WEBVTT - The Eras Tour (Glee Cast Version)

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<v Speaker 1>And That's what You Really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 3>Welcome to and That's what You Really miss podcast A

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<v Speaker 3>Dream Tour.

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<v Speaker 2>I've been so ready for this. I'm so excited for this.

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<v Speaker 2>I'm so We've had Andrew from Gleek of the Week

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<v Speaker 2>pod on to like, do our dream Tour setlists after

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<v Speaker 2>season two.

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<v Speaker 3>I'm overwhelmed at the amount of songs, the amount of

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<v Speaker 3>creative at the amount of stuff we need to cram

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<v Speaker 3>into one evening.

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<v Speaker 2>But you know he can out. It's Andrew. Andrew's always

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<v Speaker 2>got a vision, and boy is it It's quite a vision.

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<v Speaker 2>So just be prepared. I'm sorry in advance, because you're

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<v Speaker 2>gonna be excited for this non existent tour because we are.

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<v Speaker 1>You're gonna want it so bad. You're gonna manifest it

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<v Speaker 1>into existence like we are.

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<v Speaker 2>And if anybody can manifest as a group, as a community,

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<v Speaker 2>as a collective, it is the Gleeks. So we'll see

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<v Speaker 2>what happens. Okay, let's talk to Andrew about our Glee

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<v Speaker 2>Era's Dream Tour set list.

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<v Speaker 4>Hello, Hello, Hello, oh my god, Kevin McKellen, Jenna Ushwitz,

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<v Speaker 4>is that you? It's us? Oh my God, I'm so

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<v Speaker 4>excited to be so.

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<v Speaker 1>Happy to have you. Welcome back. We're ready, this is like,

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<v Speaker 1>this is it.

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<v Speaker 2>I will come with anxiety thinking about this, but you know,

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<v Speaker 2>your voice just brings me comfort. Lets me know we're safe,

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<v Speaker 2>lets me know we're in the best hands.

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<v Speaker 4>Like I have been on their StairMaster every day listening

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<v Speaker 4>to y'all. So, oh my god, I have you to

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<v Speaker 4>thank for a Glee beaty, A body by Glee, body

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<v Speaker 4>by Kevin and Jenna. Yeah, yeah, oh, I'm doing really

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<v Speaker 4>really well. I am excited, scared all the things.

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<v Speaker 2>Look what we've learned thus far is your vision is

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<v Speaker 2>better than ours.

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<v Speaker 1>I'll give you an other review though. So here's here's

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<v Speaker 1>what I came up with. I broke it down. We

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<v Speaker 1>spoke in the past, we spoke about an Era's.

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<v Speaker 3>Like tour, right, And I think in my mind when

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<v Speaker 3>I was working on this set list, I was like,

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<v Speaker 3>what would the dream be?

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<v Speaker 1>I was working on, like, what what would this.

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<v Speaker 3>Be if we were back in two thousand and fifteen,

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<v Speaker 3>sixty fifteen and we were like, we're doing a farewell tour?

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<v Speaker 1>What would that look like?

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<v Speaker 3>That's how I approached this. Now I know we had

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<v Speaker 3>also mentioned that this could be a potential instead of.

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<v Speaker 1>A Gally reboot, we could do a reunion tour.

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<v Speaker 3>It's my understanding shows yes that might be have been

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<v Speaker 3>me approached.

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<v Speaker 1>So we have two different approaches here so.

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<v Speaker 2>Far to it. And they're all right, you know, everything

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<v Speaker 2>is correct.

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<v Speaker 4>I mean I will say the Q and a episode

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<v Speaker 4>a few months back or something where you were talking

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<v Speaker 4>about like a reunion concert really lit a flame under me,

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<v Speaker 4>and I imagine a lot of other gleikus. Okay, yes,

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<v Speaker 4>very very inspired. I was really inspired by the new

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<v Speaker 4>production of Cabaret. I don't know if either of you

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<v Speaker 4>have seen. I have not, but they really decked out

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<v Speaker 4>the August Wilson Like you're going in and they have

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<v Speaker 4>all the actors in the lobby and the public space

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<v Speaker 4>and everything, and it really gets you like amped for

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<v Speaker 4>the show. And so I feel like what you can

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<v Speaker 4>do for a reunion show is build McKinley High. You're

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<v Speaker 4>walking right in and you're seeing the lockers on the walls,

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<v Speaker 4>you're seeing the cheerios walk through passed you and everything,

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<v Speaker 4>and they're doing maybe little routines here and there. It's

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<v Speaker 4>very immersive. You can get your slushy this.

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<v Speaker 2>Is where we learned that our imagination is not big enough.

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<v Speaker 4>Oh no, I mean okay, to be fair, Sam texted

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<v Speaker 4>me a few months back and was like, hey, just

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<v Speaker 4>to put this on your horizon, you know this. She

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<v Speaker 4>understood that this would be a colossal task. So I've

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<v Speaker 4>had time to stew Yeah, yeah, yeah, but yeah. So

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<v Speaker 4>I'm really gung ho about like this immersive like you

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<v Speaker 4>can have like Marley's mom behind the bar, you know,

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<v Speaker 4>and she's serving up slushy, she's serving up vitamin D

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<v Speaker 4>tots whatever. And so the entire premise of the show

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<v Speaker 4>I really like struggled with, like what is the concept

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<v Speaker 4>of it. What I landed on is like a high

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<v Speaker 4>school reunion honoring principal Shuster. And so it's like this

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<v Speaker 4>like kind of like Pep Rally reunion of sworts and

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<v Speaker 4>and so the opening act is called Opening Octafellas, and

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<v Speaker 4>so it's mister Schuster and the a Caafellas doing like

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<v Speaker 4>poison you did not? How dare you do it? And

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<v Speaker 4>then sue In erupts and is like, as President, I'm

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<v Speaker 4>putting a national ban on Will rapping and then starts

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<v Speaker 4>the show. So I feel like, okay, you guys are

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<v Speaker 4>unfortunately obliged to do Don't Stop Believing at every single

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<v Speaker 4>live performance, so it does need to start the show

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<v Speaker 4>with don't Stop Believing. In the first era that I'm

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<v Speaker 4>calling O Glee, it's like og but O Glee. So

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<v Speaker 4>it's like the original five members yourselves included, of course,

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<v Speaker 4>starting at Don't Stop Believing. Then we have a Kurt

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<v Speaker 4>Spotlight with as if we never say goodbye Sunset Boulevard,

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<v Speaker 4>he can choose to do the entire blood of it

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<v Speaker 4>all if he wants to. Whenever I call you friend

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<v Speaker 4>by y'all wow. And then we're doing like, you know,

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<v Speaker 4>between the songs, we're doing like little like catchups of

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<v Speaker 4>like where the characters are now, and so we could

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<v Speaker 4>just see, like you know, where Ardy and Tina are

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<v Speaker 4>and their relationship. And then everyone's like, wait, where did

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<v Speaker 4>Rachel go? And then it starts with the dunt dunt,

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<v Speaker 4>dun't don't parade. She's in the back of the auditorium,

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<v Speaker 4>makes her way through the isles as she does, and

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<v Speaker 4>then once she gets to the front of the stage

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<v Speaker 4>when she does the I'll march my band out here

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<v Speaker 4>comes the rest of all eras of the new directions

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<v Speaker 4>walking to the aisles, chills, chill, need everybody there, Lauren zeises,

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<v Speaker 4>we need myron.

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<v Speaker 2>Extension to the song, so there's enough time to get everybody.

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<v Speaker 1>It's kind of like key modulation.

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<v Speaker 4>And so then you'll go into home season six version. Kevin,

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<v Speaker 4>I'm throwing it to you. You get to decide here

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<v Speaker 4>for like the r TOLO feature, here are you choosing

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<v Speaker 4>for Once in my Life? Or pyit? It's choose your

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<v Speaker 4>own adventure?

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<v Speaker 2>What did you I'm gonna do for once in my life?

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<v Speaker 2>Because we've already done pyit exactly.

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<v Speaker 4>I totally agree, and I really like what someone said.

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<v Speaker 4>I think it was like another Q and A episode

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<v Speaker 4>where someone said, like, Kevin, obviously you have reservations about

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<v Speaker 4>going back into playing Artie, and this solution was that

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<v Speaker 4>ALTI is just out of his chair. And then Brittany's like,

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<v Speaker 4>you seem taller and that's the only acknowledgement. Yeah, And

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<v Speaker 4>so I think that I love that solution.

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<v Speaker 2>Okay, great. The problem is I wouldn't know how to

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<v Speaker 2>perform any of these songs standing.

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<v Speaker 4>That's it's true.

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<v Speaker 2>I I'm thinking about doing for once in my life,

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<v Speaker 2>not in a chair. Yeah, and it makes me so

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<v Speaker 2>wildly uncomfortable. M I can only picture myself doing it

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<v Speaker 2>in a chair.

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<v Speaker 4>It's a safe place.

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<v Speaker 2>I'll work on.

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<v Speaker 4>It all right. Speaking of sitting, the next era, Lee

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<v Speaker 4>has some of their best numbers were on stools. Yes,

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<v Speaker 4>and so this next era is called here Come the

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<v Speaker 4>Stools Doo Doo doo dooo. And of course we're starting

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<v Speaker 4>with Jenna on lead, with three going into true colors.

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<v Speaker 4>Jocko Artist comes out and does let Me Love you

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<v Speaker 4>until you learn to love yourself. Then we have season

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<v Speaker 4>six cash Jane and Mason doing will you Still Love

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<v Speaker 4>Me Tomorrow? Head over feet mash up wow. And then

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<v Speaker 4>this is really where I think that like gay screaming

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<v Speaker 4>will come primarily from me. But I feel pretty unpretty.

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<v Speaker 4>We've never had a live version. We need it, we

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<v Speaker 4>need it really bad, Lee, And on the stools, I

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<v Speaker 4>feel pretty. I'm pretty able to hear them.

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<v Speaker 2>This is the case.

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<v Speaker 4>I also Jenna and I will be having a meltdown

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<v Speaker 4>on the side of the no, it's insane. And then

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<v Speaker 4>Leah does another stool duet, happy Days are Here Again,

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<v Speaker 4>Get Happy, And then Vanessa Lenji's comes out and she's like,

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<v Speaker 4>wait a minute, I missed the entire like march of

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<v Speaker 4>my band out there, and she tries singing big Spender.

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<v Speaker 4>Rachel shuts her down and she sings my man Rachel

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<v Speaker 4>not sugar, but actually I would like to hear it maybe, Yeah,

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<v Speaker 4>she's she goes into sync the first word of my Man,

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<v Speaker 4>and then Leah just cuts her off, just takes over.

