00:07:30,160 Speaker 1: you will with that little bit of information. He Ain't Heavy, 122 00:07:30,240 --> 00:07:34,360 Speaker 1: He's My Brother by Marion Williams came in second on 123 00:07:34,440 --> 00:07:39,000 Speaker 1: Epstein's twenty sixteen rapped. He Ain't Heavy, He's my Brother. 124 00:07:40,520 --> 00:07:45,000 Speaker 1: I can just see the Hulu limited you know, scripted 125 00:07:45,240 --> 00:07:49,080 Speaker 1: eight part Jeffrey Epstein series right now with you know 126 00:07:49,120 --> 00:07:54,960 Speaker 1: it's Epstein in his Manhattan townhouse and he's just sitting 127 00:07:55,000 --> 00:07:57,560 Speaker 1: back at the end of the day with a nice 128 00:07:57,600 --> 00:08:00,560 Speaker 1: I don't know what's Epstein drinking, Yeah, cabernet, nice full 129 00:08:00,600 --> 00:08:03,400 Speaker 1: bodied cab and he's got his his feet up on 130 00:08:03,440 --> 00:08:06,640 Speaker 1: the table, on the coffee table with his his slippers 131 00:08:06,640 --> 00:08:08,160 Speaker 1: and maybe you know, he's in like he's got his 132 00:08:08,200 --> 00:08:11,480 Speaker 1: Pendleton blanket over him and he's he's listening to he 133 00:08:11,520 --> 00:08:15,280 Speaker 1: Ain't Heavy. He's my brother, and he's he's lamenting the 134 00:08:15,320 --> 00:08:18,440 Speaker 1: fact that Bill Gates won't call him back. I don't know. 135 00:08:18,480 --> 00:08:20,840 Speaker 1: I don't know that's how I picture it. We'll see. Anyways. 136 00:08:21,120 --> 00:08:24,880 Speaker 1: His third most played song was hold On I'm Coming 137 00:08:25,280 --> 00:08:27,120 Speaker 1: by Sam and Dave, and I'm not even gonna touch 138 00:08:27,160 --> 00:08:30,080 Speaker 1: that one. Anyways, I find this fascinating now that our 139 00:08:30,120 --> 00:08:33,840 Speaker 1: wormhole has widened, it's worth mentioning, of course, that Hitler 140 00:08:33,920 --> 00:08:37,559 Speaker 1: vibe on Wagner Siria's recently deposed brutal dictator in war 141 00:08:37,600 --> 00:08:40,800 Speaker 1: criminal Bosher al Asad, you know, the dude who used 142 00:08:40,880 --> 00:08:44,760 Speaker 1: chemical weapons on his own people. Well, when they hacked 143 00:08:44,800 --> 00:08:48,240 Speaker 1: into his iTunes account, they found out that mister war 144 00:08:48,280 --> 00:08:51,760 Speaker 1: criminal here dug himself a little I'm sexy and I 145 00:08:51,840 --> 00:08:56,480 Speaker 1: Know it by lmfao. He was also into right, said 146 00:08:56,520 --> 00:08:59,240 Speaker 1: friend's I'm too sexy. Of course, of course he was. 147 00:08:59,559 --> 00:09:01,760 Speaker 1: Look at the look at this guy. This shit makes 148 00:09:01,800 --> 00:09:03,160 Speaker 1: all the sense in the world when we look at 149 00:09:03,200 --> 00:09:07,200 Speaker 1: this guy, and I guess proves that evil transcends from 150 00:09:07,440 --> 00:09:11,200 Speaker 1: shitty politics to shitty musical taste as well. Anyways, Kim John, 151 00:09:11,600 --> 00:09:13,680 Speaker 1: I don't know, he's into some weird shit. I don't 152 00:09:13,679 --> 00:09:15,080 Speaker 1: know what any of this stuff is, and I'm sure 153 00:09:15,080 --> 00:09:16,480 Speaker 1: as hell I'm not going to try to pronounce any 154 00:09:16,520 --> 00:09:18,800 Speaker 1: of it. All right, I'm gonna keep going here, Kadafi, 155 00:09:18,840 --> 00:09:21,920 Speaker 1: you want some Goadafi got Affi. It was always it 156 00:09:21,920 --> 00:09:23,640 Speaker 1: was Kadaffi when I was growing up, and then it 157 00:09:23,679 --> 00:09:26,079 Speaker 1: became got Afi, just like it was always Nevada and 158 00:09:26,120 --> 00:09:29,160 Speaker 1: then it became Nevada. I don't know. This stuff just happens. Anyway. 159 00:09:29,320 --> 00:09:35,120 Speaker 1: Libya's dictator, got Afi had some mainstream pop taste. Okay, 160 00:09:35,679 --> 00:09:39,960 Speaker 1: dude liked Nelly Fertado, who performed for Good Afi for 161 00:09:40,080 --> 00:09:45,400 Speaker 1: Yes War Criminal that he was for a cool million dollars, 162 00:09:45,480 --> 00:09:48,240 Speaker 1: which I don't know, seems kind of light to me. 163 00:09:49,200 --> 00:09:51,559 Speaker 1: A mill is a mill, but you know how much 164 00:09:51,640 --> 00:09:53,640 Speaker 1: is he soul worth? I don't know. I'd have gone 165 00:09:53,679 --> 00:09:58,920 Speaker 1: eight figures Nelly, eight figures for Kadafi. Apparently Goaddafi was 166 00:09:58,960 --> 00:10:01,960 Speaker 1: also in CCSA CA Afi there. I just can't help it, 167 00:10:02,040 --> 00:10:07,160 Speaker 1: you know. Anyways, Getafi was also into Mariah fifty cent Beyonce, 168 00:10:07,360 --> 00:10:10,079 Speaker 1: And now we're getting into the subject of celebrities and 169 00:10:10,200 --> 00:10:14,160 Speaker 1: musicians who sold their souls and opened their bank accounts 170 00:10:15,160 --> 00:10:17,800 Speaker 1: to the cash for the cash, I should say, of 171 00:10:17,880 --> 00:10:22,079 Speaker 1: some really really bad people, massive amounts of cash, big big, 172 00:10:22,080 --> 00:10:24,040 Speaker 1: big fees. If you want to know what I'm talking about, 173 00:10:24,360 --> 00:10:28,679 Speaker 1: those musicians who took million dollar fees from brutal dictators 174 00:10:29,240 --> 00:10:32,360 Speaker 1: to perform at their I don't know, their parties, their 175 00:10:32,440 --> 00:10:37,400 Speaker 1: spoiled spoiled kids, birthday bashes, whatnot. Yeah, Beyonce fifty cent, 176 00:10:37,880 --> 00:10:41,640 Speaker 1: but also Kanye Sting, I did this. I did a 177 00:10:41,679 --> 00:10:43,960 Speaker 1: little bit on this about a year year ago. I 178 00:10:44,040 --> 00:10:46,920 Speaker 1: touched on in the After Party. But today Zeth and 179 00:10:46,920 --> 00:10:50,400 Speaker 1: I are going to go in deeper and have the names, 180 00:10:50,559 --> 00:10:53,880 Speaker 1: the dollar figures, the dictators, and the details in the 181 00:10:53,920 --> 00:10:57,559 Speaker 1: exclusive section of the After Party. Here. Go to disgracelandpod 182 00:10:57,559 --> 00:10:59,280 Speaker 1: dot com to sign up to become a disgrace Land 183 00:10:59,320 --> 00:11:03,440 Speaker 1: all access and unlock exclusive content like this, along with 184 00:11:03,679 --> 00:11:06,720 Speaker 1: ad free content as well. Finally, since around the subject 185 00:11:06,760 --> 00:11:09,880 Speaker 1: of war criminals, George W. Bush's favorite song is My 186 00:11:10,080 --> 00:11:12,880 Speaker 1: Sharona by The Knack, And now I can forgive w 187 00:11:13,240 --> 00:11:15,719 Speaker 1: for those weapons of mass destruction and all is right 188 00:11:15,760 --> 00:11:18,880 Speaker 1: in the world because the Knack in My Sharona just 189 00:11:19,040 --> 00:11:21,400 Speaker 1: kind of kicks ass, and honestly, just can you picture 190 00:11:21,559 --> 00:11:24,640 Speaker 1: w up in Canny Bunk right now. You know he's 191 00:11:24,679 --> 00:11:26,959 Speaker 1: on the backyard, he's roasted some hot dogs and he's 192 00:11:26,960 --> 00:11:29,240 Speaker 1: got my Sharona plan. I don't