1 00:00:01,760 --> 00:00:04,479 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,160 --> 00:00:14,440 Speaker 1: Welcome to and That's what You Really miss Podcast, Season five, 4 00:00:14,600 --> 00:00:21,480 Speaker 1: episode ten Trio. Whoo Okay, this is a very heavy 5 00:00:21,760 --> 00:00:22,720 Speaker 1: Tina episode. 6 00:00:22,920 --> 00:00:25,680 Speaker 2: It's very heavy Tina, and let me just say off 7 00:00:25,680 --> 00:00:35,840 Speaker 2: the bat, very happy for you, but very bitter about 8 00:00:35,840 --> 00:00:38,400 Speaker 2: this episode that I was not included in all of this. 9 00:00:38,920 --> 00:00:40,680 Speaker 1: It is shocking to me. And it is kind of 10 00:00:40,680 --> 00:00:43,760 Speaker 1: funny that they just like did name that they were, like, 11 00:00:44,000 --> 00:00:46,320 Speaker 1: Artie's not in this get out of here. 12 00:00:46,600 --> 00:00:49,080 Speaker 2: I get you needed like the trio and Lima and 13 00:00:49,120 --> 00:00:53,040 Speaker 2: the Trio in New York, but like there are four 14 00:00:53,120 --> 00:00:53,480 Speaker 2: of us. 15 00:00:53,640 --> 00:00:55,840 Speaker 1: You know what, though, here's the thing. If Tina and 16 00:00:56,560 --> 00:00:59,920 Speaker 1: Sam were making out and Blaine had Artie, the storyline 17 00:01:00,000 --> 00:01:03,600 Speaker 1: would have gone to pooper. It had to be a threesome, 18 00:01:04,360 --> 00:01:05,839 Speaker 1: not a three sum But you know what I mean. 19 00:01:06,840 --> 00:01:09,120 Speaker 2: We could have made out. What's the problem. 20 00:01:09,280 --> 00:01:11,200 Speaker 1: I am bummed that you weren't there, though, because this 21 00:01:11,319 --> 00:01:12,639 Speaker 1: was a really fun episode to shoot. 22 00:01:13,400 --> 00:01:15,760 Speaker 2: Yeah, it sure seems like you were bummed. Look had 23 00:01:15,760 --> 00:01:20,039 Speaker 2: a lot of fun. Whatever. 24 00:01:20,400 --> 00:01:21,200 Speaker 1: Anyway, This is. 25 00:01:21,200 --> 00:01:26,520 Speaker 2: Season five, episode ten Trio, originally aired March fourth, twenty fourteen, 26 00:01:27,480 --> 00:01:29,360 Speaker 2: and dark Horse by Katie Perry and GUCJ is still 27 00:01:29,360 --> 00:01:30,720 Speaker 2: in the One Song in the Country. 28 00:01:31,080 --> 00:01:35,600 Speaker 1: New movie NonStop Liam Neeson and Julianne Moore. This seems 29 00:01:35,640 --> 00:01:37,560 Speaker 1: like I've right out of my alley at least in 30 00:01:37,640 --> 00:01:42,319 Speaker 1: my adult life. Something I would watch, but I haven't 31 00:01:42,360 --> 00:01:46,360 Speaker 1: seen it. Also, this week, Leah's debut studio. 32 00:01:46,120 --> 00:01:47,720 Speaker 2: Album, Louder came out. 33 00:01:49,360 --> 00:01:52,000 Speaker 1: Wow, Yes, that's crazy. 34 00:01:53,040 --> 00:01:57,120 Speaker 2: I remember that week it came out and Cannonball was 35 00:01:57,120 --> 00:01:58,080 Speaker 2: the single. I believe. 36 00:01:58,320 --> 00:02:01,120 Speaker 1: Yes, she did that on many many. 37 00:02:00,280 --> 00:02:04,160 Speaker 2: Did really well, And I remember running into her like 38 00:02:04,480 --> 00:02:09,600 Speaker 2: that night at Soho House and she was celebrating with 39 00:02:09,639 --> 00:02:15,400 Speaker 2: some of the Columbia Records people and we were just 40 00:02:15,720 --> 00:02:18,480 Speaker 2: giggling over She's like, can you believe it? 41 00:02:21,520 --> 00:02:22,120 Speaker 1: That's funny. 42 00:02:22,400 --> 00:02:23,960 Speaker 2: Yeah, this episode is. 43 00:02:26,080 --> 00:02:30,520 Speaker 1: It is funny. It's funny for a number of reasons. 44 00:02:31,520 --> 00:02:36,360 Speaker 1: I feel like Tina was like inserting herself into BLAM, 45 00:02:36,840 --> 00:02:38,840 Speaker 1: which I felt very honored to do because I really 46 00:02:38,840 --> 00:02:39,679 Speaker 1: do love Blam. 47 00:02:39,720 --> 00:02:42,200 Speaker 2: But you know, to be I think Tina always has 48 00:02:42,240 --> 00:02:47,960 Speaker 2: been well became a thing. Tina was also there and 49 00:02:48,040 --> 00:02:50,560 Speaker 2: had her own thing with Sam and with Blaine. So 50 00:02:50,600 --> 00:02:52,880 Speaker 2: I feel like you've always been there. 51 00:02:53,120 --> 00:02:56,079 Speaker 1: Yeah, okay, fair enough. This is a lot of music 52 00:02:56,120 --> 00:02:59,639 Speaker 1: in it. I'm curious to hear of, like your thoughts 53 00:02:59,639 --> 00:03:04,320 Speaker 1: on the episode as somebody who was like not in 54 00:03:04,400 --> 00:03:09,000 Speaker 1: as much of it, because I have such vivid memories 55 00:03:09,040 --> 00:03:11,440 Speaker 1: of shooting this. I had a lot of fun shooting this, 56 00:03:11,600 --> 00:03:15,280 Speaker 1: I remember, and so I feel a little skewed in 57 00:03:15,320 --> 00:03:20,040 Speaker 1: my memory of like the episode versus doing it. 58 00:03:20,240 --> 00:03:22,240 Speaker 2: Well, I want to hear all the stories because obviously 59 00:03:23,360 --> 00:03:25,560 Speaker 2: I'm not in a lot of this, but you guys 60 00:03:25,560 --> 00:03:29,079 Speaker 2: got to do a lot of fun things, and there's 61 00:03:29,080 --> 00:03:33,000 Speaker 2: a lot of great music in this episode, and filming 62 00:03:33,080 --> 00:03:36,680 Speaker 2: things when it is smaller groups is always just really fun. 63 00:03:36,920 --> 00:03:37,200 Speaker 1: Yes. 64 00:03:37,240 --> 00:03:39,920 Speaker 2: Also when you do like the after school hours type scenes, 65 00:03:40,120 --> 00:03:43,040 Speaker 2: so much fun. It feels like that in the scenes, 66 00:03:43,240 --> 00:03:45,800 Speaker 2: like when you're filming it because the lighting is after 67 00:03:45,840 --> 00:03:49,320 Speaker 2: school our lighting. Yeah, and you're very much in a 68 00:03:49,400 --> 00:03:53,600 Speaker 2: three sixty degree set of a school, so it all 69 00:03:53,600 --> 00:03:55,600 Speaker 2: feels like really fun. So I want to ask you 70 00:03:55,640 --> 00:03:58,760 Speaker 2: all about those things. But let's talk about these songs first. Well. 71 00:03:58,800 --> 00:04:03,360 Speaker 2: Ian Brennan directing this episode, Sophia Rivka Rossi wrote. 72 00:04:03,120 --> 00:04:06,320 Speaker 1: It, and we've got some people here, We've got a 73 00:04:06,320 --> 00:04:09,720 Speaker 1: lot of Emma Hillsbury and we've got Demi. But we 74 00:04:09,760 --> 00:04:13,560 Speaker 1: start off an episode with Kevin's favorite number, Jump and 75 00:04:13,640 --> 00:04:16,520 Speaker 1: Jump in with Blaine Salmon Tina. 76 00:04:16,760 --> 00:04:20,760 Speaker 2: This whole episode is just me being jealous. Everything in 77 00:04:20,760 --> 00:04:24,720 Speaker 2: this episode. Barracuda sung by Elliott and Rachel. 78 00:04:25,040 --> 00:04:27,320 Speaker 1: Don't You Forget About Me, which was supposed to be 79 00:04:27,640 --> 00:04:31,040 Speaker 1: in the previous episode in puppet Master but was performed 80 00:04:31,040 --> 00:04:32,920 Speaker 1: by Blaine, Salmon Tina. 81 00:04:32,680 --> 00:04:36,560 Speaker 2: Work perfectly in this episode. It worked. Danny Song performed 82 00:04:36,560 --> 00:04:37,600 Speaker 2: by Emma and Will. 83 00:04:37,760 --> 00:04:40,720 Speaker 1: Gloria, Elliott, Rachel and Santana. 84 00:04:40,960 --> 00:04:43,320 Speaker 2: Happening by One three Hill. 85 00:04:43,520 --> 00:04:48,320 Speaker 1: So funny, and hold On by Wilson Phillips performed by 86 00:04:48,360 --> 00:04:53,560 Speaker 1: Already Blaine, Sam Tina, Rachel, Santana one three Hill. Honestly 87 00:04:53,640 --> 00:04:55,720 Speaker 1: just honored to have a song with Adam Lambert and 88 00:04:55,760 --> 00:05:00,000 Speaker 1: Demi Lovado, truly. Well, we did share what the fox is, 89 00:05:00,400 --> 00:05:04,720 Speaker 1: so that doesn't go okay. This is the fourth episode 90 00:05:04,760 --> 00:05:07,239 Speaker 1: to not feature any solos, just group numbers and duets. 91 00:05:07,240 --> 00:05:09,360 Speaker 2: That's crazy, that's very strange. 92 00:05:09,480 --> 00:05:09,880 Speaker 1: Yeah. 93 00:05:10,360 --> 00:05:13,080 Speaker 2: Yeah, the first three were Vitamin D the first time, 94 00:05:13,120 --> 00:05:17,560 Speaker 2: and I do that's wild. Ellie and Rachel were originally 95 00:05:17,600 --> 00:05:22,520 Speaker 2: meant to sing Vision of Love by Mariah Carey. However, Wow, 96 00:05:23,240 --> 00:05:25,320 Speaker 2: it was later changed to Barracuda. That is a very 97 00:05:25,360 --> 00:05:26,080 Speaker 2: different vibe. 98 00:05:26,680 --> 00:05:30,040 Speaker 1: I didn't know that, and I wish it was Vision 99 00:05:30,080 --> 00:05:30,559 Speaker 1: of Love. 100 00:05:30,760 --> 00:05:35,880 Speaker 2: I love that, But when Barracuda started, I was like, oh, yeah, 101 00:05:36,000 --> 00:05:39,880 Speaker 2: give them like the hardest song because they both have 102 00:05:40,120 --> 00:05:44,839 Speaker 2: stupid voices, and yeah, it's I enjoyed having them having 103 00:05:44,839 --> 00:05:46,320 Speaker 2: like a diva off with each other. 104 00:05:47,480 --> 00:05:50,360 Speaker 1: Also makes you think of a guitar hero always. 105 00:05:50,560 --> 00:05:53,000 Speaker 2: Yeah, oh, I can remember exactly where you do, like 106 00:05:53,000 --> 00:05:54,560 Speaker 2: the super Targe thing exactly. 107 00:05:57,080 --> 00:05:59,600 Speaker 1: Nancy Wilson from Heart plays the guitar on the Glee 108 00:05:59,600 --> 00:06:03,800 Speaker 1: performance of Veracuda. What What? 109 00:06:04,560 --> 00:06:08,000 Speaker 2: That is very exciting, wild and like you said, don't 110 00:06:08,000 --> 00:06:10,880 Speaker 2: you forget about He was originally intended to be performed 111 00:06:10,880 --> 00:06:15,039 Speaker 2: in puppet Master, but was repurposed for this episode. Did 112 00:06:15,080 --> 00:06:16,960 Speaker 2: you originally record it for puppet Master? 113 00:06:17,480 --> 00:06:20,160 Speaker 1: No, I wouldn't have been in it for if it 114 00:06:20,160 --> 00:06:20,840 Speaker 1: was puppet Master. 