WEBVTT - Taking Risks and Traveling the World, with Tom Freston!

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio.

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<v Speaker 2>Hey there are podcast listeners.

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<v Speaker 1>I'm Monga's starticular ak Mango, and Will is off today.

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<v Speaker 2>But I've gotten an incredible treat for you. If you've

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<v Speaker 2>listened to the show, you know how much I loved

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<v Speaker 2>Nickelodeon as a kid. My friends and I in third

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<v Speaker 2>grade used to practice for Doubledare every day in the summer,

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<v Speaker 2>just waiting for the execs to call spoiler alert. They

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<v Speaker 2>never did, but I love the way Nickelodeon felt like

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<v Speaker 2>it was talking to me and really providing this channel

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<v Speaker 2>for me.

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<v Speaker 1>And then years later it was the same with MTV

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<v Speaker 1>and then Comedy Central, and weirdly enough, these channels were

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<v Speaker 1>something that I thought a lot about when Will and

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<v Speaker 1>I founded Mental Flaws years and years ago. Anyway, the

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<v Speaker 1>reason I am telling you any of this is that

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<v Speaker 1>for today's show, I am interviewing the wonderful Tom Freston,

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<v Speaker 1>one of the co founders of a scrappy little TV

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<v Speaker 1>channel called MTV, which grew into a massive, massive bohemo.

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<v Speaker 1>From MTV, he became president of MTV Networks, guiding Nickelodeon

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<v Speaker 1>VH one, Comedy Central, TV Land and all these other

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<v Speaker 1>channels through incredible eras of creativity. He is such a

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<v Speaker 1>hero to me. Then he became CEO Viacom. But the

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<v Speaker 1>truth is, none of this is the most interesting stuff

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<v Speaker 1>about him. After college, he hitchhiked across northern Africa. He

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<v Speaker 1>spent years in India running a clothing company. He even

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<v Speaker 1>helped launch a media network in Afghanistan. He is a

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<v Speaker 1>world traveler, a philanthropist, and best of all, he is

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<v Speaker 1>an incredible, incredible storyteller. So I was really excited when

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<v Speaker 1>he agreed to sit down with me and talk about

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<v Speaker 1>his new book. It's called Unplugged Adventures from MTV to Timbucktoo.

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<v Speaker 1>It is so good, such a wonderful read, and we're

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<v Speaker 1>going to talk about it here. Let's dive in.

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<v Speaker 3>So I'm here with Tom Preston, author of Unplugged Adventures

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<v Speaker 3>from MTV to Timbuck two. It's out now. It is

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<v Speaker 3>an extraordinary book. I've got to say, this book reminded

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<v Speaker 3>me of two books I really love. One is The

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<v Speaker 3>Man Who Time Forgot and another one called Barbarian Days.

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<v Speaker 3>And Barbarian Days is about like surfing and chasing this

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<v Speaker 3>high of travel in a way. And the Man who

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<v Speaker 3>Time Forgot is about britt Hadden, who was the co

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<v Speaker 3>founder of Time magazine, and the way that they were

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<v Speaker 3>just so creative and inventive in the way they started

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<v Speaker 3>that magazine and so like, there's something about both of

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<v Speaker 3>those that really was inspiring to me. But first I

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<v Speaker 3>want to start with just who this book is made

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<v Speaker 3>out to. It's made out to your brother and your sons.

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<v Speaker 3>Can you tell me about why you dedicated to them?

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<v Speaker 4>Well, I love my sons, that's obvious and it would

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<v Speaker 4>be true for any father. And my dear brother who

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<v Speaker 4>was my only sibling. He was a couple of years

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<v Speaker 4>younger than me. He helped me out a lot in life,

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<v Speaker 4>and he had a tragic death this last winter in

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<v Speaker 4>the Caribbean. He fell down a flight of stairs. I mean,

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<v Speaker 4>you never know when it hits you, and kind of

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<v Speaker 4>went into a coma and never came out.

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<v Speaker 3>And what do you want your sons to know from

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<v Speaker 3>this book about your life?

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<v Speaker 4>That their life is full of possibility, that they don't

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<v Speaker 4>have to be trapped into one thing. They can change

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<v Speaker 4>lines and find things that are maybe suited for them.

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<v Speaker 4>This is a time of great change in the employment area,

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<v Speaker 4>and a lot of businesses that have sort of lost

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<v Speaker 4>their luster, new ones that are emerging, and they should

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<v Speaker 4>not be afraid to start different chapters in their lives.

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<v Speaker 3>I love that, you know. I love openings of books.

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<v Speaker 3>And the opening to your book starts with the chainsaw,

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<v Speaker 3>which is just such an incredible image. Can you can

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<v Speaker 3>you talk a little bit about why you started your

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<v Speaker 3>book there?

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<v Speaker 4>Well, I started my book because the opening scene is

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<v Speaker 4>me getting fired after you know, twenty six years at

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<v Speaker 4>this company, the company that started MTV and evolved into

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<v Speaker 4>something so much bigger, to several incarnations, and the chainsaw

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<v Speaker 4>was sent to me years earlier. This is sometime in

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<v Speaker 4>the nineties by the heavy metal band Anthrax. You know,

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<v Speaker 4>they were heavy metal band. They'd all autographed it, and

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<v Speaker 4>I used to get a lot of you know, gold

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<v Speaker 4>records since that jacket, stuff like that. But this was

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<v Speaker 4>a useful gift. And I was clearing out my office

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<v Speaker 4>after I got fired. I got fired in Los Angeles.

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<v Speaker 4>I came back to New York and I only wanted

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<v Speaker 4>to take a few things that were sentimental. But I

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<v Speaker 4>thought besides the sentimental photos and whatnot, you know, I

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<v Speaker 4>could use that chain, so I didn't have one, and

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<v Speaker 4>it'd be a useful gift, So I put it in

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<v Speaker 4>a banker's box with a few other things that was

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<v Speaker 4>a small one, and made my way down the elevator

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<v Speaker 4>to a lobby to exit.

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<v Speaker 3>You talk about the exit from Viacom and you merge

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<v Speaker 3>there and they're just a sea of people waiting to

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<v Speaker 3>say goodbye to you, and love for you is palpable.

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<v Speaker 3>And it's funny because one of the producers on this

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<v Speaker 3>show worked at Comedy Central after you'd left, and she says,

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<v Speaker 3>like people still talk fondly about the Tom Freston era,

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<v Speaker 3>which is so sweet and also just a testament to

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<v Speaker 3>like all the fun and excitement and things you brought there.

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<v Speaker 4>Well, we had a really unique culture, and I always

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<v Speaker 4>put the idea of us having a creative culture and

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<v Speaker 4>innovative culture really in the forefront. Is as how I

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<v Speaker 4>wanted this company to be, to edgy, to be you know,

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<v Speaker 4>casual and non hierarchical and risk taking and a place

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<v Speaker 4>at treasured creativity. And in my exit, as CNBC said,

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<v Speaker 4>there was like a thousand people in the lobby cheering

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<v Speaker 4>me on, cheering me out, give me a Heroes exit.

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<v Speaker 4>I had thought I could just sneak out, you know,

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<v Speaker 4>I have a bit of the imposter syndrome and a

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<v Speaker 4>mask had been ripped off now and I was depressed,

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<v Speaker 4>no doubt about it. But this gave me a great

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<v Speaker 4>lift off that still stays with me. I remember getting down,

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<v Speaker 4>getting through the lobby was all in slow motion. Down

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<v Speaker 4>the escalator into Times Square. I too my stuff into

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<v Speaker 4>a taxi got in rolled by the Broadway theaters, and

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<v Speaker 4>I said, you know, that was a good way to go.

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<v Speaker 3>It's such an incredible career and obviously not where it stopped,

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<v Speaker 3>because there are so many amazing things that go on

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<v Speaker 3>after that. But take me back to the beginning of

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<v Speaker 3>your first interactions with TV and what meant to have

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<v Speaker 3>a TV in the household initially.

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<v Speaker 4>Well, I kind of grew up in a Leave It

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<v Speaker 4>to Beaver Way, if people out there remember what that

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<v Speaker 4>was about. That was sort of an all American post

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<v Speaker 4>war family, two brothers, a mother, and a husband, stay

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<v Speaker 4>at home mom. I grew up in the fifties. I

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<v Speaker 4>was an early baby boomer, and you know, television came

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<v Speaker 4>out black and white. We had one TV and we

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<v Speaker 4>would sit around and watch the shows of the day,

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<v Speaker 4>and you know, I mean one of the great moments

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<v Speaker 4>was in nineteen fifty six sitting around my family and

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<v Speaker 4>seeing Elvis Presley on the Ed Sullivan Show. I think

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<v Speaker 4>there was like sixty million people watching. It was like

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<v Speaker 4>like the Beatles on The Ed Sullivan Show years later,

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<v Speaker 4>but it was like a hurricane passed through the room,

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<v Speaker 4>and my mother and father were disgusted. My brother and

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<v Speaker 4>I were elated, and we kind of knew. I was

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<v Speaker 4>in sixth grade, we kind of knew that we were

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<v Speaker 4>going to grow up in a different world, with our

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<v Speaker 4>own music, with our own clothes, with our own style,

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<v Speaker 4>and we were sort of part of a new generation

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<v Speaker 4>that was really setting sale from the prior one, the

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<v Speaker 4>generation they would call the Great American Generation, the people

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<v Speaker 4>who fought in World War two and so forth. So

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<v Speaker 4>television was always there, and I followed a lot of

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<v Speaker 4>the shows, but I was in truth more interested in

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<v Speaker 4>the music of the era and spent a lot more

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<v Speaker 4>time listening to the early rock and roll radio stations.