know, kind of cracks 193 00:11:29,280 --> 00:11:32,800 Speaker 1: me up. Okay, now we've gone from Towns van Zant 194 00:11:32,840 --> 00:11:36,880 Speaker 1: to the neck and uh, I think it's time we 195 00:11:36,920 --> 00:11:41,000 Speaker 1: can fully climb out of this this wormhole, this rabbit hole, 196 00:11:41,280 --> 00:11:44,840 Speaker 1: and back into reality. All right, this is what we 197 00:11:44,920 --> 00:11:48,160 Speaker 1: got cooking this week in Disgraceland. Obviously, the Towns van 198 00:11:48,240 --> 00:11:50,240 Speaker 1: Zant episode is there for you to check out. Right now, 199 00:11:50,600 --> 00:11:54,160 Speaker 1: We've also got a rewind on Surge Gainsburg coming up 200 00:11:54,280 --> 00:11:58,360 Speaker 1: on Friday in the rewind slot. And I should probably 201 00:11:58,440 --> 00:12:02,120 Speaker 1: mention that Surge Gainsburg. I found this in my research 202 00:12:02,200 --> 00:12:04,640 Speaker 1: this morning as well. Surge is a fave of that 203 00:12:04,800 --> 00:12:07,400 Speaker 1: old that old battle axe at old So and so, 204 00:12:07,480 --> 00:12:13,040 Speaker 1: that old muckety muck former German Chancellor Angela Merkel. Just again, 205 00:12:13,160 --> 00:12:17,480 Speaker 1: picturing these people listening to this music is all the fun. 206 00:12:18,760 --> 00:12:23,920 Speaker 1: Angela Merkel and Serge Gainsburg. Ah, just it's what an image? 207 00:12:24,120 --> 00:12:27,679 Speaker 1: What an image? Surge. Listen. If you don't know Serge Gainsburg, 208 00:12:28,120 --> 00:12:31,880 Speaker 1: you should. He is one of the most interesting and 209 00:12:32,040 --> 00:12:39,720 Speaker 1: compelling and influential singers, songwriters, entertainers of the twentieth century. 210 00:12:39,760 --> 00:12:42,000 Speaker 1: Without him, you would not have Beck, you would not 211 00:12:42,080 --> 00:12:47,959 Speaker 1: have Pulp or Rufus Wainwright. He was a French Sinatra 212 00:12:48,440 --> 00:12:51,800 Speaker 1: with half the looks and twice the confidence. If you 213 00:12:51,800 --> 00:12:54,360 Speaker 1: can imagine that, all right. You also wouldn't have Whitney 214 00:12:54,360 --> 00:12:56,720 Speaker 1: Houston in one of the most insane live television moments 215 00:12:56,760 --> 00:12:58,599 Speaker 1: of all time. But you're gonna have to listen to 216 00:12:58,679 --> 00:13:02,560 Speaker 1: this Serge Gainsburg to find out what I am talking about, 217 00:13:02,600 --> 00:13:06,760 Speaker 1: all right, Next week our brand new episode on Chrissy 218 00:13:06,800 --> 00:13:10,160 Speaker 1: Hind from The Pretenders. Now, you might love the Pretenders 219 00:13:11,120 --> 00:13:13,480 Speaker 1: or you might just be like, yeah, the Pretenders are cool, 220 00:13:13,480 --> 00:13:16,000 Speaker 1: but I'm not a super fan and I don't really 221 00:13:16,040 --> 00:13:19,240 Speaker 1: care that much about their singer. But it doesn't matter, Okay, Well, 222 00:13:19,280 --> 00:13:21,880 Speaker 1: you don't know. If you're anything like me, you don't know. 223 00:13:21,920 --> 00:13:24,719 Speaker 1: What I didn't know before getting into this production of 224 00:13:24,760 --> 00:13:28,160 Speaker 1: this episode was is just how prevalent Chrissy Hind was 225 00:13:28,679 --> 00:13:32,160 Speaker 1: during the formative years of punk rock, and not in America. 226 00:13:32,840 --> 00:13:37,600 Speaker 1: She's American in England, and I didn't know this. I 227 00:13:37,640 --> 00:13:43,240 Speaker 1: didn't know about these massively consequential bands that Chrissy Hind 228 00:13:43,920 --> 00:13:46,600 Speaker 1: was there in the beginning, in the formative years of 229 00:13:46,640 --> 00:13:49,720 Speaker 1: these bands and was almost in. She was almost in 230 00:13:49,760 --> 00:13:52,680 Speaker 1: these bands. It's pretty incredible, pretty revelatory. And on the 231 00:13:52,679 --> 00:13:58,040 Speaker 1: true crime front concerning Christy Hein, she survived attacks, violence, predatory, 232 00:13:58,120 --> 00:14:00,480 Speaker 1: skis ball music journalist. Of course, it was the nineteen 233 00:14:00,520 --> 00:14:03,800 Speaker 1: seventies and a whole lot more to become the trailblazing 234 00:14:03,840 --> 00:14:06,800 Speaker 1: pop star that she became. So you're not gonna want 235 00:14:06,800 --> 00:14:08,600 Speaker 1: to miss this episode. Check it out. It's coming up 236 00:14:08,840 --> 00:14:10,800 Speaker 1: on Tuesday, and I can't wait for you to hear it. 237 00:14:11,040 --> 00:14:13,520 Speaker 1: And when you're listening to the Chrissy Hind episode, be 238 00:14:13,600 --> 00:14:18,240 Speaker 1: thinking about this question, who is the most badass female 239 00:14:18,320 --> 00:14:21,160 Speaker 1: musician in the history of rock and roll? There are 240 00:14:21,480 --> 00:14:25,400 Speaker 1: endless possibilities, but you only get to pick one, and 241 00:14:25,440 --> 00:14:28,480 Speaker 1: that's what makes this question so good. Call me six 242 00:14:28,560 --> 00:14:31,120 Speaker 1: one seven nine oh six six six three eight, leave 243 00:14:31,160 --> 00:14:33,400 Speaker 1: a voicemail with your answer, Send me a text with 244 00:14:33,480 --> 00:14:36,440 Speaker 1: your answer, and you might hear your answer on next 245 00:14:36,440 --> 00:14:38,560 Speaker 1: week's after Priory Yard. I'm gonna take a quick break, 246 00:14:38,600 --> 00:14:40,160 Speaker 1: but I'll be back in the flash. 247 00:14:40,200 --> 00:14:58,280 Speaker 3: With your answers to last week's question of the week. 248 00:15:01,480 --> 00:15:03,560 Speaker 1: All right, this guys, welcome back into the after party. 249 00:15:03,680 --> 00:15:06,120 Speaker 1: Let's uh, let's quit the one way dialogue here and 250 00:15:06,160 --> 00:15:09,000 Speaker 1: bring y'all into the conversation. Six one seven, nine oh 251 00:15:09,080 --> 00:15:12,680 Speaker 1: six sixty six three eight. The folm lines are always 252 00:15:12,800 --> 00:15:16,120 Speaker 1: open here in disgracelaand call me, text me, leave me 253 00:15:16,120 --> 00:15:20,160 Speaker 1: a voicemail, just like Scott in the eight oh five. 254 00:15:21,040 --> 00:15:24,080 Speaker 4: This is Scott from the eight oh five. I love 255 00:15:24,120 --> 00:15:28,720 Speaker 4: the show, always have. I am just shocked that you 256 00:15:28,800 --> 00:15:32,800 Speaker 4: have not done an episode on Bobby Fuller yet. I 257 00:15:32,800 --> 00:15:39,040 Speaker 4: mean that mysterious death is right for the picking. Would 258 00:15:39,160 --> 00:15:41,960 Speaker 4: love to hear your take on it. Keep up the 259 00:15:42,000 --> 00:15:42,480 Speaker 4: great work. 260 00:15:42,920 --> 00:15:46,720 Speaker 1: Rock a rolla, Scott. You're absolutely right. You are one 261 00:15:46,800 --> 00:15:50,760 Speaker 1: hundred correct. I've actually researched this episode fully intending to 262 00:15:50,760 --> 00:15:55,080 Speaker 1: write an episode on Bobby Fuller, and there were two 263 00:15:55,120 --> 00:15:58,520 Speaker 1: times that this happened, where