115 00:06:20,920 --> 00:06:21,599 Speaker 2: Yeah that's what I was. 116 00:06:21,640 --> 00:06:26,400 Speaker 1: Okay, Yeah, No, I'm glad that we could reuse, recycle, 117 00:06:26,480 --> 00:06:30,560 Speaker 1: reuse because it totally worked with like the break in 118 00:06:30,760 --> 00:06:34,640 Speaker 1: and everything, like the school being like club. Yeah. Uh. 119 00:06:35,279 --> 00:06:36,880 Speaker 1: At the end of don't you forget about Me. Blaine 120 00:06:37,000 --> 00:06:39,239 Speaker 1: raises his arm just like in the movie in the 121 00:06:39,279 --> 00:06:40,920 Speaker 1: breakfast Club, which is fun. 122 00:06:41,560 --> 00:06:44,440 Speaker 2: During Danny's song, Will Dab's paint on Emma's nose and 123 00:06:44,440 --> 00:06:47,080 Speaker 2: wipes it off with the cloth, a parallel to the 124 00:06:47,200 --> 00:06:50,840 Speaker 2: chalk dust scene from Showman Hu very cute. 125 00:06:51,240 --> 00:06:54,920 Speaker 1: The logo of the Almighty Troublecloth since superhero alter ego 126 00:06:54,960 --> 00:06:57,440 Speaker 1: from Dynamic Duets is shown when Blaine, Tina, and Sam 127 00:06:57,440 --> 00:07:00,240 Speaker 1: were breaking into the choir room during the night I 128 00:07:00,240 --> 00:07:00,880 Speaker 1: did notice that. 129 00:07:01,000 --> 00:07:04,040 Speaker 2: Yeah, yeah, this is the second time Blaine has worn 130 00:07:04,040 --> 00:07:06,799 Speaker 2: his nightber costume, the first being Dynamic Duett. 131 00:07:06,920 --> 00:07:09,080 Speaker 1: So weird to bring it back, but it's funny. This 132 00:07:09,160 --> 00:07:11,920 Speaker 1: episode features the last appearances of Emma and Beast in 133 00:07:12,000 --> 00:07:12,760 Speaker 1: season five. 134 00:07:13,240 --> 00:07:15,920 Speaker 2: There hasn't been enough of them, No, not nearly No. 135 00:07:17,000 --> 00:07:19,720 Speaker 2: Each time they came on screen, I just did a 136 00:07:19,760 --> 00:07:23,760 Speaker 2: little joy. I was so excited. This is the last 137 00:07:23,800 --> 00:07:26,280 Speaker 2: episode to credit dot Marine Jones as a guest star. 138 00:07:26,640 --> 00:07:28,560 Speaker 2: In season six, she becomes a series regular. 139 00:07:29,480 --> 00:07:31,720 Speaker 1: She's been a guest I know, that. 140 00:07:31,800 --> 00:07:32,640 Speaker 2: Was wild, wild. 141 00:07:33,360 --> 00:07:36,200 Speaker 1: I guess the adults were just a little bit different, right, Like, 142 00:07:36,560 --> 00:07:39,800 Speaker 1: even though they were so prominent in the storylines, like 143 00:07:40,000 --> 00:07:43,000 Speaker 1: we had so many series regulars as kids that like 144 00:07:43,480 --> 00:07:46,840 Speaker 1: the adults became that you know, sad. 145 00:07:47,080 --> 00:07:48,720 Speaker 2: Like when you watch shows and things too, like the 146 00:07:48,800 --> 00:07:51,080 Speaker 2: business side of it and that way is so confusing 147 00:07:51,400 --> 00:07:54,000 Speaker 2: and odd and you just you don't think about that 148 00:07:54,000 --> 00:07:55,880 Speaker 2: because everybody feels important. 149 00:07:55,600 --> 00:07:58,640 Speaker 1: Yes exactly, or they make they make themselves show up 150 00:07:58,720 --> 00:08:00,680 Speaker 1: like there they are important. 151 00:08:00,840 --> 00:08:01,679 Speaker 2: Yeah. 152 00:08:01,720 --> 00:08:04,800 Speaker 1: This is the last episode to feature Demie Levados. Danny, Wow, 153 00:08:05,360 --> 00:08:08,520 Speaker 1: that was quick. Too brief, Yeah, too brief. She's busy. 154 00:08:08,560 --> 00:08:11,280 Speaker 2: Though she's busy. I also wanted to see more of 155 00:08:11,280 --> 00:08:13,240 Speaker 2: her and Santana's relationship, like I would have. 156 00:08:14,320 --> 00:08:16,280 Speaker 1: We missed out on that. We missed out on. 157 00:08:16,240 --> 00:08:21,600 Speaker 2: That, Rachel says to Elliott. Gina Gershon Junior is nipping 158 00:08:21,640 --> 00:08:25,160 Speaker 2: at her butt and a wedding. Season six, Gina Gershon 159 00:08:25,240 --> 00:08:27,280 Speaker 2: plays Blaine's mom, Pam Anderson. 160 00:08:27,600 --> 00:08:30,800 Speaker 1: That's funny. I didn't I forgot that. Gina Gershon played 161 00:08:30,840 --> 00:08:31,360 Speaker 1: Blaine's mom. 162 00:08:31,640 --> 00:08:33,160 Speaker 2: Oh my god, never forget. 163 00:08:33,160 --> 00:08:34,000 Speaker 1: No, how could I mean? 164 00:08:34,040 --> 00:08:38,800 Speaker 2: It was amazing her, Shame on me. So in this episode, Sam, 165 00:08:38,840 --> 00:08:42,480 Speaker 2: Blaine and Tina want to enjoy their last moments together 166 00:08:42,480 --> 00:08:45,840 Speaker 2: in high school. Meanwhile, Kurt has problems with his band 167 00:08:45,880 --> 00:08:51,200 Speaker 2: because Rachel and Santana's fight and Will and Emma try 168 00:08:51,240 --> 00:08:52,160 Speaker 2: to get pregnant. 169 00:08:52,520 --> 00:08:57,280 Speaker 1: Okay, starting with Will and Emma trying to get pregnant, 170 00:08:58,760 --> 00:09:02,480 Speaker 1: the way this episode starts out with them getting caught 171 00:09:02,600 --> 00:09:06,280 Speaker 1: by Becky, it's the funniest thing. And that principal scene, 172 00:09:07,000 --> 00:09:11,520 Speaker 1: that scene Jane's office, is actually, I think one of 173 00:09:11,520 --> 00:09:14,560 Speaker 1: my favorite scenes of the series. And I know that 174 00:09:14,640 --> 00:09:17,400 Speaker 1: is like a bold statement to say no. It is 175 00:09:17,840 --> 00:09:20,360 Speaker 1: so so effing funny. 176 00:09:20,880 --> 00:09:25,920 Speaker 2: Like desperate for more Sue and Jane in that way, 177 00:09:26,440 --> 00:09:31,720 Speaker 2: her reactions to just it felt really classic. It felt 178 00:09:31,760 --> 00:09:35,080 Speaker 2: like season one Sue, Oh good. And it also felt 179 00:09:35,120 --> 00:09:38,360 Speaker 2: like they gave her probably because Ian was directing, it 180 00:09:38,400 --> 00:09:40,120 Speaker 2: felt like some of her reactions were a little more 181 00:09:40,160 --> 00:09:42,960 Speaker 2: improvy or he was like hating her things, and it 182 00:09:42,960 --> 00:09:46,839 Speaker 2: felt free. Like they say down syndrome and she goes, 183 00:09:46,840 --> 00:09:49,400 Speaker 2: what's wrong with downsdom Becky's just standing there, what's wrong 184 00:09:49,400 --> 00:09:52,200 Speaker 2: with down syndrome? Like the pacing of it all felt 185 00:09:52,240 --> 00:09:54,400 Speaker 2: a little different, like it just was really really great, 186 00:09:54,480 --> 00:09:54,840 Speaker 2: and then the. 187 00:09:55,880 --> 00:09:58,000 Speaker 1: Reaction at the end, She's like didn't need to know that. 188 00:09:58,240 --> 00:10:00,640 Speaker 1: It's like so so good. 189 00:10:00,880 --> 00:10:04,160 Speaker 2: So it also made me want to see a Sue Sylvester, 190 00:10:04,720 --> 00:10:09,480 Speaker 2: and what's Lisa Kudro's character from the Comeback, Valerie Cherish. Yes, 191 00:10:10,040 --> 00:10:11,080 Speaker 2: I need to see them together. 192 00:10:11,600 --> 00:10:15,520 Speaker 1: That would be a great combo. What an interesting grouping, 193 00:10:16,480 --> 00:10:19,200 Speaker 1: uh will in Emergy trying to have a baby. 194 00:10:19,840 --> 00:10:21,800 Speaker 2: But why are they doing it in the school closet? 195 00:10:21,960 --> 00:10:25,400 Speaker 1: I will say, there are specific times in which you 196 00:10:25,960 --> 00:10:30,040 Speaker 1: different days in which you're ovulating. It's not necessary. They 197 00:10:30,080 --> 00:10:31,520 Speaker 1: could go home and do that after. 198 00:10:31,280 --> 00:10:35,240 Speaker 2: S like there are children, underage children around. 199 00:10:35,600 --> 00:10:37,720 Speaker 1: Yeah, no, no, no, that is actually not. 200 00:10:37,720 --> 00:10:40,600 Speaker 2: Correct, And like I was actually surprised Sue was so 201 00:10:40,679 --> 00:10:42,520 Speaker 2: cool with it. I'm like sure that you end up 202 00:10:42,520 --> 00:10:44,720 Speaker 2: on some sort of list if you get caught doing 203 00:10:44,760 --> 00:10:46,559 Speaker 2: this and. 204 00:10:46,640 --> 00:10:50,720 Speaker 1: Becky's the water who catches you just screaming so funny. 205 00:10:50,880 --> 00:10:53,200 Speaker 1: Lauren Potter in this episode is very very good. 206 00:10:54,559 --> 00:10:58,640 Speaker 2: Season honestly scene stealer every time she shows up. 207 00:10:58,840 --> 00:11:02,040 Speaker 1: Yeah, working with her on this one was bananas. 208 00:11:02,080 --> 00:11:04,600 Speaker 2: Bananas, Oh my god, I can't wait to talk about that. 209 00:11:06,200 --> 00:11:09,640 Speaker 1: They're stressed about having a baby, which is somebody who 210 00:11:10,559 --> 00:11:13,640 Speaker 1: has been in this world and understands that it's like 211 00:11:14,559 --> 00:11:19,559 Speaker 1: it is true some people, you know that having a 212 00:11:19,600 --> 00:11:21,400 Speaker 1: baby naturally is just not in the cards. But the 213 00:11:21,920 --> 00:11:26,800 Speaker 1: whole thing is like just relax, just relax, But putting 214 00:11:26,800 --> 00:11:29,840 Speaker 1: pressure on yourself is actually not good for you to 215 00:11:29,880 --> 00:11:34,880 Speaker 1: write a baby. And Will is kind of trying to 216 00:11:34,880 --> 00:11:38,280 Speaker 1: do his best. I actually don't think his intentions are bad, 217 00:11:38,440 --> 00:11:41,760 Speaker 1: but he's just he's pushing, like getting to the fertility, 218 00:11:41,960 --> 00:11:44,520 Speaker 1: you know, getting to the doctor and doing all this stuff. 219 00:11:44,559 --> 00:11:47,480 Speaker 1: And like, so Sue and beast Off or some Will 220 00:11:47,520 --> 00:11:50,040 Speaker 1: some advice as women, I guess, and they are like, 221 00:11:50,400 --> 00:11:52,920 Speaker 1: just try and take a beat now. 222 00:11:53,040 --> 00:11:57,160 Speaker 2: Lost intentions are never bad. His execution usually leaves something 223 00:11:57,200 --> 00:11:57,840 Speaker 2: to be desired. 