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<v Speaker 4>The next era is called oh my God. They're doing

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<v Speaker 4>original songs, of course, alluding to the curt line from

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<v Speaker 4>original song, and Brittany comes out and sings my Cup,

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<v Speaker 4>but starting off to the melody of of my man,

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<v Speaker 4>Oh my Cup, I love him so he'll never know,

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<v Speaker 4>and then goes into the original my Cup. Oh this

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<v Speaker 4>was when my brain was working an overdrive. Yeah, yeah, yeah, game,

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<v Speaker 4>I think I think I understand homosexuality more than anybody ever.

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<v Speaker 2>Will you can teach a course? This is next year.

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<v Speaker 2>This is they're going to be teaching.

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<v Speaker 4>Yeah, the bouncing all right, and so my Cup. Brittany

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<v Speaker 4>reveals that My Cup has since went triple platinum in

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<v Speaker 4>the past ten years, and then Mercedes comes out and

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<v Speaker 4>is like, your song isn't the only one that went

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<v Speaker 4>triple platinum? Helped the no Yeah, and then of course,

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<v Speaker 4>you know we had to do it loser like me.

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<v Speaker 4>Start off the acoustic version, but the end in the

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<v Speaker 4>season two, Yes, absolutely, all right, that's the original songs era.

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<v Speaker 4>Next era is called Honey Nuts for Cheerios. Jigsu rolls

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<v Speaker 4>out on stage. I am so delighted to hear that

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<v Speaker 4>you love jigsuit, Jenna. This has been what are.

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<v Speaker 2>Jigsue on a stage? Makes me really really happy?

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<v Speaker 3>But imagine in like an arena, and how Sue it's

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<v Speaker 3>just rolling out?

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<v Speaker 4>Well, need it really bad? Yeah?

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<v Speaker 1>Need it? Need it?

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<v Speaker 4>So Jigsue is like enough with losers, It's time for

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<v Speaker 4>some winners and actual original recipe. Semester comes out on

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<v Speaker 4>stage and does Vogue. Oh and then we have Hurt

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<v Speaker 4>and Mercedes leading four minutes through the aisles, and then

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<v Speaker 4>we have this was another mash up my mind, I

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<v Speaker 4>don't even know what my mind is, insane, a mashup

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<v Speaker 4>of Run the World girls with Britney leading with It's

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<v Speaker 4>a man's man's man's world.

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<v Speaker 3>Oh oh, with the.

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<v Speaker 1>Pregnant lady with the pregnancy. He brought it you run

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<v Speaker 1>it like all the way.

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<v Speaker 2>Back like that is to so could you imagine?

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<v Speaker 1>Don't you dare say? Run Joy Run, and this.

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<v Speaker 4>I learned my lesson.

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<v Speaker 1>Yeah, wow, okay, it's a.

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<v Speaker 4>Man's man's man's really contracting ideas.

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<v Speaker 2>I love it.

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<v Speaker 4>I love it contradicting ideas. And then we go into uh,

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<v Speaker 4>we're contracting ideas, as you know. And then we go

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<v Speaker 4>Jake leading the cheerios and Nasty for the Nation. Need

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<v Speaker 4>a live version of that, And then we need Josie

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<v Speaker 4>Toda leading Lose my Breath with the cheerios. Yes, And

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<v Speaker 4>then we need Clane their best duet argue with the Wall.

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<v Speaker 4>Got to get you into my life with a marching

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<v Speaker 4>band and everything with the cheerios.

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<v Speaker 1>Yes, love into it.

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<v Speaker 4>Then this era ends with buster your windows Mercedes with

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<v Speaker 4>the Cheerios, bring out the car. I think it's so

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<v Speaker 4>camp that you guys had that.

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<v Speaker 2>Car full absolutely bringing out the car.

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<v Speaker 1>We need the car.

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<v Speaker 4>She busts the window at the end of the song,

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<v Speaker 4>and the next era is called for our duet. We're

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<v Speaker 4>gonna do it the car that Mercedes just busted the

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<v Speaker 4>windows out of. Yeah already and Kitty are in that

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<v Speaker 4>car and they're singing drive my car of course.

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<v Speaker 1>Okay, Yeah, we're.

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<v Speaker 4>Going to make it work that they can drive around

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<v Speaker 4>on stage. Yeah, and then Jenna, I'm throwing it to you,

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<v Speaker 4>choose your own adventure for the Mike and Tina duet.

0:13:38.320 --> 0:13:42.880
<v Speaker 4>The two options. But is it love or is it sing?

0:13:43.880 --> 0:13:46.240
<v Speaker 1>Oh, it's sing. It's definitely sing.

0:13:46.600 --> 0:13:48.680
<v Speaker 4>Sing is more like I give it to Mike.

0:13:48.760 --> 0:13:49.000
<v Speaker 1>It's his.

0:13:49.160 --> 0:13:52.600
<v Speaker 3>It was his first big thing, and it's campy and fun,

0:13:52.800 --> 0:13:54.439
<v Speaker 3>like we're in the camp world.

0:13:54.200 --> 0:13:57.520
<v Speaker 1>Now, we're just we're going there, so we're going with sing. Yeah.

0:13:57.640 --> 0:13:59.360
<v Speaker 4>I think Tina has the line in the episode that

0:13:59.400 --> 0:14:02.640
<v Speaker 4>it's the perfect song for that situation, and it really

0:14:02.760 --> 0:14:05.320
<v Speaker 4>was all right. And then we go into this is

0:14:05.320 --> 0:14:10.880
<v Speaker 4>a big Sam Spotlight Area duet because he's been with

0:14:11.040 --> 0:14:14.520
<v Speaker 4>every single girl in that club. So we have Lucky

0:14:14.520 --> 0:14:17.760
<v Speaker 4>with Quinn, something Stupid with Brittany, human Nature with Mercedes,

0:14:17.800 --> 0:14:19.680
<v Speaker 4>and then I'll Never fall in Love Again with Rachel.

0:14:19.960 --> 0:14:24.520
<v Speaker 3>Oh, and like they just keep getting better, those dots,

0:14:24.600 --> 0:14:27.240
<v Speaker 3>they just keep getting It's like all the way.

0:14:27.120 --> 0:14:31.440
<v Speaker 2>Up the emotionally physically beautiful.

0:14:31.840 --> 0:14:36.360
<v Speaker 4>And this is where Act one breaks because then Rachel's like,

0:14:36.920 --> 0:14:41.400
<v Speaker 4>Rachel sees Jesse and she's like, She's like Jesse. Act break.

0:14:41.800 --> 0:14:46.720
<v Speaker 4>Second act begins with Hello Rachel and Jesse in a

0:14:46.880 --> 0:14:52.040
<v Speaker 4>era that I'm calling vocal Adrenaline Junkie. Yeah, so hello

0:14:52.200 --> 0:14:55.920
<v Speaker 4>Rachel and Jesse, and then Jesse leading Vocal Adrenaline and

0:14:55.960 --> 0:14:59.800
<v Speaker 4>Bohemian Rhapsody, and then Unique comes out and she's like,

0:15:00.440 --> 0:15:02.640
<v Speaker 4>Jesse wasn't the only person that was in vocal Adrenaline

0:15:02.840 --> 0:15:05.640
<v Speaker 4>sings boogie Shoes and then everyone's like, Unique, where have

0:15:05.680 --> 0:15:09.160
<v Speaker 4>you been this entire show? Unique sings, I know where

0:15:09.160 --> 0:15:09.560
<v Speaker 4>I've been.

0:15:12.640 --> 0:15:17.040
<v Speaker 1>You are out of control. You're out of control.

0:15:17.240 --> 0:15:19.720
<v Speaker 4>If we have the vocal Adrenaline of it all, we

0:15:19.800 --> 0:15:22.360
<v Speaker 4>need to have the Warbler of it all. And so

0:15:22.440 --> 0:15:25.840
<v Speaker 4>the next era is called keep Calm and Warbler On.

0:15:26.720 --> 0:15:31.440
<v Speaker 4>So we start with teenage dream Acoustic into original, just

0:15:31.480 --> 0:15:34.680
<v Speaker 4>to get the best of both worlds. And then we

0:15:34.800 --> 0:15:37.560
<v Speaker 4>get somewhere only we know. And I know this isn't

0:15:37.600 --> 0:15:40.520
<v Speaker 4>like actually a Warbler's number per se, but it is

0:15:40.560 --> 0:15:43.440
<v Speaker 4>the best Blaine number, so I needed to fit it in. Yeah,

0:15:43.480 --> 0:15:45.080
<v Speaker 4>I'm not going to cheat your boyfriend how to Dance

0:15:45.120 --> 0:15:45.280
<v Speaker 4>with You?

0:15:45.480 --> 0:15:48.720
<v Speaker 1>Yes, totally. I almost put that in my absolutely so

0:15:48.880 --> 0:15:50.080
<v Speaker 1>perfect yeah.

0:15:50.160 --> 0:15:55.080
<v Speaker 4>And so then I watched the Taylor Swift Eras movie

0:15:55.320 --> 0:15:59.000
<v Speaker 4>in anticipation for creating Wow. Yeah, one of the ideas

0:15:59.000 --> 0:16:01.880
<v Speaker 4>that I really love, of course, was the surprise song

0:16:01.920 --> 0:16:03.280
<v Speaker 4>of it all, and I was like, how do I

0:16:03.320 --> 0:16:09.240
<v Speaker 4>integrate like a surprise song into a Glera's Yeah, And

0:16:09.920 --> 0:16:15.240
<v Speaker 4>obviously y'all had countless guest stars, and so instead of

0:16:15.280 --> 0:16:17.560
<v Speaker 4>surprise song, it is a surprise song, but it's a

0:16:17.560 --> 0:16:20.160
<v Speaker 4>surprise guest star. You don't know who you're gonna get.

0:16:20.720 --> 0:16:23.360
<v Speaker 4>It could be Americano Dance again with Kate Hudson, it

0:16:23.360 --> 0:16:25.800
<v Speaker 4>could be maybe this time Chris and Chenna with you know,

0:16:25.880 --> 0:16:30.960
<v Speaker 4>it can be Turkey Lurkey time with you know, anybody.

0:16:31.680 --> 0:16:35.320
<v Speaker 4>And so they come out because surprise. It's a competition

0:16:35.560 --> 0:16:39.560
<v Speaker 4>vocal adrenaline warblers and new directions, and the guest star

0:16:39.680 --> 0:16:43.840
<v Speaker 4>judge is the judge of this competition. And so we're

0:16:43.840 --> 0:16:44.520
<v Speaker 4>nearing the end.

