1 00:00:00,080 --> 00:00:05,920 Speaker 1: Hello the Internet, and welcome to the San Francisco Nightly 2 00:00:06,120 --> 00:00:12,840 Speaker 1: Zeider's that's a play on forty niners, apparently, Johnny Davis. Okay, 3 00:00:12,920 --> 00:00:17,240 Speaker 1: I see you. Good thing they didn't win, save it's 4 00:00:17,320 --> 00:00:21,439 Speaker 1: such a good thing that is under the because it 5 00:00:21,560 --> 00:00:25,040 Speaker 1: was already there. It was already in San Francisco, whereas 6 00:00:25,600 --> 00:00:30,000 Speaker 1: Kansas City it's not even there yet. Right If they 7 00:00:30,000 --> 00:00:32,320 Speaker 1: had a big Super Bowl celebration in the city of 8 00:00:32,360 --> 00:00:35,000 Speaker 1: San Francisco, it probably would have been a lot worse 9 00:00:35,080 --> 00:00:38,319 Speaker 1: for the outbreak. Anyway. It's weird how those all those 10 00:00:38,360 --> 00:00:44,080 Speaker 1: little things have knock on effects, knock on effects. Uh, Miles, 11 00:00:44,720 --> 00:00:50,440 Speaker 1: I'm Jack by the way. Good. Oh, good to see 12 00:00:50,520 --> 00:00:54,200 Speaker 1: her smiling face over zoom. Nice to meet you as well. 13 00:00:54,520 --> 00:00:57,200 Speaker 1: Good to meet you, sir. Uh. Let's let's tell the 14 00:00:57,240 --> 00:01:02,000 Speaker 1: people what is trending right now? Bill Clinton holding albums? 15 00:01:02,360 --> 00:01:07,880 Speaker 1: What is what is this about? It's a meme. Allow 16 00:01:07,959 --> 00:01:09,759 Speaker 1: me to take you on a journey of this meme. 17 00:01:09,880 --> 00:01:13,360 Speaker 1: It's just like on four twenty, I was seeing a 18 00:01:13,360 --> 00:01:16,720 Speaker 1: lot of this. It's like this image of Bill Clinton. Uh, 19 00:01:16,840 --> 00:01:20,080 Speaker 1: if you look right here holding albums and like listening 20 00:01:20,120 --> 00:01:23,240 Speaker 1: to something. But people started like photo shopping other albums 21 00:01:23,280 --> 00:01:27,240 Speaker 1: into it. So this one's got Ja Diller's Donuts with 22 00:01:27,360 --> 00:01:31,679 Speaker 1: Kanye's college dropout. You know, I would say that's someone 23 00:01:31,720 --> 00:01:34,200 Speaker 1: of my taste who's obviously like a phrase like do 24 00:01:34,240 --> 00:01:37,600 Speaker 1: you sample based hip hop? Um? But yeah, there's just 25 00:01:37,680 --> 00:01:39,479 Speaker 1: sort of like a lot of articles on like how 26 00:01:39,560 --> 00:01:44,440 Speaker 1: to make your Bill Clinton meme or whatever, and it's 27 00:01:44,480 --> 00:01:46,960 Speaker 1: like supposed to be your top five albums or your 28 00:01:46,959 --> 00:01:50,120 Speaker 1: top three? How many albums are in the picture you 29 00:01:50,160 --> 00:01:55,920 Speaker 1: can fit like four invisibly. Apparently it's just an app 30 00:01:57,000 --> 00:02:01,400 Speaker 1: BT dubs uh super producer and I'll just let us 31 00:02:01,480 --> 00:02:07,400 Speaker 1: know helps in there automatically. Yeah, that's the thing. I'm like, Okay, 32 00:02:07,680 --> 00:02:09,960 Speaker 1: I guess that's where we've gone to, where people search 33 00:02:10,120 --> 00:02:13,679 Speaker 1: a meme to then find if someone has already made 34 00:02:13,680 --> 00:02:16,840 Speaker 1: a technology for you to participate because you have absolutely 35 00:02:16,840 --> 00:02:20,240 Speaker 1: no photoshop skills. Like I remember when the Life of 36 00:02:20,320 --> 00:02:23,480 Speaker 1: Pablo album came out, my my friend designed a website. 