224 00:11:59,400 --> 00:12:03,360 Speaker 1: Correct, correct, But how cute are they? 225 00:12:03,640 --> 00:12:06,120 Speaker 2: They're so cute. That scene in the teacher's lounge with 226 00:12:06,160 --> 00:12:08,600 Speaker 2: the three of them is also just exceptional. And like 227 00:12:08,679 --> 00:12:12,960 Speaker 2: Sue is just sitting there, She's always just around waiting 228 00:12:12,960 --> 00:12:16,120 Speaker 2: to insult them. But they give him some pretty sound advice. 229 00:12:16,720 --> 00:12:18,599 Speaker 2: And I also liked that we got to see the 230 00:12:18,640 --> 00:12:21,480 Speaker 2: old craft room. Didn't that feel nice? Again? 231 00:12:21,640 --> 00:12:22,680 Speaker 1: Like didn't feel nice? 232 00:12:22,800 --> 00:12:24,839 Speaker 2: I'm like, is this a craft room? I recognize the 233 00:12:24,880 --> 00:12:25,800 Speaker 2: color of the walls. 234 00:12:26,360 --> 00:12:29,120 Speaker 1: There was something also a little bit old school about 235 00:12:29,760 --> 00:12:33,360 Speaker 1: watching Will and Emma like go through something hard, Like 236 00:12:33,440 --> 00:12:36,079 Speaker 1: I it felt like a little bit of O G Gli. 237 00:12:36,559 --> 00:12:39,640 Speaker 1: That was like very comforting to me in a way. 238 00:12:41,640 --> 00:12:43,840 Speaker 1: I just love them so much. I think in like 239 00:12:43,920 --> 00:12:46,319 Speaker 1: anything that they do, and I just thought it was 240 00:12:46,400 --> 00:12:49,600 Speaker 1: like it felt it felt nice. 241 00:12:49,440 --> 00:12:53,320 Speaker 2: To see their number together was really cute, so sweet, 242 00:12:53,600 --> 00:12:56,040 Speaker 2: it was so sweet. I was like, this is just good. 243 00:12:56,679 --> 00:12:57,600 Speaker 2: This is charming. 244 00:12:58,280 --> 00:13:02,600 Speaker 1: Yeah. Yeah, she's also just the most charming and something 245 00:13:02,640 --> 00:13:05,480 Speaker 1: that I'm not hating Will hating on Will for you know, 246 00:13:05,920 --> 00:13:08,320 Speaker 1: there's I mean, they're they're so good together. No, they 247 00:13:08,360 --> 00:13:09,319 Speaker 1: really are. 248 00:13:09,360 --> 00:13:13,800 Speaker 2: And it's like he may have some of these wild 249 00:13:13,880 --> 00:13:16,840 Speaker 2: ideas and things, but when it's between the two of them, 250 00:13:16,840 --> 00:13:19,679 Speaker 2: it always seems like they do understand each other. And 251 00:13:19,720 --> 00:13:23,160 Speaker 2: it's written in a way where she doesn't really ever 252 00:13:23,200 --> 00:13:25,400 Speaker 2: take it incorrectly, like she knows him, she just may 253 00:13:25,440 --> 00:13:27,920 Speaker 2: need her space and vice versa, and so like it's 254 00:13:28,000 --> 00:13:31,000 Speaker 2: nice that I just I love watching their dynamic. 255 00:13:38,920 --> 00:13:46,000 Speaker 1: So we find out Rachel has taken to Elliott. She 256 00:13:46,120 --> 00:13:47,040 Speaker 1: moves in with the Elliott. 257 00:13:47,720 --> 00:13:52,600 Speaker 2: Listen. Some of my favorite Rachel is Leah doing these 258 00:13:52,640 --> 00:13:53,599 Speaker 2: like comedic. 259 00:13:53,280 --> 00:13:58,160 Speaker 1: Kits, crazy like when she knocks on the door yes 260 00:13:59,559 --> 00:14:03,160 Speaker 1: and then comes into his bed yeah, and like looks back. 261 00:14:03,000 --> 00:14:05,920 Speaker 2: At the bed a little bit, it's like, and then 262 00:14:06,000 --> 00:14:10,440 Speaker 2: just tucking him in. Also, Adam Lambert is a very 263 00:14:10,640 --> 00:14:16,400 Speaker 2: tall person, and anybody making Leah is a very short person. Yes, 264 00:14:16,679 --> 00:14:20,360 Speaker 2: And to make Adam Lambert sleep on a couch it 265 00:14:20,440 --> 00:14:25,480 Speaker 2: is crazy. That's all I could like, This wouldn't practically work. 266 00:14:25,920 --> 00:14:28,560 Speaker 1: She makes her way into that house and takes over 267 00:14:28,960 --> 00:14:32,120 Speaker 1: as a roommate, and then Elliott is basically like doing 268 00:14:32,160 --> 00:14:36,720 Speaker 1: her dry cleaning for her, bringing her tea, Like he's 269 00:14:36,880 --> 00:14:39,400 Speaker 1: just become her, her little person. 270 00:14:40,560 --> 00:14:42,880 Speaker 2: Her new good gay and he doesn't like that. She's like, 271 00:14:42,880 --> 00:14:46,600 Speaker 2: but it's such a good joke. It was very, very funny. Yeah. 272 00:14:46,640 --> 00:14:48,720 Speaker 1: I like their dynamic a lot, and I like learning 273 00:14:48,760 --> 00:14:53,640 Speaker 1: more about Elliott in this way. Yes, And then they perform. 274 00:14:53,920 --> 00:14:58,360 Speaker 1: Rachel has a band on on standby so she can 275 00:14:58,400 --> 00:15:00,520 Speaker 1: her her funny girl and she's like, let's think this score, 276 00:15:00,600 --> 00:15:03,880 Speaker 1: and then he's like, maybe let's do something rock bandy 277 00:15:03,920 --> 00:15:07,560 Speaker 1: and rock starry and rocker, and so they do Barrakuda 278 00:15:08,080 --> 00:15:12,880 Speaker 1: and they both sound insane on this number. Insane. 279 00:15:13,000 --> 00:15:14,480 Speaker 2: Yeah. I was like, what are they going to sing? 280 00:15:14,520 --> 00:15:17,320 Speaker 2: And those opening notes starting like, oh my god. 281 00:15:17,200 --> 00:15:20,520 Speaker 1: Yes, it's very high I mean it's perfect for Adam 282 00:15:20,600 --> 00:15:23,520 Speaker 1: obviously with what he does and rich and Leah can 283 00:15:23,640 --> 00:15:27,600 Speaker 1: totally hold her own doing it. But my god, that 284 00:15:27,720 --> 00:15:28,400 Speaker 1: song is high. 285 00:15:29,560 --> 00:15:35,120 Speaker 2: Adam in this whole episode singing is unbelievable, outrageous. It's 286 00:15:35,200 --> 00:15:38,320 Speaker 2: really just like in his sweet Spot. Yes, I think 287 00:15:38,320 --> 00:15:40,320 Speaker 2: that was on purpose, Like there's some things happening in 288 00:15:40,400 --> 00:15:44,200 Speaker 2: Gloria too later on that are just just we'll get 289 00:15:44,240 --> 00:15:46,800 Speaker 2: to Gloria. But his voice, I mean, this is the 290 00:15:46,880 --> 00:15:51,000 Speaker 2: exact right song for them to be singing, especially him, 291 00:15:51,440 --> 00:15:53,760 Speaker 2: and also she has this like rasp she can add 292 00:15:53,760 --> 00:15:57,000 Speaker 2: into her voice, which is so good. And when she 293 00:15:57,120 --> 00:16:00,520 Speaker 2: like accesses that and this song and she does Gloria 294 00:16:00,560 --> 00:16:04,280 Speaker 2: as well, it's just the two of them together. Their 295 00:16:04,360 --> 00:16:08,560 Speaker 2: voices are so different, but they work so well together. Yeah, 296 00:16:08,600 --> 00:16:14,720 Speaker 2: the dynamic between Santana and Rachel from last episode and 297 00:16:14,760 --> 00:16:18,320 Speaker 2: then sort of hating each other is really working for me. 298 00:16:20,120 --> 00:16:24,640 Speaker 2: There's something about it that even when they're not in 299 00:16:24,680 --> 00:16:28,560 Speaker 2: the same scene together, they're both so good and it's 300 00:16:28,680 --> 00:16:32,320 Speaker 2: so funny. And like Santana putting in all this hair, 301 00:16:33,040 --> 00:16:34,880 Speaker 2: this fake hair, and she has it most of the 302 00:16:34,960 --> 00:16:37,720 Speaker 2: episode and it's so insane. 303 00:16:38,040 --> 00:16:42,160 Speaker 1: He's like new hair. It's also gone from like mean 304 00:16:42,760 --> 00:16:44,760 Speaker 1: to comedic. Right, So, like Front of Me is, it 305 00:16:44,800 --> 00:16:47,160 Speaker 1: was like kind of sad and like a little bit 306 00:16:47,280 --> 00:16:49,320 Speaker 1: like darker, and you're like, oh god, ah, they're gonna 307 00:16:49,320 --> 00:16:52,000 Speaker 1: be friends and what's going to happen to them? And 308 00:16:52,040 --> 00:16:55,840 Speaker 1: this one has turned much lighter, much more comedic. There's 309 00:16:55,920 --> 00:16:58,200 Speaker 1: much more of like this push pull of Elliott and 310 00:16:58,520 --> 00:17:01,880 Speaker 1: who he's gonna you know, who's loyalty whereas loyalty is 311 00:17:01,920 --> 00:17:05,000 Speaker 1: gonna lie. And I appreciate that, like we've kind of 312 00:17:05,040 --> 00:17:08,159 Speaker 1: lightened the mood a little bit versus this hate you know, 313 00:17:08,560 --> 00:17:10,080 Speaker 1: these like enemy things. 314 00:17:10,240 --> 00:17:11,240 Speaker 2: We're not that kind of show. 315 00:17:11,480 --> 00:17:12,720 Speaker 1: No, no, no, exactly. 316 00:17:13,000 --> 00:17:15,480 Speaker 2: And then when Rachel walks into the diner and catches 317 00:17:15,520 --> 00:17:18,479 Speaker 2: Santana and Elliott together and has a freak out like 318 00:17:18,600 --> 00:17:22,320 Speaker 2: all these little these caddy scenes are so good, and 319 00:17:22,320 --> 00:17:24,400 Speaker 2: then they have a sing off basically. 320 00:17:24,480 --> 00:17:29,080 Speaker 1: Okay, I remember coming in for some reason. I remember 321 00:17:29,119 --> 00:17:31,600 Speaker 1: being there for the rehearsal of this number. They were 322 00:17:31,600 --> 00:17:35,520 Speaker 1: rehearsing this number to then shoot, and we were there. 323 00:17:35,920 --> 00:17:39,040 Speaker 1: I remember being there and watching the rehearsal for this number, 324 00:17:39,920 --> 00:17:42,800 Speaker 1: and it is to this day one of my favorite numbers. 325 00:17:43,240 --> 00:17:47,600 Speaker 1: Of the series. Really, I love this song. I love 326 00:17:47,640 --> 00:17:50,560 Speaker 1: their version of it. I love the storyline around it. 327 00:17:50,560 --> 00:17:52,720 Speaker 1: I love who's singing it, Like we get everybody in there. 328 00:17:53,119 --> 00:17:54,760 Speaker 2: And he also liked Ellie doesn't work there and he's 329 00:17:54,800 --> 00:17:58,960 Speaker 2: up there singing, yeah, exactly anything go who's at the diner? Right? 