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Speaker 1: And That's what You Really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 3: Welcome to and That's what You Really miss podcast A

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Speaker 3: Dream Tour.

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Speaker 2: I've been so ready for this. I'm so excited for this.

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Speaker 2: I'm so We've had Andrew from Gleek of the Week

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Speaker 2: pod on to like, do our dream Tour setlists after

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Speaker 2: season two.

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Speaker 3: I'm overwhelmed at the amount of songs, the amount of

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Speaker 3: creative at the amount of stuff we need to cram

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Speaker 3: into one evening.

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Speaker 2: But you know he can out. It's Andrew. Andrew's always

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Speaker 2: got a vision, and boy is it It's quite a vision.

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Speaker 2: So just be prepared. I'm sorry in advance, because you're

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Speaker 2: gonna be excited for this non existent tour because we are.

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Speaker 1: You're gonna want it so bad. You're gonna manifest it

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Speaker 1: into existence like we are.

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Speaker 2: And if anybody can manifest as a group, as a community,

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Speaker 2: as a collective, it is the Gleeks. So we'll see

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Speaker 2: what happens. Okay, let's talk to Andrew about our Glee

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Speaker 2: Era's Dream Tour set list.

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Speaker 4: Hello, Hello, Hello, oh my god, Kevin McKellen, Jenna Ushwitz,

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Speaker 4: is that you? It's us? Oh my God, I'm so

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Speaker 4: excited to be so.

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Speaker 1: Happy to have you. Welcome back. We're ready, this is like,

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Speaker 1: this is it.

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Speaker 2: I will come with anxiety thinking about this, but you know,

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Speaker 2: your voice just brings me comfort. Lets me know we're safe,

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Speaker 2: lets me know we're in the best hands.

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Speaker 4: Like I have been on their StairMaster every day listening

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Speaker 4: to y'all. So, oh my god, I have you to

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Speaker 4: thank for a Glee beaty, A body by Glee, body

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Speaker 4: by Kevin and Jenna. Yeah, yeah, oh, I'm doing really

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Speaker 4: really well. I am excited, scared all the things.

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Speaker 2: Look what we've learned thus far is your vision is

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Speaker 2: better than ours.

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Speaker 1: I'll give you an other review though. So here's here's

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Speaker 1: what I came up with. I broke it down. We

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Speaker 1: spoke in the past, we spoke about an Era's.

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Speaker 3: Like tour, right, And I think in my mind when

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Speaker 3: I was working on this set list, I was like,

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Speaker 3: what would the dream be?

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Speaker 1: I was working on, like, what what would this.

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Speaker 3: Be if we were back in two thousand and fifteen,

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Speaker 3: sixty fifteen and we were like, we're doing a farewell tour?

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Speaker 1: What would that look like?

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Speaker 3: That's how I approached this. Now I know we had

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Speaker 3: also mentioned that this could be a potential instead of.

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Speaker 1: A Gally reboot, we could do a reunion tour.

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Speaker 3: It's my understanding shows yes that might be have been

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Speaker 3: me approached.

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Speaker 1: So we have two different approaches here so.

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Speaker 2: Far to it. And they're all right, you know, everything

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Speaker 2: is correct.

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Speaker 4: I mean I will say the Q and a episode

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Speaker 4: a few months back or something where you were talking

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Speaker 4: about like a reunion concert really lit a flame under me,

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Speaker 4: and I imagine a lot of other gleikus. Okay, yes,

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Speaker 4: very very inspired. I was really inspired by the new

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Speaker 4: production of Cabaret. I don't know if either of you

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Speaker 4: have seen. I have not, but they really decked out

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Speaker 4: the August Wilson Like you're going in and they have

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Speaker 4: all the actors in the lobby and the public space

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Speaker 4: and everything, and it really gets you like amped for

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Speaker 4: the show. And so I feel like what you can

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Speaker 4: do for a reunion show is build McKinley High. You're

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Speaker 4: walking right in and you're seeing the lockers on the walls,

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Speaker 4: you're seeing the cheerios walk through passed you and everything,

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Speaker 4: and they're doing maybe little routines here and there. It's

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Speaker 4: very immersive. You can get your slushy this.

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Speaker 2: Is where we learned that our imagination is not big enough.

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Speaker 4: Oh no, I mean okay, to be fair, Sam texted

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Speaker 4: me a few months back and was like, hey, just

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Speaker 4: to put this on your horizon, you know this. She

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Speaker 4: understood that this would be a colossal task. So I've

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Speaker 4: had time to stew Yeah, yeah, yeah, but yeah. So

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Speaker 4: I'm really gung ho about like this immersive like you

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Speaker 4: can have like Marley's mom behind the bar, you know,

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Speaker 4: and she's serving up slushy, she's serving up vitamin D

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Speaker 4: tots whatever. And so the entire premise of the show

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Speaker 4: I really like struggled with, like what is the concept

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Speaker 4: of it. What I landed on is like a high

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Speaker 4: school reunion honoring principal Shuster. And so it's like this

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Speaker 4: like kind of like Pep Rally reunion of sworts and

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Speaker 4: and so the opening act is called Opening Octafellas, and

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Speaker 4: so it's mister Schuster and the a Caafellas doing like

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Speaker 4: poison you did not? How dare you do it? And

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Speaker 4: then sue In erupts and is like, as President, I'm

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Speaker 4: putting a national ban on Will rapping and then starts

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Speaker 4: the show. So I feel like, okay, you guys are

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Speaker 4: unfortunately obliged to do Don't Stop Believing at every single

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Speaker 4: live performance, so it does need to start the show

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Speaker 4: with don't Stop Believing. In the first era that I'm

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Speaker 4: calling O Glee, it's like og but O Glee. So

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Speaker 4: it's like the original five members yourselves included, of course,

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Speaker 4: starting at Don't Stop Believing. Then we have a Kurt

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Speaker 4: Spotlight with as if we never say goodbye Sunset Boulevard,

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Speaker 4: he can choose to do the entire blood of it

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Speaker 4: all if he wants to. Whenever I call you friend

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Speaker 4: by y'all wow. And then we're doing like, you know,

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Speaker 4: between the songs, we're doing like little like catchups of

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Speaker 4: like where the characters are now, and so we could

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Speaker 4: just see, like you know, where Ardy and Tina are

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Speaker 4: and their relationship. And then everyone's like, wait, where did

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Speaker 4: Rachel go? And then it starts with the dunt dunt,

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Speaker 4: dun't don't parade. She's in the back of the auditorium,

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Speaker 4: makes her way through the isles as she does, and

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Speaker 4: then once she gets to the front of the stage

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Speaker 4: when she does the I'll march my band out here

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Speaker 4: comes the rest of all eras of the new directions

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Speaker 4: walking to the aisles, chills, chill, need everybody there, Lauren zeises,

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Speaker 4: we need myron.

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Speaker 2: Extension to the song, so there's enough time to get everybody.

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Speaker 1: It's kind of like key modulation.

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Speaker 4: And so then you'll go into home season six version. Kevin,

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Speaker 4: I'm throwing it to you. You get to decide here

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Speaker 4: for like the r TOLO feature, here are you choosing

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Speaker 4: for Once in my Life? Or pyit? It's choose your

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Speaker 4: own adventure?

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Speaker 2: What did you I'm gonna do for once in my life?

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Speaker 2: Because we've already done pyit exactly.

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Speaker 4: I totally agree, and I really like what someone said.

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Speaker 4: I think it was like another Q and A episode

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Speaker 4: where someone said, like, Kevin, obviously you have reservations about

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Speaker 4: going back into playing Artie, and this solution was that

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Speaker 4: ALTI is just out of his chair. And then Brittany's like,

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Speaker 4: you seem taller and that's the only acknowledgement. Yeah, And

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Speaker 4: so I think that I love that solution.

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Speaker 2: Okay, great. The problem is I wouldn't know how to

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Speaker 2: perform any of these songs standing.

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Speaker 4: That's it's true.

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Speaker 2: I I'm thinking about doing for once in my life,

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Speaker 2: not in a chair. Yeah, and it makes me so

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Speaker 2: wildly uncomfortable. M I can only picture myself doing it

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Speaker 2: in a chair.

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Speaker 4: It's a safe place.

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Speaker 2: I'll work on.

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Speaker 4: It all right. Speaking of sitting, the next era, Lee

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Speaker 4: has some of their best numbers were on stools. Yes,

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Speaker 4: and so this next era is called here Come the

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Speaker 4: Stools Doo Doo doo dooo. And of course we're starting

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Speaker 4: with Jenna on lead, with three going into true colors.

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Speaker 4: Jocko Artist comes out and does let Me Love you

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Speaker 4: until you learn to love yourself. Then we have season

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Speaker 4: six cash Jane and Mason doing will you Still Love

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Speaker 4: Me Tomorrow? Head over feet mash up wow. And then

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Speaker 4: this is really where I think that like gay screaming

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Speaker 4: will come primarily from me. But I feel pretty unpretty.

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Speaker 4: We've never had a live version. We need it, we

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Speaker 4: need it really bad, Lee, And on the stools, I

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Speaker 4: feel pretty. I'm pretty able to hear them.

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Speaker 2: This is the case.

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Speaker 4: I also Jenna and I will be having a meltdown

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Speaker 4: on the side of the no, it's insane. And then

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Speaker 4: Leah does another stool duet, happy Days are Here Again,

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Speaker 4: Get Happy, And then Vanessa Lenji's comes out and she's like,

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Speaker 4: wait a minute, I missed the entire like march of

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Speaker 4: my band out there, and she tries singing big Spender.