37 00:02:23,520 --> 00:02:26,000 Speaker 1: I mean he's like a really gifted designer and coder. 38 00:02:26,480 --> 00:02:28,519 Speaker 1: Like that day, he just made a website where you 39 00:02:28,560 --> 00:02:30,600 Speaker 1: could type in any phrase and it would just generate 40 00:02:30,680 --> 00:02:32,960 Speaker 1: a Life of Pablo album cover for you based on 41 00:02:33,000 --> 00:02:35,000 Speaker 1: the text. So I feel like this is kind of 42 00:02:35,000 --> 00:02:36,960 Speaker 1: where we're at with like memes and ship where it's 43 00:02:36,960 --> 00:02:39,639 Speaker 1: like someone will do more, even more work to allow 44 00:02:39,680 --> 00:02:45,040 Speaker 1: everybody to participate in the meme economy. God Bless the Internet. Um, 45 00:02:45,080 --> 00:02:48,120 Speaker 1: and Bill Clinton appears to be enjoying what he's listening 46 00:02:48,160 --> 00:02:52,000 Speaker 1: to in the picture. That's that's an important detail, right 47 00:02:52,120 --> 00:02:54,400 Speaker 1: is it? Is it for a twenty base because he 48 00:02:55,440 --> 00:02:59,280 Speaker 1: smoked pot and we think that's hilarious. I could just 49 00:02:59,320 --> 00:03:02,080 Speaker 1: be a you know, one of those wonderful coincidences that 50 00:03:02,160 --> 00:03:06,840 Speaker 1: the universe passes us with God Bless the universe. You know. 51 00:03:07,880 --> 00:03:11,120 Speaker 1: Uh Al Kilmer is trending because he has a new 52 00:03:11,120 --> 00:03:14,640 Speaker 1: book out. Yeah, yeah, just I see a lot of 53 00:03:15,480 --> 00:03:19,079 Speaker 1: headlines with different anecdotes something about how he never barfed 54 00:03:19,160 --> 00:03:21,160 Speaker 1: in a top gun jet like many of the other 55 00:03:21,200 --> 00:03:23,040 Speaker 1: actors did whenever they had to actually get in the 56 00:03:23,120 --> 00:03:26,760 Speaker 1: jet and film any like interior cockpit stuff. He said, 57 00:03:26,800 --> 00:03:29,000 Speaker 1: he was all, there's just apparently it's like people are 58 00:03:29,000 --> 00:03:31,160 Speaker 1: saying it's a really I don't know, it depends on 59 00:03:31,400 --> 00:03:33,720 Speaker 1: how critical the critic is, but most of you are 60 00:03:33,720 --> 00:03:36,480 Speaker 1: saying like it's a really interesting read and actually really funny, 61 00:03:36,720 --> 00:03:39,920 Speaker 1: you know, because he's dealing with cancer. Uh So it 62 00:03:40,040 --> 00:03:42,800 Speaker 1: just kind of his memoirs from you know when you 63 00:03:42,800 --> 00:03:46,720 Speaker 1: think about it, super deep career, like all, he's done 64 00:03:46,720 --> 00:03:49,400 Speaker 1: it all, he's seen it all. Yeah. By the way, 65 00:03:49,520 --> 00:03:53,080 Speaker 1: I what one of the things that I'm most proud 66 00:03:53,120 --> 00:03:56,480 Speaker 1: of in this life of mine is that I was 67 00:03:56,560 --> 00:04:00,640 Speaker 1: on a fishing boat one time at a with