330 00:18:00,119 --> 00:18:03,000 Speaker 1: But my god, it's so good. It's a great song 331 00:18:03,520 --> 00:18:06,280 Speaker 1: to begin with the original, and then it is a 332 00:18:06,359 --> 00:18:08,800 Speaker 1: great cover. And you know what we don't get enough of. 333 00:18:09,000 --> 00:18:11,400 Speaker 1: I know we've had like diva offs before on the show, 334 00:18:12,000 --> 00:18:16,080 Speaker 1: but usually they're like cut together, right, This is both 335 00:18:16,080 --> 00:18:18,360 Speaker 1: of them at the same time trying to out sing 336 00:18:18,440 --> 00:18:20,080 Speaker 1: each other. It's so good. 337 00:18:20,320 --> 00:18:25,200 Speaker 2: It's so satisfying, and it's so funny, and Leah and 338 00:18:25,359 --> 00:18:30,160 Speaker 2: Naya are comedic geniuses killing it. And you go from 339 00:18:30,240 --> 00:18:32,639 Speaker 2: last episode, like you said, where it was much more dramatic, 340 00:18:32,640 --> 00:18:35,159 Speaker 2: and they're also like killing that. This has like some 341 00:18:35,280 --> 00:18:40,879 Speaker 2: of the same like rage undertones, but much funnier. Everything 342 00:18:40,920 --> 00:18:44,160 Speaker 2: they're doing is laced with comedy. So even the way 343 00:18:44,400 --> 00:18:47,280 Speaker 2: Leah is dancing on that stage and Gloria starts behind 344 00:18:47,359 --> 00:18:52,000 Speaker 2: Naya is so funny. It's really good. It really is 345 00:18:52,480 --> 00:18:54,639 Speaker 2: just excellent, and the boys are sitting there like what 346 00:18:54,920 --> 00:18:56,959 Speaker 2: is going on? I know they're so over it. Well, 347 00:18:57,000 --> 00:18:59,400 Speaker 2: they're so over it that Kurt is going to literally 348 00:19:00,880 --> 00:19:06,440 Speaker 2: cut both of them, Rachel and Santana from Pamela Lansbury 349 00:19:06,960 --> 00:19:10,160 Speaker 2: and has come up with another great name for a band, 350 00:19:10,640 --> 00:19:11,920 Speaker 2: One three Hill. 351 00:19:18,760 --> 00:19:22,920 Speaker 1: I love this band too, absolutely so Santana and Rachel 352 00:19:22,920 --> 00:19:23,520 Speaker 1: get kicks out. 353 00:19:23,840 --> 00:19:28,040 Speaker 2: Intentions are high, but they even in an attempt which 354 00:19:28,080 --> 00:19:30,800 Speaker 2: I also like, and an attempt to still like outdo 355 00:19:30,920 --> 00:19:34,159 Speaker 2: each other. Now it's being the better friend they make 356 00:19:34,280 --> 00:19:37,560 Speaker 2: going to watch One three Hill perform a competition, and 357 00:19:37,680 --> 00:19:44,840 Speaker 2: they sort of make like a temporary piece, like a 358 00:19:45,040 --> 00:19:51,280 Speaker 2: slight truce here. Sure, and then you actually have like 359 00:19:51,400 --> 00:19:54,760 Speaker 2: a really great moment with them back at the loft 360 00:19:54,960 --> 00:20:00,040 Speaker 2: when Rachel is looking for her scented candle drawer and 361 00:20:00,080 --> 00:20:04,720 Speaker 2: there's joke joke, joke, joke joke about Crotchel's panties and 362 00:20:05,119 --> 00:20:08,520 Speaker 2: bras and things, but they're just. 363 00:20:10,000 --> 00:20:10,680 Speaker 1: They're so good. 364 00:20:11,080 --> 00:20:13,000 Speaker 2: There's something about their chemistry. 365 00:20:12,960 --> 00:20:18,640 Speaker 1: Yep, yep, and like the truth comes out, it's it's 366 00:20:18,720 --> 00:20:20,760 Speaker 1: like they have it all, like they have it all. 367 00:20:20,880 --> 00:20:23,240 Speaker 1: They have. You can do the dramatic front of me 368 00:20:23,840 --> 00:20:26,119 Speaker 1: kind of thing where they're ripping up photos and getting 369 00:20:26,119 --> 00:20:28,800 Speaker 1: into fights and saying really harsh things. You have the 370 00:20:28,920 --> 00:20:33,639 Speaker 1: comedy of them kind of this push and pull in 371 00:20:33,760 --> 00:20:37,080 Speaker 1: this episode, and then you have like the brutally honest 372 00:20:37,359 --> 00:20:39,760 Speaker 1: that they didn't really have a lot of friends and 373 00:20:39,960 --> 00:20:42,800 Speaker 1: like you know a lot of galfriends, and like the 374 00:20:42,920 --> 00:20:46,439 Speaker 1: honesty comes out and you're like, damn, is there anything 375 00:20:46,480 --> 00:20:48,600 Speaker 1: these guys can't do? And then also sing and sound 376 00:20:48,680 --> 00:20:49,840 Speaker 1: really good to get and they can do it on 377 00:20:50,000 --> 00:20:54,200 Speaker 1: a single scene, right, The journey is real. The way 378 00:20:54,640 --> 00:20:59,000 Speaker 1: they're able to navigate all of those feelings in a 379 00:20:59,080 --> 00:21:02,760 Speaker 1: single scene is bewildering, Like I. 380 00:21:04,480 --> 00:21:06,680 Speaker 2: Can't keep up. And I think the thing about them 381 00:21:06,960 --> 00:21:12,240 Speaker 2: irl is they respected each other a lot, They respected 382 00:21:12,240 --> 00:21:13,480 Speaker 2: their abilities a lot, and. 383 00:21:13,520 --> 00:21:14,600 Speaker 1: They also make each other better. 384 00:21:15,000 --> 00:21:18,080 Speaker 2: Yes, absolutely, But so it wasn't one of those things 385 00:21:18,080 --> 00:21:22,359 Speaker 2: where it was like you knew you had to like 386 00:21:22,920 --> 00:21:26,119 Speaker 2: be on your A game, ye opposite that other person 387 00:21:26,240 --> 00:21:28,080 Speaker 2: because they're going to be on their A game. And 388 00:21:28,160 --> 00:21:33,280 Speaker 2: so they're pushing each other probably subconsciously, because these scenes 389 00:21:33,359 --> 00:21:38,399 Speaker 2: are magic, and I don't know what happened. It was 390 00:21:38,480 --> 00:21:41,440 Speaker 2: like all of a sudden they started writing them more 391 00:21:41,600 --> 00:21:45,359 Speaker 2: together and in competition and all this something clicked. 392 00:21:45,720 --> 00:21:48,879 Speaker 1: Yep. I totally agree, and it all just works. I 393 00:21:49,040 --> 00:21:53,159 Speaker 1: totally agree, and it doesn't feel too fraud like, it 394 00:21:53,240 --> 00:21:56,560 Speaker 1: doesn't feel like too heavy. I'm just like really enjoying 395 00:21:56,600 --> 00:21:57,040 Speaker 1: this right. 396 00:21:57,040 --> 00:22:01,840 Speaker 2: You know, it feels completely grounded like Season one, Yes, 397 00:22:02,160 --> 00:22:06,560 Speaker 2: and the way where you can balance the rudeness and 398 00:22:06,720 --> 00:22:08,080 Speaker 2: like the comedic cruelty. 399 00:22:08,520 --> 00:22:11,000 Speaker 1: But they're and their journey, their character journeys are just 400 00:22:11,160 --> 00:22:15,160 Speaker 1: so true to them fully you can see both sides. 401 00:22:15,359 --> 00:22:18,440 Speaker 2: And this is I'm like, this is the spinoff. Yeah 402 00:22:18,680 --> 00:22:21,960 Speaker 2: like that, Now New York has a spin off, I 403 00:22:22,119 --> 00:22:22,359 Speaker 2: get it. 404 00:22:22,960 --> 00:22:26,560 Speaker 1: And also getting you know, one three Hill to perform. 405 00:22:26,640 --> 00:22:31,760 Speaker 1: We get Demi and Adam and Chris performing together one 406 00:22:31,840 --> 00:22:34,760 Speaker 1: last time. I'm like, give me more of that, because God, 407 00:22:34,840 --> 00:22:39,919 Speaker 1: they're good. They're so good. Our trios, our trios are 408 00:22:40,680 --> 00:22:41,880 Speaker 1: here to stay today. 409 00:22:41,920 --> 00:22:46,080 Speaker 2: Can we talk about McKinley trio, Jenna, let's talk about it. 410 00:22:46,440 --> 00:22:50,359 Speaker 2: You got to do this whole like John Hughes eighties. 411 00:22:51,600 --> 00:22:57,119 Speaker 2: I'll hide my bitterness for now, but yes, all of 412 00:22:57,200 --> 00:23:00,639 Speaker 2: these sort of like classic high school tropes. And I 413 00:23:00,720 --> 00:23:04,680 Speaker 2: mean that as a compliment. Yeah, yeah, yeah, where you 414 00:23:04,760 --> 00:23:06,960 Speaker 2: know Tina is like if building up where the three 415 00:23:06,960 --> 00:23:10,360 Speaker 2: of you were like, oh, this is our last yeah, 416 00:23:10,640 --> 00:23:14,160 Speaker 2: her last hurrah before graduation. You also have to cry 417 00:23:14,320 --> 00:23:17,119 Speaker 2: in every scene, like the first like four scenes. 418 00:23:17,280 --> 00:23:19,639 Speaker 1: It's getting a little old, and of course we're just 419 00:23:19,880 --> 00:23:22,080 Speaker 1: you know, it's fine because it's almost over. But like 420 00:23:23,000 --> 00:23:27,000 Speaker 1: Tina is just very emotional that this year is coming 421 00:23:27,040 --> 00:23:27,240 Speaker 1: to it. 422 00:23:27,760 --> 00:23:30,399 Speaker 2: I loved it though. The meltdown on the floor in 423 00:23:30,440 --> 00:23:31,960 Speaker 2: the hallway was so good. 424 00:23:33,119 --> 00:23:35,920 Speaker 1: It's just crazy. And they also like don't know what 425 00:23:36,040 --> 00:23:38,359 Speaker 1: to do with you. Yeah, I wouldn't want what to 426 00:23:38,440 --> 00:23:41,800 Speaker 1: do with me either. Like it's annoying, like it's crazy. 