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Speaker 4: Rachel shuts her down and she sings my man Rachel

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Speaker 4: not sugar, but actually I would like to hear it maybe, Yeah,

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Speaker 4: she's she goes into sync the first word of my Man,

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Speaker 4: and then Leah just cuts her off, just takes over.

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Speaker 4: The next era is called oh my God. They're doing

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Speaker 4: original songs, of course, alluding to the curt line from

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Speaker 4: original song, and Brittany comes out and sings my Cup,

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Speaker 4: but starting off to the melody of of my man,

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Speaker 4: Oh my Cup, I love him so he'll never know,

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Speaker 4: and then goes into the original my Cup. Oh this

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Speaker 4: was when my brain was working an overdrive. Yeah, yeah, yeah, game,

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Speaker 4: I think I think I understand homosexuality more than anybody ever.

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Speaker 2: Will you can teach a course? This is next year.

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Speaker 2: This is they're going to be teaching.

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Speaker 4: Yeah, the bouncing all right, and so my Cup. Brittany

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Speaker 4: reveals that My Cup has since went triple platinum in

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Speaker 4: the past ten years, and then Mercedes comes out and

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Speaker 4: is like, your song isn't the only one that went

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Speaker 4: triple platinum? Helped the no Yeah, and then of course,

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Speaker 4: you know we had to do it loser like me.

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Speaker 4: Start off the acoustic version, but the end in the

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Speaker 4: season two, Yes, absolutely, all right, that's the original songs era.

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Speaker 4: Next era is called Honey Nuts for Cheerios. Jigsu rolls

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Speaker 4: out on stage. I am so delighted to hear that

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Speaker 4: you love jigsuit, Jenna. This has been what are.

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Speaker 2: Jigsue on a stage? Makes me really really happy?

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Speaker 3: But imagine in like an arena, and how Sue it's

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Speaker 3: just rolling out?

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Speaker 4: Well, need it really bad? Yeah?

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Speaker 1: Need it? Need it?

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Speaker 4: So Jigsue is like enough with losers, It's time for

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Speaker 4: some winners and actual original recipe. Semester comes out on

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Speaker 4: stage and does Vogue. Oh and then we have Hurt

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Speaker 4: and Mercedes leading four minutes through the aisles, and then

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Speaker 4: we have this was another mash up my mind, I

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Speaker 4: don't even know what my mind is, insane, a mashup

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Speaker 4: of Run the World girls with Britney leading with It's

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Speaker 4: a man's man's man's world.

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Speaker 3: Oh oh, with the.

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Speaker 1: Pregnant lady with the pregnancy. He brought it you run

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Speaker 1: it like all the way.

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Speaker 2: Back like that is to so could you imagine?

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Speaker 1: Don't you dare say? Run Joy Run, and this.

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Speaker 4: I learned my lesson.

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Speaker 1: Yeah, wow, okay, it's a.

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Speaker 4: Man's man's man's really contracting ideas.

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Speaker 2: I love it.

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Speaker 4: I love it contradicting ideas. And then we go into uh,

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Speaker 4: we're contracting ideas, as you know. And then we go

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Speaker 4: Jake leading the cheerios and Nasty for the Nation. Need

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Speaker 4: a live version of that, And then we need Josie

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Speaker 4: Toda leading Lose my Breath with the cheerios. Yes, And

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Speaker 4: then we need Clane their best duet argue with the Wall.

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Speaker 4: Got to get you into my life with a marching

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Speaker 4: band and everything with the cheerios.

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Speaker 1: Yes, love into it.

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Speaker 4: Then this era ends with buster your windows Mercedes with

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Speaker 4: the Cheerios, bring out the car. I think it's so

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Speaker 4: camp that you guys had that.

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Speaker 2: Car full absolutely bringing out the car.

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Speaker 1: We need the car.

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Speaker 4: She busts the window at the end of the song,

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Speaker 4: and the next era is called for our duet. We're

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Speaker 4: gonna do it the car that Mercedes just busted the

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Speaker 4: windows out of. Yeah already and Kitty are in that

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Speaker 4: car and they're singing drive my car of course.

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Speaker 1: Okay, Yeah, we're.

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Speaker 4: Going to make it work that they can drive around

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Speaker 4: on stage. Yeah, and then Jenna, I'm throwing it to you,

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Speaker 4: choose your own adventure for the Mike and Tina duet.

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Speaker 4: The two options. But is it love or is it sing?

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Speaker 1: Oh, it's sing. It's definitely sing.

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Speaker 4: Sing is more like I give it to Mike.

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Speaker 1: It's his.

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Speaker 3: It was his first big thing, and it's campy and fun,

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Speaker 3: like we're in the camp world.

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Speaker 1: Now, we're just we're going there, so we're going with sing. Yeah.

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Speaker 4: I think Tina has the line in the episode that

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Speaker 4: it's the perfect song for that situation, and it really

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Speaker 4: was all right. And then we go into this is

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Speaker 4: a big Sam Spotlight Area duet because he's been with

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Speaker 4: every single girl in that club. So we have Lucky

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Speaker 4: with Quinn, something Stupid with Brittany, human Nature with Mercedes,

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Speaker 4: and then I'll Never fall in Love Again with Rachel.

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Speaker 3: Oh, and like they just keep getting better, those dots,

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Speaker 3: they just keep getting It's like all the way.

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Speaker 2: Up the emotionally physically beautiful.

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Speaker 4: And this is where Act one breaks because then Rachel's like,

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Speaker 4: Rachel sees Jesse and she's like, She's like Jesse. Act break.

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Speaker 4: Second act begins with Hello Rachel and Jesse in a

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Speaker 4: era that I'm calling vocal Adrenaline Junkie. Yeah, so hello

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Speaker 4: Rachel and Jesse, and then Jesse leading Vocal Adrenaline and

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Speaker 4: Bohemian Rhapsody, and then Unique comes out and she's like,

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Speaker 4: Jesse wasn't the only person that was in vocal Adrenaline

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Speaker 4: sings boogie Shoes and then everyone's like, Unique, where have

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Speaker 4: you been this entire show? Unique sings, I know where

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Speaker 4: I've been.

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Speaker 1: You are out of control. You're out of control.

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Speaker 4: If we have the vocal Adrenaline of it all, we

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Speaker 4: need to have the Warbler of it all. And so

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Speaker 4: the next era is called keep Calm and Warbler On.

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Speaker 4: So we start with teenage dream Acoustic into original, just

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Speaker 4: to get the best of both worlds. And then we

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Speaker 4: get somewhere only we know. And I know this isn't

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Speaker 4: like actually a Warbler's number per se, but it is

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Speaker 4: the best Blaine number, so I needed to fit it in. Yeah,

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Speaker 4: I'm not going to cheat your boyfriend how to Dance

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Speaker 4: with You?

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Speaker 1: Yes, totally. I almost put that in my absolutely so

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Speaker 1: perfect yeah.

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Speaker 4: And so then I watched the Taylor Swift Eras movie

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Speaker 4: in anticipation for creating Wow. Yeah, one of the ideas

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Speaker 4: that I really love, of course, was the surprise song

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Speaker 4: of it all, and I was like, how do I

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Speaker 4: integrate like a surprise song into a Glera's Yeah, And

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Speaker 4: obviously y'all had countless guest stars, and so instead of

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Speaker 4: surprise song, it is a surprise song, but it's a

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Speaker 4: surprise guest star. You don't know who you're gonna get.

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Speaker 4: It could be Americano Dance again with Kate Hudson, it

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Speaker 4: could be maybe this time Chris and Chenna with you know,

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Speaker 4: it can be Turkey Lurkey time with you know, anybody.

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Speaker 4: And so they come out because surprise. It's a competition

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Speaker 4: vocal adrenaline warblers and new directions, and the guest star

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Speaker 4: judge is the judge of this competition. And so we're

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Speaker 4: nearing the end.

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Speaker 2: I promise I don't want to just keep on going.

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Speaker 4: Let's list every single song that y'all did, all right,

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Speaker 4: And so then it's time for the new directions set list,

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Speaker 4: and we have all eras to all like different, you know,

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Speaker 4: iterations of new directions to borrow from in an era

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Speaker 4: that I'm calling ladies and gentlemen, the new directions in

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Speaker 4: the way that Lea. Michelle says it because she doesn't

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Speaker 4: want to say new directions. She really wants to enunciate that. Yeah. Okay.

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Speaker 4: So we have the season six cast in It was like, real,

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Speaker 4: I don't know what to decide for this one. It's

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Speaker 4: either father Figure or take me to church. How are y'all.

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Speaker 1: Feeling father Figure? Father Figure? That's in my What do

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Speaker 1: you think, Kevin?

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Speaker 4: I say, father Figure? It's so good, it really is.

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Speaker 4: It's perfect. Yeah, okay, so father Figure. Then we have

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Speaker 4: the last Rachel number of the night. It's all coming

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Speaker 4: back to me now. And then ending this set list

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Speaker 4: with I still haven't found what I'm looking for with

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Speaker 4: the season five for you know cast, all right, and

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Speaker 4: then final act the show must go all over the

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Speaker 4: place or something. Starting off, of course, with many are

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Speaker 4: saying best song on dog Days are over? Who? Then

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Speaker 4: we are young?

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Speaker 3: Yeah?