a 68 00:04:00,680 --> 00:04:05,000 Speaker 1: bunch of my college friends for a bachelor during a 69 00:04:05,040 --> 00:04:07,840 Speaker 1: bachelor party. And I think I was like one of 70 00:04:08,000 --> 00:04:11,160 Speaker 1: two people on a boat of like sixty people that 71 00:04:11,200 --> 00:04:14,080 Speaker 1: didn't throw up. It was the sea was so rough, 72 00:04:15,000 --> 00:04:19,440 Speaker 1: so non vomiting pride. I see you, Val Kilmer Um. 73 00:04:19,760 --> 00:04:22,080 Speaker 1: Oh wait, so do you normally just not get sick? 74 00:04:22,200 --> 00:04:25,840 Speaker 1: Like your stomach doesn't turn. I think I've spent I'd 75 00:04:25,839 --> 00:04:29,680 Speaker 1: probably spent more time on boats than those people, even 76 00:04:29,680 --> 00:04:31,680 Speaker 1: though I don't spend a lot of time on boat 77 00:04:32,000 --> 00:04:35,000 Speaker 1: seas than one would high seas. Yeah, I'm just to 78 00:04:35,040 --> 00:04:41,120 Speaker 1: the high seas. You wouldn't know. Uh. Also, I think 79 00:04:41,120 --> 00:04:44,279 Speaker 1: I was a little drunk and that helps. That helps. 80 00:04:44,360 --> 00:04:47,600 Speaker 1: I hate rides that are just rely on spinning mechanisms 81 00:04:47,600 --> 00:04:51,760 Speaker 1: like centripetal centrifus c trifrugal force just to kind of 82 00:04:51,760 --> 00:04:55,040 Speaker 1: like like a gravitron. Those are just not fun, Like 83 00:04:55,120 --> 00:04:57,920 Speaker 1: I would always do that like at a school carnival 84 00:04:58,040 --> 00:05:00,599 Speaker 1: and then vomit immediately or just feel sick for the 85 00:05:00,640 --> 00:05:04,560 Speaker 1: rest of the day. Yeah, there's nothing fun or adventure. 86 00:05:04,760 --> 00:05:07,200 Speaker 1: Like you don't get to see anything except the person 87 00:05:07,360 --> 00:05:09,480 Speaker 1: across from you. I guess it's kind of cool that 88 00:05:09,560 --> 00:05:12,680 Speaker 1: you're sticking to a wall, but it does it does 89 00:05:12,800 --> 00:05:15,360 Speaker 1: just seem like it's almost like a might as well 90 00:05:15,440 --> 00:05:19,520 Speaker 1: just take whatever that stuff is that makes you shout 91 00:05:19,520 --> 00:05:22,280 Speaker 1: out to those ride operators who in the nineties had 92 00:05:22,320 --> 00:05:26,159 Speaker 1: no smartphones or even handheld TVs to distract themselves as 93 00:05:26,279 --> 00:05:29,320 Speaker 1: a bunch of stinky kids like puke inside of a 94 00:05:29,400 --> 00:05:31,680 Speaker 1: thing like it would be like a hand radio, like 95 00:05:31,680 --> 00:05:34,520 Speaker 1: a radio or like a magazine. I'm just thinking of 96 00:05:34,640 --> 00:05:37,360 Speaker 1: you know, different times now, different times. You ever see 97 00:05:37,360 --> 00:05:39,640 Speaker 1: one of those where like the ride operator, like one 98 00:05:39,640 --> 00:05:41,960 Speaker 1: of the kids who's like written it a hundred times, 99 00:05:42,000 --> 00:05:45,520 Speaker 1: like starts walking around or like it starts, yeah, starts 100 00:05:45,520 --> 00:05:48,080 Speaker 1: flexing on. It's like, okay, we get it. You've operated 101 00:05:48,120 --> 00:05:50,039 Speaker 1: this one a minute. You can go backwards