427 00:23:43,440 --> 00:23:46,840 Speaker 1: It's fun to do for sure, but it's also like 428 00:23:46,920 --> 00:23:48,720 Speaker 1: I do have to cry, so like I have to 429 00:23:48,840 --> 00:23:51,080 Speaker 1: like get there in a way and then like make 430 00:23:51,160 --> 00:23:52,400 Speaker 1: it comedic at the same time. 431 00:23:52,920 --> 00:23:54,960 Speaker 2: Right, how do you do that? 432 00:23:56,200 --> 00:23:58,560 Speaker 1: I have to actually like get to the place where 433 00:23:58,600 --> 00:24:00,560 Speaker 1: I can get some to your real time tears out, 434 00:24:00,960 --> 00:24:04,119 Speaker 1: which doesn't happen physically for me. It happens emotionally. So 435 00:24:04,240 --> 00:24:07,800 Speaker 1: I have to like get myself there emotionally somehow, and 436 00:24:08,160 --> 00:24:11,400 Speaker 1: then I can once I'm there, I can tap back 437 00:24:11,480 --> 00:24:14,080 Speaker 1: out of it and play into like the comedy of it. 438 00:24:14,600 --> 00:24:17,760 Speaker 1: But it's not. It's not necessarily like easy for me, 439 00:24:18,080 --> 00:24:22,040 Speaker 1: and nor is it like the most fun to have 440 00:24:22,200 --> 00:24:24,680 Speaker 1: to go do that thing first and then play the 441 00:24:24,720 --> 00:24:27,960 Speaker 1: comedy through it. I like the screaming and the laugh like, 442 00:24:28,080 --> 00:24:30,560 Speaker 1: you know, like the ridiculous crying. I love that part 443 00:24:30,600 --> 00:24:30,760 Speaker 1: of it. 444 00:24:31,200 --> 00:24:32,879 Speaker 2: Do you have like a shortcut, like a thing you 445 00:24:32,960 --> 00:24:34,360 Speaker 2: go to to try to get you to cry? 446 00:24:34,960 --> 00:24:38,160 Speaker 1: You know, it depends on what it is like. Obviously, 447 00:24:38,400 --> 00:24:41,280 Speaker 1: For like Shooting Star, that was a very easy one 448 00:24:41,359 --> 00:24:45,600 Speaker 1: to tap into because the writing was quite good and 449 00:24:45,720 --> 00:24:49,680 Speaker 1: the circumstances were there for everybody. For this one, I 450 00:24:49,880 --> 00:24:51,840 Speaker 1: just tried to tap into like the idea of like 451 00:24:52,080 --> 00:24:56,040 Speaker 1: being this being the end of the show and like 452 00:24:56,160 --> 00:24:58,680 Speaker 1: that emotion. So it was like stayed real to true 453 00:24:58,720 --> 00:25:01,560 Speaker 1: to like what Tina was that atually feeling. It works 454 00:25:01,600 --> 00:25:03,280 Speaker 1: and it doesn't work sometimes, so you have to just 455 00:25:03,359 --> 00:25:05,840 Speaker 1: kind of like go with whatever whatever's going to work 456 00:25:05,920 --> 00:25:06,080 Speaker 1: for you. 457 00:25:06,560 --> 00:25:08,720 Speaker 2: Did you have that experience in high school where like, 458 00:25:09,000 --> 00:25:11,879 Speaker 2: because Tina's whole thing is that she's so scared and 459 00:25:11,960 --> 00:25:15,080 Speaker 2: she brings about examples of the rest of the Glee 460 00:25:15,200 --> 00:25:18,720 Speaker 2: cast or you know, like I mean the characters like 461 00:25:18,880 --> 00:25:21,200 Speaker 2: not speaking to each other, once you graduate high school, 462 00:25:21,200 --> 00:25:23,080 Speaker 2: even though your intention is to stay best friends. 463 00:25:23,560 --> 00:25:26,560 Speaker 1: Yeah, I think Tina is actually more realistic in that way. 464 00:25:26,760 --> 00:25:29,359 Speaker 1: Like Tina sees it because maybe of Mike Chang, because 465 00:25:29,720 --> 00:25:33,080 Speaker 1: you know, she saw those all of her friends upperclassmen 466 00:25:33,160 --> 00:25:38,840 Speaker 1: graduate like Rachel. But I think I was blissfully unaware 467 00:25:38,880 --> 00:25:40,480 Speaker 1: of that, and I thought those people were going to 468 00:25:40,520 --> 00:25:41,400 Speaker 1: be my best friends forever. 469 00:25:41,840 --> 00:25:42,159 Speaker 2: M hm. 470 00:25:43,800 --> 00:25:48,400 Speaker 1: In a way that Tina was actually much more correct 471 00:25:48,840 --> 00:25:53,600 Speaker 1: and realistic in that sense. Did you think, were you, like, oh, well, 472 00:25:53,680 --> 00:25:57,320 Speaker 1: you were in law staff. 473 00:25:57,680 --> 00:26:00,840 Speaker 2: I actually know I still have like my best room 474 00:26:00,880 --> 00:26:02,680 Speaker 2: for my school was still one of my best friends 475 00:26:02,760 --> 00:26:05,040 Speaker 2: and we talk all the time all the time. It's 476 00:26:05,119 --> 00:26:06,360 Speaker 2: clear I still have a few. 477 00:26:06,840 --> 00:26:09,040 Speaker 1: I have a handful, but I don't have like it's 478 00:26:09,080 --> 00:26:10,640 Speaker 1: not everybody, you know what I mean, your group? 479 00:26:10,760 --> 00:26:11,320 Speaker 2: I have one. 480 00:26:11,880 --> 00:26:15,359 Speaker 1: Yeah, I have a few. Yeah. Anyway, Yeah, the whole 481 00:26:15,560 --> 00:26:19,960 Speaker 1: crying in the halloway, crying in the classroom, crying in 482 00:26:20,080 --> 00:26:23,280 Speaker 1: the thing. It's also Ian likes that Ian got really 483 00:26:23,359 --> 00:26:27,040 Speaker 1: giddy to like get you to cry. Gosh, it was 484 00:26:27,080 --> 00:26:29,320 Speaker 1: just like, oh my god, another one. 485 00:26:29,400 --> 00:26:32,320 Speaker 2: You guys. So the characters got to sneak back into 486 00:26:32,359 --> 00:26:35,879 Speaker 2: school to have like one last hurrah together. So this 487 00:26:36,000 --> 00:26:37,520 Speaker 2: looked like so much fun. 488 00:26:38,280 --> 00:26:40,520 Speaker 1: It was because remember when we shot at night, like 489 00:26:40,640 --> 00:26:42,639 Speaker 1: all of it, so it felt like we were actually 490 00:26:42,680 --> 00:26:43,160 Speaker 1: breaking hands. 491 00:26:43,520 --> 00:26:45,200 Speaker 2: Was it all one night you did all these things? 492 00:26:46,080 --> 00:26:49,040 Speaker 1: Yeah? I think so. I think so, maybe too. Maybe 493 00:26:49,200 --> 00:26:53,400 Speaker 1: the auditorium where we see Becky was a separate day, 494 00:26:55,080 --> 00:26:57,960 Speaker 1: but like the classroom, Yeah, all of that was like 495 00:26:58,160 --> 00:26:58,760 Speaker 1: one day. 496 00:26:58,840 --> 00:27:02,040 Speaker 2: I think I love you guys. Sneaking in. I loved 497 00:27:02,080 --> 00:27:04,240 Speaker 2: a little bits of like people falling in and hopping 498 00:27:04,400 --> 00:27:05,600 Speaker 2: up in foreground. 499 00:27:06,200 --> 00:27:08,879 Speaker 1: Yeah, we fell onto a mat. We fell onto a 500 00:27:08,960 --> 00:27:12,760 Speaker 1: mat from the window. Don't you forget to meet about me? 501 00:27:13,000 --> 00:27:18,920 Speaker 1: Was really really fun to shoot. They're great to work with. 502 00:27:19,080 --> 00:27:22,440 Speaker 1: Cordon and Darren are also just game for anything, and 503 00:27:23,080 --> 00:27:25,760 Speaker 1: it is a good crew to be with. And also, 504 00:27:26,520 --> 00:27:29,160 Speaker 1: like you said, like when it's three of you, it's 505 00:27:29,359 --> 00:27:31,920 Speaker 1: much more it's much easier to shoot, right, Like, it's 506 00:27:31,960 --> 00:27:34,280 Speaker 1: not eighteen people sitting in one room that you're corralling, 507 00:27:34,359 --> 00:27:37,800 Speaker 1: it's just the three of you. The chin things with 508 00:27:37,960 --> 00:27:42,800 Speaker 1: the faces and the mouths were so funny, so so funny. 509 00:27:42,880 --> 00:27:45,440 Speaker 1: Everybody's like peeing their pants. Crew members were loving it. 510 00:27:45,880 --> 00:27:49,520 Speaker 1: We did the whole number song like like that per character. 511 00:27:49,640 --> 00:27:51,800 Speaker 2: It's like a video in our group chat and it 512 00:27:51,960 --> 00:27:53,280 Speaker 2: was very funny. 513 00:27:56,200 --> 00:27:58,639 Speaker 1: And being in like the office, like Viggin's office at 514 00:27:58,760 --> 00:28:03,080 Speaker 1: night or Jane's office. I us at that point doing 515 00:28:03,320 --> 00:28:08,240 Speaker 1: the fire extinguishers were so much fun. 516 00:28:08,520 --> 00:28:10,720 Speaker 2: That looked like so much fun. You also have a 517 00:28:10,800 --> 00:28:13,160 Speaker 2: video of that, which was I was happy to see 518 00:28:13,200 --> 00:28:14,720 Speaker 2: that because I also I'm like, how did they do this? 519 00:28:15,160 --> 00:28:17,720 Speaker 1: If I'm correct, we were on strings, Our chairs were 520 00:28:17,760 --> 00:28:18,320 Speaker 1: on strings. 521 00:28:19,640 --> 00:28:20,359 Speaker 2: It wasn't real. 522 00:28:21,200 --> 00:28:23,040 Speaker 1: It was real to an extent, like we were actually 523 00:28:23,119 --> 00:28:24,840 Speaker 1: like doing the fire exchange. I don't know what they 524 00:28:24,840 --> 00:28:27,400 Speaker 1: were made of, but like or what was actually in them. 525 00:28:27,400 --> 00:28:31,200 Speaker 1: I think it was just like fog. But but yeah, 526 00:28:31,200 --> 00:28:36,720 Speaker 1: I think there were strings that they pulled us on. Yeah, 527 00:28:36,800 --> 00:28:39,880 Speaker 1: and then that was fun getting into cheerio uniforms again 528 00:28:40,520 --> 00:28:45,400 Speaker 1: and like scootering around the school and then shooting with 529 00:28:45,520 --> 00:28:51,239 Speaker 1: Becky with Lauren Potter was wild. She may have had 530 00:28:51,240 --> 00:28:53,840 Speaker 1: a five ore energy herself because she was like on 531 00:28:53,920 --> 00:28:54,640 Speaker 1: another level. 532 00:28:55,320 --> 00:28:56,240 Speaker 2: She was in character. 533 00:28:56,760 --> 00:29:01,480 Speaker 1: She was in character. She was method that day, but 534 00:29:01,840 --> 00:29:05,640 Speaker 1: Ian because it was Ian being able to rewrite things. 535 00:29:05,880 --> 00:29:09,280 Speaker 1: Just was spewing things at her and she was throwing 536 00:29:09,360 --> 00:29:12,240 Speaker 1: them at us, and she's throwing the fiber and energies 537 00:29:12,280 --> 00:29:15,440 Speaker 1: at us and then saying lines that like we had 538 00:29:15,520 --> 00:29:17,720 Speaker 1: never heard before. So we were trying not to laugh, 539 00:29:18,160 --> 00:29:23,720 Speaker 1: like it was really really really crazy but really funny. 540 00:29:23,800 --> 00:29:25,760 Speaker 1: She was really really she did such a good job, 541 00:29:26,040 --> 00:29:26,680 Speaker 1: I thought. 542 00:29:27,040 --> 00:29:32,120 Speaker 2: Her laying down like on the Twister, Matt like, I'll 543 00:29:32,160 --> 00:29:33,040 Speaker 2: be here waiting for you. 544 00:29:33,920 --> 00:29:35,080 Speaker 1: Oh my god, poor place. 