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Speaker 4: Then to sir with love. Everyone's getting emotional in the

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Speaker 4: way that they do talking to mister Schuster, and then

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Speaker 4: mister Schuster is like, again, choose your own adventure. Are

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Speaker 4: we choosing Over the Rainbow or teach your children?

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Speaker 1: Teach your children?

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Speaker 4: Yeah?

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Speaker 2: Oh, I think over the Rainbow the original brand.

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Speaker 4: Yeah, And then I think that they should have done

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Speaker 4: this instead of in place of I Lived. Thank you

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Speaker 4: for the music. I'm just right there. Why didn't y'all

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Speaker 4: end with that? I know it wasn't your decision.

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Speaker 1: It wasn't our.

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Speaker 2: Decision, Jenna Space.

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Speaker 4: You guys did an ab A song in the series finale.

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Speaker 1: Yeah, thank you for the music.

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Speaker 3: You know what, I will always agree with that.

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Speaker 1: I think we could have done better.

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Speaker 4: I Lived. So there's just like one republic, I'm with you,

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Speaker 4: with you And so then the final song of the night,

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Speaker 4: the glandcore is Somebody to Love with the entire cast,

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Speaker 4: the surprise guest stars and what have you?

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Speaker 2: Great?

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Speaker 4: And that's it.

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Speaker 2: Wow, that is beautiful.

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Speaker 3: Some really cohesive, streamlined smart tour list.

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Speaker 4: I wanted to get as many of y'all in there

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Speaker 4: singing you you did the best number for each character.

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Speaker 3: Let me just read you my list, because mine isn't

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Speaker 3: as cohesively creatively driven. It's a lot of songs your

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Speaker 3: work categories. Yeah, we're your workshop. So mine is an outline,

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Speaker 3: if you will, Okay, So that we start with the

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Speaker 3: hit some of the hits, right, we open with don't stop.

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Speaker 3: We're aligned there, right, we do we are young. We

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Speaker 3: also throw it back to my life would suck without you.

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Speaker 3: We throw a little safety dance in there, this one.

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Speaker 3: I don't think you got The boy is Mine.

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Speaker 4: I did not include The Boy's Mine. I was specific

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Speaker 4: about not including songs that like primarily focused, you know,

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Speaker 4: fin Puck in Santana. I see, I.

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Speaker 3: See what you're saying. Okay, yes, I went a little dreamier. Okay,

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Speaker 3: so I've gone a little bit like you know, we're

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Speaker 3: in We're in.

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Speaker 1: The clouds a little bit.

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Speaker 3: And then the end of this segment is Pompeii ooh,

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Speaker 3: which is prising for me because, like I personally, it

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Speaker 3: wasn't like one of those songs that I know it's

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Speaker 3: a fan favorite. It wasn't one of the songs that

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Speaker 3: like hit.

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Speaker 1: Me all that yeah deeplyep or didn't cut that deep.

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Speaker 3: But I was like, I get it, it's it's a

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Speaker 3: crowd favorite. Then we we go into some mashups, right

359
00:20:44,080 --> 00:20:47,920
Speaker 3: of course, no Glee without any mashups, so rumor has

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Speaker 3: it someone like you. Then we go into Halo Walking

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Speaker 3: on Sunshine.

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Speaker 4: Ooh, that did make my cut.

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Speaker 1: Yeah, also didn't make your cut.

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Speaker 3: Singing in the Rain Umbrella, Oh okay, you know, I

365
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Speaker 3: think I think we need some theatricality here. I'm thinking

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Speaker 3: like big big screens in the back with like lots

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Speaker 3: of rain and.

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Speaker 1: Things and real rain. We're giving you a Britney moment,

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Speaker 1: you know that whole thing.

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Speaker 3: Obviously, I feel pretty. I'm pretty, and I also through

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Speaker 3: it back. I don't know why this came to me,

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Speaker 3: but I was got to put it in. It's my

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Speaker 3: life confession's part too.

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Speaker 4: Oh that is good. Wait you hate it, Keaven.

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Speaker 2: I was debating it myself.

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Speaker 1: See that's what I'm saying.

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Speaker 2: I just you're like, if you know, to Andrew's point

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Speaker 2: of like, what is the best that we can do?

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Speaker 3: Yeah, yeah, no, no, I don't know if that's I'm

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Speaker 3: not giving you the best.

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Speaker 1: I'm giving you a workshop of like we should try it.

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Speaker 1: We should try it out, you know, see how it feels.

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Speaker 2: Right.

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Speaker 3: And then I went into this like kind of boys

385
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Speaker 3: versus girls moment, which I didn't fully think out properly.

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Speaker 1: So it's actually not really boys versus girls.

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Speaker 3: We could definitely refine this one, but right now within

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Speaker 3: that segment is survivor.

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Speaker 1: I will survive.

390
00:22:01,720 --> 00:22:05,280
Speaker 3: Yes, tell him, not the cut song, but the girls

391
00:22:05,320 --> 00:22:08,119
Speaker 3: tell him in the Blue Dresses, a full version of

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Speaker 3: I wanted that way from the boys because we need it.

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Speaker 1: But then I we slew it down a little bit.

394
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Speaker 2: We do no air, oh hilarious, and.

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Speaker 1: Shake it out so you know, just a little bit

396
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Speaker 1: of here and there. Okay. So then I'll go into

397
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Speaker 1: like a segment called the Underdogs.

398
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Speaker 3: We open with Loser Like Me because you have to

399
00:22:27,160 --> 00:22:28,960
Speaker 3: have it in there, and I had to justify putting

400
00:22:29,000 --> 00:22:30,159
Speaker 3: it in there because.

401
00:22:31,280 --> 00:22:32,280
Speaker 1: It's still not my favorite.

402
00:22:32,400 --> 00:22:33,639
Speaker 4: You have to justify this.

403
00:22:33,760 --> 00:22:36,480
Speaker 3: I guess we need it in there, so we'll do

404
00:22:36,520 --> 00:22:40,600
Speaker 3: an Underdogs segment Lean on Me. Yeah, it's definitely a

405
00:22:40,600 --> 00:22:43,040
Speaker 3: fun one, I thought. Then we go into True Colors.

406
00:22:43,040 --> 00:22:46,240
Speaker 3: We're bringing it back a little bit faithfully until you

407
00:22:46,280 --> 00:22:47,480
Speaker 3: can't always get what you want.

408
00:22:47,920 --> 00:22:50,240
Speaker 1: And then we close out that segment with Breakaway.

409
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Speaker 4: Oh yeah, yeah, yeah.

410
00:22:54,560 --> 00:22:56,720
Speaker 1: We'll definitely be in both mine and Kevin's cuts.

411
00:22:56,800 --> 00:22:59,760
Speaker 3: Yes. Then we go into a New York segment where

412
00:23:00,119 --> 00:23:03,680
Speaker 3: open with NYC all the show where people are walking

413
00:23:03,720 --> 00:23:05,600
Speaker 3: down it's subways in the back, you know, like the

414
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Speaker 3: whole thing.

415
00:23:06,040 --> 00:23:08,840
Speaker 4: It's so funny that you're including NYC when I feel

416
00:23:08,840 --> 00:23:13,240
Speaker 4: like there are other New York centered songs.

417
00:23:12,880 --> 00:23:13,840
Speaker 1: Well, don't you worry.

418
00:23:13,960 --> 00:23:15,320
Speaker 4: We got okay, okay, okay, okay.

419
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Speaker 3: So then we go into so it's not really but

420
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Speaker 3: don't rein on my Parade?

421
00:23:19,640 --> 00:23:21,359
Speaker 1: Is the I don't know it all?

422
00:23:21,560 --> 00:23:23,720
Speaker 3: It's all encompassing of New York to me and the

423
00:23:23,760 --> 00:23:26,119
Speaker 3: New York segment of this, So don't ran on my Parade?

424
00:23:26,359 --> 00:23:28,560
Speaker 2: Is it just or is it?

425
00:23:29,600 --> 00:23:32,160
Speaker 3: And then she comes down the aisle as we see,

426
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Speaker 3: and we end up on the stage, and then Kurt's there,

427
00:23:34,840 --> 00:23:37,080
Speaker 3: and then we do Being Alive because he goes into

428
00:23:37,080 --> 00:23:40,480
Speaker 3: his baby number. Then we break out of there and

429
00:23:40,680 --> 00:23:44,200
Speaker 3: Kate comes in. We do all that jazz Americano because

430
00:23:44,200 --> 00:23:46,440
Speaker 3: we have to, and then everybody.

431
00:23:46,119 --> 00:23:49,199
Speaker 1: Comes down and we do Empire State of Mind. And

432
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Speaker 1: then this is a weird one. We break into let's

433
00:23:52,160 --> 00:23:53,240
Speaker 1: have a kekey turkey.

434
00:23:52,960 --> 00:23:55,920
Speaker 4: Lurkey, No, I'm with you? Why is that weird?

435
00:23:55,920 --> 00:24:01,760
Speaker 2: Actually imagine watching that sect in real life and then

436
00:24:01,800 --> 00:24:03,679
Speaker 2: going from that song to that song.

437
00:24:05,119 --> 00:24:09,400
Speaker 1: J Yeah, yeah, yeah, I get that. I get that.