0:16:44.720 --> 0:16:48.320
<v Speaker 2>I promise I don't want to just keep on going.

0:16:48.680 --> 0:16:51.480
<v Speaker 4>Let's list every single song that y'all did, all right,

0:16:51.560 --> 0:16:55.480
<v Speaker 4>And so then it's time for the new directions set list,

0:16:55.800 --> 0:17:00.080
<v Speaker 4>and we have all eras to all like different, you know,

0:17:00.360 --> 0:17:04.400
<v Speaker 4>iterations of new directions to borrow from in an era

0:17:04.520 --> 0:17:07.919
<v Speaker 4>that I'm calling ladies and gentlemen, the new directions in

0:17:07.960 --> 0:17:10.440
<v Speaker 4>the way that Lea. Michelle says it because she doesn't

0:17:10.480 --> 0:17:16.200
<v Speaker 4>want to say new directions. She really wants to enunciate that. Yeah. Okay.

0:17:16.359 --> 0:17:20.040
<v Speaker 4>So we have the season six cast in It was like, real,

0:17:20.600 --> 0:17:22.240
<v Speaker 4>I don't know what to decide for this one. It's

0:17:22.280 --> 0:17:25.240
<v Speaker 4>either father Figure or take me to church. How are y'all.

0:17:25.080 --> 0:17:29.960
<v Speaker 1>Feeling father Figure? Father Figure? That's in my What do

0:17:30.000 --> 0:17:30.600
<v Speaker 1>you think, Kevin?

0:17:31.880 --> 0:17:35.080
<v Speaker 4>I say, father Figure? It's so good, it really is.

0:17:35.280 --> 0:17:39.000
<v Speaker 4>It's perfect. Yeah, okay, so father Figure. Then we have

0:17:39.280 --> 0:17:41.360
<v Speaker 4>the last Rachel number of the night. It's all coming

0:17:41.400 --> 0:17:45.920
<v Speaker 4>back to me now. And then ending this set list

0:17:45.960 --> 0:17:47.679
<v Speaker 4>with I still haven't found what I'm looking for with

0:17:47.760 --> 0:17:52.479
<v Speaker 4>the season five for you know cast, all right, and

0:17:52.520 --> 0:17:55.240
<v Speaker 4>then final act the show must go all over the

0:17:55.240 --> 0:18:00.679
<v Speaker 4>place or something. Starting off, of course, with many are

0:18:00.680 --> 0:18:04.520
<v Speaker 4>saying best song on dog Days are over? Who? Then

0:18:04.800 --> 0:18:05.480
<v Speaker 4>we are young?

0:18:06.600 --> 0:18:06.760
<v Speaker 3>Yeah?

0:18:06.760 --> 0:18:09.919
<v Speaker 4>Then to sir with love. Everyone's getting emotional in the

0:18:09.920 --> 0:18:12.879
<v Speaker 4>way that they do talking to mister Schuster, and then

0:18:12.960 --> 0:18:15.600
<v Speaker 4>mister Schuster is like, again, choose your own adventure. Are

0:18:15.600 --> 0:18:18.120
<v Speaker 4>we choosing Over the Rainbow or teach your children?

0:18:19.080 --> 0:18:19.800
<v Speaker 1>Teach your children?

0:18:20.440 --> 0:18:20.680
<v Speaker 4>Yeah?

0:18:21.800 --> 0:18:26.640
<v Speaker 2>Oh, I think over the Rainbow the original brand.

0:18:26.680 --> 0:18:29.600
<v Speaker 4>Yeah, And then I think that they should have done

0:18:29.640 --> 0:18:32.720
<v Speaker 4>this instead of in place of I Lived. Thank you

0:18:32.720 --> 0:18:36.480
<v Speaker 4>for the music. I'm just right there. Why didn't y'all

0:18:36.560 --> 0:18:38.640
<v Speaker 4>end with that? I know it wasn't your decision.

0:18:39.080 --> 0:18:39.720
<v Speaker 1>It wasn't our.

0:18:39.640 --> 0:18:42.080
<v Speaker 2>Decision, Jenna Space.

0:18:42.640 --> 0:18:45.560
<v Speaker 4>You guys did an ab A song in the series finale.

0:18:46.520 --> 0:18:47.639
<v Speaker 1>Yeah, thank you for the music.

0:18:47.960 --> 0:18:51.040
<v Speaker 3>You know what, I will always agree with that.

0:18:51.160 --> 0:18:52.400
<v Speaker 1>I think we could have done better.

0:18:53.080 --> 0:18:58.520
<v Speaker 4>I Lived. So there's just like one republic, I'm with you,

0:18:59.200 --> 0:19:01.600
<v Speaker 4>with you And so then the final song of the night,

0:19:01.680 --> 0:19:05.000
<v Speaker 4>the glandcore is Somebody to Love with the entire cast,

0:19:05.280 --> 0:19:07.399
<v Speaker 4>the surprise guest stars and what have you?

0:19:07.520 --> 0:19:07.760
<v Speaker 2>Great?

0:19:08.680 --> 0:19:09.280
<v Speaker 4>And that's it.

0:19:09.800 --> 0:19:12.119
<v Speaker 2>Wow, that is beautiful.

0:19:13.000 --> 0:19:20.359
<v Speaker 3>Some really cohesive, streamlined smart tour list.

0:19:20.600 --> 0:19:23.520
<v Speaker 4>I wanted to get as many of y'all in there

0:19:23.680 --> 0:19:27.040
<v Speaker 4>singing you you did the best number for each character.

0:19:35.800 --> 0:19:38.320
<v Speaker 3>Let me just read you my list, because mine isn't

0:19:38.320 --> 0:19:43.160
<v Speaker 3>as cohesively creatively driven. It's a lot of songs your

0:19:43.280 --> 0:19:46.560
<v Speaker 3>work categories. Yeah, we're your workshop. So mine is an outline,

0:19:46.560 --> 0:19:49.960
<v Speaker 3>if you will, Okay, So that we start with the

0:19:50.040 --> 0:19:52.240
<v Speaker 3>hit some of the hits, right, we open with don't stop.

0:19:52.359 --> 0:19:55.679
<v Speaker 3>We're aligned there, right, we do we are young. We

0:19:55.760 --> 0:19:58.040
<v Speaker 3>also throw it back to my life would suck without you.

0:19:58.760 --> 0:20:01.280
<v Speaker 3>We throw a little safety dance in there, this one.

0:20:01.320 --> 0:20:03.240
<v Speaker 3>I don't think you got The boy is Mine.

0:20:03.760 --> 0:20:07.400
<v Speaker 4>I did not include The Boy's Mine. I was specific

0:20:07.600 --> 0:20:12.639
<v Speaker 4>about not including songs that like primarily focused, you know,

0:20:12.720 --> 0:20:15.199
<v Speaker 4>fin Puck in Santana. I see, I.

0:20:15.200 --> 0:20:18.280
<v Speaker 3>See what you're saying. Okay, yes, I went a little dreamier. Okay,

0:20:18.359 --> 0:20:20.640
<v Speaker 3>so I've gone a little bit like you know, we're

0:20:20.640 --> 0:20:21.360
<v Speaker 3>in We're in.

0:20:21.280 --> 0:20:22.159
<v Speaker 1>The clouds a little bit.

0:20:22.440 --> 0:20:26.440
<v Speaker 3>And then the end of this segment is Pompeii ooh,

0:20:26.480 --> 0:20:30.879
<v Speaker 3>which is prising for me because, like I personally, it

0:20:31.040 --> 0:20:33.239
<v Speaker 3>wasn't like one of those songs that I know it's

0:20:33.240 --> 0:20:35.159
<v Speaker 3>a fan favorite. It wasn't one of the songs that

0:20:35.240 --> 0:20:35.760
<v Speaker 3>like hit.

0:20:35.640 --> 0:20:38.800
<v Speaker 1>Me all that yeah deeplyep or didn't cut that deep.

0:20:38.840 --> 0:20:41.000
<v Speaker 3>But I was like, I get it, it's it's a

0:20:41.000 --> 0:20:44.080
<v Speaker 3>crowd favorite. Then we we go into some mashups, right

0:20:44.080 --> 0:20:47.920
<v Speaker 3>of course, no Glee without any mashups, so rumor has

0:20:47.960 --> 0:20:51.200
<v Speaker 3>it someone like you. Then we go into Halo Walking

0:20:51.280 --> 0:20:52.120
<v Speaker 3>on Sunshine.

0:20:52.280 --> 0:20:53.600
<v Speaker 4>Ooh, that did make my cut.

0:20:53.680 --> 0:20:55.280
<v Speaker 1>Yeah, also didn't make your cut.

0:20:55.320 --> 0:20:58.760
<v Speaker 3>Singing in the Rain Umbrella, Oh okay, you know, I

0:20:58.800 --> 0:21:03.159
<v Speaker 3>think I think we need some theatricality here. I'm thinking

0:21:03.320 --> 0:21:06.879
<v Speaker 3>like big big screens in the back with like lots

0:21:06.880 --> 0:21:07.680
<v Speaker 3>of rain and.

0:21:07.600 --> 0:21:10.560
<v Speaker 1>Things and real rain. We're giving you a Britney moment,

0:21:10.760 --> 0:21:11.640
<v Speaker 1>you know that whole thing.

0:21:12.720 --> 0:21:15.560
<v Speaker 3>Obviously, I feel pretty. I'm pretty, and I also through

0:21:15.600 --> 0:21:17.840
<v Speaker 3>it back. I don't know why this came to me,

0:21:17.880 --> 0:21:19.639
<v Speaker 3>but I was got to put it in. It's my

0:21:19.680 --> 0:21:20.880
<v Speaker 3>life confession's part too.

0:21:21.320 --> 0:21:28.000
<v Speaker 4>Oh that is good. Wait you hate it, Keaven.

0:21:28.280 --> 0:21:29.840
<v Speaker 2>I was debating it myself.

0:21:30.080 --> 0:21:31.679
<v Speaker 1>See that's what I'm saying.

0:21:32.080 --> 0:21:35.320
<v Speaker 2>I just you're like, if you know, to Andrew's point

0:21:35.359 --> 0:21:37.439
<v Speaker 2>of like, what is the best that we can do?

0:21:37.600 --> 0:21:40.120
<v Speaker 3>Yeah, yeah, no, no, I don't know if that's I'm

0:21:40.160 --> 0:21:41.040
<v Speaker 3>not giving you the best.

0:21:41.040 --> 0:21:43.639
<v Speaker 1>I'm giving you a workshop of like we should try it.