545 00:29:35,360 --> 00:29:46,560 Speaker 2: So good. Now, the thing you and I have talked 546 00:29:46,600 --> 00:29:53,200 Speaker 2: about for the last week is you and Cord suckond face. 547 00:29:53,800 --> 00:29:56,960 Speaker 1: It got okay. So when I watched the actual episode, 548 00:29:57,080 --> 00:29:58,200 Speaker 1: it's very peg. 549 00:29:58,880 --> 00:30:03,000 Speaker 2: Yeah, because I I remember seeing video from the monitor 550 00:30:03,400 --> 00:30:05,080 Speaker 2: of you guys actually doing it, and. 551 00:30:05,200 --> 00:30:09,760 Speaker 1: It was gross disgusting. I'll never be able to get 552 00:30:09,800 --> 00:30:12,120 Speaker 1: that out of my head. We laughed. We laughed because 553 00:30:12,160 --> 00:30:14,320 Speaker 1: it's Cord and we're you know, it's all funny games 554 00:30:14,960 --> 00:30:18,520 Speaker 1: with us. But and Ian was like, just go for it. 555 00:30:18,800 --> 00:30:24,920 Speaker 1: But it was so gnarly and so ridiculous. And Samley 556 00:30:24,960 --> 00:30:27,280 Speaker 1: talking on Tina's boots the whole time. I totally forgot about, 557 00:30:27,320 --> 00:30:29,040 Speaker 1: like the trail leading. 558 00:30:28,880 --> 00:30:30,880 Speaker 2: Up to that, the only thing to bring her out 559 00:30:30,920 --> 00:30:31,560 Speaker 2: of her sadness. 560 00:30:32,280 --> 00:30:36,640 Speaker 1: Truly, I'll never forget shooting that with Cord. It is 561 00:30:36,760 --> 00:30:39,440 Speaker 1: so weird. It's just so weird, like kissing your brother, 562 00:30:39,880 --> 00:30:43,560 Speaker 1: you know, yeah, literally like oh my god, and then 563 00:30:43,560 --> 00:30:46,040 Speaker 1: they're like action and you just iam just let it 564 00:30:46,120 --> 00:30:47,680 Speaker 1: go for like a really. 565 00:30:47,520 --> 00:30:50,640 Speaker 2: Long time, super long, for a really long time. 566 00:30:51,040 --> 00:30:53,040 Speaker 1: So now I managed to have to kiss a lot 567 00:30:53,080 --> 00:30:56,600 Speaker 1: of guys in this show, like and to a comedic extent, 568 00:30:56,720 --> 00:30:59,640 Speaker 1: like Harry and I. Harry and I had to kiss 569 00:30:59,680 --> 00:31:01,640 Speaker 1: on the lower coaster six Flags, We had to kiss 570 00:31:01,680 --> 00:31:04,600 Speaker 1: through an entire jar of heart song at prom Cordon. 571 00:31:04,680 --> 00:31:07,080 Speaker 1: I seeing it, like kissing through this whole thing, it 572 00:31:07,240 --> 00:31:10,480 Speaker 1: was like there was a lot. If this was post pandemic, 573 00:31:10,640 --> 00:31:15,440 Speaker 1: I don't know that I would have said yes, you know, 574 00:31:17,240 --> 00:31:19,520 Speaker 1: but it was funny and it totally played into the 575 00:31:19,600 --> 00:31:21,920 Speaker 1: whole thing that like Blaine catches us and he's like, 576 00:31:22,160 --> 00:31:24,440 Speaker 1: I gotta go find them, and then he feels like 577 00:31:24,520 --> 00:31:26,920 Speaker 1: the third wheel and he said no to Kitty and 578 00:31:27,280 --> 00:31:31,479 Speaker 1: already to bumper bowling, how much he loves bumper bowling 579 00:31:32,040 --> 00:31:33,800 Speaker 1: because he didn't want to watch you guys make out 580 00:31:33,840 --> 00:31:36,160 Speaker 1: the whole time and then here we are. That's right, 581 00:31:36,800 --> 00:31:39,680 Speaker 1: But I loved it. I love Blaine's whole thing about 582 00:31:39,720 --> 00:31:43,320 Speaker 1: it is so innocent and pure and like ridiculous. 583 00:31:43,920 --> 00:31:46,880 Speaker 2: I liked when blank I like when Blaine gets like this. Yes, 584 00:31:47,080 --> 00:31:50,800 Speaker 2: like when he has this because he's always projecting like confidence, 585 00:31:50,800 --> 00:31:52,760 Speaker 2: so when it comes to music, he's always like super 586 00:31:52,840 --> 00:31:56,040 Speaker 2: confident and blah blah blah. But there's been a couple 587 00:31:56,080 --> 00:31:57,840 Speaker 2: of times where he's been like this, sort of like 588 00:31:58,520 --> 00:31:59,840 Speaker 2: sappy and hurt, and. 589 00:32:01,320 --> 00:32:06,240 Speaker 1: I love it. Yeah, this was really really fun. I 590 00:32:06,360 --> 00:32:10,480 Speaker 1: loved working with them. Obviously we missed you whatever you're 591 00:32:10,560 --> 00:32:13,720 Speaker 1: graduating with us, but I wanted joy to work with 592 00:32:13,840 --> 00:32:17,040 Speaker 1: those two in this like little trio of that. It 593 00:32:17,160 --> 00:32:17,880 Speaker 1: was really really fun. 594 00:32:18,080 --> 00:32:20,800 Speaker 2: Do you have any other favorite memories from it? We 595 00:32:20,880 --> 00:32:23,120 Speaker 2: did the scooter of the Cheerio. I love that you 596 00:32:23,160 --> 00:32:26,320 Speaker 2: had to skate around too. I was on the scooter, oh, 597 00:32:26,760 --> 00:32:29,200 Speaker 2: and Darren was on the skate yes, yes, And then 598 00:32:29,320 --> 00:32:32,120 Speaker 2: Cord came into the Cheerio outfit the skirt with the 599 00:32:32,240 --> 00:32:37,480 Speaker 2: skateboard in this converse. It's so funny, right yeah, no, Yeah. 600 00:32:37,520 --> 00:32:39,400 Speaker 2: The chin shots were one of my favorites to do 601 00:32:39,480 --> 00:32:41,600 Speaker 2: because I think everybody was just like behind the monitor, 602 00:32:41,720 --> 00:32:44,560 Speaker 2: like cackling. I thought that was so so funny and 603 00:32:44,720 --> 00:32:47,200 Speaker 2: like just working with the two of them throughout the 604 00:32:47,200 --> 00:32:48,920 Speaker 2: whole episode. It just felt like we had like a 605 00:32:49,080 --> 00:32:52,600 Speaker 2: complete episode where sometimes I feel like Tina pops in 606 00:32:52,680 --> 00:32:55,160 Speaker 2: and out and has like a scene here with somebody 607 00:32:55,240 --> 00:32:56,920 Speaker 2: and a scene here, and like it just just felt 608 00:32:57,040 --> 00:32:59,440 Speaker 2: very complete for pre graduation and. 609 00:32:59,560 --> 00:33:00,719 Speaker 1: What what was to come. 610 00:33:01,320 --> 00:33:03,720 Speaker 2: It was like you had an a an a storyline 611 00:33:04,320 --> 00:33:06,520 Speaker 2: that was set up in the very beginning ran all 612 00:33:06,520 --> 00:33:06,960 Speaker 2: the way through. 613 00:33:07,280 --> 00:33:08,240 Speaker 1: So valid. 614 00:33:08,360 --> 00:33:12,360 Speaker 2: Yes, especially because next episode, like the next two episodes, 615 00:33:12,520 --> 00:33:17,000 Speaker 2: or like the end of high school, so it's it 616 00:33:17,120 --> 00:33:18,920 Speaker 2: was really weird. Yeah, it is really nice. 617 00:33:19,480 --> 00:33:20,640 Speaker 1: Oh and then jump and jump in. 618 00:33:21,240 --> 00:33:25,920 Speaker 2: I remember Meat raising the roof, like what the hell 619 00:33:26,040 --> 00:33:27,680 Speaker 2: is having It was like, Jenna, you can't raise the roof. 620 00:33:28,080 --> 00:33:29,840 Speaker 1: I was raised, and you're like, don't do that. 621 00:33:30,440 --> 00:33:33,400 Speaker 2: Don't be disrespectful to Dussy's child like that. 622 00:33:35,120 --> 00:33:39,280 Speaker 1: That number just felt like I was a fraud, a 623 00:33:39,400 --> 00:33:40,880 Speaker 1: fraud star doing that. 624 00:33:40,920 --> 00:33:42,720 Speaker 2: And I felt so bad. You were like, I don't 625 00:33:42,720 --> 00:33:44,040 Speaker 2: know what I'm doing. I don't know how to do 626 00:33:44,160 --> 00:33:46,840 Speaker 2: this with my body sounded great on that song. 627 00:33:46,840 --> 00:33:48,760 Speaker 1: Oh things, I feel really like I felt very out 628 00:33:48,800 --> 00:33:50,760 Speaker 1: of body because it felt like in vogue to me, 629 00:33:51,160 --> 00:33:56,080 Speaker 1: not my style, not my genre, and so when you 630 00:33:56,200 --> 00:33:58,680 Speaker 1: asked me to actually try and sell something like that, 631 00:33:59,600 --> 00:34:01,040 Speaker 1: it feels very out of body. 632 00:34:02,560 --> 00:34:07,760 Speaker 2: I get that, But I my answer to that is 633 00:34:08,560 --> 00:34:10,920 Speaker 2: because when it started, I was like, this is funny 634 00:34:11,239 --> 00:34:15,920 Speaker 2: having like these three sing this song. Yeah, not your topic, no, 635 00:34:16,080 --> 00:34:19,000 Speaker 2: but that's the like magic of the show or like 636 00:34:19,480 --> 00:34:22,839 Speaker 2: or being on the show where like these are these 637 00:34:22,960 --> 00:34:27,560 Speaker 2: characters singing these songs. Yes and so yes, Like seeing 638 00:34:27,719 --> 00:34:31,960 Speaker 2: Sam and Blaine and Tina do this was like super funny. 639 00:34:32,440 --> 00:34:34,840 Speaker 2: You guys all sounded great, but also like I'm not 640 00:34:34,880 --> 00:34:36,480 Speaker 2: expecting Sam to come in and all of a sudden 641 00:34:36,640 --> 00:34:41,000 Speaker 2: be like dancing like Beyonce, you know, So it was 642 00:34:41,160 --> 00:34:45,320 Speaker 2: like fair enough. Yeah, I do understand though that perspective 643 00:34:45,360 --> 00:34:47,439 Speaker 2: of being the one who actually has to do it. Yeah, 644 00:34:47,480 --> 00:34:51,839 Speaker 2: this my body hurts doing this, Like this feels so uncomfortable. 645 00:34:51,280 --> 00:34:55,520 Speaker 1: Because I did that along here. Yeah for me, yeah, 646 00:34:55,600 --> 00:34:57,880 Speaker 1: I bet. I also feel like I just thought it 647 00:34:57,960 --> 00:35:01,000 Speaker 1: was so funny that like already they played into the 648 00:35:01,160 --> 00:35:03,640 Speaker 1: arty of like trying to be involved in this, Like 649 00:35:03,960 --> 00:35:06,279 Speaker 1: it wasn't ignored at all the people like why isn't 650 00:35:06,280 --> 00:35:09,440 Speaker 1: already there, like already tried to be there, right, He 651 00:35:09,600 --> 00:35:10,680 Speaker 1: legit tried to be there. 652 00:35:11,080 --> 00:35:13,959 Speaker 2: Yeah, at least you included me in the final number, 653 00:35:14,880 --> 00:35:18,560 Speaker 2: which you texted me about a couple days ago. Yeah, 654 00:35:18,760 --> 00:35:22,560 Speaker 2: and this is really the first time it has come up. 655 00:35:23,719 --> 00:35:29,520 Speaker 2: I have zero recollection of this number. It started and 656 00:35:29,640 --> 00:35:31,560 Speaker 2: I was like, I didn't sing on this, and then 657 00:35:31,600 --> 00:35:33,759 Speaker 2: I start singing. I'm like, what is right? 