438
00:24:09,720 --> 00:24:13,919
Speaker 3: I also like, it's just like, tell me something that

439
00:24:14,119 --> 00:24:16,200
Speaker 3: will only make sense after I watch Glee. For those

440
00:24:16,200 --> 00:24:17,960
Speaker 3: people who are watching it for the first time, it's

441
00:24:18,000 --> 00:24:22,119
Speaker 3: that segment. So then we go into some solos, not

442
00:24:22,240 --> 00:24:26,480
Speaker 3: the Boy next Door, Iconic, not Ain't and Away, Mercedes

443
00:24:26,520 --> 00:24:34,159
Speaker 3: Tour version coughs here ape Blaine, Valerie, Santiana Bohemian Rhapsody

444
00:24:34,400 --> 00:24:35,600
Speaker 3: is a big one.

445
00:24:35,840 --> 00:24:36,560
Speaker 1: It's not a solo.

446
00:24:36,600 --> 00:24:38,840
Speaker 3: I don't know why it's in there, but okay, Glitter

447
00:24:38,880 --> 00:24:40,240
Speaker 3: and the We slow it down to Glitter in the

448
00:24:40,280 --> 00:24:43,200
Speaker 3: Air because that was one of Lea's favorites. Somewhere only

449
00:24:43,240 --> 00:24:46,760
Speaker 3: we know another Blaine, because why isn't there two solos

450
00:24:46,880 --> 00:24:49,760
Speaker 3: Blaine and this segment there has to be then slave

451
00:24:49,840 --> 00:24:51,760
Speaker 3: for you into Stronger.

452
00:24:55,160 --> 00:24:55,200
Speaker 1: You.

453
00:24:55,840 --> 00:24:58,199
Speaker 4: Actually, you really did put some thought into this. This

454
00:24:58,280 --> 00:25:01,320
Speaker 4: is inspired meld into each other.

455
00:25:01,400 --> 00:25:04,439
Speaker 2: Yes, this is a very gay list as well. Yeah,

456
00:25:04,560 --> 00:25:07,200
Speaker 2: this is Well's honorary game.

457
00:25:08,480 --> 00:25:11,280
Speaker 1: Thank you so much. Okay, then we're I have three

458
00:25:11,280 --> 00:25:13,600
Speaker 1: more segments and then we're out. Uh, we're slowing it

459
00:25:13,640 --> 00:25:14,840
Speaker 1: down a little bit more so.

460
00:25:15,480 --> 00:25:19,120
Speaker 3: Uh, we're going into just a small segment.

461
00:25:19,200 --> 00:25:20,760
Speaker 1: We're going to open it up with the loser like

462
00:25:20,800 --> 00:25:24,639
Speaker 1: me from one hundred into how will I know?

463
00:25:24,960 --> 00:25:28,159
Speaker 3: We're going Afapella here and then Santana comes out and

464
00:25:28,160 --> 00:25:32,800
Speaker 3: does constant craveing, and then we break into the Scientist

465
00:25:34,359 --> 00:25:37,360
Speaker 3: and then we're gonna go into I Know where I've been,

466
00:25:38,760 --> 00:25:42,440
Speaker 3: and then we're doing I know where I've been, and

467
00:25:42,800 --> 00:25:44,000
Speaker 3: I'm never going back again.

468
00:25:45,080 --> 00:25:49,400
Speaker 2: I'm sorry, I'm sorry. You want me to follow I

469
00:25:49,480 --> 00:25:51,280
Speaker 2: know where I've been, Well.

470
00:25:51,200 --> 00:25:52,080
Speaker 4: I can we can spot that.

471
00:25:52,200 --> 00:25:54,600
Speaker 1: So I'm never going back again because I know where

472
00:25:54,600 --> 00:25:54,960
Speaker 1: I've been.

473
00:25:55,119 --> 00:25:56,679
Speaker 4: Okay, that's so funny.

474
00:25:56,800 --> 00:25:58,800
Speaker 2: Thanks so stupid.

475
00:25:59,040 --> 00:26:02,080
Speaker 1: That is insane, and we're gonna do.

476
00:26:05,359 --> 00:26:06,400
Speaker 2: She should.

477
00:26:07,640 --> 00:26:09,000
Speaker 1: It was really fun to do this, Okay.

478
00:26:09,040 --> 00:26:11,560
Speaker 3: So then and I really didn't like give this the

479
00:26:11,600 --> 00:26:12,760
Speaker 3: time that it deserves.

480
00:26:12,800 --> 00:26:15,560
Speaker 1: So this is very rough, but I'm like, I like

481
00:26:15,600 --> 00:26:18,720
Speaker 1: the shape. I like the shape. Okay. The warbler section.

482
00:26:18,640 --> 00:26:23,959
Speaker 3: Is teenage dream in to raise your glass into potentially

483
00:26:24,080 --> 00:26:28,000
Speaker 3: uptown girl maybe, and then definitely into dark Side because

484
00:26:28,000 --> 00:26:32,320
Speaker 3: that's my favorite. Okay, and then we go and I lived,

485
00:26:32,400 --> 00:26:34,359
Speaker 3: still haven't found what I'm looking for. A paradise by

486
00:26:34,400 --> 00:26:39,400
Speaker 3: the dashboard light, rhythm Nation like a prayer, somebody to love,

487
00:26:40,560 --> 00:26:42,320
Speaker 3: it's a cardio fest.

488
00:26:42,760 --> 00:26:44,400
Speaker 2: Well, that's beautiful.

489
00:26:45,040 --> 00:26:48,960
Speaker 3: That's the shell, those are the bones, those are the

490
00:26:48,960 --> 00:26:52,080
Speaker 3: book fifty five.

491
00:26:53,119 --> 00:26:59,880
Speaker 2: I think I would like to go off of Andrew's ideas.

492
00:27:00,080 --> 00:27:02,240
Speaker 2: I was going sort of inseequential order, which I think

493
00:27:02,400 --> 00:27:07,119
Speaker 2: is lazy. I was going sort of in like the

494
00:27:07,240 --> 00:27:12,200
Speaker 2: early years, like Road to Nationals. I think that's boring

495
00:27:12,760 --> 00:27:14,439
Speaker 2: and I don't like it. I didn't even sit right

496
00:27:14,440 --> 00:27:17,359
Speaker 2: when I was doing it. It's really boring.

497
00:27:17,520 --> 00:27:19,840
Speaker 4: Last week, the draft of this last week was very

498
00:27:19,960 --> 00:27:24,119
Speaker 4: much like just like in chronological order, and I was like,

499
00:27:24,200 --> 00:27:26,240
Speaker 4: that's so no, what is this.

500
00:27:26,400 --> 00:27:28,840
Speaker 2: What I would like? So I would like to use

501
00:27:28,880 --> 00:27:32,240
Speaker 2: Andrews as a framework and use ninety five percent of

502
00:27:32,280 --> 00:27:35,960
Speaker 2: it and then so it's a little more than a framework.

503
00:27:36,600 --> 00:27:40,040
Speaker 2: But what I would like to pitch as some additions

504
00:27:40,080 --> 00:27:45,439
Speaker 2: to it, I think to the opening section after a

505
00:27:45,520 --> 00:27:49,080
Speaker 2: Cafella's open up for the Glee Club for the new directions,

506
00:27:50,040 --> 00:27:51,880
Speaker 2: I think we need to throw and push it.

507
00:27:52,800 --> 00:27:54,959
Speaker 4: Yeah, just like a little taste.

508
00:27:55,040 --> 00:27:56,639
Speaker 2: I think what I would like to do is do

509
00:27:56,720 --> 00:27:59,840
Speaker 2: something like what Beyonce did, where she would throw in

510
00:28:00,280 --> 00:28:02,439
Speaker 2: some things for a second, and she would add in

511
00:28:02,480 --> 00:28:04,520
Speaker 2: some mashups, even if it was just for a touch.

512
00:28:04,880 --> 00:28:05,480
Speaker 4: Yeah.

513
00:28:05,560 --> 00:28:08,399
Speaker 2: I think because push it was one of those numbers

514
00:28:08,440 --> 00:28:10,480
Speaker 2: that really set the tone for what the show was

515
00:28:10,520 --> 00:28:13,480
Speaker 2: going to be totally, and I think seeing everybody hump

516
00:28:13,560 --> 00:28:16,000
Speaker 2: each other on stage would.

517
00:28:15,800 --> 00:28:20,399
Speaker 4: Be great an extended cast. Yeah right, yeah.

518
00:28:20,600 --> 00:28:23,359
Speaker 2: I would also like to add and say a little

519
00:28:23,359 --> 00:28:28,960
Speaker 2: prayer ohe during your cheerio section. Okay, okay, yes, maybe

520
00:28:28,960 --> 00:28:31,000
Speaker 2: the cheero section opens up with say a little prayer

521
00:28:31,040 --> 00:28:34,240
Speaker 2: and then it expands. I appreciate that what you actually

522
00:28:34,280 --> 00:28:34,920
Speaker 2: have going on.

523
00:28:35,040 --> 00:28:37,160
Speaker 3: I will also see in the cheerio section. I don't

524
00:28:37,160 --> 00:28:39,479
Speaker 3: know that it's a cheerio section without keep me hanging On?

525
00:28:39,520 --> 00:28:39,800
Speaker 1: Did you?

526
00:28:40,000 --> 00:28:42,360
Speaker 2: I was thinking that too, I really yeah.

527
00:28:42,360 --> 00:28:45,000
Speaker 4: That didn't make my touch because I was so blown

528
00:28:45,040 --> 00:28:48,080
Speaker 4: away by my mind coming up with it's a man's

529
00:28:48,080 --> 00:28:49,880
Speaker 4: man's man's world and front the world girl.