0:21:43.720 --> 0:21:46.000
<v Speaker 1>We should try it out, you know, see how it feels.

0:21:46.400 --> 0:21:46.600
<v Speaker 2>Right.

0:21:46.640 --> 0:21:48.919
<v Speaker 3>And then I went into this like kind of boys

0:21:49.040 --> 0:21:52.520
<v Speaker 3>versus girls moment, which I didn't fully think out properly.

0:21:52.640 --> 0:21:55.800
<v Speaker 1>So it's actually not really boys versus girls.

0:21:55.960 --> 0:21:59.040
<v Speaker 3>We could definitely refine this one, but right now within

0:21:59.080 --> 0:22:00.760
<v Speaker 3>that segment is survivor.

0:22:00.800 --> 0:22:01.480
<v Speaker 1>I will survive.

0:22:01.720 --> 0:22:05.280
<v Speaker 3>Yes, tell him, not the cut song, but the girls

0:22:05.320 --> 0:22:08.119
<v Speaker 3>tell him in the Blue Dresses, a full version of

0:22:08.160 --> 0:22:10.680
<v Speaker 3>I wanted that way from the boys because we need it.

0:22:11.359 --> 0:22:12.959
<v Speaker 1>But then I we slew it down a little bit.

0:22:13.000 --> 0:22:17.080
<v Speaker 2>We do no air, oh hilarious, and.

0:22:17.119 --> 0:22:20.360
<v Speaker 1>Shake it out so you know, just a little bit

0:22:20.359 --> 0:22:22.720
<v Speaker 1>of here and there. Okay. So then I'll go into

0:22:22.760 --> 0:22:24.160
<v Speaker 1>like a segment called the Underdogs.

0:22:25.040 --> 0:22:27.159
<v Speaker 3>We open with Loser Like Me because you have to

0:22:27.160 --> 0:22:28.960
<v Speaker 3>have it in there, and I had to justify putting

0:22:29.000 --> 0:22:30.159
<v Speaker 3>it in there because.

0:22:31.280 --> 0:22:32.280
<v Speaker 1>It's still not my favorite.

0:22:32.400 --> 0:22:33.639
<v Speaker 4>You have to justify this.

0:22:33.760 --> 0:22:36.480
<v Speaker 3>I guess we need it in there, so we'll do

0:22:36.520 --> 0:22:40.600
<v Speaker 3>an Underdogs segment Lean on Me. Yeah, it's definitely a

0:22:40.600 --> 0:22:43.040
<v Speaker 3>fun one, I thought. Then we go into True Colors.

0:22:43.040 --> 0:22:46.240
<v Speaker 3>We're bringing it back a little bit faithfully until you

0:22:46.280 --> 0:22:47.480
<v Speaker 3>can't always get what you want.

0:22:47.920 --> 0:22:50.240
<v Speaker 1>And then we close out that segment with Breakaway.

0:22:51.119 --> 0:22:54.760
<v Speaker 4>Oh yeah, yeah, yeah.

0:22:54.560 --> 0:22:56.720
<v Speaker 1>We'll definitely be in both mine and Kevin's cuts.

0:22:56.800 --> 0:22:59.760
<v Speaker 3>Yes. Then we go into a New York segment where

0:23:00.119 --> 0:23:03.680
<v Speaker 3>open with NYC all the show where people are walking

0:23:03.720 --> 0:23:05.600
<v Speaker 3>down it's subways in the back, you know, like the

0:23:05.640 --> 0:23:06.000
<v Speaker 3>whole thing.

0:23:06.040 --> 0:23:08.840
<v Speaker 4>It's so funny that you're including NYC when I feel

0:23:08.840 --> 0:23:13.240
<v Speaker 4>like there are other New York centered songs.

0:23:12.880 --> 0:23:13.840
<v Speaker 1>Well, don't you worry.

0:23:13.960 --> 0:23:15.320
<v Speaker 4>We got okay, okay, okay, okay.

0:23:15.840 --> 0:23:18.320
<v Speaker 3>So then we go into so it's not really but

0:23:18.400 --> 0:23:19.480
<v Speaker 3>don't rein on my Parade?

0:23:19.640 --> 0:23:21.359
<v Speaker 1>Is the I don't know it all?

0:23:21.560 --> 0:23:23.720
<v Speaker 3>It's all encompassing of New York to me and the

0:23:23.760 --> 0:23:26.119
<v Speaker 3>New York segment of this, So don't ran on my Parade?

0:23:26.359 --> 0:23:28.560
<v Speaker 2>Is it just or is it?

0:23:29.600 --> 0:23:32.160
<v Speaker 3>And then she comes down the aisle as we see,

0:23:32.200 --> 0:23:34.560
<v Speaker 3>and we end up on the stage, and then Kurt's there,

0:23:34.840 --> 0:23:37.080
<v Speaker 3>and then we do Being Alive because he goes into

0:23:37.080 --> 0:23:40.480
<v Speaker 3>his baby number. Then we break out of there and

0:23:40.680 --> 0:23:44.200
<v Speaker 3>Kate comes in. We do all that jazz Americano because

0:23:44.200 --> 0:23:46.440
<v Speaker 3>we have to, and then everybody.

0:23:46.119 --> 0:23:49.199
<v Speaker 1>Comes down and we do Empire State of Mind. And

0:23:49.240 --> 0:23:52.120
<v Speaker 1>then this is a weird one. We break into let's

0:23:52.160 --> 0:23:53.240
<v Speaker 1>have a kekey turkey.

0:23:52.960 --> 0:23:55.920
<v Speaker 4>Lurkey, No, I'm with you? Why is that weird?

0:23:55.920 --> 0:24:01.760
<v Speaker 2>Actually imagine watching that sect in real life and then

0:24:01.800 --> 0:24:03.679
<v Speaker 2>going from that song to that song.

0:24:05.119 --> 0:24:09.400
<v Speaker 1>J Yeah, yeah, yeah, I get that. I get that.

0:24:09.720 --> 0:24:13.919
<v Speaker 3>I also like, it's just like, tell me something that

0:24:14.119 --> 0:24:16.200
<v Speaker 3>will only make sense after I watch Glee. For those

0:24:16.200 --> 0:24:17.960
<v Speaker 3>people who are watching it for the first time, it's

0:24:18.000 --> 0:24:22.119
<v Speaker 3>that segment. So then we go into some solos, not

0:24:22.240 --> 0:24:26.480
<v Speaker 3>the Boy next Door, Iconic, not Ain't and Away, Mercedes

0:24:26.520 --> 0:24:34.159
<v Speaker 3>Tour version coughs here ape Blaine, Valerie, Santiana Bohemian Rhapsody

0:24:34.400 --> 0:24:35.600
<v Speaker 3>is a big one.

0:24:35.840 --> 0:24:36.560
<v Speaker 1>It's not a solo.

0:24:36.600 --> 0:24:38.840
<v Speaker 3>I don't know why it's in there, but okay, Glitter

0:24:38.880 --> 0:24:40.240
<v Speaker 3>and the We slow it down to Glitter in the

0:24:40.280 --> 0:24:43.200
<v Speaker 3>Air because that was one of Lea's favorites. Somewhere only

0:24:43.240 --> 0:24:46.760
<v Speaker 3>we know another Blaine, because why isn't there two solos

0:24:46.880 --> 0:24:49.760
<v Speaker 3>Blaine and this segment there has to be then slave

0:24:49.840 --> 0:24:51.760
<v Speaker 3>for you into Stronger.

0:24:55.160 --> 0:24:55.200
<v Speaker 1>You.

0:24:55.840 --> 0:24:58.199
<v Speaker 4>Actually, you really did put some thought into this. This

0:24:58.280 --> 0:25:01.320
<v Speaker 4>is inspired meld into each other.

0:25:01.400 --> 0:25:04.439
<v Speaker 2>Yes, this is a very gay list as well. Yeah,

0:25:04.560 --> 0:25:07.200
<v Speaker 2>this is Well's honorary game.

0:25:08.480 --> 0:25:11.280
<v Speaker 1>Thank you so much. Okay, then we're I have three

0:25:11.280 --> 0:25:13.600
<v Speaker 1>more segments and then we're out. Uh, we're slowing it

0:25:13.640 --> 0:25:14.840
<v Speaker 1>down a little bit more so.

0:25:15.480 --> 0:25:19.120
<v Speaker 3>Uh, we're going into just a small segment.

0:25:19.200 --> 0:25:20.760
<v Speaker 1>We're going to open it up with the loser like

0:25:20.800 --> 0:25:24.639
<v Speaker 1>me from one hundred into how will I know?

0:25:24.960 --> 0:25:28.159
<v Speaker 3>We're going Afapella here and then Santana comes out and

0:25:28.160 --> 0:25:32.800
<v Speaker 3>does constant craveing, and then we break into the Scientist

0:25:34.359 --> 0:25:37.360
<v Speaker 3>and then we're gonna go into I Know where I've been,

0:25:38.760 --> 0:25:42.440
<v Speaker 3>and then we're doing I know where I've been, and

0:25:42.800 --> 0:25:44.000
<v Speaker 3>I'm never going back again.

0:25:45.080 --> 0:25:49.400
<v Speaker 2>I'm sorry, I'm sorry. You want me to follow I

0:25:49.480 --> 0:25:51.280
<v Speaker 2>know where I've been, Well.

0:25:51.200 --> 0:25:52.080
<v Speaker 4>I can we can spot that.

0:25:52.200 --> 0:25:54.600
<v Speaker 1>So I'm never going back again because I know where

0:25:54.600 --> 0:25:54.960
<v Speaker 1>I've been.

0:25:55.119 --> 0:25:56.679
<v Speaker 4>Okay, that's so funny.

0:25:56.800 --> 0:25:58.800
<v Speaker 2>Thanks so stupid.

0:25:59.040 --> 0:26:02.080
<v Speaker 1>That is insane, and we're gonna do.

0:26:05.359 --> 0:26:06.400
<v Speaker 2>She should.

0:26:07.640 --> 0:26:09.000
<v Speaker 1>It was really fun to do this, Okay.

0:26:09.040 --> 0:26:11.560
<v Speaker 3>So then and I really didn't like give this the

0:26:11.600 --> 0:26:12.760
<v Speaker 3>time that it deserves.

0:26:12.800 --> 0:26:15.560
<v Speaker 1>So this is very rough, but I'm like, I like

0:26:15.600 --> 0:26:18.720
<v Speaker 1>the shape. I like the shape. Okay. The warbler section.