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<v Speaker 3>You know, one of the things that I've heard a

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<v Speaker 3>lot about the early MTV days is that most of

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<v Speaker 3>the people were hired were people who hated television. Did

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<v Speaker 3>you fall into that category?

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<v Speaker 4>Well, when I got my job interview, they said, you know,

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<v Speaker 4>we're looking for people with absolutely no experience in television,

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<v Speaker 4>which is an unlikely line at a television company. But

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<v Speaker 4>it was the early stays of the cable programming era

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<v Speaker 4>and we were sort of the tip of the speer

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<v Speaker 4>out there with CNN, ESPN and cable was really just beginning.

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<v Speaker 4>It was mostly in rural areas, but they couldn't afford

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<v Speaker 4>to hire people who worked at the broadcast networks. There

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<v Speaker 4>was really only three or four places to work in

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<v Speaker 4>those days if you include PBS, and they didn't want

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<v Speaker 4>anyone bringing along any kind of expensive production habits, so

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<v Speaker 4>we had to sort of start from scratch, an event

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<v Speaker 4>from zero, And in retrospect, it was a brilliant move

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<v Speaker 4>to hire school teachers and people from radio stations and

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<v Speaker 4>record companies and me I came out of eight years

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<v Speaker 4>of living in Afghanistan and India, so it was a

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<v Speaker 4>great mixing pot of eccentrics and people who wouldn't normally

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<v Speaker 4>work in any kind of normal company. And we were

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<v Speaker 4>all on crusade either to you know, take Nickelodeon or

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<v Speaker 4>MTV across the nation and infuse it with our own

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<v Speaker 4>spirit and make it a very obvious counterpoint to the

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<v Speaker 4>traditional program that was being done on the networks. We

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<v Speaker 4>were the early narrow casters, as we were known, just

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<v Speaker 4>programming one thing to one audience as opposed to general

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<v Speaker 4>interest stuff like ABC, NBC and CBS.

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<v Speaker 3>It's funny, there's like an old Garfield comic where they're

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<v Speaker 3>joking about narrowcasting and talking about like a food network,

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<v Speaker 3>and it's just a picture of lasagna, and I'm like

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<v Speaker 3>a picture of like a refrigerator or whatever, and not

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<v Speaker 3>really realizing that like a food network could be a

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<v Speaker 3>massive thing, or a music network could have a tremendous

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<v Speaker 3>influence on the world.

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<v Speaker 4>Yeah, we used to joke there could be a time network,

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<v Speaker 4>there could be all kinds of useless networks. But I

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<v Speaker 4>remember a man from the music industry, Bob Krasnow, came

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<v Speaker 4>to me once. He says, I got the greatest idea

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<v Speaker 4>in the world for you. This was nineteen eighty nine.

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<v Speaker 4>I was then the CEO of MTV Networks, which ruled

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<v Speaker 4>over you know, Comedy Central and pH one and MTV

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<v Speaker 4>and Nick and I got the greatest idea in the

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<v Speaker 4>world for you. Says, food is going to be the

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<v Speaker 4>new rock and roll. Chefs are going to be the

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<v Speaker 4>new rock stars. I thought he was crazy. I was

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<v Speaker 4>too trapped in my own thing and didn't have the

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<v Speaker 4>vision to think that this could possibly be true. But

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<v Speaker 4>sure enough, everything he said came out to be true.

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<v Speaker 4>And I missed the boat on that one.

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<v Speaker 3>Well, you mentioned that before where MTV you had been

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<v Speaker 3>traveling abroad. You've been in Afghanistan. Tell me about you

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<v Speaker 3>as a child. Were you adventurous? What were your thoughts

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<v Speaker 3>about the world beyond Connecticut where you were growing up.

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<v Speaker 4>You know, we never went anywhere. My father fought in

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<v Speaker 4>World War Two and when he came back, he was

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<v Speaker 4>in the Pacific Theater. He didn't want to go anywhere,

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<v Speaker 4>and we only took one trip and that was like

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<v Speaker 4>sixty miles from our house to a mystic Connecticut where

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<v Speaker 4>they had some smelly old whaling ships. That was a

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<v Speaker 4>day trip. That was our only trip. So I was

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<v Speaker 4>sort of trapped there listening to radio from New York

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<v Speaker 4>City and gradually buying some record albums. And I was

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<v Speaker 4>a young boy. I was a stamp collector, and I

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<v Speaker 4>was always fascinated by exotic stamps, from you know, Africa

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<v Speaker 4>and Southeast Asia. I'd have stamps from Zanzibar and all

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<v Speaker 4>these faraway places. And you know, that, mixed in with

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<v Speaker 4>some shows of television about the French Foreign Legion in

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<v Speaker 4>Algeria and so forth, really captured my interest. But I

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<v Speaker 4>had only been in two states, New York and Connecticut

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<v Speaker 4>when I left to go to college on a bus.

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<v Speaker 3>And how is it that you end up working in

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<v Speaker 3>bars and various vacation towns during and after college.

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<v Speaker 4>Well, I went to graduate school primarily to get out

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<v Speaker 4>of the draft. I went to business school, which turned

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<v Speaker 4>out to be a blessing in disguise. And when that

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<v Speaker 4>was done, I realized I'd been eighteen years in school.

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<v Speaker 4>I could use a break. And I had been sort

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<v Speaker 4>of entranced by the literature of the Beats, which was

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<v Speaker 4>all about you know, experience is a key thing in life,

0:12:35.480 --> 0:12:40.359
<v Speaker 4>not so much money, travel around. It's the world's greatest classroom,

0:12:40.800 --> 0:12:44.000
<v Speaker 4>build up a body of experiences. So that was one thing.

0:12:44.040 --> 0:12:46.800
<v Speaker 4>And then at the time, this was the late sixties

0:12:46.880 --> 0:12:51.080
<v Speaker 4>early seventies, freedom was in the air. Every other song

0:12:51.120 --> 0:12:53.760
<v Speaker 4>had something about hitting the road or leaving the road.

0:12:53.840 --> 0:12:57.040
<v Speaker 4>Joni Mitchell had a big album out called Blue, which

0:12:57.080 --> 0:12:59.520
<v Speaker 4>I loved and played incessantly. It was all about her

0:12:59.559 --> 0:13:02.960
<v Speaker 4>internet adventures, and my appetite was sort of wet and

0:13:03.000 --> 0:13:06.479
<v Speaker 4>ready to go. But I spent a year after school

0:13:07.080 --> 0:13:11.040
<v Speaker 4>tending bar in various resort towns Aspen, Saint Thomas, and

0:13:11.080 --> 0:13:14.360
<v Speaker 4>the Virgin Islands Martha's Vineyard that was known as sort

0:13:14.360 --> 0:13:17.800
<v Speaker 4>of life on the circuit. This was before mass tourism,

0:13:17.920 --> 0:13:20.040
<v Speaker 4>so I really was lucky in the sense that I

0:13:20.080 --> 0:13:22.480
<v Speaker 4>had a window to be in the Caribbean before the

0:13:22.480 --> 0:13:26.480
<v Speaker 4>big cruise ships and the resorts that you never leave.

0:13:26.840 --> 0:13:29.720
<v Speaker 4>Martha's in her Nassen were nowhere near the lux vacation

0:13:29.880 --> 0:13:34.040
<v Speaker 4>towns for billionaires. They were mostly filled with hippies and outlaws.

0:13:34.640 --> 0:13:37.080
<v Speaker 3>Yes, hippies and outlaws, But you also ran into some

0:13:37.160 --> 0:13:39.080
<v Speaker 3>incredible company when you were in some of these places,

0:13:39.160 --> 0:13:43.600
<v Speaker 3>right like James Taylor shows off and some incredible musicians Sale.

0:13:43.400 --> 0:13:45.319
<v Speaker 4>Or Well, he was the big on Martha's Vinyard. He

0:13:45.360 --> 0:13:47.199
<v Speaker 4>had just sort of come out with his Sweet Baby

0:13:47.280 --> 0:13:49.360
<v Speaker 4>James album, and you know, it was sort of the

0:13:49.440 --> 0:13:51.920
<v Speaker 4>beginning of the year of the singer songwriters. And his

0:13:52.360 --> 0:13:54.280
<v Speaker 4>brother Alex, who I grew to New he had a

0:13:54.320 --> 0:13:57.200
<v Speaker 4>record store in town and they had speakers outside and

0:13:57.640 --> 0:14:00.679
<v Speaker 4>they would play incessantly James's two records all the time.