530
00:28:50,040 --> 00:28:51,360
Speaker 1: Yeah, I get yeah, I feel.

531
00:28:51,120 --> 00:28:52,880
Speaker 4: That, and so but I agree you keep Me hanging

532
00:28:52,920 --> 00:28:55,080
Speaker 4: On is kind of the Quinn number.

533
00:28:55,280 --> 00:28:56,400
Speaker 1: Yeah, it's iconic.

534
00:28:56,680 --> 00:28:56,760
Speaker 4: Ye.

535
00:28:56,920 --> 00:28:59,640
Speaker 2: Maybe we do say a little prayer into you keep

536
00:28:59,640 --> 00:29:02,600
Speaker 2: Me hanging On into Andrew's, but we just do you

537
00:29:02,640 --> 00:29:07,400
Speaker 2: know again little we're not doing full songs, yeah, averse just.

538
00:29:07,360 --> 00:29:09,880
Speaker 1: Like a maybe a radio edit, I don't know.

539
00:29:18,480 --> 00:29:21,440
Speaker 2: I would also like to pitch that between some of

540
00:29:21,480 --> 00:29:26,160
Speaker 2: these sections as like mini act breaks. Yes, we have

541
00:29:26,200 --> 00:29:30,040
Speaker 2: the trouble tones, yeah, definitely, or when we have that

542
00:29:30,080 --> 00:29:33,000
Speaker 2: competition section. Maybe the trouble Tone, but we need them

543
00:29:33,040 --> 00:29:35,560
Speaker 2: in new directions. I just need more trouble tones. I

544
00:29:36,400 --> 00:29:38,640
Speaker 2: just they're superstars.

545
00:29:39,520 --> 00:29:40,000
Speaker 4: It's great.

546
00:29:40,400 --> 00:29:42,160
Speaker 1: It is the back door pilot.

547
00:29:42,360 --> 00:29:45,560
Speaker 2: So I don't know if it's act breaks because obviously

548
00:29:45,600 --> 00:29:48,200
Speaker 2: the trouble Tones are also in Cheerios and in the

549
00:29:48,200 --> 00:29:50,480
Speaker 2: new directions, so maybe that's not a real break, or

550
00:29:50,520 --> 00:29:53,560
Speaker 2: maybe it's just a dedicated section. But I need something

551
00:29:54,360 --> 00:29:57,840
Speaker 2: with the trouble tones, and I need just like three

552
00:29:57,840 --> 00:30:01,360
Speaker 2: to four songs, the entire all the songs that they

553
00:30:01,360 --> 00:30:03,440
Speaker 2: ever did. I've been to a gay bar in the

554
00:30:03,440 --> 00:30:07,960
Speaker 2: past couple months and sentence a drag queen and a

555
00:30:08,080 --> 00:30:12,040
Speaker 2: sentence and that's the show and that's what really meant.

556
00:30:14,160 --> 00:30:17,520
Speaker 2: And a drag queen has either sung live or has

557
00:30:17,640 --> 00:30:23,320
Speaker 2: performed two I Will Survive Survivor. It happens almost every time.

558
00:30:23,400 --> 00:30:25,080
Speaker 2: I don't know what's in the water lately.

559
00:30:25,400 --> 00:30:29,040
Speaker 4: It's it's I know that like rumor has someone like you.

560
00:30:29,080 --> 00:30:31,800
Speaker 4: It's kind of like has been that girl in terms

561
00:30:31,840 --> 00:30:35,080
Speaker 4: of trouble Tones numbers. Survivor and I Will Survive is

562
00:30:35,120 --> 00:30:38,840
Speaker 4: like really aging, like fine on, it's really good.

563
00:30:39,360 --> 00:30:40,880
Speaker 2: It's a perfect mashup.

564
00:30:41,200 --> 00:30:41,920
Speaker 4: I'm so good.

565
00:30:42,240 --> 00:30:47,000
Speaker 2: I think the perfect mashups are rumor has it survivor

566
00:30:47,040 --> 00:30:50,440
Speaker 2: I will Survive? And pretty un pretty. Yeah. What I

567
00:30:50,480 --> 00:30:57,080
Speaker 2: would like to see for the new directions is faithfully yes, yeah,

568
00:30:57,120 --> 00:31:03,360
Speaker 2: more than a feeling whoa paradise woo and I still

569
00:31:03,360 --> 00:31:04,280
Speaker 2: haven't found.

570
00:31:04,520 --> 00:31:06,240
Speaker 1: Yeah yeah, yeah, yeah, yeah, yeah yeah.

571
00:31:06,280 --> 00:31:08,760
Speaker 3: I feel that, I feel that that that actually feels

572
00:31:08,880 --> 00:31:09,440
Speaker 3: really good.

573
00:31:09,720 --> 00:31:13,840
Speaker 2: I mean it would be exhausting, but like beyond I

574
00:31:13,880 --> 00:31:16,080
Speaker 2: mean we're on the floor.

575
00:31:16,600 --> 00:31:19,280
Speaker 4: There are probably like ten songs that were very close

576
00:31:19,320 --> 00:31:21,840
Speaker 4: to making the cut but didn't make the final cut. Yeah,

577
00:31:21,920 --> 00:31:23,240
Speaker 4: ABC being one of them.

578
00:31:23,520 --> 00:31:23,720
Speaker 3: Yeah.

579
00:31:23,760 --> 00:31:28,880
Speaker 4: ABC really literally like I think, God, you guys, I

580
00:31:28,920 --> 00:31:32,440
Speaker 4: want you to take this compliment. It's so perfect. You

581
00:31:32,560 --> 00:31:35,200
Speaker 4: sound so good on it. We had a guest on

582
00:31:35,360 --> 00:31:39,920
Speaker 4: a few months back who really encapsulated your singing in

583
00:31:40,080 --> 00:31:44,800
Speaker 4: such a really complimentary way. They said that Jenna, you

584
00:31:44,840 --> 00:31:48,320
Speaker 4: can tell that when she's recording her audio that she's

585
00:31:48,400 --> 00:31:52,800
Speaker 4: smiling while she's singing, and it's just I was like,

586
00:31:52,880 --> 00:31:55,080
Speaker 4: it's so you can hear it in true colors, you

587
00:31:55,080 --> 00:31:58,000
Speaker 4: can hear it in ABC. Yeah, it just sounds like

588
00:31:58,040 --> 00:31:59,960
Speaker 4: you're just like so full of joy and it comes

589
00:32:00,160 --> 00:32:01,160
Speaker 4: across so ABC.

590
00:32:02,320 --> 00:32:03,320
Speaker 1: Well, that's very kind.

591
00:32:03,400 --> 00:32:04,200
Speaker 2: That was beautiful.

592
00:32:04,480 --> 00:32:07,040
Speaker 3: It's also a little bit of technique. It's like always

593
00:32:07,240 --> 00:32:07,840
Speaker 3: in the face.

594
00:32:08,240 --> 00:32:10,000
Speaker 4: Yeah, it's coming across.

595
00:32:10,000 --> 00:32:10,440
Speaker 1: I'll take it.

596
00:32:10,480 --> 00:32:11,400
Speaker 4: Yeah, we can hear emotion.

597
00:32:11,680 --> 00:32:12,400
Speaker 1: It's emotional.

598
00:32:13,240 --> 00:32:16,600
Speaker 2: I wouldn't know what having technique is like. So I

599
00:32:16,720 --> 00:32:20,280
Speaker 2: sound a little different. What else did I want to add? Look,

600
00:32:20,440 --> 00:32:23,200
Speaker 2: I don't know how we could do it. If we're

601
00:32:23,240 --> 00:32:27,400
Speaker 2: having a water moment, if we take Jemma's umbrella, then

602
00:32:27,440 --> 00:32:33,080
Speaker 2: maybe we're doing we Found Love. Okay, Okay, I guess not.

603
00:32:33,280 --> 00:32:35,480
Speaker 2: That was That was a paint.

604
00:32:35,480 --> 00:32:39,160
Speaker 3: The picture is the pool on stage, mister walking on

605
00:32:39,240 --> 00:32:45,360
Speaker 3: what our God can't I can't see the white suit.

606
00:32:45,520 --> 00:32:47,160
Speaker 3: I just cannot see that whole number.

607
00:32:47,640 --> 00:32:47,960
Speaker 1: I don't know.

608
00:32:48,120 --> 00:32:49,239
Speaker 2: I just want to throw it out there and get

609
00:32:49,320 --> 00:32:49,640
Speaker 2: a react.

610
00:32:50,080 --> 00:32:51,600
Speaker 4: You just want to be pushing the pool again that

611
00:32:52,480 --> 00:32:54,200
Speaker 4: I do want to pull. That's it?

612
00:32:54,320 --> 00:32:54,600
Speaker 1: Okay?

613
00:32:54,800 --> 00:32:56,719
Speaker 2: What else did I haven't? I mean, you got so

614
00:32:56,880 --> 00:33:01,239
Speaker 2: much of mine breakaway obviously. Yeah. I would like a

615
00:33:01,320 --> 00:33:04,440
Speaker 2: carousel on stage and to do.

616
00:33:05,520 --> 00:33:08,440
Speaker 3: Yeah, I appreciate that we can do that as a

617
00:33:08,480 --> 00:33:11,160
Speaker 3: back you know, a visual backdround.