0:26:18.640 --> 0:26:23.959
<v Speaker 3>Is teenage dream in to raise your glass into potentially

0:26:24.080 --> 0:26:28.000
<v Speaker 3>uptown girl maybe, and then definitely into dark Side because

0:26:28.000 --> 0:26:32.320
<v Speaker 3>that's my favorite. Okay, and then we go and I lived,

0:26:32.400 --> 0:26:34.359
<v Speaker 3>still haven't found what I'm looking for. A paradise by

0:26:34.400 --> 0:26:39.400
<v Speaker 3>the dashboard light, rhythm Nation like a prayer, somebody to love,

0:26:40.560 --> 0:26:42.320
<v Speaker 3>it's a cardio fest.

0:26:42.760 --> 0:26:44.400
<v Speaker 2>Well, that's beautiful.

0:26:45.040 --> 0:26:48.960
<v Speaker 3>That's the shell, those are the bones, those are the

0:26:48.960 --> 0:26:52.080
<v Speaker 3>book fifty five.

0:26:53.119 --> 0:26:59.880
<v Speaker 2>I think I would like to go off of Andrew's ideas.

0:27:00.080 --> 0:27:02.240
<v Speaker 2>I was going sort of inseequential order, which I think

0:27:02.400 --> 0:27:07.119
<v Speaker 2>is lazy. I was going sort of in like the

0:27:07.240 --> 0:27:12.200
<v Speaker 2>early years, like Road to Nationals. I think that's boring

0:27:12.760 --> 0:27:14.439
<v Speaker 2>and I don't like it. I didn't even sit right

0:27:14.440 --> 0:27:17.359
<v Speaker 2>when I was doing it. It's really boring.

0:27:17.520 --> 0:27:19.840
<v Speaker 4>Last week, the draft of this last week was very

0:27:19.960 --> 0:27:24.119
<v Speaker 4>much like just like in chronological order, and I was like,

0:27:24.200 --> 0:27:26.240
<v Speaker 4>that's so no, what is this.

0:27:26.400 --> 0:27:28.840
<v Speaker 2>What I would like? So I would like to use

0:27:28.880 --> 0:27:32.240
<v Speaker 2>Andrews as a framework and use ninety five percent of

0:27:32.280 --> 0:27:35.960
<v Speaker 2>it and then so it's a little more than a framework.

0:27:36.600 --> 0:27:40.040
<v Speaker 2>But what I would like to pitch as some additions

0:27:40.080 --> 0:27:45.439
<v Speaker 2>to it, I think to the opening section after a

0:27:45.520 --> 0:27:49.080
<v Speaker 2>Cafella's open up for the Glee Club for the new directions,

0:27:50.040 --> 0:27:51.880
<v Speaker 2>I think we need to throw and push it.

0:27:52.800 --> 0:27:54.959
<v Speaker 4>Yeah, just like a little taste.

0:27:55.040 --> 0:27:56.639
<v Speaker 2>I think what I would like to do is do

0:27:56.720 --> 0:27:59.840
<v Speaker 2>something like what Beyonce did, where she would throw in

0:28:00.280 --> 0:28:02.439
<v Speaker 2>some things for a second, and she would add in

0:28:02.480 --> 0:28:04.520
<v Speaker 2>some mashups, even if it was just for a touch.

0:28:04.880 --> 0:28:05.480
<v Speaker 4>Yeah.

0:28:05.560 --> 0:28:08.399
<v Speaker 2>I think because push it was one of those numbers

0:28:08.440 --> 0:28:10.480
<v Speaker 2>that really set the tone for what the show was

0:28:10.520 --> 0:28:13.480
<v Speaker 2>going to be totally, and I think seeing everybody hump

0:28:13.560 --> 0:28:16.000
<v Speaker 2>each other on stage would.

0:28:15.800 --> 0:28:20.399
<v Speaker 4>Be great an extended cast. Yeah right, yeah.

0:28:20.600 --> 0:28:23.359
<v Speaker 2>I would also like to add and say a little

0:28:23.359 --> 0:28:28.960
<v Speaker 2>prayer ohe during your cheerio section. Okay, okay, yes, maybe

0:28:28.960 --> 0:28:31.000
<v Speaker 2>the cheero section opens up with say a little prayer

0:28:31.040 --> 0:28:34.240
<v Speaker 2>and then it expands. I appreciate that what you actually

0:28:34.280 --> 0:28:34.920
<v Speaker 2>have going on.

0:28:35.040 --> 0:28:37.160
<v Speaker 3>I will also see in the cheerio section. I don't

0:28:37.160 --> 0:28:39.479
<v Speaker 3>know that it's a cheerio section without keep me hanging On?

0:28:39.520 --> 0:28:39.800
<v Speaker 1>Did you?

0:28:40.000 --> 0:28:42.360
<v Speaker 2>I was thinking that too, I really yeah.

0:28:42.360 --> 0:28:45.000
<v Speaker 4>That didn't make my touch because I was so blown

0:28:45.040 --> 0:28:48.080
<v Speaker 4>away by my mind coming up with it's a man's

0:28:48.080 --> 0:28:49.880
<v Speaker 4>man's man's world and front the world girl.

0:28:50.040 --> 0:28:51.360
<v Speaker 1>Yeah, I get yeah, I feel.

0:28:51.120 --> 0:28:52.880
<v Speaker 4>That, and so but I agree you keep Me hanging

0:28:52.920 --> 0:28:55.080
<v Speaker 4>On is kind of the Quinn number.

0:28:55.280 --> 0:28:56.400
<v Speaker 1>Yeah, it's iconic.

0:28:56.680 --> 0:28:56.760
<v Speaker 4>Ye.

0:28:56.920 --> 0:28:59.640
<v Speaker 2>Maybe we do say a little prayer into you keep

0:28:59.640 --> 0:29:02.600
<v Speaker 2>Me hanging On into Andrew's, but we just do you

0:29:02.640 --> 0:29:07.400
<v Speaker 2>know again little we're not doing full songs, yeah, averse just.

0:29:07.360 --> 0:29:09.880
<v Speaker 1>Like a maybe a radio edit, I don't know.

0:29:18.480 --> 0:29:21.440
<v Speaker 2>I would also like to pitch that between some of

0:29:21.480 --> 0:29:26.160
<v Speaker 2>these sections as like mini act breaks. Yes, we have

0:29:26.200 --> 0:29:30.040
<v Speaker 2>the trouble tones, yeah, definitely, or when we have that

0:29:30.080 --> 0:29:33.000
<v Speaker 2>competition section. Maybe the trouble Tone, but we need them

0:29:33.040 --> 0:29:35.560
<v Speaker 2>in new directions. I just need more trouble tones. I

0:29:36.400 --> 0:29:38.640
<v Speaker 2>just they're superstars.

0:29:39.520 --> 0:29:40.000
<v Speaker 4>It's great.

0:29:40.400 --> 0:29:42.160
<v Speaker 1>It is the back door pilot.

0:29:42.360 --> 0:29:45.560
<v Speaker 2>So I don't know if it's act breaks because obviously

0:29:45.600 --> 0:29:48.200
<v Speaker 2>the trouble Tones are also in Cheerios and in the

0:29:48.200 --> 0:29:50.480
<v Speaker 2>new directions, so maybe that's not a real break, or

0:29:50.520 --> 0:29:53.560
<v Speaker 2>maybe it's just a dedicated section. But I need something

0:29:54.360 --> 0:29:57.840
<v Speaker 2>with the trouble tones, and I need just like three

0:29:57.840 --> 0:30:01.360
<v Speaker 2>to four songs, the entire all the songs that they

0:30:01.360 --> 0:30:03.440
<v Speaker 2>ever did. I've been to a gay bar in the

0:30:03.440 --> 0:30:07.960
<v Speaker 2>past couple months and sentence a drag queen and a

0:30:08.080 --> 0:30:12.040
<v Speaker 2>sentence and that's the show and that's what really meant.

0:30:14.160 --> 0:30:17.520
<v Speaker 2>And a drag queen has either sung live or has

0:30:17.640 --> 0:30:23.320
<v Speaker 2>performed two I Will Survive Survivor. It happens almost every time.

0:30:23.400 --> 0:30:25.080
<v Speaker 2>I don't know what's in the water lately.

0:30:25.400 --> 0:30:29.040
<v Speaker 4>It's it's I know that like rumor has someone like you.

0:30:29.080 --> 0:30:31.800
<v Speaker 4>It's kind of like has been that girl in terms

0:30:31.840 --> 0:30:35.080
<v Speaker 4>of trouble Tones numbers. Survivor and I Will Survive is

0:30:35.120 --> 0:30:38.840
<v Speaker 4>like really aging, like fine on, it's really good.

0:30:39.360 --> 0:30:40.880
<v Speaker 2>It's a perfect mashup.

0:30:41.200 --> 0:30:41.920
<v Speaker 4>I'm so good.

0:30:42.240 --> 0:30:47.000
<v Speaker 2>I think the perfect mashups are rumor has it survivor

0:30:47.040 --> 0:30:50.440
<v Speaker 2>I will Survive? And pretty un pretty. Yeah. What I

0:30:50.480 --> 0:30:57.080
<v Speaker 2>would like to see for the new directions is faithfully yes, yeah,

0:30:57.120 --> 0:31:03.360
<v Speaker 2>more than a feeling whoa paradise woo and I still

0:31:03.360 --> 0:31:04.280
<v Speaker 2>haven't found.

0:31:04.520 --> 0:31:06.240
<v Speaker 1>Yeah yeah, yeah, yeah, yeah, yeah yeah.

0:31:06.280 --> 0:31:08.760
<v Speaker 3>I feel that, I feel that that that actually feels

0:31:08.880 --> 0:31:09.440
<v Speaker 3>really good.

0:31:09.720 --> 0:31:13.840
<v Speaker 2>I mean it would be exhausting, but like beyond I

0:31:13.880 --> 0:31:16.080
<v Speaker 2>mean we're on the floor.

0:31:16.600 --> 0:31:19.280
<v Speaker 4>There are probably like ten songs that were very close

0:31:19.320 --> 0:31:21.840
<v Speaker 4>to making the cut but didn't make the final cut. Yeah,

0:31:21.920 --> 0:31:23.240
<v Speaker 4>ABC being one of them.

0:31:23.520 --> 0:31:23.720
<v Speaker 3>Yeah.