0:14:01.280 --> 0:14:04.000
<v Speaker 4>But I met James, I met Tom Rush, who was

0:14:04.000 --> 0:14:07.160
<v Speaker 4>a folk singer, and some other people, and that would

0:14:07.200 --> 0:14:09.200
<v Speaker 4>be something that that would be bumping into people for

0:14:09.240 --> 0:14:11.360
<v Speaker 4>the rest of my life. Out of the music business.

0:14:11.480 --> 0:14:15.720
<v Speaker 4>Twenty six years at this company, the company that started MTV,

0:14:15.840 --> 0:14:18.360
<v Speaker 4>and we're evolved into something so much bigger.

0:14:18.720 --> 0:14:19.960
<v Speaker 2>We've got to take a quick pause.

0:14:20.000 --> 0:14:25.720
<v Speaker 1>But back with Tom Freston right after this break.

0:14:37.640 --> 0:14:42.040
<v Speaker 3>You know, on one hand you mentioned this like imposter syndrome,

0:14:42.520 --> 0:14:45.080
<v Speaker 3>and on the other hand you've talked about how your

0:14:45.160 --> 0:14:47.880
<v Speaker 3>dad is like really charismatic in this book and can

0:14:47.920 --> 0:14:52.120
<v Speaker 3>talk to anyone. Did you have a problem approaching celebrities

0:14:52.120 --> 0:14:54.040
<v Speaker 3>and things like that or did you grow into a

0:14:54.080 --> 0:14:55.800
<v Speaker 3>comfort with that. How did that emerge?

0:14:56.320 --> 0:14:59.000
<v Speaker 4>You know, I was never a starstruck. I find it

0:14:59.080 --> 0:15:01.040
<v Speaker 4>kind of natural to talk to him, because, you know,

0:15:01.080 --> 0:15:02.920
<v Speaker 4>if you were able to get beyond the managers and

0:15:02.960 --> 0:15:05.360
<v Speaker 4>the record companies and talk directly to artists, you'd find

0:15:05.360 --> 0:15:08.280
<v Speaker 4>out they didn't have this huge aura around them. They

0:15:08.320 --> 0:15:10.360
<v Speaker 4>were approachable and they liked to talk you'd talk to

0:15:10.440 --> 0:15:12.400
<v Speaker 4>David Bowie, He'd want to know what books you were reading.

0:15:12.440 --> 0:15:14.680
<v Speaker 4>They'd be interested in you as much as you be

0:15:14.720 --> 0:15:17.840
<v Speaker 4>interested in them, so you could really speak to them

0:15:18.000 --> 0:15:20.240
<v Speaker 4>as if they were normal people, even though they might

0:15:20.240 --> 0:15:22.600
<v Speaker 4>have been traveling in many cases with a big entourage

0:15:22.600 --> 0:15:25.720
<v Speaker 4>around them. But I would say, of the everybody I met,

0:15:25.760 --> 0:15:28.960
<v Speaker 4>and over the years, I think I met every pop star,

0:15:29.080 --> 0:15:33.560
<v Speaker 4>movie star, president, magazine editor and so forth, it was

0:15:33.640 --> 0:15:37.640
<v Speaker 4>really the Beatles and David Bowie who were hitting shoulders

0:15:37.680 --> 0:15:40.920
<v Speaker 4>above all else and sort of the musical pantheon. But

0:15:41.000 --> 0:15:43.960
<v Speaker 4>even them, even those two, I got to know a

0:15:43.960 --> 0:15:44.560
<v Speaker 4>bit over.

0:15:44.440 --> 0:15:48.720
<v Speaker 3>Time, which just feels astounding the fact that you end

0:15:48.800 --> 0:15:53.440
<v Speaker 3>up later in Asana with David Bowie and Paul McCartney

0:15:53.480 --> 0:15:55.640
<v Speaker 3>and I want to talk about that, but before we

0:15:55.720 --> 0:16:00.680
<v Speaker 3>get to that, I am so fascinated with My twin

0:16:00.760 --> 0:16:04.480
<v Speaker 3>interests are like media and travel. Right Like, I was

0:16:04.520 --> 0:16:08.080
<v Speaker 3>an anthropology major, and one of the things I love

0:16:08.280 --> 0:16:10.920
<v Speaker 3>is just your ability to pick up and go to

0:16:11.000 --> 0:16:14.760
<v Speaker 3>Morocco and start traveling from there, and what drove you

0:16:14.840 --> 0:16:16.440
<v Speaker 3>to just leave everything and do that.

0:16:17.040 --> 0:16:19.200
<v Speaker 4>Well, after I spent a year on the road on

0:16:19.240 --> 0:16:21.480
<v Speaker 4>the circuit. If you will you know, tending bar and

0:16:21.560 --> 0:16:24.120
<v Speaker 4>resort towns. I got a job in a big New

0:16:24.200 --> 0:16:27.320
<v Speaker 4>York ad agency and I got on the fast track.

0:16:27.400 --> 0:16:30.280
<v Speaker 4>My first account was Gi Joe. This is an anti

0:16:30.400 --> 0:16:32.040
<v Speaker 4>war period, so we had to give him sort of

0:16:32.040 --> 0:16:35.240
<v Speaker 4>an honorary discharge and make him an action man. And

0:16:35.280 --> 0:16:37.120
<v Speaker 4>then I had a variety of other accounts that were

0:16:37.160 --> 0:16:40.160
<v Speaker 4>Procter and Gamble accounts. That was a big piece of

0:16:40.200 --> 0:16:42.720
<v Speaker 4>business for the agency. And I was going to be

0:16:42.760 --> 0:16:46.680
<v Speaker 4>assigned to charman toilet Paper, who had a big campaign

0:16:46.720 --> 0:16:48.720
<v Speaker 4>at a time called Don't Squeeze, a charman with this

0:16:48.840 --> 0:16:52.880
<v Speaker 4>character named mister Whipple, who research would show by nineteen

0:16:52.960 --> 0:16:56.080
<v Speaker 4>seventy three he was like the third most known and

0:16:56.120 --> 0:17:00.360
<v Speaker 4>admired man in America, which seemed incredulous. But I couldn't

0:17:00.400 --> 0:17:03.400
<v Speaker 4>really face the idea of selling toilet paper. And an

0:17:03.400 --> 0:17:06.040
<v Speaker 4>old girlfriend who was in Paris called me up and said,

0:17:06.080 --> 0:17:09.720
<v Speaker 4>you know you can't do that, Tom. Why don't you

0:17:09.800 --> 0:17:11.359
<v Speaker 4>quit your job and come with me. I'm going to

0:17:11.400 --> 0:17:15.560
<v Speaker 4>go across the Sahara Desert, which sounded really appealing to me,

0:17:15.800 --> 0:17:19.680
<v Speaker 4>as like impetus I needed. I had five thousand dollars saved,

0:17:20.320 --> 0:17:22.520
<v Speaker 4>so I was on a plane like a week later.

0:17:22.840 --> 0:17:25.000
<v Speaker 4>That sort of set in place. One of the major

0:17:25.040 --> 0:17:28.240
<v Speaker 4>decisions of my life kind of really freed me and

0:17:28.280 --> 0:17:32.000
<v Speaker 4>I was able to go out into the greater world

0:17:32.040 --> 0:17:35.600
<v Speaker 4>and learn a lot, build up my confidence, and learn

0:17:35.640 --> 0:17:37.359
<v Speaker 4>things that would ultimately help me a lot in my

0:17:37.480 --> 0:17:38.160
<v Speaker 4>business life.

0:17:39.040 --> 0:17:41.919
<v Speaker 3>You know, It's funny. Before I went into magazines and

0:17:41.920 --> 0:17:44.240
<v Speaker 3>my friends and I started a magazine, I had worked

0:17:44.240 --> 0:17:47.960
<v Speaker 3>in advertising in India for a summer and I spent

0:17:48.040 --> 0:17:53.439
<v Speaker 3>the whole summer making a washing machine ads and like,

0:17:53.600 --> 0:17:55.560
<v Speaker 3>it was so creative and so fun and the people

0:17:55.760 --> 0:17:59.199
<v Speaker 3>around me were just like brilliant creatives. And on the

0:17:59.200 --> 0:18:02.439
<v Speaker 3>other hand, to spend your whole life making people feel

0:18:02.480 --> 0:18:05.200
<v Speaker 3>like one washing machine was better than other washing machine

0:18:05.200 --> 0:18:07.359
<v Speaker 3>when they were the same washing machine was just like

0:18:08.000 --> 0:18:11.159
<v Speaker 3>hard to imagine. But it feels like you found a

0:18:11.160 --> 0:18:14.360
<v Speaker 3>way to align your business and passions. Starting with being

0:18:14.359 --> 0:18:15.120
<v Speaker 3>in Afghanistan.

0:18:15.600 --> 0:18:19.639
<v Speaker 4>Yeah, in my travels, I ended up in Afghanistan and India.

0:18:19.800 --> 0:18:21.920
<v Speaker 4>India was sort of the holy Grail in those days

0:18:21.920 --> 0:18:25.400
<v Speaker 4>in terms of traveling. And I had met this girl

0:18:25.400 --> 0:18:28.400
<v Speaker 4>in Greece who had lived in Nepole and she used

0:18:28.400 --> 0:18:31.479
<v Speaker 4>to make clothes in India and Afghanistan and put them

0:18:31.480 --> 0:18:34.080
<v Speaker 4>in trunks and take them overland and sell them like

0:18:34.160 --> 0:18:37.240
<v Speaker 4>in beach hotspots in Greece and Italy in the summertime.