618
00:33:11,520 --> 00:33:14,000
Speaker 2: Yeah, and what I think it is maybe it's a

619
00:33:14,040 --> 00:33:17,840
Speaker 2: half carousel. Yeah, beyond I can bring out an inflatable horse,

620
00:33:18,800 --> 00:33:21,200
Speaker 2: you know. I think we can have some sort of

621
00:33:21,240 --> 00:33:22,240
Speaker 2: like half carousel.

622
00:33:22,480 --> 00:33:24,000
Speaker 1: There's just no flying allowed.

623
00:33:24,040 --> 00:33:29,040
Speaker 3: Between Katie and Beyonce both almost just going, I was like,

624
00:33:29,240 --> 00:33:30,520
Speaker 3: there's no flying in our show.

625
00:33:30,800 --> 00:33:34,600
Speaker 2: Yeah, I'm not interested in flying. Okay, great, it would

626
00:33:34,600 --> 00:33:39,160
Speaker 2: be funny and fun for me to fly, though, Like

627
00:33:39,200 --> 00:33:39,720
Speaker 2: we could do.

628
00:33:41,320 --> 00:33:42,800
Speaker 3: We put you we know, we need to put you

629
00:33:42,800 --> 00:33:45,320
Speaker 3: in the three sixty thing like Pink and just roll

630
00:33:45,760 --> 00:33:47,200
Speaker 3: around like a space.

631
00:33:48,400 --> 00:33:53,480
Speaker 2: Yeah, yeah, okay. And I also want I think what

632
00:33:53,520 --> 00:33:56,480
Speaker 2: we should add in to the theatrical aspect of this

633
00:33:56,840 --> 00:34:00,000
Speaker 2: is all the times Tina had her song cut off

634
00:34:02,280 --> 00:34:07,240
Speaker 2: and then she finally like loses it, Like we add

635
00:34:07,360 --> 00:34:11,360
Speaker 2: we sprinkle it throughout the show, and then finally we

636
00:34:11,440 --> 00:34:14,480
Speaker 2: have like a Tina. It's not even a dream sequence

637
00:34:14,480 --> 00:34:17,000
Speaker 2: because I want it to be real, right, But I

638
00:34:17,040 --> 00:34:21,960
Speaker 2: think she either kicks everybody off stage or everybody's there

639
00:34:21,960 --> 00:34:23,319
Speaker 2: and she like yells at them and they have to

640
00:34:23,320 --> 00:34:29,400
Speaker 2: be quiet. And then one spotlight Jenna in the middle

641
00:34:29,480 --> 00:34:32,160
Speaker 2: of the entire place singing true colors.

642
00:34:32,480 --> 00:34:34,560
Speaker 4: Yeah, oh that's kind let her have this.

643
00:34:34,800 --> 00:34:36,600
Speaker 2: Yeah, like just I wanted to be and I wanted

644
00:34:36,600 --> 00:34:38,239
Speaker 2: to be later in the show like three quarters of

645
00:34:38,280 --> 00:34:40,839
Speaker 2: the way through, like I want it to be you

646
00:34:40,840 --> 00:34:41,480
Speaker 2: want the build up?

647
00:34:41,520 --> 00:34:41,600
Speaker 3: Ok.

648
00:34:42,080 --> 00:34:43,120
Speaker 1: Yeah.

649
00:34:43,120 --> 00:34:46,319
Speaker 3: Honestly though, the build up is actually really funny, like

650
00:34:46,440 --> 00:34:48,840
Speaker 3: Tina coming out to do a full number of Revolution

651
00:34:48,960 --> 00:34:51,560
Speaker 3: and getting caught off and being like going off and

652
00:34:51,600 --> 00:34:53,560
Speaker 3: then going back and like doing the same thing.

653
00:34:53,680 --> 00:34:56,400
Speaker 1: It's really that's a gag, you know.

654
00:34:56,760 --> 00:34:58,160
Speaker 4: Okay, good? Yeah, I like that.

655
00:34:58,400 --> 00:34:59,200
Speaker 1: I appreciate that.

656
00:34:59,320 --> 00:35:02,080
Speaker 2: I understand why you didn't have some of these other

657
00:35:02,160 --> 00:35:05,759
Speaker 2: numbers because Corey, and Iya and Mark. But if there

658
00:35:05,840 --> 00:35:07,640
Speaker 2: was a way, I think we need to build out

659
00:35:07,840 --> 00:35:12,360
Speaker 2: and Andrew's fantasy here a way to sort of honor

660
00:35:12,400 --> 00:35:17,480
Speaker 2: them and like do some of their numbers. I don't

661
00:35:17,480 --> 00:35:19,440
Speaker 2: know how we do that. I don't know necessarily what

662
00:35:19,480 --> 00:35:21,520
Speaker 2: that looks like. If you have a big screen and

663
00:35:21,560 --> 00:35:25,360
Speaker 2: like for example, if we're doing River Deep, you mask

664
00:35:25,520 --> 00:35:29,120
Speaker 2: Amber out of that, so it's just Naya's part and

665
00:35:29,160 --> 00:35:32,000
Speaker 2: you have Amber actually on stage. I do of like

666
00:35:32,000 --> 00:35:33,279
Speaker 2: what we do with Pertion of.

667
00:35:33,200 --> 00:35:36,319
Speaker 3: It Broken Kevin, where you like take you know, the

668
00:35:36,360 --> 00:35:38,680
Speaker 3: original vocals and then you like build upon them.

669
00:35:39,760 --> 00:35:42,400
Speaker 2: Yeah, and so I think, like, because like Smooth Criminal

670
00:35:42,440 --> 00:35:45,200
Speaker 2: is such a great number, there's obviously so many, so

671
00:35:45,320 --> 00:35:47,120
Speaker 2: there has to end for Corey too, Like I feel

672
00:35:47,120 --> 00:35:49,360
Speaker 2: like there's got to be some way to like build

673
00:35:49,400 --> 00:35:54,040
Speaker 2: out one or two moments. It'll workshop that. I see

674
00:35:54,040 --> 00:35:55,800
Speaker 2: what you're saying, because I think you can do it

675
00:35:55,880 --> 00:35:59,440
Speaker 2: and be respectful, honor the fan service that you want to,

676
00:35:59,520 --> 00:36:01,920
Speaker 2: like get the feeling of performance and how much we

677
00:36:01,960 --> 00:36:03,040
Speaker 2: love some of these numbers.

678
00:36:03,600 --> 00:36:05,239
Speaker 1: Right, I appreciate that, but I.

679
00:36:05,480 --> 00:36:07,320
Speaker 2: Think maybe it's in that way, Like I don't. I

680
00:36:07,360 --> 00:36:08,600
Speaker 2: don't think holograms are it.

681
00:36:08,840 --> 00:36:09,279
Speaker 4: I hate that.

682
00:36:11,080 --> 00:36:14,680
Speaker 2: Not into it, but I think, like, let's see them

683
00:36:14,680 --> 00:36:18,040
Speaker 2: on a huge screen. Yeah, gigantic.

684
00:36:18,440 --> 00:36:19,239
Speaker 1: I appreciate that.

685
00:36:19,640 --> 00:36:22,880
Speaker 2: Yeah, I think we can add some of those things in. Okay,

686
00:36:22,960 --> 00:36:26,160
Speaker 2: let me see what else that you had that I

687
00:36:26,200 --> 00:36:28,040
Speaker 2: did not. I did have any way you want to

688
00:36:28,120 --> 00:36:30,640
Speaker 2: love and touch and squeeze and faithfully like the full thing, but.

689
00:36:32,960 --> 00:36:33,360
Speaker 1: Faithfully.

690
00:36:33,480 --> 00:36:36,839
Speaker 2: I also had buster windows with a full card. I

691
00:36:36,920 --> 00:36:39,879
Speaker 2: also had no air, but only for like a touch

692
00:36:39,920 --> 00:36:41,800
Speaker 2: of it because it's so absurd.

693
00:36:45,160 --> 00:36:47,040
Speaker 3: It's almost like Pinks concert. I keep coming back to

694
00:36:47,080 --> 00:36:48,800
Speaker 3: Pink's concert because it's one of the best concerts I

695
00:36:48,840 --> 00:36:51,200
Speaker 3: think I've ever seen. She has like the treadmill as

696
00:36:51,280 --> 00:36:53,680
Speaker 3: the stage, right, where the treadmill and she's walking.

697
00:36:53,760 --> 00:36:55,279
Speaker 1: What if we had like the tread will come.

698
00:36:55,200 --> 00:36:58,759
Speaker 3: Out and there's air, you know, like and then you

699
00:36:58,800 --> 00:37:02,040
Speaker 3: see the hallway out of the way.

700
00:37:02,280 --> 00:37:02,960
Speaker 1: Really special.

701
00:37:03,040 --> 00:37:05,720
Speaker 2: Okay, what might be fun is doing that into buster

702
00:37:05,719 --> 00:37:07,840
Speaker 2: your windows. So we're just getting a lot of movement

703
00:37:08,280 --> 00:37:13,239
Speaker 2: right right now. I'm just thinking about drive my car

704
00:37:13,320 --> 00:37:14,400
Speaker 2: after busty windows.

705
00:37:15,320 --> 00:37:18,880
Speaker 3: That is the car songs and getting in the Artie

706
00:37:18,880 --> 00:37:20,400
Speaker 3: and Kitty and escalade.

707
00:37:20,920 --> 00:37:23,520
Speaker 2: You're an insane human driving on there.