0:31:23.760 --> 0:31:28.880
<v Speaker 4>ABC really literally like I think, God, you guys, I

0:31:28.920 --> 0:31:32.440
<v Speaker 4>want you to take this compliment. It's so perfect. You

0:31:32.560 --> 0:31:35.200
<v Speaker 4>sound so good on it. We had a guest on

0:31:35.360 --> 0:31:39.920
<v Speaker 4>a few months back who really encapsulated your singing in

0:31:40.080 --> 0:31:44.800
<v Speaker 4>such a really complimentary way. They said that Jenna, you

0:31:44.840 --> 0:31:48.320
<v Speaker 4>can tell that when she's recording her audio that she's

0:31:48.400 --> 0:31:52.800
<v Speaker 4>smiling while she's singing, and it's just I was like,

0:31:52.880 --> 0:31:55.080
<v Speaker 4>it's so you can hear it in true colors, you

0:31:55.080 --> 0:31:58.000
<v Speaker 4>can hear it in ABC. Yeah, it just sounds like

0:31:58.040 --> 0:31:59.960
<v Speaker 4>you're just like so full of joy and it comes

0:32:00.160 --> 0:32:01.160
<v Speaker 4>across so ABC.

0:32:02.320 --> 0:32:03.320
<v Speaker 1>Well, that's very kind.

0:32:03.400 --> 0:32:04.200
<v Speaker 2>That was beautiful.

0:32:04.480 --> 0:32:07.040
<v Speaker 3>It's also a little bit of technique. It's like always

0:32:07.240 --> 0:32:07.840
<v Speaker 3>in the face.

0:32:08.240 --> 0:32:10.000
<v Speaker 4>Yeah, it's coming across.

0:32:10.000 --> 0:32:10.440
<v Speaker 1>I'll take it.

0:32:10.480 --> 0:32:11.400
<v Speaker 4>Yeah, we can hear emotion.

0:32:11.680 --> 0:32:12.400
<v Speaker 1>It's emotional.

0:32:13.240 --> 0:32:16.600
<v Speaker 2>I wouldn't know what having technique is like. So I

0:32:16.720 --> 0:32:20.280
<v Speaker 2>sound a little different. What else did I want to add? Look,

0:32:20.440 --> 0:32:23.200
<v Speaker 2>I don't know how we could do it. If we're

0:32:23.240 --> 0:32:27.400
<v Speaker 2>having a water moment, if we take Jemma's umbrella, then

0:32:27.440 --> 0:32:33.080
<v Speaker 2>maybe we're doing we Found Love. Okay, Okay, I guess not.

0:32:33.280 --> 0:32:35.480
<v Speaker 2>That was That was a paint.

0:32:35.480 --> 0:32:39.160
<v Speaker 3>The picture is the pool on stage, mister walking on

0:32:39.240 --> 0:32:45.360
<v Speaker 3>what our God can't I can't see the white suit.

0:32:45.520 --> 0:32:47.160
<v Speaker 3>I just cannot see that whole number.

0:32:47.640 --> 0:32:47.960
<v Speaker 1>I don't know.

0:32:48.120 --> 0:32:49.239
<v Speaker 2>I just want to throw it out there and get

0:32:49.320 --> 0:32:49.640
<v Speaker 2>a react.

0:32:50.080 --> 0:32:51.600
<v Speaker 4>You just want to be pushing the pool again that

0:32:52.480 --> 0:32:54.200
<v Speaker 4>I do want to pull. That's it?

0:32:54.320 --> 0:32:54.600
<v Speaker 1>Okay?

0:32:54.800 --> 0:32:56.719
<v Speaker 2>What else did I haven't? I mean, you got so

0:32:56.880 --> 0:33:01.239
<v Speaker 2>much of mine breakaway obviously. Yeah. I would like a

0:33:01.320 --> 0:33:04.440
<v Speaker 2>carousel on stage and to do.

0:33:05.520 --> 0:33:08.440
<v Speaker 3>Yeah, I appreciate that we can do that as a

0:33:08.480 --> 0:33:11.160
<v Speaker 3>back you know, a visual backdround.

0:33:11.520 --> 0:33:14.000
<v Speaker 2>Yeah, and what I think it is maybe it's a

0:33:14.040 --> 0:33:17.840
<v Speaker 2>half carousel. Yeah, beyond I can bring out an inflatable horse,

0:33:18.800 --> 0:33:21.200
<v Speaker 2>you know. I think we can have some sort of

0:33:21.240 --> 0:33:22.240
<v Speaker 2>like half carousel.

0:33:22.480 --> 0:33:24.000
<v Speaker 1>There's just no flying allowed.

0:33:24.040 --> 0:33:29.040
<v Speaker 3>Between Katie and Beyonce both almost just going, I was like,

0:33:29.240 --> 0:33:30.520
<v Speaker 3>there's no flying in our show.

0:33:30.800 --> 0:33:34.600
<v Speaker 2>Yeah, I'm not interested in flying. Okay, great, it would

0:33:34.600 --> 0:33:39.160
<v Speaker 2>be funny and fun for me to fly, though, Like

0:33:39.200 --> 0:33:39.720
<v Speaker 2>we could do.

0:33:41.320 --> 0:33:42.800
<v Speaker 3>We put you we know, we need to put you

0:33:42.800 --> 0:33:45.320
<v Speaker 3>in the three sixty thing like Pink and just roll

0:33:45.760 --> 0:33:47.200
<v Speaker 3>around like a space.

0:33:48.400 --> 0:33:53.480
<v Speaker 2>Yeah, yeah, okay. And I also want I think what

0:33:53.520 --> 0:33:56.480
<v Speaker 2>we should add in to the theatrical aspect of this

0:33:56.840 --> 0:34:00.000
<v Speaker 2>is all the times Tina had her song cut off

0:34:02.280 --> 0:34:07.240
<v Speaker 2>and then she finally like loses it, Like we add

0:34:07.360 --> 0:34:11.360
<v Speaker 2>we sprinkle it throughout the show, and then finally we

0:34:11.440 --> 0:34:14.480
<v Speaker 2>have like a Tina. It's not even a dream sequence

0:34:14.480 --> 0:34:17.000
<v Speaker 2>because I want it to be real, right, But I

0:34:17.040 --> 0:34:21.960
<v Speaker 2>think she either kicks everybody off stage or everybody's there

0:34:21.960 --> 0:34:23.319
<v Speaker 2>and she like yells at them and they have to

0:34:23.320 --> 0:34:29.400
<v Speaker 2>be quiet. And then one spotlight Jenna in the middle

0:34:29.480 --> 0:34:32.160
<v Speaker 2>of the entire place singing true colors.

0:34:32.480 --> 0:34:34.560
<v Speaker 4>Yeah, oh that's kind let her have this.

0:34:34.800 --> 0:34:36.600
<v Speaker 2>Yeah, like just I wanted to be and I wanted

0:34:36.600 --> 0:34:38.239
<v Speaker 2>to be later in the show like three quarters of

0:34:38.280 --> 0:34:40.839
<v Speaker 2>the way through, like I want it to be you

0:34:40.840 --> 0:34:41.480
<v Speaker 2>want the build up?

0:34:41.520 --> 0:34:41.600
<v Speaker 3>Ok.

0:34:42.080 --> 0:34:43.120
<v Speaker 1>Yeah.

0:34:43.120 --> 0:34:46.319
<v Speaker 3>Honestly though, the build up is actually really funny, like

0:34:46.440 --> 0:34:48.840
<v Speaker 3>Tina coming out to do a full number of Revolution

0:34:48.960 --> 0:34:51.560
<v Speaker 3>and getting caught off and being like going off and

0:34:51.600 --> 0:34:53.560
<v Speaker 3>then going back and like doing the same thing.

0:34:53.680 --> 0:34:56.400
<v Speaker 1>It's really that's a gag, you know.

0:34:56.760 --> 0:34:58.160
<v Speaker 4>Okay, good? Yeah, I like that.

0:34:58.400 --> 0:34:59.200
<v Speaker 1>I appreciate that.

0:34:59.320 --> 0:35:02.080
<v Speaker 2>I understand why you didn't have some of these other

0:35:02.160 --> 0:35:05.759
<v Speaker 2>numbers because Corey, and Iya and Mark. But if there

0:35:05.840 --> 0:35:07.640
<v Speaker 2>was a way, I think we need to build out

0:35:07.840 --> 0:35:12.360
<v Speaker 2>and Andrew's fantasy here a way to sort of honor

0:35:12.400 --> 0:35:17.480
<v Speaker 2>them and like do some of their numbers. I don't

0:35:17.480 --> 0:35:19.440
<v Speaker 2>know how we do that. I don't know necessarily what

0:35:19.480 --> 0:35:21.520
<v Speaker 2>that looks like. If you have a big screen and

0:35:21.560 --> 0:35:25.360
<v Speaker 2>like for example, if we're doing River Deep, you mask

0:35:25.520 --> 0:35:29.120
<v Speaker 2>Amber out of that, so it's just Naya's part and

0:35:29.160 --> 0:35:32.000
<v Speaker 2>you have Amber actually on stage. I do of like

0:35:32.000 --> 0:35:33.279
<v Speaker 2>what we do with Pertion of.

0:35:33.200 --> 0:35:36.319
<v Speaker 3>It Broken Kevin, where you like take you know, the

0:35:36.360 --> 0:35:38.680
<v Speaker 3>original vocals and then you like build upon them.

0:35:39.760 --> 0:35:42.400
<v Speaker 2>Yeah, and so I think, like, because like Smooth Criminal

0:35:42.440 --> 0:35:45.200
<v Speaker 2>is such a great number, there's obviously so many, so

0:35:45.320 --> 0:35:47.120
<v Speaker 2>there has to end for Corey too, Like I feel

0:35:47.120 --> 0:35:49.360
<v Speaker 2>like there's got to be some way to like build

0:35:49.400 --> 0:35:54.040
<v Speaker 2>out one or two moments. It'll workshop that. I see

0:35:54.040 --> 0:35:55.800
<v Speaker 2>what you're saying, because I think you can do it

0:35:55.880 --> 0:35:59.440
<v Speaker 2>and be respectful, honor the fan service that you want to,

0:35:59.520 --> 0:36:01.920
<v Speaker 2>like get the feeling of performance and how much we

0:36:01.960 --> 0:36:03.040
<v Speaker 2>love some of these numbers.

0:36:03.600 --> 0:36:05.239
<v Speaker 1>Right, I appreciate that, but I.

0:36:05.480 --> 0:36:07.320
<v Speaker 2>Think maybe it's in that way, Like I don't. I

0:36:07.360 --> 0:36:08.600
<v Speaker 2>don't think holograms are it.

0:36:08.840 --> 0:36:09.279
<v Speaker 4>I hate that.

0:36:11.080 --> 0:36:14.680
<v Speaker 2>Not into it, but I think, like, let's see them

0:36:14.680 --> 0:36:18.040
<v Speaker 2>on a huge screen. Yeah, gigantic.

0:36:18.440 --> 0:36:19.239
<v Speaker 1>I appreciate that.