0:18:37.359 --> 0:18:41.919
<v Speaker 4>She had her own little vertically integrated enterprise. So I

0:18:42.000 --> 0:18:44.359
<v Speaker 4>fell in love with Afghanistan from the first day I

0:18:44.440 --> 0:18:48.320
<v Speaker 4>got there. It seemed like people think Afghanistan's a place

0:18:48.359 --> 0:18:50.520
<v Speaker 4>at constant war, but this was a tail end of

0:18:51.119 --> 0:18:54.160
<v Speaker 4>fifty years of what they called the Golden Age. There

0:18:54.200 --> 0:18:58.840
<v Speaker 4>was no war. Afghanistan was steadily moving into trying to

0:18:58.880 --> 0:19:02.959
<v Speaker 4>embrace a form of marginity, and the people were welcoming.

0:19:03.119 --> 0:19:05.480
<v Speaker 4>And the few tourists would see a poster there that

0:19:05.520 --> 0:19:08.720
<v Speaker 4>said visit Afghanistan and see the world's friendliest people. If

0:19:08.760 --> 0:19:11.199
<v Speaker 4>you went, then that's what you would think. But there

0:19:11.200 --> 0:19:14.720
<v Speaker 4>were no cars. You were totally there was no advertising.

0:19:15.160 --> 0:19:18.760
<v Speaker 4>You were totally removed from modern life, which was sort

0:19:18.800 --> 0:19:23.640
<v Speaker 4>of intoxicating for me. And there was just a grand

0:19:24.480 --> 0:19:29.639
<v Speaker 4>you know, vistas and beautiful geography, and I developed a

0:19:29.720 --> 0:19:32.919
<v Speaker 4>fascination with the people. That really led to like a

0:19:32.960 --> 0:19:35.639
<v Speaker 4>five decade love affair for me. And I went on

0:19:35.720 --> 0:19:38.479
<v Speaker 4>to India, which was like the crushing India of the

0:19:38.520 --> 0:19:42.520
<v Speaker 4>seventies that was their most turbulent decade. Sixty percent of

0:19:42.560 --> 0:19:46.520
<v Speaker 4>the population was below the poverty line, and it was crowded,

0:19:46.720 --> 0:19:50.359
<v Speaker 4>and I was fascinated, though I was just skimming the service,

0:19:50.400 --> 0:19:52.600
<v Speaker 4>but I thought, maybe there's something for me here. How

0:19:52.600 --> 0:19:55.800
<v Speaker 4>could I start a business doing what that woman had done,

0:19:55.840 --> 0:19:58.800
<v Speaker 4>scale it up and get a house in New Delhi

0:19:59.400 --> 0:20:03.400
<v Speaker 4>and begin to live in a totally farign place and

0:20:03.960 --> 0:20:06.800
<v Speaker 4>making design clothes and sell them to better stores in

0:20:06.840 --> 0:20:10.080
<v Speaker 4>the US and elsewhere. And what was a dream became

0:20:10.119 --> 0:20:14.320
<v Speaker 4>a really solid, multimillion dollar business. It grew faster than

0:20:14.359 --> 0:20:18.720
<v Speaker 4>I ever had imagined. I had to hire staff, open showrooms, warehouses,

0:20:19.320 --> 0:20:23.119
<v Speaker 4>and it ultimately consumed me. But in the end, having

0:20:23.160 --> 0:20:25.600
<v Speaker 4>made a lot of money, I lost it. All bad

0:20:25.640 --> 0:20:29.960
<v Speaker 4>things happened. We had the Russians invade Afghanistan, and then

0:20:30.119 --> 0:20:34.119
<v Speaker 4>Jimmy Carter he put an embargo and huge tariffs on

0:20:34.160 --> 0:20:36.520
<v Speaker 4>any clothing from India, much as like we see today

0:20:36.520 --> 0:20:41.040
<v Speaker 4>with Trump, and my business went under. I came back

0:20:41.040 --> 0:20:43.560
<v Speaker 4>to New York after eight years of that, with my

0:20:43.600 --> 0:20:46.320
<v Speaker 4>tail between my legs, looking for a new career in

0:20:46.359 --> 0:20:48.119
<v Speaker 4>a new leson life in a new lane.

0:20:48.840 --> 0:20:51.560
<v Speaker 3>But what you accomplished was insane the way that you

0:20:51.680 --> 0:20:56.200
<v Speaker 3>got these clothes into boutiques and larger stores. But did

0:20:56.240 --> 0:20:58.880
<v Speaker 3>you imagine yourself living the rest of your life out

0:20:58.960 --> 0:21:02.399
<v Speaker 3>in Asia at that time or had you thought always

0:21:02.400 --> 0:21:03.800
<v Speaker 3>that you'd come back to the States.

0:21:04.800 --> 0:21:07.720
<v Speaker 4>No, I thought i'd stay. I mean, listen, I was young,

0:21:08.480 --> 0:21:11.720
<v Speaker 4>I have anything to lose, and I felt so alive there.

0:21:12.080 --> 0:21:14.359
<v Speaker 4>Life is so vivid, and it was so different from

0:21:14.800 --> 0:21:19.040
<v Speaker 4>the conformist Connecticut that I had grown up in. And

0:21:19.280 --> 0:21:21.560
<v Speaker 4>I had a circle of friends. I had developed a lot,

0:21:21.600 --> 0:21:23.800
<v Speaker 4>and there was a circle of foreigners around that were

0:21:23.880 --> 0:21:26.600
<v Speaker 4>kind of like minded. I developed a wide circle of

0:21:26.600 --> 0:21:30.320
<v Speaker 4>friends in Afghanistan and India who were local. I said, man,

0:21:30.320 --> 0:21:32.800
<v Speaker 4>this is the life for me. You know, I'm with

0:21:33.040 --> 0:21:36.680
<v Speaker 4>kindred spirits. I'm seeing new places. I wanted to learn

0:21:36.720 --> 0:21:39.000
<v Speaker 4>as much as I can about those countries, travel as

0:21:39.040 --> 0:21:42.800
<v Speaker 4>far within them as possible, and go on to Southeast Asia.

0:21:42.880 --> 0:21:45.760
<v Speaker 4>And yeah, I thought this was it. I had stumbled

0:21:45.800 --> 0:21:48.359
<v Speaker 4>into something that, you know, met all my needs. But

0:21:48.440 --> 0:21:49.080
<v Speaker 4>it was not to be.

0:21:50.600 --> 0:21:53.240
<v Speaker 3>So tell me about your interview with MTV.

0:21:53.960 --> 0:21:57.359
<v Speaker 4>Well, when I got back, I I knew I had

0:21:57.359 --> 0:21:59.760
<v Speaker 4>to start a new line of work, and I had

0:22:00.560 --> 0:22:02.399
<v Speaker 4>bought the only self help book I ever bought in

0:22:02.400 --> 0:22:04.639
<v Speaker 4>my life, What Color is Your Parachute, the premise of

0:22:04.680 --> 0:22:08.439
<v Speaker 4>which was, you have transferable skills. You can do different

0:22:08.480 --> 0:22:11.800
<v Speaker 4>things in your life. You can have different career paths,

0:22:12.000 --> 0:22:14.800
<v Speaker 4>and you can transfer those skills, and you should align

0:22:14.880 --> 0:22:17.919
<v Speaker 4>your skills again with something that you love. And they

0:22:17.960 --> 0:22:20.600
<v Speaker 4>had a whole little analysis to help you figure out

0:22:20.600 --> 0:22:23.320
<v Speaker 4>what that could possibly be. I had loved being in

0:22:23.400 --> 0:22:26.840
<v Speaker 4>Asia and being there, but then this analysis show them

0:22:26.880 --> 0:22:28.800
<v Speaker 4>my other love that I had some knowledge of was

0:22:28.920 --> 0:22:31.160
<v Speaker 4>rock and roll. How do I get in on that?

0:22:31.280 --> 0:22:33.880
<v Speaker 4>So I began looking for jobs in the music industry,

0:22:34.359 --> 0:22:37.720
<v Speaker 4>which was, you know, at a difficult but interesting time

0:22:37.760 --> 0:22:41.480
<v Speaker 4>in its evolution. My brother lined me up with an

0:22:41.480 --> 0:22:43.760
<v Speaker 4>interview at a company that was going to start a

0:22:43.800 --> 0:22:48.120
<v Speaker 4>series of specialized networks. It was called want Aramic Satellite

0:22:48.280 --> 0:22:52.600
<v Speaker 4>Entertainment Company. They started the Movie Channel, they started Nickelodeon,

0:22:52.640 --> 0:22:55.639
<v Speaker 4>they had plans to start a thing called a music channel.

0:22:56.160 --> 0:22:58.240
<v Speaker 4>And my brother got me an interview there and they

0:22:58.280 --> 0:23:01.320
<v Speaker 4>told me we're looking for people with no experience in television.