it was it was scheduled 264 00:15:58,720 --> 00:16:01,000 Speaker 1: and then it got pushed one time. I don't remember 265 00:16:01,040 --> 00:16:03,160 Speaker 1: the first time why we didn't do it. The second time, 266 00:16:03,560 --> 00:16:06,040 Speaker 1: I was going to do a live thing in Austin, Texas, 267 00:16:06,320 --> 00:16:10,280 Speaker 1: and Bobby being a Texas artist, it made sense. And 268 00:16:10,320 --> 00:16:12,800 Speaker 1: then that I had to cancel. I had to cancel 269 00:16:12,880 --> 00:16:16,400 Speaker 1: that event. Unfortunately it did not happen, but Bobby is 270 00:16:16,520 --> 00:16:18,920 Speaker 1: on the schedule and we will get into this. You're right, 271 00:16:19,000 --> 00:16:21,360 Speaker 1: it is a mysterious death that is right for the 272 00:16:21,400 --> 00:16:24,440 Speaker 1: picking and I cannot wait to share the Bobby Fullish 273 00:16:24,440 --> 00:16:28,120 Speaker 1: story with all you guys. It's an insane, insane collision 274 00:16:28,120 --> 00:16:31,600 Speaker 1: of music and true crime. Appreciate the push, Scott. All right, 275 00:16:31,680 --> 00:16:35,120 Speaker 1: let's check out this voicemail from the three three seven 276 00:16:35,160 --> 00:16:37,280 Speaker 1: on this week's Question of the Week. We got to 277 00:16:37,320 --> 00:16:39,480 Speaker 1: this question because of Towns of vans Aant, because Towns 278 00:16:39,560 --> 00:16:42,720 Speaker 1: van Zant lived his life in a very authentic way 279 00:16:43,080 --> 00:16:48,680 Speaker 1: and as such, sacrificed a lot and ultimately, I believe 280 00:16:48,720 --> 00:16:50,360 Speaker 1: died because of it. And there's a lot of artists 281 00:16:50,360 --> 00:16:53,320 Speaker 1: who have done that, who've sacrificed kind of everything for 282 00:16:53,360 --> 00:16:55,800 Speaker 1: their art and gave it all up and it's a 283 00:16:55,880 --> 00:17:00,240 Speaker 1: damn shame. Anyways, the question was which artists have done 284 00:17:00,240 --> 00:17:01,880 Speaker 1: that in the past that you're a fan of, et cetera. 285 00:17:02,280 --> 00:17:06,280 Speaker 1: All right, check out this voicemail from Cody and where's 286 00:17:06,280 --> 00:17:08,480 Speaker 1: Cody calling from the three three seven. 287 00:17:09,040 --> 00:17:12,040 Speaker 5: Hey, this is Cody from the three three seven. I 288 00:17:12,080 --> 00:17:14,200 Speaker 5: was calling him about your question. 289 00:17:14,000 --> 00:17:14,560 Speaker 1: For this week. 290 00:17:14,760 --> 00:17:18,119 Speaker 2: And I'll be honest, like there's a lot. It's hard, 291 00:17:18,240 --> 00:17:20,760 Speaker 2: and I got a dark horse, but a couple of 292 00:17:20,840 --> 00:17:22,399 Speaker 2: them on the top of my head. I mean, I 293 00:17:22,440 --> 00:17:25,040 Speaker 2: know we talked about Bob Marley. I mean, not only 294 00:17:25,080 --> 00:17:27,040 Speaker 2: did he spend his own money to go to Zimbabwe, 295 00:17:27,080 --> 00:17:29,679 Speaker 2: but he also got sick, you know, from sleep on 296 00:17:29,680 --> 00:17:34,280 Speaker 2: the floors and everything and Dariance Torentsi bibways. Also he 297 00:17:34,320 --> 00:17:38,719 Speaker 2: did perform that concert live on his own dime too, 298 00:17:38,760 --> 00:17:40,159 Speaker 2: I think, or it was free or something like that. 299 00:17:40,280 --> 00:17:42,360 Speaker 5: But then also he had David Bowie. I think, did 300 00:17:42,400 --> 00:17:44,160 Speaker 5: he like get diagnosed with. 301 00:17:44,200 --> 00:17:47,800 Speaker 2: Like psychosis or something for like how you know, dedicated 302 00:17:47,840 --> 00:17:49,800 Speaker 2: to his craft, but also like how set he came 303 00:17:49,840 --> 00:17:50,280 Speaker 2: to his music. 304 00:17:50,440 --> 00:17:52,880 Speaker 5: I think it was like when he made Black Start. 305 00:17:53,200 --> 00:17:55,480 Speaker 5: You know, it was like the last eighteen months of 306 00:17:55,520 --> 00:17:58,720 Speaker 5: his life he spent you know, producing that, you know, 307 00:17:58,880 --> 00:18:00,840 Speaker 5: I mean knowing that, you know, with his own health 308 00:18:00,840 --> 00:18:03,080 Speaker 5: and everything, and come go in and you know, he said, 309 00:18:03,119 --> 00:18:04,480 Speaker 5: I'm gonna go out and. 310 00:18:04,560 --> 00:18:06,520 Speaker 1: Do what I do, what I love to do. 311 00:18:07,280 --> 00:18:09,520 Speaker 5: And also I was gonna also respond to your question 312 00:18:09,560 --> 00:18:12,119 Speaker 5: a couple of weeks ago about the most influencial you know, 313 00:18:12,240 --> 00:18:15,560 Speaker 5: bands outside of the United States and also Great Britain 314 00:18:16,080 --> 00:18:18,840 Speaker 5: kind of a modern take. But there's also some somebody 315 00:18:18,920 --> 00:18:21,560 Speaker 5: that I was gonna say for this week's question too, 316 00:18:22,200 --> 00:18:25,320 Speaker 5: is is that pumped. I mean, nobody really knew who 317 00:18:25,359 --> 00:18:28,399 Speaker 5: these guys were for just about all their career. You know, 318 00:18:28,440 --> 00:18:29,600 Speaker 5: that was the whole point. 319 00:18:29,359 --> 00:18:30,800 Speaker 2: Of the Robot helmet. 320 00:18:31,000 --> 00:18:32,600 Speaker 5: Yeah, he brought a lot of attention. 321 00:18:32,359 --> 00:18:36,000 Speaker 2: To them and everything, but they also had to you know, 322 00:18:36,160 --> 00:18:38,919 Speaker 2: sacrifice all the same that they would get, you know, 323 00:18:39,000 --> 00:18:43,240 Speaker 2: being recognized in the streets, being on top billboards, everything, 324 00:18:43,280 --> 00:18:44,600 Speaker 2: nobody would know what they look like. 325 00:18:45,240 --> 00:18:48,000 Speaker 5: But yeah, I love the podcast. Thank you for everything 326 00:18:48,000 --> 00:18:51,400 Speaker 5: that you do, and hopefully I'll be able to hear myself. 327 00:18:51,960 --> 00:18:53,920 Speaker 1: Thanks for the call, Thanks for the answer. I appreciate it. 328 00:18:55,760 --> 00:18:59,159 Speaker 1: Bob Marley, Yeah, yeah, I get it. I get it. 329 00:18:59,560 --> 00:19:03,080 Speaker 1: I mean he survived. If he died on stage, you 330 00:19:03,119 --> 00:19:07,200 Speaker 1: could absolutely make the claim. But he survived, and so 331 00:19:07,600 --> 00:19:10,239 Speaker 1: that's a tough one for me. The Bowie one, though, 332 00:19:10,359 --> 00:19:14,280 Speaker 1: is very interesting. You know, there's you can make the 333 00:19:14,320 --> 00:19:18,919 Speaker 1: case that he nearly lost his mind. He nearly lost 334 00:19:18,920 --> 00:19:22,280 Speaker 1: his mind during those cocaine years, those LA years. They 335 00:19:22,320 --> 00:19:25,920 Speaker 1: were really tough for him, but he didn't lose his mind, 336 00:19:26,200 --> 00:19:30,440 Speaker 1: you know what I mean. So the sacrifice and then 337 00:19:30,600 --> 00:19:33,120 Speaker 1: the Black Star thing. That's really interesting because I don't 338 00:19:33,119 --> 00:19:36,680 Speaker 1: think any of us really know how much I mean, 339 00:19:36,720 --> 