0:36:19.640 --> 0:36:22.880
<v Speaker 2>Yeah, I think we can add some of those things in. Okay,

0:36:22.960 --> 0:36:26.160
<v Speaker 2>let me see what else that you had that I

0:36:26.200 --> 0:36:28.040
<v Speaker 2>did not. I did have any way you want to

0:36:28.120 --> 0:36:30.640
<v Speaker 2>love and touch and squeeze and faithfully like the full thing, but.

0:36:32.960 --> 0:36:33.360
<v Speaker 1>Faithfully.

0:36:33.480 --> 0:36:36.839
<v Speaker 2>I also had buster windows with a full card. I

0:36:36.920 --> 0:36:39.879
<v Speaker 2>also had no air, but only for like a touch

0:36:39.920 --> 0:36:41.800
<v Speaker 2>of it because it's so absurd.

0:36:45.160 --> 0:36:47.040
<v Speaker 3>It's almost like Pinks concert. I keep coming back to

0:36:47.080 --> 0:36:48.800
<v Speaker 3>Pink's concert because it's one of the best concerts I

0:36:48.840 --> 0:36:51.200
<v Speaker 3>think I've ever seen. She has like the treadmill as

0:36:51.280 --> 0:36:53.680
<v Speaker 3>the stage, right, where the treadmill and she's walking.

0:36:53.760 --> 0:36:55.279
<v Speaker 1>What if we had like the tread will come.

0:36:55.200 --> 0:36:58.759
<v Speaker 3>Out and there's air, you know, like and then you

0:36:58.800 --> 0:37:02.040
<v Speaker 3>see the hallway out of the way.

0:37:02.280 --> 0:37:02.960
<v Speaker 1>Really special.

0:37:03.040 --> 0:37:05.720
<v Speaker 2>Okay, what might be fun is doing that into buster

0:37:05.719 --> 0:37:07.840
<v Speaker 2>your windows. So we're just getting a lot of movement

0:37:08.280 --> 0:37:13.239
<v Speaker 2>right right now. I'm just thinking about drive my car

0:37:13.320 --> 0:37:14.400
<v Speaker 2>after busty windows.

0:37:15.320 --> 0:37:18.880
<v Speaker 3>That is the car songs and getting in the Artie

0:37:18.880 --> 0:37:20.400
<v Speaker 3>and Kitty and escalade.

0:37:20.920 --> 0:37:23.520
<v Speaker 2>You're an insane human driving on there.

0:37:23.200 --> 0:37:27.520
<v Speaker 4>In the backseat making out. Yeah, and then they come out, Yeah.

0:37:26.800 --> 0:37:27.919
<v Speaker 1>They come out through the sky.

0:37:28.160 --> 0:37:34.160
<v Speaker 2>Yeah. I would also like to add in without you

0:37:35.000 --> 0:37:35.399
<v Speaker 2>mm hmm.

0:37:35.600 --> 0:37:37.560
<v Speaker 4>Yeah.

0:37:37.880 --> 0:37:39.640
<v Speaker 2>I just I don't know if that gets enough love.

0:37:40.120 --> 0:37:41.480
<v Speaker 2>And it's a personal favorite.

0:37:42.280 --> 0:37:43.200
<v Speaker 4>I love that arrangement.

0:37:43.360 --> 0:37:48.600
<v Speaker 2>Beautiful. Yeah, and I think you have Jacob doing.

0:37:49.280 --> 0:37:52.560
<v Speaker 4>Yeah let me love you and n rhythmation.

0:37:52.920 --> 0:37:54.960
<v Speaker 2>Ever since you said we can't people flying, I'm now

0:37:55.000 --> 0:37:58.720
<v Speaker 2>picturing all of these numbers suspended in the air literer

0:37:58.880 --> 0:37:59.560
<v Speaker 2>like me flying.

0:38:00.080 --> 0:38:01.880
<v Speaker 1>We have to rework this if we're making it to

0:38:01.960 --> 0:38:02.480
<v Speaker 1>the sphere.

0:38:02.560 --> 0:38:03.840
<v Speaker 2>So you're right right.

0:38:03.760 --> 0:38:07.200
<v Speaker 4>Oar now you know if we are, we have to

0:38:07.239 --> 0:38:07.640
<v Speaker 4>rework it.

0:38:07.760 --> 0:38:12.359
<v Speaker 2>Wow, Jenna had Yeah, Jenna we didn't even Okay, keep up,

0:38:12.440 --> 0:38:12.719
<v Speaker 2>keep on.

0:38:13.080 --> 0:38:15.839
<v Speaker 1>Glee Residency in the Sphere twenty twenty six.

0:38:16.040 --> 0:38:20.719
<v Speaker 2>Okay, great, Well I think like those would only be

0:38:20.800 --> 0:38:24.000
<v Speaker 2>some of my additions to both of yours. Yeah, I

0:38:24.160 --> 0:38:26.480
<v Speaker 2>love having Also, if we do a residency, you can

0:38:26.600 --> 0:38:28.759
<v Speaker 2>have those guests come in and out, you know. I

0:38:28.800 --> 0:38:32.200
<v Speaker 2>think that is great. And you set up those numbers beforehand, yes,

0:38:32.320 --> 0:38:33.319
<v Speaker 2>practically like.

0:38:33.760 --> 0:38:35.120
<v Speaker 4>And it's like, who am I going to get?

0:38:35.840 --> 0:38:38.040
<v Speaker 1>Yeah, like you know, like joy.

0:38:38.000 --> 0:38:41.320
<v Speaker 4>And then people keep on coming back because they're like, yes, yeah.

0:38:41.719 --> 0:38:44.200
<v Speaker 2>Yeah, like Gwyneth has multiple numbers. You can come back

0:38:44.239 --> 0:38:47.080
<v Speaker 2>several different times, different ones, several different times.

0:38:47.760 --> 0:38:50.239
<v Speaker 4>June' swib come on God, the blind.

0:38:49.920 --> 0:38:50.680
<v Speaker 1>Box of it all.

0:38:50.840 --> 0:38:54.400
<v Speaker 3>You know, it gets people buying more tickets coming again,

0:38:54.840 --> 0:38:55.239
<v Speaker 3>you don't know.

0:38:55.280 --> 0:38:57.600
<v Speaker 2>Imagine I went to the Glee Show last night and

0:38:57.600 --> 0:38:58.360
<v Speaker 2>saw Ricky.

0:38:58.160 --> 0:39:01.920
<v Speaker 4>Martin Yeah yeah, yah ya, Omil Patrick Harris at the

0:39:01.920 --> 0:39:04.680
<v Speaker 4>Glicia last Yeah yeah Omer.

0:39:04.840 --> 0:39:07.799
<v Speaker 2>I would like to see Matt Boehmer and Darren do

0:39:08.440 --> 0:39:12.600
<v Speaker 2>a number live. I would like to see dream on Yeah,

0:39:12.880 --> 0:39:17.600
<v Speaker 2>Neil and Matt live, Like that would be insane. That

0:39:17.800 --> 0:39:19.799
<v Speaker 2>would be and what I think, you know from a

0:39:20.200 --> 0:39:22.600
<v Speaker 2>not that we need to discuss this now, but I

0:39:22.640 --> 0:39:25.759
<v Speaker 2>will getting some of these big stars to come to

0:39:25.840 --> 0:39:27.719
<v Speaker 2>a tour. It's just like Glee, Like when are you

0:39:27.719 --> 0:39:30.520
<v Speaker 2>going to get to perform in an arena or a

0:39:30.600 --> 0:39:35.640
<v Speaker 2>sphere exactly with this production great never never.

0:39:35.480 --> 0:39:36.560
<v Speaker 1>There we go Never.

0:39:37.080 --> 0:39:41.160
<v Speaker 4>Leah on her tour is like doing current songs that

0:39:41.239 --> 0:39:43.880
<v Speaker 4>she feels that Rachel would sing, you know, since the

0:39:43.960 --> 0:39:47.880
<v Speaker 4>series ended. I feel like my question to y'all, do

0:39:47.920 --> 0:39:51.719
<v Speaker 4>you think that there's a space for that here or

0:39:51.880 --> 0:39:54.360
<v Speaker 4>is it like too crowded already with so many of

0:39:54.360 --> 0:39:55.000
<v Speaker 4>the classics.

0:39:55.320 --> 0:39:57.440
<v Speaker 2>No, I mean it is. I think it's crowded, but

0:39:57.520 --> 0:40:01.400
<v Speaker 2>I think just like having those guests, I think we

0:40:01.480 --> 0:40:05.279
<v Speaker 2>could throw in a couple of Core new covers, like yeah,

0:40:05.640 --> 0:40:07.439
<v Speaker 2>as the show goes on. I don't know how long

0:40:07.480 --> 0:40:08.120
<v Speaker 2>this residency.

0:40:08.320 --> 0:40:11.359
<v Speaker 3>We swapped out we like on our tour obviously, like

0:40:11.360 --> 0:40:14.040
<v Speaker 3>people got sick, things got happened, so like we definitely

0:40:14.080 --> 0:40:16.919
<v Speaker 3>swapped out, Like the Encore changed a little bit.

0:40:17.160 --> 0:40:18.479
<v Speaker 1>Obviously it was a shorter tour.

0:40:18.600 --> 0:40:21.840
<v Speaker 3>So but I think you we could spop out numbers

0:40:21.880 --> 0:40:25.320
<v Speaker 3>in the Encore, Like it doesn't have to be set right,

0:40:25.440 --> 0:40:28.400
<v Speaker 3>so like driver's license could be in there of course,

0:40:28.640 --> 0:40:32.360
<v Speaker 3>or like a new Swifty song like somebody else wanted

0:40:32.400 --> 0:40:32.759
<v Speaker 3>to sing.

0:40:32.880 --> 0:40:35.799
<v Speaker 1>I think I definitely think there's space.

0:40:35.480 --> 0:40:35.960
<v Speaker 2>There for that.

0:40:36.160 --> 0:40:37.120
<v Speaker 4>Yeah, sure, I think.

0:40:37.239 --> 0:40:37.640
<v Speaker 1>Yeah.

0:40:37.680 --> 0:40:39.799
<v Speaker 2>I think it's a great idea. I can see this

0:40:39.960 --> 0:40:48.280
<v Speaker 2>now and it's us, three of us, Ryan the creatives,

0:40:48.640 --> 0:40:51.320
<v Speaker 2>and we're delusionable.

0:40:51.600 --> 0:40:53.440
<v Speaker 1>Should we text Ryan? I just say we should do

0:40:53.480 --> 0:40:55.040
<v Speaker 1>really playing with me.