0:23:02.040 --> 0:23:04.159
<v Speaker 4>So I kind of said, they didn't even have television

0:23:04.160 --> 0:23:06.639
<v Speaker 4>where I'd come from. And I got hired as the

0:23:06.640 --> 0:23:11.000
<v Speaker 4>head of marketing. I mean it was amazing, amazing confluence

0:23:11.000 --> 0:23:12.680
<v Speaker 4>of time because if it had been a month later

0:23:12.800 --> 0:23:16.280
<v Speaker 4>or a month before, these jobs wouldn't have been available. So,

0:23:16.640 --> 0:23:18.680
<v Speaker 4>you know, serendipity kind of put me in the right

0:23:18.720 --> 0:23:21.600
<v Speaker 4>place at the right time, and all those skills. As

0:23:21.640 --> 0:23:23.879
<v Speaker 4>I said earlier, that I had developed sort of my

0:23:24.040 --> 0:23:26.480
<v Speaker 4>heart scrabble close to the ground life in Asia, where

0:23:26.520 --> 0:23:29.560
<v Speaker 4>I worked really hard would helped me out immensely in

0:23:29.600 --> 0:23:32.840
<v Speaker 4>my career and where I ultimately was, you know, the

0:23:32.880 --> 0:23:36.600
<v Speaker 4>CEO of a creative enterprise full of eccentric people.

0:23:37.440 --> 0:23:39.919
<v Speaker 3>What was it about taking on the MTV job that

0:23:40.119 --> 0:23:43.119
<v Speaker 3>might have felt intimidating and then what felt easy because

0:23:43.160 --> 0:23:43.960
<v Speaker 3>you'd done it before.

0:23:44.760 --> 0:23:47.640
<v Speaker 4>Well, I had a lot to learn about the media business,

0:23:47.640 --> 0:23:49.399
<v Speaker 4>but I did a lot of research. I was always

0:23:49.400 --> 0:23:53.320
<v Speaker 4>a good researcher. I would dig up Wall Street Analyst reports.

0:23:53.320 --> 0:23:55.760
<v Speaker 4>People would send me about where this where the cable

0:23:55.800 --> 0:23:59.560
<v Speaker 4>television programming world was going. I knew the music, I

0:23:59.640 --> 0:24:03.439
<v Speaker 4>knew in tuitively. I had to figure out how we

0:24:03.480 --> 0:24:05.719
<v Speaker 4>would promote this thing so people would want it. But

0:24:06.119 --> 0:24:08.760
<v Speaker 4>that almost became a fatacom plea because when I would

0:24:08.760 --> 0:24:10.920
<v Speaker 4>go out to the early markets. The few markets where

0:24:10.920 --> 0:24:14.880
<v Speaker 4>we existed, people had seen MTV on television. It had

0:24:14.920 --> 0:24:16.240
<v Speaker 4>kind of they woke up one day and it was

0:24:16.280 --> 0:24:18.919
<v Speaker 4>on their cable system. They didn't have to sign up

0:24:18.960 --> 0:24:22.000
<v Speaker 4>for it. It was in the basic package, and it

0:24:22.080 --> 0:24:26.439
<v Speaker 4>was so groundbreaking and innovative. It's hard to imagine today

0:24:26.520 --> 0:24:29.440
<v Speaker 4>that MTV was like that. This wasn't like a flying

0:24:29.520 --> 0:24:32.719
<v Speaker 4>car or something, but it was something radically different on

0:24:32.760 --> 0:24:36.919
<v Speaker 4>television that had a whole new visual style. It was music.

0:24:36.960 --> 0:24:39.800
<v Speaker 4>If you liked music, you know, you couldn't tear yourself

0:24:39.840 --> 0:24:42.840
<v Speaker 4>away from looking at music videos, which were really a

0:24:42.840 --> 0:24:45.400
<v Speaker 4>whole new program form. At that point in time. Most

0:24:45.400 --> 0:24:49.560
<v Speaker 4>people had had no exposure to music videos before the

0:24:49.640 --> 0:24:50.600
<v Speaker 4>advent of MTV.

0:24:51.160 --> 0:24:53.920
<v Speaker 3>I grew up an era where Nickelodeon had really found

0:24:53.960 --> 0:24:57.080
<v Speaker 3>us footing and loved that and then graduated to MTV,

0:24:57.280 --> 0:25:00.239
<v Speaker 3>and obviously it affected me a lot in terms of

0:25:00.359 --> 0:25:03.280
<v Speaker 3>just like feeling like it was built for me. Both

0:25:03.320 --> 0:25:05.320
<v Speaker 3>those things, both those brands really taught me a lot,

0:25:05.359 --> 0:25:08.560
<v Speaker 3>I felt like as just a consumer. But then watching

0:25:08.600 --> 0:25:11.200
<v Speaker 3>the way India was affected by MTV and the way

0:25:11.200 --> 0:25:13.959
<v Speaker 3>that it sort of over the course of a summer

0:25:14.200 --> 0:25:16.719
<v Speaker 3>changed how people dressed, how they thought about the world.

0:25:17.200 --> 0:25:18.879
<v Speaker 3>It just showed me the power of the medium and

0:25:19.080 --> 0:25:22.480
<v Speaker 3>just an extraordinary way that I'd never thought about before.

0:25:23.440 --> 0:25:26.600
<v Speaker 4>Well, you know, with VH one and then later Comedy Central,

0:25:26.640 --> 0:25:29.879
<v Speaker 4>we kind of built a business that was all about kids,

0:25:29.960 --> 0:25:32.520
<v Speaker 4>teens and young adults, and we had a sizeable sort

0:25:32.560 --> 0:25:35.320
<v Speaker 4>of research cohort. We would try and get into the

0:25:35.359 --> 0:25:38.600
<v Speaker 4>minds of these people and find out what could we

0:25:38.720 --> 0:25:41.359
<v Speaker 4>do that these people would find interesting, What could we

0:25:41.359 --> 0:25:43.280
<v Speaker 4>do to be a step ahead of them, And really,

0:25:43.600 --> 0:25:45.639
<v Speaker 4>if we could make that connection with the audience and

0:25:45.640 --> 0:25:48.000
<v Speaker 4>build up loyalty in an era that was going to

0:25:48.240 --> 0:25:51.880
<v Speaker 4>have more and more choices and be more and more competitive,

0:25:52.320 --> 0:25:55.800
<v Speaker 4>if we could solidify that relationship and continue to refresh it,

0:25:55.960 --> 0:25:58.639
<v Speaker 4>you know, everything else we needed in our business would

0:25:58.880 --> 0:26:01.240
<v Speaker 4>kind of fall into place. So we really kept our

0:26:01.280 --> 0:26:03.919
<v Speaker 4>finger on the pulse and we had a lot of

0:26:03.960 --> 0:26:06.520
<v Speaker 4>creative people doing that. And when we went to India,

0:26:06.560 --> 0:26:09.120
<v Speaker 4>which was a thrill for me to be back back

0:26:09.160 --> 0:26:12.320
<v Speaker 4>on the street hawking something new in India, which was

0:26:12.560 --> 0:26:14.600
<v Speaker 4>just coming out of an era where they had like

0:26:14.680 --> 0:26:19.000
<v Speaker 4>one TV channel called Dordischan and now satellite and cable

0:26:19.200 --> 0:26:22.320
<v Speaker 4>were taking over India, making it for a long time

0:26:22.359 --> 0:26:25.639
<v Speaker 4>the most vibrant television market in the world. It was

0:26:26.440 --> 0:26:30.480
<v Speaker 4>a thrill to hire young creative Indians who could put

0:26:30.480 --> 0:26:32.919
<v Speaker 4>together their own version of what they thought an Indian

0:26:34.080 --> 0:26:37.880
<v Speaker 4>MTV could look like. And yes, that and other channels

0:26:37.920 --> 0:26:41.240
<v Speaker 4>really had a huge cultural impact on the country. Someone

0:26:41.280 --> 0:26:45.400
<v Speaker 4>did a research study once saying that soap operas produced

0:26:45.800 --> 0:26:49.560
<v Speaker 4>in what was then Bombay, in sort of middle class neighborhoods,

0:26:49.800 --> 0:26:52.880
<v Speaker 4>when they were bound by satellite into Indian villages, which

0:26:52.920 --> 0:26:55.800
<v Speaker 4>was where like seventy percent of the population lived, had

0:26:55.840 --> 0:26:59.800
<v Speaker 4>a huge impact on women in terms of their desire

0:26:59.840 --> 0:27:03.480
<v Speaker 4>to see their daughter educated, their desire to kind of shrink,

0:27:03.560 --> 0:27:08.960
<v Speaker 4>their desired family size, aspirational things about what to wear

0:27:09.040 --> 0:27:12.640
<v Speaker 4>and dress. And they said that like in one month

0:27:12.680 --> 0:27:14.840
<v Speaker 4>you could get what normally would have been six months

0:27:14.840 --> 0:27:17.080
<v Speaker 4>worth of social progress. So it was interesting and I

0:27:17.160 --> 0:27:19.280
<v Speaker 4>believe that I saw that with my own eyes. Television

0:27:19.400 --> 0:27:21.680
<v Speaker 4>is a great cultural influencer.