658 00:35:34,239 --> 00:35:36,719 Speaker 1: Isn't that weird when those moments happened and you're like, 659 00:35:37,840 --> 00:35:38,160 Speaker 1: oh this. 660 00:35:38,440 --> 00:35:40,640 Speaker 2: I thought I had experienced that before, but I didn't. 661 00:35:40,880 --> 00:35:43,600 Speaker 2: It felt scary. Hold on starts, I'm like, oh, this 662 00:35:43,680 --> 00:35:48,120 Speaker 2: is a great song. Zero zero recollection. 663 00:35:49,960 --> 00:35:52,000 Speaker 1: It was scary. It's a scary feeling. 664 00:35:52,080 --> 00:35:56,320 Speaker 2: Oh I on a song with Adam Lambert and Demi Levato. 665 00:35:57,200 --> 00:35:58,000 Speaker 1: It's very funny. 666 00:35:58,440 --> 00:36:00,520 Speaker 2: It's very funny. Clearly we were all having great time. 667 00:36:00,640 --> 00:36:02,479 Speaker 1: We were just cheating it out at that point, because 668 00:36:02,520 --> 00:36:04,960 Speaker 1: like it's such a cheesy number, you know, you just 669 00:36:05,040 --> 00:36:08,319 Speaker 1: have to play into it. I'm glad that they included Artie. 670 00:36:10,200 --> 00:36:10,840 Speaker 2: Thanks Jenna. 671 00:36:11,080 --> 00:36:13,759 Speaker 1: Yeah, yeah, it wouldn't have been the same without you. 672 00:36:14,000 --> 00:36:15,920 Speaker 2: Come on, I mean, that's be real. I was just 673 00:36:15,960 --> 00:36:21,440 Speaker 2: happy to sing. So that was all about it. I'm like, whatever, great, Now, 674 00:36:21,560 --> 00:36:24,880 Speaker 2: what when do we graduate? I think we graduate in 675 00:36:24,920 --> 00:36:25,840 Speaker 2: two episodes, don't we. 676 00:36:26,000 --> 00:36:28,320 Speaker 1: So we have three of angels, then we have one hundred, 677 00:36:28,520 --> 00:36:30,759 Speaker 1: and then I think we graduate. Is that right? 678 00:36:30,960 --> 00:36:31,240 Speaker 2: Okay? 679 00:36:31,440 --> 00:36:35,120 Speaker 1: Yeah, So graduation's really coming, and. 680 00:36:35,239 --> 00:36:39,200 Speaker 2: Next week is actually Nationals that we have not prepared for. 681 00:36:40,040 --> 00:36:43,120 Speaker 1: Well, I mean, we're going to get there and it's 682 00:36:43,320 --> 00:36:44,200 Speaker 1: going to be rocky. 683 00:36:44,560 --> 00:36:46,719 Speaker 2: I wish we did get to see I wish there 684 00:36:46,880 --> 00:36:51,320 Speaker 2: was a little more realism in terms of that of 685 00:36:51,440 --> 00:36:55,759 Speaker 2: the graduation, no, of like in competitions in general, of 686 00:36:55,920 --> 00:37:00,640 Speaker 2: like getting to see the progression of numbers. What do 687 00:37:00,719 --> 00:37:03,400 Speaker 2: you mean, you know, of like actually preparing for it 688 00:37:03,520 --> 00:37:07,040 Speaker 2: for over several episodes, and then the satisfaction of seeing 689 00:37:07,200 --> 00:37:11,799 Speaker 2: us accomplish the number at the competition. So it would 690 00:37:11,800 --> 00:37:14,239 Speaker 2: be a different show, Kevin, I know it would be, 691 00:37:14,440 --> 00:37:16,680 Speaker 2: but I guess just along on our show, I know, 692 00:37:17,719 --> 00:37:19,160 Speaker 2: I just wish there was a little bit of it. 693 00:37:19,600 --> 00:37:22,040 Speaker 1: I agree with you. It's obviously very late for that, 694 00:37:22,520 --> 00:37:26,480 Speaker 1: but it's more of the documentary versus the h. 695 00:37:27,120 --> 00:37:31,360 Speaker 2: I'm saying is super intricate, you know, Like I'm just 696 00:37:31,440 --> 00:37:33,080 Speaker 2: saying just like a little a little bit. 697 00:37:33,200 --> 00:37:36,920 Speaker 1: I understand, you know, And we're going to get to 698 00:37:37,000 --> 00:37:40,399 Speaker 1: next week. But obviously it's more about the Glee club 699 00:37:40,480 --> 00:37:42,160 Speaker 1: itself versus like the process. 700 00:37:42,840 --> 00:37:46,480 Speaker 2: I'm very excited and scared of Yes, me too, me too. 701 00:37:47,040 --> 00:37:50,640 Speaker 2: I did skip ahead, oh, and I was like, I 702 00:37:50,760 --> 00:37:56,360 Speaker 2: need to see these musical numbers. Big mistake. Big mistake 703 00:37:56,640 --> 00:37:57,400 Speaker 2: was not if you. 704 00:37:57,480 --> 00:38:00,560 Speaker 1: Don't prepare yourself for that one. Sorry for you. I 705 00:38:00,600 --> 00:38:01,360 Speaker 1: feel sorry for you. 706 00:38:01,840 --> 00:38:06,280 Speaker 2: Jenna, I feel sorry for you. Sitting on my couch weeping. 707 00:38:07,200 --> 00:38:11,960 Speaker 1: Yeah, that's not exactly the one I would just watch for. 708 00:38:12,320 --> 00:38:15,680 Speaker 1: To watch for ships and giggles, if you will. This 709 00:38:15,920 --> 00:38:21,120 Speaker 1: is hands down our favorite national set list that's coming up, 710 00:38:22,800 --> 00:38:29,200 Speaker 1: and it's sentimental. It's very obviously very emotional and emotionally driven. 711 00:38:30,800 --> 00:38:36,279 Speaker 1: But we go to LA What a great way to 712 00:38:36,560 --> 00:38:36,960 Speaker 1: go out. 713 00:38:37,760 --> 00:38:40,279 Speaker 2: Yeah. It was also very odd. I'm excited to talk 714 00:38:40,280 --> 00:38:46,440 Speaker 2: about it. Yeah, but it's it's sad. It's a good 715 00:38:46,520 --> 00:38:47,960 Speaker 2: balance of fun and sad. 716 00:38:48,960 --> 00:38:53,719 Speaker 1: I don't I just I'm trying to remember like feeling like, oh, 717 00:38:53,800 --> 00:38:56,680 Speaker 1: this is our last competition. How am I going to 718 00:38:56,680 --> 00:39:00,879 Speaker 1: feel about this? I don't remember if feeling like, oh, 719 00:39:01,040 --> 00:39:02,320 Speaker 1: being nostalgic about it? 720 00:39:03,000 --> 00:39:05,799 Speaker 2: I don't either, But I think it was very much 721 00:39:05,880 --> 00:39:09,759 Speaker 2: like how like this. I think we were like we're 722 00:39:10,840 --> 00:39:13,839 Speaker 2: we know, yeah, and we were also excited to see 723 00:39:13,840 --> 00:39:15,560 Speaker 2: like what was next, like oh what does this look 724 00:39:15,640 --> 00:39:18,799 Speaker 2: like now? Because it didn't feel like it was completely over. 725 00:39:19,239 --> 00:39:22,520 Speaker 2: It was just like what is this next adventure? Also, 726 00:39:24,080 --> 00:39:26,200 Speaker 2: I think with the season, like behind the scenes, we 727 00:39:26,320 --> 00:39:29,960 Speaker 2: were just like just trying to get through, so like, yeah, 728 00:39:30,080 --> 00:39:33,880 Speaker 2: there wasn't a lot of emotional room to be nostalgic 729 00:39:34,040 --> 00:39:36,160 Speaker 2: or upset about what the future might hold, and we 730 00:39:36,239 --> 00:39:39,480 Speaker 2: were just like trying to get through the day fair enough. 731 00:39:40,400 --> 00:39:45,560 Speaker 1: I just want to note because all of y'all told us, 732 00:39:46,160 --> 00:39:48,560 Speaker 1: you know, the season's a little unhinged, there's a little 733 00:39:48,600 --> 00:39:52,200 Speaker 1: bit of it's kind of going downhill, be prepared. But 734 00:39:52,360 --> 00:39:57,040 Speaker 1: the music and like again we're you're once again telling 735 00:39:57,120 --> 00:39:59,360 Speaker 1: us the truth like we are we have been told 736 00:40:00,040 --> 00:40:06,520 Speaker 1: and like this episode would get Gloria Like I don't know, 737 00:40:06,719 --> 00:40:08,840 Speaker 1: I just feel like you guys, you guys hit the 738 00:40:08,920 --> 00:40:09,360 Speaker 1: nail on the. 739 00:40:09,400 --> 00:40:11,960 Speaker 2: Head fully time and time again, Like oh yeah. 740 00:40:11,920 --> 00:40:15,359 Speaker 1: The music in this season is just outrageous. 741 00:40:15,680 --> 00:40:17,359 Speaker 2: Yeah, out of this world, very very good. 742 00:40:17,440 --> 00:40:19,520 Speaker 1: Let's right, let's rape these, let's right these. 743 00:40:19,600 --> 00:40:20,400 Speaker 2: Jump in jump in. 744 00:40:23,640 --> 00:40:24,320 Speaker 1: I give it a B. 745 00:40:25,680 --> 00:40:26,840 Speaker 2: I'll give it a B plus. 746 00:40:27,400 --> 00:40:30,240 Speaker 1: All right, fine, it'll be a nice sir, Okay, I'll. 747 00:40:30,080 --> 00:40:32,239 Speaker 2: Do B plus Barracuda. I'll give it an A. 748 00:40:33,680 --> 00:40:37,799 Speaker 1: A don't you forget about Me song or performance. 749 00:40:37,480 --> 00:40:41,880 Speaker 2: Performance A yeah, I would like you Barracuda and A 750 00:40:42,120 --> 00:40:43,600 Speaker 2: minus and don't you forget about me in. 751 00:40:43,680 --> 00:40:46,960 Speaker 1: A okay, fair fair because it was so fun and 752 00:40:47,040 --> 00:40:48,360 Speaker 1: I just I. 753 00:40:48,440 --> 00:40:50,319 Speaker 2: Had to take myself out of it for a little bit, 754 00:40:50,640 --> 00:40:53,160 Speaker 2: like to be unbiased, not because I was bitter about 755 00:40:53,200 --> 00:40:55,480 Speaker 2: not being in it, but like not have anything to 756 00:40:55,520 --> 00:40:57,600 Speaker 2: do with the show. Whereas one of those times of 757 00:40:57,760 --> 00:41:01,279 Speaker 2: like if this were a teen show that I was 758 00:41:01,480 --> 00:41:03,560 Speaker 2: just watching and had nothing to do with, I would 759 00:41:03,600 --> 00:41:07,000 Speaker 2: be like I would love this, and I did love 760 00:41:07,080 --> 00:41:09,799 Speaker 2: it so like I could see, like as a fan 761 00:41:10,000 --> 00:41:11,000 Speaker 2: just enjoying it so much. 762 00:41:11,360 --> 00:41:16,680 Speaker 1: Yeah, yeah, yeah, okay, I see Danny's song A minus, 763 00:41:18,160 --> 00:41:22,799 Speaker 1: Gloria A plus, the happening a A. 764 00:41:23,800 --> 00:41:31,560 Speaker 2: Minus, hold on A yeah. Everyone was really funny. It 765 00:41:31,680 --> 00:41:37,879 Speaker 2: was ridiculous. Those curtains, beautiful curtains. Auchi's Emma and Will 766 00:41:38,280 --> 00:41:41,920 Speaker 2: having sex at school during school hours and then getting 767 00:41:42,000 --> 00:41:44,120 Speaker 2: caught and then we're leaving this class. 