and no 102 00:05:50,080 --> 00:05:54,479 Speaker 1: when the car comes to do a slick little hop over. Yeah. Yeah, 103 00:05:54,560 --> 00:05:57,120 Speaker 1: I wonder do they have mixtapes like that of Carnival 104 00:05:57,200 --> 00:06:00,600 Speaker 1: ride operators just doing like the most arisponsbox on the wall, 105 00:06:01,080 --> 00:06:03,359 Speaker 1: but just like dem it like a guy on the zipper, 106 00:06:03,640 --> 00:06:06,400 Speaker 1: like walking on the outside of all the zipper cars. Like, dude, 107 00:06:06,400 --> 00:06:09,279 Speaker 1: I just know how this ride moves. Baby, there's no wamphon. Yeah, 108 00:06:09,440 --> 00:06:14,440 Speaker 1: I got no problems here, man. Taco Tuesday is trending. 109 00:06:15,160 --> 00:06:18,800 Speaker 1: This meme continues to evolve, continues to be a thing. 110 00:06:19,200 --> 00:06:22,440 Speaker 1: Yeah why, I honestly, I don't know why. It's just 111 00:06:22,680 --> 00:06:25,360 Speaker 1: I think probably because more people are cooking. I feel 112 00:06:25,360 --> 00:06:27,240 Speaker 1: like I see I'm telling something. I see a lot 113 00:06:27,240 --> 00:06:31,040 Speaker 1: more case idea content from people. Uh, it's like one 114 00:06:31,040 --> 00:06:33,839 Speaker 1: of the And I guess tacos are easy, Like you know, 115 00:06:33,880 --> 00:06:37,640 Speaker 1: you're just getting ground beef, chicken, turkey, tofu, whatever, and 116 00:06:37,640 --> 00:06:39,560 Speaker 1: then you put in a tortillo boom and you have 117 00:06:39,640 --> 00:06:43,560 Speaker 1: some semblance of a comfort meal. But I honestly, this 118 00:06:43,960 --> 00:06:45,719 Speaker 1: reason why I put this in here is because it 119 00:06:45,720 --> 00:06:47,680 Speaker 1: made me think of the case adia. Because I've seen 120 00:06:47,680 --> 00:06:50,520 Speaker 1: people flex with just whatever. They're like, yeah, it's easy 121 00:06:50,560 --> 00:06:52,920 Speaker 1: to buy treaded cheese and tortillas, and I feel like 122 00:06:52,960 --> 00:06:56,200 Speaker 1: I've cooked something. But it is a fantastic comfort food. 123 00:06:56,720 --> 00:07:00,160 Speaker 1: It's easy to do. And also a little salt sit 124 00:07:00,160 --> 00:07:02,560 Speaker 1: in there, yeah, pull little hot sauce, whatever you want, 125 00:07:02,560 --> 00:07:05,120 Speaker 1: pull little you know, put a turkey slice in there, 126 00:07:05,160 --> 00:07:08,279 Speaker 1: you know, if you're feeling absolutely disrespectful. But I think 127 00:07:08,320 --> 00:07:12,080 Speaker 1: the thing is it's about master by the way, I 128 00:07:12,080 --> 00:07:15,000 Speaker 1: don't I would never do that, but you know, but 129 00:07:15,000 --> 00:07:17,120 Speaker 1: but this is the thing. We're trying to survive. We 130 00:07:17,120 --> 00:07:18,840 Speaker 1: we work with what we have, but keep that at 131 00:07:18,840 --> 00:07:20,720 Speaker 1: a at a medium, you know, keep your pen at 132 00:07:20,720 --> 00:07:22,640 Speaker 1: a medium. That way you can get good cheese melting. 