00:19:38,960 Speaker 1: he made that album while he was dying. We all 340 00:19:38,960 --> 00:19:43,399 Speaker 1: know that making an album is a tremendous amount of 341 00:19:43,520 --> 00:19:46,440 Speaker 1: work and exertion, and who knows how that affected him 342 00:19:46,440 --> 00:19:49,640 Speaker 1: and impacted his death. I guess we don't know. Maybe 343 00:19:49,680 --> 00:19:53,400 Speaker 1: we will at some point. That record's incredible, by the way, 344 00:19:53,720 --> 00:19:56,960 Speaker 1: just amazing, just great stuff. Thank you for reminding me 345 00:19:57,000 --> 00:19:59,560 Speaker 1: of it. Thank you for the message. I want to 346 00:19:59,600 --> 00:20:03,040 Speaker 1: hit on down punk real quick as well. Yeah, I 347 00:20:03,040 --> 00:20:08,000 Speaker 1: guess they they sacrificed their a portion of their fame 348 00:20:08,560 --> 00:20:12,000 Speaker 1: for a different kind of fame in that they were anonymous, Right, 349 00:20:12,000 --> 00:20:13,480 Speaker 1: that's what you're saying. And that's a really kind of 350 00:20:13,600 --> 00:20:16,440 Speaker 1: nuanced take, and I dig it and I appreciate it. 351 00:20:16,560 --> 00:20:18,800 Speaker 1: All these takes are great. Thank you. Three three seven, 352 00:20:19,119 --> 00:20:21,399 Speaker 1: six one seven nine oh six six six three eight. 353 00:20:21,440 --> 00:20:23,280 Speaker 1: You guys want to leave me a voicemail or send 354 00:20:23,320 --> 00:20:25,840 Speaker 1: me a text on question of the week or anything 355 00:20:25,880 --> 00:20:29,960 Speaker 1: really nine one three text in and the answer to 356 00:20:29,960 --> 00:20:33,080 Speaker 1: the question of the week. Billy Holiday, for sure, and yeah, absolutely. 357 00:20:33,160 --> 00:20:35,399 Speaker 1: I was reading again about Billy Holiday this week in 358 00:20:35,400 --> 00:20:38,399 Speaker 1: reference to the Patti Smith episode that I'm producing that 359 00:20:38,440 --> 00:20:43,879 Speaker 1: i'm researching, actually writing right now, and I was just 360 00:20:43,960 --> 00:20:47,920 Speaker 1: reading about the final moments of her life, and it's 361 00:20:48,119 --> 00:20:53,719 Speaker 1: it's so awful, it's so bad. It's just you're absolutely right. 362 00:20:53,800 --> 00:20:56,680 Speaker 1: Nine one three, nine to two zero writes in what's 363 00:20:56,680 --> 00:21:03,560 Speaker 1: some episode suggestions Ministry, New World Order, Queen's Reich Operation, 364 00:21:03,800 --> 00:21:07,159 Speaker 1: mind Crime, compare and contrast to the times they were 365 00:21:07,240 --> 00:21:12,600 Speaker 1: released compared to today prophetic af interesting. I thought New 366 00:21:12,640 --> 00:21:15,240 Speaker 1: World Order was pretty of the moment. I gotta say, 367 00:21:15,320 --> 00:21:16,960 Speaker 1: I felt like we were in the New World Order 368 00:21:17,000 --> 00:21:20,280 Speaker 1: when Ministry released that. But I dig the text. Thanks 369 00:21:20,359 --> 00:21:24,200 Speaker 1: nine too. Oh Hi, it's Alien Beanie and you read 370 00:21:24,240 --> 00:21:26,800 Speaker 1: my comment, Alien Beanie. I think what you mean is 371 00:21:26,840 --> 00:21:29,760 Speaker 1: I read your review, to which I say, thank you 372 00:21:30,040 --> 00:21:33,040 Speaker 1: for the review, Alien Beanie. I'm writing you back right now. 373 00:21:33,080 --> 00:21:40,760 Speaker 1: I'm texting me back. Hold on, all right, get back 374 00:21:40,800 --> 00:21:43,240 Speaker 1: to me. We'll hook you up with some merch. Alien Beanie. 375 00:21:43,280 --> 00:21:46,040 Speaker 1: Let the review for Disgraceland and I read it here apparently, 376 00:21:46,600 --> 00:21:51,000 Speaker 1: and I'm gonna send her him he she I'm not 377 00:21:51,200 --> 00:21:54,360 Speaker 1: exactly sure, just a little thank you, you know. Sometimes 378 00:21:54,359 --> 00:21:57,199 Speaker 1: the thank you's coming as a T shirt, sometimes they 379 00:21:57,200 --> 00:22:00,120 Speaker 1: come as a pin, sometimes they come as a signed book. 380 00:22:00,480 --> 00:22:00,639 Speaker 2: You know. 381 00:22:00,680 --> 00:22:02,280 Speaker 1: It depends on what I got going on that day. 382 00:22:03,160 --> 00:22:08,320 Speaker 1: So grizz Girl writes on Apple Podcasts, five stars makes 383 00:22:08,359 --> 00:22:11,520 Speaker 1: me cooler. This is the podcast I share with friends 384 00:22:11,560 --> 00:22:14,760 Speaker 1: more than any other. I get the secret backstories, the 385 00:22:14,840 --> 00:22:17,720 Speaker 1: why and the how. Even artists I never gave a 386 00:22:17,720 --> 00:22:20,119 Speaker 1: second thought to. Now I know a little more in 387 00:22:20,160 --> 00:22:22,480 Speaker 1: a fun and interesting way. Somehow, at the end of 388 00:22:22,480 --> 00:22:24,679 Speaker 1: the episode, I feel just a little cooler than I 389 00:22:24,680 --> 00:22:26,840 Speaker 1: did before. I love this, Griz Girl. I love it. 390 00:22:27,440 --> 00:22:31,119 Speaker 1: I love it. Thank you great review. I want us 391 00:22:31,119 --> 00:22:33,200 Speaker 1: all to feel a little cooler. God knows I could 392 00:22:33,200 --> 00:22:35,440 Speaker 1: be a little cooler. Not that I care about being cool, 393 00:22:35,480 --> 00:22:37,160 Speaker 1: because you know, if you care about being cool, how 394 00:22:37,200 --> 00:22:39,520 Speaker 1: cool are you really? And I know that's not exactly 395 00:22:39,560 --> 00:22:41,400 Speaker 1: what you're saying, grizz Girl. You're just saying you feel 396 00:22:41,400 --> 00:22:43,160 Speaker 1: a little cooler, And I get that. Sometimes I put 397 00:22:43,200 --> 00:22:46,160 Speaker 1: on a you know, a vintage Jake Crew T shirt 398 00:22:46,160 --> 00:22:48,040 Speaker 1: that I found on eBay and paid a stupid amount 399 00:22:48,040 --> 00:22:49,760 Speaker 1: of money for it, I feel a little cooler. I 400 00:22:49,800 --> 00:22:53,560 Speaker 1: can't help it. I'm concerned with worldly things. I'm not perfect, guys, 401 00:22:53,640 --> 00:22:57,960 Speaker 1: I'm trying it. Anyways, Get in touch, grizz girl, Get 402 00:22:57,960 --> 00:22:59,560 Speaker 1: in touch, and if any of you guys want to 403 00:22:59,600 --> 00:23:02,280 Speaker 1: leave a room for Disgrace on an Apple Podcasts or Spotify, 404 00:23:02,560 --> 00:23:05,480 Speaker 1: feel free. And if you hear your review read here, 405 00:23:06,080 --> 00:23:09,320 Speaker 1: you may win some free merch. All right, you guys 406 00:23:09,359 --> 00:23:11,000 Speaker 1: want to get in touch, you can also email me 407 00:23:11,080 --> 00:23:15,720 Speaker 1: Disgrace Sampod at gmail dot com. Ted writes us from 408 00:23:15,880 --> 00:23:17,920 Speaker 1: I don't know where, but Ted says, Hey, I discovered 409 00:23:17,920 --> 00:23:20,679 Speaker 1: your podcast about a year or so ago. I'm a 410 00:23:20,720 --> 00:23:23,240 Speaker 1: pretty faithful listener. I love music, and I want to 411 00:23:23,320 --> 00:23:26,000 Speaker 1: let you know that your subjects and stories are super cool. 412 00:23:26,080 --> 00:23:28,119 Speaker 