0:27:22.040 --> 0:27:24.000
<v Speaker 1>We've got to take a quick pause, but back with

0:27:24.080 --> 0:27:41.159
<v Speaker 1>Tom Freston right after this break.

0:27:42.440 --> 0:27:44.000
<v Speaker 3>One of the things that's so fun about this is

0:27:44.000 --> 0:27:47.919
<v Speaker 3>that the book is full of adventures and not just

0:27:48.040 --> 0:27:51.520
<v Speaker 3>the travel adventures, but also the ones at MTV. And

0:27:51.560 --> 0:27:55.520
<v Speaker 3>you talk about chasing down David Bowie to do a campaign.

0:27:55.920 --> 0:27:57.000
<v Speaker 3>Will you tell that story here?

0:27:57.600 --> 0:27:59.680
<v Speaker 4>Sure? Well, I wanted this book to be I didn't

0:27:59.680 --> 0:28:01.320
<v Speaker 4>want it to be a business book because there's so

0:28:01.359 --> 0:28:03.639
<v Speaker 4>many of those. I thought, well, if I could. The

0:28:03.680 --> 0:28:05.560
<v Speaker 4>pandemic is when I wrote it, so I had time

0:28:05.600 --> 0:28:06.959
<v Speaker 4>on my hands that if I can make this more

0:28:07.000 --> 0:28:08.960
<v Speaker 4>of an adventure story, it'd be interesting to me. And

0:28:09.040 --> 0:28:11.760
<v Speaker 4>let's pick out ten to fifteen of my favorite adventures,

0:28:11.800 --> 0:28:16.080
<v Speaker 4>if you will. One involved how we kind of saved

0:28:16.080 --> 0:28:19.280
<v Speaker 4>the network from the dustbin. We had got into like

0:28:19.359 --> 0:28:23.040
<v Speaker 4>two million homes. But we found out that the cable operators,

0:28:23.080 --> 0:28:27.080
<v Speaker 4>this is in the early eighties, who had geographic monopolies everywhere,

0:28:27.480 --> 0:28:30.359
<v Speaker 4>they didn't want to add MTV out to their cable

0:28:30.400 --> 0:28:33.600
<v Speaker 4>systems because they didn't believe one people would want to

0:28:33.600 --> 0:28:36.119
<v Speaker 4>watch music on television. Two they want to pay us

0:28:36.160 --> 0:28:38.000
<v Speaker 4>ten cents a month because that would cut into their

0:28:38.040 --> 0:28:40.880
<v Speaker 4>profit margins. And three they didn't like the kind of

0:28:40.960 --> 0:28:43.360
<v Speaker 4>music we were playing anyway. They were more like Elvis

0:28:43.400 --> 0:28:48.280
<v Speaker 4>Presley fans. So we deduced that in places where we

0:28:48.280 --> 0:28:50.840
<v Speaker 4>were the fans were very avid and Rabbit. If we

0:28:50.880 --> 0:28:55.960
<v Speaker 4>could know harness them to demand that they cable companies

0:28:55.960 --> 0:28:59.520
<v Speaker 4>they had would add MTV to their systems, it would

0:28:59.560 --> 0:29:01.520
<v Speaker 4>conceive it would be the only thing that could save

0:29:01.640 --> 0:29:04.200
<v Speaker 4>us from going out of business because we would use

0:29:04.240 --> 0:29:07.360
<v Speaker 4>the customers to basically demand it, and then we would

0:29:07.720 --> 0:29:09.920
<v Speaker 4>roll out across the country, which we did. So we

0:29:10.040 --> 0:29:12.720
<v Speaker 4>ripped off an old campaign called I Want My MAPO,

0:29:13.560 --> 0:29:19.680
<v Speaker 4>which Vermont kind of quasi oatmeal manufacturer had used to

0:29:19.840 --> 0:29:23.280
<v Speaker 4>reach the young baby boomers to torment their parents so

0:29:23.320 --> 0:29:26.720
<v Speaker 4>they would buy this cereal instead of corn flakes or

0:29:26.720 --> 0:29:30.760
<v Speaker 4>something which worked. So we figured if we did that,

0:29:31.040 --> 0:29:34.000
<v Speaker 4>it would help if we were legitimized by having the

0:29:34.080 --> 0:29:37.360
<v Speaker 4>characters and the ads be rock stars. So we got

0:29:37.440 --> 0:29:41.760
<v Speaker 4>Nick Jagger, we got Pete Townsend of The Who, David Bowie,

0:29:41.840 --> 0:29:44.200
<v Speaker 4>Hall and Oates the Billy Idle. I mad go down

0:29:44.200 --> 0:29:46.720
<v Speaker 4>a list because I was involved in making those advertisements

0:29:46.720 --> 0:29:50.360
<v Speaker 4>for a couple of years. In three years, we basically

0:29:50.880 --> 0:29:53.360
<v Speaker 4>wrapped up the whole country market by market. But in

0:29:53.400 --> 0:29:57.080
<v Speaker 4>the case of David Bowie, which I was assigned to do,

0:29:57.240 --> 0:30:00.680
<v Speaker 4>is like, well you get him to do this, and

0:30:00.720 --> 0:30:03.040
<v Speaker 4>we had found out that it was easier to reach

0:30:03.120 --> 0:30:05.440
<v Speaker 4>the artist. I called his manager and she said, well,

0:30:05.440 --> 0:30:08.400
<v Speaker 4>he's skiing in Stott, Switzerland. He'll do it if you

0:30:08.440 --> 0:30:10.920
<v Speaker 4>want to go over there. It won't take long. So

0:30:10.960 --> 0:30:13.480
<v Speaker 4>he said, yeah, I got a crew. We jumped on

0:30:13.520 --> 0:30:15.719
<v Speaker 4>a plane. We flew to Geneva, we got on a

0:30:16.080 --> 0:30:18.600
<v Speaker 4>train to Stot. We went out to this little hillside

0:30:18.640 --> 0:30:21.720
<v Speaker 4>outside the main ski area and met David and he

0:30:21.880 --> 0:30:25.480
<v Speaker 4>was looking trim and in a good mood and blonde hair,

0:30:25.520 --> 0:30:28.040
<v Speaker 4>and he was in his Let's Dance era and he

0:30:28.080 --> 0:30:29.720
<v Speaker 4>wanted to ski down. He knew what he wanted to do.

0:30:29.800 --> 0:30:31.680
<v Speaker 4>Ski down and then swish at the bottom and say

0:30:31.680 --> 0:30:34.920
<v Speaker 4>I want my MTV. We did a few takes. We

0:30:34.960 --> 0:30:37.280
<v Speaker 4>said we'll take that back and post production will put

0:30:37.280 --> 0:30:39.840
<v Speaker 4>the logo in there. And he wanted the logo to

0:30:39.880 --> 0:30:43.640
<v Speaker 4>be on skis. So when it was finished he said,

0:30:44.120 --> 0:30:47.080
<v Speaker 4>anybody want to go skiing or hang out? And you know,

0:30:47.160 --> 0:30:48.800
<v Speaker 4>I had nothing else to do. And then at the

0:30:48.880 --> 0:30:51.600
<v Speaker 4>end of the day he said, hey, Tom, you want

0:30:51.600 --> 0:30:54.360
<v Speaker 4>to go for a sauna later at the Palace Hotel,

0:30:54.400 --> 0:30:58.200
<v Speaker 4>which was a Grondam hotel in Stadd. I said sure,

0:30:58.240 --> 0:31:00.800
<v Speaker 4>So I went back to our hotel tell where the

0:31:00.880 --> 0:31:03.080
<v Speaker 4>crew was staying, which was a couple of levels above

0:31:03.080 --> 0:31:06.440
<v Speaker 4>a youth hostel. I said, I'll see you losers later,

0:31:06.480 --> 0:31:09.800
<v Speaker 4>and I went to the spa and saw David and

0:31:09.840 --> 0:31:12.920
<v Speaker 4>we got outfitted in our towels and went into the sauna.

0:31:13.320 --> 0:31:15.600
<v Speaker 4>There was only one other person in there, and he

0:31:15.720 --> 0:31:18.640
<v Speaker 4>was high up on a platform, and it was Paul McCartney.

0:31:19.360 --> 0:31:22.880
<v Speaker 4>So here I am, this kid from Connecticut and now

0:31:22.920 --> 0:31:25.760
<v Speaker 4>in a sauna with my two biggest heroes, you know,

0:31:25.840 --> 0:31:29.160
<v Speaker 4>and wrapped in a towel. And they made it very

0:31:29.160 --> 0:31:31.320
<v Speaker 4>comfortable for me. You know, we throw water on the fire.

0:31:31.360 --> 0:31:34.400
<v Speaker 4>They wanted to know all about MTV, which was easy

0:31:34.400 --> 0:31:36.400
<v Speaker 4>for me to talk about. You know, it was not

0:31:36.520 --> 0:31:38.680
<v Speaker 4>intimidating at all. And I've been dining out on this

0:31:38.720 --> 0:31:39.600
<v Speaker 4>story for years.