708
00:37:23,200 --> 00:37:27,520
Speaker 4: In the backseat making out. Yeah, and then they come out, Yeah.

709
00:37:26,800 --> 00:37:27,919
Speaker 1: They come out through the sky.

710
00:37:28,160 --> 00:37:34,160
Speaker 2: Yeah. I would also like to add in without you

711
00:37:35,000 --> 00:37:35,399
Speaker 2: mm hmm.

712
00:37:35,600 --> 00:37:37,560
Speaker 4: Yeah.

713
00:37:37,880 --> 00:37:39,640
Speaker 2: I just I don't know if that gets enough love.

714
00:37:40,120 --> 00:37:41,480
Speaker 2: And it's a personal favorite.

715
00:37:42,280 --> 00:37:43,200
Speaker 4: I love that arrangement.

716
00:37:43,360 --> 00:37:48,600
Speaker 2: Beautiful. Yeah, and I think you have Jacob doing.

717
00:37:49,280 --> 00:37:52,560
Speaker 4: Yeah let me love you and n rhythmation.

718
00:37:52,920 --> 00:37:54,960
Speaker 2: Ever since you said we can't people flying, I'm now

719
00:37:55,000 --> 00:37:58,720
Speaker 2: picturing all of these numbers suspended in the air literer

720
00:37:58,880 --> 00:37:59,560
Speaker 2: like me flying.

721
00:38:00,080 --> 00:38:01,880
Speaker 1: We have to rework this if we're making it to

722
00:38:01,960 --> 00:38:02,480
Speaker 1: the sphere.

723
00:38:02,560 --> 00:38:03,840
Speaker 2: So you're right right.

724
00:38:03,760 --> 00:38:07,200
Speaker 4: Oar now you know if we are, we have to

725
00:38:07,239 --> 00:38:07,640
Speaker 4: rework it.

726
00:38:07,760 --> 00:38:12,359
Speaker 2: Wow, Jenna had Yeah, Jenna we didn't even Okay, keep up,

727
00:38:12,440 --> 00:38:12,719
Speaker 2: keep on.

728
00:38:13,080 --> 00:38:15,839
Speaker 1: Glee Residency in the Sphere twenty twenty six.

729
00:38:16,040 --> 00:38:20,719
Speaker 2: Okay, great, Well I think like those would only be

730
00:38:20,800 --> 00:38:24,000
Speaker 2: some of my additions to both of yours. Yeah, I

731
00:38:24,160 --> 00:38:26,480
Speaker 2: love having Also, if we do a residency, you can

732
00:38:26,600 --> 00:38:28,759
Speaker 2: have those guests come in and out, you know. I

733
00:38:28,800 --> 00:38:32,200
Speaker 2: think that is great. And you set up those numbers beforehand, yes,

734
00:38:32,320 --> 00:38:33,319
Speaker 2: practically like.

735
00:38:33,760 --> 00:38:35,120
Speaker 4: And it's like, who am I going to get?

736
00:38:35,840 --> 00:38:38,040
Speaker 1: Yeah, like you know, like joy.

737
00:38:38,000 --> 00:38:41,320
Speaker 4: And then people keep on coming back because they're like, yes, yeah.

738
00:38:41,719 --> 00:38:44,200
Speaker 2: Yeah, like Gwyneth has multiple numbers. You can come back

739
00:38:44,239 --> 00:38:47,080
Speaker 2: several different times, different ones, several different times.

740
00:38:47,760 --> 00:38:50,239
Speaker 4: June' swib come on God, the blind.

741
00:38:49,920 --> 00:38:50,680
Speaker 1: Box of it all.

742
00:38:50,840 --> 00:38:54,400
Speaker 3: You know, it gets people buying more tickets coming again,

743
00:38:54,840 --> 00:38:55,239
Speaker 3: you don't know.

744
00:38:55,280 --> 00:38:57,600
Speaker 2: Imagine I went to the Glee Show last night and

745
00:38:57,600 --> 00:38:58,360
Speaker 2: saw Ricky.

746
00:38:58,160 --> 00:39:01,920
Speaker 4: Martin Yeah yeah, yah ya, Omil Patrick Harris at the

747
00:39:01,920 --> 00:39:04,680
Speaker 4: Glicia last Yeah yeah Omer.

748
00:39:04,840 --> 00:39:07,799
Speaker 2: I would like to see Matt Boehmer and Darren do

749
00:39:08,440 --> 00:39:12,600
Speaker 2: a number live. I would like to see dream on Yeah,

750
00:39:12,880 --> 00:39:17,600
Speaker 2: Neil and Matt live, Like that would be insane. That

751
00:39:17,800 --> 00:39:19,799
Speaker 2: would be and what I think, you know from a

752
00:39:20,200 --> 00:39:22,600
Speaker 2: not that we need to discuss this now, but I

753
00:39:22,640 --> 00:39:25,759
Speaker 2: will getting some of these big stars to come to

754
00:39:25,840 --> 00:39:27,719
Speaker 2: a tour. It's just like Glee, Like when are you

755
00:39:27,719 --> 00:39:30,520
Speaker 2: going to get to perform in an arena or a

756
00:39:30,600 --> 00:39:35,640
Speaker 2: sphere exactly with this production great never never.

757
00:39:35,480 --> 00:39:36,560
Speaker 1: There we go Never.

758
00:39:37,080 --> 00:39:41,160
Speaker 4: Leah on her tour is like doing current songs that

759
00:39:41,239 --> 00:39:43,880
Speaker 4: she feels that Rachel would sing, you know, since the

760
00:39:43,960 --> 00:39:47,880
Speaker 4: series ended. I feel like my question to y'all, do

761
00:39:47,920 --> 00:39:51,719
Speaker 4: you think that there's a space for that here or

762
00:39:51,880 --> 00:39:54,360
Speaker 4: is it like too crowded already with so many of

763
00:39:54,360 --> 00:39:55,000
Speaker 4: the classics.

764
00:39:55,320 --> 00:39:57,440
Speaker 2: No, I mean it is. I think it's crowded, but

765
00:39:57,520 --> 00:40:01,400
Speaker 2: I think just like having those guests, I think we

766
00:40:01,480 --> 00:40:05,279
Speaker 2: could throw in a couple of Core new covers, like yeah,

767
00:40:05,640 --> 00:40:07,439
Speaker 2: as the show goes on. I don't know how long

768
00:40:07,480 --> 00:40:08,120
Speaker 2: this residency.

769
00:40:08,320 --> 00:40:11,359
Speaker 3: We swapped out we like on our tour obviously, like

770
00:40:11,360 --> 00:40:14,040
Speaker 3: people got sick, things got happened, so like we definitely

771
00:40:14,080 --> 00:40:16,919
Speaker 3: swapped out, Like the Encore changed a little bit.

772
00:40:17,160 --> 00:40:18,479
Speaker 1: Obviously it was a shorter tour.

773
00:40:18,600 --> 00:40:21,840
Speaker 3: So but I think you we could spop out numbers

774
00:40:21,880 --> 00:40:25,320
Speaker 3: in the Encore, Like it doesn't have to be set right,

775
00:40:25,440 --> 00:40:28,400
Speaker 3: so like driver's license could be in there of course,

776
00:40:28,640 --> 00:40:32,360
Speaker 3: or like a new Swifty song like somebody else wanted

777
00:40:32,400 --> 00:40:32,759
Speaker 3: to sing.

778
00:40:32,880 --> 00:40:35,799
Speaker 1: I think I definitely think there's space.

779
00:40:35,480 --> 00:40:35,960
Speaker 2: There for that.

780
00:40:36,160 --> 00:40:37,120
Speaker 4: Yeah, sure, I think.

781
00:40:37,239 --> 00:40:37,640
Speaker 1: Yeah.

782
00:40:37,680 --> 00:40:39,799
Speaker 2: I think it's a great idea. I can see this

783
00:40:39,960 --> 00:40:48,280
Speaker 2: now and it's us, three of us, Ryan the creatives,

784
00:40:48,640 --> 00:40:51,320
Speaker 2: and we're delusionable.

785
00:40:51,600 --> 00:40:53,440
Speaker 1: Should we text Ryan? I just say we should do

786
00:40:53,480 --> 00:40:55,040
Speaker 1: really playing with me.

787
00:40:55,640 --> 00:40:56,560
Speaker 4: I feel like it's like.

788
00:40:56,560 --> 00:40:59,600
Speaker 1: I honestly feel like this is this is the move.

789
00:41:00,080 --> 00:41:03,480
Speaker 2: Here's what I think. Everybody listening, we need to start

790
00:41:03,480 --> 00:41:05,200
Speaker 2: like an online petition.

791
00:41:06,120 --> 00:41:06,839
Speaker 4: Change dot org.

792
00:41:07,000 --> 00:41:10,200
Speaker 2: Yeah, yeah, change dot org. You need a Glee reunion concert.

793
00:41:11,440 --> 00:41:12,399
Speaker 2: We'll also talk to Ryan.

794
00:41:12,640 --> 00:41:16,319
Speaker 4: I tell if you're joking or not. I'm not ill

795
00:41:16,960 --> 00:41:20,920
Speaker 4: because I'm ready to lock in. Let's actually already, it's

796
00:41:20,960 --> 00:41:24,359
Speaker 4: part of the deal. Yeah, we're not coming unless Andrew is.

797
00:41:24,800 --> 00:41:28,280
Speaker 4: Oh no, you can. This is my gift to y'all.