0:40:55.640 --> 0:40:56.560
<v Speaker 4>I feel like it's like.

0:40:56.560 --> 0:40:59.600
<v Speaker 1>I honestly feel like this is this is the move.

0:41:00.080 --> 0:41:03.480
<v Speaker 2>Here's what I think. Everybody listening, we need to start

0:41:03.480 --> 0:41:05.200
<v Speaker 2>like an online petition.

0:41:06.120 --> 0:41:06.839
<v Speaker 4>Change dot org.

0:41:07.000 --> 0:41:10.200
<v Speaker 2>Yeah, yeah, change dot org. You need a Glee reunion concert.

0:41:11.440 --> 0:41:12.399
<v Speaker 2>We'll also talk to Ryan.

0:41:12.640 --> 0:41:16.319
<v Speaker 4>I tell if you're joking or not. I'm not ill

0:41:16.960 --> 0:41:20.920
<v Speaker 4>because I'm ready to lock in. Let's actually already, it's

0:41:20.960 --> 0:41:24.359
<v Speaker 4>part of the deal. Yeah, we're not coming unless Andrew is.

0:41:24.800 --> 0:41:28.280
<v Speaker 4>Oh no, you can. This is my gift to y'all.

0:41:28.440 --> 0:41:30.440
<v Speaker 4>You can use this audio file.

0:41:31.000 --> 0:41:34.920
<v Speaker 2>No bring the amount of time you have dedicated to Glee.

0:41:35.080 --> 0:41:38.520
<v Speaker 3>Honestly, the creative direction is really it's just it's.

0:41:38.360 --> 0:41:42.399
<v Speaker 1>All there in the world. I get all that. I

0:41:42.440 --> 0:41:45.320
<v Speaker 1>get it. I get it. I love that bar Idea.

0:41:45.680 --> 0:41:47.839
<v Speaker 1>We do slushies, we do hard slushies.

0:41:47.880 --> 0:41:51.400
<v Speaker 2>We do. I also think we have drag queens just

0:41:51.480 --> 0:41:55.640
<v Speaker 2>up as some of the characters so out there that there's.

0:41:55.440 --> 0:41:57.040
<v Speaker 1>A karaoke after show.

0:41:58.320 --> 0:41:59.920
<v Speaker 2>Yeah, like a del b the whole ding.

0:42:00.320 --> 0:42:02.720
<v Speaker 1>Yeah, that's okay.

0:42:03.200 --> 0:42:05.879
<v Speaker 4>There was a version of this where the opening act

0:42:06.160 --> 0:42:12.640
<v Speaker 4>was all of the Glee Project contestants, which I think

0:42:13.200 --> 0:42:14.080
<v Speaker 4>that could also work.

0:42:15.480 --> 0:42:18.480
<v Speaker 1>No, no, gosh, the very talented there.

0:42:18.520 --> 0:42:21.360
<v Speaker 2>Lest we forget the first Glee cast to win acting

0:42:21.400 --> 0:42:24.279
<v Speaker 2>Tony's Hello off from the.

0:42:24.200 --> 0:42:28.279
<v Speaker 4>Glee Project Something in the Water, Wow in the.

0:42:28.239 --> 0:42:31.600
<v Speaker 2>Water, it's talent, Andrews.

0:42:31.640 --> 0:42:34.400
<v Speaker 3>Where are the real ones?

0:42:34.760 --> 0:42:35.280
<v Speaker 1>Amazing?

0:42:35.719 --> 0:42:39.560
<v Speaker 3>Anything else? Anything else? Andrew because we Honestly, I can't

0:42:39.880 --> 0:42:43.560
<v Speaker 3>even explain how impressed I am by this tour and

0:42:43.560 --> 0:42:46.240
<v Speaker 3>by all of your reco lost one.

0:42:47.160 --> 0:42:48.200
<v Speaker 4>What are we doing next?

0:42:48.640 --> 0:42:51.120
<v Speaker 3>I know, let's stream up something and we can just

0:42:51.200 --> 0:42:53.440
<v Speaker 3>do it as an interim, because why not.

0:42:53.640 --> 0:42:56.160
<v Speaker 1>This is our podcast. We're we're the bosses.

0:42:57.400 --> 0:42:59.359
<v Speaker 4>I love that you guys are being so secretive about

0:42:59.400 --> 0:43:01.600
<v Speaker 4>what you're doing. Now, that you guys are like something

0:43:01.680 --> 0:43:02.520
<v Speaker 4>fun plan, I'm like.

0:43:02.560 --> 0:43:04.040
<v Speaker 2>All right, what is it?

0:43:05.520 --> 0:43:06.920
<v Speaker 1>Do you have any any idea?

0:43:07.400 --> 0:43:10.680
<v Speaker 4>I have no concept. Is it an idea that you're

0:43:10.760 --> 0:43:12.359
<v Speaker 4>very excited for? I would hope.

0:43:13.120 --> 0:43:20.360
<v Speaker 2>Yeah, oh yeah, it's not directly related to Glee. Ooh yeah, Okay,

0:43:20.560 --> 0:43:21.399
<v Speaker 2>have I said too much?

0:43:22.239 --> 0:43:22.560
<v Speaker 1>No?

0:43:22.800 --> 0:43:25.800
<v Speaker 4>No, just the rd load okay, yeah right.

0:43:26.480 --> 0:43:29.720
<v Speaker 3>Andrew, thank you so much for taking all the time

0:43:29.920 --> 0:43:32.279
<v Speaker 3>to do to think up this brilliant tour list.

0:43:32.360 --> 0:43:33.719
<v Speaker 1>We'll text Ryan after.

0:43:33.480 --> 0:43:36.000
<v Speaker 2>This constantly in awe of you. Seriously. Thank you for

0:43:36.040 --> 0:43:39.240
<v Speaker 2>coming back so many times. Thank you for doing your show.

0:43:40.920 --> 0:43:44.240
<v Speaker 2>Thank you for being the sweetest and smartest and better

0:43:44.280 --> 0:43:45.520
<v Speaker 2>than us at doing yes.

0:43:45.480 --> 0:43:49.399
<v Speaker 4>Yes, surreal even having a conversation with y'all. So thank

0:43:49.400 --> 0:43:49.960
<v Speaker 4>you so much.

0:43:50.160 --> 0:43:51.040
<v Speaker 1>Thanks Andrew.

0:43:51.560 --> 0:43:53.919
<v Speaker 4>All right, Cia, bye bye.

0:43:54.920 --> 0:43:57.200
<v Speaker 2>We have that tour ready to go, locked and loaded.

0:43:57.520 --> 0:43:58.520
<v Speaker 1>I mean, that tour is.

0:43:59.760 --> 0:44:00.880
<v Speaker 2>It's going to be great.

0:44:01.200 --> 0:44:02.399
<v Speaker 1>It's going to be so much fun.

0:44:02.520 --> 0:44:06.120
<v Speaker 2>Everybody your tickets, everybody tickets pre sale up now.

0:44:11.320 --> 0:44:16.080
<v Speaker 3>Well, I hope you guys enjoyed the Dream Tour, the

0:44:16.160 --> 0:44:19.400
<v Speaker 3>Dream Reunion. If you'd like to see it, feel free

0:44:19.480 --> 0:44:25.440
<v Speaker 3>to GMR creators.

0:44:25.520 --> 0:44:29.000
<v Speaker 1>I'm just kidding. I'm just kidding. But how fun would

0:44:29.040 --> 0:44:29.239
<v Speaker 1>that be?

0:44:29.719 --> 0:44:32.399
<v Speaker 2>Oh? It would be I would absolutely love to do that.

0:44:32.400 --> 0:44:33.439
<v Speaker 1>That would be like.

0:44:33.600 --> 0:44:36.160
<v Speaker 2>Because I also think it's different enough. We're not trying

0:44:36.200 --> 0:44:39.000
<v Speaker 2>to recreate something we've already done, right. I think people

0:44:39.000 --> 0:44:41.480
<v Speaker 2>have done this before. I don't think everybody had a

0:44:41.480 --> 0:44:44.120
<v Speaker 2>great experience doing the tour, and I think people.

0:44:43.880 --> 0:44:46.040
<v Speaker 1>We need a corrective experience exactly.

0:44:46.320 --> 0:44:49.640
<v Speaker 2>I think people would actually appreciate that it's something exciting,

0:44:50.160 --> 0:44:52.480
<v Speaker 2>something to all get to be together again in a

0:44:52.520 --> 0:44:55.480
<v Speaker 2>fun way. It's I feel like it's pretty low pressure

0:44:55.640 --> 0:45:00.360
<v Speaker 2>in that way because it's a concert. It's not I

0:45:00.360 --> 0:45:02.800
<v Speaker 2>feel like there's a lot of pressure to like really

0:45:02.840 --> 0:45:03.640
<v Speaker 2>make it work.

0:45:04.360 --> 0:45:08.239
<v Speaker 3>Right, And it's a is it a remake? Is it

0:45:08.280 --> 0:45:10.480
<v Speaker 3>a reimagining? Is it an inspired by?

0:45:10.520 --> 0:45:13.040
<v Speaker 1>Where's the tour? Is just like a core thing?

0:45:13.200 --> 0:45:15.120
<v Speaker 2>Right, We've done it things we already that work.

0:45:15.560 --> 0:45:17.759
<v Speaker 3>Yeah, and it's a concert. I mean, who can say

0:45:17.760 --> 0:45:20.080
<v Speaker 3>no to a like anybody can do concerts?

0:45:20.280 --> 0:45:21.080
<v Speaker 1>Who's saying I.

0:45:21.080 --> 0:45:24.080
<v Speaker 2>Don't know any See Jenna's face on the sphere, That's

0:45:24.120 --> 0:45:24.880
<v Speaker 2>what I want.

0:45:25.280 --> 0:45:27.480
<v Speaker 1>I do not want to see the sphere.

0:45:28.680 --> 0:45:31.319
<v Speaker 3>Well, we hope you guys enjoyed the Dream Tour set

0:45:31.360 --> 0:45:37.839
<v Speaker 3>list with Andrew. To Andrew for creating that incredible tour

0:45:37.920 --> 0:45:42.719
<v Speaker 3>set list for us, and yeah, come back next week and.

0:45:42.680 --> 0:45:45.680
<v Speaker 2>That's what you really miss Thanks for listening and follow

0:45:45.760 --> 0:45:48.600
<v Speaker 2>us on Instagram at and that's what you really miss POD.

0:45:48.880 --> 0:45:50.719
<v Speaker 2>Make sure to write us a review and leave us

0:45:50.719 --> 0:45:52.239
<v Speaker 2>five stars. See you next time.