133 00:07:22,680 --> 00:07:26,880 Speaker 1: You're not crisping up the the tortilla too much, right right? Uh? 134 00:07:26,920 --> 00:07:31,920 Speaker 1: And finally uh U c b Upright Citizens Brigade, the 135 00:07:31,960 --> 00:07:36,760 Speaker 1: comedy theater that was kind of the second city for 136 00:07:36,800 --> 00:07:42,840 Speaker 1: a generation of improv comedians, was kind of responsible or 137 00:07:42,880 --> 00:07:47,760 Speaker 1: at least integrally involved in the improv boom of the 138 00:07:47,800 --> 00:07:53,800 Speaker 1: past fifteen years. Uh IS announced that they are closing 139 00:07:53,840 --> 00:07:57,240 Speaker 1: down their New York operation, So they're just gonna be 140 00:07:57,320 --> 00:08:00,360 Speaker 1: an l a outfit. Yeah, and I guess with the 141 00:08:00,360 --> 00:08:04,360 Speaker 1: New York locations are saying are permanently shuttered. Now. Uh, 142 00:08:04,440 --> 00:08:06,560 Speaker 1: it's just weird to think. I mean, you know, for 143 00:08:06,600 --> 00:08:09,760 Speaker 1: all the criticisms of UCB, I have a few myself, 144 00:08:10,000 --> 00:08:14,320 Speaker 1: but it truly for a generation of comedians. It it's 145 00:08:14,360 --> 00:08:18,240 Speaker 1: gave people this like idea that there was one way 146 00:08:18,280 --> 00:08:21,120 Speaker 1: into comedy, and that was to do improv at u 147 00:08:21,160 --> 00:08:24,200 Speaker 1: c B. Get on a Herald team or mod team, 148 00:08:24,280 --> 00:08:28,200 Speaker 1: but probably a Herald team, and from there the cashing 149 00:08:28,200 --> 00:08:30,120 Speaker 1: directors come in and swoop you up. Now that did 150 00:08:30,160 --> 00:08:33,000 Speaker 1: work for uh, there was a period when many people 151 00:08:33,000 --> 00:08:35,320 Speaker 1: found success like that. But then I think as that 152 00:08:35,360 --> 00:08:37,439 Speaker 1: war on, it became I don't know, you hear a 153 00:08:37,440 --> 00:08:39,319 Speaker 1: lot of stories about people who just threw a lot 154 00:08:39,360 --> 00:08:42,360 Speaker 1: of money away on that, and we're like, oh, right, 155 00:08:42,400 --> 00:08:44,640 Speaker 1: it's a lot harder to do this, and maybe it's 156 00:08:44,640 --> 00:08:47,640 Speaker 1: a lot more selective or insular than I thought, but 157 00:08:47,800 --> 00:08:49,720 Speaker 1: still just a I don't know, it's weird. It just 158 00:08:49,720 --> 00:08:52,000 Speaker 1: seems like a staple, just like a business that always 159 00:08:52,000 --> 00:08:53,960 Speaker 1: has to exist in either New Yorker l A. Yeah, 160 00:08:54,000 --> 00:08:57,120 Speaker 1: it was a big thing culturally for New Yorker l A. Uh. 161 00:08:58,400 --> 00:09:01,680 Speaker 1: But yeah, the the talent people I know who came 162 00:09:01,720 --> 00:09:04,720 Speaker 1: through there a lot of the time did not end 163 00:09:04,840 --> 00:09:09,280 Speaker 1: up having the best relationships to the overall institution, kind 164 00:09:09,280 --> 00:09:14,080 Speaker 1: of feeling like it was, uh scam a little bit. 165 00:09:14,360 --> 00:09:19,839 Speaker 1: So well, you know the Big four of Matt Roberts 166 00:09:20,800 --> 00:09:26,600 Speaker 1: or Matt Walsh, Ian Roberts, Amy Poehler, and Matt Besser, Uh, 167 00:09:26,720 --> 00:09:28,319 Speaker 1: they a lot of like a lot of people in 168 00:09:28,360 --> 00:09:30,439 Speaker 1: the theater, like they