768 00:41:45,640 --> 00:41:48,400 Speaker 1: He just like pulls like she pulls him out of class. 769 00:41:48,440 --> 00:41:52,000 Speaker 1: It's like, I don't I expect it from. 770 00:41:52,880 --> 00:41:53,479 Speaker 2: Not from Emma. 771 00:41:55,160 --> 00:41:55,440 Speaker 1: Okay. 772 00:41:56,080 --> 00:41:58,719 Speaker 2: Well, also Becky said some really racist things to Tina. 773 00:42:00,120 --> 00:42:02,320 Speaker 1: Becky said some questionable things this whole season. 774 00:42:06,680 --> 00:42:09,920 Speaker 2: Okay, best dance move, I don't know. 775 00:42:10,000 --> 00:42:11,800 Speaker 1: There wasn't a ton of dancing in this episode. 776 00:42:12,440 --> 00:42:15,440 Speaker 2: I did really love the hallway really worked for me 777 00:42:15,520 --> 00:42:19,000 Speaker 2: for Jump and Jump in. Oh really, I sort of 778 00:42:19,040 --> 00:42:21,160 Speaker 2: wish the whole number was there. It felt really cool. 779 00:42:21,239 --> 00:42:23,560 Speaker 2: I liked how it was shot interesting. It felt like 780 00:42:23,640 --> 00:42:25,600 Speaker 2: a like a music video where you guys are in 781 00:42:25,640 --> 00:42:29,640 Speaker 2: the foreground and everyone was like really packed into the hallway. Yeah. 782 00:42:29,680 --> 00:42:30,920 Speaker 1: I could have done more of that in less of 783 00:42:30,920 --> 00:42:33,040 Speaker 1: the choir room, to be honest, I really it really 784 00:42:33,120 --> 00:42:33,640 Speaker 1: really worked. 785 00:42:33,680 --> 00:42:35,680 Speaker 2: It also like mimicked the music video a little. 786 00:42:35,440 --> 00:42:38,719 Speaker 1: Bit, like yeah, yeah, okay, I see what you're saying. 787 00:42:39,960 --> 00:42:45,719 Speaker 1: Best song Gloria, Yeah, Gloria. Oh God, Besh forms very 788 00:42:45,880 --> 00:42:50,040 Speaker 1: prop Becky's eleven hour energy Your Chin. 789 00:42:54,840 --> 00:42:56,840 Speaker 2: I also liked so there was that bit where you 790 00:42:56,920 --> 00:43:00,759 Speaker 2: guys go into Emma's office and like rifle through the 791 00:43:00,800 --> 00:43:04,400 Speaker 2: pane and those condoms and you pull out a condom 792 00:43:05,320 --> 00:43:10,760 Speaker 2: and then blam, like looks at Sam and Sam's like yeah, sure, okay, 793 00:43:11,800 --> 00:43:15,680 Speaker 2: and then Blaine doing where it's like, well me and Sam, 794 00:43:15,800 --> 00:43:17,600 Speaker 2: and then Sam and Tina. 795 00:43:18,040 --> 00:43:25,480 Speaker 1: Now incestual ah best line. 796 00:43:26,160 --> 00:43:28,800 Speaker 2: Well I too, will saying wait, wait, wait, are you 797 00:43:29,360 --> 00:43:31,520 Speaker 2: really pregnant or are you just pretending to be? Because 798 00:43:31,760 --> 00:43:33,799 Speaker 2: same somebody told me they were pregnant it was really bad, 799 00:43:35,600 --> 00:43:39,400 Speaker 2: which I really appreciated. And Santana said, first comes some 800 00:43:39,520 --> 00:43:42,400 Speaker 2: amazing new hair, then incredibly sexy rehearsal clothes which she 801 00:43:42,440 --> 00:43:44,000 Speaker 2: could never pull off, and then I'm going to sneak 802 00:43:44,000 --> 00:43:46,200 Speaker 2: into the theater and tack up yearbook photos from her 803 00:43:46,480 --> 00:43:49,200 Speaker 2: from her sophomore year when she was chunky. Little butter 804 00:43:49,320 --> 00:43:51,439 Speaker 2: Ball just reminded her, Hey, wance a fatty, always a fatty. 805 00:43:51,520 --> 00:43:53,880 Speaker 2: God is my witness. I will break her down. In 806 00:43:54,000 --> 00:43:56,880 Speaker 2: the beginning, it's all sunshine, giggles and stickers, and then 807 00:43:56,960 --> 00:43:58,440 Speaker 2: the second that you want the same thing as her, 808 00:43:58,520 --> 00:44:01,840 Speaker 2: a dark cloud comes over her whiskery little chin, and 809 00:44:01,960 --> 00:44:03,640 Speaker 2: she will chew you up and spit you out like 810 00:44:03,640 --> 00:44:08,399 Speaker 2: a Jewish Hillary Clinton. I cannot, I spit out my water. 811 00:44:09,480 --> 00:44:14,919 Speaker 1: Cannot. It's too much, it's too much. 812 00:44:15,280 --> 00:44:17,120 Speaker 2: Do you have a favorite quote you know? 813 00:44:17,480 --> 00:44:19,839 Speaker 1: Sue had a really good one when she talks about 814 00:44:19,840 --> 00:44:23,480 Speaker 1: Michael Bolton and pregnanting her. He used a range of 815 00:44:23,520 --> 00:44:25,920 Speaker 1: his enormous, silky smooth vocal range to suit me into 816 00:44:25,920 --> 00:44:27,719 Speaker 1: a state of relax so deep you can only be 817 00:44:27,760 --> 00:44:30,120 Speaker 1: described as religious. I'm serious, Will I was listed than 818 00:44:30,160 --> 00:44:30,640 Speaker 1: a renals. 819 00:44:33,760 --> 00:44:37,600 Speaker 2: Oh. I did also lose it when Sam Okay Blaine says, 820 00:44:37,680 --> 00:44:40,520 Speaker 2: I turn it down because I figured they were just 821 00:44:40,600 --> 00:44:42,200 Speaker 2: gonna make out the whole time, and I didn't want 822 00:44:42,200 --> 00:44:44,840 Speaker 2: to be third wheel. And then Sam goes fifth wheel. 823 00:44:46,200 --> 00:44:48,680 Speaker 2: I screamed, I actually screamed. 824 00:44:49,040 --> 00:44:55,240 Speaker 1: Very funny, it's very good. Okay performance, MVP you Darren 825 00:44:55,320 --> 00:45:00,480 Speaker 1: in court obviously. Oh, I don't know about that. Leanne Nayah. 826 00:45:01,960 --> 00:45:03,960 Speaker 2: They can have an honorable mention. But it's the three 827 00:45:04,000 --> 00:45:04,120 Speaker 2: of you. 828 00:45:04,360 --> 00:45:06,359 Speaker 1: Yeah, that's nice. 829 00:45:06,400 --> 00:45:07,279 Speaker 2: You're undeniable. 830 00:45:07,960 --> 00:45:09,080 Speaker 1: That's so nice. 831 00:45:09,560 --> 00:45:11,560 Speaker 2: You want to see some shit we found on TikTok 832 00:45:11,600 --> 00:45:11,919 Speaker 2: this week. 833 00:45:12,239 --> 00:45:13,160 Speaker 1: I Love Joe. 834 00:45:13,480 --> 00:45:19,640 Speaker 2: This several tiktoks by the same creator. Her name is Ali. 835 00:45:20,320 --> 00:45:23,200 Speaker 2: It's Ali JP twenty nine on TikTok, and she has 836 00:45:23,239 --> 00:45:26,600 Speaker 2: a series of making her boyfriend. 837 00:45:26,239 --> 00:45:28,640 Speaker 1: I'm exkuming somebody a man friend? 838 00:45:28,920 --> 00:45:31,719 Speaker 2: Yeah, watching making this man watch Glee for the first time. 839 00:45:31,840 --> 00:45:34,920 Speaker 2: The first clip that we have here is him watching 840 00:45:35,480 --> 00:45:40,080 Speaker 2: Shuster sing the Thong song for the first time. There's 841 00:45:40,120 --> 00:45:45,400 Speaker 2: also Shuster rapping. There's also a Bohemian Rhapsody, you know, 842 00:45:45,560 --> 00:45:49,320 Speaker 2: like all the greatest hits here, and he looks like 843 00:45:49,440 --> 00:45:52,520 Speaker 2: he's in shock every single time. Oh yeah, it is 844 00:45:52,600 --> 00:45:53,120 Speaker 2: her boyfriend. 845 00:45:56,280 --> 00:46:01,640 Speaker 1: He's cringing, he's laughing, he's shocked. I love this is 846 00:46:01,680 --> 00:46:02,160 Speaker 1: a series. 847 00:46:02,600 --> 00:46:04,800 Speaker 2: You know, there's that show in the UK called goggle 848 00:46:04,880 --> 00:46:08,760 Speaker 2: Box where people watch TV and they show their reactions. 849 00:46:08,840 --> 00:46:12,439 Speaker 2: I would love that for people reactions for sure, Yeah, 850 00:46:12,480 --> 00:46:16,040 Speaker 2: for sure. And people nothing to do with like musicals, 851 00:46:16,120 --> 00:46:19,920 Speaker 2: musical theater, Like I'd really like to see just out 852 00:46:19,960 --> 00:46:22,520 Speaker 2: in the wild, people taking this in for the first time. 853 00:46:24,000 --> 00:46:26,600 Speaker 2: And I like people like in the comments suggesting different things. 854 00:46:27,320 --> 00:46:32,440 Speaker 2: Yeah for him to watch, like you're having my baby, 855 00:46:35,400 --> 00:46:38,719 Speaker 2: Oh my god, I'm still standing. Someone also said the 856 00:46:38,760 --> 00:46:40,640 Speaker 2: worst part is that Emma is eating it up like 857 00:46:40,760 --> 00:46:45,520 Speaker 2: girls stand up. Also, lest we forget the wedding dress 858 00:46:45,560 --> 00:46:48,600 Speaker 2: she's in. Oh right, Princess Danna's wedding dress. 859 00:46:49,040 --> 00:46:50,600 Speaker 1: That's right. Song. 860 00:46:52,400 --> 00:46:56,239 Speaker 2: Okay, it's really wild, but these are so good. And 861 00:46:56,440 --> 00:46:58,560 Speaker 2: someone says it's called art and you know what it is. 862 00:46:59,000 --> 00:46:59,239 Speaker 1: It is. 863 00:46:59,480 --> 00:46:59,960 Speaker 2: That's what I say. 864 00:47:00,640 --> 00:47:05,160 Speaker 1: I love a series, very good, very very good. Well, Kevin, 865 00:47:05,320 --> 00:47:08,080 Speaker 1: that is Trio. And we are onto season five, episode 866 00:47:08,080 --> 00:47:11,640 Speaker 1: eleven next week, which is City of Angels, which is Nationals. 867 00:47:11,760 --> 00:47:13,480 Speaker 1: We are at National. 868 00:47:13,480 --> 00:47:15,360 Speaker 2: Lots of memories and stories from this episode. 869 00:47:15,840 --> 00:47:19,399 Speaker 1: Oh yeah, there's too many. Very excited for this, all. 870 00:47:19,360 --> 00:47:21,400 Speaker 2: Right, Jenna, great job this episode. 871 00:47:22,000 --> 00:47:26,239 Speaker 1: Thank you, thank you, very fun, very fun. That's what 872 00:47:26,280 --> 00:47:26,880 Speaker 1: you're really missed. 873 00:47:26,960 --> 00:47:30,120 Speaker 2: Thanks for joining us, thanks for listening, and follow us 874 00:47:30,160 --> 00:47:32,839 Speaker 2: on Instagram at and that's what you really miss pod. 875 00:47:33,160 --> 00:47:34,960 Speaker 2: Make sure to write us a review and leave us 876 00:47:35,000 --> 00:47:36,480 Speaker 2: five stars. See you next time.