798
00:41:28,440 --> 00:41:30,440
Speaker 4: You can use this audio file.

799
00:41:31,000 --> 00:41:34,920
Speaker 2: No bring the amount of time you have dedicated to Glee.

800
00:41:35,080 --> 00:41:38,520
Speaker 3: Honestly, the creative direction is really it's just it's.

801
00:41:38,360 --> 00:41:42,399
Speaker 1: All there in the world. I get all that. I

802
00:41:42,440 --> 00:41:45,320
Speaker 1: get it. I get it. I love that bar Idea.

803
00:41:45,680 --> 00:41:47,839
Speaker 1: We do slushies, we do hard slushies.

804
00:41:47,880 --> 00:41:51,400
Speaker 2: We do. I also think we have drag queens just

805
00:41:51,480 --> 00:41:55,640
Speaker 2: up as some of the characters so out there that there's.

806
00:41:55,440 --> 00:41:57,040
Speaker 1: A karaoke after show.

807
00:41:58,320 --> 00:41:59,920
Speaker 2: Yeah, like a del b the whole ding.

808
00:42:00,320 --> 00:42:02,720
Speaker 1: Yeah, that's okay.

809
00:42:03,200 --> 00:42:05,879
Speaker 4: There was a version of this where the opening act

810
00:42:06,160 --> 00:42:12,640
Speaker 4: was all of the Glee Project contestants, which I think

811
00:42:13,200 --> 00:42:14,080
Speaker 4: that could also work.

812
00:42:15,480 --> 00:42:18,480
Speaker 1: No, no, gosh, the very talented there.

813
00:42:18,520 --> 00:42:21,360
Speaker 2: Lest we forget the first Glee cast to win acting

814
00:42:21,400 --> 00:42:24,279
Speaker 2: Tony's Hello off from the.

815
00:42:24,200 --> 00:42:28,279
Speaker 4: Glee Project Something in the Water, Wow in the.

816
00:42:28,239 --> 00:42:31,600
Speaker 2: Water, it's talent, Andrews.

817
00:42:31,640 --> 00:42:34,400
Speaker 3: Where are the real ones?

818
00:42:34,760 --> 00:42:35,280
Speaker 1: Amazing?

819
00:42:35,719 --> 00:42:39,560
Speaker 3: Anything else? Anything else? Andrew because we Honestly, I can't

820
00:42:39,880 --> 00:42:43,560
Speaker 3: even explain how impressed I am by this tour and

821
00:42:43,560 --> 00:42:46,240
Speaker 3: by all of your reco lost one.

822
00:42:47,160 --> 00:42:48,200
Speaker 4: What are we doing next?

823
00:42:48,640 --> 00:42:51,120
Speaker 3: I know, let's stream up something and we can just

824
00:42:51,200 --> 00:42:53,440
Speaker 3: do it as an interim, because why not.

825
00:42:53,640 --> 00:42:56,160
Speaker 1: This is our podcast. We're we're the bosses.

826
00:42:57,400 --> 00:42:59,359
Speaker 4: I love that you guys are being so secretive about

827
00:42:59,400 --> 00:43:01,600
Speaker 4: what you're doing. Now, that you guys are like something

828
00:43:01,680 --> 00:43:02,520
Speaker 4: fun plan, I'm like.

829
00:43:02,560 --> 00:43:04,040
Speaker 2: All right, what is it?

830
00:43:05,520 --> 00:43:06,920
Speaker 1: Do you have any any idea?

831
00:43:07,400 --> 00:43:10,680
Speaker 4: I have no concept. Is it an idea that you're

832
00:43:10,760 --> 00:43:12,359
Speaker 4: very excited for? I would hope.

833
00:43:13,120 --> 00:43:20,360
Speaker 2: Yeah, oh yeah, it's not directly related to Glee. Ooh yeah, Okay,

834
00:43:20,560 --> 00:43:21,399
Speaker 2: have I said too much?

835
00:43:22,239 --> 00:43:22,560
Speaker 1: No?

836
00:43:22,800 --> 00:43:25,800
Speaker 4: No, just the rd load okay, yeah right.

837
00:43:26,480 --> 00:43:29,720
Speaker 3: Andrew, thank you so much for taking all the time

838
00:43:29,920 --> 00:43:32,279
Speaker 3: to do to think up this brilliant tour list.

839
00:43:32,360 --> 00:43:33,719
Speaker 1: We'll text Ryan after.

840
00:43:33,480 --> 00:43:36,000
Speaker 2: This constantly in awe of you. Seriously. Thank you for

841
00:43:36,040 --> 00:43:39,240
Speaker 2: coming back so many times. Thank you for doing your show.

842
00:43:40,920 --> 00:43:44,240
Speaker 2: Thank you for being the sweetest and smartest and better

843
00:43:44,280 --> 00:43:45,520
Speaker 2: than us at doing yes.

844
00:43:45,480 --> 00:43:49,399
Speaker 4: Yes, surreal even having a conversation with y'all. So thank

845
00:43:49,400 --> 00:43:49,960
Speaker 4: you so much.

846
00:43:50,160 --> 00:43:51,040
Speaker 1: Thanks Andrew.

847
00:43:51,560 --> 00:43:53,919
Speaker 4: All right, Cia, bye bye.

848
00:43:54,920 --> 00:43:57,200
Speaker 2: We have that tour ready to go, locked and loaded.

849
00:43:57,520 --> 00:43:58,520
Speaker 1: I mean, that tour is.

850
00:43:59,760 --> 00:44:00,880
Speaker 2: It's going to be great.

851
00:44:01,200 --> 00:44:02,399
Speaker 1: It's going to be so much fun.

852
00:44:02,520 --> 00:44:06,120
Speaker 2: Everybody your tickets, everybody tickets pre sale up now.

853
00:44:11,320 --> 00:44:16,080
Speaker 3: Well, I hope you guys enjoyed the Dream Tour, the

854
00:44:16,160 --> 00:44:19,400
Speaker 3: Dream Reunion. If you'd like to see it, feel free

855
00:44:19,480 --> 00:44:25,440
Speaker 3: to GMR creators.

856
00:44:25,520 --> 00:44:29,000
Speaker 1: I'm just kidding. I'm just kidding. But how fun would

857
00:44:29,040 --> 00:44:29,239
Speaker 1: that be?

858
00:44:29,719 --> 00:44:32,399
Speaker 2: Oh? It would be I would absolutely love to do that.

859
00:44:32,400 --> 00:44:33,439
Speaker 1: That would be like.

860
00:44:33,600 --> 00:44:36,160
Speaker 2: Because I also think it's different enough. We're not trying

861
00:44:36,200 --> 00:44:39,000
Speaker 2: to recreate something we've already done, right. I think people

862
00:44:39,000 --> 00:44:41,480
Speaker 2: have done this before. I don't think everybody had a

863
00:44:41,480 --> 00:44:44,120
Speaker 2: great experience doing the tour, and I think people.

864
00:44:43,880 --> 00:44:46,040
Speaker 1: We need a corrective experience exactly.

865
00:44:46,320 --> 00:44:49,640
Speaker 2: I think people would actually appreciate that it's something exciting,

866
00:44:50,160 --> 00:44:52,480
Speaker 2: something to all get to be together again in a

867
00:44:52,520 --> 00:44:55,480
Speaker 2: fun way. It's I feel like it's pretty low pressure

868
00:44:55,640 --> 00:45:00,360
Speaker 2: in that way because it's a concert. It's not I

869
00:45:00,360 --> 00:45:02,800
Speaker 2: feel like there's a lot of pressure to like really

870
00:45:02,840 --> 00:45:03,640
Speaker 2: make it work.

871
00:45:04,360 --> 00:45:08,239
Speaker 3: Right, And it's a is it a remake? Is it

872
00:45:08,280 --> 00:45:10,480
Speaker 3: a reimagining? Is it an inspired by?

873
00:45:10,520 --> 00:45:13,040
Speaker 1: Where's the tour? Is just like a core thing?

874
00:45:13,200 --> 00:45:15,120
Speaker 2: Right, We've done it things we already that work.

875
00:45:15,560 --> 00:45:17,759
Speaker 3: Yeah, and it's a concert. I mean, who can say

876
00:45:17,760 --> 00:45:20,080
Speaker 3: no to a like anybody can do concerts?

877
00:45:20,280 --> 00:45:21,080
Speaker 1: Who's saying I.

878
00:45:21,080 --> 00:45:24,080
Speaker 2: Don't know any See Jenna's face on the sphere, That's

879
00:45:24,120 --> 00:45:24,880
Speaker 2: what I want.

880
00:45:25,280 --> 00:45:27,480
Speaker 1: I do not want to see the sphere.

881
00:45:28,680 --> 00:45:31,319
Speaker 3: Well, we hope you guys enjoyed the Dream Tour set

882
00:45:31,360 --> 00:45:37,839
Speaker 3: list with Andrew. To Andrew for creating that incredible tour

883
00:45:37,920 --> 00:45:42,719
Speaker 3: set list for us, and yeah, come back next week and.

884
00:45:42,680 --> 00:45:45,680
Speaker 2: That's what you really miss Thanks for listening and follow

885
00:45:45,760 --> 00:45:48,600
Speaker 2: us on Instagram at and that's what you really miss POD.

886
00:45:48,880 --> 00:45:50,719
Speaker 2: Make sure to write us a review and leave us

887
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Speaker 2: five stars. See you next time.