1: I just came off of listening to all three of 413 00:23:28,119 --> 00:23:30,240 Speaker 1: your Grateful Dead episodes, and I spread the word to 414 00:23:30,280 --> 00:23:32,280 Speaker 1: a lot of my brothers and sisters about how great 415 00:23:32,280 --> 00:23:35,360 Speaker 1: you are. In these days a very shallow and vapid 416 00:23:35,400 --> 00:23:38,280 Speaker 1: podcasts that are based on week journalism, you stand out 417 00:23:38,280 --> 00:23:39,879 Speaker 1: by a mile. Keep up the good work, Ted, Thank 418 00:23:39,920 --> 00:23:41,680 Speaker 1: you so much. It's good to hear from the dead 419 00:23:41,680 --> 00:23:43,399 Speaker 1: heads here the Dead fans, because I get a lot 420 00:23:43,440 --> 00:23:45,480 Speaker 1: of shit from Grateful Dead fans. I'm not gonna lie, 421 00:23:45,560 --> 00:23:48,639 Speaker 1: and yeah, I really couldn't care. I don't care, you know, 422 00:23:48,680 --> 00:23:50,199 Speaker 1: give me all the shit, it doesn't matter. I have 423 00:23:50,280 --> 00:23:52,480 Speaker 1: my opinions there what they are. They just are what 424 00:23:52,520 --> 00:23:54,760 Speaker 1: they are. I'm not going to alter them. I love 425 00:23:54,800 --> 00:23:56,560 Speaker 1: the Grateful Dead. Maybe I don't love them as much 426 00:23:56,640 --> 00:23:59,920 Speaker 1: as some people, but I do love them. Okay, and Ted, 427 00:24:00,119 --> 00:24:02,159 Speaker 1: I like that. You know, whatever criticism I've had of 428 00:24:02,160 --> 00:24:03,840 Speaker 1: the Dead in the past, it did not rub you 429 00:24:03,920 --> 00:24:06,160 Speaker 1: and your dead head ways the wrong way. So thanks 430 00:24:06,200 --> 00:24:08,720 Speaker 1: for writing I appreciate it. Over on our Patreon and 431 00:24:08,800 --> 00:24:12,399 Speaker 1: get some new members. Joey Christensen Patty Drake wanted to 432 00:24:12,440 --> 00:24:15,960 Speaker 1: shout you guys out. Welcome to All Access. Welcome to 433 00:24:16,000 --> 00:24:18,960 Speaker 1: the disco community. I see you get in the chat, 434 00:24:19,000 --> 00:24:22,480 Speaker 1: say hello, introduce yourselves, take part in our oscars poll, 435 00:24:22,800 --> 00:24:26,119 Speaker 1: check out Helltown Mark's playlist, and if you're in Philly, 436 00:24:26,320 --> 00:24:29,399 Speaker 1: you know, maybe you can connect with Miranda Nicole and 437 00:24:29,560 --> 00:24:31,680 Speaker 1: go check out the meat Loaf musical. All right, these 438 00:24:31,680 --> 00:24:32,959 Speaker 1: are just some of the things that are going on 439 00:24:32,960 --> 00:24:35,840 Speaker 1: in Patreon. Sign up to become an All Access member. 440 00:24:36,359 --> 00:24:38,480 Speaker 1: Talk about feeling cool. You will feel cool and you 441 00:24:38,480 --> 00:24:41,639 Speaker 1: will feel smart. Okay, we got some smart listeners. And 442 00:24:41,680 --> 00:24:44,040 Speaker 1: I appreciate you guys, and I appreciate the support that 443 00:24:44,080 --> 00:24:46,240 Speaker 1: you give to this show, so thank you. I want 444 00:24:46,240 --> 00:24:49,439 Speaker 1: to read one DM. It's actually it's a public comment 445 00:24:49,520 --> 00:24:53,280 Speaker 1: here from Instagram. Hold on one second. This is from 446 00:24:53,320 --> 00:24:57,240 Speaker 1: my old friend Matt Pinn Pedal Steel Player to the Stars. 447 00:24:58,240 --> 00:25:00,760 Speaker 1: Matt plays with some pretty big artists like Biggest of 448 00:25:00,760 --> 00:25:05,720 Speaker 1: the Big and he writes on our bob we're Bohemian 449 00:25:05,760 --> 00:25:08,240 Speaker 1: Grove post. He writes, I recently was invited to the 450 00:25:08,280 --> 00:25:11,320 Speaker 1: Bohemian Dot dot dot and I can't tell, Matt if 451 00:25:11,320 --> 00:25:13,359 Speaker 1: you're fucking with me or not. I hope you're not. 452 00:25:13,440 --> 00:25:16,560 Speaker 1: I hope you're being serious. You certainly got the style 453 00:25:16,640 --> 00:25:18,800 Speaker 1: to pull off a visit to Bohemian Grove. I can 454 00:25:18,840 --> 00:25:22,680 Speaker 1: see you all snug up there and uh whatever, get 455 00:25:22,760 --> 00:25:26,399 Speaker 1: up you you got going your stylish individual and it 456 00:25:26,440 --> 00:25:30,320 Speaker 1: works for that kind of outdoor campfirey campfire re vibe 457 00:25:30,320 --> 00:25:32,280 Speaker 1: that the Bohemian Grove has going on, you know, in 458 00:25:32,320 --> 00:25:35,399 Speaker 1: between sacrificing children and all that stuff. Aways, Matt, I 459 00:25:35,400 --> 00:25:38,199 Speaker 1: hope you're not kidding. I hope you're being serious and 460 00:25:38,280 --> 00:25:40,560 Speaker 1: get in touch if you are, and I want to 461 00:25:40,600 --> 00:25:42,640 Speaker 1: know more. I want to know more about your your 462 00:25:42,720 --> 00:25:46,560 Speaker 1: quest to Bohemian Grove. All right, listen, I got to 463 00:25:46,600 --> 00:25:49,639 Speaker 1: take a quick break. It's quicker for those of you 464 00:25:49,680 --> 00:25:52,119 Speaker 1: who are All Access members. By the way. We just 465 00:25:52,160 --> 00:25:54,639 Speaker 1: play like a couple seconds of music. There's no ads, 466 00:25:54,720 --> 00:25:57,399 Speaker 1: no nothing, Just come right back in. Anyways, take a 467 00:25:57,440 --> 00:26:10,800 Speaker 1: quick break, back in the flat. All right. I'm back 468 00:26:11,400 --> 00:26:13,119 Speaker 1: recording this on a Wednesday. You're gonna hear it on 469 00:26:13,160 --> 00:26:16,280 Speaker 1: a Thursday. Get a lot going on today. Gonna watch 470 00:26:16,280 --> 00:26:19,840 Speaker 1: Big Lebowski tonight again. I saw Big Lebowski in the 471 00:26:19,840 --> 00:26:25,359 Speaker 1: theaters Seris Town Mall Lemonster Mass. Shout out to the 472 00:26:25,440 --> 00:26:28,040 Speaker 1: dude from who is the projector at the sears toown 473 00:26:28,080 --> 00:26:31,200 Speaker 1: mall who hit me up a couple weeks ago. I'm 474 00:26:31,200 --> 00:26:37,080 Speaker 1: watching Big Lebowski again tonight, willfully, joyously, because the Big 475 00:26:37,160 --> 00:26:41,959 Speaker 1: Lebowski is the next film that we are covering in 476 00:26:42,040 --> 00:26:46,240 Speaker 1: this film should be played loud. Are All Access exclusive 477 00:26:46,320 --> 00:26:49,320 Speaker 1: video podcast for Patreon members. Where's Zeth Lundy and I 478 00:26:49,440 --> 00:26:53,160 Speaker 1: Doctor Zeth Lundy, excuse me? Where we dissect and discuss 479 00:26:53,520 --> 00:26:58,040 Speaker 1: great musical soundtracks and scores from our favorite movies. So 480 00:26:58,240 --> 00:27:01,200 Speaker 1: pumped to do this Big Lebowski episode. Think of it. 481 00:27:01,320 --> 00:27:03,200 Speaker 1: Think of the great music, and I actually I actually 482 00:27:03,200 --> 00:27:05,480 Speaker 1: know the dude who's responsible for the music in The 483 00:27:05,480 --> 00:27:09,480 Speaker 1: Big Lebowski. So that's that's gonna make for some pretty 484 00:27:09,640 --> 00:27:13,439 Speaker 1: interesting conversation. But think of all the great music and 485 00:27:13,480 --> 00:27:17,440 Speaker 1: the central role music has, not just as as soundtrack, 486 00:27:17,480 --> 00:27:20,439 Speaker 1: but just I mean, Amy Mann's in this movie. Flee 487 00:27:20,520 --> 00:27:26,280 Speaker 1: is in this movie, Jeff Bridges, I can't. I'm just 488 00:27:26,320 --> 00:27:29,760 Speaker 1: thinking of the Creed and stuff. It's so good. Anyways, 489 00:27:29,760 --> 00:27:32,040 Speaker 1: I gotta watch that tonight because we are filming that 490 00:27:32,160 --> 00:27:37,359 Speaker 1: tomorrow and it'll be out next week next week, And 491 00:27:37,400 --> 00:27:39,120 Speaker 1: if you want to watch it, you can do so 492 00:27:39,280 --> 00:27:41,480 Speaker 1: on Patreon. Gonna be an all access member. You know 493 00:27:41,520 --> 00:27:44,520 Speaker 1: how to sign up disgrace sampod dot com and that'll 494 00:27:44,520 --> 00:27:46,400 Speaker 1: get you in and we hope to see you over 495 00:27:46,440 --> 00:27:49,760 Speaker 1: there all right. Last week I spoke to you guys 496 00:27:50,080 --> 00:27:54,320 Speaker 1: about my Love for Love Story, the John F. Kennedy 497 00:27:54,400 --> 00:27:58,919 Speaker 1: Junior Carolyn Beset series on Hulu produced by the great 498 00:27:59,240 --> 00:28:04,000 Speaker 1: Ryan Murphy, and you know, it just reminded me we 499 00:28:04,119 --> 00:28:08,000 Speaker 1: used to do recommendations all the time on this show 500 00:28:09,280 --> 00:28:12,879 Speaker 1: and it was great and I didn't have a reason 501 00:28:12,960 --> 00:28:16,320 Speaker 1: for stopping doing it. We talked about movies and films 502 00:28:16,359 --> 00:28:19,880 Speaker 1: and TV and records and books, lots of book talk 503 00:28:19,920 --> 00:28:23,000 Speaker 1: in the past. I think I stopped doing it because 504 00:28:24,160 --> 00:28:27,160 Speaker 1: I don't know, it just became like too much, too 505 00:28:27,240 --> 00:28:30,679 Speaker 1: much of the conversation. But that's dumb. You know. We're 506 00:28:30,680 --> 00:28:34,800 Speaker 1: always trying to make these episodes a specific length based 507 00:28:34,800 --> 00:28:36,879 Speaker 1: on a bunch of different things. I'm not going to 508 00:28:36,920 --> 00:28:39,920 Speaker 1: bore you with the details. Maybe that's why. Maybe I 509 00:28:39,960 --> 00:28:42,560 Speaker 1: was trying to be more efficient. I don't know, but 510 00:28:42,640 --> 00:28:45,120 Speaker 1: I love recommendations, and I know you guys do as well. 511 00:28:45,840 --> 00:28:48,520 Speaker 1: I love talking about stuff, even if it's cheesy stuff 512 00:28:48,560 --> 00:28:53,400 Speaker 1: you wouldn't expect, like this JFK story, which is believe me, 513 00:28:53,440 --> 00:28:56,000 Speaker 1: it's full on cheese, but it's great. I've posted about 514 00:28:56,040 --> 00:28:58,680 Speaker 1: it in the Patreon chat, and honestly, you guys are 515 00:28:58,720 --> 00:29:01,760 Speaker 1: like what, I don't know, very very little action on it. 516 00:29:02,400 --> 00:29:04,200 Speaker 1: I know I'm not the only one watching this damn 517 00:29:04,240 --> 00:29:08,480 Speaker 1: series anyhow. More Rex is what I'm saying. More Rex. 518 00:29:08,720 --> 00:29:11,160 Speaker 1: Right now, I'm in a hole. I'm caught up on 519 00:29:11,600 --> 00:29:14,920 Speaker 1: Love Story and it comes out once a week, which 520 00:29:14,960 --> 00:29:18,200 Speaker 1: I can't stand. I like the binge like most people. 521 00:29:18,320 --> 00:29:20,840 Speaker 1: So I'm just sitting all week waiting around for Friday 522 00:29:20,880 --> 00:29:24,160 Speaker 1: night for this thing to pop again, and I got nothing. 523 00:29:24,240 --> 00:29:26,440 Speaker 1: So send of your recommendations is what I'm saying. I 524 00:29:26,480 --> 00:29:30,320 Speaker 1: need some tv REX series, you know series. I think 525 00:29:30,360 --> 00:29:32,000 Speaker 1: I'm going to do The Killing? Have you guys watched 526 00:29:32,000 --> 00:29:34,800 Speaker 1: The Killing? It's an older kind of true crime show 527 00:29:35,200 --> 00:29:40,720 Speaker 1: twenty fifteen ish. I'm intrigued because Patty Smith loves the show. 528 00:29:40,840 --> 00:29:44,360 Speaker 1: Loved this show, was devastated when it was canceled. Patty 529 00:29:44,400 --> 00:29:48,640 Speaker 1: Smith had some excellent, excellent television tastes. She's a law 530 00:29:48,640 --> 00:29:53,760 Speaker 1: and order fan. Patti Smith is kind of She's kind 531 00:29:53,760 --> 00:29:56,000 Speaker 1: of the original true crime girl. That's what I've learned 532 00:29:56,000 --> 00:30:00,200 Speaker 1: from my research. Like if she if she were of 533 00:30:00,240 --> 00:30:03,760 Speaker 1: this generation, our generation, she would absolutely be like my 534 00:30:03,880 --> 00:30:07,320 Speaker 1: favorite murder listener. She probably isn't my favorite murder listener. 535 00:30:08,080 --> 00:30:10,760 Speaker 1: She's she's pretty open and she's pretty she's into some 536 00:30:10,800 --> 00:30:14,040 Speaker 1: stuff I don't know about podcasts, but television. It's pretty 537 00:30:14,040 --> 00:30:18,960 Speaker 1: incredible what her obsession with some of these true crime shows. 538 00:30:19,000 --> 00:30:23,960 Speaker 1: And I'm learning it stems back kind of similar to me. 539 00:30:24,080 --> 00:30:25,560 Speaker 1: And I'm sure a bunch of as it is with 540 00:30:25,600 --> 00:30:27,240 Speaker 1: a bunch of you guys as well. It stems back 541 00:30:27,320 --> 00:30:31,720 Speaker 1: to how to the true crime that she was exposed 542 00:30:31,800 --> 00:30:35,720 Speaker 1: to growing up versus a kid in New Jersey, in 543 00:30:35,760 --> 00:30:38,680 Speaker 1: her mom, what her mom was into her, her mom 544 00:30:38,760 --> 00:30:41,880 Speaker 1: was obsessed with with the Lindberg case when her mom 545 00:30:41,960 --> 00:30:43,560 Speaker 1: was young, and that that kind of took over the 546 00:30:43,680 --> 00:30:46,560 Speaker 1: radio airways for about ten weeks. It was, honestly, it 547 00:30:46,600 --> 00:30:48,680 Speaker 1: was like the first podcast ever before we even do 548 00:30:48,760 --> 00:30:51,680 Speaker 1: what podcasts were. But that kind of the myth of 549 00:30:51,720 --> 00:30:54,880 Speaker 1: that that true crime case lived large in Patty Smith's house, 550 00:30:54,920 --> 00:30:56,720 Speaker 1: you know. And then later, of course there's the whole 551 00:30:56,760 --> 00:30:59,280 Speaker 1: Manson thing that kind of you know, enraptured you know, 552 00:30:59,360 --> 00:31:02,120 Speaker 1: everybody nineteen sixty nine who is a fan of rock 553 00:31:02,160 --> 00:31:05,400 Speaker 1: and roll. And then of course her time in New 554 00:31:05,480 --> 00:31:07,600 Speaker 1: York with the son of Sam who I was talking 555 00:31:07,640 --> 00:31:10,200 Speaker 1: about earlier, and all of this I believe kind of 556 00:31:10,280 --> 00:31:15,520 Speaker 1: led to her surviving actually unlike a lot of her contemporaries, 557 00:31:16,320 --> 00:31:20,280 Speaker 1: and to her taste now in this kind of true 558 00:31:20,320 --> 00:31:25,440 Speaker 1: crimey television series stuff. It's pretty interesting. Anyways, that's all 559 00:31:25,440 --> 00:31:27,960 Speaker 1: gonna be mixed up in my Patti Smith story, which 560 00:31:28,000 --> 00:31:29,200 Speaker 1: I'll have for you in a couple of weeks, and 561 00:31:29,240 --> 00:31:35,680 Speaker 1: I cannot wait for you to hear anyways recommendations. Maybe 562 00:31:35,680 --> 00:31:39,000 Speaker 1: what we'll start doing is maybe, you know, Zeth and 563 00:31:39,040 --> 00:31:40,680 Speaker 1: I were doing them in the wrap party, maybe we'll 564 00:31:40,680 --> 00:31:43,560 Speaker 1: start doing them more over there and some here. Why 565 00:31:43,560 --> 00:31:46,360 Speaker 1: not both? Why not give the people what they want? Right? 