0:31:40.200 --> 0:31:44.160
<v Speaker 3>That's just an incredible story. And you say that one

0:31:44.160 --> 0:31:45.960
<v Speaker 3>of the things that's important to do is make a

0:31:45.960 --> 0:31:47.640
<v Speaker 3>lot of mistakes. Can you tell me about some of

0:31:47.680 --> 0:31:50.040
<v Speaker 3>the mistakes at MTV as you were trying to reinvent

0:31:50.080 --> 0:31:51.840
<v Speaker 3>yourself and what you learn from them.

0:31:52.360 --> 0:31:54.320
<v Speaker 4>Well, you know, we took a lot of risks, so

0:31:54.360 --> 0:31:56.160
<v Speaker 4>we put a lot of shows on the air and

0:31:56.200 --> 0:31:58.840
<v Speaker 4>they just wouldn't work. So they'd disappear, they would die

0:31:58.840 --> 0:32:01.280
<v Speaker 4>a rapid death, and we back with something else that

0:32:01.280 --> 0:32:04.080
<v Speaker 4>it would work better. It was the same with Nickelodeon

0:32:04.160 --> 0:32:06.520
<v Speaker 4>and VH one and whatnot, and we certainly had our

0:32:06.560 --> 0:32:09.720
<v Speaker 4>share of turkeys. I remember we had an animated show

0:32:09.760 --> 0:32:12.840
<v Speaker 4>we really liked. It was by these guys in Scandinavia

0:32:12.880 --> 0:32:15.680
<v Speaker 4>made it called The Grunt Brothers of All Things. We

0:32:15.760 --> 0:32:17.400
<v Speaker 4>put that on the air. We thought that was going

0:32:17.440 --> 0:32:20.120
<v Speaker 4>to be really cool and great. It was not. So

0:32:20.280 --> 0:32:22.959
<v Speaker 4>Somewhere someone sitting around with six episodes of that in

0:32:23.000 --> 0:32:26.200
<v Speaker 4>a drawer. Maybe they'll come back one day. I don't know.

0:32:26.320 --> 0:32:30.080
<v Speaker 4>But why I encourage people to take risks, and that

0:32:30.200 --> 0:32:32.840
<v Speaker 4>involved trying stuff because you never know what's going to work.

0:32:33.120 --> 0:32:35.800
<v Speaker 4>I mean in the movie business they always used to say,

0:32:35.840 --> 0:32:39.400
<v Speaker 4>you know, the most movies fail. On television, most shows

0:32:39.440 --> 0:32:42.320
<v Speaker 4>don't succeed. We had a higher batting average in a

0:32:42.320 --> 0:32:44.960
<v Speaker 4>lot of places, but still most of the stuff we

0:32:45.080 --> 0:32:47.240
<v Speaker 4>tried didn't work, and it would just kind of go

0:32:47.360 --> 0:32:49.360
<v Speaker 4>away and onto the next thing.

0:32:49.960 --> 0:32:52.880
<v Speaker 3>How did you know when to put more money into

0:32:52.880 --> 0:32:55.760
<v Speaker 3>something and when to keep the reins really tight and

0:32:55.800 --> 0:32:59.760
<v Speaker 3>allow creativity to change a format or build something new.

0:33:00.720 --> 0:33:02.880
<v Speaker 4>Well, we always had a budget we had to live under,

0:33:02.920 --> 0:33:05.960
<v Speaker 4>and we dellocate money to certain things in development, and

0:33:06.000 --> 0:33:08.120
<v Speaker 4>if we saw something was working, we'd put more money

0:33:08.200 --> 0:33:10.560
<v Speaker 4>into it. Sometimes you had to put up a lot

0:33:10.560 --> 0:33:14.600
<v Speaker 4>of money up front, and that was sometimes, you know,

0:33:14.800 --> 0:33:18.400
<v Speaker 4>kind of less in our ability to do things. For example,

0:33:18.440 --> 0:33:20.560
<v Speaker 4>at one point we had decided, at one point, if

0:33:20.600 --> 0:33:22.760
<v Speaker 4>we took ten percent of the one hundred and sixty

0:33:22.760 --> 0:33:24.920
<v Speaker 4>eight hours a week we were on and did things

0:33:24.960 --> 0:33:28.600
<v Speaker 4>other than straight music videos, we can make MPTV a

0:33:28.600 --> 0:33:31.200
<v Speaker 4>bigger place by being about some of the things that

0:33:31.240 --> 0:33:33.880
<v Speaker 4>pop culture was about, something that the music was about,

0:33:34.000 --> 0:33:38.640
<v Speaker 4>be that fashion or sports, or live events or movies.

0:33:38.880 --> 0:33:42.960
<v Speaker 4>And at one point we someone came in and said,

0:33:43.000 --> 0:33:47.600
<v Speaker 4>you know, Fox Network has started. They're targeting younger audiences.

0:33:47.640 --> 0:33:50.280
<v Speaker 4>They have these great popular soap operas. Why don't we

0:33:50.320 --> 0:33:52.640
<v Speaker 4>try doing a soap opera but make it a little edgier,

0:33:52.680 --> 0:33:55.800
<v Speaker 4>a little more gritty. And it turns out for us

0:33:55.840 --> 0:33:57.760
<v Speaker 4>to do it, we would have had to hire writers.

0:33:57.760 --> 0:34:00.040
<v Speaker 4>They came to meet this fellow, Doug Herzog came to

0:33:59.760 --> 0:34:02.640
<v Speaker 4>me with the presentation, and we could do a soap opera,

0:34:02.720 --> 0:34:05.280
<v Speaker 4>produce something every day and we'd have to have writers

0:34:05.280 --> 0:34:07.840
<v Speaker 4>and regular actors. And I said, you know, this is

0:34:07.880 --> 0:34:10.239
<v Speaker 4>a great idea. We probably could do it, but we

0:34:10.239 --> 0:34:13.279
<v Speaker 4>don't have the money. So they came back. He went

0:34:13.320 --> 0:34:17.120
<v Speaker 4>to these producers Una Murray with their names, and they

0:34:17.120 --> 0:34:19.120
<v Speaker 4>came back and said, well, okay, we were good at

0:34:19.239 --> 0:34:22.360
<v Speaker 4>post production, so why don't we just rent Aloft and

0:34:22.440 --> 0:34:25.839
<v Speaker 4>Soho and put some hidden cameras in there and get

0:34:25.920 --> 0:34:29.439
<v Speaker 4>like six to eight people, you know, cast them real

0:34:29.520 --> 0:34:32.920
<v Speaker 4>regular people, not stars, and have them live together and

0:34:33.040 --> 0:34:36.320
<v Speaker 4>let's see what happens. Because we knew that young people

0:34:36.400 --> 0:34:39.120
<v Speaker 4>love to see cues from people their age of how

0:34:39.160 --> 0:34:40.960
<v Speaker 4>they were living and what they were thinking. You know,

0:34:41.000 --> 0:34:43.080
<v Speaker 4>every time we turned the cameras on the audience, they

0:34:43.120 --> 0:34:45.799
<v Speaker 4>really enjoyed that. So that was the birth of the

0:34:45.840 --> 0:34:50.000
<v Speaker 4>Real World. And that started and kicked off really a

0:34:50.080 --> 0:34:55.120
<v Speaker 4>whole movement towards reality television, which doesn't always bring out

0:34:55.160 --> 0:34:59.799
<v Speaker 4>the best in American character, but nonetheless was a huge hit.

0:35:00.000 --> 0:35:03.400
<v Speaker 4>And it was always driven by the fact that people

0:35:03.400 --> 0:35:05.720
<v Speaker 4>wanted to see what kids their own age were doing.

0:35:06.160 --> 0:35:08.360
<v Speaker 4>The problem was, as he went on, I mean the

0:35:08.400 --> 0:35:11.000
<v Speaker 4>early cast, they had no idea what it was going

0:35:11.040 --> 0:35:13.400
<v Speaker 4>to become. They went into the show no pretensions or

0:35:13.520 --> 0:35:16.320
<v Speaker 4>errors or intentions. But then later on, as they realized

0:35:16.360 --> 0:35:19.840
<v Speaker 4>all these people became famous. When you began to cast people,

0:35:19.880 --> 0:35:24.520
<v Speaker 4>they would pretend to have more outrageous personalities. So these

0:35:24.520 --> 0:35:28.239
<v Speaker 4>shows became more exaggerated in terms of, you know, the

0:35:28.280 --> 0:35:31.080
<v Speaker 4>norm of human behavior, but the audience ate that up

0:35:31.120 --> 0:35:34.319
<v Speaker 4>as well, and then they were as different category as

0:35:34.360 --> 0:35:37.080
<v Speaker 4>a reality show, celebrity reality shows. We kind of kicked

0:35:37.080 --> 0:35:40.800
<v Speaker 4>that off with the Osbournes following Ozzy around with Sharon,

0:35:40.880 --> 0:35:43.880
<v Speaker 4>his wife and the kids, and then you know, they

0:35:43.920 --> 0:35:48.480
<v Speaker 4>came along and Dey's contests like Mark Burnett did with

0:35:48.680 --> 0:35:51.120
<v Speaker 4>The Survivor, and these things are still on the air.

0:35:51.640 --> 0:35:52.360
<v Speaker 2>I'm curious.