have so much money, like Ryant, 169 00:09:30,440 --> 00:09:32,560 Speaker 1: they keeping it open. I mean I don't I'm sure 170 00:09:32,640 --> 00:09:35,280 Speaker 1: from a business standpoint, and I guess they're saying it's 171 00:09:35,320 --> 00:09:38,680 Speaker 1: just not feasible. But you know, it's even when you 172 00:09:38,720 --> 00:09:42,320 Speaker 1: look at that group, how like Ian Roberts, I don't 173 00:09:42,320 --> 00:09:44,719 Speaker 1: see as much. I thought Ian Roberts was one of 174 00:09:44,800 --> 00:09:47,800 Speaker 1: my favorite too, like like in with UCB and like 175 00:09:47,840 --> 00:09:49,920 Speaker 1: even Matt Best is just kind of super funny guy. 176 00:09:49,920 --> 00:09:53,640 Speaker 1: But I I felt like Walsh and Amy Poehler like 177 00:09:53,760 --> 00:09:57,000 Speaker 1: the ones that like fully broke through. But yeah, they're 178 00:09:57,000 --> 00:09:59,320 Speaker 1: still they're lamenting I think the loss of their the 179 00:09:59,360 --> 00:10:01,800 Speaker 1: thing they built. I still remember when I was much 180 00:10:01,880 --> 00:10:06,000 Speaker 1: younger and seeing the video of Amy Poehler, like I 181 00:10:06,040 --> 00:10:08,360 Speaker 1: think she was pretending to be a little kid on 182 00:10:08,400 --> 00:10:12,000 Speaker 1: the streets of New York and it was really funny, 183 00:10:12,040 --> 00:10:15,800 Speaker 1: but like, uh yeah, like that was one of the 184 00:10:15,880 --> 00:10:21,320 Speaker 1: first things from their comedy troupe, which was upright Citizens Brigade, 185 00:10:21,360 --> 00:10:24,319 Speaker 1: and then it became this huge institution. It's also when 186 00:10:24,320 --> 00:10:27,520 Speaker 1: you watch Institution as we call it, when you watch 187 00:10:27,559 --> 00:10:31,120 Speaker 1: that first season and the cameos are pretty incredible of 188 00:10:31,160 --> 00:10:33,560 Speaker 1: like the people who were in the theater like in 189 00:10:33,640 --> 00:10:36,520 Speaker 1: the late nineties who ended up being extras on the 190 00:10:36,559 --> 00:10:39,680 Speaker 1: TV show. There's some very familiar faces in there, like 191 00:10:39,720 --> 00:10:42,840 Speaker 1: you'll see like a very young Nick Kroll uh and 192 00:10:42,840 --> 00:10:46,559 Speaker 1: like fun yeah, all those folks came through there, at 193 00:10:46,640 --> 00:10:50,360 Speaker 1: least some of them like got their start there. Yeah. Well, 194 00:10:51,000 --> 00:10:56,120 Speaker 1: as the comedy writer and former Zags guest Max Sylvestri 195 00:10:56,760 --> 00:11:00,640 Speaker 1: put it, now you see b Now you don't that 196 00:11:01,040 --> 00:11:07,199 Speaker 1: that rules well done? Uh yeah, exactly what are you allogy? Powerful? Alright, guys, 197 00:11:07,280 --> 00:11:11,280 Speaker 1: that is going to do it for this fine Tuesday. 198 00:11:11,760 --> 00:11:14,520 Speaker 1: We hope you are doing well out there. Stance safe, 199 00:11:14,960 --> 00:11:18,480 Speaker 1: be kind to each other, have a great night, and 200 00:11:18,559 --> 00:11:21,600 Speaker 1: we will be back tomorrow with a whole episode of 201 00:11:21,640 --> 00:11:23,760 Speaker 1: the Daily Zy. Guys, We'll talk to you then. Kee