566 00:31:46,760 --> 00:31:48,480 Speaker 1: You know what I want? I want a football team 567 00:31:48,480 --> 00:31:50,880 Speaker 1: next year that doesn't suck now, and beyond that, I 568 00:31:50,920 --> 00:31:52,479 Speaker 1: want a football team next year that's going to win 569 00:31:52,480 --> 00:31:55,400 Speaker 1: the Super Bowl. So now it's time for the Sports 570 00:31:55,480 --> 00:31:58,280 Speaker 1: Rand sponsored by Five Hour Energy and their Fruity Rainbow 571 00:31:58,280 --> 00:32:00,680 Speaker 1: flavored Treat your taste buds to an ex explosion of 572 00:32:00,680 --> 00:32:03,360 Speaker 1: fruity candy flavor with a tasty caffeine kick. Get candy 573 00:32:03,360 --> 00:32:07,160 Speaker 1: flavored Chaos with Fruity Rainbow five Hour Energy shots online 574 00:32:07,320 --> 00:32:10,840 Speaker 1: at www dot five hour Energy dot com or Amazon. 575 00:32:10,880 --> 00:32:13,080 Speaker 1: All right, guys, listen. We were in the dead zone 576 00:32:13,160 --> 00:32:15,600 Speaker 1: last week, the sports dead zone, you know, reduced to 577 00:32:15,800 --> 00:32:18,880 Speaker 1: watching Slapshot for the seventeenth time and Rocky and whatever 578 00:32:18,960 --> 00:32:23,000 Speaker 1: other sports movie is your flavor. We're no longer there 579 00:32:23,040 --> 00:32:26,080 Speaker 1: because it's NFL Free agency and I was expecting something 580 00:32:26,080 --> 00:32:27,640 Speaker 1: big to happen, and maybe it will by the time 581 00:32:27,680 --> 00:32:30,280 Speaker 1: you listen to this. I was expecting the Patriots, the Patriots, 582 00:32:30,280 --> 00:32:33,960 Speaker 1: honestly to sign Peers from the Colts, big splashy free 583 00:32:33,960 --> 00:32:36,760 Speaker 1: agent signing wide receiver. Bring them in, let's do it. 584 00:32:37,800 --> 00:32:41,840 Speaker 1: I was convinced, but they didn't, not yet anyways, Well 585 00:32:41,840 --> 00:32:44,120 Speaker 1: not with Pierce. He re signed with the Colts, and 586 00:32:44,120 --> 00:32:45,880 Speaker 1: now they might have to trade for aj Brown. Theyre 587 00:32:45,880 --> 00:32:47,640 Speaker 1: going to have to give up draft picks. And I 588 00:32:47,640 --> 00:32:50,400 Speaker 1: don't like that. I don't like it at all. Why 589 00:32:50,520 --> 00:32:53,120 Speaker 1: you're the Patriots? Why acting like the Red Sox. Spend 590 00:32:53,160 --> 00:32:57,640 Speaker 1: the money. Spend it. You like the third biggest franchise 591 00:32:58,000 --> 00:33:00,680 Speaker 1: sports franchise in the world, fourth whatever it is. It's 592 00:33:00,680 --> 00:33:04,960 Speaker 1: like Yankees, Cowboys, man you and then the Patriots. What's up? 593 00:33:05,240 --> 00:33:08,680 Speaker 1: You got the bread? Spend it? Make us proud? Drake 594 00:33:08,760 --> 00:33:12,360 Speaker 1: May is not winning the Super Bowl with some low 595 00:33:12,400 --> 00:33:15,680 Speaker 1: rent Stephan Diggs replacement. Why why'd you let gold Digs too? Cardib? 596 00:33:15,960 --> 00:33:18,640 Speaker 1: Was that why you don't like Cardib? Come on, she's entertaining. 597 00:33:18,640 --> 00:33:21,880 Speaker 1: What's up? I think Cardib? Let go of Stefan diggsough Anyways, 598 00:33:21,880 --> 00:33:25,200 Speaker 1: I am digressing, But that's what these rants are all about, 599 00:33:25,280 --> 00:33:27,160 Speaker 1: you know, you just kind of they just they just 600 00:33:27,200 --> 00:33:29,719 Speaker 1: take you somewhere. Anyways, that was a sports rant sponsored 601 00:33:29,760 --> 00:33:32,800 Speaker 1: by Five Hour Energies Fruity Rainbow Flavor. Treat yourself to 602 00:33:32,840 --> 00:33:36,480 Speaker 1: a candy like flavor explosion and satisfy your sweet tooth 603 00:33:36,520 --> 00:33:38,960 Speaker 1: with this zero sugar treat once again. You can get 604 00:33:39,000 --> 00:33:43,200 Speaker 1: in on the candy flavored chaos online at www dot 605 00:33:43,240 --> 00:33:46,920 Speaker 1: five hour Energy dot com or Amazon today. All right, 606 00:33:47,000 --> 00:33:49,760 Speaker 1: all Access members, we're about to get into our exclusive 607 00:33:50,160 --> 00:33:52,840 Speaker 1: portion of the after party right here. Wanted to update 608 00:33:52,880 --> 00:33:55,200 Speaker 1: the All Access members. We've been doing these mini episodes 609 00:33:55,240 --> 00:33:58,320 Speaker 1: for the past few months. It's part of our offering. 610 00:33:58,560 --> 00:34:03,280 Speaker 1: They're ten minute stories that are driven out of the 611 00:34:03,320 --> 00:34:07,760 Speaker 1: subject matter from that week's full episode. So, for example, 612 00:34:08,360 --> 00:34:11,200 Speaker 1: we've got Chrissy Hein coming up next week, and the 613 00:34:12,040 --> 00:34:16,680 Speaker 1: mini episode is about how Chrissy Hein was directly responsible 614 00:34:16,680 --> 00:34:19,200 Speaker 1: for launching the career of the Violent Fems. It's a 615 00:34:19,239 --> 00:34:22,800 Speaker 1: great story. The story, however, just it didn't fit into 616 00:34:22,840 --> 00:34:25,640 Speaker 1: the story that we were telling, so we figured we'd 617 00:34:25,719 --> 00:34:28,560 Speaker 1: find a way to do it in a separate piece 618 00:34:28,600 --> 00:34:32,160 Speaker 1: of content. But here's the thing. Rather than give you 619 00:34:32,239 --> 00:34:35,600 Speaker 1: an extra bit on the menu, we're just going to 620 00:34:35,640 --> 00:34:38,800 Speaker 1: increase the portion size, so to speak, from here on out, 621 00:34:39,160 --> 00:34:41,440 Speaker 1: we're doing away with the mini episodes, and we're going 622 00:34:41,480 --> 00:34:44,920 Speaker 1: to start to give you slightly longer full episodes, probably 623 00:34:44,920 --> 00:34:47,719 Speaker 1: about forty minutes. Some are already forty minutes are some 624 00:34:47,840 --> 00:34:51,319 Speaker 1: go much longer, but typically they're usually around thirty minutes long. 625 00:34:51,800 --> 00:34:54,680 Speaker 1: And we just figured, hey, why are we limiting ourselves 626 00:34:54,680 --> 00:34:57,520 Speaker 1: to our storytelling. Let's just give them the whole story. 627 00:34:57,880 --> 00:34:59,360 Speaker 1: Find a way to make it work in the narrative. 