0:35:52.440 --> 0:35:55.960
<v Speaker 3>You've done so many things that have influenced so many

0:35:56.440 --> 0:36:01.080
<v Speaker 3>people and created something brands from like Nickelodeon, MTV, Comedy

0:36:01.080 --> 0:36:05.520
<v Speaker 3>Central and then Vice and television stations in Afghanistan, and

0:36:05.560 --> 0:36:09.040
<v Speaker 3>you've been involved in all sorts of incredible charities as well.

0:36:09.520 --> 0:36:11.160
<v Speaker 3>What do you think is closest to your heart in

0:36:11.200 --> 0:36:13.520
<v Speaker 3>terms of all the stuff, like what is the show

0:36:13.719 --> 0:36:16.440
<v Speaker 3>or the production or the thing you made that feels

0:36:16.480 --> 0:36:17.400
<v Speaker 3>most special to you.

0:36:18.800 --> 0:36:22.600
<v Speaker 4>Well, there were a lot of successes in my media career,

0:36:24.080 --> 0:36:27.520
<v Speaker 4>and I was most proud of the management team I assembled,

0:36:28.080 --> 0:36:32.200
<v Speaker 4>people like Judy McGrath, Thug HERZG, Bill flannag and Van Toffler,

0:36:32.400 --> 0:36:34.880
<v Speaker 4>Jerry Labor and Herb Scannal. I mean, we had like

0:36:34.920 --> 0:36:39.160
<v Speaker 4>the best management team in the business, unbelievably talented in

0:36:39.239 --> 0:36:42.080
<v Speaker 4>terms of creativity. They also had business acumen and we

0:36:42.080 --> 0:36:45.080
<v Speaker 4>were able to for year after year after year after

0:36:45.239 --> 0:36:49.680
<v Speaker 4>year create and put out groundbreaking, genre breaking shows. And

0:36:49.920 --> 0:36:53.080
<v Speaker 4>just being around those people was a thrill. I mean,

0:36:53.120 --> 0:36:54.800
<v Speaker 4>they really deserved the bulk of the credit of the

0:36:54.800 --> 0:36:57.400
<v Speaker 4>stuff be invented. My job was sort of protect them

0:36:57.840 --> 0:37:01.440
<v Speaker 4>from corporate overseers outside world old and to give them

0:37:01.480 --> 0:37:04.480
<v Speaker 4>the ability to be able to execute on what they thought,

0:37:04.560 --> 0:37:06.799
<v Speaker 4>and of course I'd be part of the process. So

0:37:06.840 --> 0:37:09.319
<v Speaker 4>that was highly enjoyable to me. You know, starting out

0:37:09.320 --> 0:37:12.160
<v Speaker 4>in the animation business is a great example that was

0:37:12.200 --> 0:37:15.319
<v Speaker 4>a thrill. These days, you know, I'm really involved with

0:37:15.400 --> 0:37:17.920
<v Speaker 4>work I've done in the sort of do gooder category.

0:37:18.400 --> 0:37:21.200
<v Speaker 4>My long relationship in Afghanistan ended up with me going

0:37:21.239 --> 0:37:24.839
<v Speaker 4>back there after I was fired and helping launch the

0:37:24.880 --> 0:37:28.239
<v Speaker 4>first television stations, which were really a civilizing force and

0:37:28.239 --> 0:37:31.480
<v Speaker 4>what they now called the American occupation of twenty years,

0:37:32.120 --> 0:37:35.000
<v Speaker 4>which we really badly bungled, But that's a whole o

0:37:35.040 --> 0:37:38.960
<v Speaker 4>their story. But what wasn't bungled was the civilizing effect

0:37:39.160 --> 0:37:42.080
<v Speaker 4>of the medium on the Afghan population and making them

0:37:42.200 --> 0:37:46.160
<v Speaker 4>more tolerant and more connected to the outside world, more nuanced,

0:37:46.200 --> 0:37:48.080
<v Speaker 4>more aspirational, and things they wanted to do in their

0:37:48.080 --> 0:37:51.279
<v Speaker 4>personal life. And then in Africa, I work with this

0:37:51.320 --> 0:37:56.520
<v Speaker 4>thing called a One campaign that's about justice and where

0:37:56.560 --> 0:37:59.160
<v Speaker 4>you live shouldn't decide whether you live or die. And

0:37:59.200 --> 0:38:04.200
<v Speaker 4>we have fought on the global health front for preventable diseases,

0:38:04.400 --> 0:38:08.719
<v Speaker 4>influencing politicians to swing billions of dollars into programs that

0:38:08.760 --> 0:38:11.719
<v Speaker 4>have saved millions of lives. And I love going to

0:38:11.800 --> 0:38:15.279
<v Speaker 4>Africa and seeing the impact of that. And I love

0:38:15.360 --> 0:38:18.799
<v Speaker 4>going to Africa just to go to Africa and hear

0:38:18.920 --> 0:38:22.280
<v Speaker 4>the music and you know, partaking the culture there. And

0:38:22.320 --> 0:38:24.840
<v Speaker 4>by twenty fifty, one out of four people on the

0:38:24.880 --> 0:38:26.959
<v Speaker 4>face of the Earth is going to be African. It's

0:38:27.040 --> 0:38:32.200
<v Speaker 4>it's really a place with a totally exploding population and dynamism,

0:38:32.400 --> 0:38:35.040
<v Speaker 4>and it's going to be the continent to watch.

0:38:35.880 --> 0:38:37.560
<v Speaker 3>Oh thank you so much for this time. I really

0:38:37.600 --> 0:38:39.600
<v Speaker 3>appreciate it. Such fun talking to you.

0:38:39.960 --> 0:38:43.040
<v Speaker 4>Great to talk to you, magneshow was really nice. Thank you.

0:38:46.320 --> 0:38:48.879
<v Speaker 1>Well. That does it for today. Big thank you to

0:38:48.880 --> 0:38:52.920
<v Speaker 1>Tom Preston for speaking with us. His book Unplugged Eventures

0:38:52.920 --> 0:38:56.000
<v Speaker 1>from MTV to Timbuktoo is out now and you can

0:38:56.040 --> 0:38:59.000
<v Speaker 1>get it wherever you get your books. We'll put a

0:38:59.000 --> 0:39:01.480
<v Speaker 1>link to in the show as well, just to make

0:39:01.520 --> 0:39:06.279
<v Speaker 1>that process faster for you. It really is a terrific read. Also,

0:39:06.560 --> 0:39:08.319
<v Speaker 1>if you like the show, be sure to follow us

0:39:08.360 --> 0:39:09.960
<v Speaker 1>on Instagram or Blue Sky.

0:39:10.120 --> 0:39:11.799
<v Speaker 2>We're at Part Time Genius.

0:39:12.360 --> 0:39:15.080
<v Speaker 1>We will be back next week with another brand new episode,

0:39:15.120 --> 0:39:19.920
<v Speaker 1>but in the meantime, from Will Dylan, Mary, Gabe, and myself,

0:39:20.520 --> 0:39:35.239
<v Speaker 1>thank you so much for listening. Part Time Genius is

0:39:35.239 --> 0:39:38.359
<v Speaker 1>a production of Kaleidoscope and iHeartRadio. It is hosted by

0:39:38.480 --> 0:39:41.640
<v Speaker 1>my good pal Will Pearson, who I've known for almost

0:39:41.640 --> 0:39:45.239
<v Speaker 1>three decades now. That is insane to me. I'm the

0:39:45.320 --> 0:39:50.600
<v Speaker 1>utter COO host Mangeshatikular aka Mango. Our producer is Mary

0:39:50.640 --> 0:39:53.680
<v Speaker 1>Phillips Sandy. She's actually a super producer. I'm gonna fix

0:39:53.760 --> 0:39:57.680
<v Speaker 1>that in post. Our writer is Gabe Lucier who I've

0:39:57.800 --> 0:40:00.720
<v Speaker 1>also known for like a decade at this point, maybe more.

0:40:01.160 --> 0:40:04.480
<v Speaker 1>Dylan Fagan is in the booth. He is always dressed up,

0:40:04.560 --> 0:40:07.680
<v Speaker 1>always cheering us on, and always ready to hit record

0:40:07.800 --> 0:40:10.560
<v Speaker 1>and then mix the show after he does a great job.

0:40:10.960 --> 0:40:13.799
<v Speaker 1>I also want to shout out the executive producers from

0:40:13.840 --> 0:40:17.240
<v Speaker 1>iHeart my good pals Katrina and Norvel and Ali Perry.

0:40:17.600 --> 0:40:20.759
<v Speaker 1>We have social media support from Calypso Rallis. If you

0:40:21.080 --> 0:40:24.879
<v Speaker 1>like our videos, that is all Calypso's handiwork for more

0:40:24.880 --> 0:40:29.920
<v Speaker 1>podcasts from Kaleidoscope and iHeartRadio. Visit the iHeartRadio app, Apple Podcasts,

0:40:30.080 --> 0:40:33.040
<v Speaker 1>or tune in wherever you listen to your favorite shows.

0:40:33.360 --> 0:40:35.600
<v Speaker 1>That's it from us here at Part Time Genius.

0:40:35.840 --> 0:40:37.520
<v Speaker 2>Thank you so much for listening.