628 00:34:59,480 --> 00:35:02,440 Speaker 1: We're not here. This tremendous roar of approval from you 629 00:35:02,520 --> 00:35:06,080 Speaker 1: guys on the mini episodes seems like the all access 630 00:35:06,160 --> 00:35:09,560 Speaker 1: offering that you guys are most stoked on. You know, 631 00:35:09,600 --> 00:35:12,720 Speaker 1: it's the extra content, but that's the after party extra content, 632 00:35:12,880 --> 00:35:16,080 Speaker 1: or it's the this film should be played loud content, 633 00:35:16,320 --> 00:35:19,040 Speaker 1: or it's the ad free listening. Those are the two things, 634 00:35:19,040 --> 00:35:22,359 Speaker 1: plus the community piece of the Patreon chat. Those are 635 00:35:22,360 --> 00:35:24,760 Speaker 1: the things that we know matter to you guys most. 636 00:35:25,160 --> 00:35:28,560 Speaker 1: This thing just just feels like a little, you know, 637 00:35:28,600 --> 00:35:31,560 Speaker 1: a little hanging extra thing there that we're having to do, 638 00:35:31,600 --> 00:35:34,239 Speaker 1: and nobody's really vibing on it. It's hard to find 639 00:35:34,239 --> 00:35:36,160 Speaker 1: how it all fits together. So Like I said, we're 640 00:35:36,200 --> 00:35:38,080 Speaker 1: just doing away with those ten minute mini episodes and 641 00:35:38,080 --> 00:35:40,360 Speaker 1: we're gonna be giving you a little bit more content 642 00:35:40,480 --> 00:35:42,880 Speaker 1: in the full episode, so you know in the end 643 00:35:42,920 --> 00:35:44,880 Speaker 1: you're making out with the same amount of content. That's 644 00:35:44,880 --> 00:35:46,680 Speaker 1: where we're at with the mini episode. Hope you guys 645 00:35:46,800 --> 00:35:49,000 Speaker 1: are cool with this. Hope you understand. If you're not 646 00:35:49,480 --> 00:35:50,920 Speaker 1: get at me, we'll find a way to make it 647 00:35:51,000 --> 00:35:55,200 Speaker 1: up to you otherwise. All Access members, here's me and 648 00:35:55,360 --> 00:36:00,120 Speaker 1: Zeth talking about Sting and how he's his music is 649 00:36:00,160 --> 00:36:04,640 Speaker 1: going to set us free from all all that just 650 00:36:05,320 --> 00:36:09,400 Speaker 1: globally has suppressed us and kept us down, and Sting's 651 00:36:09,480 --> 00:36:11,319 Speaker 1: music is really gonna, you know, despite the fact that 652 00:36:11,320 --> 00:36:13,279 Speaker 1: he's taking money from war criminals that doesn't don't pay 653 00:36:13,280 --> 00:36:15,520 Speaker 1: attention to that, don't beat His music shall set us free. 654 00:36:15,520 --> 00:36:16,840 Speaker 1: We're gonna talk about that and so much more. A 655 00:36:16,840 --> 00:36:18,879 Speaker 1: bunch of other artists, a bunch of other criminal gigs 656 00:36:18,920 --> 00:36:20,960 Speaker 1: they played for millions and millions of dollars for war 657 00:36:20,960 --> 00:36:23,040 Speaker 1: criminals coming up in the All Access portion of this 658 00:36:23,120 --> 00:36:41,120 Speaker 1: after party right now. All right, guys, listen. As always, 659 00:36:41,200 --> 00:36:44,080 Speaker 1: we mentioned a bunch of artists that we've covered in 660 00:36:44,120 --> 00:36:46,400 Speaker 1: this episode. Today a ton. I can't go into all 661 00:36:46,440 --> 00:36:48,960 Speaker 1: of them, but off the top of my head, Hank Williams, 662 00:36:49,080 --> 00:36:52,360 Speaker 1: Talking Heads, Black Sabbath, and Matt's going to have the 663 00:36:52,760 --> 00:36:55,520 Speaker 1: episode information in the show notes section so that you 664 00:36:55,560 --> 00:37:00,800 Speaker 1: can find those stories in our massive archive if you so. Okay, 665 00:37:00,880 --> 00:37:02,600 Speaker 1: let's recap and let's get out of here. This week 666 00:37:02,640 --> 00:37:05,279 Speaker 1: we got our new episode on Towns Van's and we 667 00:37:05,320 --> 00:37:10,000 Speaker 1: are rewinding this week over to Pari and Serge Gainsburg. 668 00:37:10,360 --> 00:37:13,799 Speaker 1: Next week our new episode on Chrissy Him from the Pretenders. 669 00:37:14,040 --> 00:37:16,799 Speaker 1: As always, Ze's giving any of those Hollywood and true 670 00:37:16,800 --> 00:37:19,319 Speaker 1: crime vibes in the Hollywood Land episode, so make sure 671 00:37:19,360 --> 00:37:22,400 Speaker 1: you are subscribed over there. He's also got his weekly 672 00:37:22,440 --> 00:37:25,959 Speaker 1: wrap party and his screening room number five. This film 673 00:37:26,000 --> 00:37:29,080 Speaker 1: should be played loud. Our video podcast, our new episode 674 00:37:29,160 --> 00:37:31,120 Speaker 1: on Boogie Nights is available for you right now. We 675 00:37:31,160 --> 00:37:33,320 Speaker 1: get a new one we're cooking up on the Big Lebowski. 676 00:37:33,360 --> 00:37:34,799 Speaker 1: You're not gonna want to miss out on that. Got 677 00:37:34,880 --> 00:37:36,759 Speaker 1: to be a Patreon member to cop that content though. 678 00:37:36,840 --> 00:37:39,120 Speaker 1: Number six six one seven, nine oh six six sixty 679 00:37:39,160 --> 00:37:41,400 Speaker 1: three eight. Your voice keeps us digging into the dark 680 00:37:41,440 --> 00:37:44,080 Speaker 1: corners of music history, so keep calling, keep texting with 681 00:37:44,120 --> 00:37:46,040 Speaker 1: your answers to this week's question of the week, or 682 00:37:46,040 --> 00:37:49,239 Speaker 1: with whatever else you want to talk about. Number seven, 683 00:37:49,360 --> 00:37:52,239 Speaker 1: do not forget discos. This is not just content. It's 684 00:37:52,280 --> 00:37:56,040 Speaker 1: a community, a community of the obsessed, and no one 685 00:37:56,080 --> 00:37:59,080 Speaker 1: cares about music, books, records, and the crime and grime. 686 00:37:59,400 --> 00:38:01,520 Speaker 1: It ties them all together, like you do. And well 687 00:38:01,560 --> 00:38:05,600 Speaker 1: that's a disgrace, all right. On January first, New Year's Day, 688 00:38:05,800 --> 00:38:10,080 Speaker 1: nineteen ninety seven, Towns van Zamp passed away. And this 689 00:38:10,560 --> 00:38:13,600 Speaker 1: is what America was listening to on that day, according 690 00:38:13,840 --> 00:38:18,719 Speaker 1: to the Billboard Charts. Number one on Break My Heart 691 00:38:19,040 --> 00:38:24,560 Speaker 1: Tony Braxton last week one peak position one weeks on 692 00:38:24,680 --> 00:38:28,839 Speaker 1: Chart twelve. Number two, I Believe, I ca in Fly 693 00:38:29,200 --> 00:38:33,400 Speaker 1: your Space, jam Or Kelly, last week peak position position 694 00:38:33,440 --> 00:38:37,680 Speaker 1: to Houston weeks on chart five. Number three, Don't Let 695 00:38:37,760 --> 00:38:41,959 Speaker 1: Go weeks of Love Blacks Vote last series, last peak 696 00:38:41,960 --> 00:38:46,120 Speaker 1: position for weeks on Chart Doctor two weeks on number four, 697 00:38:46,680 --> 00:38:51,720 Speaker 1: Nobody Number Keith Swells featuring Athena Cage last week number five, 698 00:38:52,120 --> 00:38:57,680 Speaker 1: peak positions three weeks on chart number five. I Believe 699 00:38:58,400 --> 00:39:11,960 Speaker 1: from the Preachers work, Start quit talking, and start mixing.